All language subtitles for The Great Mom Swap (English)

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian Download
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional) Download
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German Download
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi Download
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian Download
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean Download
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian Download
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish Download
uk Ukrainian
ur Urdu Download
uz Uzbek
vi Vietnamese Download
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:37,570 --> 00:00:40,110 GOOD MORNING, PAPA! 2 00:00:40,140 --> 00:00:41,570 BUON-GIORNO! 3 00:01:26,953 --> 00:01:29,593 TERRY! 4 00:01:29,622 --> 00:01:31,192 ENOUGH STUDYING. 5 00:01:31,224 --> 00:01:32,694 TAKE A BREAK AND GO TO SCHOOL. 6 00:01:35,695 --> 00:01:38,225 ( sighs ) WHAT A KID. 7 00:01:38,264 --> 00:01:40,604 SHE LOVES THOSE BOOKS. 8 00:01:40,633 --> 00:01:43,703 SO, PAPA... 9 00:01:43,736 --> 00:01:45,206 YOU BIG CUTIE. 10 00:01:45,238 --> 00:01:46,638 WHAT DO YOU WANT FOR BREAKFAST? 11 00:01:46,673 --> 00:01:47,913 BREAKFAST, LET’S SEE. 12 00:01:47,941 --> 00:01:50,181 I’M GOING TO HAVE SOME PEPPERS AND EGGS AND A LITTLE ZASEECH ON 13 00:01:50,210 --> 00:01:50,710 THE SIDE. 14 00:01:50,743 --> 00:01:51,613 YOU ARE, HUH? 15 00:01:51,644 --> 00:01:52,514 SURE. 16 00:01:52,545 --> 00:01:53,645 HEY, YOU READ THIS? 17 00:01:53,680 --> 00:01:56,420 THEY CAUGHT THREE KIDS DOING GRAFFITI ALL OVER CITY HALL. 18 00:01:56,449 --> 00:01:57,719 OH, NO. 19 00:01:57,750 --> 00:02:00,620 WHAT GETS ME IS, WHY WOULD KIDS WHO CAN’T SPELL PAINT WORDS 20 00:02:00,653 --> 00:02:01,553 ALL OVER IN PUBLIC? 21 00:02:01,588 --> 00:02:04,218 ( laughs ) KIDS ARE DIFFERENT TODAY, POP. 22 00:02:04,257 --> 00:02:04,757 NO, NO, NO, NO, NO. 23 00:02:04,791 --> 00:02:05,731 KIDS ARE STILL KIDS. 24 00:02:05,758 --> 00:02:07,388 WHAT’S DIFFERENT IS PARENTS. 25 00:02:07,427 --> 00:02:08,327 PARENTS ARE NOT PARENTS ANYMORE. 26 00:02:08,361 --> 00:02:09,131 THAT’S THE DIFFERENCE. 27 00:02:09,162 --> 00:02:10,662 WOULD YOU PLEASE GIVE US A BREAK? 28 00:02:10,697 --> 00:02:11,657 I DON’T KNOW HOW I DO IT. 29 00:02:11,698 --> 00:02:14,198 I KNOW WITH PHIL GONE, RUNNING THIS DELI AND ALL. 30 00:02:14,234 --> 00:02:15,544 HEY, YOU KNOW WHY YOU DO IT? 31 00:02:15,568 --> 00:02:17,538 BECAUSE I BROUGHT YOU UP RIGHT. 32 00:02:17,570 --> 00:02:18,740 YOU WORK HARD, GRACE. 33 00:02:18,771 --> 00:02:21,771 YOU KNOW, I REMEMBER WHEN I WAS 16 YEARS OLD, I WAS PLAYING 34 00:02:21,808 --> 00:02:23,538 SECOND TENOR WITH CHARLIE BARNET. 35 00:02:23,576 --> 00:02:25,976 Both: SEVEN NIGHTS A WEEK ON THE ROAD. 36 00:02:26,012 --> 00:02:29,282 HEY. ( chuckles ) HEY, WHAT’S THIS? 37 00:02:29,315 --> 00:02:31,645 I ORDERED PEPPERS AND EGGS AND A LITTLE ZASEECH, COME ON. 38 00:02:31,684 --> 00:02:34,394 YEAH, YEAH, YEAH, AND DR. COLBERT ORDERED DRY TOAST AND 39 00:02:34,420 --> 00:02:35,290 EGG WHITES. 40 00:02:35,321 --> 00:02:36,321 WHAT DOES HE KNOW? 41 00:02:36,356 --> 00:02:38,216 HE KNOWS CHOLESTEROL AND SALT. 42 00:02:38,258 --> 00:02:38,758 DID YOU TAKE YOUR PILLS? 43 00:02:38,791 --> 00:02:39,991 I TOOK THE PILLS. 44 00:02:40,026 --> 00:02:41,056 GOOD. WHAT? 45 00:02:41,094 --> 00:02:43,534 YOU KNOW, YOU REALLY LOOK BEAUTIFUL THIS MORNING. 46 00:02:43,563 --> 00:02:45,403 AND YOU ARE STILL GETTING EGG WHITES AND DRY TOAST. 47 00:02:45,431 --> 00:02:46,401 NO, NO, NO. 48 00:02:46,432 --> 00:02:48,802 HEY, MA, YOU GOT ANY STEAK? 49 00:02:48,835 --> 00:02:50,565 NO, BUT WE GOT SAUSAGE. 50 00:02:50,603 --> 00:02:52,313 TERRY, WHAT ARE YOU WEARING? 51 00:02:52,338 --> 00:02:53,308 CLOTHES. 52 00:02:53,339 --> 00:02:54,809 I NEED STEAK, MA. 53 00:02:54,841 --> 00:02:57,481 VENUS FLYTRAPS ONLY EAT PURE PROTEIN. 54 00:02:57,510 --> 00:02:59,280 PROCESSED FOODS WOULD KILL THEM. 55 00:02:59,312 --> 00:03:01,682 YOU KNOW, THOSE PLANTS EAT BETTER THAN ME. 56 00:03:01,714 --> 00:03:03,654 EVERYBODY EATS BETTER THAN ME. 57 00:03:03,683 --> 00:03:06,523 I GOTTA GIVE THEM STEAK BECAUSE IF I WIN THAT SCIENCE 58 00:03:06,553 --> 00:03:08,663 AWARD, I GET $500. 59 00:03:08,688 --> 00:03:09,558 $500 CASH? 60 00:03:09,589 --> 00:03:10,589 YEAH. 61 00:03:10,623 --> 00:03:12,463 WHY DON’T YOU USE ME AS YOUR SCIENCE PROJECT? 62 00:03:12,492 --> 00:03:13,692 WE’LL SPLIT THE DOUGH. 63 00:03:13,726 --> 00:03:16,656 I CAN’T BECAUSE I HAVE TO BUY A COMPUTER. 64 00:03:16,696 --> 00:03:19,666 I ALREADY HAVE $263 IN THE BANK. 65 00:03:19,699 --> 00:03:22,999 300 MORE AND I’M ONLINE CRUISING THE INTERNET AT 33 MEGAHERTZ PER 66 00:03:23,036 --> 00:03:23,536 SECOND. 67 00:03:23,570 --> 00:03:27,570 MMM, THAT SMELLS GOOD. 68 00:03:27,607 --> 00:03:28,607 WHAT’S A MEGAHERTZ? 69 00:03:28,641 --> 00:03:30,241 YOU’RE ASKING ME? 70 00:03:38,084 --> 00:03:39,054 HI, GEORGE. 71 00:03:39,085 --> 00:03:40,045 GOT MY FLOWERS? 72 00:03:40,086 --> 00:03:41,686 UH-HUH. 73 00:03:46,859 --> 00:03:49,059 THANKS, GEORGE. 74 00:03:49,095 --> 00:03:51,395 I CAN’T SHOW THE SMITH HOUSE. 75 00:03:51,431 --> 00:03:54,571 I’VE GOT THE HENSONS' CONDO. 76 00:03:54,601 --> 00:03:55,601 WELL, YOU’RE RIGHT. 77 00:03:55,635 --> 00:03:56,765 RESCHEDULE THE CONDO. 78 00:03:56,803 --> 00:03:59,043 THE HOUSE IS A MUCH BIGGER COMMISSION. 79 00:03:59,072 --> 00:04:01,812 STAVROS, MAYBE THAT ONE. 80 00:04:01,841 --> 00:04:03,081 OH, I CAN’T. 81 00:04:03,109 --> 00:04:04,809 I’VE GOT THE LARCHMONT LADIES LEAGUE AT 4:00. 82 00:04:04,844 --> 00:04:06,654 I THOUGHT WE WERE GOING TO THE SHOE SALE TODAY. 83 00:04:06,679 --> 00:04:07,809 I CAN’T TODAY, KAREN, HONEY. 84 00:04:07,847 --> 00:04:08,847 TOMORROW. 85 00:04:08,881 --> 00:04:10,551 BUT THE PUMPS I WANT FOR THE PROM WILL BE GONE. 86 00:04:10,583 --> 00:04:11,453 MORNING. 87 00:04:11,484 --> 00:04:12,894 DAVID CAN TAKE YOU RIGHT AFTER SCHOOL. 88 00:04:12,919 --> 00:04:13,789 NO, I CAN’T, MOM. 89 00:04:13,820 --> 00:04:14,650 I HAVE BASKETBALL. 90 00:04:14,687 --> 00:04:15,617 THANKS A LOT. 91 00:04:15,655 --> 00:04:17,415 YOU KNOW, I’M JUST GRADUATING NINTH GRADE, A 92 00:04:17,457 --> 00:04:18,317 ONCE-IN-A-LIFETIME THING. 93 00:04:18,358 --> 00:04:19,488 MAYBE NOT. 94 00:04:19,525 --> 00:04:20,685 WITH YOUR GRADES, THEY’LL PROBABLY LET YOU TRY IT A FEW 95 00:04:20,727 --> 00:04:21,627 TIMES. 96 00:04:21,661 --> 00:04:23,801 DOUG, THIS BABY DOES 180 ON THE AUTOBAHN. 97 00:04:23,830 --> 00:04:26,500 SURE, YOU CAN TEST-DRIVE IT THIS AFTERNOON IF YOU WANT, NO 98 00:04:26,532 --> 00:04:28,072 PROBLEM, JUST CALL ONE OF MY SALESMEN. 99 00:04:28,101 --> 00:04:28,801 MORNING, KIDS. 100 00:04:28,835 --> 00:04:29,695 HI, DADDY. 101 00:04:29,736 --> 00:04:30,696 INSTANT SCIENCE PROJECT? 102 00:04:30,737 --> 00:04:31,667 JUST ADD WATER. 103 00:04:31,704 --> 00:04:32,614 KNOCK, KNOCK! 104 00:04:32,639 --> 00:04:33,809 Both: WHO’S THERE? 105 00:04:33,840 --> 00:04:34,870 KIDS, MOM’S ON THE PHONE. 106 00:04:34,907 --> 00:04:35,877 IDA. 107 00:04:35,908 --> 00:04:36,838 Both: IDA WHO? 108 00:04:36,876 --> 00:04:37,736 IDA KNOW. 109 00:04:37,777 --> 00:04:38,907 KNOCK, KNOCK. 110 00:04:38,945 --> 00:04:40,845 EDNA, PUT SOME PROTEIN POWDER IN THE BLENDER FOR TIFFY. 111 00:04:40,880 --> 00:04:41,750 YUCK. 112 00:04:41,781 --> 00:04:42,651 BYE, TIFFY. 113 00:04:42,682 --> 00:04:43,552 BYE, DADDY. 114 00:04:43,583 --> 00:04:45,623 WAIT, STAVROS. 115 00:04:45,652 --> 00:04:46,522 BYE, MOM. 116 00:04:46,552 --> 00:04:47,422 BYE, HONEY. 117 00:04:47,453 --> 00:04:48,423 SEE YOU, MOM. 118 00:04:48,454 --> 00:04:50,424 HONEY, KAREN, WHAT IS THAT? 119 00:04:50,456 --> 00:04:52,886 PROJECT FOR SCIENCE, BYE. 120 00:04:52,925 --> 00:04:55,695 UH... ( stammers ) OKAY, CARL. 121 00:04:55,728 --> 00:04:57,428 YES, OF COURSE I CAN READ IT. 122 00:04:57,463 --> 00:05:00,533 JUST-- UH, JUST FAX IT TO ME. 123 00:05:00,566 --> 00:05:02,596 MY LILIES! 124 00:05:02,635 --> 00:05:07,605 CARL, I’LL HAVE TO CALL YOU BACK. 125 00:05:07,640 --> 00:05:09,610 KAREN! 126 00:05:09,642 --> 00:05:13,582 MY MOM SAYS THE LARCHMONT’S LADIES LEAGUE IS DONATING FOOD 127 00:05:13,613 --> 00:05:14,813 FOR THE PROM... 128 00:05:14,847 --> 00:05:16,917 FROM MAMA LUNA’S. 129 00:05:16,949 --> 00:05:19,719 DELI GIRL’S STORE? 130 00:05:19,752 --> 00:05:23,762 WELL, I GUESS IF TERRY CAN’T GO TO THE PROM, HER MOM’S SALAMI 131 00:05:23,790 --> 00:05:24,860 CAN. 132 00:05:24,891 --> 00:05:27,591 ( laughs ) YOU ARE SO BAD. 133 00:05:27,627 --> 00:05:30,927 THAT’S NOT YOUR SCIENCE PROJECT, IS IT? 134 00:05:30,963 --> 00:05:31,863 YEAH. 135 00:05:31,898 --> 00:05:34,168 FLOWERS FROM THE BACKYARD? 136 00:05:34,200 --> 00:05:36,770 I’LL SAY I FED THEM ON PEANUT BUTTER OR SOMETHING. 137 00:05:36,803 --> 00:05:39,543 GOOD LUCK. 138 00:05:39,572 --> 00:05:42,582 HEY, CHECK OUT DELI GIRL. 139 00:05:42,608 --> 00:05:43,508 WHAT DID SHE DO? 140 00:05:43,543 --> 00:05:44,743 BUILD A SPACE STATION? 141 00:05:44,777 --> 00:05:49,477 ( both laugh ) ( bus door closes ) 142 00:05:49,515 --> 00:05:51,915 WHAT IT IS, IT’S A HELMET THAT GOES OFF YOUR INNER 143 00:05:51,951 --> 00:05:56,761 THOUGHTS WITH SUCH-- ( children laughing ) 144 00:05:56,789 --> 00:05:57,959 YOU OKAY, LOUIS? 145 00:05:57,990 --> 00:05:58,890 I’M OKAY. 146 00:05:58,925 --> 00:06:00,755 HE’S DEAD. 147 00:06:15,541 --> 00:06:18,581 TERRY, WHAT KIND OF PLANTS ARE THOSE? 148 00:06:18,611 --> 00:06:20,611 DIONAEA MUSCIPULA. 149 00:06:20,646 --> 00:06:22,976 THAT’S VENUS FLYTRAPS. 150 00:06:23,015 --> 00:06:23,915 THEY’RE CUTE. 151 00:06:23,950 --> 00:06:25,220 THEY’RE CARNIVOROUS. 152 00:06:25,251 --> 00:06:26,651 THAT’S A MEAT-EATER. 153 00:06:26,686 --> 00:06:28,646 I KNOW THAT. 154 00:06:28,688 --> 00:06:31,858 LISTEN, TERRY, I WAS THINKING MAYBE WE COULD PARTNER UP ON OUR 155 00:06:31,891 --> 00:06:32,791 PROJECTS. 156 00:06:32,825 --> 00:06:35,525 YOU’VE GOT TO BE KIDDING. 157 00:06:35,561 --> 00:06:36,861 COME ON, TERRY. 158 00:06:36,896 --> 00:06:38,556 YOUR PLANTS HAVE BABIES. 159 00:06:38,598 --> 00:06:39,468 YOU CAN SPARE ONE AT LEAST. 160 00:06:39,499 --> 00:06:40,769 FORGET IT. 161 00:06:47,840 --> 00:06:49,540 ARE YOU GOING TO THE PROM? 162 00:06:49,575 --> 00:06:52,545 WHAT DOES PROM HAVE TO DO WITH ANYTHING? 163 00:06:52,578 --> 00:06:54,948 WELL, MAYBE CHAD COULD SET YOU UP WITH A GUY ON THE TRACK 164 00:06:54,981 --> 00:06:55,851 TEAM. 165 00:06:55,882 --> 00:06:56,822 A JOCK? 166 00:06:56,849 --> 00:06:59,549 I DON’T THINK TERRY'S THAT DESPERATE. 167 00:06:59,585 --> 00:07:01,215 I DON’T BELIEVE IN PROMS. 168 00:07:01,254 --> 00:07:04,724 WELL, THAT’S BECAUSE YOU CAN’T GET A DATE. 169 00:07:04,757 --> 00:07:06,527 JUST HELP ME OUT, TERRY. 170 00:07:06,559 --> 00:07:07,529 WHY SHOULD I? 171 00:07:07,560 --> 00:07:09,900 IT’S NOT MY FAULT YOU'RE FLUNKING SCIENCE. 172 00:07:09,929 --> 00:07:12,669 YOU DON’T EVEN PAY ATTENTION IN CLASS. 173 00:07:12,698 --> 00:07:14,968 ( scoffs ) NICE PROJECT. 174 00:07:15,001 --> 00:07:21,571 TERRY’S GONNA WIN THE SCIENCE AWARD AND THEN BUY A COMPUTER. 175 00:07:21,607 --> 00:07:23,837 WE’LL SEE ABOUT THAT. 176 00:07:23,876 --> 00:07:26,646 HELP HER WITH HER SCIENCE PROJECT. 177 00:07:26,679 --> 00:07:28,709 THAT KAREN RIDGEWAY HAS BEEN TRYING TO WEASEL HOMEWORK OUT OF 178 00:07:28,748 --> 00:07:30,718 ME EVER SINCE THE FOURTH GRADE. 179 00:07:30,750 --> 00:07:31,850 WHAT DO YOU EXPECT? 180 00:07:31,884 --> 00:07:32,994 SHE’S A CHEERLEADER. 181 00:07:33,019 --> 00:07:35,759 YEAH, NEVER THOUGHT ABOUT THAT. 182 00:07:35,788 --> 00:07:40,588 I GUESS ALL THAT JUMPING IN PUBLIC RATTLES THE BRAIN. 183 00:07:40,626 --> 00:07:44,596 I AM SO SICK OF THAT LOSER TERRY VENESSI. 184 00:07:44,630 --> 00:07:45,670 I KNOW. 185 00:07:45,698 --> 00:07:48,868 WHO DOES SHE THINK SHE IS, ANYWAY, ALBERT EISENSTEIN? 186 00:07:48,901 --> 00:07:49,771 REALLY. 187 00:07:49,802 --> 00:07:51,842 BLAIR? 188 00:07:51,871 --> 00:07:53,711 CAN I SPEAK WITH YOU A MOMENT? 189 00:07:53,739 --> 00:07:54,609 GREAT. 190 00:07:54,640 --> 00:07:55,580 HI, GANG. 191 00:07:55,608 --> 00:07:56,878 HI, CHAD. 192 00:07:56,909 --> 00:07:58,039 HOLD THIS, WILL YOU? 193 00:07:58,077 --> 00:08:00,007 SO, LIKE THE NEW CHEERLEADING UNIFORMS? 194 00:08:00,046 --> 00:08:02,076 THEY’RE CUTE. 195 00:08:02,114 --> 00:08:03,624 HI, CHAD. 196 00:08:03,649 --> 00:08:04,779 HI, NICOLE. 197 00:08:04,817 --> 00:08:07,847 I JUST PLANTED THE INFANT FLYTRAPS, BUT FOR THE PAST SIX 198 00:08:07,887 --> 00:08:10,987 WEEKS, I’VE BEEN FEEDING THE ADULT FLYTRAPS RAW MEAT. 199 00:08:11,023 --> 00:08:13,763 YOU KNOW, INSECTS, STEAK, NOTHING ARTIFICIAL. 200 00:08:13,793 --> 00:08:16,703 I EXPOSE THEM TO ABOUT FOUR HOURS OF SUNLIGHT A DAY, AND THE 201 00:08:16,729 --> 00:08:20,069 SPRAY’S ON A TIMER USING ONLY PURIFIED WATER. 202 00:08:20,099 --> 00:08:25,939 ( water burbling ) INGENIOUS, TERRY. 203 00:08:25,972 --> 00:08:27,042 REALLY. 204 00:08:27,073 --> 00:08:28,943 TAKE A GOOD LOOK, CLASS. 205 00:08:28,975 --> 00:08:33,345 THIS IS HOW IT’S DONE. 206 00:08:33,379 --> 00:08:36,649 ( school bell rings ) ALL RIGHT, WE’LL DISCUSS THE 207 00:08:36,682 --> 00:08:38,122 OTHER PROJECTS TOMORROW. 208 00:08:38,150 --> 00:08:39,950 REALLY NICE WORK, TERRY. 209 00:08:39,986 --> 00:08:41,146 THANKS. 210 00:08:41,187 --> 00:08:43,557 ( indistinct conversations ) WELL, YOU’VE GOT TO ADMIT. 211 00:08:55,167 --> 00:08:57,367 IT’S A PRETTY GOOD PROJECT. 212 00:08:57,403 --> 00:08:59,843 RIGHT NOW IT IS. 213 00:08:59,872 --> 00:09:03,082 KAREN, WHAT ARE YOU GOING TO DO? 214 00:09:03,109 --> 00:09:04,239 NOTHING. 215 00:09:04,277 --> 00:09:09,747 IT’S JUST THAT TERRY'S GROWN-UP PLANTS LOOK SO HUNGRY. 216 00:09:09,782 --> 00:09:12,952 MAYBE THEY WANT SOME POTATO CHIPS. 217 00:09:12,985 --> 00:09:17,185 BUT TERRY SAID THEY ONLY EAT MEAT. 218 00:09:17,223 --> 00:09:20,093 DID SHE? 219 00:09:20,126 --> 00:09:25,766 ( all chuckles ) I DON’T UNDERSTAND, MR. 220 00:09:25,798 --> 00:09:27,098 BALFOUR. 221 00:09:27,133 --> 00:09:29,703 THEY SEEMED PERFECTLY FINE YESTERDAY. 222 00:09:29,735 --> 00:09:30,765 I’M SORRY, TERRY. 223 00:09:30,803 --> 00:09:32,373 BUT THESE THINGS HAPPEN SOMETIMES. 224 00:09:32,405 --> 00:09:35,105 BUT EVEN IF THE EXPERIMENT FAILS, THERE ARE CONCLUSIONS TO 225 00:09:35,141 --> 00:09:35,881 BE DRAWN. 226 00:09:35,908 --> 00:09:37,808 YOU FIND OUT WHAT HAPPENED, OKAY? 227 00:09:37,843 --> 00:09:39,883 YES, MR. BALFOUR. 228 00:09:39,912 --> 00:09:41,852 AND HOW’S YOUR PROJECT, KAREN? 229 00:09:41,881 --> 00:09:43,021 PERFECT. 230 00:09:43,049 --> 00:09:45,949 YOU SEE, MY EXPERIMENT IS ALL ABOUT THE DIFFERENCE BETWEEN 231 00:09:45,985 --> 00:09:50,415 CARNIVOROUS PLANTS AND, UM, REGULAR PLANTS. 232 00:09:50,456 --> 00:09:54,656 ONE HALF IS LILIES, AND ON THE OTHER HALF, I HAVE A LITTLE BABY 233 00:09:54,694 --> 00:09:56,004 VENUS FLYTRAP. 234 00:09:56,028 --> 00:09:57,398 ISN’T IT CUTE? 235 00:09:57,430 --> 00:10:00,170 REAL CUTE. 236 00:10:00,199 --> 00:10:04,439 AND, LOUIS, WHAT DO WE HAVE HERE? 237 00:10:04,470 --> 00:10:07,140 WELL, IT OCCURRED TO ME THAT SHORT, LOW-VOLTAGE ELECTRIC 238 00:10:07,173 --> 00:10:10,043 SHOCKS MAY TRIGGER CERTAIN PLEASANT MEMORIES. 239 00:10:10,076 --> 00:10:13,406 FOR INSTANCE. 240 00:10:13,446 --> 00:10:14,876 SEE WHAT I MEAN? 241 00:10:14,914 --> 00:10:17,254 ( students chuckle ) YOU KNOW, I WAS THINKING, I 242 00:10:17,283 --> 00:10:19,123 WANT TO RE-CHOREOGRAPH THAT TIGERS’ ROUTINE. 243 00:10:19,151 --> 00:10:20,021 WELL, LIKE HOW? 244 00:10:20,052 --> 00:10:20,922 WELL, LET’S RUN IT. 245 00:10:20,953 --> 00:10:22,253 OKAY. 246 00:10:22,288 --> 00:10:23,158 Both: BLACK! 247 00:10:23,189 --> 00:10:24,459 BLACK! 248 00:10:24,490 --> 00:10:26,160 TIGER FANS, YELL FIGHT. 249 00:10:26,192 --> 00:10:27,032 FIGHT! 250 00:10:27,059 --> 00:10:29,059 F-I-G-H-T. 251 00:10:29,095 --> 00:10:30,455 TIGER FANS, YELL FIGHT. 252 00:10:30,496 --> 00:10:31,696 FIGHT! 253 00:10:31,731 --> 00:10:35,031 SHE COMPLETELY SABOTAGED MY PROJECT, AND YOU KNOW SHE DUG UP 254 00:10:35,067 --> 00:10:35,897 MY BABY FLYTRAP. 