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>> Mike: HOW OLD ARE YOU?
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>> Woman: HOW OLD AM I?
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>> YEAH.
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>> I'M 90 YEARS OLD.
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>> WHAT WAS LIFE LIKE WHEN
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YOU WERE A LITTLE GIRL?
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>> OH, GOD.
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I'VE FORGOTTEN SO MUCH.
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I CAN'T --
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I'VE FORGOTTEN SO MUCH.
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I'M VERY SORRY.
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>> NO, IT'S OKAY.
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WHAT HAVE YOU FORGOTTEN?
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>> I'VE FORGOTTEN WHAT I USED TO
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DO AFTER I BECAME A YOUNG LADY.
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I'VE FORGOTTEN SO MUCH.
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I CAN'T REMEMBER.
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I'VE BEEN HERE --
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I'VE BEEN HERE -- I'VE BEEN
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HERE 90 YEARS.
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AND IF I COULD REMEMBER,
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I WOULD TELL YOU, BUT I DON'T.
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I CAN'T REMEMBER.
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>> I WANT
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TO TRY AN EXPERIMENT.
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>> WHAT?
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>> I WANT YOU TO TRY AND LET THE
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MUSIC TAKE YOU BACK
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INTO YOUR MEMORIES.
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TO TRAVEL BACK INTO TIME...
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AND THEN WE'LL STOP,
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AND YOU CAN TELL ME
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WHERE IT TOOK YOU.
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YOU READY?
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>> MM-HMM.
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>> ♪ O WHEN THE SAINTS
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GO MARCHING IN ♪
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♪ WHEN THE SAINTS
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GO MARCHING IN ♪♪
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>> THAT'S LOUIS ARMSTRONG.
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>> ♪ YES, I WANT TO BE
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IN THAT NUMBER ♪
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♪ WHEN THE SAINTS... ♪
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>> WOW...
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>> ♪ NOW WHEN THE SAINTS ♪
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♪ GO MARCHING BY ♪♪
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>> HE'S SINGING "WHEN THE SAINTS
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GO MARCHING BY," AND IT
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TAKES ME BACK
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TO MY SCHOOL DAYS.
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>> ♪ I WOULD LIKE
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TO HIT THE NUMBER ♪♪
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>> MAMA TOLD US NOT TO GO LISTEN
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TO HIM, AND
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WE WOULD SNEAK OFF AT NIGHT,
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AND BRING BACK PICTURES
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OF THE DANCERS...
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AND I WORKED IN KINGSTOWN FOR
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NINE YEARS IN THE "E" BUILDING
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IN KINGSTOWN...
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MY BIRTHDAY NOVEMBER 20th...
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THAT WAS IN THE WARTIME...
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I WAS WORKING IN FT. JACKSON...
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AND MY SON,
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ON FEBRUARY THE 4th, WAS 69.
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I DIDN'T KNOW I COULD TALK SO
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MUCH! [ LAUGHS ]
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>> Mike: THIS IS DAN COHEN.
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SIX YEARS AGO, HE VOLUNTEERED
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AT A NURSING HOME, AND
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WHAT HE EXPERIENCED THERE
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CHANGED HIS LIFE.
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DAN ASKED ME TO FILM HIM
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FOR ONE DAY.
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>> ADJUSTING THE CAMERA.
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>> GO GET THE...
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>> HE WANTED TO SHOW
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PEOPLE WHAT HE WAS SEEING...
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WHAT WAS HAPPENING WHEN HE GAVE
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ELDERS WITH DEMENTIA
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MUSIC THAT THEY HAD LOVED.
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>> ♪♪
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AmericasCardroom.com brings poker back
Million Dollar Sunday Tournament every Sunday
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>> Dan: MUSIC CONNECTS PEOPLE
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WITH WHO THEY HAVE BEEN, WHO
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THEY ARE, AND THEIR LIVES.
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'CAUSE WHAT HAPPENS WHEN
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YOU GET OLD IS ALL THE THINGS
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YOU'RE FAMILIAR WITH, AND YOUR
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IDENTITY ARE ALL JUST BEING
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PEELED AWAY...
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>> WHAT UNFOLDED THAT
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FIRST DAY MOVED ME SO MUCH,
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I ENDED UP FOLLOWING
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DAN FOR THREE YEARS.
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>> Louise: DID YOU WORK WITH
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ELDERLY PEOPLE BEFORE?
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>> Dan: WELL, I'M
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A SOCIAL WORKER, AND SO I HAVE
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WORKED WITH ELDERLY PEOPLE
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WHEN I WAS --
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ACTUALLY FOR MY INTERNSHIP, BUT
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IT REALLY WASN'T --
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MOST OF MY LIFE WAS
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SPENT IN THE COMPUTER INDUSTRY.
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AND THIS IS SORT OF, FOR ME,
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PUTTING TWO THINGS
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I LOVE TOGETHER.
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WE REALLY WANT TO LEARN WHAT
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MUSIC SOMEONE'S GOING TO REALLY
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RECOGNIZE AND ENJOY.
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>> ONE OF THE RESIDENTS
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IS A RESIDENT WHO LIKES
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GOSPEL MUSIC.
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CHURCH WAS ALL HIS LIFE, AND
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I THINK THAT
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WE COULD START WITH HIM.
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>> [ HUMMING ]
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>> HENRY, SPEAK TO ME!
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I WANT TO HEAR YOUR VOICE.
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CAN YOU TALK TO ME?
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LET ME HEAR YOU.
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TELL ME YOUR FULL NAME.
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>> HENRY HAS
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DEMENTIA AND HE NEEDS
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TOTAL ASSISTANCE WITH ALL HIS
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ACTIVITIES OF DAILY LIVING.
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>> Woman: HI, PAPA.
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HI, PAPA.
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>> HUH?
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>> HOW YOU DOING?
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>> I'M ALL RIGHT, I'M FINE.
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>> WHO AM I?
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>> HUH?
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>> WHO AM I?
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I'M YOUR DAUGHTER.
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>> DAUGHTER?
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>> MM-HMM.
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WHICH ONE?
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>> WAIT A MINUTE...
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I DON'T KNOW...
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I GOT SO MANY, I DON'T KNOW.
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GOD KNOWS.
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>> YOU'VE GOT SO MANY?
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MAYBE GRAND-DAUGHTERS...
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>> WELL, THAT'S WHAT I MEAN...
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I DON'T KNOW.
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>> OKAY, IT'S CHERIE.
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HOW LONG HAS HE BEEN IN
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THE NURSING HOME?
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APPROXIMATELY 10 YEARS.
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IT AFFECTS ME GREATLY, BECAUSE
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HE WAS ALWAYS, YOU KNOW,
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FUN-LOVING, SINGING, YOU KNOW?
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ON EVERY OCCASION, HE WOULD COME
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OUT WITH A SONG.
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I REMEMBER AS A CHILD HE USED TO
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WALK US DOWN THE STREET,
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ME AND MY BROTHER, AND HE'D
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STOP AND DO
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"SINGIN' IN THE RAIN."
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HE WOULD HAVE US JUMPING AND
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SWINGING AROUND POLES.
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HE WAS GOOD, HE WAS ALWAYS
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INTO MUSIC, YOU KNOW?
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HE ALWAYS LOVED SINGING,
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DANCING.
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>> Yvonne: YOU WANT YOUR MUSIC
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NOW?
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LET'S TRY YOUR MUSIC, OKAY?
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AND THEN YOU TELL ME IF IT'S TOO
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LOUD OR NOT, OKAY?
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>> Man: MUSIC IS INSEPARABLE
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FROM EMOTION.
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SO IT'S NOT JUST
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A PHYSIOLOGICAL STIMULUS.
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IF IT WORKS AT ALL, IT
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WILL CALL THE WHOLE PERSON --
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THE MANY DIFFERENT PARTS OF
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THEIR BRAIN, AND THE MEMORIES
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AND EMOTIONS WHICH GO WITH IT.
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>> ♪ HE IS MY LORD ♪
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>> I'M SUPPOSED TO SING WITH
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THIS?
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>> YOU CAN IF YOU LIKE.
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>> ♪ I'M SO IN LOVE
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WITH YOU... ♪
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>> ♪ OOH ♪
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♪ OOH ♪♪
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>> WHEN I FIRST MET HIM, HE WAS
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VERY ISOLATED, AND HE
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USED TO ALWAYS SIT ON THE UNIT
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WITH HIS HEAD LIKE THIS...
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HE DIDN'T REALLY TALK
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TO MUCH PEOPLE, AND THEN WHEN
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I INTRODUCED THE MUSIC TO HIM,
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THIS IS HIS REACTION EVER SINCE.
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[ LAUGHS ]
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>> Henry: ♪ OOH ♪
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>> ♪ I'M SO IN LOVE WITH YOU ♪
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>> ♪ OOH ♪♪
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>> HENRY WAKING UP DID
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SOMETHING TO ALL OF US --
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EVERYONE IN THE ROOM FELT IT.
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>> ♪ SO IN LOVE WITH MY GOD ♪
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>> ♪ SO IN LOVE WITH YOU, GOD ♪
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♪ I'M SO IN LOVE WITH YOU, GOD ♪
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>> Henry: ♪ OOH ♪
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♪ WHEREVER IT BE ♪♪
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>> THE PHILOSOPHER KANT ONCE
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CALLED MUSIC
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"THE QUICKENING ART,"
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AND HENRY IS BEING QUICKENED,
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HE IS BEING BROUGHT TO LIFE.
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>> YEAH?
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>> I'M GOING TO TAKE THE MUSIC
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FOR ONE SECOND, OKAY, JUST TO
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ASK YOU A FEW
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QUESTIONS, OKAY?
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>> HOW AWAKE WAS HE?
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>> I'M GONNA GIVE IT
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BACK TO YOU.
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>> WAS HE STILL LOST
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IN HIS DEMENTIA?
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OR HAD THE MUSIC
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IN SOME WAY CHANGED THAT?
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HENRY?
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>> YEAH?
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>> DO YOU LIKE THE iPOD?
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DO YOU LIKE THE MUSIC YOU'RE
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HEARING?
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>> YES.
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>> TELL ME ABOUT YOUR MUSIC.
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>> I DON'T -- I DON'T --
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I DON'T HAVE ONE, I MEAN.
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>> DO YOU LIKE MUSIC?
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>> YEAH, I'M
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CRAZY ABOUT MUSIC.
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USED TO PLAY BEAUTIFUL MUSIC,
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BEAUTIFUL SOUNDS.
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>> DID YOU PLAY MUSIC WHEN YOU
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WERE -- DID YOU LIKE MUSIC
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WHEN YOU WERE YOUNG?
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>> YES. YES.
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I WENT TO BIG DANCES AND THINGS.
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>> WHAT WAS YOUR FAVORITE MUSIC
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WHEN YOU WERE YOUNG?
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>> WELL, I GUESS...
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WELL, CAB CALLOWAY WAS
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MY NUMBER ONE BAND GUY I LIKED.
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[ SCATTING ]
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>> [ SCATTING ]
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>> Mike: GOOD?
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>> YEAH.
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>> WHAT WAS YOUR FAVORITE SONG?
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>> OH.
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♪ I'LL BE HOME
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FOR CHRISTMAS ♪
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♪ YOU CAN PLAN
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ON ME ♪
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♪ WITH PLENTY OF SNOW ♪
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MISTLETOE,
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PRESENTS WRAPPED 'ROUND
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THE TREE ♪
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♪ OW ♪
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♪ CHRISTMAS EVE WILL TELL ME
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WHERE THE LOVE LIGHT BEAMS ♪♪
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>> HENRY?
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>> YEAH?
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>> WHAT WAS THE FAVORITE PART OF
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YOUR LIFE?
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WHAT WAS YOUR FAVORITE PART
273
00:10:14,758 --> 00:10:15,633
OF YOUR LIFE?
274
00:10:15,633 --> 00:10:16,383
>> MY LIFE?
275
00:10:16,383 --> 00:10:17,592
WELL, PART OF MY LIFE
276
00:10:17,592 --> 00:10:18,800
WAS RIDING A BICYCLE,
277
00:10:18,800 --> 00:10:19,883
GROCERY BOY...
278
00:10:19,883 --> 00:10:21,633
>> WHAT DID YOU LIKE ABOUT
279
00:10:21,633 --> 00:10:22,883
RIDING A BICYCLE?
280
00:10:22,883 --> 00:10:25,467
>> THAT'S WHERE I MADE MY MONEY.
281
00:10:25,467 --> 00:10:27,800
>> Sacks: SO, IN SOME SENSE,
282
00:10:27,800 --> 00:10:29,883
HENRY HAS RE-ACQUIRED HIS
283
00:10:29,883 --> 00:10:32,467
IDENTITY FOR A WHILE THROUGH THE
284
00:10:32,467 --> 00:10:33,883
POWER OF MUSIC.
285
00:10:33,883 --> 00:10:35,925
>> Mike: WHAT DOES MUSIC
286
00:10:35,925 --> 00:10:36,967
DO TO YOU?
287
00:10:36,967 --> 00:10:39,217
>> IT GIVES ME THE FEELING OF
288
00:10:39,217 --> 00:10:40,467
LOVE, ROMANCE.
289
00:10:40,467 --> 00:10:42,592
FIGURE RIGHT NOW, THE WORLD
290
00:10:42,592 --> 00:10:44,592
NEEDS TO COME INTO MUSIC,
291
00:10:44,592 --> 00:10:45,425
SINGING.
292
00:10:45,425 --> 00:10:47,675
YOU GOT BEAUTIFUL MUSIC HERE,
293
00:10:47,675 --> 00:10:49,550
BEAUTIFUL, OH, LOVELY.
294
00:10:49,550 --> 00:10:51,717
AND I FEEL A BAND OF LOVE,
295
00:10:51,717 --> 00:10:52,758
OF DREAMS.
296
00:10:52,758 --> 00:10:55,050
THE LORD CAME TO ME, MADE ME
297
00:10:55,050 --> 00:10:55,758
HOLY.
298
00:10:55,758 --> 00:10:57,883
I'M A HOLY MAN, SO HE GAVE
299
00:10:57,883 --> 00:10:59,342
ME THESE SOUNDS.
300
00:10:59,342 --> 00:11:01,925
LET'S SAY I MEET YOU...
301
00:11:01,925 --> 00:11:03,592
LET ME SEE...
302
00:11:03,592 --> 00:11:06,842
♪ ROSALIE, WON'T YOU LOVE ME ♪
303
00:11:06,842 --> 00:11:08,842
♪ ROSALIE WONT YOU BE SWEET
304
00:11:08,842 --> 00:11:10,550
AND KIND ♪♪
305
00:11:10,550 --> 00:11:11,508
>> Mike: WHAT DO YOU
306
00:11:11,508 --> 00:11:12,675
THINK HAPPENED WITH HENRY?
307
00:11:12,675 --> 00:11:13,925
I MEAN, WHAT DID WE JUST SEE
308
00:11:13,925 --> 00:11:14,925
HAPPENING WITH HENRY?
309
00:11:14,925 --> 00:11:17,342
>> WE CONNECTED WITH HENRY.
310
00:11:17,342 --> 00:11:20,092
WE CONNECTED WITH HENRY'S SELF.
311
00:11:20,092 --> 00:11:21,758
YOU KNOW, WHEN YOU'RE IN
312
00:11:21,758 --> 00:11:23,508
A NURSING HOME OR WHEN YOU
313
00:11:23,508 --> 00:11:25,842
HAVE ALZHEIMER'S DISEASE, YOU'RE
314
00:11:25,842 --> 00:11:28,092
REALLY STRUGGLING WITH YOUR OWN
315
00:11:28,092 --> 00:11:29,967
THOUGHTS AND CONFUSION...
316
00:11:29,967 --> 00:11:32,050
>> DAN WAS EXCITED.
317
00:11:32,050 --> 00:11:33,675
I WAS EXCITED.
318
00:11:33,675 --> 00:11:37,342
WHAT IF ALL THESE PEOPLE WE'D
319
00:11:37,342 --> 00:11:40,842
SEEN COULD BE AWAKENED LIKE
320
00:11:40,842 --> 00:11:42,092
HENRY?
321
00:11:42,092 --> 00:11:43,133
>> Dan: ALL A SUDDEN,
322
00:11:43,133 --> 00:11:44,175
EVERYTHING FALLS INTO
323
00:11:44,175 --> 00:11:45,300
PLACE AND YOU'RE RIGHT
324
00:11:45,300 --> 00:11:46,508
THERE WITH THE MUSIC, YOU
325
00:11:46,508 --> 00:11:47,258
UNDERSTAND IT.
326
00:11:47,258 --> 00:11:48,467
IT'S PLEASURABLE.
327
00:11:48,467 --> 00:11:50,175
YOU'RE NOT THINKING ABOUT
328
00:11:50,175 --> 00:11:51,842
ANYTHING ELSE, YOU'RE NOT
329
00:11:51,842 --> 00:11:52,717
STRUGGLING.
330
00:11:52,717 --> 00:11:56,508
>> OH, HOW LOVELY!
331
00:12:01,092 --> 00:12:05,175
>> THIS IS NO SMALL PROBLEM.
332
00:12:05,175 --> 00:12:07,842
THERE ARE FIVE MILLION PEOPLE
333
00:12:07,842 --> 00:12:10,217
IN AMERICA WITH DEMENTIA.
334
00:12:10,217 --> 00:12:13,342
10 MILLION PEOPLE SPEND A LARGE
335
00:12:13,342 --> 00:12:16,383
PART OF THEIR LIFE CARING FOR
336
00:12:16,383 --> 00:12:17,300
THEM.
337
00:12:17,300 --> 00:12:19,342
THERE ARE MAYBE A MILLION
338
00:12:19,342 --> 00:12:21,217
PEOPLE IN NURSING HOMES
339
00:12:21,217 --> 00:12:21,967
LOSING THEIR
340
00:12:21,967 --> 00:12:23,050
CONNECTION TO LIFE.
341
00:12:23,050 --> 00:12:24,383
>> LET ME GIVE YOU A KISS.
342
00:12:24,383 --> 00:12:28,550
C'MON, SWEETHEART!
343
00:12:28,550 --> 00:12:30,383
MMM.
344
00:12:30,383 --> 00:12:31,717
DAD!
345
00:12:31,717 --> 00:12:33,300
HELLO.
346
00:12:33,300 --> 00:12:34,675
HELLO!
347
00:12:34,675 --> 00:12:37,092
JOHNNY?
348
00:12:37,092 --> 00:12:38,258
HEY, JOHNNY!
349
00:12:38,258 --> 00:12:41,175
HOW ARE YOU?
350
00:12:41,175 --> 00:12:46,300
>> I MEAN, ISN'T THIS DESIRE --
351
00:12:46,300 --> 00:12:48,925
A DESIRE TO AWAKEN ANOTHER
352
00:12:48,925 --> 00:12:51,508
PERSON, TO WHAT THEY ARE,
353
00:12:51,508 --> 00:12:55,175
TO WHAT THEY COULD BE --
354
00:12:55,175 --> 00:13:01,300
A DEEP PART OF BEING HUMAN?
355
00:13:01,300 --> 00:13:03,883
>> HOW OFTEN DOES ANYBODY HAVE
356
00:13:03,883 --> 00:13:06,592
A CHANCE TO AFFECT THE LIVES OF
357
00:13:06,592 --> 00:13:08,800
A MILLION OR MORE PEOPLE?
358
00:13:08,800 --> 00:13:10,675
I'M HOPING PEOPLE ARE READY TO
359
00:13:10,675 --> 00:13:12,467
COME ALONG ON THIS JOURNEY...
360
00:13:12,467 --> 00:13:13,842
HERE YOU GO..
361
00:13:13,842 --> 00:13:15,300
YOU HOLD THIS.
362
00:13:15,300 --> 00:13:17,717
THERE YOU GO.
363
00:13:17,717 --> 00:13:20,133
>> ♪♪
364
00:13:20,133 --> 00:13:24,175
>> WE ALL KNOW MUSIC IS MAGIC.
365
00:13:24,175 --> 00:13:27,300
>> Man: I FEEL LIKE I'M
366
00:13:27,300 --> 00:13:30,008
ONE WITH THE WORLD.
367
00:13:30,008 --> 00:13:32,467
>> AND FOR THOSE WITH DEMENTIA,
368
00:13:32,467 --> 00:13:34,633
IT CAN BE A BACK DOOR INTO
369
00:13:34,633 --> 00:13:35,633
THE MIND.
370
00:13:35,633 --> 00:13:38,508
>> Sacks: THE PARTS OF THE BRAIN
371
00:13:38,508 --> 00:13:40,508
WHICH ARE INVOLVED IN
372
00:13:40,508 --> 00:13:42,467
REMEMBERING MUSIC AND
373
00:13:42,467 --> 00:13:44,633
RESPONDING TO MUSIC ARE
374
00:13:44,633 --> 00:13:46,842
NOT AFFECTED TOO MUCH IN
375
00:13:46,842 --> 00:13:49,050
ALZHEIMER'S DISEASE OR OTHER
376
00:13:49,050 --> 00:13:50,175
DEMENTIAS...
