All language subtitles for The.Carbonaro Inside.S01E29_English

♪♪

When we filmed the first two season in Atlanta,

this art-supply store was our favorite place to shop

for props and set decorations,

and so we jumped at the chance to film there.

We shot one day at the cash register up front,

and then a second day at this framing counter

all the way in the back.

Justin: I'm just looking for a frame.

Oh, okay.

That's 11x14, correct?

Uh, this is 8x10 if my eye's on.

Cool. This is

a pretty popular size.

Right. Sometimes it's good

on a picture like this

to have, like, a matte around it.

Here, let me show you.

I have, like, this frame right here.

Like a frame like this -- and we sell this --

is really good because this will go there,

and we can get it all the way over.

Shift it over a little bit?

Yeah.

What's good is it has that really slick back coating,

which means you could use a framing cannon.

Do you have one? No. I don't even know

what that is.

Yeah, I'll show you how it works.

We do most of our stuff like this, too,

'cause we used to make people wait to get stuff framed.

But now it's, like, much easier.

Here, so, like, I'll tell you to take the picture.

And I'm gonna roll up your picture like this.

People used to wait a week,

but everybody wants stuff done right away.

Right.

So it rolls up and it goes inside of here.

So, that's got a slick inside, too.

Okay. That's the same thing.

The frames are slick and this is slick.

And then right here

gets, like, a little CO2 cartridge.

I have those right here.

This little CO2 goes in the back like this.

And you can do this in your house.

Once you have something set up with one picture,

you could do multiples if you want.

It's just a lot easier than changing

'cause they're so annoying.

You have to, like, pull all nails out.

Right. So.

Josh, can you help me with this?

Josh: Yeah, sure.

Here, can you hold that up?

Sure.

And it's real simple to use,

and we sell these, too, up at the front.

So, once your picture's inside here,

you get the picture in there.

Just watch out.

Frame in the hole!

1, 2, 3.

What? Yeah, so you don't have to,

like --

What just happened, dude?

Well, it shoots it in so you don't have to, like --

What just happened?

[ Laughing ] What -- I'm really confused, man.

Well, it uses air compression.

Thanks, man. Yeah, no problem.

It uses an air compression,

so you can change it in and out

just like an ordinary frame.

So, can you take that picture out?

I can have someone do it for you, if

you want, yeah.

You'd have to unscrew it.

What -- I don't understand.

Like, it transferred over in water molecule?

Yeah. I think it freezes it so much

that it can get it to penetrate through

because glass is like a super-cool liquid.

Right. Do you mind if I see that?

Yeah. Just be careful, okay?

Yeah, I'm not pulling anything. I just --

Yeah.

Wow.

Notice how he's looking around?

He actually walked into the store with a friend,

but they separated,

and we secretly pulled his buddy away

so I could have a one-on-one interaction with Justin here.

What? I -- Care-- Don't aim your face

in front of it.

Yeah, I'm not. I'm just --

I'm just confused on exactly what happened.

Like, you rolled the picture up and put it in here.

Right. The CO2 cartridge --

This is carbon dioxide, correct?

Right. Mm-hmm.

This pushed...

the carbon dioxide through here.

Not exactly.

It's pushing pressure as it's freezing.

So, the first blast is cold.

Right.

So that the picture's cold and it tightens up.

Okay.

Then the next blast is pushing it out.

Right, but you pushed it out,

and how did this get in there?

Well, it goes through the glass.

Dude, I've never seen that before.

If my phone wasn't dead, man,

I would love to film this right now.

I'm really --

That was probably one of the coolest things

I've ever seen.

Really? When did this happen?

Is this common?

Uh, we started doing it since, like, last April.

And what is this thing called?

What is this? It's a framing cannon.

Framing cannon? Framing cannon.

Yeah, it shoots it through the glass.

It saves us a bunch of time, you know?

What?

♪♪

Hey. Hello.

How are you doing? Good.

What are you looking for? I need help

looking for charcoal.

I'm sorry? Charcoal?

Charcoal. Mm-hmm.

Oh, okay. [ Chuckles ]

So, are you looking for, like, the squares or the --

It says, "Thin, medium..."

Okay.

"...and thick stick." Okay.

So you want a whole bunch of different kinds.

Mm-hmm. Okay.

And you're gonna be doing drawings on paper, right?

Mm-hmm. Okay.

So, charcoal...

Let's put this back over here.

There you go.

Be right back.

