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Captioning sponsored by CBS
♪ THE LATE LATE SHOW, OH, OH
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THE LATE LATE SHOW, OH, OH
♪ IT'S THE LATE LATE SHOW ♪
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>> James: GOOD EVENING, LADIES
AND GENTLEMEN, AND WELCOME TO
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00:00:19,519 --> 00:00:20,770
THE "LATE LATE SHOW."
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I HOPE YOU HAVE HAD AN OKAY DAY.
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I HOPE ARE YOU HOLDING UP ALL
RIGHT, HOW ARE YOU FEELING,
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REG, ARE YOU GOOD?
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>> Reggie: I'M DOING GOOD.
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I JUST LOST A HEADPHONE.
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>> James: OH NO.
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WHAT DO YOU MEAN?
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>> Reggie: I JUST CAN'T HEAR
OUT OF MY RIGHT HERE RIGHT NOW.
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>> James: HOW DO YOU KNOW THAT
IS THE HEADPHONE AND NOT YOUR
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00:00:35,201 --> 00:00:36,327
EAR?
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00:00:36,411 --> 00:00:42,125
HOW DO YOU KNOW THAT THE PROBLEM
ISN'T SOMETHING DEEPER THAN
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00:00:42,208 --> 00:00:42,751
THAT?
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>> Reggie: OKAY, I FIXED IT.
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THANKS, JAMES.
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>> James: AND IT IS THIS
LEVEL, IT IS THIS LEVEL OF
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BROADCASTING WE'RE GOING TO
BRING YOU ALL NIGHT TONIGHT
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FOLKS, OKAY, NOT ONLY WHEN YOU
GET THIS INCREDIBLE INCITE,
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WE'LL ALSO BE TALKING TO THE
EVER-CHARMING ANNA KENDRICK WILL
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BE HERE LATER ON.
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WE HAVE A MUSICAL PERFORMANCE
FROM THE ICON THAT IS ALANIST
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MORISSETTE SO STICK AROUND FOR
THAT BUT NORMALLY WHEN WE START
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A SHOW IN THE GARAGES WE HAVE
THREE THINGS THAT CHEER YOU UP
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BUT RIGHT NOW WITH EVERYTHING
GOING ON IN THE WORLD WE CHANGED
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IT UP.
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WE HAVE THINGS TO OFFER SUPPORT,
THIS IS THREE THINGS YOU CAN DO
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TO HELP.
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>> Reggie: THREE THINGS YOU
CAN DO TO HELP.
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>> James: REG YEA, COULD I GET
A NUMBER PLEASE.
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>> Reggie: NUMBER ONE.
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>> James: NUMBER ONE, HERE IS
SOMTHING YOU CAN DO, SIGN A
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PETITION.
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IT COULDN'T BE SIMPLER.
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AND NO, I'M NOT TALKING ABOUT
THE PETITION, WHICH IS REAL, TO
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BRING BACK BARBECUE FRITOS OR
THE ONES THAT CAST DANNY DE VITO
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AS WOLVERINE ALTHOUGH I DO THINK
THAT WOULD BE A LOCK FOR AN
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OSCAR NOMINATION.
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NO I'M CALLING FOR PETITIONS
LIKE THE ONE CALLING FOR JUSTICE
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FOR GEORGE FLOYD, ALREADY THE
BIGGEST ON CHANGE.ORG WITH OVER
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15 MILLION SIGNATURES, AND YOU
COULD LEND IT TO OTHER PETITIONS
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CALLING FOR JUSTICE FOR BREONNA
TAYLOR, SEAN REED AND MANY, MANY
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00:02:03,623 --> 00:02:07,335
OTHERS WHO NEED IT AND ONCE YOU
SIGN THOSE PETITIONS AND
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ENCARNACION SURE POLICE OFFICERS
ARE BEING HELD ACCOUNTABLE FOR
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THEIR CRIMES, YOU CAN SHIFT YOUR
FOCUS BACK TO THE PETITIONS TO I
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DON'T KNOW, MAKE BABY YODA AN
EMOJI OR THE ONES TO HAVE NIKE
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RESTOCK CHUNKY DUNKY SB'S.
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THAT'S REAL, I'M TALKING ABOUT
BEN AND JERRY'S ICE CREAM THEME
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SKATEBOARDING SHOES, YOU HAVE
THE POWER TO MAKE A DIFFERENCE.
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REGGIE WHAT IS NEXT.
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>> Reggie: NUMBER TWO.
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>> James: NOW YES, THE
SECRETARY THING YOU CAN DO TO
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HELP TODAY, INVOLVES EDUCATION.
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NOW MANY PEOPLE ARE FEELING
OVERWHELMED AT THE MOMENT BY THE
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TOPIC OF RACE AND JUSTICE.
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AND BY PEOPLE WE MEAN
SPECIFICALLY PRESIDENT DONALD
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TRUMP.
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ALL THIS WEEK TRUMP'S TWEET WAS
MY ADMIN HAS DONE MORE FOR THE
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BLACK COMAWMENT THAN ANY
PRESIDENT SINCE ABRAHAM LINCOLN.
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I THINK EVEN TRUMP SUPPORT ARES
WERE LIKE OH, SIR, THAT IS
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HILARIOUS.
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NOW RECENTLY I HAVE TAKEN IT
UPON MYSELF, I HAVE ORDERED SOME
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BOOGS, MF TIFF BOOKS, PLAINING
RACE AND THE HISTORY OF BLACK
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EXPERIENCE IN AMERICA BECAUSE
AND THE REASON IS I CANNOT
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STRESS THIS ENOUGH, I KNOW
NOTHING, OKAY SO THESE ARE THE
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BOOKS I HAVE ORDERED.
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LIKE HOW TO BE AN ANTIRACIST,
WHITE FRAGILITY WHICH IS
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ACTUALLY I THINK SOLD OUT AT THE
MOMENT, AND THIS BOOK SO YOU
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WANT TO TALK ABOUT RACE.
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NOW I'M EXCITED TO READ THESE
BOOKS AND EDUCATION-- EDUCATE
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MYSELF.
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BUT HERE IS THE PROBLEM, WE'RE
TALKING ABOUT DONALD TRUMP HERE.
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AND FRANKLY, THESE BOOKS HAVE
GOT WAY TOO MANY WORDS.
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AND I THOUGHT LUCKILY THERE ARE
PLENTY OF AMAZING BOOKS AIMED
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SPECIFICALLY AT YOUNG PEOPLE.
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AND BOOKS LIKE THIS, SOME OF
THESE BOOKS FOR KIDS AS YOUNG AS
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TWO, THE AND THIS BOOK, SOULWAYS
SO WHAT WE HAVE DECIDED TO DO IS
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PUT THESE BOOKS IN AN ENVELOPE,
RIGHT HERE, AND WE'RE GOING TO
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MAIL THESE BOOKS TO DONALD TRUMP
IN THE HOPE THAT THESE ARE BOOKS
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THAT WOULD HELP EXPLAIN RACISM
AND ITS PROBLEMS TO THE
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PRESIDENT.
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NOW I'M GOING TO PUT A LITTLE
NOTE IN HERE TO VICE PRESIDENT
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MIKE PENCE.
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DEAR MIKE, PLEASE ADD THESE TO
THE PRESIDENT'S BED TIME STORY
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ROTATION, YOURS, JAMES.
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THERE WE GO AND WE'LL SEND THEM
AND HOPEFULLY IT CAN HELP.
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REGGIE, YOU CAN GIVE ME A NUMBER
THREE.
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>> Reggie: NUMBER THREE.
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>> James: OKAY, THE THIRD
THING YOU CAN DO TO HELP RIGHT
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NOW IS.
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>> JAMES, JAMES, HI, I HAVE SOME
GREAT NEWS.
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>> James: HI, OLIVIA,
EVERYONE, THIS IS OLIVIA, SHE IS
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IS A WRITER ON THE SHOW, WE ARE
TAPING THE SHOW RIGHT NOW,
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OLIVIA, WE'RE JUST DOING THREE
THINGS YOU CAN DO TO HELP AT THE
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MOMENT.
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>> I KNOW, THAT'S THE GREAT
NEWS.
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YOU HAVE AN AMAZING TOOL TO HELP
FIGHT STRUCTURAL RACISM.
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>> James: YOU'RE RIGHT.
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I HAVE MY CELEBRITY.
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>> HA, OH, NO.
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>> James: MY PLATFORM?
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>> OH, GOD NO, NOBODY ACTUALLY
WATCHES THIS SHOW IT PLAYS IN
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ROOMS WHERE PEOPLE HAVE FALLEN
ASLEEP.
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>> James: WHAT, WELL, TELL ME,
WHAT DO YOU MEAN, WHAT TOOLS DO
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I HAVE?
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>> ACTUALLY THE TOOL THAT YOU
HAVE IS SO POKER WITHFUL, YOU
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ARE PROBABLY NOT EVEN AWARE OF
IT.