377
00:13:50,175 --> 00:13:52,050
>> PART OF THE REASON WHY
378
00:13:52,050 --> 00:13:53,675
MUSICAL MEMORIES ARE
379
00:13:53,675 --> 00:13:54,800
SO STRONG HAS
380
00:13:54,800 --> 00:13:56,883
SOMETHING TO DO WITH THE WAY
381
00:13:56,883 --> 00:13:59,050
MUSIC ENTERS OUR BRAIN IN THE
382
00:13:59,050 --> 00:14:00,133
FIRST PLACE.
383
00:14:00,133 --> 00:14:02,300
>> MUSIC HAS MORE ABILITY TO
384
00:14:02,300 --> 00:14:04,092
ACTIVATE MORE PARTS OF
385
00:14:04,092 --> 00:14:05,592
THE BRAIN THAN ANY
386
00:14:05,592 --> 00:14:06,925
OTHER STIMULUS.
387
00:14:06,925 --> 00:14:10,633
MUSIC SEEMS TO BE A CULTURAL
388
00:14:10,633 --> 00:14:12,967
INVENTION WHICH MAKES USE OF
389
00:14:12,967 --> 00:14:15,550
PARTS OF THE BRAIN DEVELOPED FOR
390
00:14:15,550 --> 00:14:16,967
OTHER PURPOSES.
391
00:14:16,967 --> 00:14:19,717
NOT ONLY AUDITORY PARTS,
392
00:14:19,717 --> 00:14:21,758
BUT VISUAL PARTS,
393
00:14:21,758 --> 00:14:23,050
EMOTIONAL PARTS,
394
00:14:23,050 --> 00:14:24,800
AND AT THE LOWER LEVEL,
395
00:14:24,800 --> 00:14:26,842
IN THE CEREBELLUM -- ALL THE
396
00:14:26,842 --> 00:14:28,925
BASIC PARTS FOR COORDINATION.
397
00:14:28,925 --> 00:14:31,925
>> WHEN WE ARE YOUNG, MUSIC
398
00:14:31,925 --> 00:14:35,092
RECORDS ITSELF IN OUR MOTIONS
399
00:14:35,092 --> 00:14:36,800
AND EMOTIONS.
400
00:14:36,800 --> 00:14:38,842
LUCKILY, THESE ARE THE LAST
401
00:14:38,842 --> 00:14:40,342
PARTS OF THE BRAIN
402
00:14:40,342 --> 00:14:42,133
TOUCHED BY ALZHEIMER'S.
403
00:14:42,133 --> 00:14:46,008
>> ♪♪
404
00:14:46,008 --> 00:14:47,217
>> Vinny: GREAT SONG.
405
00:14:47,217 --> 00:14:48,883
>> YEP.
406
00:14:48,883 --> 00:14:52,425
CAN WE HOLD HANDS A LITTLE BIT?
407
00:14:52,425 --> 00:14:54,050
AH, THAT'S BETTER.
408
00:14:54,050 --> 00:14:56,550
WE'RE TOO FAR FROM EACH OTHER.
409
00:14:56,550 --> 00:14:59,967
>> Sacks: FOR THE PATIENTS WITH
410
00:14:59,967 --> 00:15:02,883
ALZHEIMER'S, IT HAS TO BE
411
00:15:02,883 --> 00:15:05,383
MUSIC WHICH HAS MEANING FOR THEM
412
00:15:05,383 --> 00:15:06,883
AND IS CORRELATED
413
00:15:06,883 --> 00:15:08,842
WITH MEMORY AND FEELING.
414
00:15:08,842 --> 00:15:09,925
>> ♪ HOLD YOU SO MUCH ♪♪
415
00:15:12,092 --> 00:15:14,175
>> AND BY EXCITING OR AWAKENING
416
00:15:14,175 --> 00:15:15,800
THOSE PATHWAYS, WE HAVE
417
00:15:15,800 --> 00:15:17,967
A GATEWAY TO STIMULATE AND REACH
418
00:15:17,967 --> 00:15:19,717
SOMEBODY WHO OTHERWISE IS
419
00:15:19,717 --> 00:15:21,008
UNREACHABLE.
420
00:15:22,133 --> 00:15:24,217
>> YEAH, IT'S NOT AN
421
00:15:24,217 --> 00:15:26,133
EASY LIFE FOR YOU.
422
00:15:26,133 --> 00:15:27,800
I LOVE YOU.
423
00:15:27,800 --> 00:15:30,133
>> I LOVE YOU, TOO.
424
00:15:41,592 --> 00:15:43,633
>> Yvonne: I HAVE ONE RESIDENT
425
00:15:43,633 --> 00:15:45,758
THAT BARELY OPENED HER EYES, SHE
426
00:15:45,758 --> 00:15:46,883
DIDN'T RESPOND.
427
00:15:46,883 --> 00:15:48,800
AS MUCH AS I TRIED -- I KNEW
428
00:15:48,800 --> 00:15:50,258
HER FOR TWO YEARS --
429
00:15:50,258 --> 00:15:52,342
NO MATTER WHAT I TRIED, MASSAGE
430
00:15:52,342 --> 00:15:53,425
WOULDN'T WORK,
431
00:15:53,425 --> 00:15:58,342
NOTHING WORKED.
432
00:15:58,342 --> 00:16:00,258
BUT WHEN WE GOT INTRODUCED TO
433
00:16:00,258 --> 00:16:01,883
THE iPODS AND THE FAMILY
434
00:16:01,883 --> 00:16:03,675
TOLD ME THE THINGS THAT SHE
435
00:16:03,675 --> 00:16:05,592
LIKED, IT WAS AMAZING ONCE WE
436
00:16:05,592 --> 00:16:07,008
PUT THE iPOD ON HER.
437
00:16:07,008 --> 00:16:11,925
SHE STARTED SHAKING HER FEET,
438
00:16:11,925 --> 00:16:16,050
SHE STARTED MOVING HER HEAD.
439
00:16:22,133 --> 00:16:26,300
HER SON WAS JUST AMAZED...
440
00:16:26,300 --> 00:16:27,383
OKAY, CAN WE STOP?
441
00:16:27,383 --> 00:16:28,383
'CAUSE NOW I'M...
442
00:16:28,383 --> 00:16:29,383
GETTING --
443
00:16:29,383 --> 00:16:34,550
I'M SEEING HER ALL OVER AGAIN.
444
00:16:38,883 --> 00:16:41,383
>> WHAT WE'RE SPENDING ON DRUGS
445
00:16:41,383 --> 00:16:43,758
THAT MOSTLY DON'T WORK DWARFS
446
00:16:43,758 --> 00:16:45,717
WHAT IT WOULD TAKE TO DELIVER
447
00:16:45,717 --> 00:16:47,300
PERSONAL MUSIC TO EVERY
448
00:16:47,300 --> 00:16:48,967
NURSING HOME RESIDENT IN
449
00:16:48,967 --> 00:16:49,717
AMERICA.
450
00:16:49,717 --> 00:16:51,717
>> Dan: THAT'S TO PAUSE IT, TO
451
00:16:51,717 --> 00:16:53,133
START IT UP AGAIN,
452
00:16:53,133 --> 00:16:55,425
AND HIT THE BUTTON AGAIN.
453
00:16:55,425 --> 00:16:57,467
>> COULDN'T BE EASIER.
454
00:16:57,467 --> 00:16:58,133
YES.
455
00:16:58,133 --> 00:17:00,550
>> SO WHY DON'T THESE PEOPLE
456
00:17:00,550 --> 00:17:02,883
HAVE THEIR MUSIC ALREADY?
457
00:17:02,883 --> 00:17:04,800
AND WHY DOES IT TAKE
458
00:17:04,800 --> 00:17:07,008
AN OUTSIDER LIKE DAN TO
459
00:17:07,008 --> 00:17:10,342
GET IT FOR THEM?
460
00:17:10,342 --> 00:17:14,092
>> ♪ OOH ♪♪
461
00:17:14,092 --> 00:17:16,133
>> IN TODAY'S REALLY CRAZY
462
00:17:16,133 --> 00:17:17,883
SYSTEM, I CAN SIT DOWN
463
00:17:17,883 --> 00:17:19,633
AND WRITE OUT A SCRIPT
464
00:17:19,633 --> 00:17:21,300
FOR A $1,000 A MONTH
465
00:17:21,300 --> 00:17:23,383
ANTIDEPRESSANT, NO PROBLEM,
466
00:17:23,383 --> 00:17:24,592
NOBODY ASKS ANY QUESTIONS.
467
00:17:24,592 --> 00:17:28,717
>> ♪ OOH ♪♪
468
00:17:28,717 --> 00:17:31,967
>> IF I WANT TO PROVIDE A PERSON
469
00:17:31,967 --> 00:17:34,592
WITH A $40 PERSONAL MUSIC
470
00:17:34,592 --> 00:17:37,758
SYSTEM, THAT WILL TAKE A LOT OF
471
00:17:37,758 --> 00:17:38,633
WORK,
472
00:17:38,633 --> 00:17:41,217
BECAUSE PERSONAL MUSIC DOESN'T
473
00:17:41,217 --> 00:17:43,925
COUNT AS A MEDICAL INTERVENTION.
474
00:17:43,925 --> 00:17:46,050
YOU SEE WHAT I'M SAYING?
475
00:17:46,050 --> 00:17:48,175
IT'S SORT OF A SIDE THING OVER
476
00:17:48,175 --> 00:17:48,758
HERE.
477
00:17:48,758 --> 00:17:50,717
THE REAL BUSINESS, TRUST ME,
478
00:17:50,717 --> 00:17:52,342
IS IN THE PILL BOTTLE.
479
00:17:52,342 --> 00:17:53,633
>> OPEN FOR ME.
480
00:17:53,633 --> 00:17:56,050
>> Thomas: OUR HEALTHCARE SYSTEM
481
00:17:56,050 --> 00:17:58,342
IMAGINES THE HUMAN BEING TO BE
482
00:17:58,342 --> 00:18:00,425
A VERY COMPLICATED MACHINE,
483
00:18:00,425 --> 00:18:01,592
AND WE'VE FIGURED OUT
484
00:18:01,592 --> 00:18:02,800
HOW TO TURN THE DIALS.
485
00:18:02,800 --> 00:18:03,675
BLOOD PRESSURE?
486
00:18:03,675 --> 00:18:05,175
OH, TURN THAT DOWN, YOU KNOW?
487
00:18:05,175 --> 00:18:05,925
BLOOD SUGAR?
488
00:18:05,925 --> 00:18:07,008
OH, TURN THAT DOWN.
489
00:18:07,008 --> 00:18:09,550
WE HAVE MEDICINES THAT CAN
490
00:18:09,550 --> 00:18:11,383
ADJUST THE DIALS.
491
00:18:11,383 --> 00:18:13,842
WE HAVEN'T DONE ANYTHING,
492
00:18:13,842 --> 00:18:16,883
MEDICALLY SPEAKING, TO TOUCH THE
493
00:18:16,883 --> 00:18:19,592
HEART AND SOUL OF A PATIENT.
494
00:18:19,592 --> 00:18:21,425
>> GIL?
495
00:18:21,425 --> 00:18:23,300
>> YES?
496
00:18:23,300 --> 00:18:24,800
>> THEY WANT YOU UPSTAIRS.
497
00:18:24,800 --> 00:18:26,592
YOU HAVE TO COME TAKE YOUR MEDS.
498
00:18:26,592 --> 00:18:27,175
>> MMM.
499
00:18:27,175 --> 00:18:28,758
>> NO, YOU REFUSED THIS MORNING,
500
00:18:28,758 --> 00:18:29,800
SO THEY WANT YOU TO
501
00:18:29,800 --> 00:18:30,967
COME NOW AND TAKE THEM.
502
00:18:30,967 --> 00:18:31,425
>> NO.
503
00:18:31,425 --> 00:18:33,258
>> LISTEN, YOU KNOW IT'S
504
00:18:33,258 --> 00:18:34,550
IMPORTANT, OKAY?
505
00:18:34,550 --> 00:18:36,217
LOOK HOW YOU'RE ACTING,
506
00:18:36,217 --> 00:18:38,342
OKAY, YOU NEED YOUR MEDICATION.
507
00:18:38,342 --> 00:18:40,467
WELL, GIL IS A LITTLE DIFFERENT.
508
00:18:40,467 --> 00:18:42,550
AS YOU CAN SEE, HE'S A BIG GUY,
509
00:18:42,550 --> 00:18:43,883
HE'S A STRONG GUY.
510
00:18:43,883 --> 00:18:45,508
WHEN HE GETS AGITATED,
511
00:18:45,508 --> 00:18:47,092
WE REALLY NEED THINGS IN PLACE
512
00:18:47,092 --> 00:18:48,508
THAT ARE GOING TO WORK AND
513
00:18:48,508 --> 00:18:49,342
WORK QUICKLY.
514
00:18:49,342 --> 00:18:52,842
>> MY ANGER MANIFESTS ITSELF IN
515
00:18:52,842 --> 00:18:55,842
VERY MANY DIFFERENT WAYS.
516
00:18:55,842 --> 00:18:59,633
THE ANGER IS THERE, BUT
517
00:18:59,633 --> 00:19:04,092
SOMETIMES I CAN'T EXPRESS IT.
518
00:19:04,342 --> 00:19:07,133
>> Man: I LIKE TO THINK OF
519
00:19:07,133 --> 00:19:09,925
DISTRESS AS COMMUNICATION.
520
00:19:09,925 --> 00:19:11,508
IF YOU GIVE A HIGHLY SEDATING
521
00:19:11,508 --> 00:19:12,967
MEDICATION TO THAT KIND OF
522
00:19:12,967 --> 00:19:14,342
A PERSON, YOU'RE ACTUALLY
523
00:19:14,342 --> 00:19:16,050
TAKING AWAY THE ONE AVENUE THEY
524
00:19:16,050 --> 00:19:17,258
HAVE TO TELL YOU THEY
525
00:19:17,258 --> 00:19:18,175
HAVE A PROBLEM.
526
00:19:18,175 --> 00:19:19,925
AND THE PROBLEM WITH THAT IS YOU
527
00:19:19,925 --> 00:19:21,633
CAN TURN A PERSON WHO IS ENGAGED
528
00:19:21,633 --> 00:19:22,675
INTO A PERSON WHO
529
00:19:22,675 --> 00:19:24,300
IS WITHDRAWN INTO THEMSELVES
530
00:19:24,300 --> 00:19:26,175
AND NO LONGER ABLE TO CONNECT TO
531
00:19:26,175 --> 00:19:27,508
THE WORLD AROUND THEM.
532
00:19:27,508 --> 00:19:29,883
>> Gil: I WISH I HAD MY FREEDOM.
533
00:19:29,883 --> 00:19:32,217
THAT'S THE MOST IMPORTANT PART.
534
00:19:32,217 --> 00:19:34,467
THAT IS WHAT MAKES ME THE MOST
535
00:19:34,467 --> 00:19:35,967
PISSED OFF OF ALL.
536
00:19:35,967 --> 00:19:38,800
THAT I CAN'T GO OUT.
537
00:19:38,800 --> 00:19:41,550
>> THE THING PEOPLE LOSE MOST
538
00:19:41,550 --> 00:19:44,508
IS THOSE INTANGIBLES -- THE IDEA
539
00:19:44,508 --> 00:19:46,675
OF CHOICE AND CONTROL.
540
00:19:46,675 --> 00:19:47,800
>> WE'RE GOING TO DO YOUR
541
00:19:47,800 --> 00:19:48,883
MEDICINE NOW, ALL RIGHT?
542
00:19:48,883 --> 00:19:50,217
>> Power: JUST EVERY ASPECT OF
543
00:19:50,217 --> 00:19:51,550
"WHAT AM I GOING TO DO NEXT?"
544
00:19:51,550 --> 00:19:52,508
IS DICTATED TO YOU IN
545
00:19:52,508 --> 00:19:53,925
MOST INSTITUTIONAL ENVIRONMENTS.
546
00:19:53,925 --> 00:19:55,383
>> DRINK SOME OF THAT.
547
00:19:55,383 --> 00:19:57,092
>> Power: AND MUSIC CREATES
548
00:19:57,092 --> 00:19:58,800
SPONTANEITY THAT YOU CANNOT
549
00:19:58,800 --> 00:20:00,425
CREATE IN AN INSTITUTION.
550
00:20:00,425 --> 00:20:02,217
IT TAKES YOU TO A PLACE WHERE
551
00:20:02,217 --> 00:20:03,842
YOU CAN LEAVE THE REGIMEN
552
00:20:03,842 --> 00:20:05,217
AND GO OFF IN A WORLD
553
00:20:05,217 --> 00:20:06,967
THAT YOU CREATE AND THAT YOU
554
00:20:06,967 --> 00:20:08,883
CONNECT WITH ON YOUR OWN TERMS.
555
00:20:08,883 --> 00:20:11,092
>> Dan: HI, GIL.
556
00:20:11,092 --> 00:20:12,258
>> HI.
557
00:20:12,258 --> 00:20:14,550
>> I BROUGHT YOU YOUR MUSIC
558
00:20:14,550 --> 00:20:16,217
THAT YOU REQUESTED.
559
00:20:16,217 --> 00:20:17,883
AND PUT IT ON YOUR
560
00:20:17,883 --> 00:20:19,717
EARS, OVER YOUR HEAD.
561
00:20:19,717 --> 00:20:20,883
THAT FIT OKAY?
562
00:20:20,883 --> 00:20:21,675
>> YEAH.
563
00:20:21,675 --> 00:20:23,842
>> OKAY. AND HERE'S YOUR iPOD.
564
00:20:23,842 --> 00:20:26,050
ALL YOU HAVE TO DO IS CLICK THE
565
00:20:26,050 --> 00:20:27,842
CENTER BUTTON, ONE TIME.
566
00:20:27,842 --> 00:20:30,467
>> ♪ THE MAGIC OF YOUR SIGHS ♪♪
567
00:20:30,467 --> 00:20:33,967
>> I THINK YOU'RE ALL SET.
568
00:20:33,967 --> 00:20:35,842
>> ♪ WOULD YOU STILL LOVE... ♪
569
00:20:35,842 --> 00:20:38,717
♪ TOMO-- ♪♪
570
00:20:39,550 --> 00:20:42,758
>> ♪ TONIGHT WITH WORDS
571
00:20:42,758 --> 00:20:45,967
UNSPOKEN ♪
572
00:20:45,967 --> 00:20:49,175
♪ YOU SAID THAT I'M
573
00:20:49,175 --> 00:20:51,842
THE ONLY ONE ♪♪
574
00:20:51,842 --> 00:20:53,800
>> Power: THERE IS NO PILL THAT
575
00:20:53,800 --> 00:20:54,592
DOES THAT.
576
00:20:54,592 --> 00:20:56,175
AND MEDICINE CAN DIM THE
577
00:20:56,175 --> 00:20:57,925
SPARK OR THE LIGHT, IT NEVER
578
00:20:57,925 --> 00:20:58,967
BRINGS IT OUT.
579
00:20:58,967 --> 00:21:00,967
WHAT THEY NEED IS ENGAGEMENT,
580
00:21:00,967 --> 00:21:02,592
THEY NEED TO SUCCEED IN
581
00:21:02,592 --> 00:21:04,258
THE WORLD AROUND THEM.
582
00:21:04,258 --> 00:21:06,758
>> SO, YOU WANT AN IPOD, TOO?
583
00:21:06,758 --> 00:21:09,008
>> FIRST, WHAT IS AN iPOD?
584
00:21:09,008 --> 00:21:11,050
I DON'T KNOW ANYTHING ABOUT
585
00:21:11,050 --> 00:21:12,175
ELECTRONICS!
586
00:21:12,175 --> 00:21:14,175
>> HE HAS HIS FAVORITE MUSIC,
587
00:21:14,425 --> 00:21:15,800
AND IT'S PLAYING.
588
00:21:15,800 --> 00:21:17,133
THAT'S ALL IT IS.
589
00:21:17,133 --> 00:21:19,050
IT'S LIKE YOUR OWN JUKEBOX.
590
00:21:19,050 --> 00:21:22,342
>> OKAY, LET'S START.
591
00:21:22,342 --> 00:21:23,508
>> SHE WANTS TO SEE WHAT IT
592
00:21:23,508 --> 00:21:24,467
LOOKS LIKE, THE iPOD.
593
00:21:24,467 --> 00:21:27,342
>> Gil: SMALL.
594
00:21:27,342 --> 00:21:29,842
>> NO KIDDING.
