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As a reporter, I've traveled the Middle East
for many years.
It's an area that has always fascinated me.
But in my work, I've mainly covered its war zones,
it's crises and its tragedies.
This journey, which takes me down the Silk Road
in the footsteps of Marco Polo,
gives me the opportunity of exploring
the great historical and cultural significance
of this part of the world, its ancient melting pot
of peoples and civilizations that have contributed
so much to our own.
(thrilling Middle Eastern music)
(bird cries)
The singing sand fills the air with the sounds
of all sorts of musical instruments,
as well as the noise of drums and the striking of weapons.
Thus wrote Marco Polo, telling of his epic journey
across the Gobi, and Taklamakan Deserts
in the great Chinese far west.
After the trials of the Taklamakan,
the caravans officially arrived in China,
the first watering point at the edge of the desert,
the oasis of Dunhuang
was at the crossroads of the Silk Road.
In the Uyghur language,
Taklamakan means The Place From Which One Does Not Return.
Marco Polo said that this was because
of the jinns, or the desert demons which called
caravan drivers from dune to dune and misled them.
In practical terms, this is the phenomenon
of singing sand due to the sliding of sand
displaced by the wind.
(wind hums)
Only one animal can endure the crossing of these
vast deserts of the Chinese great west,
and that is the Bactrian camel.
The camel breeder, Yan Su Shi, is the first person we meet
who speaks Mandarin, the language of the Han ethnic group
and the official language of the People's Republic of China.
Although bordering the Uyghur region,
culturally we are well and truly in China now.
What's particular about the Bactrian camel,
what makes it so well-adapted to this region?
(speaking foreign language)
The particularity of the Bactrian camel
is its enormous energy.
They have much more energy than a dromedary.
For long journeys they are clearly much more robust.
They're overflowing with energy.
And what sort of distance can a well-trained
camel cover each day between caravan stages?
Generally speaking,
a camel carrying merchandise can cover more than
20 kilometers a day, even up to 25 kilometers.
(camel brays)
For long journeys we usually carry water with us.
If we ration it, we can give them something to drink
once a week, or even every two weeks.
So at what moment does a camel
draw on the reserves in its hump?
The hump represents a source of energy
for the camel.
This is where it draws its energy,
and not directly from water.
It consumes the fat stocked inside its hump.
As it gradually consumes this fat,
the hump deflates little by little.
What made you decide to become a breeder?
Is it a family tradition, or a passion?
(camel brays)
I chose this profession because of the
economic situation in the region.
We do this to earn a living.
We're people of the land.
And in addition to agriculture,
we can develop tourism in places.
That's why we decided to try and become involved
by raising camels, and thereby increasing our income.
Today does the Bactrian camel still have
a role to play outside of tourism?
Do certain nomads still use them?
(speaking foreign language)
Today the majority of camels
can be found in the tourist areas or zoos.
They're used for outings.
These days it's clear that camels
are hardly used by anybody except tourists.
But in China, tourism is a serious business.
Tens of millions of Chinese have achieve financial security
over the last few years, and the middle classes
are discovering holidays.
For Beijing, it's a question of directing
the sun lotion-daubed, selfie stick-wielding hordes
towards the treasures of the vast Gobi region.
It's a way of helping to integrate the Uyghurs
along with the tens of other minority ethnic groups
of the great west into the national culture.
Tourists are a godsend for the vast desert expanses
of Chinese Turkestan.
For centuries the Gobi region was separated from the world.
Since the end of the caravan age at the turn
of the Middle Ages, the stage post towns along the Silk Road
have become self-orientated.
The famous traveler Ella Maillart neatly refers to them
as the Forbidden Oases.
(birds chirp)
But tourist development brings in a new form of erosion
to this fragile ecosystem.
The geographer Jian Jun Qu studies, amongst other things,
the movement of dunes under the effect of the dominant winds
and the resulting impacts on the site of the
Crescent Moon Pagoda on the outskirts of Dunhuang.
How do you explain that the immense dunes around us
don't engulf the Buddhist pagoda and the oasis?
The Crescent Moon Oasis is preserved
because wind comes from the east and keeps the sand back.
