All language subtitles for Bill and Gloria Gaither - Because He lives
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Filipino
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latin
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese
Punjabi
Romanian
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Shona
Sindhi
Sinhala
Slovak
Slovenian
Somali
Spanish
Sundanese
Swahili
Swedish
Tajik
Tamil
Telugu
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Xhosa
Yiddish
Yoruba
Zulu
Odia (Oriya)
Kinyarwanda
Turkmen
Tatar
Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:09,183 --> 00:00:14,780 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
2
00:00:14,871 --> 00:00:18,864 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
3
00:00:18,942 --> 00:00:24,209 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
4
00:00:24,281 --> 00:00:28,308 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
5
00:00:28,385 --> 00:00:33,550 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
6
00:00:33,623 --> 00:00:37,923 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
7
00:00:37,961 --> 00:00:43,228 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
8
00:00:43,300 --> 00:00:47,236 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
9
00:00:47,304 --> 00:00:53,334 X1:025 X2:694 Y1:400 Y2:454
I'm going to fiII up my mind
with happy songs of praise,
10
00:00:53,410 --> 00:00:57,107 X1:025 X2:694 Y1:400 Y2:454
remind myseIf
that He's forgiven me.
11
00:00:57,180 --> 00:00:59,808 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
about the things
12
00:00:59,883 --> 00:01:02,078 X1:025 X2:694 Y1:400 Y2:454
I know wiII Iift me up
13
00:01:02,152 --> 00:01:03,449 X1:025 X2:694 Y1:400 Y2:454
Iike hope
14
00:01:03,520 --> 00:01:04,544 X1:025 X2:694 Y1:400 Y2:454
and peace
15
00:01:04,621 --> 00:01:05,849 X1:025 X2:694 Y1:400 Y2:454
and truth
16
00:01:05,922 --> 00:01:11,485 X1:025 X2:694 Y1:400 Y2:454
and Iove and simpIe honesty.
17
00:01:11,528 --> 00:01:16,431 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
18
00:01:16,500 --> 00:01:20,596 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
19
00:01:20,670 --> 00:01:25,801 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
20
00:01:25,876 --> 00:01:30,336 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
21
00:01:30,413 --> 00:01:36,010 X1:025 X2:694 Y1:400 Y2:454
When I think about despair,
I wiII onIy get depressed.
22
00:01:36,086 --> 00:01:40,022 X1:025 X2:694 Y1:400 Y2:454
When I dweII on troubIe,
I wiII troubIed be.
23
00:01:40,090 --> 00:01:45,084 X1:025 X2:694 Y1:400 Y2:454
If I fiII up my mind
with the goodness of the Lord,
24
00:01:45,128 --> 00:01:54,264 X1:025 X2:694 Y1:400 Y2:454
He wiII make me more Iike Him
and meet my every need.
25
00:01:54,337 --> 00:01:59,274 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
26
00:01:59,342 --> 00:02:03,335 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
27
00:02:03,413 --> 00:02:08,851 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
28
00:02:08,919 --> 00:02:13,185 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
29
00:02:20,263 --> 00:02:25,496 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
30
00:02:25,569 --> 00:02:29,528 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
31
00:02:29,606 --> 00:02:35,135 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
32
00:02:35,212 --> 00:02:39,410 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
33
00:02:39,482 --> 00:02:44,476 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
on the good things,
34
00:02:44,554 --> 00:02:48,581 X1:025 X2:694 Y1:400 Y2:454
think on what
the Lord has done for me.
35
00:02:48,625 --> 00:02:53,961 X1:025 X2:694 Y1:400 Y2:454
I'm going to think
'bout the good, good things.
36
00:02:54,030 --> 00:02:58,091 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
37
00:02:58,168 --> 00:03:03,765 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
38
00:03:03,840 --> 00:03:12,680 X1:025 X2:694 Y1:400 Y2:454
What I think
is what I'm going to be.
39
00:03:22,559 --> 00:03:23,821 X1:025 X2:694 Y1:400 Y2:454
Because He Iives,
I can face tomorrow,
40
00:03:23,893 --> 00:03:26,191 X1:025 X2:694 Y1:400 Y2:454
Ioving God, Ioving each other.
41
00:03:26,263 --> 00:03:27,491 X1:025 X2:694 Y1:400 Y2:454
He touched me.
42
00:03:27,564 --> 00:03:30,192 X1:025 X2:694 Y1:400 Y2:454
The Ionger I serve Him,
the sweeter He grows.
43
00:03:30,267 --> 00:03:31,666 X1:025 X2:694 Y1:400 Y2:454
I've just seen Jesus.
44
00:03:31,735 --> 00:03:33,202 X1:025 X2:694 Y1:400 Y2:454
The King is Coming;
45
00:03:33,270 --> 00:03:34,362 X1:025 X2:694 Y1:400 Y2:454
some of the most powerfuI words
ever sung
46
00:03:34,437 --> 00:03:38,897 X1:025 X2:694 Y1:400 Y2:454
first got their start
in a smaII Indiana town
47
00:03:38,975 --> 00:03:42,433 X1:025 X2:694 Y1:400 Y2:454
when two young schooIteachers
teamed up in 1 962
48
00:03:42,512 --> 00:03:45,481 X1:025 X2:694 Y1:400 Y2:454
to form not onIy a unique
and Iasting marriage
49
00:03:45,548 --> 00:03:47,743 X1:025 X2:694 Y1:400 Y2:454
but possibIy the most proIific
songwriting team
50
00:03:47,817 --> 00:03:49,580 X1:025 X2:694 Y1:400 Y2:454
known to gospeI music.
51
00:03:49,653 --> 00:03:51,621 X1:025 X2:694 Y1:400 Y2:454
Perhaps it is the simpIicity
of their music
52
00:03:51,688 --> 00:03:54,919 X1:025 X2:694 Y1:400 Y2:454
that first caught our attention.
53
00:03:54,958 --> 00:03:58,894 X1:025 X2:694 Y1:400 Y2:454
Their songs have provided hope, strength,
and spirituaI guidance
54
00:03:58,962 --> 00:04:01,590 X1:025 X2:694 Y1:400 Y2:454
for miIIions of Iisteners across the gIobe
55
00:04:01,665 --> 00:04:07,069 X1:025 X2:694 Y1:400 Y2:454
and have bridged the chasm between doctrines,
cuItures, and musicaI generations.
56
00:04:07,137 --> 00:04:12,575 X1:025 X2:694 Y1:400 Y2:454
But without a doubt, it was their source,
the endIess weII of truth,
57
00:04:12,642 --> 00:04:15,805 X1:025 X2:694 Y1:400 Y2:454
that IiteraIIy started
the whoIe worId singing.
58
00:04:15,879 --> 00:04:17,039 X1:025 X2:694 Y1:400 Y2:454
''Because He Lives:
59
00:04:17,113 --> 00:04:20,378 X1:025 X2:694 Y1:400 Y2:454
The Stories Behind the Songs
of BiII and GIoria Gaither.''
60
00:04:21,451 --> 00:04:23,112 X1:025 X2:694 Y1:400 Y2:454
Hi, everybody.
61
00:04:23,186 --> 00:04:25,984 X1:025 X2:694 Y1:400 Y2:454
I'm Mark Lowry, and I'm sitting
in the famiIy room
62
00:04:26,056 --> 00:04:27,455 X1:025 X2:694 Y1:400 Y2:454
of BiII and GIoria Gaither.
63
00:04:27,490 --> 00:04:29,617 X1:025 X2:694 Y1:400 Y2:454
You know, this is the very spot
where they wrote
64
00:04:29,693 --> 00:04:31,627 X1:025 X2:694 Y1:400 Y2:454
''Because He Lives,''
''The King is Coming,''
65
00:04:31,695 --> 00:04:33,560 X1:025 X2:694 Y1:400 Y2:454
''There's Something
About That Name,''
66
00:04:33,630 --> 00:04:34,722 X1:025 X2:694 Y1:400 Y2:454
''He Touched Me.''
67
00:04:34,798 --> 00:04:36,197 X1:025 X2:694 Y1:400 Y2:454
And we're going
to be hearing a Iot
68
00:04:36,266 --> 00:04:37,790 X1:025 X2:694 Y1:400 Y2:454
of those great songs tonight,
69
00:04:37,867 --> 00:04:41,496 X1:025 X2:694 Y1:400 Y2:454
and we're going to get to hear
the stories behind those songs.
70
00:04:41,571 --> 00:04:44,631 X1:025 X2:694 Y1:400 Y2:454
And on top of that,
I get to ask the questions.
71
00:04:44,708 --> 00:04:45,834 X1:025 X2:694 Y1:400 Y2:454
It's my show tonight.
72
00:04:45,909 --> 00:04:47,274 X1:025 X2:694 Y1:400 Y2:454
I'm so excited.
73
00:04:47,344 --> 00:04:49,471 X1:025 X2:694 Y1:400 Y2:454
But right now,
Iet's go to the Indiana roof
74
00:04:49,546 --> 00:04:51,173 X1:025 X2:694 Y1:400 Y2:454
and hear the Homecoming Friends
75
00:04:51,247 --> 00:04:54,808 X1:025 X2:694 Y1:400 Y2:454
singing the songs
of BiII and GIoria Gaither.
76
00:04:54,884 --> 00:05:02,188 X1:025 X2:694 Y1:400 Y2:454
Eyes have not seen,
ears have not heard
77
00:05:02,225 --> 00:05:06,025 X1:025 X2:694 Y1:400 Y2:454
aII the things
that God is now preparing
78
00:05:06,096 --> 00:05:11,159 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
79
00:05:11,234 --> 00:05:19,539 X1:025 X2:694 Y1:400 Y2:454
Eyes have not seen,
ears have not heard
80
00:05:19,609 --> 00:05:23,409 X1:025 X2:694 Y1:400 Y2:454
aII the things
that God is now preparing
81
00:05:23,480 --> 00:05:27,917 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
82
00:05:27,984 --> 00:05:30,145 X1:025 X2:694 Y1:400 Y2:454
There is order
and there's spIendor,
83
00:05:30,220 --> 00:05:32,586 X1:025 X2:694 Y1:400 Y2:454
and there's grandeur everywhere
84
00:05:32,655 --> 00:05:36,751 X1:025 X2:694 Y1:400 Y2:454
on Earth and in the universe
and cosmos way out there.
85
00:05:36,793 --> 00:05:40,991 X1:025 X2:694 Y1:400 Y2:454
Now, if, in onIy six short days,
God made this aII appear,
86
00:05:41,064 --> 00:05:46,627 X1:025 X2:694 Y1:400 Y2:454
just think what He's been up to
for the Iast 1 0,000 years.
87
00:05:46,703 --> 00:05:54,974 X1:025 X2:694 Y1:400 Y2:454
Eyes have not seen,
ears have not heard
88
00:05:55,044 --> 00:05:58,810 X1:025 X2:694 Y1:400 Y2:454
aII the things
that God is now preparing
89
00:05:58,882 --> 00:06:03,979 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
90
00:06:04,053 --> 00:06:05,748 X1:025 X2:694 Y1:400 Y2:454
I can't beIieve
the change in me
91
00:06:05,822 --> 00:06:07,915 X1:025 X2:694 Y1:400 Y2:454
since Jesus Christ I've found.
92
00:06:07,957 --> 00:06:11,154 X1:025 X2:694 Y1:400 Y2:454
He renovated my whoIe worId
and turned my Iife around.
93
00:06:11,227 --> 00:06:12,285 X1:025 X2:694 Y1:400 Y2:454
Now, if I've grown
94
00:06:12,362 --> 00:06:16,093 X1:025 X2:694 Y1:400 Y2:454
tiII I can't find
the man I used to be,
95
00:06:16,166 --> 00:06:21,661 X1:025 X2:694 Y1:400 Y2:454
just think of the possibiIities
when He gets through with me.
96
00:06:21,738 --> 00:06:30,203 X1:025 X2:694 Y1:400 Y2:454
Eyes have not seen,
ears have not heard
97
00:06:30,280 --> 00:06:33,943 X1:025 X2:694 Y1:400 Y2:454
aII the things
that God is now preparing
98
00:06:34,017 --> 00:06:38,954 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
99
00:06:39,022 --> 00:06:47,555 X1:025 X2:694 Y1:400 Y2:454
Eyes have not seen,
ears have not heard
100
00:06:47,597 --> 00:06:50,896 X1:025 X2:694 Y1:400 Y2:454
aII the things
that God is now preparing
101
00:06:50,967 --> 00:06:55,802 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
102
00:06:55,872 --> 00:06:59,569 X1:025 X2:694 Y1:400 Y2:454
AII the things
that God is now preparing
103
00:06:59,642 --> 00:07:13,113 X1:025 X2:694 Y1:400 Y2:454
for the saints
that Iove the Lord.
104
00:07:19,863 --> 00:07:23,959 X1:025 X2:694 Y1:400 Y2:454
WeII, GIoria and BiII,
here we are in the famiIy room.
105
00:07:24,033 --> 00:07:27,469 X1:025 X2:694 Y1:400 Y2:454
And now, this is the piano
where you wrote aII those songs,
106
00:07:27,537 --> 00:07:30,131 X1:025 X2:694 Y1:400 Y2:454
those great cIassics
that we Iove and sing.
107
00:07:30,206 --> 00:07:32,766 X1:025 X2:694 Y1:400 Y2:454
Pretty much right here
and usuaIIy before noon
108
00:07:32,842 --> 00:07:34,036 X1:025 X2:694 Y1:400 Y2:454
right here in this room,
109
00:07:34,110 --> 00:07:36,908 X1:025 X2:694 Y1:400 Y2:454
except for maybe
''He Touched Me,''
110
00:07:36,980 --> 00:07:38,971 X1:025 X2:694 Y1:400 Y2:454
which we wrote in a IittIe
rented house that we rented
111
00:07:39,048 --> 00:07:41,710 X1:025 X2:694 Y1:400 Y2:454
from BiII's dad and mom
when we first got married.
112
00:07:41,784 --> 00:07:44,617 X1:025 X2:694 Y1:400 Y2:454
But most of them have
been written right here at this piano.
113
00:07:44,687 --> 00:07:45,813 X1:025 X2:694 Y1:400 Y2:454
WeII, I have
been Iooking forward
114
00:07:45,889 --> 00:07:47,413 X1:025 X2:694 Y1:400 Y2:454
to this moment for a Iong time.
115
00:07:47,457 --> 00:07:50,449 X1:025 X2:694 Y1:400 Y2:454
I feeI Iike one of your songs
that I Iove--
116
00:07:50,527 --> 00:07:52,859 X1:025 X2:694 Y1:400 Y2:454
''I Just FeeI Like Something Good's
About To Happen,''
117
00:07:52,929 --> 00:07:54,590 X1:025 X2:694 Y1:400 Y2:454
'cause I've got
a Iot of good questions.
118
00:07:54,664 --> 00:07:55,631 X1:025 X2:694 Y1:400 Y2:454
How did you write that one?
119
00:07:55,698 --> 00:07:56,687 X1:025 X2:694 Y1:400 Y2:454
You know what?
120
00:07:56,766 --> 00:08:00,099 X1:025 X2:694 Y1:400 Y2:454
We reaIIy wrote it
out of necessity,
121
00:08:00,169 --> 00:08:04,265 X1:025 X2:694 Y1:400 Y2:454
because we needed a happy song up front
in our concerts.
122
00:08:04,340 --> 00:08:06,137 X1:025 X2:694 Y1:400 Y2:454
Somehow, peopIe come in--
they've been reading
123
00:08:06,209 --> 00:08:08,302 X1:025 X2:694 Y1:400 Y2:454
a Iot of newspapers,
a Iot of bad articIes--
124
00:08:08,378 --> 00:08:10,346 X1:025 X2:694 Y1:400 Y2:454
you know, they're depressed,
you know?
125
00:08:10,413 --> 00:08:13,075 X1:025 X2:694 Y1:400 Y2:454
And so I toId GIoria, ''We need
something that simpIy says,
126
00:08:13,149 --> 00:08:18,177 X1:025 X2:694 Y1:400 Y2:454
'I just feeI Iike something good
is about to happen.'''
127
00:08:18,254 --> 00:08:20,848 X1:025 X2:694 Y1:400 Y2:454
I just feeI
Iike something good
128
00:08:20,924 --> 00:08:23,392 X1:025 X2:694 Y1:400 Y2:454
is on its way.
129
00:08:23,426 --> 00:08:28,454 X1:025 X2:694 Y1:400 Y2:454
He has promised
that He'd open aII of Heaven,
130
00:08:28,531 --> 00:08:33,696 X1:025 X2:694 Y1:400 Y2:454
and, brother,
it couId happen any day.
131
00:08:33,770 --> 00:08:38,969 X1:025 X2:694 Y1:400 Y2:454
When God's peopIe humbIe themseIves
and caII on Jesus
132
00:08:39,042 --> 00:08:44,275 X1:025 X2:694 Y1:400 Y2:454
and they Iook to Heaven,
expecting as they pray,
133
00:08:44,347 --> 00:08:50,252 X1:025 X2:694 Y1:400 Y2:454
I just feeI Iike something good
is about to happen,
134
00:08:50,320 --> 00:08:54,086 X1:025 X2:694 Y1:400 Y2:454
and, brother,
this couId be that very day.
135
00:08:54,157 --> 00:09:00,027 X1:025 X2:694 Y1:400 Y2:454
I have noticed
aII the bad news in the paper.
136
00:09:00,063 --> 00:09:05,194 X1:025 X2:694 Y1:400 Y2:454
Seems Iike things
are getting bIeaker every day.
137
00:09:05,268 --> 00:09:10,262 X1:025 X2:694 Y1:400 Y2:454
Jake, for this chiId of God,
it makes no difference,
138
00:09:10,340 --> 00:09:15,744 X1:025 X2:694 Y1:400 Y2:454
'cause I know it's going
to get better either way.
139
00:09:15,812 --> 00:09:21,341 X1:025 X2:694 Y1:400 Y2:454
I have never been
more thriIIed about tomorrow.
140
00:09:21,417 --> 00:09:26,320 X1:025 X2:694 Y1:400 Y2:454
Sunshine's aIways bursting through
skies of gray.
141
00:09:26,389 --> 00:09:31,793 X1:025 X2:694 Y1:400 Y2:454
I just feeI Iike something good
is just about to happen,
142
00:09:31,828 --> 00:09:36,731 X1:025 X2:694 Y1:400 Y2:454
and, brother,
it couId be that very day.
143
00:09:36,799 --> 00:09:41,498 X1:025 X2:694 Y1:400 Y2:454
I just feeI Iike something good
is about to happen,
144
00:09:41,571 --> 00:09:46,201 X1:025 X2:694 Y1:400 Y2:454
and, brother,
this couId be that very day.
145
00:09:46,275 --> 00:09:58,016 X1:025 X2:694 Y1:400 Y2:454
And, brother, this couId be
that very day.
146
00:10:04,127 --> 00:10:06,891 X1:025 X2:694 Y1:400 Y2:454
This is the first
Christian record--
147
00:10:06,963 --> 00:10:10,194 X1:025 X2:694 Y1:400 Y2:454
It was actuaIIy
just a musicaI at first,
148
00:10:10,266 --> 00:10:13,667 X1:025 X2:694 Y1:400 Y2:454
and then you made a demo of it,
and it soId a miIIion copies.
149
00:10:13,736 --> 00:10:14,964 X1:025 X2:694 Y1:400 Y2:454
The ironic thing
about that--
150
00:10:15,038 --> 00:10:18,565 X1:025 X2:694 Y1:400 Y2:454
It was just made to be a demo
for church choirs.
151
00:10:18,641 --> 00:10:19,608 X1:025 X2:694 Y1:400 Y2:454
For church choirs.
152
00:10:19,676 --> 00:10:21,337 X1:025 X2:694 Y1:400 Y2:454
But it was a speciaI work,
153
00:10:21,411 --> 00:10:25,245 X1:025 X2:694 Y1:400 Y2:454
and Bob MacKenzie introduced us
to an arranger named Ronn Huff,
154
00:10:25,314 --> 00:10:26,372 X1:025 X2:694 Y1:400 Y2:454
an upcoming arranger.
155
00:10:26,449 --> 00:10:27,416 X1:025 X2:694 Y1:400 Y2:454
Not a bad one.
156
00:10:27,483 --> 00:10:28,745 X1:025 X2:694 Y1:400 Y2:454
Not a bad one.
157
00:10:28,818 --> 00:10:30,809 X1:025 X2:694 Y1:400 Y2:454
And he took our songs uptown.
158
00:10:30,887 --> 00:10:32,149 X1:025 X2:694 Y1:400 Y2:454
We had these
IittIe country tunes.
159
00:10:32,221 --> 00:10:34,052 X1:025 X2:694 Y1:400 Y2:454
I remember one of the tunes
in there:
160
00:10:34,123 --> 00:10:39,026 X1:025 X2:694 Y1:400 Y2:454
You ask me why
my heart keeps singing,
161
00:10:39,062 --> 00:10:43,089 X1:025 X2:694 Y1:400 Y2:454
why I can sing
when things go wrong.
162
00:10:43,166 --> 00:10:45,896 X1:025 X2:694 Y1:400 Y2:454
But since I found
the source of music,
163
00:10:45,968 --> 00:10:49,267 X1:025 X2:694 Y1:400 Y2:454
I just can't heIp it;
God gave me the song.
164
00:10:49,338 --> 00:10:50,828 X1:025 X2:694 Y1:400 Y2:454
That's aII I know in ''aIIeIuia''
but we had:
165
00:10:50,907 --> 00:10:57,210 X1:025 X2:694 Y1:400 Y2:454
Too many nights
without God's promise,
166
00:10:57,280 --> 00:11:01,410 X1:025 X2:694 Y1:400 Y2:454
too many days without a song.
167
00:11:01,484 --> 00:11:06,183 X1:025 X2:694 Y1:400 Y2:454
Then Jesus came
and gave Iife meaning.
168
00:11:06,255 --> 00:11:10,191 X1:025 X2:694 Y1:400 Y2:454
Day after day,
the song goes on,
169
00:11:10,226 --> 00:11:13,957 X1:025 X2:694 Y1:400 Y2:454
for since I found
the source of music,
170
00:11:14,030 --> 00:11:17,727 X1:025 X2:694 Y1:400 Y2:454
I just can't heIp it,
God gave the song.
171
00:11:17,800 --> 00:11:21,292 X1:025 X2:694 Y1:400 Y2:454
Ronn said, ''That IittIe song
you got, 'God Gave This Song,'
172
00:11:21,370 --> 00:11:23,600 X1:025 X2:694 Y1:400 Y2:454
wouId you mind
if I did some changing in it?''
173
00:11:23,673 --> 00:11:27,734 X1:025 X2:694 Y1:400 Y2:454
And I said, ''No. Fine.
What have you got in mind?''
174
00:11:27,810 --> 00:11:31,177 X1:025 X2:694 Y1:400 Y2:454
And so aII of a sudden,
it was that--
175
00:11:34,884 --> 00:11:35,976 X1:025 X2:694 Y1:400 Y2:454
See--what is it?
176
00:11:36,052 --> 00:11:39,021 X1:025 X2:694 Y1:400 Y2:454
I can't even pIay what he did.
177
00:11:39,088 --> 00:11:42,114 X1:025 X2:694 Y1:400 Y2:454
And it came back,
178
00:11:42,158 --> 00:11:43,318 X1:025 X2:694 Y1:400 Y2:454
and he had this part
in the middIe
179
00:11:43,392 --> 00:11:45,485 X1:025 X2:694 Y1:400 Y2:454
where the army's marching
against everything.
180
00:11:45,561 --> 00:11:46,528 X1:025 X2:694 Y1:400 Y2:454
He said, ''Do you Iike it?''
181
00:11:46,596 --> 00:11:49,064 X1:025 X2:694 Y1:400 Y2:454
I said, ''I Iove it.''
182
00:11:49,132 --> 00:11:52,659 X1:025 X2:694 Y1:400 Y2:454
So when we got ready
to pubIish the musicaI
183
00:11:52,735 --> 00:11:54,930 X1:025 X2:694 Y1:400 Y2:454
on that particuIar song--
the rest of the songs,
184
00:11:55,004 --> 00:11:59,566 X1:025 X2:694 Y1:400 Y2:454
he took our songs in compIetion
and arranged them.
185
00:11:59,642 --> 00:12:01,769 X1:025 X2:694 Y1:400 Y2:454
But that one, he added
this new part to it.
186
00:12:01,844 --> 00:12:02,936 X1:025 X2:694 Y1:400 Y2:454
And in fact, we even got
a new copyright on it
187
00:12:03,012 --> 00:12:07,346 X1:025 X2:694 Y1:400 Y2:454
that says
''Lyrics by GIoria,''
188
00:12:07,416 --> 00:12:10,044 X1:025 X2:694 Y1:400 Y2:454
but ''Music by Ronn Huff
and BiII Gaither.''
189
00:12:10,119 --> 00:12:11,882 X1:025 X2:694 Y1:400 Y2:454
And Bob Benson was kidding
190
00:12:11,954 --> 00:12:13,080 X1:025 X2:694 Y1:400 Y2:454
One time--he says,
191
00:12:13,156 --> 00:12:14,487 X1:025 X2:694 Y1:400 Y2:454
''Yeah, God may have given you
that song, BiII,
192
00:12:14,524 --> 00:12:18,961 X1:025 X2:694 Y1:400 Y2:454
but I think he gave a IittIe bit more of it
to Ronn Huff.''
193
00:12:22,698 --> 00:12:32,266 X1:025 X2:694 Y1:400 Y2:454
You ask me why
my heart keeps singing,
194
00:12:32,341 --> 00:12:41,113 X1:025 X2:694 Y1:400 Y2:454
why I can sing
when things go wrong.
195
00:12:41,184 --> 00:12:50,889 X1:025 X2:694 Y1:400 Y2:454
But since I found
the source of music,
196
00:12:50,927 --> 00:12:55,125 X1:025 X2:694 Y1:400 Y2:454
I just can't heIp it.
197
00:12:55,198 --> 00:13:01,967 X1:025 X2:694 Y1:400 Y2:454
God gave the song.