595
00:21:29,842 --> 00:21:31,675
>> Michelle: DENISE IS
596
00:21:31,675 --> 00:21:33,633
A BIPOLAR SCHIZOPHRENIC.
597
00:21:33,633 --> 00:21:35,883
SHE'S BEEN WITH US FOR ABOUT
598
00:21:35,883 --> 00:21:37,300
TWO YEARS.
599
00:21:37,550 --> 00:21:43,050
>> I LIKE...
600
00:21:53,717 --> 00:21:56,133
>> DENISE DOESN'T HOLD BACK ANY
601
00:21:56,133 --> 00:21:57,050
EMOTION.
602
00:21:57,050 --> 00:21:59,133
HER JOY IS OFF THE CHARTS.
603
00:21:59,133 --> 00:22:01,508
UNFORTUNATELY, SO IS HER
604
00:22:01,508 --> 00:22:03,633
SORROW AND HER ANGER.
605
00:22:03,633 --> 00:22:06,508
SO, SHE'S VERY RAW, SHE'S VERY
606
00:22:06,508 --> 00:22:07,342
REAL.
607
00:22:07,342 --> 00:22:08,842
>> Dan: DO YOU KNOW
608
00:22:08,842 --> 00:22:10,258
WHAT I'D LIKE TO DO?
609
00:22:18,383 --> 00:22:21,217
>> Michelle: DENISE IS PROBABLY
610
00:22:21,217 --> 00:22:23,508
AN EXTREME RESIDENT THAT
611
00:22:23,508 --> 00:22:24,967
WE HAVE HERE.
612
00:22:24,967 --> 00:22:27,092
>> I'M BEING EMPHATIC,
613
00:22:27,092 --> 00:22:29,592
AND I HAVE A VERY VIVID
614
00:22:29,592 --> 00:22:31,092
IMAGINATION.
615
00:22:31,092 --> 00:22:34,217
I'M VERY RESILIENT BUT I DROP,
616
00:22:34,217 --> 00:22:37,383
AND I KEEP ON TRYING,
617
00:22:37,383 --> 00:22:40,842
AND I DROP, BUT I NEVER
618
00:22:40,842 --> 00:22:43,550
STOP, AND I DROP.
619
00:22:43,550 --> 00:22:45,383
ONE OF THESE DAYS,
620
00:22:45,383 --> 00:22:47,508
I'M GOING TO DROP AND
621
00:22:47,508 --> 00:22:49,342
STAY ON THE FLOOR!
622
00:22:49,342 --> 00:22:53,508
>> ♪♪
623
00:23:07,300 --> 00:23:08,633
>> CAREFUL.
624
00:23:08,633 --> 00:23:10,425
>> I WON'T FALL!
625
00:23:10,425 --> 00:23:12,633
I'VE LIVED HERE TWO YEARS
626
00:23:12,633 --> 00:23:14,258
AND NEVER FALLEN!
627
00:23:14,258 --> 00:23:16,467
>> I COULDN'T BELIEVE THE MUSIC
628
00:23:16,467 --> 00:23:17,425
LET DENISE
629
00:23:17,425 --> 00:23:19,050
PUSH AWAY HER WALKER.
630
00:23:19,050 --> 00:23:21,508
SHE'D BEEN USING THAT WALKER
631
00:23:21,508 --> 00:23:23,633
EVERY DAY FOR TWO YEARS.
632
00:23:23,633 --> 00:23:27,342
>> [ SINGING IN SPANISH ]
633
00:23:44,883 --> 00:23:46,467
>> IT'S SPANISH.
634
00:23:46,467 --> 00:23:48,258
YOU'RE NOT SPANISH.
635
00:23:48,258 --> 00:23:50,383
>> NO, I'M NOT SPANISH.
636
00:23:50,383 --> 00:23:52,425
I'M FOLLOWING YOUR LEAD.
637
00:23:57,675 --> 00:23:59,717
>> I'M HAVING FUN.
638
00:23:59,717 --> 00:24:01,675
>> GOOD, ME, TOO.
639
00:24:01,675 --> 00:24:04,508
>> A LITTLE MUSIC BRINGING THIS
640
00:24:04,508 --> 00:24:05,633
MUCH JOY.
641
00:24:05,633 --> 00:24:07,883
IT ONLY MAKES SENSE WHEN YOU
642
00:24:07,883 --> 00:24:10,050
UNDERSTAND THEIR ISOLATION.
643
00:24:10,050 --> 00:24:12,883
>> [ LAUGHS ]
644
00:24:17,717 --> 00:24:20,258
>> Louise: WHAT HAPPENS WHEN
645
00:24:20,258 --> 00:24:22,758
THEY COME TO A NURSING HOME?
646
00:24:22,758 --> 00:24:25,175
WHAT ARE THEIR LOSSES?
647
00:24:25,175 --> 00:24:28,550
>> I NEVER THOUGHT I WOULD BE IN
648
00:24:28,550 --> 00:24:30,967
A SITUATION LIKE THIS.
649
00:24:30,967 --> 00:24:34,008
>> Louise: THEY LOSE THEIR
650
00:24:34,008 --> 00:24:35,758
INDEPENDENCE.
651
00:24:35,758 --> 00:24:37,925
IT'S SAD TO SAY BUT SOMETIMES
652
00:24:37,925 --> 00:24:39,758
THEY LOSE THEIR DIGNITY.
653
00:24:39,758 --> 00:24:42,633
>> THAT'S IT.
654
00:24:42,633 --> 00:24:45,383
>> Louise: SOMETIMES THEY ARE
655
00:24:45,383 --> 00:24:47,467
DEALING WITH THE LOSS
656
00:24:47,467 --> 00:24:51,050
OF A LOVED ONE.
657
00:24:55,092 --> 00:24:56,842
IMAGINE LOSING THAT ALL IN ONE
658
00:24:56,842 --> 00:24:59,883
DAY.
659
00:25:01,717 --> 00:25:02,883
>> Man: I WANNA GET HOME.
660
00:25:02,883 --> 00:25:03,925
>> Mike: YEAH, YOU DO?
661
00:25:03,925 --> 00:25:05,300
>> I'VE BEEN HERE FOR THE LAST
662
00:25:05,300 --> 00:25:06,175
TWO OR THREE DAYS.
663
00:25:06,175 --> 00:25:09,967
>> RIGHT.
664
00:25:09,967 --> 00:25:12,217
WHAT DO YOU WANT TO DO AT HOME?
665
00:25:12,217 --> 00:25:13,842
>> BE WITH MY FAMILY.
666
00:25:13,842 --> 00:25:14,800
[ LAUGHS ]
667
00:25:14,800 --> 00:25:17,383
>> WHERE WE GOING?
668
00:25:17,383 --> 00:25:20,092
>> RIGHT DOWN HERE.
669
00:25:20,092 --> 00:25:21,467
>> PEOPLE WHO HAVE BEEN HERE FOR
670
00:25:21,467 --> 00:25:22,633
YEARS, THAT HAVE DEMENTIA,
671
00:25:22,633 --> 00:25:23,675
THEY'LL STILL TELL YOU,
672
00:25:23,675 --> 00:25:24,883
"THIS IS NOT WHERE I LIVE."
673
00:25:24,883 --> 00:25:25,967
>> WELL, I CAN
674
00:25:25,967 --> 00:25:27,425
GO OUT THIS WAY, TOO.
675
00:25:27,425 --> 00:25:29,050
>> TOM HAS BEEN IN THIS
676
00:25:29,050 --> 00:25:30,300
NURSING HOME FOR
677
00:25:30,300 --> 00:25:31,758
FIVE YEARS NOW.
678
00:25:34,342 --> 00:25:36,425
>> Man: SO, THEY'RE ALWAYS
679
00:25:36,425 --> 00:25:37,925
TRYING TO ESCAPE.
680
00:25:37,925 --> 00:25:39,925
>> I HAVE TO GO THAT WAY.
681
00:25:39,925 --> 00:25:42,008
>> THEY'RE LOOKING FOR THE
682
00:25:42,008 --> 00:25:42,758
EXITS.
683
00:25:42,758 --> 00:25:44,092
THAT'S ONE OF THE MOST
684
00:25:44,092 --> 00:25:45,883
FREQUENTLY ASKED QUESTIONS IS,
685
00:25:45,883 --> 00:25:47,300
"HOW DO I GET OUT OF HERE?"
686
00:25:52,883 --> 00:25:53,717
>> AH, NO.
687
00:25:53,717 --> 00:25:55,425
CAN'T GET OUT HERE EITHER,
688
00:25:55,425 --> 00:25:56,050
RIGHT?
689
00:25:56,050 --> 00:25:57,550
>> BECAUSE THIS ISN'T THEIR
690
00:25:57,550 --> 00:25:59,092
NORMAL WORLD WHEN THEY COME
691
00:25:59,092 --> 00:25:59,550
HERE.
692
00:25:59,550 --> 00:26:01,217
NOW THEY'RE IN THIS WORLD, AND
693
00:26:01,217 --> 00:26:02,842
THEY'RE LIKE, "THIS ISN'T THE
694
00:26:02,842 --> 00:26:04,092
WORLD THAT I KNOW."
695
00:26:08,717 --> 00:26:10,425
>> IT'S STUCK.
696
00:26:10,425 --> 00:26:12,758
>> WITH FEW CHOICES,
697
00:26:12,758 --> 00:26:15,717
LITTLE HOPE FOR THE FUTURE,
698
00:26:15,717 --> 00:26:17,675
NO CONTROL OVER THE
699
00:26:17,675 --> 00:26:20,258
MEDICATIONS FLOWING THROUGH
700
00:26:20,258 --> 00:26:23,050
THEM, IS IT ANY SURPRISE THEIR
701
00:26:23,050 --> 00:26:25,383
MINDS STRUGGLE TO ADAPT?
702
00:26:25,383 --> 00:26:27,508
>> Woman: PEOPLE CLOSE THEIR
703
00:26:27,508 --> 00:26:29,342
EYES AND WITHDRAW INWARD
704
00:26:29,342 --> 00:26:30,550
MORE AND MORE.
705
00:26:30,550 --> 00:26:32,342
IF THE OUTSIDE WORLD IS
706
00:26:32,342 --> 00:26:33,758
HORRIBLE, I GO TO
707
00:26:33,758 --> 00:26:35,592
THE INSIDE TO RESTORE MY
708
00:26:35,592 --> 00:26:37,467
BALANCE.
709
00:26:37,467 --> 00:26:40,592
BUT, AFTER A WHILE, PEOPLE JUST
710
00:26:40,592 --> 00:26:43,383
BECOME LIVING DEAD PEOPLE.
711
00:26:43,383 --> 00:26:46,550
THEY GO INTO VEGETATION, AND
712
00:26:46,550 --> 00:26:49,467
THIS DOES NOT HAVE TO BE.
713
00:26:49,467 --> 00:26:51,883
NO.
714
00:26:51,883 --> 00:26:53,758
>> Tom: I PLAY -- I PLAY MUSIC.
715
00:26:53,758 --> 00:26:54,508
>> I KNOW.
716
00:26:54,508 --> 00:26:56,383
YOU'RE A TRUMPET PLAYER, RIGHT?
717
00:26:56,383 --> 00:26:58,175
>> YEAH, AND I PLAY IN A BAND.
718
00:26:58,175 --> 00:27:01,342
>> Man: WHAT I'VE FOUND IS
719
00:27:01,342 --> 00:27:05,175
THAT WE ALL HAVE MUSIC IN US AND
720
00:27:05,175 --> 00:27:06,842
WHEN WE GO THROUGH
721
00:27:06,842 --> 00:27:09,550
WHAT WE GO THROUGH, LIKE TRAUMA,
722
00:27:09,550 --> 00:27:11,925
CAUSED BY DISEASE, CAUSED BY
723
00:27:11,925 --> 00:27:14,342
WARS, THAT GETS COVERED UP.
724
00:27:14,342 --> 00:27:16,800
>> ♪♪
725
00:27:16,800 --> 00:27:19,800
>> AND I'VE FOUND A WAY OF
726
00:27:19,800 --> 00:27:23,425
ACCESSING THAT WITH SOME PEOPLE.
727
00:27:23,425 --> 00:27:25,925
SO, IT'S REALLY TO HELP THEM
728
00:27:25,925 --> 00:27:28,342
FIND THAT SONG THAT THEY'VE
729
00:27:28,342 --> 00:27:31,175
COVERED UP FROM THE PAIN SO THEY
730
00:27:31,175 --> 00:27:32,508
CAN SING AGAIN.
731
00:27:35,633 --> 00:27:38,008
[ SINGING IN NATIVE LANGUAGE ]
732
00:27:38,008 --> 00:27:40,467
>> SAMITE IS A VOLUNTEER WHO
733
00:27:40,467 --> 00:27:43,050
UNDERSTOOD HOW MUSIC CAN BRING
734
00:27:43,050 --> 00:27:45,300
BACK SOULS THAT HAVE FLED
735
00:27:45,300 --> 00:27:46,508
THE BODY...
736
00:27:46,508 --> 00:27:48,383
SOULS THAT HAVE BEEN
737
00:27:48,383 --> 00:27:49,675
TRAUMATIZED.
738
00:27:49,675 --> 00:27:52,300
>> I'VE HAD A SITUATION WHERE
739
00:27:52,300 --> 00:27:54,758
I WAS ACTUALLY OVERWHELMED.
740
00:27:54,758 --> 00:27:56,633
I WAS IN THE CONGO.
741
00:27:56,633 --> 00:27:58,425
THESE PEOPLE WERE TOLD THAT
742
00:27:58,425 --> 00:27:59,342
THIS GUY IS
743
00:27:59,342 --> 00:28:00,967
COMING TO BRING MUSIC --
744
00:28:00,967 --> 00:28:02,758
THE HEALING POWER OF MUSIC --
745
00:28:02,758 --> 00:28:04,633
WHICH WAS A LITTLE OVERWHELMING
746
00:28:04,633 --> 00:28:06,175
BECAUSE THESE WERE ABOUT
747
00:28:06,175 --> 00:28:07,842
150 WOMEN WHO HAD JUST GONE
748
00:28:07,842 --> 00:28:08,883
THROUGH RAPE...
749
00:28:08,883 --> 00:28:11,258
WHO HAD JUST GONE THROUGH THE
750
00:28:11,258 --> 00:28:13,133
WORST ABUSES YOU COULD
751
00:28:13,133 --> 00:28:14,425
HAVE IMAGINED.
752
00:28:14,425 --> 00:28:17,383
I THINK I WAS INSPIRED ACTUALLY,
753
00:28:17,383 --> 00:28:20,092
BECAUSE I PICKED UP THE FLUTE
754
00:28:20,092 --> 00:28:22,467
AND I PLAYED A REALLY SAD
755
00:28:22,467 --> 00:28:25,425
MELODY, AND THE MELODY CAME FROM
756
00:28:25,425 --> 00:28:27,883
THE PAIN THAT I KNEW THESE
757
00:28:27,883 --> 00:28:30,508
WOMEN HAD BEEN SUBJECTED TO.
758
00:28:30,508 --> 00:28:32,925
AND WHEN I FINISHED THE FLUTE
759
00:28:32,925 --> 00:28:35,050
I COULD SEE TEARS RUNNING
760
00:28:35,050 --> 00:28:37,592
DOWN SOME OF THE WOMEN'S FACES.
761
00:28:37,592 --> 00:28:41,133
AND THE NEXT PLACE I KNEW THAT
762
00:28:41,133 --> 00:28:44,175
I HAD TO TAKE THEM WAS TO
763
00:28:44,175 --> 00:28:46,508
SING A HAPPY SONG.
764
00:28:46,508 --> 00:28:48,092
SO, I KICKED INTO...
765
00:28:48,092 --> 00:28:50,175
[ SINGING IN NATIVE LANGUAGE ]
766
00:28:56,758 --> 00:28:58,425
AND SOON THEY STARTED MOVING
767
00:28:58,425 --> 00:28:59,342
A LITTLE BIT,
768
00:28:59,342 --> 00:29:01,008
AND SOON THEY WERE CLAPPING.
769
00:29:01,008 --> 00:29:02,883
[ SINGING IN NATIVE LANGUAGE ]
770
00:29:02,883 --> 00:29:04,842
AND I'M TELLING YOU, THREE HOURS
771
00:29:04,842 --> 00:29:06,467
LATER WE'RE STILL SINGING.
772
00:29:06,467 --> 00:29:09,967
AND NOW WE'RE ALL CONNECTED.
773
00:29:09,967 --> 00:29:13,008
WE'RE ALL JUST ONE BODY.
774
00:29:13,008 --> 00:29:16,342
EVERYBODY JUST SINGING.
775
00:29:22,300 --> 00:29:24,800
WHEN I GO TO NURSING HOMES, THEY
776
00:29:24,800 --> 00:29:27,217
REMEMBER THESE AMAZING STORIES,
777
00:29:27,217 --> 00:29:29,550
BUT IT'S ALWAYS THROUGH MUSIC
778
00:29:29,550 --> 00:29:31,008
THAT THEY'RE ABLE
779
00:29:31,008 --> 00:29:32,842
TO EXPRESS THEMSELVES,
780
00:29:32,842 --> 00:29:35,592
AND THAT REMINDS THOSE PEOPLE,
781
00:29:35,592 --> 00:29:38,050
WE WILL HAVE A CHANCE TO BE
782
00:29:38,050 --> 00:29:39,383
HAPPY AGAIN.
783
00:29:39,383 --> 00:29:41,967
>> [ LAUGHS ]
784
00:29:50,633 --> 00:29:53,967
>> Man: MUSIC HAD ALWAYS BEEN
785
00:29:53,967 --> 00:29:56,633
A BIG PART OF MY LIFE.
786
00:29:56,633 --> 00:29:58,800
WHEN I WAS YOUNGER, I PLAYED THE
787
00:29:58,800 --> 00:30:00,717
TRUMPET, I PLAYED THE ORGAN,
788
00:30:00,717 --> 00:30:02,258
I PLAYED THE PIANO...
789
00:30:05,967 --> 00:30:08,508
WHEN I WENT OFF TO COLLEGE IN
790
00:30:08,508 --> 00:30:10,717
THE EARLY '70s, I HAD THE
791
00:30:10,717 --> 00:30:13,467
REQUISITE GIANT ALBUM COLLECTION
792
00:30:13,467 --> 00:30:15,758
WHICH I CARRIED THROUGH
793
00:30:15,758 --> 00:30:17,217
TO MY MARRIAGE.
794
00:30:22,925 --> 00:30:27,217
WHEN I ENDED UP HERE, I LOST ALL
795
00:30:27,217 --> 00:30:29,258
OF MY MUSIC...
796
00:30:30,800 --> 00:30:35,217
MY WORLD BECAME THIS FACILITY.
797
00:30:40,967 --> 00:30:44,050
>> Naomi: THIS IS
798
00:30:44,050 --> 00:30:47,675
SOLITARY CONFINEMENT.
799
00:30:47,675 --> 00:30:49,550
AND EVERY HUMAN BEING
800
00:30:49,550 --> 00:30:51,800
NEEDS STIMULATION FROM THE
801
00:30:51,800 --> 00:30:53,633
OUTSIDE, FROM LITTLE
802
00:30:53,633 --> 00:30:55,508
BABIES TO OLD PEOPLE.
803
00:30:55,508 --> 00:30:58,592
THAT'S WHY MUSIC IS SO
804
00:30:58,592 --> 00:31:00,258
IMPORTANT.
805
00:31:00,258 --> 00:31:02,217
IF YOU FIND THE MUSIC THAT THE
806
00:31:02,217 --> 00:31:04,300
PEOPLE KNOW, THERE'S STIMULATION
807
00:31:04,300 --> 00:31:05,592
AND COMMUNICATION,
808
00:31:05,592 --> 00:31:07,342
AND PEOPLE DO NOT WITHDRAW
809
00:31:07,342 --> 00:31:08,800
INWARD.
810
00:31:11,633 --> 00:31:14,800
>> LIKE MANY PEOPLE IN THIS
811
00:31:14,800 --> 00:31:17,633
INSTITUTION, STEVE FOUND
812
00:31:17,633 --> 00:31:19,383
HIMSELF ALONE.
813
00:31:25,717 --> 00:31:29,717
>> Steve: AFTER EIGHT YEARS OF
814
00:31:29,717 --> 00:31:33,633
BEING HERE, I FINALLY HAD THE
815
00:31:33,633 --> 00:31:38,383
OPPORTUNITY TO GET MY MUSIC.
816
00:31:38,383 --> 00:31:40,800
>> OKAY, HOW'S THAT? GOOD?
817
00:31:46,633 --> 00:31:49,508
>> ♪♪
818
00:31:54,425 --> 00:31:59,800
>> Steve: AND ALL OF A SUDDEN...