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>> James: IS IT-- DWSH I
DOBTS-- I DON'T WANT THIS TO
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KOWMENT AS ARROGANT.
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IS IT, IS IT MY CHARISMA?
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CUZ PEOPLE SAY THAT ABOUT ME,
THEY SAY I HAVE GOT A STORT OF,
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THEY CAN'T PUT THEIR FINGER, I
HAVE A SORT OF VULNERABLE
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CONFIDENCE YOU RARELY FIND IN A
BIG MAN.
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>> IT'S YOUR PRIVILEGE, THAT IS
WHAT ST, I SHOULDN'T HAVE MADE
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YOU GUESS.
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>> James: PRIVILEGE?
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MY PRIVILEGE, RIGHT, RIGHT.
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WELL, LET'S PRETEND AS AN
EXERCISE THAT I DON'T 100
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PERCENT KNOW WHAT THAT MEANS BUT
I DO KNOW THAT WHEN I HEAR IT IT
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MAKES ME FEEL BAD.
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>> IT'S PERFECTLY NORMAL TO FEEL
A LITTLE BIT GUILTY TALKING
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ABOUT PRIVILEGE.
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BUT IF IT HELPS HAVING PRIVILEGE
ISN'T YOUR FAULT.
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IT'S SOMETHING YOU INHERITED,
NOT SOMETHING YOU DID WRONG.
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>> James: NO, THAT'S THE
THING, SEE, NO, I DIDN'T INHERIT
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ANYTHING.
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LIKE I DIDN'T GROW UP IN A
WEALTHY HOME, DO YOU KNOW WHAT I
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MEAN.
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WE USED TO GO CAMPING IN
BOURNEMOUTH, YOU KNOW, I'M NOT
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PRIVILEGED IN ANYWAY.
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>> I'M SO HAPPY YOU BROUGHT THAT
UP.
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ONE OF THE BIGGEST
MISCONCEPTIONS ABOUT PRIVILEGE
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IS THAT SAYING YOU HAVE IT IS
SAYING YOU HAVE AN EASY LIFE OR
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THAT YOU HAD IT EASY GROWING UP.
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IT DOESN'T MEAN THAT.
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WHAT PRIVILEGE DOES MEAN,
SPECIFICALLY WHITE PRIVILEGE IS
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THAT YOUR SKIN COLOR DIDN'T MAKE
YOUR LIFE MORE CHALLENGING.
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JIZ HEAR WHAT YOU ARE SAYING.
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BUT THE THOUGHT THAT I HAVE
WHITE PRIVILEGE MAKES ME FEEL
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REALLY BAD.
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>> IT DOESN'T HAVE TO.
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>> James: I FEEL BAD.
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>> IT'S OKAY JAMES.
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>> James: IT HAS MADE ME-- I'M
FEELING BAD.
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I HATE RACISM.
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I HATE RACISM.
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>> I KNOW.
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LET'S TRY TO KEEP GOING.
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>> James: BUT-- I HAVE WHITE
PRIVILEGE.
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THERE, I SAID IT.
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I SAID IT.
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I DID IT, I CAN HANDLE THAT.
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I HAVE WHITE PRIVILEGE.
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I HAVE A VERY CHARISMATIC WHITE
PRIVILEGE.
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>> SURE.
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AND HAVING THAT PRIVILEGE MEANS
THAT YOU DON'T HAVE TO DEAL WITH
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THINGS LIKE BEING RACIALLY
PROFILED OR GETTING UNFAIRLY
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TURNED DOWN FOR A MORTGAGE LOAN
BECAUSE OF YOUR SKIN COLOR OR
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BEING A MINORITY AT YOUR
WORKPLACE, SO YOU HAVE TO
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EXPLAIN PRIVILEGE TO PEOPLE YOU
WORK WITH.
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>> James: THAT'S TERRIBLE.
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HAVE THOSE THINGS EVER HAPPENED
TO YOU.
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>> YEAH.
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ONE OF THEM IS HAPPENING RIGHT
NOW.
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>> James: OH MY GOD IS.
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OH GOD, DID YOU JUST GET TURNED
DOWN FOR A MORTGAGE LOAN?
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>> NO, NO, I'M EXPLAINING
PRIVILEGE TO SOMEONE I WORK
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WITH.
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>> James: I'M THE WORST. OH,
MI SO STUPID.
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>> IT'S OKAY.
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>> James: I'M THE PROBLEM.
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>> NO, JAMES, NO, IT'S OKAY.
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>> James: I'M THE PROBLEM, I'M
THE PROBLEM, OH, GOD.
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>> THAT'S WHY WE ARE DOING THIS.
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DON'T-- IT'S OKAY.
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00:08:39,435 --> 00:08:43,147
BECAUSE THERE IS SO MANY HELPFUL
THINGS THAT YOU CAN DO WITH YOUR
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00:08:43,231 --> 00:08:43,773
PRIVILEGE.
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>> James: WELL, LIKE WHAT.
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>> RECOGNIZE IT IS A HUGE STEP.
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AND NOW THAT YOU RECOGNIZE IT,
YOU CAN USE IT TO FIGHT FOR A
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MORE JUST SOCIETY.
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00:08:53,115 --> 00:08:53,616
>> James: I CAN?
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>> YES.
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YOU CAN USE YOUR PRIVILEGE TO
SPEAK UP ON BEHALF OF PEOPLE OF
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COLOR IN BIG WAYS AND SMALL
WAYS.
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BIG WAYS LIKE FIGHTING FOR
SOCIAL JUSTICE IN AREAS LIKE
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00:09:05,378 --> 00:09:06,671
EDUCATION, HEALTH CARE AND
HOUSING AND SMALLER WAYS LIKE
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00:09:06,754 --> 00:09:11,175
LISTENING TO PEOPLE OF COLOR,
ESPECIALLY WHEN WE TALK ABOUT
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00:09:11,259 --> 00:09:13,427
RACISM, WITHOUT MAKING IT ABOUT
YOUR FEELINGS.
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00:09:13,511 --> 00:09:14,804
>> James: OH MY GOD.
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00:09:14,887 --> 00:09:18,266
MAKING IT ABOUT MY FEELINGS.
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00:09:18,349 --> 00:09:20,810
THAT IS WHAT I JUST DID.
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WELL, NOW THAT'S MADE ME FEEL--
NEVER MIND.
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00:09:29,610 --> 00:09:30,653
>> THERE YOU GO.
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00:09:30,736 --> 00:09:33,990
THIS HAS BEEN THREE THINGS YOU
CAN DO TO HELP.
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00:09:34,073 --> 00:09:38,160
>> James: THANKS,
OLIVIA-- OLIVIA HAREWOOD, EVER.
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00:09:38,244 --> 00:09:41,622
WE'LL BE RIGHT BACK WITH MORE OF
THE "LATE, LATE SHOW."
200
00:10:03,644 --> 00:10:06,230
>> James: OUR FIRST GUEST IS ONE
OF THE BUSIEST ACTORS AROUND,
201
00:10:06,314 --> 00:10:09,025
SHE CURRENTLY STARS IN
TROLLS WORLD TOUR, THE DUNLY
202
00:10:09,108 --> 00:10:15,656
ON QUIBI, AND LOVE LIFE ON
HBO MAX, THE STUPENDOUS, ANNA
203
00:10:15,740 --> 00:10:17,700
KENDRICK IS HERE, HI FRIEND, HOW
ARE YOU.
204
00:10:17,783 --> 00:10:18,701
>> HOW ARE YOU.
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00:10:18,784 --> 00:10:21,704
I'M SO SAD I'M NOT SEEING YOU IN
PERSON.
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00:10:21,787 --> 00:10:24,248
>> James: WE WERE SUPPOSED TO
SPEND A LOT OF TIME TOGETHER,
207
00:10:24,332 --> 00:10:28,210
DOING PRESS AND PROMOTIONS AND
HERE WE ARE.
208
00:10:28,294 --> 00:10:30,212
>> IT IS A CRAZY WORLD, FRIEND.
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00:10:30,296 --> 00:10:33,632
AND I FEEL LIKE I'M DEFINITELY
MISSING MY SEMIANNUAL MOMENT OF
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00:10:33,716 --> 00:10:39,096
HANG OUT WITH YOU, SO I THINK
YOU KNOW, I WAS EXPECTING TO SEE
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00:10:39,180 --> 00:10:40,514
YOU ON THE TROLLS WORLD TOUR.
212
00:10:40,598 --> 00:10:43,768
AND EVERY TIME I SEE YOU YOU
GIVE ME SOME KIND OF LOVELY PEP
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00:10:43,851 --> 00:10:47,897
TALK OR NUGGET OF ADVICE THAT I
CARRY AROUND WITH ME SO I'M VERY
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00:10:47,980 --> 00:10:48,564
SAD.
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00:10:48,647 --> 00:10:49,732
>> James: WELL, I AM ALSO SAD.