198
00:13:19,622 --> 00:13:28,758 X1:025 X2:694 Y1:400 Y2:454
But since I found
the source of music,
199
00:13:28,798 --> 00:13:32,928 X1:025 X2:694 Y1:400 Y2:454
I just can't heIp it.
200
00:13:33,002 --> 00:13:40,670 X1:025 X2:694 Y1:400 Y2:454
God gave the song.
201
00:13:40,743 --> 00:13:48,741 X1:025 X2:694 Y1:400 Y2:454
Come waIk with me
through fieIds and forests.
202
00:13:48,818 --> 00:13:51,946 X1:025 X2:694 Y1:400 Y2:454
We'II cIimb the hiII,
203
00:13:52,021 --> 00:13:57,516 X1:025 X2:694 Y1:400 Y2:454
and we'II stiII hear that song.
204
00:13:57,560 --> 00:14:06,662 X1:025 X2:694 Y1:400 Y2:454
For even hiIIs,
they resound with music.
205
00:14:06,736 --> 00:14:17,874 X1:025 X2:694 Y1:400 Y2:454
They just can't heIp it,
'cause God gave the song.
206
00:14:25,922 --> 00:14:28,550 X1:025 X2:694 Y1:400 Y2:454
Yes, God gave the song.
207
00:14:28,591 --> 00:14:38,660 X1:025 X2:694 Y1:400 Y2:454
The song's aIways been with us.
208
00:14:38,734 --> 00:14:43,000 X1:025 X2:694 Y1:400 Y2:454
The song came into our worId
through a manger,
209
00:14:43,072 --> 00:14:47,668 X1:025 X2:694 Y1:400 Y2:454
a manger in BethIehem.
210
00:14:47,743 --> 00:14:51,679 X1:025 X2:694 Y1:400 Y2:454
It was a simpIe IittIe song,
211
00:14:51,747 --> 00:15:03,784 X1:025 X2:694 Y1:400 Y2:454
a simpIe, IoveIy song
for every man to sing.
212
00:15:03,826 --> 00:15:09,958 X1:025 X2:694 Y1:400 Y2:454
Right from the first,
some tried to ignore it.
213
00:15:10,032 --> 00:15:13,126 X1:025 X2:694 Y1:400 Y2:454
They said, ''There's no song.
214
00:15:13,202 --> 00:15:20,370 X1:025 X2:694 Y1:400 Y2:454
It simpIy doesn't exist.''
215
00:15:20,443 --> 00:15:25,676 X1:025 X2:694 Y1:400 Y2:454
Others tried to change the tune.
216
00:15:25,748 --> 00:15:33,416 X1:025 X2:694 Y1:400 Y2:454
They made Iaws to stop it.
217
00:15:33,489 --> 00:15:38,017 X1:025 X2:694 Y1:400 Y2:454
Armies marched against it.
218
00:15:38,060 --> 00:15:43,054 X1:025 X2:694 Y1:400 Y2:454
They kiIIed some
who sang the song.
219
00:15:43,132 --> 00:15:46,533 X1:025 X2:694 Y1:400 Y2:454
They screamed at it in fury.
220
00:15:46,602 --> 00:15:50,629 X1:025 X2:694 Y1:400 Y2:454
They tried to drown it out.
221
00:15:50,706 --> 00:15:56,702 X1:025 X2:694 Y1:400 Y2:454
FinaIIy, they naiIed that song to a tree.
222
00:16:06,789 --> 00:16:11,726 X1:025 X2:694 Y1:400 Y2:454
And they said to themseIves:
''There.
223
00:16:11,761 --> 00:16:17,461 X1:025 X2:694 Y1:400 Y2:454
That shouId take care of that.''
224
00:16:22,972 --> 00:16:26,464 X1:025 X2:694 Y1:400 Y2:454
But it didn't.
225
00:16:26,542 --> 00:16:31,172 X1:025 X2:694 Y1:400 Y2:454
What's that I hear?
226
00:16:31,247 --> 00:16:35,980 X1:025 X2:694 Y1:400 Y2:454
I stiII hear that music.
227
00:16:36,052 --> 00:16:44,619 X1:025 X2:694 Y1:400 Y2:454
Day after day,
His song goes on.
228
00:16:44,660 --> 00:16:53,625 X1:025 X2:694 Y1:400 Y2:454
For once you know
the source of music,
229
00:16:53,702 --> 00:16:58,036 X1:025 X2:694 Y1:400 Y2:454
you'II aIways hear it.
230
00:16:58,107 --> 00:17:04,068 X1:025 X2:694 Y1:400 Y2:454
God gave the song.
231
00:17:04,146 --> 00:17:07,343 X1:025 X2:694 Y1:400 Y2:454
Come on and join.
232
00:17:07,416 --> 00:17:12,513 X1:025 X2:694 Y1:400 Y2:454
It's the song of Jesus.
233
00:17:12,588 --> 00:17:21,587 X1:025 X2:694 Y1:400 Y2:454
Day after day,
the song goes on.
234
00:17:21,630 --> 00:17:31,005 X1:025 X2:694 Y1:400 Y2:454
For once you know
the source of the music,
235
00:17:31,073 --> 00:17:34,839 X1:025 X2:694 Y1:400 Y2:454
you'II aIways hear it.
236
00:17:34,910 --> 00:17:39,904 X1:025 X2:694 Y1:400 Y2:454
God gave the song.
237
00:17:39,982 --> 00:17:49,914 X1:025 X2:694 Y1:400 Y2:454
For once I found and I know
the source of the music,
238
00:17:49,959 --> 00:17:54,055 X1:025 X2:694 Y1:400 Y2:454
I just can't heIp it.
239
00:17:54,130 --> 00:18:03,163 X1:025 X2:694 Y1:400 Y2:454
God gave the song.
240
00:18:15,384 --> 00:18:22,347 X1:025 X2:694 Y1:400 Y2:454
He gave the song.
241
00:18:37,439 --> 00:18:39,202 X1:025 X2:694 Y1:400 Y2:454
There are days
fiIIed with sorrow
242
00:18:39,275 --> 00:18:40,435 X1:025 X2:694 Y1:400 Y2:454
and pIans for tomorrow,
243
00:18:40,509 --> 00:18:46,744 X1:025 X2:694 Y1:400 Y2:454
But this is the time
I must sing,
244
00:18:46,815 --> 00:18:52,185 X1:025 X2:694 Y1:400 Y2:454
and I know there's a reason why in his own season
245
00:18:52,254 --> 00:18:57,317 X1:025 X2:694 Y1:400 Y2:454
God gives me a song I can sing.
246
00:18:57,359 --> 00:19:03,559 X1:025 X2:694 Y1:400 Y2:454
Oh, keep siIent ye mountains,
ye fieIds, and ye fountains,
247
00:19:03,632 --> 00:19:08,729 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
248
00:19:08,804 --> 00:19:12,262 X1:025 X2:694 Y1:400 Y2:454
Oh, it's the time
to sing praises
249
00:19:12,341 --> 00:19:14,866 X1:025 X2:694 Y1:400 Y2:454
to the rock of the ages,
250
00:19:14,944 --> 00:19:21,144 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
251
00:19:21,217 --> 00:19:26,553 X1:025 X2:694 Y1:400 Y2:454
La, Ia, Ia, Ia-Ia.
252
00:19:26,622 --> 00:19:32,322 X1:025 X2:694 Y1:400 Y2:454
If I've seen and I've done
and I've gained and I've won
253
00:19:32,361 --> 00:19:36,730 X1:025 X2:694 Y1:400 Y2:454
aII the good things
that Iife ever brings.
254
00:19:36,799 --> 00:19:38,027 X1:025 X2:694 Y1:400 Y2:454
You know what?
255
00:19:38,100 --> 00:19:43,470 X1:025 X2:694 Y1:400 Y2:454
I've stiII tasted enough
of Iife's miracIe stuff
256
00:19:43,539 --> 00:19:48,533 X1:025 X2:694 Y1:400 Y2:454
that forever
I just have to sing.
257
00:19:48,611 --> 00:19:55,016 X1:025 X2:694 Y1:400 Y2:454
Oh, keep siIent ye mountains,
ye fieIds, and ye fountains,
258
00:19:55,084 --> 00:19:59,953 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
259
00:20:00,022 --> 00:20:03,355 X1:025 X2:694 Y1:400 Y2:454
Oh, it's the time
to sing praises
260
00:20:03,392 --> 00:20:06,020 X1:025 X2:694 Y1:400 Y2:454
to the rock of the ages,
261
00:20:06,095 --> 00:20:11,226 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
262
00:20:11,300 --> 00:20:17,102 X1:025 X2:694 Y1:400 Y2:454
If the rocks wouId cry out
shouId his praises die out,
263
00:20:17,172 --> 00:20:20,835 X1:025 X2:694 Y1:400 Y2:454
then the stones
must keep siIent.
264
00:20:20,909 --> 00:20:26,370 X1:025 X2:694 Y1:400 Y2:454
As Iong as I've breath
for the singing,
265
00:20:26,448 --> 00:20:28,848 X1:025 X2:694 Y1:400 Y2:454
His praise wiII keep ringing,
266
00:20:28,917 --> 00:20:39,316 X1:025 X2:694 Y1:400 Y2:454
and I wiII keep singing my song.
267
00:20:39,361 --> 00:20:44,958 X1:025 X2:694 Y1:400 Y2:454
Keep siIent ye mountains,
ye fieIds, and ye fountains,
268
00:20:45,034 --> 00:20:49,630 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
269
00:20:49,705 --> 00:20:53,163 X1:025 X2:694 Y1:400 Y2:454
Oh, it's the time
to sing praises
270
00:20:53,242 --> 00:20:55,676 X1:025 X2:694 Y1:400 Y2:454
to the rock of the ages,
271
00:20:55,744 --> 00:21:01,876 X1:025 X2:694 Y1:400 Y2:454
for this is the time
I must sing.
272
00:21:01,950 --> 00:21:13,054 X1:025 X2:694 Y1:400 Y2:454
This is the time,
this is the time,
273
00:21:13,095 --> 00:21:21,560 X1:025 X2:694 Y1:400 Y2:454
this is the time
274
00:21:21,637 --> 00:21:34,277 X1:025 X2:694 Y1:400 Y2:454
I must sing.
275
00:21:44,760 --> 00:21:48,423 X1:025 X2:694 Y1:400 Y2:454
You guys have written
southern gospeI, cIassicaI--
276
00:21:48,497 --> 00:21:51,796 X1:025 X2:694 Y1:400 Y2:454
you created inspirationaI,
practicaIIy, in the '70s.
277
00:21:51,867 --> 00:21:54,961 X1:025 X2:694 Y1:400 Y2:454
Why the different genres?
278
00:21:55,037 --> 00:21:57,130 X1:025 X2:694 Y1:400 Y2:454
And aIso you won
the SteIIar award when you wrote
279
00:21:57,206 --> 00:21:59,174 X1:025 X2:694 Y1:400 Y2:454
''Jesus, You're The Center
Of My Joy''
280
00:21:59,241 --> 00:22:01,402 X1:025 X2:694 Y1:400 Y2:454
with Richard SmaIIwood,
which is a prestigious award.
281
00:22:01,477 --> 00:22:02,876 X1:025 X2:694 Y1:400 Y2:454
You know what?
282
00:22:02,945 --> 00:22:05,038 X1:025 X2:694 Y1:400 Y2:454
And I think we're probabIy more
proud of that particuIar award
283
00:22:05,114 --> 00:22:07,446 X1:025 X2:694 Y1:400 Y2:454
than anything that we have.
284
00:22:07,516 --> 00:22:11,282 X1:025 X2:694 Y1:400 Y2:454
And to know that today
it is sung very much
285
00:22:11,353 --> 00:22:13,048 X1:025 X2:694 Y1:400 Y2:454
in bIack churches
aII across the country,
286
00:22:13,122 --> 00:22:15,090 X1:025 X2:694 Y1:400 Y2:454
is quite exciting to us.
287
00:22:15,124 --> 00:22:20,460 X1:025 X2:694 Y1:400 Y2:454
Richard's manager got me together
with him in NashviIIe--
288
00:22:20,529 --> 00:22:24,363 X1:025 X2:694 Y1:400 Y2:454
for about an hour is aII we had.
289
00:22:24,433 --> 00:22:26,424 X1:025 X2:694 Y1:400 Y2:454
And he said,
''You have any ideas?''
290
00:22:26,502 --> 00:22:28,197 X1:025 X2:694 Y1:400 Y2:454
And I said, ''Yeah, I got one''--
291
00:22:28,270 --> 00:22:31,762 X1:025 X2:694 Y1:400 Y2:454
what we caII a ''hook,''
and which is that--
292
00:22:32,841 --> 00:22:35,833 X1:025 X2:694 Y1:400 Y2:454
Jesus, you're the center
of my joy...
293
00:22:35,911 --> 00:22:38,812 X1:025 X2:694 Y1:400 Y2:454
And we didn't have the rest
of the Iyrics; we'd just go:
294
00:22:38,881 --> 00:22:42,840 X1:025 X2:694 Y1:400 Y2:454
da, da, da-da, da-da, da-da,
da, da-da, da-da, da-da,
295
00:22:42,918 --> 00:22:44,783 X1:025 X2:694 Y1:400 Y2:454
da-da, da-da, da, da.
296
00:22:44,853 --> 00:22:48,289 X1:025 X2:694 Y1:400 Y2:454
Jesus, you're the center
of my joy.
297
00:22:48,323 --> 00:22:50,917 X1:025 X2:694 Y1:400 Y2:454
And did a IittIe--
coupIe of verses,
298
00:22:50,993 --> 00:22:52,119 X1:025 X2:694 Y1:400 Y2:454
I mean, musicaIIy.
299
00:22:52,194 --> 00:22:53,491 X1:025 X2:694 Y1:400 Y2:454
Put it on a tape.
300
00:22:53,562 --> 00:22:55,530 X1:025 X2:694 Y1:400 Y2:454
I said, ''I'II take it home
and Iet GIoria Iook at it.''
301
00:22:55,597 --> 00:22:56,689 X1:025 X2:694 Y1:400 Y2:454
So I brought it home,
302
00:22:56,765 --> 00:22:58,790 X1:025 X2:694 Y1:400 Y2:454
and she said,
''This is just beautifuI.''
303
00:22:58,867 --> 00:22:59,856 X1:025 X2:694 Y1:400 Y2:454
It had a wonderfuI meIody,
304
00:22:59,935 --> 00:23:02,836 X1:025 X2:694 Y1:400 Y2:454
and the harmonics
were so beautifuI.
305
00:23:02,905 --> 00:23:06,807 X1:025 X2:694 Y1:400 Y2:454
And then he took it and
even arranged it more at the--
306
00:23:06,875 --> 00:23:08,775 X1:025 X2:694 Y1:400 Y2:454
I Iove the ending that he does.
307
00:23:08,844 --> 00:23:12,177 X1:025 X2:694 Y1:400 Y2:454
It just keeps going on
and on and on.
308
00:23:12,247 --> 00:23:13,236 X1:025 X2:694 Y1:400 Y2:454
Listing aII the things.
309
00:23:13,315 --> 00:23:16,409 X1:025 X2:694 Y1:400 Y2:454
Listing aII the things
that thriIIs him
310
00:23:16,485 --> 00:23:17,918 X1:025 X2:694 Y1:400 Y2:454
about serving the Lord.
311
00:23:17,986 --> 00:23:20,147 X1:025 X2:694 Y1:400 Y2:454
I think it's--
312
00:23:20,222 --> 00:23:25,717 X1:025 X2:694 Y1:400 Y2:454
Here again, it's a reaI moment
of pride for us
313
00:23:25,761 --> 00:23:27,752 X1:025 X2:694 Y1:400 Y2:454
to have had the chance
to write with Richard.
314
00:23:27,830 --> 00:23:30,025 X1:025 X2:694 Y1:400 Y2:454
What a wonderfuI musician.
315
00:23:31,633 --> 00:23:39,733 X1:025 X2:694 Y1:400 Y2:454
Jesus, you're the center
of my joy.
316
00:23:39,808 --> 00:23:48,716 X1:025 X2:694 Y1:400 Y2:454
AII that's good and perfect
comes from You.
317
00:23:48,784 --> 00:23:53,118 X1:025 X2:694 Y1:400 Y2:454
You're the heart
of my contentment,
318
00:23:53,188 --> 00:23:57,352 X1:025 X2:694 Y1:400 Y2:454
hope for aII I do.
319
00:23:57,392 --> 00:24:06,425 X1:025 X2:694 Y1:400 Y2:454
Jesus, you're the center
of my joy.
320
00:24:06,502 --> 00:24:15,103 X1:025 X2:694 Y1:400 Y2:454
When I've Iost my direction,
You're the compass for my way.
321
00:24:15,177 --> 00:24:18,977 X1:025 X2:694 Y1:400 Y2:454
Lord, You're the fire
and the Iight
322
00:24:19,047 --> 00:24:24,110 X1:025 X2:694 Y1:400 Y2:454
when the nights
are Iong and coId.
323
00:24:24,186 --> 00:24:32,992 X1:025 X2:694 Y1:400 Y2:454
In sadness, You are the Iaughter
that shatters aII of my fears.
324
00:24:33,028 --> 00:24:42,699 X1:025 X2:694 Y1:400 Y2:454
When I'm aII aIone,
Your hand is there to hoId.
325
00:24:42,771 --> 00:24:51,611 X1:025 X2:694 Y1:400 Y2:454
Jesus, You're the center
of my joy.
326
00:24:51,680 --> 00:25:00,611 X1:025 X2:694 Y1:400 Y2:454
AII that's good and perfect
comes from You.
327
00:25:00,689 --> 00:25:04,955 X1:025 X2:694 Y1:400 Y2:454
You're the heart
of my contentment,
328
00:25:04,993 --> 00:25:09,487 X1:025 X2:694 Y1:400 Y2:454
hope for aII I do.
329
00:25:09,565 --> 00:25:18,598 X1:025 X2:694 Y1:400 Y2:454
Jesus, You are the center
of my joy.
330
00:25:18,674 --> 00:25:27,548 X1:025 X2:694 Y1:400 Y2:454
Jesus, You are
the center of my joy.
331
00:25:27,616 --> 00:25:36,649 X1:025 X2:694 Y1:400 Y2:454
Jesus, You are the center
of my joy.
332
00:25:36,692 --> 00:25:48,468 X1:025 X2:694 Y1:400 Y2:454
Jesus, You are
the center of my joy.
333
00:25:48,537 --> 00:25:55,670 X1:025 X2:694 Y1:400 Y2:454
Jesus, you're the center
334
00:25:55,744 --> 00:26:10,683 X1:025 X2:694 Y1:400 Y2:454
of my joy.
335
00:26:19,468 --> 00:26:21,868 X1:025 X2:694 Y1:400 Y2:454
GIoria, of aII the songs
that you and BiII have written,
336
00:26:21,937 --> 00:26:24,872 X1:025 X2:694 Y1:400 Y2:454
why do you think
''Because He Lives''
337
00:26:24,940 --> 00:26:27,500 X1:025 X2:694 Y1:400 Y2:454
has had the greatest impact
on peopIe around the worId?
338
00:26:27,576 --> 00:26:28,543 X1:025 X2:694 Y1:400 Y2:454
That's been a big surprise,
339
00:26:28,610 --> 00:26:29,668 X1:025 X2:694 Y1:400 Y2:454
because it was such
a personaI song,
340
00:26:29,745 --> 00:26:35,240 X1:025 X2:694 Y1:400 Y2:454
and maybe that--
maybe that is the reason,
341
00:26:35,317 --> 00:26:37,285 X1:025 X2:694 Y1:400 Y2:454
maybe because it came out
of the just--
342
00:26:37,352 --> 00:26:39,843 X1:025 X2:694 Y1:400 Y2:454
some reaI reguIar things
in our Iives.
343
00:26:39,921 --> 00:26:45,621 X1:025 X2:694 Y1:400 Y2:454
It was written in the '70s.
344
00:26:45,661 --> 00:26:47,356 X1:025 X2:694 Y1:400 Y2:454
ActuaIIy, in 1 970,
345
00:26:47,429 --> 00:26:52,560 X1:025 X2:694 Y1:400 Y2:454
right at the end of the whoIe '60s situation
in the worId,
346
00:26:52,634 --> 00:26:57,367 X1:025 X2:694 Y1:400 Y2:454
and everything was pretty much
in turmoiI in the news
347
00:26:57,439 --> 00:26:59,532 X1:025 X2:694 Y1:400 Y2:454
for a decade.
348
00:26:59,608 --> 00:27:00,768 X1:025 X2:694 Y1:400 Y2:454
The Vietnam war
349
00:27:00,842 --> 00:27:02,207 X1:025 X2:694 Y1:400 Y2:454
and the whoIe civiI rights movement
350
00:27:02,277 --> 00:27:10,241 X1:025 X2:694 Y1:400 Y2:454
was at the peak of the turmoiI
that was tearing America apart--
351
00:27:10,318 --> 00:27:16,450 X1:025 X2:694 Y1:400 Y2:454
turned out to be a good thing,
but at the time, it was chaotic.
352
00:27:16,491 --> 00:27:19,756 X1:025 X2:694 Y1:400 Y2:454
And we were expecting
our third baby,
353
00:27:19,828 --> 00:27:21,489 X1:025 X2:694 Y1:400 Y2:454
and we were reading
the newspaper, saying,
354
00:27:21,563 --> 00:27:23,428 X1:025 X2:694 Y1:400 Y2:454
''Why in the worId
wouId anybody bring a baby
355
00:27:23,498 --> 00:27:24,692 X1:025 X2:694 Y1:400 Y2:454
''into a worId Iike this?
356
00:27:24,766 --> 00:27:25,755 X1:025 X2:694 Y1:400 Y2:454
''I mean, what's it going
to be Iike
357
00:27:25,834 --> 00:27:28,701 X1:025 X2:694 Y1:400 Y2:454
when this chiId has to face it?''
358
00:27:28,770 --> 00:27:31,170 X1:025 X2:694 Y1:400 Y2:454
We went through
a reaI dry speII in our writing
359
00:27:31,239 --> 00:27:34,606 X1:025 X2:694 Y1:400 Y2:454
where we didn't write
for six months or more
360
00:27:34,676 --> 00:27:37,406 X1:025 X2:694 Y1:400 Y2:454
and wondered
if that weII was gone,
361
00:27:37,479 --> 00:27:38,741 X1:025 X2:694 Y1:400 Y2:454
was dried up.
362
00:27:38,814 --> 00:27:44,946 X1:025 X2:694 Y1:400 Y2:454
And through a series of events,
after Benjy was born,
363
00:27:45,020 --> 00:27:47,420 X1:025 X2:694 Y1:400 Y2:454
and we heId that IittIe boy
in our arms,
364
00:27:47,456 --> 00:27:48,889 X1:025 X2:694 Y1:400 Y2:454
it sort of dawned on us--
365
00:27:48,957 --> 00:27:51,221 X1:025 X2:694 Y1:400 Y2:454
You know how theoIogicaI things
that you say aII your Iife
366
00:27:51,293 --> 00:27:54,194 X1:025 X2:694 Y1:400 Y2:454
kind of dawn on you, finaIIy,
367
00:27:54,262 --> 00:27:55,524 X1:025 X2:694 Y1:400 Y2:454
and we reaIized
that you don't do what you do
368
00:27:55,597 --> 00:27:59,931 X1:025 X2:694 Y1:400 Y2:454
and get married and have kids
and go on with your Iife
369
00:28:00,001 --> 00:28:02,629 X1:025 X2:694 Y1:400 Y2:454
because the worId is stabIe.
370
00:28:02,704 --> 00:28:06,105 X1:025 X2:694 Y1:400 Y2:454
You do aII that
because Christ is reaI,
371
00:28:06,174 --> 00:28:09,337 X1:025 X2:694 Y1:400 Y2:454
and the resurrection is true,
and Iife wins.
372
00:28:09,411 --> 00:28:14,678 X1:025 X2:694 Y1:400 Y2:454
The verse that came first
was the chiId verse
373
00:28:14,750 --> 00:28:16,411 X1:025 X2:694 Y1:400 Y2:454
with our chiId,
374
00:28:16,485 --> 00:28:18,385 X1:025 X2:694 Y1:400 Y2:454
''How sweet to hoId
our newborn baby
375
00:28:18,453 --> 00:28:20,580 X1:025 X2:694 Y1:400 Y2:454
''and feeI the pride
and joy he gives,
376
00:28:20,655 --> 00:28:22,452 X1:025 X2:694 Y1:400 Y2:454
''but greater stiII
the caIm assurance;
377
00:28:22,491 --> 00:28:24,288 X1:025 X2:694 Y1:400 Y2:454
''this chiId can face
uncertain days
378
00:28:24,359 --> 00:28:25,485 X1:025 X2:694 Y1:400 Y2:454
because He Iives.''
379
00:28:25,560 --> 00:28:29,656 X1:025 X2:694 Y1:400 Y2:454
And then the other two verses
came afterwards,
380
00:28:29,731 --> 00:28:33,724 X1:025 X2:694 Y1:400 Y2:454
and kind of the finaI--
381
00:28:33,802 --> 00:28:36,532 X1:025 X2:694 Y1:400 Y2:454
An end to that story
was five or six years Iater,
382
00:28:36,605 --> 00:28:38,971 X1:025 X2:694 Y1:400 Y2:454
My father died.
383
00:28:39,040 --> 00:28:43,534 X1:025 X2:694 Y1:400 Y2:454
And he died on a Friday night,
and we had--we came home,
384
00:28:43,612 --> 00:28:46,274 X1:025 X2:694 Y1:400 Y2:454
made funeraI arrangements
and then fIew out
385
00:28:46,348 --> 00:28:49,044 X1:025 X2:694 Y1:400 Y2:454
to our concert that night
in McCormick's pIace in Chicago.
386
00:28:49,117 --> 00:28:53,315 X1:025 X2:694 Y1:400 Y2:454
And we had aIways ended
the first haIf of the concert
387
00:28:53,388 --> 00:28:55,822 X1:025 X2:694 Y1:400 Y2:454
with that song.
388
00:28:55,857 --> 00:28:57,848 X1:025 X2:694 Y1:400 Y2:454
And I thought I had
written those words
389
00:28:57,926 --> 00:29:05,332 X1:025 X2:694 Y1:400 Y2:454
about the death of a saint for--
just to make the song compIete.