819
00:31:59,800 --> 00:32:02,550
VISTAS WHICH I THOUGHT WERE
820
00:32:02,550 --> 00:32:04,800
CLOSED TO ME OPENED UP.
821
00:32:26,300 --> 00:32:28,258
>> HAVE YOU EVER HAD MUSIC JUST
822
00:32:28,258 --> 00:32:29,758
HIT YOU IN A PLACE THAT
823
00:32:29,758 --> 00:32:31,758
IMMEDIATELY BROUGHT YOU TO TEARS
824
00:32:31,758 --> 00:32:32,717
AND YOU DON'T
825
00:32:32,717 --> 00:32:34,342
UNDERSTAND WHY, YOU KNOW?
826
00:32:34,342 --> 00:32:35,633
MUSIC HAS THAT POWER.
827
00:32:35,633 --> 00:32:36,842
I CAN REMEMBER BEING
828
00:32:36,842 --> 00:32:37,800
FIVE YEARS OLD,
829
00:32:37,800 --> 00:32:39,300
HEARING THIS MUSIC IN THE
830
00:32:39,300 --> 00:32:40,842
DISTANCE, CRAWLING TO IT.
831
00:32:40,842 --> 00:32:43,842
IT WAS "RHAPSODY ON A THEME
832
00:32:43,842 --> 00:32:45,550
OF PAGANINI."
833
00:32:45,550 --> 00:32:47,675
YOU KNOW, CRAWLING TO THE MUSIC,
834
00:32:47,675 --> 00:32:49,800
LAYING ON THE FLOOR, AND CRYING.
835
00:32:49,800 --> 00:32:52,633
>> MUSIC TOUCHES US ALL.
836
00:32:52,633 --> 00:32:55,050
HOW DEEP DOES IT RUN
837
00:32:55,050 --> 00:32:56,925
INSIDE OF US?
838
00:32:56,925 --> 00:32:58,842
>> WATCH.
839
00:32:58,842 --> 00:33:02,133
♪ BA, BA... ♪
840
00:33:02,133 --> 00:33:06,675
>> All: ♪ BA, BA... ♪
841
00:33:22,467 --> 00:33:23,883
>> OKAY.
842
00:33:23,883 --> 00:33:26,717
[ LAUGHTER ]
843
00:33:29,467 --> 00:33:32,425
>> WHEN DOES OUR RELATIONSHIP
844
00:33:32,425 --> 00:33:34,717
WITH MUSIC BEGIN?
845
00:33:37,133 --> 00:33:40,842
AT 22 DAYS, A SINGLE CELL JOLTS
846
00:33:40,842 --> 00:33:43,633
TO LIFE.
847
00:33:43,633 --> 00:33:45,508
THIS FIRST BEAT
848
00:33:45,508 --> 00:33:48,217
AWAKENS NEARBY CELLS AND,
849
00:33:48,217 --> 00:33:51,300
INCREDIBLY, THEY ALL BEGIN TO
850
00:33:51,300 --> 00:33:53,842
BEAT IN PERFECT UNISON.
851
00:33:53,842 --> 00:33:57,467
THESE BEATING CELLS DIVIDE
852
00:33:57,467 --> 00:34:00,633
AND BECOME YOUR HEART.
853
00:34:00,633 --> 00:34:03,258
AND THIS DESIRE TO BEAT IN
854
00:34:03,258 --> 00:34:05,883
UNISON SEEMINGLY FUELS OUR
855
00:34:05,883 --> 00:34:07,467
ENTIRE LIVES.
856
00:34:07,467 --> 00:34:10,383
[ SINGING IN NATIVE LANGUAGE ]
857
00:34:10,383 --> 00:34:14,425
>> [ RHYTHMIC CHANTING ]
858
00:34:23,925 --> 00:34:27,383
>> ♪ AH, BO, BO, BA... ♪
859
00:34:32,758 --> 00:34:35,717
>> ♪ BA, DA, DA, DA, DA... ♪
860
00:34:35,717 --> 00:34:38,925
>> AMAZINGLY, AFTER SIX MONTHS
861
00:34:38,925 --> 00:34:41,133
OF DEVELOPMENT, THE
862
00:34:41,133 --> 00:34:43,258
CEREBRAL CORTEX IS
863
00:34:43,258 --> 00:34:46,467
CAPABLE OF SUPPORTING THOUGHT.
864
00:34:46,467 --> 00:34:49,133
>> YEAH, OH, THE LADYBUGS
865
00:34:49,133 --> 00:34:50,925
ARE SUPER-CUTE.
866
00:34:50,925 --> 00:34:54,175
>> RESEARCHERS HAVE STUDIED THE
867
00:34:54,175 --> 00:34:56,675
SOUNDS OF NEWBORNS AND
868
00:34:56,675 --> 00:34:59,383
DISCOVERED THAT IN THEIR CRIES
869
00:34:59,383 --> 00:35:02,175
ARE PATTERNS THAT REFLECT THEIR
870
00:35:02,175 --> 00:35:03,842
MOTHERS' SPEECH.
871
00:35:03,842 --> 00:35:05,758
>> I KNOW, AND YOU WANT
872
00:35:05,758 --> 00:35:06,925
TO BRING IT.
873
00:35:06,925 --> 00:35:09,925
>> THIS MEANS THAT EVEN BEFORE
874
00:35:09,925 --> 00:35:12,633
WE'RE BORN, WE ARE LEARNING
875
00:35:12,633 --> 00:35:14,050
HOW TO SING
876
00:35:14,050 --> 00:35:16,425
WITH ANOTHER HUMAN BEING.
877
00:35:22,883 --> 00:35:26,883
>> ♪ BA, BA, BA... ♪
878
00:35:29,633 --> 00:35:32,800
[ CHEERS AND APPLAUSE ]
879
00:35:32,800 --> 00:35:34,550
>> Bobby: I WONDERED HOW
880
00:35:34,550 --> 00:35:36,092
EVERYONE KNOWS THAT.
881
00:35:36,092 --> 00:35:38,217
REGARDLESS OF WHAT COUNTRY I'M
882
00:35:38,217 --> 00:35:39,550
IN, IT SEEMS LIKE
883
00:35:39,550 --> 00:35:41,050
EVERYONE KNOWS THAT.
884
00:35:41,050 --> 00:35:43,633
NOW, HOW IS THAT POSSIBLE IF IT
885
00:35:43,633 --> 00:35:45,675
WASN'T ALREADY INSIDE YOU?
886
00:35:52,633 --> 00:35:55,425
>> Sacks: EVERY CHILD WILL TEND
887
00:35:55,425 --> 00:35:58,008
TO KEEP TIME TO MUSIC, HEARD
888
00:35:58,008 --> 00:36:00,800
OR IMAGINED, WHICH YOU WILL NOT
889
00:36:00,800 --> 00:36:02,758
SEE IN A CHIMPANZEE.
890
00:36:02,758 --> 00:36:03,925
>> ♪♪
891
00:36:03,925 --> 00:36:06,050
>> THAT'S IT!
892
00:36:06,050 --> 00:36:07,675
I GOT IT!
893
00:36:07,675 --> 00:36:09,508
>> Sacks: MUSIC SEEMS TO BE
894
00:36:09,508 --> 00:36:11,592
ALMOST AS QUINTESSENTIALLY HUMAN
895
00:36:11,592 --> 00:36:13,300
AS LANGUAGE.
896
00:36:22,217 --> 00:36:26,550
THIS RESPONSE TO A BEAT MAY BE
897
00:36:26,550 --> 00:36:30,050
HARD-WIRED AND HUMAN...
898
00:36:30,050 --> 00:36:31,258
AND I THINK
899
00:36:31,258 --> 00:36:33,300
ALMOST ALL HUMAN BEINGS
900
00:36:33,300 --> 00:36:35,800
WILL BRING OUT THEIR INHERENT
901
00:36:35,800 --> 00:36:36,967
MUSICALITY...
902
00:36:52,258 --> 00:36:55,217
>> 277.
903
00:36:55,217 --> 00:36:57,217
>> YOU HAVE A LITTLE BIT OF ROOM
904
00:36:57,217 --> 00:36:57,925
TO GROW.
905
00:36:57,925 --> 00:36:59,717
>> I'VE GOT A LOT OF ROOM TO
906
00:36:59,717 --> 00:37:01,342
GROW, CONSIDERING IT WILL
907
00:37:01,342 --> 00:37:02,550
HOLD 2,000 SONGS.
908
00:37:02,550 --> 00:37:04,175
DO YOU HAVE "PIANO MAN"?
909
00:37:04,175 --> 00:37:06,133
>> Thomas: IT'S THRILLING TO ME
910
00:37:06,133 --> 00:37:07,883
TO BE ABLE TO SEE A PERSON
911
00:37:07,883 --> 00:37:09,717
WHO'S BEEN WITHOUT MUSIC FOR
912
00:37:09,717 --> 00:37:11,300
YEARS AND THEN WATCH HOW
913
00:37:11,300 --> 00:37:12,967
THAT PERSON COMES ALIVE.
914
00:37:12,967 --> 00:37:14,175
I MEAN, THAT'S --
915
00:37:14,175 --> 00:37:16,008
AS A PHYSICIAN, THAT'S A THRILL.
916
00:37:19,883 --> 00:37:23,133
BUT THERE'S SOMETHING BEHIND
917
00:37:23,133 --> 00:37:25,633
THAT WONDERFUL MOMENT.
918
00:37:28,092 --> 00:37:31,675
I MEAN, HOW DID THAT HAPPEN IN
919
00:37:31,675 --> 00:37:33,842
THE FIRST PLACE?
920
00:37:33,842 --> 00:37:38,217
WHY WERE WE ABLE TO
921
00:37:38,217 --> 00:37:40,758
FEED AND WATER AND MEDICATE THIS
922
00:37:40,758 --> 00:37:42,842
PERSON BUT NOT RESPOND TO
923
00:37:42,842 --> 00:37:44,008
DEEPLY HUMAN
924
00:37:44,008 --> 00:37:45,925
NEEDS THAT HE MIGHT HAVE?
925
00:37:49,133 --> 00:37:50,967
>> Woman: A CENTURY AGO, THEY
926
00:37:50,967 --> 00:37:52,675
WERE CALLED "NURSING HOMES"
927
00:37:52,675 --> 00:37:54,050
BECAUSE YOU RECEIVED
928
00:37:54,050 --> 00:37:55,883
NURSING CARE, AND MOST OF THE
929
00:37:55,883 --> 00:37:56,758
TIME IT WAS
930
00:37:56,758 --> 00:37:58,550
IN A HOME-LIKE SETTING.
931
00:37:58,550 --> 00:38:00,717
THAT WAS BEFORE, I GUESS, OUR
932
00:38:00,717 --> 00:38:02,800
CIVILIZATION ADVANCED TO THE
933
00:38:02,800 --> 00:38:04,508
POINT WHERE WE CREATED
934
00:38:04,508 --> 00:38:06,508
15,000 NURSING HOMES BASED
935
00:38:06,508 --> 00:38:07,925
ON A HOSPITAL MODEL.
936
00:38:12,800 --> 00:38:16,175
>> HOW DID THIS BECOME THE WAY
937
00:38:16,175 --> 00:38:19,592
MILLIONS OF AMERICANS END THEIR
938
00:38:19,592 --> 00:38:20,633
LIFE?
939
00:38:20,633 --> 00:38:22,550
>> THE CIVILIZATION OF THE
940
00:38:22,550 --> 00:38:24,258
PAST 100 YEARS WITH ITS
941
00:38:24,258 --> 00:38:26,300
STARTLING INDUSTRIAL CHANGES
942
00:38:26,300 --> 00:38:28,758
HAS TENDED MORE AND MORE TO
943
00:38:28,758 --> 00:38:30,592
MAKE LIFE INSECURE...
944
00:38:32,217 --> 00:38:35,425
>> TECHNOLOGY HAS RADICALLY
945
00:38:35,425 --> 00:38:37,508
TRANSFORMED THE
946
00:38:37,508 --> 00:38:39,842
HUMAN ENVIRONMENT.
947
00:38:39,842 --> 00:38:42,300
OUR SAFETY, NO LONGER TIED
948
00:38:42,300 --> 00:38:44,925
TO THE HOME, OR THE VILLAGE,
949
00:38:44,925 --> 00:38:49,717
BECAME TIED TO SOMETHING ELSE.
950
00:38:49,717 --> 00:38:52,592
WE BECAME URBAN AND THE
951
00:38:52,592 --> 00:38:56,050
TRADITIONAL FAMILY STRUCTURES
952
00:38:56,050 --> 00:38:58,842
BEGAN TO FEEL PRESSURE
953
00:38:58,842 --> 00:39:00,508
AND WEAKEN.
954
00:39:00,508 --> 00:39:03,050
AS A CONSEQUENCE, BY
955
00:39:03,050 --> 00:39:06,175
THE LATE 1800s, ELDERS, IN
956
00:39:06,175 --> 00:39:08,425
ALARMING NUMBERS,
957
00:39:08,425 --> 00:39:12,008
WERE ENDING THEIR DAYS IN THE
958
00:39:12,008 --> 00:39:15,050
POORHOUSE, ALONGSIDE THE
959
00:39:15,050 --> 00:39:18,175
INSANE AND THE HOMELESS.
960
00:39:18,175 --> 00:39:20,758
>> THIS SOCIAL SECURITY MEASURE
961
00:39:20,758 --> 00:39:23,300
GIVES AT LEAST SOME PROTECTION
962
00:39:23,300 --> 00:39:26,092
TO 30 MILLIONS OF OUR CITIZENS
963
00:39:26,092 --> 00:39:27,550
WHO WILL REAP
964
00:39:27,550 --> 00:39:29,800
DIRECT BENEFITS THROUGH
965
00:39:29,800 --> 00:39:31,717
OLD-AGE PENSIONS...
966
00:39:31,717 --> 00:39:34,592
>> Thomas: THERE WAS A REAL
967
00:39:34,592 --> 00:39:37,467
AWARENESS THAT OLDER PEOPLE
968
00:39:37,467 --> 00:39:40,592
IN AMERICA WERE SICK AND POOR,
969
00:39:40,592 --> 00:39:42,550
AND A DECISION WAS MADE TO
970
00:39:42,550 --> 00:39:44,758
SUPPORT THEM, NOT THROUGH THE
971
00:39:44,758 --> 00:39:47,050
WELFARE SYSTEM, BUT THROUGH THE
972
00:39:47,050 --> 00:39:48,508
HEALTHCARE SYSTEM.
973
00:39:48,508 --> 00:39:50,842
AND SO, WHAT WE HAD WAS THIS
974
00:39:50,842 --> 00:39:53,342
INCREDIBLE SHOTGUN MARRIAGE OF
975
00:39:53,342 --> 00:39:55,842
THE POORHOUSE AND THE HOSPITAL
976
00:39:55,842 --> 00:39:57,258
AND THAT'S WHAT
977
00:39:57,258 --> 00:39:58,925
NURSING HOMES BECAME.
978
00:40:01,175 --> 00:40:04,550
>> A NEW INDUSTRY WAS BORN.
979
00:40:04,550 --> 00:40:07,925
THIS BUSINESS EXPLODED AFTER
980
00:40:07,925 --> 00:40:11,008
THE MEDICAID ACT OF 1965.
981
00:40:11,008 --> 00:40:13,508
>> Thomas: THE IDEA OF TAKING
982
00:40:13,508 --> 00:40:16,050
CARE OF ELDERS ON A MASS SCALE
983
00:40:16,050 --> 00:40:17,300
WAS SOMETHING NEW
984
00:40:17,300 --> 00:40:19,175
IN HUMAN HISTORY, AND IT WAS
985
00:40:19,175 --> 00:40:21,008
BOUND TO RUN INTO PROBLEMS.
986
00:40:21,008 --> 00:40:23,800
EARLY ON, THERE WERE ACCUSATIONS
987
00:40:23,800 --> 00:40:26,008
OF "WAREHOUSING" ELDERS,
988
00:40:26,008 --> 00:40:28,675
OVERUSING PHYSICAL RESTRAINTS,
989
00:40:28,675 --> 00:40:30,800
AND EVEN WHEN REFORMERS
990
00:40:30,800 --> 00:40:33,300
CHALLENGED THAT PRACTICE AND
991
00:40:33,300 --> 00:40:35,925
REDUCED IT, A NEW PROBLEM CAME
992
00:40:35,925 --> 00:40:37,842
UP -- THE OVERUSE OF
993
00:40:37,842 --> 00:40:39,800
ANTI-PSYCHOTIC DRUGS.
994
00:40:39,800 --> 00:40:41,967
THESE DRUGS AREN'T DESIGNED
995
00:40:41,967 --> 00:40:44,133
FOR USE WITH ELDERS, AND YET
996
00:40:44,133 --> 00:40:46,008
THEY'RE BEING MASSIVELY
997
00:40:46,008 --> 00:40:47,883
OVERUSED IN NURSING HOMES.
998
00:40:52,342 --> 00:40:54,925
>> GIVE ME A KISS RIGHT HERE.
999
00:40:54,925 --> 00:40:56,717
[ LAUGHS ] KISS ME.
1000
00:40:56,717 --> 00:40:59,633
THANK YOU.
1001
00:40:59,633 --> 00:41:01,258
>> Thomas: AMERICAN
1002
00:41:01,258 --> 00:41:03,467
NURSING HOMES ACTUALLY HAVE
1003
00:41:03,467 --> 00:41:05,842
SOME OF THE BEST PEOPLE IN OUR
1004
00:41:05,842 --> 00:41:08,008
NATION, SOME OF THE BIGGEST
1005
00:41:08,008 --> 00:41:10,342
HEARTS, MOST GENEROUS SPIRIT,
1006
00:41:10,342 --> 00:41:12,592
THE GREATEST JOY AND LAUGHTER.
1007
00:41:12,592 --> 00:41:14,175
I LOVE THESE PEOPLE.
1008
00:41:14,175 --> 00:41:17,467
HOWEVER, THEY GO TO WORK
1009
00:41:17,467 --> 00:41:21,508
EVERY DAY INSIDE AN INSTITUTION
1010
00:41:21,508 --> 00:41:24,758
THAT DEFINES PEOPLE IN TERMS OF
1011
00:41:24,758 --> 00:41:26,925
THEIR DIAGNOSES AND
1012
00:41:26,925 --> 00:41:28,967
THEIR DISABILITIES
1013
00:41:28,967 --> 00:41:32,092
AND THINKS OF THEM AS PATIENTS
1014
00:41:32,092 --> 00:41:34,800
FIRST, HUMAN BEINGS SECOND.
1015
00:41:36,717 --> 00:41:38,508
>> Woman: HE DOESN'T REALLY
1016
00:41:38,508 --> 00:41:40,008
INITIATE CONVERSATION.
1017
00:41:40,008 --> 00:41:43,592
HE JUST KIND OF...EXISTS.
1018
00:41:43,592 --> 00:41:45,217
>> DOES HE ALREADY HAVE MUSIC IN
1019
00:41:45,217 --> 00:41:45,842
HIS ROOM?
1020
00:41:45,842 --> 00:41:46,967
DOES HE HAVE A RADIO?
1021
00:41:46,967 --> 00:41:49,800
>> I DON'T THINK HE HAS A RADIO
1022
00:41:49,800 --> 00:41:51,425
IN HIS ROOM, NO.
1023
00:41:51,425 --> 00:41:52,717
>> HE HAS DEMENTIA?
1024
00:41:52,717 --> 00:41:53,508
>> MM-HMM.
1025
00:41:53,508 --> 00:41:54,633
HE HAS DEMENTIA.
1026
00:41:54,633 --> 00:41:56,467
>> Mike: JOHNNY, CAN YOU TELL
1027
00:41:56,467 --> 00:41:57,758
US, WHO'S THIS GUY?
1028
00:41:57,758 --> 00:41:59,175
>> [ LAUGHS ]
1029
00:41:59,175 --> 00:42:00,967
>> WHO'S THAT GUY?
1030
00:42:00,967 --> 00:42:04,217
IS THAT YOU, WHEN YOU WERE IN
1031
00:42:04,217 --> 00:42:05,550
THE NAVY?
1032
00:42:05,550 --> 00:42:06,925
>> IS THAT ME?
1033
00:42:06,925 --> 00:42:08,717
DO I LOOK LIKE THAT?
1034
00:42:08,717 --> 00:42:12,050
>> YEAH, THAT'S YOU.
1035
00:42:12,050 --> 00:42:15,633
>> THAT'S NOT TOO BAD!
1036
00:42:15,633 --> 00:42:17,592
>> Dan: A COUPLE OF YEARS AND
1037
00:42:17,592 --> 00:42:19,717
A LOT OF TOMMY DORSEY, BIG BAND?
1038
00:42:19,717 --> 00:42:21,717
ALL OF THIS STUFF, LET ME SORT
1039
00:42:21,717 --> 00:42:22,425
IT OUT.