216
00:10:49,815 --> 00:10:53,903
BUT IT IS LOVELY TO SEE YOU LIKE
THIS OVER A SCREEN, NONE THE
217
00:10:53,986 --> 00:10:54,278
LESS.
218
00:10:54,362 --> 00:10:54,987
IT REALLY IS.
219
00:10:55,071 --> 00:10:56,906
NOW YOU ARE HERE IN LOS ANGELES.
220
00:10:56,989 --> 00:11:02,078
I KNOW, YOU WENT TO ONE OF THE
PROTESTS FOR THE MARCH IN L.A
221
00:11:02,161 --> 00:11:02,912
TELL ME ABOUT THAT.
222
00:11:02,995 --> 00:11:03,871
HOW WAS IT?
223
00:11:03,954 --> 00:11:06,749
HOW WAS YOUR EXPERIENCE?
224
00:11:06,832 --> 00:11:09,919
>> MY EXPERIENCE WAS REALLY
POSITIVE.
225
00:11:10,002 --> 00:11:13,798
IT WAS REALLY MOVING AND
MEANINGFUL.
226
00:11:13,881 --> 00:11:23,391
AND I FOUND IT TO BE TOTALLY
PEACEFUL AND I HAD BEEN NERVOUS
227
00:11:23,474 --> 00:11:29,897
ABOUT GOING BECAUSE YOU KNOW,
THERE HAS BEEN VIOLENCE BUT IT
228
00:11:29,980 --> 00:11:31,774
WAS SO WONDERFUL.
229
00:11:31,857 --> 00:11:38,072
AND I ACTUALLY LEFT AFTER A FEW
HURS CUZ I'M AN OLD LADY AND I
230
00:11:38,155 --> 00:11:41,951
CAN ONLY BE OUT IN THE HEAT AND
THE SUN FOR SO LONG, OBVIOUSLY.
231
00:11:42,034 --> 00:11:45,955
AND I DID, I HAD A FUNNY
EXPERIENCE WHERE, YOU KNOW, I
232
00:11:46,038 --> 00:11:52,169
LOOKED AT MY PHONE, YOU KNOW,
AFTER ABOUT 20 MINUTES AFTER
233
00:11:52,253 --> 00:11:53,462
LEAVING.
234
00:11:53,546 --> 00:11:56,298
AND I SAW, YOU KNOW, THAT THERE
WERE RUBBER BULLETS BEING FIRED
235
00:11:56,382 --> 00:11:59,176
AND THAT THERE WAS, YOU KNOW, A
COMPANY CAR WAS ON FIRE.
236
00:11:59,260 --> 00:12:03,472
AND AT FIRST I HONESTLY THOUGHT
THAT IS A MISTAKE.
237
00:12:03,556 --> 00:12:04,682
THAT CAN'T BE TRUE.
238
00:12:04,765 --> 00:12:06,767
I WAS JUST THERE, YOU KNOW.
239
00:12:06,851 --> 00:12:15,484
SO IT IS REALLY A CONFUSING TIME
SINCE I HAD BEEN THERE, YOU KNOW
240
00:12:15,568 --> 00:12:19,822
WHEN A SITUATION IS ESCALATING
AND THINGS ARE ABOUT TO GO CRAZY
241
00:12:19,905 --> 00:12:23,325
AND THE SITUATION FEELS FRAUGHT,
AND IT JUST WASN'T THAT.
242
00:12:23,409 --> 00:12:27,997
SO IT WAS PRETTY ALARMING TO SEE
WHAT HAPPENED SO SOON AFTER
243
00:12:28,080 --> 00:12:28,456
LEAVING.
244
00:12:28,539 --> 00:12:29,665
>> James: YEAH.
245
00:12:29,748 --> 00:12:35,171
HOW DO YOU, IS THERE ANYTHING
THAT YOU FOUND OR ANYTHING YOU
246
00:12:35,254 --> 00:12:37,923
READ, ANYTHING AT ALL THAT HELPS
YOU GET A BETTER UNDERSTANDING
247
00:12:38,007 --> 00:12:40,968
OF THESE ISSUES RIGHT NOW?
248
00:12:41,051 --> 00:12:46,474
>> YEAH, WELL, I HAVE BEEN DOING
THROUGHOUT LOCKDOWN, THROUGHOUT
249
00:12:46,557 --> 00:12:49,894
QUARANTINE, I HAVE BEEN DOING
KIND OF FAMILY MOVIE NIGHTS.
250
00:12:49,977 --> 00:12:55,858
AND HAVING REMOTE FAMILY MOVIE
NIGHTS WHICH IS, YOU KNOW, BEEN
251
00:12:55,941 --> 00:12:58,903
VERY LOVELY AND BONDING.
252
00:12:58,986 --> 00:13:02,740
AND IT IS USUALLY A DISNEY FILM,
BACK TO THE FUTURE, THAT KIND OF
253
00:13:02,823 --> 00:13:04,783
FAMILY FILM.
254
00:13:04,867 --> 00:13:13,918
AND LAST WEEK MY MOM SAYS SHE
DIDN'T REALLY FEEL RIGHT ABOUT
255
00:13:14,001 --> 00:13:17,338
THIS THE DISTRACTION, I
SUGGESTED THAT WE WATCH THIS ONE
256
00:13:17,421 --> 00:13:21,217
OF DOCUMENTARY ABOUT JAMES
BALDWIN CALLED I'M NOT YOUR
257
00:13:21,300 --> 00:13:26,680
NEGROE SO WE WATCHED THAT
INSTEAD.
258
00:13:26,764 --> 00:13:34,688
AND YOU KNOW, GROWING UP LIKE MY
DAD SHED ME, YOU KNOW, TO KILL A
259
00:13:34,772 --> 00:13:40,903
MOCKINGBIRD AND MY MOM GAVE ME A
BELL COOK BOOK WHEN I WAS 16 OR
260
00:13:40,986 --> 00:13:45,824
17, AND I SA SAY THAT TO
ENCOURAGE PEOPLE TO PEOPLE
261
00:13:45,908 --> 00:13:49,578
FEELING WELL MY FAMILY IS NOT
RACIST-- RACIST, I DON'T HAVE TO
262
00:13:49,662 --> 00:13:50,496
DO THAT.
263
00:13:50,579 --> 00:13:52,623
TO ALWAYS DEEPENING YOUR
UNDERSTANDING OF IT.
264
00:13:52,706 --> 00:13:59,421
AND I THINK THAT WAS A REALLY
NICE WAY FOR US TO DO SOMETHING
265
00:13:59,505 --> 00:14:01,549
TOGETHER AS A FAMILY.
266
00:14:01,632 --> 00:14:03,926
AND WE'RE GOING TO WATCH THE
13th.
267
00:14:04,009 --> 00:14:08,055
>> THAT IS A BRILLIANT THING.
268
00:14:08,138 --> 00:14:09,265
>> YEAH.
269
00:14:09,348 --> 00:14:10,808
>> THAT IS SOMETHING YOU CAN DO
WITH YOUR FAMILY IF YOU ARE
270
00:14:10,891 --> 00:14:12,601
LOOKING FOR SOMETHING LIKE THAT.
271
00:14:12,685 --> 00:14:13,686
>> SURE.
272
00:14:13,769 --> 00:14:15,938
HOW DO YOU MANAGE DURING THIS
LOCKDOWN AND QUARANTINE.
273
00:14:16,021 --> 00:14:21,443
I THOUGHT IT WOULD BE THE OTHER
WAY, YOU ENJOY GOING TO WORK I
274
00:14:21,527 --> 00:14:25,614
THINK MORE THAN ANYBODY I KNOW,
LIKE WHENEVER I TALK TO YOU
275
00:14:25,698 --> 00:14:28,742
ABOUT WHAT YOU ARE DOING, YOU
WILL TELL ME THE NEXT 11 THINGS
276
00:14:28,826 --> 00:14:33,122
THAT YOU ARE DOINGMENT AND I
WILL THINK OH MY GOD, HOW DO YOU
277
00:14:33,205 --> 00:14:37,126
COPE WITH JUST STOPPING.
278
00:14:37,209 --> 00:14:39,962
>> WELL, THE FUNNY THING IS THAT
I HAD FINALLY KIND OF
279
00:14:40,045 --> 00:14:44,800
ACKNOWLEDGED THAT I NEEDED TO
TAKE A LITTLE BIT OF TIME OFF
280
00:14:44,883 --> 00:14:51,181
AND MAYBE NOT BE RUNNING AROUND
THE GLOBE WORKING WITHOUT SEEING
281
00:14:51,265 --> 00:14:53,517
FRIENDS AND FAMILY FOR A MONTH
AT A TIME.
282
00:14:53,601 --> 00:14:56,103
AND TOOK A LITTLE BIT OF TIME
OFF.
283
00:14:56,186 --> 00:15:02,651
AND THEN A TINY PANDEMIC HIT AND
I WAS A LITTLE BIT LIKE THIS
284
00:15:02,735 --> 00:15:04,111
ISN'T WHAT I WANT.