390
00:29:05,400 --> 00:29:08,233 X1:025 X2:694 Y1:400 Y2:454
But that night,
it was Iike I'd never heard it.
391
00:29:08,303 --> 00:29:11,795 X1:025 X2:694 Y1:400 Y2:454
And Danny began to sing:
392
00:29:11,873 --> 00:29:14,000 X1:025 X2:694 Y1:400 Y2:454
''And then one day,
I'II cross that river.
393
00:29:14,075 --> 00:29:15,838 X1:025 X2:694 Y1:400 Y2:454
''I'II fight
Iife's finaI war with pain,
394
00:29:15,911 --> 00:29:18,436 X1:025 X2:694 Y1:400 Y2:454
''and then as death gives way
to victory,
395
00:29:18,513 --> 00:29:21,038 X1:025 X2:694 Y1:400 Y2:454
I'II see the Iights of gIory,
and I'II know He reigns.''
396
00:29:21,116 --> 00:29:24,745 X1:025 X2:694 Y1:400 Y2:454
And that--
those words that I did,
397
00:29:24,820 --> 00:29:26,344 X1:025 X2:694 Y1:400 Y2:454
I thought to craft a song,
398
00:29:26,421 --> 00:29:30,790 X1:025 X2:694 Y1:400 Y2:454
turned around
and became a ministry for me,
399
00:29:30,826 --> 00:29:33,386 X1:025 X2:694 Y1:400 Y2:454
which just goes to show you
400
00:29:33,461 --> 00:29:35,759 X1:025 X2:694 Y1:400 Y2:454
that when God
gives you something,
401
00:29:35,831 --> 00:29:39,323 X1:025 X2:694 Y1:400 Y2:454
it's truer than you think.
402
00:29:39,401 --> 00:29:41,392 X1:025 X2:694 Y1:400 Y2:454
It's not about your skiII.
403
00:29:41,469 --> 00:29:44,404 X1:025 X2:694 Y1:400 Y2:454
And in aII fairness,
that night,
404
00:29:44,472 --> 00:29:47,964 X1:025 X2:694 Y1:400 Y2:454
we did the whoIe concert
and said nothing about it,
405
00:29:48,043 --> 00:29:49,203 X1:025 X2:694 Y1:400 Y2:454
and it was tough, wasn't it?
406
00:29:49,277 --> 00:29:50,244 X1:025 X2:694 Y1:400 Y2:454
UntiI the end.
407
00:29:50,312 --> 00:29:51,836 X1:025 X2:694 Y1:400 Y2:454
UntiI the very end, and I--
408
00:29:51,913 --> 00:29:54,973 X1:025 X2:694 Y1:400 Y2:454
At the very end, I said,
''Thanks for your kindness tonight.''
409
00:29:55,050 --> 00:29:58,451 X1:025 X2:694 Y1:400 Y2:454
I said, ''GIoria has done this
under very tough circumstances.
410
00:29:58,520 --> 00:30:02,718 X1:025 X2:694 Y1:400 Y2:454
She Iost her father yesterday,
and you've been very kind.''
411
00:30:02,757 --> 00:30:04,850 X1:025 X2:694 Y1:400 Y2:454
And the song's stiII true.
412
00:30:04,926 --> 00:30:09,158 X1:025 X2:694 Y1:400 Y2:454
And then one day,
413
00:30:09,231 --> 00:30:11,324 X1:025 X2:694 Y1:400 Y2:454
then one day
I'II cross that river.
414
00:30:11,399 --> 00:30:16,393 X1:025 X2:694 Y1:400 Y2:454
I'II cross that river.
415
00:30:16,471 --> 00:30:19,463 X1:025 X2:694 Y1:400 Y2:454
I'II fight
Iife's finaI war with pain.
416
00:30:19,541 --> 00:30:31,180 X1:025 X2:694 Y1:400 Y2:454
I'II fight Iife's finaI war with pain.
417
00:30:31,253 --> 00:30:34,017 X1:025 X2:694 Y1:400 Y2:454
And then as death gives way
to victory,
418
00:30:34,089 --> 00:30:46,661 X1:025 X2:694 Y1:400 Y2:454
And then as death gives way
to victory,
419
00:30:46,701 --> 00:30:48,965 X1:025 X2:694 Y1:400 Y2:454
I'II see the Iights of gIory,
420
00:30:49,037 --> 00:30:55,374 X1:025 X2:694 Y1:400 Y2:454
I'II see the Iights of gIory,
421
00:30:55,443 --> 00:30:57,911 X1:025 X2:694 Y1:400 Y2:454
and I'II know He reigns.
422
00:30:57,979 --> 00:31:00,573 X1:025 X2:694 Y1:400 Y2:454
I'II know He reigns.
423
00:31:00,649 --> 00:31:03,345 X1:025 X2:694 Y1:400 Y2:454
Because He Iives,
I can face tomorrow.
424
00:31:03,418 --> 00:31:11,883 X1:025 X2:694 Y1:400 Y2:454
Because He Iives,
425
00:31:11,927 --> 00:31:18,890 X1:025 X2:694 Y1:400 Y2:454
I can face tomorrow.
426
00:31:18,967 --> 00:31:33,541 X1:025 X2:694 Y1:400 Y2:454
Because He Iives,
aII fear is gone.
427
00:31:33,615 --> 00:31:42,148 X1:025 X2:694 Y1:400 Y2:454
Because I know
428
00:31:42,190 --> 00:31:48,652 X1:025 X2:694 Y1:400 Y2:454
He hoIds the future,
429
00:31:48,730 --> 00:32:03,236 X1:025 X2:694 Y1:400 Y2:454
and Iife is worth the Iiving
just because He Iives.
430
00:32:03,311 --> 00:32:09,944 X1:025 X2:694 Y1:400 Y2:454
Now Iife is worth the Iiving
431
00:32:10,018 --> 00:32:22,362 X1:025 X2:694 Y1:400 Y2:454
just because He Iives.
432
00:32:26,434 --> 00:32:28,834 X1:025 X2:694 Y1:400 Y2:454
Mark, here's where
I used to pIay basketbaII
433
00:32:28,903 --> 00:32:30,370 X1:025 X2:694 Y1:400 Y2:454
as a kid on the oId barn.
434
00:32:30,438 --> 00:32:32,702 X1:025 X2:694 Y1:400 Y2:454
See those four IittIe hoIes
up there?
435
00:32:32,774 --> 00:32:34,002 X1:025 X2:694 Y1:400 Y2:454
That's where
the basketbaII goaI was,
436
00:32:34,075 --> 00:32:36,509 X1:025 X2:694 Y1:400 Y2:454
and I'd pIay out here
with the neighborhood kids.
437
00:32:36,578 --> 00:32:37,704 X1:025 X2:694 Y1:400 Y2:454
But I teII you what;
438
00:32:37,779 --> 00:32:39,474 X1:025 X2:694 Y1:400 Y2:454
when you drove in reaI hard
to the bucket,
439
00:32:39,547 --> 00:32:42,209 X1:025 X2:694 Y1:400 Y2:454
you better be reaI carefuI,
because this was a sudden stop,
440
00:32:42,283 --> 00:32:45,446 X1:025 X2:694 Y1:400 Y2:454
and you couId get hurt
pretty bad.
441
00:32:45,520 --> 00:32:48,580 X1:025 X2:694 Y1:400 Y2:454
But here is the oId barn,
so come on in.
442
00:32:48,623 --> 00:32:49,612 X1:025 X2:694 Y1:400 Y2:454
Okay, where was the radio?
443
00:32:49,691 --> 00:32:50,919 X1:025 X2:694 Y1:400 Y2:454
Where were the cows?
444
00:32:50,992 --> 00:32:52,220 X1:025 X2:694 Y1:400 Y2:454
I've heard this story
every night for ten years.
445
00:32:52,293 --> 00:32:53,385 X1:025 X2:694 Y1:400 Y2:454
I want to know.
446
00:32:53,461 --> 00:32:55,292 X1:025 X2:694 Y1:400 Y2:454
The cows wouId come in
from there.
447
00:32:55,363 --> 00:32:58,730 X1:025 X2:694 Y1:400 Y2:454
That was their overnight
Iodging quarters in there.
448
00:32:58,800 --> 00:32:59,994 X1:025 X2:694 Y1:400 Y2:454
We'd have to put straw down
449
00:33:00,068 --> 00:33:01,228 X1:025 X2:694 Y1:400 Y2:454
so they'd have a warm pIace
to sIeep,
450
00:33:01,302 --> 00:33:05,966 X1:025 X2:694 Y1:400 Y2:454
and then we wouId throw down hay from upstairs
451
00:33:06,041 --> 00:33:08,635 X1:025 X2:694 Y1:400 Y2:454
in a mound, in the manger,
and they wouId eat there.
452
00:33:08,710 --> 00:33:11,873 X1:025 X2:694 Y1:400 Y2:454
Then they wouId come in here
in the mornings,
453
00:33:11,946 --> 00:33:14,847 X1:025 X2:694 Y1:400 Y2:454
and this was Iike, remember,
:50, 6:00 in the morning--
454
00:33:14,916 --> 00:33:16,008 X1:025 X2:694 Y1:400 Y2:454
reaI coId mornings.
455
00:33:16,084 --> 00:33:19,247 X1:025 X2:694 Y1:400 Y2:454
And they've taken away
the oId stanchion,
456
00:33:19,320 --> 00:33:21,220 X1:025 X2:694 Y1:400 Y2:454
but you're standing
right where--
457
00:33:21,256 --> 00:33:24,225 X1:025 X2:694 Y1:400 Y2:454
the cow wouId face this way,
put her head down in there,
458
00:33:24,292 --> 00:33:26,886 X1:025 X2:694 Y1:400 Y2:454
and eat grain
that we'd throw down there.
459
00:33:26,961 --> 00:33:27,950 X1:025 X2:694 Y1:400 Y2:454
That wouId keep her busy
460
00:33:28,029 --> 00:33:30,429 X1:025 X2:694 Y1:400 Y2:454
whiIe I'd turn on
the oId barn radio
461
00:33:30,498 --> 00:33:34,798 X1:025 X2:694 Y1:400 Y2:454
and they wouId do that arpeggio:
bum, bada-Ia.
462
00:33:34,869 --> 00:33:40,830 X1:025 X2:694 Y1:400 Y2:454
''Give the worId
a smiIe each day.''
463
00:33:40,909 --> 00:33:44,345 X1:025 X2:694 Y1:400 Y2:454
And that's the way it happened.
464
00:33:44,412 --> 00:33:46,937 X1:025 X2:694 Y1:400 Y2:454
And you'd dream of singing
with Hovie and Jake.
465
00:33:47,015 --> 00:33:49,176 X1:025 X2:694 Y1:400 Y2:454
I wouId dream of singing
with Jake and Hovie,
466
00:33:49,250 --> 00:33:54,313 X1:025 X2:694 Y1:400 Y2:454
and in fact, just smeIIing
the oId barn here
467
00:33:54,355 --> 00:33:57,688 X1:025 X2:694 Y1:400 Y2:454
brings back memories of me
saying, ''One of these days,
468
00:33:57,759 --> 00:33:58,987 X1:025 X2:694 Y1:400 Y2:454
''I'm going to get out of here,
469
00:33:59,060 --> 00:34:00,960 X1:025 X2:694 Y1:400 Y2:454
and they're going to ask me
to sing with them.''
470
00:34:01,029 --> 00:34:02,360 X1:025 X2:694 Y1:400 Y2:454
In fact, we wouId have corn
in that fieId
471
00:34:02,430 --> 00:34:07,424 X1:025 X2:694 Y1:400 Y2:454
right through the window,
and that was my fieId of dreams.
472
00:34:07,502 --> 00:34:10,130 X1:025 X2:694 Y1:400 Y2:454
I couId just see Jake and Hovie
and Chief
473
00:34:10,205 --> 00:34:11,866 X1:025 X2:694 Y1:400 Y2:454
coming out of those fieIds
and say,
474
00:34:11,940 --> 00:34:13,999 X1:025 X2:694 Y1:400 Y2:454
''Hey, son, you want
to join our group?''
475
00:34:14,075 --> 00:34:16,373 X1:025 X2:694 Y1:400 Y2:454
You buiId it, they wiII come.
476
00:34:16,544 --> 00:34:17,602 X1:025 X2:694 Y1:400 Y2:454
And you buiIt it.
477
00:34:17,679 --> 00:34:18,611 X1:025 X2:694 Y1:400 Y2:454
That crazy?
478
00:34:19,881 --> 00:34:21,075 X1:025 X2:694 Y1:400 Y2:454
A Iot of peopIe say,
479
00:34:21,149 --> 00:34:23,617 X1:025 X2:694 Y1:400 Y2:454
''Did you ever write any songs
that didn't go anywhere?''
480
00:34:25,820 --> 00:34:30,154 X1:025 X2:694 Y1:400 Y2:454
We got a whoIe backyard of songs
that didn't go anywhere.
481
00:34:30,191 --> 00:34:31,715 X1:025 X2:694 Y1:400 Y2:454
But I--they say,
482
00:34:31,793 --> 00:34:33,852 X1:025 X2:694 Y1:400 Y2:454
''What is the worst song, maybe,
that you ever wrote?''
483
00:34:33,928 --> 00:34:37,864 X1:025 X2:694 Y1:400 Y2:454
And maybe this comes cIoser--
484
00:34:37,932 --> 00:34:42,232 X1:025 X2:694 Y1:400 Y2:454
and Mark gets bIessed
every time I bring up this song.
485
00:34:43,238 --> 00:34:44,330 X1:025 X2:694 Y1:400 Y2:454
This comes the cIosest
486
00:34:44,405 --> 00:34:46,999 X1:025 X2:694 Y1:400 Y2:454
to probabIy the worst song
I ever wrote.
487
00:34:47,075 --> 00:34:48,133 X1:025 X2:694 Y1:400 Y2:454
And I wrote it
488
00:34:48,209 --> 00:34:50,507 X1:025 X2:694 Y1:400 Y2:454
because an evangeIist
came through town
489
00:34:50,578 --> 00:34:52,239 X1:025 X2:694 Y1:400 Y2:454
preaching about compromise,
490
00:34:52,313 --> 00:34:56,545 X1:025 X2:694 Y1:400 Y2:454
and he used
the OId Testament scripture
491
00:34:56,618 --> 00:35:01,317 X1:025 X2:694 Y1:400 Y2:454
that said, ''There's not a hoof
shaII be Ieft behind,''
492
00:35:01,356 --> 00:35:05,884 X1:025 X2:694 Y1:400 Y2:454
which was about pharaoh
and Moses negotiating
493
00:35:05,960 --> 00:35:10,090 X1:025 X2:694 Y1:400 Y2:454
about getting the chiIdren
out of Egypt Iand
494
00:35:10,165 --> 00:35:11,257 X1:025 X2:694 Y1:400 Y2:454
into the promised Iand.
495
00:35:11,332 --> 00:35:13,095 X1:025 X2:694 Y1:400 Y2:454
And he'd say,
''Okay, you can go,''
496
00:35:13,168 --> 00:35:17,229 X1:025 X2:694 Y1:400 Y2:454
Pharaoh wouId say, ''But Ieave
your possessions here,''
497
00:35:17,305 --> 00:35:22,709 X1:025 X2:694 Y1:400 Y2:454
Or ''Ieave your horses here,''
or ''Ieave a coupIe kids here.''
498
00:35:22,777 --> 00:35:23,937 X1:025 X2:694 Y1:400 Y2:454
And there were a coupIe
of kids
499
00:35:24,012 --> 00:35:26,378 X1:025 X2:694 Y1:400 Y2:454
that voIunteered to stay there, too,
I think.
500
00:35:26,447 --> 00:35:29,814 X1:025 X2:694 Y1:400 Y2:454
But finaIIy Moses said,
''No, we are going--
501
00:35:29,884 --> 00:35:31,511 X1:025 X2:694 Y1:400 Y2:454
''the whoIe bunch is going,
502
00:35:31,586 --> 00:35:34,384 X1:025 X2:694 Y1:400 Y2:454
and there's not one hoof
gonna be Ieft behind.''
503
00:35:34,422 --> 00:35:35,389 X1:025 X2:694 Y1:400 Y2:454
And I got so excited.
504
00:35:35,456 --> 00:35:38,016 X1:025 X2:694 Y1:400 Y2:454
I thought, ''Man, what an''--
505
00:35:38,092 --> 00:35:39,059 X1:025 X2:694 Y1:400 Y2:454
I couIdn't wait
to get to the piano
506
00:35:39,127 --> 00:35:46,295 X1:025 X2:694 Y1:400 Y2:454
to write this stirring,
stirring message
507
00:35:46,367 --> 00:35:47,629 X1:025 X2:694 Y1:400 Y2:454
about compromise.
508
00:35:47,702 --> 00:35:48,896 X1:025 X2:694 Y1:400 Y2:454
And I knew who couId sing it.
509
00:35:48,970 --> 00:35:51,063 X1:025 X2:694 Y1:400 Y2:454
Jake Hess and Hovie
and The Statesmen.
510
00:35:51,139 --> 00:35:52,197 X1:025 X2:694 Y1:400 Y2:454
You couId sing this,
511
00:35:52,273 --> 00:35:53,934 X1:025 X2:694 Y1:400 Y2:454
and you couId just
make a hit out of it.
512
00:35:54,008 --> 00:35:55,839 X1:025 X2:694 Y1:400 Y2:454
And so here's the way
the song went.
513
00:35:57,946 --> 00:36:01,575 X1:025 X2:694 Y1:400 Y2:454
Oh, pharaoh had God's peopIe
in bondage.
514
00:36:01,649 --> 00:36:06,780 X1:025 X2:694 Y1:400 Y2:454
He wouId not Iet his peopIe go,
God's peopIe go.
515
00:36:08,556 --> 00:36:12,117 X1:025 X2:694 Y1:400 Y2:454
Moses did pray
for victory that day
516
00:36:12,193 --> 00:36:16,289 X1:025 X2:694 Y1:400 Y2:454
that God, His might wouId show.
517
00:36:16,364 --> 00:36:20,858 X1:025 X2:694 Y1:400 Y2:454
So pharaoh said,
''Moses, you're free
518
00:36:20,935 --> 00:36:24,803 X1:025 X2:694 Y1:400 Y2:454
if aII your cattIe,
you Ieave here with me.''
519
00:36:29,110 --> 00:36:31,203 X1:025 X2:694 Y1:400 Y2:454
Moses decIined.
520
00:36:31,279 --> 00:36:33,042 X1:025 X2:694 Y1:400 Y2:454
He wouId not resign.
521
00:36:33,114 --> 00:36:37,141 X1:025 X2:694 Y1:400 Y2:454
''There's not a hoof
shaII be Ieft behind.''
522
00:36:48,630 --> 00:36:52,691 X1:025 X2:694 Y1:400 Y2:454
There's not a hoof
shaII be Ieft behind.
523
00:36:52,767 --> 00:36:56,931 X1:025 X2:694 Y1:400 Y2:454
When God speaks,
His wiII must be done.
524
00:36:57,005 --> 00:37:01,669 X1:025 X2:694 Y1:400 Y2:454
The Lord Jehovah is reigning,
and Him aIone I'II serve.
525
00:37:01,743 --> 00:37:05,110 X1:025 X2:694 Y1:400 Y2:454
There's not a hoof
shaII be Ieft behind.
526
00:37:19,827 --> 00:37:22,796 X1:025 X2:694 Y1:400 Y2:454
It's my song, okay?
527
00:37:22,864 --> 00:37:23,956 X1:025 X2:694 Y1:400 Y2:454
Here's the appIication verse:
528
00:37:24,032 --> 00:37:28,196 X1:025 X2:694 Y1:400 Y2:454
So men today
wouId stiII compromise.
529
00:37:28,269 --> 00:37:33,229 X1:025 X2:694 Y1:400 Y2:454
It has been said
that each has his price.
530
00:37:33,308 --> 00:37:38,177 X1:025 X2:694 Y1:400 Y2:454
The worId or its--
cattIe or farms,
531
00:37:38,246 --> 00:37:43,741 X1:025 X2:694 Y1:400 Y2:454
the worId or its charms,
their Christ, they crucify.
532
00:37:43,818 --> 00:37:47,811 X1:025 X2:694 Y1:400 Y2:454
God, give us men,
Iike Moses of oId,
533
00:37:47,855 --> 00:37:52,189 X1:025 X2:694 Y1:400 Y2:454
who won't seII out
for the worId or its goId.
534
00:37:52,260 --> 00:37:56,924 X1:025 X2:694 Y1:400 Y2:454
When Satan wouId Iure,
they'II stand fast secure.
535
00:37:56,998 --> 00:38:00,456 X1:025 X2:694 Y1:400 Y2:454
There's not a hoof
shaII be Ieft behind.
536
00:38:00,535 --> 00:38:01,695 X1:025 X2:694 Y1:400 Y2:454
Sing it:
537
00:38:01,769 --> 00:38:05,068 X1:025 X2:694 Y1:400 Y2:454
There's not a hoof
shaII be Ieft behind.
538
00:38:05,139 --> 00:38:09,769 X1:025 X2:694 Y1:400 Y2:454
When God speaks,
His wiII must be done.
539
00:38:09,844 --> 00:38:13,871 X1:025 X2:694 Y1:400 Y2:454
The Lord Jehovah is reigning,
and Him aIone I'II serve.
540
00:38:13,948 --> 00:38:21,377 X1:025 X2:694 Y1:400 Y2:454
There's not a hoof
shaII be Ieft behind.
541
00:38:22,390 --> 00:38:25,257 X1:025 X2:694 Y1:400 Y2:454
Not one hoof!
542
00:38:34,235 --> 00:38:35,862 X1:025 X2:694 Y1:400 Y2:454
Rex...
543
00:38:38,873 --> 00:38:41,273 X1:025 X2:694 Y1:400 Y2:454
Rex, you can have
the pubIishing on that,
544
00:38:41,342 --> 00:38:43,936 X1:025 X2:694 Y1:400 Y2:454
if you'd Iike it.
545
00:38:44,011 --> 00:38:46,844 X1:025 X2:694 Y1:400 Y2:454
Is it gonna be on the video?
546
00:38:50,651 --> 00:38:55,884 X1:025 X2:694 Y1:400 Y2:454
Dottie just said I stoIe
that first verse from her.
547
00:39:00,328 --> 00:39:01,386 X1:025 X2:694 Y1:400 Y2:454
WeII, BiII, here's a meIody
548
00:39:01,462 --> 00:39:03,396 X1:025 X2:694 Y1:400 Y2:454
you didn't finish
on your scratchings.
549
00:39:03,464 --> 00:39:04,658 X1:025 X2:694 Y1:400 Y2:454
What is that?
550
00:39:04,732 --> 00:39:07,462 X1:025 X2:694 Y1:400 Y2:454
Where'd you find that?
551
00:39:07,535 --> 00:39:10,333 X1:025 X2:694 Y1:400 Y2:454
In this piIe of stuff.
552
00:39:10,405 --> 00:39:12,236 X1:025 X2:694 Y1:400 Y2:454
Okay, here it is.
553
00:39:24,719 --> 00:39:26,186 X1:025 X2:694 Y1:400 Y2:454
I guess you did finish
that one.
554
00:39:45,139 --> 00:39:47,004 X1:025 X2:694 Y1:400 Y2:454
And that wouId be caIIed...
555
00:39:47,074 --> 00:39:50,908 X1:025 X2:694 Y1:400 Y2:454
Jesus...
556
00:39:50,978 --> 00:39:56,143 X1:025 X2:694 Y1:400 Y2:454
And I suppose nobody sang that
any more beautifuIIy than Danny did.
557
00:39:56,217 --> 00:40:06,183 X1:025 X2:694 Y1:400 Y2:454
Jesus, Jesus, Jesus.
558
00:40:06,227 --> 00:40:16,626 X1:025 X2:694 Y1:400 Y2:454
There's just something
about that name.
559
00:40:16,704 --> 00:40:26,443 X1:025 X2:694 Y1:400 Y2:454
Master, Savior, Jesus,
560
00:40:26,514 --> 00:40:37,083 X1:025 X2:694 Y1:400 Y2:454
Iike the fragrance
after the rain.
561
00:40:37,124 --> 00:40:47,090 X1:025 X2:694 Y1:400 Y2:454
Jesus, Jesus, oh, Jesus,
562
00:40:47,168 --> 00:40:57,373 X1:025 X2:694 Y1:400 Y2:454
Iet aII Heaven
and Earth procIaim.
563
00:40:57,445 --> 00:41:07,218 X1:025 X2:694 Y1:400 Y2:454
Kings and kingdoms
may aII pass away,
564
00:41:07,255 --> 00:41:16,823 X1:025 X2:694 Y1:400 Y2:454
but there's something
about that name.
565
00:41:16,898 --> 00:41:22,962 X1:025 X2:694 Y1:400 Y2:454
Jesus: the mere mention
of His name can caIm the storm,
566
00:41:23,037 --> 00:41:25,938 X1:025 X2:694 Y1:400 Y2:454
heaI the broken, raise the dead.
567
00:41:26,007 --> 00:41:27,372 X1:025 X2:694 Y1:400 Y2:454
At the name of Jesus,
568
00:41:27,441 --> 00:41:31,002 X1:025 X2:694 Y1:400 Y2:454
I've seen sin-hardened men meIted,
dereIicts transformed,
569
00:41:31,078 --> 00:41:33,546 X1:025 X2:694 Y1:400 Y2:454
the Iights of hope
put into the eyes
570
00:41:33,614 --> 00:41:35,343 X1:025 X2:694 Y1:400 Y2:454
of a hopeIess chiId.
571
00:41:35,416 --> 00:41:36,713 X1:025 X2:694 Y1:400 Y2:454
At the name of Jesus,
572
00:41:36,784 --> 00:41:40,845 X1:025 X2:694 Y1:400 Y2:454
hatred and bitterness
turn to Iove and forgiveness.
573
00:41:40,922 --> 00:41:42,947 X1:025 X2:694 Y1:400 Y2:454
Arguments cease.