255 00:10:35,935 --> 00:10:39,805 YOU ARE SCARY WHEN YOU’RE LIKE THIS. 256 00:10:39,839 --> 00:10:42,009 I’M GOING TO GET HER WHERE SHE LIVES. 257 00:10:42,041 --> 00:10:43,481 THE MALL? 258 00:10:43,509 --> 00:10:46,909 I’M GOING TO NEED SOME SARDINES, SOME GARLIC, SOME SOUR 259 00:10:46,946 --> 00:10:49,946 MILK, MOLDY CHEESE AND BAKING POWDER. 260 00:10:49,982 --> 00:10:51,452 WHAT ARE YOU GOING TO MAKE? 261 00:10:51,484 --> 00:10:54,054 I’M GOING TO MAKE HER LITTLE CHEERLEADING OUTFIT REEK 262 00:10:54,086 --> 00:10:54,916 FOREVER. 263 00:10:54,954 --> 00:10:58,164 LIKE WE DID TO NICOLE LAST HALLOWEEN? 264 00:10:58,190 --> 00:10:59,090 YEAH, EXACTLY. 265 00:10:59,125 --> 00:11:01,955 HOW ARE YOU GOING TO GET INTO HER LOCKER? 266 00:11:01,994 --> 00:11:03,804 WE’LL FIGURE IT OUT. 267 00:11:03,829 --> 00:11:05,829 JUST GET ME THAT GUNK FROM THE LAB AND MEET ME BACK HERE IN 268 00:11:05,865 --> 00:11:06,725 HALF AN HOUR. 269 00:11:06,766 --> 00:11:07,996 OKAY. 270 00:11:25,551 --> 00:11:29,521 UGH, SMELL THAT. 271 00:11:29,555 --> 00:11:31,015 OVERKILL? 272 00:11:31,057 --> 00:11:33,227 NO SUCH THING. 273 00:11:33,259 --> 00:11:37,259 OKAY, GIVE ME THE STUFF. 274 00:11:37,296 --> 00:11:39,096 ALL RIGHT. 275 00:11:39,131 --> 00:11:40,171 GO STAND GUARD. 276 00:11:40,199 --> 00:11:41,729 OH, YEAH. 277 00:11:47,073 --> 00:11:49,013 HOW MUCH SHOULD I USE? 278 00:11:49,041 --> 00:11:50,041 SIX DROPS. 279 00:11:50,076 --> 00:11:50,936 OKAY. 280 00:11:50,976 --> 00:11:53,046 OR SIX MILLILITERS. 281 00:11:53,079 --> 00:11:54,549 WHICH ONE IS IT? 282 00:11:54,580 --> 00:11:55,680 UH-OH. 283 00:11:55,714 --> 00:11:58,054 OH, PLEASE TELL ME "UH-OH" DOESN’T MEAN YOU FORGOT. 284 00:11:58,084 --> 00:11:59,254 I FORGOT. 285 00:11:59,285 --> 00:12:00,245 LOUIS! 286 00:12:00,286 --> 00:12:01,886 HARLOW! 287 00:12:01,921 --> 00:12:02,791 HARLOW? 288 00:12:02,822 --> 00:12:03,492 HURRY! 289 00:12:03,522 --> 00:12:05,022 QUICK, HOW MUCH SHOULD I USE? 290 00:12:05,057 --> 00:12:07,287 LOUIS! LOUIS! 291 00:12:07,326 --> 00:12:08,856 HERE HE COMES! 292 00:12:13,566 --> 00:12:15,066 TERRY? TERRY? 293 00:12:17,903 --> 00:12:19,973 TERRY VENESSI? 294 00:12:20,005 --> 00:12:21,765 TERRY! 295 00:12:47,366 --> 00:12:49,396 ( students murmuring ) I GUESS IT WAS SIX DROPS. 296 00:13:05,084 --> 00:13:09,294 I’M SORRY WE'VE HAD TO DELAY THIS MEETING, BUT MAYBE YOUR 297 00:13:09,321 --> 00:13:12,321 NOSES CAN STILL TELL YOU THAT THE SCHOOL HAS BEEN CLOSED FOR 298 00:13:12,358 --> 00:13:14,058 THE LAST TWO DAYS. 299 00:13:14,093 --> 00:13:19,973 I DO APPRECIATE THE FACT THAT YOU’VE BROUGHT YOUR FAMILIES 300 00:13:19,999 --> 00:13:21,329 WITH YOU, THOUGH. 301 00:13:21,367 --> 00:13:23,897 TERRY’S A CONSCIENTIOUS STUDENT, MR. HARLOW. 302 00:13:23,936 --> 00:13:25,906 SHE WOULD NEVER DO SOMETHING LIKE THIS INTENTIONALLY. 303 00:13:25,938 --> 00:13:27,408 WELL, THANK YOU, MR. BALFOUR. 304 00:13:27,439 --> 00:13:30,109 WELL, KAREN DIDN’T DO ANYTHING. 305 00:13:30,142 --> 00:13:32,952 IN FACT, I DON’T EVEN KNOW WHY WE SHOULD BE HERE. 306 00:13:32,978 --> 00:13:35,178 BECAUSE SHE RUINED TERRY’S SCIENCE PROJECT. 307 00:13:35,214 --> 00:13:38,054 HARDLY THE SAME AS VANDALIZING SCHOOL PROPERTY. 308 00:13:38,083 --> 00:13:38,953 IT’S WORSE. 309 00:13:38,984 --> 00:13:39,824 OH, REALLY? 310 00:13:39,852 --> 00:13:42,622 WHAT ABOUT THE-- NOW, LADIES, PLEASE. 311 00:13:42,655 --> 00:13:45,955 THIS IS NOT THE FIRST TIME-- THIS IS NOT THE FIFTH TIME THAT 312 00:13:45,991 --> 00:13:48,131 WE’VE ALL BEEN HERE TOGETHER IN THIS OFFICE. 313 00:13:48,160 --> 00:13:51,360 I’M SURE WE ALL REMEMBER THE LITTLE INCIDENT WITH THE 314 00:13:51,397 --> 00:13:53,427 TEAR-AWAY BASKETBALL JERSEY? 315 00:13:53,465 --> 00:13:56,965 I WAS JUST TRYING TO HELP HER GET A DATE. 316 00:13:57,002 --> 00:14:01,912 THE POINT IS I DON’T THINK THAT I CAN HANDLE THIS FEUD OF 317 00:14:01,941 --> 00:14:05,281 YOURS WITH ANOTHER LITTLE MERE SUSPENSION. 318 00:14:05,311 --> 00:14:10,451 I’VE TURNED THE MATTER OVER TO A JUVENILE OFFICER. 319 00:14:10,482 --> 00:14:12,052 THE POLICE? 320 00:14:12,084 --> 00:14:13,324 MR. BALFOUR? 321 00:14:20,693 --> 00:14:22,933 THIS IS OFFICER SMITH. 322 00:14:22,962 --> 00:14:26,502 I THINK YOU’LL FIND SHE HAS A VERY INTERESTING TAKE ON THIS 323 00:14:26,532 --> 00:14:28,172 MATTER. 324 00:14:47,987 --> 00:14:52,727 GIVEN THE SEVERITY OF THE DAMAGE AND THE HISTORY OF THE 325 00:14:52,758 --> 00:14:56,398 GIRLS’ ANIMOSITY TO EACH OTHER, I’M GOING TO RECOMMEND THAT THEY 326 00:14:56,428 --> 00:15:01,098 BE EXPELLED FROM SCHOOL AND SENT TO THE JUVENILE WORK FARM IN 327 00:15:01,133 --> 00:15:03,043 BIXBY FOR 30 DAYS. 328 00:15:03,068 --> 00:15:04,098 WHAT? 329 00:15:04,136 --> 00:15:05,536 YOU’RE SENDING TERRY TO JAIL? 330 00:15:05,571 --> 00:15:06,441 WORK FARM. 331 00:15:06,472 --> 00:15:08,142 YOU CAN’T DO THAT. 332 00:15:08,173 --> 00:15:09,383 CAN SHE? 333 00:15:09,408 --> 00:15:10,538 WHAT ABOUT THE PROM? 334 00:15:10,576 --> 00:15:12,506 OH, NOW THAT’S REALLY IMPORTANT. 335 00:15:12,544 --> 00:15:14,454 WE’RE BOTH GOING TO HAVE CRIMINAL RECORDS AND YOU’RE 336 00:15:14,480 --> 00:15:16,050 WORRIED ABOUT YOUR MORONIC PROM. 337 00:15:16,081 --> 00:15:17,251 AT LEAST I’M GOING. 338 00:15:17,283 --> 00:15:18,323 WELL, DON’T WORRY. 339 00:15:18,350 --> 00:15:20,190 I’M SURE THE WORK FARM WILL HAVE A SPRING HOEDOWN. 340 00:15:20,219 --> 00:15:21,349 THIS IS ALL YOUR FAULT. 341 00:15:21,387 --> 00:15:22,717 YOU ALWAYS WALK AROUND LIKE YOU’RE SMARTER THAN ANYBODY 342 00:15:22,755 --> 00:15:23,315 ELSE. 343 00:15:23,355 --> 00:15:24,585 THAT’S BECAUSE I AM. 344 00:15:24,623 --> 00:15:27,463 WELL, I GUESS YOU HAVE TO BE SOMETHING IF YOU’RE GOING TO 345 00:15:27,493 --> 00:15:28,363 LIVE IN A DELI. 346 00:15:28,394 --> 00:15:29,604 KAREN! 347 00:15:29,628 --> 00:15:31,398 WELL, IT SURE BEATS THINKING YOU CAN GET AWAY WITH ANYTHING 348 00:15:31,430 --> 00:15:32,400 JUST BECAUSE YOU’RE RICH. 349 00:15:32,431 --> 00:15:34,301 TERRY, BE QUIET. 350 00:15:34,333 --> 00:15:38,473 OFFICER, IS IT REALLY NECESSARY TO SEND THE GIRLS TO A 351 00:15:38,504 --> 00:15:40,544 WORK FARM? 352 00:15:40,572 --> 00:15:46,152 THERE MAY BE AN ALTERNATIVE, A MORE... CREATIVE SENTENCE. 353 00:15:46,178 --> 00:15:48,548 I DIDN’T BRING IT UP BECAUSE IT’S DIFFICULT TO JUDGE JUST HOW 354 00:15:48,580 --> 00:15:52,320 MUCH OF THEIR INTOLERANCE AND PREJUDICE THE GIRLS LEARN IN 355 00:15:52,351 --> 00:15:53,451 THEIR HOME. 356 00:15:53,485 --> 00:15:55,145 WHAT ARE YOU IMPLYING? 357 00:15:55,187 --> 00:15:58,217 SHE IS IMPLYING THAT YOU TAUGHT KAREN EVERYTHING YOU KNOW 358 00:15:58,257 --> 00:15:59,357 ABOUT BEING A SNOB. 359 00:15:59,391 --> 00:16:01,331 WELL, THAT IS RIDICULOUS. 360 00:16:01,360 --> 00:16:04,200 JUST BECAUSE YOU COULDN’T-- MILLIE. MILLIE. 361 00:16:04,229 --> 00:16:07,599 OFFICER, YOU WERE SAYING SOMETHING ABOUT AN ALTERNATIVE? 362 00:16:07,633 --> 00:16:09,233 CREATIVE SENTENCING? 363 00:16:09,268 --> 00:16:12,198 YES, MR. RIDGEWAY. 364 00:16:12,237 --> 00:16:20,477 INSTEAD OF EXPULSION AND A MONTH AT BIXBY, I SUGGEST THE GIRLS DO 365 00:16:20,512 --> 00:16:23,252 50 HOURS OF GARBAGE DETAIL FOR THE PARKS DEPARTMENT. 366 00:16:23,282 --> 00:16:24,152 GROSS. 367 00:16:24,183 --> 00:16:25,053 SHUT UP. 368 00:16:25,084 --> 00:16:25,824 YOU SHUT UP. 369 00:16:25,851 --> 00:16:28,291 AND... 370 00:16:28,320 --> 00:16:32,390 THAT THEY SWITCH FAMILIES FOR A MONTH TO SEE HOW THE OTHER GIRL 371 00:16:32,424 --> 00:16:33,264 LIVES. 372 00:16:33,292 --> 00:16:35,192 YOU CAN’T MAKE ME LIVE IN A DELI. 373 00:16:35,227 --> 00:16:38,457 JACK, SAY SOMETHING. 374 00:16:38,497 --> 00:16:40,597 I THINK IT’S AN INSPIRED IDEA. 375 00:16:40,632 --> 00:16:43,542 ( chuckles ) THANK YOU, MR. RIDGEWAY. 376 00:16:43,569 --> 00:16:47,509 OF COURSE, I CAN’T FORCE YOU INTO ANYTHING. 377 00:16:47,539 --> 00:16:48,839 IT’S YOUR CHOICE. 378 00:16:48,874 --> 00:16:50,084 OUR CHOICE? 379 00:16:50,109 --> 00:16:51,479 SOME CHOICE, LIVING WITH THEM? 380 00:16:51,510 --> 00:16:53,380 MA, YOU WANT TO SPEAK UP HERE? 381 00:16:53,412 --> 00:16:55,212 TERRY CAN STAY IN SCHOOL? 382 00:16:55,247 --> 00:16:56,417 DEFINITELY. 383 00:16:56,448 --> 00:16:57,218 WE’LL DO IT. 384 00:16:57,249 --> 00:16:59,419 THERE MUST BE SOME ALTERNATIVE-- 385 00:16:59,451 --> 00:17:01,591 COUNT US IN, TOO, OFFICER. 386 00:17:01,620 --> 00:17:04,090 GOOD. 387 00:17:04,123 --> 00:17:07,293 NOW, GIRLS, THIS IS FOR REAL. 388 00:17:07,326 --> 00:17:10,626 WHEN YOU SWITCH FAMILIES, YOU’VE GOT TO DO EACH OTHER’S CHORES 389 00:17:10,662 --> 00:17:13,102 AND OBEY EACH OTHER’S PARENTS. 390 00:17:13,132 --> 00:17:16,302 WHETHER YOU LIKE IT OR NOT, YOU’RE IN THIS TOGETHER, AND 391 00:17:16,335 --> 00:17:20,135 YOU’RE GOING TO WALK IN EACH OTHER’S SHOES FOR THE NEXT 392 00:17:20,172 --> 00:17:21,212 30 DAYS. 393 00:17:21,240 --> 00:17:25,840 UNDERSTOOD? 394 00:17:25,878 --> 00:17:27,678 CAN I STILL GO TO THE PROM? 395 00:17:27,713 --> 00:17:31,583 ( laughs ) WHAT? 396 00:17:31,617 --> 00:17:34,087 MAN! 397 00:17:42,494 --> 00:17:43,504 TERRY, HURRY UP! 398 00:17:43,529 --> 00:17:44,299 I AM. 399 00:17:44,329 --> 00:17:46,429 DID YOU PACK YOUR GOOD BLUE SKIRT? 400 00:17:46,465 --> 00:17:47,425 UH, YEAH. 401 00:17:47,466 --> 00:17:49,696 GREAT, AND HOW ABOUT THAT NICE GRAY CARDIGAN? 402 00:17:49,735 --> 00:17:51,535 OH, NO. 403 00:17:51,570 --> 00:17:52,940 WHAT IS THIS ABOUT, MA? 404 00:17:52,971 --> 00:17:55,611 I DON’T WANT THEM THINKING YOU ARE SOME GAVONE WHO DOES NOT 405 00:17:55,641 --> 00:17:56,441 KNOW HOW TO DRESS. 406 00:17:56,475 --> 00:17:58,335 WHAT DOES IT MATTER WHAT THEY THINK? 407 00:17:58,377 --> 00:17:59,507 IT MATTERS. 408 00:17:59,545 --> 00:18:02,375 THAT MILLIE RIDGEWAY HAS CALLED ALREADY THREE TIMES TODAY. 409 00:18:02,414 --> 00:18:04,684 CHE COSA, THOSE QUESTIONS SHE ASKS. 410 00:18:04,716 --> 00:18:06,516 SHE MUST THINK YOU WERE RAISED BY WOLVES. 411 00:18:06,552 --> 00:18:08,152 OR MUSICIANS. 412 00:18:08,187 --> 00:18:10,887 ( laughs ) OKAY, POP, WELL, I WILL BE 413 00:18:10,923 --> 00:18:11,623 BACK IN ONE HALFHOUR. 414 00:18:11,657 --> 00:18:12,587 OKAY. 415 00:18:12,624 --> 00:18:14,694 AND I WILL BE BACK IN A MONTH. 416 00:18:14,726 --> 00:18:15,826 I KNOW, I KNOW, I KNOW. 417 00:18:15,861 --> 00:18:18,631 WHAT DO YOU GOT PLANNED FOR THE REST OF THE DAY, POP? 418 00:18:18,664 --> 00:18:19,804 WELL, LET’S SEE. 419 00:18:19,832 --> 00:18:21,602 MICHELLE PFEIFFER CALLED AND CANCELLED OUR LUNCH, AND SO I 420 00:18:21,633 --> 00:18:24,203 FIGURED I’D REARRANGE THE BISCOTTI, YOU KNOW. 421 00:18:24,236 --> 00:18:25,266 GOOD. 422 00:18:25,304 --> 00:18:26,744 AND HAVE A FEW OLD FRIENDS OVER FOR SOME CHIANTI. 423 00:18:26,772 --> 00:18:27,642 HEY, WHO? 424 00:18:27,673 --> 00:18:28,513 HEY, WHO. 425 00:18:28,540 --> 00:18:29,440 WHAT ARE YOU TALKING, "WHO"? 426 00:18:29,475 --> 00:18:30,675 WHAT’S THE MATTER WITH YOU? 427 00:18:30,709 --> 00:18:32,679 YOU HAVE AN APPOINTMENT THIS AFTERNOON, 4:00, DR. COLBERT. 428 00:18:32,711 --> 00:18:34,581 NOW, I LEFT THE DIRECTIONS AND THE ADDRESS BY THE CASH 429 00:18:34,613 --> 00:18:35,613 REGISTER. 430 00:18:35,647 --> 00:18:37,647 HEY, HEY, HEY, I’M A BIG BOY NOW, ALL RIGHT? 431 00:18:37,683 --> 00:18:39,653 I MEAN, IF I CAN GET TO THE PARAMOUNT THEATER BY MYSELF, I 432 00:18:39,685 --> 00:18:41,485 CAN CERTAINLY GET TO THE DOCTOR BY MYSELF. 433 00:18:41,520 --> 00:18:42,390 ALL RIGHT, OKAY. 434 00:18:42,421 --> 00:18:43,261 GIVE ME THESE. 435 00:18:43,288 --> 00:18:44,418 HEY, MA! 436 00:18:44,456 --> 00:18:45,616 I GOT ’EM, I GOT 'EM. 437 00:18:45,657 --> 00:18:52,297 ( babbles and chuckles ) HEY, WHIZ KID, DON’T I GET A 438 00:18:52,331 --> 00:18:53,371 LITTLE SUGAR? 439 00:18:53,398 --> 00:18:54,628 YES. 440 00:18:54,666 --> 00:18:56,266 MMM! 441 00:18:56,301 --> 00:18:58,571 TI VUOLO BENE, BELLISIMA. 442 00:18:58,604 --> 00:19:01,374 HEY, WHAT’S THE WORD, MOCKINGBIRD? 443 00:19:01,406 --> 00:19:03,436 SWING AND SWEAT AND CHARLIE BARNET. 444 00:19:03,475 --> 00:19:04,935 GIVE THIS LADY AN "A." 445 00:19:04,977 --> 00:19:06,677 TRY TO HAVE SOME FUN OVER THERE, OKAY? 446 00:19:06,712 --> 00:19:08,652 YEAH, YEAH, YEAH. 447 00:19:11,783 --> 00:19:13,453 BYE, PAPA. 448 00:19:38,610 --> 00:19:41,350 DAVID, YOU THINK IT’S GOING TO BE WEIRD? 449 00:19:41,380 --> 00:19:43,580 I THINK IT BEATS BEING ON TRASH DETAIL. 450 00:19:43,615 --> 00:19:45,315 NO, IT DOESN’T. 451 00:19:45,350 --> 00:19:48,290 I HAVE TO DO THAT, TOO, IN A TACKY ORANGE JUMPSUIT. 452 00:19:48,320 --> 00:19:49,790 WELL, AT LEAST IT’LL MATCH YOUR HAIR. 453 00:19:49,821 --> 00:19:51,661 OH, THAT’S NICE. 454 00:19:51,690 --> 00:19:52,890 THIS IS SO UNFAIR. 455 00:19:52,925 --> 00:19:57,695 SHE GETS TO LIVE IN LUXURY AND I HAVE TO LIVE HERE, IN A DELI. 456 00:19:57,729 --> 00:19:59,259 AT LEAST YOU’LL EAT WELL. 457 00:19:59,298 --> 00:20:09,338 BESIDES, HOW WEIRD CAN IT REALLY BE? 458 00:20:09,341 --> 00:20:39,441 BESIDES, HOW WEIRD CAN IT REALLY BE? 459 00:20:39,471 --> 00:20:41,611 AW, KAREN AND HER BOYFRIEND. 460 00:20:41,640 --> 00:20:43,340 DIE, DIE! 461 00:20:43,375 --> 00:20:47,775 ( chuckles ) ( telephone rings ) 462 00:20:47,813 --> 00:20:48,883 HELLO? 463 00:20:48,914 --> 00:20:51,354 WE’RE WATCHING YOU, DELI GIRL. 464 00:20:51,383 --> 00:20:54,423 ( girls laugh ) WHO IS THIS? 465 00:20:54,453 --> 00:20:55,693 ( girls laugh ) WOW... 466 00:21:02,561 --> 00:21:03,431 COOL. 467 00:21:03,462 --> 00:21:04,532 LOOK THROUGH THIS. 468 00:21:04,563 --> 00:21:05,603 LOOK THROUGH THIS. 469 00:21:05,631 --> 00:21:06,871 COME ON, LOOK THROUGH THIS. 470 00:21:06,898 --> 00:21:07,768 STOP. 471 00:21:07,799 --> 00:21:11,539 ( telephone rings ) HELLO? 472 00:21:11,570 --> 00:21:12,800 DO YOU DELIVER? 473 00:21:12,838 --> 00:21:23,448 ( both laugh ) HA HA HA. 474 00:21:23,482 --> 00:21:25,482 WHAT’S YOUR FAVORITE COLOR? 475 00:21:25,517 --> 00:21:28,817 BLACK, WHICH IS THE ABSENCE OF ALL COLORS. 476 00:21:28,854 --> 00:21:30,494 DO YOU HAVE A LITTLE SISTER? 477 00:21:30,522 --> 00:21:33,562 LUCKILY, NO. 478 00:21:33,592 --> 00:21:36,402 WANT TO HEAR SOME "KNOCK-KNOCK" JOKES? 479 00:21:36,428 --> 00:21:36,928 KNOCK-KNOCK. 480 00:21:36,962 --> 00:21:37,832 KNOCK-KNOCK. 481 00:21:37,863 --> 00:21:39,733 YOU’RE SUPPOSED TO SAY "WHO'S THERE?" 482 00:21:39,765 --> 00:21:41,595 SHOULDN’T YOU BE IN A PLAY GROUP OR SOMETHING? 483 00:21:41,633 --> 00:21:45,143 NO. 484 00:21:45,170 --> 00:21:49,510 ( laughs ) BOOBY TRAP! BOOBY TRAP! 485 00:21:49,541 --> 00:21:51,711 ( telephone rings ) BOOBY-TRAP! BOOBY-TRAP! 486 00:21:51,743 --> 00:21:53,753 BOOBY-TRAP! BOOBY-TRAP! 487 00:21:53,779 --> 00:21:55,809 BOOBY-TRAP! BOOBY TRAP! 488 00:21:55,847 --> 00:21:58,917 THERE IS NOT ENOUGH ROOM IN THAT CLOSET. 489 00:21:58,950 --> 00:22:00,590 DO YOU HAVE ANY WOODEN HANGERS? 490 00:22:00,619 --> 00:22:01,919 ALL I FOUND WAS WIRE. 491 00:22:01,953 --> 00:22:04,593 NO, THAT’S IT. 492 00:22:04,623 --> 00:22:08,593 OH, UH, SOMEBODY NAMED CHAD CALLED. 493 00:22:08,627 --> 00:22:10,427 HE CALLED ABOUT FOUR TIMES THIS MORNING. 494 00:22:10,462 --> 00:22:15,602 WHY DIDN’T YOU COME AND GET ME? 495 00:22:15,634 --> 00:22:17,904 WHAT? 496 00:22:17,936 --> 00:22:19,636 WHAT AM I, THE BELLBOY? 497 00:22:19,671 --> 00:22:20,671 WHAT’S THE MATTER WITH YOU? 498 00:22:20,706 --> 00:22:21,906 YOU GOT TO THINK. 499 00:22:21,940 --> 00:22:27,610 ( chuckles ) KIDS TODAY. 500 00:22:27,646 --> 00:22:30,676 DOES THIS PLACE ALWAYS SMELL LIKE SALAMI? 501 00:22:30,716 --> 00:22:32,516 OH, NO, NO. 502 00:22:32,551 --> 00:22:39,621 ON WEDNESDAYS AND THURSDAYS, IT SMELLS LIKE BROCCOLI. 503 00:22:39,658 --> 00:22:40,758 HI, CHAD. 504 00:22:40,792 --> 00:22:42,962 NO, THEY ONLY HAVE ONE LINE. 505 00:22:42,994 --> 00:22:45,004 I KNOW, MUY PRIMITIVO. 506 00:22:45,030 --> 00:22:47,570 HEY, YOU GOT TWO MINUTES ON THIS LINE. 507 00:22:47,599 --> 00:22:49,629 IT’S A BUSINESS PHONE. 508 00:22:49,668 --> 00:22:50,698 I GOT TO GO, CHAD. 509 00:22:50,736 --> 00:22:53,466 YEAH, I’LL TALK TO YOU LATER. 510 00:22:53,505 --> 00:22:55,865 YOU KNOW, I HAVE MY OWN PHONE AT HOME. 511 00:22:55,907 --> 00:22:57,677 I COULDN’T LIVE WITHOUT IT. 512 00:22:57,709 --> 00:22:59,179 WHAT DOES TERRY DO? 513 00:22:59,211 --> 00:23:00,881 HER HOMEWORK. 