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These are the user uploaded subtitles that are being translated: 1 00:00:04,967 --> 00:00:06,300 >> Mike: HOW OLD ARE YOU? 2 00:00:06,300 --> 00:00:07,425 >> Woman: HOW OLD AM I? 3 00:00:07,425 --> 00:00:07,925 >> YEAH. 4 00:00:07,925 --> 00:00:10,050 >> I'M 90 YEARS OLD. 5 00:00:10,050 --> 00:00:11,967 >> WHAT WAS LIFE LIKE WHEN 6 00:00:11,967 --> 00:00:13,508 YOU WERE A LITTLE GIRL? 7 00:00:19,092 --> 00:00:20,133 >> OH, GOD. 8 00:00:20,133 --> 00:00:21,925 I'VE FORGOTTEN SO MUCH. 9 00:00:21,925 --> 00:00:23,508 I CAN'T -- 10 00:00:23,508 --> 00:00:26,467 I'VE FORGOTTEN SO MUCH. 11 00:00:26,467 --> 00:00:27,800 I'M VERY SORRY. 12 00:00:27,800 --> 00:00:29,258 >> NO, IT'S OKAY. 13 00:00:29,258 --> 00:00:31,175 WHAT HAVE YOU FORGOTTEN? 14 00:00:31,175 --> 00:00:34,633 >> I'VE FORGOTTEN WHAT I USED TO 15 00:00:34,633 --> 00:00:38,008 DO AFTER I BECAME A YOUNG LADY. 16 00:00:38,008 --> 00:00:40,258 I'VE FORGOTTEN SO MUCH. 17 00:00:40,258 --> 00:00:42,050 I CAN'T REMEMBER. 18 00:00:42,050 --> 00:00:43,508 I'VE BEEN HERE -- 19 00:00:43,508 --> 00:00:45,633 I'VE BEEN HERE -- I'VE BEEN 20 00:00:45,633 --> 00:00:46,883 HERE 90 YEARS. 21 00:00:46,883 --> 00:00:48,925 AND IF I COULD REMEMBER, 22 00:00:48,925 --> 00:00:51,383 I WOULD TELL YOU, BUT I DON'T. 23 00:00:51,383 --> 00:00:52,925 I CAN'T REMEMBER. 24 00:00:52,925 --> 00:00:55,592 >> I WANT 25 00:00:55,592 --> 00:00:57,967 TO TRY AN EXPERIMENT. 26 00:00:57,967 --> 00:00:59,133 >> WHAT? 27 00:00:59,133 --> 00:01:02,050 >> I WANT YOU TO TRY AND LET THE 28 00:01:02,050 --> 00:01:03,967 MUSIC TAKE YOU BACK 29 00:01:03,967 --> 00:01:05,842 INTO YOUR MEMORIES. 30 00:01:05,842 --> 00:01:09,550 TO TRAVEL BACK INTO TIME... 31 00:01:09,550 --> 00:01:11,217 AND THEN WE'LL STOP, 32 00:01:11,217 --> 00:01:12,842 AND YOU CAN TELL ME 33 00:01:12,842 --> 00:01:14,383 WHERE IT TOOK YOU. 34 00:01:14,383 --> 00:01:16,300 YOU READY? 35 00:01:16,300 --> 00:01:18,258 >> MM-HMM. 36 00:01:18,258 --> 00:01:19,633 >> ♪ O WHEN THE SAINTS 37 00:01:19,633 --> 00:01:22,675 GO MARCHING IN ♪ 38 00:01:22,675 --> 00:01:24,467 ♪ WHEN THE SAINTS 39 00:01:24,467 --> 00:01:25,592 GO MARCHING IN ♪♪ 40 00:01:25,592 --> 00:01:27,967 >> THAT'S LOUIS ARMSTRONG. 41 00:01:27,967 --> 00:01:30,550 >> ♪ YES, I WANT TO BE 42 00:01:30,550 --> 00:01:32,133 IN THAT NUMBER ♪ 43 00:01:32,133 --> 00:01:34,133 ♪ WHEN THE SAINTS... ♪ 44 00:01:34,133 --> 00:01:37,842 >> WOW... 45 00:01:37,842 --> 00:01:40,008 >> ♪ NOW WHEN THE SAINTS ♪ 46 00:01:40,008 --> 00:01:41,675 ♪ GO MARCHING BY ♪♪ 47 00:01:41,675 --> 00:01:44,092 >> HE'S SINGING "WHEN THE SAINTS 48 00:01:44,092 --> 00:01:45,925 GO MARCHING BY," AND IT 49 00:01:45,925 --> 00:01:47,008 TAKES ME BACK 50 00:01:47,008 --> 00:01:48,383 TO MY SCHOOL DAYS. 51 00:01:48,383 --> 00:01:49,800 >> ♪ I WOULD LIKE 52 00:01:49,800 --> 00:01:52,342 TO HIT THE NUMBER ♪♪ 53 00:01:52,342 --> 00:01:54,217 >> MAMA TOLD US NOT TO GO LISTEN 54 00:01:54,217 --> 00:01:55,050 TO HIM, AND 55 00:01:55,050 --> 00:01:56,758 WE WOULD SNEAK OFF AT NIGHT, 56 00:01:56,758 --> 00:01:58,175 AND BRING BACK PICTURES 57 00:01:58,175 --> 00:01:59,300 OF THE DANCERS... 58 00:01:59,300 --> 00:02:01,175 AND I WORKED IN KINGSTOWN FOR 59 00:02:01,175 --> 00:02:03,133 NINE YEARS IN THE "E" BUILDING 60 00:02:03,133 --> 00:02:04,258 IN KINGSTOWN... 61 00:02:04,258 --> 00:02:06,092 MY BIRTHDAY NOVEMBER 20th... 62 00:02:06,092 --> 00:02:07,842 THAT WAS IN THE WARTIME... 63 00:02:07,842 --> 00:02:10,217 I WAS WORKING IN FT. JACKSON... 64 00:02:10,217 --> 00:02:11,300 AND MY SON, 65 00:02:11,300 --> 00:02:13,467 ON FEBRUARY THE 4th, WAS 69. 66 00:02:13,467 --> 00:02:15,717 I DIDN'T KNOW I COULD TALK SO 67 00:02:15,717 --> 00:02:17,717 MUCH! [ LAUGHS ] 68 00:02:19,758 --> 00:02:24,467 >> Mike: THIS IS DAN COHEN. 69 00:02:24,467 --> 00:02:26,842 SIX YEARS AGO, HE VOLUNTEERED 70 00:02:26,842 --> 00:02:28,758 AT A NURSING HOME, AND 71 00:02:28,758 --> 00:02:30,883 WHAT HE EXPERIENCED THERE 72 00:02:30,883 --> 00:02:32,467 CHANGED HIS LIFE. 73 00:02:32,467 --> 00:02:35,800 DAN ASKED ME TO FILM HIM 74 00:02:35,800 --> 00:02:37,800 FOR ONE DAY. 75 00:02:37,800 --> 00:02:39,842 >> ADJUSTING THE CAMERA. 76 00:02:39,842 --> 00:02:42,467 >> GO GET THE... 77 00:02:42,467 --> 00:02:45,342 >> HE WANTED TO SHOW 78 00:02:45,342 --> 00:02:49,133 PEOPLE WHAT HE WAS SEEING... 79 00:02:49,133 --> 00:02:52,008 WHAT WAS HAPPENING WHEN HE GAVE 80 00:02:52,008 --> 00:02:54,050 ELDERS WITH DEMENTIA 81 00:02:54,050 --> 00:02:56,550 MUSIC THAT THEY HAD LOVED. 82 00:02:56,550 --> 00:02:58,675 >> ♪♪ 83 00:03:00,000 --> 00:03:06,074 AmericasCardroom.com brings poker back Million Dollar Sunday Tournament every Sunday 84 00:03:46,133 --> 00:03:48,050 >> Dan: MUSIC CONNECTS PEOPLE 85 00:03:48,050 --> 00:03:49,967 WITH WHO THEY HAVE BEEN, WHO 86 00:03:49,967 --> 00:03:51,717 THEY ARE, AND THEIR LIVES. 87 00:03:51,717 --> 00:03:52,925 'CAUSE WHAT HAPPENS WHEN 88 00:03:52,925 --> 00:03:54,425 YOU GET OLD IS ALL THE THINGS 89 00:03:54,425 --> 00:03:55,925 YOU'RE FAMILIAR WITH, AND YOUR 90 00:03:55,925 --> 00:03:57,258 IDENTITY ARE ALL JUST BEING 91 00:03:57,258 --> 00:03:58,592 PEELED AWAY... 92 00:04:03,675 --> 00:04:05,217 >> WHAT UNFOLDED THAT 93 00:04:05,217 --> 00:04:07,092 FIRST DAY MOVED ME SO MUCH, 94 00:04:07,092 --> 00:04:08,592 I ENDED UP FOLLOWING 95 00:04:08,592 --> 00:04:09,925 DAN FOR THREE YEARS. 96 00:04:12,675 --> 00:04:15,342 >> Louise: DID YOU WORK WITH 97 00:04:15,342 --> 00:04:17,550 ELDERLY PEOPLE BEFORE? 98 00:04:17,550 --> 00:04:18,383 >> Dan: WELL, I'M 99 00:04:18,383 --> 00:04:19,758 A SOCIAL WORKER, AND SO I HAVE 100 00:04:19,758 --> 00:04:20,967 WORKED WITH ELDERLY PEOPLE 101 00:04:20,967 --> 00:04:21,633 WHEN I WAS -- 102 00:04:21,633 --> 00:04:23,050 ACTUALLY FOR MY INTERNSHIP, BUT 103 00:04:23,050 --> 00:04:23,967 IT REALLY WASN'T -- 104 00:04:23,967 --> 00:04:24,925 MOST OF MY LIFE WAS 105 00:04:24,925 --> 00:04:26,300 SPENT IN THE COMPUTER INDUSTRY. 106 00:04:26,300 --> 00:04:28,717 AND THIS IS SORT OF, FOR ME, 107 00:04:28,717 --> 00:04:30,383 PUTTING TWO THINGS 108 00:04:30,383 --> 00:04:31,633 I LOVE TOGETHER. 109 00:04:38,425 --> 00:04:41,675 WE REALLY WANT TO LEARN WHAT 110 00:04:41,675 --> 00:04:45,175 MUSIC SOMEONE'S GOING TO REALLY 111 00:04:45,175 --> 00:04:47,633 RECOGNIZE AND ENJOY. 112 00:04:47,633 --> 00:04:49,800 >> ONE OF THE RESIDENTS 113 00:04:49,800 --> 00:04:51,967 IS A RESIDENT WHO LIKES 114 00:04:51,967 --> 00:04:53,383 GOSPEL MUSIC. 115 00:04:53,383 --> 00:04:56,008 CHURCH WAS ALL HIS LIFE, AND 116 00:04:56,008 --> 00:04:57,383 I THINK THAT 117 00:04:57,383 --> 00:04:59,675 WE COULD START WITH HIM. 118 00:04:59,675 --> 00:05:03,425 >> [ HUMMING ] 119 00:05:03,425 --> 00:05:05,425 >> HENRY, SPEAK TO ME! 120 00:05:05,425 --> 00:05:07,758 I WANT TO HEAR YOUR VOICE. 121 00:05:07,758 --> 00:05:11,258 CAN YOU TALK TO ME? 122 00:05:11,258 --> 00:05:12,467 LET ME HEAR YOU. 123 00:05:12,467 --> 00:05:15,217 TELL ME YOUR FULL NAME. 124 00:05:15,217 --> 00:05:17,258 >> HENRY HAS 125 00:05:17,550 --> 00:05:19,008 DEMENTIA AND HE NEEDS 126 00:05:19,008 --> 00:05:20,967 TOTAL ASSISTANCE WITH ALL HIS 127 00:05:20,967 --> 00:05:22,592 ACTIVITIES OF DAILY LIVING. 128 00:05:27,133 --> 00:05:29,883 >> Woman: HI, PAPA. 129 00:05:29,883 --> 00:05:30,925 HI, PAPA. 130 00:05:30,925 --> 00:05:31,800 >> HUH? 131 00:05:31,800 --> 00:05:33,425 >> HOW YOU DOING? 132 00:05:33,425 --> 00:05:35,800 >> I'M ALL RIGHT, I'M FINE. 133 00:05:35,800 --> 00:05:37,133 >> WHO AM I? 134 00:05:37,133 --> 00:05:38,050 >> HUH? 135 00:05:38,050 --> 00:05:39,342 >> WHO AM I? 136 00:05:39,342 --> 00:05:41,133 I'M YOUR DAUGHTER. 137 00:05:41,133 --> 00:05:42,425 >> DAUGHTER? 138 00:05:42,425 --> 00:05:43,592 >> MM-HMM. 139 00:05:43,592 --> 00:05:44,758 WHICH ONE? 140 00:05:44,758 --> 00:05:46,508 >> WAIT A MINUTE... 141 00:05:46,508 --> 00:05:47,967 I DON'T KNOW... 142 00:05:47,967 --> 00:05:50,342 I GOT SO MANY, I DON'T KNOW. 143 00:05:50,342 --> 00:05:51,133 GOD KNOWS. 144 00:05:51,133 --> 00:05:52,592 >> YOU'VE GOT SO MANY? 145 00:05:52,592 --> 00:05:54,175 MAYBE GRAND-DAUGHTERS... 146 00:05:54,175 --> 00:05:56,467 >> WELL, THAT'S WHAT I MEAN... 147 00:05:56,467 --> 00:05:57,633 I DON'T KNOW. 148 00:05:57,633 --> 00:05:59,092 >> OKAY, IT'S CHERIE. 149 00:05:59,092 --> 00:06:00,592 HOW LONG HAS HE BEEN IN 150 00:06:00,592 --> 00:06:01,800 THE NURSING HOME? 151 00:06:01,800 --> 00:06:03,675 APPROXIMATELY 10 YEARS. 152 00:06:03,675 --> 00:06:06,008 IT AFFECTS ME GREATLY, BECAUSE 153 00:06:06,008 --> 00:06:07,967 HE WAS ALWAYS, YOU KNOW, 154 00:06:07,967 --> 00:06:10,300 FUN-LOVING, SINGING, YOU KNOW? 155 00:06:10,300 --> 00:06:12,842 ON EVERY OCCASION, HE WOULD COME 156 00:06:12,842 --> 00:06:14,258 OUT WITH A SONG. 157 00:06:14,258 --> 00:06:15,967 I REMEMBER AS A CHILD HE USED TO 158 00:06:15,967 --> 00:06:17,300 WALK US DOWN THE STREET, 159 00:06:17,300 --> 00:06:18,758 ME AND MY BROTHER, AND HE'D 160 00:06:18,758 --> 00:06:19,467 STOP AND DO 161 00:06:19,467 --> 00:06:20,717 "SINGIN' IN THE RAIN." 162 00:06:20,717 --> 00:06:22,592 HE WOULD HAVE US JUMPING AND 163 00:06:22,592 --> 00:06:24,133 SWINGING AROUND POLES. 164 00:06:24,133 --> 00:06:25,883 HE WAS GOOD, HE WAS ALWAYS 165 00:06:25,883 --> 00:06:27,383 INTO MUSIC, YOU KNOW? 166 00:06:27,383 --> 00:06:29,342 HE ALWAYS LOVED SINGING, 167 00:06:29,342 --> 00:06:30,175 DANCING. 168 00:06:30,175 --> 00:06:32,550 >> Yvonne: YOU WANT YOUR MUSIC 169 00:06:32,550 --> 00:06:33,133 NOW? 170 00:06:33,133 --> 00:06:35,008 LET'S TRY YOUR MUSIC, OKAY? 171 00:06:35,008 --> 00:06:37,175 AND THEN YOU TELL ME IF IT'S TOO 172 00:06:37,175 --> 00:06:38,550 LOUD OR NOT, OKAY? 173 00:06:38,550 --> 00:06:40,508 >> Man: MUSIC IS INSEPARABLE 174 00:06:40,508 --> 00:06:42,133 FROM EMOTION. 175 00:06:42,133 --> 00:06:43,800 SO IT'S NOT JUST 176 00:06:43,800 --> 00:06:46,133 A PHYSIOLOGICAL STIMULUS. 177 00:06:46,133 --> 00:06:48,258 IF IT WORKS AT ALL, IT 178 00:06:48,258 --> 00:06:51,008 WILL CALL THE WHOLE PERSON -- 179 00:06:51,008 --> 00:06:52,842 THE MANY DIFFERENT PARTS OF 180 00:06:52,842 --> 00:06:54,758 THEIR BRAIN, AND THE MEMORIES 181 00:06:54,758 --> 00:06:56,758 AND EMOTIONS WHICH GO WITH IT. 182 00:06:56,758 --> 00:07:00,967 >> ♪ HE IS MY LORD ♪ 183 00:07:00,967 --> 00:07:04,508 >> I'M SUPPOSED TO SING WITH 184 00:07:04,508 --> 00:07:05,592 THIS? 185 00:07:05,592 --> 00:07:10,133 >> YOU CAN IF YOU LIKE. 186 00:07:10,133 --> 00:07:12,717 >> ♪ I'M SO IN LOVE 187 00:07:12,717 --> 00:07:14,675 WITH YOU... ♪ 188 00:07:14,675 --> 00:07:17,550 >> ♪ OOH ♪ 189 00:07:17,550 --> 00:07:22,467 ♪ OOH ♪♪ 190 00:07:22,467 --> 00:07:24,300 >> WHEN I FIRST MET HIM, HE WAS 191 00:07:24,300 --> 00:07:25,675 VERY ISOLATED, AND HE 192 00:07:25,675 --> 00:07:27,467 USED TO ALWAYS SIT ON THE UNIT 193 00:07:27,467 --> 00:07:29,133 WITH HIS HEAD LIKE THIS... 194 00:07:29,133 --> 00:07:30,425 HE DIDN'T REALLY TALK 195 00:07:30,425 --> 00:07:32,175 TO MUCH PEOPLE, AND THEN WHEN 196 00:07:32,175 --> 00:07:33,925 I INTRODUCED THE MUSIC TO HIM, 197 00:07:33,925 --> 00:07:39,383 THIS IS HIS REACTION EVER SINCE. 198 00:07:39,383 --> 00:07:41,592 [ LAUGHS ] 199 00:07:41,592 --> 00:07:43,800 >> Henry: ♪ OOH ♪ 200 00:07:43,800 --> 00:07:46,133 >> ♪ I'M SO IN LOVE WITH YOU ♪ 201 00:07:46,133 --> 00:07:48,717 >> ♪ OOH ♪♪ 202 00:07:48,717 --> 00:07:51,008 >> HENRY WAKING UP DID 203 00:07:51,008 --> 00:07:52,758 SOMETHING TO ALL OF US -- 204 00:07:56,592 --> 00:07:59,050 EVERYONE IN THE ROOM FELT IT. 205 00:07:59,050 --> 00:08:01,550 >> ♪ SO IN LOVE WITH MY GOD ♪ 206 00:08:01,550 --> 00:08:04,925 >> ♪ SO IN LOVE WITH YOU, GOD ♪ 207 00:08:04,925 --> 00:08:08,967 ♪ I'M SO IN LOVE WITH YOU, GOD ♪ 208 00:08:08,967 --> 00:08:13,050 >> Henry: ♪ OOH ♪ 209 00:08:13,050 --> 00:08:17,300 ♪ WHEREVER IT BE ♪♪ 210 00:08:17,300 --> 00:08:18,967 >> THE PHILOSOPHER KANT ONCE 211 00:08:18,967 --> 00:08:19,842 CALLED MUSIC 212 00:08:19,842 --> 00:08:21,175 "THE QUICKENING ART," 213 00:08:21,175 --> 00:08:22,925 AND HENRY IS BEING QUICKENED, 214 00:08:22,925 --> 00:08:24,592 HE IS BEING BROUGHT TO LIFE. 215 00:08:24,592 --> 00:08:25,133 >> YEAH? 216 00:08:25,133 --> 00:08:26,633 >> I'M GOING TO TAKE THE MUSIC 217 00:08:26,633 --> 00:08:28,050 FOR ONE SECOND, OKAY, JUST TO 218 00:08:28,050 --> 00:08:28,842 ASK YOU A FEW 219 00:08:28,842 --> 00:08:29,717 QUESTIONS, OKAY? 220 00:08:29,717 --> 00:08:30,883 >> HOW AWAKE WAS HE? 221 00:08:30,883 --> 00:08:32,008 >> I'M GONNA GIVE IT 222 00:08:32,008 --> 00:08:32,800 BACK TO YOU. 223 00:08:32,800 --> 00:08:34,258 >> WAS HE STILL LOST 224 00:08:34,258 --> 00:08:35,508 IN HIS DEMENTIA? 225 00:08:35,508 --> 00:08:36,717 OR HAD THE MUSIC 226 00:08:36,717 --> 00:08:38,467 IN SOME WAY CHANGED THAT? 227 00:08:38,467 --> 00:08:39,050 HENRY? 228 00:08:39,050 --> 00:08:39,800 >> YEAH? 229 00:08:39,800 --> 00:08:41,383 >> DO YOU LIKE THE iPOD? 230 00:08:41,383 --> 00:08:43,175 DO YOU LIKE THE MUSIC YOU'RE 231 00:08:43,175 --> 00:08:43,883 HEARING? 232 00:08:43,883 --> 00:08:44,717 >> YES. 233 00:08:44,717 --> 00:08:47,175 >> TELL ME ABOUT YOUR MUSIC. 234 00:08:47,175 --> 00:08:48,883 >> I DON'T -- I DON'T -- 235 00:08:48,883 --> 00:08:50,633 I DON'T HAVE ONE, I MEAN. 236 00:08:50,633 --> 00:08:52,800 >> DO YOU LIKE MUSIC? 237 00:08:52,800 --> 00:08:54,175 >> YEAH, I'M 238 00:08:54,175 --> 00:08:56,175 CRAZY ABOUT MUSIC. 239 00:08:56,175 --> 00:08:58,008 USED TO PLAY BEAUTIFUL MUSIC, 240 00:08:58,008 --> 00:08:59,175 BEAUTIFUL SOUNDS. 241 00:08:59,175 --> 00:09:01,050 >> DID YOU PLAY MUSIC WHEN YOU 242 00:09:01,050 --> 00:09:02,717 WERE -- DID YOU LIKE MUSIC 243 00:09:02,717 --> 00:09:04,050 WHEN YOU WERE YOUNG? 244 00:09:04,050 --> 00:09:05,592 >> YES. YES. 245 00:09:05,592 --> 00:09:08,883 I WENT TO BIG DANCES AND THINGS. 