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1
00:00:01,232 --> 00:00:02,373
Sock: COME ON, COME ON.
2
00:00:02,373 --> 00:00:03,674
Ben: ALL RIGHT!
3
00:00:03,674 --> 00:00:05,606
THOSE ARE HUGE ON YOU.
ALL RIGHT, FEEL THAT?
4
00:00:05,606 --> 00:00:07,007
NOPE, NOT A THING.
5
00:00:07,007 --> 00:00:08,609
THIS IS GONNA WORK GREAT.
ALL RIGHT!
6
00:00:08,609 --> 00:00:09,280
NOW RUN, BENNY.
7
00:00:09,280 --> 00:00:11,542
ALL RIGHT, WAIT,
GIVE ME A HEAD START.
8
00:00:11,542 --> 00:00:14,014
STEADY...
[GUNSHOT]
9
00:00:14,014 --> 00:00:15,216
OH, SOCK!
10
00:00:15,216 --> 00:00:15,746
BELOW THE WAIST!
11
00:00:15,746 --> 00:00:19,450
WHAT DID YOU SAY?
SAY--LET'S TRY AGAIN.
HERE, HERE.
12
00:00:19,450 --> 00:00:21,692
OW! OW, OW, OW!
13
00:00:21,692 --> 00:00:22,223
HA HA HA!
14
00:00:22,223 --> 00:00:23,724
THIS 2 PANTS THING
DOESN'T WORK!
15
00:00:23,724 --> 00:00:25,726
YOU SURE ABOUT THAT?
LET'S TRY AGAIN HERE.
16
00:00:25,726 --> 00:00:29,100
OH! SOCK,
YOU'RE MAKIN' ME MAD!
17
00:00:29,100 --> 00:00:31,102
WAIT, WAIT.
18
00:00:33,504 --> 00:00:35,436
OH, MY GOD, MOM!
19
00:00:35,436 --> 00:00:37,638
YOU'RE BACK!
HI, SWEETHEART!
20
00:00:37,638 --> 00:00:38,439
OH!
21
00:00:38,439 --> 00:00:41,172
OH, RIBS, SWEETIE!
RIBS, RIBS.
22
00:00:41,172 --> 00:00:42,273
OH, SORRY.
HOW WAS VEGAS?
23
00:00:42,273 --> 00:00:44,075
OH, MOM, DID YOU SEE ME
SHOOT BEN IN THE BUTT?
24
00:00:44,075 --> 00:00:46,777
I DID.
GOOD SHOOTIN', BERT.
25
00:00:46,777 --> 00:00:47,618
VERY GOOD SHOT.
26
00:00:47,618 --> 00:00:49,150
HEY, MS. WYSOCKI.
HEY, BEN.
27
00:00:49,150 --> 00:00:51,482
UM, MOM...
28
00:00:51,482 --> 00:00:53,254
WHO'S THE, UH, COWBOY?
29
00:00:53,254 --> 00:00:58,189
UM, BERT, THERE'S SOMETHING
I HAVE TO TELL YOU.
30
00:00:58,189 --> 00:01:00,831
UH, THIS IS MORRIS.
31
00:01:00,831 --> 00:01:04,195
AND WE HAVE
SOME WONDERFUL NEWS.
32
00:01:04,195 --> 00:01:07,098
[IMITATING GUNSHOTS]
33
00:01:15,176 --> 00:01:17,848
WILL YOU STOP
CHECKING THE TIME?
34
00:01:17,848 --> 00:01:18,449
AM I THAT BORING?
35
00:01:18,449 --> 00:01:20,711
NO, I TOLD YOU
I HAVE TO LEAVE
IN 10 MINUTES.
36
00:01:20,711 --> 00:01:22,082
I'M GONNA BE
SUPER LATE.
37
00:01:22,082 --> 00:01:23,254
AND IT'S DEFINITELY
NOT BORING.
38
00:01:23,254 --> 00:01:25,586
I'LL TELL YOU
WHEN 10 MINUTES IS UP.
39
00:01:25,586 --> 00:01:27,188
AWW.
40
00:01:27,188 --> 00:01:28,519
MMM.
41
00:01:28,519 --> 00:01:30,491
WHAT--
42
00:01:31,322 --> 00:01:33,664
HEY!
43
00:01:33,664 --> 00:01:34,865
HEY, WHAT?
44
00:01:34,865 --> 00:01:37,398
OH, MY GOSH,
THIS IS BEAUTIFUL!
45
00:01:37,398 --> 00:01:38,569
[CHUCKLES]
46
00:01:38,569 --> 00:01:40,871
YOU WERE GONNA GIVE IT TO ME
AS A PRESENT?
47
00:01:40,871 --> 00:01:42,133
THAT IS SO SWEET!
48
00:01:42,133 --> 00:01:44,535
YEAH. YEAH, YOU--
YOU LIKE IT?
49
00:01:44,535 --> 00:01:47,278
I LOVE IT. IT'S PERFECT.
PUT IT ON.
50
00:01:47,278 --> 00:01:49,510
OH, OK.
51
00:01:50,281 --> 00:01:52,243
THERE YOU GO.
52
00:01:52,883 --> 00:01:54,114
THERE YOU GO.
53
00:01:54,114 --> 00:01:56,447
OH! THANK YOU,
THANK YOU, THANK YOU!
54
00:01:58,289 --> 00:02:00,521
WHAT'S UP?
55
00:02:00,521 --> 00:02:02,623
SOCK, WHAT ARE YOU DOING?
56
00:02:04,195 --> 00:02:06,227
I NEED YOU TO GET RID
OF THIS, OK?
57
00:02:06,227 --> 00:02:09,400
SOCK, ARE YOU
ALL RIGHT?
58
00:02:09,400 --> 00:02:11,862
MY MOM CAME HOME
FROM VEGAS TODAY.
59
00:02:11,862 --> 00:02:14,735
YOU SHOT YOUR MOM
WITH A BB GUN?
60
00:02:14,735 --> 00:02:17,708
NO, SAM, OF COURSE NOT.
61
00:02:17,708 --> 00:02:20,511
I MIGHT HAVE SHOT
AN ASIAN COWBOY, THOUGH.
62
00:02:20,511 --> 00:02:20,911
WHAT?
63
00:02:20,911 --> 00:02:23,414
YEAH. AND I THINK
I PUNCHED HIM IN THE EYE.
64
00:02:23,414 --> 00:02:26,447
I DON'T KNOW.
IT'S ALL A BIG BLUR.
65
00:02:26,447 --> 00:02:28,519
OW!
66
00:02:29,820 --> 00:02:31,552
WILL YOU RUB MY HEAD?
67
00:02:31,552 --> 00:02:33,854
YEAH.
68
00:02:34,485 --> 00:02:36,387
THANK YOU.
THAT FEELS GOOD.
69
00:02:36,387 --> 00:02:38,259
SOCK, WHAT THE HELL
IS GOING ON?
70
00:02:38,259 --> 00:02:40,631
[SIGHS] MY MOM GET MARRIED.
71
00:02:40,631 --> 00:02:45,836
AND NOW I HAVE NOBODY,
EXCEPT FOR YOU TWO.
72
00:02:47,768 --> 00:02:49,500
WOULD SOMEBODY
GET ME A SIX PACK?
73
00:02:49,500 --> 00:02:52,843
IT'S WHAT MY MOM
WOULD HAVE DONE.
74
00:03:01,352 --> 00:03:03,954
[ALARM SOUNDING]
75
00:03:03,954 --> 00:03:05,316
[TURNS ALARM OFF]
76
00:03:05,316 --> 00:03:07,458
OH, HEY, YOU'RE UP.
77
00:03:07,458 --> 00:03:10,491
SOCK, WHY IS MY ALARM CLOCK
78
00:03:10,491 --> 00:03:12,523
GOING OFF AT 4:30
IN THE MORNING?
79
00:03:12,523 --> 00:03:14,395
YEAH, I COULDN'T
SLEEP, EITHER.
80
00:03:14,395 --> 00:03:16,967
BUT, UM, SINCE
WE'RE BOTH AWAKE,
81
00:03:16,967 --> 00:03:18,229
DO YOU WANT TO TALK?
82
00:03:18,229 --> 00:03:19,770
DO WE HAVE TO DO THIS NOW?
83
00:03:19,770 --> 00:03:23,874
CAN YOU BELIEVE
SHE MARRIED A GUY
NAMED MORRIS?
84
00:03:23,874 --> 00:03:24,405
MORRIS, SAM.
85
00:03:24,405 --> 00:03:27,638
I MEAN, I DON'T
EVEN THINK
HE'S A REAL COWBOY.
86
00:03:27,638 --> 00:03:31,211
YOU KNOW, I MEAN,
HOW LONG HAS SHE EVEN
KNOWN THIS GUY, A WEEK?
87
00:03:31,211 --> 00:03:34,214
NOW SHE'S GOING
TO SHACK UP WITH
A TOTAL STRANGER.
88
00:03:34,214 --> 00:03:35,546
YEAH, GOOD IDEA, MOM.
89
00:03:35,546 --> 00:03:38,619
SHE'S ABSOLUTELY
GOING TO REGRET THIS.
90
00:03:38,619 --> 00:03:39,720
UH...
91
00:03:39,720 --> 00:03:40,551
OH, BLUE TIE.
92
00:03:40,551 --> 00:03:42,853
DEFINITELY BETTER
THAN THE RED.
93
00:03:42,853 --> 00:03:45,726
SOMETIMES,
IF YOU LOVE
SOMEBODY ENOUGH,
94
00:03:45,726 --> 00:03:47,328
YOU HAVE GOT TO LET THEM
HIT ROCK BOTTOM.
95
00:03:47,328 --> 00:03:52,703
EVEN THOUGH I MIGHT WANT
TO KICK MORRIS' ASS
TO THE CURB RIGHT NOW,
96
00:03:52,703 --> 00:03:53,934
I'M NOT GONNA DO IT.
97
00:03:53,934 --> 00:03:57,808
I'M GONNA STAND STRONG,
AND I'M GONNA BE FIRM.
98
00:03:57,808 --> 00:03:58,909
HELLO?
99
00:03:58,909 --> 00:04:00,611
YOU KNOW, MY MOM
AND I ARE A TEAM,
100
00:04:00,611 --> 00:04:03,414
AND TEAMMATES DO NOT
GO OUT AND GET MARRIED
101
00:04:03,414 --> 00:04:04,545
BEHIND EACH OTHER'S BACKS.
102
00:04:04,545 --> 00:04:05,476
THAT'S ONE THING I KNOW.
103
00:04:05,476 --> 00:04:07,778
SO I'M GONNA TAKE
THE ONE THING AWAY FROM HER
104
00:04:07,778 --> 00:04:09,320
SHE LOVES THE MOST--ME.
105
00:04:09,320 --> 00:04:13,324
I'M NOT GONNA MOVE
BACK IN UNTIL SHE ADMITS
SHE MADE A MISTAKE.
106
00:04:13,324 --> 00:04:15,326
OH, I CAN'T DO IT.
107
00:04:15,326 --> 00:04:16,927
I CAN'T WORK.
I'M TOO UPSET.
108
00:04:16,927 --> 00:04:18,889
SOCK, COME ON,
IT'LL BE GOOD FOR YOU.
109
00:04:18,889 --> 00:04:21,862
IT'LL TAKE YOUR MIND
OFF OF THINGS.
110
00:04:21,862 --> 00:04:24,264
OK, BUT I NEED A PUSH.
111
00:04:25,336 --> 00:04:28,839
[SIGHS] SAM, I AM A WALL
OF MISERY, ALL RIGHT?
112
00:04:28,839 --> 00:04:32,573
YOU'RE GONNA HAVE TO DO
A LITTLE BETTER THAN THAT.
LET'S GO.
113
00:04:33,304 --> 00:04:34,445
WHOA!
114
00:04:34,445 --> 00:04:38,349
[GROANING]
SOCK?!
115
00:04:38,849 --> 00:04:40,951
OH, MY GOD, SOCK,
ARE YOU OK?
116
00:04:40,951 --> 00:04:42,483
HEY, DID YOU JUST
FLY IN HERE?
117
00:04:42,483 --> 00:04:44,985
SAM MOVED ME WITH HIS MIND.
118
00:04:44,985 --> 00:04:46,657
THE DEVIL MUST BE
SCREWING WITH ME.
119
00:04:46,657 --> 00:04:48,859
WHAT DO YOU THINK IT MEANS?
120
00:04:48,859 --> 00:04:51,992
IT MIGHT HAVE SOMETHING
TO DO WITH THE SOUL.
121
00:04:51,992 --> 00:04:54,665
THAT...WAS WICKED.
122
00:04:54,665 --> 00:04:57,928
LET'S DO IT AGAIN.
BEN, HELP ME WITH THE TREE.
123
00:04:57,928 --> 00:05:00,671
SAM, GET BACK OVER THERE.