Wait, what?

Now, as originally conceived, this is where this trick ended.

And we actually rehearsed it that way,

but it made the trick way too short.

On the shoot day, we decided to make a change

where I re-entered the scene and I just started improvising.

Oh, my gosh. I don't know what I'm gonna do with this thing.

My boyfriend took that picture of me in Paris

and had it made into a painting.

I was like, "We're supposed to put it in the house?"

I think the whole world is gonna see me now.

[ Laughs ] I could have sworn I just saw you.

I was talking to...him.

To who? I was talking to him.

Wait, someone is working the counter?

I wasn't talking to nobody else. I was talking to him.

He was just right here.

He? Yes.

You think I'm crazy. Michael: Huh?

I said, "You think I'm crazy."

I was just talking to him.

Well, I'm gonna grab -- this is prepaid.

Are you waiting on a painting?

No. Okay. 'Cause I'm like,

embarrassed

to even, like, walk around with a painting of myself,

but he took the picture,

so we'll put it in the living room.

[ Sighs ]

Have a good day. Okay. You, too.

All right.

Oh, my God.

Okay.

[ Sighs ]

♪♪

So, after Tamara's bewildered reaction,

we ran this trick again

to see if we could get a more vocal response.

And in this never-before-seen clip,

you'll see Tracy here delivers exactly that.

I am here to pick up a piece.

My name is Tracy Tarte.

T-A-R-T-E.

Okay, I can have them get that right up for you.

Okay, cool.

Very good. Okay.

Okay.

Did you get a canvas print or...?

I'm not sure. I'm picking it up for him.

He's an architect, so there's no telling what --

What's that? He's an architect.

Who? The guy I'm picking up for.

Oh, architect. Yeah.

All right. Well, this one's not for you, then.

I'll put this back up here, then.

All right, so that's...

Wait. Wait a minute. Wait, wait, wait.

Wait. Wait. Wait a minute. Wait.

Wait. Wait a minute. Wait a minute. Wait. Wait.

[ Laughing ] What the [bleep]

What the [bleep]

I'm having a little tr-- T-A-R-T, is it?

And its first name?

Tracy. Tracy.

Yes, yes. I'll be right back.

♪♪

Michael: Someone here? Hmm?

Someone working? Yes.

The man on the other picture.

[ Laughing ] Don't laugh at me.

I'm embarrassed.

Why?

I did not have it made, trust me.

Oh, my God.

What the hell is that?

But did you say someone was working here?

Yeah, some guy.

Okay. Is yours prepaid?

Yeah. Oh.

Well, I don't know if he went back to get it or...

Oh, right. Mine's prepaid.

I'm just gonna grab it. Yeah. Okay.

I'm gonna take this with me. Okay.

Tracy: Yeah, I'm waiting. Oh, yeah.

All right. See you later.

All right. See you.

♪♪

Oh, my God.

What do we got? Um, this is

for my friend.

So, in order to get people to come over to my counter,

the store put on a special picture framing sale.

He walked up with a yellow coupon in his hands

that said "Framing Frenzy,"

and it offered a $10 framing deal

that was apparently too good to pass up.

...or too much matting or anything like that.

Okay. Yeah?

Here, I'll show you what this looks like in here.

Okay.

Yeah. All right.

So when that's in there,

that -- lock this up.

I think when something's like a square size like that,

that it looks best just hung in a square, you know?

It looks pretty --

Yeah. It looks pretty cool

like that.

Seems like it fits. Yeah.

I think that looks pretty good.

Cool. Yeah.

So this would --

Oh! Sorry about that.

This would go with the $10 deal, this size frame.

Something -- So I can have them

ring it up here, or --

I think there's something --

There was like a baby child in the middle of the photo...

Oh, that -- ...that's not there

anymore.

I don't -- I'm sorry. I don't understand.

Are you saying you want --

I can't do anything about, like, coming out farther.

No.

There's like, in the original picture that we took,

there was -- we were holding a child.

Okay. Her nephew.

Okay.

And that's not what's in the frame right now.

Okay.

I know what it is.

It can shift.

So if something shifts,

it might shift the scale of the picture within it.

So maybe it shifted.

But if there was a whole something in there,

that's my fault.

I'm sorry.

It's because it was taken with a camera phone.

Something's not gonna shift out of it,

like, that quickly.

Okay. It does have --

'cause a camera phone's

taking a picture that's not a still.

It's taking a little mini piece of video.

