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1
00:00:02,366 --> 00:00:03,933
DAMN. DID YOU READ THIS?
2
00:00:04,000 --> 00:00:05,333
WHAT'S WRONG, KYLE?
3
00:00:05,400 --> 00:00:08,933
"72‐YEAR‐OLD WOMAN
GIVES BIRTH TO TWINS."
4
00:00:09,000 --> 00:00:10,333
THE KIDS
5
00:00:10,400 --> 00:00:12,866
PROBABLY HAVE MORE TEETH
THAN THEIR MOTHER.
6
00:00:12,933 --> 00:00:14,866
I WAS LOOKING AT THIS ARTICLE.
7
00:00:14,933 --> 00:00:18,566
THEY ARE ACTUALLY GOING TO
TEAR DOWN THE SHOWBOAT CLUB.
8
00:00:18,633 --> 00:00:22,200
IS THAT THAT OLD JAZZ CLUB
YOU KEEP RATTLING ON ABOUT?
9
00:00:22,266 --> 00:00:23,566
"OLD JAZZ CLUB"?
10
00:00:23,633 --> 00:00:26,833
TRY ONE OF THE PLACES
WHERE JAZZ WAS BORN.
11
00:00:26,900 --> 00:00:28,100
Khadijah: LEVEL IT?
12
00:00:28,166 --> 00:00:31,100
THE OWNERS CLOSED THE
CLUB ABOUT SIX MONTHS AGO
13
00:00:31,166 --> 00:00:34,100
BECAUSE THEY COULDN'T BRING
THE BUILDING UP TO CODE.
14
00:00:34,166 --> 00:00:37,433
I SPOKE TO SOME INVESTORS,
BUT THEY WANTED TO INVEST
15
00:00:37,500 --> 00:00:40,366
IN SOMETHING SAFER, LIKE
COLORING BOOKS ON TAPE.
16
00:00:41,366 --> 00:00:43,300
WHAT'S WRONG WITH THIS COUNTRY?
17
00:00:43,366 --> 00:00:45,933
IT'S LIKE WE GOT NO
RESPECT FOR THE PAST.
18
00:00:46,000 --> 00:00:49,633
MUST ALL OUR CULTURAL SHRINES
FALL PREY TO CAPITALISM'S GODS
19
00:00:49,700 --> 00:00:51,933
LIKE THE STRIP MALL
AND CHAIN STORE?
20
00:00:52,000 --> 00:00:53,466
THEY'RE TEARING IT DOWN
21
00:00:53,533 --> 00:00:56,033
TO BUILD A HARDWARE HEAVEN.
22
00:00:56,100 --> 00:00:59,000
HEY, TIME MARCHES ON.
23
00:01:01,573 --> 00:01:03,073
♪ WE ARE LIVING ♪
24
00:01:03,140 --> 00:01:04,440
♪ HEY ♪
25
00:01:04,506 --> 00:01:05,673
♪ SINGLE ♪
26
00:01:05,740 --> 00:01:08,539
♪ OOH, IN A '90s KIND OF WORLD ♪
27
00:01:08,606 --> 00:01:10,240
♪ I'M GLAD I GOT MY GIRLS ♪
28
00:01:10,306 --> 00:01:12,240
♪ KEEP YOUR HEAD UP ♪
♪ WHAT? ♪
29
00:01:12,306 --> 00:01:13,516
♪ KEEP YOUR HEAD UP ♪
♪ THAT'S RIGHT ♪
30
00:01:13,540 --> 00:01:14,682
♪ WHENEVER THIS
LIFE GETS TOUGH ♪
31
00:01:14,706 --> 00:01:15,840
♪ YOU GOT TO FIGHT WITH ♪
32
00:01:15,906 --> 00:01:16,840
♪ MY HOMEGIRL
STANDING TO MY LEFT ♪
33
00:01:16,906 --> 00:01:18,040
♪ AND MY RIGHT ♪
34
00:01:18,106 --> 00:01:19,740
♪ TRUE BLUE, IT'S
TIGHT LIKE GLUE ♪
35
00:01:19,806 --> 00:01:21,373
♪ CHECK, CHECK, CHECK IT OUT ♪
36
00:01:21,440 --> 00:01:22,640
♪ CHECK, CHECK, CHECK IT OUT ♪
37
00:01:22,664 --> 00:01:23,873
♪ WE ARE LIVING SINGLE. ♪
38
00:01:23,940 --> 00:01:26,473
[Captioning sponsored by
FOX BROADCASTING COMPANY
39
00:01:26,540 --> 00:01:29,506
[and WARNER BROS. TELEVISION]
40
00:01:32,662 --> 00:01:34,995
IT SAYS HERE THE
SHOWBOAT WAS A HAVEN
41
00:01:35,062 --> 00:01:36,729
FOR SOME OF PROHIBITION'S
42
00:01:36,795 --> 00:01:40,395
MOST FAMOUS GANGSTERS LIKE
JONAS "STILETTO" McGURKY.
43
00:01:40,462 --> 00:01:43,795
RENOWNED FOR GUNNING DOWN PEOPLE
WHILE WEARING HIGH HEELS.
44
00:01:43,862 --> 00:01:47,129
YOU KNOW, THE JAZZ AGE
WAS VERY MUCH LIKE ME‐‐
45
00:01:47,195 --> 00:01:49,229
FASCINATING,
FABULOUS, GLAMOROUS.
46
00:01:49,295 --> 00:01:51,695
SHOOT, IF I HAD
LIVED IN THE '20s
47
00:01:51,762 --> 00:01:55,062
I'D HAVE BEEN A REAL DIVA
LIKE JOSEPHINE BAKER.
48
00:01:56,329 --> 00:01:59,335
YOU WOULD HAVE BEEN
DELUDED LIKE YOU ARE NOW.
49
00:02:00,702 --> 00:02:02,269
MAX, CAN WE GET
50
00:02:02,335 --> 00:02:04,269
SOME KIND OF LEGAL INJUNCTION
51
00:02:04,335 --> 00:02:06,802
TO KEEP THEM FROM
TEARING THE PLACE DOWN?
52
00:02:06,869 --> 00:02:10,602
IF THE CITY DESIGNATES IT A
LANDMARK, NO ONE CAN TOUCH IT.