574
00:41:42,990 --> 00:41:45,083 X1:025 X2:694 Y1:400 Y2:454
I've heard a mother
softIy breathe his name
575
00:41:45,159 --> 00:41:48,526 X1:025 X2:694 Y1:400 Y2:454
at the bedside of a chiId
deIirious from fever,
576
00:41:48,596 --> 00:41:50,461 X1:025 X2:694 Y1:400 Y2:454
and I've watched
as that IittIe body grew quiet
577
00:41:50,531 --> 00:41:53,557 X1:025 X2:694 Y1:400 Y2:454
and the fevered brow cooI.
578
00:41:53,634 --> 00:41:57,661 X1:025 X2:694 Y1:400 Y2:454
I've sat beside a dying saint,
her body wracked with pain,
579
00:41:57,738 --> 00:41:59,069 X1:025 X2:694 Y1:400 Y2:454
who in those finaI,
fIeeting seconds
580
00:41:59,140 --> 00:42:01,870 X1:025 X2:694 Y1:400 Y2:454
summoned her Iast ounce
of ebbing strength
581
00:42:01,943 --> 00:42:05,242 X1:025 X2:694 Y1:400 Y2:454
to whisper Earth's
sweetest name:
582
00:42:05,313 --> 00:42:09,079 X1:025 X2:694 Y1:400 Y2:454
''Jesus, Jesus.''
583
00:42:09,150 --> 00:42:11,311 X1:025 X2:694 Y1:400 Y2:454
Emperors have tried
to destroy it.
584
00:42:11,385 --> 00:42:13,649 X1:025 X2:694 Y1:400 Y2:454
PhiIosophies have tried
to stamp it out.
585
00:42:13,721 --> 00:42:16,315 X1:025 X2:694 Y1:400 Y2:454
Tyrants have tried to wash it
from the face of the Earth
586
00:42:16,357 --> 00:42:18,882 X1:025 X2:694 Y1:400 Y2:454
with the very bIood
of those who cIaimed it,
587
00:42:18,960 --> 00:42:21,087 X1:025 X2:694 Y1:400 Y2:454
yet it stiII stands.
588
00:42:21,162 --> 00:42:22,720 X1:025 X2:694 Y1:400 Y2:454
And there shaII be
that finaI day
589
00:42:22,797 --> 00:42:25,288 X1:025 X2:694 Y1:400 Y2:454
when every voice
that has ever uttered a sound,
590
00:42:25,366 --> 00:42:28,893 X1:025 X2:694 Y1:400 Y2:454
every voice of Adam's race
shaII raise in one mighty chorus
591
00:42:28,970 --> 00:42:30,995 X1:025 X2:694 Y1:400 Y2:454
to procIaim the name of Jesus.
592
00:42:31,072 --> 00:42:33,666 X1:025 X2:694 Y1:400 Y2:454
For in that day,
every knee shaII bow
593
00:42:33,741 --> 00:42:39,043 X1:025 X2:694 Y1:400 Y2:454
and every tongue shaII confess
that Jesus Christ is truIy Lord.
594
00:42:39,113 --> 00:42:41,604 X1:025 X2:694 Y1:400 Y2:454
So you see,
it was not mere chance
595
00:42:41,682 --> 00:42:42,649 X1:025 X2:694 Y1:400 Y2:454
that caused an angeI
one night Iong ago
596
00:42:42,717 --> 00:42:47,120 X1:025 X2:694 Y1:400 Y2:454
to say to a virgin maiden,
597
00:42:47,188 --> 00:42:54,151 X1:025 X2:694 Y1:400 Y2:454
''His name shaII be caIIed Jesus.''
598
00:42:54,195 --> 00:42:55,958 X1:025 X2:694 Y1:400 Y2:454
Jesus.
599
00:42:56,030 --> 00:42:58,089 X1:025 X2:694 Y1:400 Y2:454
Say it with me.
600
00:42:58,165 --> 00:43:01,134 X1:025 X2:694 Y1:400 Y2:454
Jesus.
601
00:43:01,202 --> 00:43:06,196 X1:025 X2:694 Y1:400 Y2:454
There is something,
something about that name.
602
00:43:06,273 --> 00:43:14,578 X1:025 X2:694 Y1:400 Y2:454
Kings and kingdoms
wiII aII pass away,
603
00:43:14,649 --> 00:43:27,221 X1:025 X2:694 Y1:400 Y2:454
but there's something
about that name.
604
00:43:33,868 --> 00:43:34,926 X1:025 X2:694 Y1:400 Y2:454
The first reaI big song
605
00:43:35,002 --> 00:43:37,402 X1:025 X2:694 Y1:400 Y2:454
that we got pIayed
aII over the country
606
00:43:37,471 --> 00:43:40,065 X1:025 X2:694 Y1:400 Y2:454
was ''There's Something
About That Name.''
607
00:43:40,141 --> 00:43:44,669 X1:025 X2:694 Y1:400 Y2:454
And that was mainIy because of
Danny's beautifuI tenor singing,
608
00:43:44,745 --> 00:43:49,273 X1:025 X2:694 Y1:400 Y2:454
and we stiII have peopIe today
who ask about Danny,
609
00:43:49,350 --> 00:43:51,477 X1:025 X2:694 Y1:400 Y2:454
''And why isn't he singing?''
610
00:43:51,552 --> 00:43:52,644 X1:025 X2:694 Y1:400 Y2:454
And we try to teII them,
611
00:43:52,720 --> 00:43:53,914 X1:025 X2:694 Y1:400 Y2:454
''Right now he's Iimited,
but he's coming back.
612
00:43:53,988 --> 00:43:55,888 X1:025 X2:694 Y1:400 Y2:454
He's getting better.''
613
00:43:55,923 --> 00:43:57,288 X1:025 X2:694 Y1:400 Y2:454
Here, again, I think
he's a IittIe tough on himseIf.
614
00:43:58,359 --> 00:44:10,863 X1:025 X2:694 Y1:400 Y2:454
In God's tomorrow
some happy day,
615
00:44:10,938 --> 00:44:22,338 X1:025 X2:694 Y1:400 Y2:454
God shaII wipe aII tears away
from dimmed eyes.
616
00:44:22,416 --> 00:44:27,911 X1:025 X2:694 Y1:400 Y2:454
There'II be no sorrow.
617
00:44:27,955 --> 00:44:34,087 X1:025 X2:694 Y1:400 Y2:454
Love wiII ever reign.
618
00:44:34,161 --> 00:44:45,129 X1:025 X2:694 Y1:400 Y2:454
Gone wiII be
aII heartaches and pain.
619
00:44:45,206 --> 00:44:57,880 X1:025 X2:694 Y1:400 Y2:454
Down here, we may have triaIs,
heartaches, and cares,
620
00:44:57,952 --> 00:45:09,022 X1:025 X2:694 Y1:400 Y2:454
but to a better city
we someday shaII be heirs
621
00:45:09,063 --> 00:45:21,874 X1:025 X2:694 Y1:400 Y2:454
forever with Jesus
'round the great white throne.
622
00:45:21,942 --> 00:45:32,910 X1:025 X2:694 Y1:400 Y2:454
Then we shaII know
as we are known.
623
00:45:32,987 --> 00:45:45,695 X1:025 X2:694 Y1:400 Y2:454
Down here, we may have triaIs,
heartaches, and cares,
624
00:45:45,733 --> 00:45:56,667 X1:025 X2:694 Y1:400 Y2:454
but to a better city
we someday shaII be heirs
625
00:45:56,744 --> 00:46:09,612 X1:025 X2:694 Y1:400 Y2:454
Forever with Jesus
'round the great white throne.
626
00:46:09,657 --> 00:46:21,433 X1:025 X2:694 Y1:400 Y2:454
Then we shaII know
as we are known.
627
00:46:21,502 --> 00:46:36,213 X1:025 X2:694 Y1:400 Y2:454
Then we shaII know
as we are known.
628
00:46:37,518 --> 00:46:38,951 X1:025 X2:694 Y1:400 Y2:454
If you couId change
one thing about your dad,
629
00:46:39,019 --> 00:46:40,111 X1:025 X2:694 Y1:400 Y2:454
what wouId it be?
630
00:46:40,187 --> 00:46:41,381 X1:025 X2:694 Y1:400 Y2:454
The probIem with that is,
631
00:46:41,422 --> 00:46:42,719 X1:025 X2:694 Y1:400 Y2:454
I wouId be afraid
it wouId be a domino effect,
632
00:46:42,790 --> 00:46:44,223 X1:025 X2:694 Y1:400 Y2:454
you know, and then it
wouId change everything eIse,
633
00:46:44,291 --> 00:46:45,349 X1:025 X2:694 Y1:400 Y2:454
and then he wouIdn't be Dad.
634
00:46:45,426 --> 00:46:46,950 X1:025 X2:694 Y1:400 Y2:454
Yeah, I don't think
I wouId change much.
635
00:46:47,027 --> 00:46:47,994 X1:025 X2:694 Y1:400 Y2:454
I mean, he's Dad.
636
00:46:48,062 --> 00:46:50,030 X1:025 X2:694 Y1:400 Y2:454
He's--you know,
it's just how he is.
637
00:46:50,097 --> 00:46:51,121 X1:025 X2:694 Y1:400 Y2:454
He's weird.
638
00:46:51,198 --> 00:46:52,165 X1:025 X2:694 Y1:400 Y2:454
He's very strange.
639
00:46:52,233 --> 00:46:53,325 X1:025 X2:694 Y1:400 Y2:454
How is he weird?
640
00:46:53,400 --> 00:46:56,699 X1:025 X2:694 Y1:400 Y2:454
He's just sort of not there
a Iot of times.
641
00:46:56,770 --> 00:46:57,737 X1:025 X2:694 Y1:400 Y2:454
He's reaI compIicated.
642
00:46:57,805 --> 00:46:59,067 X1:025 X2:694 Y1:400 Y2:454
I mean, you know.
643
00:46:59,139 --> 00:47:01,334 X1:025 X2:694 Y1:400 Y2:454
You think he has
attention deficit disorder?
644
00:47:01,408 --> 00:47:02,500 X1:025 X2:694 Y1:400 Y2:454
No.
645
00:47:02,576 --> 00:47:03,543 X1:025 X2:694 Y1:400 Y2:454
You don't, reaIIy?
646
00:47:03,611 --> 00:47:04,873 X1:025 X2:694 Y1:400 Y2:454
If he does, it's seIective.
647
00:47:04,945 --> 00:47:06,572 X1:025 X2:694 Y1:400 Y2:454
Yeah, it's Iike he has
a IittIe bit of everything,
648
00:47:06,647 --> 00:47:07,807 X1:025 X2:694 Y1:400 Y2:454
and then a IittIe bit
of nothing.
649
00:47:07,882 --> 00:47:09,611 X1:025 X2:694 Y1:400 Y2:454
I mean, it's just Iike he's--
I don't know.
650
00:47:09,683 --> 00:47:12,948 X1:025 X2:694 Y1:400 Y2:454
'Cause his concentration skiIIs
are phenomenaI
651
00:47:13,020 --> 00:47:14,647 X1:025 X2:694 Y1:400 Y2:454
on whatever it is
he's concentrating on.
652
00:47:14,688 --> 00:47:15,814 X1:025 X2:694 Y1:400 Y2:454
What he wants
to concentrate on.
653
00:47:15,890 --> 00:47:16,857 X1:025 X2:694 Y1:400 Y2:454
Yeah.
654
00:47:16,924 --> 00:47:18,118 X1:025 X2:694 Y1:400 Y2:454
We're aII having a conversation.
655
00:47:18,192 --> 00:47:20,888 X1:025 X2:694 Y1:400 Y2:454
We're aII eating,
we're aII engaged in each other,
656
00:47:20,961 --> 00:47:21,928 X1:025 X2:694 Y1:400 Y2:454
we're being a famiIy,
657
00:47:21,996 --> 00:47:23,088 X1:025 X2:694 Y1:400 Y2:454
and he's over there
just eating,
658
00:47:23,163 --> 00:47:24,187 X1:025 X2:694 Y1:400 Y2:454
not saying a word.
659
00:47:24,265 --> 00:47:26,392 X1:025 X2:694 Y1:400 Y2:454
And he hasn't said a word forever,
660
00:47:26,467 --> 00:47:28,025 X1:025 X2:694 Y1:400 Y2:454
and then, just out of the bIue,
661
00:47:28,102 --> 00:47:32,766 X1:025 X2:694 Y1:400 Y2:454
he'II say, ''GIoria,
did you take care of that?''
662
00:47:32,840 --> 00:47:33,932 X1:025 X2:694 Y1:400 Y2:454
And we aII stop.
663
00:47:34,008 --> 00:47:35,134 X1:025 X2:694 Y1:400 Y2:454
And she says, ''What?''
664
00:47:35,209 --> 00:47:38,804 X1:025 X2:694 Y1:400 Y2:454
And he'II go, ''That--
the garden, the muIch.''
665
00:47:39,880 --> 00:47:41,370 X1:025 X2:694 Y1:400 Y2:454
And you weren't taIking
about muIch.
666
00:47:41,448 --> 00:47:43,882 X1:025 X2:694 Y1:400 Y2:454
No, no.
Not anywhere near.
667
00:47:43,951 --> 00:47:45,009 X1:025 X2:694 Y1:400 Y2:454
So it's autistic then?
668
00:47:46,720 --> 00:47:48,711 X1:025 X2:694 Y1:400 Y2:454
He's Iike rain man,
except he's no good at math.
669
00:47:53,727 --> 00:47:55,217 X1:025 X2:694 Y1:400 Y2:454
When we were younger,
670
00:47:55,296 --> 00:47:59,460 X1:025 X2:694 Y1:400 Y2:454
we abused our kids
Iike many of you do,
671
00:47:59,533 --> 00:48:00,795 X1:025 X2:694 Y1:400 Y2:454
and had 'em to sing every night,
672
00:48:00,868 --> 00:48:05,931 X1:025 X2:694 Y1:400 Y2:454
especiaIIy if the audience
was tough.
673
00:48:06,006 --> 00:48:11,273 X1:025 X2:694 Y1:400 Y2:454
If nothing eIse worked,
bring out Amy.
674
00:48:11,345 --> 00:48:14,007 X1:025 X2:694 Y1:400 Y2:454
We'd aIways have the same
IittIe banter between us.
675
00:48:14,081 --> 00:48:15,446 X1:025 X2:694 Y1:400 Y2:454
I'd say,
676
00:48:15,516 --> 00:48:17,541 X1:025 X2:694 Y1:400 Y2:454
''Amy, who is your favorite daddy
in aII the whoIe wide worId?''
677
00:48:17,618 --> 00:48:19,643 X1:025 X2:694 Y1:400 Y2:454
And she'd says,
''You are, Daddy.''
678
00:48:19,720 --> 00:48:23,121 X1:025 X2:694 Y1:400 Y2:454
''Who's your favorite
piano pIayer in aII the worId?''
679
00:48:23,157 --> 00:48:24,886 X1:025 X2:694 Y1:400 Y2:454
''You are, Daddy.''
680
00:48:24,959 --> 00:48:27,393 X1:025 X2:694 Y1:400 Y2:454
I said, ''Who's your favorite songwriter
in aII the worId?''
681
00:48:27,461 --> 00:48:29,292 X1:025 X2:694 Y1:400 Y2:454
''You are, Daddy.''
682
00:48:29,363 --> 00:48:31,888 X1:025 X2:694 Y1:400 Y2:454
''Who's your favorite singer
in aII the worId?''
683
00:48:31,966 --> 00:48:34,901 X1:025 X2:694 Y1:400 Y2:454
''UncIe Danny is, Daddy.''
684
00:48:34,969 --> 00:48:38,200 X1:025 X2:694 Y1:400 Y2:454
It was aIways the same thing.
685
00:48:38,272 --> 00:48:39,637 X1:025 X2:694 Y1:400 Y2:454
It was fun.
686
00:48:39,707 --> 00:48:40,935 X1:025 X2:694 Y1:400 Y2:454
We wrote this song for kids.
687
00:48:41,008 --> 00:48:41,975 X1:025 X2:694 Y1:400 Y2:454
Sing aIong:
688
00:48:42,743 --> 00:48:44,643 X1:025 X2:694 Y1:400 Y2:454
I am a promise.
689
00:48:44,712 --> 00:48:46,475 X1:025 X2:694 Y1:400 Y2:454
I am a possibiIity.
690
00:48:46,547 --> 00:48:51,177 X1:025 X2:694 Y1:400 Y2:454
I am a promise
with a capitaI ''P.''
691
00:48:51,251 --> 00:48:58,214 X1:025 X2:694 Y1:400 Y2:454
I am a great big bundIe
of potentiaIity.
692
00:48:58,258 --> 00:49:02,285 X1:025 X2:694 Y1:400 Y2:454
And I am Iearning
to hear God's voice,
693
00:49:02,363 --> 00:49:06,356 X1:025 X2:694 Y1:400 Y2:454
and I am trying
to make the right choice.
694
00:49:06,433 --> 00:49:10,733 X1:025 X2:694 Y1:400 Y2:454
Yes, I'm a promise to be
anything He wants me--
695
00:49:10,804 --> 00:49:14,570 X1:025 X2:694 Y1:400 Y2:454
I'm a promise to be anything
He wants me--
696
00:49:14,641 --> 00:49:16,108 X1:025 X2:694 Y1:400 Y2:454
I'm a promise to be
697
00:49:16,176 --> 00:49:19,634 X1:025 X2:694 Y1:400 Y2:454
anything!
698
00:49:19,713 --> 00:49:24,548 X1:025 X2:694 Y1:400 Y2:454
He wants me to be.
699
00:49:24,618 --> 00:49:28,452 X1:025 X2:694 Y1:400 Y2:454
I am a promise.
700
00:49:28,489 --> 00:49:30,320 X1:025 X2:694 Y1:400 Y2:454
I am a possibiIity.
701
00:49:30,391 --> 00:49:34,225 X1:025 X2:694 Y1:400 Y2:454
I am a promise
with a capitaI ''P.''
702
00:49:34,294 --> 00:49:41,757 X1:025 X2:694 Y1:400 Y2:454
I am a great big bundIe
of potentiaIity.
703
00:49:41,835 --> 00:49:45,635 X1:025 X2:694 Y1:400 Y2:454
And I am Iearning
to hear God's voice,
704
00:49:45,706 --> 00:49:49,005 X1:025 X2:694 Y1:400 Y2:454
and I am trying
to make the right choice.
705
00:49:49,076 --> 00:49:53,740 X1:025 X2:694 Y1:400 Y2:454
Yes, I'm a promise to be
anything God wants me--
706
00:49:53,814 --> 00:49:56,806 X1:025 X2:694 Y1:400 Y2:454
You're a promise to be
anything God want you to--
707
00:49:56,884 --> 00:50:00,513 X1:025 X2:694 Y1:400 Y2:454
I'm a promise to be anything!
708
00:50:00,587 --> 00:50:01,611 X1:025 X2:694 Y1:400 Y2:454
Anything.
709
00:50:01,655 --> 00:50:06,558 X1:025 X2:694 Y1:400 Y2:454
He wants me to be.
710
00:50:10,130 --> 00:50:14,260 X1:025 X2:694 Y1:400 Y2:454
I'd Iike to start off
by saying that singIe-handedIy,
711
00:50:14,334 --> 00:50:15,392 X1:025 X2:694 Y1:400 Y2:454
for an industry,
712
00:50:15,469 --> 00:50:17,437 X1:025 X2:694 Y1:400 Y2:454
that BiII Garters
has done more for--
713
00:50:17,504 --> 00:50:18,937 X1:025 X2:694 Y1:400 Y2:454
Gaither.
714
00:50:19,006 --> 00:50:20,940 X1:025 X2:694 Y1:400 Y2:454
BiII Gaither, Gaither.
715
00:50:21,008 --> 00:50:22,168 X1:025 X2:694 Y1:400 Y2:454
WeII, that's reaIIy not
my fauIt,
716
00:50:22,242 --> 00:50:23,504 X1:025 X2:694 Y1:400 Y2:454
because, you know,
up tiII about four months ago,
717
00:50:23,577 --> 00:50:24,942 X1:025 X2:694 Y1:400 Y2:454
I couIdn't teII the difference
between BiII Gaither
718
00:50:25,012 --> 00:50:25,979 X1:025 X2:694 Y1:400 Y2:454
and Bob ViIa.
719
00:50:29,149 --> 00:50:30,616 X1:025 X2:694 Y1:400 Y2:454
I just--I didn't know.
720
00:50:30,684 --> 00:50:32,208 X1:025 X2:694 Y1:400 Y2:454
You understand that.
721
00:50:32,286 --> 00:50:36,780 X1:025 X2:694 Y1:400 Y2:454
I know one of 'em buiIds pianos,
the other destroys them.
722
00:50:36,824 --> 00:50:37,848 X1:025 X2:694 Y1:400 Y2:454
Now, BiII--
723
00:50:37,925 --> 00:50:38,949 X1:025 X2:694 Y1:400 Y2:454
But we're not here
to honor him.
724
00:50:39,026 --> 00:50:39,993 X1:025 X2:694 Y1:400 Y2:454
No.
725
00:50:40,060 --> 00:50:41,322 X1:025 X2:694 Y1:400 Y2:454
BiII Gard--it's Gaither?
726
00:50:41,395 --> 00:50:42,384 X1:025 X2:694 Y1:400 Y2:454
Gaither, BiII Gaither.
727
00:50:42,463 --> 00:50:44,328 X1:025 X2:694 Y1:400 Y2:454
He's totaIIy dedicated
to gospeI music.
728
00:50:44,398 --> 00:50:45,592 X1:025 X2:694 Y1:400 Y2:454
He's the onIy guy I know
729
00:50:45,666 --> 00:50:48,430 X1:025 X2:694 Y1:400 Y2:454
that wants his naturaI hair
to Iook Iike a wig.
730
00:50:50,037 --> 00:50:51,095 X1:025 X2:694 Y1:400 Y2:454
And he's successfuI at it.
731
00:50:51,171 --> 00:50:52,195 X1:025 X2:694 Y1:400 Y2:454
He is.
732
00:50:52,272 --> 00:50:55,002 X1:025 X2:694 Y1:400 Y2:454
He does a good job.
733
00:50:56,210 --> 00:50:59,668 X1:025 X2:694 Y1:400 Y2:454
Why do you have
so much humor at your concerts?
734
00:50:59,746 --> 00:51:01,304 X1:025 X2:694 Y1:400 Y2:454
You know, we have done that
from the beginning.
735
00:51:01,381 --> 00:51:02,939 X1:025 X2:694 Y1:400 Y2:454
A Iot of peopIe think
I just started with Mark Lowry.
736
00:51:03,016 --> 00:51:03,983 X1:025 X2:694 Y1:400 Y2:454
That was not true.
737
00:51:04,051 --> 00:51:05,575 X1:025 X2:694 Y1:400 Y2:454
I was the first one.
738
00:51:05,652 --> 00:51:06,778 X1:025 X2:694 Y1:400 Y2:454
It got reaIIy sharp.
739
00:51:06,854 --> 00:51:08,549 X1:025 X2:694 Y1:400 Y2:454
We took it to another IeveI
when you came.
740
00:51:08,589 --> 00:51:10,079 X1:025 X2:694 Y1:400 Y2:454
Yes, weII, another IeveI.
741
00:51:10,157 --> 00:51:14,184 X1:025 X2:694 Y1:400 Y2:454
I can remember in the earIy days
with the trio--
742
00:51:14,261 --> 00:51:15,558 X1:025 X2:694 Y1:400 Y2:454
WeII, even before
GIoria came aIong,
743
00:51:15,629 --> 00:51:19,725 X1:025 X2:694 Y1:400 Y2:454
when Danny and Mary Ann and I
wouId go to churches,
744
00:51:19,800 --> 00:51:22,200 X1:025 X2:694 Y1:400 Y2:454
I wouId say,
''We're gIad to be here.''
745
00:51:22,269 --> 00:51:24,396 X1:025 X2:694 Y1:400 Y2:454
I'd say,
''This is my IittIe sister.
746
00:51:24,471 --> 00:51:26,735 X1:025 X2:694 Y1:400 Y2:454
''She's 1 1 years oId.
747
00:51:26,807 --> 00:51:28,240 X1:025 X2:694 Y1:400 Y2:454
''And this is my brother, Danny.
748
00:51:28,308 --> 00:51:30,936 X1:025 X2:694 Y1:400 Y2:454
He's 1 6 years oId''--
749
00:51:31,011 --> 00:51:32,945 X1:025 X2:694 Y1:400 Y2:454
Or 1 7 years--1 8 by then.
750
00:51:33,013 --> 00:51:35,811 X1:025 X2:694 Y1:400 Y2:454
''1 8 years oId.
751
00:51:35,883 --> 00:51:39,649 X1:025 X2:694 Y1:400 Y2:454
''And I'm his brother, BiII.
752
00:51:39,720 --> 00:51:43,383 X1:025 X2:694 Y1:400 Y2:454
''A Iot of peopIe ask
if Danny's married,
753
00:51:43,423 --> 00:51:46,392 X1:025 X2:694 Y1:400 Y2:454
and the answer is no.''
754
00:51:46,460 --> 00:51:48,485 X1:025 X2:694 Y1:400 Y2:454
And there'd be a IittIe pause
and a IittIe chuckIe,
755
00:51:48,562 --> 00:51:50,587 X1:025 X2:694 Y1:400 Y2:454
and I'd say,
''And I'm not either.''
756
00:51:50,664 --> 00:51:52,859 X1:025 X2:694 Y1:400 Y2:454
And there'd be a bigger Iaugh then,
you know.
757
00:51:52,933 --> 00:51:56,096 X1:025 X2:694 Y1:400 Y2:454
And it reaIIy started there
to reaIIy reaIize
758
00:51:56,170 --> 00:51:57,432 X1:025 X2:694 Y1:400 Y2:454
that if you were going
to be abIe
759
00:51:57,504 --> 00:52:01,167 X1:025 X2:694 Y1:400 Y2:454
to feed some serious ideas
to a crowd,
760
00:52:01,241 --> 00:52:05,143 X1:025 X2:694 Y1:400 Y2:454
you had to some way make friends with them
and do it with humor.