Yeah, that's what we did.

Exactly. For sure. Yeah.

So, when that picture's taken with a camera phone,

it's not just grabbing a still like a camera.

It's grabbing a mini piece of video.

So there's --

So, we were just sitting there

with those exact expressions

and the baby was coming up --

It's microseconds.

Through video?

And somehow that's happening on this photo right now?

Yeah.

The pixel information is still there.

Okay. [ Laughs ]

I don't -- I don't know what's happening right now.

This is really weird. Okay.

All right. Let me get -- I'll get my manager.

Okay.

And they'll explain it, but it's a video piece.

But I can get them to -- We can --

I can fix it for you, and you'll be fine.

Okay. Okay? I'll be right back.

Thank you. Sorry.

♪♪

♪♪

We almost always film in real locations and blend in,

but some places are hard to get for legal reasons.

This episode is unique because we faced this hurdle twice.

Here's the first time.

We wanted to film in a bank,

but we couldn't find one willing to let us.

So we rented an empty building that used to be a bank.

So how did our fake bank attract real customers?

We reached out to some local businesses,

let them in on the prank,

and asked them to send over their employees on an errand.

Just to endorse it.

Okay. Great.

Okay.

Okay, just so you know,

if they're our bank's logo checks,

you can always use the mobile app.

Okay. You know, I deposit

all my stuff that way,

'cause they do instant cashing on them.

Okay.

You just -- Have you tried it before?

No, actually, I haven't.

Okay, if you download the app --

this is our app. Uh-huh.

And if you press "Cash Now," it gives you this.

Uh-huh. Okay, and you put the check

out in your hand

as long as you can see the number of the check.

Okay? Uh-huh.

And then you just line the camera up to the check.

Uh-huh. Okay?

And as long as you can see the number --

The number? Yeah, you see the number

in there?

Uh-huh. And go ahead

and put your thumb on that.

That's almost like endorsing it.

Okay.

All right. Good.

And see, it's authorizing it to approve it.

Okay.

And it's on transition --

the checks are all printed on transitional paper,

so you cash it, and the flash from your camera

will actually activate it

so you can just, you know, have the check --

It'll cash it instantaneously.

So you guys don't even have to come over here anymore

if you don't want to.

It just makes it easier for -- you know.

Did this -- Did --

Did this just --

Hmm? Did this just turn a check

into cash?

Yeah, the app does that for our customers that --

But it was just a check, though.

Right. Yeah.

The checks are printed on transitional paper

from The Treasury.

Oh, my --

I'm sorry. I thought --

That's why I'm literally, like...

Oh, yeah, yeah.

We're pretty proud of it, so...

We're the first bank --

Every bank in America -- Yeah.

They're gonna be doing that

'cause it's a lot easier for the government to track.

You know, there's so much check fraud that goes on.

But you could -- What?

The camera, though.

Like, does the camera change it?

The flash does it. The power --

Okay.

'Cause you know those flashes are really powerful in there.

Powerful.

So it will transition the transition paper.

It's real good. I mean,

it's just convenient.

I'm a mom,

and sometimes I don't feel like stopping at the bank.

Right. So that just --

A $50 check.

Boom, here's the cash, and we can be on our way.

Exactly.

Like, we don't have to make no stops.

Same thing, too,

like, if you go somewhere that doesn't accept checks,

you could write yourself a check and flash it to cash.

So, what if it's a check for more than $50?

How does that work?

That's why you have to get things

that are in increments of the money

that The Treasury prints, you know?

So if you get a check for, you know, $100,

you could do it.

$50, $20, $5, $10.

That's what, you know -- it works for that.

Right now there isn't a way to kind of do, like,

you know, $17.50. Yeah, yeah. $17.50.

Yeah, yeah, yeah, yeah. Not yet.

Not yet. Right.

So, this location came with a real bank vault,

and when we arrived,

the heavy steel vault door was hanging open.

We ended up just leaving it that way

because if we shut it and it locked,

we weren't sure we were ever gonna be able to open it again,

'cause we didn't have the combination.

Most of them close the door behind them.

Okay.

You know, if they don't, it's fine.

Okay.

Just make sure that when they're finished and they leave,

they close and lock the door behind them.

Okay.

Okay? So you can have a seat right over there.

Sure.

Brilliant. Okay.

Yeah.

And if you just kindly tell them if they forget to lock it,

just "don't forget to lock the door."