124
00:05:03,434 --> 00:05:05,736
HEY, DO YOU KNOW
WHERE SOCK IS?
125
00:05:05,736 --> 00:05:07,708
I NEED HIM TO FAKE
A SEIZURE FOR ME.
126
00:05:07,708 --> 00:05:08,909
THAT IS AN UNUSUAL REQUEST.
127
00:05:08,909 --> 00:05:11,482
YEAH, WELL,
TED SAW SOCK FALL INTO
THE CHRISTMAS TREE.
128
00:05:11,482 --> 00:05:13,984
HE'S TERRIFIED
OF A WORKMAN'S COMP
LAWSUIT.
129
00:05:13,984 --> 00:05:16,387
TERRIFIED TED
IS ALWAYS A GOOD TIME.
130
00:05:16,387 --> 00:05:18,619
[CHUCKLES]
SOCK'S IN HOUSE WARES.
131
00:05:18,619 --> 00:05:20,521
GREAT, THANK YOU.
132
00:05:24,995 --> 00:05:27,698
[SEAGULLS CAWING]
133
00:05:37,508 --> 00:05:40,941
I DON'T KNOW.
THERE'S SOMETHING
ABOUT THE SEA AIR.
134
00:05:40,941 --> 00:05:41,542
YOU KNOW?
YEAH.
135
00:05:41,542 --> 00:05:45,015
MAYBE IT'S BECAUSE
ALL OF LIFE CAME
FROM THE SEA.
136
00:05:45,015 --> 00:05:46,677
IT'S PRIMORDIAL.
137
00:05:46,677 --> 00:05:47,678
CLEAN, FRESH.
138
00:05:47,678 --> 00:05:49,420
AND ALMOST ENTIRELY
COVERS UP THE STENCH
139
00:05:49,420 --> 00:05:52,953
OF THAT DECOMPOSING CORPSE
DOWN THERE.
140
00:05:55,025 --> 00:05:56,587
WHO IS THAT?
141
00:05:56,587 --> 00:05:57,788
A VAGRANT, I THINK.
142
00:05:57,788 --> 00:05:59,890
NO ONE OF CONSEQUENCE.
143
00:05:59,890 --> 00:06:00,991
WHERE'S ITS HEAD?
144
00:06:00,991 --> 00:06:03,834
REMOVED,
AND PARTIALLY EATEN
145
00:06:03,834 --> 00:06:05,896
BY ONE PHILLIP CARMONA.
146
00:06:05,896 --> 00:06:08,839
HELL'S LATEST
OVERACHIEVER.
147
00:06:08,839 --> 00:06:10,070
EATEN?
148
00:06:10,070 --> 00:06:10,871
YEAH.
149
00:06:10,871 --> 00:06:13,944
IN LIFE, CARMONA
WAS A CANNIBAL.
150
00:06:13,944 --> 00:06:15,846
HAD A PREDILECTION
FOR EATING
151
00:06:15,846 --> 00:06:17,878
THE BRAINS
AND THE HEART.
152
00:06:17,878 --> 00:06:20,150
[MAN SINGING]
153
00:06:22,382 --> 00:06:24,415
SO THE SOUL
ATE ITS HEART, TOO?
154
00:06:24,415 --> 00:06:25,916
NO, I DON'T THINK SO.
155
00:06:25,916 --> 00:06:28,018
HE GOT SCARED AWAY.
156
00:06:28,018 --> 00:06:29,960
LOOK, HE ALWAYS
FINISHES HIS MEALS
157
00:06:29,960 --> 00:06:30,991
AND HE ALWAYS
EATS AT NIGHT.
158
00:06:30,991 --> 00:06:33,864
NOW YOU JUST
FOLLOW THE CORPSE,
YOU'LL FIND YOUR SOUL.
159
00:06:33,864 --> 00:06:35,125
EXCUSE ME A MOMENT.
160
00:06:35,125 --> 00:06:37,027
♪ YOU'LL KNOW
THAT'S RACHEL ♪
161
00:06:37,027 --> 00:06:43,574
♪ I'M A BITCH
TO THE ROCK AND ROLL ♪
162
00:06:44,174 --> 00:06:46,677
YEAH, YEAH.
163
00:06:46,677 --> 00:06:48,809
WHAT'S UP?
164
00:06:48,809 --> 00:06:52,443
YOU'RE GONNA BE SORRY
WHEN I'M FAMOUS, RACHEL.
165
00:06:52,443 --> 00:06:55,015
RACHEL, HOW CAN YOU DATE
AN ACCOUNTANT?
166
00:06:55,015 --> 00:06:57,017
GREAT TITLES, MAN.
THANKS.
167
00:06:57,017 --> 00:06:58,849
THEY'RE ABOUT MY EX.
168
00:06:58,849 --> 00:06:59,850
HER NAME WAS RACHEL.
169
00:06:59,850 --> 00:07:01,992
REALLY? NOT A NICE GIRL,
I TAKE IT.
170
00:07:01,992 --> 00:07:04,124
SHE LEFT ME FOR
FOLLOWING MY DREAM,
171
00:07:04,124 --> 00:07:05,055
THE DREAM
OF ROCK AND ROLL.
172
00:07:05,055 --> 00:07:08,899
YEAH. YOU'RE PROBABLY
DRINKING A LOT MORE
THAN USUAL.
173
00:07:08,899 --> 00:07:11,562
YOU GOTTA
NUMB THE PAIN, BRO.
174
00:07:11,932 --> 00:07:13,764
JERRY BELVEDERE.
175
00:07:13,764 --> 00:07:16,467
A&R FOR POPBLAST RECORDS.
176
00:07:16,467 --> 00:07:17,608
[CHUCKLES]
177
00:07:17,608 --> 00:07:18,569
RYAN MILNER.
178
00:07:18,569 --> 00:07:20,571
MY STAGE NAME'S
RYAN.
179
00:07:20,571 --> 00:07:22,072
NO LAST NAME.
RYAN.
180
00:07:22,072 --> 00:07:23,944
YOU KNOW, RYAN,
I BET YOU AND I
CAN MAKE A DEAL
181
00:07:23,944 --> 00:07:26,647
THAT'LL BE
EXTREMELY BENEFICIAL
TO THE BOTH OF US.
182
00:07:26,647 --> 00:07:31,121
MR. BELVEDERE,
CAN I TALK TO YOU
FOR A SECOND?
183
00:07:38,128 --> 00:07:39,890
WHAT ARE YOU DOING?
184
00:07:39,890 --> 00:07:41,632
WHAT DOES IT LOOK LIKE?
185
00:07:41,632 --> 00:07:43,934
YOU'RE SETTING
THAT GUY UP SO YOU CAN
BUY HIS SOUL.
186
00:07:43,934 --> 00:07:45,666
[LAUGHS] DUH, SAM.
187
00:07:45,666 --> 00:07:47,568
COME ON, JUST
LEAVE HIM ALONE.
188
00:07:47,568 --> 00:07:49,069
HE'S PATHETIC ENOUGH
AS IT IS!
189
00:07:49,069 --> 00:07:51,742
OH, WOW, SAMMY,
MAYBE YOU'RE RIGHT.
190
00:07:51,742 --> 00:07:52,973
IF I'M HEARING YOU CORRECTLY,
191
00:07:52,973 --> 00:07:57,878
YOU'RE BASICALLY CALLING ME
A MORALLY BANKRUPT, EVIL BEING.
192
00:07:57,878 --> 00:07:59,550
YES, MORE OR LESS.
193
00:07:59,550 --> 00:08:01,882
THEN THIS MAKES
PERFECT SENSE.
194
00:08:01,882 --> 00:08:04,054
WHOA!
195
00:08:29,039 --> 00:08:31,141
[SANTA RINGING BELL]
196
00:08:33,043 --> 00:08:36,917
HEY, UH,
I GOTTA GET GOING.
197
00:08:37,147 --> 00:08:39,049
WAIT, WAIT, WAIT,
IS THAT HER? CADY?
198
00:08:39,049 --> 00:08:41,652
YEAH, YEAH, SHE'S JUST--
WE'RE GONNA HANG OUT.
199
00:08:41,652 --> 00:08:44,725
OH, OK, WELL,
BRING HER OVER HERE.
WHAT'S THE BIG DEAL?
200
00:08:44,725 --> 00:08:45,756
I MEAN, WE'RE FRIENDS, RIGHT?
201
00:08:45,756 --> 00:08:47,928
SO, WHY CAN'T I MEET
YOUR GIRLFRIEND?
202
00:08:47,928 --> 00:08:50,731
I MEAN, UNLESS YOU'RE TRYING
TO HIDE HER FROM ME.
203
00:08:50,731 --> 00:08:52,102
NO. WHY WOULD I DO THAT?
204
00:08:52,102 --> 00:08:54,905
TOO LATE.
HI, CUTIE!
205
00:08:54,905 --> 00:08:55,636
HEY.
206
00:08:55,636 --> 00:08:59,009
HI, I'M CADY.
HI.
207
00:08:59,009 --> 00:09:00,811
UH, ANDI.
208
00:09:00,811 --> 00:09:02,212
I'VE HEARD A LOT ABOUT YOU.
209
00:09:02,212 --> 00:09:03,874
YEAH, ALL GOOD THINGS.
210
00:09:03,874 --> 00:09:05,616
OH, GOOD TO HEAR.
211
00:09:05,616 --> 00:09:07,017
THAT'S A NICE NECKLACE.
212
00:09:07,017 --> 00:09:08,148
OH, THANK YOU.
213
00:09:08,148 --> 00:09:09,279
SAM GOT IT FOR ME.
214
00:09:09,279 --> 00:09:13,824
YEAH, ACTUALLY,
HE SHOWED IT TO ME...ONCE.
215
00:09:13,824 --> 00:09:14,084
YEAH.
216
00:09:14,084 --> 00:09:17,788
ANDI USED TO PLAY SOCCER
IN HIGH SCHOOL, LIKE YOU.
217
00:09:17,788 --> 00:09:19,089
YOU GUYS...DID THAT--
218
00:09:19,089 --> 00:09:22,993
WELL, ENJOY YOUR LUNCH.
AND YOUR NECKLACE.
219
00:09:23,864 --> 00:09:27,067
WOW. SHE HATES ME.
220
00:09:27,067 --> 00:09:28,298
NO, SHE DOESN'T HATE YOU.
221
00:09:28,298 --> 00:09:29,770
COME ON, SAM,
IT'S OBVIOUS.
222
00:09:29,770 --> 00:09:31,101
DID YOU GUYS
HAVE A THING?
223
00:09:31,101 --> 00:09:34,204
YEAH--LET'S SIT DOWN.
224
00:09:34,204 --> 00:09:36,677
OK.
225
00:09:37,978 --> 00:09:40,080
ALL RIGHT, THIS--
THIS IS MY FAULT.
226
00:09:40,080 --> 00:09:41,912
ALL RIGHT, THE NECKLACE
YOU'RE WEARING
227
00:09:41,912 --> 00:09:46,957
WAS ACTUALLY ONE I HAD
ORIGINALLY BOUGHT FOR HER.
228
00:09:47,357 --> 00:09:48,258
WHEN?
229
00:09:48,258 --> 00:09:50,761
UH, A FEW WEEKS AGO?
230
00:09:50,761 --> 00:09:51,692
AND THEN YOU GAVE IT
TO ME?
231
00:09:51,692 --> 00:09:54,124
YEAH, BUT TO BE FAIR,
I DIDN'T PLAN ON
GIVING IT TO YOU.
232
00:09:54,124 --> 00:09:56,266
I--I JUST, I GOT CAUGHT
WHEN YOU FOUND IT
233
00:09:56,266 --> 00:09:58,328
AND I MADE
A RASH DECISION. I--
234
00:09:58,328 --> 00:10:00,801
SO WHY DID YOU KEEP IT?
235
00:10:00,801 --> 00:10:02,973
I--I DON'T HAVE AN ANSWER.
236
00:10:02,973 --> 00:10:04,134
OK.
237
00:10:04,134 --> 00:10:06,807
THAT'S WEIRD, SAM.
238
00:10:06,807 --> 00:10:09,910
CADY...
DON'T FOLLOW ME.
239
00:10:15,115 --> 00:10:19,389
NEXT TIME
I BUY A PRESENT
FOR A GIRL...
240
00:10:19,389 --> 00:10:23,053
I NEED YOU TO PUNCH ME
IN THE JUNK. HARD.
241
00:10:23,053 --> 00:10:24,755
THAT'S THE ONLY WAY I PUNCH.
242
00:10:24,755 --> 00:10:25,956
NOT NOW, SOCK!
243
00:10:25,956 --> 00:10:27,057
WHAT'S THE PROBLEM?
244
00:10:27,057 --> 00:10:30,330
CADY'S MAD AT ME,
ANDI'S ALL PISSED OFF.