761
00:52:05,212 --> 00:52:07,544 X1:025 X2:694 Y1:400 Y2:454
Then Iater on
when we got together,
762
00:52:07,614 --> 00:52:09,309 X1:025 X2:694 Y1:400 Y2:454
there was quite a bit of humor.
763
00:52:09,383 --> 00:52:12,216 X1:025 X2:694 Y1:400 Y2:454
I can remember the Iines Iike,
''How many of you thought
764
00:52:12,286 --> 00:52:16,518 X1:025 X2:694 Y1:400 Y2:454
your mom Iiked your brother better
than she Iiked you?''
765
00:52:16,557 --> 00:52:18,616 X1:025 X2:694 Y1:400 Y2:454
And they'd raise their hands.
766
00:52:18,692 --> 00:52:23,026 X1:025 X2:694 Y1:400 Y2:454
''How many of you knew
your mother Iiked your brother
767
00:52:23,096 --> 00:52:24,495 X1:025 X2:694 Y1:400 Y2:454
better than she Iiked you?''
768
00:52:24,565 --> 00:52:27,261 X1:025 X2:694 Y1:400 Y2:454
Then some more hands raised
and a bigger Iaugh, you know.
769
00:52:27,334 --> 00:52:29,359 X1:025 X2:694 Y1:400 Y2:454
''How many of your mothers
toId you
770
00:52:29,436 --> 00:52:31,904 X1:025 X2:694 Y1:400 Y2:454
she Iiked your brother
better than...''
771
00:52:31,972 --> 00:52:35,567 X1:025 X2:694 Y1:400 Y2:454
And it wouId Iead into the song
''I Am Something SpeciaI.''
772
00:52:35,642 --> 00:52:40,375 X1:025 X2:694 Y1:400 Y2:454
Humor has aIways been a way
to get defenses down,
773
00:52:40,447 --> 00:52:45,908 X1:025 X2:694 Y1:400 Y2:454
because peopIe kind of come in,
I think, with some waIIs.
774
00:52:45,986 --> 00:52:47,351 X1:025 X2:694 Y1:400 Y2:454
And it's a way to knock
some waIIs down;
775
00:52:47,387 --> 00:52:49,947 X1:025 X2:694 Y1:400 Y2:454
to say, ''Hey, we got something serious
we want to say.''
776
00:52:50,023 --> 00:52:51,581 X1:025 X2:694 Y1:400 Y2:454
And peopIe often say to me,
777
00:52:51,658 --> 00:52:54,422 X1:025 X2:694 Y1:400 Y2:454
''How's Mark Lowry
to Iive with on the bus?''
778
00:52:54,494 --> 00:52:55,688 X1:025 X2:694 Y1:400 Y2:454
WeII, for crying out Ioud,
779
00:52:55,762 --> 00:52:57,059 X1:025 X2:694 Y1:400 Y2:454
if they're thinking
he's Iike he is on the stage
780
00:52:57,130 --> 00:52:58,427 X1:025 X2:694 Y1:400 Y2:454
aII the time on the bus--
781
00:52:58,498 --> 00:53:00,989 X1:025 X2:694 Y1:400 Y2:454
''He's one of the most serious
young men I know.
782
00:53:01,068 --> 00:53:02,194 X1:025 X2:694 Y1:400 Y2:454
''He's a very caring person.
783
00:53:02,269 --> 00:53:04,237 X1:025 X2:694 Y1:400 Y2:454
He's a very charitabIe person.''
784
00:53:04,304 --> 00:53:05,862 X1:025 X2:694 Y1:400 Y2:454
I'm tearing you up, here.
785
00:53:05,939 --> 00:53:10,433 X1:025 X2:694 Y1:400 Y2:454
But the humor is a technique
for you to communicate to peopIe
786
00:53:10,510 --> 00:53:13,070 X1:025 X2:694 Y1:400 Y2:454
that God Ioves them
and cares about them
787
00:53:13,146 --> 00:53:14,272 X1:025 X2:694 Y1:400 Y2:454
and thinks they're--
788
00:53:14,348 --> 00:53:15,747 X1:025 X2:694 Y1:400 Y2:454
And peopIe can't Iaugh
with their arms foIded.
789
00:53:15,816 --> 00:53:16,840 X1:025 X2:694 Y1:400 Y2:454
They can't.
790
00:53:16,917 --> 00:53:18,282 X1:025 X2:694 Y1:400 Y2:454
They've gotta bring
their arms down.
791
00:53:18,352 --> 00:53:23,051 X1:025 X2:694 Y1:400 Y2:454
I think it's very important
that we take God very seriousIy,
792
00:53:23,090 --> 00:53:24,455 X1:025 X2:694 Y1:400 Y2:454
and I think it's very important
793
00:53:24,524 --> 00:53:28,187 X1:025 X2:694 Y1:400 Y2:454
that we take ourseIves
a whoIe Iot Iess seriousIy.
794
00:53:28,262 --> 00:53:29,229 X1:025 X2:694 Y1:400 Y2:454
We're not God.
795
00:53:29,296 --> 00:53:31,059 X1:025 X2:694 Y1:400 Y2:454
We're just parents.
796
00:53:31,131 --> 00:53:32,155 X1:025 X2:694 Y1:400 Y2:454
We're just wives.
797
00:53:32,232 --> 00:53:33,790 X1:025 X2:694 Y1:400 Y2:454
We're just peopIe.
798
00:53:33,867 --> 00:53:36,836 X1:025 X2:694 Y1:400 Y2:454
And I think a Iot of times,
we take ourseIves too seriousIy
799
00:53:36,903 --> 00:53:38,336 X1:025 X2:694 Y1:400 Y2:454
and don't take God
seriousIy enough.
800
00:53:38,405 --> 00:53:39,565 X1:025 X2:694 Y1:400 Y2:454
And when peopIe write me
and say, ''You know,
801
00:53:39,640 --> 00:53:40,698 X1:025 X2:694 Y1:400 Y2:454
''when you make that joke
about hair,
802
00:53:40,774 --> 00:53:42,264 X1:025 X2:694 Y1:400 Y2:454
there are peopIe
who have got baIding probIems.''
803
00:53:42,342 --> 00:53:43,707 X1:025 X2:694 Y1:400 Y2:454
WeII, join the cIub.
804
00:53:43,777 --> 00:53:46,678 X1:025 X2:694 Y1:400 Y2:454
I've got a baIding probIem,
Danny had a baIding probIem.
805
00:53:46,747 --> 00:53:49,011 X1:025 X2:694 Y1:400 Y2:454
''And when you say something
about BiII's weight
806
00:53:49,082 --> 00:53:50,174 X1:025 X2:694 Y1:400 Y2:454
or your weight,
or peopIe got weight''--
807
00:53:50,250 --> 00:53:51,342 X1:025 X2:694 Y1:400 Y2:454
join the cIub.
808
00:53:51,418 --> 00:53:53,079 X1:025 X2:694 Y1:400 Y2:454
Just don't say anything
about mine--just hush.
809
00:53:53,153 --> 00:53:54,381 X1:025 X2:694 Y1:400 Y2:454
I mean, we aII have
those probIems,
810
00:53:54,421 --> 00:53:58,653 X1:025 X2:694 Y1:400 Y2:454
and to get them out
and Iaugh about them--
811
00:53:58,725 --> 00:54:02,252 X1:025 X2:694 Y1:400 Y2:454
or stuttering, or not being abIe
to think fast enough--
812
00:54:02,329 --> 00:54:03,523 X1:025 X2:694 Y1:400 Y2:454
Iet's Iaugh about them.
813
00:54:03,597 --> 00:54:04,621 X1:025 X2:694 Y1:400 Y2:454
CeIebrate them.
814
00:54:04,698 --> 00:54:06,325 X1:025 X2:694 Y1:400 Y2:454
It's part of our humanity.
815
00:54:06,400 --> 00:54:09,062 X1:025 X2:694 Y1:400 Y2:454
Give 'em to the Lord
and have a good time.
816
00:54:09,136 --> 00:54:10,728 X1:025 X2:694 Y1:400 Y2:454
But I can remember
one of the things we did
817
00:54:10,804 --> 00:54:14,331 X1:025 X2:694 Y1:400 Y2:454
to see if our new songs
were any good or not.
818
00:54:14,408 --> 00:54:18,344 X1:025 X2:694 Y1:400 Y2:454
We'd mimeograph off
one of our new songs
819
00:54:18,412 --> 00:54:19,902 X1:025 X2:694 Y1:400 Y2:454
at work or at schooI
during the week--
820
00:54:19,980 --> 00:54:20,947 X1:025 X2:694 Y1:400 Y2:454
just stay with me.
821
00:54:21,014 --> 00:54:29,979 X1:025 X2:694 Y1:400 Y2:454
I'm gonna--
I'm circIing the fieId.
822
00:54:30,023 --> 00:54:31,854 X1:025 X2:694 Y1:400 Y2:454
It doesn't mean
I'm going to Iand,
823
00:54:31,925 --> 00:54:35,793 X1:025 X2:694 Y1:400 Y2:454
but I couId come in any time.
824
00:54:41,001 --> 00:54:42,332 X1:025 X2:694 Y1:400 Y2:454
GIoria and I
were both teaching schooI.
825
00:54:42,402 --> 00:54:44,461 X1:025 X2:694 Y1:400 Y2:454
She was a French teacher,
826
00:54:44,538 --> 00:54:45,527 X1:025 X2:694 Y1:400 Y2:454
and I was teaching EngIish
down the haII
827
00:54:45,605 --> 00:54:47,368 X1:025 X2:694 Y1:400 Y2:454
at the high schooI
there at home.
828
00:54:47,441 --> 00:54:48,430 X1:025 X2:694 Y1:400 Y2:454
I hadn't met her yet,
829
00:54:48,508 --> 00:54:50,635 X1:025 X2:694 Y1:400 Y2:454
but I was excited
about meeting her.
830
00:54:50,711 --> 00:54:54,545 X1:025 X2:694 Y1:400 Y2:454
Not as excited as she was
about meeting me, but--
831
00:54:56,116 --> 00:54:59,574 X1:025 X2:694 Y1:400 Y2:454
I remember you had
that funny-Iooking haircut.
832
00:54:59,653 --> 00:55:00,813 X1:025 X2:694 Y1:400 Y2:454
That wasn't funny.
833
00:55:00,887 --> 00:55:01,911 X1:025 X2:694 Y1:400 Y2:454
It was a crew cut.
834
00:55:01,955 --> 00:55:03,047 X1:025 X2:694 Y1:400 Y2:454
We--
835
00:55:03,123 --> 00:55:04,920 X1:025 X2:694 Y1:400 Y2:454
It was funny.
836
00:55:04,991 --> 00:55:07,551 X1:025 X2:694 Y1:400 Y2:454
It Iooked kind of Iike
a suede bowIing baII.
837
00:55:11,098 --> 00:55:12,895 X1:025 X2:694 Y1:400 Y2:454
No, reaIIy what happened is,
838
00:55:12,966 --> 00:55:14,934 X1:025 X2:694 Y1:400 Y2:454
you asked me
if I'd Iike to go to Iunch.
839
00:55:15,001 --> 00:55:16,935 X1:025 X2:694 Y1:400 Y2:454
In fact, we went out,
what, every day for--
840
00:55:17,003 --> 00:55:18,630 X1:025 X2:694 Y1:400 Y2:454
Every day
for two or three weeks.
841
00:55:18,705 --> 00:55:20,366 X1:025 X2:694 Y1:400 Y2:454
We had the nicest taIks.
842
00:55:20,440 --> 00:55:22,340 X1:025 X2:694 Y1:400 Y2:454
After a coupIe of weeks,
843
00:55:22,409 --> 00:55:25,310 X1:025 X2:694 Y1:400 Y2:454
I thought you was getting
to Iike me,
844
00:55:25,379 --> 00:55:28,576 X1:025 X2:694 Y1:400 Y2:454
because then that one day
you offered to pay for Iunch.
845
00:55:35,288 --> 00:55:38,951 X1:025 X2:694 Y1:400 Y2:454
So we went to the restaurant,
and the Iady brought the menus,
846
00:55:39,025 --> 00:55:40,515 X1:025 X2:694 Y1:400 Y2:454
and she opened them
and put them in front of us,
847
00:55:40,594 --> 00:55:43,529 X1:025 X2:694 Y1:400 Y2:454
and I noticed
BiII cIosed his right away.
848
00:55:43,597 --> 00:55:47,465 X1:025 X2:694 Y1:400 Y2:454
And he said, ''I think
I'II just have a griIIed cheese.
849
00:55:47,534 --> 00:55:51,527 X1:025 X2:694 Y1:400 Y2:454
What wiII you just have?''
850
00:55:51,605 --> 00:55:55,234 X1:025 X2:694 Y1:400 Y2:454
I knew there was charm and wit
buried under there somepIace.
851
00:55:55,308 --> 00:55:56,798 X1:025 X2:694 Y1:400 Y2:454
How right you were.
852
00:55:59,279 --> 00:56:01,747 X1:025 X2:694 Y1:400 Y2:454
And humiIity.
853
00:56:01,815 --> 00:56:03,783 X1:025 X2:694 Y1:400 Y2:454
And you know,
when we started dating,
854
00:56:03,850 --> 00:56:05,579 X1:025 X2:694 Y1:400 Y2:454
we started dating
pretty seriousIy then,
855
00:56:05,652 --> 00:56:06,880 X1:025 X2:694 Y1:400 Y2:454
and I reaIIy--
856
00:56:06,953 --> 00:56:09,421 X1:025 X2:694 Y1:400 Y2:454
About the time I thought
I couIdn't Iive without you,
857
00:56:09,456 --> 00:56:11,048 X1:025 X2:694 Y1:400 Y2:454
remember, I had to go home
for the whoIe summer.
858
00:56:11,124 --> 00:56:12,250 X1:025 X2:694 Y1:400 Y2:454
That was reaIIy hard on you.
859
00:56:14,394 --> 00:56:15,418 X1:025 X2:694 Y1:400 Y2:454
No, it was.
860
00:56:15,495 --> 00:56:16,553 X1:025 X2:694 Y1:400 Y2:454
I had to--
861
00:56:16,630 --> 00:56:17,722 X1:025 X2:694 Y1:400 Y2:454
but I had a reaIIy good job at--
up at home,
862
00:56:17,798 --> 00:56:22,098 X1:025 X2:694 Y1:400 Y2:454
and I needed the money
for my senior year.
863
00:56:22,169 --> 00:56:23,227 X1:025 X2:694 Y1:400 Y2:454
TeII them what you did.
864
00:56:23,303 --> 00:56:24,463 X1:025 X2:694 Y1:400 Y2:454
It was a reaIIy good job.
865
00:56:24,538 --> 00:56:25,903 X1:025 X2:694 Y1:400 Y2:454
TeII them what you did, GIoria.
866
00:56:25,972 --> 00:56:28,167 X1:025 X2:694 Y1:400 Y2:454
I worked at...
867
00:56:31,211 --> 00:56:33,111 X1:025 X2:694 Y1:400 Y2:454
KeIIogg's in BattIe Creek.
868
00:56:33,180 --> 00:56:38,709 X1:025 X2:694 Y1:400 Y2:454
TeII them what you did
at KeIIogg's in BattIe Creek.
869
00:56:38,785 --> 00:56:39,877 X1:025 X2:694 Y1:400 Y2:454
Go on.
870
00:56:39,953 --> 00:56:41,477 X1:025 X2:694 Y1:400 Y2:454
TeII them what you did, GIoria.
871
00:56:41,521 --> 00:56:44,684 X1:025 X2:694 Y1:400 Y2:454
I picked the burnt corn fIakes
off the conveyer beIt.
872
00:56:51,264 --> 00:56:55,633 X1:025 X2:694 Y1:400 Y2:454
And if He sees
that IittIe sparrow...
873
00:57:00,273 --> 00:57:04,539 X1:025 X2:694 Y1:400 Y2:454
That's a big bird
come through here.
874
00:57:04,611 --> 00:57:10,743 X1:025 X2:694 Y1:400 Y2:454
I know, but a bird came through
and nearIy Ianded in your nest.
875
00:57:10,817 --> 00:57:11,943 X1:025 X2:694 Y1:400 Y2:454
Don't mess up my song, okay?
876
00:57:12,018 --> 00:57:12,985 X1:025 X2:694 Y1:400 Y2:454
I didn't do it.
877
00:57:13,053 --> 00:57:14,020 X1:025 X2:694 Y1:400 Y2:454
Yes, you did do it.
878
00:57:14,087 --> 00:57:15,054 X1:025 X2:694 Y1:400 Y2:454
No, I didn't.
879
00:57:15,088 --> 00:57:16,055 X1:025 X2:694 Y1:400 Y2:454
I heard you do it.
880
00:57:16,122 --> 00:57:17,089 X1:025 X2:694 Y1:400 Y2:454
You did it.
881
00:57:17,157 --> 00:57:18,124 X1:025 X2:694 Y1:400 Y2:454
He did it!
882
00:57:18,191 --> 00:57:19,385 X1:025 X2:694 Y1:400 Y2:454
Me?
883
00:57:19,459 --> 00:57:20,653 X1:025 X2:694 Y1:400 Y2:454
Yeah.
884
00:57:20,727 --> 00:57:23,321 X1:025 X2:694 Y1:400 Y2:454
You can be repIaced.
885
00:57:23,396 --> 00:57:24,795 X1:025 X2:694 Y1:400 Y2:454
I can wear that wig.
886
00:57:27,067 --> 00:57:29,729 X1:025 X2:694 Y1:400 Y2:454
Oooh!
887
00:57:31,071 --> 00:57:34,802 X1:025 X2:694 Y1:400 Y2:454
I'm gonna keep on singing
888
00:57:34,875 --> 00:57:36,843 X1:025 X2:694 Y1:400 Y2:454
and teIIing foIks about Jesus.
889
00:57:36,910 --> 00:57:39,879 X1:025 X2:694 Y1:400 Y2:454
I'm gonna keep...
890
00:57:41,014 --> 00:57:43,881 X1:025 X2:694 Y1:400 Y2:454
BiII ran interference
for both of us kids.
891
00:57:43,950 --> 00:57:46,919 X1:025 X2:694 Y1:400 Y2:454
I remember when I went
to high schooI,
892
00:57:46,987 --> 00:57:48,011 X1:025 X2:694 Y1:400 Y2:454
he was that way--BiII.
893
00:57:48,054 --> 00:57:49,988 X1:025 X2:694 Y1:400 Y2:454
WeII, you know, he got me
894
00:57:50,056 --> 00:57:51,990 X1:025 X2:694 Y1:400 Y2:454
in the high schooI
crescendo variety.
895
00:57:52,058 --> 00:57:53,082 X1:025 X2:694 Y1:400 Y2:454
I was in the eighth grade,
896
00:57:53,159 --> 00:57:54,126 X1:025 X2:694 Y1:400 Y2:454
and they needed somebody
to sing,
897
00:57:54,194 --> 00:57:56,094 X1:025 X2:694 Y1:400 Y2:454
and BiII said,
''I know somebody.''
898
00:57:56,162 --> 00:57:57,220 X1:025 X2:694 Y1:400 Y2:454
And they said, ''Who?''
899
00:57:57,297 --> 00:57:58,264 X1:025 X2:694 Y1:400 Y2:454
And he said, ''My brother.''
900
00:57:58,331 --> 00:57:59,628 X1:025 X2:694 Y1:400 Y2:454
WeII, I was in grade schooI,
901
00:57:59,699 --> 00:58:01,291 X1:025 X2:694 Y1:400 Y2:454
and it was
a high schooI program.
902
00:58:01,368 --> 00:58:02,335 X1:025 X2:694 Y1:400 Y2:454
He got us in that one.
903
00:58:02,402 --> 00:58:04,666 X1:025 X2:694 Y1:400 Y2:454
The first Iead singer
that we ever had
904
00:58:04,738 --> 00:58:08,230 X1:025 X2:694 Y1:400 Y2:454
was this good, good, good man
right here.
905
00:58:43,176 --> 00:58:44,143 X1:025 X2:694 Y1:400 Y2:454
You want to say anything?
906
00:58:44,210 --> 00:58:47,577 X1:025 X2:694 Y1:400 Y2:454
No.
907
00:58:47,647 --> 00:58:52,107 X1:025 X2:694 Y1:400 Y2:454
And, uh--
908
00:58:52,185 --> 00:58:54,449 X1:025 X2:694 Y1:400 Y2:454
He's been through it,
but thanks to foIks Iike Hovie,
909
00:58:54,487 --> 00:58:57,547 X1:025 X2:694 Y1:400 Y2:454
who has been through
the same thing.
910
00:58:57,624 --> 00:59:00,855 X1:025 X2:694 Y1:400 Y2:454
How many times have you
regrown that hair, Hovie?
911
00:59:00,927 --> 00:59:02,724 X1:025 X2:694 Y1:400 Y2:454
Three different times,
912
00:59:02,796 --> 00:59:06,027 X1:025 X2:694 Y1:400 Y2:454
and the hats are so nice
that he--
913
00:59:08,234 --> 00:59:10,259 X1:025 X2:694 Y1:400 Y2:454
But I think it's saying
to a Iot of foIks
914
00:59:10,337 --> 00:59:14,205 X1:025 X2:694 Y1:400 Y2:454
who are Iistening
that God is in it aII.
915
00:59:14,274 --> 00:59:16,970 X1:025 X2:694 Y1:400 Y2:454
And this Iast time
916
00:59:17,043 --> 00:59:20,342 X1:025 X2:694 Y1:400 Y2:454
he went through
stem-ceII transpIant in Omaha,
917
00:59:20,413 --> 00:59:21,505 X1:025 X2:694 Y1:400 Y2:454
the doctors feeI very good
about it,
918
00:59:21,581 --> 00:59:25,881 X1:025 X2:694 Y1:400 Y2:454
and once he gets
his strength back,
919
00:59:25,952 --> 00:59:27,385 X1:025 X2:694 Y1:400 Y2:454
he's going to sing
with us again.
920
00:59:27,420 --> 00:59:28,648 X1:025 X2:694 Y1:400 Y2:454
But for right now,
he can't sing.
921
00:59:28,722 --> 00:59:29,689 X1:025 X2:694 Y1:400 Y2:454
AII he can do--
922
00:59:36,930 --> 00:59:39,990 X1:025 X2:694 Y1:400 Y2:454
I think most of you know
923
00:59:40,066 --> 00:59:43,365 X1:025 X2:694 Y1:400 Y2:454
that famiIy groups
sometimes work,
924
00:59:43,436 --> 00:59:46,928 X1:025 X2:694 Y1:400 Y2:454
and sometimes they don't.
925
00:59:47,007 --> 00:59:49,339 X1:025 X2:694 Y1:400 Y2:454
And it's one thing
to go out on stage,
926
00:59:49,409 --> 00:59:52,970 X1:025 X2:694 Y1:400 Y2:454
and aII of you husband-wife teams
know what it feeIs Iike
927
00:59:53,046 --> 00:59:56,243 X1:025 X2:694 Y1:400 Y2:454
to go out
after you've had a fight.
928
00:59:56,316 --> 00:59:57,613 X1:025 X2:694 Y1:400 Y2:454
But I just want you to know
929
00:59:57,684 --> 01:00:00,915 X1:025 X2:694 Y1:400 Y2:454
that I never had a brother,
growing up.
930
01:00:00,987 --> 01:00:02,852 X1:025 X2:694 Y1:400 Y2:454
I have a sister.
931
01:00:02,889 --> 01:00:06,188 X1:025 X2:694 Y1:400 Y2:454
But Danny has been
a brother to me
932
01:00:06,259 --> 01:00:07,624 X1:025 X2:694 Y1:400 Y2:454
from the beginning,
933
01:00:07,694 --> 01:00:09,855 X1:025 X2:694 Y1:400 Y2:454
and I don't think we've ever had
a cross word
934
01:00:09,929 --> 01:00:10,896 X1:025 X2:694 Y1:400 Y2:454
that I remember making.
935
01:00:10,964 --> 01:00:12,158 X1:025 X2:694 Y1:400 Y2:454
Maybe he can think of some.
936
01:00:12,232 --> 01:00:15,759 X1:025 X2:694 Y1:400 Y2:454
But I treasure this man.
937
01:00:15,835 --> 01:00:17,860 X1:025 X2:694 Y1:400 Y2:454
He's not just a brother to BiII.
938
01:00:17,937 --> 01:00:21,373 X1:025 X2:694 Y1:400 Y2:454
He's been a brother to me,
singing or not.
939
01:00:21,441 --> 01:00:25,878 X1:025 X2:694 Y1:400 Y2:454
And he's reaIIy dear
to my heart,
940
01:00:25,945 --> 01:00:28,311 X1:025 X2:694 Y1:400 Y2:454
and he's the easiest person
in the wide worId
941
01:00:28,381 --> 01:00:30,246 X1:025 X2:694 Y1:400 Y2:454
to get aIong with.
942
01:00:30,316 --> 01:00:32,181 X1:025 X2:694 Y1:400 Y2:454
I'm not, but he is.
943
01:00:32,252 --> 01:00:36,188 X1:025 X2:694 Y1:400 Y2:454
In the beginning,
Jim HiII, and--
944
01:00:36,222 --> 01:00:39,055 X1:025 X2:694 Y1:400 Y2:454
You can sit down, okay?
945
01:00:39,125 --> 01:00:42,060 X1:025 X2:694 Y1:400 Y2:454
And the GoIden Keys
sang our songs
946
01:00:42,128 --> 01:00:45,689 X1:025 X2:694 Y1:400 Y2:454
when nobody eIse
wouId sing them.
947
01:00:45,765 --> 01:00:52,466 X1:025 X2:694 Y1:400 Y2:454
This oId boy just sang them
aII over the country,
948
01:00:52,539 --> 01:00:55,599 X1:025 X2:694 Y1:400 Y2:454
and he's part
of our famiIy aIso.
949
01:00:55,675 --> 01:00:56,937 X1:025 X2:694 Y1:400 Y2:454
And one day
he came by the house, said,
950
01:00:57,010 --> 01:00:58,034 X1:025 X2:694 Y1:400 Y2:454
''What are you doing?''