514 00:23:00,912 --> 00:23:03,652 OH, THAT’S RIGHT. 515 00:23:03,682 --> 00:23:07,692 BOYS DON’T CALL TERRY. 516 00:23:07,719 --> 00:23:09,519 OKAY, CARL, MY PLEASURE. 517 00:23:09,554 --> 00:23:10,264 BYE. 518 00:23:10,288 --> 00:23:11,818 WELL, DID YOU GET SETTLED, TERRY? 519 00:23:11,857 --> 00:23:13,657 OH, YES, BUT SOME STUFF FELL OUT OF THE CLOSET-- 520 00:23:13,692 --> 00:23:15,462 OH, DO YOU HAVE ANY FOOD ALLERGIES? 521 00:23:15,494 --> 00:23:16,604 EXCUSE ME? 522 00:23:16,628 --> 00:23:18,798 IF THERE IS ANYTHING YOU CAN’T EAT, JUST TELL EDNA. 523 00:23:18,830 --> 00:23:19,530 UH, LET’S SEE. 524 00:23:19,564 --> 00:23:22,474 OH, NOW HERE ARE THE HOUSE RULES. 525 00:23:22,501 --> 00:23:23,701 YOU JUST READ THEM THROUGH. 526 00:23:23,735 --> 00:23:25,765 IF YOU HAVE ANY QUESTIONS-- I’LL JUST ASK YOU AT DINNER. 527 00:23:25,804 --> 00:23:27,814 OH, WELL, NO, I WON’T BE HOME FOR DINNER. 528 00:23:27,839 --> 00:23:30,909 I HAVE TO SHOW A HOUSE AT 6:00 AND THEN LADIES LEAGUE. 529 00:23:30,942 --> 00:23:32,012 COME HERE. 530 00:23:32,043 --> 00:23:35,213 HERE’S OUR WHOLE NIGHT RIGHT HERE ON THIS CALENDAR. 531 00:23:35,247 --> 00:23:36,277 SEE, JACK’S IN BLACK. 532 00:23:36,314 --> 00:23:38,784 I’M IN RED, DAVID'S IN GREEN, TIFF’S IN BLUE. 533 00:23:38,817 --> 00:23:41,817 DAVID’S AT THE MOVIES, AND JACK HAS SOME CIGAR NIGHT THING WITH 534 00:23:41,853 --> 00:23:43,963 HIS SALESMEN. 535 00:23:43,989 --> 00:23:48,259 OH, THE MAIN THINGS FOR YOU TO REMEMBER ARE YOU HAVE TWO HOURS 536 00:23:48,293 --> 00:23:53,003 A DAY ON YOUR TELEPHONE, NO R-RATED VIDEOS, NO BOYS IN THE 537 00:23:53,031 --> 00:23:54,571 BACK OF THE HOUSE EVER. 538 00:23:54,599 --> 00:23:55,999 EDNA IS NOT A SLAVE. 539 00:23:56,034 --> 00:23:57,204 WE RECYCLE. 540 00:23:57,235 --> 00:24:00,765 AND ABSOLUTELY NO DIRTY TOWELS ON ANY OF THE BATHROOM FLOORS. 541 00:24:00,806 --> 00:24:01,906 OKAY. 542 00:24:01,940 --> 00:24:02,870 SOUNDS LIKE FUN. 543 00:24:02,908 --> 00:24:03,838 OH, BE CAREFUL. 544 00:24:03,875 --> 00:24:06,645 THAT’S FROM GERMANY. 545 00:24:06,678 --> 00:24:08,778 THIS IS NOT BOOT CAMP, REALLY. 546 00:24:08,814 --> 00:24:11,924 IT’S JUST THAT WE'RE ALL SO BUSY, IT REALLY HELPS IF WE’RE 547 00:24:11,950 --> 00:24:12,850 ORGANIZED. 548 00:24:12,884 --> 00:24:13,954 ARE YOU OKAY? 549 00:24:13,985 --> 00:24:14,845 YEAH. 550 00:24:14,886 --> 00:24:15,786 WELL, GREAT. 551 00:24:15,821 --> 00:24:16,991 THEN I’LL SEE YOU LATER. 552 00:24:17,022 --> 00:24:17,922 READ YOUR HOUSE RULES. 553 00:24:17,956 --> 00:24:19,986 SEE YOU LATER. 554 00:24:24,296 --> 00:24:27,826 "HERE AT THE RIDGEWAY HOUSE, WE BELIEVE TEAMWORK IS THE KEY 555 00:24:27,866 --> 00:24:31,866 TO SUCCESS"? 556 00:24:31,903 --> 00:24:33,513 I’M TOAST. 557 00:24:39,845 --> 00:24:43,575 HELLO, MAVIS. 558 00:24:43,615 --> 00:24:46,545 MAVIS-- DIETING. 559 00:24:46,585 --> 00:24:49,285 SO, NICOLE TELLS ME THE VENESSI GIRL MOVED IN TODAY. 560 00:24:49,321 --> 00:24:51,621 30 DAYS AND COUNTING. 561 00:24:51,656 --> 00:24:52,856 DON’T WORRY. 562 00:24:52,891 --> 00:24:55,091 EVERYONE KNOWS KAREN WAS JUST REACTING TO THAT HORRIBLE GIRL. 563 00:24:55,126 --> 00:24:56,626 SHE’S JUST LIKE HER MOTHER. 564 00:24:56,661 --> 00:24:58,731 GRACE VENESSI WAS A TROUBLEMAKER, TOO, REMEMBER? 565 00:24:58,763 --> 00:25:01,103 DIDN’T SHE PROTEST AGAINST THE DRESS CODE IN HIGH SCHOOL? 566 00:25:01,132 --> 00:25:02,272 SHE SURE DID. 567 00:25:02,300 --> 00:25:04,600 AND FROM THE WAY SHE DRESSES NOW, LOOKS LIKE SHE’S STILL 568 00:25:04,636 --> 00:25:05,166 PROTESTING. 569 00:25:05,203 --> 00:25:10,843 ( both chuckle ) GIGI. 570 00:25:10,876 --> 00:25:12,306 MM-HMM. 571 00:25:12,344 --> 00:25:14,054 BETWEEN YOU, ME AND THE LAMPPOST, I THINK THIS WHOLE 572 00:25:14,079 --> 00:25:16,719 THING COULD PUT YOU RIGHT OVER THE TOP. 573 00:25:16,748 --> 00:25:17,618 WHAT DO YOU MEAN? 574 00:25:17,649 --> 00:25:20,749 LOOK AROUND, MILLIE. 575 00:25:20,785 --> 00:25:22,715 Both: FRANCINE. 576 00:25:22,754 --> 00:25:25,664 EVERYBODY IN THIS ROOM FEELS SORRY FOR YOU. 577 00:25:25,690 --> 00:25:28,730 YOU’RE BOUND TO BE NOMINATED FOR PRESIDENT OF THE LEAGUE. 578 00:25:28,760 --> 00:25:29,960 YOU THINK? 579 00:25:29,995 --> 00:25:32,155 YOU GET ANOTHER VOTE FOR EVERY DAY KAREN’S STUCK IN THAT 580 00:25:32,197 --> 00:25:33,827 DELI. 581 00:25:58,189 --> 00:25:59,689 BOO. 582 00:25:59,724 --> 00:26:00,934 ( chuckles ) WHAT’S THE MATTER? 583 00:26:00,959 --> 00:26:02,029 CAN’T SLEEP? 584 00:26:02,060 --> 00:26:03,700 THE BED WAS TOO SOFT. 585 00:26:03,728 --> 00:26:05,958 AH, FELT THE PEA, HUH? 586 00:26:05,997 --> 00:26:07,167 EXCUSE ME? 587 00:26:07,198 --> 00:26:08,368 IT’S A FAIRY TALE. 588 00:26:08,400 --> 00:26:10,070 ABOUT THE PRINCESS AND THE PEA. 589 00:26:10,101 --> 00:26:12,771 IT’S ABOUT THIS HOITY-TOITY PRINCESS WHO COULDN’T SLEEP 590 00:26:12,804 --> 00:26:15,714 BECAUSE SHE FELT A LITTLE PEA WHILE SLEEPING ON A STACK OF 591 00:26:15,740 --> 00:26:17,910 MATTRESSES. 592 00:26:17,943 --> 00:26:20,853 I AM NOT HOITY-TOITY. 593 00:26:20,879 --> 00:26:24,819 COULD HAVE FOOLED ME. 594 00:26:24,849 --> 00:26:27,719 HOW ABOUT SOME TOMATO AND PROVOLONE, HUH? 595 00:26:27,752 --> 00:26:28,792 GROSS. 596 00:26:28,820 --> 00:26:31,120 EAT THIS BEFORE YOU GO TO BED, YOU’LL DREAM IN 597 00:26:31,156 --> 00:26:33,186 TECHNICOLOR. 598 00:26:33,224 --> 00:26:35,094 WHAT ARE THOSE PILLS FOR? 599 00:26:35,126 --> 00:26:36,156 OH, THESE PILLS? 600 00:26:36,194 --> 00:26:37,904 THESE ARE BLOOD THINNERS. 601 00:26:37,929 --> 00:26:44,399 DOCTOR SAYS I GOT TO HAVE SKINNY BLOOD. 602 00:26:44,436 --> 00:26:48,136 MY MOM SAYS CHEESE WILL KILL YOU. 603 00:26:48,173 --> 00:26:49,873 WE USE SOY CHEESE. 604 00:26:49,908 --> 00:26:52,678 IT’S JUST LIKE REAL CHEESE, ONLY IT’S MADE FROM BEANS. 605 00:26:52,711 --> 00:26:54,111 CHEESE FROM BEANS. 606 00:26:54,145 --> 00:26:58,415 MMM, THAT MUST TASTE BLECH! 607 00:26:58,450 --> 00:27:01,020 WHAT KIND OF SANDWICH ARE YOU MAKING THERE? 608 00:27:01,052 --> 00:27:04,062 OH, RICE CAKES, TOMATO AND CUCUMBER. 609 00:27:04,089 --> 00:27:08,059 WHAT KIND OF DREAMS DO YOU HAVE WITH RICE CAKES? 610 00:27:08,093 --> 00:27:09,763 I DON’T KNOW. 611 00:27:09,794 --> 00:27:11,464 YOU DON’T KNOW, EH? 612 00:27:11,496 --> 00:27:14,796 THERE’S A LOT YOU DON'T KNOW, PRINCESS. 613 00:27:14,833 --> 00:27:16,173 LET’S SEE, WHAT NOW? 614 00:27:16,201 --> 00:27:17,171 A LITTLE FRUIT? 615 00:27:17,202 --> 00:27:19,042 NO, A LITTLE PEPPERS. 616 00:27:24,909 --> 00:27:25,879 WHAT’S THE MATTER? 617 00:27:25,910 --> 00:27:27,480 YOU NEVER SEEN A GUY BEFORE? 618 00:27:27,512 --> 00:27:28,782 YEAH. 619 00:27:28,813 --> 00:27:30,153 NO. 620 00:27:30,181 --> 00:27:35,851 UH, YEAH-- NICE PJs. 621 00:27:35,887 --> 00:27:39,257 OH, YOUR MOM SAYS YOU SHOULDN’T THROW TOWELS ON THE 622 00:27:39,290 --> 00:27:39,960 FLOOR. 623 00:27:39,991 --> 00:27:42,861 IT’S HOUSE RULE NUMBER 17-B. 624 00:27:42,894 --> 00:27:44,164 SO PICK IT UP. 625 00:27:49,768 --> 00:27:50,268 ECH! 626 00:27:50,301 --> 00:27:51,741 WHAT IS THAT? 627 00:27:51,770 --> 00:27:52,270 WHAT’S WHAT? 628 00:27:52,303 --> 00:27:53,203 THAT. 629 00:27:53,238 --> 00:27:54,138 WHAT, THIS? 630 00:27:54,172 --> 00:27:55,212 YES! 631 00:27:55,240 --> 00:27:57,040 THIS IS A TONGUE. 632 00:27:57,075 --> 00:27:58,775 IS IT REAL? 633 00:27:58,810 --> 00:27:59,810 NO, IT’S A BALLOON. 634 00:27:59,844 --> 00:28:02,214 OF COURSE IT’S REAL. 635 00:28:02,247 --> 00:28:05,277 I DON’T BELIEVE YOU PEOPLE. 636 00:28:05,316 --> 00:28:06,986 WHOSE WAS IT? 637 00:28:07,018 --> 00:28:10,488 IT CAME FROM A RUDE LITTLE GIRL WITH A VERY BIG MOUTH. 638 00:28:10,522 --> 00:28:11,822 SORRY. 639 00:28:11,856 --> 00:28:12,856 PAPA! 640 00:28:12,891 --> 00:28:14,491 YOU LEFT THE PRICER IN THE COOLER. 641 00:28:14,526 --> 00:28:16,086 WHAT, IT FROZE THE PRIZES? 642 00:28:16,127 --> 00:28:17,257 OH. 643 00:28:17,295 --> 00:28:19,225 LOOK AT THIS, HUH? 644 00:28:19,264 --> 00:28:20,174 WATCH THIS, KAREN. 645 00:28:20,198 --> 00:28:21,298 PRESS, WIPE. 646 00:28:21,332 --> 00:28:23,132 PRETTY NEAT, HUH? 647 00:28:23,168 --> 00:28:24,268 FASCINATING. 648 00:28:24,302 --> 00:28:25,472 THERE YOU GO. 649 00:28:25,503 --> 00:28:29,343 LOOK, I MAY HAVE TO LIVE HERE, BUT I DON’T HAVE TO WORK 650 00:28:29,374 --> 00:28:30,244 HERE. 651 00:28:30,275 --> 00:28:31,835 CHE PAS? 652 00:28:31,876 --> 00:28:32,936 HEY, WHAT’S THIS? 653 00:28:32,977 --> 00:28:35,207 PAPA, STA TI ZITI. 654 00:28:35,246 --> 00:28:39,116 UM, KAREN, THE THING IS, TERRY HELPS ME EVERY DAY AFTER 655 00:28:39,150 --> 00:28:43,250 SCHOOL TO STOCK THE SHELVES, SO YOU JUST BE HERE AT 4:00, OKAY? 656 00:28:43,288 --> 00:28:44,858 I HAVE CHEERLEADING. 657 00:28:44,889 --> 00:28:46,989 NO, YOU DON’T. 658 00:28:47,025 --> 00:28:48,955 WHAT DO YOU MEAN? 659 00:28:48,993 --> 00:28:52,263 THEY DIDN’T TELL YOU? 660 00:28:52,297 --> 00:28:53,197 WHERE IS THAT LETTER, PAPA? 661 00:28:53,231 --> 00:28:55,531 I THINK YOU LEFT IT BY THE CASH REGISTER. 662 00:28:55,567 --> 00:28:57,267 THAT THING FROM THE-- YEAH. 663 00:28:57,302 --> 00:29:00,342 HERE, KAREN... 664 00:29:00,371 --> 00:29:02,011 HONEY, YOU WERE SUSPENDED. 665 00:29:02,040 --> 00:29:06,380 I GUESS IT’S PART OF YOUR PUNISHMENT. 666 00:29:06,411 --> 00:29:08,581 NICOLE NEVER EVEN SAID ANYTHING TO ME. 667 00:29:08,613 --> 00:29:10,283 I’M SORRY. 668 00:29:10,315 --> 00:29:13,845 I’M REALLY SORRY, KAREN. 669 00:29:13,885 --> 00:29:15,145 YOU WANT SOME BREAKFAST, HUH? 670 00:29:15,186 --> 00:29:17,016 A NICE FRITTATA? 671 00:29:17,055 --> 00:29:18,315 I DON’T EAT BREAKFAST. 672 00:29:18,356 --> 00:29:21,286 EDNA USUALLY MAKES ME A SOY MILK SMOOTHIE. 673 00:29:21,326 --> 00:29:22,156 LET ME GUESS. 674 00:29:22,193 --> 00:29:23,263 FROM BEANS, EH? 675 00:29:23,294 --> 00:29:26,064 PAPA, GET HER A NICE JELLY DOUGHNUT. 676 00:29:26,097 --> 00:29:26,967 GOOD IDEA. 677 00:29:26,998 --> 00:29:28,928 YEAH. 678 00:29:28,967 --> 00:29:33,907 ( sighs ) KAREN, IF IT MAKES YOU FEEL ANY BETTER, I WAS ONCE 679 00:29:33,938 --> 00:29:35,108 SUSPENDED FROM CHEERLEADING. 680 00:29:35,140 --> 00:29:36,240 YOU WERE A CHEERLEADER? 681 00:29:36,274 --> 00:29:37,214 YEAH. 682 00:29:37,242 --> 00:29:39,912 THEY DUMPED ME FOR PROTESTING THE DRESS CODE. 683 00:29:39,944 --> 00:29:44,624 YEAH, THEY WANT THE CHEERLEADERS TO BE PERKY, NOT POLITICAL. 684 00:29:44,649 --> 00:29:45,619 DID YOU EVER GET OVER IT? 685 00:29:45,650 --> 00:29:47,050 IT RUINED HER LIFE. 686 00:29:47,085 --> 00:29:48,185 IT DID NOT. 687 00:29:48,219 --> 00:29:49,249 OF COURSE I GOT OVER IT. 688 00:29:49,287 --> 00:29:50,417 YOU WILL, TOO. 689 00:29:50,455 --> 00:29:52,385 LISTEN, GO ON NOW, YOU’RE GOING TO MISS YOUR BUS, OKAY? 690 00:29:52,423 --> 00:29:53,323 YOU ALL RIGHT? 691 00:29:53,358 --> 00:29:58,198 I’LL SEE YOU LATER. 692 00:29:58,229 --> 00:29:59,199 THIS IS DELICIOUS. 693 00:29:59,230 --> 00:30:06,000 IT’S 'CAUSE IT’S NOT MADE FROM BEANS. 694 00:30:06,037 --> 00:30:07,967 THAT’S A SIN. 695 00:30:12,377 --> 00:30:14,007 POOR GIRL. 696 00:30:14,045 --> 00:30:16,075 I CAN’T BELIEVE THAT MILLIE. 697 00:30:16,114 --> 00:30:17,954 SHE DIDN’T TELL HER ABOUT THIS. 698 00:30:17,982 --> 00:30:20,352 HEY, MAYBE YOU TWO SHOULD GET TOGETHER, YOU KNOW, COMPARE 699 00:30:20,385 --> 00:30:21,285 NOTES. 700 00:30:21,319 --> 00:30:23,249 THAT WOMAN HAS MORE NOTES THAN A PICCOLO. 701 00:30:23,288 --> 00:30:24,218 HEY, HEY, HEY, HEY. 702 00:30:24,255 --> 00:30:25,985 WHAT? 703 00:30:26,024 --> 00:30:27,164 DON’T LET HER INTIMIDATE YOU. 704 00:30:27,192 --> 00:30:29,032 OH, SHE’S-- COME ON, COME ON. 705 00:30:29,060 --> 00:30:31,160 YOU KNOW, MILLIE MAY LIVE IN LARCHMONT NOW, BUT YOU AND I 706 00:30:31,196 --> 00:30:34,296 BOTH KNOW SHE’S A LITTLE GIRL FROM WALNUT LANE, JUST LIKE YOU. 707 00:30:34,332 --> 00:30:35,202 ALL RIGHT? 708 00:30:35,233 --> 00:30:36,303 ALL RIGHT. 709 00:30:36,334 --> 00:30:38,674 OKAY. 710 00:30:38,703 --> 00:30:41,073 HEY, SAL, WE’RE GOING TO PLAY CARDS LATER. 711 00:30:41,105 --> 00:30:42,265 YOU WANT TO COME, EH? 712 00:30:42,307 --> 00:30:44,307 ( sniffling ) HERE. 713 00:30:59,524 --> 00:31:02,164 OH, IT’S CLEAN. 714 00:31:02,193 --> 00:31:07,273 THANKS. 715 00:31:07,298 --> 00:31:09,928 I’M LOUIS. 716 00:31:09,968 --> 00:31:11,338 I KNOW. 717 00:31:32,056 --> 00:31:34,026 THAT’S JUST A SHOT, WON'T WORK. 718 00:31:34,058 --> 00:31:36,028 WHAT YOU GOT TO DO IS, YOU GOT TO WRAP A TOURNIQUET ABOVE THE 719 00:31:36,060 --> 00:31:38,960 FANG PUNCTURE SO THAT THE VENOM DOESN’T TRAVEL UP THE LEG, THEN 720 00:31:38,997 --> 00:31:42,097 SOMEONE HAS TO SUCK ALL THE POISON OUT WITH THEIR MOUTH. 721 00:31:42,133 --> 00:31:44,173 DO YOU EVER STOP TALKING? 722 00:31:44,202 --> 00:31:45,302 NO. 723 00:31:45,336 --> 00:31:47,506 BUT YOU SOUND LIKE SUCH A NERD. 724 00:31:47,538 --> 00:31:49,108 I AM A NERD. 725 00:31:49,140 --> 00:31:50,980 ( laughs ) LOUIS, I THOUGHT YOU WERE 726 00:31:55,346 --> 00:31:56,206 SUCH A NERD. 727 00:31:56,247 --> 00:31:58,317 I’M REALLY IMPRESSED. 728 00:31:58,349 --> 00:32:00,349 SEE YOU LATER, LOUIS. 729 00:32:08,760 --> 00:32:11,230 NEW GIRLFRIEND, LOUIS? 730 00:32:11,262 --> 00:32:13,202 SHE WAS CRYING, OKAY? 731 00:32:13,231 --> 00:32:14,531 WHAT WAS I SUPPOSED TO DO? 732 00:32:14,565 --> 00:32:15,495 SHE WAS CRYING? 733 00:32:15,533 --> 00:32:20,573 REALLY? 734 00:32:20,605 --> 00:32:24,475 SO HOW WAS YOUR NIGHT IN SALAMI CITY? 735 00:32:24,509 --> 00:32:28,779 AND WHY WERE YOU TALKING TO THAT MORON? 736 00:32:28,813 --> 00:32:31,483 NICOLE, WHY DIDN’T YOU TELL ME I GOT SUSPENDED FROM THE 737 00:32:31,516 --> 00:32:32,746 CHEERLEADING SQUAD? 738 00:32:32,784 --> 00:32:34,054 ME? 739 00:32:34,085 --> 00:32:36,215 I THOUGHT BLAIR TOLD YOU. 740 00:32:36,254 --> 00:32:38,364 I’M SO SORRY. 741 00:32:38,389 --> 00:32:41,359 OH, YOU POOR THING. 742 00:32:41,392 --> 00:32:51,442 I’LL MAKE HER APOLOGIZE TO YOU AT LUNCH. 743 00:32:51,436 --> 00:32:59,506 I’LL MAKE HER APOLOGIZE TO YOU AT LUNCH. 744 00:32:59,544 --> 00:33:03,254 OKAY, I’LL HAVE THE MONTE CRISTO AND A DIET CREAM SODA. 745 00:33:03,281 --> 00:33:04,121 THANKS. 746 00:33:04,148 --> 00:33:04,818 VERY GOOD. 747 00:33:04,849 --> 00:33:06,479 FOR YOU? 748 00:33:06,517 --> 00:33:09,317 BAKED POTATO, NO SOUR CREAM, SALSA. 749 00:33:09,354 --> 00:33:11,564 DINNER SALAD, NO DRESSING, LEMON. 750 00:33:11,589 --> 00:33:13,119 AND A SPARKLING WATER, PLEASE. 751 00:33:13,157 --> 00:33:15,627 VERY GOOD. 752 00:33:15,660 --> 00:33:17,530 YOU KNOW, GRACE-- I THINK THAT PROBABLY-- 753 00:33:17,562 --> 00:33:21,302 ( both chuckle ) YOU GO FIRST. 754 00:33:21,332 --> 00:33:24,272 ALL RIGHT. 755 00:33:24,302 --> 00:33:27,512 I KNOW YOU AND I HAVE TAKEN DIFFERENT ROADS SINCE HIGH 756 00:33:27,538 --> 00:33:28,408 SCHOOL. 757 00:33:28,439 --> 00:33:30,609 THAT’S AN UNDERSTATEMENT. 758 00:33:30,641 --> 00:33:33,411 YES. 759 00:33:33,444 --> 00:33:40,524 I WANT YOU TO KNOW I DON’T BLAME YOU FOR THE TROUBLE KAREN IS IN. 760 00:33:40,551 --> 00:33:44,091 I DON’T BLAME ME EITHER. 761 00:33:44,122 --> 00:33:49,832 WELL, NO, WHAT-- WHAT I MEAN IS, THAT OFFICER SEEMED TO FEEL 762 00:33:49,861 --> 00:33:53,401 THAT CHILDREN ARE A REFLECTION OF THEIR PARENTS. 763 00:33:53,431 --> 00:33:59,271 THAT REMARK ABOUT YOUR HOME, I-- WELL, I DON’T KNOW WHERE KAREN 764 00:33:59,303 --> 00:34:00,373 GOT THAT ATTITUDE. 765 00:34:00,405 --> 00:34:03,565 I MEAN, JACK AND I HAVE CERTAINLY NEVER ENCOURAGED HER 766 00:34:03,608 --> 00:34:09,648 TO BE SO HEARTLESS ABOUT THE DISADVANTAGED. 767 00:34:09,680 --> 00:34:14,190 YEAH, WELL... 768 00:34:14,218 --> 00:34:15,418 KIDS CAN SURPRISE YOU. 769 00:34:15,453 --> 00:34:18,463 I MEAN, FOR INSTANCE, I WAS AN AVERAGE STUDENT, RIGHT, IN HIGH 770 00:34:18,489 --> 00:34:22,289 SCHOOL, AND HERE’S TERRY, STRAIGHT As. 771 00:34:22,326 --> 00:34:24,526 ALL As, MY TERRY. 772 00:34:24,562 --> 00:34:27,432 BUT, OF COURSE, THAT DOESN’T MEAN SHE CAN LORD IT OVER 773 00:34:27,465 --> 00:34:30,195 ANYBODY. 774 00:34:30,234 --> 00:34:31,504 OF COURSE. 