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1
00:00:02,300 --> 00:00:03,666
SYNCLAIRE, SHE'S HERE!
2
00:00:05,366 --> 00:00:07,166
OKAY, OKAY.
3
00:00:08,733 --> 00:00:10,666
Both: WELCOME HOME!
4
00:00:10,733 --> 00:00:12,666
OH, YOU TWO...
5
00:00:12,733 --> 00:00:17,766
NOW YOU KNOW HOW I HATE
BEING MADE A FUSS OVER.
6
00:00:17,833 --> 00:00:20,833
OKAY, NOW GET ONE
FROM THIS ANGLE HERE.
7
00:00:20,900 --> 00:00:21,900
COME ON.
8
00:00:21,966 --> 00:00:23,366
IN FIVE, FOUR
9
00:00:23,433 --> 00:00:25,333
THREE, TWO...
10
00:00:25,400 --> 00:00:28,700
OH, YOU TWO!
11
00:00:28,766 --> 00:00:33,066
NOW YOU KNOW HOW I HATE
BEING MADE A FUSS OVER.
12
00:00:34,633 --> 00:00:36,433
GREAT. THAT ALMOST FELT REAL.
13
00:00:36,500 --> 00:00:40,133
IT IS SO GOOD TO BE BACK
IN THE PLACE LIKE YOU KNOW
14
00:00:40,200 --> 00:00:42,166
LIKE THE BACK OF YOUR HAND.
15
00:00:42,233 --> 00:00:44,400
THE OLD STOMPING...
16
00:00:44,466 --> 00:00:46,433
WHERE'S MY COUCH?
17
00:00:46,500 --> 00:00:48,433
I GOT RID OF THAT RAGGEDY THING.
18
00:00:48,500 --> 00:00:49,700
I GOT THIS ONE
19
00:00:49,766 --> 00:00:52,466
AT THAT NEW SCANDINAVIAN
FURNITURE WAREHOUSE.
20
00:00:52,533 --> 00:00:54,066
BJORN FREE.
21
00:00:54,133 --> 00:00:56,600
WELL, I... I GUESS IT'S NICE
22
00:00:56,666 --> 00:00:58,733
TO HAVE A SPLASH OF FRESHNESS
23
00:00:58,800 --> 00:01:00,100
IN A BELOVED OLD...
24
00:01:00,166 --> 00:01:01,373
WHERE IS MY RUG?
25
00:01:01,440 --> 00:01:03,473
OH, IT DIDN'T GO
WITH THE NEW COUCH.
26
00:01:03,540 --> 00:01:05,206
IT'S AT THE SALVATION ARMY.
27
00:01:10,240 --> 00:01:11,706
MY BEDROOM DRAPES?
28
00:01:11,773 --> 00:01:13,006
I ONLY USED
29
00:01:13,073 --> 00:01:15,640
A SMALL PIECE AS A RAG.
30
00:01:15,706 --> 00:01:18,240
THE REST OF IT
MADE A WELCOME BED
31
00:01:18,306 --> 00:01:22,206
FOR THAT PREGNANT ALLEY CAT
DURING HER TIME OF JOY.
32
00:01:22,273 --> 00:01:24,540
YOU... YOU PEOPLE
33
00:01:24,606 --> 00:01:28,273
HAVE ERASED EVERY TRACE
OF MY EVER BEING HERE.
34
00:01:28,340 --> 00:01:31,073
ARE YOU SURE YOU WANT ME BACK?
35
00:01:31,140 --> 00:01:32,606
REGINE...
36
00:01:32,673 --> 00:01:34,440
COME ON NOW‐‐ YOU'RE FAM.
37
00:01:34,506 --> 00:01:38,340
NOW SOME TACKY DRAPES AND A
BOOTY‐ASS RUG CAN'T CHANGE THAT.
38
00:01:38,406 --> 00:01:40,340
REGINE, WE LOVE YOU HOME.
39
00:01:40,406 --> 00:01:41,673
ALL RIGHT.
40
00:01:41,740 --> 00:01:43,040
OBIE, WOULD YOU
41
00:01:43,106 --> 00:01:45,740
BE A DEAR AND TAKE
THAT UP TO MY ROOM?
42
00:01:45,806 --> 00:01:48,106
WHICH IS NOW UPSTAIRS
AND TO YOUR RIGHT.
43
00:01:48,173 --> 00:01:49,673
I TOOK YOUR OLD ROOM.
44
00:01:49,740 --> 00:01:52,940
YOU TOOK MY BEAUTIFUL,
CROSS‐VENTILATED ROOM
45
00:01:53,006 --> 00:01:56,040
AND PUT ME IN THAT
MEAT LOCKER OF YOURS?
46
00:01:56,106 --> 00:01:57,173
YOU WON'T BE COLD.
47
00:01:57,240 --> 00:01:58,973
WHY? Y'ALL GOT THE
RADIATOR FIXED?
48
00:01:59,040 --> 00:02:01,146
NO. I'VE TAKEN KHADIJAH'S ROOM.
49
00:02:01,213 --> 00:02:03,580
YOU'VE GOT MY OLD
ROOM‐‐ THE SWEAT BOX.
50
00:02:05,613 --> 00:02:07,280
♪ WE ARE LIVING ♪
51
00:02:07,346 --> 00:02:08,646
♪ HEY ♪
52
00:02:08,713 --> 00:02:09,780
♪ SINGLE ♪
53
00:02:09,846 --> 00:02:12,646
♪ OOH, IN A '90s KIND OF WORLD ♪
54
00:02:12,713 --> 00:02:14,346
♪ I'M GLAD I GOT MY GIRLS ♪
55
00:02:14,413 --> 00:02:16,346
♪ KEEP YOUR HEAD UP ♪
♪ WHAT? ♪
56
00:02:16,413 --> 00:02:17,622
♪ KEEP YOUR HEAD UP ♪
♪ THAT'S RIGHT ♪
57
00:02:17,646 --> 00:02:18,926
♪ WHENEVER THIS
LIFE GETS TOUGH ♪
58
00:02:18,950 --> 00:02:19,980
♪ YOU GOT TO FIGHT WITH ♪
59
00:02:20,046 --> 00:02:20,946
♪ MY HOMEGIRL
STANDING TO MY LEFT ♪
60
00:02:21,013 --> 00:02:22,146
♪ AND MY RIGHT ♪
61
00:02:22,213 --> 00:02:23,846
♪ TRUE BLUE, IT'S
TIGHT LIKE GLUE ♪
62
00:02:23,913 --> 00:02:25,846
♪ CHECK, CHECK, CHECK IT OUT ♪
63
00:02:25,913 --> 00:02:27,113
♪ CHECK, CHECK, CHECK IT OUT ♪
64
00:02:27,137 --> 00:02:29,680
♪ WE ARE LIVING SINGLE. ♪
65
00:02:29,746 --> 00:02:31,666
[Captioning sponsored by
FOX BROADCASTING COMPANY
66
00:02:31,690 --> 00:02:33,590
[and WARNER BROS. TELEVISION]
67
00:02:40,180 --> 00:02:41,880
I DON'T GET IT, PUG.