By studying the way in which the wind blows
we discovered that it was from a generally eastern direction
and there were many trees and buildings which hindered it.
So we cut down the trees and demolished the buildings
to the east.
That allowed the wind to penetrate and carry the sand
from both sides towards the dunes.
The wind which blows across the oasis is the means
of its preservation.
Is your study of sand only useful
in the protection of historic sites,
or does it have other applications in modern life?
We study the laws governing sand
moving in the desert.
The influence this movement has upon human activity,
but also on towns, roads, transport,
including high-speed trains, and also historic monuments.
We study with minute precision the dangers which
sand movement represents.
In this way, we hope to protect monuments
and infrastructure.
In your opinion, have the dunes moved
very much, or were traders at the time of the Silk Road,
like, for example, Marco Polo,
greeted by the same landscape?
Between the time of Marco Polo
and the present day, there haven't been any great
changes at an environmental level,
but the look of the oasis has changed completely.
The surface area of the water has diminished
and particularly over there,
there were many temples and houses.
Everything was demolished and the water which disappeared
only returned during the 1990's.
(dull humming)
While crossing the desert, Marco Polo
describes a terrifying phenomenon which he calls demons.
Today we know that what he was talking about
was singing sand, but can you explain
what physically produces this?
The place where the sand sings,
as Marco Polo describes, is right here.
During the Han dynasty it was noticed
that as soon as the sand here began to slide,
it would make a noise.
In fact, on the surface of a grain of sand
there are many holes.
When it slides, they knock into each other
which produces this noise.
(low droning)
(motor purring)
China has more than 1.3 billion inhabitants.
It's the most populated country in the world.
And even though it's one of the largest,
there's beginning to be a serious lack of space
in the fertile regions of the south and the east.
So Beijing has decided to direct the over spill
towards the great expanses of the Gobi.
Han, the ethnic majority, are already almost as numerous
as the Uyghurs in the northwestern provinces.
Airport, motorways, 30-story buildings,
the sleepy oasis of Dunhuang is being modernized
at lightning speed with the help of colossal investment.
(speaking foreign language)
So, since the menu is only in Chinese,
I'll have to make a guess.
(speaking foreign language)
(both conversing in foreign language)
Ah, tea!
For the interviews, I have a translator.
But this evening, I need to get by on my own.
(speaking foreign language)
To be consumed in moderation: Chinese beer.
(slurping)
It's a bit spicy.
Actually, very spicy.
But it's good.
Tagliatelle, I think from rice.
It's not wheat pasta, it's rice pasta.
(slurping)
I'm eating the Chinese way, which is not quite like our own.
It's a bit noisier, but with these sort of chopsticks
it's quite efficient.
You need to be agile
to eat spicy tagliatelle with chopsticks.
(speaking foreign language)
Ah! (puffing)
And beer helps, too.
(glasses clinking)
(chatter and laughter)
Historically, the oases of the Gobi Desert
are where Indian, Iranian, and Chinese influences
came together.
For travelers along the Silk Road it was a foretaste
of the Middle Empire.
It was in Dunhuang that Marco Polo discovered Buddhism
for the first time.
He was probably the first westerner to come across
this religion.
He called them the idol worshipers.
The Buddhism which Marco Polo came across
is, in fact, Lamaism, that's to say Tibetan Buddhism,
which at this period took in Sichuan and the whole
regional curve as far as Mongolia.
There was another aspect of Tibetan culture
which greatly intrigued and shocked Marco Polo
which he described as the polyandry of the Tibetans.
"I can certify", he wrote, "that if a stranger comes to stay
"at a man's house, he orders his wife to do whatever
"the stranger pleases.
"And he goes away, and only comes back home
"when he knows the stranger has left
"so that the latter can spend a good time with his wife
"for as long as he likes.
"This is good, because the women are most beautiful."
You can't help feel that there's an autobiographical
dimension to the description of the world.
(chatter and street music)
Marco Polo also indicated that Buddhists were
very numerous in Dunhuang.
"They have many abbeys which are full of idols
"to which they make rich sacrifices,
"and show great honor and great reverence,"
wrote the Venetian adventurer.