775 00:34:36,474 --> 00:34:40,144 JACK SEEMS TO FEEL THAT THIS SWITCH WILL BE GOOD FOR KAREN, 776 00:34:40,178 --> 00:34:43,208 GIVE HER SOME PERSPECTIVE ON THE REAL WORLD. 777 00:34:43,247 --> 00:34:46,617 BUT I’M WORRIED SHE WON'T BE ABLE TO HANDLE HOW DIFFERENT 778 00:34:46,651 --> 00:34:47,821 THINGS ARE. 779 00:34:47,852 --> 00:34:50,722 WELL, US FOLKS IN THE REAL WORLD WILL DO OUR VERY BEST TO 780 00:34:50,755 --> 00:34:55,185 MAKE SURE THAT THINGS GO AS EASY AS POSSIBLE FOR MISS KAREN 781 00:34:55,226 --> 00:34:57,356 DURING HER STAY IN THE SLUMS. 782 00:34:57,395 --> 00:34:59,255 THAT’S NOT HOW I MEANT IT AT ALL. 783 00:34:59,297 --> 00:35:01,327 HOW’D YOU MEAN IT, MILLIE, HUH? 784 00:35:01,365 --> 00:35:02,625 I MEAN, I CAN’T BELIEVE YOU. 785 00:35:02,667 --> 00:35:05,237 ONE MINUTE YOU’RE TELLING ME THAT YOU DON’T KNOW WHERE KAREN 786 00:35:05,269 --> 00:35:08,239 GETS HER ATTITUDE, AND THE NEXT MINUTE, YOU’RE CALLING ME 787 00:35:08,272 --> 00:35:10,582 DISADVANTAGED TO MY FACE. 788 00:35:10,608 --> 00:35:12,208 WHO DO YOU THINK YOU ARE? 789 00:35:12,243 --> 00:35:15,513 WHY ARE YOU BEING SO SENSITIVE ABOUT THIS? 790 00:35:15,546 --> 00:35:21,746 I-I’M JUST TRYING TO EXPLAIN HOW I FEEL AND CLEAR THE AIR. 791 00:35:21,786 --> 00:35:22,846 WELL, CLEAR THIS. 792 00:35:22,887 --> 00:35:26,217 I AM NOT HAPPY ABOUT MY TERRY GOING TO LIVE WITH YOU. 793 00:35:26,257 --> 00:35:27,527 IN FACT, I’M WORRIED. 794 00:35:27,558 --> 00:35:30,758 I’M AFRAID SHE'S GOING TO COME HOME A SNOTTY, STUCK-UP LITTLE 795 00:35:30,795 --> 00:35:32,495 SOCIALITE LIKE KAREN. 796 00:35:32,530 --> 00:35:34,970 GET OVER IT, GRACE. 797 00:35:34,999 --> 00:35:36,169 WHAT DOES THAT MEAN? 798 00:35:36,200 --> 00:35:39,570 THAT MEANS THAT YOU HAVE HAD A CHIP ON YOUR SHOULDER EVER 799 00:35:39,604 --> 00:35:43,374 SINCE I WENT AWAY TO COLLEGE AND YOU HAD TO STAY BEHIND. 800 00:35:43,407 --> 00:35:45,937 YES, YOU AND EVERYONE ELSE ON WALNUT LANE. 801 00:35:45,977 --> 00:35:48,577 WELL, YOU CAN RESENT ME ALL YOU LIKE. 802 00:35:48,613 --> 00:35:50,383 YOU LEAVE MY DAUGHTER OUT OF THIS. 803 00:35:50,414 --> 00:35:52,284 FINE, FINE. 804 00:35:52,316 --> 00:35:55,946 BUT IF YOU DO ANYTHING TO MY DAUGHTER, YOU HURT HER IN ANY 805 00:35:55,987 --> 00:35:58,587 WAY, I WILL BE IN YOUR FACE SO FAST YOU’LL THINK I'M THE 806 00:35:58,623 --> 00:35:59,393 ALIEN. 807 00:35:59,423 --> 00:36:01,233 YOU CAPICHE, MILLIE RIDGEWAY? 808 00:36:01,259 --> 00:36:04,699 I UNDERSTAND YOU PERFECTLY. 809 00:36:04,729 --> 00:36:07,599 IF I’VE TAUGHT KAREN ANYTHING, I’VE TAUGHT HER NEVER TO 810 00:36:07,632 --> 00:36:09,802 APOLOGIZE FOR HER SUCCESS. 811 00:36:09,834 --> 00:36:14,444 MY DAUGHTER MAY HAVE TO LIVE WITH YOU, GRACE, BUT SHE DOESN’T 812 00:36:14,472 --> 00:36:16,472 HAVE TO LOWER HER STANDARDS. 813 00:36:16,507 --> 00:36:27,987 NOW IF YOU WILL EXCUSE ME, I SEEM TO HAVE LOST MY APPETITE. 814 00:36:28,019 --> 00:36:29,389 NO, NO, NO, NO, NO. 815 00:36:29,420 --> 00:36:31,460 YOU GOTTA PUT JUST A LITTLE PRESSURE ON IT. 816 00:36:31,489 --> 00:36:32,359 JUST A LITTLE PRESSURE. 817 00:36:32,390 --> 00:36:33,290 NOT TOO HARD. 818 00:36:33,324 --> 00:36:35,394 HOW AM I SUPPOSED TO KNOW HOW TO CUT MEAT? 819 00:36:35,426 --> 00:36:36,986 I’M NOT EVEN ALLOWED TO EAT IT. 820 00:36:37,028 --> 00:36:38,728 LOOK, PRINCESS, DON’T GET MAD. 821 00:36:38,763 --> 00:36:39,433 IT’S DANGEROUS. 822 00:36:39,463 --> 00:36:40,433 YOU COULD SLICE YOUR FINGER OFF. 823 00:36:40,464 --> 00:36:43,734 ALL RIGHT, NOW LOOK, YOU GOT TO PLAY THE SLICER. 824 00:36:43,768 --> 00:36:47,708 YOU KNOW, IT’S LIKE TOMMY DORSEY ON THE TROMBONE. 825 00:36:47,738 --> 00:36:53,638 ( humming tune ) SEE, YOU GET A RHYTHM, YOU KNOW 826 00:36:53,678 --> 00:36:54,548 WHAT I MEAN? 827 00:36:54,579 --> 00:36:55,779 SMOOTH. 828 00:37:03,654 --> 00:37:05,024 HOW’S THAT? 829 00:37:05,056 --> 00:37:07,586 WELL, YOU’RE NO TOMMY DORSEY, BUT IT’S OKAY. 830 00:37:07,625 --> 00:37:08,855 HEY, KAREN. 831 00:37:08,893 --> 00:37:12,703 CAN I GET BREAD AND MUSTARD FOR THAT, OR DO YOU JUST WANT ME TO 832 00:37:12,730 --> 00:37:13,660 EAT OFF YOUR HANDS? 833 00:37:13,698 --> 00:37:15,328 HI, CHAD. 834 00:37:15,366 --> 00:37:16,496 CHAD? 835 00:37:16,534 --> 00:37:18,674 SO YOU’RE THE GUY'S CALLING EVERY FIVE MINUTES, EH? 836 00:37:18,703 --> 00:37:20,073 YOU WANT TO BUY A SANDWICH? 837 00:37:20,104 --> 00:37:21,414 SURE. 838 00:37:21,439 --> 00:37:22,369 WE ALL DO, RIGHT, GUYS? 839 00:37:22,406 --> 00:37:23,466 YEAH. 840 00:37:23,507 --> 00:37:25,437 I MEAN, AS LONG AS KAREN’S MAKING THEM, YOU KNOW. 841 00:37:25,476 --> 00:37:29,506 PAPA TOGNETTI, NICE TO MEET YOU. 842 00:37:29,547 --> 00:37:31,447 HEY, YOU BREAK THAT, YOU BUY IT. 843 00:37:31,482 --> 00:37:32,352 OKAY. 844 00:37:32,383 --> 00:37:32,883 HE’S GOING TO BUY IT. 845 00:37:32,917 --> 00:37:33,777 THEY GOT MONEY. 846 00:37:33,818 --> 00:37:34,888 OKAY, WE GOT CUSTOMERS. 847 00:37:34,919 --> 00:37:37,089 HEY, POP. POP! 848 00:37:37,121 --> 00:37:37,921 YEAH? 849 00:37:37,955 --> 00:37:39,815 WHAT IN THE WORLD IS GOING ON HERE? 850 00:37:39,857 --> 00:37:40,727 THESE KIDS GOT MONEY. 851 00:37:40,758 --> 00:37:41,628 WE GOT CUSTOMERS. 852 00:37:41,659 --> 00:37:43,629 ( laughs ) LOOKS GREAT. 853 00:37:43,661 --> 00:37:44,731 WHERE SHOULD I SIT? 854 00:37:44,762 --> 00:37:45,802 NOWHERE. 855 00:37:45,830 --> 00:37:47,630 THIS IS A DELI, NOT A RESTAURANT. 856 00:37:47,665 --> 00:37:50,595 YOU KNOW, IF YOU PUT TABLES OUTSIDE, KIDS COULD HANG OUT. 857 00:37:50,635 --> 00:37:52,795 I DON’T WANT KIDS HANGING OUT. 858 00:37:52,837 --> 00:37:55,107 YOU’D SELL A LOT MORE SANDWICHES. 859 00:37:55,139 --> 00:37:58,509 YOU KNOW, YOU COULD PUT A TAKEOUT WINDOW OVER THERE BY THE 860 00:37:58,542 --> 00:38:01,552 MAGAZINE RACK, AND THEN KIDS COULD ORDER FROM THE SIDEWALK. 861 00:38:01,579 --> 00:38:04,079 THAT WAY, THE STORE STAYS FREE FOR SHOPPERS. 862 00:38:04,115 --> 00:38:05,575 NOT A BAD IDEA. 863 00:38:05,616 --> 00:38:06,816 GOT ANY ROOT BEER? 864 00:38:06,851 --> 00:38:08,421 I’LL GET IT FROM THE BACK. 865 00:38:08,452 --> 00:38:09,652 TAKEOUT WINDOW. 866 00:38:09,687 --> 00:38:12,557 MANNAGGI. 867 00:38:12,590 --> 00:38:13,820 HI, CHAD. 868 00:38:13,858 --> 00:38:15,128 HI, NICOLE. 869 00:38:15,159 --> 00:38:17,429 HI, BLAIR. 870 00:38:17,461 --> 00:38:18,661 HELLO, MRS. VENESSI. 871 00:38:18,696 --> 00:38:19,896 IS KAREN HERE? 872 00:38:19,930 --> 00:38:21,700 WHO WANTS TO KNOW? 873 00:38:21,732 --> 00:38:24,502 I’M NICOLE, HER BEST FRIEND. 874 00:38:24,535 --> 00:38:27,095 AH, THE ONE WHO DIDN’T TELL HER SHE WAS DUMPED FROM 875 00:38:27,138 --> 00:38:28,038 CHEERLEADING. 876 00:38:28,072 --> 00:38:31,742 CHAD, I GOT THE ROOT BEER-- NICOLE, BLAIR. 877 00:38:31,776 --> 00:38:33,736 WHAT ARE YOU GUYS DOING HERE? 878 00:38:33,778 --> 00:38:36,448 I THOUGHT YOU HAD CHEERLEADING PRACTICE. 879 00:38:36,480 --> 00:38:38,450 UGH, YOU POOR THING. 880 00:38:38,482 --> 00:38:40,722 DO YOU REALLY HAVE TO SLICE SALAMI? 881 00:38:40,751 --> 00:38:43,521 HOW ELSE IS SHE GOING TO SELL IT, HUH? 882 00:38:43,554 --> 00:38:44,764 PIG’S FEET? 883 00:38:44,789 --> 00:38:46,589 OH, HOW DISGUSTING. 884 00:38:46,624 --> 00:38:47,664 GROSS. 885 00:38:47,692 --> 00:38:49,492 HAVE YOU SEEN THE TONGUE? 886 00:38:49,527 --> 00:38:51,497 THEY HAVE A TONGUE? 887 00:38:51,529 --> 00:38:52,559 FROM AN ANIMAL? 888 00:38:52,596 --> 00:38:54,826 YEAH, IT’S A REGULAR PET CEMETERY AROUND HERE. 889 00:38:54,865 --> 00:38:57,535 DON’T WORRY, ONLY 26 MORE DAYS, THEN YOU’RE OUT RIGHT 890 00:38:57,568 --> 00:38:59,568 AFTER THE PROM. 891 00:38:59,603 --> 00:39:03,573 HEY, IS DAVID TAKING ANYBODY? 892 00:39:03,607 --> 00:39:05,837 NICOLE, HE’S 17. 893 00:39:05,876 --> 00:39:09,876 HE’S NOT GOING TO OUR PROM UNLESS SOMEONE INVITES HIM. 894 00:39:09,914 --> 00:39:12,184 YOU’RE NOT THINKING OF INVITING-- 895 00:39:12,216 --> 00:39:15,746 IT WOULD BE SO COOL IF I SHOWED UP WITH AN OLDER GUY. 896 00:39:15,786 --> 00:39:19,756 NICOLE, DAVID DOESN’T LISTEN TO ME ABOUT ANYTHING, ESPECIALLY 897 00:39:19,790 --> 00:39:22,860 GIRLS. 898 00:39:22,893 --> 00:39:23,733 HI, CHAD. 899 00:39:23,761 --> 00:39:26,461 YOU’RE NOT GOING TO STAY HERE, ARE YOU? 900 00:39:26,497 --> 00:39:29,567 YOU KNOW, A COUPLE OF TABLES OUTSIDE, NOT A BAD IDEA. 901 00:39:29,600 --> 00:39:32,740 PAPA, PHIL’S FAMILY OWNED THIS PLACE FOR 50 YEARS WITHOUT 902 00:39:32,770 --> 00:39:33,640 TABLES. 903 00:39:33,671 --> 00:39:34,511 SO? 904 00:39:34,538 --> 00:39:35,508 SO. 905 00:39:35,539 --> 00:39:37,009 SO, A COUPLE OF TABLES OUTSIDE IS NOT A SIN. 906 00:39:37,041 --> 00:39:38,511 I MEAN, IT’S A DELI. 907 00:39:38,542 --> 00:39:39,442 IT’S NOT THE VATICAN. 908 00:39:39,477 --> 00:39:40,377 CAN I TAKE A BREAK? 909 00:39:40,411 --> 00:39:42,551 CHAD WANTS TO SHOW ME HIS SUIT FOR THE PROM. 910 00:39:42,580 --> 00:39:43,780 CAN’T YOU SEE WE'RE BUSY? 911 00:39:43,814 --> 00:39:45,524 BUT IT’S JUST OUT FRONT. 912 00:39:45,549 --> 00:39:47,619 THEN LET HIM GO GET IT! 913 00:39:47,651 --> 00:39:50,861 OKAY?! 914 00:39:50,888 --> 00:39:52,988 ( groans ) ( knock on door ) 915 00:40:01,966 --> 00:40:03,526 KAREN? 916 00:40:08,906 --> 00:40:12,776 LISTEN, UH... 917 00:40:12,810 --> 00:40:16,680 I DIDN’T MEAN TO BITE YOUR HEAD OFF THIS AFTERNOON. 918 00:40:16,714 --> 00:40:20,954 AND, YOU KNOW, MAYBE TABLES OUTSIDE ARE A GOOD IDEA. 919 00:40:20,985 --> 00:40:24,855 IT’S JUST THAT EVER SINCE TERRY’S DAD DIED, I'VE SORT OF 920 00:40:24,889 --> 00:40:28,959 TRIED TO KEEP THE PLACE THE SAME. 921 00:40:28,993 --> 00:40:33,563 SO, I’M SORRY. 922 00:40:33,597 --> 00:40:35,527 THAT’S OKAY. 923 00:40:35,566 --> 00:40:38,596 WOULD IT BE OKAY IF I MOVED SOME FURNITURE AROUND IN HERE? 924 00:40:38,636 --> 00:40:40,766 THERE’S JUST NOT A LOT OF ROOM FOR MY STUFF. 925 00:40:40,805 --> 00:40:44,635 ( chuckles ) YOU SURE ARE ONE FOR REARRANGING 926 00:40:44,675 --> 00:40:47,505 THINGS, AREN’T YOU, HUH? 927 00:40:47,545 --> 00:40:48,945 OKAY, GO AHEAD. 928 00:40:48,979 --> 00:40:51,979 BUT BE SURE YOU PUT EVERYTHING BACK THE WAY YOU FOUND IT OR 929 00:40:52,016 --> 00:40:54,046 TERRY WILL GO BANANAS. 930 00:40:54,084 --> 00:40:59,094 ( screaming ) TIFFY, WHAT ARE YOU DOING IN MY 931 00:40:59,123 --> 00:40:59,993 BED?! 932 00:41:00,024 --> 00:41:00,934 YOU KICKED ME! 933 00:41:00,958 --> 00:41:01,828 WHAT’S THE MATTER? 934 00:41:01,859 --> 00:41:02,729 TIFFANY, ARE YOU ALL RIGHT? 935 00:41:02,760 --> 00:41:03,560 SHE KICKED ME! 936 00:41:03,594 --> 00:41:05,304 I DIDN’T KNOW SHE WAS IN THE BED. 937 00:41:05,329 --> 00:41:06,529 MOM, BLACK JEANS? 938 00:41:06,564 --> 00:41:07,734 IN THE DRYER, HONEY. 939 00:41:07,765 --> 00:41:09,825 OH, TIFFY, TERRY DIDN’T MEAN IT. 940 00:41:09,867 --> 00:41:11,297 YOU JUST SCARED HER, THAT’S ALL. 941 00:41:11,335 --> 00:41:13,535 I DON’T SCARE KAREN. 942 00:41:13,571 --> 00:41:16,741 WELL, YES, BUT TERRY ISN’T KAREN. 943 00:41:16,774 --> 00:41:18,014 NO, SHE’S NOT. 944 00:41:18,042 --> 00:41:19,742 LOOK, NOW WHY DON’T YOU-- THE TWO OF YOU GO AND BRUSH YOUR 945 00:41:19,777 --> 00:41:20,507 TEETH, OKAY? 946 00:41:20,544 --> 00:41:25,654 ( telephone rings ) OH, MY PHONE. 947 00:41:25,683 --> 00:41:28,023 REMEMBER, NO TOWELS ON THE FLOOR. 948 00:41:28,052 --> 00:41:29,852 DITTO. 949 00:41:29,887 --> 00:41:30,987 ALL RIGHT. 950 00:41:31,021 --> 00:41:32,091 KNOCK-KNOCK. 951 00:41:32,122 --> 00:41:34,662 SAY "WHO’S THERE?" WHO’S THERE? 952 00:41:34,692 --> 00:41:35,492 ORANGE. 953 00:41:35,526 --> 00:41:37,556 SAY "ORANGE WHO?" ( thunder rumbles ) 954 00:42:03,921 --> 00:42:05,161 TERRY?! 955 00:42:05,189 --> 00:42:06,619 KNOCK-KNOCK! 956 00:42:06,657 --> 00:42:08,657 WELL, KAREN ALWAYS BABYSITS TIFFY. 957 00:42:08,692 --> 00:42:10,362 YEAH, BUT I’VE NEVER BABYSAT FOR ANYBODY BEFORE. 958 00:42:10,394 --> 00:42:11,264 WHAT ABOUT DAVID? 959 00:42:11,295 --> 00:42:13,055 DAVID’S STUDYING AT EDDIE'S HOUSE. 960 00:42:13,097 --> 00:42:13,857 DIDN’T YOU LOOK AT THE CALENDAR? 961 00:42:13,898 --> 00:42:15,898 YEAH, BUT WHAT IF SOMETHING HAPP-- 962 00:42:15,933 --> 00:42:17,803 EMERGENCY NUMBERS ARE ON THE SPEED DIAL, AND NO TV FOR TIFFY 963 00:42:17,835 --> 00:42:18,735 AFTER 8:00. 964 00:42:18,769 --> 00:42:20,669 DON’T WORRY, I'LL BE HOME BY 10:00. 965 00:42:20,704 --> 00:42:22,074 OH, I’LL BE HOME AT 11:00. 966 00:42:22,106 --> 00:42:25,876 BYE. 967 00:42:25,910 --> 00:42:28,950 KNOCK-KNOCK! 968 00:42:28,979 --> 00:42:32,619 TERRY! 969 00:42:32,650 --> 00:42:36,150 ( thunder rumbles ) KNOCK-KNOCK. 970 00:42:36,186 --> 00:42:40,756 TIFFY, GO PLAY, OKAY? 971 00:42:40,791 --> 00:42:41,891 KNOCK-KNOCK. 972 00:42:41,926 --> 00:42:45,096 WHO CARES? 973 00:42:45,129 --> 00:42:46,859 TISH. 974 00:42:46,897 --> 00:42:51,097 SAY "TISH WHO?" TISH WHO IS GOOD FOR BLOWING 975 00:42:51,135 --> 00:42:52,365 YOUR NOSE. 976 00:42:52,403 --> 00:42:52,903 GET IT? 977 00:42:52,937 --> 00:42:55,167 CUT IT OUT, TIFFY. 978 00:42:55,205 --> 00:42:56,835 YOU HATE ME. 979 00:42:56,874 --> 00:42:58,084 NO, I DON’T HATE YOU. 980 00:42:58,108 --> 00:43:00,838 LOOK, I HAVE A WHOLE HISTORY CHAPTER TO READ, AND I CAN’T DO 981 00:43:00,878 --> 00:43:01,948 IT WHEN YOU’RE BUGGING ME. 982 00:43:01,979 --> 00:43:02,979 YOU’VE GOT TO HELP ME OUT HERE. 983 00:43:03,013 --> 00:43:05,183 WHAT DOES KAREN DO WITH YOU WHEN SHE HAS HOMEWORK? 984 00:43:05,215 --> 00:43:06,775 SHE PLAYS MOMMY WITH ME. 985 00:43:06,817 --> 00:43:08,787 SHE’S ALWAYS MOMMY WHEN MOMMY'S GONE. 986 00:43:08,819 --> 00:43:11,859 YOU MEAN SHE’S STUCK WITH YOU ALL THE TIME? 987 00:43:11,889 --> 00:43:13,789 SHE’S NOT STUCK! 988 00:43:13,824 --> 00:43:14,894 OKAY, OKAY. 989 00:43:14,925 --> 00:43:16,655 WHAT DO YOU GUYS PLAY? 990 00:43:16,694 --> 00:43:20,804 ( thunder crashes ) I’M NOT SINGING "MY FAVORITE 991 00:43:20,831 --> 00:43:23,671 THINGS." 992 00:43:23,701 --> 00:43:25,741 YEAH, THANKS FOR THE RECIPE, MOM. 993 00:43:25,769 --> 00:43:27,039 THEY TURNED OUT GREAT. 994 00:43:27,071 --> 00:43:29,741 NO, THEY DON’T EAT A WHOLE LOT OF BUTTER AROUND HERE, BUT THEY 995 00:43:29,773 --> 00:43:30,443 TASTED PRETTY GOOD. 996 00:43:30,474 --> 00:43:32,844 HERE, SAY HI TO MY MOM. 997 00:43:32,876 --> 00:43:33,736 HI. 998 00:43:33,777 --> 00:43:35,047 HI, TERRY’S MOM. 999 00:43:35,079 --> 00:43:36,209 KNOCK-KNOCK. 1000 00:43:36,246 --> 00:43:37,746 LATER, TIFF. 1001 00:43:37,781 --> 00:43:40,121 YEAH, SHE SURE LOVES HER KNOCK-KNOCK JOKES. 1002 00:43:40,150 --> 00:43:41,790 HI, PAPA. 1003 00:43:41,819 --> 00:43:43,689 YEAH, I MISS YOU, TOO. 1004 00:43:43,721 --> 00:43:45,261 NO, IT’S NOT SO BAD HERE. 1005 00:43:45,289 --> 00:43:47,729 ( thunder crashes, electricity crackles ) 1006 00:43:47,758 --> 00:43:48,888 PAPA? 1007 00:43:48,926 --> 00:43:50,686 PAPA? 1008 00:43:50,728 --> 00:43:52,428 HOW COME IT WENT DARK? 1009 00:43:52,463 --> 00:43:55,003 IT’S OKAY. 1010 00:43:55,032 --> 00:43:56,172 TERRY! 1011 00:43:56,200 --> 00:43:58,240 OH, DON’T BABY OUT ON ME, TIFFY. 1012 00:43:58,268 --> 00:44:00,468 I’M SCARED. 1013 00:44:00,504 --> 00:44:01,714 KNOCK-KNOCK. 1014 00:44:01,739 --> 00:44:03,039 WHO’S THERE? 1015 00:44:03,073 --> 00:44:04,743 HUGO. 1016 00:44:04,775 --> 00:44:05,975 HUGO WHO? 1017 00:44:06,010 --> 00:44:08,250 HUGO UPSTAIRS AND HELP ME FIND A FLASHLIGHT. 1018 00:44:08,278 --> 00:44:10,278 ( laughs ) THAT’S A GOOD ONE. 1019 00:44:10,314 --> 00:44:11,254 YEAH. 1020 00:44:11,281 --> 00:44:12,221 HERE, I’LL HELP YOU. 1021 00:44:12,249 --> 00:44:13,249 THANKS. 1022 00:44:13,283 --> 00:44:17,223 BE CAREFUL. 1023 00:44:17,254 --> 00:44:19,094 BOY, IT’S DARK. 1024 00:44:19,123 --> 00:44:23,463 YEAH, THAT’S WHY THEY CALL IT A BLACKOUT. 1025 00:44:23,494 --> 00:44:26,864 12-YEAR-OLD ANN PUTNAM TESTIFIED AGAINST HER FRIENDS, 1026 00:44:26,897 --> 00:44:29,927 AND THEY WERE BROUGHT TO TRIAL AS WITCHES. 1027 00:44:29,967 --> 00:44:33,967 19 PEOPLE WERE HANGED BY THE NECK, AND ONE MAN WAS PRESSED 1028 00:44:34,004 --> 00:44:35,214 TO DEATH. 1029 00:44:35,239 --> 00:44:40,109 ALL OF THIS HAPPENED BETWEEN THE YEARS 1692 AND 1694 IN SALEM, 1030 00:44:40,144 --> 00:44:41,854 MASSACHUSETTS. 1031 00:44:41,879 --> 00:44:45,119 ( crash ) WHAT WAS THAT? 1032 00:44:45,149 --> 00:44:46,479 YOU JUST STAY HERE, TIFFY. 