246 00:09:08,883 --> 00:09:10,633 >> WHAT WAS YOUR FAVORITE MUSIC 247 00:09:10,633 --> 00:09:11,883 WHEN YOU WERE YOUNG? 248 00:09:11,883 --> 00:09:15,050 >> WELL, I GUESS... 249 00:09:15,050 --> 00:09:17,342 WELL, CAB CALLOWAY WAS 250 00:09:17,342 --> 00:09:20,425 MY NUMBER ONE BAND GUY I LIKED. 251 00:09:20,425 --> 00:09:22,925 [ SCATTING ] 252 00:09:24,592 --> 00:09:27,050 >> [ SCATTING ] 253 00:09:31,550 --> 00:09:32,800 >> Mike: GOOD? 254 00:09:32,800 --> 00:09:33,675 >> YEAH. 255 00:09:33,675 --> 00:09:36,050 >> WHAT WAS YOUR FAVORITE SONG? 256 00:09:36,050 --> 00:09:37,092 >> OH. 257 00:09:37,092 --> 00:09:39,508 ♪ I'LL BE HOME 258 00:09:39,508 --> 00:09:42,092 FOR CHRISTMAS ♪ 259 00:09:42,092 --> 00:09:46,758 ♪ YOU CAN PLAN 260 00:09:46,758 --> 00:09:49,675 ON ME ♪ 261 00:09:49,675 --> 00:09:52,467 ♪ WITH PLENTY OF SNOW ♪ 262 00:09:52,467 --> 00:09:55,300 MISTLETOE, 263 00:09:55,300 --> 00:09:57,508 PRESENTS WRAPPED 'ROUND 264 00:09:57,508 --> 00:09:58,675 THE TREE ♪ 265 00:09:58,675 --> 00:10:00,175 ♪ OW ♪ 266 00:10:00,175 --> 00:10:04,217 ♪ CHRISTMAS EVE WILL TELL ME 267 00:10:04,217 --> 00:10:07,883 WHERE THE LOVE LIGHT BEAMS ♪♪ 268 00:10:07,883 --> 00:10:09,425 >> HENRY? 269 00:10:09,425 --> 00:10:10,842 >> YEAH? 270 00:10:10,842 --> 00:10:12,592 >> WHAT WAS THE FAVORITE PART OF 271 00:10:12,592 --> 00:10:13,258 YOUR LIFE? 272 00:10:13,258 --> 00:10:14,758 WHAT WAS YOUR FAVORITE PART 273 00:10:14,758 --> 00:10:15,633 OF YOUR LIFE? 274 00:10:15,633 --> 00:10:16,383 >> MY LIFE? 275 00:10:16,383 --> 00:10:17,592 WELL, PART OF MY LIFE 276 00:10:17,592 --> 00:10:18,800 WAS RIDING A BICYCLE, 277 00:10:18,800 --> 00:10:19,883 GROCERY BOY... 278 00:10:19,883 --> 00:10:21,633 >> WHAT DID YOU LIKE ABOUT 279 00:10:21,633 --> 00:10:22,883 RIDING A BICYCLE? 280 00:10:22,883 --> 00:10:25,467 >> THAT'S WHERE I MADE MY MONEY. 281 00:10:25,467 --> 00:10:27,800 >> Sacks: SO, IN SOME SENSE, 282 00:10:27,800 --> 00:10:29,883 HENRY HAS RE-ACQUIRED HIS 283 00:10:29,883 --> 00:10:32,467 IDENTITY FOR A WHILE THROUGH THE 284 00:10:32,467 --> 00:10:33,883 POWER OF MUSIC. 285 00:10:33,883 --> 00:10:35,925 >> Mike: WHAT DOES MUSIC 286 00:10:35,925 --> 00:10:36,967 DO TO YOU? 287 00:10:36,967 --> 00:10:39,217 >> IT GIVES ME THE FEELING OF 288 00:10:39,217 --> 00:10:40,467 LOVE, ROMANCE. 289 00:10:40,467 --> 00:10:42,592 FIGURE RIGHT NOW, THE WORLD 290 00:10:42,592 --> 00:10:44,592 NEEDS TO COME INTO MUSIC, 291 00:10:44,592 --> 00:10:45,425 SINGING. 292 00:10:45,425 --> 00:10:47,675 YOU GOT BEAUTIFUL MUSIC HERE, 293 00:10:47,675 --> 00:10:49,550 BEAUTIFUL, OH, LOVELY. 294 00:10:49,550 --> 00:10:51,717 AND I FEEL A BAND OF LOVE, 295 00:10:51,717 --> 00:10:52,758 OF DREAMS. 296 00:10:52,758 --> 00:10:55,050 THE LORD CAME TO ME, MADE ME 297 00:10:55,050 --> 00:10:55,758 HOLY. 298 00:10:55,758 --> 00:10:57,883 I'M A HOLY MAN, SO HE GAVE 299 00:10:57,883 --> 00:10:59,342 ME THESE SOUNDS. 300 00:10:59,342 --> 00:11:01,925 LET'S SAY I MEET YOU... 301 00:11:01,925 --> 00:11:03,592 LET ME SEE... 302 00:11:03,592 --> 00:11:06,842 ♪ ROSALIE, WON'T YOU LOVE ME ♪ 303 00:11:06,842 --> 00:11:08,842 ♪ ROSALIE WONT YOU BE SWEET 304 00:11:08,842 --> 00:11:10,550 AND KIND ♪♪ 305 00:11:10,550 --> 00:11:11,508 >> Mike: WHAT DO YOU 306 00:11:11,508 --> 00:11:12,675 THINK HAPPENED WITH HENRY? 307 00:11:12,675 --> 00:11:13,925 I MEAN, WHAT DID WE JUST SEE 308 00:11:13,925 --> 00:11:14,925 HAPPENING WITH HENRY? 309 00:11:14,925 --> 00:11:17,342 >> WE CONNECTED WITH HENRY. 310 00:11:17,342 --> 00:11:20,092 WE CONNECTED WITH HENRY'S SELF. 311 00:11:20,092 --> 00:11:21,758 YOU KNOW, WHEN YOU'RE IN 312 00:11:21,758 --> 00:11:23,508 A NURSING HOME OR WHEN YOU 313 00:11:23,508 --> 00:11:25,842 HAVE ALZHEIMER'S DISEASE, YOU'RE 314 00:11:25,842 --> 00:11:28,092 REALLY STRUGGLING WITH YOUR OWN 315 00:11:28,092 --> 00:11:29,967 THOUGHTS AND CONFUSION... 316 00:11:29,967 --> 00:11:32,050 >> DAN WAS EXCITED. 317 00:11:32,050 --> 00:11:33,675 I WAS EXCITED. 318 00:11:33,675 --> 00:11:37,342 WHAT IF ALL THESE PEOPLE WE'D 319 00:11:37,342 --> 00:11:40,842 SEEN COULD BE AWAKENED LIKE 320 00:11:40,842 --> 00:11:42,092 HENRY? 321 00:11:42,092 --> 00:11:43,133 >> Dan: ALL A SUDDEN, 322 00:11:43,133 --> 00:11:44,175 EVERYTHING FALLS INTO 323 00:11:44,175 --> 00:11:45,300 PLACE AND YOU'RE RIGHT 324 00:11:45,300 --> 00:11:46,508 THERE WITH THE MUSIC, YOU 325 00:11:46,508 --> 00:11:47,258 UNDERSTAND IT. 326 00:11:47,258 --> 00:11:48,467 IT'S PLEASURABLE. 327 00:11:48,467 --> 00:11:50,175 YOU'RE NOT THINKING ABOUT 328 00:11:50,175 --> 00:11:51,842 ANYTHING ELSE, YOU'RE NOT 329 00:11:51,842 --> 00:11:52,717 STRUGGLING. 330 00:11:52,717 --> 00:11:56,508 >> OH, HOW LOVELY! 331 00:12:01,092 --> 00:12:05,175 >> THIS IS NO SMALL PROBLEM. 332 00:12:05,175 --> 00:12:07,842 THERE ARE FIVE MILLION PEOPLE 333 00:12:07,842 --> 00:12:10,217 IN AMERICA WITH DEMENTIA. 334 00:12:10,217 --> 00:12:13,342 10 MILLION PEOPLE SPEND A LARGE 335 00:12:13,342 --> 00:12:16,383 PART OF THEIR LIFE CARING FOR 336 00:12:16,383 --> 00:12:17,300 THEM. 337 00:12:17,300 --> 00:12:19,342 THERE ARE MAYBE A MILLION 338 00:12:19,342 --> 00:12:21,217 PEOPLE IN NURSING HOMES 339 00:12:21,217 --> 00:12:21,967 LOSING THEIR 340 00:12:21,967 --> 00:12:23,050 CONNECTION TO LIFE. 341 00:12:23,050 --> 00:12:24,383 >> LET ME GIVE YOU A KISS. 342 00:12:24,383 --> 00:12:28,550 C'MON, SWEETHEART! 343 00:12:28,550 --> 00:12:30,383 MMM. 344 00:12:30,383 --> 00:12:31,717 DAD! 345 00:12:31,717 --> 00:12:33,300 HELLO. 346 00:12:33,300 --> 00:12:34,675 HELLO! 347 00:12:34,675 --> 00:12:37,092 JOHNNY? 348 00:12:37,092 --> 00:12:38,258 HEY, JOHNNY! 349 00:12:38,258 --> 00:12:41,175 HOW ARE YOU? 350 00:12:41,175 --> 00:12:46,300 >> I MEAN, ISN'T THIS DESIRE -- 351 00:12:46,300 --> 00:12:48,925 A DESIRE TO AWAKEN ANOTHER 352 00:12:48,925 --> 00:12:51,508 PERSON, TO WHAT THEY ARE, 353 00:12:51,508 --> 00:12:55,175 TO WHAT THEY COULD BE -- 354 00:12:55,175 --> 00:13:01,300 A DEEP PART OF BEING HUMAN? 355 00:13:01,300 --> 00:13:03,883 >> HOW OFTEN DOES ANYBODY HAVE 356 00:13:03,883 --> 00:13:06,592 A CHANCE TO AFFECT THE LIVES OF 357 00:13:06,592 --> 00:13:08,800 A MILLION OR MORE PEOPLE? 358 00:13:08,800 --> 00:13:10,675 I'M HOPING PEOPLE ARE READY TO 359 00:13:10,675 --> 00:13:12,467 COME ALONG ON THIS JOURNEY... 360 00:13:12,467 --> 00:13:13,842 HERE YOU GO.. 361 00:13:13,842 --> 00:13:15,300 YOU HOLD THIS. 362 00:13:15,300 --> 00:13:17,717 THERE YOU GO. 363 00:13:17,717 --> 00:13:20,133 >> ♪♪ 364 00:13:20,133 --> 00:13:24,175 >> WE ALL KNOW MUSIC IS MAGIC. 365 00:13:24,175 --> 00:13:27,300 >> Man: I FEEL LIKE I'M 366 00:13:27,300 --> 00:13:30,008 ONE WITH THE WORLD. 367 00:13:30,008 --> 00:13:32,467 >> AND FOR THOSE WITH DEMENTIA, 368 00:13:32,467 --> 00:13:34,633 IT CAN BE A BACK DOOR INTO 369 00:13:34,633 --> 00:13:35,633 THE MIND. 370 00:13:35,633 --> 00:13:38,508 >> Sacks: THE PARTS OF THE BRAIN 371 00:13:38,508 --> 00:13:40,508 WHICH ARE INVOLVED IN 372 00:13:40,508 --> 00:13:42,467 REMEMBERING MUSIC AND 373 00:13:42,467 --> 00:13:44,633 RESPONDING TO MUSIC ARE 374 00:13:44,633 --> 00:13:46,842 NOT AFFECTED TOO MUCH IN 375 00:13:46,842 --> 00:13:49,050 ALZHEIMER'S DISEASE OR OTHER 376 00:13:49,050 --> 00:13:50,175 DEMENTIAS... 377 00:13:50,175 --> 00:13:52,050 >> PART OF THE REASON WHY 378 00:13:52,050 --> 00:13:53,675 MUSICAL MEMORIES ARE 379 00:13:53,675 --> 00:13:54,800 SO STRONG HAS 380 00:13:54,800 --> 00:13:56,883 SOMETHING TO DO WITH THE WAY 381 00:13:56,883 --> 00:13:59,050 MUSIC ENTERS OUR BRAIN IN THE 382 00:13:59,050 --> 00:14:00,133 FIRST PLACE. 383 00:14:00,133 --> 00:14:02,300 >> MUSIC HAS MORE ABILITY TO 384 00:14:02,300 --> 00:14:04,092 ACTIVATE MORE PARTS OF 385 00:14:04,092 --> 00:14:05,592 THE BRAIN THAN ANY 386 00:14:05,592 --> 00:14:06,925 OTHER STIMULUS. 387 00:14:06,925 --> 00:14:10,633 MUSIC SEEMS TO BE A CULTURAL 388 00:14:10,633 --> 00:14:12,967 INVENTION WHICH MAKES USE OF 389 00:14:12,967 --> 00:14:15,550 PARTS OF THE BRAIN DEVELOPED FOR 390 00:14:15,550 --> 00:14:16,967 OTHER PURPOSES. 391 00:14:16,967 --> 00:14:19,717 NOT ONLY AUDITORY PARTS, 392 00:14:19,717 --> 00:14:21,758 BUT VISUAL PARTS, 393 00:14:21,758 --> 00:14:23,050 EMOTIONAL PARTS, 394 00:14:23,050 --> 00:14:24,800 AND AT THE LOWER LEVEL, 395 00:14:24,800 --> 00:14:26,842 IN THE CEREBELLUM -- ALL THE 396 00:14:26,842 --> 00:14:28,925 BASIC PARTS FOR COORDINATION. 397 00:14:28,925 --> 00:14:31,925 >> WHEN WE ARE YOUNG, MUSIC 398 00:14:31,925 --> 00:14:35,092 RECORDS ITSELF IN OUR MOTIONS 399 00:14:35,092 --> 00:14:36,800 AND EMOTIONS. 400 00:14:36,800 --> 00:14:38,842 LUCKILY, THESE ARE THE LAST 401 00:14:38,842 --> 00:14:40,342 PARTS OF THE BRAIN 402 00:14:40,342 --> 00:14:42,133 TOUCHED BY ALZHEIMER'S. 403 00:14:42,133 --> 00:14:46,008 >> ♪♪ 404 00:14:46,008 --> 00:14:47,217 >> Vinny: GREAT SONG. 405 00:14:47,217 --> 00:14:48,883 >> YEP. 406 00:14:48,883 --> 00:14:52,425 CAN WE HOLD HANDS A LITTLE BIT? 407 00:14:52,425 --> 00:14:54,050 AH, THAT'S BETTER. 408 00:14:54,050 --> 00:14:56,550 WE'RE TOO FAR FROM EACH OTHER. 409 00:14:56,550 --> 00:14:59,967 >> Sacks: FOR THE PATIENTS WITH 410 00:14:59,967 --> 00:15:02,883 ALZHEIMER'S, IT HAS TO BE 411 00:15:02,883 --> 00:15:05,383 MUSIC WHICH HAS MEANING FOR THEM 412 00:15:05,383 --> 00:15:06,883 AND IS CORRELATED 413 00:15:06,883 --> 00:15:08,842 WITH MEMORY AND FEELING. 414 00:15:08,842 --> 00:15:09,925 >> ♪ HOLD YOU SO MUCH ♪♪ 415 00:15:12,092 --> 00:15:14,175 >> AND BY EXCITING OR AWAKENING 416 00:15:14,175 --> 00:15:15,800 THOSE PATHWAYS, WE HAVE 417 00:15:15,800 --> 00:15:17,967 A GATEWAY TO STIMULATE AND REACH 418 00:15:17,967 --> 00:15:19,717 SOMEBODY WHO OTHERWISE IS 419 00:15:19,717 --> 00:15:21,008 UNREACHABLE. 420 00:15:22,133 --> 00:15:24,217 >> YEAH, IT'S NOT AN 421 00:15:24,217 --> 00:15:26,133 EASY LIFE FOR YOU. 422 00:15:26,133 --> 00:15:27,800 I LOVE YOU. 423 00:15:27,800 --> 00:15:30,133 >> I LOVE YOU, TOO. 424 00:15:41,592 --> 00:15:43,633 >> Yvonne: I HAVE ONE RESIDENT 425 00:15:43,633 --> 00:15:45,758 THAT BARELY OPENED HER EYES, SHE 426 00:15:45,758 --> 00:15:46,883 DIDN'T RESPOND. 427 00:15:46,883 --> 00:15:48,800 AS MUCH AS I TRIED -- I KNEW 428 00:15:48,800 --> 00:15:50,258 HER FOR TWO YEARS -- 429 00:15:50,258 --> 00:15:52,342 NO MATTER WHAT I TRIED, MASSAGE 430 00:15:52,342 --> 00:15:53,425 WOULDN'T WORK, 431 00:15:53,425 --> 00:15:58,342 NOTHING WORKED. 432 00:15:58,342 --> 00:16:00,258 BUT WHEN WE GOT INTRODUCED TO 433 00:16:00,258 --> 00:16:01,883 THE iPODS AND THE FAMILY 434 00:16:01,883 --> 00:16:03,675 TOLD ME THE THINGS THAT SHE 435 00:16:03,675 --> 00:16:05,592 LIKED, IT WAS AMAZING ONCE WE 436 00:16:05,592 --> 00:16:07,008 PUT THE iPOD ON HER. 437 00:16:07,008 --> 00:16:11,925 SHE STARTED SHAKING HER FEET, 438 00:16:11,925 --> 00:16:16,050 SHE STARTED MOVING HER HEAD. 439 00:16:22,133 --> 00:16:26,300 HER SON WAS JUST AMAZED... 440 00:16:26,300 --> 00:16:27,383 OKAY, CAN WE STOP? 441 00:16:27,383 --> 00:16:28,383 'CAUSE NOW I'M... 442 00:16:28,383 --> 00:16:29,383 GETTING -- 443 00:16:29,383 --> 00:16:34,550 I'M SEEING HER ALL OVER AGAIN. 444 00:16:38,883 --> 00:16:41,383 >> WHAT WE'RE SPENDING ON DRUGS 445 00:16:41,383 --> 00:16:43,758 THAT MOSTLY DON'T WORK DWARFS 446 00:16:43,758 --> 00:16:45,717 WHAT IT WOULD TAKE TO DELIVER 447 00:16:45,717 --> 00:16:47,300 PERSONAL MUSIC TO EVERY 448 00:16:47,300 --> 00:16:48,967 NURSING HOME RESIDENT IN 449 00:16:48,967 --> 00:16:49,717 AMERICA. 450 00:16:49,717 --> 00:16:51,717 >> Dan: THAT'S TO PAUSE IT, TO 451 00:16:51,717 --> 00:16:53,133 START IT UP AGAIN, 452 00:16:53,133 --> 00:16:55,425 AND HIT THE BUTTON AGAIN. 453 00:16:55,425 --> 00:16:57,467 >> COULDN'T BE EASIER. 454 00:16:57,467 --> 00:16:58,133 YES. 455 00:16:58,133 --> 00:17:00,550 >> SO WHY DON'T THESE PEOPLE 456 00:17:00,550 --> 00:17:02,883 HAVE THEIR MUSIC ALREADY? 457 00:17:02,883 --> 00:17:04,800 AND WHY DOES IT TAKE 458 00:17:04,800 --> 00:17:07,008 AN OUTSIDER LIKE DAN TO 459 00:17:07,008 --> 00:17:10,342 GET IT FOR THEM? 460 00:17:10,342 --> 00:17:14,092 >> ♪ OOH ♪♪ 461 00:17:14,092 --> 00:17:16,133 >> IN TODAY'S REALLY CRAZY 462 00:17:16,133 --> 00:17:17,883 SYSTEM, I CAN SIT DOWN 463 00:17:17,883 --> 00:17:19,633 AND WRITE OUT A SCRIPT 464 00:17:19,633 --> 00:17:21,300 FOR A $1,000 A MONTH 465 00:17:21,300 --> 00:17:23,383 ANTIDEPRESSANT, NO PROBLEM, 466 00:17:23,383 --> 00:17:24,592 NOBODY ASKS ANY QUESTIONS. 467 00:17:24,592 --> 00:17:28,717 >> ♪ OOH ♪♪ 468 00:17:28,717 --> 00:17:31,967 >> IF I WANT TO PROVIDE A PERSON 469 00:17:31,967 --> 00:17:34,592 WITH A $40 PERSONAL MUSIC 470 00:17:34,592 --> 00:17:37,758 SYSTEM, THAT WILL TAKE A LOT OF 471 00:17:37,758 --> 00:17:38,633 WORK, 472 00:17:38,633 --> 00:17:41,217 BECAUSE PERSONAL MUSIC DOESN'T 473 00:17:41,217 --> 00:17:43,925 COUNT AS A MEDICAL INTERVENTION. 474 00:17:43,925 --> 00:17:46,050 YOU SEE WHAT I'M SAYING? 475 00:17:46,050 --> 00:17:48,175 IT'S SORT OF A SIDE THING OVER 476 00:17:48,175 --> 00:17:48,758 HERE. 477 00:17:48,758 --> 00:17:50,717 THE REAL BUSINESS, TRUST ME, 478 00:17:50,717 --> 00:17:52,342 IS IN THE PILL BOTTLE. 479 00:17:52,342 --> 00:17:53,633 >> OPEN FOR ME. 480 00:17:53,633 --> 00:17:56,050 >> Thomas: OUR HEALTHCARE SYSTEM 481 00:17:56,050 --> 00:17:58,342 IMAGINES THE HUMAN BEING TO BE 482 00:17:58,342 --> 00:18:00,425 A VERY COMPLICATED MACHINE, 483 00:18:00,425 --> 00:18:01,592 AND WE'VE FIGURED OUT 484 00:18:01,592 --> 00:18:02,800 HOW TO TURN THE DIALS. 485 00:18:02,800 --> 00:18:03,675 BLOOD PRESSURE? 486 00:18:03,675 --> 00:18:05,175 OH, TURN THAT DOWN, YOU KNOW? 487 00:18:05,175 --> 00:18:05,925 BLOOD SUGAR? 488 00:18:05,925 --> 00:18:07,008 OH, TURN THAT DOWN. 489 00:18:07,008 --> 00:18:09,550 WE HAVE MEDICINES THAT CAN 490 00:18:09,550 --> 00:18:11,383 ADJUST THE DIALS. 