53
00:02:10,669 --> 00:02:12,202
OH, THAT'S BRILLIANT, MAX.
54
00:02:12,269 --> 00:02:13,669
IF I COULD KISS YOU
55
00:02:13,735 --> 00:02:16,602
WITHOUT CUTTING MY LIPS
ON YOUR HORNS, I WOULD.
56
00:02:16,668 --> 00:02:18,868
I'M NOT HELPING YOU
SAVE THE PLACE.
57
00:02:18,935 --> 00:02:20,802
I MIGHT BRING A TWISTED SMILE
58
00:02:20,869 --> 00:02:22,435
TO THAT GROTESQUE FACE.
59
00:02:23,635 --> 00:02:24,902
SAY, THIS IS INTERESTING.
60
00:02:24,969 --> 00:02:27,269
SEEMS THE SHOWBOAT'S
PROPRIETOR WAS A WOMAN
61
00:02:27,335 --> 00:02:30,602
WHO TOOK PLEASURE IN HUMILIATING
HER MALE EMPLOYEES.
62
00:02:30,669 --> 00:02:32,669
I'LL SEE WHAT I CAN DO.
63
00:02:34,469 --> 00:02:36,735
YOU KNOW, MY GREAT
UNCLE ACTUALLY SANG
64
00:02:36,802 --> 00:02:38,735
AT THE SHOWBOAT CLUB.
65
00:02:38,802 --> 00:02:40,269
YEAH.
66
00:02:40,335 --> 00:02:44,602
I ALWAYS HAD THIS NOTION THAT
ONE DAY I'D GET TO SING THERE.
67
00:02:44,669 --> 00:02:46,935
MAN, THAT PLACE BACK
IN ITS HEYDAY‐‐
68
00:02:47,002 --> 00:02:50,235
OOH, CHAMPAGNE POPPING,
HOT WOMEN, COOL JAZZ.
69
00:02:52,002 --> 00:02:54,002
ARE YOU TALKING TO US?
70
00:02:54,069 --> 00:02:56,035
NO, I'M GOING ON A FLASHBACK.
71
00:02:56,102 --> 00:02:58,202
LEAVE ME ALONE.
72
00:02:58,269 --> 00:03:01,075
( Mellow jazz playing )
73
00:03:01,942 --> 00:03:06,842
♪ IF I BALL AND
DRESS UP SPORTY ♪
74
00:03:06,909 --> 00:03:11,009
♪ LIVE AND DIE BEFORE I'M 40 ♪
75
00:03:11,075 --> 00:03:13,942
♪ T'AIN'T YOUR BUSINESS ♪
76
00:03:14,009 --> 00:03:16,175
♪ T'AIN'T MY BUSINESS ♪
77
00:03:16,242 --> 00:03:18,175
♪ T'AIN'T HER BUSINESS ♪
78
00:03:18,242 --> 00:03:20,375
♪ T'AIN'T THEIR BUSINESS ♪
79
00:03:20,442 --> 00:03:28,442
♪ T'AIN'T NOBODY'S
BUSINESS IF I DO ♪
80
00:03:29,775 --> 00:03:32,209
♪ YEAH. ♪
81
00:03:32,275 --> 00:03:34,275
( Applause )
82
00:03:42,142 --> 00:03:43,675
THANK YOU.
83
00:03:43,742 --> 00:03:46,342
I NEED A BREAK AND A BELT.
84
00:03:47,809 --> 00:03:51,075
ALL MY LIFE I'VE ONLY HAD
ONE DREAM, MISS FITZSIMMONS
85
00:03:51,142 --> 00:03:54,142
AND THAT'S TO GET UP ON
THAT STAGE AND SING.
86
00:03:54,209 --> 00:03:56,475
WE ALL HAVE TO START SOMEWHERE.
87
00:03:56,542 --> 00:03:58,775
EVEN ME.
88
00:03:58,842 --> 00:04:01,282
ZELDA FITZSIMMONS,
INTERNATIONAL SENSATION.
89
00:04:02,615 --> 00:04:04,815
GEE, MISS FITZSIMMONS,
I'VE BEEN WONDERING
90
00:04:04,882 --> 00:04:06,149
WHEN YOU PERFORM...
91
00:04:06,215 --> 00:04:07,482
YES.
92
00:04:07,549 --> 00:04:10,149
WHAT DO YOU DO?
93
00:04:10,215 --> 00:04:11,982
WHAT DO I DO?
94
00:04:12,049 --> 00:04:13,049
YEAH.
95
00:04:14,049 --> 00:04:16,915
I'M AN INTERNATIONAL SENSATION.
96
00:04:18,115 --> 00:04:20,149
BARKER, STOP FLAPPING
YOUR FAT GUMS.
97
00:04:20,215 --> 00:04:21,749
TABLE FOUR NEEDS WATER
98
00:04:21,815 --> 00:04:23,415
TABLE TWO NEEDS A FORK
99
00:04:23,482 --> 00:04:25,515
AND TABLE EIGHT
DOESN'T NEED ANYTHING
100
00:04:25,582 --> 00:04:27,849
BUT I WANT YOU TO
WALK OVER THERE
101
00:04:27,915 --> 00:04:30,149
'CAUSE I LIKE WATCHING
YOUR POCKETS MOVE.
102
00:04:30,215 --> 00:04:31,815
ANYTHING ELSE, MISS BIG MAX?
103
00:04:31,882 --> 00:04:33,982
YOU DON'T HAVE TO
CALL ME BIG MAX.
104
00:04:34,048 --> 00:04:36,382
LET ME PEEK
UNDERNEATH THAT APRON
105
00:04:36,448 --> 00:04:38,715
AND YOU CAN CALL
ME SUGAR DRAWERS.
106
00:04:38,782 --> 00:04:39,915
HEY, HEY.
107
00:04:39,982 --> 00:04:41,249
I'M SORRY
108
00:04:41,315 --> 00:04:43,315
BUT I'M JUST NOT
THAT KIND OF GUY.
109
00:04:43,382 --> 00:04:46,315
I WILL NOT WALK THROUGH
A DOOR MARKED "WHOOPEE"
110
00:04:46,382 --> 00:04:48,649
UNLESS IT'S INTO A BUNGALOW
MARKED "MARRIAGE."
