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These are the user uploaded subtitles that are being translated: 1 00:00:08,133 --> 00:00:11,720 Captioning sponsored by CBS ♪ THE LATE LATE SHOW, OH, OH 2 00:00:11,803 --> 00:00:16,975 THE LATE LATE SHOW, OH, OH ♪ IT'S THE LATE LATE SHOW ♪ 3 00:00:17,058 --> 00:00:19,436 >> James: GOOD EVENING, LADIES AND GENTLEMEN, AND WELCOME TO 4 00:00:19,519 --> 00:00:20,770 THE "LATE LATE SHOW." 5 00:00:20,854 --> 00:00:22,564 I HOPE YOU HAVE HAD AN OKAY DAY. 6 00:00:22,647 --> 00:00:24,190 I HOPE ARE YOU HOLDING UP ALL RIGHT, HOW ARE YOU FEELING, 7 00:00:24,274 --> 00:00:25,942 REG, ARE YOU GOOD? 8 00:00:26,025 --> 00:00:26,526 >> Reggie: I'M DOING GOOD. 9 00:00:26,609 --> 00:00:27,318 I JUST LOST A HEADPHONE. 10 00:00:27,402 --> 00:00:28,153 >> James: OH NO. 11 00:00:28,236 --> 00:00:29,362 WHAT DO YOU MEAN? 12 00:00:29,446 --> 00:00:32,615 >> Reggie: I JUST CAN'T HEAR OUT OF MY RIGHT HERE RIGHT NOW. 13 00:00:32,699 --> 00:00:35,118 >> James: HOW DO YOU KNOW THAT IS THE HEADPHONE AND NOT YOUR 14 00:00:35,201 --> 00:00:36,327 EAR? 15 00:00:36,411 --> 00:00:42,125 HOW DO YOU KNOW THAT THE PROBLEM ISN'T SOMETHING DEEPER THAN 16 00:00:42,208 --> 00:00:42,751 THAT? 17 00:00:42,834 --> 00:00:44,252 >> Reggie: OKAY, I FIXED IT. 18 00:00:44,335 --> 00:00:45,295 THANKS, JAMES. 19 00:00:45,378 --> 00:00:49,924 >> James: AND IT IS THIS LEVEL, IT IS THIS LEVEL OF 20 00:00:50,008 --> 00:00:52,427 BROADCASTING WE'RE GOING TO BRING YOU ALL NIGHT TONIGHT 21 00:00:52,510 --> 00:00:56,014 FOLKS, OKAY, NOT ONLY WHEN YOU GET THIS INCREDIBLE INCITE, 22 00:00:56,097 --> 00:01:00,810 WE'LL ALSO BE TALKING TO THE EVER-CHARMING ANNA KENDRICK WILL 23 00:01:00,894 --> 00:01:02,020 BE HERE LATER ON. 24 00:01:02,103 --> 00:01:07,484 WE HAVE A MUSICAL PERFORMANCE FROM THE ICON THAT IS ALANIST 25 00:01:07,567 --> 00:01:11,279 MORISSETTE SO STICK AROUND FOR THAT BUT NORMALLY WHEN WE START 26 00:01:11,362 --> 00:01:14,824 A SHOW IN THE GARAGES WE HAVE THREE THINGS THAT CHEER YOU UP 27 00:01:14,908 --> 00:01:17,327 BUT RIGHT NOW WITH EVERYTHING GOING ON IN THE WORLD WE CHANGED 28 00:01:17,410 --> 00:01:18,620 IT UP. 29 00:01:18,703 --> 00:01:21,790 WE HAVE THINGS TO OFFER SUPPORT, THIS IS THREE THINGS YOU CAN DO 30 00:01:21,873 --> 00:01:22,707 TO HELP. 31 00:01:22,791 --> 00:01:25,293 >> Reggie: THREE THINGS YOU CAN DO TO HELP. 32 00:01:25,376 --> 00:01:27,504 >> James: REG YEA, COULD I GET A NUMBER PLEASE. 33 00:01:27,587 --> 00:01:28,671 >> Reggie: NUMBER ONE. 34 00:01:28,755 --> 00:01:31,299 >> James: NUMBER ONE, HERE IS SOMTHING YOU CAN DO, SIGN A 35 00:01:31,382 --> 00:01:31,841 PETITION. 36 00:01:31,925 --> 00:01:33,176 IT COULDN'T BE SIMPLER. 37 00:01:33,259 --> 00:01:36,346 AND NO, I'M NOT TALKING ABOUT THE PETITION, WHICH IS REAL, TO 38 00:01:36,429 --> 00:01:42,685 BRING BACK BARBECUE FRITOS OR THE ONES THAT CAST DANNY DE VITO 39 00:01:42,769 --> 00:01:46,356 AS WOLVERINE ALTHOUGH I DO THINK THAT WOULD BE A LOCK FOR AN 40 00:01:46,439 --> 00:01:47,565 OSCAR NOMINATION. 41 00:01:47,649 --> 00:01:52,362 NO I'M CALLING FOR PETITIONS LIKE THE ONE CALLING FOR JUSTICE 42 00:01:52,445 --> 00:01:57,033 FOR GEORGE FLOYD, ALREADY THE BIGGEST ON CHANGE.ORG WITH OVER 43 00:01:57,116 --> 00:02:00,203 15 MILLION SIGNATURES, AND YOU COULD LEND IT TO OTHER PETITIONS 44 00:02:00,286 --> 00:02:03,540 CALLING FOR JUSTICE FOR BREONNA TAYLOR, SEAN REED AND MANY, MANY 45 00:02:03,623 --> 00:02:07,335 OTHERS WHO NEED IT AND ONCE YOU SIGN THOSE PETITIONS AND 46 00:02:07,418 --> 00:02:09,504 ENCARNACION SURE POLICE OFFICERS ARE BEING HELD ACCOUNTABLE FOR 47 00:02:09,587 --> 00:02:12,924 THEIR CRIMES, YOU CAN SHIFT YOUR FOCUS BACK TO THE PETITIONS TO I 48 00:02:13,007 --> 00:02:17,220 DON'T KNOW, MAKE BABY YODA AN EMOJI OR THE ONES TO HAVE NIKE 49 00:02:17,303 --> 00:02:20,640 RESTOCK CHUNKY DUNKY SB'S. 50 00:02:20,723 --> 00:02:24,853 THAT'S REAL, I'M TALKING ABOUT BEN AND JERRY'S ICE CREAM THEME 51 00:02:24,936 --> 00:02:27,897 SKATEBOARDING SHOES, YOU HAVE THE POWER TO MAKE A DIFFERENCE. 52 00:02:27,981 --> 00:02:28,523 REGGIE WHAT IS NEXT. 53 00:02:28,606 --> 00:02:29,566 >> Reggie: NUMBER TWO. 54 00:02:29,649 --> 00:02:32,402 >> James: NOW YES, THE SECRETARY THING YOU CAN DO TO 55 00:02:32,485 --> 00:02:35,029 HELP TODAY, INVOLVES EDUCATION. 56 00:02:35,113 --> 00:02:38,700 NOW MANY PEOPLE ARE FEELING OVERWHELMED AT THE MOMENT BY THE 57 00:02:38,783 --> 00:02:40,743 TOPIC OF RACE AND JUSTICE. 58 00:02:40,827 --> 00:02:44,330 AND BY PEOPLE WE MEAN SPECIFICALLY PRESIDENT DONALD 59 00:02:44,414 --> 00:02:45,957 TRUMP. 60 00:02:46,040 --> 00:02:52,755 ALL THIS WEEK TRUMP'S TWEET WAS MY ADMIN HAS DONE MORE FOR THE 61 00:02:52,839 --> 00:02:55,592 BLACK COMAWMENT THAN ANY PRESIDENT SINCE ABRAHAM LINCOLN. 62 00:02:55,675 --> 00:03:00,138 I THINK EVEN TRUMP SUPPORT ARES WERE LIKE OH, SIR, THAT IS 63 00:03:00,221 --> 00:03:01,347 HILARIOUS. 64 00:03:01,431 --> 00:03:04,809 NOW RECENTLY I HAVE TAKEN IT UPON MYSELF, I HAVE ORDERED SOME 65 00:03:04,893 --> 00:03:09,480 BOOGS, MF TIFF BOOKS, PLAINING RACE AND THE HISTORY OF BLACK 66 00:03:09,564 --> 00:03:13,943 EXPERIENCE IN AMERICA BECAUSE AND THE REASON IS I CANNOT 67 00:03:14,027 --> 00:03:17,488 STRESS THIS ENOUGH, I KNOW NOTHING, OKAY SO THESE ARE THE 68 00:03:17,572 --> 00:03:18,615 BOOKS I HAVE ORDERED. 69 00:03:18,698 --> 00:03:24,787 LIKE HOW TO BE AN ANTIRACIST, WHITE FRAGILITY WHICH IS 70 00:03:24,871 --> 00:03:27,373 ACTUALLY I THINK SOLD OUT AT THE MOMENT, AND THIS BOOK SO YOU 71 00:03:27,457 --> 00:03:30,126 WANT TO TALK ABOUT RACE. 72 00:03:30,209 --> 00:03:33,338 NOW I'M EXCITED TO READ THESE BOOKS AND EDUCATION-- EDUCATE 73 00:03:33,421 --> 00:03:34,589 MYSELF. 74 00:03:34,672 --> 00:03:37,300 BUT HERE IS THE PROBLEM, WE'RE TALKING ABOUT DONALD TRUMP HERE. 75 00:03:37,383 --> 00:03:41,346 AND FRANKLY, THESE BOOKS HAVE GOT WAY TOO MANY WORDS. 76 00:03:41,429 --> 00:03:46,434 AND I THOUGHT LUCKILY THERE ARE PLENTY OF AMAZING BOOKS AIMED 77 00:03:46,517 --> 00:03:48,478 SPECIFICALLY AT YOUNG PEOPLE. 