At the edge of Dunhuang
begins the Valley of the Thousand Buddhas,
one of the most important archeological sites
in all Chinese culture.
The valley is hollowed out with little caves
which form a sort of immense hive 500 meters long
made up of cells and rocky halls nestling into the cliffs.
While tourists come to amuse themselves in the dunes
at the sacred site of one of the thousand Buddhas,
it's above all for a visit or a pilgrimage
that they flock to Dunhuang.
Introduced in China 2,000 years ago,
Buddhism greatly prospered all along the Silk Road.
Along with Confucianism and Taoism,
Buddhist thinking makes up the (speaking foreign language),
that's to say the three-school system which structures
Chinese culture.
The vestiges of the Dunhuang site spread out
over a millennium from the fourth to the 14th century.
But it was at its height during the Tang dynasty,
a little before the year 1,000 when the Chinese empire
spread out to the West as far as present-day Kazakhstan.
Its style is that of Mogao art, or excessive cave style,
explains Professor Shu Dong Huang,
head curator of the site,
an image which appears totally apt when confronted
with this gigantic statue of Buddha in meditative pose.
(peaceful music)
The Valley of the Thousand Buddhas contains 492 caves.
This one is the most famous.
Could you explain what it is we see here?
The cave in which we are standing
is very well-known.
It's number 96.
It houses the biggest Buddha in the valley.
This great Buddha, which is 36.5 meters tall,
was built at the end of the 7th century.
The Empress Wu Zetian was in power,
and she decided to build statues of Maitreya
throughout her kingdom.
It was under her regime that the Dunhuang people
began to construct this great Buddha.
Today it is the largest interior Buddha
in the history of China.
Looking at this immense Buddha,
we obviously think of the Buddhas of Bamiyan
which were blown up by the Taliban in Afghanistan.
What's the history of Central Asian Buddhism?
If we compare this Buddha with those
of Bamiyan, the latter are much older.
Because we know that Buddhism has its origins in India.
It crossed the Middle East,
and then (speaking foreign language) before arriving
in the central plain of China.
It's the route which Buddhism followed
which allowed it to spread.
All the art of Buddhism was created in Gandhara,
a region of present-day Pakistan and Afghanistan.
The original form of this Buddha
was of Middle Eastern influence, from Gandhara.
Originally founded by descendants of soldiers
of Alexander the Great, the Greco-Buddhist Gandhara
kingdom produced the first effigies of Buddha
with a human face, of which those of the Mogao Caves
are descendants.
What could be more moving than these last examples
of Hellenic art lost in the depths of the sand of the Gobi?
The Mogao Caves stand as a reminder of the movement
of ideas and beliefs along the ancient Silk Road.
These marvelous frescoes covering the walls
depict the teachings of the Buddhas who arrived in China
at the end of antiquity.
But several paintings also contain earlier symbols and myths
from much farther away towards the West.
Certain Chinese researchers are convinced that this crowded
and gaudy parietal art notably bears traces of Greek
and Roman mythology,
as with this image of the God of the Moon,
and this God of the Sun, shown riding a chariot
like the Greek god Helios.
Then there are these impish characters
which look surprisingly like certain masks
out of Greco-Roman theater.
Other influences are Persian, like these armored horsemen,
images from the chivalry of the Sasanians
who ruled over Iran.
Today historians and curators are at total liberty
to preserve these masterpieces.
For several decades, the communist regime in China
dreamt of a cultural revolution which would wipe out
all the traces of the past.
But utopias evolve, and today the authorities
are pleased to show off all that has contributed
to the greatness of Chinese civilization.
(anticipatory music)
(speaking foreign language)
Ah, a helmet.
Of course.
Okay.
The historian Su Bumin is in charge
of the restoration of caves which are closed to the public.
In a country as highly-disciplined as China,
it's a huge privilege to be allowed to visit
an ongoing work site.
When does this colossal statue of Buddha date from?
When was it built?
This Buddha was built during the Tang dynasty
more than 1,000 years ago.
(speaking foreign language)
Historians and archeologists who do research
into the history of these Buddhist caves
consider that this Buddha would have principally
been built by local artists.
What techniques were employed for statues
of this size?