111
00:04:48,715 --> 00:04:50,815
I'M JUST TALKING ABOUT
A LITTLE NOOKIE
112
00:04:50,882 --> 00:04:52,215
ON THE FRONT PORCH.
113
00:04:52,282 --> 00:04:53,415
WELL!
114
00:04:54,715 --> 00:04:56,482
HEY, BIG MAX.
115
00:04:56,549 --> 00:04:59,455
I BET HE'D BE GRATEFUL
FOR A LITTLE STAGE TIME.
116
00:04:59,522 --> 00:05:02,489
THIS KID WANTS TO CROON.
117
00:05:02,555 --> 00:05:03,822
FAT CHANCE.
118
00:05:03,889 --> 00:05:06,422
BEFORE I LET A
BUSBOY ON MY STAGE
119
00:05:06,489 --> 00:05:08,689
I'LL LET MY MILKMAN, SAMMY DAVIS
120
00:05:08,755 --> 00:05:10,755
PUT HIS KID UP THERE.
121
00:05:10,822 --> 00:05:13,155
THINGS WILL TURN AROUND, KID.
122
00:05:13,222 --> 00:05:14,489
THEY DID FOR ME.
123
00:05:14,555 --> 00:05:15,822
WHY, I REMEMBER
124
00:05:15,889 --> 00:05:19,122
AFTER THAT HORSE
KICKED ME IN MY HEAD
125
00:05:19,189 --> 00:05:20,922
THINGS LOOKED BLEAK
126
00:05:20,989 --> 00:05:22,422
FOR A WHILE.
127
00:05:22,489 --> 00:05:26,755
BUT THEN MY DOG STARTED GIVING
ME SOME REALLY GOOD ADVICE.
128
00:05:26,822 --> 00:05:27,922
YES, HE DID.
129
00:05:27,989 --> 00:05:29,255
YES, HE DID.
130
00:05:29,322 --> 00:05:30,789
YES.
131
00:05:30,855 --> 00:05:32,189
YES, HE DID.
132
00:05:38,989 --> 00:05:40,522
HOOCH!
133
00:05:40,589 --> 00:05:43,855
HOOCH, YOU'RE 20 MINUTES
LATE WITH THE MOONSHINE.
134
00:05:43,922 --> 00:05:44,989
WHAT GIVES?
135
00:05:45,055 --> 00:05:46,655
HEY, MY MECHANIC OVERCHARGED ME
136
00:05:46,722 --> 00:05:48,755
SO I HAD TO PULL
OUT ALL HIS TEETH.
137
00:05:48,822 --> 00:05:50,122
IT MAKES SENSE.
138
00:05:50,189 --> 00:05:54,622
WHEN MY DENTIST STUCK ME, I
REALIGNED HIS FRONT‐END.
139
00:05:54,689 --> 00:05:56,555
YOU DIDN'T RUB HIM OUT?
140
00:05:56,622 --> 00:05:57,855
YOU'RE GETTING SOFT THERE.
141
00:05:57,922 --> 00:06:00,695
AHH, NOT HOOCH JONES.
142
00:06:04,762 --> 00:06:06,162
HELLO THERE.
143
00:06:06,229 --> 00:06:09,362
KEEP DRINKING AND
YOU'LL BURN IN HELL.
144
00:06:09,429 --> 00:06:10,695
HOW ARE THINGS?
145
00:06:10,762 --> 00:06:12,829
OH, I SEE YOU CAN'T TALK.
146
00:06:12,895 --> 00:06:15,362
BUSY SUCKING DOWN
YOUR DAMNATION.
147
00:06:15,429 --> 00:06:17,362
PRAISE THE LORD.
148
00:06:17,429 --> 00:06:20,862
HEY, WHO'S THE VIXEN
WITH ALL THE FIXIN'S?
149
00:06:20,929 --> 00:06:21,929
HER?
150
00:06:21,995 --> 00:06:23,162
THAT'S CLAIRE.
151
00:06:23,229 --> 00:06:25,262
SHE'S FROM THE
TEMPERANCE LEAGUE.
152
00:06:25,329 --> 00:06:27,095
BARKER, HOW DID SISTER SOBRIETY
153
00:06:27,162 --> 00:06:28,229
GET PAST SECURITY?
154
00:06:28,295 --> 00:06:29,862
SHE GAVE THE PASSWORD.
155
00:06:29,929 --> 00:06:32,262
"REPENT."
156
00:06:32,329 --> 00:06:34,895
I'VE GOT TO CHANGE IT.
157
00:06:34,962 --> 00:06:38,362
HEY, HEY, HEY, BIG MAX,
INTRODUCE ME TO HER
158
00:06:38,429 --> 00:06:43,395
AND I'LL GIVE YOU A FREE CASE
OF MY IMPORTED BATHTUB GIN.
159
00:06:43,462 --> 00:06:46,795
MISS JAMES, YOU
WERE GREAT TONIGHT.
160
00:06:46,862 --> 00:06:48,095
DON'T LIMIT ME, KID.
161
00:06:48,162 --> 00:06:49,562
I'M GREAT EVERY NIGHT.
162
00:06:49,629 --> 00:06:51,695
WELL, I'VE JUST GOT TO ASK YOU.
163
00:06:51,762 --> 00:06:54,295
WHAT'S THE SECRET
TO YOUR SUCCESS?
164
00:06:54,362 --> 00:06:56,562
BARKER, BARKER, BARKER.
165
00:06:56,629 --> 00:06:59,435
THERE'S REALLY ONLY ONE
WAY TO SING THE BLUES
166
00:06:59,502 --> 00:07:02,635
AND THAT IS TO SUFFER
167
00:07:02,702 --> 00:07:06,169
SO I REFUSED TO
DIVORCE MY HUSBAND.
168
00:07:06,235 --> 00:07:07,835
( laughing )
169
00:07:07,902 --> 00:07:08,935
HAVE ANOTHER.
170
00:07:09,002 --> 00:07:11,569
YOU'LL BE AWFULLY
THIRSTY IN HADES.
171
00:07:11,635 --> 00:07:13,235
Max: YEAH, YEAH, YEAH.