1033 00:44:46,517 --> 00:44:48,117 OKAY? 1034 00:44:54,525 --> 00:44:56,785 TERRY, I’M SCARED. 1035 00:44:56,827 --> 00:44:57,797 IT’S OKAY. 1036 00:44:57,828 --> 00:44:59,328 JUST A LITTLE LIGHTNING. 1037 00:44:59,363 --> 00:45:02,233 ( crash ) WHAT WAS THAT? 1038 00:45:02,266 --> 00:45:03,896 I DON’T KNOW. 1039 00:45:03,934 --> 00:45:09,814 JUST BE VERY, VERY QUIET, OKAY? 1040 00:45:09,840 --> 00:45:11,810 IT’S OKAY. 1041 00:45:11,842 --> 00:45:15,282 NO PROBLEM. 1042 00:45:15,312 --> 00:45:20,252 IT’S ALL RIGHT. 1043 00:45:20,284 --> 00:45:22,054 GOT THIS. 1044 00:45:22,086 --> 00:45:34,796 OKAY, HERE, NOW YOU STAY THERE NO MATTER WHAT, OKAY? 1045 00:45:34,832 --> 00:45:37,972 ( grunts ) DAVID? 1046 00:45:38,001 --> 00:45:39,871 OH, I’M SO SORRY. 1047 00:45:39,903 --> 00:45:40,573 I THOUGHT YOU WERE A BURGLAR. 1048 00:45:40,604 --> 00:45:41,274 I WAS LOCKED OUT. 1049 00:45:41,305 --> 00:45:42,565 I HAD TO BREAK IN THE BASEMENT. 1050 00:45:42,606 --> 00:45:43,906 DIDN’T YOU HEAR ME KNOCKING? 1051 00:45:43,941 --> 00:45:44,911 NO. 1052 00:45:44,942 --> 00:45:45,812 I’M SO SORRY. 1053 00:45:45,843 --> 00:45:46,343 ARE YOU HURT? 1054 00:45:46,376 --> 00:45:48,906 I’LL LIVE. 1055 00:45:48,946 --> 00:45:51,876 CAN YOU MANAGE NOT TO KILL ANYBODY UNTIL I GET THE FUSE 1056 00:45:51,915 --> 00:45:52,875 FIXED? 1057 00:45:52,916 --> 00:45:53,976 OKAY? 1058 00:45:54,017 --> 00:45:55,547 OKAY. 1059 00:45:55,586 --> 00:45:57,186 I’M SORRY. 1060 00:46:15,439 --> 00:46:16,869 HELLO. 1061 00:46:16,907 --> 00:46:18,577 HEY. 1062 00:46:18,609 --> 00:46:19,339 LET ME GIVE YOU A HAND HERE. 1063 00:46:19,376 --> 00:46:21,176 OH, THANKS. 1064 00:46:21,211 --> 00:46:23,281 YOU KNOW, YOU’VE GOT ONE HECK OF A SWING THERE. 1065 00:46:23,313 --> 00:46:24,923 I THINK I GOT A LAWSUIT. 1066 00:46:24,948 --> 00:46:25,748 OH, YEAH? 1067 00:46:25,783 --> 00:46:27,353 WELL, I’LL JUST PLEAD SELF- DEFENSE. 1068 00:46:27,384 --> 00:46:28,954 YOU WILL, WILL YOU? 1069 00:46:28,986 --> 00:46:31,046 I GUESS I’LL LET YOU SLIDE THIS TIME. 1070 00:46:31,088 --> 00:46:32,858 DID YOU MAKE THIS? 1071 00:46:32,890 --> 00:46:35,290 YEAH, IT’S MINESTRONE, MY MOM’S RECIPE. 1072 00:46:35,325 --> 00:46:38,095 AHA. 1073 00:46:38,128 --> 00:46:40,058 HMM, NOT BAD. 1074 00:46:40,097 --> 00:46:40,927 NOT BAD? 1075 00:46:40,964 --> 00:46:41,704 OH, YOU DON’T WANT ANY? 1076 00:46:41,732 --> 00:46:43,332 NO, NO, NO, YES, I DO WANT IT. 1077 00:46:43,367 --> 00:46:45,297 IT’S EXCELLENT. 1078 00:46:45,335 --> 00:46:50,935 UH, YOU’RE A GREAT COOK. 1079 00:46:50,974 --> 00:46:54,214 TERRY, YOU NEVER FINISHED THE STORY. 1080 00:46:54,244 --> 00:46:56,054 I FORGOT ALL ABOUT YOU, TIFFY. 1081 00:46:56,079 --> 00:46:57,049 NICE BABYSITTING. 1082 00:46:57,080 --> 00:47:00,020 TELL ME ABOUT THE MAN WHO WAS IRONED TO DEATH. 1083 00:47:00,050 --> 00:47:00,980 IRONED TO DEATH? 1084 00:47:01,018 --> 00:47:03,218 WHAT KIND OF STORIES IS SHE TELLING YOU, HUH? 1085 00:47:03,253 --> 00:47:06,163 I HAD A REPORT ON THE SALEM WITCH TRIALS TO DO. 1086 00:47:06,190 --> 00:47:07,890 THE MAN WAS PRESSED TO DEATH. 1087 00:47:07,925 --> 00:47:08,425 SALEM WITCH TRIALS? 1088 00:47:08,458 --> 00:47:09,528 YEAH. 1089 00:47:09,560 --> 00:47:11,930 YOU SHOULD READ THE PLAY "THE CRUCIBLE," BY ARTHUR 1090 00:47:11,962 --> 00:47:12,502 MILLER. 1091 00:47:12,529 --> 00:47:13,359 HAVE YOU HEARD OF THAT? 1092 00:47:13,397 --> 00:47:14,227 YEAH. 1093 00:47:14,264 --> 00:47:15,404 YOU READ PLAYS? 1094 00:47:15,432 --> 00:47:17,372 I’M HUNGRY. 1095 00:47:17,401 --> 00:47:20,001 LOOK, JUST BECAUSE I’M FROM LARCHMONT DOESN’T MEAN I'M A 1096 00:47:20,037 --> 00:47:20,967 BONEHEAD, ALL RIGHT? 1097 00:47:21,004 --> 00:47:22,444 OH, NO, I DIDN’T MEAN THAT. 1098 00:47:22,472 --> 00:47:24,112 WELL, YOU LIKE ARTHUR MILLER? 1099 00:47:24,141 --> 00:47:25,311 YEAH. 1100 00:47:25,342 --> 00:47:27,682 I THINK "DEATH OF A SALESMAN’S" GOTTA BE MY FAVORITE PLAY. 1101 00:47:27,711 --> 00:47:28,681 HAVE YOU READ THAT? 1102 00:47:28,712 --> 00:47:30,252 WELL, I JUST SAW A PRODUCTION OF IT LAST YEAR. 1103 00:47:30,280 --> 00:47:31,150 YOU DID? 1104 00:47:31,181 --> 00:47:32,451 WHO PLAYED WILLY LOMAN IN IT? 1105 00:47:32,482 --> 00:47:34,182 JULIA ROSENBLOOM. 1106 00:47:34,218 --> 00:47:35,088 JULIA WHAT? 1107 00:47:35,118 --> 00:47:38,058 IT WAS AT AN ALL-GIRLS’ HIGH SCHOOL. 1108 00:47:38,088 --> 00:47:40,358 DID YOU KNOW THAT ARTHUR MILLER WAS ACTUALLY MARRIED TO 1109 00:47:40,390 --> 00:47:42,030 MARILYN MONROE? 1110 00:47:42,059 --> 00:47:43,129 MARILYN-- NO. 1111 00:47:43,160 --> 00:47:44,700 ( telephone ringing ) YEAH, PEOPLE WERE BLOWN AWAY 1112 00:47:44,728 --> 00:47:45,898 BY THAT. 1113 00:47:45,929 --> 00:47:47,969 YEAH, THEY PROBABLY COULDN’T UNDERSTAND WHY A BRILLIANT 1114 00:47:47,998 --> 00:47:49,428 PLAYWRIGHT WOULD MARRY SOME ACTRESS. 1115 00:47:49,466 --> 00:47:50,296 PHONE! 1116 00:47:50,334 --> 00:47:52,304 PEOPLE ONLY KNEW HER FROM HER MOVIES. 1117 00:47:52,336 --> 00:47:55,136 ISN’T ANYBODY GOING TO GET THAT PHONE? 1118 00:47:55,172 --> 00:47:57,242 SO YOU THINK THAT MARILYN MONROE WAS A LOT DEEPER THAN SHE 1119 00:47:57,274 --> 00:47:58,684 APPEARED? 1120 00:47:58,709 --> 00:48:00,139 I THINK EVERYBODY IS. 1121 00:48:00,177 --> 00:48:04,507 ( ringing continues ) ( picks up receiver ) 1122 00:48:04,548 --> 00:48:06,278 HI, MOM. 1123 00:48:06,316 --> 00:48:07,416 YEAH, THE LIGHTS ARE BACK ON. 1124 00:48:07,451 --> 00:48:08,951 TIFFANY’S JUST FINE. 1125 00:48:08,986 --> 00:48:11,486 WE’RE HAVING A LITTLE SOUP HERE. 1126 00:48:11,521 --> 00:48:15,131 YEAH, THAT SAME SALT-FREE, FAT-FREE, TASTE-FREE STUFF YOU 1127 00:48:15,158 --> 00:48:17,188 ALWAYS GIVE US. 1128 00:48:17,227 --> 00:48:18,097 WHAT? 1129 00:48:18,128 --> 00:48:19,258 YEAH. 1130 00:48:19,296 --> 00:48:20,356 WHAT? 1131 00:48:20,397 --> 00:48:25,167 ♪ YOU LIKE DAVID EAT YOUR GRANOLA BAR, OKAY? 1132 00:48:25,202 --> 00:48:26,942 ALL RIGHT, BYE. 1133 00:48:30,407 --> 00:48:38,517 ( rock music playing on headphones ) 1134 00:48:38,548 --> 00:48:40,348 AH... 1135 00:48:44,588 --> 00:48:46,718 KAREN? 1136 00:48:46,757 --> 00:48:49,227 KAR-- KAREN! 1137 00:48:49,259 --> 00:48:51,299 WHY’D YOU DO THAT? 1138 00:48:51,328 --> 00:48:52,558 I’M STUCK HERE. 1139 00:48:52,596 --> 00:48:53,726 SORRY. 1140 00:48:53,764 --> 00:48:58,004 LET ME GET IT. 1141 00:48:58,035 --> 00:48:58,535 OW. 1142 00:48:58,568 --> 00:49:00,238 THANKS. 1143 00:49:00,270 --> 00:49:01,040 WELCOME. 1144 00:49:01,071 --> 00:49:03,041 OH, SO YOU’RE TALKING TO ME NOW? 1145 00:49:03,073 --> 00:49:04,373 I GUESS SO. 1146 00:49:04,408 --> 00:49:06,578 BUT NOT IN PUBLIC, AND DON’T TELL ANYBODY. 1147 00:49:06,610 --> 00:49:08,010 WHO AM I GOING TO TELL? 1148 00:49:08,045 --> 00:49:08,705 LOUIS? 1149 00:49:08,745 --> 00:49:10,005 HE’S YOUR FRIEND. 1150 00:49:10,047 --> 00:49:11,347 YOURS, TOO. 1151 00:49:11,381 --> 00:49:12,381 WHAT’S THAT SUPPOSED TO MEAN? 1152 00:49:12,416 --> 00:49:14,546 HE HAS THE BIGGEST CRUSH ON YOU. 1153 00:49:14,584 --> 00:49:15,754 HE DOES? 1154 00:49:15,786 --> 00:49:17,786 HE WATCHES EVERYTHING THAT YOU DO. 1155 00:49:17,821 --> 00:49:19,591 KIND OF LIKE YOUR MOM. 1156 00:49:19,623 --> 00:49:21,123 YOU NOTICED? 1157 00:49:21,158 --> 00:49:22,488 HARD TO MISS. 1158 00:49:22,526 --> 00:49:23,956 SHE STILL ALL OVER PAPA? 1159 00:49:23,994 --> 00:49:27,504 IF SHE ASKS HIM TO TAKE HIS PILL ONE MORE TIME, I’M GOING TO 1160 00:49:27,531 --> 00:49:28,771 START TAKING THEM. 1161 00:49:28,799 --> 00:49:31,229 ( chuckles ) FIGHT! 1162 00:49:31,268 --> 00:49:34,338 F-I-G-H-T! 1163 00:49:34,371 --> 00:49:36,471 TIGER FANS, YELL FIGHT! FIGHT! 1164 00:49:36,506 --> 00:49:38,406 THEY’RE DOING THE TIGERS CHEER WRONG. 1165 00:49:38,442 --> 00:49:40,042 NICOLE! 1166 00:49:40,077 --> 00:49:44,247 THE HANDSPRINGS GO AT THE END, NOT THE MIDDLE! 1167 00:49:44,281 --> 00:49:45,581 NICE JUMPSUITS! 1168 00:49:45,615 --> 00:49:50,345 ( cheerleaders laugh ) HEY, KAREN! 1169 00:49:50,387 --> 00:49:52,517 MAYBE YOU SHOULD TRY OUT FOR MASCOT! 1170 00:49:52,556 --> 00:49:55,826 YOU’VE ALREADY GOT THE OUTFIT! 1171 00:49:55,859 --> 00:49:59,399 NICE FRIENDS YOU GOT THERE. 1172 00:49:59,429 --> 00:50:02,029 ( indistinct conversations ) VEGGIES, RICE CAKES. 1173 00:50:17,280 --> 00:50:20,280 I FEEL LIKE I’M AT A DIET CAMP, LOUIS. 1174 00:50:20,317 --> 00:50:23,147 UM, KAREN? 1175 00:50:23,186 --> 00:50:24,646 WHAT? 1176 00:50:24,688 --> 00:50:29,558 EXCUSE ME. 1177 00:50:29,593 --> 00:50:35,203 OH, WENDY, WHY DON’T YOU TAKE THE EXTRA SEAT? 1178 00:50:35,232 --> 00:50:37,832 SORRY, NO ROOM. 1179 00:50:37,868 --> 00:50:40,068 ( all laugh ) DOES ANYONE HAVE A SALAD THEY 1180 00:50:49,312 --> 00:50:52,182 WANT TO TRADE FOR A SANDWICH? 1181 00:50:52,215 --> 00:50:53,175 IT’S PROBABLY TONGUE. 1182 00:50:53,216 --> 00:50:54,246 OR PIG’S FEET. 1183 00:50:54,284 --> 00:50:56,294 ( girls laugh ) I DO. 1184 00:51:43,700 --> 00:51:46,400 YOU’RE NOT EATING YOUR SANDWICH. 1185 00:51:46,436 --> 00:51:50,906 I’M NOT HUNGRY. 1186 00:51:50,941 --> 00:51:53,711 YOU AND CHAD AREN’T ON THE OUTS, ARE YOU? 1187 00:51:53,743 --> 00:51:56,183 NO, HE’S GREAT. 1188 00:51:56,213 --> 00:51:59,353 BUT I KNOW HE WANTS TO BE PROM KING, AND HE’LL NEVER MAKE IT 1189 00:51:59,382 --> 00:52:00,282 WITH ME. 1190 00:52:00,317 --> 00:52:02,417 WH-- DON’T SAY THAT. 1191 00:52:02,452 --> 00:52:03,652 IT’S TRUE. 1192 00:52:03,687 --> 00:52:06,317 EVEN NICOLE’S TREATING ME LIKE THE KISS OF DEATH THESE DAYS. 1193 00:52:06,356 --> 00:52:08,756 WELL, THAT’LL PASS. 1194 00:52:08,792 --> 00:52:11,362 PEOPLE CAN BE FICKLE. 1195 00:52:11,394 --> 00:52:13,434 IT’S JUST A FACT OF LIFE. 1196 00:52:13,463 --> 00:52:15,433 THAT DOESN’T MEAN IT'S RIGHT. 1197 00:52:15,465 --> 00:52:19,735 NO, IT DOESN’T. 1198 00:52:19,769 --> 00:52:24,639 IF IT’S ANY CONSOLATION TO YOU, THE LADIES LEAGUE DECIDED 1199 00:52:24,674 --> 00:52:28,684 AGAINST USING MAMA LUNA’S FOR THE PROM HORS D’OEUVRES. 1200 00:52:28,712 --> 00:52:31,412 GOT A BETTER OFFER FROM FOOD WAY. 1201 00:52:31,448 --> 00:52:33,648 BUT THE VENESSIS COULD USE THE MONEY. 1202 00:52:33,683 --> 00:52:36,593 I’M SURE THEY COULD. 1203 00:52:36,620 --> 00:52:39,560 WHY DO YOU HATE HER SO MUCH? 1204 00:52:39,589 --> 00:52:40,719 HATE WHO? 1205 00:52:40,757 --> 00:52:44,387 TERRY’S MOM. 1206 00:52:44,427 --> 00:52:47,427 I THOUGHT THE WHOLE IDEA OF THE SWITCH WAS TO LEARN TO GET 1207 00:52:47,464 --> 00:52:48,404 ALONG. 1208 00:52:48,431 --> 00:52:57,611 IF TERRY AND I HAVE TO DO IT, WHY DON’T YOU? 1209 00:52:57,641 --> 00:52:59,311 TERRY. 1210 00:52:59,342 --> 00:53:00,512 OH, HI, KAREN. 1211 00:53:00,544 --> 00:53:02,354 OH, I’M SORRY. 1212 00:53:02,379 --> 00:53:04,749 WE’RE NOT SUPPOSED TO TALK IN PUBLIC, SORRY. 1213 00:53:04,781 --> 00:53:09,621 THAT DOESN’T MATTER ANYMORE. 1214 00:53:09,653 --> 00:53:11,323 SO WHAT ARE YOU DOING? 1215 00:53:11,354 --> 00:53:14,624 OH, I HAD TO RETURN A BOOK. 1216 00:53:14,658 --> 00:53:18,028 OH, NEW SHOES FOR THE PROM? 1217 00:53:18,061 --> 00:53:19,431 IF I GO. 1218 00:53:19,462 --> 00:53:21,572 IF YOU GO? 1219 00:53:21,598 --> 00:53:22,498 YOU HAVE TO GO. 1220 00:53:22,532 --> 00:53:27,672 YOU AND CHAD ARE GOING TO BE KING AND QUEEN. 1221 00:53:27,704 --> 00:53:28,814 ARE YOU GOING? 1222 00:53:28,838 --> 00:53:30,708 GET REAL. 1223 00:53:30,740 --> 00:53:32,810 WHY DON’T YOU TAKE LOUIS? 1224 00:53:32,842 --> 00:53:34,742 LOUIS ISN’T A DATE. 1225 00:53:34,778 --> 00:53:37,548 HE’S MORE LIKE A... PET. 1226 00:53:37,581 --> 00:53:42,551 ( chuckles ) YOU KNOW, TERRY, YOU COULD 1227 00:53:42,586 --> 00:53:44,586 GET A DATE IF YOU WANTED TO. 1228 00:53:44,621 --> 00:53:47,591 YEAH, IN A PARALLEL UNIVERSE I COULD. 1229 00:53:47,624 --> 00:53:49,594 COME HERE. 1230 00:54:10,680 --> 00:54:11,880 I LIKE IT. 1231 00:54:11,915 --> 00:54:13,645 IT’S MUCH MORE ELEGANT THAN THOSE THINGS YOU WERE WEARING. 1232 00:54:13,683 --> 00:54:14,783 YEAH. 1233 00:54:14,818 --> 00:54:17,348 ( gasps ) THOSE. 1234 00:54:30,433 --> 00:54:33,443 ( both chattering indistinctly ) BUT WHAT ABOUT LIPSTICK? 1235 00:54:59,562 --> 00:55:00,432 I DON’T EVEN KNOW. 1236 00:55:00,463 --> 00:55:01,533 LIKE MINE. 1237 00:55:01,564 --> 00:55:03,674 OKAY, WHAT ABOUT MY HAIR? 1238 00:55:03,700 --> 00:55:06,840 I MEAN-- LIKE MINE. 1239 00:55:06,870 --> 00:55:08,640 OKAY. 1240 00:55:21,584 --> 00:55:24,394 DON’T LOOK NOW, BUT YOU'VE JUST BEEN OFFICIALLY REGISTERED 1241 00:55:24,421 --> 00:55:25,461 AS COMPETITION. 1242 00:55:25,488 --> 00:55:27,858 IS THAT TERRY VENESSI? 1243 00:55:27,891 --> 00:55:30,391 NO! 1244 00:55:30,427 --> 00:55:31,697 WHO DOES SHE THINK SHE IS? 1245 00:55:31,728 --> 00:55:38,568 ( girls whispering ) WHAT’S THEIR PROBLEM? 1246 00:55:38,601 --> 00:55:39,941 TERRY, THEY’RE GUYS. 1247 00:55:39,969 --> 00:55:42,169 WHAT’S THAT SUPPOSED TO MEAN? 1248 00:55:42,205 --> 00:55:48,845 ALL THEY CARE ABOUT IS GIRLS AND FOOD. 1249 00:55:48,878 --> 00:55:49,978 CARL? 1250 00:55:50,013 --> 00:55:51,653 CARL, WE’RE BREAKING UP. 1251 00:55:51,681 --> 00:55:52,921 I’LL CALL YOU BACK. 1252 00:55:58,788 --> 00:56:00,958 HELLO. 1253 00:56:00,990 --> 00:56:03,190 GOOD AFTERNOON. 1254 00:56:03,226 --> 00:56:04,826 CAN I HELP YOU, MISS? 1255 00:56:04,861 --> 00:56:07,931 I’M LOOKING FOR GRACE VENESSI. 1256 00:56:07,964 --> 00:56:09,974 WELL, WHO SHALL I SAY IS-- MILLIE. 1257 00:56:14,938 --> 00:56:17,738 MILLIE O’BRIEN, RIGHT? 1258 00:56:17,774 --> 00:56:19,444 AH... 1259 00:56:19,476 --> 00:56:21,006 YOU FILLED OUT, EH? 1260 00:56:21,044 --> 00:56:24,984 WELL, YES, I GUESS I DID. 1261 00:56:25,014 --> 00:56:27,484 HOW ARE YOU, MR. TOGNETTI? 1262 00:56:27,517 --> 00:56:29,847 WELL, LET’S SAY I'M BETTER THAN YESTERDAY, EH? 1263 00:56:29,886 --> 00:56:30,886 OH. 1264 00:56:30,920 --> 00:56:32,720 NO, NO, IT’S A JOKE, A JOKE. 1265 00:56:32,756 --> 00:56:34,456 OH! 1266 00:56:34,491 --> 00:56:37,631 IF I REMEMBER RIGHT, YOU USED TO LIKE... 1267 00:56:37,660 --> 00:56:40,760 AH, ENGLISH TOFFEE. 1268 00:56:40,797 --> 00:56:41,657 YES. 1269 00:56:41,698 --> 00:56:43,468 YES, I DID. 1270 00:56:43,500 --> 00:56:45,500 BUT NOT ANYMORE. 1271 00:56:45,535 --> 00:56:47,735 I-I DON’T EAT PROCESSED SUGAR. 1272 00:56:47,771 --> 00:56:49,541 OH, NEITHER DO I. 1273 00:56:49,572 --> 00:56:50,542 OH. 1274 00:56:50,573 --> 00:56:54,583 UM, BUT IF YOU DID, I WOULDN’T TELL A SOUL. 1275 00:56:54,611 --> 00:56:59,021 UH, IT... USED TO BE RIGHT BEHIND THE COUNTER. 1276 00:56:59,048 --> 00:57:00,778 IT STILL IS. 1277 00:57:00,817 --> 00:57:07,717 ( chuckles ) OH, YOU KNOW, WHEN PHIL’S DAD 1278 00:57:07,757 --> 00:57:12,057 RAN THIS PLACE, HE USED TO SNEAK ME SOME OF THAT EVERY TIME I 1279 00:57:12,095 --> 00:57:13,995 CAME HERE TO MARKET. 1280 00:57:14,030 --> 00:57:17,570 I DON’T KNOW HOW I STAYED SO THIN. 1281 00:57:17,600 --> 00:57:20,040 MAYBE I’LL HAVE TWO PIECES. 1282 00:57:20,069 --> 00:57:24,969 MR. T-- MR. TOGNETTI, ARE YOU ALL RIGHT? 1283 00:57:25,008 --> 00:57:26,978 UH... 1284 00:57:27,010 --> 00:57:29,750 WAIT, I’LL GET-- I'LL GET HELP. 1285 00:57:51,668 --> 00:57:53,998 IF HE TAKES HIS PILLS, HE’S FINE. 1286 00:57:54,037 --> 00:57:56,067 THERE IS NO TELLING HIM ANYTHING. 1287 00:57:56,105 --> 00:57:57,265 I TRY, BUT... 1288 00:57:57,307 --> 00:58:01,807 ( saxophone playing ) PAPA, IT’S LATE! 1289 00:58:01,845 --> 00:58:07,075 PLEASE KEEP IT DOWN! 1290 00:58:07,116 --> 00:58:10,546 ( saxophone continues ) WELL, I KNOW WHAT YOU MEAN. 1291 00:58:10,587 --> 00:58:12,057 MY MOTHER ALMOST DROVE ME CRAZY. 1292 00:58:12,088 --> 00:58:13,718 SHE PLAYS THE SAX, TOO? 1293 00:58:13,756 --> 00:58:15,116 NO. 1294 00:58:15,158 --> 00:58:19,798 ( stammers, chuckles ) I MEAN, YOU KNOW, FIRST SHE 1295 00:58:19,829 --> 00:58:21,559 WANTED TO SELL HER HOUSE. 1296 00:58:21,598 --> 00:58:22,768 THEN SHE DIDN’T. 1297 00:58:22,799 --> 00:58:24,769 THEN SHE WANTED TO LIVE WITH US, BUT THE KIDS THEN DROVE HER 1298 00:58:24,801 --> 00:58:25,641 NUTS. 1299 00:58:25,668 --> 00:58:28,638 FINALLY SHE FOUND A PLACE THAT SHE LOVED. 1300 00:58:28,671 --> 00:58:31,341 WOULD YOU LIKE ME TO SEND YOU A BROCHURE? 