491 00:18:11,383 --> 00:18:13,842 WE HAVEN'T DONE ANYTHING, 492 00:18:13,842 --> 00:18:16,883 MEDICALLY SPEAKING, TO TOUCH THE 493 00:18:16,883 --> 00:18:19,592 HEART AND SOUL OF A PATIENT. 494 00:18:19,592 --> 00:18:21,425 >> GIL? 495 00:18:21,425 --> 00:18:23,300 >> YES? 496 00:18:23,300 --> 00:18:24,800 >> THEY WANT YOU UPSTAIRS. 497 00:18:24,800 --> 00:18:26,592 YOU HAVE TO COME TAKE YOUR MEDS. 498 00:18:26,592 --> 00:18:27,175 >> MMM. 499 00:18:27,175 --> 00:18:28,758 >> NO, YOU REFUSED THIS MORNING, 500 00:18:28,758 --> 00:18:29,800 SO THEY WANT YOU TO 501 00:18:29,800 --> 00:18:30,967 COME NOW AND TAKE THEM. 502 00:18:30,967 --> 00:18:31,425 >> NO. 503 00:18:31,425 --> 00:18:33,258 >> LISTEN, YOU KNOW IT'S 504 00:18:33,258 --> 00:18:34,550 IMPORTANT, OKAY? 505 00:18:34,550 --> 00:18:36,217 LOOK HOW YOU'RE ACTING, 506 00:18:36,217 --> 00:18:38,342 OKAY, YOU NEED YOUR MEDICATION. 507 00:18:38,342 --> 00:18:40,467 WELL, GIL IS A LITTLE DIFFERENT. 508 00:18:40,467 --> 00:18:42,550 AS YOU CAN SEE, HE'S A BIG GUY, 509 00:18:42,550 --> 00:18:43,883 HE'S A STRONG GUY. 510 00:18:43,883 --> 00:18:45,508 WHEN HE GETS AGITATED, 511 00:18:45,508 --> 00:18:47,092 WE REALLY NEED THINGS IN PLACE 512 00:18:47,092 --> 00:18:48,508 THAT ARE GOING TO WORK AND 513 00:18:48,508 --> 00:18:49,342 WORK QUICKLY. 514 00:18:49,342 --> 00:18:52,842 >> MY ANGER MANIFESTS ITSELF IN 515 00:18:52,842 --> 00:18:55,842 VERY MANY DIFFERENT WAYS. 516 00:18:55,842 --> 00:18:59,633 THE ANGER IS THERE, BUT 517 00:18:59,633 --> 00:19:04,092 SOMETIMES I CAN'T EXPRESS IT. 518 00:19:04,342 --> 00:19:07,133 >> Man: I LIKE TO THINK OF 519 00:19:07,133 --> 00:19:09,925 DISTRESS AS COMMUNICATION. 520 00:19:09,925 --> 00:19:11,508 IF YOU GIVE A HIGHLY SEDATING 521 00:19:11,508 --> 00:19:12,967 MEDICATION TO THAT KIND OF 522 00:19:12,967 --> 00:19:14,342 A PERSON, YOU'RE ACTUALLY 523 00:19:14,342 --> 00:19:16,050 TAKING AWAY THE ONE AVENUE THEY 524 00:19:16,050 --> 00:19:17,258 HAVE TO TELL YOU THEY 525 00:19:17,258 --> 00:19:18,175 HAVE A PROBLEM. 526 00:19:18,175 --> 00:19:19,925 AND THE PROBLEM WITH THAT IS YOU 527 00:19:19,925 --> 00:19:21,633 CAN TURN A PERSON WHO IS ENGAGED 528 00:19:21,633 --> 00:19:22,675 INTO A PERSON WHO 529 00:19:22,675 --> 00:19:24,300 IS WITHDRAWN INTO THEMSELVES 530 00:19:24,300 --> 00:19:26,175 AND NO LONGER ABLE TO CONNECT TO 531 00:19:26,175 --> 00:19:27,508 THE WORLD AROUND THEM. 532 00:19:27,508 --> 00:19:29,883 >> Gil: I WISH I HAD MY FREEDOM. 533 00:19:29,883 --> 00:19:32,217 THAT'S THE MOST IMPORTANT PART. 534 00:19:32,217 --> 00:19:34,467 THAT IS WHAT MAKES ME THE MOST 535 00:19:34,467 --> 00:19:35,967 PISSED OFF OF ALL. 536 00:19:35,967 --> 00:19:38,800 THAT I CAN'T GO OUT. 537 00:19:38,800 --> 00:19:41,550 >> THE THING PEOPLE LOSE MOST 538 00:19:41,550 --> 00:19:44,508 IS THOSE INTANGIBLES -- THE IDEA 539 00:19:44,508 --> 00:19:46,675 OF CHOICE AND CONTROL. 540 00:19:46,675 --> 00:19:47,800 >> WE'RE GOING TO DO YOUR 541 00:19:47,800 --> 00:19:48,883 MEDICINE NOW, ALL RIGHT? 542 00:19:48,883 --> 00:19:50,217 >> Power: JUST EVERY ASPECT OF 543 00:19:50,217 --> 00:19:51,550 "WHAT AM I GOING TO DO NEXT?" 544 00:19:51,550 --> 00:19:52,508 IS DICTATED TO YOU IN 545 00:19:52,508 --> 00:19:53,925 MOST INSTITUTIONAL ENVIRONMENTS. 546 00:19:53,925 --> 00:19:55,383 >> DRINK SOME OF THAT. 547 00:19:55,383 --> 00:19:57,092 >> Power: AND MUSIC CREATES 548 00:19:57,092 --> 00:19:58,800 SPONTANEITY THAT YOU CANNOT 549 00:19:58,800 --> 00:20:00,425 CREATE IN AN INSTITUTION. 550 00:20:00,425 --> 00:20:02,217 IT TAKES YOU TO A PLACE WHERE 551 00:20:02,217 --> 00:20:03,842 YOU CAN LEAVE THE REGIMEN 552 00:20:03,842 --> 00:20:05,217 AND GO OFF IN A WORLD 553 00:20:05,217 --> 00:20:06,967 THAT YOU CREATE AND THAT YOU 554 00:20:06,967 --> 00:20:08,883 CONNECT WITH ON YOUR OWN TERMS. 555 00:20:08,883 --> 00:20:11,092 >> Dan: HI, GIL. 556 00:20:11,092 --> 00:20:12,258 >> HI. 557 00:20:12,258 --> 00:20:14,550 >> I BROUGHT YOU YOUR MUSIC 558 00:20:14,550 --> 00:20:16,217 THAT YOU REQUESTED. 559 00:20:16,217 --> 00:20:17,883 AND PUT IT ON YOUR 560 00:20:17,883 --> 00:20:19,717 EARS, OVER YOUR HEAD. 561 00:20:19,717 --> 00:20:20,883 THAT FIT OKAY? 562 00:20:20,883 --> 00:20:21,675 >> YEAH. 563 00:20:21,675 --> 00:20:23,842 >> OKAY. AND HERE'S YOUR iPOD. 564 00:20:23,842 --> 00:20:26,050 ALL YOU HAVE TO DO IS CLICK THE 565 00:20:26,050 --> 00:20:27,842 CENTER BUTTON, ONE TIME. 566 00:20:27,842 --> 00:20:30,467 >> ♪ THE MAGIC OF YOUR SIGHS ♪♪ 567 00:20:30,467 --> 00:20:33,967 >> I THINK YOU'RE ALL SET. 568 00:20:33,967 --> 00:20:35,842 >> ♪ WOULD YOU STILL LOVE... ♪ 569 00:20:35,842 --> 00:20:38,717 ♪ TOMO-- ♪♪ 570 00:20:39,550 --> 00:20:42,758 >> ♪ TONIGHT WITH WORDS 571 00:20:42,758 --> 00:20:45,967 UNSPOKEN ♪ 572 00:20:45,967 --> 00:20:49,175 ♪ YOU SAID THAT I'M 573 00:20:49,175 --> 00:20:51,842 THE ONLY ONE ♪♪ 574 00:20:51,842 --> 00:20:53,800 >> Power: THERE IS NO PILL THAT 575 00:20:53,800 --> 00:20:54,592 DOES THAT. 576 00:20:54,592 --> 00:20:56,175 AND MEDICINE CAN DIM THE 577 00:20:56,175 --> 00:20:57,925 SPARK OR THE LIGHT, IT NEVER 578 00:20:57,925 --> 00:20:58,967 BRINGS IT OUT. 579 00:20:58,967 --> 00:21:00,967 WHAT THEY NEED IS ENGAGEMENT, 580 00:21:00,967 --> 00:21:02,592 THEY NEED TO SUCCEED IN 581 00:21:02,592 --> 00:21:04,258 THE WORLD AROUND THEM. 582 00:21:04,258 --> 00:21:06,758 >> SO, YOU WANT AN IPOD, TOO? 583 00:21:06,758 --> 00:21:09,008 >> FIRST, WHAT IS AN iPOD? 584 00:21:09,008 --> 00:21:11,050 I DON'T KNOW ANYTHING ABOUT 585 00:21:11,050 --> 00:21:12,175 ELECTRONICS! 586 00:21:12,175 --> 00:21:14,175 >> HE HAS HIS FAVORITE MUSIC, 587 00:21:14,425 --> 00:21:15,800 AND IT'S PLAYING. 588 00:21:15,800 --> 00:21:17,133 THAT'S ALL IT IS. 589 00:21:17,133 --> 00:21:19,050 IT'S LIKE YOUR OWN JUKEBOX. 590 00:21:19,050 --> 00:21:22,342 >> OKAY, LET'S START. 591 00:21:22,342 --> 00:21:23,508 >> SHE WANTS TO SEE WHAT IT 592 00:21:23,508 --> 00:21:24,467 LOOKS LIKE, THE iPOD. 593 00:21:24,467 --> 00:21:27,342 >> Gil: SMALL. 594 00:21:27,342 --> 00:21:29,842 >> NO KIDDING. 595 00:21:29,842 --> 00:21:31,675 >> Michelle: DENISE IS 596 00:21:31,675 --> 00:21:33,633 A BIPOLAR SCHIZOPHRENIC. 597 00:21:33,633 --> 00:21:35,883 SHE'S BEEN WITH US FOR ABOUT 598 00:21:35,883 --> 00:21:37,300 TWO YEARS. 599 00:21:37,550 --> 00:21:43,050 >> I LIKE... 600 00:21:53,717 --> 00:21:56,133 >> DENISE DOESN'T HOLD BACK ANY 601 00:21:56,133 --> 00:21:57,050 EMOTION. 602 00:21:57,050 --> 00:21:59,133 HER JOY IS OFF THE CHARTS. 603 00:21:59,133 --> 00:22:01,508 UNFORTUNATELY, SO IS HER 604 00:22:01,508 --> 00:22:03,633 SORROW AND HER ANGER. 605 00:22:03,633 --> 00:22:06,508 SO, SHE'S VERY RAW, SHE'S VERY 606 00:22:06,508 --> 00:22:07,342 REAL. 607 00:22:07,342 --> 00:22:08,842 >> Dan: DO YOU KNOW 608 00:22:08,842 --> 00:22:10,258 WHAT I'D LIKE TO DO? 609 00:22:18,383 --> 00:22:21,217 >> Michelle: DENISE IS PROBABLY 610 00:22:21,217 --> 00:22:23,508 AN EXTREME RESIDENT THAT 611 00:22:23,508 --> 00:22:24,967 WE HAVE HERE. 612 00:22:24,967 --> 00:22:27,092 >> I'M BEING EMPHATIC, 613 00:22:27,092 --> 00:22:29,592 AND I HAVE A VERY VIVID 614 00:22:29,592 --> 00:22:31,092 IMAGINATION. 615 00:22:31,092 --> 00:22:34,217 I'M VERY RESILIENT BUT I DROP, 616 00:22:34,217 --> 00:22:37,383 AND I KEEP ON TRYING, 617 00:22:37,383 --> 00:22:40,842 AND I DROP, BUT I NEVER 618 00:22:40,842 --> 00:22:43,550 STOP, AND I DROP. 619 00:22:43,550 --> 00:22:45,383 ONE OF THESE DAYS, 620 00:22:45,383 --> 00:22:47,508 I'M GOING TO DROP AND 621 00:22:47,508 --> 00:22:49,342 STAY ON THE FLOOR! 622 00:22:49,342 --> 00:22:53,508 >> ♪♪ 623 00:23:07,300 --> 00:23:08,633 >> CAREFUL. 624 00:23:08,633 --> 00:23:10,425 >> I WON'T FALL! 625 00:23:10,425 --> 00:23:12,633 I'VE LIVED HERE TWO YEARS 626 00:23:12,633 --> 00:23:14,258 AND NEVER FALLEN! 627 00:23:14,258 --> 00:23:16,467 >> I COULDN'T BELIEVE THE MUSIC 628 00:23:16,467 --> 00:23:17,425 LET DENISE 629 00:23:17,425 --> 00:23:19,050 PUSH AWAY HER WALKER. 630 00:23:19,050 --> 00:23:21,508 SHE'D BEEN USING THAT WALKER 631 00:23:21,508 --> 00:23:23,633 EVERY DAY FOR TWO YEARS. 632 00:23:23,633 --> 00:23:27,342 >> [ SINGING IN SPANISH ] 633 00:23:44,883 --> 00:23:46,467 >> IT'S SPANISH. 634 00:23:46,467 --> 00:23:48,258 YOU'RE NOT SPANISH. 635 00:23:48,258 --> 00:23:50,383 >> NO, I'M NOT SPANISH. 636 00:23:50,383 --> 00:23:52,425 I'M FOLLOWING YOUR LEAD. 637 00:23:57,675 --> 00:23:59,717 >> I'M HAVING FUN. 638 00:23:59,717 --> 00:24:01,675 >> GOOD, ME, TOO. 639 00:24:01,675 --> 00:24:04,508 >> A LITTLE MUSIC BRINGING THIS 640 00:24:04,508 --> 00:24:05,633 MUCH JOY. 641 00:24:05,633 --> 00:24:07,883 IT ONLY MAKES SENSE WHEN YOU 642 00:24:07,883 --> 00:24:10,050 UNDERSTAND THEIR ISOLATION. 643 00:24:10,050 --> 00:24:12,883 >> [ LAUGHS ] 644 00:24:17,717 --> 00:24:20,258 >> Louise: WHAT HAPPENS WHEN 645 00:24:20,258 --> 00:24:22,758 THEY COME TO A NURSING HOME? 646 00:24:22,758 --> 00:24:25,175 WHAT ARE THEIR LOSSES? 647 00:24:25,175 --> 00:24:28,550 >> I NEVER THOUGHT I WOULD BE IN 648 00:24:28,550 --> 00:24:30,967 A SITUATION LIKE THIS. 649 00:24:30,967 --> 00:24:34,008 >> Louise: THEY LOSE THEIR 650 00:24:34,008 --> 00:24:35,758 INDEPENDENCE. 651 00:24:35,758 --> 00:24:37,925 IT'S SAD TO SAY BUT SOMETIMES 652 00:24:37,925 --> 00:24:39,758 THEY LOSE THEIR DIGNITY. 653 00:24:39,758 --> 00:24:42,633 >> THAT'S IT. 654 00:24:42,633 --> 00:24:45,383 >> Louise: SOMETIMES THEY ARE 655 00:24:45,383 --> 00:24:47,467 DEALING WITH THE LOSS 656 00:24:47,467 --> 00:24:51,050 OF A LOVED ONE. 657 00:24:55,092 --> 00:24:56,842 IMAGINE LOSING THAT ALL IN ONE 658 00:24:56,842 --> 00:24:59,883 DAY. 659 00:25:01,717 --> 00:25:02,883 >> Man: I WANNA GET HOME. 660 00:25:02,883 --> 00:25:03,925 >> Mike: YEAH, YOU DO? 661 00:25:03,925 --> 00:25:05,300 >> I'VE BEEN HERE FOR THE LAST 662 00:25:05,300 --> 00:25:06,175 TWO OR THREE DAYS. 663 00:25:06,175 --> 00:25:09,967 >> RIGHT. 664 00:25:09,967 --> 00:25:12,217 WHAT DO YOU WANT TO DO AT HOME? 665 00:25:12,217 --> 00:25:13,842 >> BE WITH MY FAMILY. 666 00:25:13,842 --> 00:25:14,800 [ LAUGHS ] 667 00:25:14,800 --> 00:25:17,383 >> WHERE WE GOING? 668 00:25:17,383 --> 00:25:20,092 >> RIGHT DOWN HERE. 669 00:25:20,092 --> 00:25:21,467 >> PEOPLE WHO HAVE BEEN HERE FOR 670 00:25:21,467 --> 00:25:22,633 YEARS, THAT HAVE DEMENTIA, 671 00:25:22,633 --> 00:25:23,675 THEY'LL STILL TELL YOU, 672 00:25:23,675 --> 00:25:24,883 "THIS IS NOT WHERE I LIVE." 673 00:25:24,883 --> 00:25:25,967 >> WELL, I CAN 674 00:25:25,967 --> 00:25:27,425 GO OUT THIS WAY, TOO. 675 00:25:27,425 --> 00:25:29,050 >> TOM HAS BEEN IN THIS 676 00:25:29,050 --> 00:25:30,300 NURSING HOME FOR 677 00:25:30,300 --> 00:25:31,758 FIVE YEARS NOW. 678 00:25:34,342 --> 00:25:36,425 >> Man: SO, THEY'RE ALWAYS 679 00:25:36,425 --> 00:25:37,925 TRYING TO ESCAPE. 680 00:25:37,925 --> 00:25:39,925 >> I HAVE TO GO THAT WAY. 681 00:25:39,925 --> 00:25:42,008 >> THEY'RE LOOKING FOR THE 682 00:25:42,008 --> 00:25:42,758 EXITS. 683 00:25:42,758 --> 00:25:44,092 THAT'S ONE OF THE MOST 684 00:25:44,092 --> 00:25:45,883 FREQUENTLY ASKED QUESTIONS IS, 685 00:25:45,883 --> 00:25:47,300 "HOW DO I GET OUT OF HERE?" 686 00:25:52,883 --> 00:25:53,717 >> AH, NO. 687 00:25:53,717 --> 00:25:55,425 CAN'T GET OUT HERE EITHER, 688 00:25:55,425 --> 00:25:56,050 RIGHT? 689 00:25:56,050 --> 00:25:57,550 >> BECAUSE THIS ISN'T THEIR 690 00:25:57,550 --> 00:25:59,092 NORMAL WORLD WHEN THEY COME 691 00:25:59,092 --> 00:25:59,550 HERE. 692 00:25:59,550 --> 00:26:01,217 NOW THEY'RE IN THIS WORLD, AND 693 00:26:01,217 --> 00:26:02,842 THEY'RE LIKE, "THIS ISN'T THE 694 00:26:02,842 --> 00:26:04,092 WORLD THAT I KNOW." 695 00:26:08,717 --> 00:26:10,425 >> IT'S STUCK. 696 00:26:10,425 --> 00:26:12,758 >> WITH FEW CHOICES, 697 00:26:12,758 --> 00:26:15,717 LITTLE HOPE FOR THE FUTURE, 698 00:26:15,717 --> 00:26:17,675 NO CONTROL OVER THE 699 00:26:17,675 --> 00:26:20,258 MEDICATIONS FLOWING THROUGH 700 00:26:20,258 --> 00:26:23,050 THEM, IS IT ANY SURPRISE THEIR 701 00:26:23,050 --> 00:26:25,383 MINDS STRUGGLE TO ADAPT? 702 00:26:25,383 --> 00:26:27,508 >> Woman: PEOPLE CLOSE THEIR 703 00:26:27,508 --> 00:26:29,342 EYES AND WITHDRAW INWARD 704 00:26:29,342 --> 00:26:30,550 MORE AND MORE. 705 00:26:30,550 --> 00:26:32,342 IF THE OUTSIDE WORLD IS 706 00:26:32,342 --> 00:26:33,758 HORRIBLE, I GO TO 707 00:26:33,758 --> 00:26:35,592 THE INSIDE TO RESTORE MY 708 00:26:35,592 --> 00:26:37,467 BALANCE. 709 00:26:37,467 --> 00:26:40,592 BUT, AFTER A WHILE, PEOPLE JUST 710 00:26:40,592 --> 00:26:43,383 BECOME LIVING DEAD PEOPLE. 711 00:26:43,383 --> 00:26:46,550 THEY GO INTO VEGETATION, AND 712 00:26:46,550 --> 00:26:49,467 THIS DOES NOT HAVE TO BE. 713 00:26:49,467 --> 00:26:51,883 NO. 714 00:26:51,883 --> 00:26:53,758 >> Tom: I PLAY -- I PLAY MUSIC. 715 00:26:53,758 --> 00:26:54,508 >> I KNOW. 716 00:26:54,508 --> 00:26:56,383 YOU'RE A TRUMPET PLAYER, RIGHT? 717 00:26:56,383 --> 00:26:58,175 >> YEAH, AND I PLAY IN A BAND. 718 00:26:58,175 --> 00:27:01,342 >> Man: WHAT I'VE FOUND IS 719 00:27:01,342 --> 00:27:05,175 THAT WE ALL HAVE MUSIC IN US AND 720 00:27:05,175 --> 00:27:06,842 WHEN WE GO THROUGH 721 00:27:06,842 --> 00:27:09,550 WHAT WE GO THROUGH, LIKE TRAUMA, 722 00:27:09,550 --> 00:27:11,925 CAUSED BY DISEASE, CAUSED BY 723 00:27:11,925 --> 00:27:14,342 WARS, THAT GETS COVERED UP. 724 00:27:14,342 --> 00:27:16,800 >> ♪♪ 725 00:27:16,800 --> 00:27:19,800 >> AND I'VE FOUND A WAY OF 726 00:27:19,800 --> 00:27:23,425 ACCESSING THAT WITH SOME PEOPLE. 727 00:27:23,425 --> 00:27:25,925 SO, IT'S REALLY TO HELP THEM 728 00:27:25,925 --> 00:27:28,342 FIND THAT SONG THAT THEY'VE 729 00:27:28,342 --> 00:27:31,175 COVERED UP FROM THE PAIN SO THEY 730 00:27:31,175 --> 00:27:32,508 CAN SING AGAIN. 