68
00:02:41,946 --> 00:02:43,180
A HAMMER
69
00:02:43,246 --> 00:02:45,480
WITH A LASER TARGETING SYSTEM?
70
00:02:45,546 --> 00:02:47,980
OBIE, IT MEANS
IMPROVED ACCURACY.
71
00:02:48,046 --> 00:02:52,213
YOU PUT THE NAIL IN THE WOOD,
NOT YOURSELF, IN THE HOSPITAL.
72
00:02:52,280 --> 00:02:54,013
MAN, I'VE BEEN DRIVING NAILS
73
00:02:54,080 --> 00:02:56,080
SINCE I WAS KNEE‐HIGH
TO A TOOL BOX
74
00:02:56,146 --> 00:02:58,180
AND I HAVE YET TO
GRAZE A KNUCKLE.
75
00:02:58,246 --> 00:03:00,146
I WASN'T TALKING
ABOUT YOU, OBIE.
76
00:03:00,213 --> 00:03:01,553
GEEZ, NOT YOU.
77
00:03:01,620 --> 00:03:03,086
NEVER YOU.
78
00:03:03,153 --> 00:03:05,886
I WAS TALKING ABOUT
EMERGENCY ROOM REGULARS
79
00:03:05,953 --> 00:03:07,486
LIKE ME.
80
00:03:07,553 --> 00:03:09,286
Kyle: SO, PUG.
81
00:03:09,353 --> 00:03:10,853
THIS IS WHERE YOU ARE
82
00:03:10,920 --> 00:03:13,620
WHEN YOU ARE NOT
WATCHING HEE HAW.
83
00:03:13,686 --> 00:03:15,820
WELL, IF IT ISN'T KYLE‐‐
84
00:03:15,886 --> 00:03:19,086
THE MAN WHO THINKS SPACKLE
IS A FRUIT DRINK.
85
00:03:19,153 --> 00:03:20,720
OVERTON, LET'S JUST GET
86
00:03:20,786 --> 00:03:22,820
YOUR DRYWALL AND
GET OUT OF HERE.
87
00:03:22,886 --> 00:03:24,953
THIS PLACE REEKS
OF MANUAL LABOR.
88
00:03:25,020 --> 00:03:26,986
HEY, PUG, REMEMBER THAT TIME
89
00:03:27,053 --> 00:03:28,286
WHEN KYLE TRIED TO ASSEMBLE
90
00:03:28,353 --> 00:03:29,520
THE C. D. RACK?
91
00:03:29,586 --> 00:03:31,286
HE WAS ACTUALLY TRYING TO PUT
92
00:03:31,353 --> 00:03:33,053
A SQUARE PEG IN A ROUND HOLE.
93
00:03:33,120 --> 00:03:35,086
YOU THINK IT'S JUST A SAYING
94
00:03:35,153 --> 00:03:36,553
BUT THIS FOOL
95
00:03:36,620 --> 00:03:38,086
COULDN'T EVEN DO IT...
96
00:03:38,153 --> 00:03:42,353
KYLE, IF YOU DON'T WANT
ME TO TELL THE STORY...
97
00:03:42,420 --> 00:03:44,186
JUST SAY SO.
98
00:03:48,120 --> 00:03:50,153
OH, LORD, IT'S MELODY.
99
00:03:50,220 --> 00:03:51,920
HOW CAN SHE MOVE HERE?
100
00:03:51,986 --> 00:03:53,820
I HAD DIBS ON NEW YORK.
101
00:03:53,886 --> 00:03:55,386
MAYBE SHE'S JUST VISITING.
102
00:03:55,453 --> 00:03:57,386
MAN, SHE'S BUYING DOORKNOBS.
103
00:03:57,453 --> 00:03:59,886
THAT'S ONE HELL OF A SOUVENIR.
104
00:03:59,953 --> 00:04:03,393
WHO'S THE CHICK WITH THE KNOBS?
105
00:04:03,460 --> 00:04:04,560
MY EX.
106
00:04:04,626 --> 00:04:06,626
SHE'S THE REASON
107
00:04:06,693 --> 00:04:07,853
I HAD TO LEAVE FAIR CLEVELAND.
108
00:04:07,877 --> 00:04:09,060
SHE COMING THIS WAY?
109
00:04:09,126 --> 00:04:11,060
I'LL ACQUIRE THE TARGET.
110
00:04:11,126 --> 00:04:13,060
HOLD, HOLD.
111
00:04:13,126 --> 00:04:14,726
"ACQUIRE THE TARGET"?
112
00:04:14,793 --> 00:04:17,526
YEAH, ARMY RESERVE,
ONE WEEKEND A MONTH.
113
00:04:17,593 --> 00:04:18,993
I BE ALL I CAN BE.
114
00:04:19,060 --> 00:04:21,226
TAKE HER UP, FINGERHUT.
115
00:04:21,293 --> 00:04:24,660
SHE'S IN "SOILS OF THE
WORLD" AND CLOSING RAPIDLY.
116
00:04:24,726 --> 00:04:26,893
COME ON, KYLE, LET'S
ROLL OUT OF HERE.
117
00:04:26,960 --> 00:04:28,693
I CAN'T FACE MELODY RIGHT NOW
118
00:04:28,760 --> 00:04:29,893
WITHOUT MAKING
119
00:04:29,960 --> 00:04:31,960
A FOOL OUT OF MYSELF.
120
00:04:37,993 --> 00:04:40,260
STELLA!
121
00:04:42,360 --> 00:04:45,460
ALL RIGHT, I GOT TWO QUESTIONS.
122
00:04:45,526 --> 00:04:47,593
WHAT IS THIS THING?
123
00:04:47,660 --> 00:04:50,726
AND WHAT IS IT DOING
IN OUR BATHROOM?
124
00:04:50,793 --> 00:04:53,960
MY AUNT MO SENT ME THAT.
125
00:04:54,026 --> 00:04:55,393
SEE?
126
00:04:56,393 --> 00:04:58,126
SHE'S PRINCESS PORCELAIN
127
00:04:58,193 --> 00:05:00,366
OF THE TIDY POTTY.