285
00:15:04,194 --> 00:15:08,741
YEAH, I DO FEEL LIKE I'M A
LITTLE BIT CONCERNED THAT WHEN
286
00:15:08,824 --> 00:15:12,995
THIS IS OVER, YOU KNOW, THE
POWERS THAT BE WILL BE LIKE
287
00:15:13,078 --> 00:15:14,246
OKAY, YOU READY TO GET BACK TO,
WITHOUT.
288
00:15:14,330 --> 00:15:20,336
AND I AM LIKE I MEANT MORE LIKE
GOING TO THE MOVIES AND STUFF.
289
00:15:20,419 --> 00:15:22,338
>> I WOULD LIKE IT WITHOUT THE
ANXIETY.
290
00:15:22,421 --> 00:15:22,963
>> YES.
291
00:15:23,047 --> 00:15:24,214
>> LIKE IT WITHOUT THE FEAR.
292
00:15:24,298 --> 00:15:30,012
WHAT HAVE YOU BEEN DOING AROUND
THE HOUSE TO KEEP YOURSELF BUSY.
293
00:15:30,095 --> 00:15:34,224
>> YOU KNOW, I HAVE GOTTEN
THROUGH MOST OF THE BIG LEGO
294
00:15:34,308 --> 00:15:35,309
SETS.
295
00:15:35,392 --> 00:15:40,356
I AM A GROWN WOMAN, YES, JAMES,
IN CASE YOU FORGOT.
296
00:15:40,439 --> 00:15:47,696
BUT YEAH, I MADE THE MILLENNIUM
FALCON.
297
00:15:47,780 --> 00:15:50,157
THE-- TO WE ARE OF-- FROM LORD
OF THE REGULARS AND HOGWARTS
298
00:15:50,240 --> 00:15:50,741
CASTLE.
299
00:15:50,824 --> 00:15:51,867
>> SO HERE IS MY QUESTION.
300
00:15:51,950 --> 00:15:57,164
DO YOU MAKE THEM AND THEN KEEP
THEM TO LOOK AT OR DO YOU
301
00:15:57,247 --> 00:15:58,165
DISMANTLE THEM AT ANY POINT.
302
00:15:58,248 --> 00:16:00,376
THIS IS THE PROBLEM WITH LEGO IN
OUR HOUSE.
303
00:16:00,459 --> 00:16:02,753
>> YEAH, YEAH.
304
00:16:02,836 --> 00:16:06,048
>> MY SON, HE'S NINE SO HE IS
LEGITIMATELY OKAY DOING THE
305
00:16:06,131 --> 00:16:07,257
LEGO.
306
00:16:07,341 --> 00:16:12,221
AND HE, WE BUILD SOMETHING AND
THEN HE THINKS OH, THAT'S NOW,
307
00:16:12,304 --> 00:16:15,265
THAT SHOULD THOUGHT LIVE ON
THESE SHELVES.
308
00:16:15,349 --> 00:16:16,392
>> FOREVER.
309
00:16:16,475 --> 00:16:20,145
>> AND HE NEVER WANTS TO
DISMANTLE AND REBUILD SOMETHING
310
00:16:20,229 --> 00:16:23,273
OUT OF HIS OWN IMAGINATION.
311
00:16:23,357 --> 00:16:26,276
>> YEAH, I WILL CON
FEES-- CONFESS THAT EVEN AS A
312
00:16:26,360 --> 00:16:32,074
GROWN ASS WOMAN, I HAVE MAYBE
TOO MUCH PRIDE IN THE LEGO
313
00:16:32,157 --> 00:16:33,367
BUILDS THAT I HAVE DONE.
314
00:16:33,450 --> 00:16:36,078
AND THEY ARE CURRENTLY ON A
SHELF, ARE THEY GOING TO STAY
315
00:16:36,161 --> 00:16:39,415
THERE, NO, I'M TELLING MYSELF.
316
00:16:39,498 --> 00:16:44,169
BUT YEAH, MY INTENTION IS
OBVIOUSLY TO DISMANTLE THEM AND
317
00:16:44,253 --> 00:16:48,298
GIVE THEM TO A CHILD WHO WOULD
ENJOY MAKING THEM.
318
00:16:48,382 --> 00:16:53,137
BUT I KNOW THAT-- THAT DAY WILL
BE SADDER THAN I WOULD LIKE TO
319
00:16:53,220 --> 00:16:53,804
ADMIT.
320
00:16:53,887 --> 00:16:55,389
>> OH, YOU WILL BE DEVASTATED.
321
00:16:55,472 --> 00:17:00,269
>> NOW I WANT TO TALK TO YOU
ABOUT YOUR BRILLIANT NEW SERIES,
322
00:17:00,352 --> 00:17:03,605
LOVE LIFE, I FEEL LIKE YOU MADE
A SERIES THAT WAS BASICALLY MADE
323
00:17:03,689 --> 00:17:04,189
FOR ME.
324
00:17:04,273 --> 00:17:05,733
THIS IS MY KIND OF SHOW.
325
00:17:05,816 --> 00:17:07,443
>> YOU ARE MY TARGET AUDIENCE.
326
00:17:07,526 --> 00:17:12,322
BECAUSE I REMEMBER MAKING
BONDING WITH YOU OVER LOVE OF
327
00:17:12,406 --> 00:17:13,615
ROMANTIC COMEDIES.
328
00:17:13,699 --> 00:17:18,579
AN INCREDIBLE GENRE, AN ALL-TIEF
FAVE, I HAVE BEEN TALKING ABOUT
329
00:17:18,662 --> 00:17:22,624
YOU'VE GOT MAIL AND YOU STARTED
QUOTING THE LINE BACK TO ME
330
00:17:22,708 --> 00:17:24,334
WHERE HE WAS LUKE I WOULDN'T
HAVE BEEN ABLE TO WAIT FOR YOU
331
00:17:24,418 --> 00:17:25,335
TO CALL ME.
332
00:17:25,419 --> 00:17:29,548
I WOULD HAVE LEFT A MESSAGE ON
YOUR MACHINE AND.
333
00:17:29,631 --> 00:17:30,799
>> FOREVER, AND EVER.
334
00:17:30,883 --> 00:17:32,384
>> FOR AS LONG AS WE BOTH SHALL
LIVE.
335
00:17:32,468 --> 00:17:38,599
>> AND I WAS LIKE JAMES, THIS IS
THE BEGINNING OF A NEW
336
00:17:38,682 --> 00:17:39,641
FRIENDSHIP.
337
00:17:39,725 --> 00:17:44,313
SO IT IS LIKE UNABASHEDLY A
ROMANTIC COMEDY SERIES.
338
00:17:44,396 --> 00:17:53,280
AND THE CONCEPT IS THAT EVERY
EPISODE IS A RELATIONSHIP
339
00:17:53,363 --> 00:17:55,991
WHETHER A-- OR ONE-NIGHT STAND
AND IT IS REALLY ABOUT THE WAY
340
00:17:56,074 --> 00:17:59,703
THAT WE LEARN AND GROW AND HOW
WE CHANGE BASED ON THE
341
00:17:59,787 --> 00:18:01,205
RELATIONSHIP THAT WE HAVE IN OUR
LIFE.
342
00:18:01,288 --> 00:18:07,294
THERE IS A KIND OF LIKE DAVID AT
ENBORROW DOCUMENTARY ELEMENT TO
343
00:18:07,377 --> 00:18:10,672
IT WHERE IT'S LIKE OBSERVING
HUMAN BEHAVIOR THAT I THINK IS
344
00:18:10,756 --> 00:18:11,673
REALLY FUN.
345
00:18:11,757 --> 00:18:16,178
>> NOW YOU'RE ALSO A PRODUCER ON
THE SERIES.
346
00:18:16,261 --> 00:18:16,929
>> YES.
347
00:18:17,012 --> 00:18:19,223
>> WHAT IS PRODUCER KENDRICK
LIKE?
348
00:18:19,306 --> 00:18:24,228
AS OPPOSED TO ACTRESS KENDRICK,
LIKE DO YOU JUST START THROWING
349
00:18:24,311 --> 00:18:26,313
YOUR WEIGHT AROUND.
350
00:18:26,396 --> 00:18:31,985
>> WELL, OKAY, SO YOU KNOW ME,
SO IT'S D-- I'M BLUSHING A
351
00:18:32,069 --> 00:18:33,237
LITTLE BIT BUT IT'S NOT THAT
DIFFERENT.
352
00:18:33,320 --> 00:18:41,537
BECAUSE I HAVE ALWAYS BEEN
OPINIONATED AND BOSSY.
353
00:18:41,620 --> 00:18:43,038
>> NO, I DON'T BELIEVE IT.