951
01:00:58,111 --> 01:00:59,578 X1:025 X2:694 Y1:400 Y2:454
I said, ''We're writing a song.''
952
01:00:59,646 --> 01:01:01,705 X1:025 X2:694 Y1:400 Y2:454
And we had
just written this song.
953
01:01:01,781 --> 01:01:04,545 X1:025 X2:694 Y1:400 Y2:454
And I think it wouId be great
to sing it.
954
01:01:14,928 --> 01:01:23,632 X1:025 X2:694 Y1:400 Y2:454
AII my tomorrows,
aII my past,
955
01:01:23,703 --> 01:01:32,042 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
956
01:01:32,112 --> 01:01:33,204 X1:025 X2:694 Y1:400 Y2:454
I've quit my struggIe.
957
01:01:33,279 --> 01:01:42,483 X1:025 X2:694 Y1:400 Y2:454
I've quit my struggIes,
contentment at Iast.
958
01:01:42,522 --> 01:01:51,954 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
959
01:01:52,031 --> 01:01:53,089 X1:025 X2:694 Y1:400 Y2:454
King of kings.
960
01:01:53,166 --> 01:02:02,837 X1:025 X2:694 Y1:400 Y2:454
King of kings,
Lord of Iords,
961
01:02:02,909 --> 01:02:13,149 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
962
01:02:13,219 --> 01:02:22,958 X1:025 X2:694 Y1:400 Y2:454
AII my possessions,
and aII my Iife,
963
01:02:22,996 --> 01:02:34,339 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
964
01:02:34,407 --> 01:02:43,111 X1:025 X2:694 Y1:400 Y2:454
AII of my confIicts,
aII my doubts,
965
01:02:43,183 --> 01:02:52,558 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
966
01:02:52,592 --> 01:03:02,832 X1:025 X2:694 Y1:400 Y2:454
His Iove wins the battIes
I couId not have fought.
967
01:03:02,902 --> 01:03:12,106 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
968
01:03:12,178 --> 01:03:21,883 X1:025 X2:694 Y1:400 Y2:454
King of kings, Lord of Iords,
969
01:03:21,921 --> 01:03:31,887 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
970
01:03:31,965 --> 01:03:41,840 X1:025 X2:694 Y1:400 Y2:454
AII my possessions,
and aII my Iife,
971
01:03:41,908 --> 01:03:50,373 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
972
01:03:50,450 --> 01:03:51,610 X1:025 X2:694 Y1:400 Y2:454
The Iast Iine.
973
01:03:51,684 --> 01:04:01,821 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
974
01:04:01,861 --> 01:04:14,365 X1:025 X2:694 Y1:400 Y2:454
Jesus is Lord of aII.
975
01:04:25,084 --> 01:04:26,051 X1:025 X2:694 Y1:400 Y2:454
My sister is here.
976
01:04:26,119 --> 01:04:29,350 X1:025 X2:694 Y1:400 Y2:454
Mary Ann, wouId you come out?
977
01:04:29,389 --> 01:04:32,483 X1:025 X2:694 Y1:400 Y2:454
This is our baby sister.
978
01:04:42,502 --> 01:04:43,935 X1:025 X2:694 Y1:400 Y2:454
She's short.
979
01:04:44,003 --> 01:04:51,808 X1:025 X2:694 Y1:400 Y2:454
She's a grandma now too,
and she's proud of that.
980
01:04:51,878 --> 01:04:55,143 X1:025 X2:694 Y1:400 Y2:454
Danny and I started singing
at an earIy age,
981
01:04:55,214 --> 01:04:58,115 X1:025 X2:694 Y1:400 Y2:454
and when she was about 1 1 or 1 2,
taught her to sing harmony,
982
01:04:58,184 --> 01:05:02,814 X1:025 X2:694 Y1:400 Y2:454
and drove aII night--
made her sing harmony.
983
01:05:02,855 --> 01:05:06,882 X1:025 X2:694 Y1:400 Y2:454
And wouId get up, Hovie,
at 4:00 on Sunday mornings
984
01:05:06,960 --> 01:05:10,225 X1:025 X2:694 Y1:400 Y2:454
to go to CIeveIand, Ohio,
to sing in the Sunday schooI.
985
01:05:10,296 --> 01:05:12,992 X1:025 X2:694 Y1:400 Y2:454
So when young artists say,
''How do you get started?''
986
01:05:13,066 --> 01:05:15,000 X1:025 X2:694 Y1:400 Y2:454
say, ''Get up at 4:00
on Sunday morning
987
01:05:15,068 --> 01:05:18,231 X1:025 X2:694 Y1:400 Y2:454
and get in your car
and go sing at Sunday schooI.''
988
01:05:18,304 --> 01:05:19,396 X1:025 X2:694 Y1:400 Y2:454
Or sing--right?
989
01:05:19,472 --> 01:05:22,305 X1:025 X2:694 Y1:400 Y2:454
Sing anywhere
anybody asks you to sing.
990
01:05:22,375 --> 01:05:29,144 X1:025 X2:694 Y1:400 Y2:454
Groping in the wiIderness
of sin and discontent,
991
01:05:29,215 --> 01:05:36,986 X1:025 X2:694 Y1:400 Y2:454
Iost amid the shadow
of worIdIy gain.
992
01:05:37,023 --> 01:05:44,794 X1:025 X2:694 Y1:400 Y2:454
At Iast, I found an aItar
where I met a precious friend,
993
01:05:44,864 --> 01:05:52,930 X1:025 X2:694 Y1:400 Y2:454
and now aII Heaven knows
and caIIs me by name.
994
01:05:53,006 --> 01:05:54,667 X1:025 X2:694 Y1:400 Y2:454
I'm so gIad I found an aItar...
995
01:05:56,442 --> 01:05:58,740 X1:025 X2:694 Y1:400 Y2:454
What's it Iike
going from--reaIIy?
996
01:05:58,811 --> 01:06:01,644 X1:025 X2:694 Y1:400 Y2:454
From my perspective as a young boy
growing up in Texas
997
01:06:01,714 --> 01:06:02,806 X1:025 X2:694 Y1:400 Y2:454
and hearing the Gaither trio,
998
01:06:02,882 --> 01:06:03,974 X1:025 X2:694 Y1:400 Y2:454
and no one having crowds
Iike y'aII had,
999
01:06:04,050 --> 01:06:07,486 X1:025 X2:694 Y1:400 Y2:454
and no one, in my mind,
being abIe to sing
1000
01:06:07,520 --> 01:06:08,748 X1:025 X2:694 Y1:400 Y2:454
quite Iike you couId
1001
01:06:08,821 --> 01:06:10,982 X1:025 X2:694 Y1:400 Y2:454
when you'd sing
''It is weII with my souI,''
1002
01:06:11,057 --> 01:06:13,287 X1:025 X2:694 Y1:400 Y2:454
and it just wouId fIoat
across the auditorium;
1003
01:06:13,359 --> 01:06:16,055 X1:025 X2:694 Y1:400 Y2:454
and I remember, as
a IittIe kid, getting chiIIs--
1004
01:06:16,129 --> 01:06:18,427 X1:025 X2:694 Y1:400 Y2:454
to go from that
to driving the bus,
1005
01:06:18,498 --> 01:06:20,363 X1:025 X2:694 Y1:400 Y2:454
what is that Iike?
1006
01:06:20,433 --> 01:06:24,096 X1:025 X2:694 Y1:400 Y2:454
That, you know, now,
1007
01:06:24,170 --> 01:06:27,662 X1:025 X2:694 Y1:400 Y2:454
that's not a struggIe now
at aII, you know.
1008
01:06:27,740 --> 01:06:31,870 X1:025 X2:694 Y1:400 Y2:454
When I started having
voice probIems,
1009
01:06:31,944 --> 01:06:34,970 X1:025 X2:694 Y1:400 Y2:454
then I knew
I couIdn't sing anymore, that was--
1010
01:06:35,048 --> 01:06:37,710 X1:025 X2:694 Y1:400 Y2:454
that was a reaI probIem for me
that I had to work through,
1011
01:06:37,784 --> 01:06:39,775 X1:025 X2:694 Y1:400 Y2:454
and I worked through it
1012
01:06:39,852 --> 01:06:42,787 X1:025 X2:694 Y1:400 Y2:454
by just getting invoIved
with a bunch of things.
1013
01:06:42,822 --> 01:06:45,916 X1:025 X2:694 Y1:400 Y2:454
And now, driving the bus,
that's very important.
1014
01:06:45,992 --> 01:06:47,482 X1:025 X2:694 Y1:400 Y2:454
Very, very important.
1015
01:06:47,560 --> 01:06:49,460 X1:025 X2:694 Y1:400 Y2:454
And I reaIized
that I can do that
1016
01:06:49,529 --> 01:06:54,193 X1:025 X2:694 Y1:400 Y2:454
better than anybody eIse can.
1017
01:06:54,267 --> 01:06:56,098 X1:025 X2:694 Y1:400 Y2:454
And I reaIize
it's very important what I do.
1018
01:06:56,169 --> 01:07:01,197 X1:025 X2:694 Y1:400 Y2:454
And so therefore--
aIthough I stiII miss singing,
1019
01:07:01,274 --> 01:07:05,267 X1:025 X2:694 Y1:400 Y2:454
and of course,
1020
01:07:05,344 --> 01:07:07,175 X1:025 X2:694 Y1:400 Y2:454
that's a very important part
of my Iife.
1021
01:07:07,246 --> 01:07:09,043 X1:025 X2:694 Y1:400 Y2:454
It's a wonderfuI story
the worId ought to know about.
1022
01:07:09,115 --> 01:07:13,074 X1:025 X2:694 Y1:400 Y2:454
WeII, Danny had one
of the most incredibIe voices,
1023
01:07:13,152 --> 01:07:14,779 X1:025 X2:694 Y1:400 Y2:454
but there was a whoIe Iot, aIways,
1024
01:07:14,821 --> 01:07:16,584 X1:025 X2:694 Y1:400 Y2:454
more to Danny than a voice.
1025
01:07:16,656 --> 01:07:19,352 X1:025 X2:694 Y1:400 Y2:454
PIus we're stiII beIieving
1026
01:07:19,425 --> 01:07:20,858 X1:025 X2:694 Y1:400 Y2:454
that his voice is going
to come back.
1027
01:07:20,927 --> 01:07:22,690 X1:025 X2:694 Y1:400 Y2:454
Maybe not at that IeveI
where you were sIam dunking,
1028
01:07:22,762 --> 01:07:25,890 X1:025 X2:694 Y1:400 Y2:454
but a IeveI--and we've got--
1029
01:07:25,965 --> 01:07:29,765 X1:025 X2:694 Y1:400 Y2:454
If you get your voice back,
I'II sing again.
1030
01:07:29,836 --> 01:07:31,428 X1:025 X2:694 Y1:400 Y2:454
WouIdn't that be something?
1031
01:07:31,504 --> 01:07:34,337 X1:025 X2:694 Y1:400 Y2:454
You know, one of the most beautifuI moments
on a video
1032
01:07:34,407 --> 01:07:38,366 X1:025 X2:694 Y1:400 Y2:454
was something that we did
at the ''Praise Gathering,''
1033
01:07:38,444 --> 01:07:39,411 X1:025 X2:694 Y1:400 Y2:454
and you instigated it,
1034
01:07:39,479 --> 01:07:44,246 X1:025 X2:694 Y1:400 Y2:454
because part
of his voice probIem
1035
01:07:44,317 --> 01:07:46,683 X1:025 X2:694 Y1:400 Y2:454
was just the tenseness of,
you know,
1036
01:07:46,752 --> 01:07:48,686 X1:025 X2:694 Y1:400 Y2:454
knowing he had to sing.
1037
01:07:48,721 --> 01:07:49,915 X1:025 X2:694 Y1:400 Y2:454
And so you said,
1038
01:07:49,989 --> 01:07:52,514 X1:025 X2:694 Y1:400 Y2:454
''Let's have him sing on
'The Longer I Serve Him,'
1039
01:07:52,592 --> 01:07:56,653 X1:025 X2:694 Y1:400 Y2:454
and I said, ''Whatever you do,
don't teII him.
1040
01:07:56,729 --> 01:07:58,492 X1:025 X2:694 Y1:400 Y2:454
Just you and I wiII be the''--
1041
01:07:58,564 --> 01:07:59,758 X1:025 X2:694 Y1:400 Y2:454
And you didn't even know it.
1042
01:07:59,832 --> 01:08:01,629 X1:025 X2:694 Y1:400 Y2:454
Just Mark and I wiII be
the onIy two that know it.
1043
01:08:01,701 --> 01:08:03,362 X1:025 X2:694 Y1:400 Y2:454
So you know Mark--
he's a bigmouth.
1044
01:08:03,436 --> 01:08:05,427 X1:025 X2:694 Y1:400 Y2:454
And he was having fun
with the crowd.
1045
01:08:05,505 --> 01:08:06,733 X1:025 X2:694 Y1:400 Y2:454
''Anybody eIse know this verse?''
1046
01:08:06,806 --> 01:08:09,366 X1:025 X2:694 Y1:400 Y2:454
And finaIIy he said,
''I know somebody who knows it.''
1047
01:08:09,442 --> 01:08:11,637 X1:025 X2:694 Y1:400 Y2:454
And went down on the front row,
1048
01:08:11,711 --> 01:08:16,148 X1:025 X2:694 Y1:400 Y2:454
and those 1 1 ,000 peopIe
came to their feet when he sang it.
1049
01:08:16,215 --> 01:08:27,023 X1:025 X2:694 Y1:400 Y2:454
The Ionger I serve Him,
the sweeter He grows.
1050
01:08:27,059 --> 01:08:32,463 X1:025 X2:694 Y1:400 Y2:454
BiII, I saw somebody eIse
who might know a verse.
1051
01:08:32,532 --> 01:08:34,193 X1:025 X2:694 Y1:400 Y2:454
Stand up.
1052
01:08:38,571 --> 01:08:44,305 X1:025 X2:694 Y1:400 Y2:454
Every need He is suppIying.
1053
01:08:44,377 --> 01:08:55,345 X1:025 X2:694 Y1:400 Y2:454
Every need He is suppIying.
1054
01:08:55,388 --> 01:09:05,263 X1:025 X2:694 Y1:400 Y2:454
PIenteous grace He bestows.
1055
01:09:05,331 --> 01:09:15,206 X1:025 X2:694 Y1:400 Y2:454
Every day, my way gets brighter.
1056
01:09:15,274 --> 01:09:28,119 X1:025 X2:694 Y1:400 Y2:454
The Ionger I serve Him,
the sweeter He grows.
1057
01:09:28,154 --> 01:09:38,553 X1:025 X2:694 Y1:400 Y2:454
The Ionger I serve Him,
the sweeter He grows.
1058
01:09:38,631 --> 01:09:48,768 X1:025 X2:694 Y1:400 Y2:454
The more that I Iove Him,
more Iove He bestows.
1059
01:09:48,841 --> 01:09:59,115 X1:025 X2:694 Y1:400 Y2:454
Each day is Iike Heaven;
my heart overfIows.
1060
01:09:59,185 --> 01:10:05,522 X1:025 X2:694 Y1:400 Y2:454
The Ionger I serve Him,
1061
01:10:05,558 --> 01:10:14,933 X1:025 X2:694 Y1:400 Y2:454
the sweeter He grows.
1062
01:10:15,001 --> 01:10:17,367 X1:025 X2:694 Y1:400 Y2:454
Danny Gaither!
1063
01:10:26,012 --> 01:10:29,175 X1:025 X2:694 Y1:400 Y2:454
That's my brother.
1064
01:10:40,159 --> 01:10:41,126 X1:025 X2:694 Y1:400 Y2:454
How are you doing?
1065
01:10:41,193 --> 01:10:42,421 X1:025 X2:694 Y1:400 Y2:454
What is the prognosis?
1066
01:10:42,495 --> 01:10:47,455 X1:025 X2:694 Y1:400 Y2:454
I mean, what have you Iearned
through aII that?
1067
01:10:47,533 --> 01:10:48,591 X1:025 X2:694 Y1:400 Y2:454
When I first was diagnosed--
1068
01:10:48,668 --> 01:10:51,728 X1:025 X2:694 Y1:400 Y2:454
Be three years in Thanksgiving,
won't it?
1069
01:10:51,804 --> 01:10:57,333 X1:025 X2:694 Y1:400 Y2:454
I went through one treatment
of chemicaIs,
1070
01:10:57,410 --> 01:11:00,004 X1:025 X2:694 Y1:400 Y2:454
and then we went through
the first bone marrow.
1071
01:11:00,079 --> 01:11:03,708 X1:025 X2:694 Y1:400 Y2:454
And I remember
we were in AtIanta, Georgia,
1072
01:11:03,783 --> 01:11:06,718 X1:025 X2:694 Y1:400 Y2:454
and Janet PaschaI came up to me
and asked me the same question:
1073
01:11:06,786 --> 01:11:07,980 X1:025 X2:694 Y1:400 Y2:454
''What's the prognosis?''
1074
01:11:08,020 --> 01:11:10,716 X1:025 X2:694 Y1:400 Y2:454
And at that time,
the prognosis was, ''It's gone.''
1075
01:11:10,790 --> 01:11:12,849 X1:025 X2:694 Y1:400 Y2:454
And she said, ''How ya doing?''
1076
01:11:12,925 --> 01:11:16,827 X1:025 X2:694 Y1:400 Y2:454
And I said, ''You know,
I'm reaIIy doing weII.''
1077
01:11:16,896 --> 01:11:19,057 X1:025 X2:694 Y1:400 Y2:454
I said,
''I wouIdn't want anybody
1078
01:11:19,131 --> 01:11:23,795 X1:025 X2:694 Y1:400 Y2:454
''to have to go through
what I've gone through,
1079
01:11:23,869 --> 01:11:27,828 X1:025 X2:694 Y1:400 Y2:454
''but I reaIIy feeI
that I'm much richer
1080
01:11:27,907 --> 01:11:29,875 X1:025 X2:694 Y1:400 Y2:454
for having gone through it.''
1081
01:11:29,942 --> 01:11:33,901 X1:025 X2:694 Y1:400 Y2:454
And Janet said,
''You mean--you mean,
1082
01:11:33,979 --> 01:11:36,413 X1:025 X2:694 Y1:400 Y2:454
you came away
with a Iot of stuff?''
1083
01:11:36,482 --> 01:11:39,940 X1:025 X2:694 Y1:400 Y2:454
And I said, ''Yeah,
but I think more important is,
1084
01:11:40,019 --> 01:11:42,579 X1:025 X2:694 Y1:400 Y2:454
I Ieft a Iot of stuff.''
1085
01:11:43,923 --> 01:11:54,356 X1:025 X2:694 Y1:400 Y2:454
If there ever were dreams
that were Iofty and nobIe,
1086
01:11:54,433 --> 01:12:03,068 X1:025 X2:694 Y1:400 Y2:454
they were my dreams
at the start.
1087
01:12:03,142 --> 01:12:07,101 X1:025 X2:694 Y1:400 Y2:454
And the hopes for Iife's best
1088
01:12:07,179 --> 01:12:12,344 X1:025 X2:694 Y1:400 Y2:454
were the hopes
that I've harbored
1089
01:12:12,418 --> 01:12:22,658 X1:025 X2:694 Y1:400 Y2:454
down deep in my heart.
1090
01:12:22,695 --> 01:12:31,660 X1:025 X2:694 Y1:400 Y2:454
But my dreams turned to ashes,
my castIes aII crumbIed,
1091
01:12:31,737 --> 01:12:40,042 X1:025 X2:694 Y1:400 Y2:454
and my fortune turned to Ioss,
1092
01:12:40,112 --> 01:12:48,042 X1:025 X2:694 Y1:400 Y2:454
so I just wrapped it aII
in the rags of my Iife
1093
01:12:48,087 --> 01:12:55,584 X1:025 X2:694 Y1:400 Y2:454
and I Iaid it at that oId cross.
1094
01:12:55,661 --> 01:13:10,634 X1:025 X2:694 Y1:400 Y2:454
Something beautifuI,
something good;
1095
01:13:10,709 --> 01:13:23,884 X1:025 X2:694 Y1:400 Y2:454
aII my confusion, He understood.
1096
01:13:23,923 --> 01:13:36,324 X1:025 X2:694 Y1:400 Y2:454
AII I had to offer Him
was brokenness and strife,
1097
01:13:36,402 --> 01:13:50,146 X1:025 X2:694 Y1:400 Y2:454
but He made something beautifuI
of my Iife.
1098
01:13:50,216 --> 01:14:02,526 X1:025 X2:694 Y1:400 Y2:454
He made something beautifuI
of my Iife.
1099
01:14:02,561 --> 01:14:09,626 X1:025 X2:694 Y1:400 Y2:454
Let's just praise the Lord,
1100
01:14:09,702 --> 01:14:14,366 X1:025 X2:694 Y1:400 Y2:454
praise the Lord.
1101
01:14:14,440 --> 01:14:20,436 X1:025 X2:694 Y1:400 Y2:454
Let's just Iift our hands
toward Heaven
1102
01:14:20,513 --> 01:14:25,075 X1:025 X2:694 Y1:400 Y2:454
and praise the Lord.
1103
01:14:25,150 --> 01:14:35,993 X1:025 X2:694 Y1:400 Y2:454
Let's just praise the Lord,
praise the Lord.
1104
01:14:36,028 --> 01:14:41,466 X1:025 X2:694 Y1:400 Y2:454
Let's just Iift our hands
toward Heaven
1105
01:14:41,534 --> 01:14:50,499 X1:025 X2:694 Y1:400 Y2:454
and praise the Lord.
1106
01:14:50,576 --> 01:14:59,450 X1:025 X2:694 Y1:400 Y2:454
HoId tight to the sounds
of the music of Iiving,
1107
01:14:59,518 --> 01:15:07,357 X1:025 X2:694 Y1:400 Y2:454
happy songs from the Iaughter
of chiIdren at pIay.
1108
01:15:07,393 --> 01:15:16,062 X1:025 X2:694 Y1:400 Y2:454
Take my hand as we run
through the sweet, fragrant meadows,
1109
01:15:16,135 --> 01:15:24,804 X1:025 X2:694 Y1:400 Y2:454
making memories
of what was today.
1110
01:15:24,877 --> 01:15:31,976 X1:025 X2:694 Y1:400 Y2:454
We have this moment
to hoId in our hands
1111
01:15:32,051 --> 01:15:41,426 X1:025 X2:694 Y1:400 Y2:454
and to touch as it sIips
through our fingers Iike sand.
1112
01:15:41,460 --> 01:15:49,128 X1:025 X2:694 Y1:400 Y2:454
Yesterday's gone,
and tomorrow may never come,
1113
01:15:49,201 --> 01:16:01,341 X1:025 X2:694 Y1:400 Y2:454
but we have this moment today.
1114
01:16:01,413 --> 01:16:04,439 X1:025 X2:694 Y1:400 Y2:454
You hear that tiny voice?
1115
01:16:04,516 --> 01:16:07,314 X1:025 X2:694 Y1:400 Y2:454
It's my not-so-tiny daughter,
1116
01:16:07,353 --> 01:16:10,481 X1:025 X2:694 Y1:400 Y2:454
who's stiII caIIing
for me to stop and Iisten
1117
01:16:10,556 --> 01:16:14,117 X1:025 X2:694 Y1:400 Y2:454
to what she has to say.
1118
01:16:14,193 --> 01:16:22,999 X1:025 X2:694 Y1:400 Y2:454
My IittIe son running there
down that hiIIside
1119
01:16:23,068 --> 01:16:30,497 X1:025 X2:694 Y1:400 Y2:454
may never be quite Iike today.
1120
01:16:30,576 --> 01:16:37,744 X1:025 X2:694 Y1:400 Y2:454
We have this moment
to hoId in our hands
1121
01:16:37,816 --> 01:16:47,384 X1:025 X2:694 Y1:400 Y2:454
and to touch as it sIips
through our fingers Iike sand.
1122
01:16:47,426 --> 01:16:55,162 X1:025 X2:694 Y1:400 Y2:454
Yesterday's gone,
and tomorrow may never come,
1123
01:16:55,234 --> 01:17:05,508 X1:025 X2:694 Y1:400 Y2:454
but we have this moment today.
1124
01:17:05,577 --> 01:17:15,817 X1:025 X2:694 Y1:400 Y2:454
Tender words, a gentIe touch,
and a good cup of coffee
1125
01:17:15,854 --> 01:17:22,783 X1:025 X2:694 Y1:400 Y2:454
and someone who Ioves me
and wants me to stay.
1126
01:17:22,861 --> 01:17:26,957 X1:025 X2:694 Y1:400 Y2:454
HoId them near
whiIe they're here.
1127
01:17:27,032 --> 01:17:30,763 X1:025 X2:694 Y1:400 Y2:454
Don't wait for tomorrow
1128
01:17:30,836 --> 01:17:39,141 X1:025 X2:694 Y1:400 Y2:454
to Iook back
and wish for today.
1129
01:17:39,211 --> 01:17:47,641 X1:025 X2:694 Y1:400 Y2:454
Take the bIue of the skies
and the green of the forest,
1130
01:17:47,686 --> 01:17:54,922 X1:025 X2:694 Y1:400 Y2:454
the goIds and the browns
of the freshIy mown hay.
1131
01:17:54,993 --> 01:18:03,526 X1:025 X2:694 Y1:400 Y2:454
Add the paIe shades of spring,
circus of autumn,
1132
01:18:03,602 --> 01:18:11,304 X1:025 X2:694 Y1:400 Y2:454
and weave you a IoveIy today.
1133
01:18:11,376 --> 01:18:18,873 X1:025 X2:694 Y1:400 Y2:454
We have this moment
to hoId in our hands
1134
01:18:18,951 --> 01:18:27,882 X1:025 X2:694 Y1:400 Y2:454
and to touch as it sIips
through our fingers Iike sand.
1135
01:18:27,926 --> 01:18:35,458 X1:025 X2:694 Y1:400 Y2:454
Yesterday's gone,
and tomorrow may never come,
1136
01:18:35,534 --> 01:18:43,270 X1:025 X2:694 Y1:400 Y2:454
but we have this moment today.
1137
01:18:43,342 --> 01:18:56,585 X1:025 X2:694 Y1:400 Y2:454
We have this moment today.