128
00:05:01,833 --> 00:05:02,966
HEY
129
00:05:03,033 --> 00:05:05,300
DID YOU AGREE TO THIS
JUST TO TORTURE ME?
130
00:05:05,366 --> 00:05:07,333
OF COURSE NOT.
131
00:05:07,400 --> 00:05:10,766
THE FACT THAT IT
TORTURES YOU IS A BONUS.
132
00:05:12,033 --> 00:05:13,966
♪ TAKE CONTROL ♪
133
00:05:14,033 --> 00:05:15,333
♪ ATTORNEY ANNULLED ♪
134
00:05:15,400 --> 00:05:16,933
♪ GUILTY, INNOCENT ♪
135
00:05:17,000 --> 00:05:18,833
♪ I'M... ♪
136
00:05:18,900 --> 00:05:21,000
♪ GOING OUT ON THE TOWN ♪
137
00:05:21,066 --> 00:05:24,100
♪ LOOKING GREAT, MAXINE SHAW ♪
138
00:05:26,933 --> 00:05:29,633
WHEN YOU MOVED OUT,
WE GAVE MAXINE
139
00:05:29,700 --> 00:05:31,633
A LITTLE OF OUR CLOSET SPACE.
140
00:05:31,700 --> 00:05:33,200
GOOD NEIGHBOR POLICY.
141
00:05:33,266 --> 00:05:36,300
I'M TAKING MY OLD ROOM BACK.
142
00:05:36,366 --> 00:05:38,400
NOT UNLESS YOU WANT
TO SPEND THE NIGHT
143
00:05:38,466 --> 00:05:40,133
STUFFED IN A CLOTHES HAMPER.
144
00:05:40,200 --> 00:05:42,200
HEY, IF YOU CAN SWING IT...
145
00:05:42,266 --> 00:05:44,833
YOU KNOW, OVERTON, YOU
DID THE RIGHT THING
146
00:05:44,900 --> 00:05:46,366
BY AVOIDING MELODY.
147
00:05:46,433 --> 00:05:48,933
DISCRETION IS THE
BETTER PART OF VALOR.
148
00:05:49,000 --> 00:05:51,600
JUST A FANCY WAY OF
SAYING I'M A COWARD.
149
00:05:51,666 --> 00:05:56,200
NO, NOT SO MUCH FANCY...
AS IT IS ELOQUENT.
150
00:05:56,266 --> 00:05:58,700
YOU KNOW, I RAN FROM THAT
GIRL THREE YEARS AGO
151
00:05:58,766 --> 00:06:00,406
AND I RAN FROM HER TODAY.
152
00:06:00,473 --> 00:06:03,806
MAYBE I SHOULD JUST GO SEE HER.
153
00:06:03,873 --> 00:06:05,840
ARE YOU FORGETTING THE LIPS?
154
00:06:06,840 --> 00:06:08,240
ONE KISS FROM HER
155
00:06:08,306 --> 00:06:11,006
AND YOU WERE PAINTING
HER TOE NAILS.
156
00:06:11,073 --> 00:06:14,073
RIGHT. CAN'T RISK THE LIPS.
157
00:06:14,140 --> 00:06:15,540
BUT I MUST...
158
00:06:15,606 --> 00:06:17,773
I MUSTN'T...
159
00:06:17,840 --> 00:06:19,440
I SHALL
160
00:06:19,506 --> 00:06:20,940
I SHAN'T.
161
00:06:22,273 --> 00:06:23,906
SHAN'T I?
162
00:06:25,873 --> 00:06:27,273
EXCUSE ME, HAMLET.
163
00:06:27,340 --> 00:06:28,473
BUT WHAT ABOUT
164
00:06:28,540 --> 00:06:29,606
WHEN SYNCLAIRE FINDS OUT?
165
00:06:29,673 --> 00:06:31,673
YOU MEAN BEFORE I TELL HER?
166
00:06:31,740 --> 00:06:33,073
NO, BROTHER.
167
00:06:33,140 --> 00:06:36,373
GIRLFRIENDS ARE BEST HANDLED
ON A NEED‐TO‐KNOW BASIS.
168
00:06:36,440 --> 00:06:39,873
THAT'S WHERE YOU'RE
WRONG, MY CANINE FRIEND.
169
00:06:41,340 --> 00:06:46,073
SEE, IN A COMMITTED
RELATIONSHIP, WOMEN...
170
00:06:46,140 --> 00:06:48,340
( softer: ) WOMEN ARE PSYCHIC.
171
00:06:48,406 --> 00:06:50,173
YOU DON'T TELL THEM
SOMETHING'S UP
172
00:06:50,240 --> 00:06:51,406
THEY'LL SENSE IT.
173
00:06:51,473 --> 00:06:53,040
BRING IT UP WHILE YOU'RE EATING
174
00:06:53,106 --> 00:06:54,873
AND A BROTHER COULD
CHOKE TO DEATH.
175
00:06:54,940 --> 00:06:58,106
THAT'S RIDICULOUS.
176
00:06:58,173 --> 00:07:00,106
W‐W‐WOULD THIS APPLY TO MAX
177
00:07:00,173 --> 00:07:02,513
NOW THAT SHE AND I ARE A COUPLE?
178
00:07:02,580 --> 00:07:04,780
SHE CAN READ YOUR MIND.
179
00:07:04,846 --> 00:07:07,446
SHE'S YOUR EYE IN THE SKY.
180
00:07:07,513 --> 00:07:09,913
COULD BE IT BE POSSIBLE
THAT SHE ALREADY KNOWS
181
00:07:09,980 --> 00:07:12,880
I'M PLANNING ON GOING TO THE
GIANTS GAME WITHOUT HER?
182
00:07:12,946 --> 00:07:14,013
OH, GOOD GOD!
183
00:07:14,080 --> 00:07:16,280
I SHOULDN'T PUT THAT OUT THERE.
184
00:07:16,346 --> 00:07:19,013
CAN WE GET BACK TO MY PROBLEM?
185
00:07:19,080 --> 00:07:20,446
I MUST DEFEND MYSELF
186
00:07:20,513 --> 00:07:22,613
AGAINST THAT PIT
BULL IN HEELS, YES.
187
00:07:22,680 --> 00:07:24,746
I'M GOING UPSTAIRS
TO CLEAR MY MIND
188
00:07:24,813 --> 00:07:26,480
OF INCRIMINATING THOUGHTS.
189
00:07:26,546 --> 00:07:28,080
KYLE?
190
00:07:28,146 --> 00:07:29,346
YEAH, BUD.
191
00:07:29,413 --> 00:07:31,480
GO GIANTS.