I DON'T--
245
00:10:30,330 --> 00:10:32,032
WILL YOU LISTEN
TO THIS GUY?
246
00:10:32,032 --> 00:10:35,005
OH, WAH, I HAVE 2 CHICKS
FIGHTING OVER ME!
247
00:10:35,005 --> 00:10:37,107
WHAT AM I GONNA DO?
WHY AM I SO LOVEABLE?
248
00:10:37,107 --> 00:10:39,009
SHUT UP.
ENJOY IT, SAM.
249
00:10:39,009 --> 00:10:41,141
OR AT LEAST, YOU KNOW,
TRY AND FLIP IT INTO
A THREE-WAY.
250
00:10:41,141 --> 00:10:41,942
THAT'S WHAT I'D DO.
251
00:10:41,942 --> 00:10:44,975
HEY, THIS GUY RYAN'S
PRETTY LAME.
252
00:10:44,975 --> 00:10:46,246
THIS CD IS FOR
ALL THE DREAMERS
253
00:10:46,246 --> 00:10:48,949
WHO DREAM OF
THE ROCK AND ROLL DREAM,
254
00:10:48,949 --> 00:10:49,920
SO DREAM ON.
255
00:10:49,920 --> 00:10:52,122
OH, I GOTTA--I GOTTA SIDE
WITH THE DEVIL ON THIS ONE.
256
00:10:52,122 --> 00:10:54,124
SOME PEOPLE
JUST BELONG IN HELL.
257
00:10:54,124 --> 00:10:55,155
NO, I FEEL BAD FOR HIM.
258
00:10:55,155 --> 00:10:56,887
THE DEVIL'S GONNA
SUCKER HIM INTO A DEAL
259
00:10:56,887 --> 00:10:57,958
AND HE'LL BE JUST
AS SCREWED AS I AM.
260
00:10:57,958 --> 00:11:01,361
WHAT CAN YOU DO? I MEAN,
IF THE GUY WANTS TO SELL
HIS SOUL TO THE DEVIL,
261
00:11:01,361 --> 00:11:02,793
IT'S NOT YOUR PROBLEM.
262
00:11:02,793 --> 00:11:03,764
YEAH, BUT I COULD
AT LEAST WARN HIM.
263
00:11:03,764 --> 00:11:06,797
IF SOMEBODY HAD STEPPED
IN BEFORE MY PARENTS
SOLD MY SOUL--
264
00:11:06,797 --> 00:11:08,068
AH, WHATEVER.
265
00:11:08,068 --> 00:11:10,200
DEVIL SAYS SOMETHING
ABOUT THE SOUL
EATING AFTER DARK.
266
00:11:10,200 --> 00:11:11,241
DON'T WE HAVE
TO GET TO THE MORGUE?
267
00:11:11,241 --> 00:11:13,073
OH, NO, WE HAVE TIME.
WE CAN STOP AT THE MARINA
ALONG THE WAY.
268
00:11:13,073 --> 00:11:15,876
OK, THEN CAN WE SWING
BY MY MOM'S HOUSE, TOO?
269
00:11:15,876 --> 00:11:19,780
I KINDA WANT TO EGG
HER BEDROOM WINDOW.
270
00:11:23,984 --> 00:11:25,916
WELL, THIS IS
WHERE HE WAS.
271
00:11:25,916 --> 00:11:27,317
MAYBE HE'S PLAYING
IN ANOTHER SPOT.
272
00:11:27,317 --> 00:11:30,320
YEAH, BUT KNOW WHERE?
I MEAN, WE CAN'T LOOK
ON EVERY CORNER--
273
00:11:30,320 --> 00:11:34,865
UGH. I THINK I KNOW
WHERE HE MIGHT BE.
274
00:11:36,426 --> 00:11:39,900
LOOKS LIKE THE DEVIL
GOT TO HIM FIRST.
275
00:11:43,433 --> 00:11:47,107
Sam: PIKE ARENA?
THAT'S HUGE.
276
00:11:47,107 --> 00:11:47,978
DAMN IT.
277
00:11:47,978 --> 00:11:51,141
DEVIL SAID FOLLOW THE BODY.
278
00:11:52,042 --> 00:11:53,013
CARMONA ONLY FEEDS
AT NIGHT.
279
00:11:53,013 --> 00:11:56,146
PRETTY GOOD, RIGHT?
LOOK IT.
280
00:11:56,146 --> 00:11:58,048
JOSE MILLER.
NOT BAD, YEAH.
281
00:11:58,048 --> 00:12:00,050
HOW'D YOU GET JOSIE TO
GIVE YOU HER ID BADGE?
282
00:12:00,050 --> 00:12:03,053
IT'S PART OF SOME MEMORY
TRINKETS I STOLE FROM HER.
283
00:12:03,053 --> 00:12:03,493
WHAT?
284
00:12:03,493 --> 00:12:05,295
SHE TOOK SO MUCH
AND GAVE BACK SO LITTLE.
285
00:12:05,295 --> 00:12:06,056
SO JOSE MILLER IT IS.
286
00:12:06,056 --> 00:12:09,159
WELL, AS LONG
AS THAT THING GETS US
INTO THE MORGUE,
287
00:12:09,159 --> 00:12:10,931
WHERE THE BODY IS,
WHO CARES?
288
00:12:10,931 --> 00:12:11,361
IT'S ALMOST 6:00.
289
00:12:11,361 --> 00:12:13,203
WE NEED TO BE READY
WHEN THE SOUL
COMES BACK TO FEED.
290
00:12:13,203 --> 00:12:15,205
LET'S SEE WHAT WE'RE SADDLED
WITH THIS TIME.
291
00:12:15,205 --> 00:12:17,307
HMM.
292
00:12:20,140 --> 00:12:21,241
Ben: NICE.
293
00:12:21,241 --> 00:12:23,844
A SPEAR GUN.
VERY JAMES BOND.
294
00:12:23,844 --> 00:12:26,917
Sock: YOU SAY
THIS JOB ISN'T COOL.
295
00:12:29,980 --> 00:12:31,782
BRRR!
296
00:12:31,782 --> 00:12:33,323
EVENING, LIEU-TECTIVE.
297
00:12:33,323 --> 00:12:34,284
JUST GOTTA GET
THESE EXPERTS IN
298
00:12:34,284 --> 00:12:38,488
FOR A DENTAL MATCH
ON A CERTAIN
JONATHAN DEERE.
299
00:12:38,488 --> 00:12:40,791
ALL RIGHT?
300
00:12:40,791 --> 00:12:42,963
SO HE ALWAYS
FINISHES HIS MEAL?
301
00:12:42,963 --> 00:12:45,395
YEAH, WE GOTTA FIND
THE HEADLESS BODY.
302
00:12:45,395 --> 00:12:48,338
WHICH ONE
DO YOU THINK IT IS?
303
00:12:48,969 --> 00:12:51,872
IT'S GONNA BE THIS ONE.
304
00:12:54,104 --> 00:12:56,476
UGH.
305
00:12:56,476 --> 00:13:00,450
YEAH, WELL, CARMONA
DIDN'T COME BACK
FOR SECONDS.
306
00:13:01,912 --> 00:13:02,953
EXCUSE ME.
307
00:13:02,953 --> 00:13:04,054
WHAT ARE YOU DOING HERE?
308
00:13:04,054 --> 00:13:08,088
OH, UH, WE'RE FROM,
UH, DOWNTOWN.
309
00:13:08,088 --> 00:13:09,789
DOWNTOWN BRANCH,
310
00:13:09,789 --> 00:13:11,021
AND WE'RE ACTUALLY
TAKING OVER THE CASE.
311
00:13:11,021 --> 00:13:13,263
IT'S A JURISDICTIONAL THING.
JURIS--JURISDICTIONAL.
312
00:13:13,263 --> 00:13:15,225
WHAT CASE ARE YOU
TALKING ABOUT?
313
00:13:15,225 --> 00:13:17,227
ACTUALLY, THAT IS
A NEED TO KNOW.
314
00:13:17,227 --> 00:13:20,100
WE WISH WE COULD DO
SOMETHING ABOUT IT,
BUT WE CAN'T.
315
00:13:20,100 --> 00:13:21,231
IT'S JUST--WHOA.
316
00:13:21,231 --> 00:13:24,234
THIS ID IS EXPIRED.
317
00:13:24,234 --> 00:13:27,537
AND THE PICTURE
IS PASTED ON.
318
00:13:27,537 --> 00:13:29,079
WHAT--
GET OUT OF HERE.
319
00:13:29,079 --> 00:13:31,842
OK, BUT COULD I
POSSIBLY HAVE
THE ID BACK?
320
00:13:31,842 --> 00:13:33,113
I'M CALLING THE POLICE.
321
00:13:33,113 --> 00:13:35,015
NO, I--KEEP IT!
322
00:13:35,015 --> 00:13:37,417
EASY!
323
00:13:38,388 --> 00:13:40,550
I THOUGHT YOU SAID
THAT JURISDICTION THING
ALWAYS WORKS.
324
00:13:40,550 --> 00:13:43,093
WHY DO YOU ALWAYS HAVE
TO POINT OUT MY FLAWS, BEN?
325
00:13:43,093 --> 00:13:44,394
ALL RIGHT, SO WHAT
DO WE DO NOW?
326
00:13:44,394 --> 00:13:46,456
WE'LL JUST STOP THE SOUL
BEFORE HE EVER GETS
TO THE BODY.
327
00:13:46,456 --> 00:13:47,197
THERE'S ONLY 2 WAYS IN.
328
00:13:47,197 --> 00:13:50,500
LET'S SEAL UP THE DOORS
SO WE KNOW WHICH WAY
CARMONA'S COMING.
329
00:13:50,500 --> 00:13:52,102
OK.
330
00:13:54,004 --> 00:13:55,435
OK, GOOD.
331
00:13:55,435 --> 00:13:58,438
ALL RIGHT,
COME ON, CARMONA.
332
00:13:58,438 --> 00:13:59,509
[CELL PHONE RINGS]
333
00:13:59,509 --> 00:14:00,840
WHOA!
WHOA, SORRY.
334
00:14:00,840 --> 00:14:02,572
OH! IT'S MY MOM.
335
00:14:02,572 --> 00:14:04,514
HURTS, DOESN'T IT?
336
00:14:04,514 --> 00:14:07,377
ALL RIGHT, BE COOL.
ALL RIGHT, BE COOL.
337
00:14:10,020 --> 00:14:11,421
YOU GUYS, LOOK.
338
00:14:11,421 --> 00:14:15,255
LOOK, IT'S HIM,
IT'S THE SOUL.
IT'S HIM.
339
00:14:15,455 --> 00:14:18,228
[SNARLING]
[ALL YELLING]
340
00:14:19,089 --> 00:14:20,490
GO, GO, GO!
341
00:14:21,391 --> 00:14:23,994
[ALL YELLING]
342
00:14:24,864 --> 00:14:25,966
ON THREE!
343
00:14:25,966 --> 00:14:27,067
1, 2, 3!
344
00:14:27,067 --> 00:14:29,869
[ALL YELLING]
345
00:14:30,100 --> 00:14:32,642
WHERE IS HE?
WHERE IS HE?
346
00:14:32,642 --> 00:14:35,045
OH, DAMN IT!
347
00:14:35,045 --> 00:14:36,876
IT'S LOCKED,
IT'S LOCKED.
348
00:14:36,876 --> 00:14:39,079
GO, GO, GO.
349
00:15:00,500 --> 00:15:02,232
WHOA!
350
00:15:02,933 --> 00:15:05,235
[DEVIL GIGGLES]
351
00:15:05,235 --> 00:15:08,278
BOY, YOU SPOOK EASILY. HUH.
352
00:15:08,278 --> 00:15:10,140
IT'S JUST RUBBER.
353
00:15:10,140 --> 00:15:11,141
SO IT WAS YOU, RIGHT?
354
00:15:11,141 --> 00:15:14,044
USE YOUR WORDS, SAMMY.
WHAT WAS ME?
355
00:15:14,044 --> 00:15:15,345
THIS.
356
00:15:15,345 --> 00:15:17,087
YOU GOT RYAN A CONCERT.
357
00:15:17,087 --> 00:15:19,149
OH, WOW, THIS CAME OUT
PRETTY SHARP.
358
00:15:19,149 --> 00:15:22,422
YEAH. THE UMLAUT
WAS MY IDEA.
359
00:15:22,422 --> 00:15:24,024
YOU MADE HIM SELL YOU
HIS SOUL?
360
00:15:24,024 --> 00:15:24,624
NOT YET, BUT I WILL.
361
00:15:24,624 --> 00:15:28,028
IT'S A CLASSIC
"FIRST TASTE IS FREE"
GAMBIT.
362
00:15:28,028 --> 00:15:30,160
RYAN GETS HIS GIG,
TASTES A LITTLE FAME,
363
00:15:30,160 --> 00:15:32,262
AND THEN WHILE HE'S ON THAT
ENDORPHIN HIGH,
364
00:15:32,262 --> 00:15:34,104
I SLAP THAT CONTRACT
RIGHT IN FRONT OF HIM.