They'll be pretty cool with it.

Okay. All right.

And, uh, I'm gonna give you a key.

Uh, you know what? These are mine.

Okay. Sure. I'm gonna get you

your own key.

Okay, I'll get you a key and you'll be all set.

Thanks, man. Sure.

All right.

♪♪

[ Pony snorts ]

[ Pony neighs ]

♪♪

[ Pony whinnies ]

♪♪

Okay.

All right, I'm gonna let you have --

I thought I was seeing things.

There's a horse in there. Sorry?

There's a horse in there.

I thought I was seeing things.

Oh. Oh, no, no.

No, no, no. Who did that?

That -- We can't let someone have that in there.

No, no. Yeah, I didn't --

I just like, heard something.

There was a horse right there,

and I went, "What in the world?"

Well, how did it get in there?

I don't know.

I heard a noise,

and there was a horse just right there.

I'm like, "Did somebody bring their pet?"

So wait. When you were -- Did it --

Is there any way someone came around and unlocked --

I didn't see anyone walk here at all.

No, sir. And I'm like, freaked out.

Well, how -- I know. I'm like --

It's like, whose -- What?

Should I -- I know.

I don't know --

Martin!

Who would put a horse in there?

I mean --

Or how? I don't know.

When I looked at the thing, when you walked in there --

Hold on. Okay.

Let me --

Here. Okay.

Do you know anything about horses?

I can walk him out if you'd like.

You can?

Yes, sir. Okay.

I don't really know --

Yeah. Okay. Yeah.

[ Clicks tongue ]

I just don't know much about them.

Okay. Yeah.

And is that -- well, someone's box is there now.

Josh: Okay. See, yeah.

I never saw anybody come in here

when you walked off, so --

Why would someone put a horse in here?

Well, it's not really our right to,

you know, judge what someone wants to keep in their box.

Right. Right. Right. Yes, sir.

But I don't know where they thought they were gonna --

I've never heard this before --

putting an animal in a bank, you know?

Hold on.

Did you just hold him, and he's fine?

Yes, sir.

I'm holding him, yeah. Yeah.

Just don't get too close to his mouth.

Okay. Yeah.

Will you get the box?

Maybe someone's name is on it,

and we should call, 'cause we can't --

Okay. Sure.

It's a weird -- you know what it is?

We don't have the right to say what someone has,

but we're also not allowed to have animals in the bank.

Right, right. So we have to do

something.

It's hay in there. There's hay in the box.

There's hay?

Okay.

Is there a name or something on here?

Just hay?

This is strange. Well, he's hun--

I mean...Okay.

You're comfortable holding him?

Sure.

All right, let me see if I can call someone...

Okay. And see if --

I've never --

I didn't know anybody had --

I didn't see anybody come in here.

This is crazy. I just --

'Cause you closed the gate.

Yeah.

And I turned around, and I heard something hit the --

True. Yeah. I mean, it can't be just --

Right. There's no --

Okay. Let me call... Okay.

...over to the main office and see if someone --

♪♪

♪♪

So now we've all seen Josh make friends with Firefly the horse.

But what you haven't seen is the unaired clip

where I told him he was actually working security

for "The Carbonaro Effect." Check it out.

Yeah, I guess we just feed him until --

I mean, I understand if someone would want to protect --

You know, horses are expensive.

They would want to protect it.

But, like, what --

why they would just leave him --

I'm like -- I just heard something hit the gate,

and turned around, there's a horse right there.

I'm like, "What?" If it's in there

and we don't know

what they're keeping in there, it's one thing.

But if we see it, then we can say something about it.

That's called The Carbonaro Effect.

Have you heard of that before, The Carbonaro Effect?

No, sir, I haven't. Oh, no, yeah?

It's also the name of a hidden camera magic TV show.

Yeah, yeah.

What if I told you you were on that show right now?

Are you serious? I'm serious.

Oh, my gosh. [ Laughs ]

My name's Michael Carbonaro. I'm a magician.

Wow.

You weren't expecting that today, were you?

No, sir, I was not.

I was like, "Oh, great, I'm in trouble."

Oh, no, no, you're not in trouble.

Oh, my gosh. Wait till I tell my wife.

She's gonna -- This is a pony, right?

It is a pony, yeah. Oh, my gosh.

How did that happ-- He just appeared!

I know. [ Laughs ]

Ohh.

I'm fully adjustable.

Just like the bank, we had some legal issues

getting access to a hospital.