1301 00:58:31,374 --> 00:58:32,114 OH, NO. 1302 00:58:32,141 --> 00:58:35,041 I COULD NEVER PUT PAPA IN A HOME. 1303 00:58:35,078 --> 00:58:37,608 OH, NO, THIS ISN’T A HOME. 1304 00:58:37,647 --> 00:58:40,047 THIS IS ONE OF THOSE LEISURE VILLAGES. 1305 00:58:40,083 --> 00:58:41,123 YOU KNOW, GOLF, TENNIS. 1306 00:58:41,150 --> 00:58:42,920 MY MOTHER LOVES IT. 1307 00:58:42,952 --> 00:58:46,762 WELL, FORGET ABOUT PAPA; WHERE DO I SIGN UP? 1308 00:58:46,789 --> 00:58:53,129 MILLIE, I’M REALLY SORRY ABOUT THE OTHER DAY. 1309 00:58:53,162 --> 00:58:57,702 THAT MAKES TWO OF US. 1310 00:58:57,734 --> 00:59:00,774 OH, NO, NO COOKIES FOR ME, THANK YOU. 1311 00:59:00,803 --> 00:59:02,373 NO WONDER YOU’RE SO SKINNY. 1312 00:59:02,405 --> 00:59:05,705 YOU KNOW, IN SCHOOL, OH, HOW I ENVIED YOU. 1313 00:59:05,742 --> 00:59:07,742 YOU LOOKED SO GREAT IN JEANS. 1314 00:59:07,777 --> 00:59:11,007 YES, I MEAN, BUT YOU GOT BREASTS IN SIXTH GRADE. 1315 00:59:11,047 --> 00:59:13,777 NO, I GOT SOCKS IN THE SIXTH GRADE. 1316 00:59:13,816 --> 00:59:15,686 I DIDN’T HAVE BREASTS TILL THE 11th GRADE. 1317 00:59:15,718 --> 00:59:16,848 OH! 1318 00:59:16,886 --> 00:59:18,046 I KNOW! 1319 00:59:18,087 --> 00:59:22,957 BUT YOU, YOU GOT BRUCE HAGEN TO TAKE YOU TO THE JUNIOR PROM. 1320 00:59:22,992 --> 00:59:25,702 OOH, BRUCE HAGEN? 1321 00:59:25,728 --> 00:59:27,828 Both: BRUCE HAGEN! 1322 00:59:27,864 --> 00:59:31,974 ( laughs ) WHATEVER HAPPENED TO HIM? 1323 00:59:32,001 --> 00:59:32,841 BALD. 1324 00:59:32,869 --> 00:59:33,799 NO. 1325 00:59:33,836 --> 00:59:36,636 YES, AND HE MARRIED THAT AWFUL MARIA CODY. 1326 00:59:36,673 --> 00:59:37,173 NO! 1327 00:59:37,206 --> 00:59:38,106 YES. YES. 1328 00:59:38,141 --> 00:59:39,141 THEY HAVE SIX KIDS. 1329 00:59:39,175 --> 00:59:40,175 THEY COME IN HERE ALL THE TIME. 1330 00:59:40,209 --> 00:59:43,909 MARIA CODY HAS SIX KIDS? 1331 00:59:43,947 --> 00:59:46,377 TELL ME THAT SHE KEPT ON ALL THAT WEIGHT. 1332 00:59:46,416 --> 00:59:47,416 SKINNY. 1333 00:59:47,450 --> 00:59:48,150 OH! 1334 00:59:48,184 --> 00:59:48,924 WELL, I HATE HER. 1335 00:59:48,952 --> 00:59:50,852 SO NOW WILL YOU HAVE A COOKIE? 1336 00:59:50,887 --> 00:59:51,747 ARE YOU KIDDING? 1337 00:59:51,788 --> 00:59:52,918 I’M HAVING TWO. 1338 00:59:52,956 --> 00:59:55,856 WHY, MILLIE! 1339 00:59:55,892 --> 00:59:59,902 ( laughs ) OKAY, HERE’S TO SCRAWNY MARIA 1340 00:59:59,929 --> 01:00:00,829 CODY. 1341 01:00:00,863 --> 01:00:03,733 AND HERE’S TO BILLIARD BALL BRUCE HAGEN. 1342 01:00:03,766 --> 01:00:05,636 ( laughs ) OKAY. 1343 01:00:14,177 --> 01:00:17,107 HEY, DAVID, WANT TO HEAR A KNOCK-KNOCK JOKE? 1344 01:00:17,146 --> 01:00:18,376 KNOCK-KNOCK. 1345 01:00:18,414 --> 01:00:20,424 WHEN DO YOU THINK WE’RE GOING TO GET OUT OF THIS KNOCK-KNOCK 1346 01:00:20,450 --> 01:00:22,120 PHASE, HUH? 1347 01:00:22,151 --> 01:00:24,751 WELL, JACK, WHAT DO YOU THINK? 1348 01:00:24,787 --> 01:00:25,887 I LIKE IT. 1349 01:00:25,922 --> 01:00:27,092 IT’S TOO BUSY. 1350 01:00:27,123 --> 01:00:28,223 STAVROS, IT’S TOO BUSY. 1351 01:00:28,257 --> 01:00:32,957 MORNING. 1352 01:00:32,996 --> 01:00:34,026 WHAT? 1353 01:00:34,063 --> 01:00:36,073 WELL, GOOD MORNING TO YOU, TERRY. 1354 01:00:36,099 --> 01:00:37,869 DON’T YOU LOOK PRETTY? 1355 01:00:37,900 --> 01:00:39,700 WELL, TERRY’S BEEN SHOPPING. 1356 01:00:39,736 --> 01:00:44,736 ALLOW ME, MISS VENESSI. 1357 01:00:44,774 --> 01:00:50,214 THANK YOU, MR. RIDGEWAY. 1358 01:00:50,246 --> 01:00:53,876 DAVID LOOKS LIKE HE ATE CHILI PEPPERS. 1359 01:00:53,916 --> 01:00:54,976 HUSH, TIFFY. 1360 01:00:55,018 --> 01:00:58,888 YOU KNOW, UM, JUST SCHOOL IF YOU WANT, UH, MY CAR. 1361 01:00:58,921 --> 01:01:00,891 NO PROBLEM. 1362 01:01:00,923 --> 01:01:04,133 TRY A VERB, SON. 1363 01:01:04,160 --> 01:01:06,300 THANKS FOR THE HELP, DAD. 1364 01:01:13,503 --> 01:01:16,873 I GUESS I WAS GOING TO ALWAYS BE A BIOCHEMICAL ENGINEER. 1365 01:01:16,906 --> 01:01:19,206 EXCEPT FOR THAT ONE TIME WHEN I THOUGHT I WAS SURE I WOULD BE AN 1366 01:01:19,242 --> 01:01:20,482 ASTRONAUT. 1367 01:01:20,510 --> 01:01:21,540 OR A BALLERINA. 1368 01:01:21,577 --> 01:01:25,077 I USED TO DANCE AROUND THE DELI IN THIS LITTLE TUTU. 1369 01:01:25,114 --> 01:01:28,054 I GUESS I’M TALKING TOO MUCH, AREN’T I? 1370 01:01:28,084 --> 01:01:29,954 NO, NOT AT ALL. 1371 01:01:29,986 --> 01:01:32,286 WELL, WHAT, THEN? 1372 01:01:32,321 --> 01:01:35,161 I THINK YOU’D MAKE A GREAT ASTRONAUT. 1373 01:01:35,191 --> 01:01:39,101 OR A BALLERINA. 1374 01:01:39,128 --> 01:01:40,198 OH, MY GOSH. 1375 01:01:40,229 --> 01:01:43,769 IS THAT TERRY IN DAVID’S CAR? 1376 01:01:43,800 --> 01:01:45,170 YEAH, RIGHT. 1377 01:01:45,201 --> 01:01:46,341 HEY, DAVID, CAR? 1378 01:01:46,369 --> 01:01:48,869 OH, MY GOSH, IT IS! 1379 01:01:48,905 --> 01:01:49,835 HEY, DAVID! 1380 01:01:49,872 --> 01:01:51,212 WHO’S THE BABE IN YOUR CAR? 1381 01:02:04,020 --> 01:02:15,130 ( rock music playing on radio, indistinct conversations ) 1382 01:02:15,164 --> 01:02:18,804 MY MOM SAYS KAREN’S MOM USED TO LIVE ON WALNUT LANE. 1383 01:02:18,835 --> 01:02:23,105 NO WONDER TERRY IS KAREN’S NEW BEST FRIEND. 1384 01:02:23,139 --> 01:02:27,039 THE ONE I FEEL SORRY FOR IS CHAD. 1385 01:02:27,076 --> 01:02:28,906 LOOKS GREAT. 1386 01:02:28,945 --> 01:02:31,345 MR. BALFOUR, WOULD IT BE OKAY IF TERRY JOINED THE PROM 1387 01:02:31,380 --> 01:02:32,480 COMMITTEE? 1388 01:02:32,515 --> 01:02:36,015 SURE, SURE, WE COULD USE AS MANY PEOPLE AS WE CAN GET. 1389 01:02:36,052 --> 01:02:38,962 AS A MATTER OF FACT, WE’RE KIND OF SHORT ON CHAPERONES. 1390 01:02:38,988 --> 01:02:41,058 YOU THINK MAYBE YOUR MOTHER MIGHT BE INTERESTED? 1391 01:02:41,090 --> 01:02:41,920 I COULD ASK HER. 1392 01:02:41,958 --> 01:02:44,358 GREAT, GREAT, HAVE HER GIVE ME A CALL. 1393 01:02:44,393 --> 01:02:49,133 OR BETTER YET, KAREN, WHY DON’T YOU HAVE HER GIVE ME A CALL? 1394 01:02:49,165 --> 01:02:51,195 HI, KAREN. 1395 01:02:51,234 --> 01:02:53,304 TERRY, LOVE THE HAIR. 1396 01:02:53,336 --> 01:02:55,266 IT’S SO... POOFY. 1397 01:02:55,304 --> 01:02:57,244 ( girls laugh ) THANKS. 1398 01:02:57,273 --> 01:02:58,513 NICOLE... 1399 01:02:58,541 --> 01:03:02,981 YOU KNOW, I HATE TO BRING IT UP, TERRY, BUT PROM COMMITTEE IS 1400 01:03:03,012 --> 01:03:06,082 JUST FOR PEOPLE WHO ARE ACTUALLY GOING TO THE PROM. 1401 01:03:06,115 --> 01:03:07,315 TERRY IS GOING. 1402 01:03:07,350 --> 01:03:08,220 I AM? 1403 01:03:08,251 --> 01:03:09,191 SURE, YOU ARE. 1404 01:03:09,218 --> 01:03:10,388 OH, REALLY? 1405 01:03:10,419 --> 01:03:11,319 WITH WHO? 1406 01:03:11,354 --> 01:03:13,224 WHOM. 1407 01:03:13,256 --> 01:03:15,256 EITHER WAY, THE COMMITTEE IS FULL. 1408 01:03:15,291 --> 01:03:16,191 SAYS WHO? 1409 01:03:16,225 --> 01:03:17,155 WHOM. 1410 01:03:17,193 --> 01:03:18,293 AND IT DOESN’T MATTER. 1411 01:03:18,327 --> 01:03:21,257 TERRY SHOULD JUST LEAVE. 1412 01:03:21,297 --> 01:03:24,897 TERRY HAS JUST AS MUCH RIGHT TO BE HERE AS ANYBODY ELSE. 1413 01:03:24,934 --> 01:03:28,104 IT’S NICE YOU'VE MADE TERRY YOUR LITTLE PROJECT, KAREN, BUT 1414 01:03:28,137 --> 01:03:32,237 GETTING YOUR BROTHER TO DRIVE HER DOWN THE STREET, THAT WON’T 1415 01:03:32,275 --> 01:03:35,075 MAKE HER SOMETHING SHE’S CLEARLY NOT. 1416 01:03:35,111 --> 01:03:37,011 EXCUSE ME. 1417 01:03:37,046 --> 01:03:40,076 TERRY! 1418 01:03:40,116 --> 01:03:43,116 OKAY, GUYS, I FOUND SOME COOL OLD GANGSTER PHOTOS. 1419 01:03:43,152 --> 01:03:44,952 MAYBE WE CAN BLOW THEM UP OR SOMETHING. 1420 01:03:44,987 --> 01:03:45,987 WHERE’S KAREN? 1421 01:03:46,022 --> 01:03:49,032 I TOLD HER I WOULD MEET HER HERE. 1422 01:03:49,058 --> 01:03:52,198 SHE LEFT. 1423 01:03:52,228 --> 01:03:54,358 OH, BUT WAIT, CHAD, UM... 1424 01:03:54,397 --> 01:04:07,107 I DO NEED SOME HELP WITH THE PROM BALLOTS. 1425 01:04:07,143 --> 01:04:10,253 THERE’S SOME BOTTLES DOWN THERE. 1426 01:04:10,279 --> 01:04:12,919 LOOK, TERRY, DON’T LET NICOLE GET TO YOU. 1427 01:04:12,949 --> 01:04:14,119 WHY NOT? 1428 01:04:14,150 --> 01:04:15,220 SHE’S RIGHT. 1429 01:04:15,251 --> 01:04:16,121 NO, SHE’S NOT. 1430 01:04:16,152 --> 01:04:17,252 YOU CAN DO WHATEVER YOU WANT. 1431 01:04:17,286 --> 01:04:20,016 YEAH, WELL, MAYBE PROM COMMITTEE ISN’T WHAT I WANT. 1432 01:04:20,056 --> 01:04:22,156 I THOUGHT WE HAD FUN AT THE MALL. 1433 01:04:22,191 --> 01:04:25,661 WE DID, BUT-- THEN WHAT’S YOUR PROBLEM? 1434 01:04:25,695 --> 01:04:29,265 KAREN, I APPRECIATE EVERYTHING YOU’VE DONE, BUT STOP 1435 01:04:29,298 --> 01:04:31,698 TRYING TO TURN ME INTO SOMEONE YOU CAN BE SEEN WITH. 1436 01:04:31,734 --> 01:04:34,004 YOU THINK THAT’S WHAT I'M TRYING TO DO? 1437 01:04:34,036 --> 01:04:36,336 I DON’T BELONG WITH A BUNCH OF CHEERLEADERS. 1438 01:04:36,372 --> 01:04:37,472 THOSE ARE YOUR FRIENDS. 1439 01:04:37,506 --> 01:04:39,276 NOT ANYMORE. 1440 01:04:39,308 --> 01:04:42,948 I DON’T EVEN KNOW WHY I EVER LIKED NICOLE. 1441 01:04:42,979 --> 01:04:44,279 SHE’S SO MEAN. 1442 01:04:44,313 --> 01:04:46,153 YEAH, WELL, GET USED TO IT. 1443 01:04:46,182 --> 01:04:49,092 YOU’RE WALKING IN MY SHOES NOW, REMEMBER? 1444 01:04:49,118 --> 01:04:53,218 AND YOU’RE WALKING IN MINE. 1445 01:04:53,256 --> 01:04:56,086 YOU’VE GOT TO ADMIT, THEY'RE A LOT CUTER THAN THE ONES YOU HAD 1446 01:04:56,125 --> 01:04:58,155 BEFORE. 1447 01:04:58,194 --> 01:05:08,244 YEAH, BUT MAYBE THEY DON’T FIT. 1448 01:05:08,237 --> 01:05:29,227 YEAH, BUT MAYBE THEY DON’T FIT. 1449 01:05:29,258 --> 01:05:31,088 HOW’S IT LOOK, HUH? 1450 01:05:31,127 --> 01:05:31,987 PRETTY GOOD. 1451 01:05:32,028 --> 01:05:32,528 PRETTY GOOD? 1452 01:05:32,561 --> 01:05:35,501 YO-HO-HO. 1453 01:05:35,531 --> 01:05:38,071 TERRY, YOU GOT NEW CLOTHES. 1454 01:05:38,100 --> 01:05:40,740 YOU LOOK PRETTY. 1455 01:05:40,770 --> 01:05:42,740 WANT TO PLAY DRESS-UP? 1456 01:05:42,772 --> 01:05:46,342 OH, I CAN’T, TIFFY, I HAVE AN ENGLISH REPORT TO DO. 1457 01:05:46,375 --> 01:05:49,145 THAT’S A NICE MUSTACHE, CAPTAIN HOOK. 1458 01:05:49,178 --> 01:05:52,208 SURE, CARL, IF I’M ELECTED LADIES LEAGUE PRESIDENT, I WILL 1459 01:05:52,248 --> 01:05:55,178 PLUG LARCHMONT REAL ESTATE EVERY SINGLE CHANCE I GET. 1460 01:05:55,217 --> 01:05:56,247 UH-HUH, YEAH. 1461 01:05:56,285 --> 01:05:57,145 WELL, BYE. 1462 01:05:57,186 --> 01:05:58,216 WELL, HELLO, EVERYBODY. 1463 01:05:58,254 --> 01:05:59,224 HI, MOM. 1464 01:05:59,255 --> 01:06:00,485 OOH, STAVROS. 1465 01:06:00,523 --> 01:06:03,133 OOH, HORRIBLE. 1466 01:06:03,159 --> 01:06:05,359 OH, TERRY, OH, I’M GLAD YOU'RE HERE. 1467 01:06:05,394 --> 01:06:07,464 I HAVE A LEAGUE MEETING TONIGHT, SO YOU’RE BABYSITTING. 1468 01:06:07,496 --> 01:06:08,556 OOH, I CAN’T. 1469 01:06:08,597 --> 01:06:10,797 TIFFY, HONEY, YOU HAVE LIPSTICK ALL OVER YOUR FACE. 1470 01:06:10,833 --> 01:06:11,573 IT’S MAKEUP. 1471 01:06:11,600 --> 01:06:13,440 I HAVE AN ENGLISH REPORT TO DO. 1472 01:06:13,469 --> 01:06:15,299 YOUR MEETING WASN’T ON THE CALENDAR. 1473 01:06:15,338 --> 01:06:17,138 I KNOW, I FORGOT TO WRITE IT DOWN. 1474 01:06:17,173 --> 01:06:18,573 WELL, THIS WEEK HAS BEEN SO CRAZY. 1475 01:06:18,607 --> 01:06:20,507 I’M SORRY, BUT I CAN'T. 1476 01:06:20,543 --> 01:06:23,383 I DON’T THINK YOU UNDERSTAND, TERRY. 1477 01:06:23,412 --> 01:06:25,552 I REALLY NEED YOU TO BABYSIT TONIGHT. 1478 01:06:25,581 --> 01:06:27,581 HELLO, IS STAVROS THERE? 1479 01:06:27,616 --> 01:06:29,116 WHAT ABOUT DAVID? 1480 01:06:29,151 --> 01:06:32,291 WHAT ABOUT MR. RIDGEWAY? 1481 01:06:32,321 --> 01:06:36,231 UH, ASK HIM TO CALL MRS. RIDGEWAY, THANK YOU. 1482 01:06:36,258 --> 01:06:37,558 DAVID AND JACK ARE BUSY. 1483 01:06:37,593 --> 01:06:39,163 WELL, SO AM I! 1484 01:06:39,195 --> 01:06:41,095 I NEED TO DO MY HOMEWORK! 1485 01:06:41,130 --> 01:06:42,370 NO WONDER KAREN’S FLUNKING OUT. 1486 01:06:42,398 --> 01:06:45,428 MAYBE IF YOU WERE HOME ONCE IN A WHILE, KAREN COULD GET SOME WORK 1487 01:06:45,468 --> 01:06:46,138 DONE. 1488 01:06:46,168 --> 01:06:48,098 SHE COVERS FOR YOU ALL THE TIME. 1489 01:06:48,137 --> 01:06:49,367 I MEAN, KAREN’S NOT TIFFY'S MOM. 1490 01:06:49,405 --> 01:06:53,405 YOU ARE. 1491 01:06:53,442 --> 01:06:55,212 I’LL STAY WITH TIFF, MOM. 1492 01:06:55,244 --> 01:06:57,414 I CAN HELP TONY WITH HIS SPEAKERS SOME OTHER NIGHT. 1493 01:06:57,446 --> 01:06:59,116 COME ON. 1494 01:07:04,587 --> 01:07:07,617 AND WHEN YOUR MOTHER LEFT FOR COLLEGE, I STARTED WORKING RIGHT 1495 01:07:07,656 --> 01:07:08,786 AWAY. 1496 01:07:08,824 --> 01:07:13,304 I WOULD LIKE TO HAVE GONE, YEAH, BUT MY GRADES, THE MONEY. 1497 01:07:13,329 --> 01:07:15,429 PRINCESS, WHERE’S THE RICE CAKES? 1498 01:07:15,464 --> 01:07:17,234 OH, IN THE CABINET BY THE SINK. 1499 01:07:17,266 --> 01:07:18,166 GOOD, THANKS. 1500 01:07:18,200 --> 01:07:20,100 YOU’RE NOT GOING TO EAT THEM, ARE YOU? 1501 01:07:20,136 --> 01:07:22,866 YEAH, RICE CAKES ARE GOOD FOR YOU. 1502 01:07:22,905 --> 01:07:25,465 YOU SEE, YOU TAKE YOUR RICE CAKE, THEN YOU TAKE YOUR 1503 01:07:25,508 --> 01:07:28,438 LETTUCE, THEN YOU TAKE YOUR TOMATO, AND THEN I TAKE MY 1504 01:07:28,477 --> 01:07:30,107 CHEESE. 1505 01:07:30,146 --> 01:07:32,546 YOU SEE, THE CHEESE IS BALANCED BY THE FIBER IN THE RICE CAKE. 1506 01:07:32,581 --> 01:07:34,551 YOU’LL LEARN ABOUT FIBER WHEN YOU GET OLDER, 1507 01:07:34,583 --> 01:07:35,683 I CAN’T WAIT. 1508 01:07:35,718 --> 01:07:36,518 YOU’LL SEE. 1509 01:07:36,552 --> 01:07:41,192 ( laughs ) HE’S FUNNY, POP, HUH? 1510 01:07:41,223 --> 01:07:42,463 WHAT’S THE MATTER? 1511 01:07:42,491 --> 01:07:44,161 YOU DON’T LOOK GOOD. 1512 01:07:44,193 --> 01:07:45,433 MNH-MNH, MNH-MNH. 1513 01:07:45,461 --> 01:07:47,601 YOU’VE HAD THIS DARK CLOUD OVER YOUR HEAD SINCE YOU CAME HOME 1514 01:07:47,630 --> 01:07:48,500 TODAY. 1515 01:07:48,531 --> 01:07:51,531 WHAT’S GOING ON? 1516 01:07:51,567 --> 01:07:53,667 I THINK TERRY HATES ME. 1517 01:07:53,702 --> 01:07:56,672 I TRIED TO HELP HER, AND-- HOW? 1518 01:07:56,705 --> 01:07:58,405 HOW DID YOU HELP HER? 1519 01:07:58,441 --> 01:08:01,581 YOU KNOW, FIX HERSELF UP, NEW CLOTHES, NEW HAIR. 1520 01:08:01,610 --> 01:08:02,610 REALLY? 1521 01:08:02,645 --> 01:08:04,145 HOW DOES SHE LOOK? 1522 01:08:04,180 --> 01:08:05,610 IN... CREDIBLE. 1523 01:08:05,648 --> 01:08:08,678 SHE COULD EVEN GET A DATE TO THE PROM IF SHE WANTED. 1524 01:08:08,717 --> 01:08:11,887 BUT IT’S LIKE SHE WON'T EVEN TRY. 1525 01:08:11,921 --> 01:08:14,321 I KNOW. 1526 01:08:14,356 --> 01:08:17,256 OH, MR. BALFOUR WANTS CHAPERONES FOR THE PROM. 1527 01:08:17,293 --> 01:08:18,233 HE SAYS YOU SHOULD CALL HIM. 1528 01:08:18,260 --> 01:08:20,700 MNH-MNH, NO, I CAN’T CHAPERONE THE PROM. 1529 01:08:20,729 --> 01:08:22,429 WHY NOT? 1530 01:08:22,465 --> 01:08:24,265 BECAUSE. 1531 01:08:24,300 --> 01:08:26,340 BECAUSE. 1532 01:08:26,368 --> 01:08:27,668 UH... 1533 01:08:32,575 --> 01:08:35,575 I’LL THINK ABOUT IT. 1534 01:08:35,611 --> 01:08:37,381 THE PROM. 1535 01:08:45,688 --> 01:08:49,488 WELL, IT’S NICE TO SEE SOMEONE USING KAREN’S COMPUTER. 1536 01:08:49,525 --> 01:08:50,625 I’M WORKING. 1537 01:08:50,659 --> 01:08:52,229 YEAH, SO AM I. 1538 01:08:52,261 --> 01:08:53,661 I’M THE OFFICIAL BABYSITTER. 1539 01:08:53,696 --> 01:08:56,426 IT’S MY JOB TO MAKE SURE YOU'RE ALIVE. 1540 01:08:56,465 --> 01:08:59,195 I’M ALIVE. 1541 01:08:59,235 --> 01:09:03,465 LOOK, I JUST WANTED TO LET YOU KNOW THAT I THOUGHT YOU WERE 1542 01:09:03,506 --> 01:09:05,406 GREAT WITH MOM BEFORE. 1543 01:09:05,441 --> 01:09:09,311 KAREN DOESN’T STICK UP FOR HERSELF ENOUGH, AND, YOU KNOW, 1544 01:09:09,345 --> 01:09:13,245 MOM’S GREAT, BUT SOMETIMES SHE TRIES TO DO TOO MUCH. 1545 01:09:13,282 --> 01:09:14,522 THANKS. 1546 01:09:20,623 --> 01:09:24,563 WHAT? 1547 01:09:24,593 --> 01:09:26,703 YOU LOOK-- YOU LOOK GREAT. 1548 01:09:26,729 --> 01:09:28,559 YOU GUYS ARE ALL THE SAME. 1549 01:09:28,597 --> 01:09:29,427 HOW SO? 1550 01:09:29,465 --> 01:09:31,995 YOU GRAVITATE TO THE SHINIEST OBJECT. 1551 01:09:32,034 --> 01:09:33,444 LIKE GRUNION. 1552 01:09:33,469 --> 01:09:35,699 I DO NOT GRAVITATE TO SHINY GIRLS. 1553 01:09:35,738 --> 01:09:39,708 I GRAVITATE TO SMART MINDS. 1554 01:09:39,742 --> 01:09:42,012 IN SHORT SKIRTS. 1555 01:09:42,044 --> 01:09:43,514 BUSTED. 