365
00:15:34,104 --> 00:15:36,106
NEVER FAILS.
THAT REALLY WORKS?
366
00:15:36,106 --> 00:15:37,707
WE'RE TALKIN' ABOUT
ROCK AND ROLL, MAN.
367
00:15:37,707 --> 00:15:39,369
THE DEVIL'S MUSIC.
368
00:15:39,369 --> 00:15:41,071
COMIN' DOWN THE CROSSROADS.
369
00:15:41,071 --> 00:15:42,612
SELL YOUR SOUL
FOR ROCK AND ROLL, BABY.
370
00:15:42,612 --> 00:15:45,145
IT'S NOT FUNNY.
HE'S GONNA SPEND
ETERNITY IN HELL!
371
00:15:45,145 --> 00:15:46,946
OH, YOU'RE RIGHT,
YOU'RE RIGHT.
372
00:15:46,946 --> 00:15:48,979
IT'S NEVER
A LAUGHING MATTER, SAMMY.
373
00:15:48,979 --> 00:15:50,420
BUT, HEY,
LET'S TALK ABOUT YOU.
374
00:15:50,420 --> 00:15:52,983
WHAT'S UP WITH THAT
CANNIBAL OF YOURS?
375
00:15:52,983 --> 00:15:54,154
WHY HAVEN'T YOU CAUGHT HIM?
376
00:15:54,154 --> 00:15:55,185
I DON'T KNOW
WHERE HE IS.
377
00:15:55,185 --> 00:15:56,526
TALK TO THE MOTHER.
378
00:15:56,526 --> 00:15:58,588
CARMONA HAS A MOM?
379
00:15:58,588 --> 00:15:59,559
YEP.
380
00:15:59,559 --> 00:16:00,530
AND YOU KNOW MOMS.
381
00:16:00,530 --> 00:16:02,292
THEY LOVE TALKIN'
ABOUT THEIR KIDS.
382
00:16:02,292 --> 00:16:04,164
EVEN WHEN THE KID'S
A PEOPLE EATER?
383
00:16:04,164 --> 00:16:06,266
WELL, IT'S JUST MORE
TO TALK ABOUT.
384
00:16:06,266 --> 00:16:09,099
[KNOCKING ON DOOR]
385
00:16:10,300 --> 00:16:11,741
HI, MRS. CARMONA.
386
00:16:11,741 --> 00:16:15,975
WE WERE WONDERING
IF WE COULD TALK TO YOU
ABOUT YOUR SON.
387
00:16:15,975 --> 00:16:17,077
WAIT, WAIT, WAIT,
YOU DON'T UNDERSTAND!
388
00:16:17,077 --> 00:16:19,549
Mrs. Carmona: WHY DON'T
YOU VULTURES LEAVE ME ALONE!
389
00:16:19,549 --> 00:16:21,681
BUT WE'RE NOT VULTURES,
MRS. CARMONA.
390
00:16:21,681 --> 00:16:25,155
MY SON DIDN'T DO
ANY OF THE THINGS
THEY SAID.
391
00:16:25,155 --> 00:16:26,686
HE WAS A GOOD BOY.
392
00:16:26,686 --> 00:16:28,058
OH, I'M SURE HE WAS.
393
00:16:28,058 --> 00:16:31,421
HE WAS OUR FAVORITE
CAMP COUNSELOR.
394
00:16:31,991 --> 00:16:34,024
[WHISPERING] What?
395
00:16:36,426 --> 00:16:39,669
YOU KNEW HIM
AT CAMP SOARING ARROW?
396
00:16:39,669 --> 00:16:43,433
YES, WE DID KNOW HIM
AT CAMP SOARING ARROW.
397
00:16:43,433 --> 00:16:46,706
OH, THE MEMORIES
ARE FLOODING IN.
398
00:16:46,706 --> 00:16:49,008
YOU KNOW,
TOASTING MARSHMALLOWS
399
00:16:49,008 --> 00:16:50,009
AND PANTY RAIDS
400
00:16:50,009 --> 00:16:52,042
AND LEARNING HOW
TO USE YOUR--
401
00:16:52,042 --> 00:16:54,484
ARCHERY.
BOW AND ARROW.
402
00:16:54,484 --> 00:16:56,186
YOU LIKE MY SON?
403
00:16:56,186 --> 00:16:57,016
MM-HMM.
404
00:16:57,016 --> 00:16:59,018
YEAH, WE THOUGHT
YOUR SON WAS GREAT.
405
00:16:59,018 --> 00:17:02,452
WOULD YOU BOYS
LIKE SOME PIE?
406
00:17:02,452 --> 00:17:05,055
SURE.
YEAH.
407
00:17:05,055 --> 00:17:06,556
HERE'S THE PICTURE
OF PHILLIP
408
00:17:06,556 --> 00:17:08,728
IN THE SCHOOL PLAY
ONE THANKSGIVING.
409
00:17:08,728 --> 00:17:10,330
HE'S SO CUTE.
HMM.
410
00:17:10,330 --> 00:17:12,162
HE'S THE KID
DRESSED IN BROWN?
411
00:17:12,162 --> 00:17:15,165
OH, YES.
HE PLAYED GRAVY.
412
00:17:15,165 --> 00:17:16,066
HA HA.
413
00:17:16,066 --> 00:17:18,638
OH, HERE HE IS
IN THE PEE WEE FOOTBALL.
414
00:17:18,638 --> 00:17:21,711
AND THIS IS PHILLIP
IN HIS HIGH SCHOOL
GRADUATION.
415
00:17:21,711 --> 00:17:23,473
SUCH A SWEET BOY.
416
00:17:23,473 --> 00:17:25,515
YOU AND YOUR SON
WERE CLOSE, HUH?
417
00:17:25,515 --> 00:17:27,117
HE WAS MY BEST FRIEND.
418
00:17:27,117 --> 00:17:30,620
THAT'S NICE. THAT'S HOW
IT'S SUPPOSED TO BE.
419
00:17:30,620 --> 00:17:32,482
YEAH, IT'S TRUE.
YEP, YOU'RE RIGHT.
420
00:17:32,482 --> 00:17:36,256
SO WHAT WAS PHILLIP LIKE
AWAY FROM CAMP?
421
00:17:36,256 --> 00:17:37,257
WHERE DID HE LIKE TO GO?
422
00:17:37,257 --> 00:17:39,229
WAS THERE ANY SPECIAL PLACE
HE LIKED TO HANG OUT?
423
00:17:39,229 --> 00:17:41,191
OR HIDE OUT,
MAYBE.
424
00:17:41,191 --> 00:17:42,532
WELL, NOT REALLY.
425
00:17:42,532 --> 00:17:45,165
MOSTLY HE LIKED
TO HANG OUT WITH ME.
426
00:17:45,165 --> 00:17:46,136
HMM.
427
00:17:46,136 --> 00:17:50,069
OH, SOMETIMES
RIGHT AFTER
THE SUN GOES DOWN,
428
00:17:50,069 --> 00:17:51,301
I IMAGINE I SEE HIM,
429
00:17:51,301 --> 00:17:53,343
OUT THERE AT THE END
OF THE DRIVEWAY,
430
00:17:53,343 --> 00:17:55,675
OR OVER IN THE BACKYARD.
431
00:17:55,675 --> 00:17:56,706
THE OTHER NIGHT,
432
00:17:56,706 --> 00:18:02,212
I COULD HAVE SWORN
I SAW HIM SITTING
ON THE SWING.
433
00:18:02,212 --> 00:18:04,854
IT SEEMED SO REAL.
434
00:18:04,854 --> 00:18:07,287
Sock: BYE BYE, MRS. C.
435
00:18:07,287 --> 00:18:08,188
HAVE A GOOD DAY.
436
00:18:08,188 --> 00:18:10,720
ALL RIGHT. WE KNOW
HOW TO FIND THE SOUL.
437
00:18:10,720 --> 00:18:13,163
HE JUST COMES HERE
TO HANG OUT
WITH HIS MOM.
438
00:18:13,163 --> 00:18:14,394
WELL, CAN YOU BLAME THE GUY?
439
00:18:14,394 --> 00:18:18,468
I MEAN, THAT--THAT,
MY FRIENDS, IS A REAL MOM.
440
00:18:18,468 --> 00:18:21,271
A BEAUTIFUL, SELFLESS,
KIND-HEARTED WOMAN
441
00:18:21,271 --> 00:18:24,103
WHO BUILT HER ENTIRE LIFE
AROUND HER SON.
442
00:18:24,103 --> 00:18:27,477
EVEN THOUGH HE WAS
A CRAZY-ASSED
CONVICTED CANNIBAL.
443
00:18:27,477 --> 00:18:29,379
GETS ME, RIGHT HERE.
444
00:18:29,379 --> 00:18:30,810
RIGHT--RIGHT HERE.
445
00:18:30,810 --> 00:18:34,484
IS IT--WHERE'S YOUR HEART?
ON THE LEFT?
446
00:18:34,484 --> 00:18:37,347
[ROCK MUSIC PLAYING]
447
00:18:47,557 --> 00:18:50,760
Man: OK, RYAN,
SOUND CHECK ON MIC.
448
00:18:50,760 --> 00:18:54,464
[HIGH-PITCHED VOICE]
♪ OH, RACHEL, RACHEL ♪
449
00:18:54,464 --> 00:18:58,608
♪ YOU BROKE MY HEART
'CAUSE YOU MADE ME CHOOSE ♪
450
00:18:58,608 --> 00:19:00,340
♪ BETWEEN MY LOVE AT HOME ♪
451
00:19:00,340 --> 00:19:02,312
♪ AND MY COLD, CRUEL MUSE ♪
452
00:19:02,312 --> 00:19:04,514
♪ MUSIC IS MY GODDESS ♪
453
00:19:04,514 --> 00:19:10,720
♪ AND THE LADY IN MY SOUL ♪
454
00:19:10,720 --> 00:19:12,652
♪ OH, RACHEL ♪
455
00:19:12,652 --> 00:19:16,326
♪ I'M A BITCH
TO THE ROCK AND ROLL ♪
456
00:19:16,326 --> 00:19:17,927
YEAH, TOMMY,
HOW WAS THAT?
457
00:19:17,927 --> 00:19:20,490
Tommy: GREAT, RYAN,
LET'S TAKE FIVE.
458
00:19:20,490 --> 00:19:21,361
ALL RIGHT.
459
00:19:21,361 --> 00:19:22,932
THANK YOU, GORGEOUS.
460
00:19:22,932 --> 00:19:25,395
HEY, FROM THE RECORD
COMPANY, RIGHT?
461
00:19:25,395 --> 00:19:26,466
YOU'RE FRIENDS
WITH JERRY?
462
00:19:26,466 --> 00:19:28,698
YEAH, YEAH,
THAT--THAT'S ME.
463
00:19:28,698 --> 00:19:31,271
HOW YA DOIN'? AWESOME.
464
00:19:31,271 --> 00:19:31,871
LISTEN, RYAN,
465
00:19:31,871 --> 00:19:34,344
DID YOU SIGN ANY CONTRACT
OR MAKE ANY PROMISES--
466
00:19:34,344 --> 00:19:36,406
I CAN'T BELIEVE IT.
TOMORROW NIGHT,
467
00:19:36,406 --> 00:19:38,448
EVERY SEAT'S
GONNA BE FILLED.
468
00:19:38,448 --> 00:19:39,879
WHOO!
RYAN!
469
00:19:39,879 --> 00:19:40,950
DID YOU SIGN ANYTHING?
470
00:19:40,950 --> 00:19:42,312
HUH? WHAT--NO, MAN.
471
00:19:42,312 --> 00:19:43,383
I DIDN'T GET ANY
PAPERWORK YET.
472
00:19:43,383 --> 00:19:45,815
BUT DON'T WORRY.
WHEN I DO, I'LL SIGN IT.
NO QUESTIONS.
473
00:19:45,815 --> 00:19:47,917
NO, NO, I'M TRYING TO TELL YOU
TO NOT SIGN A CONTRACT
474
00:19:47,917 --> 00:19:50,790
WITH--WITH THE RECORD COMPANY.
JUST WALK AWAY.
475
00:19:50,790 --> 00:19:53,223
DUDE, WHAT ARE YOU
TALKIN' ABOUT?
476
00:19:53,223 --> 00:19:54,724
THIS ISN'T WHAT
YOU THINK IT IS.
477
00:19:54,724 --> 00:19:56,195
DID JERRY MENTION
ANYTHING ABOUT
478
00:19:56,195 --> 00:19:58,628
WHAT YOU MIGHT SACRIFICE
FOR THIS DEAL?
479
00:19:58,628 --> 00:19:59,399
NO.
480
00:19:59,399 --> 00:20:00,370
BUT I'LL DO ANYTHING.