354
00:18:43,121 --> 00:18:49,211
>> IT'S MORE LIKE INSTEAD OF IT
BEING LIKE A CHARACTER FLAW AS
355
00:18:49,294 --> 00:18:52,339
PART OF MY JOB DESCRIPTION, THE
DIFFERENCE IS NOT HUGE BUT IT IS
356
00:18:52,422 --> 00:18:56,385
REALLY WONDERFUL TO FEEL LIKE,
YOU KNOW, THAT I HAVE A VOICE
357
00:18:56,468 --> 00:18:58,345
AND A SAY IN HOW THINGS GO.
358
00:18:58,428 --> 00:19:01,223
>> NOW THE CAST ON THE SHOW IS
BRILLIANT.
359
00:19:01,306 --> 00:19:06,520
DID YOU HAVE MUCH SAY IN
CASTING, CUZ IT'S KIND OF WEIRD
360
00:19:06,603 --> 00:19:10,691
IF YOU ARE A PRODUCER AND
CASTING PEOPLE TO BE YOUR LOVE
361
00:19:10,774 --> 00:19:14,236
INTEREST, ACROSS WHAT IS IT, TEN
EPISODES.
362
00:19:14,319 --> 00:19:17,364
>> WELL, INITIALLY THE, YOU
KNOW, WE HAD MOST OF THE SERIES
363
00:19:17,447 --> 00:19:23,370
LAID OUT BUT THE CHARACTERS OF
THE LOVE INTEREST WEREN'T SURE
364
00:19:23,453 --> 00:19:31,879
TO FIND YET, SO I SUBMITTED OME
IDEAS FOR CASTING NOT REALLY
365
00:19:31,962 --> 00:19:35,132
KNOWING SPECIFICALLY WHAT KIND
OF CHARACTERS THEY WERE GOING TO
366
00:19:35,215 --> 00:19:36,300
BE.
367
00:19:36,383 --> 00:19:39,595
I REALIZED THIS IS JUST A LIST
OF PEOPLE I WANT TO MAKE OUT
368
00:19:39,678 --> 00:19:40,596
WITH.
369
00:19:40,679 --> 00:19:42,431
AND THIS IS NOT A
SUPERPROFESSIONAL LOOK FOR ME.
370
00:19:42,514 --> 00:19:50,355
SO I DEFINITELY LIKE HELD OFF
AND THEN ONCE YOU START GETTING
371
00:19:50,439 --> 00:19:57,237
CHARACTERS-- WE JUST GOT, I MEAN
AN EMBARRASSMENT OF.
372
00:19:57,321 --> 00:19:59,489
>> WELL, I AM SO EXCITED FOR
THIS SHOW AND I AM ALSO EXCITED
373
00:19:59,573 --> 00:20:05,078
THAT AT THE ARE GOING TO DROP IT
IN A DIFFERENT WAY RATHER THAN
374
00:20:05,162 --> 00:20:05,662
ONCE A WEEK.
375
00:20:05,746 --> 00:20:07,581
I AM JUST GOING TO DEVOUR.
376
00:20:07,664 --> 00:20:08,582
>> I AM REALLY EXCITED.
377
00:20:08,665 --> 00:20:12,169
IT WAS SUPPOSED TO BE ONE
EPISODE A WEEK AND THE
378
00:20:12,252 --> 00:20:16,381
VIEWERSHIP WAS SO STRONG THAT
THEY DECIDED TO RELEASE THEM IN
379
00:20:16,465 --> 00:20:17,633
CHUNKS.
380
00:20:17,716 --> 00:20:20,385
THERE ARE THREE MORE THIS WEEK
AND THE REST WILL BE NEXT WEEK.
381
00:20:20,469 --> 00:20:22,304
SO THAT IS MAKE ME HAPPY.
382
00:20:22,387 --> 00:20:26,308
>> WELL, LET'S TACK A LACK AT A
CLIP FROM LOVE LIFE, THE FIRST
383
00:20:26,391 --> 00:20:38,320
SIX ED EPISODES ARE AVAILABLE
RIGHT NOW ON HBO MAX.
384
00:20:38,403 --> 00:20:44,451
>> I NEVER SEE YOU ANY MORE.
385
00:20:44,534 --> 00:20:46,495
>> SORRY.
386
00:20:46,578 --> 00:20:56,505
>> IT FEELS REALLY RIGHT.
387
00:20:56,588 --> 00:21:02,052
>> IT FEELS REALLY RIGHT.
388
00:21:02,135 --> 00:21:05,514
>> STICK AROUND, WE'LL BE BACK
WITH MORE ANNA KENDRICK RIGHT
389
00:21:05,597 --> 00:21:06,515
AFTER THIS.
390
00:21:06,598 --> 00:21:13,397
♪ ♪ ♪
391
00:21:20,445 --> 00:21:27,327
♪ ♪ ♪
392
00:21:27,411 --> 00:21:29,746
>> James: WELCOME BECOME, WE
ARE HERE WITH ANNA KENDRICK, NOW
393
00:21:29,830 --> 00:21:33,041
ANN' WE HAVE BEEN DOING THIS
THING ON THE SHOW, "LATE, LATE
394
00:21:33,125 --> 00:21:36,211
SHOW" AND TELL WHERE WE ASK OUR
GUESTS TO SHARE SOMETHING FROM
395
00:21:36,294 --> 00:21:37,546
THEIR HOME THAT WE MAY OTHERWISE
NEVER GET TO SEE.
396
00:21:37,629 --> 00:21:41,675
DO YOU HAVE ANYTHING YOU WOULD
LIKE TO SHARE WITH US TONIGHT.
397
00:21:41,758 --> 00:21:42,843
>> I DO.
398
00:21:42,926 --> 00:21:46,054
I FEEL LIKE I'VE BEEN WAITING
FOR THIS OPPORTUNITY BECAUSE
399
00:21:46,138 --> 00:21:48,515
THIS ITEM IS SPECIFICALLY
SOMETHING THAT I KEPT ON DISPLAY
400
00:21:48,598 --> 00:21:53,520
IN MY LIVING ROOM FOR SIX YEARS
WAITINGS FOR SOMEBODY TO ASK ME
401
00:21:53,603 --> 00:21:57,899
ABOUT IT SO THAT I COULD LIKE
FLEX A LITTLE BIT.
402
00:21:57,983 --> 00:21:58,817
AND NO ONE EVER ASKED.
403
00:21:58,900 --> 00:21:59,860
NOT A PERSON.
404
00:21:59,943 --> 00:22:01,903
NOT ONE PERSON.
405
00:22:01,987 --> 00:22:06,742
SO THIS IS THE PERSON HAVE I
BEEN WAITING FOR, THIS MASSIVE
406
00:22:06,825 --> 00:22:07,367
BOOK, RIGHT.
407
00:22:07,451 --> 00:22:08,577
>> James: RIGHT.
408
00:22:08,660 --> 00:22:16,126
>> AND IT'S THE TALES OF BARD A
BOOK WITHIN A BOOK FROM THE
409
00:22:16,209 --> 00:22:24,217
HARRY POTTER AND IT OPENS UP,
THERE SAY SECRET BOOK INSIDE.
410
00:22:24,301 --> 00:22:26,553
, WAIT, WAIT FOR IT.
411
00:22:26,636 --> 00:22:34,936
SO IT IS LIKE THIS FANCY ACTUAL
COPY OF BEETLE AND BARD AND THEN
412
00:22:35,020 --> 00:22:41,568
FOR MY BIRTHDAY LIKE TEN YEARS
AGO EVERYBODY THAT I KNEW PULLED
413
00:22:41,651 --> 00:22:47,574
EVERYTHING THEY HAD AND GOT IT
SIGNED BY J.K. RAWLING.
414
00:22:47,657 --> 00:22:50,827
I WANT TO TELL PEOPLE ABOUT IT
ALL THE TIME AND I HAD IT FULLY
415
00:22:50,911 --> 00:22:55,332
IN PROMINENT DISPLAY IN MY
LIVING ROOM, WAITING FOR PEOPLE
416
00:22:55,415 --> 00:22:56,541
TO ASK ME ABOUT IT.
417
00:22:56,625 --> 00:22:59,920
>> James: AND NO ONE ASKED BUT
IT, BECAUSE THE BIG BOOK JUST
418
00:23:00,003 --> 00:23:04,508
LOOKS LIKE SOMETHING YOU BUY IN
A GIFT STORE AT UNIVERSAL
419
00:23:04,591 --> 00:23:05,008
STUDIOS.
420
00:23:05,092 --> 00:23:06,218
>> YOU'RE NOT WRONG.
421
00:23:06,301 --> 00:23:10,305
>> James: SO THE ONLY WAY TO
DO IT IS DISPLAY IT OPEN IN SOME
422
00:23:10,388 --> 00:23:11,973
SORT OF GLASS CABINET.
423
00:23:12,057 --> 00:23:14,643
>> YEAH, YEAH, YEAH, LIKE THE
BOOK OF-- .