192
00:07:36,113 --> 00:07:38,280
( Chuckling )
193
00:07:38,346 --> 00:07:40,513
HEY, SUGAR BEET.
194
00:07:40,580 --> 00:07:42,846
OH, MY GOD, IT'S ANOTHER WOMAN.
195
00:07:47,046 --> 00:07:48,880
WHO IS SHE, OVERTON?
196
00:07:48,946 --> 00:07:50,213
WHO IS SHE?
197
00:07:50,280 --> 00:07:53,646
JUST AN EX‐GIRLFRIEND
FROM HIGH SCHOOL.
198
00:07:53,713 --> 00:07:55,313
MELODY?
199
00:07:55,380 --> 00:07:56,646
THE GIRL
200
00:07:56,713 --> 00:07:58,046
WHO BROKE YOUR HEART
201
00:07:58,113 --> 00:08:00,080
AND DROVE YOU OUT
OF FAIR CLEVELAND?
202
00:08:00,146 --> 00:08:03,853
DAMN, YOU'RE ON TODAY,
AIN'T YOU, GIRL?
203
00:08:06,020 --> 00:08:07,786
IT WASN'T MY FAULT.
204
00:08:07,853 --> 00:08:10,886
KYLE SPOTTED HER DOWN AT
THE HARDWARE HACIENDA.
205
00:08:10,953 --> 00:08:13,486
APPARENTLY, SHE'S MOVED
HERE TO BROOKLYN
206
00:08:13,553 --> 00:08:15,486
AND I'D LIKE TO SEE
HER ONE MORE TIME
207
00:08:15,553 --> 00:08:17,086
IF THAT'S COOL WITH YOU.
208
00:08:18,386 --> 00:08:19,853
WHAT A RELIEF.
209
00:08:19,920 --> 00:08:21,286
I FORBID YOU.
210
00:08:21,353 --> 00:08:23,953
THERE, THAT'S SETTLED, ISN'T IT?
211
00:08:28,986 --> 00:08:32,486
OH, COME ON, MY LITTLE DUNKAROO.
212
00:08:32,553 --> 00:08:35,053
THIS IS ONE CHAPTER OF MY LIFE
213
00:08:35,120 --> 00:08:37,553
I REALLY NEED TO PUT BEHIND ME.
214
00:08:37,620 --> 00:08:39,653
WHAT DOES SHE LOOK LIKE?
215
00:08:39,720 --> 00:08:41,320
I DON'T KNOW.
216
00:08:41,386 --> 00:08:43,020
ABOUT FIVE‐TWO
217
00:08:43,086 --> 00:08:44,653
MEDIUM BUILT
218
00:08:44,720 --> 00:08:46,486
REGULAR HAIR
219
00:08:46,553 --> 00:08:48,486
LITTLE SMALL ANKLES...
220
00:08:48,553 --> 00:08:50,153
UH‐UH! FORGET IT!
221
00:08:50,220 --> 00:08:51,353
FORGET IT!
222
00:08:51,420 --> 00:08:53,553
YOU THINK I'M GOING TO
GIVE YOU PERMISSION
223
00:08:53,620 --> 00:08:56,820
TO SEE SOME THIN‐ANKLED BABE
WITH TA‐TAS TO TUESDAY? NO!
224
00:08:56,886 --> 00:08:59,586
"TA‐TAS TO TUESDAY"?
225
00:08:59,653 --> 00:09:02,326
I KNOW YOUR TASTE.
226
00:09:02,393 --> 00:09:05,226
YOU KNOW, SYNCLAIRE, I
COULD HAVE GONE TO SEE HER
227
00:09:05,293 --> 00:09:07,593
AND YOU NEVER WOULD
HAVE FOUND OUT.
228
00:09:14,826 --> 00:09:16,860
OKAY, YOU'D KNOW INSTANTLY.
229
00:09:16,926 --> 00:09:18,826
BUT, I MEAN, DON'T YOU TRUST ME?
230
00:09:18,893 --> 00:09:20,226
( Beeping )
231
00:09:20,293 --> 00:09:22,693
OF COURSE I TRUST YOU, OVERTON.
232
00:09:22,760 --> 00:09:24,926
I JUST DON'T KNOW WHAT TO DO.
233
00:09:24,993 --> 00:09:26,926
MY HEART IS TELLING ME "NO"
234
00:09:26,993 --> 00:09:30,193
AND MY HEAD IS TELLING
ME "HELL, NO."
235
00:09:30,260 --> 00:09:32,193
( beeping )
236
00:09:32,260 --> 00:09:33,726
OH, SHOOT.
237
00:09:33,793 --> 00:09:36,093
THAT'S A PRIORITY ONE.
238
00:09:36,160 --> 00:09:38,426
IT MUST BE THAT NEW
TENANT IN 2‐F.
239
00:09:38,493 --> 00:09:41,593
PROBABLY GOT HIS ARM STUCK
IN THE TRASH SHOOT AGAIN.
240
00:09:41,660 --> 00:09:43,326
KEEP TRYING TO TELL HIM
241
00:09:43,393 --> 00:09:46,526
"YOU CAN'T CHANGE YOUR MIND
ABOUT NO GARBAGE, MAN."
242
00:09:49,460 --> 00:09:51,726
YEAH, HELLO. THIS IS OVERTON...
243
00:09:51,793 --> 00:09:53,093
OH.
244
00:09:53,160 --> 00:09:54,293
HELLO, THERE.
245
00:09:54,360 --> 00:09:56,126
MELODY.
246
00:09:56,193 --> 00:09:59,026
UH, LONG TIME NO HEAR.
247
00:09:59,093 --> 00:10:02,000
UH, HOW'D YOU GET THE NUMBER?
248
00:10:04,900 --> 00:10:06,166
OH, YEAH, PUG.
249
00:10:06,233 --> 00:10:07,533
GOOD OL' PUG.
250
00:10:07,600 --> 00:10:09,833
PUG DID IT.
251
00:10:09,900 --> 00:10:13,300
YEAH, THAT WAS ME WADDLING.
252
00:10:13,366 --> 00:10:16,800
WELL, I DON'T KNOW ABOUT THAT.
253
00:10:16,866 --> 00:10:18,533
HOLD ON A SECOND.
254
00:10:18,600 --> 00:10:21,066
UH... LOVE?
255
00:10:23,066 --> 00:10:25,400
UH, SHE WANTS TO GET TOGETHER.
256
00:10:25,466 --> 00:10:27,766
OVERTON?
257
00:10:27,833 --> 00:10:30,700
WELL, IT'LL BE A WELL‐LIT
NEUTRAL TERRITORY.
258
00:10:30,766 --> 00:10:32,133
I WON'T SHAVE.