Now, this place used to be a real, functioning hospital,

but now it's half research facility

and half filming location for TV and movies.

So not only did we have to set dress this operating room,

but off camera, we had to set up an entire waiting room

to sell people on the illusion

that they were in a real medical facility.

Okay. All right?

Just grab that clipboard for me.

Okay. And here,

let me take a look.

Yeah. Let me have that. Uh-huh.

I'll probably just have you take some notes

and help me with the machines.

Okay.

[ Knock on door ] Michael: Oh, hello. Hey.

Hi, doctor. How you doing?

Amy.

Hello. This is Cynthia.

Hi. Nice to meet you. Oh, hi.

Really nice to meet you. Here you go.

And here, Amy, I'll just put your name first in here.

Okay. We'll get

through this

and then we can do the paperwork upstairs.

Do you want me up -- Up here?

Yeah, if you could.

Thank you so much. Okay.

And how you been feeling?

Uh, just a little low in energy.

Little low in energy?

Yeah. Just -- Okay.

Here. I'm just gonna click you down here a second.

All right, Amy. Don't move.

I'm gonna just press from behind your ear.

[ Machine whirs ] There you go.

Okay. She's out now.

All right. Hang on one sec.

I'm gonna aim that, and Cynthia, if you would,

you're just gonna click the green button on for me.

And go ahead and click that off.

These are so great.

Now you don't have to use the lead bibs or anything, you know?

Yeah. And we'll see what we can

get to bounce back here.

Uh.

Probably just maybe an upgrade thing.

We're gonna pop this open here.

Okay.

Okay.

And you want to just

pinch the top pieces right there for me.

Okay, that's good.

What are we looking at here?

What is this? That's the battery.

That's what I'm gonna replace.

Why does she have a battery?

Oh, she had a respiratory replacement.

Really? Yeah.

Okay. I think we can get it.

Oh. See, that's just in a weird --

Here, you want to take that?

Okay.

Can you put that on the table there?

I'm gonna put it on standby here.

[ Beep ] Okay.

Yeah, we're gonna order another one,

but I don't want to tell her about it.

In fact, we should probably -- okay.

There we go.

Hey. How are you?

You doing good?

Uh, yeah. Okay, here.

Sit up for me. Uh-huh.

Okay, we're gonna have you come back in 30 days, okay?

Okay. And you're

gonna be fine.

You're gonna be on reserve for a little while

and you'll be all right.

Just talk to your mother about it.

I think everything will be just fine.

Amy: Okay. Thank you. Just make an appointment up

at the front desk.

You'll be all right. Great.

That was not -- She was --

That wasn't real for her, was it?

Michael: Yeah.

Most of the stuff we do here,

I would say about, like, 30% of people in the area

have some sort of replacement part.

You know? Whether it be partial brain

or, you know, respiratory.

But that's really something that people have?

Yeah, they pull out five of your vertebrae,

and they're able to wedge the battery in there.

'Cause that's the hardest thing to hide, is the battery.

That's amazing. Yeah.

Yeah, I had --

'cause I was getting, like, neck injuries,

and I just had them kind of go in with my --

just go in right here.

I had them open up that part, and I'm fully adjustable.

So this part here --

[ Sighs ] That becomes adjustable,

you know, if I need to --

Oh, my gosh!

Oh! That gets me --

Yeah.

If they have to replace part --

Part of --

Part of --

Hold on.

Oh, I had that --

I'm okay. Yeah.

So, I use that just because now I don't have any neck.

It doesn't hurt.

That is truly amazing. Yeah.

I mean, this is like, amazing.

Yeah.

So you wouldn't even be --

I mean, you wouldn't be here if it wasn't for that.

I mean, 'cause you weren't able to move?

Or your neck -- I just --

I was riding my bicycle and I fell off my bike

and I hurt my neck.

I mean, it's probably not as big of a deal

as someone else who really needs it.

That is amazing. Yeah.

So, yeah, and everyone's charged and powered

using The Carbonaro Effect

so that they can operate as a unit.

You know The Carbonaro Effect?

Mnh-mnh. Oh, oh.

"The Carbonaro Effect"

is the name of a hidden camera magic TV show.

[ Laughs ]

Don't tell me that's what this is.

Yes.

Oh, my gosh. My name

is Michael Carbonaro.

I'm a magician. [ Laughs ]

Oh, my goodness.

And you're on a TV show right now.

Wow.