481
00:20:00,370 --> 00:20:05,204
JERRY IS THE DEVIL,
AND HE'S TRYING TO GET YOU
TO SELL YOUR SOUL, OK?
482
00:20:05,204 --> 00:20:06,376
[CHUCKLES]
483
00:20:06,376 --> 00:20:09,579
GET OUT OF HERE, MAN,
ARE YOU CRAZY?
484
00:20:09,579 --> 00:20:09,979
THINK ABOUT IT!
485
00:20:09,979 --> 00:20:12,342
HOW DID YOU SELL OUT
THIS ENTIRE ARENA
486
00:20:12,342 --> 00:20:14,884
WHEN NOBODY'S EVEN
HEARD YOU BEFORE?
487
00:20:15,815 --> 00:20:17,847
MAYBE...
488
00:20:17,847 --> 00:20:19,589
THEY LIKE MY SONGS.
489
00:20:19,589 --> 00:20:21,251
HOW DID THEY EVEN
HEAR YOUR SONGS?
490
00:20:21,251 --> 00:20:22,822
I MEAN, COME ON,
DOESN'T IT
BOTHER YOU
491
00:20:22,822 --> 00:20:24,654
THAT THIS ALL
HAPPENED SO EASILY?
492
00:20:24,654 --> 00:20:26,426
HE'S THE DEVIL,
AND IF YOU GO
THROUGH WITH THIS,
493
00:20:26,426 --> 00:20:29,259
YOU'RE GONNA SPEND
ETERNITY IN HELL
WHEN YOU DIE.
494
00:20:29,259 --> 00:20:31,561
[SCOFFS] WHO CARES?
495
00:20:31,561 --> 00:20:34,664
WHO CAR--ARE YOU--
ARE YOU INSANE?
496
00:20:34,664 --> 00:20:36,005
HEY, LOOK.
497
00:20:36,005 --> 00:20:39,569
YESTERDAY, I WAS NOTHING.
498
00:20:39,569 --> 00:20:40,610
MY WIFE LEFT ME.
499
00:20:40,610 --> 00:20:42,712
MY FRIENDS THOUGHT
I WAS A FAILURE.
500
00:20:42,712 --> 00:20:43,473
BUT TODAY,
501
00:20:43,473 --> 00:20:45,415
I'M A ROCK STAR, MAN.
502
00:20:45,415 --> 00:20:47,917
YOU GOT IT?
I'M A ROCK STAR!
503
00:20:47,917 --> 00:20:49,279
THEY WERE WRONG.
504
00:20:49,279 --> 00:20:50,880
THEY WERE ALL WRONG.
505
00:20:50,880 --> 00:20:54,253
I'LL WORRY ABOUT MY SOUL
WHEN I'M DEAD.
506
00:21:10,600 --> 00:21:12,001
[CAR BEEPING]
507
00:21:12,001 --> 00:21:13,503
OH! [SIGHS]
WHAT DO YOU WANT?
508
00:21:13,503 --> 00:21:16,876
I JUST WANTED TO SEE
IF THIS CAR HAD HEATED SEATS.
509
00:21:16,876 --> 00:21:19,048
HMM. I ALWAYS WANTED
TO TRY HEATED SEATS.
510
00:21:19,048 --> 00:21:21,311
PLEASE GET OUT
OF MY CAR.
511
00:21:21,311 --> 00:21:21,881
FINE, FINE.
512
00:21:21,881 --> 00:21:23,983
AFTER THE WAY
YOU HELPED ME OUT
WITH RYAN,
513
00:21:23,983 --> 00:21:25,985
I OWE YOU ONE, BUDDY.
514
00:21:25,985 --> 00:21:26,916
HOW DID I HELP YOU OUT?
515
00:21:26,916 --> 00:21:28,388
WELL, YOU REMEMBER
WHEN I TOLD YOU
516
00:21:28,388 --> 00:21:31,561
THAT THAT FIRST TIME
IS FOR FREE GAMBIT
NEVER FAILS?
517
00:21:31,561 --> 00:21:33,062
WHITE LIE.
518
00:21:33,062 --> 00:21:34,724
USUALLY THE STICKING POINT
519
00:21:34,724 --> 00:21:36,996
IS WHEN I REVEAL
THAT I'M THE DEVIL.
520
00:21:36,996 --> 00:21:38,898
YOU KNOW, THAT FREAKS
SOME PEOPLE OUT.
521
00:21:38,898 --> 00:21:40,900
BUT THIS TIME
I MIXED IT UP
A LITTLE BIT.
522
00:21:40,900 --> 00:21:43,633
SEE, I HAD YOU
DELIVER THE NEWS.
523
00:21:43,633 --> 00:21:45,505
YOU'RE UTTERLY UNTHREATENING.
524
00:21:45,505 --> 00:21:48,778
WHEN YOU SAY "DEVIL"
IT SOUNDS SORTA CUTE.
525
00:21:48,778 --> 00:21:49,609
[CHUCKLES]
526
00:21:49,609 --> 00:21:51,681
SO NOW THAT HE'S OVER
THE INITIAL SHOCK,
527
00:21:51,681 --> 00:21:53,383
I CAN STEP IN
AND CLOSE THE DEAL.
528
00:21:53,383 --> 00:21:55,815
I JUST WANTED TO TELL YOU
THAT I APPRECIATE IT.
529
00:21:55,815 --> 00:21:59,088
JUST THANKS AGAIN, BUDDY.
530
00:22:23,973 --> 00:22:25,415
HEY, JOSIE.
531
00:22:25,415 --> 00:22:26,876
YOU ARE
COMING WITH ME.
532
00:22:26,876 --> 00:22:27,577
OW, OW, OW!
533
00:22:27,577 --> 00:22:29,479
WHY WERE YOU AT
THE CORONER'S OFFICE?
534
00:22:29,479 --> 00:22:30,950
I GOT A CALL
FROM MY GRANDMOTHER.
535
00:22:30,950 --> 00:22:32,822
SHE THOUGHT
MY UNCLE HECTOR
WAS HIT BY A CAR.
536
00:22:32,822 --> 00:22:37,026
TURNS OUT, HE'S OK,
THE WHOLE THING
WAS A FALSE ALARM.
537
00:22:37,026 --> 00:22:37,827
WRITE IT DOWN.
538
00:22:37,827 --> 00:22:40,860
YOU GUYS JUST HAPPENED
TO GO TO THE MORGUE
539
00:22:40,860 --> 00:22:43,833
THE SAME NIGHT MY OLD
ID BADGE SHOWS UP.
540
00:22:43,833 --> 00:22:45,064
INEXPLICABLE, BUT TRUE.
541
00:22:45,064 --> 00:22:47,537
I MEAN, WHY WOULD I WANT
TO USE YOUR ID, JOSIE?
542
00:22:47,537 --> 00:22:48,898
I LOOK NOTHING
LIKE YOU.
543
00:22:48,898 --> 00:22:51,601
WHERE WERE YOU WHEN
YOU HEARD ABOUT YOUR UNCLE?
544
00:22:51,601 --> 00:22:53,803
I WAS AT SOCK'S HOUSE
PLAYING NINTENDO.
545
00:22:53,803 --> 00:22:54,704
YOU SURE ABOUT THAT?
546
00:22:54,704 --> 00:22:56,075
POSITIVE.
NINTENDO AT SOCK'S.
547
00:22:56,075 --> 00:22:57,046
BEN WAS RACKING UP
POINTS.
548
00:22:57,046 --> 00:22:59,008
HE ALMOST DIDN'T
TAKE THE CALL
ABOUT UNCLE HECTOR.
549
00:22:59,008 --> 00:23:01,511
AND YOU DIDN'T USE MY ID
TO GET INTO THE MORGUE?
550
00:23:01,511 --> 00:23:02,912
JOSIE, WHY WOULD I
USE YOUR ID?
551
00:23:02,912 --> 00:23:04,984
I LOOK NOTHING
LIKE YOU.
552
00:23:04,984 --> 00:23:05,885
OW!
553
00:23:05,885 --> 00:23:07,887
I--SORRY, I...
554
00:23:08,718 --> 00:23:10,960
UNCLE HECTOR, NINTENDO,
I LOOK NOTHING LIKE YOU.
555
00:23:10,960 --> 00:23:13,463
BOOYA.
"BOOYA."
556
00:23:13,463 --> 00:23:14,894
UH-HUH.
WHAT DOES THAT MEAN?
557
00:23:14,894 --> 00:23:15,995
THAT MEANS
YOU'RE NOT GONNA FOOL US
558
00:23:15,995 --> 00:23:17,897
WITH ANY OF YOUR LAWYER
MUMBO JUMBO LEGALESE.
559
00:23:17,897 --> 00:23:18,868
WHAT WOULD I WANT
TO TRICK YOU ABOUT?
560
00:23:18,868 --> 00:23:22,772
WHAT IS IT THAT
YOU'RE SO EXCITED TO BE
THROWIN' IN MY FACE?
561
00:23:22,772 --> 00:23:23,773
THE TRUTH.
562
00:23:23,773 --> 00:23:26,676
I GET VERY EXCITED
ABOUT CONFIRMING THE TRUTH.
563
00:23:26,676 --> 00:23:27,737
IT SETS ME FREE.
564
00:23:27,737 --> 00:23:29,679
THE TRUTH THAT
YOU THREE TELL
565
00:23:29,679 --> 00:23:31,410
IN EXACTLY
THE SAME WORDS,
566
00:23:31,410 --> 00:23:32,912
EXACTLY THE SAME WAY.
567
00:23:32,912 --> 00:23:34,684
YEP.
568
00:23:38,818 --> 00:23:40,520
OW! WHY?
569
00:23:40,520 --> 00:23:42,191
I'LL FIND OUT
WHAT YOU'RE UP TO.
570
00:23:42,191 --> 00:23:45,455
THEN I'LL SHOW YOU
"BOO-YAH."
571
00:23:45,455 --> 00:23:47,426
OH, DO IT.
572
00:23:47,426 --> 00:23:49,098
I DARE YA,
SHOW ME YOUR BOOYA!
573
00:23:49,098 --> 00:23:51,501
OH...
574
00:23:54,163 --> 00:23:57,737
♪ BET YOU GOT IT ALL
PLANNED, RIGHT? ♪
575
00:23:57,737 --> 00:24:02,472
♪ BET YOU NEVER WORRY,
NEVER EVEN FEEL A FRIGHT ♪
576
00:24:02,472 --> 00:24:04,974
HEY, I WASN'T SURE
YOU'D COME.
577
00:24:04,974 --> 00:24:06,876
YEAH, ME, EITHER.
578
00:24:06,876 --> 00:24:08,978
THANKS FOR THE FLOWERS.
579
00:24:08,978 --> 00:24:11,581
YEAH, OF COURSE.
580
00:24:16,626 --> 00:24:18,758
I DON'T KNOW
WHAT TO SAY TO YOU, SAM.
581
00:24:18,758 --> 00:24:20,229
YOU DON'T HAVE
TO SAY ANYTHING.
582
00:24:20,229 --> 00:24:23,062
I'M A JERK.
YOU SAW THAT NECKLACE
AND I FREAKED OUT.
583
00:24:23,062 --> 00:24:25,935
I'M SORRY. I SHOULD HAVE
JUST TOLD YOU THE TRUTH.
584
00:24:25,935 --> 00:24:28,037
IT WASN'T ABOUT
THE NECKLACE, SAM.
585
00:24:28,037 --> 00:24:28,798
WHAT DO YOU MEAN?
586
00:24:28,798 --> 00:24:31,971
LOOK, I CAN GET OVER
THE FACT THAT YOU BOUGHT
A PRESENT FOR ANOTHER GIRL.
587
00:24:31,971 --> 00:24:36,005
IT'S JUST...I DON'T KNOW
THAT YOU CAN GET OVER IT.
588
00:24:36,005 --> 00:24:38,648
YEAH.
589
00:24:38,648 --> 00:24:39,178
YEAH, I CAN.
590
00:24:39,178 --> 00:24:42,952
IT JUST SEEMS TO ME
LIKE MAYBE YOU STILL
HAVE FEELINGS FOR ANDI.
591
00:24:42,952 --> 00:24:44,954
AND IF YOU DO,
JUST TELL ME.
592
00:24:44,954 --> 00:24:47,056
YEAH, I'M GONNA BE SAD,
593
00:24:47,056 --> 00:24:49,989
BUT I'M NOT
A CONSOLATION PRIZE.
594
00:24:49,989 --> 00:24:50,760
CADY...
595
00:24:50,760 --> 00:24:53,793
I DON'T THINK
THAT ABOUT YOU,
ALL RIGHT?
596
00:24:53,793 --> 00:24:55,094
I'M WITH YOU.
597
00:24:55,094 --> 00:24:57,496
NOT HER, OK?
598
00:24:58,067 --> 00:25:00,970
OK.