78 00:03:48,561 --> 00:03:54,317 AND BOOKS LIKE THIS, SOME OF THESE BOOKS FOR KIDS AS YOUNG AS 79 00:03:54,400 --> 00:03:59,155 TWO, THE AND THIS BOOK, SOULWAYS SO WHAT WE HAVE DECIDED TO DO IS 80 00:03:59,238 --> 00:04:02,742 PUT THESE BOOKS IN AN ENVELOPE, RIGHT HERE, AND WE'RE GOING TO 81 00:04:02,825 --> 00:04:07,330 MAIL THESE BOOKS TO DONALD TRUMP IN THE HOPE THAT THESE ARE BOOKS 82 00:04:07,413 --> 00:04:12,293 THAT WOULD HELP EXPLAIN RACISM AND ITS PROBLEMS TO THE 83 00:04:12,377 --> 00:04:13,503 PRESIDENT. 84 00:04:13,586 --> 00:04:17,548 NOW I'M GOING TO PUT A LITTLE NOTE IN HERE TO VICE PRESIDENT 85 00:04:17,632 --> 00:04:24,389 MIKE PENCE. 86 00:04:24,472 --> 00:04:33,982 DEAR MIKE, PLEASE ADD THESE TO THE PRESIDENT'S BED TIME STORY 87 00:04:34,065 --> 00:04:35,149 ROTATION, YOURS, JAMES. 88 00:04:35,233 --> 00:04:40,071 THERE WE GO AND WE'LL SEND THEM AND HOPEFULLY IT CAN HELP. 89 00:04:40,154 --> 00:04:43,533 REGGIE, YOU CAN GIVE ME A NUMBER THREE. 90 00:04:43,616 --> 00:04:44,867 >> Reggie: NUMBER THREE. 91 00:04:44,951 --> 00:04:48,329 >> James: OKAY, THE THIRD THING YOU CAN DO TO HELP RIGHT 92 00:04:48,413 --> 00:04:49,872 NOW IS. 93 00:04:49,956 --> 00:04:52,500 >> JAMES, JAMES, HI, I HAVE SOME GREAT NEWS. 94 00:04:52,583 --> 00:04:56,379 >> James: HI, OLIVIA, EVERYONE, THIS IS OLIVIA, SHE IS 95 00:04:56,462 --> 00:04:59,549 IS A WRITER ON THE SHOW, WE ARE TAPING THE SHOW RIGHT NOW, 96 00:04:59,632 --> 00:05:03,594 OLIVIA, WE'RE JUST DOING THREE THINGS YOU CAN DO TO HELP AT THE 97 00:05:03,678 --> 00:05:04,387 MOMENT. 98 00:05:04,470 --> 00:05:06,431 >> I KNOW, THAT'S THE GREAT NEWS. 99 00:05:06,514 --> 00:05:10,518 YOU HAVE AN AMAZING TOOL TO HELP FIGHT STRUCTURAL RACISM. 100 00:05:10,601 --> 00:05:12,395 >> James: YOU'RE RIGHT. 101 00:05:12,478 --> 00:05:16,524 I HAVE MY CELEBRITY. 102 00:05:16,607 --> 00:05:17,066 >> HA, OH, NO. 103 00:05:17,150 --> 00:05:19,694 >> James: MY PLATFORM? 104 00:05:19,777 --> 00:05:23,239 >> OH, GOD NO, NOBODY ACTUALLY WATCHES THIS SHOW IT PLAYS IN 105 00:05:23,322 --> 00:05:26,909 ROOMS WHERE PEOPLE HAVE FALLEN ASLEEP. 106 00:05:26,993 --> 00:05:29,912 >> James: WHAT, WELL, TELL ME, WHAT DO YOU MEAN, WHAT TOOLS DO 107 00:05:29,996 --> 00:05:31,122 I HAVE? 108 00:05:31,205 --> 00:05:33,458 >> ACTUALLY THE TOOL THAT YOU HAVE IS SO POKER WITHFUL, YOU 109 00:05:33,541 --> 00:05:36,919 ARE PROBABLY NOT EVEN AWARE OF IT. 110 00:05:37,003 --> 00:05:40,590 >> James: IS IT-- DWSH I DOBTS-- I DON'T WANT THIS TO 111 00:05:40,673 --> 00:05:42,967 KOWMENT AS ARROGANT. 112 00:05:43,051 --> 00:05:48,056 IS IT, IS IT MY CHARISMA? 113 00:05:48,139 --> 00:05:53,102 CUZ PEOPLE SAY THAT ABOUT ME, THEY SAY I HAVE GOT A STORT OF, 114 00:05:53,186 --> 00:05:56,939 THEY CAN'T PUT THEIR FINGER, I HAVE A SORT OF VULNERABLE 115 00:05:57,023 --> 00:05:59,108 CONFIDENCE YOU RARELY FIND IN A BIG MAN. 116 00:05:59,192 --> 00:06:01,819 >> IT'S YOUR PRIVILEGE, THAT IS WHAT ST, I SHOULDN'T HAVE MADE 117 00:06:01,903 --> 00:06:02,570 YOU GUESS. 118 00:06:02,653 --> 00:06:03,529 >> James: PRIVILEGE? 119 00:06:03,613 --> 00:06:08,367 MY PRIVILEGE, RIGHT, RIGHT. 120 00:06:08,451 --> 00:06:11,120 WELL, LET'S PRETEND AS AN EXERCISE THAT I DON'T 100 121 00:06:11,204 --> 00:06:14,582 PERCENT KNOW WHAT THAT MEANS BUT I DO KNOW THAT WHEN I HEAR IT IT 122 00:06:14,665 --> 00:06:17,335 MAKES ME FEEL BAD. 123 00:06:17,418 --> 00:06:20,129 >> IT'S PERFECTLY NORMAL TO FEEL A LITTLE BIT GUILTY TALKING 124 00:06:20,213 --> 00:06:21,255 ABOUT PRIVILEGE. 125 00:06:21,339 --> 00:06:24,300 BUT IF IT HELPS HAVING PRIVILEGE ISN'T YOUR FAULT. 126 00:06:24,383 --> 00:06:26,636 IT'S SOMETHING YOU INHERITED, NOT SOMETHING YOU DID WRONG. 127 00:06:26,719 --> 00:06:31,974 >> James: NO, THAT'S THE THING, SEE, NO, I DIDN'T INHERIT 128 00:06:32,058 --> 00:06:33,142 ANYTHING. 129 00:06:33,226 --> 00:06:35,353 LIKE I DIDN'T GROW UP IN A WEALTHY HOME, DO YOU KNOW WHAT I 130 00:06:35,436 --> 00:06:36,479 MEAN. 131 00:06:36,562 --> 00:06:40,650 WE USED TO GO CAMPING IN BOURNEMOUTH, YOU KNOW, I'M NOT 132 00:06:40,733 --> 00:06:41,859 PRIVILEGED IN ANYWAY. 133 00:06:41,943 --> 00:06:43,611 >> I'M SO HAPPY YOU BROUGHT THAT UP. 134 00:06:43,694 --> 00:06:45,822 ONE OF THE BIGGEST MISCONCEPTIONS ABOUT PRIVILEGE 135 00:06:45,905 --> 00:06:48,825 IS THAT SAYING YOU HAVE IT IS SAYING YOU HAVE AN EASY LIFE OR 136 00:06:48,908 --> 00:06:50,660 THAT YOU HAD IT EASY GROWING UP. 137 00:06:50,743 --> 00:06:51,828 IT DOESN'T MEAN THAT. 138 00:06:51,911 --> 00:06:55,289 WHAT PRIVILEGE DOES MEAN, SPECIFICALLY WHITE PRIVILEGE IS 139 00:06:55,373 --> 00:06:59,794 THAT YOUR SKIN COLOR DIDN'T MAKE YOUR LIFE MORE CHALLENGING. 140 00:06:59,877 --> 00:07:02,672 JIZ HEAR WHAT YOU ARE SAYING. 141 00:07:02,755 --> 00:07:09,053 BUT THE THOUGHT THAT I HAVE WHITE PRIVILEGE MAKES ME FEEL 142 00:07:09,137 --> 00:07:09,679 REALLY BAD. 143 00:07:09,762 --> 00:07:10,221 >> IT DOESN'T HAVE TO. 144 00:07:10,304 --> 00:07:11,681 >> James: I FEEL BAD. 145 00:07:11,764 --> 00:07:12,557 >> IT'S OKAY JAMES. 146 00:07:12,640 --> 00:07:15,643 >> James: IT HAS MADE ME-- I'M FEELING BAD. 147 00:07:15,726 --> 00:07:18,521 I HATE RACISM. 148 00:07:18,604 --> 00:07:19,522 I HATE RACISM. 149 00:07:19,605 --> 00:07:20,106 >> I KNOW. 150 00:07:20,189 --> 00:07:22,692 LET'S TRY TO KEEP GOING. 151 00:07:22,775 --> 00:07:28,489 >> James: BUT-- I HAVE WHITE PRIVILEGE. 152 00:07:28,573 --> 00:07:29,323 THERE, I SAID IT. 153 00:07:29,407 --> 00:07:30,700 I SAID IT. 154 00:07:30,783 --> 00:07:36,581 I DID IT, I CAN HANDLE THAT. 155 00:07:36,664 --> 00:07:38,749 I HAVE WHITE PRIVILEGE. 156 00:07:38,833 --> 00:07:45,047 I HAVE A VERY CHARISMATIC WHITE PRIVILEGE. 