731 00:27:35,633 --> 00:27:38,008 [ SINGING IN NATIVE LANGUAGE ] 732 00:27:38,008 --> 00:27:40,467 >> SAMITE IS A VOLUNTEER WHO 733 00:27:40,467 --> 00:27:43,050 UNDERSTOOD HOW MUSIC CAN BRING 734 00:27:43,050 --> 00:27:45,300 BACK SOULS THAT HAVE FLED 735 00:27:45,300 --> 00:27:46,508 THE BODY... 736 00:27:46,508 --> 00:27:48,383 SOULS THAT HAVE BEEN 737 00:27:48,383 --> 00:27:49,675 TRAUMATIZED. 738 00:27:49,675 --> 00:27:52,300 >> I'VE HAD A SITUATION WHERE 739 00:27:52,300 --> 00:27:54,758 I WAS ACTUALLY OVERWHELMED. 740 00:27:54,758 --> 00:27:56,633 I WAS IN THE CONGO. 741 00:27:56,633 --> 00:27:58,425 THESE PEOPLE WERE TOLD THAT 742 00:27:58,425 --> 00:27:59,342 THIS GUY IS 743 00:27:59,342 --> 00:28:00,967 COMING TO BRING MUSIC -- 744 00:28:00,967 --> 00:28:02,758 THE HEALING POWER OF MUSIC -- 745 00:28:02,758 --> 00:28:04,633 WHICH WAS A LITTLE OVERWHELMING 746 00:28:04,633 --> 00:28:06,175 BECAUSE THESE WERE ABOUT 747 00:28:06,175 --> 00:28:07,842 150 WOMEN WHO HAD JUST GONE 748 00:28:07,842 --> 00:28:08,883 THROUGH RAPE... 749 00:28:08,883 --> 00:28:11,258 WHO HAD JUST GONE THROUGH THE 750 00:28:11,258 --> 00:28:13,133 WORST ABUSES YOU COULD 751 00:28:13,133 --> 00:28:14,425 HAVE IMAGINED. 752 00:28:14,425 --> 00:28:17,383 I THINK I WAS INSPIRED ACTUALLY, 753 00:28:17,383 --> 00:28:20,092 BECAUSE I PICKED UP THE FLUTE 754 00:28:20,092 --> 00:28:22,467 AND I PLAYED A REALLY SAD 755 00:28:22,467 --> 00:28:25,425 MELODY, AND THE MELODY CAME FROM 756 00:28:25,425 --> 00:28:27,883 THE PAIN THAT I KNEW THESE 757 00:28:27,883 --> 00:28:30,508 WOMEN HAD BEEN SUBJECTED TO. 758 00:28:30,508 --> 00:28:32,925 AND WHEN I FINISHED THE FLUTE 759 00:28:32,925 --> 00:28:35,050 I COULD SEE TEARS RUNNING 760 00:28:35,050 --> 00:28:37,592 DOWN SOME OF THE WOMEN'S FACES. 761 00:28:37,592 --> 00:28:41,133 AND THE NEXT PLACE I KNEW THAT 762 00:28:41,133 --> 00:28:44,175 I HAD TO TAKE THEM WAS TO 763 00:28:44,175 --> 00:28:46,508 SING A HAPPY SONG. 764 00:28:46,508 --> 00:28:48,092 SO, I KICKED INTO... 765 00:28:48,092 --> 00:28:50,175 [ SINGING IN NATIVE LANGUAGE ] 766 00:28:56,758 --> 00:28:58,425 AND SOON THEY STARTED MOVING 767 00:28:58,425 --> 00:28:59,342 A LITTLE BIT, 768 00:28:59,342 --> 00:29:01,008 AND SOON THEY WERE CLAPPING. 769 00:29:01,008 --> 00:29:02,883 [ SINGING IN NATIVE LANGUAGE ] 770 00:29:02,883 --> 00:29:04,842 AND I'M TELLING YOU, THREE HOURS 771 00:29:04,842 --> 00:29:06,467 LATER WE'RE STILL SINGING. 772 00:29:06,467 --> 00:29:09,967 AND NOW WE'RE ALL CONNECTED. 773 00:29:09,967 --> 00:29:13,008 WE'RE ALL JUST ONE BODY. 774 00:29:13,008 --> 00:29:16,342 EVERYBODY JUST SINGING. 775 00:29:22,300 --> 00:29:24,800 WHEN I GO TO NURSING HOMES, THEY 776 00:29:24,800 --> 00:29:27,217 REMEMBER THESE AMAZING STORIES, 777 00:29:27,217 --> 00:29:29,550 BUT IT'S ALWAYS THROUGH MUSIC 778 00:29:29,550 --> 00:29:31,008 THAT THEY'RE ABLE 779 00:29:31,008 --> 00:29:32,842 TO EXPRESS THEMSELVES, 780 00:29:32,842 --> 00:29:35,592 AND THAT REMINDS THOSE PEOPLE, 781 00:29:35,592 --> 00:29:38,050 WE WILL HAVE A CHANCE TO BE 782 00:29:38,050 --> 00:29:39,383 HAPPY AGAIN. 783 00:29:39,383 --> 00:29:41,967 >> [ LAUGHS ] 784 00:29:50,633 --> 00:29:53,967 >> Man: MUSIC HAD ALWAYS BEEN 785 00:29:53,967 --> 00:29:56,633 A BIG PART OF MY LIFE. 786 00:29:56,633 --> 00:29:58,800 WHEN I WAS YOUNGER, I PLAYED THE 787 00:29:58,800 --> 00:30:00,717 TRUMPET, I PLAYED THE ORGAN, 788 00:30:00,717 --> 00:30:02,258 I PLAYED THE PIANO... 789 00:30:05,967 --> 00:30:08,508 WHEN I WENT OFF TO COLLEGE IN 790 00:30:08,508 --> 00:30:10,717 THE EARLY '70s, I HAD THE 791 00:30:10,717 --> 00:30:13,467 REQUISITE GIANT ALBUM COLLECTION 792 00:30:13,467 --> 00:30:15,758 WHICH I CARRIED THROUGH 793 00:30:15,758 --> 00:30:17,217 TO MY MARRIAGE. 794 00:30:22,925 --> 00:30:27,217 WHEN I ENDED UP HERE, I LOST ALL 795 00:30:27,217 --> 00:30:29,258 OF MY MUSIC... 796 00:30:30,800 --> 00:30:35,217 MY WORLD BECAME THIS FACILITY. 797 00:30:40,967 --> 00:30:44,050 >> Naomi: THIS IS 798 00:30:44,050 --> 00:30:47,675 SOLITARY CONFINEMENT. 799 00:30:47,675 --> 00:30:49,550 AND EVERY HUMAN BEING 800 00:30:49,550 --> 00:30:51,800 NEEDS STIMULATION FROM THE 801 00:30:51,800 --> 00:30:53,633 OUTSIDE, FROM LITTLE 802 00:30:53,633 --> 00:30:55,508 BABIES TO OLD PEOPLE. 803 00:30:55,508 --> 00:30:58,592 THAT'S WHY MUSIC IS SO 804 00:30:58,592 --> 00:31:00,258 IMPORTANT. 805 00:31:00,258 --> 00:31:02,217 IF YOU FIND THE MUSIC THAT THE 806 00:31:02,217 --> 00:31:04,300 PEOPLE KNOW, THERE'S STIMULATION 807 00:31:04,300 --> 00:31:05,592 AND COMMUNICATION, 808 00:31:05,592 --> 00:31:07,342 AND PEOPLE DO NOT WITHDRAW 809 00:31:07,342 --> 00:31:08,800 INWARD. 810 00:31:11,633 --> 00:31:14,800 >> LIKE MANY PEOPLE IN THIS 811 00:31:14,800 --> 00:31:17,633 INSTITUTION, STEVE FOUND 812 00:31:17,633 --> 00:31:19,383 HIMSELF ALONE. 813 00:31:25,717 --> 00:31:29,717 >> Steve: AFTER EIGHT YEARS OF 814 00:31:29,717 --> 00:31:33,633 BEING HERE, I FINALLY HAD THE 815 00:31:33,633 --> 00:31:38,383 OPPORTUNITY TO GET MY MUSIC. 816 00:31:38,383 --> 00:31:40,800 >> OKAY, HOW'S THAT? GOOD? 817 00:31:46,633 --> 00:31:49,508 >> ♪♪ 818 00:31:54,425 --> 00:31:59,800 >> Steve: AND ALL OF A SUDDEN... 819 00:31:59,800 --> 00:32:02,550 VISTAS WHICH I THOUGHT WERE 820 00:32:02,550 --> 00:32:04,800 CLOSED TO ME OPENED UP. 821 00:32:26,300 --> 00:32:28,258 >> HAVE YOU EVER HAD MUSIC JUST 822 00:32:28,258 --> 00:32:29,758 HIT YOU IN A PLACE THAT 823 00:32:29,758 --> 00:32:31,758 IMMEDIATELY BROUGHT YOU TO TEARS 824 00:32:31,758 --> 00:32:32,717 AND YOU DON'T 825 00:32:32,717 --> 00:32:34,342 UNDERSTAND WHY, YOU KNOW? 826 00:32:34,342 --> 00:32:35,633 MUSIC HAS THAT POWER. 827 00:32:35,633 --> 00:32:36,842 I CAN REMEMBER BEING 828 00:32:36,842 --> 00:32:37,800 FIVE YEARS OLD, 829 00:32:37,800 --> 00:32:39,300 HEARING THIS MUSIC IN THE 830 00:32:39,300 --> 00:32:40,842 DISTANCE, CRAWLING TO IT. 831 00:32:40,842 --> 00:32:43,842 IT WAS "RHAPSODY ON A THEME 832 00:32:43,842 --> 00:32:45,550 OF PAGANINI." 833 00:32:45,550 --> 00:32:47,675 YOU KNOW, CRAWLING TO THE MUSIC, 834 00:32:47,675 --> 00:32:49,800 LAYING ON THE FLOOR, AND CRYING. 835 00:32:49,800 --> 00:32:52,633 >> MUSIC TOUCHES US ALL. 836 00:32:52,633 --> 00:32:55,050 HOW DEEP DOES IT RUN 837 00:32:55,050 --> 00:32:56,925 INSIDE OF US? 838 00:32:56,925 --> 00:32:58,842 >> WATCH. 839 00:32:58,842 --> 00:33:02,133 ♪ BA, BA... ♪ 840 00:33:02,133 --> 00:33:06,675 >> All: ♪ BA, BA... ♪ 841 00:33:22,467 --> 00:33:23,883 >> OKAY. 842 00:33:23,883 --> 00:33:26,717 [ LAUGHTER ] 843 00:33:29,467 --> 00:33:32,425 >> WHEN DOES OUR RELATIONSHIP 844 00:33:32,425 --> 00:33:34,717 WITH MUSIC BEGIN? 845 00:33:37,133 --> 00:33:40,842 AT 22 DAYS, A SINGLE CELL JOLTS 846 00:33:40,842 --> 00:33:43,633 TO LIFE. 847 00:33:43,633 --> 00:33:45,508 THIS FIRST BEAT 848 00:33:45,508 --> 00:33:48,217 AWAKENS NEARBY CELLS AND, 849 00:33:48,217 --> 00:33:51,300 INCREDIBLY, THEY ALL BEGIN TO 850 00:33:51,300 --> 00:33:53,842 BEAT IN PERFECT UNISON. 851 00:33:53,842 --> 00:33:57,467 THESE BEATING CELLS DIVIDE 852 00:33:57,467 --> 00:34:00,633 AND BECOME YOUR HEART. 853 00:34:00,633 --> 00:34:03,258 AND THIS DESIRE TO BEAT IN 854 00:34:03,258 --> 00:34:05,883 UNISON SEEMINGLY FUELS OUR 855 00:34:05,883 --> 00:34:07,467 ENTIRE LIVES. 856 00:34:07,467 --> 00:34:10,383 [ SINGING IN NATIVE LANGUAGE ] 857 00:34:10,383 --> 00:34:14,425 >> [ RHYTHMIC CHANTING ] 858 00:34:23,925 --> 00:34:27,383 >> ♪ AH, BO, BO, BA... ♪ 859 00:34:32,758 --> 00:34:35,717 >> ♪ BA, DA, DA, DA, DA... ♪ 860 00:34:35,717 --> 00:34:38,925 >> AMAZINGLY, AFTER SIX MONTHS 861 00:34:38,925 --> 00:34:41,133 OF DEVELOPMENT, THE 862 00:34:41,133 --> 00:34:43,258 CEREBRAL CORTEX IS 863 00:34:43,258 --> 00:34:46,467 CAPABLE OF SUPPORTING THOUGHT. 864 00:34:46,467 --> 00:34:49,133 >> YEAH, OH, THE LADYBUGS 865 00:34:49,133 --> 00:34:50,925 ARE SUPER-CUTE. 866 00:34:50,925 --> 00:34:54,175 >> RESEARCHERS HAVE STUDIED THE 867 00:34:54,175 --> 00:34:56,675 SOUNDS OF NEWBORNS AND 868 00:34:56,675 --> 00:34:59,383 DISCOVERED THAT IN THEIR CRIES 869 00:34:59,383 --> 00:35:02,175 ARE PATTERNS THAT REFLECT THEIR 870 00:35:02,175 --> 00:35:03,842 MOTHERS' SPEECH. 871 00:35:03,842 --> 00:35:05,758 >> I KNOW, AND YOU WANT 872 00:35:05,758 --> 00:35:06,925 TO BRING IT. 873 00:35:06,925 --> 00:35:09,925 >> THIS MEANS THAT EVEN BEFORE 874 00:35:09,925 --> 00:35:12,633 WE'RE BORN, WE ARE LEARNING 875 00:35:12,633 --> 00:35:14,050 HOW TO SING 876 00:35:14,050 --> 00:35:16,425 WITH ANOTHER HUMAN BEING. 877 00:35:22,883 --> 00:35:26,883 >> ♪ BA, BA, BA... ♪ 878 00:35:29,633 --> 00:35:32,800 [ CHEERS AND APPLAUSE ] 879 00:35:32,800 --> 00:35:34,550 >> Bobby: I WONDERED HOW 880 00:35:34,550 --> 00:35:36,092 EVERYONE KNOWS THAT. 881 00:35:36,092 --> 00:35:38,217 REGARDLESS OF WHAT COUNTRY I'M 882 00:35:38,217 --> 00:35:39,550 IN, IT SEEMS LIKE 883 00:35:39,550 --> 00:35:41,050 EVERYONE KNOWS THAT. 884 00:35:41,050 --> 00:35:43,633 NOW, HOW IS THAT POSSIBLE IF IT 885 00:35:43,633 --> 00:35:45,675 WASN'T ALREADY INSIDE YOU? 886 00:35:52,633 --> 00:35:55,425 >> Sacks: EVERY CHILD WILL TEND 887 00:35:55,425 --> 00:35:58,008 TO KEEP TIME TO MUSIC, HEARD 888 00:35:58,008 --> 00:36:00,800 OR IMAGINED, WHICH YOU WILL NOT 889 00:36:00,800 --> 00:36:02,758 SEE IN A CHIMPANZEE. 890 00:36:02,758 --> 00:36:03,925 >> ♪♪ 891 00:36:03,925 --> 00:36:06,050 >> THAT'S IT! 892 00:36:06,050 --> 00:36:07,675 I GOT IT! 893 00:36:07,675 --> 00:36:09,508 >> Sacks: MUSIC SEEMS TO BE 894 00:36:09,508 --> 00:36:11,592 ALMOST AS QUINTESSENTIALLY HUMAN 895 00:36:11,592 --> 00:36:13,300 AS LANGUAGE. 896 00:36:22,217 --> 00:36:26,550 THIS RESPONSE TO A BEAT MAY BE 897 00:36:26,550 --> 00:36:30,050 HARD-WIRED AND HUMAN... 898 00:36:30,050 --> 00:36:31,258 AND I THINK 899 00:36:31,258 --> 00:36:33,300 ALMOST ALL HUMAN BEINGS 900 00:36:33,300 --> 00:36:35,800 WILL BRING OUT THEIR INHERENT 901 00:36:35,800 --> 00:36:36,967 MUSICALITY... 902 00:36:52,258 --> 00:36:55,217 >> 277. 903 00:36:55,217 --> 00:36:57,217 >> YOU HAVE A LITTLE BIT OF ROOM 904 00:36:57,217 --> 00:36:57,925 TO GROW. 905 00:36:57,925 --> 00:36:59,717 >> I'VE GOT A LOT OF ROOM TO 906 00:36:59,717 --> 00:37:01,342 GROW, CONSIDERING IT WILL 907 00:37:01,342 --> 00:37:02,550 HOLD 2,000 SONGS. 908 00:37:02,550 --> 00:37:04,175 DO YOU HAVE "PIANO MAN"? 909 00:37:04,175 --> 00:37:06,133 >> Thomas: IT'S THRILLING TO ME 910 00:37:06,133 --> 00:37:07,883 TO BE ABLE TO SEE A PERSON 911 00:37:07,883 --> 00:37:09,717 WHO'S BEEN WITHOUT MUSIC FOR 912 00:37:09,717 --> 00:37:11,300 YEARS AND THEN WATCH HOW 913 00:37:11,300 --> 00:37:12,967 THAT PERSON COMES ALIVE. 914 00:37:12,967 --> 00:37:14,175 I MEAN, THAT'S -- 915 00:37:14,175 --> 00:37:16,008 AS A PHYSICIAN, THAT'S A THRILL. 916 00:37:19,883 --> 00:37:23,133 BUT THERE'S SOMETHING BEHIND 917 00:37:23,133 --> 00:37:25,633 THAT WONDERFUL MOMENT. 918 00:37:28,092 --> 00:37:31,675 I MEAN, HOW DID THAT HAPPEN IN 919 00:37:31,675 --> 00:37:33,842 THE FIRST PLACE? 920 00:37:33,842 --> 00:37:38,217 WHY WERE WE ABLE TO 921 00:37:38,217 --> 00:37:40,758 FEED AND WATER AND MEDICATE THIS 922 00:37:40,758 --> 00:37:42,842 PERSON BUT NOT RESPOND TO 923 00:37:42,842 --> 00:37:44,008 DEEPLY HUMAN 924 00:37:44,008 --> 00:37:45,925 NEEDS THAT HE MIGHT HAVE? 925 00:37:49,133 --> 00:37:50,967 >> Woman: A CENTURY AGO, THEY 926 00:37:50,967 --> 00:37:52,675 WERE CALLED "NURSING HOMES" 927 00:37:52,675 --> 00:37:54,050 BECAUSE YOU RECEIVED 928 00:37:54,050 --> 00:37:55,883 NURSING CARE, AND MOST OF THE 929 00:37:55,883 --> 00:37:56,758 TIME IT WAS 930 00:37:56,758 --> 00:37:58,550 IN A HOME-LIKE SETTING. 931 00:37:58,550 --> 00:38:00,717 THAT WAS BEFORE, I GUESS, OUR 932 00:38:00,717 --> 00:38:02,800 CIVILIZATION ADVANCED TO THE 933 00:38:02,800 --> 00:38:04,508 POINT WHERE WE CREATED 934 00:38:04,508 --> 00:38:06,508 15,000 NURSING HOMES BASED 935 00:38:06,508 --> 00:38:07,925 ON A HOSPITAL MODEL. 936 00:38:12,800 --> 00:38:16,175 >> HOW DID THIS BECOME THE WAY 937 00:38:16,175 --> 00:38:19,592 MILLIONS OF AMERICANS END THEIR 938 00:38:19,592 --> 00:38:20,633 LIFE? 939 00:38:20,633 --> 00:38:22,550 >> THE CIVILIZATION OF THE 940 00:38:22,550 --> 00:38:24,258 PAST 100 YEARS WITH ITS 941 00:38:24,258 --> 00:38:26,300 STARTLING INDUSTRIAL CHANGES 942 00:38:26,300 --> 00:38:28,758 HAS TENDED MORE AND MORE TO 943 00:38:28,758 --> 00:38:30,592 MAKE LIFE INSECURE... 944 00:38:32,217 --> 00:38:35,425 >> TECHNOLOGY HAS RADICALLY 945 00:38:35,425 --> 00:38:37,508 TRANSFORMED THE 946 00:38:37,508 --> 00:38:39,842 HUMAN ENVIRONMENT. 947 00:38:39,842 --> 00:38:42,300 OUR SAFETY, NO LONGER TIED 948 00:38:42,300 --> 00:38:44,925 TO THE HOME, OR THE VILLAGE, 949 00:38:44,925 --> 00:38:49,717 BECAME TIED TO SOMETHING ELSE. 950 00:38:49,717 --> 00:38:52,592 WE BECAME URBAN AND THE 951 00:38:52,592 --> 00:38:56,050 TRADITIONAL FAMILY STRUCTURES 952 00:38:56,050 --> 00:38:58,842 BEGAN TO FEEL PRESSURE 953 00:38:58,842 --> 00:39:00,508 AND WEAKEN. 954 00:39:00,508 --> 00:39:03,050 AS A CONSEQUENCE, BY 955 00:39:03,050 --> 00:39:06,175 THE LATE 1800s, ELDERS, IN 956 00:39:06,175 --> 00:39:08,425 ALARMING NUMBERS, 957 00:39:08,425 --> 00:39:12,008 WERE ENDING THEIR DAYS IN THE 958 00:39:12,008 --> 00:39:15,050 POORHOUSE, ALONGSIDE THE 959 00:39:15,050 --> 00:39:18,175 INSANE AND THE HOMELESS. 960 00:39:18,175 --> 00:39:20,758 >> THIS SOCIAL SECURITY MEASURE 961 00:39:20,758 --> 00:39:23,300 GIVES AT LEAST SOME PROTECTION 962 00:39:23,300 --> 00:39:26,092 TO 30 MILLIONS OF OUR CITIZENS 963 00:39:26,092 --> 00:39:27,550 WHO WILL REAP 964 00:39:27,550 --> 00:39:29,800 DIRECT BENEFITS THROUGH 965 00:39:29,800 --> 00:39:31,717 OLD-AGE PENSIONS... 