424
00:23:14,726 --> 00:23:20,148
>> James: YEAH, BECAUSE UP
UNTIL THAT MOMENT IT IS NOTHING
425
00:23:20,232 --> 00:23:22,609
TO REALLY ASK ABOUT, BUT
EVERYONE WILL NOW Z.
426
00:23:22,692 --> 00:23:25,695
>> JAMES, YOU ALWAYS KEEP IT
REAL WITH ME, AND I APPRECIATE
427
00:23:25,779 --> 00:23:26,613
IT.
428
00:23:26,696 --> 00:23:27,823
>> James: BUT THANK YOU FOR
SHARING THAT.
429
00:23:27,906 --> 00:23:29,533
WHAT IS AN INCREDIBLE THING.
430
00:23:29,616 --> 00:23:32,619
>> IT'S IN MY OFFICE NOW BUT
STRAIGHT UNDER IT, I FOUND THIS,
431
00:23:32,702 --> 00:23:37,749
OUR INTO THE WOODS-- AND I
COULDN'T HELP BUT BRING IT OUT.
432
00:23:37,833 --> 00:23:40,836
SO A SCRIPT FOR INTO THE WOODS.
433
00:23:40,919 --> 00:23:46,049
>> James: I HAVE ALSO GOT ONE
OF THOSE FOR YOU, SIGNED BY J.K.
434
00:23:46,133 --> 00:23:47,634
RAWLING, SO THERE YOU GO.
435
00:23:47,717 --> 00:23:52,681
REGGIE, REGGIE, DO YOU HAVE A
QUESTION FOR ANY OF OUR GUESTS
436
00:23:52,764 --> 00:23:53,098
THIS EVENING.
437
00:23:53,181 --> 00:23:54,683
>> Reggie: YES.
438
00:23:54,766 --> 00:24:03,150
TONIGHT'S QUESTION GOES TO, MISS
KENDRICK.
439
00:24:03,233 --> 00:24:06,903
ALL RIGHT, GET READY FOR
TONIGHT'S HOTTEST QUESTION.
440
00:24:06,987 --> 00:24:12,701
SO YOU'RE IN A HOUSE, YOU'RE IN
A ROOM AND THE ROOM IS DIMLY
441
00:24:12,784 --> 00:24:13,994
LIT.
442
00:24:14,077 --> 00:24:17,038
THERE IS A DOOR IN THE ROOM THAT
YOU HAVE NEVER BEEN THROUGH, BUT
443
00:24:17,122 --> 00:24:19,541
YOU SEE A SUBTLE GLOWING LIGHT
UNDERNEATH IT.
444
00:24:19,624 --> 00:24:26,089
IF YOU WERE TO GO TO THAT DOOR
AND OPEN IT, WHAT DO YOU THINK
445
00:24:26,173 --> 00:24:28,383
YOU WOULD FIND?
446
00:24:28,466 --> 00:24:31,386
>> I WOULD GO TO THE GLOWING
DOOR AND OPEN IT, I THINK IT
447
00:24:31,469 --> 00:24:36,766
WOULD OPEN TO THIS VOID THAT I
AM FILMING IN AND THERE WILL BE
448
00:24:36,850 --> 00:24:46,067
A REALITY SHOW CALLED THE VOID
AND-- WOULD SING TO ME AND I T
449
00:24:46,151 --> 00:24:47,611
WOULD HAVE TO SING-- .
450
00:24:47,694 --> 00:24:51,907
>> James: LET'S SEE WHAT THAT
WOULD FEEL LIKE, REGGIE, YOU ARE
451
00:24:51,990 --> 00:24:54,868
A CONTESTANT ON THE VOICE, GIVE
US THE WORST SINGING, YOU ARE
452
00:24:54,951 --> 00:25:01,750
THE JUDGE, WE'LL BOTH BE THE
JUDGE, SO WELCOME TO THE VOICE.
453
00:25:01,833 --> 00:25:05,754
EVERYBODY WANTS TO LOVE IT.
454
00:25:05,837 --> 00:25:09,090
♪ EVERY TIME I AM HERE.
455
00:25:09,174 --> 00:25:12,594
>> James: ANNA KENDRICK,
EVERYBODY, WE'LL BE RIGHT BACK
456
00:25:12,677 --> 00:25:15,138
WITH ALANIS MORISSETTE.
457
00:25:15,222 --> 00:25:19,643
♪ ♪ ♪
458
00:25:23,730 --> 00:25:32,405
♪ ♪ ♪
459
00:25:32,489 --> 00:25:36,952
>> WELCOME BACK, OUR NEXT GUEST
ASK A SEVEN TIME GRAMMY
460
00:25:37,035 --> 00:25:38,787
AWARD-WINNING SINGER-SONGWRITER
ABOUT TO RELEASE A BRAND NEW
461
00:25:38,870 --> 00:25:43,625
ALBUM NEXT MONTH, WHAT AN HONOR
TO HAVE THE INCREDIBLY TALENTED
462
00:25:43,708 --> 00:25:46,127
ALANIS MORISSETTE JOIN US, HOW
ARE YOU?
463
00:25:46,211 --> 00:25:47,003
>> I'M REALLY WELL, HOW ARE YOU.
464
00:25:47,087 --> 00:25:49,923
>> James: I'M VERY WELL, HOW
ARE YOU DOING.
465
00:25:50,006 --> 00:25:53,176
>> YOU KNOW, DEPENDS WHEN YOU
CATCH ME, TRYING TO HOLD IT
466
00:25:53,260 --> 00:25:54,344
TOGETHER.
467
00:25:54,427 --> 00:25:56,346
>> James: I CONSIDER HOLDING
IT TOGETHER A REAL PLUS POINT
468
00:25:56,429 --> 00:25:58,932
RIGHT BOW.
469
00:25:59,015 --> 00:26:00,016
>> A FUNCTIONAL ROLLER COASTER.
470
00:26:00,100 --> 00:26:03,979
>> James: NOW HOW HAVE YOU
BEEN DOING AM YOU HAVE YOUNG
471
00:26:04,062 --> 00:26:05,146
CHILDREN AT HOME.
472
00:26:05,230 --> 00:26:09,150
HOW HAVE YOU BEEN COPING WITH
THE HOMESCHOOLING DURING THIS
473
00:26:09,234 --> 00:26:10,151
LOCKDOWN?
474
00:26:10,235 --> 00:26:13,113
WHAT IS ALANIS MORISSETTE'S TAKE
ON ALL OF THIS.
475
00:26:13,196 --> 00:26:16,449
>> WE WERE ALREADY UNSCHOOLING,.
476
00:26:16,533 --> 00:26:18,618
>> James: WHAT DOES
UNSCHOOLING MEAN.
477
00:26:18,702 --> 00:26:23,164
I FEEL LIKE I DID A LOT OF
UNSCHOOLING WHEN I WAS NINE.
478
00:26:23,248 --> 00:26:25,542
>> THERE ARE PROBABLY DIFFERENT
INTERPRETATIONS.
479
00:26:25,625 --> 00:26:26,960
>> James: WHAT DOES
UNSCHOOLING ME.
480
00:26:27,043 --> 00:26:30,213
>> THE SANCTIONED ONE IS HOW WE
DO T I THINK EVERYONE DOES IT A
481
00:26:30,297 --> 00:26:32,674
LITTLE DIFFERENTLY BUT
UNSCHOOLING IS VERY CHILD-LEAD,
482
00:26:32,757 --> 00:26:37,971
NOT IN THAT THEY ARE IN CHARGE
IN AN INAPPROPRIATE WAY BUT MORE
483
00:26:38,054 --> 00:26:43,351
THAT THEIR
PROCLIFFIC-- PROCLIVITIES, THEIR
484
00:26:43,435 --> 00:26:48,690
CURIOSITIES, IT IS MOSTLY MAKING
SURE THERE IS PHYSICAL, SOME
485
00:26:48,773 --> 00:26:52,360
SOCIAL INTERACTIVE, SOME ELEMENT
OF HELPING THE CHILDREN NAVIGATE
486
00:26:52,444 --> 00:26:57,365
THE INNER LANDSCAPE OF THEIR
FEELINGS AND THEIR THOUGHTS.
487
00:26:57,449 --> 00:27:00,201
MUSICAL INTELLIGENCE, SPACE
INTELLIGENCE, DESIGN, SO WE KEEP
488
00:27:00,285 --> 00:27:02,704
THAT IN THE BACK OF OUR MINDSK
MY HUSBAND AND I.
489
00:27:02,787 --> 00:27:12,881
AND WHEN WE NOTICE WE HAVEN'T
BEEN OUTSIDE, IT TAKE THE
490
00:27:12,964 --> 00:27:16,718
PRESSURE OFF US, ALTHOUGH THE
ONLY CAV YET I WOULD SAY THAT IT
491
00:27:16,801 --> 00:27:23,183
IS A 24/7 THING.
492
00:27:23,266 --> 00:27:25,477
SO IT IS A VERY ODD CONCEPT.