1040
00:42:22,425 --> 00:42:23,633
FRANK SINATRA...
1041
00:42:23,633 --> 00:42:26,842
>> Mike: HOW ABOUT THIS ONE?
1042
00:42:26,842 --> 00:42:29,050
>> WE TRIED TO LEARN JOHN'S
1043
00:42:29,050 --> 00:42:29,842
STORY.
1044
00:42:29,842 --> 00:42:30,508
WHO'S THAT GUY?
1045
00:42:30,508 --> 00:42:31,467
>> IS THAT THE SAME GUY?
1046
00:42:31,467 --> 00:42:33,675
>> TO HELP US FIND HIS DEEPEST
1047
00:42:33,675 --> 00:42:34,425
MUSIC.
1048
00:42:34,425 --> 00:42:36,050
>> I GOT MORE MUSCLES.
1049
00:42:36,050 --> 00:42:38,133
>> BUT HOW DO YOU DO THIS FOR
1050
00:42:38,133 --> 00:42:39,592
SOMEONE LIKE JOHN?
1051
00:42:39,592 --> 00:42:42,008
ALL RIGHT, WHAT ABOUT THIS?
1052
00:42:42,008 --> 00:42:44,383
WE WERE TOLD A FEW THINGS.
1053
00:42:44,383 --> 00:42:47,258
HE PLAYED BASEBALL.
1054
00:42:47,258 --> 00:42:48,508
>> OH!
1055
00:42:48,508 --> 00:42:51,633
>> HE'D BEEN DRAFTED AND SERVED
1056
00:42:51,633 --> 00:42:53,133
AT LOS ALAMOS.
1057
00:43:02,842 --> 00:43:04,925
IT WAS THERE THAT THE ARMY
1058
00:43:04,925 --> 00:43:06,508
GAVE HIM SHOTS FOR
1059
00:43:06,508 --> 00:43:08,342
RADIATION POISONING --
1060
00:43:08,342 --> 00:43:10,967
SHOTS THAT CAUSED ALL HIS HAIR
1061
00:43:10,967 --> 00:43:12,258
TO FALL OUT.
1062
00:43:12,258 --> 00:43:14,258
LASTLY, AFTER THE WAR, HE
1063
00:43:14,258 --> 00:43:16,633
PERFORMED IN PHILADELPHIA UNDER
1064
00:43:16,633 --> 00:43:18,883
THE STAGE NAME LARRY STEWART,
1065
00:43:18,883 --> 00:43:22,592
BUT WE COULDN'T LEARN THIS FROM
1066
00:43:22,592 --> 00:43:23,717
JOHN.
1067
00:43:23,717 --> 00:43:25,675
THE SENSORY RECORD --
1068
00:43:25,675 --> 00:43:28,258
THE MOVIE THAT PLAYED ONLY IN
1069
00:43:28,258 --> 00:43:30,800
JOHN'S MIND, CALLED MEMORY --
1070
00:43:30,800 --> 00:43:31,800
IS GONE.
1071
00:43:31,800 --> 00:43:37,842
HIS LOVE, HIS DREAMS...
1072
00:43:37,842 --> 00:43:41,842
GONE.
1073
00:43:41,842 --> 00:43:45,383
WHO ARE WE WITHOUT OUR MEMORY?
1074
00:43:49,592 --> 00:43:51,842
>> ♪ OH JOHNNY, OH JOHNNY ♪
1075
00:43:51,842 --> 00:43:53,842
>> IT'S "OH JOHNNY OH."
1076
00:43:53,842 --> 00:43:56,383
HOW PERFECT! [ LAUGHS ]
1077
00:43:58,383 --> 00:44:00,758
>> ♪ OH JOHNNY, OH JOHNNY ♪
1078
00:44:00,758 --> 00:44:03,092
♪ HOW YOU CAN LOVE ♪
1079
00:44:03,092 --> 00:44:05,758
♪ OH JOHNNY, OH JOHNNY ♪
1080
00:44:05,758 --> 00:44:07,175
♪ HEAVENS ABOVE ♪
1081
00:44:07,175 --> 00:44:09,925
♪ YOU MAKE MY SAD HEART JUMP
1082
00:44:09,925 --> 00:44:11,175
WITH JOY ♪
1083
00:44:11,175 --> 00:44:14,008
♪ AND WHEN YOU'RE NEAR I JUST
1084
00:44:14,008 --> 00:44:16,592
CAN'T SIT STILL A MINUTE ♪
1085
00:44:16,592 --> 00:44:17,467
♪ I'M SO ♪
1086
00:44:17,467 --> 00:44:19,550
♪ OH JOHNNY, OH JOHNNY ♪
1087
00:44:19,550 --> 00:44:21,800
♪ PLEASE TELL ME, DEAR ♪
1088
00:44:21,800 --> 00:44:26,050
♪ WHAT MAKES ME LOVE YOU SO ♪
1089
00:44:26,050 --> 00:44:27,342
♪ YOU'RE NOT HANDSOME,
1090
00:44:27,342 --> 00:44:28,092
IT'S TRUE ♪
1091
00:44:28,092 --> 00:44:30,467
♪ BUT WHEN I LOOK AT YOU,
1092
00:44:30,467 --> 00:44:32,217
I JUST, OH, JOHNNY ♪
1093
00:44:32,217 --> 00:44:33,758
♪ OH JOHNNY, OH ♪
1094
00:44:33,758 --> 00:44:35,467
♪ DA-DA-DA-DA-DA ♪♪
1095
00:44:35,467 --> 00:44:37,508
>> THERE WAS NO WAY WE COULD
1096
00:44:37,508 --> 00:44:39,675
HAVE KNOWN THERE WAS THIS MUCH
1097
00:44:39,675 --> 00:44:41,217
LIFE INSIDE OF JOHN.
1098
00:44:41,217 --> 00:44:45,675
>> ♪ SOME ENCHANTED EVENING,
1099
00:44:45,675 --> 00:44:51,383
YOU MAY SEE SOMEONE ♪
1100
00:44:51,383 --> 00:44:54,383
♪ YOU MAY SEE A STRANGER ♪♪
1101
00:44:54,383 --> 00:44:57,383
>> I WISH I HAD A VOICE LIKE
1102
00:44:57,383 --> 00:44:58,175
HIM.
1103
00:44:58,175 --> 00:45:00,383
>> FOR JOHNNY, GETTING HIS
1104
00:45:00,383 --> 00:45:02,633
MUSIC, AND A LITTLE FOCUSED
1105
00:45:02,633 --> 00:45:03,883
ATTENTION...
1106
00:45:03,883 --> 00:45:06,092
>> YOU'RE QUITE THE SINGER.
1107
00:45:06,092 --> 00:45:08,342
>> WAS ALL IT TOOK TO AWAKEN
1108
00:45:08,342 --> 00:45:10,508
FEELINGS HE HADN'T FELT IN
1109
00:45:10,508 --> 00:45:11,300
YEARS.
1110
00:45:11,300 --> 00:45:14,133
>> I LOVE TO DO IT.
1111
00:45:14,133 --> 00:45:16,092
>> Mike: WHEN DID YOU FIRST
1112
00:45:16,092 --> 00:45:16,717
SING?
1113
00:45:16,717 --> 00:45:18,758
WHEN YOU WERE YOUNG, DID YOU
1114
00:45:18,758 --> 00:45:19,383
SING?
1115
00:45:19,383 --> 00:45:22,342
>> I DON'T KNOW.
1116
00:45:22,342 --> 00:45:25,133
I'M JUST A SMALL GUY.
1117
00:45:25,133 --> 00:45:26,550
>> YEAH?
1118
00:45:26,550 --> 00:45:30,342
>> I'M CRYING.
1119
00:45:30,342 --> 00:45:32,883
>> WHY? ARE YOU SAD?
1120
00:45:32,883 --> 00:45:35,008
>> I DON'T KNOW.
1121
00:45:35,008 --> 00:45:37,675
I LOVE EVERYBODY AROUND HERE.
1122
00:45:37,675 --> 00:45:40,217
MY GANG -- THIS IS MY GANG.
1123
00:45:40,217 --> 00:45:42,800
>> Woman: THIS IS YOUR GANG?
1124
00:45:42,800 --> 00:45:43,425
YEAH?
1125
00:45:43,425 --> 00:45:45,592
DOES IT MAKE YOU HAPPY TO SING
1126
00:45:45,592 --> 00:45:46,342
FOR US?
1127
00:45:46,342 --> 00:45:48,342
>> YEAH.
1128
00:45:48,342 --> 00:45:50,092
>> Dan: HALF THE PEOPLE IN
1129
00:45:50,092 --> 00:45:52,092
NURSING HOMES GET NO VISITORS,
1130
00:45:52,092 --> 00:45:53,300
SO IT'S NOT LIKE
1131
00:45:53,300 --> 00:45:54,592
FAMILY CAN DO IT.
1132
00:45:54,592 --> 00:45:56,342
THE NURSING HOMES DON'T REALLY
1133
00:45:56,342 --> 00:45:58,050
HAVE A READY BUDGET FOR THIS.
1134
00:45:58,050 --> 00:46:00,508
THE GOVERNMENT DOES NOT
1135
00:46:00,508 --> 00:46:03,633
REIMBURSE FOR MUSIC, AND iPODS,
1136
00:46:03,633 --> 00:46:06,342
SO IT REALLY NEEDS TO COME FROM
1137
00:46:06,342 --> 00:46:07,467
SOMEWHERE.
1138
00:46:07,467 --> 00:46:09,342
SO MY ULTIMATE GOAL IS TO MAKE
1139
00:46:09,342 --> 00:46:10,842
THIS A STANDARD OF CARE
1140
00:46:10,842 --> 00:46:12,675
IN ALL 16,000 NURSING HOMES IN
1141
00:46:12,675 --> 00:46:13,633
THE COUNTRY.
1142
00:46:13,633 --> 00:46:14,758
THAT'S THE GOAL.
1143
00:46:14,758 --> 00:46:15,550
>> IT DEPENDS ON THE
1144
00:46:15,550 --> 00:46:16,133
NURSING HOME.
1145
00:46:16,133 --> 00:46:17,300
IT DEPENDS ON HOW PROACTIVE THE
1146
00:46:17,300 --> 00:46:18,508
VOLUNTEER DEPARTMENT IS.
1147
00:46:20,258 --> 00:46:22,258
>> Dan: IS THIS SOMETHING YOU'D
1148
00:46:22,258 --> 00:46:24,092
WANT TO EXPLORE FOR YOUR OWN
1149
00:46:24,092 --> 00:46:25,008
FACILITIES?
1150
00:46:25,008 --> 00:46:26,133
>> WELL, I HAVE
1151
00:46:26,133 --> 00:46:27,342
SEVERAL CONCERNS.
1152
00:46:27,342 --> 00:46:28,592
>> THAT YOU GIVE IT TO 2 PEOPLE
1153
00:46:28,592 --> 00:46:29,550
AND 10 PEOPLE ARE GOING
1154
00:46:29,550 --> 00:46:30,800
TO WANT IT AND I'M NOT GOING TO
1155
00:46:30,800 --> 00:46:31,883
BE ABLE TO GIVE IT TO THEM.
1156
00:46:31,883 --> 00:46:32,758
>> FRANKLY, HOW
1157
00:46:32,758 --> 00:46:33,800
IT'S ADMINISTERED.
1158
00:46:33,800 --> 00:46:35,092
>> Woman: THIS IS A VERY
1159
00:46:35,092 --> 00:46:35,758
BIG PLACE.
1160
00:46:35,758 --> 00:46:37,175
WE HAVE 600 RESIDENTS HERE.
1161
00:46:37,175 --> 00:46:39,300
>> COST IS ALSO A SIGNIFICANT
1162
00:46:39,300 --> 00:46:41,592
FACTOR THAT WE HAVE TO CONSIDER
1163
00:46:41,592 --> 00:46:42,800
IN EVERY PROGRAM.
1164
00:46:45,967 --> 00:46:47,550
>> Man: SO TELL ME, HOW CAN
1165
00:46:47,550 --> 00:46:48,675
I HELP YOU TODAY?
1166
00:46:48,675 --> 00:46:51,383
>> I'M LOOKING FOR A DONATION.
1167
00:46:51,383 --> 00:46:53,675
>> SIR, ONE SECOND HERE.
1168
00:46:53,675 --> 00:46:55,008
>> THE RESEARCH SHOWS IT,
1169
00:46:55,008 --> 00:46:56,383
OUR EXPERIENCE SHOWS IT --
1170
00:46:56,383 --> 00:46:57,592
THERE IS NO DOUBT THAT
1171
00:46:57,592 --> 00:46:59,758
MAINSTREAMING THE USE OF
1172
00:46:59,758 --> 00:47:01,550
PERSONALIZED MUSIC,
1173
00:47:01,550 --> 00:47:03,342
USING iPODS...
1174
00:47:03,342 --> 00:47:06,300
I SPOKE TO THE SENIOR VICE
1175
00:47:06,300 --> 00:47:09,758
PRESIDENT AND THEY -- THEY HAVE
1176
00:47:09,758 --> 00:47:12,800
A NO CORPORATE PHILANTHROPY
1177
00:47:12,800 --> 00:47:14,467
POLICY.
1178
00:47:14,467 --> 00:47:16,133
THERE ARE 16,000 NURSING HOMES
1179
00:47:16,133 --> 00:47:17,800
IN THE UNITED STATES, AND THE
1180
00:47:17,800 --> 00:47:19,300
CHALLENGE IS GETTING IT OUT
1181
00:47:19,300 --> 00:47:21,008
THERE, AND WE COULD REALLY USE
1182
00:47:21,008 --> 00:47:21,717
YOUR HELP.
1183
00:47:21,717 --> 00:47:24,133
>> Mike: SANDRA DAY O'CONNOR
1184
00:47:24,133 --> 00:47:26,842
TALKED TO HIM ABUT YOUR PROJECT?
1185
00:47:26,842 --> 00:47:28,092
>> NO, ABOUT ALZHEIMER'S,
1186
00:47:28,092 --> 00:47:29,383
SUPPORT OF THE ALZHEIMER'S
1187
00:47:29,383 --> 00:47:30,092
ASSOCIATION.
1188
00:47:30,092 --> 00:47:33,758
SUPPORT FOR ALZHEIMER'S.
1189
00:47:33,758 --> 00:47:34,800
>> SHE TALKED TO
1190
00:47:34,800 --> 00:47:35,800
THE MAN HIMSELF.
1191
00:47:35,800 --> 00:47:36,467
>> YEAH.
1192
00:47:36,467 --> 00:47:37,633
>> AND HE SAID NO?
1193
00:47:37,633 --> 00:47:38,258
>> YEAH.
1194
00:47:38,258 --> 00:47:39,675
SO, WHAT LUCK AM I GOING
1195
00:47:39,675 --> 00:47:41,633
TO HAVE?
1196
00:47:52,467 --> 00:47:55,050
>> Thomas: HOW'S THE WORK GOING?
1197
00:47:55,050 --> 00:47:57,092
>> Dan: IT'S A STRUGGLE.
1198
00:47:57,092 --> 00:47:59,508
IT'S A STRUGGLE.
1199
00:47:59,508 --> 00:48:01,758
>> Thomas: I HAVE TO TELL YOU,
1200
00:48:01,758 --> 00:48:04,050
I AM ONE OF THE FEW PEOPLE WHO
1201
00:48:04,050 --> 00:48:05,550
ACTUALLY KNOWS HOW
1202
00:48:05,550 --> 00:48:07,133
YOU FEEL ABOUT THIS.
1203
00:48:07,133 --> 00:48:09,550
BECAUSE A COUPLE OF DECADES AGO,
1204
00:48:09,550 --> 00:48:12,008
I GOT REALLY CHARGED UP BY THIS
1205
00:48:12,008 --> 00:48:13,967
IDEA THAT WE COULD BRING
1206
00:48:13,967 --> 00:48:16,425
PLANTS AND ANIMALS AND CHILDREN
1207
00:48:16,425 --> 00:48:18,508
INTO THE LIVES OF ELDERS.
1208
00:48:18,508 --> 00:48:20,258
I HAD THE SAME KIND OF
1209
00:48:20,258 --> 00:48:22,092
EXPERIENCES THAT YOU'VE
1210
00:48:22,092 --> 00:48:24,008
DESCRIBED, WHERE I COULD
1211
00:48:24,008 --> 00:48:25,758
SEE PEOPLE COME ALIVE.
1212
00:48:25,758 --> 00:48:28,758
WE HAD THIS DREAM THAT WE'D
1213
00:48:28,758 --> 00:48:31,842
JUST GO DOOR TO DOOR, BUT WE
1214
00:48:31,842 --> 00:48:35,300
COULDN'T PENETRATE, SORT OF, THE
1215
00:48:35,300 --> 00:48:38,008
FOG OF THE NURSING HOME.
1216
00:48:38,008 --> 00:48:40,133
WHAT YOU'RE DOING IS OUTSIDE OF
1217
00:48:40,133 --> 00:48:42,175
CONVENTIONAL PRACTICE AND YOU
1218
00:48:42,175 --> 00:48:43,883
HAVE TO -- AND IF YOU'RE
1219
00:48:43,883 --> 00:48:45,842
GOING TO BE SUCCESSFUL GOING
1220
00:48:45,842 --> 00:48:47,967
FORWARD, YOU HAVE TO UNDERSTAND
1221
00:48:47,967 --> 00:48:49,633
HOW BIG A BARRIER THAT IS.
1222
00:48:55,467 --> 00:48:56,550
>> Man: LADIES AND GENTLEMEN,
1223
00:48:56,550 --> 00:48:57,467
PLEASE FIND YOUR SEATS.
1224
00:48:57,467 --> 00:49:00,133
>> Mike: WE WENT LOOKING FOR
1225
00:49:00,133 --> 00:49:01,217
ANSWERS.
1226
00:49:01,217 --> 00:49:03,383
IT TURNS OUT WE ARE NOT ALONE.
1227
00:49:03,383 --> 00:49:05,425
THERE ARE LOTS OF PEOPLE WHO
1228
00:49:05,425 --> 00:49:07,258
BELIEVE THERE'S SOMETHING
1229
00:49:07,258 --> 00:49:09,300
FUNDAMENTALLY WRONG WITH THE
1230
00:49:09,300 --> 00:49:11,008
AMERICAN NURSING HOME.
1231
00:49:11,008 --> 00:49:13,092
>> Woman: I THINK WE ARE PART
1232
00:49:13,092 --> 00:49:15,092
OF A MOVEMENT THAT IS MUCH,
1233
00:49:15,092 --> 00:49:16,300
MUCH, BIGGER.
1234
00:49:16,300 --> 00:49:17,592
I WANT TO WORK ON CULTURE
1235
00:49:17,592 --> 00:49:18,133
CHANGE.
1236
00:49:18,133 --> 00:49:19,425
I WANT TO SUPPORT CULTURE
1237
00:49:19,425 --> 00:49:20,800
CHANGE AS A NATIONAL PRIORITY.
1238
00:49:32,342 --> 00:49:33,342
>> Dan: HI, BONNIE.
1239
00:49:33,342 --> 00:49:34,508
>> HI, DAN. WHAT'S UP?
1240
00:49:34,508 --> 00:49:35,342
>> HOW ARE YOU?
1241
00:49:35,342 --> 00:49:37,300
>> WE VALUE INDEPENDENCE AND
1242
00:49:37,300 --> 00:49:38,883
HAVE THE HARDEST TIME,
1243
00:49:38,883 --> 00:49:40,967
I BELIEVE, OF ANY COUNTRY WITH
1244
00:49:40,967 --> 00:49:42,842
THE CONCEPT OF DEPENDENCE.
1245
00:49:42,842 --> 00:49:45,967
AND SO, WHEREAS OTHER FOLKS HAVE
1246
00:49:45,967 --> 00:49:48,467
INTEGRATED AGING, WE HAD
1247
00:49:48,467 --> 00:49:51,258
A UNIQUE INTEREST IN SAYING,
1248
00:49:51,258 --> 00:49:53,008
"OVER THERE -- I DON'T WANT TO
1249
00:49:53,008 --> 00:49:54,258
SEE IT, I DON'T WANT
1250
00:49:54,258 --> 00:49:55,383
TO KNOW ABOUT IT."
1251
00:49:55,383 --> 00:49:56,758
>> Mike: WHY ARE WE CHANGING
1252
00:49:56,758 --> 00:49:57,175
NOW?
1253
00:49:57,175 --> 00:49:58,425
>> WHY ARE WE CHANGING NOW?
1254
00:49:58,425 --> 00:50:00,133
BECAUSE IT'S NOT WORKING.
1255
00:50:00,133 --> 00:50:01,883
BECAUSE IT'S DEHUMANIZING.