966 00:39:31,717 --> 00:39:34,592 >> Thomas: THERE WAS A REAL 967 00:39:34,592 --> 00:39:37,467 AWARENESS THAT OLDER PEOPLE 968 00:39:37,467 --> 00:39:40,592 IN AMERICA WERE SICK AND POOR, 969 00:39:40,592 --> 00:39:42,550 AND A DECISION WAS MADE TO 970 00:39:42,550 --> 00:39:44,758 SUPPORT THEM, NOT THROUGH THE 971 00:39:44,758 --> 00:39:47,050 WELFARE SYSTEM, BUT THROUGH THE 972 00:39:47,050 --> 00:39:48,508 HEALTHCARE SYSTEM. 973 00:39:48,508 --> 00:39:50,842 AND SO, WHAT WE HAD WAS THIS 974 00:39:50,842 --> 00:39:53,342 INCREDIBLE SHOTGUN MARRIAGE OF 975 00:39:53,342 --> 00:39:55,842 THE POORHOUSE AND THE HOSPITAL 976 00:39:55,842 --> 00:39:57,258 AND THAT'S WHAT 977 00:39:57,258 --> 00:39:58,925 NURSING HOMES BECAME. 978 00:40:01,175 --> 00:40:04,550 >> A NEW INDUSTRY WAS BORN. 979 00:40:04,550 --> 00:40:07,925 THIS BUSINESS EXPLODED AFTER 980 00:40:07,925 --> 00:40:11,008 THE MEDICAID ACT OF 1965. 981 00:40:11,008 --> 00:40:13,508 >> Thomas: THE IDEA OF TAKING 982 00:40:13,508 --> 00:40:16,050 CARE OF ELDERS ON A MASS SCALE 983 00:40:16,050 --> 00:40:17,300 WAS SOMETHING NEW 984 00:40:17,300 --> 00:40:19,175 IN HUMAN HISTORY, AND IT WAS 985 00:40:19,175 --> 00:40:21,008 BOUND TO RUN INTO PROBLEMS. 986 00:40:21,008 --> 00:40:23,800 EARLY ON, THERE WERE ACCUSATIONS 987 00:40:23,800 --> 00:40:26,008 OF "WAREHOUSING" ELDERS, 988 00:40:26,008 --> 00:40:28,675 OVERUSING PHYSICAL RESTRAINTS, 989 00:40:28,675 --> 00:40:30,800 AND EVEN WHEN REFORMERS 990 00:40:30,800 --> 00:40:33,300 CHALLENGED THAT PRACTICE AND 991 00:40:33,300 --> 00:40:35,925 REDUCED IT, A NEW PROBLEM CAME 992 00:40:35,925 --> 00:40:37,842 UP -- THE OVERUSE OF 993 00:40:37,842 --> 00:40:39,800 ANTI-PSYCHOTIC DRUGS. 994 00:40:39,800 --> 00:40:41,967 THESE DRUGS AREN'T DESIGNED 995 00:40:41,967 --> 00:40:44,133 FOR USE WITH ELDERS, AND YET 996 00:40:44,133 --> 00:40:46,008 THEY'RE BEING MASSIVELY 997 00:40:46,008 --> 00:40:47,883 OVERUSED IN NURSING HOMES. 998 00:40:52,342 --> 00:40:54,925 >> GIVE ME A KISS RIGHT HERE. 999 00:40:54,925 --> 00:40:56,717 [ LAUGHS ] KISS ME. 1000 00:40:56,717 --> 00:40:59,633 THANK YOU. 1001 00:40:59,633 --> 00:41:01,258 >> Thomas: AMERICAN 1002 00:41:01,258 --> 00:41:03,467 NURSING HOMES ACTUALLY HAVE 1003 00:41:03,467 --> 00:41:05,842 SOME OF THE BEST PEOPLE IN OUR 1004 00:41:05,842 --> 00:41:08,008 NATION, SOME OF THE BIGGEST 1005 00:41:08,008 --> 00:41:10,342 HEARTS, MOST GENEROUS SPIRIT, 1006 00:41:10,342 --> 00:41:12,592 THE GREATEST JOY AND LAUGHTER. 1007 00:41:12,592 --> 00:41:14,175 I LOVE THESE PEOPLE. 1008 00:41:14,175 --> 00:41:17,467 HOWEVER, THEY GO TO WORK 1009 00:41:17,467 --> 00:41:21,508 EVERY DAY INSIDE AN INSTITUTION 1010 00:41:21,508 --> 00:41:24,758 THAT DEFINES PEOPLE IN TERMS OF 1011 00:41:24,758 --> 00:41:26,925 THEIR DIAGNOSES AND 1012 00:41:26,925 --> 00:41:28,967 THEIR DISABILITIES 1013 00:41:28,967 --> 00:41:32,092 AND THINKS OF THEM AS PATIENTS 1014 00:41:32,092 --> 00:41:34,800 FIRST, HUMAN BEINGS SECOND. 1015 00:41:36,717 --> 00:41:38,508 >> Woman: HE DOESN'T REALLY 1016 00:41:38,508 --> 00:41:40,008 INITIATE CONVERSATION. 1017 00:41:40,008 --> 00:41:43,592 HE JUST KIND OF...EXISTS. 1018 00:41:43,592 --> 00:41:45,217 >> DOES HE ALREADY HAVE MUSIC IN 1019 00:41:45,217 --> 00:41:45,842 HIS ROOM? 1020 00:41:45,842 --> 00:41:46,967 DOES HE HAVE A RADIO? 1021 00:41:46,967 --> 00:41:49,800 >> I DON'T THINK HE HAS A RADIO 1022 00:41:49,800 --> 00:41:51,425 IN HIS ROOM, NO. 1023 00:41:51,425 --> 00:41:52,717 >> HE HAS DEMENTIA? 1024 00:41:52,717 --> 00:41:53,508 >> MM-HMM. 1025 00:41:53,508 --> 00:41:54,633 HE HAS DEMENTIA. 1026 00:41:54,633 --> 00:41:56,467 >> Mike: JOHNNY, CAN YOU TELL 1027 00:41:56,467 --> 00:41:57,758 US, WHO'S THIS GUY? 1028 00:41:57,758 --> 00:41:59,175 >> [ LAUGHS ] 1029 00:41:59,175 --> 00:42:00,967 >> WHO'S THAT GUY? 1030 00:42:00,967 --> 00:42:04,217 IS THAT YOU, WHEN YOU WERE IN 1031 00:42:04,217 --> 00:42:05,550 THE NAVY? 1032 00:42:05,550 --> 00:42:06,925 >> IS THAT ME? 1033 00:42:06,925 --> 00:42:08,717 DO I LOOK LIKE THAT? 1034 00:42:08,717 --> 00:42:12,050 >> YEAH, THAT'S YOU. 1035 00:42:12,050 --> 00:42:15,633 >> THAT'S NOT TOO BAD! 1036 00:42:15,633 --> 00:42:17,592 >> Dan: A COUPLE OF YEARS AND 1037 00:42:17,592 --> 00:42:19,717 A LOT OF TOMMY DORSEY, BIG BAND? 1038 00:42:19,717 --> 00:42:21,717 ALL OF THIS STUFF, LET ME SORT 1039 00:42:21,717 --> 00:42:22,425 IT OUT. 1040 00:42:22,425 --> 00:42:23,633 FRANK SINATRA... 1041 00:42:23,633 --> 00:42:26,842 >> Mike: HOW ABOUT THIS ONE? 1042 00:42:26,842 --> 00:42:29,050 >> WE TRIED TO LEARN JOHN'S 1043 00:42:29,050 --> 00:42:29,842 STORY. 1044 00:42:29,842 --> 00:42:30,508 WHO'S THAT GUY? 1045 00:42:30,508 --> 00:42:31,467 >> IS THAT THE SAME GUY? 1046 00:42:31,467 --> 00:42:33,675 >> TO HELP US FIND HIS DEEPEST 1047 00:42:33,675 --> 00:42:34,425 MUSIC. 1048 00:42:34,425 --> 00:42:36,050 >> I GOT MORE MUSCLES. 1049 00:42:36,050 --> 00:42:38,133 >> BUT HOW DO YOU DO THIS FOR 1050 00:42:38,133 --> 00:42:39,592 SOMEONE LIKE JOHN? 1051 00:42:39,592 --> 00:42:42,008 ALL RIGHT, WHAT ABOUT THIS? 1052 00:42:42,008 --> 00:42:44,383 WE WERE TOLD A FEW THINGS. 1053 00:42:44,383 --> 00:42:47,258 HE PLAYED BASEBALL. 1054 00:42:47,258 --> 00:42:48,508 >> OH! 1055 00:42:48,508 --> 00:42:51,633 >> HE'D BEEN DRAFTED AND SERVED 1056 00:42:51,633 --> 00:42:53,133 AT LOS ALAMOS. 1057 00:43:02,842 --> 00:43:04,925 IT WAS THERE THAT THE ARMY 1058 00:43:04,925 --> 00:43:06,508 GAVE HIM SHOTS FOR 1059 00:43:06,508 --> 00:43:08,342 RADIATION POISONING -- 1060 00:43:08,342 --> 00:43:10,967 SHOTS THAT CAUSED ALL HIS HAIR 1061 00:43:10,967 --> 00:43:12,258 TO FALL OUT. 1062 00:43:12,258 --> 00:43:14,258 LASTLY, AFTER THE WAR, HE 1063 00:43:14,258 --> 00:43:16,633 PERFORMED IN PHILADELPHIA UNDER 1064 00:43:16,633 --> 00:43:18,883 THE STAGE NAME LARRY STEWART, 1065 00:43:18,883 --> 00:43:22,592 BUT WE COULDN'T LEARN THIS FROM 1066 00:43:22,592 --> 00:43:23,717 JOHN. 1067 00:43:23,717 --> 00:43:25,675 THE SENSORY RECORD -- 1068 00:43:25,675 --> 00:43:28,258 THE MOVIE THAT PLAYED ONLY IN 1069 00:43:28,258 --> 00:43:30,800 JOHN'S MIND, CALLED MEMORY -- 1070 00:43:30,800 --> 00:43:31,800 IS GONE. 1071 00:43:31,800 --> 00:43:37,842 HIS LOVE, HIS DREAMS... 1072 00:43:37,842 --> 00:43:41,842 GONE. 1073 00:43:41,842 --> 00:43:45,383 WHO ARE WE WITHOUT OUR MEMORY? 1074 00:43:49,592 --> 00:43:51,842 >> ♪ OH JOHNNY, OH JOHNNY ♪ 1075 00:43:51,842 --> 00:43:53,842 >> IT'S "OH JOHNNY OH." 1076 00:43:53,842 --> 00:43:56,383 HOW PERFECT! [ LAUGHS ] 1077 00:43:58,383 --> 00:44:00,758 >> ♪ OH JOHNNY, OH JOHNNY ♪ 1078 00:44:00,758 --> 00:44:03,092 ♪ HOW YOU CAN LOVE ♪ 1079 00:44:03,092 --> 00:44:05,758 ♪ OH JOHNNY, OH JOHNNY ♪ 1080 00:44:05,758 --> 00:44:07,175 ♪ HEAVENS ABOVE ♪ 1081 00:44:07,175 --> 00:44:09,925 ♪ YOU MAKE MY SAD HEART JUMP 1082 00:44:09,925 --> 00:44:11,175 WITH JOY ♪ 1083 00:44:11,175 --> 00:44:14,008 ♪ AND WHEN YOU'RE NEAR I JUST 1084 00:44:14,008 --> 00:44:16,592 CAN'T SIT STILL A MINUTE ♪ 1085 00:44:16,592 --> 00:44:17,467 ♪ I'M SO ♪ 1086 00:44:17,467 --> 00:44:19,550 ♪ OH JOHNNY, OH JOHNNY ♪ 1087 00:44:19,550 --> 00:44:21,800 ♪ PLEASE TELL ME, DEAR ♪ 1088 00:44:21,800 --> 00:44:26,050 ♪ WHAT MAKES ME LOVE YOU SO ♪ 1089 00:44:26,050 --> 00:44:27,342 ♪ YOU'RE NOT HANDSOME, 1090 00:44:27,342 --> 00:44:28,092 IT'S TRUE ♪ 1091 00:44:28,092 --> 00:44:30,467 ♪ BUT WHEN I LOOK AT YOU, 1092 00:44:30,467 --> 00:44:32,217 I JUST, OH, JOHNNY ♪ 1093 00:44:32,217 --> 00:44:33,758 ♪ OH JOHNNY, OH ♪ 1094 00:44:33,758 --> 00:44:35,467 ♪ DA-DA-DA-DA-DA ♪♪ 1095 00:44:35,467 --> 00:44:37,508 >> THERE WAS NO WAY WE COULD 1096 00:44:37,508 --> 00:44:39,675 HAVE KNOWN THERE WAS THIS MUCH 1097 00:44:39,675 --> 00:44:41,217 LIFE INSIDE OF JOHN. 1098 00:44:41,217 --> 00:44:45,675 >> ♪ SOME ENCHANTED EVENING, 1099 00:44:45,675 --> 00:44:51,383 YOU MAY SEE SOMEONE ♪ 1100 00:44:51,383 --> 00:44:54,383 ♪ YOU MAY SEE A STRANGER ♪♪ 1101 00:44:54,383 --> 00:44:57,383 >> I WISH I HAD A VOICE LIKE 1102 00:44:57,383 --> 00:44:58,175 HIM. 1103 00:44:58,175 --> 00:45:00,383 >> FOR JOHNNY, GETTING HIS 1104 00:45:00,383 --> 00:45:02,633 MUSIC, AND A LITTLE FOCUSED 1105 00:45:02,633 --> 00:45:03,883 ATTENTION... 1106 00:45:03,883 --> 00:45:06,092 >> YOU'RE QUITE THE SINGER. 1107 00:45:06,092 --> 00:45:08,342 >> WAS ALL IT TOOK TO AWAKEN 1108 00:45:08,342 --> 00:45:10,508 FEELINGS HE HADN'T FELT IN 1109 00:45:10,508 --> 00:45:11,300 YEARS. 1110 00:45:11,300 --> 00:45:14,133 >> I LOVE TO DO IT. 1111 00:45:14,133 --> 00:45:16,092 >> Mike: WHEN DID YOU FIRST 1112 00:45:16,092 --> 00:45:16,717 SING? 1113 00:45:16,717 --> 00:45:18,758 WHEN YOU WERE YOUNG, DID YOU 1114 00:45:18,758 --> 00:45:19,383 SING? 1115 00:45:19,383 --> 00:45:22,342 >> I DON'T KNOW. 1116 00:45:22,342 --> 00:45:25,133 I'M JUST A SMALL GUY. 1117 00:45:25,133 --> 00:45:26,550 >> YEAH? 1118 00:45:26,550 --> 00:45:30,342 >> I'M CRYING. 1119 00:45:30,342 --> 00:45:32,883 >> WHY? ARE YOU SAD? 1120 00:45:32,883 --> 00:45:35,008 >> I DON'T KNOW. 1121 00:45:35,008 --> 00:45:37,675 I LOVE EVERYBODY AROUND HERE. 1122 00:45:37,675 --> 00:45:40,217 MY GANG -- THIS IS MY GANG. 1123 00:45:40,217 --> 00:45:42,800 >> Woman: THIS IS YOUR GANG? 1124 00:45:42,800 --> 00:45:43,425 YEAH? 1125 00:45:43,425 --> 00:45:45,592 DOES IT MAKE YOU HAPPY TO SING 1126 00:45:45,592 --> 00:45:46,342 FOR US? 1127 00:45:46,342 --> 00:45:48,342 >> YEAH. 1128 00:45:48,342 --> 00:45:50,092 >> Dan: HALF THE PEOPLE IN 1129 00:45:50,092 --> 00:45:52,092 NURSING HOMES GET NO VISITORS, 1130 00:45:52,092 --> 00:45:53,300 SO IT'S NOT LIKE 1131 00:45:53,300 --> 00:45:54,592 FAMILY CAN DO IT. 1132 00:45:54,592 --> 00:45:56,342 THE NURSING HOMES DON'T REALLY 1133 00:45:56,342 --> 00:45:58,050 HAVE A READY BUDGET FOR THIS. 1134 00:45:58,050 --> 00:46:00,508 THE GOVERNMENT DOES NOT 1135 00:46:00,508 --> 00:46:03,633 REIMBURSE FOR MUSIC, AND iPODS, 1136 00:46:03,633 --> 00:46:06,342 SO IT REALLY NEEDS TO COME FROM 1137 00:46:06,342 --> 00:46:07,467 SOMEWHERE. 1138 00:46:07,467 --> 00:46:09,342 SO MY ULTIMATE GOAL IS TO MAKE 1139 00:46:09,342 --> 00:46:10,842 THIS A STANDARD OF CARE 1140 00:46:10,842 --> 00:46:12,675 IN ALL 16,000 NURSING HOMES IN 1141 00:46:12,675 --> 00:46:13,633 THE COUNTRY. 1142 00:46:13,633 --> 00:46:14,758 THAT'S THE GOAL. 1143 00:46:14,758 --> 00:46:15,550 >> IT DEPENDS ON THE 1144 00:46:15,550 --> 00:46:16,133 NURSING HOME. 1145 00:46:16,133 --> 00:46:17,300 IT DEPENDS ON HOW PROACTIVE THE 1146 00:46:17,300 --> 00:46:18,508 VOLUNTEER DEPARTMENT IS. 1147 00:46:20,258 --> 00:46:22,258 >> Dan: IS THIS SOMETHING YOU'D 1148 00:46:22,258 --> 00:46:24,092 WANT TO EXPLORE FOR YOUR OWN 1149 00:46:24,092 --> 00:46:25,008 FACILITIES? 1150 00:46:25,008 --> 00:46:26,133 >> WELL, I HAVE 1151 00:46:26,133 --> 00:46:27,342 SEVERAL CONCERNS. 1152 00:46:27,342 --> 00:46:28,592 >> THAT YOU GIVE IT TO 2 PEOPLE 1153 00:46:28,592 --> 00:46:29,550 AND 10 PEOPLE ARE GOING 1154 00:46:29,550 --> 00:46:30,800 TO WANT IT AND I'M NOT GOING TO 1155 00:46:30,800 --> 00:46:31,883 BE ABLE TO GIVE IT TO THEM. 1156 00:46:31,883 --> 00:46:32,758 >> FRANKLY, HOW 1157 00:46:32,758 --> 00:46:33,800 IT'S ADMINISTERED. 1158 00:46:33,800 --> 00:46:35,092 >> Woman: THIS IS A VERY 1159 00:46:35,092 --> 00:46:35,758 BIG PLACE. 1160 00:46:35,758 --> 00:46:37,175 WE HAVE 600 RESIDENTS HERE. 1161 00:46:37,175 --> 00:46:39,300 >> COST IS ALSO A SIGNIFICANT 1162 00:46:39,300 --> 00:46:41,592 FACTOR THAT WE HAVE TO CONSIDER 1163 00:46:41,592 --> 00:46:42,800 IN EVERY PROGRAM. 1164 00:46:45,967 --> 00:46:47,550 >> Man: SO TELL ME, HOW CAN 1165 00:46:47,550 --> 00:46:48,675 I HELP YOU TODAY? 1166 00:46:48,675 --> 00:46:51,383 >> I'M LOOKING FOR A DONATION. 1167 00:46:51,383 --> 00:46:53,675 >> SIR, ONE SECOND HERE. 1168 00:46:53,675 --> 00:46:55,008 >> THE RESEARCH SHOWS IT, 1169 00:46:55,008 --> 00:46:56,383 OUR EXPERIENCE SHOWS IT -- 1170 00:46:56,383 --> 00:46:57,592 THERE IS NO DOUBT THAT 1171 00:46:57,592 --> 00:46:59,758 MAINSTREAMING THE USE OF 1172 00:46:59,758 --> 00:47:01,550 PERSONALIZED MUSIC, 1173 00:47:01,550 --> 00:47:03,342 USING iPODS... 1174 00:47:03,342 --> 00:47:06,300 I SPOKE TO THE SENIOR VICE 1175 00:47:06,300 --> 00:47:09,758 PRESIDENT AND THEY -- THEY HAVE 1176 00:47:09,758 --> 00:47:12,800 A NO CORPORATE PHILANTHROPY 1177 00:47:12,800 --> 00:47:14,467 POLICY. 1178 00:47:14,467 --> 00:47:16,133 THERE ARE 16,000 NURSING HOMES 1179 00:47:16,133 --> 00:47:17,800 IN THE UNITED STATES, AND THE 1180 00:47:17,800 --> 00:47:19,300 CHALLENGE IS GETTING IT OUT 1181 00:47:19,300 --> 00:47:21,008 THERE, AND WE COULD REALLY USE 1182 00:47:21,008 --> 00:47:21,717 YOUR HELP. 1183 00:47:21,717 --> 00:47:24,133 >> Mike: SANDRA DAY O'CONNOR 1184 00:47:24,133 --> 00:47:26,842 TALKED TO HIM ABUT YOUR PROJECT? 1185 00:47:26,842 --> 00:47:28,092 >> NO, ABOUT ALZHEIMER'S, 1186 00:47:28,092 --> 00:47:29,383 SUPPORT OF THE ALZHEIMER'S 1187 00:47:29,383 --> 00:47:30,092 ASSOCIATION. 1188 00:47:30,092 --> 00:47:33,758 SUPPORT FOR ALZHEIMER'S. 1189 00:47:33,758 --> 00:47:34,800 >> SHE TALKED TO 1190 00:47:34,800 --> 00:47:35,800 THE MAN HIMSELF. 1191 00:47:35,800 --> 00:47:36,467 >> YEAH. 1192 00:47:36,467 --> 00:47:37,633 >> AND HE SAID NO? 1193 00:47:37,633 --> 00:47:38,258 >> YEAH. 1194 00:47:38,258 --> 00:47:39,675 SO, WHAT LUCK AM I GOING 1195 00:47:39,675 --> 00:47:41,633 TO HAVE? 1196 00:47:52,467 --> 00:47:55,050 >> Thomas: HOW'S THE WORK GOING? 1197 00:47:55,050 --> 00:47:57,092 >> Dan: IT'S A STRUGGLE. 1198 00:47:57,092 --> 00:47:59,508 IT'S A STRUGGLE. 