OK?
599
00:25:05,875 --> 00:25:08,538
[CELL PHONE RINGS]
600
00:25:09,078 --> 00:25:09,939
OH, COME ON, MAN.
601
00:25:09,939 --> 00:25:10,840
JUST ANSWER
THE PHONE.
602
00:25:10,840 --> 00:25:13,012
IT'S LIKE
6 TIMES SHE'S
CALLED ALREADY.
603
00:25:13,012 --> 00:25:13,913
SEVEN.
604
00:25:13,913 --> 00:25:14,844
JUST TALK TO YOUR MOM!
605
00:25:14,844 --> 00:25:16,015
WHAT IF SHE'S TRYING
TO APOLOGIZE?
606
00:25:16,015 --> 00:25:17,086
SHE'S NOT CALLING
TO APOLOGIZE, SAM.
607
00:25:17,086 --> 00:25:18,918
ALL RIGHT, SHE'S CALLING
TO GET ME TO ACCEPT
608
00:25:18,918 --> 00:25:21,120
HER DUMB DECISION
ABOUT MORRIS.
609
00:25:21,120 --> 00:25:22,091
AND I DON'T ACCEPT HIM.
610
00:25:22,091 --> 00:25:24,824
I REJECT HIM. RIGHT,
UNTIL SHE REJECTS HIM, TOO,
611
00:25:24,824 --> 00:25:26,596
WE GOT NOTHIN'
TO TALK ABOUT.
612
00:25:26,596 --> 00:25:28,658
WHAT IF SHE NEVER
REJECTS HIM?
613
00:25:28,658 --> 00:25:29,599
I MEAN, HAVE YOU
THOUGHT ABOUT THAT?
614
00:25:29,599 --> 00:25:30,900
I MEAN,
YOU MIGHT NOT
HAVE A CHOICE HERE.
615
00:25:30,900 --> 00:25:34,203
I DO HAVE A CHOICE, BEN.
I HAVE A VERY GOOD CHOICE.
616
00:25:34,203 --> 00:25:35,605
SOCK, WHAT ARE YOU DOING?
617
00:25:35,605 --> 00:25:35,935
STARVING, SAM.
618
00:25:35,935 --> 00:25:38,007
I'M GONNA GO IN THERE,
I'M GONNA TALK TO MRS. CARMONA.
619
00:25:38,007 --> 00:25:42,942
SWEET LITTLE MRS. CARMONA,
SEE IF SHE HAS ANY MORE PIE.
620
00:25:42,942 --> 00:25:44,614
HEY--
621
00:25:44,614 --> 00:25:45,074
WHAT ABOUT
THE SOUL?
622
00:25:45,074 --> 00:25:48,277
THE SOUL'S SUPPOSED
TO SHOW UP ANY MINUTE NOW.
623
00:25:48,277 --> 00:25:51,751
[KNOCKING ON DOOR]
624
00:25:51,751 --> 00:25:53,182
Sock: HELLO? MRS. CARMONA.
625
00:25:53,182 --> 00:25:57,056
HI, IT'S SOCK.
REMEMBER ME?
626
00:25:57,056 --> 00:25:59,989
I WAS JUST, UH,
DRIVING BY,
627
00:25:59,989 --> 00:26:04,664
AND I THOUGHT
I SMELLED SOME OF
THAT DELICIOUS PI--
628
00:26:09,098 --> 00:26:11,140
PIE?
629
00:26:17,877 --> 00:26:19,879
OH, NO.
630
00:26:19,879 --> 00:26:21,711
MRS. C?
631
00:26:26,716 --> 00:26:27,757
YOU...
632
00:26:27,757 --> 00:26:32,622
SICKO, SOCIOPATHIC,
BASTARD.
633
00:26:32,622 --> 00:26:33,262
HOW COULD YOU?
634
00:26:33,262 --> 00:26:37,066
I WAS HUNGRY.
ALL SHE HAD WAS PIE.
635
00:26:37,927 --> 00:26:40,700
SHE LOVED YOU...
636
00:26:40,700 --> 00:26:41,831
THROUGH EVERYTHING.
637
00:26:41,831 --> 00:26:44,774
SHE SUPPORTED YOU
COMPLETELY!
638
00:26:44,774 --> 00:26:51,681
AND YOU KILLED HER
BECAUSE YOU DIDN'T WANT
TO EAT DELICIOUS PIE?!
639
00:26:51,681 --> 00:26:53,813
UGH!
640
00:26:57,046 --> 00:26:58,948
COME HERE!
641
00:27:05,094 --> 00:27:06,055
NO, NO!
642
00:27:06,055 --> 00:27:07,997
YOU COULD HAVE EATEN ANYONE!
SHE WAS LOVING,
643
00:27:07,997 --> 00:27:11,701
AND SWEET,
AND YOU CHEWED HER UP
LIKE SHE WAS NOTHING!
644
00:27:11,701 --> 00:27:13,763
NOTHING!
645
00:27:14,664 --> 00:27:17,006
[GROWLING]
646
00:27:18,307 --> 00:27:21,070
OH! [GROANING]
647
00:27:26,275 --> 00:27:27,977
OH!
648
00:27:33,953 --> 00:27:34,984
YEAH! WHOO!
649
00:27:34,984 --> 00:27:37,286
WHOO-HOO! HA HA!
650
00:27:37,286 --> 00:27:39,058
YEAH!
651
00:27:39,058 --> 00:27:41,991
[SAM AND BEN LAUGHING]
652
00:27:50,069 --> 00:27:53,002
[MUSIC PLAYING]
653
00:27:53,002 --> 00:27:54,443
HEY.
HEY.
654
00:27:54,443 --> 00:27:55,174
HEY.
655
00:27:55,174 --> 00:27:57,206
UM, I'LL GO GET
A TABLE.
656
00:27:57,206 --> 00:27:58,407
OK.
657
00:27:58,407 --> 00:27:59,408
I'M SORRY.
I'M SORRY.
658
00:27:59,408 --> 00:28:03,152
LISTEN, I SHOULD NEVER
HAVE GIVEN ANYONE
THAT NECKLACE.
659
00:28:03,152 --> 00:28:04,313
THAT WAS A MISTAKE.
660
00:28:04,313 --> 00:28:05,384
NO, LISTEN,
I'M THE ONE
661
00:28:05,384 --> 00:28:07,016
THAT SHOULD BE
APOLOGIZING, OK?
662
00:28:07,016 --> 00:28:07,987
I WAS A JERK.
663
00:28:07,987 --> 00:28:09,418
I DELIBERATELY
PROVOKED
THAT FIGHT, OK?
664
00:28:09,418 --> 00:28:11,160
I SHOULD HAVE JUST...
KEPT MY COOL.
665
00:28:11,160 --> 00:28:14,924
GOOD. WE BOTH CAN ADMIT
WE'RE AWFUL PEOPLE.
666
00:28:14,924 --> 00:28:18,267
[CHUCKLES] I DON'T
THINK I'M AWFUL.
667
00:28:18,768 --> 00:28:21,100
WHAT'S UP?
HEY.
668
00:28:21,100 --> 00:28:22,972
HEY.
669
00:28:22,972 --> 00:28:25,074
WHAT WAS THAT?
670
00:28:25,074 --> 00:28:27,076
NOTHING. WE JUST...
671
00:28:27,076 --> 00:28:29,739
CLEARED UP THE WHOLE
NECKLACE INCIDENT.
672
00:28:29,739 --> 00:28:33,112
WE'RE ALL GOING
TO BE FRIENDS, YAY.
673
00:28:33,112 --> 00:28:34,143
DO YOU WANT
TO BE FRIENDS?
674
00:28:34,143 --> 00:28:35,845
'CAUSE THAT'S NOT
WHAT IT SOUNDS LIKE.
675
00:28:35,845 --> 00:28:38,087
OK, YOU KNOW WHAT,
YOU NEED TO LET THAT GO.
676
00:28:38,087 --> 00:28:39,218
HE'S SEEING SOMEBODY ELSE.
677
00:28:39,218 --> 00:28:40,790
I'M NOT GETTING
IN THE MIDDLE OF THAT.
678
00:28:40,790 --> 00:28:43,052
I WOULDN'T LET YOU
GET IN THE MIDDLE
OF IT, ANDI.
679
00:28:43,052 --> 00:28:44,023
THAT JUST SERVES
AS FURTHER PROOF
680
00:28:44,023 --> 00:28:47,997
THAT WE CAN'T TRUST
A WORD OUT OF
SAM OLIVER'S MOUTH.
681
00:28:47,997 --> 00:28:50,099
LIARS.
ALL THREE OF 'EM.
682
00:28:50,099 --> 00:28:52,902
YOU'RE JUST MAD
'CAUSE THEY OUTSMARTED YOU.
683
00:28:52,902 --> 00:28:54,804
THEY DID NOT
OUTSMART ME.
684
00:28:54,804 --> 00:28:56,065
AND I'M NOT MAD.
685
00:28:56,065 --> 00:28:57,506
I'M FURIOUS.
686
00:28:57,506 --> 00:28:58,207
YEAH.
687
00:28:58,207 --> 00:28:59,909
WOULD YOU LOOK AT THIS?
688
00:28:59,909 --> 00:29:01,370
PROMOTIONAL COASTERS.
689
00:29:01,370 --> 00:29:03,742
THE DEVIL'S REALLY
DOIN' IT UP.
690
00:29:03,742 --> 00:29:05,875
OK, GUYS, CAN WE GET
A TOAST HERE?
691
00:29:05,875 --> 00:29:07,877
TO MRS. CARMONA.
692
00:29:07,877 --> 00:29:08,217
LOVING MOTHER
693
00:29:08,217 --> 00:29:10,950
WHO DESERVED
MUCH BETTER
THAN BEING EATEN.
694
00:29:10,950 --> 00:29:12,481
YOU'RE RIGHT.
695
00:29:12,481 --> 00:29:15,224
YOU'RE RIGHT.
696
00:29:16,025 --> 00:29:18,888
I GOTTA SAY,
CANNIBAL SOUL,
697
00:29:18,888 --> 00:29:21,760
SCARIEST SOUL
WE'VE EVER CAPTURED.
698
00:29:21,760 --> 00:29:23,993
HANDS DOWN.
OH, REALLY?
699
00:29:23,993 --> 00:29:24,964
YES.
700
00:29:24,964 --> 00:29:26,395
CANNIBAL SOUL
VS. FIRE SOUL,
701
00:29:26,395 --> 00:29:28,197
FIRE SOUL WINS EVERY TIME.
YEAH.
702
00:29:28,197 --> 00:29:29,969
WELL, MAYBE FROM
A DISTANCE, YEAH.
703
00:29:29,969 --> 00:29:32,371
BUT, YOU KNOW,
GET THEM IN
A CAGE MATCH,
704
00:29:32,371 --> 00:29:34,373
CANNIBAL SOUL
GETS IN CLOSE,
705
00:29:34,373 --> 00:29:35,945
FACE IS GONE.
706
00:29:35,945 --> 00:29:36,906
OK, CAGE MATCH.
707
00:29:36,906 --> 00:29:40,279
CANNIBAL SOUL
VS. CRAZY DOG
MONSTER SOUL.
708
00:29:40,279 --> 00:29:42,311
THAT'S INTERESTING,
MAN. I LIKE THAT.
709
00:29:42,311 --> 00:29:44,984
AND CANNIBAL SOUL
WOULDN'T EAT THE DOG,
710
00:29:44,984 --> 00:29:46,555
'CAUSE IT'S A DOG,
OBVIOUSLY,
711
00:29:46,555 --> 00:29:47,857
AND IT'S NOT A MAN, SO...
712
00:29:47,857 --> 00:29:50,359
BUT, I DON'T KNOW,
BENJI. IF I GOT
HUNGRY ENOUGH,
713
00:29:50,359 --> 00:29:52,061
I WOULD DEFINITELY
EAT A DOG.
714
00:29:52,061 --> 00:29:52,962
WOULD YOU EAT A MAN?
715
00:29:52,962 --> 00:29:54,093
WELL, IT DEPENDS
ON WHAT MAN
WE'RE TALKING ABOUT.
716
00:29:54,093 --> 00:29:55,995
I MEAN, IF WE'RE
TALKING ABOUT
GEORGE CLOONEY,
717
00:29:55,995 --> 00:29:58,497
THEN, YEAH. BECAUSE HE'S
GORGEOUS AND I HATE HIM.
718
00:29:58,497 --> 00:30:00,369
SO THAT PROVES
MY POINT RIGHT THERE.
719
00:30:00,369 --> 00:30:03,202
SCARIEST SOUL
OF ALL TIME,
CANNIBAL SOUL.
720
00:30:03,202 --> 00:30:04,073
YEAH, I AGREE.
721
00:30:04,073 --> 00:30:06,976
HOW BAD DO YOU THINK
HE'D SCARE THIS GUY?