493
00:27:25,560 --> 00:27:29,856
>> James: I'M INTO THIS, I AM
NOW REALIZING I UNSCHOOLED
494
00:27:29,939 --> 00:27:31,191
MYSELF, A LOT OF MY LIFE.
495
00:27:31,274 --> 00:27:32,859
I UNSCHOOLED.
496
00:27:32,942 --> 00:27:35,904
>> WELL, UNSCHOOLING IS
CONTINUED EDUCATION, RESPECT FOR
497
00:27:35,987 --> 00:27:39,199
EDUCATION, MY PARENTS ARE BOTH
TEACHERS, I LOVE LEARNING EVERY
498
00:27:39,282 --> 00:27:41,910
DAY, IF I DON'T LEARN SOMETHING
EVERY DAY I FEEL OFF.
499
00:27:41,993 --> 00:27:45,580
SO IT IS NOT THAT WE ARE NOT
LEARN NGHT UNSCHOOLING WORLD, IT
500
00:27:45,663 --> 00:27:46,748
IS JUST WE A ARE APPROACHING IT
DIFFERENTLY.
501
00:27:46,831 --> 00:27:48,917
>> James: I WOULD LOVE TO TALK
TO YOU MORE ABOUT THIS.
502
00:27:49,000 --> 00:27:53,088
BUT LET'S TALK ABOUT THIS,
BECAUSE THIS MONTH, THIS MONTH
503
00:27:53,171 --> 00:27:56,800
WE'RE IN MARKS THE 25th
ANNIVERSARY OF JAGGED LEG PILL.
504
00:27:56,883 --> 00:28:01,805
I CAN'T BELIEVE THAT WAS 25
YEARS AGO.
505
00:28:01,888 --> 00:28:06,726
ARE YOU AT ALL SURPRISED LOOKING
BACK NOW AT THE IMPACT OF THAT
506
00:28:06,810 --> 00:28:11,606
ALBUM AND HOW THAT ALBUM HAS
HELD OUT JUST IN THE LAST SORT
507
00:28:11,689 --> 00:28:20,573
OF YEAR OR SO, YOU KNOW, THAT IS
THE SONG IN LADY BIRD, IN BOOK
508
00:28:20,657 --> 00:28:24,452
SMART, ARE YOU SHOCKED ABOUT HOW
THE ALBUM HAS REMAINED RELEVANT?
509
00:28:24,536 --> 00:28:27,831
>> I'M FIRST OF ALL FOR TEU TUS
BECAUSE CAN I PERFORMANCE
510
00:28:27,914 --> 00:28:29,040
WITHOUT CRINGING.
511
00:28:29,124 --> 00:28:34,796
THE OTHER IS THAT I THINK WHAT
WOULD HAPPENED UNBEKNOWNST TO
512
00:28:34,879 --> 00:28:37,799
ME, IS WHILE I WAS WRITING ABOUT
MY OWN HUMAN EXPERIENCE, ITS
513
00:28:37,882 --> 00:28:40,844
WITH GIVING PER MISSION SOME
WAYS TO THOSE LISTENING TO IT TO
514
00:28:40,927 --> 00:28:46,766
HAVE THEIR OWN HUMAN EXPERIENCE
AND NOT APOLOGIZE FOR BEING
515
00:28:46,850 --> 00:28:51,062
FABULOUS OR DEPRESSION OR
ANYTHING, I THINK IT JUST SAID
516
00:28:51,146 --> 00:28:52,147
IT IS OKAY.
517
00:28:52,230 --> 00:28:57,694
>> James: NOW YOUR NEW ALBUM
WHICH IS YOU WILL KAD SUCH
518
00:28:57,777 --> 00:29:01,698
PLELTEE FORK IN THE ROAD IS OUT
IN JULY, YOU HAVE THREE CHILDREN
519
00:29:01,781 --> 00:29:02,824
IN YOUR LIFE RIT NOW.
520
00:29:02,907 --> 00:29:05,994
HOW HAVE THE CHANGES IN YOUR
LIFE TODAY CHANGED YOUR
521
00:29:06,077 --> 00:29:07,036
RECORDING PROCESS FROM WHAT IT
USED TO BE.
522
00:29:07,120 --> 00:29:13,001
>> IT USED TO BE MORE
PARTICULAR, IF I WAS IN THE
523
00:29:13,084 --> 00:29:15,879
BOOTH AND SOMEONE MOVED I WOULD
BE LIKE STOP, STOP.
524
00:29:15,962 --> 00:29:21,009
I CAN'T-- NOW HAVE I A CHILD ON
MYñr HEAD, ANOTHER FEEDING,
525
00:29:21,092 --> 00:29:24,095
FINISHING A QUICK DINNER, JUST
RECORD IT YOU WANT TO REHEARSE,
526
00:29:24,179 --> 00:29:30,351
NO, JUST RECORD AND-- SO IT IS
ALL VERY INTEGRATE, IT IS LIKE A
527
00:29:30,435 --> 00:29:32,979
CIRCUS BUT IT STILL GETS DONE
SHOW.
528
00:29:33,062 --> 00:29:39,360
I THINK THE MULTITASKING HAS
TURNED INTO MULTIPLE SINGLE
529
00:29:39,444 --> 00:29:40,528
FOCUS TAX.
530
00:29:40,612 --> 00:29:45,825
IT IS NOT THAT I AM JUST AWARE
OF-- IT IS MORE THAT I AM
531
00:29:45,909 --> 00:29:50,205
FOCUSED ON SO MANY THINGS TO THE
POINT THAT I GET A LITTLE
532
00:29:50,288 --> 00:29:57,837
OVERSTIMULATED AND MY POOR
HUSBAND HAS TO DO-- I AM IN THE
533
00:29:57,921 --> 00:30:06,012
MIDDLE OF ALL KINDS OF PERFECT
STORMS AND KNOW, I AM EITHER
534
00:30:06,095 --> 00:30:09,015
CRYING OR RAGING OR I AM NUMB OR
CHECKING OUT OR TRYING TO BE THE
535
00:30:09,098 --> 00:30:12,769
BEST MOM I CAN BE IN THE MOMENT
HOLDING IT TOGETHER.
536
00:30:12,852 --> 00:30:14,729
I HAVE IT EASY.
537
00:30:14,812 --> 00:30:18,900
SO I JUST HAVE A LOT OF EMPATHY
FOR WHAT IS GOING ON AROUND THE
538
00:30:18,983 --> 00:30:20,068
WORLD.
539
00:30:20,151 --> 00:30:23,363
>> WHEN WE TALK ON THE SHOW ON
MONDAY, REGGIE, I DON'T EVEN
540
00:30:23,446 --> 00:30:26,908
KNEW IF YOU KNEW, ON MONDAY WHEN
WE WERE TALKING, YOU WERE SAYING
541
00:30:26,991 --> 00:30:28,701
I GO IN AND OUT.
542
00:30:28,785 --> 00:30:30,411
I GO IN AND OUT A LOT.
543
00:30:30,495 --> 00:30:33,998
AND THAT IS I THINK THE BEST WAY
THAT YOU CAN SUM IT UP REALLY IS
544
00:30:34,082 --> 00:30:36,751
YOU ARE IN AND THEN YOU ARE OUT.
545
00:30:36,834 --> 00:30:37,961
>> YES.
546
00:30:38,044 --> 00:30:41,589
>> AND WE'RE ALL ANIMALS, RIGHT,
AND THAT IS A PART OF WHAT WE
547
00:30:41,673 --> 00:30:47,929
ARE BEING ASKED IS TO RAISE, WE
ARE IN IF SOMETIMES WE ARE
548
00:30:48,012 --> 00:30:51,558
REACTING, NOT LETTING THIS
FRONTAL CORTEX HELP US.
549
00:30:51,641 --> 00:30:59,107
THAT IS WHAT DISTING BISHES US,
WHEN I AM IN THE MIDDLE OF FEAR,
550
00:30:59,190 --> 00:31:06,114
CAN I KEUNT ON THIS TO GO WAIT A
MINUTE, LET'S-- THE CHALLENGE
551
00:31:06,197 --> 00:31:11,452
RIGHT NOW ON ALL OF THESE
CHALLENGING DIFFICULT
552
00:31:11,536 --> 00:31:14,789
CIRCUMSTANCES IS TO REMEMBER THE
FACT THAT WE HAVE THIS, THAT WE
553
00:31:14,872 --> 00:31:21,838
CAN CONJURE IT WHEN WE CAN BUT
WHEN WE ARE IN FIGHT, FRIGHT OR
554
00:31:21,921 --> 00:31:24,632
FREEZE, QUESTIONING WHAT THE NEW
NORMAL WILL BE, IT SUNDAY
555
00:31:24,716 --> 00:31:29,804
STANDABLE WHENEVER YOU TEST IT
WE WILL BE IN SOME DIFFERENT
556
00:31:29,887 --> 00:31:30,847
STATE.