1199 00:47:59,508 --> 00:48:01,758 >> Thomas: I HAVE TO TELL YOU, 1200 00:48:01,758 --> 00:48:04,050 I AM ONE OF THE FEW PEOPLE WHO 1201 00:48:04,050 --> 00:48:05,550 ACTUALLY KNOWS HOW 1202 00:48:05,550 --> 00:48:07,133 YOU FEEL ABOUT THIS. 1203 00:48:07,133 --> 00:48:09,550 BECAUSE A COUPLE OF DECADES AGO, 1204 00:48:09,550 --> 00:48:12,008 I GOT REALLY CHARGED UP BY THIS 1205 00:48:12,008 --> 00:48:13,967 IDEA THAT WE COULD BRING 1206 00:48:13,967 --> 00:48:16,425 PLANTS AND ANIMALS AND CHILDREN 1207 00:48:16,425 --> 00:48:18,508 INTO THE LIVES OF ELDERS. 1208 00:48:18,508 --> 00:48:20,258 I HAD THE SAME KIND OF 1209 00:48:20,258 --> 00:48:22,092 EXPERIENCES THAT YOU'VE 1210 00:48:22,092 --> 00:48:24,008 DESCRIBED, WHERE I COULD 1211 00:48:24,008 --> 00:48:25,758 SEE PEOPLE COME ALIVE. 1212 00:48:25,758 --> 00:48:28,758 WE HAD THIS DREAM THAT WE'D 1213 00:48:28,758 --> 00:48:31,842 JUST GO DOOR TO DOOR, BUT WE 1214 00:48:31,842 --> 00:48:35,300 COULDN'T PENETRATE, SORT OF, THE 1215 00:48:35,300 --> 00:48:38,008 FOG OF THE NURSING HOME. 1216 00:48:38,008 --> 00:48:40,133 WHAT YOU'RE DOING IS OUTSIDE OF 1217 00:48:40,133 --> 00:48:42,175 CONVENTIONAL PRACTICE AND YOU 1218 00:48:42,175 --> 00:48:43,883 HAVE TO -- AND IF YOU'RE 1219 00:48:43,883 --> 00:48:45,842 GOING TO BE SUCCESSFUL GOING 1220 00:48:45,842 --> 00:48:47,967 FORWARD, YOU HAVE TO UNDERSTAND 1221 00:48:47,967 --> 00:48:49,633 HOW BIG A BARRIER THAT IS. 1222 00:48:55,467 --> 00:48:56,550 >> Man: LADIES AND GENTLEMEN, 1223 00:48:56,550 --> 00:48:57,467 PLEASE FIND YOUR SEATS. 1224 00:48:57,467 --> 00:49:00,133 >> Mike: WE WENT LOOKING FOR 1225 00:49:00,133 --> 00:49:01,217 ANSWERS. 1226 00:49:01,217 --> 00:49:03,383 IT TURNS OUT WE ARE NOT ALONE. 1227 00:49:03,383 --> 00:49:05,425 THERE ARE LOTS OF PEOPLE WHO 1228 00:49:05,425 --> 00:49:07,258 BELIEVE THERE'S SOMETHING 1229 00:49:07,258 --> 00:49:09,300 FUNDAMENTALLY WRONG WITH THE 1230 00:49:09,300 --> 00:49:11,008 AMERICAN NURSING HOME. 1231 00:49:11,008 --> 00:49:13,092 >> Woman: I THINK WE ARE PART 1232 00:49:13,092 --> 00:49:15,092 OF A MOVEMENT THAT IS MUCH, 1233 00:49:15,092 --> 00:49:16,300 MUCH, BIGGER. 1234 00:49:16,300 --> 00:49:17,592 I WANT TO WORK ON CULTURE 1235 00:49:17,592 --> 00:49:18,133 CHANGE. 1236 00:49:18,133 --> 00:49:19,425 I WANT TO SUPPORT CULTURE 1237 00:49:19,425 --> 00:49:20,800 CHANGE AS A NATIONAL PRIORITY. 1238 00:49:32,342 --> 00:49:33,342 >> Dan: HI, BONNIE. 1239 00:49:33,342 --> 00:49:34,508 >> HI, DAN. WHAT'S UP? 1240 00:49:34,508 --> 00:49:35,342 >> HOW ARE YOU? 1241 00:49:35,342 --> 00:49:37,300 >> WE VALUE INDEPENDENCE AND 1242 00:49:37,300 --> 00:49:38,883 HAVE THE HARDEST TIME, 1243 00:49:38,883 --> 00:49:40,967 I BELIEVE, OF ANY COUNTRY WITH 1244 00:49:40,967 --> 00:49:42,842 THE CONCEPT OF DEPENDENCE. 1245 00:49:42,842 --> 00:49:45,967 AND SO, WHEREAS OTHER FOLKS HAVE 1246 00:49:45,967 --> 00:49:48,467 INTEGRATED AGING, WE HAD 1247 00:49:48,467 --> 00:49:51,258 A UNIQUE INTEREST IN SAYING, 1248 00:49:51,258 --> 00:49:53,008 "OVER THERE -- I DON'T WANT TO 1249 00:49:53,008 --> 00:49:54,258 SEE IT, I DON'T WANT 1250 00:49:54,258 --> 00:49:55,383 TO KNOW ABOUT IT." 1251 00:49:55,383 --> 00:49:56,758 >> Mike: WHY ARE WE CHANGING 1252 00:49:56,758 --> 00:49:57,175 NOW? 1253 00:49:57,175 --> 00:49:58,425 >> WHY ARE WE CHANGING NOW? 1254 00:49:58,425 --> 00:50:00,133 BECAUSE IT'S NOT WORKING. 1255 00:50:00,133 --> 00:50:01,883 BECAUSE IT'S DEHUMANIZING. 1256 00:50:01,883 --> 00:50:03,717 AND I THINK, QUITE FRANKLY, 1257 00:50:03,717 --> 00:50:05,800 I THINK BABY BOOMERS ARE SAYING, 1258 00:50:05,800 --> 00:50:07,467 "THIS IS NOT ACCEPTABLE. 1259 00:50:07,467 --> 00:50:09,342 THIS IS NOT HOW I WANT TO BE 1260 00:50:09,342 --> 00:50:13,550 TREATED WHEN I GET OLDER." 1261 00:50:13,550 --> 00:50:15,883 >> Mike: THIS WAS INSPIRING, 1262 00:50:15,883 --> 00:50:16,758 BUT ARE 1263 00:50:16,758 --> 00:50:18,758 WE REALLY INTERESTED IN 1264 00:50:18,758 --> 00:50:21,217 CHANGING THE WAY AMERICA AGES? 1265 00:50:21,217 --> 00:50:23,758 >> Thomas: MIGHT NOT REALIZE IT 1266 00:50:23,758 --> 00:50:26,342 BUT THE UNITED STATES OF AMERICA 1267 00:50:26,342 --> 00:50:28,883 HAS ONLY 6,000 GERIATRICIANS IN 1268 00:50:28,883 --> 00:50:31,217 A NATION OF 300 MILLION PEOPLE. 1269 00:50:33,925 --> 00:50:36,883 EVEN WORSE, THAT NUMBER IS NOT 1270 00:50:36,883 --> 00:50:39,508 GOING UP, IT'S GOING DOWN. 1271 00:50:39,508 --> 00:50:43,633 >> THIS IS UNFORTUNATE TIMING, 1272 00:50:43,633 --> 00:50:45,883 BECAUSE THE CHALLENGES WE'RE 1273 00:50:45,883 --> 00:50:47,967 GOING TO HAVE TO FACE ARE 1274 00:50:47,967 --> 00:50:48,883 GROWING. 1275 00:50:48,883 --> 00:50:51,008 >> WE'RE FACING AN EPIDEMIC 1276 00:50:51,008 --> 00:50:53,008 OF NEUROLOGIC DISEASES ON 1277 00:50:53,008 --> 00:50:54,342 A GLOBAL SCALE. 1278 00:50:54,342 --> 00:50:55,508 [ LAUGHTER ] 1279 00:50:55,508 --> 00:50:57,050 A CHEERY THOUGHT. 1280 00:50:57,050 --> 00:50:58,800 ON THIS MAP, EVERY COUNTRY 1281 00:50:58,800 --> 00:51:00,675 THAT'S COLORED BLUE HAS MORE 1282 00:51:00,675 --> 00:51:02,425 THAN 20% OF ITS POPULATION 1283 00:51:02,425 --> 00:51:03,758 OVER THE AGE OF 65. 1284 00:51:03,758 --> 00:51:05,717 THIS IS THE WORLD WE LIVE IN. 1285 00:51:05,717 --> 00:51:07,550 AND THIS IS THE WORLD YOUR 1286 00:51:07,550 --> 00:51:09,175 CHILDREN WILL LIVE IN. 1287 00:51:09,175 --> 00:51:10,592 FOR 12,000 YEARS, THE 1288 00:51:10,592 --> 00:51:12,342 DISTRIBUTION OF AGES IN THE 1289 00:51:12,342 --> 00:51:13,717 HUMAN POPULATION HAS 1290 00:51:13,717 --> 00:51:15,633 LOOKED LIKE A PYRAMID WITH THE 1291 00:51:15,633 --> 00:51:16,675 OLDEST ON TOP. 1292 00:51:16,675 --> 00:51:20,592 IT'S ALREADY FLATTENING OUT. 1293 00:51:20,592 --> 00:51:23,300 BY 2050, IT'S GOING TO 1294 00:51:23,300 --> 00:51:26,675 BE A COLUMN AND WILL START TO 1295 00:51:26,675 --> 00:51:28,175 INVERT... 1296 00:51:28,175 --> 00:51:29,717 AND THIS IS WHY THAT'S 1297 00:51:29,717 --> 00:51:31,092 NOT ENTIRELY A GOOD 1298 00:51:31,092 --> 00:51:33,092 THING, BECAUSE OVER THE AGE OF 1299 00:51:33,092 --> 00:51:34,758 65, YOUR RISK OF GETTING 1300 00:51:34,758 --> 00:51:35,883 ALZHEIMER'S OR 1301 00:51:35,883 --> 00:51:37,508 PARKINSON'S DISEASE WILL 1302 00:51:37,508 --> 00:51:39,133 INCREASE EXPONENTIALLY. 1303 00:51:39,133 --> 00:51:40,967 THERE ARE FIVE MILLION 1304 00:51:40,967 --> 00:51:42,842 ALZHEIMER'S PATIENTS IN 1305 00:51:42,842 --> 00:51:44,383 THE UNITED STATES. 1306 00:51:44,383 --> 00:51:46,258 IN THE NEXT 10 YEARS, THAT 1307 00:51:46,258 --> 00:51:47,925 NUMBER WILL COME CLOSE 1308 00:51:47,925 --> 00:51:48,925 TO DOUBLING. 1309 00:51:48,925 --> 00:51:50,967 WE DO NOT HAVE THE FACILITIES, 1310 00:51:50,967 --> 00:51:52,925 WE DO NOT HAVE THE RESOURCES, 1311 00:51:52,925 --> 00:51:54,550 FINANCIAL OR OTHERWISE, 1312 00:51:54,550 --> 00:51:56,550 TO COPE WITH THAT NUMBER 1313 00:51:56,550 --> 00:51:57,550 OF PEOPLE 1314 00:51:57,550 --> 00:51:59,550 SUFFERING FROM DEMENTIA. 1315 00:51:59,550 --> 00:52:01,467 WE HAVE TO FIND A WAY TO HELP 1316 00:52:01,467 --> 00:52:03,425 THEM AGE IN PLACE IN A HEALTHY 1317 00:52:03,425 --> 00:52:04,883 MANNER. 1318 00:52:08,883 --> 00:52:12,592 >> WHAT DO YOU CALL THAT? 1319 00:52:12,592 --> 00:52:16,300 >> IT'S A -- FORK -- SP-- 1320 00:52:16,300 --> 00:52:18,008 >> KNIFE? 1321 00:52:18,008 --> 00:52:20,050 >> NO? FORK? 1322 00:52:20,050 --> 00:52:21,550 OR SPOON? 1323 00:52:24,258 --> 00:52:26,758 >> Man: SHE SAYS WE JUST DON'T 1324 00:52:26,758 --> 00:52:27,883 UNDERSTAND. 1325 00:52:27,883 --> 00:52:30,383 I THINK THAT'S PROBABLY TRUE. 1326 00:52:30,383 --> 00:52:32,800 YOU END UP BEING DEPENDENT ON 1327 00:52:32,800 --> 00:52:35,425 SOMEONE ELSE FOR EVERYTHING THAT 1328 00:52:35,425 --> 00:52:36,300 YOU DO. 1329 00:52:36,300 --> 00:52:37,967 YOU CAN NO LONGER WRITE 1330 00:52:37,967 --> 00:52:40,133 YOUR NAME, YOU STRUGGLE READING, 1331 00:52:40,133 --> 00:52:43,217 YOU LOSE SMALL MOTOR CONTROL. 1332 00:52:43,217 --> 00:52:44,967 YOU CAN'T EVEN REMEMBER HOW TO 1333 00:52:44,967 --> 00:52:46,300 GET IN AND OUT OF YOUR 1334 00:52:46,300 --> 00:52:47,717 APARTMENT, OR THE ELEVATOR. 1335 00:52:48,508 --> 00:52:50,842 >> SO, DO YOU REMEMBER WHERE IS 1336 00:52:50,842 --> 00:52:53,092 THE ELEVATOR, MAYBE IT'S HERE? 1337 00:52:53,092 --> 00:52:54,842 >> IT COULD BE, YES. 1338 00:52:54,842 --> 00:52:55,758 >> OKAY. 1339 00:52:55,758 --> 00:52:56,967 LET'S PRESS. 1340 00:52:56,967 --> 00:52:58,508 DO WE GO DOWN OR UP? 1341 00:52:58,508 --> 00:53:00,175 >> WE HAVE TO GO DOWN. 1342 00:53:00,175 --> 00:53:02,133 >> OKAY, SO, DO YOU WANT TO 1343 00:53:02,133 --> 00:53:03,258 PRESS FOR ME? 1344 00:53:03,258 --> 00:53:04,675 >> OH, YES, HERE. 1345 00:53:04,675 --> 00:53:05,592 THIS ONE? 1346 00:53:05,592 --> 00:53:06,550 I'M NOT SURE. 1347 00:53:06,550 --> 00:53:07,550 >> THAT'S UP. 1348 00:53:07,550 --> 00:53:08,758 >> SO THAT'S DOWN? 1349 00:53:08,758 --> 00:53:10,217 >> THIS IS DOWN, YES. 1350 00:53:10,217 --> 00:53:10,925 >> OKAY. 1351 00:53:10,925 --> 00:53:12,508 OH, DID I DO THAT BADLY? 1352 00:53:12,508 --> 00:53:13,925 >> I DON'T THINK SO. 1353 00:53:13,925 --> 00:53:15,342 DO YOU SEE THE LIGHT? 1354 00:53:15,342 --> 00:53:17,133 >> YEAH. 1355 00:53:35,675 --> 00:53:39,842 WHOO! 1356 00:53:39,842 --> 00:53:42,258 OH, LOOK, LOOK, LOOK. 1357 00:53:42,258 --> 00:53:44,050 OH, BEAUTIFUL. 1358 00:53:44,050 --> 00:53:45,717 LOOK AT THAT. 1359 00:53:45,717 --> 00:53:47,842 ISN'T THAT LOVELY? 1360 00:53:47,842 --> 00:53:48,967 OH, GOTCHA. 1361 00:53:48,967 --> 00:53:50,675 I GOTCHA, I GOTCHA. 1362 00:53:50,675 --> 00:53:52,092 DIDN'T I, HUH? 1363 00:53:52,092 --> 00:53:55,008 >> FOR MARYLOU, LOVING HER 1364 00:53:55,008 --> 00:53:57,133 GRANDSON IS EASY. 1365 00:53:57,133 --> 00:54:00,883 >> THIS IS GOING TO THE, WHAT? 1366 00:54:00,883 --> 00:54:02,467 [ LAUGHS ] 1367 00:54:02,467 --> 00:54:05,050 WHERE ARE YOU GOING TO GO? 1368 00:54:05,050 --> 00:54:06,883 >> IT'S JUST EVERYTHING ELSE 1369 00:54:06,883 --> 00:54:07,925 THAT IS HARD. 1370 00:54:07,925 --> 00:54:10,592 >> I'M REALLY BAD, SEE. 1371 00:54:12,383 --> 00:54:15,508 LET'S SEE. 1372 00:54:15,508 --> 00:54:19,508 >> BUT SURPRISINGLY, EVEN DEEP 1373 00:54:19,508 --> 00:54:22,300 INSIDE ALZHEIMER'S, 1374 00:54:22,300 --> 00:54:25,550 HER CAPACITY FOR LOVE AND 1375 00:54:25,550 --> 00:54:28,633 AFFECTION REMAINS STRONG. 1376 00:54:32,800 --> 00:54:35,467 >> I HAVE LOTS OF PEOPLE TO TALK 1377 00:54:35,467 --> 00:54:37,883 TO ME AND DO ALL THAT KIND OF 1378 00:54:37,883 --> 00:54:39,217 THING, SO I... 1379 00:54:39,217 --> 00:54:42,175 YEAH. [ CRYING ] 1380 00:54:42,175 --> 00:54:44,342 >> Mike: ARE YOU SAD BECAUSE 1381 00:54:44,342 --> 00:54:46,592 OTHER PEOPLE DON'T HAVE THAT? 1382 00:54:46,592 --> 00:54:47,383 >> YES. 1383 00:54:47,383 --> 00:54:49,550 OF COURSE, BECAUSE HOW COULD 1384 00:54:49,550 --> 00:54:51,717 I DO THINGS IF I DIDN'T HAVE 1385 00:54:51,717 --> 00:54:53,050 PEOPLE WITH ME? 1386 00:54:53,050 --> 00:54:57,092 SO, THAT'S... 1387 00:54:57,092 --> 00:54:59,342 >> THIS IS A HARD JOURNEY FOR 1388 00:54:59,342 --> 00:55:00,258 YOU, HUH? 1389 00:55:00,258 --> 00:55:01,092 >> YEAH. 1390 00:55:01,092 --> 00:55:04,383 WELL, MY HUSBAND... 1391 00:55:04,383 --> 00:55:07,675 HE'S WONDERFUL. 1392 00:55:10,425 --> 00:55:11,842 >> WOULD YOU LIKE TO 1393 00:55:11,842 --> 00:55:13,050 HEAR SOME MUSIC? 1394 00:55:13,050 --> 00:55:14,467 WOULD YOU LIKE TO LISTEN 1395 00:55:14,467 --> 00:55:15,425 TO SOME MUSIC. 1396 00:55:15,425 --> 00:55:16,842 >> SURE. WHY NOT? 1397 00:55:16,842 --> 00:55:18,758 >> WHAT DO YOU HAVE, DAN? 1398 00:55:18,758 --> 00:55:19,675 >> Dan: HERE YOU GO. 1399 00:55:19,675 --> 00:55:20,967 >> I DON'T KNOW HOW TO DO THIS. 1400 00:55:20,967 --> 00:55:21,925 >> Dan: STRAIGHT OVER 1401 00:55:21,925 --> 00:55:23,050 YOUR EARS AND YOUR HEAD... 1402 00:55:23,050 --> 00:55:23,508 PERFECT. 1403 00:55:23,508 --> 00:55:24,508 SEE THE LITTLE 1404 00:55:24,508 --> 00:55:25,925 BUTTON IN THE MIDDLE? 1405 00:55:25,925 --> 00:55:26,758 >> PRESS THAT? 1406 00:55:26,758 --> 00:55:28,300 >> YEAH, RIGHT IN THE MIDDLE. 1407 00:55:28,300 --> 00:55:29,133 CLICK IT ONCE. 1408 00:55:29,133 --> 00:55:29,925 THERE YOU GO. 1409 00:55:29,925 --> 00:55:31,092 >> ♪ ROUND ROUND GET AROUND 1410 00:55:31,092 --> 00:55:32,883 I GET AROUND, YEAH ♪ 1411 00:55:32,883 --> 00:55:34,550 ♪ GET AROUND ROUND ROUND 1412 00:55:34,550 --> 00:55:35,633 I GET AROUND ♪ 1413 00:55:35,633 --> 00:55:37,467 ♪ I GET AROUND GET AROUND ROUND 1414 00:55:37,467 --> 00:55:38,717 ROUND I GET AROUND ♪ 1415 00:55:38,717 --> 00:55:39,592 ♪ FROM TOWN TO TOWN ♪ 1416 00:55:39,592 --> 00:55:40,592 ♪ GET AROUND ROUND ROUND 1417 00:55:40,592 --> 00:55:41,633 I GET AROUND ♪ 1418 00:55:41,633 --> 00:55:45,300 ♪ I'M A REAL COOL HEAD... ♪ 1419 00:55:45,300 --> 00:55:47,217 >> WHOO-HOO! 1420 00:55:47,217 --> 00:55:48,800 WHOO! 1421 00:55:48,800 --> 00:55:50,383 WHOA! 1422 00:55:50,383 --> 00:55:50,800 OH! 1423 00:55:50,800 --> 00:55:52,508 >> ♪ I GOTTA FIND A NEW PLACE 1424 00:55:52,508 --> 00:55:53,967 WHERE THE KIDS ARE HIP ♪ 1425 00:55:53,967 --> 00:55:56,217 >> I COULD GO. 1426 00:55:56,217 --> 00:55:57,842 GET OUT THERE. 1427 00:55:57,842 --> 00:55:59,175 GO WITH ME. 1428 00:55:59,175 --> 00:56:02,925 I'M SORRY. 1429 00:56:02,925 --> 00:56:04,758 DOES IT MATTER? 1430 00:56:04,758 --> 00:56:06,133 >> NO, NO. 1431 00:56:06,133 --> 00:56:08,217 THERE'S NOTHING... 1432 00:56:08,217 --> 00:56:10,342 >> OUT OF CONTROL. 1433 00:56:10,342 --> 00:56:13,133 >> ♪ I GET AROUND ROUND 1434 00:56:13,133 --> 00:56:14,800 GET AROUND ROUND 1435 00:56:14,800 --> 00:56:16,217 ROUND ROUND ♪ 1436 00:56:16,217 --> 00:56:20,217 >> COME ON, GUYS. 1437 00:56:20,217 --> 00:56:23,217 >> ♪ WAH WA OOO ♪ 1438 00:56:23,217 --> 00:56:27,175 ♪ WAH WA OOO ♪ 1439 00:56:27,175 --> 00:56:28,800 ♪ WE ALWAYS TAKE MY CAR 'CAUSE 1440 00:56:28,800 --> 00:56:30,050 IT'S NEVER BEEN BEAT ♪ 1441 00:56:30,050 --> 00:56:32,383 ♪ AND WE'VE NEVER MISSED YET ♪♪ 1442 00:56:32,383 --> 00:56:33,675 >> I NEED MORE. 1443 00:56:33,675 --> 00:56:36,050 >> DO YOU WANT TO STOP THE 1444 00:56:36,050 --> 00:56:36,883 MUSIC? 