722
00:30:08,337 --> 00:30:09,578
[ROCK MUSIC PLAYING]
723
00:30:09,578 --> 00:30:11,981
Ryan: ♪ LET THE SPARKS
KEEP FLYING ♪
724
00:30:11,981 --> 00:30:13,512
♪ FROM THIS GUITAR PICK ♪
725
00:30:13,512 --> 00:30:16,085
♪ TILL I PASS OUT
IN A PUDDLE ♪
726
00:30:16,085 --> 00:30:17,386
♪ OF MY VERY OWN SICK ♪
727
00:30:17,386 --> 00:30:19,248
♪ 'CAUSE THIS GODDESS
OF MUSIC ♪
728
00:30:19,248 --> 00:30:23,552
♪ BURNS LIKE BITUMINOUS COAL ♪
729
00:30:23,552 --> 00:30:26,225
♪ BUT RACHEL, RACHEL ♪
730
00:30:26,225 --> 00:30:28,227
♪ I'M A BITCH... ♪
731
00:30:29,198 --> 00:30:31,100
DOH, SAM!
732
00:30:31,100 --> 00:30:32,862
SORRY.
733
00:30:32,862 --> 00:30:33,863
THAT HURTS.
734
00:30:33,863 --> 00:30:36,105
COME ON, COME ON, COME ON.
735
00:30:36,105 --> 00:30:38,437
OK, OK, OK.
SAFETY MEETING FIRST.
736
00:30:38,437 --> 00:30:41,140
SAM, MAKE SURE YOU RELEASE
THE SOUL FROM THE VESSEL.
737
00:30:41,140 --> 00:30:43,172
RIGHT.
SOCK BRINGS RYAN DOWN HERE.
738
00:30:43,172 --> 00:30:44,113
BET YOUR ASS I WILL.
739
00:30:44,113 --> 00:30:45,915
I'M GONNA DANGLE THIS BACON.
I'M GONNA MAKE SURE
740
00:30:45,915 --> 00:30:47,476
THAT THEY GUY TURNS INTO
A CRAZY EATING THING.
741
00:30:47,476 --> 00:30:49,048
ROCK STAR POOPS HIS
PANTS OUT OF FEAR,
742
00:30:49,048 --> 00:30:51,080
REFUSES TO SIGN
HIS SOUL OVER
TO THE DEVIL,
743
00:30:51,080 --> 00:30:52,081
WE ALL GO HOME HAPPY.
744
00:30:52,081 --> 00:30:53,552
ALL RIGHT, BRING IT.
745
00:30:53,552 --> 00:30:56,085
[ALL GRUNT]
746
00:30:56,085 --> 00:30:57,186
♪ ONE DAY SOON ♪
747
00:30:57,186 --> 00:30:59,028
♪ I WILL WALK
THROUGH YOUR DOOR ♪
748
00:30:59,028 --> 00:31:02,962
♪ I'LL LAY DOWN MY AXE
AND I SHALL PLAY NO MORE ♪
749
00:31:02,962 --> 00:31:06,165
♪ WE'LL SNUGGLE UP TIGHT,
LIKE 2 BUNNIES ♪
750
00:31:06,165 --> 00:31:08,998
♪ IN A HOLE ♪
751
00:31:08,998 --> 00:31:11,600
♪ BUT TILL THEN, RACHEL ♪
752
00:31:11,600 --> 00:31:12,942
♪ I'M A BITCH ♪
753
00:31:12,942 --> 00:31:16,946
♪ I'M A BITCH
TO THE ROCK AND ROLL ♪
754
00:31:16,946 --> 00:31:19,348
♪ BITCH TO
THE ROCK AND ROLL! ♪
755
00:31:19,348 --> 00:31:22,151
[CHEERS AND APPLAUSE]
756
00:31:31,520 --> 00:31:34,663
YO, RY-ON.
IS THAT HOW YOU
SAY IT? RY-ON?
757
00:31:34,663 --> 00:31:36,565
RIAN.
RIAN, ALL RIGHT.
758
00:31:36,565 --> 00:31:37,166
HEY, LISTEN, RYAN,
759
00:31:37,166 --> 00:31:41,200
I CAME TO THE SHOW
TONIGHT WITH 10 VERY
OPEN-MINDED YOUNG LADIES
760
00:31:41,200 --> 00:31:44,333
WHO ARE JUST DYING
TO MEET A REAL STAR.
761
00:31:44,333 --> 00:31:45,134
YOU.
762
00:31:45,134 --> 00:31:46,936
WELL, LET'S GO!
ALL RIGHT.
763
00:31:46,936 --> 00:31:48,077
THERE'S A STAR RIGHT HERE!
764
00:31:48,077 --> 00:31:51,510
JUST UNDER HERE.
[GROANS]
765
00:31:53,082 --> 00:31:55,985
[CHUCKLES]
766
00:31:56,645 --> 00:31:59,288
HEY, RYAN.
767
00:32:00,249 --> 00:32:01,190
WHERE ARE...
768
00:32:01,190 --> 00:32:02,091
ALL THE OPEN-MINDED LADIES?
HUH?
769
00:32:02,091 --> 00:32:03,652
WE'RE ABOUT TO SHOW YOU
WHAT'S GOING TO HAPPEN
770
00:32:03,652 --> 00:32:06,355
IF YOU SIGN YOUR SOUL
AWAY TO THE DEVIL.
771
00:32:06,355 --> 00:32:07,096
YOU SEE HIM?
772
00:32:07,096 --> 00:32:09,298
HE'S ACTUALLY
AN ESCAPED SOUL
FROM HELL,
773
00:32:09,298 --> 00:32:12,531
AND IN A SECOND,
HE'S GOING TO TURN INTO
A MONSTER.
774
00:32:12,531 --> 00:32:13,602
YOU GUYS ARE NUTS.
775
00:32:13,602 --> 00:32:16,105
NO, WHOA, WHOA.
COME ON, LET ME OUT.
776
00:32:16,105 --> 00:32:17,636
LISTEN TO ME.
YOU SIGN THAT CONTRACT,
777
00:32:17,636 --> 00:32:21,370
YOU'RE GONNA SPEND
THE REST OF ETERNITY
WITH MONSTERS LIKE THIS.
778
00:32:21,370 --> 00:32:23,012
WHY ISN'T HE
EATING THE BACON?
779
00:32:23,012 --> 00:32:24,513
WE SHOULD HAVE COOKED IT.
780
00:32:24,513 --> 00:32:26,115
BENJI, GET IT RIGHT
IN HIS FACE.
781
00:32:26,115 --> 00:32:27,576
HEY, COME ON, MAN,
YOU'RE MAKING US LOOK BAD.
782
00:32:27,576 --> 00:32:29,078
THAT'S CANADIAN BACK BACON!
DON'T BE A JERK!
783
00:32:29,078 --> 00:32:32,021
THESE PEOPLE KIDNAPPED ME.
YOU NEED TO CALL THE POLICE.
784
00:32:32,021 --> 00:32:34,023
SHUT UP,
AND EAT THE BACON!
785
00:32:34,023 --> 00:32:35,454
HEY, HOLD ON, RELAX.
786
00:32:35,454 --> 00:32:37,686
EVERYBODY JUST RELAX,
ALL RIGHT?
787
00:32:37,686 --> 00:32:39,358
MOVE OUT
OF THE WAY.
788
00:32:39,358 --> 00:32:41,230
YOU DON'T SCARE ME.
PERFORMING IN FRONT OF
789
00:32:41,230 --> 00:32:42,591
THOUSANDS OF PEOPLE TONIGHT,
NOW THAT'S SCARY.
790
00:32:42,591 --> 00:32:44,293
BY THE WAY,
DID YOU CATCH THE SHOW?
791
00:32:44,293 --> 00:32:46,435
I THOUGHT IT WENT
REALLY GOOD.
792
00:32:46,435 --> 00:32:48,437
I NEED YOU TO MOVE.
793
00:32:48,437 --> 00:32:49,238
FELLAS, LISTEN.
794
00:32:49,238 --> 00:32:53,102
TONIGHT, THE AUDIENCE AND I
WERE LIKE ONE.
795
00:32:53,102 --> 00:32:54,203
WE CONNECTED.
796
00:32:54,203 --> 00:32:56,075
JUST LIKE I'M GONNA
CONNECT WITH YOU,
797
00:32:56,075 --> 00:33:00,049
BECAUSE MY MUSIC
HAS A SIMPLE MESSAGE--
798
00:33:00,049 --> 00:33:02,351
LOVE THY BROTHER.
799
00:33:02,351 --> 00:33:03,682
[CRUNCH]
OH!
800
00:33:03,682 --> 00:33:05,484
OH, SWEET MUSCULAR MARY!
801
00:33:05,484 --> 00:33:09,688
OH, MY GOD, MY HAND!
802
00:33:09,688 --> 00:33:11,160
MY HANDS!
803
00:33:11,160 --> 00:33:13,162
SOCK, CALL 9-1-1!
HUH? OH!
804
00:33:13,162 --> 00:33:15,324
I'M GONNA GO AFTER IT!
805
00:33:15,324 --> 00:33:17,166
NO, DON'T--SAMMY!
806
00:33:17,166 --> 00:33:19,028
MY HAND!
807
00:33:30,309 --> 00:33:33,142
[BOTH GRUNTING]
808
00:33:45,154 --> 00:33:47,226
[GROANING]
809
00:33:53,102 --> 00:33:56,605
WELL, THAT WORKED.
810
00:34:09,778 --> 00:34:12,050
[KNOCKING ON DOOR]
811
00:34:12,050 --> 00:34:13,752
HI.
812
00:34:13,752 --> 00:34:14,423
HEY.
813
00:34:14,423 --> 00:34:17,326
BROUGHT YOU FLOWERS,
'CAUSE...
814
00:34:17,326 --> 00:34:19,428
DIDN'T KNOW WHAT ELSE
TO GET YOU.
815
00:34:19,428 --> 00:34:22,761
HEY, THEY PUT IT
BACK ON, THAT'S GREAT.
816
00:34:22,761 --> 00:34:25,434
YEAH, GREAT.
817
00:34:25,434 --> 00:34:27,666
YOU...IN PAIN?
818
00:34:27,666 --> 00:34:29,538
I CAN'T FEEL MY HAND, BRO.
819
00:34:29,538 --> 00:34:33,102
IN HERE, WRECKAGE.
820
00:34:33,102 --> 00:34:35,174
LISTEN, RYAN,
I WANT TO APOLOGIZE.
821
00:34:35,174 --> 00:34:36,805
THINGS GOT WAY, WAY
OUT OF HAND BACK THERE.
822
00:34:36,805 --> 00:34:39,578
AND I--
DUDE, WHAT ARE YOU
TALKIN' ABOUT?
823
00:34:39,578 --> 00:34:41,410
YOUR HAND.
824
00:34:41,410 --> 00:34:42,351
I WAS IN SHOCK.
825
00:34:42,351 --> 00:34:44,283
I DON'T REMEMBER
WHAT HAPPENED TO MY HAND.
826
00:34:44,283 --> 00:34:47,156
I DON'T REMEMBER ANYTHING
AFTER THE SECOND ENCORE.
827
00:34:47,156 --> 00:34:48,117
OH...
828
00:34:48,117 --> 00:34:50,819
DOC SAYS A BEAR
PROBABLY CHOMPED IT.
829
00:34:50,819 --> 00:34:53,492
LISTEN, RYAN...
830
00:34:53,492 --> 00:34:55,124
ABOUT THE CONTRACT--
831
00:34:55,124 --> 00:34:57,126
DUDE, I CAN'T EVEN
GET JERRY ON THE PHONE.
832
00:34:57,126 --> 00:34:59,568
I KILLED AT THAT CONCERT
LAST NIGHT,
833
00:34:59,568 --> 00:35:01,430
AND TODAY, NOTHIN'.
834
00:35:01,430 --> 00:35:04,102
LIKE I DON'T EVEN EXIST.
835
00:35:04,102 --> 00:35:04,873
YEAH, WELL...
836
00:35:04,873 --> 00:35:05,874
YOU'RE RIGHT, MAN.
837
00:35:05,874 --> 00:35:07,536
HE IS THE DEVIL.
838
00:35:07,536 --> 00:35:10,279
NOW I GOT NOTHIN'.
839
00:35:11,280 --> 00:35:12,811
HEY.
840
00:35:12,811 --> 00:35:15,644
RACHEL!
841
00:35:16,445 --> 00:35:17,516
ARE YOU OK?
842
00:35:17,516 --> 00:35:18,787
WHAT ARE YOU DOIN' HERE?
843
00:35:18,787 --> 00:35:20,118
I CALLED HER.
844
00:35:20,118 --> 00:35:22,421
YOU CAME BACK?
YOU FORGIVE ME?
845
00:35:22,421 --> 00:35:24,122
ACTUALLY, I JUST WANTED
TO MAKE SURE
846
00:35:24,122 --> 00:35:25,824
YOU WEREN'T GONNA DIE
OR ANYTHING.