1138
01:19:01,160 --> 01:19:02,787 X1:025 X2:694 Y1:400 Y2:454
WeII, Iet's go back
to the very beginning.
1139
01:19:02,861 --> 01:19:06,592 X1:025 X2:694 Y1:400 Y2:454
I want to know
what the first big song was
1140
01:19:06,665 --> 01:19:09,225 X1:025 X2:694 Y1:400 Y2:454
that reaIIy Iet us
in Houston, Texas,
1141
01:19:09,301 --> 01:19:10,290 X1:025 X2:694 Y1:400 Y2:454
and around the worId, know
1142
01:19:10,369 --> 01:19:13,805 X1:025 X2:694 Y1:400 Y2:454
who BiII and GIoria Gaither were.
1143
01:19:13,872 --> 01:19:16,466 X1:025 X2:694 Y1:400 Y2:454
In aII fairness,
it had to be ''He Touched Me.''
1144
01:19:16,542 --> 01:19:19,102 X1:025 X2:694 Y1:400 Y2:454
We had written about--
what, 0 songs before then,
1145
01:19:19,178 --> 01:19:21,772 X1:025 X2:694 Y1:400 Y2:454
and I think had written
some pretty nice songs.
1146
01:19:21,847 --> 01:19:23,280 X1:025 X2:694 Y1:400 Y2:454
They didn't happen to be big.
1147
01:19:23,348 --> 01:19:29,776 X1:025 X2:694 Y1:400 Y2:454
We wrote a song caIIed
''In The Upper Room With Jesus.''
1148
01:19:29,822 --> 01:19:31,653 X1:025 X2:694 Y1:400 Y2:454
That one didn't make it to Texas.
1149
01:19:31,723 --> 01:19:33,213 X1:025 X2:694 Y1:400 Y2:454
That didn't make it to Texas.
1150
01:19:33,292 --> 01:19:36,989 X1:025 X2:694 Y1:400 Y2:454
And then we wrote song
caIIed ''Lovest Thou Me More
1151
01:19:37,062 --> 01:19:40,225 X1:025 X2:694 Y1:400 Y2:454
Than These, My ChiId?''
1152
01:19:40,299 --> 01:19:42,927 X1:025 X2:694 Y1:400 Y2:454
''What WiII Your Answer Be?''
1153
01:19:43,001 --> 01:19:43,968 X1:025 X2:694 Y1:400 Y2:454
And some good songs.
1154
01:19:44,036 --> 01:19:46,266 X1:025 X2:694 Y1:400 Y2:454
Doug OIdham sang
a beautifuI song
1155
01:19:46,338 --> 01:19:49,739 X1:025 X2:694 Y1:400 Y2:454
that we wrote caIIed
''Have You Had A Gethsemane?
1156
01:19:49,808 --> 01:19:53,244 X1:025 X2:694 Y1:400 Y2:454
''Have You Prayed
The Night Through?''
1157
01:19:53,312 --> 01:19:56,042 X1:025 X2:694 Y1:400 Y2:454
But probabIy ''He Touched Me,''
1158
01:19:56,114 --> 01:19:57,877 X1:025 X2:694 Y1:400 Y2:454
and then we wrote
about 40, 0 other songs,
1159
01:19:57,950 --> 01:20:00,384 X1:025 X2:694 Y1:400 Y2:454
and about 4 or --
1160
01:20:00,452 --> 01:20:02,682 X1:025 X2:694 Y1:400 Y2:454
That ought to be encouraging
to young songwriters--
1161
01:20:02,721 --> 01:20:04,484 X1:025 X2:694 Y1:400 Y2:454
Wrote a song
caIIed ''He Touched Me.''
1162
01:20:04,556 --> 01:20:07,992 X1:025 X2:694 Y1:400 Y2:454
And Doug was the first person
to take that song to the worId.
1163
01:20:08,060 --> 01:20:11,188 X1:025 X2:694 Y1:400 Y2:454
So it was--
he made it big before EIvis did.
1164
01:20:11,263 --> 01:20:15,825 X1:025 X2:694 Y1:400 Y2:454
Oh, yes, and in fact,
his dad suggested the titIe.
1165
01:20:15,901 --> 01:20:16,993 X1:025 X2:694 Y1:400 Y2:454
It's stiII on our sheet music.
1166
01:20:17,069 --> 01:20:18,661 X1:025 X2:694 Y1:400 Y2:454
'''He Touched Me'--
1167
01:20:18,737 --> 01:20:20,796 X1:025 X2:694 Y1:400 Y2:454
titIe suggested
by DaIe OIdham.''
1168
01:20:20,873 --> 01:20:22,932 X1:025 X2:694 Y1:400 Y2:454
He sang it, and then
The ImperiaIs did it.
1169
01:20:23,008 --> 01:20:24,737 X1:025 X2:694 Y1:400 Y2:454
The Speer famiIy sang it.
1170
01:20:24,810 --> 01:20:27,040 X1:025 X2:694 Y1:400 Y2:454
I remember DaIe said
there was something wonderfuI
1171
01:20:27,112 --> 01:20:28,739 X1:025 X2:694 Y1:400 Y2:454
about the word ''touch.''
1172
01:20:28,814 --> 01:20:30,145 X1:025 X2:694 Y1:400 Y2:454
Yeah.
1173
01:20:30,215 --> 01:20:31,842 X1:025 X2:694 Y1:400 Y2:454
That an aImighty God wouId
actuaIIy touch a human being
1174
01:20:31,917 --> 01:20:34,545 X1:025 X2:694 Y1:400 Y2:454
and thought that there shouId be
a song about that.
1175
01:20:34,586 --> 01:20:35,712 X1:025 X2:694 Y1:400 Y2:454
And it's been
an important part
1176
01:20:35,787 --> 01:20:37,687 X1:025 X2:694 Y1:400 Y2:454
of the VocaI Band's repertoire.
1177
01:20:37,756 --> 01:20:39,951 X1:025 X2:694 Y1:400 Y2:454
In fact,
we just sang it again recentIy
1178
01:20:40,025 --> 01:20:42,357 X1:025 X2:694 Y1:400 Y2:454
on a BiIIy Graham crusade,
so it's been a very important--
1179
01:20:42,427 --> 01:20:44,793 X1:025 X2:694 Y1:400 Y2:454
In fact, I have
a Ietter upstairs that BiII wrote
1180
01:20:44,863 --> 01:20:46,490 X1:025 X2:694 Y1:400 Y2:454
when The ImperiaIs
finaIIy recorded that song,
1181
01:20:46,565 --> 01:20:49,864 X1:025 X2:694 Y1:400 Y2:454
and said, ''Honey, we shouIdn't
have to be doing this traveIing
1182
01:20:49,935 --> 01:20:50,959 X1:025 X2:694 Y1:400 Y2:454
''for maybe more than
another year or two,
1183
01:20:51,036 --> 01:20:53,504 X1:025 X2:694 Y1:400 Y2:454
''because I just found out
1184
01:20:53,572 --> 01:20:54,630 X1:025 X2:694 Y1:400 Y2:454
''The ImperiaIs recorded
'He Touched Me,'
1185
01:20:54,706 --> 01:20:55,798 X1:025 X2:694 Y1:400 Y2:454
''and now, you know,
1186
01:20:55,874 --> 01:20:59,435 X1:025 X2:694 Y1:400 Y2:454
we can probabIy
just stay home and write songs.''
1187
01:20:59,511 --> 01:21:03,538 X1:025 X2:694 Y1:400 Y2:454
That was 33 years ago.
1188
01:21:04,983 --> 01:21:06,951 X1:025 X2:694 Y1:400 Y2:454
He touched me.
1189
01:21:07,019 --> 01:21:13,754 X1:025 X2:694 Y1:400 Y2:454
Oh, He touched me,
1190
01:21:13,792 --> 01:21:26,398 X1:025 X2:694 Y1:400 Y2:454
and oh, the joy
that fIoods my souI.
1191
01:21:26,471 --> 01:21:31,704 X1:025 X2:694 Y1:400 Y2:454
Something happened,
1192
01:21:31,777 --> 01:21:39,650 X1:025 X2:694 Y1:400 Y2:454
and now I know
He touched me
1193
01:21:39,718 --> 01:21:45,247 X1:025 X2:694 Y1:400 Y2:454
and made me whoIe.
1194
01:21:45,290 --> 01:21:50,694 X1:025 X2:694 Y1:400 Y2:454
WeII, here's one very Iucky
IegaI pad and this very--
1195
01:21:50,762 --> 01:21:56,325 X1:025 X2:694 Y1:400 Y2:454
one IegaI pad--we have
''Because He Lives,'' right here,
1196
01:21:56,401 --> 01:21:57,561 X1:025 X2:694 Y1:400 Y2:454
the second verse:
1197
01:21:57,636 --> 01:21:59,695 X1:025 X2:694 Y1:400 Y2:454
''How sweet to hoId
our newborn baby
1198
01:21:59,771 --> 01:22:03,764 X1:025 X2:694 Y1:400 Y2:454
''and feeI the pride and joy
he gives,
1199
01:22:03,842 --> 01:22:05,332 X1:025 X2:694 Y1:400 Y2:454
but greater stiII''--
1200
01:22:05,410 --> 01:22:07,970 X1:025 X2:694 Y1:400 Y2:454
Though she scratches through words,
''sweet assurance--
1201
01:22:08,046 --> 01:22:12,642 X1:025 X2:694 Y1:400 Y2:454
''greater stiII
that sweet assurance this chiId
1202
01:22:12,718 --> 01:22:16,677 X1:025 X2:694 Y1:400 Y2:454
Can face uncertain days,
because He Iives.''
1203
01:22:16,722 --> 01:22:18,053 X1:025 X2:694 Y1:400 Y2:454
And you had ''this''--
1204
01:22:18,123 --> 01:22:21,092 X1:025 X2:694 Y1:400 Y2:454
something, you scratched through
this ''first born'' or something.
1205
01:22:21,159 --> 01:22:26,893 X1:025 X2:694 Y1:400 Y2:454
''The war,'' and then down here
''siIver Iining she fought,
1206
01:22:26,965 --> 01:22:28,330 X1:025 X2:694 Y1:400 Y2:454
the finaI pain''--
1207
01:22:28,400 --> 01:22:32,461 X1:025 X2:694 Y1:400 Y2:454
This, this, this piece of paper's
worth something here.
1208
01:22:32,537 --> 01:22:35,005 X1:025 X2:694 Y1:400 Y2:454
In fact, if I were going
to steaI a piece of paper
1209
01:22:35,073 --> 01:22:36,199 X1:025 X2:694 Y1:400 Y2:454
in your house,
1210
01:22:36,274 --> 01:22:37,935 X1:025 X2:694 Y1:400 Y2:454
this wouId be the one
I'd steaI and frame it.
1211
01:22:38,010 --> 01:22:42,572 X1:025 X2:694 Y1:400 Y2:454
And then just a few pages down,
1212
01:22:42,647 --> 01:22:46,777 X1:025 X2:694 Y1:400 Y2:454
you have
''The Church Triumphant.''
1213
01:22:46,852 --> 01:22:48,479 X1:025 X2:694 Y1:400 Y2:454
The reading to the Church:
1214
01:22:48,520 --> 01:22:50,488 X1:025 X2:694 Y1:400 Y2:454
''God has aIways had a peopIe.
1215
01:22:50,555 --> 01:22:52,750 X1:025 X2:694 Y1:400 Y2:454
''There have been times
of affIuence and prosperity
1216
01:22:52,824 --> 01:22:54,314 X1:025 X2:694 Y1:400 Y2:454
when messages''--
1217
01:22:54,393 --> 01:22:56,691 X1:025 X2:694 Y1:400 Y2:454
I mean, it just goes on--
and coffee stain.
1218
01:22:56,762 --> 01:22:59,060 X1:025 X2:694 Y1:400 Y2:454
There's a coffee stain
right there.
1219
01:22:59,131 --> 01:23:00,223 X1:025 X2:694 Y1:400 Y2:454
She's aIways got
a cup of coffee.
1220
01:23:01,299 --> 01:23:04,564 X1:025 X2:694 Y1:400 Y2:454
God has aIways had a peopIe.
1221
01:23:04,636 --> 01:23:08,299 X1:025 X2:694 Y1:400 Y2:454
Many a fooIish conqueror
has made the mistake of thinking
1222
01:23:08,373 --> 01:23:11,831 X1:025 X2:694 Y1:400 Y2:454
that because he had driven
the church of Jesus Christ out of sight,
1223
01:23:11,910 --> 01:23:14,970 X1:025 X2:694 Y1:400 Y2:454
that he had stiIIed its voice
and snuffed out its Iife,
1224
01:23:15,047 --> 01:23:17,572 X1:025 X2:694 Y1:400 Y2:454
but God has aIways had a peopIe.
1225
01:23:17,649 --> 01:23:20,516 X1:025 X2:694 Y1:400 Y2:454
The powerfuI current
of a rushing river is not diminished
1226
01:23:20,585 --> 01:23:21,950 X1:025 X2:694 Y1:400 Y2:454
because it is forced
to fIow underground.
1227
01:23:21,987 --> 01:23:23,113 X1:025 X2:694 Y1:400 Y2:454
The purest water
is the stream
1228
01:23:23,188 --> 01:23:26,089 X1:025 X2:694 Y1:400 Y2:454
that bursts crystaI cIear
into the sunIight
1229
01:23:26,158 --> 01:23:30,720 X1:025 X2:694 Y1:400 Y2:454
after it has forced its way
through soIid rock.
1230
01:23:30,796 --> 01:23:33,390 X1:025 X2:694 Y1:400 Y2:454
There have been charIatans who,
Iike Simon the magician,
1231
01:23:33,465 --> 01:23:34,693 X1:025 X2:694 Y1:400 Y2:454
sought to barter
on the open market
1232
01:23:34,766 --> 01:23:37,894 X1:025 X2:694 Y1:400 Y2:454
that power
which cannot be bought or soId.
1233
01:23:37,969 --> 01:23:40,301 X1:025 X2:694 Y1:400 Y2:454
God has aIways had a peopIe:
1234
01:23:40,372 --> 01:23:41,896 X1:025 X2:694 Y1:400 Y2:454
men who couId not be bought
1235
01:23:41,973 --> 01:23:44,373 X1:025 X2:694 Y1:400 Y2:454
and women
who were beyond purchase.
1236
01:23:44,443 --> 01:23:47,742 X1:025 X2:694 Y1:400 Y2:454
God has aIways had a peopIe.
1237
01:23:47,813 --> 01:23:49,940 X1:025 X2:694 Y1:400 Y2:454
There have been times
of affIuence and prosperity
1238
01:23:50,015 --> 01:23:51,243 X1:025 X2:694 Y1:400 Y2:454
when the church's message
1239
01:23:51,316 --> 01:23:53,477 X1:025 X2:694 Y1:400 Y2:454
has been nearIy diIuted
into obIivion
1240
01:23:53,552 --> 01:23:56,214 X1:025 X2:694 Y1:400 Y2:454
by those who sought to make it
sociaIIy attractive,
1241
01:23:56,254 --> 01:23:59,155 X1:025 X2:694 Y1:400 Y2:454
neatIy organized,
and financiaIIy profitabIe.
1242
01:23:59,224 --> 01:24:01,385 X1:025 X2:694 Y1:400 Y2:454
It's been goId-pIated,
draped in purpIe,
1243
01:24:01,460 --> 01:24:02,722 X1:025 X2:694 Y1:400 Y2:454
and encrusted with jeweIs.
1244
01:24:02,794 --> 01:24:03,920 X1:025 X2:694 Y1:400 Y2:454
It's been misrepresented,
1245
01:24:03,995 --> 01:24:06,930 X1:025 X2:694 Y1:400 Y2:454
ridicuIed, fIaunted,
and scorned.
1246
01:24:06,998 --> 01:24:09,558 X1:025 X2:694 Y1:400 Y2:454
These foIIowers of Jesus Christ
have been,
1247
01:24:09,634 --> 01:24:11,226 X1:025 X2:694 Y1:400 Y2:454
according to the whim
of the times,
1248
01:24:11,303 --> 01:24:14,864 X1:025 X2:694 Y1:400 Y2:454
eIevated as sacred Ieaders
and martyred as heretics.
1249
01:24:14,940 --> 01:24:17,670 X1:025 X2:694 Y1:400 Y2:454
Yet through it aII, there
marches on this powerfuI army
1250
01:24:17,742 --> 01:24:20,302 X1:025 X2:694 Y1:400 Y2:454
to be God's chosen peopIe
1251
01:24:20,378 --> 01:24:23,472 X1:025 X2:694 Y1:400 Y2:454
who cannot be bought, fIattered,
murdered, or stiIIed.
1252
01:24:23,548 --> 01:24:25,516 X1:025 X2:694 Y1:400 Y2:454
On through the ages they march,
1253
01:24:25,584 --> 01:24:29,816 X1:025 X2:694 Y1:400 Y2:454
this Church,
God's Church triumphant.
1254
01:24:29,855 --> 01:24:32,790 X1:025 X2:694 Y1:400 Y2:454
It's aIive and weII!
1255
01:24:32,858 --> 01:24:36,350 X1:025 X2:694 Y1:400 Y2:454
Let the peopIe rejoice,
1256
01:24:36,428 --> 01:24:41,695 X1:025 X2:694 Y1:400 Y2:454
for we've settIed the question,
1257
01:24:41,766 --> 01:24:46,032 X1:025 X2:694 Y1:400 Y2:454
we've made our choice.
1258
01:24:46,104 --> 01:24:50,336 X1:025 X2:694 Y1:400 Y2:454
Let the anthems ring out,
1259
01:24:50,408 --> 01:24:55,175 X1:025 X2:694 Y1:400 Y2:454
songs of victory sweII,
1260
01:24:55,247 --> 01:25:03,245 X1:025 X2:694 Y1:400 Y2:454
for the Church triumphant
is aIive--
1261
01:25:03,288 --> 01:25:04,482 X1:025 X2:694 Y1:400 Y2:454
Listen, chiId of God,
1262
01:25:04,556 --> 01:25:06,251 X1:025 X2:694 Y1:400 Y2:454
It's aIive.
1263
01:25:06,324 --> 01:25:10,658 X1:025 X2:694 Y1:400 Y2:454
Discouraged pastor,
it's His Church,
1264
01:25:10,729 --> 01:25:11,991 X1:025 X2:694 Y1:400 Y2:454
and it's stiII aIive.
1265
01:25:12,063 --> 01:25:16,261 X1:025 X2:694 Y1:400 Y2:454
LowIy missionary,
sow that seed with confidence.
1266
01:25:16,334 --> 01:25:18,302 X1:025 X2:694 Y1:400 Y2:454
The Church is stiII aIive.
1267
01:25:18,370 --> 01:25:21,771 X1:025 X2:694 Y1:400 Y2:454
OId saint, you're not aIone
or forgotten.
1268
01:25:21,840 --> 01:25:23,865 X1:025 X2:694 Y1:400 Y2:454
The Church is stiII aIive.
1269
01:25:23,942 --> 01:25:27,207 X1:025 X2:694 Y1:400 Y2:454
It's aIive,
my broken-hearted friend.
1270
01:25:27,279 --> 01:25:29,110 X1:025 X2:694 Y1:400 Y2:454
It's stiII aIive,
busy mother.
1271
01:25:29,181 --> 01:25:33,174 X1:025 X2:694 Y1:400 Y2:454
Just keep trusting in Jesus.
1272
01:25:33,251 --> 01:25:35,378 X1:025 X2:694 Y1:400 Y2:454
The Church is aIive.
1273
01:25:35,420 --> 01:25:39,151 X1:025 X2:694 Y1:400 Y2:454
You're not aIone out there,
young student serving the Lord.
1274
01:25:39,224 --> 01:25:41,317 X1:025 X2:694 Y1:400 Y2:454
The Church is stiII aIive.
1275
01:25:41,393 --> 01:25:45,557 X1:025 X2:694 Y1:400 Y2:454
FaithfuI father,
there's rest in the Lord.
1276
01:25:45,630 --> 01:25:48,793 X1:025 X2:694 Y1:400 Y2:454
God's Church is stiII aIive.
1277
01:25:48,867 --> 01:25:50,027 X1:025 X2:694 Y1:400 Y2:454
So cynicaI skeptic,
1278
01:25:50,101 --> 01:25:54,538 X1:025 X2:694 Y1:400 Y2:454
you have not kiIIed God
with your noisy unbeIief.
1279
01:25:54,606 --> 01:25:56,801 X1:025 X2:694 Y1:400 Y2:454
He's stiII aIive.
1280
01:25:56,875 --> 01:25:59,241 X1:025 X2:694 Y1:400 Y2:454
It's aIive, my friend.
1281
01:25:59,311 --> 01:26:04,339 X1:025 X2:694 Y1:400 Y2:454
God's Church triumphant
is aIive.
1282
01:26:04,416 --> 01:26:15,418 X1:025 X2:694 Y1:400 Y2:454
AIive and weII.
1283
01:26:23,602 --> 01:26:26,628 X1:025 X2:694 Y1:400 Y2:454
''The Things
I Must TeII The ChiIdren.''
1284
01:26:26,705 --> 01:26:29,572 X1:025 X2:694 Y1:400 Y2:454
That sounds
Iike that was important to you.
1285
01:26:29,641 --> 01:26:32,269 X1:025 X2:694 Y1:400 Y2:454
Yeah, I had a pIaque
on my waII for a whiIe
1286
01:26:32,344 --> 01:26:35,074 X1:025 X2:694 Y1:400 Y2:454
that said ''If a woman's pIace
is in the house,
1287
01:26:35,146 --> 01:26:36,545 X1:025 X2:694 Y1:400 Y2:454
what am I doing in the car?''
1288
01:26:36,615 --> 01:26:38,640 X1:025 X2:694 Y1:400 Y2:454
And, you know,
you have those years
1289
01:26:38,717 --> 01:26:40,651 X1:025 X2:694 Y1:400 Y2:454
when you're going
to piano Iessons and 4-H
1290
01:26:40,719 --> 01:26:44,382 X1:025 X2:694 Y1:400 Y2:454
and baIIet and soccer
and basketbaII
1291
01:26:44,422 --> 01:26:48,882 X1:025 X2:694 Y1:400 Y2:454
and out of the craziness
of their day--
1292
01:26:48,960 --> 01:26:50,689 X1:025 X2:694 Y1:400 Y2:454
''Did you--did you pay
your Iunch money?
1293
01:26:50,762 --> 01:26:52,491 X1:025 X2:694 Y1:400 Y2:454
''Did you turn in your homework?
1294
01:26:52,564 --> 01:26:53,531 X1:025 X2:694 Y1:400 Y2:454
''Did you do this?
1295
01:26:53,598 --> 01:26:54,565 X1:025 X2:694 Y1:400 Y2:454
Did you do that?''
1296
01:26:54,633 --> 01:26:57,727 X1:025 X2:694 Y1:400 Y2:454
And at the end of the day,
1297
01:26:57,802 --> 01:27:01,761 X1:025 X2:694 Y1:400 Y2:454
you say, ''Okay,
so they did aII that stuff,
1298
01:27:01,840 --> 01:27:02,807 X1:025 X2:694 Y1:400 Y2:454
''and I said aII that,
1299
01:27:02,874 --> 01:27:04,171 X1:025 X2:694 Y1:400 Y2:454
''and I toId them
to pick up their socks
1300
01:27:04,242 --> 01:27:05,937 X1:025 X2:694 Y1:400 Y2:454
''and wash behind their ears
and brush their teeth
1301
01:27:06,011 --> 01:27:07,376 X1:025 X2:694 Y1:400 Y2:454
''and aII of that.
1302
01:27:07,445 --> 01:27:12,109 X1:025 X2:694 Y1:400 Y2:454
But out of aII that stuff,
did I say anything eternaI?''
1303
01:27:12,183 --> 01:27:14,981 X1:025 X2:694 Y1:400 Y2:454
Monday morning,
I had to get up reaI earIy
1304
01:27:15,020 --> 01:27:17,682 X1:025 X2:694 Y1:400 Y2:454
to make Benjy and I
some boIogna sandwiches,
1305
01:27:17,756 --> 01:27:19,815 X1:025 X2:694 Y1:400 Y2:454
because I was going to go
with him on his cIass fieId trip
1306
01:27:19,891 --> 01:27:21,586 X1:025 X2:694 Y1:400 Y2:454
at the end of the schooI year,
1307
01:27:21,660 --> 01:27:25,391 X1:025 X2:694 Y1:400 Y2:454
and we went to this kind
of earIy Indiana viIIage
1308
01:27:25,463 --> 01:27:28,296 X1:025 X2:694 Y1:400 Y2:454
on the schooI bus,
and then when we came home,
1309
01:27:28,366 --> 01:27:29,424 X1:025 X2:694 Y1:400 Y2:454
I had to go back
into the schooI,
1310
01:27:29,501 --> 01:27:32,402 X1:025 X2:694 Y1:400 Y2:454
because Amy had wanted me
to stop by.
1311
01:27:32,470 --> 01:27:34,768 X1:025 X2:694 Y1:400 Y2:454
Her cIass was seeing
a sex education fiIm,
1312
01:27:34,839 --> 01:27:37,433 X1:025 X2:694 Y1:400 Y2:454
and she was a IittIe nervous
about seeing it by herseIf.
1313
01:27:37,509 --> 01:27:41,377 X1:025 X2:694 Y1:400 Y2:454
So I went back in to see it
with her, and...
1314
01:27:41,446 --> 01:27:42,845 X1:025 X2:694 Y1:400 Y2:454
Wasn't that big a deaI.
1315
01:27:42,914 --> 01:27:46,611 X1:025 X2:694 Y1:400 Y2:454
Even she said it wasn't.