157 00:07:45,131 --> 00:07:46,340 >> SURE. 158 00:07:46,424 --> 00:07:49,051 AND HAVING THAT PRIVILEGE MEANS THAT YOU DON'T HAVE TO DEAL WITH 159 00:07:49,135 --> 00:07:52,180 THINGS LIKE BEING RACIALLY PROFILED OR GETTING UNFAIRLY 160 00:07:52,263 --> 00:07:54,599 TURNED DOWN FOR A MORTGAGE LOAN BECAUSE OF YOUR SKIN COLOR OR 161 00:07:54,682 --> 00:07:57,685 BEING A MINORITY AT YOUR WORKPLACE, SO YOU HAVE TO 162 00:07:57,768 --> 00:07:59,729 EXPLAIN PRIVILEGE TO PEOPLE YOU WORK WITH. 163 00:07:59,812 --> 00:08:02,106 >> James: THAT'S TERRIBLE. 164 00:08:02,190 --> 00:08:05,735 HAVE THOSE THINGS EVER HAPPENED TO YOU. 165 00:08:05,818 --> 00:08:06,485 >> YEAH. 166 00:08:06,569 --> 00:08:08,738 ONE OF THEM IS HAPPENING RIGHT NOW. 167 00:08:08,821 --> 00:08:11,032 >> James: OH MY GOD IS. 168 00:08:11,115 --> 00:08:17,622 OH GOD, DID YOU JUST GET TURNED DOWN FOR A MORTGAGE LOAN? 169 00:08:17,705 --> 00:08:21,792 >> NO, NO, I'M EXPLAINING PRIVILEGE TO SOMEONE I WORK 170 00:08:21,876 --> 00:08:22,752 WITH. 171 00:08:22,835 --> 00:08:27,757 >> James: I'M THE WORST. OH, MI SO STUPID. 172 00:08:27,840 --> 00:08:28,341 >> IT'S OKAY. 173 00:08:28,424 --> 00:08:30,218 >> James: I'M THE PROBLEM. 174 00:08:30,301 --> 00:08:31,260 >> NO, JAMES, NO, IT'S OKAY. 175 00:08:31,344 --> 00:08:35,097 >> James: I'M THE PROBLEM, I'M THE PROBLEM, OH, GOD. 176 00:08:35,181 --> 00:08:38,100 >> THAT'S WHY WE ARE DOING THIS. 177 00:08:38,184 --> 00:08:39,352 DON'T-- IT'S OKAY. 178 00:08:39,435 --> 00:08:43,147 BECAUSE THERE IS SO MANY HELPFUL THINGS THAT YOU CAN DO WITH YOUR 179 00:08:43,231 --> 00:08:43,773 PRIVILEGE. 180 00:08:43,856 --> 00:08:45,274 >> James: WELL, LIKE WHAT. 181 00:08:45,358 --> 00:08:47,443 >> RECOGNIZE IT IS A HUGE STEP. 182 00:08:47,526 --> 00:08:50,780 AND NOW THAT YOU RECOGNIZE IT, YOU CAN USE IT TO FIGHT FOR A 183 00:08:50,863 --> 00:08:53,032 MORE JUST SOCIETY. 184 00:08:53,115 --> 00:08:53,616 >> James: I CAN? 185 00:08:53,699 --> 00:08:54,867 >> YES. 186 00:08:54,951 --> 00:08:58,120 YOU CAN USE YOUR PRIVILEGE TO SPEAK UP ON BEHALF OF PEOPLE OF 187 00:08:58,204 --> 00:08:59,622 COLOR IN BIG WAYS AND SMALL WAYS. 188 00:08:59,705 --> 00:09:05,294 BIG WAYS LIKE FIGHTING FOR SOCIAL JUSTICE IN AREAS LIKE 189 00:09:05,378 --> 00:09:06,671 EDUCATION, HEALTH CARE AND HOUSING AND SMALLER WAYS LIKE 190 00:09:06,754 --> 00:09:11,175 LISTENING TO PEOPLE OF COLOR, ESPECIALLY WHEN WE TALK ABOUT 191 00:09:11,259 --> 00:09:13,427 RACISM, WITHOUT MAKING IT ABOUT YOUR FEELINGS. 192 00:09:13,511 --> 00:09:14,804 >> James: OH MY GOD. 193 00:09:14,887 --> 00:09:18,266 MAKING IT ABOUT MY FEELINGS. 194 00:09:18,349 --> 00:09:20,810 THAT IS WHAT I JUST DID. 195 00:09:20,893 --> 00:09:29,527 WELL, NOW THAT'S MADE ME FEEL-- NEVER MIND. 196 00:09:29,610 --> 00:09:30,653 >> THERE YOU GO. 197 00:09:30,736 --> 00:09:33,990 THIS HAS BEEN THREE THINGS YOU CAN DO TO HELP. 198 00:09:34,073 --> 00:09:38,160 >> James: THANKS, OLIVIA-- OLIVIA HAREWOOD, EVER. 199 00:09:38,244 --> 00:09:41,622 WE'LL BE RIGHT BACK WITH MORE OF THE "LATE, LATE SHOW." 200 00:10:03,644 --> 00:10:06,230 >> James: OUR FIRST GUEST IS ONE OF THE BUSIEST ACTORS AROUND, 201 00:10:06,314 --> 00:10:09,025 SHE CURRENTLY STARS IN TROLLS WORLD TOUR, THE DUNLY 202 00:10:09,108 --> 00:10:15,656 ON QUIBI, AND LOVE LIFE ON HBO MAX, THE STUPENDOUS, ANNA 203 00:10:15,740 --> 00:10:17,700 KENDRICK IS HERE, HI FRIEND, HOW ARE YOU. 204 00:10:17,783 --> 00:10:18,701 >> HOW ARE YOU. 205 00:10:18,784 --> 00:10:21,704 I'M SO SAD I'M NOT SEEING YOU IN PERSON. 206 00:10:21,787 --> 00:10:24,248 >> James: WE WERE SUPPOSED TO SPEND A LOT OF TIME TOGETHER, 207 00:10:24,332 --> 00:10:28,210 DOING PRESS AND PROMOTIONS AND HERE WE ARE. 208 00:10:28,294 --> 00:10:30,212 >> IT IS A CRAZY WORLD, FRIEND. 209 00:10:30,296 --> 00:10:33,632 AND I FEEL LIKE I'M DEFINITELY MISSING MY SEMIANNUAL MOMENT OF 210 00:10:33,716 --> 00:10:39,096 HANG OUT WITH YOU, SO I THINK YOU KNOW, I WAS EXPECTING TO SEE 211 00:10:39,180 --> 00:10:40,514 YOU ON THE TROLLS WORLD TOUR. 212 00:10:40,598 --> 00:10:43,768 AND EVERY TIME I SEE YOU YOU GIVE ME SOME KIND OF LOVELY PEP 213 00:10:43,851 --> 00:10:47,897 TALK OR NUGGET OF ADVICE THAT I CARRY AROUND WITH ME SO I'M VERY 214 00:10:47,980 --> 00:10:48,564 SAD. 215 00:10:48,647 --> 00:10:49,732 >> James: WELL, I AM ALSO SAD. 216 00:10:49,815 --> 00:10:53,903 BUT IT IS LOVELY TO SEE YOU LIKE THIS OVER A SCREEN, NONE THE 217 00:10:53,986 --> 00:10:54,278 LESS. 218 00:10:54,362 --> 00:10:54,987 IT REALLY IS. 219 00:10:55,071 --> 00:10:56,906 NOW YOU ARE HERE IN LOS ANGELES. 220 00:10:56,989 --> 00:11:02,078 I KNOW, YOU WENT TO ONE OF THE PROTESTS FOR THE MARCH IN L.A 221 00:11:02,161 --> 00:11:02,912 TELL ME ABOUT THAT. 222 00:11:02,995 --> 00:11:03,871 HOW WAS IT? 223 00:11:03,954 --> 00:11:06,749 HOW WAS YOUR EXPERIENCE? 224 00:11:06,832 --> 00:11:09,919 >> MY EXPERIENCE WAS REALLY POSITIVE. 225 00:11:10,002 --> 00:11:13,798 IT WAS REALLY MOVING AND MEANINGFUL. 226 00:11:13,881 --> 00:11:23,391 AND I FOUND IT TO BE TOTALLY PEACEFUL AND I HAD BEEN NERVOUS 227 00:11:23,474 --> 00:11:29,897 ABOUT GOING BECAUSE YOU KNOW, THERE HAS BEEN VIOLENCE BUT IT 228 00:11:29,980 --> 00:11:31,774 WAS SO WONDERFUL. 229 00:11:31,857 --> 00:11:38,072 AND I ACTUALLY LEFT AFTER A FEW HURS CUZ I'M AN OLD LADY AND I 230 00:11:38,155 --> 00:11:41,951 CAN ONLY BE OUT IN THE HEAT AND THE SUN FOR SO LONG, OBVIOUSLY. 231 00:11:42,034 --> 00:11:45,955 AND I DID, I HAD A FUNNY EXPERIENCE WHERE, YOU KNOW, I 232 00:11:46,038 --> 00:11:52,169 LOOKED AT MY PHONE, YOU KNOW, AFTER ABOUT 20 MINUTES AFTER 233 00:11:52,253 --> 00:11:53,462 LEAVING. 234 00:11:53,546 --> 00:11:56,298 AND I SAW, YOU KNOW, THAT THERE WERE RUBBER BULLETS BEING FIRED 235 00:11:56,382 --> 00:11:59,176 AND THAT THERE WAS, YOU KNOW, A COMPANY CAR WAS ON FIRE. 236 00:11:59,260 --> 00:12:03,472 AND AT FIRST I HONESTLY THOUGHT THAT IS A MISTAKE. 237 00:12:03,556 --> 00:12:04,682 THAT CAN'T BE TRUE. 238 00:12:04,765 --> 00:12:06,767 I WAS JUST THERE, YOU KNOW. 239 00:12:06,851 --> 00:12:15,484 SO IT IS REALLY A CONFUSING TIME SINCE I HAD BEEN THERE, YOU KNOW 240 00:12:15,568 --> 00:12:19,822 WHEN A SITUATION IS ESCALATING AND THINGS ARE ABOUT TO GO CRAZY 241 00:12:19,905 --> 00:12:23,325 AND THE SITUATION FEELS FRAUGHT, AND IT JUST WASN'T THAT. 242 00:12:23,409 --> 00:12:27,997 SO IT WAS PRETTY ALARMING TO SEE WHAT HAPPENED SO SOON AFTER 243 00:12:28,080 --> 00:12:28,456 LEAVING. 