259
00:10:32,200 --> 00:10:33,700
I WON'T USE BODY SPLASH.
260
00:10:33,766 --> 00:10:35,266
I WON'T EVEN MOISTURIZE.
261
00:10:35,333 --> 00:10:37,800
FINE, OVERTON, GO.
262
00:10:37,866 --> 00:10:39,066
ALL RIGHT.
263
00:10:39,133 --> 00:10:41,366
LOOK HERE, MELODY,
THERE'S A CHEEZY BURGER
264
00:10:41,433 --> 00:10:43,600
ON THE CORNER OF FLATBUSH AND ST.
JAMES.
265
00:10:43,666 --> 00:10:45,666
I'LL SEE YOU IN
ABOUT, OH, HALF HOUR?
266
00:10:45,733 --> 00:10:47,666
OKAY. SEE YOU.
267
00:10:47,733 --> 00:10:49,900
( Sighs )
268
00:10:49,966 --> 00:10:53,866
THANKS FOR BEING
UNDERSTANDING, BABY.
269
00:10:53,933 --> 00:10:56,133
OH, YEAH, THAT'S ME.
270
00:10:56,200 --> 00:10:58,200
GOOD OL' UNDERSTANDING
SYNCLAIRE.
271
00:10:58,266 --> 00:10:59,866
I'LL JUST SIT HERE...
272
00:10:59,933 --> 00:11:04,540
WHILE A PIECE OF MY
SOUL FESTERS AND DIES.
273
00:11:04,606 --> 00:11:05,873
WELL...
274
00:11:05,940 --> 00:11:07,773
AGAIN, THANKS.
275
00:11:09,940 --> 00:11:11,140
UM...
276
00:11:11,206 --> 00:11:12,840
CAN I BRING YOU ANYTHING BACK?
277
00:11:14,540 --> 00:11:16,740
JUST GO.
278
00:11:18,806 --> 00:11:20,806
FRIES!
279
00:11:32,540 --> 00:11:33,673
OVERTON.
280
00:11:33,740 --> 00:11:34,873
MELODY.
281
00:11:34,940 --> 00:11:37,506
YEAH, UH, KISS‐KISS.
282
00:11:37,573 --> 00:11:40,506
WHAT MADE YOU PICK
A PLACE LIKE THIS?
283
00:11:40,573 --> 00:11:42,306
EVERYTHING ABOUT IT SAYS "FAST."
284
00:11:42,373 --> 00:11:46,140
GET IN, GET WHAT YOU NEED, AND GET OUT.
SHALL WE?
285
00:11:46,206 --> 00:11:47,940
I'VE TAKEN THE LIBERTY
286
00:11:48,006 --> 00:11:51,240
OF ORDERING YOU A BONUS
MEAL TO SAVE TIME.
287
00:11:51,306 --> 00:11:53,973
OBIE, IT'S REALLY GOOD
TO SEE YOU AGAIN.
288
00:11:54,040 --> 00:11:56,640
I'D LIKE TO POINT OUT
THERE'S NOTHING SYMBOLIC
289
00:11:56,706 --> 00:11:58,773
ABOUT THE BRIDGES
OF MADISON COUNTY.
290
00:11:58,840 --> 00:11:59,946
COLLECTOR'S CUPS.
291
00:12:00,013 --> 00:12:01,480
THEY COME WITH THE MEAL.
292
00:12:01,546 --> 00:12:03,713
NOW WHICH ONE YOU WANT?
293
00:12:03,780 --> 00:12:07,146
CLINT AND MERYL COOKING OR
CLINT AND MERYL KISSING?
294
00:12:07,213 --> 00:12:09,480
I'LL TAKE KISSING.
295
00:12:12,980 --> 00:12:14,246
I CAN'T BELIEVE
296
00:12:14,313 --> 00:12:17,246
OVERTON'S WITH THAT
THIN‐ANKLED HEIFER RIGHT NOW.
297
00:12:17,313 --> 00:12:21,480
I SAY WE ROLL DOWN TO CHEEZY
BURGER AND KICK HER ASS.
298
00:12:22,946 --> 00:12:24,946
MAX.
299
00:12:28,480 --> 00:12:31,080
OR WE COULD JUST
STICK WITH PLAN "A"
300
00:12:31,146 --> 00:12:35,680
AND JUST SIT HERE THINKING
NASTY THOUGHTS ABOUT HER.
301
00:12:35,746 --> 00:12:36,880
HONEY, LOOK.
302
00:12:36,946 --> 00:12:39,280
IF YOU WANT TO PLAY THE GAME
303
00:12:39,346 --> 00:12:41,880
JUST CALL ONE OF
YOUR OLD PARAMOURS
304
00:12:41,946 --> 00:12:44,846
AND SIMPLY FAN THE
FLAME A LITTLE.
305
00:12:44,913 --> 00:12:47,213
IF YOU'RE NOT MAD
ENOUGH TO KICK BUTT
306
00:12:47,280 --> 00:12:50,246
MAYBE YOU SHOULD LET HIM
HAVE THIS LITTLE FLING.
307
00:12:50,313 --> 00:12:52,346
WHAT WOULD YOU SAY
308
00:12:52,413 --> 00:12:53,746
IF KYLE DID THAT?
309
00:12:53,813 --> 00:12:55,746
OH, YEAH, I'M WITH KYLE NOW.
310
00:12:55,813 --> 00:13:00,820
DANG, I GOT TO REMEMBER THAT.
311
00:13:00,886 --> 00:13:05,353
I JUST DON'T UNDERSTAND WHY THIS
IS SO IMPORTANT TO OVERTON.
312
00:13:05,420 --> 00:13:07,353
SYNCLAIRE, IT'S BASIC
MALE PSYCHOLOGY.
313
00:13:07,420 --> 00:13:09,586
WHEN A MAN SEES AN EX‐GIRLFRIEND
314
00:13:09,653 --> 00:13:12,020
HE CAN'T BELIEVE SHE'S
STILL BREATHING
315
00:13:12,086 --> 00:13:14,786
AND FORMING COMPLETE SENTENCES.
316
00:13:14,853 --> 00:13:16,853
HOW DOES SHE DO IT?
317
00:13:16,920 --> 00:13:18,353
HE MUST KNOW.
318
00:13:18,420 --> 00:13:20,020
( Knocking )
319
00:13:20,853 --> 00:13:22,686
HELLO, KYLE!
320
00:13:22,753 --> 00:13:24,086
MY MAN!
321
00:13:27,420 --> 00:13:28,686
OH, THAT'S RIGHT.
322
00:13:28,753 --> 00:13:31,686
I'M WITH YOU NOW.