172
00:07:13,302 --> 00:07:14,235
JESUS LOVES YOU.
173
00:07:14,302 --> 00:07:16,469
ALL RIGHT, ALL RIGHT, HERE.
174
00:07:16,535 --> 00:07:20,602
LOOK, HOOCH JONES, CLAIRE
THE BIBLE‐THUMPER.
175
00:07:20,669 --> 00:07:24,302
CLAIRE THE BIBLE‐THUMPER,
HOOCH JONES.
176
00:07:24,369 --> 00:07:26,269
HOOCH JONES?
177
00:07:26,335 --> 00:07:27,935
THE NOTORIOUS BOOTLEGGER
178
00:07:28,002 --> 00:07:30,802
AND LOWEST, VILEST
FORM OF LIFE ON EARTH?
179
00:07:30,869 --> 00:07:33,302
OH, A FAN.
180
00:07:33,369 --> 00:07:38,702
WELL, LET ME JUST
AUTOGRAPH THOSE LIPS.
181
00:07:38,769 --> 00:07:39,969
( Spits )
182
00:07:51,535 --> 00:07:54,235
I THINK I'M IN LOVE.
183
00:07:59,202 --> 00:08:03,409
HEY, KYLE, HOW'S THE "SAVE THE
SHOWBOAT" CAMPAIGN COMING?
184
00:08:03,475 --> 00:08:05,842
WELL, BUD, I THINK I'VE
GOT ALL BASES COVERED.
185
00:08:05,909 --> 00:08:08,109
KHADIJAH'S GOT A FRIEND
AT THE DAILY NEWS.
186
00:08:08,175 --> 00:08:10,609
HE'S GOING TO SEE IF HE
CAN GET AN EDITORIAL IN.
187
00:08:10,675 --> 00:08:11,975
MAX'S FRIEND AT CITY HALL
188
00:08:12,042 --> 00:08:13,975
IS GOING TO FILE FOR
LANDMARK STATUS.
189
00:08:14,042 --> 00:08:16,209
HEY, MAN, I WISH YOU'D PUT
190
00:08:16,275 --> 00:08:19,475
HALF THIS ENERGY INTO
DOING THE DISHES.
191
00:08:19,542 --> 00:08:21,509
YOU KNOW IT'S YOUR TURN.
192
00:08:21,575 --> 00:08:23,609
I DON'T CARE IF THEY
ADHERE TO THE SINK.
193
00:08:23,675 --> 00:08:25,675
THE CLUB IS SCHEDULED
FOR DEMOLITION
194
00:08:25,742 --> 00:08:26,775
DAY AFTER TOMORROW.
195
00:08:26,842 --> 00:08:28,542
YOU'VE GOT CONSTRUCTION BUDDIES.
196
00:08:28,609 --> 00:08:31,142
CAN'T YOU SEE IF THEY CAN
ARRANGE FOR A DELAY?
197
00:08:31,209 --> 00:08:33,509
I DON'T KNOW.
198
00:08:33,575 --> 00:08:35,415
THEY'RE LOOKING FORWARD
TO THE HARDWARE HEAVEN.
199
00:08:35,439 --> 00:08:37,909
NOW, IF YOU WAS TALKING
ABOUT BUILDING A SCHOOL
200
00:08:37,975 --> 00:08:39,642
BANG, YOU WAS IN THERE.
201
00:08:54,042 --> 00:08:55,842
( Pianist playing jazz )
202
00:08:55,909 --> 00:08:57,975
ALL RIGHT, ALL RIGHT.
203
00:08:58,042 --> 00:08:59,515
ENOUGH, ALREADY.
204
00:08:59,582 --> 00:09:01,382
WHAT'S YOUR NAME AGAIN?
205
00:09:01,449 --> 00:09:03,415
EDWARD ELLINGTON
206
00:09:03,482 --> 00:09:05,815
BUT EVERYONE CALLS ME "DUKE."
207
00:09:05,882 --> 00:09:08,182
WELL, DUKE, TRY THE ACCORDION.
208
00:09:08,249 --> 00:09:10,515
THEY LOVE IT AT WEDDINGS.
209
00:09:10,582 --> 00:09:12,315
SCRAM.
210
00:09:12,382 --> 00:09:13,982
OH, KYLE.
211
00:09:14,049 --> 00:09:15,815
HERE'S YOUR CHANCE.
212
00:09:15,882 --> 00:09:18,282
WHAT, YOU THINK I
SHOULD AUDITION?
213
00:09:18,349 --> 00:09:21,349
NO, DIESEL JUST CAME
OUT OF THE MEN'S ROOM
214
00:09:21,415 --> 00:09:23,582
AND YOU SAID YOU HAD TO GO.
215
00:09:27,182 --> 00:09:30,382
THREE HOURS OF AUDITIONS,
AND NOTHING BUT BUMS.
216
00:09:30,449 --> 00:09:32,715
ETHEL WATERS, JELLY ROLL MORTON
217
00:09:32,782 --> 00:09:34,982
EUBIE BLAKE, LOU GEHRIG.
218
00:09:35,049 --> 00:09:38,949
IS THERE ANY TALENT
LEFT IN HARLEM?
219
00:09:41,082 --> 00:09:45,149
♪ YES SIR, THAT'S MY BABY ♪
220
00:09:45,215 --> 00:09:49,982
♪ NO SIR, I DON'T MEAN MAYBE ♪
221
00:09:50,049 --> 00:09:51,549
♪ YES SIR ♪
222
00:09:51,615 --> 00:09:56,515
♪ THAT'S MY BABY NOW... ♪
223
00:09:56,582 --> 00:09:57,682
BARKER.
224
00:09:57,749 --> 00:09:59,122
YES, BIG MAX?
225
00:09:59,189 --> 00:10:02,089
WOULD YOU SHUT THE HELL UP?
226
00:10:02,155 --> 00:10:05,055
I'M TRYING TO THINK HERE.
227
00:10:05,122 --> 00:10:06,222
OH, THAT'S IT.
228
00:10:06,289 --> 00:10:08,589
LOOK, I'VE GOT TO GET
THIS OFF MY CHEST.