1256
00:50:01,883 --> 00:50:03,717
AND I THINK, QUITE FRANKLY,
1257
00:50:03,717 --> 00:50:05,800
I THINK BABY BOOMERS ARE SAYING,
1258
00:50:05,800 --> 00:50:07,467
"THIS IS NOT ACCEPTABLE.
1259
00:50:07,467 --> 00:50:09,342
THIS IS NOT HOW I WANT TO BE
1260
00:50:09,342 --> 00:50:13,550
TREATED WHEN I GET OLDER."
1261
00:50:13,550 --> 00:50:15,883
>> Mike: THIS WAS INSPIRING,
1262
00:50:15,883 --> 00:50:16,758
BUT ARE
1263
00:50:16,758 --> 00:50:18,758
WE REALLY INTERESTED IN
1264
00:50:18,758 --> 00:50:21,217
CHANGING THE WAY AMERICA AGES?
1265
00:50:21,217 --> 00:50:23,758
>> Thomas: MIGHT NOT REALIZE IT
1266
00:50:23,758 --> 00:50:26,342
BUT THE UNITED STATES OF AMERICA
1267
00:50:26,342 --> 00:50:28,883
HAS ONLY 6,000 GERIATRICIANS IN
1268
00:50:28,883 --> 00:50:31,217
A NATION OF 300 MILLION PEOPLE.
1269
00:50:33,925 --> 00:50:36,883
EVEN WORSE, THAT NUMBER IS NOT
1270
00:50:36,883 --> 00:50:39,508
GOING UP, IT'S GOING DOWN.
1271
00:50:39,508 --> 00:50:43,633
>> THIS IS UNFORTUNATE TIMING,
1272
00:50:43,633 --> 00:50:45,883
BECAUSE THE CHALLENGES WE'RE
1273
00:50:45,883 --> 00:50:47,967
GOING TO HAVE TO FACE ARE
1274
00:50:47,967 --> 00:50:48,883
GROWING.
1275
00:50:48,883 --> 00:50:51,008
>> WE'RE FACING AN EPIDEMIC
1276
00:50:51,008 --> 00:50:53,008
OF NEUROLOGIC DISEASES ON
1277
00:50:53,008 --> 00:50:54,342
A GLOBAL SCALE.
1278
00:50:54,342 --> 00:50:55,508
[ LAUGHTER ]
1279
00:50:55,508 --> 00:50:57,050
A CHEERY THOUGHT.
1280
00:50:57,050 --> 00:50:58,800
ON THIS MAP, EVERY COUNTRY
1281
00:50:58,800 --> 00:51:00,675
THAT'S COLORED BLUE HAS MORE
1282
00:51:00,675 --> 00:51:02,425
THAN 20% OF ITS POPULATION
1283
00:51:02,425 --> 00:51:03,758
OVER THE AGE OF 65.
1284
00:51:03,758 --> 00:51:05,717
THIS IS THE WORLD WE LIVE IN.
1285
00:51:05,717 --> 00:51:07,550
AND THIS IS THE WORLD YOUR
1286
00:51:07,550 --> 00:51:09,175
CHILDREN WILL LIVE IN.
1287
00:51:09,175 --> 00:51:10,592
FOR 12,000 YEARS, THE
1288
00:51:10,592 --> 00:51:12,342
DISTRIBUTION OF AGES IN THE
1289
00:51:12,342 --> 00:51:13,717
HUMAN POPULATION HAS
1290
00:51:13,717 --> 00:51:15,633
LOOKED LIKE A PYRAMID WITH THE
1291
00:51:15,633 --> 00:51:16,675
OLDEST ON TOP.
1292
00:51:16,675 --> 00:51:20,592
IT'S ALREADY FLATTENING OUT.
1293
00:51:20,592 --> 00:51:23,300
BY 2050, IT'S GOING TO
1294
00:51:23,300 --> 00:51:26,675
BE A COLUMN AND WILL START TO
1295
00:51:26,675 --> 00:51:28,175
INVERT...
1296
00:51:28,175 --> 00:51:29,717
AND THIS IS WHY THAT'S
1297
00:51:29,717 --> 00:51:31,092
NOT ENTIRELY A GOOD
1298
00:51:31,092 --> 00:51:33,092
THING, BECAUSE OVER THE AGE OF
1299
00:51:33,092 --> 00:51:34,758
65, YOUR RISK OF GETTING
1300
00:51:34,758 --> 00:51:35,883
ALZHEIMER'S OR
1301
00:51:35,883 --> 00:51:37,508
PARKINSON'S DISEASE WILL
1302
00:51:37,508 --> 00:51:39,133
INCREASE EXPONENTIALLY.
1303
00:51:39,133 --> 00:51:40,967
THERE ARE FIVE MILLION
1304
00:51:40,967 --> 00:51:42,842
ALZHEIMER'S PATIENTS IN
1305
00:51:42,842 --> 00:51:44,383
THE UNITED STATES.
1306
00:51:44,383 --> 00:51:46,258
IN THE NEXT 10 YEARS, THAT
1307
00:51:46,258 --> 00:51:47,925
NUMBER WILL COME CLOSE
1308
00:51:47,925 --> 00:51:48,925
TO DOUBLING.
1309
00:51:48,925 --> 00:51:50,967
WE DO NOT HAVE THE FACILITIES,
1310
00:51:50,967 --> 00:51:52,925
WE DO NOT HAVE THE RESOURCES,
1311
00:51:52,925 --> 00:51:54,550
FINANCIAL OR OTHERWISE,
1312
00:51:54,550 --> 00:51:56,550
TO COPE WITH THAT NUMBER
1313
00:51:56,550 --> 00:51:57,550
OF PEOPLE
1314
00:51:57,550 --> 00:51:59,550
SUFFERING FROM DEMENTIA.
1315
00:51:59,550 --> 00:52:01,467
WE HAVE TO FIND A WAY TO HELP
1316
00:52:01,467 --> 00:52:03,425
THEM AGE IN PLACE IN A HEALTHY
1317
00:52:03,425 --> 00:52:04,883
MANNER.
1318
00:52:08,883 --> 00:52:12,592
>> WHAT DO YOU CALL THAT?
1319
00:52:12,592 --> 00:52:16,300
>> IT'S A -- FORK -- SP--
1320
00:52:16,300 --> 00:52:18,008
>> KNIFE?
1321
00:52:18,008 --> 00:52:20,050
>> NO? FORK?
1322
00:52:20,050 --> 00:52:21,550
OR SPOON?
1323
00:52:24,258 --> 00:52:26,758
>> Man: SHE SAYS WE JUST DON'T
1324
00:52:26,758 --> 00:52:27,883
UNDERSTAND.
1325
00:52:27,883 --> 00:52:30,383
I THINK THAT'S PROBABLY TRUE.
1326
00:52:30,383 --> 00:52:32,800
YOU END UP BEING DEPENDENT ON
1327
00:52:32,800 --> 00:52:35,425
SOMEONE ELSE FOR EVERYTHING THAT
1328
00:52:35,425 --> 00:52:36,300
YOU DO.
1329
00:52:36,300 --> 00:52:37,967
YOU CAN NO LONGER WRITE
1330
00:52:37,967 --> 00:52:40,133
YOUR NAME, YOU STRUGGLE READING,
1331
00:52:40,133 --> 00:52:43,217
YOU LOSE SMALL MOTOR CONTROL.
1332
00:52:43,217 --> 00:52:44,967
YOU CAN'T EVEN REMEMBER HOW TO
1333
00:52:44,967 --> 00:52:46,300
GET IN AND OUT OF YOUR
1334
00:52:46,300 --> 00:52:47,717
APARTMENT, OR THE ELEVATOR.
1335
00:52:48,508 --> 00:52:50,842
>> SO, DO YOU REMEMBER WHERE IS
1336
00:52:50,842 --> 00:52:53,092
THE ELEVATOR, MAYBE IT'S HERE?
1337
00:52:53,092 --> 00:52:54,842
>> IT COULD BE, YES.
1338
00:52:54,842 --> 00:52:55,758
>> OKAY.
1339
00:52:55,758 --> 00:52:56,967
LET'S PRESS.
1340
00:52:56,967 --> 00:52:58,508
DO WE GO DOWN OR UP?
1341
00:52:58,508 --> 00:53:00,175
>> WE HAVE TO GO DOWN.
1342
00:53:00,175 --> 00:53:02,133
>> OKAY, SO, DO YOU WANT TO
1343
00:53:02,133 --> 00:53:03,258
PRESS FOR ME?
1344
00:53:03,258 --> 00:53:04,675
>> OH, YES, HERE.
1345
00:53:04,675 --> 00:53:05,592
THIS ONE?
1346
00:53:05,592 --> 00:53:06,550
I'M NOT SURE.
1347
00:53:06,550 --> 00:53:07,550
>> THAT'S UP.
1348
00:53:07,550 --> 00:53:08,758
>> SO THAT'S DOWN?
1349
00:53:08,758 --> 00:53:10,217
>> THIS IS DOWN, YES.
1350
00:53:10,217 --> 00:53:10,925
>> OKAY.
1351
00:53:10,925 --> 00:53:12,508
OH, DID I DO THAT BADLY?
1352
00:53:12,508 --> 00:53:13,925
>> I DON'T THINK SO.
1353
00:53:13,925 --> 00:53:15,342
DO YOU SEE THE LIGHT?
1354
00:53:15,342 --> 00:53:17,133
>> YEAH.
1355
00:53:35,675 --> 00:53:39,842
WHOO!
1356
00:53:39,842 --> 00:53:42,258
OH, LOOK, LOOK, LOOK.
1357
00:53:42,258 --> 00:53:44,050
OH, BEAUTIFUL.
1358
00:53:44,050 --> 00:53:45,717
LOOK AT THAT.
1359
00:53:45,717 --> 00:53:47,842
ISN'T THAT LOVELY?
1360
00:53:47,842 --> 00:53:48,967
OH, GOTCHA.
1361
00:53:48,967 --> 00:53:50,675
I GOTCHA, I GOTCHA.
1362
00:53:50,675 --> 00:53:52,092
DIDN'T I, HUH?
1363
00:53:52,092 --> 00:53:55,008
>> FOR MARYLOU, LOVING HER
1364
00:53:55,008 --> 00:53:57,133
GRANDSON IS EASY.
1365
00:53:57,133 --> 00:54:00,883
>> THIS IS GOING TO THE, WHAT?
1366
00:54:00,883 --> 00:54:02,467
[ LAUGHS ]
1367
00:54:02,467 --> 00:54:05,050
WHERE ARE YOU GOING TO GO?
1368
00:54:05,050 --> 00:54:06,883
>> IT'S JUST EVERYTHING ELSE
1369
00:54:06,883 --> 00:54:07,925
THAT IS HARD.
1370
00:54:07,925 --> 00:54:10,592
>> I'M REALLY BAD, SEE.
1371
00:54:12,383 --> 00:54:15,508
LET'S SEE.
1372
00:54:15,508 --> 00:54:19,508
>> BUT SURPRISINGLY, EVEN DEEP
1373
00:54:19,508 --> 00:54:22,300
INSIDE ALZHEIMER'S,
1374
00:54:22,300 --> 00:54:25,550
HER CAPACITY FOR LOVE AND
1375
00:54:25,550 --> 00:54:28,633
AFFECTION REMAINS STRONG.
1376
00:54:32,800 --> 00:54:35,467
>> I HAVE LOTS OF PEOPLE TO TALK
1377
00:54:35,467 --> 00:54:37,883
TO ME AND DO ALL THAT KIND OF
1378
00:54:37,883 --> 00:54:39,217
THING, SO I...
1379
00:54:39,217 --> 00:54:42,175
YEAH. [ CRYING ]
1380
00:54:42,175 --> 00:54:44,342
>> Mike: ARE YOU SAD BECAUSE
1381
00:54:44,342 --> 00:54:46,592
OTHER PEOPLE DON'T HAVE THAT?
1382
00:54:46,592 --> 00:54:47,383
>> YES.
1383
00:54:47,383 --> 00:54:49,550
OF COURSE, BECAUSE HOW COULD
1384
00:54:49,550 --> 00:54:51,717
I DO THINGS IF I DIDN'T HAVE
1385
00:54:51,717 --> 00:54:53,050
PEOPLE WITH ME?
1386
00:54:53,050 --> 00:54:57,092
SO, THAT'S...
1387
00:54:57,092 --> 00:54:59,342
>> THIS IS A HARD JOURNEY FOR
1388
00:54:59,342 --> 00:55:00,258
YOU, HUH?
1389
00:55:00,258 --> 00:55:01,092
>> YEAH.
1390
00:55:01,092 --> 00:55:04,383
WELL, MY HUSBAND...
1391
00:55:04,383 --> 00:55:07,675
HE'S WONDERFUL.
1392
00:55:10,425 --> 00:55:11,842
>> WOULD YOU LIKE TO
1393
00:55:11,842 --> 00:55:13,050
HEAR SOME MUSIC?
1394
00:55:13,050 --> 00:55:14,467
WOULD YOU LIKE TO LISTEN
1395
00:55:14,467 --> 00:55:15,425
TO SOME MUSIC.
1396
00:55:15,425 --> 00:55:16,842
>> SURE. WHY NOT?
1397
00:55:16,842 --> 00:55:18,758
>> WHAT DO YOU HAVE, DAN?
1398
00:55:18,758 --> 00:55:19,675
>> Dan: HERE YOU GO.
1399
00:55:19,675 --> 00:55:20,967
>> I DON'T KNOW HOW TO DO THIS.
1400
00:55:20,967 --> 00:55:21,925
>> Dan: STRAIGHT OVER
1401
00:55:21,925 --> 00:55:23,050
YOUR EARS AND YOUR HEAD...
1402
00:55:23,050 --> 00:55:23,508
PERFECT.
1403
00:55:23,508 --> 00:55:24,508
SEE THE LITTLE
1404
00:55:24,508 --> 00:55:25,925
BUTTON IN THE MIDDLE?
1405
00:55:25,925 --> 00:55:26,758
>> PRESS THAT?
1406
00:55:26,758 --> 00:55:28,300
>> YEAH, RIGHT IN THE MIDDLE.
1407
00:55:28,300 --> 00:55:29,133
CLICK IT ONCE.
1408
00:55:29,133 --> 00:55:29,925
THERE YOU GO.
1409
00:55:29,925 --> 00:55:31,092
>> ♪ ROUND ROUND GET AROUND
1410
00:55:31,092 --> 00:55:32,883
I GET AROUND, YEAH ♪
1411
00:55:32,883 --> 00:55:34,550
♪ GET AROUND ROUND ROUND
1412
00:55:34,550 --> 00:55:35,633
I GET AROUND ♪
1413
00:55:35,633 --> 00:55:37,467
♪ I GET AROUND GET AROUND ROUND
1414
00:55:37,467 --> 00:55:38,717
ROUND I GET AROUND ♪
1415
00:55:38,717 --> 00:55:39,592
♪ FROM TOWN TO TOWN ♪
1416
00:55:39,592 --> 00:55:40,592
♪ GET AROUND ROUND ROUND
1417
00:55:40,592 --> 00:55:41,633
I GET AROUND ♪
1418
00:55:41,633 --> 00:55:45,300
♪ I'M A REAL COOL HEAD... ♪
1419
00:55:45,300 --> 00:55:47,217
>> WHOO-HOO!
1420
00:55:47,217 --> 00:55:48,800
WHOO!
1421
00:55:48,800 --> 00:55:50,383
WHOA!
1422
00:55:50,383 --> 00:55:50,800
OH!
1423
00:55:50,800 --> 00:55:52,508
>> ♪ I GOTTA FIND A NEW PLACE
1424
00:55:52,508 --> 00:55:53,967
WHERE THE KIDS ARE HIP ♪
1425
00:55:53,967 --> 00:55:56,217
>> I COULD GO.
1426
00:55:56,217 --> 00:55:57,842
GET OUT THERE.
1427
00:55:57,842 --> 00:55:59,175
GO WITH ME.
1428
00:55:59,175 --> 00:56:02,925
I'M SORRY.
1429
00:56:02,925 --> 00:56:04,758
DOES IT MATTER?
1430
00:56:04,758 --> 00:56:06,133
>> NO, NO.
1431
00:56:06,133 --> 00:56:08,217
THERE'S NOTHING...
1432
00:56:08,217 --> 00:56:10,342
>> OUT OF CONTROL.
1433
00:56:10,342 --> 00:56:13,133
>> ♪ I GET AROUND ROUND
1434
00:56:13,133 --> 00:56:14,800
GET AROUND ROUND
1435
00:56:14,800 --> 00:56:16,217
ROUND ROUND ♪
1436
00:56:16,217 --> 00:56:20,217
>> COME ON, GUYS.
1437
00:56:20,217 --> 00:56:23,217
>> ♪ WAH WA OOO ♪
1438
00:56:23,217 --> 00:56:27,175
♪ WAH WA OOO ♪
1439
00:56:27,175 --> 00:56:28,800
♪ WE ALWAYS TAKE MY CAR 'CAUSE
1440
00:56:28,800 --> 00:56:30,050
IT'S NEVER BEEN BEAT ♪
1441
00:56:30,050 --> 00:56:32,383
♪ AND WE'VE NEVER MISSED YET ♪♪
1442
00:56:32,383 --> 00:56:33,675
>> I NEED MORE.
1443
00:56:33,675 --> 00:56:36,050
>> DO YOU WANT TO STOP THE
1444
00:56:36,050 --> 00:56:36,883
MUSIC?
1445
00:56:36,883 --> 00:56:38,050
[ MUSIC STOPS ]
1446
00:56:38,050 --> 00:56:40,883
>> OH, THANK YOU SO MUCH.
1447
00:56:40,883 --> 00:56:42,092
>> OKAY.
1448
00:56:42,092 --> 00:56:43,300
>> IT WAS --
1449
00:56:43,300 --> 00:56:45,258
I'M SO GLAD TO GET IT.
1450
00:56:45,258 --> 00:56:46,342
THANK YOU.
1451
00:56:46,342 --> 00:56:49,008
AND I LOVE IT, AND YOU WERE VERY
1452
00:56:49,008 --> 00:56:50,592
NICE TO ME AND...
1453
00:56:50,592 --> 00:56:52,258
>> OKAY, SO THEY'RE TEARS OF
1454
00:56:52,258 --> 00:56:52,717
JOY?
1455
00:56:52,717 --> 00:56:53,383
>> YEAH.
1456
00:56:53,383 --> 00:56:54,008
>> OKAY
1457
00:56:54,008 --> 00:56:55,508
JUST WANTED TO MAKE SURE.
1458
00:56:55,508 --> 00:56:58,633
>> THAT'S THE BEST THING I'VE
1459
00:56:58,633 --> 00:57:00,467
EVER, EVER HAD.
1460
00:57:00,467 --> 00:57:02,800
THIS THING, THIS --
1461
00:57:02,800 --> 00:57:05,883
I DON'T KNOW HOW TO SAY IT.
1462
00:57:05,883 --> 00:57:07,550
IT'S JUST...
1463
00:57:07,550 --> 00:57:11,633
IT CAN'T GET AWAY FROM ME IF I'M
1464
00:57:11,633 --> 00:57:13,758
IN THIS PLACE.
1465
00:57:13,758 --> 00:57:14,925
>> Mike: I THOUGHT YOU WERE
1466
00:57:14,925 --> 00:57:15,800
GOING TO GROW WINGS.
1467
00:57:15,800 --> 00:57:17,550
>> I WAS TRYING.
1468
00:57:17,550 --> 00:57:19,508
>> [ BOTH LAUGHING ]
1469
00:57:21,758 --> 00:57:23,758
>> WE WANTED TO BELIEVE THAT
1470
00:57:23,758 --> 00:57:25,800
MUSIC WOULD HELP MARYLOU STAY
1471
00:57:25,800 --> 00:57:27,508
WITH HER FAMILY LONGER.
1472
00:57:27,508 --> 00:57:28,550
WE DIDN'T KNOW IF IT
1473
00:57:28,550 --> 00:57:29,758
COULD DO THIS, UNTIL WE
1474
00:57:29,758 --> 00:57:33,258
MET NORMAN AND NELL.
1475
00:57:33,258 --> 00:57:36,050
[ PIANO MUSIC PLAYS ]
1476
00:57:43,175 --> 00:57:46,050
>> Norman: NELL AND I HAVE BEEN
1477
00:57:46,050 --> 00:57:49,050
ABLE TO AVOID LONG TERM CARE FOR
1478
00:57:49,050 --> 00:57:51,050
A NUMBER OF YEARS BY
1479
00:57:51,050 --> 00:57:52,758
TRYING TO KEEP HER
1480
00:57:52,758 --> 00:57:54,758
CONSTANTLY STIMULATED.
1481
00:57:54,758 --> 00:57:55,758
MUSIC HAS
1482
00:57:55,758 --> 00:57:58,217
BEEN AN ENORMOUS PART OF IT.