557
00:31:30,930 --> 00:31:35,435
WE ARE SUBJECT TO ALL THE
NERVOUSNESS, THE PATHETIC
558
00:31:35,518 --> 00:31:39,856
HEARTBEAT, CLENCHED CHEST.
559
00:31:39,939 --> 00:31:44,652
SOME PEOPLE ARE PUTTING PRESSURE
ON THEMSELVES, TO BE PRODUCTIVE
560
00:31:44,736 --> 00:31:47,363
DURING A TIME WHERE ST
INAPPROPRIATE TO NOT HAVE TO DO
561
00:31:47,447 --> 00:31:48,573
ANYTHING RIGHT NOW.
562
00:31:48,656 --> 00:31:51,451
WE DON'T HAVE TO SHOW UP, IF
THERE WERE TO BE A REQUEST THAT
563
00:31:51,534 --> 00:31:58,499
I WOULD MAKE MYSELF OR ANYBODY
IT WOULD BE SURVEILLANCE.
564
00:31:58,583 --> 00:32:02,170
, FROM DIFFERENT ANIMAL WES CAN
CONNECT WITH EACH OTHER, LOOK
565
00:32:02,253 --> 00:32:06,507
DIFFERENT, IF WE SOUND DIFFERENT
F WE HAVE DIFFERENT EXCEPTIONS,
566
00:32:06,591 --> 00:32:10,011
WE CAN REALLY CONNECT.
567
00:32:10,094 --> 00:32:15,224
I THINK WHAT IS MOST NEEDED
RIGHT NOW IS TO EVOLVE THIS
568
00:32:15,308 --> 00:32:18,561
CONSCIOUSNESS TO REMEMBER WE ARE
CONNECTED ON A SPIRITUAL LEVEL
569
00:32:18,645 --> 00:32:22,482
NO MATTER WHAT WE ARE LOOKING
LIKE, HOW OLD WE ARE.
570
00:32:22,565 --> 00:32:24,400
>> James: ABSOLUTELY, WILL YOU
PERFORM A BRAND NEW SONG RIGHT
571
00:32:24,484 --> 00:32:26,069
HERE WHEN WE COME BACK.
572
00:32:26,152 --> 00:32:27,278
AFTER THE BREAK.
573
00:32:27,362 --> 00:32:30,990
SO YOU GET READY FOR THAT AND
WE'LL BE BACK WITH MORE "LATE,
574
00:32:31,074 --> 00:32:32,075
LATE SHOW" AFTER THIS.
575
00:32:40,958 --> 00:32:48,257
♪ ♪ ♪
576
00:32:48,341 --> 00:32:51,052
>> James: HERE PERFORMING
DIAGNOSIS
577
00:32:51,135 --> 00:32:53,388
FOR THE FIRST TIME ON
TELEVISION, HERE'S
578
00:32:53,471 --> 00:32:55,056
ALANIS MORISSETTE.
579
00:32:55,139 --> 00:33:02,689
♪ CALL IT WHAT YOU WANT
'CAUSE I DON'T EVEN CARE ANYMORE
580
00:33:02,772 --> 00:33:12,740
♪ CALL ME WHAT YOU NEED TO
TO FEEL COMFORTABLE
581
00:33:12,824 --> 00:33:18,746
♪ CALL ME WHAT YOU NEED TO
TO FEEL COMFORTABLE
582
00:33:18,830 --> 00:33:26,796
♪ I'VE NOT LEFT THE HOUSE
IN A WHILE
583
00:33:26,879 --> 00:33:34,762
♪ I'VE NOT FELT A
GLIMPSE OF PEACE
584
00:33:34,846 --> 00:33:38,766
♪ AND I HAVE NOT
MADE MUCH HEADWAY
585
00:33:38,850 --> 00:33:46,774
♪ SINCE I HAVE COME BACK
FROM THE WAR
586
00:33:46,858 --> 00:33:56,325
♪ AND I NO LONGER
GIVE A DAMN
587
00:33:56,409 --> 00:34:02,749
♪ 'BOUT THINGS THAT USED
TO MATTER
588
00:34:02,832 --> 00:34:10,798
♪ AND I AM COVERING
MY EYES
589
00:34:10,882 --> 00:34:18,806
♪ AS I AM FROZEN
ON THE SPOT
590
00:34:18,890 --> 00:34:24,812
♪ AND CALL IT WHAT YOU WANT
'CAUSE I DON'T EVEN CARE ANYMORE
591
00:34:24,896 --> 00:34:34,822
♪ CALL ME WHAT YOU NEED TO
TO MAKE YOURSELF COMFORTABLE
592
00:34:34,906 --> 00:34:40,161
♪ SO I AM DEBILITATED
I CAN'T REMEMBER WHERE THE
593
00:34:40,244 --> 00:34:46,834
♪ SENTENCE STARTED WHEN I'M
TRYING TO FINISH IT
594
00:34:46,918 --> 00:34:53,341
♪ AND ALL OF YOU ARE SO
FRUSTRATED
595
00:34:53,424 --> 00:34:58,846
♪ AND EVERYONE AROUND ME IS
TRYING TO HELP
596
00:34:58,930 --> 00:35:12,860
AS MUCH AS THEY CAN
♪ MY HOUSE IS SPOTLESS
597
00:35:12,944 --> 00:35:22,829
MY LENS IS SKEWED
♪ MY LIMBS, THEY RECOIL
598
00:35:22,912 --> 00:35:30,837
AND I'M FOLDING IN
♪ ON MYSELF
599
00:35:30,920 --> 00:35:42,765
SINCE I AM OUT OF ORDER
♪ CALL IT WHAT YOU WANT
600
00:35:42,849 --> 00:35:50,815
'CAUSE I DON'T EVEN CARE ANYMORE
♪ CALL ME WHAT YOU NEED TO
601
00:35:50,898 --> 00:35:58,781
TO MAKE YOURSELF COMFORTABLE
♪ SO I AM DEBILITATED
602
00:35:58,865 --> 00:36:02,785
I CAN'T REMEMBER WHERE THE
♪ SENTENCE STARTED WHEN I'M
603
00:36:02,869 --> 00:36:10,877
TRYING TO FINISH IT
♪ AND ALL OF YOU ARE SO
604
00:36:10,960 --> 00:36:16,591
FRUSTRATED
♪ AND EVERYONE AROUND ME IS
605
00:36:16,674 --> 00:36:22,889
TRYING TO HELP
♪ AS MUCH AS THEY CAN
606
00:36:22,972 --> 00:36:30,897
BUT I'M ALONE
♪ IN THIS MELTDOWN
607
00:36:30,980 --> 00:36:38,905
OF NERVOUSNESS DIAGNOSIS
♪ CALL IT WHAT YOU WANT
608
00:36:38,988 --> 00:36:48,915
'CAUSE I DON'T EVEN CARE ANYMORE
♪ CALL ME WHAT YOU NEED TO
609
00:36:48,998 --> 00:36:55,004
TO FEEL COMFORTABLE ♪
610
00:36:55,087 --> 00:36:57,465
>> James: ABSOLUTELY BEAUTIFUL.
ALANIS MORISSETTE, EVERYBODY.
611
00:36:57,548 --> 00:37:03,012
"SUCH PRETTY FORKS IN THE
ROAD," IS OUT JULY 31!
612
00:37:03,095 --> 00:37:04,680
WE'LL BE RIGHT BACK.
613
00:37:04,764 --> 00:37:08,351
♪ ♪ ♪
614
00:37:13,230 --> 00:37:18,653
♪ ♪ ♪
615
00:37:18,736 --> 00:37:19,737
>> James: THANK YOU SO MUCH FOR
WATCHING.
616
00:37:19,820 --> 00:37:21,489
NEXT WEEEK, WE'RE GONNA BE
JOINED BY GORDAN RAMSEY,
617
00:37:21,572 --> 00:37:26,869
COLIN FARRELL, MUSIC FROM JESSE
WEARE, JOSH GROBAN AND KELLANI.
618
00:37:26,953 --> 00:37:28,162
WE HOPE TO SEE YOU THEN.
619
00:37:28,245 --> 00:37:29,997
GOOD NIGHT, EVERYBODY.
620
00:37:30,081 --> 00:37:30,998
Captioning sponsored by CBS
Captioned by
621
00:37:31,082 --> 00:37:31,999
Media Access Group at WGBH
access.wgbh.org
622
00:37:32,083 --> 00:37:46,973
♪ ♪ ♪
623
00:37:47,056 --> 00:37:54,188
♪ ♪ ♪
624
00:37:54,271 --> 00:38:09,078
♪ ♪ ♪
625
00:38:09,161 --> 00:38:19,171
♪ ♪ ♪
626
00:38:19,255 --> 00:38:29,098
♪ ♪ ♪
627
00:38:29,181 --> 00:38:39,191
♪ ♪ ♪
628
00:38:39,275 --> 00:38:49,118
♪ ♪ ♪
629
00:38:49,201 --> 00:38:52,455
♪ ♪ ♪
51634
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