323
00:13:31,753 --> 00:13:34,653
DANG, I'VE GOT TO REMEMBER THAT.
324
00:13:34,720 --> 00:13:36,853
SYNCLAIRE, OVERTON TELLS
ME YOU'RE A LITTLE UPSET.
325
00:13:36,920 --> 00:13:39,586
I ASSURE YOU, YOU HAVE
NOTHING TO WORRY ABOUT.
326
00:13:39,653 --> 00:13:41,253
REALLY? YOU DON'T THINK
327
00:13:41,320 --> 00:13:42,720
HE'S INTERESTED IN HER STILL?
328
00:13:42,786 --> 00:13:44,453
OH, PLEASE, AFTER THE WAY
329
00:13:44,520 --> 00:13:46,653
SHE TURNED DOWN HIS
MARRIAGE PROPOSAL.
330
00:13:46,720 --> 00:13:49,253
WHAT? ARE YOU KIDDING ME?
331
00:13:49,320 --> 00:13:52,953
( Women clamoring )
332
00:13:53,020 --> 00:13:56,953
UH... OBIE DIDN'T
MENTION THAT, HUH?
333
00:13:57,020 --> 00:13:58,886
OOH, MY BAD.
334
00:14:00,560 --> 00:14:01,826
OKAY.
335
00:14:01,893 --> 00:14:05,026
OKAY, SO OVERTON WANTS
TO MAKE HER MRS. JONES?
336
00:14:05,093 --> 00:14:07,626
THEY'VE GOT A THING GOING ON?
337
00:14:07,693 --> 00:14:09,826
SYNCLAIRE, YOU GOT IT ALL WRONG.
338
00:14:09,893 --> 00:14:11,826
TWO CAN PLAY THIS GAME.
339
00:14:11,893 --> 00:14:15,160
IT'S NOT LIKE MY PAST
DOESN'T HAVE ITS CHECKERS.
340
00:14:16,193 --> 00:14:17,326
WHERE YOU GOING?
341
00:14:17,393 --> 00:14:19,726
I MET A MAN IN BAYONNE
FIVE YEARS AGO
342
00:14:19,793 --> 00:14:22,160
WHO SENDS ME A CHRISTMAS
CARD EVERY YEAR.
343
00:14:22,226 --> 00:14:23,993
WELL, MY SECRET SANTA
344
00:14:24,060 --> 00:14:26,560
IS ABOUT TO GET A
LITTLE SOMETHING EXTRA
345
00:14:26,626 --> 00:14:27,960
IN HIS CHRISTMAS STOCKING.
346
00:14:28,026 --> 00:14:29,660
PING! HERE I GO.
347
00:14:35,860 --> 00:14:39,426
A LOT'S CHANGED IN
THREE YEARS, OBIE.
348
00:14:39,493 --> 00:14:42,093
YEAH, CERTAINLY HAS.
349
00:14:42,160 --> 00:14:46,626
I BET YOU'RE STILL TICKLISH
UNDERNEATH YOUR KNEES.
350
00:14:46,693 --> 00:14:48,226
NO, I THINK I'M OVER THAT.
351
00:14:48,293 --> 00:14:49,560
ON SEVERAL OCCASIONS
352
00:14:49,626 --> 00:14:52,326
I'VE WORN LONG KNEE
SOCKS WITHOUT GIGGLING.
353
00:14:52,393 --> 00:14:53,393
OH, YEAH?
354
00:14:53,426 --> 00:14:54,426
MM‐HMM. YEAH.
355
00:14:54,460 --> 00:14:55,560
REALLY?
356
00:14:55,626 --> 00:14:56,893
OH, WATCH OUT NOW.
357
00:14:56,960 --> 00:15:00,566
UH. OKAY. UM...
358
00:15:00,633 --> 00:15:01,900
LOOKY HERE, MELODY.
359
00:15:01,966 --> 00:15:04,566
THIS HAS ALL BEEN
ROARING GOOD FUN
360
00:15:04,633 --> 00:15:07,400
BUT WHY DID YOU WANT TO SEE ME?
361
00:15:07,466 --> 00:15:09,800
I'VE BEEN THINKING
A LOT ABOUT YOU
362
00:15:09,866 --> 00:15:12,000
IN THE LAST FEW MONTHS, OBIE
363
00:15:12,066 --> 00:15:15,400
AND WHEN I GOT THIS
JOB OFFER IN NEW YORK
364
00:15:15,466 --> 00:15:17,533
IT FELT LIKE FATE.
365
00:15:17,600 --> 00:15:19,000
AND...
366
00:15:19,066 --> 00:15:21,300
I NOTICED YOU DIDN'T HAVE
A RING ON YOUR FINGER.
367
00:15:21,366 --> 00:15:22,566
OH, YEAH.
368
00:15:22,633 --> 00:15:24,966
YOU'RE A FINE ONE
TO BRING UP RINGS.
369
00:15:25,033 --> 00:15:26,300
I GUESS YOU'VE FORGOTTEN
370
00:15:26,366 --> 00:15:28,700
ABOUT THE STEALERS VS.
THE BROWNS
371
00:15:28,766 --> 00:15:30,933
OCTOBER 11, 1992.
372
00:15:31,000 --> 00:15:32,000
IT TOOK A LOT
373
00:15:32,033 --> 00:15:34,533
TO GET THAT UP ON
THE SCOREBOARD.
374
00:15:34,600 --> 00:15:37,400
"MELODY, WILL YOU MARRY ME?
OVERTON."
375
00:15:37,466 --> 00:15:39,300
I REMEMBER, OBIE‐‐ I WAS THERE.
376
00:15:39,366 --> 00:15:42,400
BUT YOU DIDN'T SEE YOUR FACE
WHEN YOU TURNED ME DOWN
377
00:15:42,466 --> 00:15:44,000
ON THE DIAMOND‐VISION SCREEN.
378
00:15:44,066 --> 00:15:45,600
AND THERE WAS THE REFEREE
379
00:15:45,666 --> 00:15:49,333
WITH THE SMART ATTITUDE
SIGNALING "INCOMPLETE PASS."
380
00:15:51,000 --> 00:15:53,100
AND WHEN I RAN OUT OF THERE
381
00:15:53,166 --> 00:15:55,100
YOU DIDN'T EVEN FOLLOW.
382
00:15:55,166 --> 00:15:58,266
OBIE, I TRIED, BUT I
LOST YOU IN THE WAVE.
383
00:15:58,333 --> 00:16:00,473
YOU COULD HAVE TRACKED ME DOWN.