1445 00:56:36,883 --> 00:56:38,050 [ MUSIC STOPS ] 1446 00:56:38,050 --> 00:56:40,883 >> OH, THANK YOU SO MUCH. 1447 00:56:40,883 --> 00:56:42,092 >> OKAY. 1448 00:56:42,092 --> 00:56:43,300 >> IT WAS -- 1449 00:56:43,300 --> 00:56:45,258 I'M SO GLAD TO GET IT. 1450 00:56:45,258 --> 00:56:46,342 THANK YOU. 1451 00:56:46,342 --> 00:56:49,008 AND I LOVE IT, AND YOU WERE VERY 1452 00:56:49,008 --> 00:56:50,592 NICE TO ME AND... 1453 00:56:50,592 --> 00:56:52,258 >> OKAY, SO THEY'RE TEARS OF 1454 00:56:52,258 --> 00:56:52,717 JOY? 1455 00:56:52,717 --> 00:56:53,383 >> YEAH. 1456 00:56:53,383 --> 00:56:54,008 >> OKAY 1457 00:56:54,008 --> 00:56:55,508 JUST WANTED TO MAKE SURE. 1458 00:56:55,508 --> 00:56:58,633 >> THAT'S THE BEST THING I'VE 1459 00:56:58,633 --> 00:57:00,467 EVER, EVER HAD. 1460 00:57:00,467 --> 00:57:02,800 THIS THING, THIS -- 1461 00:57:02,800 --> 00:57:05,883 I DON'T KNOW HOW TO SAY IT. 1462 00:57:05,883 --> 00:57:07,550 IT'S JUST... 1463 00:57:07,550 --> 00:57:11,633 IT CAN'T GET AWAY FROM ME IF I'M 1464 00:57:11,633 --> 00:57:13,758 IN THIS PLACE. 1465 00:57:13,758 --> 00:57:14,925 >> Mike: I THOUGHT YOU WERE 1466 00:57:14,925 --> 00:57:15,800 GOING TO GROW WINGS. 1467 00:57:15,800 --> 00:57:17,550 >> I WAS TRYING. 1468 00:57:17,550 --> 00:57:19,508 >> [ BOTH LAUGHING ] 1469 00:57:21,758 --> 00:57:23,758 >> WE WANTED TO BELIEVE THAT 1470 00:57:23,758 --> 00:57:25,800 MUSIC WOULD HELP MARYLOU STAY 1471 00:57:25,800 --> 00:57:27,508 WITH HER FAMILY LONGER. 1472 00:57:27,508 --> 00:57:28,550 WE DIDN'T KNOW IF IT 1473 00:57:28,550 --> 00:57:29,758 COULD DO THIS, UNTIL WE 1474 00:57:29,758 --> 00:57:33,258 MET NORMAN AND NELL. 1475 00:57:33,258 --> 00:57:36,050 [ PIANO MUSIC PLAYS ] 1476 00:57:43,175 --> 00:57:46,050 >> Norman: NELL AND I HAVE BEEN 1477 00:57:46,050 --> 00:57:49,050 ABLE TO AVOID LONG TERM CARE FOR 1478 00:57:49,050 --> 00:57:51,050 A NUMBER OF YEARS BY 1479 00:57:51,050 --> 00:57:52,758 TRYING TO KEEP HER 1480 00:57:52,758 --> 00:57:54,758 CONSTANTLY STIMULATED. 1481 00:57:54,758 --> 00:57:55,758 MUSIC HAS 1482 00:57:55,758 --> 00:57:58,217 BEEN AN ENORMOUS PART OF IT. 1483 00:57:58,217 --> 00:58:00,592 THEN YOU'LL PLAY THE PIANO FOR 1484 00:58:00,592 --> 00:58:01,175 US? 1485 00:58:01,175 --> 00:58:02,842 >> YES, BUT I JUST WANT TO BE 1486 00:58:02,842 --> 00:58:03,717 WITH YOU LOT. 1487 00:58:03,717 --> 00:58:04,467 >> OKAY. 1488 00:58:04,467 --> 00:58:05,633 >> DO YOU MIND? 1489 00:58:05,633 --> 00:58:06,967 >> ABSOLUTELY NOT. 1490 00:58:06,967 --> 00:58:08,092 I'D LOVE THAT. 1491 00:58:08,092 --> 00:58:11,175 >> NORMAN HAS CARED FOR NELL AT 1492 00:58:11,175 --> 00:58:13,133 HOME FOR 10 YEARS 1493 00:58:13,133 --> 00:58:14,800 WITHOUT DRUGS. 1494 00:58:14,800 --> 00:58:16,925 [ PIANO MUSIC PLAYS ] 1495 00:58:21,508 --> 00:58:23,925 WITHOUT PERSONALIZED MUSIC, 1496 00:58:23,925 --> 00:58:25,550 NELL WOULD BE IN 1497 00:58:25,550 --> 00:58:28,383 AN INSTITUTION. 1498 00:58:28,383 --> 00:58:31,633 >> I HAVE SPENT 38 YEARS NOW 1499 00:58:31,633 --> 00:58:35,050 WORKING ON ALZHEIMER'S DISEASE 1500 00:58:35,050 --> 00:58:37,925 AND I HAVEN'T DONE ANYTHING FOR 1501 00:58:37,925 --> 00:58:40,592 PATIENTS THAT'S AS EFFECTIVE 1502 00:58:40,592 --> 00:58:42,758 AS THE MUSIC THERAPY IS. 1503 00:58:44,092 --> 00:58:46,342 I WISH I HAD, AND I'M 1504 00:58:46,342 --> 00:58:47,925 STILL TRYING. 1505 00:58:47,925 --> 00:58:51,342 BUT I REALLY HAVEN'T SEEN 1506 00:58:51,342 --> 00:58:55,050 ANYTHING AS POSITIVE AS THAT. 1507 00:59:05,008 --> 00:59:07,175 >> MARYLOU AND NELL HAVE 1508 00:59:07,175 --> 00:59:08,133 FAMILY. 1509 00:59:08,133 --> 00:59:12,717 IMAGINE HAVING TO NAVIGATE THIS 1510 00:59:12,717 --> 00:59:17,342 ON YOUR OWN, FAR FROM 1511 00:59:17,342 --> 00:59:20,092 YOUR HOME. 1512 00:59:20,092 --> 00:59:22,675 DENISE GOT A MESSAGE TO US THAT 1513 00:59:22,675 --> 00:59:25,217 SHE WANTED US TO COME BACK -- 1514 00:59:25,217 --> 00:59:27,467 THAT SHE HAD SOMETHING SHE 1515 00:59:27,467 --> 00:59:29,217 WANTED TO TELL US. 1516 00:59:29,217 --> 00:59:32,717 AND WE CAME... 1517 00:59:32,717 --> 00:59:34,258 >> DAN, HOW ARE YOU? 1518 00:59:34,258 --> 00:59:35,758 >> BECAUSE WE KNOW 1519 00:59:35,758 --> 00:59:37,383 NO ONE ELSE VISITS HER. 1520 00:59:40,717 --> 00:59:44,550 >> Dan: IT'S A LETTER FROM THE 1521 00:59:44,550 --> 00:59:47,592 HOSPITAL DESCRIBING HER 1522 00:59:47,592 --> 00:59:49,217 CONDITION. 1523 00:59:49,217 --> 00:59:50,967 "META-STASIS..." 1524 00:59:50,967 --> 00:59:53,425 >> THAT MEANS THAT IT HAS 1525 00:59:53,425 --> 00:59:54,425 SPREAD. 1526 00:59:54,425 --> 00:59:56,508 >> YES. 1527 00:59:58,550 --> 01:00:00,758 >> SO, BECAUSE OF THAT, I THINK 1528 01:00:00,758 --> 01:00:02,175 IT'S VERY SERIOUS. 1529 01:00:02,175 --> 01:00:05,092 >> IT IS VERY SERIOUS. 1530 01:00:05,092 --> 01:00:10,175 >> YOU KNOW, LIFE GOES ON. 1531 01:00:10,175 --> 01:00:14,467 IT GOES ON! 1532 01:00:14,467 --> 01:00:17,217 WHETHER YOU DIE OR NOT, 1533 01:00:17,217 --> 01:00:18,800 IT GOES ON. 1534 01:00:18,800 --> 01:00:21,092 AND I CAN NOT ACCEPT THAT 1535 01:00:21,092 --> 01:00:23,425 I DON'T LEAVE SOMETHING IN 1536 01:00:23,425 --> 01:00:25,633 THIS WORLD FOR SOMEBODY. 1537 01:00:25,633 --> 01:00:27,633 I CANNOT ACCEPT THAT! 1538 01:00:27,633 --> 01:00:29,717 DO YOU UNDERSTAND WHAT 1539 01:00:29,717 --> 01:00:31,008 I AM SAYING? 1540 01:00:31,008 --> 01:00:33,300 [ PIANO MUSIC PLAYS ] 1541 01:00:36,092 --> 01:00:38,175 >> IT'S PAINFUL TO FEEL THAT 1542 01:00:38,175 --> 01:00:39,842 WHAT YOU HAVE TO GIVE 1543 01:00:39,842 --> 01:00:41,050 IS NOT NEEDED. 1544 01:00:41,050 --> 01:00:43,717 THAT THERE'S NO ONE THERE TO 1545 01:00:43,717 --> 01:00:45,717 RECEIVE YOUR GIFTS... 1546 01:00:47,050 --> 01:00:52,092 IN OUR PAST, IN ALL OUR 1547 01:00:52,092 --> 01:00:57,758 STORIES, IN OTHER CULTURES, 1548 01:00:57,758 --> 01:01:01,633 ELDERHOOD HAD SOMETHING TO 1549 01:01:01,633 --> 01:01:04,633 GIVE, AND THERE WAS 1550 01:01:04,633 --> 01:01:07,758 ALWAYS SOMEONE THERE WHO NEEDED 1551 01:01:07,758 --> 01:01:10,258 WHAT ELDERS HAD TO GIVE. 1552 01:01:10,258 --> 01:01:16,258 IS THIS TRUE IN OUR NEW WORLD? 1553 01:01:16,258 --> 01:01:21,092 DOES ELDERHOOD HAVE A PLACE? 1554 01:01:21,092 --> 01:01:23,258 >> Thomas: WE'RE TAUGHT FROM 1555 01:01:23,258 --> 01:01:25,633 A VERY EARLY AGE THAT ADULTHOOD 1556 01:01:25,633 --> 01:01:27,675 IS THE PINNACLE OF EXISTENCE. 1557 01:01:31,425 --> 01:01:33,967 AND THAT OLDER PEOPLE ARE REALLY 1558 01:01:33,967 --> 01:01:36,217 JUST BROKEN-DOWN VERSIONS OF 1559 01:01:36,217 --> 01:01:38,133 THEIR FORMER INCREDIBLE 1560 01:01:38,133 --> 01:01:40,467 SELVES... 1561 01:01:42,217 --> 01:01:44,925 WE'VE BUILT A CULTURE THAT 1562 01:01:44,925 --> 01:01:47,633 PRIZES INDIVIDUALS WHO ARE 1563 01:01:47,633 --> 01:01:49,342 ABLE TO EMULATE 1564 01:01:49,342 --> 01:01:51,883 THE SUCCESS OF MACHINES, 1565 01:01:51,883 --> 01:01:54,383 THAT CAN BE MACHINE-LIKE 1566 01:01:54,383 --> 01:01:56,092 IN HOW THEY LIVE. 1567 01:02:06,008 --> 01:02:08,383 THIS IS NOT GOOD NEWS FOR AGING, 1568 01:02:08,383 --> 01:02:10,717 I HAVE TO SAY, BECAUSE AGING IS 1569 01:02:10,717 --> 01:02:12,675 NOT A MACHINE-LIKE ENDEAVOR. 1570 01:02:15,467 --> 01:02:17,842 AND IT'S THE FACT THAT THEY ARE 1571 01:02:17,842 --> 01:02:20,133 MOVING INTO A DIFFERENT WAY OF 1572 01:02:20,133 --> 01:02:22,133 LIVING THAT CAUSES AMERICA 1573 01:02:22,133 --> 01:02:23,592 TO PUT THEM AWAY, 1574 01:02:23,592 --> 01:02:28,967 TO HIDE THEM AWAY. 1575 01:02:28,967 --> 01:02:29,967 WHAT I HAVE 1576 01:02:29,967 --> 01:02:31,550 LEARNED OVER A CAREER 1577 01:02:31,550 --> 01:02:33,800 OF WORKING WITH OLDER PEOPLE IS 1578 01:02:33,800 --> 01:02:36,008 THAT AMERICAN CULTURE IS WRONG. 1579 01:02:36,008 --> 01:02:38,425 THERE IS ACTUALLY LIFE BEYOND 1580 01:02:38,425 --> 01:02:39,467 ADULTHOOD. 1581 01:02:39,467 --> 01:02:41,383 [ HIP HOP PLAYS ] 1582 01:02:41,383 --> 01:02:43,342 THERE IS ACTUALLY THE 1583 01:02:43,342 --> 01:02:45,925 OPPORTUNITY TO LIVE AND GROW, 1584 01:02:45,925 --> 01:02:49,758 AND BECOME ELDERS. 1585 01:02:52,758 --> 01:02:55,383 >> [ SPEAKING NATIVE LANGUAGE ] 1586 01:02:55,383 --> 01:02:58,092 EVERY INDIAN PEOPLE, ALL FOR 1587 01:02:58,092 --> 01:02:58,842 ALL. 1588 01:02:58,842 --> 01:03:01,133 ONE PEOPLE, VERY HAPPY. 1589 01:03:01,133 --> 01:03:02,467 VERY HAPPY. 1590 01:03:02,467 --> 01:03:04,217 AH, YES, YOU ARE HAPPY. 1591 01:03:04,217 --> 01:03:06,300 [ SPEAKING NATIVE LANGUAGE ] 1592 01:03:06,300 --> 01:03:08,342 [ ALL CHANTING ] 1593 01:03:08,342 --> 01:03:10,550 >> WE ARE MADE TO AGE, 1594 01:03:10,550 --> 01:03:13,550 AND THE AGING THAT WE EXPERIENCE 1595 01:03:13,550 --> 01:03:16,008 ACTUALLY HOLDS IN IT VERY 1596 01:03:16,008 --> 01:03:18,300 IMPORTANT LEARNINGS AND 1597 01:03:18,300 --> 01:03:20,592 LESSONS... 1598 01:03:26,008 --> 01:03:28,800 >> THERE IS A TOUCH THAT TAKES 1599 01:03:28,800 --> 01:03:33,258 A LIFETIME TO ACHIEVE. 1600 01:03:36,175 --> 01:03:39,467 LOCKING THIS TOUCH AWAY IS LIKE 1601 01:03:39,467 --> 01:03:42,550 STRIPPING FROM OURSELVES PART 1602 01:03:42,550 --> 01:03:43,925 OF BEING HUMAN. 1603 01:03:50,383 --> 01:03:51,967 >> Samite: THESE PEOPLE THAT WE 1604 01:03:51,967 --> 01:03:53,550 SEE IN THIS NURSING HOME, THEIR 1605 01:03:53,550 --> 01:03:55,008 SPIRITS ARE DUMPED ON BECAUSE 1606 01:03:55,008 --> 01:03:56,300 WE'RE LOCKING THEM AWAY. 1607 01:03:56,300 --> 01:03:57,800 BUT WHEN YOU BRING THE MUSIC, 1608 01:03:57,800 --> 01:03:59,175 THAT SPIRIT IS WHAT WE SEE 1609 01:03:59,175 --> 01:04:00,050 THAT COMES OUT. 1610 01:04:00,050 --> 01:04:01,717 THAT SPIRIT IS STILL 1611 01:04:01,717 --> 01:04:03,133 FRESH AND YOUNG. 1612 01:04:03,133 --> 01:04:06,092 >> [ BOTH LAUGHING ] 1613 01:04:06,092 --> 01:04:08,217 >> MY PAIN IS VERY PAINFUL. 1614 01:04:08,217 --> 01:04:09,425 >> OH, SORRY. 1615 01:04:09,425 --> 01:04:12,383 >> BUT YOU KNOW WHAT? 1616 01:04:12,383 --> 01:04:13,842 >> WHAT? 1617 01:04:13,842 --> 01:04:16,425 >> I CAN TAKE A LOT OF PAIN. 1618 01:04:16,425 --> 01:04:19,133 >> YOU LOOK LIKE A VERY STRONG 1619 01:04:19,133 --> 01:04:20,092 PERSON. 1620 01:04:20,092 --> 01:04:22,550 >> I AM A VERY STRONG PERSON. 1621 01:04:26,425 --> 01:04:28,508 >> ♪ NA-NA-NA-NA-NA... ♪ 1622 01:04:40,633 --> 01:04:42,842 ♪ MMM ♪ 1623 01:04:42,842 --> 01:04:46,925 >> VERY SOOTHING. 1624 01:04:46,925 --> 01:04:49,133 >> ISN'T IT? 1625 01:04:49,133 --> 01:04:56,133 ♪ MMM ♪ 1626 01:04:56,133 --> 01:04:58,383 ♪ YEAH, YEAH ♪♪ 1627 01:04:58,383 --> 01:05:00,133 YOU NEED TO HAVE THAT PERSON IN 1628 01:05:00,133 --> 01:05:01,800 FRONT OF YOU WHO YOU'RE GOING 1629 01:05:01,800 --> 01:05:02,967 TO BE SHARING WITH. 1630 01:05:02,967 --> 01:05:06,842 >> KEEP PLAYING. 1631 01:05:06,842 --> 01:05:09,008 >> IT'S NOT SOMETHING 1632 01:05:09,008 --> 01:05:11,383 YOU CAN JUST SWITCH ON. 1633 01:05:11,383 --> 01:05:12,717 YOU HAVE TO 1634 01:05:12,717 --> 01:05:15,467 COMPLETELY OPEN YOURSELF UP. 1635 01:05:15,467 --> 01:05:19,258 YOU GIVE YOURSELF. 1636 01:05:19,258 --> 01:05:22,800 AND ONCE YOU GIVE YOURSELF, THEN 1637 01:05:22,800 --> 01:05:25,092 IT OPENS UP DIALOGUE. 1638 01:05:26,550 --> 01:05:29,508 >> TAKE THIS OFF, PLEASE. 1639 01:05:31,550 --> 01:05:34,217 NOW, WHEN YOU GO BACK TO UGANDA, 1640 01:05:34,217 --> 01:05:36,300 THEY'LL ASK YOU WHO GAVE 1641 01:05:36,300 --> 01:05:37,300 YOU THAT. 1642 01:05:37,300 --> 01:05:39,675 WHAT ARE YOU GOING TO SAY? 1643 01:05:39,675 --> 01:05:42,050 >> "THE STRONGEST WOMAN I HAVE 1644 01:05:42,050 --> 01:05:43,050 EVER MET." 1645 01:05:43,050 --> 01:05:45,467 >> [ BOTH LAUGHING ] 1646 01:05:52,925 --> 01:05:54,633 >> I LOVE YOU. 1647 01:05:54,633 --> 01:05:56,592 >> I LOVE YOU, TOO. 1648 01:06:08,508 --> 01:06:11,925 >> DAN WAS BREAKING THROUGH... 1649 01:06:11,925 --> 01:06:16,008 HE RECEIVED A GRANT TO GIVE 1650 01:06:16,008 --> 01:06:18,842 MATCHING FUNDS TO 1651 01:06:18,842 --> 01:06:21,967 35 NURSING HOMES... 1652 01:06:21,967 --> 01:06:24,217 AND THIS TIME THE NURSING HOMES 1653 01:06:24,217 --> 01:06:25,467 WERE LINING UP. 1654 01:06:25,467 --> 01:06:27,508 >> GOSH, HOW MANY DIFFERENT 1655 01:06:27,508 --> 01:06:29,508 STATES IS THIS GOING TO BE? 1656 01:06:29,508 --> 01:06:31,092 THAT'S JUST AMAZING. 1657 01:06:31,092 --> 01:06:33,550 >> HERE WE HAVE 50 HEADPHONES 1658 01:06:33,550 --> 01:06:36,050 AND THIS REPRESENTS 50 CHANGED 1659 01:06:36,050 --> 01:06:36,842 LIVES. 1660 01:06:36,842 --> 01:06:39,133 IT'S GREAT! 1661 01:06:39,133 --> 01:06:41,717 LOT OF MUSIC. 1662 01:06:41,717 --> 01:06:44,300 >> AFTER THREE YEARS OF 1663 01:06:44,300 --> 01:06:46,800 FILMING, DAN HAD MUSIC 1664 01:06:46,800 --> 01:06:48,425 IN 56 HOMES. 1665 01:06:48,425 --> 01:06:50,633 WE KNEW THIS WAS JUST A DROP IN 1666 01:06:50,633 --> 01:06:51,675 THE BUCKET. 1667 01:06:51,675 --> 01:06:53,967 >> Thomas: JUST CHANGING 1668 01:06:53,967 --> 01:06:56,467 SOMETHING IN A NURSING HOME 1669 01:06:56,467 --> 01:06:58,883 SOMEWHERE DOESN'T TAKE YOU 1670 01:06:58,883 --> 01:07:00,133 FAR ENOUGH. 1671 01:07:00,133 --> 01:07:02,425 OUR REAL FOCUS OF CONCERN NEEDS 1672 01:07:02,425 --> 01:07:04,758 TO BE THE 1.6 MILLION PEOPLE WHO 1673 01:07:04,758 --> 01:07:07,008 ARE LIVING IN NURSING HOMES AND 1674 01:07:07,008 --> 01:07:08,800 HOW TO MAKE THE LIVES OF 1675 01:07:08,800 --> 01:07:10,133 EVERYONE BETTER. 1676 01:07:10,133 --> 01:07:11,967 >> Dan: I THOUGHT THIS WAS JUST 1677 01:07:11,967 --> 01:07:13,217 GOING TO BE...PSHEW! 