244 00:12:28,539 --> 00:12:29,665 >> James: YEAH. 245 00:12:29,748 --> 00:12:35,171 HOW DO YOU, IS THERE ANYTHING THAT YOU FOUND OR ANYTHING YOU 246 00:12:35,254 --> 00:12:37,923 READ, ANYTHING AT ALL THAT HELPS YOU GET A BETTER UNDERSTANDING 247 00:12:38,007 --> 00:12:40,968 OF THESE ISSUES RIGHT NOW? 248 00:12:41,051 --> 00:12:46,474 >> YEAH, WELL, I HAVE BEEN DOING THROUGHOUT LOCKDOWN, THROUGHOUT 249 00:12:46,557 --> 00:12:49,894 QUARANTINE, I HAVE BEEN DOING KIND OF FAMILY MOVIE NIGHTS. 250 00:12:49,977 --> 00:12:55,858 AND HAVING REMOTE FAMILY MOVIE NIGHTS WHICH IS, YOU KNOW, BEEN 251 00:12:55,941 --> 00:12:58,903 VERY LOVELY AND BONDING. 252 00:12:58,986 --> 00:13:02,740 AND IT IS USUALLY A DISNEY FILM, BACK TO THE FUTURE, THAT KIND OF 253 00:13:02,823 --> 00:13:04,783 FAMILY FILM. 254 00:13:04,867 --> 00:13:13,918 AND LAST WEEK MY MOM SAYS SHE DIDN'T REALLY FEEL RIGHT ABOUT 255 00:13:14,001 --> 00:13:17,338 THIS THE DISTRACTION, I SUGGESTED THAT WE WATCH THIS ONE 256 00:13:17,421 --> 00:13:21,217 OF DOCUMENTARY ABOUT JAMES BALDWIN CALLED I'M NOT YOUR 257 00:13:21,300 --> 00:13:26,680 NEGROE SO WE WATCHED THAT INSTEAD. 258 00:13:26,764 --> 00:13:34,688 AND YOU KNOW, GROWING UP LIKE MY DAD SHED ME, YOU KNOW, TO KILL A 259 00:13:34,772 --> 00:13:40,903 MOCKINGBIRD AND MY MOM GAVE ME A BELL COOK BOOK WHEN I WAS 16 OR 260 00:13:40,986 --> 00:13:45,824 17, AND I SA SAY THAT TO ENCOURAGE PEOPLE TO PEOPLE 261 00:13:45,908 --> 00:13:49,578 FEELING WELL MY FAMILY IS NOT RACIST-- RACIST, I DON'T HAVE TO 262 00:13:49,662 --> 00:13:50,496 DO THAT. 263 00:13:50,579 --> 00:13:52,623 TO ALWAYS DEEPENING YOUR UNDERSTANDING OF IT. 264 00:13:52,706 --> 00:13:59,421 AND I THINK THAT WAS A REALLY NICE WAY FOR US TO DO SOMETHING 265 00:13:59,505 --> 00:14:01,549 TOGETHER AS A FAMILY. 266 00:14:01,632 --> 00:14:03,926 AND WE'RE GOING TO WATCH THE 13th. 267 00:14:04,009 --> 00:14:08,055 >> THAT IS A BRILLIANT THING. 268 00:14:08,138 --> 00:14:09,265 >> YEAH. 269 00:14:09,348 --> 00:14:10,808 >> THAT IS SOMETHING YOU CAN DO WITH YOUR FAMILY IF YOU ARE 270 00:14:10,891 --> 00:14:12,601 LOOKING FOR SOMETHING LIKE THAT. 271 00:14:12,685 --> 00:14:13,686 >> SURE. 272 00:14:13,769 --> 00:14:15,938 HOW DO YOU MANAGE DURING THIS LOCKDOWN AND QUARANTINE. 273 00:14:16,021 --> 00:14:21,443 I THOUGHT IT WOULD BE THE OTHER WAY, YOU ENJOY GOING TO WORK I 274 00:14:21,527 --> 00:14:25,614 THINK MORE THAN ANYBODY I KNOW, LIKE WHENEVER I TALK TO YOU 275 00:14:25,698 --> 00:14:28,742 ABOUT WHAT YOU ARE DOING, YOU WILL TELL ME THE NEXT 11 THINGS 276 00:14:28,826 --> 00:14:33,122 THAT YOU ARE DOINGMENT AND I WILL THINK OH MY GOD, HOW DO YOU 277 00:14:33,205 --> 00:14:37,126 COPE WITH JUST STOPPING. 278 00:14:37,209 --> 00:14:39,962 >> WELL, THE FUNNY THING IS THAT I HAD FINALLY KIND OF 279 00:14:40,045 --> 00:14:44,800 ACKNOWLEDGED THAT I NEEDED TO TAKE A LITTLE BIT OF TIME OFF 280 00:14:44,883 --> 00:14:51,181 AND MAYBE NOT BE RUNNING AROUND THE GLOBE WORKING WITHOUT SEEING 281 00:14:51,265 --> 00:14:53,517 FRIENDS AND FAMILY FOR A MONTH AT A TIME. 282 00:14:53,601 --> 00:14:56,103 AND TOOK A LITTLE BIT OF TIME OFF. 283 00:14:56,186 --> 00:15:02,651 AND THEN A TINY PANDEMIC HIT AND I WAS A LITTLE BIT LIKE THIS 284 00:15:02,735 --> 00:15:04,111 ISN'T WHAT I WANT. 285 00:15:04,194 --> 00:15:08,741 YEAH, I DO FEEL LIKE I'M A LITTLE BIT CONCERNED THAT WHEN 286 00:15:08,824 --> 00:15:12,995 THIS IS OVER, YOU KNOW, THE POWERS THAT BE WILL BE LIKE 287 00:15:13,078 --> 00:15:14,246 OKAY, YOU READY TO GET BACK TO, WITHOUT. 288 00:15:14,330 --> 00:15:20,336 AND I AM LIKE I MEANT MORE LIKE GOING TO THE MOVIES AND STUFF. 289 00:15:20,419 --> 00:15:22,338 >> I WOULD LIKE IT WITHOUT THE ANXIETY. 290 00:15:22,421 --> 00:15:22,963 >> YES. 291 00:15:23,047 --> 00:15:24,214 >> LIKE IT WITHOUT THE FEAR. 292 00:15:24,298 --> 00:15:30,012 WHAT HAVE YOU BEEN DOING AROUND THE HOUSE TO KEEP YOURSELF BUSY. 293 00:15:30,095 --> 00:15:34,224 >> YOU KNOW, I HAVE GOTTEN THROUGH MOST OF THE BIG LEGO 294 00:15:34,308 --> 00:15:35,309 SETS. 295 00:15:35,392 --> 00:15:40,356 I AM A GROWN WOMAN, YES, JAMES, IN CASE YOU FORGOT. 296 00:15:40,439 --> 00:15:47,696 BUT YEAH, I MADE THE MILLENNIUM FALCON. 297 00:15:47,780 --> 00:15:50,157 THE-- TO WE ARE OF-- FROM LORD OF THE REGULARS AND HOGWARTS 298 00:15:50,240 --> 00:15:50,741 CASTLE. 299 00:15:50,824 --> 00:15:51,867 >> SO HERE IS MY QUESTION. 300 00:15:51,950 --> 00:15:57,164 DO YOU MAKE THEM AND THEN KEEP THEM TO LOOK AT OR DO YOU 301 00:15:57,247 --> 00:15:58,165 DISMANTLE THEM AT ANY POINT. 302 00:15:58,248 --> 00:16:00,376 THIS IS THE PROBLEM WITH LEGO IN OUR HOUSE. 303 00:16:00,459 --> 00:16:02,753 >> YEAH, YEAH. 304 00:16:02,836 --> 00:16:06,048 >> MY SON, HE'S NINE SO HE IS LEGITIMATELY OKAY DOING THE 305 00:16:06,131 --> 00:16:07,257 LEGO. 306 00:16:07,341 --> 00:16:12,221 AND HE, WE BUILD SOMETHING AND THEN HE THINKS OH, THAT'S NOW, 307 00:16:12,304 --> 00:16:15,265 THAT SHOULD THOUGHT LIVE ON THESE SHELVES. 308 00:16:15,349 --> 00:16:16,392 >> FOREVER. 309 00:16:16,475 --> 00:16:20,145 >> AND HE NEVER WANTS TO DISMANTLE AND REBUILD SOMETHING 310 00:16:20,229 --> 00:16:23,273 OUT OF HIS OWN IMAGINATION. 311 00:16:23,357 --> 00:16:26,276 >> YEAH, I WILL CON FEES-- CONFESS THAT EVEN AS A 312 00:16:26,360 --> 00:16:32,074 GROWN ASS WOMAN, I HAVE MAYBE TOO MUCH PRIDE IN THE LEGO 313 00:16:32,157 --> 00:16:33,367 BUILDS THAT I HAVE DONE. 314 00:16:33,450 --> 00:16:36,078 AND THEY ARE CURRENTLY ON A SHELF, ARE THEY GOING TO STAY 315 00:16:36,161 --> 00:16:39,415 THERE, NO, I'M TELLING MYSELF. 316 00:16:39,498 --> 00:16:44,169 BUT YEAH, MY INTENTION IS OBVIOUSLY TO DISMANTLE THEM AND 317 00:16:44,253 --> 00:16:48,298 GIVE THEM TO A CHILD WHO WOULD ENJOY MAKING THEM. 318 00:16:48,382 --> 00:16:53,137 BUT I KNOW THAT-- THAT DAY WILL BE SADDER THAN I WOULD LIKE TO 319 00:16:53,220 --> 00:16:53,804 ADMIT. 