229
00:10:08,655 --> 00:10:10,589
YOU WOULD NOT KNOW TALENT
230
00:10:10,655 --> 00:10:14,189
IF IT CAME DOWN HERE AND
CHARLESTONS ON YOUR ASS.
231
00:10:16,455 --> 00:10:18,055
NOW, MAYBE SAYING THIS
WILL GET ME KILLED
232
00:10:18,079 --> 00:10:18,922
BUT AT THIS POINT
233
00:10:18,989 --> 00:10:20,655
I JUST DON'T CARE ANYMORE.
234
00:10:20,722 --> 00:10:22,022
OH, OKAY, WAIT A MINUTE.
235
00:10:22,089 --> 00:10:24,122
I CARE AGAIN NOW.
236
00:10:24,189 --> 00:10:26,455
YOU KNOW WHAT, KID?
237
00:10:26,522 --> 00:10:27,522
YOU GOT MOXIE.
238
00:10:27,589 --> 00:10:29,855
BUT YOU'RE LONG‐WINDED
AND POMPOUS.
239
00:10:29,922 --> 00:10:31,455
TURN IN YOUR APRON.
240
00:10:31,522 --> 00:10:33,822
YOU'RE FIRED.
241
00:10:33,889 --> 00:10:37,922
I'M NOT LEAVING UNTIL I
GET MY SEVERANCE PAY.
242
00:10:39,655 --> 00:10:43,022
DIESEL, GIVE HIM
HIS SEVERANCE PAY.
243
00:11:02,660 --> 00:11:03,660
Claire: REPENT!
244
00:11:03,684 --> 00:11:05,117
REPENT, SINNERS!
245
00:11:05,184 --> 00:11:07,451
LIQUOR IS THE DEVIL'S DRINK!
246
00:11:07,517 --> 00:11:09,717
IT'S BEELZEBUB'S BEVERAGE!
247
00:11:09,784 --> 00:11:12,151
SAVE YOUR SOUL, SINNER.
SAVE YOUR SOUL.
248
00:11:12,217 --> 00:11:13,517
HELLO, GORGEOUS.
249
00:11:13,584 --> 00:11:14,784
LORD, GIVE ME STRENGTH.
250
00:11:14,851 --> 00:11:16,151
NOW, MISS CLAIRE
251
00:11:16,217 --> 00:11:18,517
BEFORE YOU LOOSEN ANY
MORE OF MY TEETH
252
00:11:18,584 --> 00:11:20,284
I JUST THOUGHT I'D STOP DOWN
253
00:11:20,351 --> 00:11:22,317
AND HELP OUT THE CAUSE A LITTLE.
254
00:11:22,384 --> 00:11:24,884
OH, THE LAST THING
THE CAUSE NEEDS
255
00:11:24,951 --> 00:11:26,484
IS YOUR DIRTY LIQUOR MONEY.
256
00:11:26,551 --> 00:11:29,917
OH, NO, THIS IS NOT MY
DIRTY LIQUOR MONEY.
257
00:11:29,984 --> 00:11:32,384
IT'S RIGHT HERE.
258
00:11:32,451 --> 00:11:35,584
JUST BECAUSE YOU HAVE A
SPIFFY DADDY WARBUCKS 'DO
259
00:11:35,651 --> 00:11:38,951
DOESN'T MEAN YOU'RE GOING
TO RATTLE MY TAMBOURINE.
260
00:11:39,017 --> 00:11:40,184
OKAY.
261
00:11:40,251 --> 00:11:42,851
PERHAPS WE, UH, GOT OFF
ON THE WRONG FOOT.
262
00:11:42,917 --> 00:11:45,884
LET'S JUST, UH,
KISS AND MAKE UP.
263
00:11:45,951 --> 00:11:47,217
( Grunts )
264
00:11:50,184 --> 00:11:52,717
HEY, LADY, HAVE YOU
SEEN HOOCH JONES?
265
00:11:52,784 --> 00:11:55,884
WHAT POSSIBLE BUSINESS COULD
YOU LITTLE ANGELS HAVE
266
00:11:55,951 --> 00:11:57,784
WITH THAT NO‐GOOD HEATHEN?
267
00:11:57,851 --> 00:11:59,784
WE WANT TO THANK HIM
FOR BUILDING US
268
00:11:59,851 --> 00:12:01,624
A SWELL KITCHEN
AT THE ORPHANAGE.
269
00:12:01,691 --> 00:12:02,891
AND FOR COOKING US
270
00:12:02,957 --> 00:12:04,757
A BIG PANCAKE BREAKFAST
AND EVERYTHING.
271
00:12:04,824 --> 00:12:06,491
PANCAKES? KITCHEN?
272
00:12:06,557 --> 00:12:07,291
EVERYTHING?
273
00:12:07,357 --> 00:12:08,424
SURE.
274
00:12:08,491 --> 00:12:09,724
WHEN HE ISN'T COOKING
275
00:12:09,791 --> 00:12:11,257
HE SHOWS US HOW TO FIX STUFF.
276
00:12:11,324 --> 00:12:12,991
YESTERDAY, HE SHOWED ME
277
00:12:13,057 --> 00:12:14,991
HOW TO USE THE PLUMBER'S HELPER.
278
00:12:15,057 --> 00:12:16,691
I WENT OVER TO ST. CECILIA'S
279
00:12:16,757 --> 00:12:20,157
AND EARNED A NICKEL UNCLOGGING
FATHER PATTERSON'S CRAPPER.
280
00:12:20,224 --> 00:12:22,591
WHEN WE GROW UP
281
00:12:22,657 --> 00:12:24,557
WE ALL WANT TO BE FIX‐IT
GUYS JUST LIKE HOOCH.
282
00:12:24,624 --> 00:12:26,057
OH, MY GOODNESS.
283
00:12:26,124 --> 00:12:29,691
WELL... I MAY HAVE
MISJUDGED THE POOR SOUL.
284
00:12:29,757 --> 00:12:33,024
LOTS OF PEOPLE MISJUDGE HOOCH.
285
00:12:33,091 --> 00:12:38,091
IF I HAVE BEEN WRONG ABOUT
HOOCH JONES, GIVE ME A SIGN.
286
00:12:40,891 --> 00:12:43,657
WHAT? YOU'RE OUT OF THUNDER?