847
00:35:25,824 --> 00:35:27,826
SO...
848
00:35:27,826 --> 00:35:29,828
OK.
849
00:35:30,729 --> 00:35:32,501
NO, WAIT!
850
00:35:32,501 --> 00:35:34,132
I'M OUT OF THE LIFE, BABY.
851
00:35:34,132 --> 00:35:35,564
I CAN'T ROCK OUT NO MORE.
852
00:35:35,564 --> 00:35:38,867
I DON'T NEED CROWDS
OF ADORING FANS
ANYMORE, RACHEL.
853
00:35:38,867 --> 00:35:41,910
I JUST NEED YOU.
CONCERT OF ONE.
854
00:35:41,910 --> 00:35:44,843
I JUST DON'T KNOW IF I
CAN BELIEVE YOU, RYAN.
855
00:35:44,843 --> 00:35:46,345
YOU'VE TOLD ME
A THOUSAND TIMES
856
00:35:46,345 --> 00:35:47,876
YOU WERE GONNA GIVE UP
ROCK AND ROLL FOR ME.
857
00:35:47,876 --> 00:35:52,721
YEAH, BUT NOW
I HAVE NO FEELINGS
IN 4 OUT OF MY 5 FINGERS.
858
00:35:53,682 --> 00:35:55,754
REALLY?
859
00:35:55,754 --> 00:35:56,385
YEAH.
860
00:35:56,385 --> 00:35:59,188
REALLY NUMB?
BEAR CHOMP.
861
00:35:59,188 --> 00:36:00,859
OH!
862
00:36:03,932 --> 00:36:06,395
OW.
863
00:36:07,866 --> 00:36:10,439
[DOOR OPENS]
864
00:36:10,939 --> 00:36:12,841
[DOOR CLOSES]
865
00:36:15,874 --> 00:36:17,376
HELLO.
866
00:36:17,376 --> 00:36:18,677
BERT.
867
00:36:18,677 --> 00:36:19,848
MORRIS.
868
00:36:19,848 --> 00:36:20,679
HOWDY.
869
00:36:20,679 --> 00:36:22,351
I'M JUST GONNA GET THIS
ALL OUT, OK?
870
00:36:22,351 --> 00:36:23,852
CARDS ON THE TABLE.
871
00:36:23,852 --> 00:36:30,188
I MAY...HAVE
REACTED POORLY...BEFORE.
872
00:36:30,188 --> 00:36:32,821
I THOUGHT THAT YOU WERE
BEING IMPULSIVE
873
00:36:32,821 --> 00:36:33,662
BY GETTING MARRIED,
874
00:36:33,662 --> 00:36:36,425
AND I WANTED YOU TO SEE
THAT YOU WERE MAKING
A MISTAKE.
875
00:36:36,425 --> 00:36:39,197
OK, BUT NOW I CAN SEE
THAT MAYBE
876
00:36:39,197 --> 00:36:43,232
THAT IS SOMETHING YOU NEED
TO BE HAPPY.
877
00:36:43,232 --> 00:36:48,707
SO I AM WILLING
TO ACCEPT MORRIS
INTO THIS FAMILY...
878
00:36:48,707 --> 00:36:54,883
AND FORGIVE YOU
FOR MARRYING HIM
WITHOUT MY BLESSING.
879
00:36:54,883 --> 00:36:56,945
THERE.
880
00:36:56,945 --> 00:36:57,686
THANK YOU, BERT.
881
00:36:57,686 --> 00:37:01,219
GREAT. ALL RIGHT,
LET ME GO UNPACK
MY SCHNIBS.
882
00:37:01,219 --> 00:37:02,551
OH, BERT,
YOU CAN'T UNPACK.
883
00:37:02,551 --> 00:37:05,724
NO, I HAVE TO.
I HAVE A TON OF LAUNDRY
FOR YOU TO DO.
884
00:37:05,724 --> 00:37:06,355
NO, BERT...
885
00:37:06,355 --> 00:37:09,998
ONLY MORRIS AND I
ARE GOING TO
LIVE HERE NOW.
886
00:37:09,998 --> 00:37:11,260
WHAT?
887
00:37:11,260 --> 00:37:13,532
BERT, YOU'RE A MAN NOW.
888
00:37:13,532 --> 00:37:15,264
YES.
YOU'RE 25.
889
00:37:15,264 --> 00:37:16,735
YOU NEED TO LEAVE
THE NEST.
890
00:37:16,735 --> 00:37:18,907
NO, MOM, THAT IS NOT
YOU TALKING RIGHT NOW.
891
00:37:18,907 --> 00:37:20,609
THAT IS HIM, ALL RIGHT?
892
00:37:20,609 --> 00:37:21,740
YOU ARE NOT MY DAD, GUY!
893
00:37:21,740 --> 00:37:23,672
THIS ISN'T MORRIS
TALKING.
894
00:37:23,672 --> 00:37:26,615
NOW, THIS TIME APART
HAS MADE ME REALIZE
895
00:37:26,615 --> 00:37:28,417
THAT WE'D BOTH
BE HAPPIER
896
00:37:28,417 --> 00:37:30,279
IF THERE WAS SOME
DISTANCE BETWEEN US.
897
00:37:30,279 --> 00:37:34,022
IT'S HARD, BUT I KNOW
IT'S WHAT'S BEST FOR US.
898
00:37:34,022 --> 00:37:36,625
IT'S WHAT'S BEST
FOR YOU.
899
00:37:36,625 --> 00:37:38,557
YOU LISTEN TO ME.
900
00:37:38,557 --> 00:37:40,289
I AM GOING
TO GO INTO MY ROOM
901
00:37:40,289 --> 00:37:43,562
AND GIVE YOU A FEW MINUTES
TO COOL OFF.
902
00:37:43,562 --> 00:37:48,897
WHEN I RETURN,
YOU'LL HAVE COME BACK
TO YOUR CRAZY SENSES.
903
00:37:51,740 --> 00:37:54,473
UGH!
904
00:38:00,449 --> 00:38:05,654
YOU TURNED MY ROOM
INTO A POTTERY STUDIO?
905
00:38:08,016 --> 00:38:09,918
HI.
HI.
906
00:38:09,918 --> 00:38:11,620
OH, UM, SORRY.
907
00:38:11,620 --> 00:38:12,921
NO, NO, NO PROBLEM.
908
00:38:12,921 --> 00:38:15,394
OK. THANK YOU.
909
00:38:15,394 --> 00:38:15,924
MM-HMM.
910
00:38:15,924 --> 00:38:18,066
UH, SAM SAID YOU WANTED
TO TALK TO ME.
911
00:38:18,066 --> 00:38:18,867
YEAH, LISTEN,
912
00:38:18,867 --> 00:38:22,300
I JUST FEEL LIKE
YOU AND I GOT OFF
ON THE WRONG FOOT,
913
00:38:22,300 --> 00:38:23,332
AND, I DON'T KNOW,
I KINDA FEEL LIKE
914
00:38:23,332 --> 00:38:24,773
I'M GETTING THIS...
VIBE, I GUESS
FROM YOU,
915
00:38:24,773 --> 00:38:28,377
LIKE, WHO IS THIS
CHICK HANGING OUT
WITH MY FRIEND SAM?
916
00:38:28,377 --> 00:38:29,408
OH, NO, NO, NO--
917
00:38:29,408 --> 00:38:32,911
I DON'T BLAME YOU,
'CAUSE--'CAUSE
YOU DON'T KNOW ME.
918
00:38:32,911 --> 00:38:33,782
RIGHT...
919
00:38:33,782 --> 00:38:35,414
SO LET ME TELL YOU
THIS STORY.
920
00:38:35,414 --> 00:38:36,685
WHEN I WAS
IN HIGH SCHOOL,
921
00:38:36,685 --> 00:38:37,986
I HAD THIS BOYFRIEND,
922
00:38:37,986 --> 00:38:39,518
AND WE WERE
MADLY IN LOVE.
923
00:38:39,518 --> 00:38:42,891
AND THEN HE SUDDENLY
DUMPED ME FOR THIS
OTHER GIRL.
924
00:38:42,891 --> 00:38:44,793
TOTALLY BROKE MY HEART.
925
00:38:44,793 --> 00:38:47,926
SO I--WELL, I DIDN'T
TAKE IT VERY WELL.
926
00:38:47,926 --> 00:38:49,928
YEAH, I GOT
THIS GIANT KNIFE
927
00:38:49,928 --> 00:38:51,560
AND I WENT
TO THIS GIRL'S HOUSE
928
00:38:51,560 --> 00:38:53,061
AND WAS GONNA FIND HER,
BUT SHE WASN'T THERE,
929
00:38:53,061 --> 00:38:55,964
SO I JUST
SLASHED HER TIRES.
930
00:38:55,964 --> 00:38:57,736
BUT I'VE BEEN
THROUGH THERAPY,
931
00:38:57,736 --> 00:39:00,809
AND I HAVE FOUND A WAY
TO CONTROL MY EMOTIONS,
PRETTY MUCH.
932
00:39:00,809 --> 00:39:05,844
SO ANYWAY, HOPE THAT
LETS YOU KNOW A LITTLE
BIT MORE ABOUT ME.
933
00:39:05,844 --> 00:39:06,845
AND ONE OF THESE DAYS,
934
00:39:06,845 --> 00:39:10,949
I'D REALLY LIKE TO HEAR
ONE OF YOUR STORIES.
935
00:39:16,925 --> 00:39:19,127
THERE YOU GO.
936
00:39:19,127 --> 00:39:22,691
HEY, BIG SHOT.
937
00:39:22,691 --> 00:39:23,662
HEY.
938
00:39:23,662 --> 00:39:26,094
THAT'S YOU,
MR. BIG SHOT.
939
00:39:26,094 --> 00:39:28,897
FEELIN' PRETTY GOOD
ABOUT YOURSELF, HUH?
940
00:39:28,897 --> 00:39:30,469
YOU REALLY PUT ONE
OVER ON ME.
941
00:39:30,469 --> 00:39:32,941
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
942
00:39:32,941 --> 00:39:34,443
OH, RYAN'S SOUL.
943
00:39:34,443 --> 00:39:36,144
I HAD IT ALL
LINED UP.
944
00:39:36,144 --> 00:39:37,005
PRIMED TO TAKE IT,
945
00:39:37,005 --> 00:39:39,948
THEN YOU STOLE IT
RIGHT OUT FROM
UNDER ME.
946
00:39:39,948 --> 00:39:41,980
YOU BEAT ME
TO THE PUNCH.
947
00:39:41,980 --> 00:39:45,454
I UNDERESTIMATED YOU,
SAMMY. BIG TIME.
948
00:39:45,454 --> 00:39:48,917
YOU'RE QUITE
THE SLY FOX.
949
00:39:49,888 --> 00:39:51,520
OH, COME ON.
950
00:39:51,520 --> 00:39:54,092
I KNOW YOU WANT
TO GLOAT ABOUT IT
RIGHT NOW.
951
00:39:54,092 --> 00:39:58,427
ADMIT IT.
I WON'T BE MAD.
952
00:40:00,969 --> 00:40:03,171
YEAH, IT FEELS PRETTY GOOD.
OH.
953
00:40:03,171 --> 00:40:04,633
SEND AN EVIL SOUL TO HELL,
954
00:40:04,633 --> 00:40:06,935
SAVE A GOOD SOUL
FROM BEING DAMNED,
I LIKE IT.
955
00:40:06,935 --> 00:40:08,637
YEAH, THERE YOU GO, SEE?
956
00:40:08,637 --> 00:40:10,979
PLUS, YOU GOT
THE BEST OF ME.
957
00:40:10,979 --> 00:40:14,843
NOW, DON'T TELL ME
THAT DOESN'T
GIVE YOU A RUSH.
958
00:40:14,843 --> 00:40:16,585
YEAH, IT DOES.
959
00:40:16,585 --> 00:40:17,045
[CHUCKLES]
960
00:40:17,045 --> 00:40:18,847
I GUESS YOU CAN'T
WIN 'EM ALL.
961
00:40:18,847 --> 00:40:22,951
OH, YEAH.
I GUESS NOT.
962
00:40:28,196 --> 00:40:31,530
[CREAKING]
963
00:40:53,081 --> 00:40:55,053
YOU SAID
YOU WOULDN'T BE MAD!
964
00:40:55,053 --> 00:40:57,526
NO, THIS ISN'T ME
MAD, SAM.
965
00:40:57,526 --> 00:40:59,528
THIS IS ME DISAPPOINTED.
966
00:40:59,528 --> 00:41:01,590
HMM.
967
00:41:01,990 --> 00:41:05,694
YOU SHOULD SEE ME
WHEN I'M MAD.
968
00:41:05,694 --> 00:41:08,767
IT'S REALLY SOMETHING.
66491
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