320 00:16:53,887 --> 00:16:55,389 >> OH, YOU WILL BE DEVASTATED. 321 00:16:55,472 --> 00:17:00,269 >> NOW I WANT TO TALK TO YOU ABOUT YOUR BRILLIANT NEW SERIES, 322 00:17:00,352 --> 00:17:03,605 LOVE LIFE, I FEEL LIKE YOU MADE A SERIES THAT WAS BASICALLY MADE 323 00:17:03,689 --> 00:17:04,189 FOR ME. 324 00:17:04,273 --> 00:17:05,733 THIS IS MY KIND OF SHOW. 325 00:17:05,816 --> 00:17:07,443 >> YOU ARE MY TARGET AUDIENCE. 326 00:17:07,526 --> 00:17:12,322 BECAUSE I REMEMBER MAKING BONDING WITH YOU OVER LOVE OF 327 00:17:12,406 --> 00:17:13,615 ROMANTIC COMEDIES. 328 00:17:13,699 --> 00:17:18,579 AN INCREDIBLE GENRE, AN ALL-TIEF FAVE, I HAVE BEEN TALKING ABOUT 329 00:17:18,662 --> 00:17:22,624 YOU'VE GOT MAIL AND YOU STARTED QUOTING THE LINE BACK TO ME 330 00:17:22,708 --> 00:17:24,334 WHERE HE WAS LUKE I WOULDN'T HAVE BEEN ABLE TO WAIT FOR YOU 331 00:17:24,418 --> 00:17:25,335 TO CALL ME. 332 00:17:25,419 --> 00:17:29,548 I WOULD HAVE LEFT A MESSAGE ON YOUR MACHINE AND. 333 00:17:29,631 --> 00:17:30,799 >> FOREVER, AND EVER. 334 00:17:30,883 --> 00:17:32,384 >> FOR AS LONG AS WE BOTH SHALL LIVE. 335 00:17:32,468 --> 00:17:38,599 >> AND I WAS LIKE JAMES, THIS IS THE BEGINNING OF A NEW 336 00:17:38,682 --> 00:17:39,641 FRIENDSHIP. 337 00:17:39,725 --> 00:17:44,313 SO IT IS LIKE UNABASHEDLY A ROMANTIC COMEDY SERIES. 338 00:17:44,396 --> 00:17:53,280 AND THE CONCEPT IS THAT EVERY EPISODE IS A RELATIONSHIP 339 00:17:53,363 --> 00:17:55,991 WHETHER A-- OR ONE-NIGHT STAND AND IT IS REALLY ABOUT THE WAY 340 00:17:56,074 --> 00:17:59,703 THAT WE LEARN AND GROW AND HOW WE CHANGE BASED ON THE 341 00:17:59,787 --> 00:18:01,205 RELATIONSHIP THAT WE HAVE IN OUR LIFE. 342 00:18:01,288 --> 00:18:07,294 THERE IS A KIND OF LIKE DAVID AT ENBORROW DOCUMENTARY ELEMENT TO 343 00:18:07,377 --> 00:18:10,672 IT WHERE IT'S LIKE OBSERVING HUMAN BEHAVIOR THAT I THINK IS 344 00:18:10,756 --> 00:18:11,673 REALLY FUN. 345 00:18:11,757 --> 00:18:16,178 >> NOW YOU'RE ALSO A PRODUCER ON THE SERIES. 346 00:18:16,261 --> 00:18:16,929 >> YES. 347 00:18:17,012 --> 00:18:19,223 >> WHAT IS PRODUCER KENDRICK LIKE? 348 00:18:19,306 --> 00:18:24,228 AS OPPOSED TO ACTRESS KENDRICK, LIKE DO YOU JUST START THROWING 349 00:18:24,311 --> 00:18:26,313 YOUR WEIGHT AROUND. 350 00:18:26,396 --> 00:18:31,985 >> WELL, OKAY, SO YOU KNOW ME, SO IT'S D-- I'M BLUSHING A 351 00:18:32,069 --> 00:18:33,237 LITTLE BIT BUT IT'S NOT THAT DIFFERENT. 352 00:18:33,320 --> 00:18:41,537 BECAUSE I HAVE ALWAYS BEEN OPINIONATED AND BOSSY. 353 00:18:41,620 --> 00:18:43,038 >> NO, I DON'T BELIEVE IT. 354 00:18:43,121 --> 00:18:49,211 >> IT'S MORE LIKE INSTEAD OF IT BEING LIKE A CHARACTER FLAW AS 355 00:18:49,294 --> 00:18:52,339 PART OF MY JOB DESCRIPTION, THE DIFFERENCE IS NOT HUGE BUT IT IS 356 00:18:52,422 --> 00:18:56,385 REALLY WONDERFUL TO FEEL LIKE, YOU KNOW, THAT I HAVE A VOICE 357 00:18:56,468 --> 00:18:58,345 AND A SAY IN HOW THINGS GO. 358 00:18:58,428 --> 00:19:01,223 >> NOW THE CAST ON THE SHOW IS BRILLIANT. 359 00:19:01,306 --> 00:19:06,520 DID YOU HAVE MUCH SAY IN CASTING, CUZ IT'S KIND OF WEIRD 360 00:19:06,603 --> 00:19:10,691 IF YOU ARE A PRODUCER AND CASTING PEOPLE TO BE YOUR LOVE 361 00:19:10,774 --> 00:19:14,236 INTEREST, ACROSS WHAT IS IT, TEN EPISODES. 362 00:19:14,319 --> 00:19:17,364 >> WELL, INITIALLY THE, YOU KNOW, WE HAD MOST OF THE SERIES 363 00:19:17,447 --> 00:19:23,370 LAID OUT BUT THE CHARACTERS OF THE LOVE INTEREST WEREN'T SURE 364 00:19:23,453 --> 00:19:31,879 TO FIND YET, SO I SUBMITTED OME IDEAS FOR CASTING NOT REALLY 365 00:19:31,962 --> 00:19:35,132 KNOWING SPECIFICALLY WHAT KIND OF CHARACTERS THEY WERE GOING TO 366 00:19:35,215 --> 00:19:36,300 BE. 367 00:19:36,383 --> 00:19:39,595 I REALIZED THIS IS JUST A LIST OF PEOPLE I WANT TO MAKE OUT 368 00:19:39,678 --> 00:19:40,596 WITH. 369 00:19:40,679 --> 00:19:42,431 AND THIS IS NOT A SUPERPROFESSIONAL LOOK FOR ME. 370 00:19:42,514 --> 00:19:50,355 SO I DEFINITELY LIKE HELD OFF AND THEN ONCE YOU START GETTING 371 00:19:50,439 --> 00:19:57,237 CHARACTERS-- WE JUST GOT, I MEAN AN EMBARRASSMENT OF. 372 00:19:57,321 --> 00:19:59,489 >> WELL, I AM SO EXCITED FOR THIS SHOW AND I AM ALSO EXCITED 373 00:19:59,573 --> 00:20:05,078 THAT AT THE ARE GOING TO DROP IT IN A DIFFERENT WAY RATHER THAN 374 00:20:05,162 --> 00:20:05,662 ONCE A WEEK. 375 00:20:05,746 --> 00:20:07,581 I AM JUST GOING TO DEVOUR. 376 00:20:07,664 --> 00:20:08,582 >> I AM REALLY EXCITED. 377 00:20:08,665 --> 00:20:12,169 IT WAS SUPPOSED TO BE ONE EPISODE A WEEK AND THE 378 00:20:12,252 --> 00:20:16,381 VIEWERSHIP WAS SO STRONG THAT THEY DECIDED TO RELEASE THEM IN 379 00:20:16,465 --> 00:20:17,633 CHUNKS. 380 00:20:17,716 --> 00:20:20,385 THERE ARE THREE MORE THIS WEEK AND THE REST WILL BE NEXT WEEK. 381 00:20:20,469 --> 00:20:22,304 SO THAT IS MAKE ME HAPPY. 382 00:20:22,387 --> 00:20:26,308 >> WELL, LET'S TACK A LACK AT A CLIP FROM LOVE LIFE, THE FIRST 383 00:20:26,391 --> 00:20:38,320 SIX ED EPISODES ARE AVAILABLE RIGHT NOW ON HBO MAX. 384 00:20:38,403 --> 00:20:44,451 >> I NEVER SEE YOU ANY MORE. 385 00:20:44,534 --> 00:20:46,495 >> SORRY. 386 00:20:46,578 --> 00:20:56,505 >> IT FEELS REALLY RIGHT. 387 00:20:56,588 --> 00:21:02,052 >> IT FEELS REALLY RIGHT. 388 00:21:02,135 --> 00:21:05,514 >> STICK AROUND, WE'LL BE BACK WITH MORE ANNA KENDRICK RIGHT 389 00:21:05,597 --> 00:21:06,515 AFTER THIS. 390 00:21:06,598 --> 00:21:13,397 ♪ ♪ ♪ 391 00:21:20,445 --> 00:21:27,327 ♪ ♪ ♪ 392 00:21:27,411 --> 00:21:29,746 >> James: WELCOME BECOME, WE ARE HERE WITH ANNA KENDRICK, NOW 393 00:21:29,830 --> 00:21:33,041 ANN' WE HAVE BEEN DOING THIS THING ON THE SHOW, "LATE, LATE 394 00:21:33,125 --> 00:21:36,211 SHOW" AND TELL WHERE WE ASK OUR GUESTS TO SHARE SOMETHING FROM 395 00:21:36,294 --> 00:21:37,546 THEIR HOME THAT WE MAY OTHERWISE NEVER GET TO SEE. 396 00:21:37,629 --> 00:21:41,675 DO YOU HAVE ANYTHING YOU WOULD LIKE TO SHARE WITH US TONIGHT. 