287
00:12:43,724 --> 00:12:45,557
GOSH!
288
00:12:45,624 --> 00:12:46,857
HEY.
289
00:12:46,924 --> 00:12:48,224
HI.
290
00:12:48,291 --> 00:12:50,824
SO DID THEY RUN THE "SAVE
THE SHOWBOAT" PIECE?
291
00:12:50,891 --> 00:12:53,891
NO. THEY BUMPED IT FOR
AN ENTHRALLING EDITORIAL
292
00:12:53,957 --> 00:12:55,391
ON FAKE FAT.
293
00:12:55,457 --> 00:12:57,591
I MEAN, WHY SAVE A CULTURAL ICON
294
00:12:57,657 --> 00:12:59,857
WHEN YOU CAN EXPOUND
ON TOLLHOUSE COOKIES
295
00:12:59,924 --> 00:13:01,664
THAT SLIDE RIGHT THROUGH YOU?
296
00:13:01,731 --> 00:13:05,197
WELL, WHY DON'T WE BOMBARD
THE PLANNING COMMISSION
297
00:13:05,264 --> 00:13:07,497
WITH TELEGRAMS?
298
00:13:07,564 --> 00:13:10,431
THE ONLY REASON BARETTA
IS ON TV TODAY
299
00:13:10,497 --> 00:13:13,997
IS BECAUSE I SENT HUNDREDS
OF THEM TO THE NETWORK.
300
00:13:15,131 --> 00:13:18,964
BARETTA HAS BEEN
CANCELED FOR YEARS.
301
00:13:19,031 --> 00:13:21,431
BARETTA'S NOT CANCELED.
302
00:13:21,497 --> 00:13:23,631
IT'S ON HIATUS.
303
00:13:23,697 --> 00:13:24,831
OOH.
304
00:13:24,897 --> 00:13:25,964
HEY, KYLE.
305
00:13:26,031 --> 00:13:27,664
I CAME FROM THE DEMOLITION YARD.
306
00:13:27,731 --> 00:13:28,664
UH‐HUH.
307
00:13:28,731 --> 00:13:29,831
I TOLD MY BUDDIES
308
00:13:29,897 --> 00:13:31,597
HOW IMPORTANT THE SHOWBOAT WAS
309
00:13:31,664 --> 00:13:32,831
TO JAZZ HISTORY.
310
00:13:32,897 --> 00:13:34,997
AS SOON AS THEY WIPED
BACK THE TEARS
311
00:13:35,064 --> 00:13:36,664
THEY BEGAN TO LOAD THE DYNAMITE
312
00:13:36,731 --> 00:13:37,931
BACK INTO THE PICKUP.
313
00:13:37,997 --> 00:13:39,397
( Phone ringing )
314
00:13:39,464 --> 00:13:41,231
HELLO?
315
00:13:41,297 --> 00:13:42,497
HI. OH! OH!
316
00:13:42,564 --> 00:13:44,731
KYLE, IT'S MAX, CALLING
FROM CITY HALL.
317
00:13:44,797 --> 00:13:45,831
COOL.
318
00:13:45,897 --> 00:13:47,097
HEY, MAX.
319
00:13:47,164 --> 00:13:48,831
UH‐HUH.
320
00:13:48,897 --> 00:13:50,164
UH‐HUH.
321
00:13:50,231 --> 00:13:52,631
UH‐HUH.
322
00:13:52,697 --> 00:13:55,264
YEAH, WELL, YOU DID
WHAT YOU COULD DO.
323
00:13:55,331 --> 00:13:56,831
YEAH, THANKS ANYWAY.
324
00:13:56,897 --> 00:13:58,231
PEACE.
325
00:13:59,331 --> 00:14:01,904
SO?!
326
00:14:01,971 --> 00:14:04,704
IT DIDN'T WORK, SYNCLAIRE.
327
00:14:04,771 --> 00:14:06,537
BUT IF I HAVE TO THROW MYSELF
328
00:14:06,604 --> 00:14:08,737
IN FRONT OF THAT
BULLDOZER TO STOP THEM
329
00:14:08,804 --> 00:14:11,504
FROM DEMOLISHING THAT CLUB,
THAT'S WHAT I'LL DO.
330
00:14:19,271 --> 00:14:20,937
HEY THERE.
331
00:14:21,004 --> 00:14:22,471
OH, KYLE.
332
00:14:22,537 --> 00:14:24,537
WHAT ARE YOU DOING HERE?
333
00:14:24,604 --> 00:14:27,271
I THOUGHT BIG MAX
SENT YOU PACKING.
334
00:14:27,337 --> 00:14:29,204
I COULDN'T GO BACK TO CLEVELAND
335
00:14:29,271 --> 00:14:31,404
WITHOUT HEARING KAY
SING ONE LAST TIME.
336
00:14:31,471 --> 00:14:34,104
HOW MANY OF THOSE PICTURES
YOU GOING TO SIGN?
337
00:14:34,171 --> 00:14:35,704
FIVE THOUSAND.
338
00:14:35,771 --> 00:14:40,671
ONE FOR EVERY FAN ATTENDING MY
CHRISTMAS SHOW THIS AUGUST.
339
00:14:42,604 --> 00:14:44,137
Big Max: OH, KYLE.
340
00:14:44,204 --> 00:14:45,504
BARKER!
341
00:14:45,571 --> 00:14:47,171
YOU'RE BREAKING MY HEART.
342
00:14:47,237 --> 00:14:49,337
I KNEW YOU'D COME CRAWLING BACK
343
00:14:49,404 --> 00:14:50,637
FOR YOUR JOB.
344
00:14:50,704 --> 00:14:52,904
BUT, I'LL DO YOU ONE BETTER.
345
00:14:52,971 --> 00:14:55,871
DO THE BOX SPRING BOOGIE WITH ME
346
00:14:55,937 --> 00:14:57,937
AND I'LL LET YOU SING.
347
00:14:58,004 --> 00:14:59,504
DOESN'T TRADING A FAVOR
348
00:14:59,571 --> 00:15:02,177
FOR A MEANINGLESS PHYSICAL
ENCOUNTER BOTHER YOU?