1556 01:09:48,551 --> 01:09:51,791 CAN I ASK YOU SOMETHING? 1557 01:09:51,820 --> 01:09:54,720 DID KAREN ASK YOU TO DRIVE ME TO SCHOOL? 1558 01:09:54,757 --> 01:09:56,457 WHAT? 1559 01:09:56,492 --> 01:09:57,362 SHE DID, DIDN’T SHE? 1560 01:09:57,393 --> 01:09:58,593 NO. 1561 01:09:58,627 --> 01:10:01,557 IS THAT WHY YOU’RE ACTING SO WEIRD? 1562 01:10:01,597 --> 01:10:02,727 I’M NOT ACTING WEIRD. 1563 01:10:02,765 --> 01:10:04,565 NICOLE CORNERED ME AT PROM COMMITTEE-- 1564 01:10:04,600 --> 01:10:05,500 WAIT A MINUTE, NICOLE? 1565 01:10:05,534 --> 01:10:06,404 SAY NO MORE. 1566 01:10:06,435 --> 01:10:10,635 THAT GIRL’S BAD NEWS. 1567 01:10:10,673 --> 01:10:12,613 WHAT WERE YOU DOING AT THE PROM COMMITTEE? 1568 01:10:12,641 --> 01:10:13,481 I DON’T KNOW. 1569 01:10:13,509 --> 01:10:14,479 KAREN DRAGGED ME. 1570 01:10:14,510 --> 01:10:17,450 YOU CAN’T EVEN BE THERE UNLESS YOU’RE GOING. 1571 01:10:17,479 --> 01:10:18,449 ARE YOU? 1572 01:10:18,480 --> 01:10:20,850 KIND OF HARD TO GO TO THE PROM WITHOUT A DATE. 1573 01:10:20,883 --> 01:10:22,453 WELL, THEN, GET ONE. 1574 01:10:22,484 --> 01:10:24,494 YEAH, HOW AM I SUPPOSED TO DO THAT? 1575 01:10:24,520 --> 01:10:28,690 THE ONLY GUY WHO TALKS TO ME AT SCHOOL IS LOUIS, AND HE’S... 1576 01:10:28,724 --> 01:10:30,064 LOUIS. 1577 01:10:30,092 --> 01:10:34,432 ( chuckles ) SO ASK SOMEBODY ELSE. 1578 01:10:34,463 --> 01:10:36,703 SURE, NO PROBLEM. 1579 01:10:36,732 --> 01:10:39,442 IF YOU DON’T MIND, I HAVE TO ANALYZE THE IRONY IN "GIFT OF 1580 01:10:39,468 --> 01:10:41,838 THE MAGI." 1581 01:10:41,870 --> 01:10:45,710 LOOK, TERRY, IT’S REALLY NO BIG DEAL. 1582 01:10:45,741 --> 01:10:48,641 YOU JUST WALK UP TO THE GUY THAT YOU WANT. 1583 01:10:48,677 --> 01:10:51,707 YOU SAY, "HI, YOU DON’T KNOW ME VERY WELL, BUT I WAS WONDERING 1584 01:10:51,747 --> 01:10:54,777 IF YOU’D LIKE TO GO TO THE PROM WITH ME." 1585 01:10:54,817 --> 01:10:58,587 YEAH, AND THEN HE SAYS, "SURE, BUT FIRST CAN I DROP YOU 1586 01:10:58,621 --> 01:11:00,861 OFF AT THE INSANE ASYLUM?" NO, NO, HE WON’T. 1587 01:11:00,889 --> 01:11:02,659 GO AHEAD AND JUST TRY IT. 1588 01:11:02,691 --> 01:11:04,861 TRY IT, PRACTICE ON ME. 1589 01:11:04,893 --> 01:11:07,803 GO AHEAD. 1590 01:11:07,830 --> 01:11:11,670 HI, YOU DON’T KNOW ME VERY WELL, BUT I WAS WONDERING IF 1591 01:11:11,700 --> 01:11:14,470 YOU’D LIKE TO GO TO THE PROM WITH ME. 1592 01:11:14,503 --> 01:11:15,603 LOVE TO. 1593 01:11:15,638 --> 01:11:17,768 YEAH, LIKE HE’D REALLY SAY THAT. 1594 01:11:17,806 --> 01:11:20,406 I WOULD. 1595 01:11:20,442 --> 01:11:23,852 JUST DID. 1596 01:11:23,879 --> 01:11:27,719 YOU WANT ME TO GO TO THE PROM WITH YOU? 1597 01:11:27,750 --> 01:11:31,490 WOULD YOU? 1598 01:11:31,520 --> 01:11:34,460 ONLY IF YOU WEAR THAT PIRATE HAT. 1599 01:11:34,490 --> 01:11:37,830 ( laughs ) I WAS KIDDING. 1600 01:11:37,860 --> 01:11:39,460 YEAH, I KNOW. 1601 01:11:39,495 --> 01:11:42,095 SO IS THAT A YES? 1602 01:11:42,131 --> 01:11:43,131 YES. 1603 01:11:43,165 --> 01:11:43,865 YES? 1604 01:11:43,899 --> 01:11:45,399 GOOD. 1605 01:11:55,477 --> 01:11:56,447 OH, COME ON, CHAD. 1606 01:11:56,478 --> 01:11:58,878 I KNOW YOU WANT TO GO TO THE BOYZ II MEN CONCERT. 1607 01:11:58,914 --> 01:12:00,854 JUST-- JUST LET ME THINK ABOUT IT. 1608 01:12:00,883 --> 01:12:05,123 ( school bell rings ) ALL RIGHT. 1609 01:12:05,154 --> 01:12:06,864 THINK ABOUT IT. 1610 01:12:10,426 --> 01:12:11,856 KAREN! 1611 01:12:11,894 --> 01:12:14,764 KAREN, I-I CAN EXPLAIN. 1612 01:12:21,637 --> 01:12:23,537 COME ON, COME ON, YOUR WIFE’S CALLING. 1613 01:12:23,572 --> 01:12:24,372 COME ON, GET OVER HERE. 1614 01:12:24,406 --> 01:12:28,506 YOU’LL GET EVEN TOMORROW, ALL RIGHT? 1615 01:12:28,544 --> 01:12:30,854 BUT KAREN WON’T EVEN TALK TO ME. 1616 01:12:30,879 --> 01:12:32,979 YEAH, I WOULDN’T EITHER IF YOU WERE GOING OUT WITH NICOLE. 1617 01:12:33,015 --> 01:12:33,945 I’M NOT. 1618 01:12:33,982 --> 01:12:35,652 ALL I SAID WAS I WOULD THINK ABOUT THE CONCERT. 1619 01:12:35,684 --> 01:12:37,454 YEAH, AND THEN YOU KISSED HER. 1620 01:12:37,486 --> 01:12:38,186 SHE KISSED ME. 1621 01:12:38,220 --> 01:12:39,490 I DIDN’T KISS HER. 1622 01:12:39,521 --> 01:12:40,661 ( scoffs ) WHATEVER. 1623 01:12:40,689 --> 01:12:43,829 PLEASE, JUST GIVE HER THIS FOR ME. 1624 01:12:43,859 --> 01:12:44,759 HEY, LOUIS. 1625 01:12:44,793 --> 01:12:46,533 HEY, TERRY. 1626 01:12:46,562 --> 01:12:47,732 I WON, I WON, I WON. 1627 01:12:47,763 --> 01:12:49,673 IT’S BETTER THAN LOSING ALL THE TIME. 1628 01:12:49,698 --> 01:12:50,828 I WON, I WON, I WON. 1629 01:12:50,866 --> 01:12:52,896 PLAYING A LITTLE POKER? 1630 01:12:52,935 --> 01:12:53,965 HEY, LOOK WHO’S HERE! 1631 01:12:54,002 --> 01:12:55,742 HOW YOU DOING? 1632 01:12:55,771 --> 01:12:57,971 HEY, GRACE, LOOK WHO’S HERE, HUH? 1633 01:12:58,006 --> 01:12:58,736 HEY, MA! 1634 01:12:58,774 --> 01:13:01,514 WITH HER DRESS AND EVERYTHING. 1635 01:13:01,543 --> 01:13:02,613 HIYA, BABY. 1636 01:13:02,644 --> 01:13:07,624 HI. ( laughs ) HEY, LOOK AT YOU. 1637 01:13:07,649 --> 01:13:08,749 OH, MY GOODNESS. 1638 01:13:08,784 --> 01:13:10,624 KAREN TOLD ME ABOUT THE HAIR, BUT THAT SKIRT IS A LITTLE 1639 01:13:10,652 --> 01:13:11,622 SHORT. 1640 01:13:11,653 --> 01:13:13,023 OH, YEAH, WELL, THAT’S HOW THEY WEAR THEM. 1641 01:13:13,055 --> 01:13:14,785 WHEN DID WE GET TABLES OUT FRONT? 1642 01:13:14,823 --> 01:13:16,693 OH, MR. PORCELLA HAD A GARAGE SALE. 1643 01:13:16,725 --> 01:13:17,755 ARE THOSE ARMY BOOTS? 1644 01:13:17,793 --> 01:13:18,933 NO. 1645 01:13:18,961 --> 01:13:20,001 WHAT’S WRONG? 1646 01:13:20,028 --> 01:13:20,958 NOTHING. 1647 01:13:20,996 --> 01:13:23,666 SO, TO WHAT DO WE OWE THE HONOR OF THIS VISIT? 1648 01:13:23,699 --> 01:13:26,739 OH, CHAD WANTED ME TO GIVE THIS TO KAREN, AND I’M GOING TO 1649 01:13:26,769 --> 01:13:28,799 THE PROM, SO I WAS WONDERING IF MAYBE-- 1650 01:13:28,837 --> 01:13:31,537 HEY, YOU’RE GOING TO THE PROM? 1651 01:13:31,573 --> 01:13:33,213 YEAH. 1652 01:13:33,242 --> 01:13:34,812 WHAT, DON’T YOU BELIEVE ME? 1653 01:13:34,843 --> 01:13:37,013 SURE, OF COURSE I BELIEVE YOU. 1654 01:13:37,045 --> 01:13:38,005 WITH WHO? 1655 01:13:38,046 --> 01:13:39,976 DAVID, KAREN’S BROTHER. 1656 01:13:40,015 --> 01:13:40,945 HE’S OLDER THAN YOU. 1657 01:13:40,983 --> 01:13:42,483 YEAH, I KNOW. 1658 01:13:42,518 --> 01:13:43,118 I LIKE HIM. 1659 01:13:43,152 --> 01:13:44,852 ( chuckles ) HEAR THAT? 1660 01:13:44,887 --> 01:13:45,787 HE’S OLDER THAN HER. 1661 01:13:45,821 --> 01:13:46,691 SHE LIKES HIM. 1662 01:13:46,722 --> 01:13:47,922 I DON’T KNOW ABOUT THIS. 1663 01:13:47,956 --> 01:13:50,926 WHAT DO YOU MEAN YOU DON’T KNOW ABOUT THIS? 1664 01:13:50,959 --> 01:13:52,999 I’M GOING TO THE PROM WHETHER YOU LIKE IT OR NOT, MA. 1665 01:13:53,028 --> 01:13:54,998 DON’T YOU TALK TO ME LIKE THAT. 1666 01:13:55,030 --> 01:13:56,970 WELL, YOU’RE TALKING TO ME LIKE THAT. 1667 01:13:56,999 --> 01:13:58,899 I ONLY CAME OVER HERE TO SEE IF YOU MIGHT WANT TO SHOP FOR A 1668 01:13:58,934 --> 01:14:00,874 PROM DRESS WITH ME, BUT NOW YOU DON’T EVEN WANT ME TO GO. 1669 01:14:00,903 --> 01:14:02,703 NO, TERRY, THAT IS NOT WHAT I MEANT! 1670 01:14:02,738 --> 01:14:04,838 EVER SINCE DAD DIED, MOM, ALL YOU DO IS WORK. 1671 01:14:04,873 --> 01:14:07,583 YOU SAY NO TO EVERYTHING ALL THE TIME. 1672 01:14:07,609 --> 01:14:09,709 WELL, IF THAT’S WHAT YOU WANT, FINE, SPEND THE REST OF YOUR 1673 01:14:09,745 --> 01:14:12,775 LIFE SLICING SALAMI AND NAGGING POP ABOUT WHETHER OR NOT HE TOOK 1674 01:14:12,815 --> 01:14:13,975 HIS PILL. 1675 01:14:14,016 --> 01:14:15,916 I’M GOING TO THE PROM WITH DAVID, MOM, AND YOU CAN’T STOP 1676 01:14:15,951 --> 01:14:19,861 ME! 1677 01:14:19,888 --> 01:14:23,828 ( door closes ) WHAT WAS THAT ALL ABOUT? 1678 01:14:23,859 --> 01:14:25,829 THAT WAS TERRY GROWING UP. 1679 01:14:36,905 --> 01:14:38,805 NO, NO. 1680 01:14:38,841 --> 01:14:40,881 NO, NO, LEAVE IT ALONE. 1681 01:14:40,909 --> 01:14:41,879 PLAY THE ACE! 1682 01:14:41,910 --> 01:14:44,610 THE NAME OF THE GAME IS SOLITAIRE, ALL RIGHT? 1683 01:14:44,646 --> 01:14:45,806 LEAVE IT ALONE. 1684 01:14:45,848 --> 01:14:47,878 HAVE SOME CAKE, AND THEN YOU OPEN THE PRESENT FROM CHAD. 1685 01:14:47,916 --> 01:14:50,646 I AM NEVER OPENING HIS PRESENT. 1686 01:14:50,686 --> 01:14:52,786 BUT I AM GOING TO EAT THAT ENTIRE CAKE. 1687 01:14:52,821 --> 01:14:53,691 GOOD. 1688 01:14:53,722 --> 01:14:55,622 OH, LISTEN, I’VE GOT TO GET READY TO GO. 1689 01:14:55,657 --> 01:14:56,587 GOT A HOT DATE, HUH? 1690 01:14:56,625 --> 01:14:57,725 NO, P.T.A. 1691 01:14:57,759 --> 01:14:58,889 PLAY THE ACE, POP. 1692 01:14:58,927 --> 01:14:59,757 PLAY THE ACE. 1693 01:14:59,795 --> 01:15:00,825 EVERYBODY PLAYS SOLITAIRE. 1694 01:15:00,863 --> 01:15:02,933 EVERYBODY PLAYS SOLITAIRE. 1695 01:15:02,965 --> 01:15:06,665 YOU KNOW, SHE NEVER GOES ANYWHERE ANYMORE. 1696 01:15:06,702 --> 01:15:07,802 AND I KNOW WHY. 1697 01:15:07,836 --> 01:15:08,696 IT’S BECAUSE OF ME. 1698 01:15:08,737 --> 01:15:09,497 NO, IT’S NOT. 1699 01:15:09,538 --> 01:15:11,038 YEAH, DON’T TELL ME, PRINCESS. 1700 01:15:11,073 --> 01:15:13,043 I’VE BEEN AROUND HERE A LITTLE TOO LONG. 1701 01:15:13,075 --> 01:15:15,035 YOU KNOW, SHE’S STARTING TO THINK OF ME AS THE MAN OF THE 1702 01:15:15,077 --> 01:15:15,937 HOUSE. 1703 01:15:15,978 --> 01:15:16,908 THAT’S, NON STA BENE. 1704 01:15:16,945 --> 01:15:17,745 THAT’S NO GOOD. 1705 01:15:17,779 --> 01:15:19,779 WANT TO SEE WHAT I FOUND IN HER MAIL? 1706 01:15:19,815 --> 01:15:20,915 YOU OPENED HER MAIL? 1707 01:15:20,949 --> 01:15:21,779 OOH. 1708 01:15:21,817 --> 01:15:22,577 SO I’M NOSEY. 1709 01:15:22,618 --> 01:15:24,318 WHAT ARE YOU GOING TO DO, ARREST ME? 1710 01:15:24,353 --> 01:15:26,023 LOOK AT THAT. 1711 01:15:26,054 --> 01:15:27,024 LAUREL ESTATES. 1712 01:15:27,055 --> 01:15:28,155 THIS IS WHERE MY GRAN LIVES. 1713 01:15:28,190 --> 01:15:29,760 IT’S GREAT. 1714 01:15:29,791 --> 01:15:31,331 THEY HAVE MAMBO CLASS AND EVERYTHING. 1715 01:15:31,360 --> 01:15:32,530 MAMBO CLASS AND EVERYTHING? 1716 01:15:32,561 --> 01:15:36,101 DO YOU THINK THESE PEOPLE CAN STILL SHAKE IT TO TITO PUENTE? 1717 01:15:36,131 --> 01:15:39,901 ( chuckles ) YOU’RE WORRIED THAT MRS. 1718 01:15:39,935 --> 01:15:41,595 VENESSI WANTS TO SEND YOU THERE. 1719 01:15:41,637 --> 01:15:43,807 PRINCESS, NOBODY SENDS ME ANYWHERE. 1720 01:15:43,839 --> 01:15:46,679 I MAY BE LOSING A FEW OF MY TOP NOTES, BUT I STILL KNOW THE 1721 01:15:46,708 --> 01:15:47,878 TEMPO. 1722 01:15:47,910 --> 01:15:50,880 YOU GOT TO KNOW WHEN TO BLOW, AND ALWAYS LEAVE THEM WANTING 1723 01:15:50,913 --> 01:15:52,713 MORE, THAT’S MY MOTTO. 1724 01:15:52,748 --> 01:15:53,678 I LIKE THAT. 1725 01:15:53,715 --> 01:15:54,775 YOU LIKE THAT? 1726 01:15:54,816 --> 01:15:56,846 GIVE ME FIVE. 1727 01:15:56,885 --> 01:16:00,015 OKAY, YOU TWO, LISTEN, TELL ME THE TRUTH. 1728 01:16:00,055 --> 01:16:00,715 HOW DO I LOOK? 1729 01:16:00,756 --> 01:16:01,956 MRS. VENESSI, YOU LOOK GREAT. 1730 01:16:01,990 --> 01:16:03,030 OKAY? ALL RIGHT. 1731 01:16:03,058 --> 01:16:05,658 MY GRACIE CLEANS UP GOOD WHEN SHE WANTS TO, HUH? 1732 01:16:05,694 --> 01:16:06,964 I WON’T BE LONG, PAPA. 1733 01:16:06,995 --> 01:16:08,195 TAKE YOUR TIME. 1734 01:16:08,230 --> 01:16:09,930 WHAT, ARE YOU GOING TO RUSH BACK? YOU’RE GOING TO COME BACK 1735 01:16:09,965 --> 01:16:10,725 TO LOOK AT ME PLAYING CARDS? 1736 01:16:10,766 --> 01:16:13,996 HAVE SOME FUN, FOR CRYING OUT LOUD. 1737 01:16:14,036 --> 01:16:16,836 OKAY, PRINCESS. 1738 01:16:16,872 --> 01:16:18,112 THIS IS IT. 1739 01:16:18,140 --> 01:16:19,140 YOU PLAY POKER? 1740 01:16:19,174 --> 01:16:21,114 YEAH, I BEAT DAVID ALL THE TIME. 1741 01:16:21,143 --> 01:16:21,813 YOU DO? 1742 01:16:21,843 --> 01:16:23,653 LET’S SEE IF YOU CAN BEAT ME. 1743 01:16:23,679 --> 01:16:26,009 THE NAME OF THE GAME IS SEVEN CARD STUD, NOTHING WILD. 1744 01:16:26,048 --> 01:16:26,878 OKAY. 1745 01:16:26,915 --> 01:16:28,715 IF YOU WIN, YOU GET TO EAT THE CAKE. 1746 01:16:28,750 --> 01:16:32,120 I WIN, YOU OPEN CHAD’S PRESENT, RIGHT? 1747 01:16:32,154 --> 01:16:33,724 DEAL? 1748 01:16:33,755 --> 01:16:34,385 DEAL. 1749 01:16:34,423 --> 01:16:35,893 DEAL. 1750 01:16:41,029 --> 01:16:43,399 OKAY, POKER FACE, WHAT DO YOU GOT? 1751 01:16:43,432 --> 01:16:44,832 THREE TENS. 1752 01:16:44,866 --> 01:16:47,096 OH... 1753 01:16:47,135 --> 01:16:48,435 READ ’EM AND WEEP. 1754 01:16:48,470 --> 01:16:50,210 ALL DIAMONDS. 1755 01:16:50,238 --> 01:16:59,008 ( sighs ) OKAY, OPEN THE PRESENT. 1756 01:16:59,047 --> 01:17:00,847 OH, LOOK. 1757 01:17:00,882 --> 01:17:07,422 IT’S A LITTLE KING AND QUEEN DANCING. 1758 01:17:07,456 --> 01:17:09,216 WHERE YOU GOING? 1759 01:17:09,257 --> 01:17:12,687 I NEVER EAVESDROP ON PRIVATE PHONE CONVERSATIONS. 1760 01:17:12,728 --> 01:17:15,698 PUT CHAD OUT OF HIS MISERY, OKAY? 1761 01:17:15,731 --> 01:17:18,101 THANK GOODNESS I WON ONE. 1762 01:17:18,133 --> 01:17:20,243 I LET YOU WIN. 1763 01:17:20,268 --> 01:17:22,038 I KNOW. 1764 01:17:26,475 --> 01:17:28,105 HI, CHAD? 1765 01:17:28,143 --> 01:17:31,913 YEAH, I LOVE IT. 1766 01:17:31,947 --> 01:17:34,977 OF COURSE I’LL GO. 1767 01:17:35,017 --> 01:17:36,887 ONLY TWO MORE DAYS. 1768 01:17:36,918 --> 01:17:38,048 HARD TO BELIEVE. 1769 01:17:38,086 --> 01:17:40,186 YEAH, IT’S KIND OF NICE HAVING THE PROM AT THE END OF 1770 01:17:40,222 --> 01:17:41,062 IT, THOUGH. 1771 01:17:41,089 --> 01:17:43,859 NERVOUS ABOUT THE ELECTION? 1772 01:17:43,892 --> 01:17:45,262 NOT REALLY. 1773 01:17:45,293 --> 01:17:46,933 YOU KNOW WHAT’S WEIRD? 1774 01:17:46,962 --> 01:17:50,002 I DON’T CARE IF I'M PROM QUEEN ANYMORE. 1775 01:17:50,032 --> 01:17:51,802 SO MUCH HAS GONE ON THIS MONTH. 1776 01:17:51,833 --> 01:17:52,933 YEAH, TELL ME ABOUT IT. 1777 01:17:52,968 --> 01:17:55,798 YOUR KITCHEN’S PROBABLY BEEN ABOUT 17 COLORS ALREADY. 1778 01:17:55,837 --> 01:17:56,607 GUESS WHAT? 1779 01:17:56,638 --> 01:17:58,208 YOUR MOM VOLUNTEERED TO BE CHAPERONE. 1780 01:17:58,240 --> 01:17:59,270 YOU’RE KIDDING. 1781 01:17:59,307 --> 01:18:02,907 NO, YOU REALLY SHOOK HER UP THE OTHER DAY, TERRY. 1782 01:18:02,944 --> 01:18:06,054 YOU KNOW, IT’S NOT EASY FOR HER RUNNING THAT DELI AND WORRYING 1783 01:18:06,081 --> 01:18:07,521 ABOUT YOUR GRANDPA ALL THE TIME. 1784 01:18:07,549 --> 01:18:09,149 I KNOW. 1785 01:18:09,184 --> 01:18:10,854 BUT SHE JUST MAKES ME SO MAD. 1786 01:18:10,886 --> 01:18:12,746 YOU KNOW, IT’S LIKE SHE THINKS I’M HER. 1787 01:18:12,788 --> 01:18:14,958 JUST BECAUSE SHE’S COLD, I'VE GOT TO PUT ON A SWEATER, YOU 1788 01:18:14,990 --> 01:18:15,860 KNOW? 1789 01:18:15,891 --> 01:18:17,531 TERRY, SHE’S YOUR MOM. 1790 01:18:17,559 --> 01:18:20,859 SHE’S ALWAYS GOING TO TREAT YOU LIKE A BABY. 1791 01:18:20,896 --> 01:18:22,226 AT LEAST SHE’S THERE FOR YOU. 1792 01:18:22,264 --> 01:18:25,204 KAREN, YOUR MOM DOES THE BEST SHE CAN. 1793 01:18:25,233 --> 01:18:26,133 SHE’S JUST SO BUSY. 1794 01:18:26,168 --> 01:18:28,968 SHE’S SO BUSY BECAUSE SHE WANTS TO BE. 1795 01:18:29,004 --> 01:18:30,774 I DON’T MIND THAT SHE WORKS. 1796 01:18:30,806 --> 01:18:32,306 WHAT GETS ME IS SHE’S NEVER HOME. 1797 01:18:32,340 --> 01:18:36,010 YOU KNOW, I ACTUALLY CAUGHT TIFFANY CALLING EDNA "MOMMY" 1798 01:18:36,044 --> 01:18:36,784 ONCE. 1799 01:18:36,812 --> 01:18:40,182 TELL ME THAT DOESN’T SAY IT ALL. 1800 01:18:40,215 --> 01:18:44,985 WAS MY MOM REALLY UPSET? 1801 01:18:45,020 --> 01:18:46,760 I’LL BE RIGHT BACK. 1802 01:18:55,030 --> 01:18:58,070 ( telephone rings ) HELLO, PAPA? 1803 01:18:58,100 --> 01:19:00,370 HI, SWEETHEART. 1804 01:19:00,402 --> 01:19:03,372 OH, I’M SORRY, TOO, BABY. 1805 01:19:03,405 --> 01:19:05,905 WELL, YOU KNOW, I’M NOT OKAY. 1806 01:19:05,941 --> 01:19:07,811 PAPA IS MISSING. 1807 01:19:07,843 --> 01:19:09,983 WELL, OF COURSE I LOOKED UPSTAIRS. 1808 01:19:10,011 --> 01:19:12,881 HIS WHOLE ROOM IS CLEARED OUT, TERRY, HIS CLOTHES, HIS 1809 01:19:12,914 --> 01:19:15,924 SUITCASE, HIS SAXOPHONE, EVERYTHING. 1810 01:19:15,951 --> 01:19:18,821 WELL, HONEY, I THINK IT MEANS THAT PAPA HAS RUN AWAY FROM 1811 01:19:18,854 --> 01:19:20,024 HOME. 1812 01:19:26,228 --> 01:19:28,198 WHY DON’T WE JUST GO OUT IN MY CAR AND LOOK FOR YOUR 1813 01:19:28,230 --> 01:19:29,300 GRANDFATHER? 