397 00:21:41,758 --> 00:21:42,843 >> I DO. 398 00:21:42,926 --> 00:21:46,054 I FEEL LIKE I'VE BEEN WAITING FOR THIS OPPORTUNITY BECAUSE 399 00:21:46,138 --> 00:21:48,515 THIS ITEM IS SPECIFICALLY SOMETHING THAT I KEPT ON DISPLAY 400 00:21:48,598 --> 00:21:53,520 IN MY LIVING ROOM FOR SIX YEARS WAITINGS FOR SOMEBODY TO ASK ME 401 00:21:53,603 --> 00:21:57,899 ABOUT IT SO THAT I COULD LIKE FLEX A LITTLE BIT. 402 00:21:57,983 --> 00:21:58,817 AND NO ONE EVER ASKED. 403 00:21:58,900 --> 00:21:59,860 NOT A PERSON. 404 00:21:59,943 --> 00:22:01,903 NOT ONE PERSON. 405 00:22:01,987 --> 00:22:06,742 SO THIS IS THE PERSON HAVE I BEEN WAITING FOR, THIS MASSIVE 406 00:22:06,825 --> 00:22:07,367 BOOK, RIGHT. 407 00:22:07,451 --> 00:22:08,577 >> James: RIGHT. 408 00:22:08,660 --> 00:22:16,126 >> AND IT'S THE TALES OF BARD A BOOK WITHIN A BOOK FROM THE 409 00:22:16,209 --> 00:22:24,217 HARRY POTTER AND IT OPENS UP, THERE SAY SECRET BOOK INSIDE. 410 00:22:24,301 --> 00:22:26,553 , WAIT, WAIT FOR IT. 411 00:22:26,636 --> 00:22:34,936 SO IT IS LIKE THIS FANCY ACTUAL COPY OF BEETLE AND BARD AND THEN 412 00:22:35,020 --> 00:22:41,568 FOR MY BIRTHDAY LIKE TEN YEARS AGO EVERYBODY THAT I KNEW PULLED 413 00:22:41,651 --> 00:22:47,574 EVERYTHING THEY HAD AND GOT IT SIGNED BY J.K. RAWLING. 414 00:22:47,657 --> 00:22:50,827 I WANT TO TELL PEOPLE ABOUT IT ALL THE TIME AND I HAD IT FULLY 415 00:22:50,911 --> 00:22:55,332 IN PROMINENT DISPLAY IN MY LIVING ROOM, WAITING FOR PEOPLE 416 00:22:55,415 --> 00:22:56,541 TO ASK ME ABOUT IT. 417 00:22:56,625 --> 00:22:59,920 >> James: AND NO ONE ASKED BUT IT, BECAUSE THE BIG BOOK JUST 418 00:23:00,003 --> 00:23:04,508 LOOKS LIKE SOMETHING YOU BUY IN A GIFT STORE AT UNIVERSAL 419 00:23:04,591 --> 00:23:05,008 STUDIOS. 420 00:23:05,092 --> 00:23:06,218 >> YOU'RE NOT WRONG. 421 00:23:06,301 --> 00:23:10,305 >> James: SO THE ONLY WAY TO DO IT IS DISPLAY IT OPEN IN SOME 422 00:23:10,388 --> 00:23:11,973 SORT OF GLASS CABINET. 423 00:23:12,057 --> 00:23:14,643 >> YEAH, YEAH, YEAH, LIKE THE BOOK OF-- . 424 00:23:14,726 --> 00:23:20,148 >> James: YEAH, BECAUSE UP UNTIL THAT MOMENT IT IS NOTHING 425 00:23:20,232 --> 00:23:22,609 TO REALLY ASK ABOUT, BUT EVERYONE WILL NOW Z. 426 00:23:22,692 --> 00:23:25,695 >> JAMES, YOU ALWAYS KEEP IT REAL WITH ME, AND I APPRECIATE 427 00:23:25,779 --> 00:23:26,613 IT. 428 00:23:26,696 --> 00:23:27,823 >> James: BUT THANK YOU FOR SHARING THAT. 429 00:23:27,906 --> 00:23:29,533 WHAT IS AN INCREDIBLE THING. 430 00:23:29,616 --> 00:23:32,619 >> IT'S IN MY OFFICE NOW BUT STRAIGHT UNDER IT, I FOUND THIS, 431 00:23:32,702 --> 00:23:37,749 OUR INTO THE WOODS-- AND I COULDN'T HELP BUT BRING IT OUT. 432 00:23:37,833 --> 00:23:40,836 SO A SCRIPT FOR INTO THE WOODS. 433 00:23:40,919 --> 00:23:46,049 >> James: I HAVE ALSO GOT ONE OF THOSE FOR YOU, SIGNED BY J.K. 434 00:23:46,133 --> 00:23:47,634 RAWLING, SO THERE YOU GO. 435 00:23:47,717 --> 00:23:52,681 REGGIE, REGGIE, DO YOU HAVE A QUESTION FOR ANY OF OUR GUESTS 436 00:23:52,764 --> 00:23:53,098 THIS EVENING. 437 00:23:53,181 --> 00:23:54,683 >> Reggie: YES. 438 00:23:54,766 --> 00:24:03,150 TONIGHT'S QUESTION GOES TO, MISS KENDRICK. 439 00:24:03,233 --> 00:24:06,903 ALL RIGHT, GET READY FOR TONIGHT'S HOTTEST QUESTION. 440 00:24:06,987 --> 00:24:12,701 SO YOU'RE IN A HOUSE, YOU'RE IN A ROOM AND THE ROOM IS DIMLY 441 00:24:12,784 --> 00:24:13,994 LIT. 442 00:24:14,077 --> 00:24:17,038 THERE IS A DOOR IN THE ROOM THAT YOU HAVE NEVER BEEN THROUGH, BUT 443 00:24:17,122 --> 00:24:19,541 YOU SEE A SUBTLE GLOWING LIGHT UNDERNEATH IT. 444 00:24:19,624 --> 00:24:26,089 IF YOU WERE TO GO TO THAT DOOR AND OPEN IT, WHAT DO YOU THINK 445 00:24:26,173 --> 00:24:28,383 YOU WOULD FIND? 446 00:24:28,466 --> 00:24:31,386 >> I WOULD GO TO THE GLOWING DOOR AND OPEN IT, I THINK IT 447 00:24:31,469 --> 00:24:36,766 WOULD OPEN TO THIS VOID THAT I AM FILMING IN AND THERE WILL BE 448 00:24:36,850 --> 00:24:46,067 A REALITY SHOW CALLED THE VOID AND-- WOULD SING TO ME AND I T 449 00:24:46,151 --> 00:24:47,611 WOULD HAVE TO SING-- . 450 00:24:47,694 --> 00:24:51,907 >> James: LET'S SEE WHAT THAT WOULD FEEL LIKE, REGGIE, YOU ARE 451 00:24:51,990 --> 00:24:54,868 A CONTESTANT ON THE VOICE, GIVE US THE WORST SINGING, YOU ARE 452 00:24:54,951 --> 00:25:01,750 THE JUDGE, WE'LL BOTH BE THE JUDGE, SO WELCOME TO THE VOICE. 453 00:25:01,833 --> 00:25:05,754 EVERYBODY WANTS TO LOVE IT. 454 00:25:05,837 --> 00:25:09,090 ♪ EVERY TIME I AM HERE. 455 00:25:09,174 --> 00:25:12,594 >> James: ANNA KENDRICK, EVERYBODY, WE'LL BE RIGHT BACK 456 00:25:12,677 --> 00:25:15,138 WITH ALANIS MORISSETTE. 457 00:25:15,222 --> 00:25:19,643 ♪ ♪ ♪ 458 00:25:23,730 --> 00:25:32,405 ♪ ♪ ♪ 459 00:25:32,489 --> 00:25:36,952 >> WELCOME BACK, OUR NEXT GUEST ASK A SEVEN TIME GRAMMY 460 00:25:37,035 --> 00:25:38,787 AWARD-WINNING SINGER-SONGWRITER ABOUT TO RELEASE A BRAND NEW 461 00:25:38,870 --> 00:25:43,625 ALBUM NEXT MONTH, WHAT AN HONOR TO HAVE THE INCREDIBLY TALENTED 462 00:25:43,708 --> 00:25:46,127 ALANIS MORISSETTE JOIN US, HOW ARE YOU? 463 00:25:46,211 --> 00:25:47,003 >> I'M REALLY WELL, HOW ARE YOU. 464 00:25:47,087 --> 00:25:49,923 >> James: I'M VERY WELL, HOW ARE YOU DOING. 465 00:25:50,006 --> 00:25:53,176 >> YOU KNOW, DEPENDS WHEN YOU CATCH ME, TRYING TO HOLD IT 466 00:25:53,260 --> 00:25:54,344 TOGETHER. 467 00:25:54,427 --> 00:25:56,346 >> James: I CONSIDER HOLDING IT TOGETHER A REAL PLUS POINT 468 00:25:56,429 --> 00:25:58,932 RIGHT BOW. 469 00:25:59,015 --> 00:26:00,016 >> A FUNCTIONAL ROLLER COASTER. 470 00:26:00,100 --> 00:26:03,979 >> James: NOW HOW HAVE YOU BEEN DOING AM YOU HAVE YOUNG 471 00:26:04,062 --> 00:26:05,146 CHILDREN AT HOME. 472 00:26:05,230 --> 00:26:09,150 HOW HAVE YOU BEEN COPING WITH THE HOMESCHOOLING DURING THIS 473 00:26:09,234 --> 00:26:10,151 LOCKDOWN? 474 00:26:10,235 --> 00:26:13,113 WHAT IS ALANIS MORISSETTE'S TAKE ON ALL OF THIS. 475 00:26:13,196 --> 00:26:16,449 >> WE WERE ALREADY UNSCHOOLING,. 