They first dug out the outline,
the basic form, that is to say, the shape of the body
of the Buddha.
Next they applied a layer of clay.
Then, over the top of this clay, they added another layer
of clay which was thicker and mixed with straw.
After this, they added a layer of fine clay
which was mixed with cotton, or other such thin fibers,
and onto this color was painted, and motifs were added.
We know that these cultural relics age
with the passing of the years.
They are submitted to the influence of all sorts of factors,
be they natural or human.
So we attempt to slow this influence down.
In Mogao the warm and very dry air
of the desert is a great help to restorers
because it's helped to conserve the original pigment.
So is that the original?
Yes, original.
(restorers talking quietly)
The Chinese approach is also
wonderfully innovative.
There are no half measures here.
The authorities decided to entirely digitalize
all the walls of the Mogao Caves from floor to ceiling
in addition to thousands of manuscripts
conserved among the statues.
This intricate work is directed by Professor Wu Zhen,
and makes it possible for previously inaccessible images
to be made public.
Digitalizing 492 caves is a colossal task.
How's it coming along?
Research into digitalization began
some 20 years ago.
We've now finished digitalizing the category A caves,
110 of them in all.
(speaking foreign language)
About 120 caves have also been digitalized
in 360 degree panoramic.
Now at the same time, in April 2016,
we put online the 30 most important caves
in order to share them with the whole world.
Could you give me a concrete example
of a historic discovery which has come about
thanks to digitalization?
Yes, this huge digitalization work
has produced some astonishing results.
For example, in the digitalization of cave number 61
there's a large fresco depicting Mount Wu Tai.
For this fresco, we took more than 4,000 photos
then pieced them together into one image.
It contains a lot of detail which couldn't be seen before.
For example, we can see images of people from the mountain,
some foreigners, but also certain jokes
which the painters made, like the images of benefactors
who have been given pig-like noses.
These things were never noticed before.
I'd become increasingly aware of something
with each new encounter, whether it be around
the town market, or visiting the caves of the Buddhas.
As of Dunhuang, you really begin to enter China
in the cultural and ethnic sense of the term.
Borders make themselves known in many ways:
barbed wire, lines painted on the ground,
or a simple customs post.
Most of those I've crossed have continually moved
over the course of history.
I've never liked borders.
As with all reporters, they've often impeded me
in my work, or slowed down my travels.
But 100 kilometers north of Dunhuang can be found
one of the most famous borders of them all.
Many people even claim that this is the greatest work
ever undertaken by mankind: the Great Wall of China.
At its very western extremity is situated the single
crossing point authorized for all travelers
along the Silk Road, an austere fortified gate
which guarded the western limit of the Han empire.
It's called the Jade Gate.
Certain travelers had to wait here for more than a year
in order to obtain permission from Beijing to enter
the lands of the Sun of the Sky.
The ancient Silk Road.
It doesn't look like much with these two little granite
stelae, but in fact, it's quite a moving place because
we are precisely on the route of the ancient Silk Road.
(speaking foreign language)
To the west were what the Chinese
called the Barbarians.
And to the east was China.
Merchants who wanted to enter China
were obliged to head for the Jade Gate
which they went through at this precise point.
This is where they passed for centuries,
and therefore, it was precisely here that Marco Polo
passed, and here, too, that his Arab counterpart
passed a century later, the explorer Ibn Battuta.
Built between the mountains on one side
and the marshes on the other, the proud fortress
controlled a real bottleneck where caravans were scrutinized
and smuggling was prevented.
In the Jade Gate can be seen the whole point
of the Great Wall.
In the second century B.C.E. the emperor Han Wudi
crushed the Xiongnu, the nomads who dominated
the entire part of the Gobi, and who would become
the Huns who would attack Europe.
In order to protect his conquests,
the emperor lengthened the Wall of China
which was 7,000 kilometers long at this point.
There were no more rocks, so instead he used
rammed earth, straw, and gravel to continue
the biggest construction that humans have ever built.
(soothing music)
Chinese civilization has a 4,000 year history.
It's still considered to be the center of the world
from whence the name Middle Empire.
And I finally made it here.
(cheerful Asian music)
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