384
00:16:00,540 --> 00:16:03,273
I HUNG AROUND CLEVELAND
FOR ALMOST FOUR HOURS
385
00:16:03,340 --> 00:16:05,906
BEFORE I MOVED TO NEW YORK.
386
00:16:06,940 --> 00:16:08,073
OBIE...
387
00:16:08,140 --> 00:16:10,073
I WAS THE LOSER THAT DAY.
388
00:16:10,140 --> 00:16:11,406
I WAS SUCH A SNOB.
389
00:16:11,473 --> 00:16:14,406
I THOUGHT THAT YOU
WERE TOO SIMPLE FOR ME
390
00:16:14,473 --> 00:16:16,606
BUT I HAVE GROWN ENOUGH TO KNOW
391
00:16:16,673 --> 00:16:18,973
THAT I WANT A SIMPLE GUY‐‐
392
00:16:19,040 --> 00:16:20,840
A SIMPLE
393
00:16:20,906 --> 00:16:23,473
AVERAGE, ORDINARY,
RUN‐OF‐THE‐MILL...
394
00:16:23,540 --> 00:16:26,573
YEAH, YEAH, SIMPLE‐‐ I GET IT.
395
00:16:26,640 --> 00:16:28,573
OBIE, I KNOW IT WOULD BE FOOLISH
396
00:16:28,640 --> 00:16:30,573
TO THINK THAT WE COULD JUST...
397
00:16:30,640 --> 00:16:32,573
PICK UP WHERE WE LEFT OFF
398
00:16:32,640 --> 00:16:36,506
BUT, WELL, I WAS HOPING
THAT MAYBE WE COULD...
399
00:16:36,573 --> 00:16:38,040
START OVER?
400
00:16:43,506 --> 00:16:44,973
SYNCLAIRE JAMES?
401
00:16:45,040 --> 00:16:46,373
YOU MUST REMEMBER.
402
00:16:46,440 --> 00:16:49,873
WE MET IN ATLANTIC CITY AT
THE DOM DeLUISE TAFFY PULL.
403
00:16:49,940 --> 00:16:53,473
SORRY. STILL BLANK.
404
00:16:53,540 --> 00:16:56,473
YOU SEND ME A CHRISTMAS
CARD EVERY YEAR.
405
00:16:56,540 --> 00:16:58,673
OH, YOU AND 1,200 OTHER PEOPLE.
406
00:16:58,740 --> 00:17:00,146
I SELL INSURANCE.
407
00:17:00,213 --> 00:17:02,246
ON THIS YEAR'S CARD
408
00:17:02,313 --> 00:17:03,713
LIFT THE MANGER.
409
00:17:03,780 --> 00:17:05,546
YOU'LL FIND A HANDY CALENDAR.
410
00:17:06,580 --> 00:17:07,646
COME ON.
411
00:17:07,713 --> 00:17:10,180
WE WENT TO THE STEVE
AND EYDIE CONCERT.
412
00:17:10,246 --> 00:17:12,280
WELL, WE TALKED ABOUT GOING.
413
00:17:12,346 --> 00:17:14,780
WELL, ACTUALLY, I TALKED
ABOUT GOING, BUT...
414
00:17:14,846 --> 00:17:16,780
IT WAS A NIGHT OF
UNBRIDLED PASSION.
415
00:17:16,846 --> 00:17:18,080
Woman: DARREN!
416
00:17:18,146 --> 00:17:19,280
WHO'S AT THE DOOR?
417
00:17:19,346 --> 00:17:22,913
SOME WOMAN WHO DIDN'T
BUY A POLICY, DEAR!
418
00:17:22,980 --> 00:17:24,713
BUT WHO MIGHT BE INTERESTED
419
00:17:24,780 --> 00:17:27,913
IN A HIGH‐QUALITY INDIVIDUAL
HEALTH PLAN WHICH COVERS
420
00:17:27,980 --> 00:17:30,980
MOST PRE‐EXISTING
MENTAL CONDITIONS?
421
00:17:32,946 --> 00:17:34,446
MELODY, UM...
422
00:17:34,513 --> 00:17:36,946
SEEING YOU LIKE THIS
423
00:17:37,013 --> 00:17:38,446
RACKED BY REMORSE...
424
00:17:38,513 --> 00:17:40,513
IT DOES MY HEART GOOD.
425
00:17:42,446 --> 00:17:43,980
THERE'S NO FUTURE FOR US.
426
00:17:44,046 --> 00:17:47,346
I MEAN, I'M IN LOVE
WITH A WONDERFUL WOMAN.
427
00:17:47,413 --> 00:17:48,713
OVERTON
428
00:17:48,780 --> 00:17:51,113
WE WERE IN LOVE FOR SIX YEARS.
429
00:17:51,180 --> 00:17:53,113
THERE'S GOT TO BE
SOMETHING LEFT.
430
00:17:53,180 --> 00:17:56,380
OTHERWISE WHY DID YOU
AGREE TO SEE ME?
431
00:17:56,446 --> 00:17:59,920
MAYBE I WASN'T SURE YOU WERE
REALLY OUT OF MY SYSTEM.
432
00:17:59,986 --> 00:18:01,453
WELL...
433
00:18:03,153 --> 00:18:04,820
YOU'RE NOT OUT OF MINE.
434
00:18:14,886 --> 00:18:16,086
NOTHING.
435
00:18:21,520 --> 00:18:24,653
ARE YOU TELLING ME YOU
DIDN'T FEEL ANYTHING?
436
00:18:24,720 --> 00:18:26,986
NO SHORTNESS OF BREATH.
437
00:18:27,053 --> 00:18:29,386
MY LEFT ARM'S NOT NUMB
438
00:18:29,453 --> 00:18:33,353
AND I DON'T HEAR MARVIN GAYE.
439
00:18:33,420 --> 00:18:35,720
THANK YOU, MELODY.
440
00:18:35,786 --> 00:18:38,053
NOW I KNOW WHY I CAME
441
00:18:38,120 --> 00:18:40,286
AND WHY I HAVE TO GO.
442
00:18:40,353 --> 00:18:42,586
OBIE, ARE YOU SURE?
443
00:18:44,320 --> 00:18:46,586
WELL, CAN WE AT
LEAST BE FRIENDS?
444
00:18:46,653 --> 00:18:49,320
I BELIEVE IT WAS
LORD BYRON WHO SAID
445
00:18:49,386 --> 00:18:52,520
"THE BEST WAY WILL BE
TO AVOID EACH OTHER
446
00:18:52,586 --> 00:18:54,320
WITHOUT APPEARING TO DO SO."
447
00:18:54,386 --> 00:18:57,486
LETTER OF APRIL 25, 1814.