476 00:26:16,533 --> 00:26:18,618 >> James: WHAT DOES UNSCHOOLING MEAN. 477 00:26:18,702 --> 00:26:23,164 I FEEL LIKE I DID A LOT OF UNSCHOOLING WHEN I WAS NINE. 478 00:26:23,248 --> 00:26:25,542 >> THERE ARE PROBABLY DIFFERENT INTERPRETATIONS. 479 00:26:25,625 --> 00:26:26,960 >> James: WHAT DOES UNSCHOOLING ME. 480 00:26:27,043 --> 00:26:30,213 >> THE SANCTIONED ONE IS HOW WE DO T I THINK EVERYONE DOES IT A 481 00:26:30,297 --> 00:26:32,674 LITTLE DIFFERENTLY BUT UNSCHOOLING IS VERY CHILD-LEAD, 482 00:26:32,757 --> 00:26:37,971 NOT IN THAT THEY ARE IN CHARGE IN AN INAPPROPRIATE WAY BUT MORE 483 00:26:38,054 --> 00:26:43,351 THAT THEIR PROCLIFFIC-- PROCLIVITIES, THEIR 484 00:26:43,435 --> 00:26:48,690 CURIOSITIES, IT IS MOSTLY MAKING SURE THERE IS PHYSICAL, SOME 485 00:26:48,773 --> 00:26:52,360 SOCIAL INTERACTIVE, SOME ELEMENT OF HELPING THE CHILDREN NAVIGATE 486 00:26:52,444 --> 00:26:57,365 THE INNER LANDSCAPE OF THEIR FEELINGS AND THEIR THOUGHTS. 487 00:26:57,449 --> 00:27:00,201 MUSICAL INTELLIGENCE, SPACE INTELLIGENCE, DESIGN, SO WE KEEP 488 00:27:00,285 --> 00:27:02,704 THAT IN THE BACK OF OUR MINDSK MY HUSBAND AND I. 489 00:27:02,787 --> 00:27:12,881 AND WHEN WE NOTICE WE HAVEN'T BEEN OUTSIDE, IT TAKE THE 490 00:27:12,964 --> 00:27:16,718 PRESSURE OFF US, ALTHOUGH THE ONLY CAV YET I WOULD SAY THAT IT 491 00:27:16,801 --> 00:27:23,183 IS A 24/7 THING. 492 00:27:23,266 --> 00:27:25,477 SO IT IS A VERY ODD CONCEPT. 493 00:27:25,560 --> 00:27:29,856 >> James: I'M INTO THIS, I AM NOW REALIZING I UNSCHOOLED 494 00:27:29,939 --> 00:27:31,191 MYSELF, A LOT OF MY LIFE. 495 00:27:31,274 --> 00:27:32,859 I UNSCHOOLED. 496 00:27:32,942 --> 00:27:35,904 >> WELL, UNSCHOOLING IS CONTINUED EDUCATION, RESPECT FOR 497 00:27:35,987 --> 00:27:39,199 EDUCATION, MY PARENTS ARE BOTH TEACHERS, I LOVE LEARNING EVERY 498 00:27:39,282 --> 00:27:41,910 DAY, IF I DON'T LEARN SOMETHING EVERY DAY I FEEL OFF. 499 00:27:41,993 --> 00:27:45,580 SO IT IS NOT THAT WE ARE NOT LEARN NGHT UNSCHOOLING WORLD, IT 500 00:27:45,663 --> 00:27:46,748 IS JUST WE A ARE APPROACHING IT DIFFERENTLY. 501 00:27:46,831 --> 00:27:48,917 >> James: I WOULD LOVE TO TALK TO YOU MORE ABOUT THIS. 502 00:27:49,000 --> 00:27:53,088 BUT LET'S TALK ABOUT THIS, BECAUSE THIS MONTH, THIS MONTH 503 00:27:53,171 --> 00:27:56,800 WE'RE IN MARKS THE 25th ANNIVERSARY OF JAGGED LEG PILL. 504 00:27:56,883 --> 00:28:01,805 I CAN'T BELIEVE THAT WAS 25 YEARS AGO. 505 00:28:01,888 --> 00:28:06,726 ARE YOU AT ALL SURPRISED LOOKING BACK NOW AT THE IMPACT OF THAT 506 00:28:06,810 --> 00:28:11,606 ALBUM AND HOW THAT ALBUM HAS HELD OUT JUST IN THE LAST SORT 507 00:28:11,689 --> 00:28:20,573 OF YEAR OR SO, YOU KNOW, THAT IS THE SONG IN LADY BIRD, IN BOOK 508 00:28:20,657 --> 00:28:24,452 SMART, ARE YOU SHOCKED ABOUT HOW THE ALBUM HAS REMAINED RELEVANT? 509 00:28:24,536 --> 00:28:27,831 >> I'M FIRST OF ALL FOR TEU TUS BECAUSE CAN I PERFORMANCE 510 00:28:27,914 --> 00:28:29,040 WITHOUT CRINGING. 511 00:28:29,124 --> 00:28:34,796 THE OTHER IS THAT I THINK WHAT WOULD HAPPENED UNBEKNOWNST TO 512 00:28:34,879 --> 00:28:37,799 ME, IS WHILE I WAS WRITING ABOUT MY OWN HUMAN EXPERIENCE, ITS 513 00:28:37,882 --> 00:28:40,844 WITH GIVING PER MISSION SOME WAYS TO THOSE LISTENING TO IT TO 514 00:28:40,927 --> 00:28:46,766 HAVE THEIR OWN HUMAN EXPERIENCE AND NOT APOLOGIZE FOR BEING 515 00:28:46,850 --> 00:28:51,062 FABULOUS OR DEPRESSION OR ANYTHING, I THINK IT JUST SAID 516 00:28:51,146 --> 00:28:52,147 IT IS OKAY. 517 00:28:52,230 --> 00:28:57,694 >> James: NOW YOUR NEW ALBUM WHICH IS YOU WILL KAD SUCH 518 00:28:57,777 --> 00:29:01,698 PLELTEE FORK IN THE ROAD IS OUT IN JULY, YOU HAVE THREE CHILDREN 519 00:29:01,781 --> 00:29:02,824 IN YOUR LIFE RIT NOW. 520 00:29:02,907 --> 00:29:05,994 HOW HAVE THE CHANGES IN YOUR LIFE TODAY CHANGED YOUR 521 00:29:06,077 --> 00:29:07,036 RECORDING PROCESS FROM WHAT IT USED TO BE. 522 00:29:07,120 --> 00:29:13,001 >> IT USED TO BE MORE PARTICULAR, IF I WAS IN THE 523 00:29:13,084 --> 00:29:15,879 BOOTH AND SOMEONE MOVED I WOULD BE LIKE STOP, STOP. 524 00:29:15,962 --> 00:29:21,009 I CAN'T-- NOW HAVE I A CHILD ON MYñr HEAD, ANOTHER FEEDING, 525 00:29:21,092 --> 00:29:24,095 FINISHING A QUICK DINNER, JUST RECORD IT YOU WANT TO REHEARSE, 526 00:29:24,179 --> 00:29:30,351 NO, JUST RECORD AND-- SO IT IS ALL VERY INTEGRATE, IT IS LIKE A 527 00:29:30,435 --> 00:29:32,979 CIRCUS BUT IT STILL GETS DONE SHOW. 528 00:29:33,062 --> 00:29:39,360 I THINK THE MULTITASKING HAS TURNED INTO MULTIPLE SINGLE 529 00:29:39,444 --> 00:29:40,528 FOCUS TAX. 530 00:29:40,612 --> 00:29:45,825 IT IS NOT THAT I AM JUST AWARE OF-- IT IS MORE THAT I AM 531 00:29:45,909 --> 00:29:50,205 FOCUSED ON SO MANY THINGS TO THE POINT THAT I GET A LITTLE 532 00:29:50,288 --> 00:29:57,837 OVERSTIMULATED AND MY POOR HUSBAND HAS TO DO-- I AM IN THE 533 00:29:57,921 --> 00:30:06,012 MIDDLE OF ALL KINDS OF PERFECT STORMS AND KNOW, I AM EITHER 534 00:30:06,095 --> 00:30:09,015 CRYING OR RAGING OR I AM NUMB OR CHECKING OUT OR TRYING TO BE THE 535 00:30:09,098 --> 00:30:12,769 BEST MOM I CAN BE IN THE MOMENT HOLDING IT TOGETHER. 536 00:30:12,852 --> 00:30:14,729 I HAVE IT EASY. 537 00:30:14,812 --> 00:30:18,900 SO I JUST HAVE A LOT OF EMPATHY FOR WHAT IS GOING ON AROUND THE 538 00:30:18,983 --> 00:30:20,068 WORLD. 539 00:30:20,151 --> 00:30:23,363 >> WHEN WE TALK ON THE SHOW ON MONDAY, REGGIE, I DON'T EVEN 540 00:30:23,446 --> 00:30:26,908 KNEW IF YOU KNEW, ON MONDAY WHEN WE WERE TALKING, YOU WERE SAYING 541 00:30:26,991 --> 00:30:28,701 I GO IN AND OUT. 542 00:30:28,785 --> 00:30:30,411 I GO IN AND OUT A LOT. 543 00:30:30,495 --> 00:30:33,998 AND THAT IS I THINK THE BEST WAY THAT YOU CAN SUM IT UP REALLY IS 544 00:30:34,082 --> 00:30:36,751 YOU ARE IN AND THEN YOU ARE OUT. 545 00:30:36,834 --> 00:30:37,961 >> YES. 546 00:30:38,044 --> 00:30:41,589 >> AND WE'RE ALL ANIMALS, RIGHT, AND THAT IS A PART OF WHAT WE 547 00:30:41,673 --> 00:30:47,929 ARE BEING ASKED IS TO RAISE, WE ARE IN IF SOMETIMES WE ARE 548 00:30:48,012 --> 00:30:51,558 REACTING, NOT LETTING THIS FRONTAL CORTEX HELP US. 549 00:30:51,641 --> 00:30:59,107 THAT IS WHAT DISTING BISHES US, WHEN I AM IN THE MIDDLE OF FEAR, 550 00:30:59,190 --> 00:31:06,114 CAN I KEUNT ON THIS TO GO WAIT A MINUTE, LET'S-- THE CHALLENGE 551 00:31:06,197 --> 00:31:11,452 RIGHT NOW ON ALL OF THESE CHALLENGING DIFFICULT 552 00:31:11,536 --> 00:31:14,789 CIRCUMSTANCES IS TO REMEMBER THE FACT THAT WE HAVE THIS, THAT WE 553 00:31:14,872 --> 00:31:21,838 CAN CONJURE IT WHEN WE CAN BUT WHEN WE ARE IN FIGHT, FRIGHT OR 554 00:31:21,921 --> 00:31:24,632 FREEZE, QUESTIONING WHAT THE NEW NORMAL WILL BE, IT SUNDAY 555 00:31:24,716 --> 00:31:29,804 STANDABLE WHENEVER YOU TEST IT WE WILL BE IN SOME DIFFERENT 556 00:31:29,887 --> 00:31:30,847 STATE. 