349
00:15:02,244 --> 00:15:04,377
HEY, HEY, HEY, I'M NO FLOOZY.
350
00:15:04,444 --> 00:15:07,411
YOU'RE NOT GOING TO DO THE
NOOKIE‐SNOOKIE WITH ME
351
00:15:07,477 --> 00:15:10,177
UNTIL YOU WHISPER SWEET
NOTHINGS IN MY EAR.
352
00:15:10,244 --> 00:15:12,577
YOU'RE A DISGUSTING,
PERVERTED WITCH.
353
00:15:14,244 --> 00:15:16,744
THAT WORKS FOR ME.
354
00:15:16,811 --> 00:15:18,811
OH, MISS CLAIRE.
355
00:15:18,877 --> 00:15:20,377
WHAT ARE YOU DOING HERE?
356
00:15:20,444 --> 00:15:22,077
I CAME TO APOLOGIZE.
357
00:15:22,144 --> 00:15:24,877
YOUR TURNED THE OTHER
CHEEK AND I BELTED IT.
358
00:15:24,944 --> 00:15:27,244
OH, HOOCH, WHY NOT
LEAVE THIS LIFE
359
00:15:27,311 --> 00:15:30,144
OF WRETCHED, VULGAR YUCKINESS?
360
00:15:30,211 --> 00:15:33,044
AH, NOT TO WORRY, MY
SOUL‐SAVING SIREN.
361
00:15:33,111 --> 00:15:36,211
I'VE JUST MADE ENOUGH MONEY
TO MAKE THE FINAL TWO REPAIRS
362
00:15:36,277 --> 00:15:37,544
TO THE ORPHANAGE.
363
00:15:37,611 --> 00:15:39,611
A NEW ROOF AND A PUTTING GREEN.
364
00:15:39,677 --> 00:15:41,477
AS OF TOMORROW
365
00:15:41,544 --> 00:15:43,244
I'LL BE OBEDIAH JONES.
366
00:15:43,311 --> 00:15:46,311
FULL‐TIME CHURCH‐GOING
CARPENTRY TEACHER.
367
00:15:51,877 --> 00:15:54,811
SORRY, BIG MAX, I WON'T BE
ABLE TO SING HERE TONIGHT
368
00:15:54,877 --> 00:15:56,277
OR EVER AGAIN.
369
00:15:56,344 --> 00:15:59,411
YOU SEE, MR. FASSBINDER HERE
FROM TURNAROUND STUDIOS
370
00:15:59,477 --> 00:16:01,484
IS TAKING ME TO HOLLYWOOD.
371
00:16:01,551 --> 00:16:03,751
I'M GOING TO DO THE TALKIES.
372
00:16:03,817 --> 00:16:05,817
LEAVE ME IN A LURCH LIKE THIS?
373
00:16:05,884 --> 00:16:08,151
WHY I'LL PUT A
BULLET IN YOUR EAR.
374
00:16:08,217 --> 00:16:09,817
HEY, HEY.
375
00:16:09,884 --> 00:16:12,617
YOU ONLY KILL MEN, REMEMBER?
376
00:16:12,684 --> 00:16:14,584
DAMN!
377
00:16:16,451 --> 00:16:18,217
GOODBYE, EVERYONE.
378
00:16:18,284 --> 00:16:19,584
THANK YOU.
379
00:16:19,651 --> 00:16:20,884
( Chuckling )
380
00:16:20,951 --> 00:16:23,317
TRY THE VEAL.
381
00:16:24,551 --> 00:16:26,351
WHAT DO I DO NOW?
382
00:16:26,417 --> 00:16:28,717
WHO DO I GET TO PERFORM?
383
00:16:30,251 --> 00:16:31,784
AW...
384
00:16:31,851 --> 00:16:35,717
ALL RIGHT, BARITONE BUNS...
YOU'RE ON.
385
00:16:35,784 --> 00:16:36,984
WAIT A MINUTE.
386
00:16:37,051 --> 00:16:39,484
YOU THINK YOU CAN JUST
SNAP YOUR FINGERS
387
00:16:39,551 --> 00:16:41,917
AND I'LL GET UP ON
THIS STAGE AND SING?
388
00:16:41,984 --> 00:16:43,717
DO YOU KNOW "SWEET
GEORGIA BROWN"?
389
00:16:43,784 --> 00:16:46,417
UM, HOW ABOUT "AIN'T
MISBEHAVIN'"?
390
00:16:46,484 --> 00:16:47,917
"HAPPY BIRTHDAY"?
391
00:16:47,984 --> 00:16:49,051
NO.
392
00:16:49,117 --> 00:16:50,917
LOOK, JUST GIVE ME AN INTRO
393
00:16:50,984 --> 00:16:52,251
AND WORK WITH ME.
394
00:16:52,317 --> 00:16:56,417
( Upbeat intro )
395
00:16:58,584 --> 00:17:00,224
( whistle blowing )
396
00:17:00,291 --> 00:17:01,757
AH!
397
00:17:01,824 --> 00:17:03,391
Hooch: IT'S A RAID!
398
00:17:03,457 --> 00:17:04,591
RAID!
399
00:17:04,657 --> 00:17:06,424
Claire: OH! OH, NO!
400
00:17:06,491 --> 00:17:08,824
Officer: MOVE IT ALONG NOW.
401
00:17:14,524 --> 00:17:16,024
OH, COME ON, O'KEEFE!
402
00:17:16,091 --> 00:17:18,591
IT'S NOT LIKE WE DON'T HAVE
AN UNDERSTANDING HERE.
403
00:17:18,657 --> 00:17:20,757
YOU NEVER CALL. YOU DON'T WRITE.
404
00:17:20,824 --> 00:17:22,991
YOU'RE GOING DOWNTOWN.
405
00:17:23,057 --> 00:17:24,424
OH, OBEDIAH.
406
00:17:24,491 --> 00:17:26,191
YEAH... UH... HERE.
407
00:17:26,257 --> 00:17:28,224
MAKE SURE THE KIDS
GET THE NEW ROOF
408
00:17:28,291 --> 00:17:30,391
THE PUTTING GREEN
AND THEIR PANCAKES.
409
00:17:30,457 --> 00:17:32,091
AND REMEMBER, ON THE WEEKENDS
410
00:17:32,157 --> 00:17:33,924
THEY LIKE SEASONAL BERRIES.