1814 01:19:29,331 --> 01:19:31,101 BECAUSE PAPA HAS BAND BUDDIES ALL OVER THE COUNTRY. 1815 01:19:31,133 --> 01:19:32,333 HE COULD BE ANYWHERE BY NOW. 1816 01:19:32,367 --> 01:19:33,597 THAT’S IT. 1817 01:19:33,635 --> 01:19:35,895 KNOW WHEN TO BLOW AND LEAVE THEM WANTING MORE. 1818 01:19:35,937 --> 01:19:36,767 WHAT DOES THAT MEAN? 1819 01:19:36,805 --> 01:19:40,235 IT MEANS I THINK I KNOW WHERE PAPA IS. 1820 01:19:40,275 --> 01:19:42,305 WELL, WHAT’S WITH THE BIG MEETING? 1821 01:19:42,344 --> 01:19:44,284 TERRY’S GRANDFATHER RAN AWAY FROM HOME. 1822 01:19:44,312 --> 01:19:46,212 COME ON, DAVID, DRIVE US OVER TO MAMA LUNA’S. 1823 01:19:46,248 --> 01:19:47,878 I’LL DRIVE YOU. 1824 01:19:47,916 --> 01:19:48,916 YOU DON’T HAVE TO. 1825 01:19:48,950 --> 01:19:50,150 I WANT TO. 1826 01:19:50,185 --> 01:19:52,285 I’LL STAY HERE WITH TIFFY, THEN. 1827 01:19:52,320 --> 01:19:53,390 BE HERE WHEN YOU GET BACK. 1828 01:19:53,421 --> 01:19:55,121 OKAY. 1829 01:19:55,157 --> 01:19:56,927 STAVROS? 1830 01:19:56,958 --> 01:20:01,128 MAYBE WE’LL JUST LEAVE IT WHITE. 1831 01:20:01,163 --> 01:20:03,333 ONE, TWO, THREE, FOUR. 1832 01:20:03,365 --> 01:20:08,195 ( slow jazz music playing ) LOOK, TERRY. 1833 01:20:08,236 --> 01:20:09,336 SEE? 1834 01:20:09,371 --> 01:20:11,211 I TOLD YOU. 1835 01:20:30,258 --> 01:20:36,428 ( applause ) HEY, YOU GUYS ARE NOT BAD. 1836 01:20:36,464 --> 01:20:38,174 NOT GOOD. 1837 01:20:38,200 --> 01:20:40,270 ( laughter ) BUT WE’LL GET BETTER, OKAY? 1838 01:20:40,302 --> 01:20:44,442 GOT TO PRACTICE. 1839 01:20:44,472 --> 01:20:46,212 HEY, PAPA. 1840 01:20:46,241 --> 01:20:47,311 HEY, LOOK WHO’S HERE. 1841 01:20:47,342 --> 01:20:48,642 HOW YOU DOING? 1842 01:20:48,677 --> 01:20:49,907 YOU SOUNDED GREAT. 1843 01:20:49,945 --> 01:20:52,245 HELLO, HELLO. 1844 01:20:52,280 --> 01:20:53,680 HI! 1845 01:20:53,715 --> 01:20:57,045 HELLO, MR. TOGNETTI. 1846 01:20:57,085 --> 01:20:58,385 WHERE’D YOU ALL COME FROM? 1847 01:20:58,420 --> 01:21:00,120 WE’VE BEEN LOOKING FOR YOU. 1848 01:21:00,155 --> 01:21:02,655 PRINCESS, I’LL BET YOU'RE THE ONE WHO TRACKED ME DOWN, EH? 1849 01:21:02,691 --> 01:21:04,461 WELL, I FIGURED YOU THOUGHT THE TIME WAS RIGHT. 1850 01:21:04,492 --> 01:21:05,992 KNOW WHEN TO BLOW. 1851 01:21:06,027 --> 01:21:09,257 HEY, GIVE THIS LITTLE LADY A BIG "A," EH? 1852 01:21:09,297 --> 01:21:10,397 OKAY, PAPA, COME ON. 1853 01:21:10,432 --> 01:21:11,472 LET’S GO, LET'S GO. 1854 01:21:11,499 --> 01:21:12,229 JUST A MINUTE. 1855 01:21:12,267 --> 01:21:14,137 COULD YOU EXCUSE US FOR A SECOND? 1856 01:21:14,169 --> 01:21:15,139 OH, SURE. 1857 01:21:15,170 --> 01:21:17,010 YOU, TOO, TERRY, ALL RIGHT? 1858 01:21:17,038 --> 01:21:19,108 I WANT TO TALK TO YOU. 1859 01:21:19,140 --> 01:21:20,310 GRACE? 1860 01:21:20,342 --> 01:21:21,312 WHAT, PAPA? 1861 01:21:21,343 --> 01:21:24,013 I JUST CUT A GREAT DEAL WITH THE MANAGEMENT. 1862 01:21:24,045 --> 01:21:27,475 I TAKE CARE OF THE BAND AND THEY GIVE ME A BIG DISCOUNT. 1863 01:21:27,515 --> 01:21:29,445 OH, OKAY, NOW LOOK, DON’T KID AROUND. 1864 01:21:29,484 --> 01:21:32,154 I KNOW YOU FOUND THE BROCHURE BECAUSE KAREN TOLD ME. 1865 01:21:32,187 --> 01:21:33,517 I WASN’T GOING TO SEND YOU HERE. 1866 01:21:33,555 --> 01:21:37,025 YOU BELONG AT HOME WITH ME AND TERRY. 1867 01:21:37,058 --> 01:21:39,488 GRACE, GRACE, SIT DOWN, SIT DOWN. 1868 01:21:39,527 --> 01:21:41,127 ALL RIGHT. 1869 01:21:41,162 --> 01:21:43,032 GRACE, IT’S NOT YOUR DECISION ANYMORE. 1870 01:21:43,064 --> 01:21:44,734 BUT, POP-- HEY, HEY, HEY, I KNOW YOU 1871 01:21:44,766 --> 01:21:45,826 MEAN WELL. 1872 01:21:45,867 --> 01:21:48,997 I ALSO KNOW IF YOU KEEP ME PUTTERING AROUND THE STORE, 1873 01:21:49,037 --> 01:21:51,537 YOU’RE GOING TO USE IT AS AN EXCUSE TO HOLE UP IN THE DELI. 1874 01:21:51,573 --> 01:21:53,013 WHY DO YOU WANT TO STAY HERE? 1875 01:21:53,041 --> 01:21:54,081 YOU HATE GOLF. 1876 01:21:54,109 --> 01:21:55,479 I ALSO HATE SWEEPING UP. 1877 01:21:55,510 --> 01:21:58,080 ( chuckles ) HEY, LOOK, I’M A SAX MAN, I'M 1878 01:21:58,113 --> 01:22:00,983 NOT A JANITOR, AND THIS IS A PERFECT SETUP. 1879 01:22:01,016 --> 01:22:02,176 I CAN PLAY HERE. 1880 01:22:02,217 --> 01:22:04,017 AND THE BAND NEEDS ME. 1881 01:22:04,052 --> 01:22:05,292 I HEARD. 1882 01:22:05,320 --> 01:22:06,320 AH... 1883 01:22:06,354 --> 01:22:10,564 ( sighs ) OKAY. 1884 01:22:10,592 --> 01:22:12,262 BUT I’LL MISS YOU, POP. 1885 01:22:12,294 --> 01:22:13,264 AND TERRY WILL, TOO. 1886 01:22:13,295 --> 01:22:15,455 HEY, LOOK, I’LL BE OVER THE STORE EVERY DAY. 1887 01:22:15,497 --> 01:22:16,327 YEAH? 1888 01:22:16,364 --> 01:22:17,574 OH, SURE. 1889 01:22:17,599 --> 01:22:20,069 GOT TO HAVE SOME PROSCIUTTO AND SOME PEPPERS ’CAUSE THE FOOD 1890 01:22:20,101 --> 01:22:21,541 HERE IS WORSE THAN THE BAND. 1891 01:22:21,569 --> 01:22:24,109 ( both laugh ) OKAY, BUT YOU DON’T LIKE IT, 1892 01:22:24,139 --> 01:22:25,339 YOU COME RIGHT HOME, YOU HEAR? 1893 01:22:25,373 --> 01:22:27,183 SURE. 1894 01:22:27,208 --> 01:22:28,208 OH, AND, POP... 1895 01:22:28,243 --> 01:22:32,083 I TOOK MY PILL. 1896 01:22:32,113 --> 01:22:34,223 LOVE YOU. 1897 01:22:38,053 --> 01:22:41,223 OKAY, FELLAS, LET’S TAKE IT FROM THE TOP. 1898 01:22:41,256 --> 01:22:47,226 OH, BOY, THIS IS GOING TO BE SOME JOB. 1899 01:22:47,262 --> 01:22:48,132 JACK? 1900 01:22:48,163 --> 01:22:49,003 YEAH, HONEY? 1901 01:22:49,030 --> 01:22:51,500 WELL, MY SPEECH STILL ISN’T RIGHT. 1902 01:22:51,533 --> 01:22:53,443 HONEY, IF YOU WIN, JUST SAY, "THANKS, EVERYBODY. 1903 01:22:53,468 --> 01:22:54,298 ENJOY THE FISH." 1904 01:22:54,336 --> 01:22:56,396 MOM, DO THESE FLAPS GO UNDER OR OVER? 1905 01:22:56,438 --> 01:22:57,308 OH, UNDER. 1906 01:22:57,339 --> 01:22:58,209 OH, JACK. 1907 01:22:58,239 --> 01:22:58,969 I’LL GET IT. 1908 01:22:59,007 --> 01:23:00,177 I’M TALKING ABOUT THE CAMERA. 1909 01:23:00,208 --> 01:23:01,078 I’LL GET IT. 1910 01:23:01,109 --> 01:23:03,139 I TOLD GRACE THAT WE WOULD TAPE TERRY. 1911 01:23:03,178 --> 01:23:04,178 GOOD LUCK TONIGHT. 1912 01:23:04,212 --> 01:23:06,112 OH, THANK YOU, HONEY. 1913 01:23:06,147 --> 01:23:07,277 SHE’S ALMOST READY. 1914 01:23:07,315 --> 01:23:08,515 WHERE ARE THE FLOWERS? 1915 01:23:08,550 --> 01:23:10,120 OH, ON THE PIANO. 1916 01:23:10,151 --> 01:23:12,421 OH, HONEY, WAIT-- OVER. 1917 01:23:12,454 --> 01:23:14,594 OH, I WISH I COULD BE WITH YOU GUYS TONIGHT. 1918 01:23:14,622 --> 01:23:15,522 MOM, THE FLOWERS. 1919 01:23:15,557 --> 01:23:17,127 OH, EDNA, MY PURSE! 1920 01:23:17,158 --> 01:23:18,588 OH, EDNA. 1921 01:23:18,626 --> 01:23:19,586 READY? 1922 01:23:19,627 --> 01:23:21,157 READY AND WAITING. 1923 01:23:21,196 --> 01:23:23,566 HURRY OR SHE WON’T BE PERFECT ANYMORE. 1924 01:23:23,598 --> 01:23:24,528 ALL RIGHT, ALL RIGHT. 1925 01:23:24,566 --> 01:23:25,426 READY. 1926 01:23:25,467 --> 01:23:27,167 OKAY, TERRY! 1927 01:23:31,106 --> 01:23:32,266 WOW! 1928 01:23:36,244 --> 01:23:37,614 TALK ABOUT THE ROARING ’20s. 1929 01:23:37,645 --> 01:23:40,215 JACK. 1930 01:23:40,248 --> 01:23:42,548 TERRY’S NOT 20. 1931 01:23:42,584 --> 01:23:44,324 ( laughs ) SHE LOOKS LIKE AN ANGEL, HUH? 1932 01:23:52,193 --> 01:23:53,433 OH, YES. 1933 01:23:53,461 --> 01:23:55,431 JUST LIKE AN ANGEL. 1934 01:24:00,435 --> 01:24:01,565 OH, NOW DON’T TOUCH IT. 1935 01:24:01,603 --> 01:24:02,673 YOU’LL RUIN IT. 1936 01:24:02,704 --> 01:24:06,174 KAREN, HOW COME I’M THE ONE WHO’S ALL NERVOUS? 1937 01:24:06,207 --> 01:24:07,677 WHAT DO YOU THINK, PAPA? 1938 01:24:07,709 --> 01:24:10,679 I THINK SHE LOOKS LIKE A REAL HOT DISH. 1939 01:24:10,712 --> 01:24:13,112 ( laughs ) GRAZIE, PAPA. 1940 01:24:13,148 --> 01:24:13,978 THANKS. 1941 01:24:14,015 --> 01:24:15,675 THANKS FOR COMING OVER TO SEE US TONIGHT. 1942 01:24:15,717 --> 01:24:17,647 I WAS AT YOUR FIRST PROM. 1943 01:24:17,685 --> 01:24:19,445 THIS ONE I’M GOING TO ENJOY. 1944 01:24:19,487 --> 01:24:21,857 ( both laugh ) ( horn honks ) 1945 01:24:21,890 --> 01:24:22,720 OH, THAT’S CHAD. 1946 01:24:22,757 --> 01:24:24,557 HIS BROTHER’S DRIVING US TO THE PROM. 1947 01:24:24,592 --> 01:24:26,362 HOLD IT, YOU STAY PUT. 1948 01:24:26,394 --> 01:24:27,604 NOW WATCH THIS, KAREN. 1949 01:24:27,629 --> 01:24:31,869 YOU’LL SEE WHAT HAPPENS WHEN YOU MESS AROUND WITH A TOGNETTI. 1950 01:24:31,900 --> 01:24:33,700 HEY, GAVONE! 1951 01:24:33,735 --> 01:24:37,435 CHAD, YOU’RE A PROM DATE, NOT A CAB DRIVER! 1952 01:24:37,472 --> 01:24:38,712 I BROUGHT HER UP RIGHT, HUH? 1953 01:24:38,740 --> 01:24:42,480 NOW YOU COME UP HERE AND GET HER LIKE A REAL MAN, OR SHE’S 1954 01:24:42,510 --> 01:24:43,580 NOT GOING! 1955 01:24:43,611 --> 01:24:45,681 I’M THINKING YOU BETTER GO. 1956 01:24:50,585 --> 01:24:53,655 I AM YOUR MOTHER UNTIL TOMORROW, AND NO DAUGHTER OF 1957 01:24:53,688 --> 01:24:57,228 MINE GOES RUNNING WHEN SOME BOY HONKS HIS HORN. 1958 01:24:57,258 --> 01:24:59,258 I CAPICHE. 1959 01:24:59,294 --> 01:25:00,334 CAPICHE. 1960 01:25:00,361 --> 01:25:02,731 CAPICHE, HEY, BRAVO, BRAVO, CYENA. 1961 01:25:02,764 --> 01:25:04,704 OH, MAMMA MIA. 1962 01:25:04,732 --> 01:25:08,372 ( laughter ) ( on microphone ) SO THE 1963 01:25:08,403 --> 01:25:12,443 LAWYER TURNED TO THE CANNIBAL AND SAID, "MY BROKER OR YOURS?" 1964 01:25:12,474 --> 01:25:17,184 ( laughs ) YOU KNOW, THE LARCHMONT LADIES 1965 01:25:17,212 --> 01:25:19,252 LEAGUE HAD THE BEST YEAR EVER. 1966 01:25:19,280 --> 01:25:24,320 OUR SILENT AUCTION RAISED OVER $20,000 IN GYM EQUIPMENT FOR THE 1967 01:25:24,352 --> 01:25:25,192 HOMELESS. 1968 01:25:25,220 --> 01:25:28,960 ( applause ) THANKS TO THE EFFORTS OF OUR 1969 01:25:28,990 --> 01:25:32,730 INTREPID TREASURER, SANDY SISSEL, WHO, BY THE WAY, IS 1970 01:25:32,760 --> 01:25:37,530 ENGAGED AGAIN TO A WONDERFUL ARCHITECT SHE MET AT THE SOFT 1971 01:25:37,565 --> 01:25:39,465 SHELL CRAB FESTIVAL. 1972 01:25:39,501 --> 01:25:41,241 YAY, SANDY. 1973 01:25:41,269 --> 01:25:42,199 DON’T GIVE UP YOUR CREDIT CARDS. 1974 01:25:42,237 --> 01:25:44,767 ( chuckles ) NOW FOR THOSE OF YOU WHO DIDN’T 1975 01:25:44,806 --> 01:25:47,736 GO TO THE FESTIVAL, SANDY NOT ONLY WAITRESSED... 1976 01:25:47,775 --> 01:25:50,575 THANK YOU, SWEETHEART. 1977 01:25:50,612 --> 01:25:52,282 WHAT TIME DO YOU HAVE? 1978 01:25:52,313 --> 01:25:56,423 9:30, AND THEY HAVEN’T EVEN SERVED THE SALAD YET. 1979 01:25:56,451 --> 01:25:57,621 LET’S GO. 1980 01:25:57,652 --> 01:26:01,262 BUT THEY’RE GOING TO ANNOUNCE THE PRESIDENT ANY MINUTE. 1981 01:26:01,289 --> 01:26:02,259 I DON’T CARE. 1982 01:26:02,290 --> 01:26:05,690 I WANT TO SEE KAREN AT HER PROM. 1983 01:26:05,727 --> 01:26:07,327 JOHNNY, YOU’RE FANTASTIC. 1984 01:26:07,362 --> 01:26:09,402 ( applause ) YOU’RE AN ANGEL. 1985 01:26:09,430 --> 01:26:10,700 YES, YOU ARE. 1986 01:26:10,732 --> 01:26:11,972 JACK? 1987 01:26:12,000 --> 01:26:13,770 JACK, WHERE ARE YOU GOING WITH OUR FEARLESS LEADER? 1988 01:26:13,801 --> 01:26:16,641 LADIES AND GENTLEMEN, THE NEXT PRESIDENT OF THE LARCHMONT 1989 01:26:16,671 --> 01:26:19,641 LADIES LEAGUE, MILLIE RIDGEWAY. 1990 01:26:19,674 --> 01:26:21,684 CONGRATULATIONS, MILLIE. 1991 01:26:21,709 --> 01:26:23,409 GO AHEAD. 1992 01:26:23,444 --> 01:26:25,784 ( up-tempo ragtime playing ) OH, TERRY, I WISH YOUR DADDY 1993 01:27:05,787 --> 01:27:06,787 COULD SEE YOU. 1994 01:27:06,821 --> 01:27:10,491 ME, TOO, MAMA. 1995 01:27:10,525 --> 01:27:12,355 MAY I HAVE A DANCE? 1996 01:27:12,393 --> 01:27:13,533 OF COURSE. 1997 01:27:21,336 --> 01:27:22,496 HERE YOU GO, MRS. VENESSI. 1998 01:27:22,537 --> 01:27:23,707 WOULD YOU LIKE TO, UH... 1999 01:27:23,738 --> 01:27:25,438 YES. 2000 01:27:25,473 --> 01:27:27,413 YOU DON’T KNOW WHAT I WAS GOING TO ASK YOU. 2001 01:27:27,442 --> 01:27:29,482 MY NEW POLICY IS TO SAY YES. 2002 01:27:29,510 --> 01:27:32,780 FROM NOW ON, I’M SAYING YES TO EVERYTHING. 2003 01:27:32,814 --> 01:27:35,424 I COULD TAKE ADVANTAGE OF THAT. 2004 01:27:35,450 --> 01:27:37,320 YES, YOU COULD. 2005 01:27:41,089 --> 01:27:42,789 LOOK WHAT I FOUND IN THE GARBAGE. 2006 01:27:42,824 --> 01:27:43,764 WHAT DO YOU GOT THERE, LOUIS? 2007 01:27:43,791 --> 01:27:46,661 LOOKS LIKE PROM BALLOTS FOR KING AND QUEEN. 2008 01:27:46,694 --> 01:27:49,104 LOOKS LIKE NICOLE’S STUFFING THE BALLOT BOX. 2009 01:27:49,130 --> 01:27:49,700 WHAT? 2010 01:27:49,731 --> 01:27:52,401 WHAT ARE YOU GOING TO DO? 2011 01:27:52,433 --> 01:27:57,713 HERE, JUST HOLD ON TO THESE. 2012 01:27:57,739 --> 01:27:59,409 OKAY, EVERYBODY! 2013 01:27:59,440 --> 01:28:01,610 NOW IT’S TIME FOR THE AWARDS! 2014 01:28:01,643 --> 01:28:06,553 AND ALL OF THE TIME WHEN I WAS GROWING UP ON WALNUT LANE, I 2015 01:28:06,581 --> 01:28:08,881 DREAMED OF A NIGHT LIKE THIS. 2016 01:28:08,916 --> 01:28:10,616 A NIGHT WHEN I WOULD... 2017 01:28:15,590 --> 01:28:18,730 A NIGHT WHEN I WOULD LOOK AT MY WATCH AND SAY, "SORRY, EVERYONE, 2018 01:28:18,760 --> 01:28:19,830 I CAN’T STAY." 2019 01:28:19,861 --> 01:28:22,461 I’VE GOT A PROM TO CRASH. 2020 01:28:22,497 --> 01:28:26,727 SO THANKS, EVERYBODY, AND ENJOY THE FISH. 2021 01:28:26,768 --> 01:28:29,468 ( applause ) ALL RIGHT, NOW HERE’S AN 2022 01:28:29,504 --> 01:28:31,674 AWARD I KNOW YOU’RE ALL GOING TO LIKE. 2023 01:28:31,706 --> 01:28:35,576 THIS YEAR’S SCIENCE AWARD GOES TO THE BRAINIEST GIRL IN SCHOOL, 2024 01:28:35,610 --> 01:28:36,810 TERRY VENESSI! 2025 01:28:36,844 --> 01:28:45,594 ( cheers and applause ) TERRY! HEY! 2026 01:28:45,620 --> 01:28:49,420 OH, THANK YOU. 2027 01:28:49,457 --> 01:28:57,427 WHAT DID THEY DO TO HER RIBBON? 2028 01:28:57,465 --> 01:28:58,565 GRACE, WHAT’S GOING ON? 2029 01:28:58,599 --> 01:29:00,939 THEY’RE MAKING FUN OF TERRY. 2030 01:29:00,968 --> 01:29:02,468 WAIT, WAIT, WAIT. 2031 01:29:02,503 --> 01:29:04,573 LET HER HANDLE IT. 2032 01:29:04,605 --> 01:29:07,435 ( crowd murmuring ) DELI GIRL. 2033 01:29:14,582 --> 01:29:17,492 ( chuckles ) THANKS, NICOLE. 2034 01:29:17,518 --> 01:29:20,148 I’LL CHERISH THIS FOREVER BECAUSE I KNOW IT COMES RIGHT 2035 01:29:20,188 --> 01:29:22,788 FROM YOUR HEART, WHEREVER IT IS. 2036 01:29:22,824 --> 01:29:25,434 ( laughter ) NOW LET’S GET TO THE AWARD 2037 01:29:25,460 --> 01:29:30,800 EVERYONE’S BEEN WAITING FOR, PROM KING AND PROM QUEEN. 2038 01:29:30,832 --> 01:29:35,802 YES, FOR OUR MOST IMPORTANT AWARD, PROM KING GOES TO... 2039 01:29:35,837 --> 01:29:37,707 CHAD ELKINS. 2040 01:29:37,739 --> 01:29:43,709 ( cheers and applause ) AND PROM QUEEN GOES TO... 2041 01:29:43,745 --> 01:29:45,175 ME. 2042 01:29:45,213 --> 01:29:52,793 ( crowd murmuring ) WAIT A MINUTE! 2043 01:29:52,820 --> 01:29:54,660 DOES THIS SEEM RIGHT TO YOU? 2044 01:29:54,689 --> 01:29:55,689 NO! 2045 01:29:55,723 --> 01:29:58,993 HOW MANY PEOPLE VOTED FOR NICOLE? 2046 01:29:59,026 --> 01:30:02,026 HOW MANY PEOPLE VOTED FOR KAREN RIDGEWAY? 2047 01:30:02,063 --> 01:30:08,703 ( cheers and applause ) WAIT A SECOND, WAIT A SECOND. 2048 01:30:08,736 --> 01:30:14,706 I KNOW SOME OF YOU VOTED FOR ME, DIDN’T YOU? 2049 01:30:14,742 --> 01:30:16,742 BLAIR? 2050 01:30:16,778 --> 01:30:23,848 MAYBE YOU’D LIKE TO DO A RECOUNT, NICOLE. 2051 01:30:23,885 --> 01:30:25,615 MISS ANDERSON? 2052 01:30:25,653 --> 01:30:29,623 MISS ANDERSON, MAY I SEE YOU FOR A MOMENT? 2053 01:30:29,657 --> 01:30:30,557 NOW. 2054 01:30:30,591 --> 01:30:32,731 ( crowd murmuring ) ( cheers and applause ) 2055 01:30:40,601 --> 01:30:43,601 ( music continues ) EXCUSE ME, CHAD. 2056 01:30:55,616 --> 01:30:58,246 HEY, KAREN, DIDN’T YOU SAY THAT CROWN DIDN’T MATTER TO YOU? 2057 01:30:58,286 --> 01:31:00,016 YOU KNOW WHAT, YOU’RE RIGHT. 2058 01:31:00,054 --> 01:31:01,324 HERE, YOU CAN HAVE IT. 2059 01:31:01,355 --> 01:31:04,725 BUT IF ANYBODY’S GOING TO BE DELI GIRL, IT’S GOING TO BE ME. 2060 01:31:04,759 --> 01:31:05,859 GOT TO BE YOU. 2061 01:31:05,893 --> 01:31:06,863 DEFINITELY. 2062 01:31:06,894 --> 01:31:09,804 ( laughs ) DOWN, GIRL. 2063 01:31:09,831 --> 01:31:10,731 OVER HERE, GIRLS! 2064 01:31:10,765 --> 01:31:11,895 GIVE ME A SMILE! 2065 01:31:11,933 --> 01:31:13,873 PERFECT! 2066 01:31:38,059 --> 01:31:41,029 ( no audible dialog ) 132394

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.