448
00:18:57,553 --> 00:18:58,886
GOOD‐BYE, GIRLIE.
449
00:19:03,660 --> 00:19:07,860
MAN, I CAN'T WAIT FOR
ALL OF THIS TO GO DOWN.
450
00:19:07,926 --> 00:19:10,660
OBIE SEEING THE WOMAN
WHO REJECTED HIM.
451
00:19:10,726 --> 00:19:12,460
SYNCLAIRE REKINDLING
AN OLD FLAME.
452
00:19:12,526 --> 00:19:16,393
THIS IS TRULY A HOMECOMING.
453
00:19:17,493 --> 00:19:19,193
HEY, HOW'D IT GO IN BAYONNE?
454
00:19:19,260 --> 00:19:21,326
OKAY, I GUESS.
455
00:19:21,393 --> 00:19:25,726
I'M COVERED UP TO THREE
MONTHS IN A SANITARIUM.
456
00:19:26,893 --> 00:19:28,826
I HEARD YOU COME
IN, SWEET THING.
457
00:19:28,893 --> 00:19:30,360
LOOK WHAT I GOT.
458
00:19:30,426 --> 00:19:32,560
YOUR FAVORITE‐‐ THAT BUBBLE GUM
459
00:19:32,626 --> 00:19:35,460
THAT LOOKS LIKE CHEWING TOBACCO.
460
00:19:35,526 --> 00:19:38,060
WELL, I ASKED FOR
FRIES, BUT THANKS.
461
00:19:39,593 --> 00:19:40,993
UH, SYNCLAIRE...
462
00:19:41,060 --> 00:19:42,393
OVERTON.
463
00:19:47,726 --> 00:19:50,460
I JUST WENT TO SEE A
FRIEND IN NEW JERSEY.
464
00:19:50,526 --> 00:19:54,060
ON THE WAY BACK, MAX'S
CAR RAN OUT OF GAS
465
00:19:54,126 --> 00:19:58,326
AND DURING THE WALK HOME, I
HAD A LOT OF TIME TO THINK.
466
00:19:58,393 --> 00:19:59,666
BY THE WAY, MAX
467
00:19:59,733 --> 00:20:01,666
YOU MAY WANT TO
CALL TRIPLE‐ "A."
468
00:20:01,733 --> 00:20:05,000
YOUR CAR'S SORT OF BLOCKING
THE BROOKLYN BRIDGE.
469
00:20:09,300 --> 00:20:10,466
I REMEMBER THE TIME
470
00:20:10,533 --> 00:20:12,933
THAT GUY FROM NIGHT
SCHOOL KISSED ME.
471
00:20:13,000 --> 00:20:16,166
YOU WERE MAD AT FIRST, BUT
EVENTUALLY YOU UNDERSTOOD.
472
00:20:16,233 --> 00:20:18,800
YEAH, WELL, THAT SORT OF THING
473
00:20:18,866 --> 00:20:22,200
CAN HAPPEN TO THE MOST
INNOCENT OF VICTIMS.
474
00:20:23,966 --> 00:20:27,500
LISTEN, THE WAY I SEE IT, EVERY
PERSON IN A RELATIONSHIP
475
00:20:27,566 --> 00:20:29,100
IS ENTITLED TO ONE "GIMME."
476
00:20:29,166 --> 00:20:32,366
THAT WAS MY "GIMME,"
AND THIS WAS YOURS.
477
00:20:32,433 --> 00:20:35,933
YOU KNOW, I'M REALLY
GRATEFUL TO MELODY.
478
00:20:36,000 --> 00:20:37,933
IF SHE HADN'T HAVE DUMPED ME
479
00:20:38,000 --> 00:20:40,333
I NEVER WOULD HAVE MET YOU.
480
00:20:51,933 --> 00:20:53,866
NOW, OVERTON?
481
00:20:53,933 --> 00:20:58,066
ARE YOU SURE YOU'VE TOLD ME
EVERYTHING ABOUT YOUR PAST?
482
00:20:58,133 --> 00:21:00,473
LIKE WHY YOU NEVER
TOLD SYNCLAIRE
483
00:21:00,540 --> 00:21:03,140
YOU ASKED THAT WOMAN
TO MARRY YOU.
484
00:21:04,506 --> 00:21:07,040
LOOK HERE, LITTLE
WOMAN, I MOVED YOU IN.
485
00:21:07,106 --> 00:21:10,473
I CAN MOVE YOUR HAPPY
ASS UP OUT OF HERE.
486
00:21:17,873 --> 00:21:20,740
SYNCLAIRE, I'LL BE HAPPY
487
00:21:20,806 --> 00:21:23,540
TO DISCUSS THIS WITH
YOU IN DETAIL LATER
488
00:21:23,606 --> 00:21:24,873
BUT RIGHT NOW
489
00:21:24,940 --> 00:21:27,940
I GOT TO HAVE A QUICK
CHAT WITH MY FRIEND KYLE.
490
00:21:29,606 --> 00:21:30,873
OH, SHORTY!
491
00:21:30,940 --> 00:21:32,906
GOT A MINUTE?
492
00:21:39,373 --> 00:21:40,873
MY WORK HERE IS DONE.
493
00:21:40,940 --> 00:21:43,873
THINK I'LL GO UP TO
MY LOVELY NEW ROOM.
494
00:21:44,973 --> 00:21:47,140
THAT'S A LOVELY NEW ATTITUDE.
495
00:21:47,206 --> 00:21:49,740
IT JUST TOOK ME
SOME TIME TO ADJUST
496
00:21:49,806 --> 00:21:52,140
AND BESIDES, WHEN I
WAS TEARING DOWN
497
00:21:52,206 --> 00:21:54,806
SYNCLAIRE'S ZODIAC WALLPAPER...
498
00:21:56,340 --> 00:21:58,106
I FOUND A LIVE CABLE OUTLET
499
00:21:58,173 --> 00:22:01,113
THAT GIVES ME EVERY
PREMIUM CHANNEL FOR FREE.
500
00:22:01,180 --> 00:22:03,146
SO IF ANYONE WANTS TO SEE
501
00:22:03,213 --> 00:22:04,913
THE TYSON FIGHT
502
00:22:04,980 --> 00:22:07,246
IT'S STARTING IN
JUST FOUR MINUTES
503
00:22:07,313 --> 00:22:10,246
AND IT'S ONLY 15 BUCKS.
504
00:22:10,313 --> 00:22:12,913
( laughing )
505
00:22:12,980 --> 00:22:16,980
[Captioned by The Caption Center
WGBH Educational Foundation]
506
00:22:19,646 --> 00:22:21,480
YOU GOT CHANGE FOR A 20?
34207
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