557 00:31:30,930 --> 00:31:35,435 WE ARE SUBJECT TO ALL THE NERVOUSNESS, THE PATHETIC 558 00:31:35,518 --> 00:31:39,856 HEARTBEAT, CLENCHED CHEST. 559 00:31:39,939 --> 00:31:44,652 SOME PEOPLE ARE PUTTING PRESSURE ON THEMSELVES, TO BE PRODUCTIVE 560 00:31:44,736 --> 00:31:47,363 DURING A TIME WHERE ST INAPPROPRIATE TO NOT HAVE TO DO 561 00:31:47,447 --> 00:31:48,573 ANYTHING RIGHT NOW. 562 00:31:48,656 --> 00:31:51,451 WE DON'T HAVE TO SHOW UP, IF THERE WERE TO BE A REQUEST THAT 563 00:31:51,534 --> 00:31:58,499 I WOULD MAKE MYSELF OR ANYBODY IT WOULD BE SURVEILLANCE. 564 00:31:58,583 --> 00:32:02,170 , FROM DIFFERENT ANIMAL WES CAN CONNECT WITH EACH OTHER, LOOK 565 00:32:02,253 --> 00:32:06,507 DIFFERENT, IF WE SOUND DIFFERENT F WE HAVE DIFFERENT EXCEPTIONS, 566 00:32:06,591 --> 00:32:10,011 WE CAN REALLY CONNECT. 567 00:32:10,094 --> 00:32:15,224 I THINK WHAT IS MOST NEEDED RIGHT NOW IS TO EVOLVE THIS 568 00:32:15,308 --> 00:32:18,561 CONSCIOUSNESS TO REMEMBER WE ARE CONNECTED ON A SPIRITUAL LEVEL 569 00:32:18,645 --> 00:32:22,482 NO MATTER WHAT WE ARE LOOKING LIKE, HOW OLD WE ARE. 570 00:32:22,565 --> 00:32:24,400 >> James: ABSOLUTELY, WILL YOU PERFORM A BRAND NEW SONG RIGHT 571 00:32:24,484 --> 00:32:26,069 HERE WHEN WE COME BACK. 572 00:32:26,152 --> 00:32:27,278 AFTER THE BREAK. 573 00:32:27,362 --> 00:32:30,990 SO YOU GET READY FOR THAT AND WE'LL BE BACK WITH MORE "LATE, 574 00:32:31,074 --> 00:32:32,075 LATE SHOW" AFTER THIS. 575 00:32:40,958 --> 00:32:48,257 ♪ ♪ ♪ 576 00:32:48,341 --> 00:32:51,052 >> James: HERE PERFORMING DIAGNOSIS 577 00:32:51,135 --> 00:32:53,388 FOR THE FIRST TIME ON TELEVISION, HERE'S 578 00:32:53,471 --> 00:32:55,056 ALANIS MORISSETTE. 579 00:32:55,139 --> 00:33:02,689 ♪ CALL IT WHAT YOU WANT 'CAUSE I DON'T EVEN CARE ANYMORE 580 00:33:02,772 --> 00:33:12,740 ♪ CALL ME WHAT YOU NEED TO TO FEEL COMFORTABLE 581 00:33:12,824 --> 00:33:18,746 ♪ CALL ME WHAT YOU NEED TO TO FEEL COMFORTABLE 582 00:33:18,830 --> 00:33:26,796 ♪ I'VE NOT LEFT THE HOUSE IN A WHILE 583 00:33:26,879 --> 00:33:34,762 ♪ I'VE NOT FELT A GLIMPSE OF PEACE 584 00:33:34,846 --> 00:33:38,766 ♪ AND I HAVE NOT MADE MUCH HEADWAY 585 00:33:38,850 --> 00:33:46,774 ♪ SINCE I HAVE COME BACK FROM THE WAR 586 00:33:46,858 --> 00:33:56,325 ♪ AND I NO LONGER GIVE A DAMN 587 00:33:56,409 --> 00:34:02,749 ♪ 'BOUT THINGS THAT USED TO MATTER 588 00:34:02,832 --> 00:34:10,798 ♪ AND I AM COVERING MY EYES 589 00:34:10,882 --> 00:34:18,806 ♪ AS I AM FROZEN ON THE SPOT 590 00:34:18,890 --> 00:34:24,812 ♪ AND CALL IT WHAT YOU WANT 'CAUSE I DON'T EVEN CARE ANYMORE 591 00:34:24,896 --> 00:34:34,822 ♪ CALL ME WHAT YOU NEED TO TO MAKE YOURSELF COMFORTABLE 592 00:34:34,906 --> 00:34:40,161 ♪ SO I AM DEBILITATED I CAN'T REMEMBER WHERE THE 593 00:34:40,244 --> 00:34:46,834 ♪ SENTENCE STARTED WHEN I'M TRYING TO FINISH IT 594 00:34:46,918 --> 00:34:53,341 ♪ AND ALL OF YOU ARE SO FRUSTRATED 595 00:34:53,424 --> 00:34:58,846 ♪ AND EVERYONE AROUND ME IS TRYING TO HELP 596 00:34:58,930 --> 00:35:12,860 AS MUCH AS THEY CAN ♪ MY HOUSE IS SPOTLESS 597 00:35:12,944 --> 00:35:22,829 MY LENS IS SKEWED ♪ MY LIMBS, THEY RECOIL 598 00:35:22,912 --> 00:35:30,837 AND I'M FOLDING IN ♪ ON MYSELF 599 00:35:30,920 --> 00:35:42,765 SINCE I AM OUT OF ORDER ♪ CALL IT WHAT YOU WANT 600 00:35:42,849 --> 00:35:50,815 'CAUSE I DON'T EVEN CARE ANYMORE ♪ CALL ME WHAT YOU NEED TO 601 00:35:50,898 --> 00:35:58,781 TO MAKE YOURSELF COMFORTABLE ♪ SO I AM DEBILITATED 602 00:35:58,865 --> 00:36:02,785 I CAN'T REMEMBER WHERE THE ♪ SENTENCE STARTED WHEN I'M 603 00:36:02,869 --> 00:36:10,877 TRYING TO FINISH IT ♪ AND ALL OF YOU ARE SO 604 00:36:10,960 --> 00:36:16,591 FRUSTRATED ♪ AND EVERYONE AROUND ME IS 605 00:36:16,674 --> 00:36:22,889 TRYING TO HELP ♪ AS MUCH AS THEY CAN 606 00:36:22,972 --> 00:36:30,897 BUT I'M ALONE ♪ IN THIS MELTDOWN 607 00:36:30,980 --> 00:36:38,905 OF NERVOUSNESS DIAGNOSIS ♪ CALL IT WHAT YOU WANT 608 00:36:38,988 --> 00:36:48,915 'CAUSE I DON'T EVEN CARE ANYMORE ♪ CALL ME WHAT YOU NEED TO 609 00:36:48,998 --> 00:36:55,004 TO FEEL COMFORTABLE ♪ 610 00:36:55,087 --> 00:36:57,465 >> James: ABSOLUTELY BEAUTIFUL. ALANIS MORISSETTE, EVERYBODY. 611 00:36:57,548 --> 00:37:03,012 "SUCH PRETTY FORKS IN THE ROAD," IS OUT JULY 31! 612 00:37:03,095 --> 00:37:04,680 WE'LL BE RIGHT BACK. 613 00:37:04,764 --> 00:37:08,351 ♪ ♪ ♪ 614 00:37:13,230 --> 00:37:18,653 ♪ ♪ ♪ 615 00:37:18,736 --> 00:37:19,737 >> James: THANK YOU SO MUCH FOR WATCHING. 616 00:37:19,820 --> 00:37:21,489 NEXT WEEEK, WE'RE GONNA BE JOINED BY GORDAN RAMSEY, 617 00:37:21,572 --> 00:37:26,869 COLIN FARRELL, MUSIC FROM JESSE WEARE, JOSH GROBAN AND KELLANI. 618 00:37:26,953 --> 00:37:28,162 WE HOPE TO SEE YOU THEN. 619 00:37:28,245 --> 00:37:29,997 GOOD NIGHT, EVERYBODY. 620 00:37:30,081 --> 00:37:30,998 Captioning sponsored by CBS Captioned by 621 00:37:31,082 --> 00:37:31,999 Media Access Group at WGBH access.wgbh.org 622 00:37:32,083 --> 00:37:46,973 ♪ ♪ ♪ 623 00:37:47,056 --> 00:37:54,188 ♪ ♪ ♪ 624 00:37:54,271 --> 00:38:09,078 ♪ ♪ ♪ 625 00:38:09,161 --> 00:38:19,171 ♪ ♪ ♪ 626 00:38:19,255 --> 00:38:29,098 ♪ ♪ ♪ 627 00:38:29,181 --> 00:38:39,191 ♪ ♪ ♪ 628 00:38:39,275 --> 00:38:49,118 ♪ ♪ ♪ 629 00:38:49,201 --> 00:38:52,455 ♪ ♪ ♪ 51634

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