1483
00:57:58,217 --> 00:58:00,592
THEN YOU'LL PLAY THE PIANO FOR
1484
00:58:00,592 --> 00:58:01,175
US?
1485
00:58:01,175 --> 00:58:02,842
>> YES, BUT I JUST WANT TO BE
1486
00:58:02,842 --> 00:58:03,717
WITH YOU LOT.
1487
00:58:03,717 --> 00:58:04,467
>> OKAY.
1488
00:58:04,467 --> 00:58:05,633
>> DO YOU MIND?
1489
00:58:05,633 --> 00:58:06,967
>> ABSOLUTELY NOT.
1490
00:58:06,967 --> 00:58:08,092
I'D LOVE THAT.
1491
00:58:08,092 --> 00:58:11,175
>> NORMAN HAS CARED FOR NELL AT
1492
00:58:11,175 --> 00:58:13,133
HOME FOR 10 YEARS
1493
00:58:13,133 --> 00:58:14,800
WITHOUT DRUGS.
1494
00:58:14,800 --> 00:58:16,925
[ PIANO MUSIC PLAYS ]
1495
00:58:21,508 --> 00:58:23,925
WITHOUT PERSONALIZED MUSIC,
1496
00:58:23,925 --> 00:58:25,550
NELL WOULD BE IN
1497
00:58:25,550 --> 00:58:28,383
AN INSTITUTION.
1498
00:58:28,383 --> 00:58:31,633
>> I HAVE SPENT 38 YEARS NOW
1499
00:58:31,633 --> 00:58:35,050
WORKING ON ALZHEIMER'S DISEASE
1500
00:58:35,050 --> 00:58:37,925
AND I HAVEN'T DONE ANYTHING FOR
1501
00:58:37,925 --> 00:58:40,592
PATIENTS THAT'S AS EFFECTIVE
1502
00:58:40,592 --> 00:58:42,758
AS THE MUSIC THERAPY IS.
1503
00:58:44,092 --> 00:58:46,342
I WISH I HAD, AND I'M
1504
00:58:46,342 --> 00:58:47,925
STILL TRYING.
1505
00:58:47,925 --> 00:58:51,342
BUT I REALLY HAVEN'T SEEN
1506
00:58:51,342 --> 00:58:55,050
ANYTHING AS POSITIVE AS THAT.
1507
00:59:05,008 --> 00:59:07,175
>> MARYLOU AND NELL HAVE
1508
00:59:07,175 --> 00:59:08,133
FAMILY.
1509
00:59:08,133 --> 00:59:12,717
IMAGINE HAVING TO NAVIGATE THIS
1510
00:59:12,717 --> 00:59:17,342
ON YOUR OWN, FAR FROM
1511
00:59:17,342 --> 00:59:20,092
YOUR HOME.
1512
00:59:20,092 --> 00:59:22,675
DENISE GOT A MESSAGE TO US THAT
1513
00:59:22,675 --> 00:59:25,217
SHE WANTED US TO COME BACK --
1514
00:59:25,217 --> 00:59:27,467
THAT SHE HAD SOMETHING SHE
1515
00:59:27,467 --> 00:59:29,217
WANTED TO TELL US.
1516
00:59:29,217 --> 00:59:32,717
AND WE CAME...
1517
00:59:32,717 --> 00:59:34,258
>> DAN, HOW ARE YOU?
1518
00:59:34,258 --> 00:59:35,758
>> BECAUSE WE KNOW
1519
00:59:35,758 --> 00:59:37,383
NO ONE ELSE VISITS HER.
1520
00:59:40,717 --> 00:59:44,550
>> Dan: IT'S A LETTER FROM THE
1521
00:59:44,550 --> 00:59:47,592
HOSPITAL DESCRIBING HER
1522
00:59:47,592 --> 00:59:49,217
CONDITION.
1523
00:59:49,217 --> 00:59:50,967
"META-STASIS..."
1524
00:59:50,967 --> 00:59:53,425
>> THAT MEANS THAT IT HAS
1525
00:59:53,425 --> 00:59:54,425
SPREAD.
1526
00:59:54,425 --> 00:59:56,508
>> YES.
1527
00:59:58,550 --> 01:00:00,758
>> SO, BECAUSE OF THAT, I THINK
1528
01:00:00,758 --> 01:00:02,175
IT'S VERY SERIOUS.
1529
01:00:02,175 --> 01:00:05,092
>> IT IS VERY SERIOUS.
1530
01:00:05,092 --> 01:00:10,175
>> YOU KNOW, LIFE GOES ON.
1531
01:00:10,175 --> 01:00:14,467
IT GOES ON!
1532
01:00:14,467 --> 01:00:17,217
WHETHER YOU DIE OR NOT,
1533
01:00:17,217 --> 01:00:18,800
IT GOES ON.
1534
01:00:18,800 --> 01:00:21,092
AND I CAN NOT ACCEPT THAT
1535
01:00:21,092 --> 01:00:23,425
I DON'T LEAVE SOMETHING IN
1536
01:00:23,425 --> 01:00:25,633
THIS WORLD FOR SOMEBODY.
1537
01:00:25,633 --> 01:00:27,633
I CANNOT ACCEPT THAT!
1538
01:00:27,633 --> 01:00:29,717
DO YOU UNDERSTAND WHAT
1539
01:00:29,717 --> 01:00:31,008
I AM SAYING?
1540
01:00:31,008 --> 01:00:33,300
[ PIANO MUSIC PLAYS ]
1541
01:00:36,092 --> 01:00:38,175
>> IT'S PAINFUL TO FEEL THAT
1542
01:00:38,175 --> 01:00:39,842
WHAT YOU HAVE TO GIVE
1543
01:00:39,842 --> 01:00:41,050
IS NOT NEEDED.
1544
01:00:41,050 --> 01:00:43,717
THAT THERE'S NO ONE THERE TO
1545
01:00:43,717 --> 01:00:45,717
RECEIVE YOUR GIFTS...
1546
01:00:47,050 --> 01:00:52,092
IN OUR PAST, IN ALL OUR
1547
01:00:52,092 --> 01:00:57,758
STORIES, IN OTHER CULTURES,
1548
01:00:57,758 --> 01:01:01,633
ELDERHOOD HAD SOMETHING TO
1549
01:01:01,633 --> 01:01:04,633
GIVE, AND THERE WAS
1550
01:01:04,633 --> 01:01:07,758
ALWAYS SOMEONE THERE WHO NEEDED
1551
01:01:07,758 --> 01:01:10,258
WHAT ELDERS HAD TO GIVE.
1552
01:01:10,258 --> 01:01:16,258
IS THIS TRUE IN OUR NEW WORLD?
1553
01:01:16,258 --> 01:01:21,092
DOES ELDERHOOD HAVE A PLACE?
1554
01:01:21,092 --> 01:01:23,258
>> Thomas: WE'RE TAUGHT FROM
1555
01:01:23,258 --> 01:01:25,633
A VERY EARLY AGE THAT ADULTHOOD
1556
01:01:25,633 --> 01:01:27,675
IS THE PINNACLE OF EXISTENCE.
1557
01:01:31,425 --> 01:01:33,967
AND THAT OLDER PEOPLE ARE REALLY
1558
01:01:33,967 --> 01:01:36,217
JUST BROKEN-DOWN VERSIONS OF
1559
01:01:36,217 --> 01:01:38,133
THEIR FORMER INCREDIBLE
1560
01:01:38,133 --> 01:01:40,467
SELVES...
1561
01:01:42,217 --> 01:01:44,925
WE'VE BUILT A CULTURE THAT
1562
01:01:44,925 --> 01:01:47,633
PRIZES INDIVIDUALS WHO ARE
1563
01:01:47,633 --> 01:01:49,342
ABLE TO EMULATE
1564
01:01:49,342 --> 01:01:51,883
THE SUCCESS OF MACHINES,
1565
01:01:51,883 --> 01:01:54,383
THAT CAN BE MACHINE-LIKE
1566
01:01:54,383 --> 01:01:56,092
IN HOW THEY LIVE.
1567
01:02:06,008 --> 01:02:08,383
THIS IS NOT GOOD NEWS FOR AGING,
1568
01:02:08,383 --> 01:02:10,717
I HAVE TO SAY, BECAUSE AGING IS
1569
01:02:10,717 --> 01:02:12,675
NOT A MACHINE-LIKE ENDEAVOR.
1570
01:02:15,467 --> 01:02:17,842
AND IT'S THE FACT THAT THEY ARE
1571
01:02:17,842 --> 01:02:20,133
MOVING INTO A DIFFERENT WAY OF
1572
01:02:20,133 --> 01:02:22,133
LIVING THAT CAUSES AMERICA
1573
01:02:22,133 --> 01:02:23,592
TO PUT THEM AWAY,
1574
01:02:23,592 --> 01:02:28,967
TO HIDE THEM AWAY.
1575
01:02:28,967 --> 01:02:29,967
WHAT I HAVE
1576
01:02:29,967 --> 01:02:31,550
LEARNED OVER A CAREER
1577
01:02:31,550 --> 01:02:33,800
OF WORKING WITH OLDER PEOPLE IS
1578
01:02:33,800 --> 01:02:36,008
THAT AMERICAN CULTURE IS WRONG.
1579
01:02:36,008 --> 01:02:38,425
THERE IS ACTUALLY LIFE BEYOND
1580
01:02:38,425 --> 01:02:39,467
ADULTHOOD.
1581
01:02:39,467 --> 01:02:41,383
[ HIP HOP PLAYS ]
1582
01:02:41,383 --> 01:02:43,342
THERE IS ACTUALLY THE
1583
01:02:43,342 --> 01:02:45,925
OPPORTUNITY TO LIVE AND GROW,
1584
01:02:45,925 --> 01:02:49,758
AND BECOME ELDERS.
1585
01:02:52,758 --> 01:02:55,383
>> [ SPEAKING NATIVE LANGUAGE ]
1586
01:02:55,383 --> 01:02:58,092
EVERY INDIAN PEOPLE, ALL FOR
1587
01:02:58,092 --> 01:02:58,842
ALL.
1588
01:02:58,842 --> 01:03:01,133
ONE PEOPLE, VERY HAPPY.
1589
01:03:01,133 --> 01:03:02,467
VERY HAPPY.
1590
01:03:02,467 --> 01:03:04,217
AH, YES, YOU ARE HAPPY.
1591
01:03:04,217 --> 01:03:06,300
[ SPEAKING NATIVE LANGUAGE ]
1592
01:03:06,300 --> 01:03:08,342
[ ALL CHANTING ]
1593
01:03:08,342 --> 01:03:10,550
>> WE ARE MADE TO AGE,
1594
01:03:10,550 --> 01:03:13,550
AND THE AGING THAT WE EXPERIENCE
1595
01:03:13,550 --> 01:03:16,008
ACTUALLY HOLDS IN IT VERY
1596
01:03:16,008 --> 01:03:18,300
IMPORTANT LEARNINGS AND
1597
01:03:18,300 --> 01:03:20,592
LESSONS...
1598
01:03:26,008 --> 01:03:28,800
>> THERE IS A TOUCH THAT TAKES
1599
01:03:28,800 --> 01:03:33,258
A LIFETIME TO ACHIEVE.
1600
01:03:36,175 --> 01:03:39,467
LOCKING THIS TOUCH AWAY IS LIKE
1601
01:03:39,467 --> 01:03:42,550
STRIPPING FROM OURSELVES PART
1602
01:03:42,550 --> 01:03:43,925
OF BEING HUMAN.
1603
01:03:50,383 --> 01:03:51,967
>> Samite: THESE PEOPLE THAT WE
1604
01:03:51,967 --> 01:03:53,550
SEE IN THIS NURSING HOME, THEIR
1605
01:03:53,550 --> 01:03:55,008
SPIRITS ARE DUMPED ON BECAUSE
1606
01:03:55,008 --> 01:03:56,300
WE'RE LOCKING THEM AWAY.
1607
01:03:56,300 --> 01:03:57,800
BUT WHEN YOU BRING THE MUSIC,
1608
01:03:57,800 --> 01:03:59,175
THAT SPIRIT IS WHAT WE SEE
1609
01:03:59,175 --> 01:04:00,050
THAT COMES OUT.
1610
01:04:00,050 --> 01:04:01,717
THAT SPIRIT IS STILL
1611
01:04:01,717 --> 01:04:03,133
FRESH AND YOUNG.
1612
01:04:03,133 --> 01:04:06,092
>> [ BOTH LAUGHING ]
1613
01:04:06,092 --> 01:04:08,217
>> MY PAIN IS VERY PAINFUL.
1614
01:04:08,217 --> 01:04:09,425
>> OH, SORRY.
1615
01:04:09,425 --> 01:04:12,383
>> BUT YOU KNOW WHAT?
1616
01:04:12,383 --> 01:04:13,842
>> WHAT?
1617
01:04:13,842 --> 01:04:16,425
>> I CAN TAKE A LOT OF PAIN.
1618
01:04:16,425 --> 01:04:19,133
>> YOU LOOK LIKE A VERY STRONG
1619
01:04:19,133 --> 01:04:20,092
PERSON.
1620
01:04:20,092 --> 01:04:22,550
>> I AM A VERY STRONG PERSON.
1621
01:04:26,425 --> 01:04:28,508
>> ♪ NA-NA-NA-NA-NA... ♪
1622
01:04:40,633 --> 01:04:42,842
♪ MMM ♪
1623
01:04:42,842 --> 01:04:46,925
>> VERY SOOTHING.
1624
01:04:46,925 --> 01:04:49,133
>> ISN'T IT?
1625
01:04:49,133 --> 01:04:56,133
♪ MMM ♪
1626
01:04:56,133 --> 01:04:58,383
♪ YEAH, YEAH ♪♪
1627
01:04:58,383 --> 01:05:00,133
YOU NEED TO HAVE THAT PERSON IN
1628
01:05:00,133 --> 01:05:01,800
FRONT OF YOU WHO YOU'RE GOING
1629
01:05:01,800 --> 01:05:02,967
TO BE SHARING WITH.
1630
01:05:02,967 --> 01:05:06,842
>> KEEP PLAYING.
1631
01:05:06,842 --> 01:05:09,008
>> IT'S NOT SOMETHING
1632
01:05:09,008 --> 01:05:11,383
YOU CAN JUST SWITCH ON.
1633
01:05:11,383 --> 01:05:12,717
YOU HAVE TO
1634
01:05:12,717 --> 01:05:15,467
COMPLETELY OPEN YOURSELF UP.
1635
01:05:15,467 --> 01:05:19,258
YOU GIVE YOURSELF.
1636
01:05:19,258 --> 01:05:22,800
AND ONCE YOU GIVE YOURSELF, THEN
1637
01:05:22,800 --> 01:05:25,092
IT OPENS UP DIALOGUE.
1638
01:05:26,550 --> 01:05:29,508
>> TAKE THIS OFF, PLEASE.
1639
01:05:31,550 --> 01:05:34,217
NOW, WHEN YOU GO BACK TO UGANDA,
1640
01:05:34,217 --> 01:05:36,300
THEY'LL ASK YOU WHO GAVE
1641
01:05:36,300 --> 01:05:37,300
YOU THAT.
1642
01:05:37,300 --> 01:05:39,675
WHAT ARE YOU GOING TO SAY?
1643
01:05:39,675 --> 01:05:42,050
>> "THE STRONGEST WOMAN I HAVE
1644
01:05:42,050 --> 01:05:43,050
EVER MET."
1645
01:05:43,050 --> 01:05:45,467
>> [ BOTH LAUGHING ]
1646
01:05:52,925 --> 01:05:54,633
>> I LOVE YOU.
1647
01:05:54,633 --> 01:05:56,592
>> I LOVE YOU, TOO.
1648
01:06:08,508 --> 01:06:11,925
>> DAN WAS BREAKING THROUGH...
1649
01:06:11,925 --> 01:06:16,008
HE RECEIVED A GRANT TO GIVE
1650
01:06:16,008 --> 01:06:18,842
MATCHING FUNDS TO
1651
01:06:18,842 --> 01:06:21,967
35 NURSING HOMES...
1652
01:06:21,967 --> 01:06:24,217
AND THIS TIME THE NURSING HOMES
1653
01:06:24,217 --> 01:06:25,467
WERE LINING UP.
1654
01:06:25,467 --> 01:06:27,508
>> GOSH, HOW MANY DIFFERENT
1655
01:06:27,508 --> 01:06:29,508
STATES IS THIS GOING TO BE?
1656
01:06:29,508 --> 01:06:31,092
THAT'S JUST AMAZING.
1657
01:06:31,092 --> 01:06:33,550
>> HERE WE HAVE 50 HEADPHONES
1658
01:06:33,550 --> 01:06:36,050
AND THIS REPRESENTS 50 CHANGED
1659
01:06:36,050 --> 01:06:36,842
LIVES.
1660
01:06:36,842 --> 01:06:39,133
IT'S GREAT!
1661
01:06:39,133 --> 01:06:41,717
LOT OF MUSIC.
1662
01:06:41,717 --> 01:06:44,300
>> AFTER THREE YEARS OF
1663
01:06:44,300 --> 01:06:46,800
FILMING, DAN HAD MUSIC
1664
01:06:46,800 --> 01:06:48,425
IN 56 HOMES.
1665
01:06:48,425 --> 01:06:50,633
WE KNEW THIS WAS JUST A DROP IN
1666
01:06:50,633 --> 01:06:51,675
THE BUCKET.
1667
01:06:51,675 --> 01:06:53,967
>> Thomas: JUST CHANGING
1668
01:06:53,967 --> 01:06:56,467
SOMETHING IN A NURSING HOME
1669
01:06:56,467 --> 01:06:58,883
SOMEWHERE DOESN'T TAKE YOU
1670
01:06:58,883 --> 01:07:00,133
FAR ENOUGH.
1671
01:07:00,133 --> 01:07:02,425
OUR REAL FOCUS OF CONCERN NEEDS
1672
01:07:02,425 --> 01:07:04,758
TO BE THE 1.6 MILLION PEOPLE WHO
1673
01:07:04,758 --> 01:07:07,008
ARE LIVING IN NURSING HOMES AND
1674
01:07:07,008 --> 01:07:08,800
HOW TO MAKE THE LIVES OF
1675
01:07:08,800 --> 01:07:10,133
EVERYONE BETTER.
1676
01:07:10,133 --> 01:07:11,967
>> Dan: I THOUGHT THIS WAS JUST
1677
01:07:11,967 --> 01:07:13,217
GOING TO BE...PSHEW!
1678
01:07:13,217 --> 01:07:14,675
JUST LIKE THAT.
1679
01:07:14,675 --> 01:07:17,300
PEOPLE WOULD JUST TAKE THE IDEA
1680
01:07:17,300 --> 01:07:18,842
AND RUN WITH IT.
1681
01:07:18,842 --> 01:07:22,050
THEY DIDN'T.
1682
01:07:22,050 --> 01:07:25,800
>> I LEFT DAN KNOWING HE WOULD
1683
01:07:25,800 --> 01:07:27,592
NEVER STOP.
1684
01:07:27,592 --> 01:07:29,550
I HOPED MAYBE HE'D REACH THE
1685
01:07:29,550 --> 01:07:31,467
RIGHT PERSON AND THEY WOULD
1686
01:07:31,467 --> 01:07:33,550
HELP HIM AND THIS DREAM OF HIS
1687
01:07:33,550 --> 01:07:36,050
WOULD COME TRUE.
1688
01:07:44,967 --> 01:07:47,383
>> Man: WE FIRST SEE HENRY
1689
01:07:47,383 --> 01:07:49,592
UNRESPONSIVE AND ALMOST
1690
01:07:49,592 --> 01:07:50,633
UNALIVE.
1691
01:07:50,633 --> 01:07:53,342
>> Yvonne: I'VE GOT YOUR MUSIC.
1692
01:07:53,342 --> 01:07:55,467
>> THEN HE IS GIVEN HIS
1693
01:07:55,467 --> 01:07:57,008
FAVORITE MUSIC.
1694
01:07:57,008 --> 01:07:58,425
>> OH.
1695
01:07:58,425 --> 01:08:00,050
>> AND IMMEDIATELY
1696
01:08:00,050 --> 01:08:01,550
HE LIGHTS UP.
1697
01:08:01,550 --> 01:08:03,592
HIS FACE ASSUMES EXPRESSION,
1698
01:08:03,592 --> 01:08:05,092
HIS EYES OPEN WIDE.
1699
01:08:05,092 --> 01:08:06,842
AND HE'S BEING ANIMATED
1700
01:08:06,842 --> 01:08:07,967
BY THE MUSIC.
1701
01:08:07,967 --> 01:08:10,383
>> Yvonne: THIS IS HIS REACTION
1702
01:08:10,383 --> 01:08:11,467
EVER SINCE.