411
00:17:33,991 --> 00:17:35,257
WAIT. OFFICER...
412
00:17:35,324 --> 00:17:36,691
OFFICER, LOOK.
413
00:17:36,757 --> 00:17:39,257
THE ONLY DREAM I'VE
EVER HAD WAS TO
414
00:17:39,324 --> 00:17:41,691
GET UP HERE AND SING
AT THE SHOWBOAT CLUB.
415
00:17:41,757 --> 00:17:43,724
SO, PLEASE, CAN YOU
JUST TURN AROUND
416
00:17:43,791 --> 00:17:45,624
AND LET ME CROON FOR A MINUTE?
417
00:17:45,691 --> 00:17:47,624
A MAN WITH A DREAM, IS IT?
418
00:17:47,691 --> 00:17:49,857
IT, IT BRINGS A TEAR TO ME EYE
419
00:17:49,924 --> 00:17:52,124
AND A LUMP TO ME THROAT.
420
00:17:52,191 --> 00:17:55,257
SAY, DO YOU KNOW "WHEN
IRISH EYES ARE SMILING"?
421
00:17:58,991 --> 00:18:00,264
NO.
422
00:18:00,331 --> 00:18:02,197
MOVE IT ALONG THEN.
423
00:18:02,264 --> 00:18:03,697
I HAVEN'T GOT ALL DAY.
424
00:18:03,764 --> 00:18:05,031
CAN I GET MY HAT?
425
00:18:05,097 --> 00:18:06,631
ALL RIGHT, I'M GOING.
426
00:18:21,431 --> 00:18:23,197
UM, EXCUSE ME.
427
00:18:23,264 --> 00:18:26,964
I'M WORKING TO TRY TO GET THIS
PLACE PRESERVED AS A LANDMARK.
428
00:18:27,031 --> 00:18:29,797
IS THERE ANY WAY I CAN
POSTPONE THE DEMOLITION?
429
00:18:29,864 --> 00:18:33,431
NOT EVEN IF YOU DOVE IN
FRONT OF THE BULLDOZER.
430
00:18:33,497 --> 00:18:35,031
I WAS AFRAID OF THAT.
431
00:18:35,097 --> 00:18:38,197
WELL, LOOK, CAN I HAVE FIVE
MINUTES TO LOOK AROUND
432
00:18:38,264 --> 00:18:40,031
AND SAY MY LAST GOOD‐BYES?
433
00:18:40,097 --> 00:18:41,364
NO WAY.
434
00:18:41,431 --> 00:18:42,964
HOW ABOUT DONUTS?
435
00:18:43,031 --> 00:18:44,731
OKAY, FELLAS, BREAK TIME!
436
00:18:56,531 --> 00:19:00,437
( Taps a few keys )
437
00:19:03,037 --> 00:19:07,804
♪ EVERY HONEYBEE ♪
438
00:19:07,871 --> 00:19:10,737
♪ FILLS WITH JEALOUSY... ♪
439
00:19:13,004 --> 00:19:14,337
HMM.
440
00:19:14,404 --> 00:19:16,637
♪ WHEN THEY... ♪
441
00:19:16,704 --> 00:19:22,104
♪ SEE YOU OUT WITH ME... ♪
442
00:19:22,171 --> 00:19:24,304
♪ I DON'T BLAME THEM ♪
443
00:19:24,371 --> 00:19:26,504
( Blows )
444
00:19:26,571 --> 00:19:29,104
♪ GOODNESS KNOWS ♪
445
00:19:31,537 --> 00:19:34,904
♪ MY HONEY ♪
446
00:19:34,971 --> 00:19:37,804
♪ MY HONEYSUCKLE ROSE ♪
447
00:19:37,871 --> 00:19:39,304
( Chuckling )
448
00:19:39,371 --> 00:19:41,037
( piano music plays )
449
00:19:41,104 --> 00:19:44,304
♪ WHEN YOU'RE PASSING BY ♪
450
00:19:44,371 --> 00:19:47,237
♪ FLOWERS DROOP AND SIGH ♪
451
00:19:47,304 --> 00:19:50,371
♪ AND YOU AND I KNOW
THE REASON WHY ♪
452
00:19:50,437 --> 00:19:52,537
♪ YOU'RE MUCH SWEETER ♪
453
00:19:52,604 --> 00:19:54,537
♪ GOODNESS KNOWS ♪
454
00:19:54,604 --> 00:19:59,537
♪ MY HONEYSUCKLE ROSE ♪
455
00:19:59,604 --> 00:20:04,077
♪ DON'T BUY SUGAR ♪
456
00:20:04,144 --> 00:20:07,911
♪ YOU JUST HAVE
TO TOUCH MY CUP ♪
457
00:20:07,977 --> 00:20:12,144
♪ OH, YOU'RE MY SUGAR ♪
458
00:20:12,211 --> 00:20:15,611
♪ SO SWEET WHEN YOU STIR IT UP ♪
459
00:20:15,677 --> 00:20:20,811
♪ WHEN I'M TAKING SIPS
FROM YOUR TASTY LIPS... ♪
460
00:20:23,077 --> 00:20:25,811
♪ SEEMS THE HONEY... ♪
461
00:20:25,877 --> 00:20:28,644
♪ FAIRLY DRIPS ♪
462
00:20:30,911 --> 00:20:33,544
♪ YOU'RE CONFECTION ♪
463
00:20:35,377 --> 00:20:37,944
♪ GOODNESS KNOWS ♪
464
00:20:41,077 --> 00:20:44,844
♪ MY HONEY ♪
465
00:20:47,311 --> 00:20:53,311
♪ MY HONEYSUCKLE ROSE. ♪
466
00:20:57,411 --> 00:20:59,244
THANK YOU.
467
00:21:00,951 --> 00:21:03,517
AND GOOD NIGHT.
468
00:21:03,584 --> 00:21:07,584
( Applause and whistling )
469
00:21:13,851 --> 00:21:15,784
WE'LL BE RIGHT BACK.
470
00:21:20,417 --> 00:21:24,384
[Captioned by The Caption Center
WGBH Educational Foundation]
31887
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