1678 01:07:13,217 --> 01:07:14,675 JUST LIKE THAT. 1679 01:07:14,675 --> 01:07:17,300 PEOPLE WOULD JUST TAKE THE IDEA 1680 01:07:17,300 --> 01:07:18,842 AND RUN WITH IT. 1681 01:07:18,842 --> 01:07:22,050 THEY DIDN'T. 1682 01:07:22,050 --> 01:07:25,800 >> I LEFT DAN KNOWING HE WOULD 1683 01:07:25,800 --> 01:07:27,592 NEVER STOP. 1684 01:07:27,592 --> 01:07:29,550 I HOPED MAYBE HE'D REACH THE 1685 01:07:29,550 --> 01:07:31,467 RIGHT PERSON AND THEY WOULD 1686 01:07:31,467 --> 01:07:33,550 HELP HIM AND THIS DREAM OF HIS 1687 01:07:33,550 --> 01:07:36,050 WOULD COME TRUE. 1688 01:07:44,967 --> 01:07:47,383 >> Man: WE FIRST SEE HENRY 1689 01:07:47,383 --> 01:07:49,592 UNRESPONSIVE AND ALMOST 1690 01:07:49,592 --> 01:07:50,633 UNALIVE. 1691 01:07:50,633 --> 01:07:53,342 >> Yvonne: I'VE GOT YOUR MUSIC. 1692 01:07:53,342 --> 01:07:55,467 >> THEN HE IS GIVEN HIS 1693 01:07:55,467 --> 01:07:57,008 FAVORITE MUSIC. 1694 01:07:57,008 --> 01:07:58,425 >> OH. 1695 01:07:58,425 --> 01:08:00,050 >> AND IMMEDIATELY 1696 01:08:00,050 --> 01:08:01,550 HE LIGHTS UP. 1697 01:08:01,550 --> 01:08:03,592 HIS FACE ASSUMES EXPRESSION, 1698 01:08:03,592 --> 01:08:05,092 HIS EYES OPEN WIDE. 1699 01:08:05,092 --> 01:08:06,842 AND HE'S BEING ANIMATED 1700 01:08:06,842 --> 01:08:07,967 BY THE MUSIC. 1701 01:08:07,967 --> 01:08:10,383 >> Yvonne: THIS IS HIS REACTION 1702 01:08:10,383 --> 01:08:11,467 EVER SINCE. 1703 01:08:11,467 --> 01:08:14,175 [ LAUGHS ] 1704 01:08:14,175 --> 01:08:15,550 >> Mike: DO YOU LIKE MUSIC? 1705 01:08:15,550 --> 01:08:16,300 >> YEAH, I'M 1706 01:08:16,300 --> 01:08:17,258 CRAZY ABOUT MUSIC. 1707 01:08:17,258 --> 01:08:18,717 USED TO PLAY BEAUTIFUL MUSIC, 1708 01:08:18,717 --> 01:08:19,675 BEAUTIFUL SOUNDS. 1709 01:08:19,675 --> 01:08:22,675 >> WHAT DOES MUSIC DO TO YOU? 1710 01:08:25,800 --> 01:08:26,967 LOVE, ROMANCE. 1711 01:08:26,967 --> 01:08:28,925 FIGURE RIGHT NOW, THE WORLD 1712 01:08:28,925 --> 01:08:30,675 NEEDS TO COME INTO MUSIC... 1713 01:08:33,133 --> 01:08:35,383 AND I FEEL A BAND OF LOVE, 1714 01:08:35,383 --> 01:08:36,508 OF DREAMS. 1715 01:08:36,508 --> 01:08:38,508 >> Mike: YOU KNOW THAT LITTLE 1716 01:08:38,508 --> 01:08:40,300 VIDEO THAT I MADE FOR DAN, 1717 01:08:40,300 --> 01:08:40,967 RIGHT? 1718 01:08:40,967 --> 01:08:43,008 UM, I THINK SOME KID POSTED IT 1719 01:08:43,008 --> 01:08:44,258 ONTO REDDIT.COM. 1720 01:08:44,258 --> 01:08:47,800 AND IT'S INSANE! 1721 01:08:47,800 --> 01:08:48,633 >> ♪ OOH ♪♪ 1722 01:08:48,633 --> 01:08:50,092 >> Dan: AND I AM GETTING 1723 01:08:50,092 --> 01:08:50,758 SWAMPED. 1724 01:08:50,758 --> 01:08:52,217 I'M BEHIND BY 85 EMAILS. 1725 01:08:52,217 --> 01:08:54,258 85 PEOPLE CONTACTED ME AND 1726 01:08:54,258 --> 01:08:55,883 IF I HAD 300 PEOPLE, 1727 01:08:55,883 --> 01:08:58,175 I MEAN, IT'S JUST, YOU KNOW... 1728 01:08:58,175 --> 01:09:00,175 YOU'VE JUST GOT TO SCROLL DOWN 1729 01:09:00,175 --> 01:09:01,800 AND JUST READ WHAT THESE 1730 01:09:01,800 --> 01:09:03,133 PEOPLE ARE SAYING. 1731 01:09:03,133 --> 01:09:05,967 YOU'VE NEVER HEARD ANYBODY 1732 01:09:05,967 --> 01:09:08,800 WRITE ANYTHING LIKE THIS. 1733 01:09:08,800 --> 01:09:10,133 IT'S CRAZY. 1734 01:09:10,383 --> 01:09:12,008 >> MY GRANDMOTHER IS VERY MUCH 1735 01:09:12,008 --> 01:09:12,842 LIKE HENRY... 1736 01:09:12,842 --> 01:09:14,300 >> WE'VE BEEN TRYING NEARLY 1737 01:09:14,300 --> 01:09:16,008 EVERYTHING TO GET HER MORE ALERT 1738 01:09:16,008 --> 01:09:16,717 AND HAPPY. 1739 01:09:16,717 --> 01:09:17,967 >> MY GRANDFATHER DIED 1740 01:09:17,967 --> 01:09:18,883 THREE DAYS AGO. 1741 01:09:18,883 --> 01:09:20,383 >> MUSIC HAS SO MUCH POWER. 1742 01:09:20,383 --> 01:09:21,925 HER EYES LIT UP INSTANTLY AND 1743 01:09:21,925 --> 01:09:23,383 THE SMILE ON HER FACE MADE 1744 01:09:23,383 --> 01:09:23,925 MY DAY. 1745 01:09:23,925 --> 01:09:25,633 >> I HAVEN'T CRIED YET, BUT THIS 1746 01:09:25,633 --> 01:09:27,217 HAS MADE ME START TEARING UP. 1747 01:09:27,217 --> 01:09:28,925 >> MAYBE IF THIS WORKED FOR 1748 01:09:28,925 --> 01:09:30,467 HENRY, IT COULD WORK FOR 1749 01:09:30,467 --> 01:09:31,550 MY GRANDMOTHER. 1750 01:09:31,550 --> 01:09:32,675 >> WHEN THE MUSIC ENDED, 1751 01:09:32,675 --> 01:09:33,675 MY MOTHER LOOKED UP... 1752 01:09:33,675 --> 01:09:34,883 >> SHE GOT SO EMOTIONAL... 1753 01:09:34,883 --> 01:09:35,842 >> AND SHE SAW ME... 1754 01:09:35,842 --> 01:09:36,758 >> AND SO CAUGHT UP 1755 01:09:36,758 --> 01:09:37,508 IN THE MUSIC... 1756 01:09:37,508 --> 01:09:38,758 >> AND I'LL HOLD THAT MEMORY 1757 01:09:38,758 --> 01:09:39,258 FOREVER. 1758 01:09:39,258 --> 01:09:41,133 >> THE MUSIC CARRIED HER AWAY. 1759 01:09:41,133 --> 01:09:42,592 >> I HAVE TO DO THIS. 1760 01:09:42,592 --> 01:09:44,633 I'M GOING HOME TO SEE MY MOTHER 1761 01:09:44,633 --> 01:09:45,883 WITH ALZHEIMER'S. 1762 01:09:45,883 --> 01:09:47,383 >> SHE IS, AT THIS MOMENT, 1763 01:09:47,383 --> 01:09:48,842 LISTENING TO RAY CHARLES 1764 01:09:48,842 --> 01:09:50,675 SING, "COME RAIN OR COME SHINE," 1765 01:09:50,675 --> 01:09:54,175 AND SHE HAS FOUND HER PLACE IN 1766 01:09:54,175 --> 01:09:56,258 THE WORLD AGAIN. 1767 01:09:56,258 --> 01:09:58,633 >> YOU GOT MUSIC BACK IN YOUR 1768 01:09:58,633 --> 01:10:00,133 LIFE, MAMA! 1769 01:10:01,175 --> 01:10:02,383 >> WERE YOU SURPRISED 1770 01:10:02,383 --> 01:10:03,842 THAT THAT CLIP WENT VIRAL? 1771 01:10:03,842 --> 01:10:05,550 I MEAN, MILLIONS AND MILLIONS OF 1772 01:10:05,550 --> 01:10:06,717 PEOPLE HAVE SEEN IT. 1773 01:10:06,717 --> 01:10:08,050 >> COMPLETELY SURPRISED! 1774 01:10:08,050 --> 01:10:09,550 PEOPLE JUST -- THEY WATCHED 1775 01:10:09,550 --> 01:10:11,217 AND THEY SAW A HUMAN BEING COME 1776 01:10:11,217 --> 01:10:12,842 ALIVE, AND WHEN ANY OF US COME 1777 01:10:12,842 --> 01:10:14,383 ALIVE, IT TOUCHES US DEEPLY. 1778 01:10:14,383 --> 01:10:15,633 >> THAT'S WHY WE WANT TO INVOLVE 1779 01:10:15,633 --> 01:10:16,550 THE COMMUNITY, BOTH IN 1780 01:10:16,550 --> 01:10:17,592 GETTING iPODS DONATED AND 1781 01:10:17,592 --> 01:10:18,758 HAVING THE STUDENTS COME INTO 1782 01:10:18,758 --> 01:10:19,758 THE NURSING HOMES TO WORK 1783 01:10:19,758 --> 01:10:20,592 WITH THE RESIDENTS, 1784 01:10:20,592 --> 01:10:21,758 FIND THEIR PLAYLIST... 1785 01:10:24,800 --> 01:10:26,967 >> Mike: WE'VE BEEN AFRAID TO 1786 01:10:26,967 --> 01:10:28,550 ENTER THESE PLACES. 1787 01:10:28,550 --> 01:10:30,175 AFRAID OF AGING, 1788 01:10:30,175 --> 01:10:32,633 AFRAID OF HAVING NOTHING TO 1789 01:10:32,633 --> 01:10:33,467 GIVE. 1790 01:10:33,467 --> 01:10:35,467 BUT MUSIC, 1791 01:10:35,467 --> 01:10:39,800 ENTERING ONE 94-YEAR-OLD MAN, 1792 01:10:39,800 --> 01:10:42,300 REMINDED US -- 1793 01:10:42,300 --> 01:10:44,175 WE DO HAVE SOMETHING TO GIVE. 1794 01:10:44,175 --> 01:10:47,717 >> OH, MY FRIENDS. 1795 01:10:47,717 --> 01:10:51,633 >> ALL WE HAVE TO DO IS ASK, 1796 01:10:51,633 --> 01:10:53,592 "WHAT'S YOUR FAVORITE SONG?" 1797 01:10:53,592 --> 01:10:54,425 >> VINNY, WHAT'S YOUR 1798 01:10:54,425 --> 01:10:55,008 FAVORITE SONG? 1799 01:10:55,008 --> 01:10:56,717 >> WHAT'S YOUR FAVORITE SONG? 1800 01:10:56,717 --> 01:10:58,508 >> WHAT'S YOUR FAVORITE SONG? 1801 01:10:58,508 --> 01:11:00,133 >> WHAT WAS YOUR FAVORITE SONG? 1802 01:11:00,133 --> 01:11:01,175 >> ♪♪ 1803 01:11:01,175 --> 01:11:03,467 >> REMEMBER THIS? 1804 01:11:03,467 --> 01:11:05,258 >> ♪ BLACKBIRDS SINGING... ♪ 1805 01:11:05,258 --> 01:11:07,092 >> YEAH, THAT'S A LOVELY ONE. 1806 01:11:07,092 --> 01:11:08,425 BEAUTIFUL. 1807 01:11:08,425 --> 01:11:10,967 >> WELL, I HAVE TO HAVE 1808 01:11:10,967 --> 01:11:12,258 THAT ONE. 1809 01:11:12,258 --> 01:11:13,967 THAT'S MYSELF. 1810 01:11:13,967 --> 01:11:16,925 >> LOOK HOW FAST HER MIND IS 1811 01:11:16,925 --> 01:11:19,508 RESPONDING TO HER SONGS. 1812 01:11:19,508 --> 01:11:21,175 >> ♪ WHEN THE NIGHT 1813 01:11:21,175 --> 01:11:22,842 HAS COME... ♪ 1814 01:11:22,842 --> 01:11:24,800 >> THAT'S...BIG! 1815 01:11:24,800 --> 01:11:28,633 >> ♪ AND THE LAND IS DARK ♪♪ 1816 01:11:28,633 --> 01:11:31,425 >> IN MUSIC, MARYLOU FEELS 1817 01:11:31,425 --> 01:11:34,300 LIKE SHE'S PERFECT AGAIN -- 1818 01:11:34,300 --> 01:11:38,550 LIKE SHE'S FLOWING THROUGH 1819 01:11:38,550 --> 01:11:40,883 LIFE. 1820 01:11:40,883 --> 01:11:45,050 AND SO IT IS FOR ALL OF US... 1821 01:11:45,050 --> 01:11:48,383 MUSIC GIVES US SOMETHING WE 1822 01:11:48,383 --> 01:11:50,842 HUNGER DEEPLY FOR, 1823 01:11:50,842 --> 01:11:55,217 SOMETHING WE'VE PURSUED FOR 1824 01:11:55,217 --> 01:11:58,050 THOUSANDS OF YEARS, 1825 01:11:58,050 --> 01:12:03,175 REWIRED OUR VERY BRAINS FOR. 1826 01:12:03,175 --> 01:12:05,717 WE NEED MUSIC -- 1827 01:12:05,717 --> 01:12:08,800 IT AWAKENS IN US OUR MOST 1828 01:12:08,800 --> 01:12:11,175 PROFOUND SAFETY... 1829 01:12:11,175 --> 01:12:15,342 THE SAFETY OF LIVING IN CONCERT 1830 01:12:15,342 --> 01:12:18,758 WITH EACH OTHER, AND OUR 1831 01:12:18,758 --> 01:12:20,675 OWN SELVES. 1832 01:12:20,675 --> 01:12:22,300 AND WHAT HAPPENS TO YOU 1833 01:12:22,300 --> 01:12:23,550 WHEN YOU HEAR IT? 1834 01:12:23,550 --> 01:12:25,675 >> I FEEL GOOD. 1835 01:12:25,675 --> 01:12:28,925 IT'S LIKE I GOT A GIRL, 1836 01:12:28,925 --> 01:12:32,717 AND I WANT TO STAY WITH HER. 1837 01:12:32,717 --> 01:12:36,925 >> ♪♪ 1838 01:12:40,967 --> 01:12:44,217 >> AND THAT IS WHY, TOGETHER, 1839 01:12:44,217 --> 01:12:47,008 WE'RE GOING TO DO THIS 1840 01:12:47,008 --> 01:12:49,675 ONE SMALL KINDNESS -- 1841 01:12:49,675 --> 01:12:52,008 WE'RE GOING TO BRING LIFE 1842 01:12:52,008 --> 01:12:55,133 INTO THE PLACES WHERE IT'S BEEN 1843 01:12:55,133 --> 01:12:56,467 FORGOTTEN. 1844 01:12:56,467 --> 01:12:59,717 AND TOGETHER... 1845 01:12:59,717 --> 01:13:01,758 >> WHOA! 1846 01:13:01,758 --> 01:13:04,633 >> WE WILL LISTEN. 1847 01:13:19,925 --> 01:13:22,717 >> ♪ I'M A MAN ON FIRE 1848 01:13:22,717 --> 01:13:25,383 WALKING THROUGH YOUR STREET ♪ 1849 01:13:25,383 --> 01:13:28,217 ♪ WITH ONE GUITAR 1850 01:13:28,217 --> 01:13:30,925 AND TWO DANCING FEET ♪ 1851 01:13:30,925 --> 01:13:33,800 ♪ ONLY ONE DESIRE 1852 01:13:33,800 --> 01:13:36,467 THAT'S LEFT IN ME ♪ 1853 01:13:36,467 --> 01:13:39,008 ♪ I WANT THE WHOLE DAMN WORLD 1854 01:13:39,008 --> 01:13:42,717 TO COME DANCE WITH ME ♪ 1855 01:13:42,717 --> 01:13:47,008 ♪ OH ♪ 1856 01:13:47,008 --> 01:13:50,675 ♪ COME DANCE WITH ME ♪ 1857 01:13:50,675 --> 01:13:56,425 ♪ I'M A HUNTER AT BAY ♪ 1858 01:13:56,425 --> 01:14:00,008 ♪ COME AND SET YOU FREE ♪ 1859 01:14:00,008 --> 01:14:03,133 ♪ OVER HEARTACHE AND SHAME ♪ 1860 01:14:03,133 --> 01:14:05,592 >> [ LAUGHING ] 1861 01:14:05,592 --> 01:14:08,300 >> ♪ I WANNA SEE OUR BODIES 1862 01:14:08,300 --> 01:14:09,342 BURNING... ♪ 1863 01:14:09,342 --> 01:14:10,883 >> YOU HAVE A BEAUTIFUL VOICE. 1864 01:14:10,883 --> 01:14:14,633 >> ♪ LIKE OLD BIG SUN ♪ 1865 01:14:14,633 --> 01:14:18,550 ♪ I WANNA KNOW WHAT WE'VE BEEN 1866 01:14:18,550 --> 01:14:22,050 LEARNING AND LEARNING FROM ♪ 1867 01:14:26,758 --> 01:14:30,300 ♪ EVERYBODY WANT SAFETY ♪ 1868 01:14:30,300 --> 01:14:32,175 ♪ SAFETY LOVE ♪ 1869 01:14:32,175 --> 01:14:35,592 ♪ EVERYBODY WANT COMFORT ♪ 1870 01:14:35,592 --> 01:14:37,550 ♪ COMFORT LOVE ♪ 1871 01:14:37,550 --> 01:14:40,842 ♪ EVERYBODY WANT CERTAIN ♪ 1872 01:14:40,842 --> 01:14:42,717 ♪ CERTAIN LOVE ♪ 1873 01:14:42,717 --> 01:14:49,550 ♪ EVERYBODY BUT ME ♪ 1874 01:14:49,550 --> 01:14:52,342 ♪ I'M A MAN ON FIRE 1875 01:14:52,342 --> 01:14:55,008 WALKING THROUGH YOUR STREET ♪ 1876 01:14:55,008 --> 01:14:57,092 ♪ WITH ONE GUITAR 1877 01:14:57,092 --> 01:14:59,842 AND TWO DANCING FEET ♪ 1878 01:14:59,842 --> 01:15:02,508 ♪ ONLY ONE DESIRE 1879 01:15:02,508 --> 01:15:05,300 THAT'S LEFT IN ME ♪ 1880 01:15:05,300 --> 01:15:08,092 ♪ I WANT THE WHOLE DAMN WORLD 1881 01:15:08,092 --> 01:15:11,675 TO COME DANCE WITH ME ♪ 1882 01:15:22,467 --> 01:15:26,342 ♪ DA-DA-DA-DA... ♪ 1883 01:15:26,342 --> 01:15:29,508 ♪ OOH ♪ 1884 01:15:48,758 --> 01:15:53,092 ♪ OOH, YEAH ♪ 1885 01:15:53,092 --> 01:15:56,550 ♪ COME DANCE WITH ME ♪ 1886 01:15:56,550 --> 01:16:02,008 ♪ OVER HEARTACHE AND RAGE 1887 01:16:02,008 --> 01:16:05,467 COME SET US FREE ♪ 1888 01:16:05,467 --> 01:16:11,675 ♪ OVER PANIC AND STRANGE ♪ 1889 01:16:11,675 --> 01:16:14,842 ♪ I WANNA SEE OUR BODIES BURNING 1890 01:16:14,842 --> 01:16:20,508 LIKE OLD BIG SUN ♪ 1891 01:16:20,508 --> 01:16:24,675 ♪ I WANNA KNOW WHAT WE'VE BEEN 1892 01:16:24,675 --> 01:16:28,592 LEARNING AND LEARNING FROM ♪ 1893 01:16:28,592 --> 01:16:31,800 ♪ OOH, OOH, OOH ♪ 1894 01:16:31,800 --> 01:16:34,925 ♪ EVERYBODY WANT ROMANCE ♪ 1895 01:16:34,925 --> 01:16:37,050 ♪ ROMANCE LOVE ♪ 1896 01:16:37,050 --> 01:16:40,217 ♪ EVERYBODY WANT SAFETY ♪ 1897 01:16:40,217 --> 01:16:42,133 ♪ SAFETY LOVE ♪ 1898 01:16:42,133 --> 01:16:45,300 ♪ EVERYBODY WANT COMFORT ♪ 1899 01:16:45,300 --> 01:16:47,467 ♪ COMFORT LOVE ♪ 1900 01:16:47,467 --> 01:16:53,508 ♪ EVERYBODY BUT ME ♪ 1901 01:16:53,508 --> 01:16:54,925 ♪ I'M A MAN ON FIRE 1902 01:16:54,925 --> 01:16:57,633 WALKING DOWN YOUR STREET ♪ 1903 01:16:57,633 --> 01:17:00,300 ♪ WITH ONE GUITAR 1904 01:17:00,300 --> 01:17:03,925 AND TWO DANCING FEET ♪ 1905 01:17:03,925 --> 01:17:06,467 ♪ ONLY ONE DESIRE 1906 01:17:06,467 --> 01:17:09,133 THAT'S STILL IN ME ♪ 1907 01:17:09,133 --> 01:17:11,758 ♪ I WANT THE WHOLE DAMN WORLD 1908 01:17:11,758 --> 01:17:15,258 TO COME DANCE WITH ME ♪ 1909 01:17:15,258 --> 01:17:17,092 >> ♪ YEAH ♪ 1910 01:17:17,092 --> 01:17:20,842 ♪ YEAH, YEAH, YEAH, YEAH ♪ 1911 01:17:20,842 --> 01:17:27,467 ♪ OOH ♪♪ 1912 01:17:27,467 --> 01:17:30,175 >> Henry: ♪ OH, DARLING, NO ♪ 1913 01:17:30,175 --> 01:17:35,092 [ SCATTING ] 1914 01:17:39,758 --> 01:17:40,925 >> Dan: [ LAUGHS ] 1915 01:17:40,925 --> 01:17:42,592 HENRY, THANK YOU VERY MUCH! 1916 01:17:42,592 --> 01:17:44,592 >> YES, YES, YES, YES, YES, 1917 01:17:44,592 --> 01:17:46,425 YES, YES, YES, YES, YES. 1918 01:17:46,425 --> 01:17:47,633 OH, THANK YOU! 1919 01:17:47,633 --> 01:17:48,800 >> THANK YOU. 1920 01:17:49,305 --> 01:17:55,173 Download & Sync Subtitles automatically www.FLIXTOOLS.com 120235

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