1703
01:08:11,467 --> 01:08:14,175
[ LAUGHS ]
1704
01:08:14,175 --> 01:08:15,550
>> Mike: DO YOU LIKE MUSIC?
1705
01:08:15,550 --> 01:08:16,300
>> YEAH, I'M
1706
01:08:16,300 --> 01:08:17,258
CRAZY ABOUT MUSIC.
1707
01:08:17,258 --> 01:08:18,717
USED TO PLAY BEAUTIFUL MUSIC,
1708
01:08:18,717 --> 01:08:19,675
BEAUTIFUL SOUNDS.
1709
01:08:19,675 --> 01:08:22,675
>> WHAT DOES MUSIC DO TO YOU?
1710
01:08:25,800 --> 01:08:26,967
LOVE, ROMANCE.
1711
01:08:26,967 --> 01:08:28,925
FIGURE RIGHT NOW, THE WORLD
1712
01:08:28,925 --> 01:08:30,675
NEEDS TO COME INTO MUSIC...
1713
01:08:33,133 --> 01:08:35,383
AND I FEEL A BAND OF LOVE,
1714
01:08:35,383 --> 01:08:36,508
OF DREAMS.
1715
01:08:36,508 --> 01:08:38,508
>> Mike: YOU KNOW THAT LITTLE
1716
01:08:38,508 --> 01:08:40,300
VIDEO THAT I MADE FOR DAN,
1717
01:08:40,300 --> 01:08:40,967
RIGHT?
1718
01:08:40,967 --> 01:08:43,008
UM, I THINK SOME KID POSTED IT
1719
01:08:43,008 --> 01:08:44,258
ONTO REDDIT.COM.
1720
01:08:44,258 --> 01:08:47,800
AND IT'S INSANE!
1721
01:08:47,800 --> 01:08:48,633
>> ♪ OOH ♪♪
1722
01:08:48,633 --> 01:08:50,092
>> Dan: AND I AM GETTING
1723
01:08:50,092 --> 01:08:50,758
SWAMPED.
1724
01:08:50,758 --> 01:08:52,217
I'M BEHIND BY 85 EMAILS.
1725
01:08:52,217 --> 01:08:54,258
85 PEOPLE CONTACTED ME AND
1726
01:08:54,258 --> 01:08:55,883
IF I HAD 300 PEOPLE,
1727
01:08:55,883 --> 01:08:58,175
I MEAN, IT'S JUST, YOU KNOW...
1728
01:08:58,175 --> 01:09:00,175
YOU'VE JUST GOT TO SCROLL DOWN
1729
01:09:00,175 --> 01:09:01,800
AND JUST READ WHAT THESE
1730
01:09:01,800 --> 01:09:03,133
PEOPLE ARE SAYING.
1731
01:09:03,133 --> 01:09:05,967
YOU'VE NEVER HEARD ANYBODY
1732
01:09:05,967 --> 01:09:08,800
WRITE ANYTHING LIKE THIS.
1733
01:09:08,800 --> 01:09:10,133
IT'S CRAZY.
1734
01:09:10,383 --> 01:09:12,008
>> MY GRANDMOTHER IS VERY MUCH
1735
01:09:12,008 --> 01:09:12,842
LIKE HENRY...
1736
01:09:12,842 --> 01:09:14,300
>> WE'VE BEEN TRYING NEARLY
1737
01:09:14,300 --> 01:09:16,008
EVERYTHING TO GET HER MORE ALERT
1738
01:09:16,008 --> 01:09:16,717
AND HAPPY.
1739
01:09:16,717 --> 01:09:17,967
>> MY GRANDFATHER DIED
1740
01:09:17,967 --> 01:09:18,883
THREE DAYS AGO.
1741
01:09:18,883 --> 01:09:20,383
>> MUSIC HAS SO MUCH POWER.
1742
01:09:20,383 --> 01:09:21,925
HER EYES LIT UP INSTANTLY AND
1743
01:09:21,925 --> 01:09:23,383
THE SMILE ON HER FACE MADE
1744
01:09:23,383 --> 01:09:23,925
MY DAY.
1745
01:09:23,925 --> 01:09:25,633
>> I HAVEN'T CRIED YET, BUT THIS
1746
01:09:25,633 --> 01:09:27,217
HAS MADE ME START TEARING UP.
1747
01:09:27,217 --> 01:09:28,925
>> MAYBE IF THIS WORKED FOR
1748
01:09:28,925 --> 01:09:30,467
HENRY, IT COULD WORK FOR
1749
01:09:30,467 --> 01:09:31,550
MY GRANDMOTHER.
1750
01:09:31,550 --> 01:09:32,675
>> WHEN THE MUSIC ENDED,
1751
01:09:32,675 --> 01:09:33,675
MY MOTHER LOOKED UP...
1752
01:09:33,675 --> 01:09:34,883
>> SHE GOT SO EMOTIONAL...
1753
01:09:34,883 --> 01:09:35,842
>> AND SHE SAW ME...
1754
01:09:35,842 --> 01:09:36,758
>> AND SO CAUGHT UP
1755
01:09:36,758 --> 01:09:37,508
IN THE MUSIC...
1756
01:09:37,508 --> 01:09:38,758
>> AND I'LL HOLD THAT MEMORY
1757
01:09:38,758 --> 01:09:39,258
FOREVER.
1758
01:09:39,258 --> 01:09:41,133
>> THE MUSIC CARRIED HER AWAY.
1759
01:09:41,133 --> 01:09:42,592
>> I HAVE TO DO THIS.
1760
01:09:42,592 --> 01:09:44,633
I'M GOING HOME TO SEE MY MOTHER
1761
01:09:44,633 --> 01:09:45,883
WITH ALZHEIMER'S.
1762
01:09:45,883 --> 01:09:47,383
>> SHE IS, AT THIS MOMENT,
1763
01:09:47,383 --> 01:09:48,842
LISTENING TO RAY CHARLES
1764
01:09:48,842 --> 01:09:50,675
SING, "COME RAIN OR COME SHINE,"
1765
01:09:50,675 --> 01:09:54,175
AND SHE HAS FOUND HER PLACE IN
1766
01:09:54,175 --> 01:09:56,258
THE WORLD AGAIN.
1767
01:09:56,258 --> 01:09:58,633
>> YOU GOT MUSIC BACK IN YOUR
1768
01:09:58,633 --> 01:10:00,133
LIFE, MAMA!
1769
01:10:01,175 --> 01:10:02,383
>> WERE YOU SURPRISED
1770
01:10:02,383 --> 01:10:03,842
THAT THAT CLIP WENT VIRAL?
1771
01:10:03,842 --> 01:10:05,550
I MEAN, MILLIONS AND MILLIONS OF
1772
01:10:05,550 --> 01:10:06,717
PEOPLE HAVE SEEN IT.
1773
01:10:06,717 --> 01:10:08,050
>> COMPLETELY SURPRISED!
1774
01:10:08,050 --> 01:10:09,550
PEOPLE JUST -- THEY WATCHED
1775
01:10:09,550 --> 01:10:11,217
AND THEY SAW A HUMAN BEING COME
1776
01:10:11,217 --> 01:10:12,842
ALIVE, AND WHEN ANY OF US COME
1777
01:10:12,842 --> 01:10:14,383
ALIVE, IT TOUCHES US DEEPLY.
1778
01:10:14,383 --> 01:10:15,633
>> THAT'S WHY WE WANT TO INVOLVE
1779
01:10:15,633 --> 01:10:16,550
THE COMMUNITY, BOTH IN
1780
01:10:16,550 --> 01:10:17,592
GETTING iPODS DONATED AND
1781
01:10:17,592 --> 01:10:18,758
HAVING THE STUDENTS COME INTO
1782
01:10:18,758 --> 01:10:19,758
THE NURSING HOMES TO WORK
1783
01:10:19,758 --> 01:10:20,592
WITH THE RESIDENTS,
1784
01:10:20,592 --> 01:10:21,758
FIND THEIR PLAYLIST...
1785
01:10:24,800 --> 01:10:26,967
>> Mike: WE'VE BEEN AFRAID TO
1786
01:10:26,967 --> 01:10:28,550
ENTER THESE PLACES.
1787
01:10:28,550 --> 01:10:30,175
AFRAID OF AGING,
1788
01:10:30,175 --> 01:10:32,633
AFRAID OF HAVING NOTHING TO
1789
01:10:32,633 --> 01:10:33,467
GIVE.
1790
01:10:33,467 --> 01:10:35,467
BUT MUSIC,
1791
01:10:35,467 --> 01:10:39,800
ENTERING ONE 94-YEAR-OLD MAN,
1792
01:10:39,800 --> 01:10:42,300
REMINDED US --
1793
01:10:42,300 --> 01:10:44,175
WE DO HAVE SOMETHING TO GIVE.
1794
01:10:44,175 --> 01:10:47,717
>> OH, MY FRIENDS.
1795
01:10:47,717 --> 01:10:51,633
>> ALL WE HAVE TO DO IS ASK,
1796
01:10:51,633 --> 01:10:53,592
"WHAT'S YOUR FAVORITE SONG?"
1797
01:10:53,592 --> 01:10:54,425
>> VINNY, WHAT'S YOUR
1798
01:10:54,425 --> 01:10:55,008
FAVORITE SONG?
1799
01:10:55,008 --> 01:10:56,717
>> WHAT'S YOUR FAVORITE SONG?
1800
01:10:56,717 --> 01:10:58,508
>> WHAT'S YOUR FAVORITE SONG?
1801
01:10:58,508 --> 01:11:00,133
>> WHAT WAS YOUR FAVORITE SONG?
1802
01:11:00,133 --> 01:11:01,175
>> ♪♪
1803
01:11:01,175 --> 01:11:03,467
>> REMEMBER THIS?
1804
01:11:03,467 --> 01:11:05,258
>> ♪ BLACKBIRDS SINGING... ♪
1805
01:11:05,258 --> 01:11:07,092
>> YEAH, THAT'S A LOVELY ONE.
1806
01:11:07,092 --> 01:11:08,425
BEAUTIFUL.
1807
01:11:08,425 --> 01:11:10,967
>> WELL, I HAVE TO HAVE
1808
01:11:10,967 --> 01:11:12,258
THAT ONE.
1809
01:11:12,258 --> 01:11:13,967
THAT'S MYSELF.
1810
01:11:13,967 --> 01:11:16,925
>> LOOK HOW FAST HER MIND IS
1811
01:11:16,925 --> 01:11:19,508
RESPONDING TO HER SONGS.
1812
01:11:19,508 --> 01:11:21,175
>> ♪ WHEN THE NIGHT
1813
01:11:21,175 --> 01:11:22,842
HAS COME... ♪
1814
01:11:22,842 --> 01:11:24,800
>> THAT'S...BIG!
1815
01:11:24,800 --> 01:11:28,633
>> ♪ AND THE LAND IS DARK ♪♪
1816
01:11:28,633 --> 01:11:31,425
>> IN MUSIC, MARYLOU FEELS
1817
01:11:31,425 --> 01:11:34,300
LIKE SHE'S PERFECT AGAIN --
1818
01:11:34,300 --> 01:11:38,550
LIKE SHE'S FLOWING THROUGH
1819
01:11:38,550 --> 01:11:40,883
LIFE.
1820
01:11:40,883 --> 01:11:45,050
AND SO IT IS FOR ALL OF US...
1821
01:11:45,050 --> 01:11:48,383
MUSIC GIVES US SOMETHING WE
1822
01:11:48,383 --> 01:11:50,842
HUNGER DEEPLY FOR,
1823
01:11:50,842 --> 01:11:55,217
SOMETHING WE'VE PURSUED FOR
1824
01:11:55,217 --> 01:11:58,050
THOUSANDS OF YEARS,
1825
01:11:58,050 --> 01:12:03,175
REWIRED OUR VERY BRAINS FOR.
1826
01:12:03,175 --> 01:12:05,717
WE NEED MUSIC --
1827
01:12:05,717 --> 01:12:08,800
IT AWAKENS IN US OUR MOST
1828
01:12:08,800 --> 01:12:11,175
PROFOUND SAFETY...
1829
01:12:11,175 --> 01:12:15,342
THE SAFETY OF LIVING IN CONCERT
1830
01:12:15,342 --> 01:12:18,758
WITH EACH OTHER, AND OUR
1831
01:12:18,758 --> 01:12:20,675
OWN SELVES.
1832
01:12:20,675 --> 01:12:22,300
AND WHAT HAPPENS TO YOU
1833
01:12:22,300 --> 01:12:23,550
WHEN YOU HEAR IT?
1834
01:12:23,550 --> 01:12:25,675
>> I FEEL GOOD.
1835
01:12:25,675 --> 01:12:28,925
IT'S LIKE I GOT A GIRL,
1836
01:12:28,925 --> 01:12:32,717
AND I WANT TO STAY WITH HER.
1837
01:12:32,717 --> 01:12:36,925
>> ♪♪
1838
01:12:40,967 --> 01:12:44,217
>> AND THAT IS WHY, TOGETHER,
1839
01:12:44,217 --> 01:12:47,008
WE'RE GOING TO DO THIS
1840
01:12:47,008 --> 01:12:49,675
ONE SMALL KINDNESS --
1841
01:12:49,675 --> 01:12:52,008
WE'RE GOING TO BRING LIFE
1842
01:12:52,008 --> 01:12:55,133
INTO THE PLACES WHERE IT'S BEEN
1843
01:12:55,133 --> 01:12:56,467
FORGOTTEN.
1844
01:12:56,467 --> 01:12:59,717
AND TOGETHER...
1845
01:12:59,717 --> 01:13:01,758
>> WHOA!
1846
01:13:01,758 --> 01:13:04,633
>> WE WILL LISTEN.
1847
01:13:19,925 --> 01:13:22,717
>> ♪ I'M A MAN ON FIRE
1848
01:13:22,717 --> 01:13:25,383
WALKING THROUGH YOUR STREET ♪
1849
01:13:25,383 --> 01:13:28,217
♪ WITH ONE GUITAR
1850
01:13:28,217 --> 01:13:30,925
AND TWO DANCING FEET ♪
1851
01:13:30,925 --> 01:13:33,800
♪ ONLY ONE DESIRE
1852
01:13:33,800 --> 01:13:36,467
THAT'S LEFT IN ME ♪
1853
01:13:36,467 --> 01:13:39,008
♪ I WANT THE WHOLE DAMN WORLD
1854
01:13:39,008 --> 01:13:42,717
TO COME DANCE WITH ME ♪
1855
01:13:42,717 --> 01:13:47,008
♪ OH ♪
1856
01:13:47,008 --> 01:13:50,675
♪ COME DANCE WITH ME ♪
1857
01:13:50,675 --> 01:13:56,425
♪ I'M A HUNTER AT BAY ♪
1858
01:13:56,425 --> 01:14:00,008
♪ COME AND SET YOU FREE ♪
1859
01:14:00,008 --> 01:14:03,133
♪ OVER HEARTACHE AND SHAME ♪
1860
01:14:03,133 --> 01:14:05,592
>> [ LAUGHING ]
1861
01:14:05,592 --> 01:14:08,300
>> ♪ I WANNA SEE OUR BODIES
1862
01:14:08,300 --> 01:14:09,342
BURNING... ♪
1863
01:14:09,342 --> 01:14:10,883
>> YOU HAVE A BEAUTIFUL VOICE.
1864
01:14:10,883 --> 01:14:14,633
>> ♪ LIKE OLD BIG SUN ♪
1865
01:14:14,633 --> 01:14:18,550
♪ I WANNA KNOW WHAT WE'VE BEEN
1866
01:14:18,550 --> 01:14:22,050
LEARNING AND LEARNING FROM ♪
1867
01:14:26,758 --> 01:14:30,300
♪ EVERYBODY WANT SAFETY ♪
1868
01:14:30,300 --> 01:14:32,175
♪ SAFETY LOVE ♪
1869
01:14:32,175 --> 01:14:35,592
♪ EVERYBODY WANT COMFORT ♪
1870
01:14:35,592 --> 01:14:37,550
♪ COMFORT LOVE ♪
1871
01:14:37,550 --> 01:14:40,842
♪ EVERYBODY WANT CERTAIN ♪
1872
01:14:40,842 --> 01:14:42,717
♪ CERTAIN LOVE ♪
1873
01:14:42,717 --> 01:14:49,550
♪ EVERYBODY BUT ME ♪
1874
01:14:49,550 --> 01:14:52,342
♪ I'M A MAN ON FIRE
1875
01:14:52,342 --> 01:14:55,008
WALKING THROUGH YOUR STREET ♪
1876
01:14:55,008 --> 01:14:57,092
♪ WITH ONE GUITAR
1877
01:14:57,092 --> 01:14:59,842
AND TWO DANCING FEET ♪
1878
01:14:59,842 --> 01:15:02,508
♪ ONLY ONE DESIRE
1879
01:15:02,508 --> 01:15:05,300
THAT'S LEFT IN ME ♪
1880
01:15:05,300 --> 01:15:08,092
♪ I WANT THE WHOLE DAMN WORLD
1881
01:15:08,092 --> 01:15:11,675
TO COME DANCE WITH ME ♪
1882
01:15:22,467 --> 01:15:26,342
♪ DA-DA-DA-DA... ♪
1883
01:15:26,342 --> 01:15:29,508
♪ OOH ♪
1884
01:15:48,758 --> 01:15:53,092
♪ OOH, YEAH ♪
1885
01:15:53,092 --> 01:15:56,550
♪ COME DANCE WITH ME ♪
1886
01:15:56,550 --> 01:16:02,008
♪ OVER HEARTACHE AND RAGE
1887
01:16:02,008 --> 01:16:05,467
COME SET US FREE ♪
1888
01:16:05,467 --> 01:16:11,675
♪ OVER PANIC AND STRANGE ♪
1889
01:16:11,675 --> 01:16:14,842
♪ I WANNA SEE OUR BODIES BURNING
1890
01:16:14,842 --> 01:16:20,508
LIKE OLD BIG SUN ♪
1891
01:16:20,508 --> 01:16:24,675
♪ I WANNA KNOW WHAT WE'VE BEEN
1892
01:16:24,675 --> 01:16:28,592
LEARNING AND LEARNING FROM ♪
1893
01:16:28,592 --> 01:16:31,800
♪ OOH, OOH, OOH ♪
1894
01:16:31,800 --> 01:16:34,925
♪ EVERYBODY WANT ROMANCE ♪
1895
01:16:34,925 --> 01:16:37,050
♪ ROMANCE LOVE ♪
1896
01:16:37,050 --> 01:16:40,217
♪ EVERYBODY WANT SAFETY ♪
1897
01:16:40,217 --> 01:16:42,133
♪ SAFETY LOVE ♪
1898
01:16:42,133 --> 01:16:45,300
♪ EVERYBODY WANT COMFORT ♪
1899
01:16:45,300 --> 01:16:47,467
♪ COMFORT LOVE ♪
1900
01:16:47,467 --> 01:16:53,508
♪ EVERYBODY BUT ME ♪
1901
01:16:53,508 --> 01:16:54,925
♪ I'M A MAN ON FIRE
1902
01:16:54,925 --> 01:16:57,633
WALKING DOWN YOUR STREET ♪
1903
01:16:57,633 --> 01:17:00,300
♪ WITH ONE GUITAR
1904
01:17:00,300 --> 01:17:03,925
AND TWO DANCING FEET ♪
1905
01:17:03,925 --> 01:17:06,467
♪ ONLY ONE DESIRE
1906
01:17:06,467 --> 01:17:09,133
THAT'S STILL IN ME ♪
1907
01:17:09,133 --> 01:17:11,758
♪ I WANT THE WHOLE DAMN WORLD
1908
01:17:11,758 --> 01:17:15,258
TO COME DANCE WITH ME ♪
1909
01:17:15,258 --> 01:17:17,092
>> ♪ YEAH ♪
1910
01:17:17,092 --> 01:17:20,842
♪ YEAH, YEAH, YEAH, YEAH ♪
1911
01:17:20,842 --> 01:17:27,467
♪ OOH ♪♪
1912
01:17:27,467 --> 01:17:30,175
>> Henry: ♪ OH, DARLING, NO ♪
1913
01:17:30,175 --> 01:17:35,092
[ SCATTING ]
1914
01:17:39,758 --> 01:17:40,925
>> Dan: [ LAUGHS ]
1915
01:17:40,925 --> 01:17:42,592
HENRY, THANK YOU VERY MUCH!
1916
01:17:42,592 --> 01:17:44,592
>> YES, YES, YES, YES, YES,
1917
01:17:44,592 --> 01:17:46,425
YES, YES, YES, YES, YES.
1918
01:17:46,425 --> 01:17:47,633
OH, THANK YOU!
1919
01:17:47,633 --> 01:17:48,800
>> THANK YOU.
1920
01:17:49,305 --> 01:17:55,173
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