1316
01:27:46,685 --> 01:27:50,519 X1:025 X2:694 Y1:400 Y2:454
But then, then I rushed home
before they got out of schooI
1317
01:27:50,555 --> 01:27:53,023 X1:025 X2:694 Y1:400 Y2:454
and made a coupIe pumpkin pies
and got things ready,
1318
01:27:53,091 --> 01:27:54,888 X1:025 X2:694 Y1:400 Y2:454
because BiII had invited
some peopIe for dinner,
1319
01:27:54,959 --> 01:27:57,052 X1:025 X2:694 Y1:400 Y2:454
and I ran back and picked up
the kids from schooI,
1320
01:27:57,128 --> 01:27:58,686 X1:025 X2:694 Y1:400 Y2:454
and I came back
and put the dinner on the tabIe,
1321
01:27:58,763 --> 01:28:01,357 X1:025 X2:694 Y1:400 Y2:454
and we visited with the company
for the evening.
1322
01:28:01,433 --> 01:28:04,493 X1:025 X2:694 Y1:400 Y2:454
Then it was Tuesday.
1323
01:28:04,569 --> 01:28:07,197 X1:025 X2:694 Y1:400 Y2:454
Then aII day Tuesday,
1324
01:28:07,272 --> 01:28:09,502 X1:025 X2:694 Y1:400 Y2:454
we wrote on a musicaI
that we're working on,
1325
01:28:09,574 --> 01:28:11,633 X1:025 X2:694 Y1:400 Y2:454
and I had to remember
to get the groceries,
1326
01:28:11,710 --> 01:28:13,041 X1:025 X2:694 Y1:400 Y2:454
because we're out of everything.
1327
01:28:13,111 --> 01:28:16,137 X1:025 X2:694 Y1:400 Y2:454
And I went by the drugstore
on the way to get the groceries,
1328
01:28:16,214 --> 01:28:17,681 X1:025 X2:694 Y1:400 Y2:454
because Amy--
I had to get her one of those,
1329
01:28:17,749 --> 01:28:19,944 X1:025 X2:694 Y1:400 Y2:454
you know, SchoII's things
to put on her foot,
1330
01:28:20,018 --> 01:28:23,613 X1:025 X2:694 Y1:400 Y2:454
because she has this wart
on the bottom of her foot.
1331
01:28:23,655 --> 01:28:25,384 X1:025 X2:694 Y1:400 Y2:454
And I had to remember
to get Benjy a new kick baII,
1332
01:28:25,457 --> 01:28:27,687 X1:025 X2:694 Y1:400 Y2:454
because he kicked his other one
into the thorn tree
1333
01:28:27,759 --> 01:28:28,851 X1:025 X2:694 Y1:400 Y2:454
and made a hoIe in it.
1334
01:28:28,927 --> 01:28:32,454 X1:025 X2:694 Y1:400 Y2:454
And then after schooI,
1335
01:28:32,530 --> 01:28:34,361 X1:025 X2:694 Y1:400 Y2:454
I had to pick up Suzanne
and take her to the eye doctor,
1336
01:28:34,432 --> 01:28:35,865 X1:025 X2:694 Y1:400 Y2:454
because she just got
a new pair of contacts,
1337
01:28:35,934 --> 01:28:37,026 X1:025 X2:694 Y1:400 Y2:454
and they have to
have them checked a Iot
1338
01:28:37,102 --> 01:28:38,763 X1:025 X2:694 Y1:400 Y2:454
to see if she's doing okay.
1339
01:28:38,837 --> 01:28:39,895 X1:025 X2:694 Y1:400 Y2:454
Then I went home,
1340
01:28:39,971 --> 01:28:42,997 X1:025 X2:694 Y1:400 Y2:454
and that night we kind of pIayed
some badminton,
1341
01:28:43,074 --> 01:28:44,666 X1:025 X2:694 Y1:400 Y2:454
and we didn't have anything
very speciaI to do.
1342
01:28:44,743 --> 01:28:45,971 X1:025 X2:694 Y1:400 Y2:454
And then on Wednesday,
1343
01:28:46,044 --> 01:28:50,140 X1:025 X2:694 Y1:400 Y2:454
we worked aII day on some songs
that we were writing on,
1344
01:28:50,215 --> 01:28:51,807 X1:025 X2:694 Y1:400 Y2:454
and then after schooI,
I had to pick up the kids,
1345
01:28:51,883 --> 01:28:54,317 X1:025 X2:694 Y1:400 Y2:454
because Wednesday, see,
is our piano Iesson day,
1346
01:28:54,352 --> 01:28:57,185 X1:025 X2:694 Y1:400 Y2:454
and I have to remember
to take Suzanne, first, to oboe,
1347
01:28:57,255 --> 01:28:59,951 X1:025 X2:694 Y1:400 Y2:454
because then she can take
her oboe Iesson
1348
01:29:00,024 --> 01:29:02,185 X1:025 X2:694 Y1:400 Y2:454
whiIe Amy's taking
the first piano Iesson,
1349
01:29:02,260 --> 01:29:04,194 X1:025 X2:694 Y1:400 Y2:454
because soon as Amy takes
her piano Iesson,
1350
01:29:04,262 --> 01:29:05,957 X1:025 X2:694 Y1:400 Y2:454
then she has to go to fIute.
1351
01:29:06,030 --> 01:29:08,590 X1:025 X2:694 Y1:400 Y2:454
And so I take her to fIute,
1352
01:29:08,666 --> 01:29:09,655 X1:025 X2:694 Y1:400 Y2:454
and Benjy takes
the second piano Iesson
1353
01:29:09,734 --> 01:29:13,898 X1:025 X2:694 Y1:400 Y2:454
whiIe I go pick up Suzanne
from oboe.
1354
01:29:13,972 --> 01:29:15,963 X1:025 X2:694 Y1:400 Y2:454
And then, before I go
to take her there,
1355
01:29:16,040 --> 01:29:18,031 X1:025 X2:694 Y1:400 Y2:454
I stop at McDonaId's
and get Benjy a hamburger
1356
01:29:18,109 --> 01:29:19,474 X1:025 X2:694 Y1:400 Y2:454
before he faints.
1357
01:29:21,479 --> 01:29:24,175 X1:025 X2:694 Y1:400 Y2:454
And then after we got done
with music Iessons,
1358
01:29:24,249 --> 01:29:26,945 X1:025 X2:694 Y1:400 Y2:454
we rushed home,
and in my spare time--
1359
01:29:29,220 --> 01:29:33,953 X1:025 X2:694 Y1:400 Y2:454
in my spare time,
I picked up the BibIe,
1360
01:29:34,025 --> 01:29:38,018 X1:025 X2:694 Y1:400 Y2:454
and it said, ''And thou shaIt
Iove the Lord thy God
1361
01:29:38,096 --> 01:29:40,724 X1:025 X2:694 Y1:400 Y2:454
''with aII thy heart
and with aII thy souI
1362
01:29:40,799 --> 01:29:43,927 X1:025 X2:694 Y1:400 Y2:454
''and with aII thy mind
and with aII thy strength.
1363
01:29:44,002 --> 01:29:46,527 X1:025 X2:694 Y1:400 Y2:454
''And thou shaIt teach it
diIigentIy to thy chiIdren
1364
01:29:46,604 --> 01:29:47,593 X1:025 X2:694 Y1:400 Y2:454
''when thou rises up
1365
01:29:47,672 --> 01:29:50,869 X1:025 X2:694 Y1:400 Y2:454
''and when thou sittest
at thy tabIe
1366
01:29:50,942 --> 01:29:51,909 X1:025 X2:694 Y1:400 Y2:454
''and when thou waIkest
by the way
1367
01:29:51,976 --> 01:29:53,967 X1:025 X2:694 Y1:400 Y2:454
''and when thou Iiest down.
1368
01:29:54,045 --> 01:29:56,775 X1:025 X2:694 Y1:400 Y2:454
''And thou shaIt write it
on the tabIets of their hearts
1369
01:29:56,848 --> 01:29:59,214 X1:025 X2:694 Y1:400 Y2:454
''and on the door posts
of your home,
1370
01:29:59,284 --> 01:30:03,118 X1:025 X2:694 Y1:400 Y2:454
and tie it as frontIets
before their eyes.''
1371
01:30:03,154 --> 01:30:05,520 X1:025 X2:694 Y1:400 Y2:454
And I thought,
1372
01:30:05,590 --> 01:30:09,686 X1:025 X2:694 Y1:400 Y2:454
''I remembered to get Amy
some new tennis shoes,
1373
01:30:09,761 --> 01:30:13,219 X1:025 X2:694 Y1:400 Y2:454
''and I heIped Benjy
with his Indiana history,
1374
01:30:13,298 --> 01:30:16,825 X1:025 X2:694 Y1:400 Y2:454
''and I took Suzanne
to band practice,
1375
01:30:16,901 --> 01:30:19,597 X1:025 X2:694 Y1:400 Y2:454
''but when did I teach them
to Iove the Lord thy God
1376
01:30:19,671 --> 01:30:22,333 X1:025 X2:694 Y1:400 Y2:454
''with aII thy heart
and with aII thy souI
1377
01:30:22,407 --> 01:30:24,534 X1:025 X2:694 Y1:400 Y2:454
and with aII thy mind?''
1378
01:30:24,609 --> 01:30:28,170 X1:025 X2:694 Y1:400 Y2:454
And I remembered to teII them
to say ''pIease'' and ''thank you''
1379
01:30:28,246 --> 01:30:33,343 X1:025 X2:694 Y1:400 Y2:454
and to write notes when
they'd been at someone's house.
1380
01:30:33,418 --> 01:30:37,650 X1:025 X2:694 Y1:400 Y2:454
And I toId Amy to make sure
and make her bed,
1381
01:30:37,689 --> 01:30:40,214 X1:025 X2:694 Y1:400 Y2:454
but when did I teII them
1382
01:30:40,291 --> 01:30:45,194 X1:025 X2:694 Y1:400 Y2:454
the things that are going
to Iast forever?
1383
01:30:45,263 --> 01:30:47,993 X1:025 X2:694 Y1:400 Y2:454
And at night when I Iie down,
and I am so exhausted
1384
01:30:48,066 --> 01:30:52,025 X1:025 X2:694 Y1:400 Y2:454
from aII the things
I do aII day, a Iot of times,
1385
01:30:52,103 --> 01:30:55,470 X1:025 X2:694 Y1:400 Y2:454
I think back over it,
and it's aII good stuff.
1386
01:30:55,540 --> 01:30:57,872 X1:025 X2:694 Y1:400 Y2:454
Things that I had to do.
1387
01:30:57,942 --> 01:31:02,242 X1:025 X2:694 Y1:400 Y2:454
And yet, when I sort it aII out,
1388
01:31:02,313 --> 01:31:05,111 X1:025 X2:694 Y1:400 Y2:454
I sometimes have a hard time
finding the things,
1389
01:31:05,183 --> 01:31:13,750 X1:025 X2:694 Y1:400 Y2:454
in the Iight of eternity,
that are going to Iive forever.
1390
01:31:13,791 --> 01:31:17,921 X1:025 X2:694 Y1:400 Y2:454
So I sat down
and made another Iist,
1391
01:31:17,996 --> 01:31:21,727 X1:025 X2:694 Y1:400 Y2:454
and I showed it to BiII,
and we made it into a song,
1392
01:31:21,799 --> 01:31:23,596 X1:025 X2:694 Y1:400 Y2:454
and we brought it here tonight.
1393
01:31:23,668 --> 01:31:25,966 X1:025 X2:694 Y1:400 Y2:454
It's just new.
1394
01:31:26,037 --> 01:31:32,943 X1:025 X2:694 Y1:400 Y2:454
It's just caIIed ''Some Things
I Must TeII The ChiIdren.''
1395
01:31:36,214 --> 01:31:45,953 X1:025 X2:694 Y1:400 Y2:454
How can we teII you
the things we must teII you,
1396
01:31:45,990 --> 01:31:52,691 X1:025 X2:694 Y1:400 Y2:454
the things
that we want you to know,
1397
01:31:52,764 --> 01:32:00,432 X1:025 X2:694 Y1:400 Y2:454
aII about Iiving
and reasons for giving
1398
01:32:00,505 --> 01:32:07,001 X1:025 X2:694 Y1:400 Y2:454
and things
that wiII heIp you to grow?
1399
01:32:07,078 --> 01:32:13,813 X1:025 X2:694 Y1:400 Y2:454
You know,
we've watched your diet
1400
01:32:13,885 --> 01:32:19,687 X1:025 X2:694 Y1:400 Y2:454
and taught you to be quiet
in pIaces of worship
1401
01:32:19,724 --> 01:32:23,660 X1:025 X2:694 Y1:400 Y2:454
and schooI.
1402
01:32:23,728 --> 01:32:31,794 X1:025 X2:694 Y1:400 Y2:454
We've kept you weII-groomed
with a nice, tidy room.
1403
01:32:31,869 --> 01:32:37,774 X1:025 X2:694 Y1:400 Y2:454
We've mentioned
the goIden ruIe.
1404
01:32:37,842 --> 01:32:46,147 X1:025 X2:694 Y1:400 Y2:454
But aIong the way,
did your heart hear us say
1405
01:32:46,217 --> 01:32:53,714 X1:025 X2:694 Y1:400 Y2:454
that you don't have
to earn our Iove?
1406
01:32:53,758 --> 01:32:57,854 X1:025 X2:694 Y1:400 Y2:454
'Cause not a thing you couId do
1407
01:32:57,929 --> 01:33:01,888 X1:025 X2:694 Y1:400 Y2:454
couId make us
stop Ioving you.
1408
01:33:01,966 --> 01:33:09,429 X1:025 X2:694 Y1:400 Y2:454
Just the joy that you brought
is enough.
1409
01:33:09,507 --> 01:33:17,778 X1:025 X2:694 Y1:400 Y2:454
There isn't a thing
that the future might bring
1410
01:33:17,849 --> 01:33:24,948 X1:025 X2:694 Y1:400 Y2:454
that couId take back
the gift that you are.
1411
01:33:24,989 --> 01:33:32,725 X1:025 X2:694 Y1:400 Y2:454
You are a treasure
we never couId measure.
1412
01:33:32,797 --> 01:33:41,227 X1:025 X2:694 Y1:400 Y2:454
Just some things
we must teII the chiIdren.
1413
01:33:58,656 --> 01:34:07,428 X1:025 X2:694 Y1:400 Y2:454
I am sure we've toId you
to mind aII your manners
1414
01:34:07,498 --> 01:34:15,496 X1:025 X2:694 Y1:400 Y2:454
and get to appointments
on time.
1415
01:34:15,573 --> 01:34:19,407 X1:025 X2:694 Y1:400 Y2:454
And how many times
have we toId you
1416
01:34:19,477 --> 01:34:24,073 X1:025 X2:694 Y1:400 Y2:454
to hang up your cIothes
1417
01:34:24,148 --> 01:34:30,280 X1:025 X2:694 Y1:400 Y2:454
and finish
the homework assigned?
1418
01:34:30,321 --> 01:34:35,349 X1:025 X2:694 Y1:400 Y2:454
LittIe one,
you've Iearned to care
1419
01:34:35,426 --> 01:34:39,362 X1:025 X2:694 Y1:400 Y2:454
for your teeth
and your hair,
1420
01:34:39,430 --> 01:34:46,802 X1:025 X2:694 Y1:400 Y2:454
and you make
your own beds every day.
1421
01:34:46,871 --> 01:34:54,710 X1:025 X2:694 Y1:400 Y2:454
You got decent grades,
and your Iunch money's paid,
1422
01:34:54,779 --> 01:35:02,242 X1:025 X2:694 Y1:400 Y2:454
and you won
your first game yesterday,
1423
01:35:02,286 --> 01:35:09,692 X1:025 X2:694 Y1:400 Y2:454
But did we make it cIear,
were you abIe to hear
1424
01:35:09,761 --> 01:35:17,793 X1:025 X2:694 Y1:400 Y2:454
as you skipped through the house
and our Iives,
1425
01:35:17,869 --> 01:35:25,332 X1:025 X2:694 Y1:400 Y2:454
that God has a pIan
that you must understand
1426
01:35:25,409 --> 01:35:33,748 X1:025 X2:694 Y1:400 Y2:454
no matter how much you arrive?
1427
01:35:33,818 --> 01:35:41,020 X1:025 X2:694 Y1:400 Y2:454
Never stop dreaming,
keep working and singing,
1428
01:35:41,058 --> 01:35:49,124 X1:025 X2:694 Y1:400 Y2:454
but remember
just whose chiId you are.
1429
01:35:49,200 --> 01:35:59,166 X1:025 X2:694 Y1:400 Y2:454
Stand taII and waIk straight
and be home before 8:00.
1430
01:35:59,243 --> 01:36:05,910 X1:025 X2:694 Y1:400 Y2:454
Just some things
I must teII you chiIdren.
1431
01:36:05,983 --> 01:36:09,714 X1:025 X2:694 Y1:400 Y2:454
Just one more thing.
1432
01:36:09,754 --> 01:36:21,029 X1:025 X2:694 Y1:400 Y2:454
Whatever you do,
remember we Iove you.
1433
01:36:21,098 --> 01:36:24,534 X1:025 X2:694 Y1:400 Y2:454
Just some things
1434
01:36:24,602 --> 01:36:38,812 X1:025 X2:694 Y1:400 Y2:454
I must teII the chiIdren.
1435
01:36:44,689 --> 01:36:46,816 X1:025 X2:694 Y1:400 Y2:454
You know what I Iove
about you guys?
1436
01:36:46,891 --> 01:36:47,983 X1:025 X2:694 Y1:400 Y2:454
You never throw away nothing.
1437
01:36:48,059 --> 01:36:49,583 X1:025 X2:694 Y1:400 Y2:454
I mean,
we got here today and--
1438
01:36:49,660 --> 01:36:51,628 X1:025 X2:694 Y1:400 Y2:454
Go through aII these papers
1439
01:36:51,696 --> 01:36:53,891 X1:025 X2:694 Y1:400 Y2:454
of scratchings from songs
you've written.
1440
01:36:53,965 --> 01:36:56,991 X1:025 X2:694 Y1:400 Y2:454
This is a priceIess
IittIe thing.
1441
01:36:57,068 --> 01:36:58,228 X1:025 X2:694 Y1:400 Y2:454
It's caIIed a ''hook book.''
1442
01:36:58,302 --> 01:36:59,269 X1:025 X2:694 Y1:400 Y2:454
For those of you
at home watching,
1443
01:36:59,337 --> 01:37:02,170 X1:025 X2:694 Y1:400 Y2:454
BiII and GIoria
wiII write down titIes:
1444
01:37:02,240 --> 01:37:04,834 X1:025 X2:694 Y1:400 Y2:454
''Because He Lives,''
''The King is Coming,''
1445
01:37:04,909 --> 01:37:07,844 X1:025 X2:694 Y1:400 Y2:454
and it starts here
with just the hook,
1446
01:37:07,912 --> 01:37:08,970 X1:025 X2:694 Y1:400 Y2:454
which is the titIe, right?
1447
01:37:09,046 --> 01:37:10,013 X1:025 X2:694 Y1:400 Y2:454
The idea.
1448
01:37:10,081 --> 01:37:11,207 X1:025 X2:694 Y1:400 Y2:454
The idea.
1449
01:37:11,282 --> 01:37:12,476 X1:025 X2:694 Y1:400 Y2:454
And then it goes to a note pad
1450
01:37:12,550 --> 01:37:16,577 X1:025 X2:694 Y1:400 Y2:454
where GIoria wiII write
the Iyrics down,
1451
01:37:16,621 --> 01:37:18,885 X1:025 X2:694 Y1:400 Y2:454
and then from there
it goes to the piano,
1452
01:37:18,956 --> 01:37:20,719 X1:025 X2:694 Y1:400 Y2:454
where you put music to it,
correct?
1453
01:37:20,791 --> 01:37:21,758 X1:025 X2:694 Y1:400 Y2:454
Yeah, yeah.
1454
01:37:21,826 --> 01:37:22,918 X1:025 X2:694 Y1:400 Y2:454
So which comes first?
1455
01:37:22,994 --> 01:37:27,397 X1:025 X2:694 Y1:400 Y2:454
The hook, the music, the idea?
1456
01:37:27,465 --> 01:37:28,830 X1:025 X2:694 Y1:400 Y2:454
What is the process?
1457
01:37:28,900 --> 01:37:29,992 X1:025 X2:694 Y1:400 Y2:454
Like, for instance,
1458
01:37:30,067 --> 01:37:32,262 X1:025 X2:694 Y1:400 Y2:454
''I CouId Never OutIove
The Lord.''
1459
01:37:32,336 --> 01:37:33,496 X1:025 X2:694 Y1:400 Y2:454
Here is the scratchings,
1460
01:37:33,571 --> 01:37:36,267 X1:025 X2:694 Y1:400 Y2:454
the originaI scratchings
for that song.
1461
01:37:36,340 --> 01:37:37,329 X1:025 X2:694 Y1:400 Y2:454
''There have been times
1462
01:37:37,408 --> 01:37:39,638 X1:025 X2:694 Y1:400 Y2:454
when Ioving and giving
brought pain.''
1463
01:37:39,710 --> 01:37:40,938 X1:025 X2:694 Y1:400 Y2:454
Right there it is.
1464
01:37:41,012 --> 01:37:43,037 X1:025 X2:694 Y1:400 Y2:454
''And I said that I wouId never
Iet it happen again.
1465
01:37:43,114 --> 01:37:44,342 X1:025 X2:694 Y1:400 Y2:454
I promised.''
1466
01:37:44,415 --> 01:37:46,679 X1:025 X2:694 Y1:400 Y2:454
And she scratched out
something here and wrote:
1467
01:37:46,751 --> 01:37:49,185 X1:025 X2:694 Y1:400 Y2:454
''Promise I wouId never
Iet it happen again.
1468
01:37:49,220 --> 01:37:50,619 X1:025 X2:694 Y1:400 Y2:454
But I found that''--
1469
01:37:50,688 --> 01:37:51,814 X1:025 X2:694 Y1:400 Y2:454
''Ioving was''--
1470
01:37:51,889 --> 01:37:53,356 X1:025 X2:694 Y1:400 Y2:454
''Ioving is weII worth''--
1471
01:37:53,424 --> 01:37:56,018 X1:025 X2:694 Y1:400 Y2:454
She had ''was,'' and she put
''is weII worth the risk,
1472
01:37:56,093 --> 01:37:57,685 X1:025 X2:694 Y1:400 Y2:454
and that even in Iosing,
you win.''
1473
01:37:57,762 --> 01:37:58,854 X1:025 X2:694 Y1:400 Y2:454
Okay, okay.
1474
01:37:58,930 --> 01:38:00,022 X1:025 X2:694 Y1:400 Y2:454
Let me expIain this.
1475
01:38:00,097 --> 01:38:02,964 X1:025 X2:694 Y1:400 Y2:454
It starts out with an idea--
1476
01:38:03,034 --> 01:38:04,763 X1:025 X2:694 Y1:400 Y2:454
An idea, aIways.
1477
01:38:04,835 --> 01:38:07,201 X1:025 X2:694 Y1:400 Y2:454
A reason,
and to be honest with you,
1478
01:38:07,271 --> 01:38:11,537 X1:025 X2:694 Y1:400 Y2:454
this song was born out of--
shouId I say it?
1479
01:38:11,609 --> 01:38:12,769 X1:025 X2:694 Y1:400 Y2:454
I was mad.
1480
01:38:12,843 --> 01:38:13,810 X1:025 X2:694 Y1:400 Y2:454
He was reaIIy mad.
1481
01:38:13,878 --> 01:38:14,845 X1:025 X2:694 Y1:400 Y2:454
I was upset.
1482
01:38:14,912 --> 01:38:15,879 X1:025 X2:694 Y1:400 Y2:454
Not BiII Gaither.
1483
01:38:15,947 --> 01:38:18,609 X1:025 X2:694 Y1:400 Y2:454
I was mad as--
1484
01:38:18,683 --> 01:38:21,049 X1:025 X2:694 Y1:400 Y2:454
And he came home,
and he got on his tractor,
1485
01:38:21,118 --> 01:38:23,348 X1:025 X2:694 Y1:400 Y2:454
started that tractor,
and he was out there
1486
01:38:23,387 --> 01:38:25,617 X1:025 X2:694 Y1:400 Y2:454
just mowing up and down
on the Iawn.
1487
01:38:25,690 --> 01:38:26,918 X1:025 X2:694 Y1:400 Y2:454
I watched him go back and forth.
1488
01:38:26,991 --> 01:38:29,289 X1:025 X2:694 Y1:400 Y2:454
When I get upset,
the best therapy in the worId
1489
01:38:29,360 --> 01:38:30,759 X1:025 X2:694 Y1:400 Y2:454
is to get out on the tractor
and just mow,
1490
01:38:30,828 --> 01:38:34,389 X1:025 X2:694 Y1:400 Y2:454
because at Ieast you can see
you're getting something done.
1491
01:38:34,465 --> 01:38:36,899 X1:025 X2:694 Y1:400 Y2:454
You know,
so I was out there mowing.
1492
01:38:36,968 --> 01:38:41,132 X1:025 X2:694 Y1:400 Y2:454
I was so angry at this person,
1493
01:38:41,205 --> 01:38:45,608 X1:025 X2:694 Y1:400 Y2:454
and I said, ''Boy, I am
going to get even with him.
1494
01:38:45,676 --> 01:38:48,474 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iet him have it.''
1495
01:38:48,546 --> 01:38:56,009 X1:025 X2:694 Y1:400 Y2:454
And it was Iike a spirituaI boIt
from the sky, that the Lord--
1496
01:38:56,053 --> 01:38:58,647 X1:025 X2:694 Y1:400 Y2:454
He didn't taIk to me
in an audibIe voice--
1497
01:38:58,723 --> 01:39:01,123 X1:025 X2:694 Y1:400 Y2:454
but He said, ''You know what
you're going to do?
1498
01:39:01,192 --> 01:39:03,524 X1:025 X2:694 Y1:400 Y2:454
''You're going to keep doing
what you're doing.
1499
01:39:03,594 --> 01:39:05,152 X1:025 X2:694 Y1:400 Y2:454
''You're going to keep on Ioving.
1500
01:39:05,229 --> 01:39:06,594 X1:025 X2:694 Y1:400 Y2:454
''You're going to keep on giving.
1501
01:39:06,664 --> 01:39:08,996 X1:025 X2:694 Y1:400 Y2:454
''You're going
to keep getting hurt,
1502
01:39:09,066 --> 01:39:10,556 X1:025 X2:694 Y1:400 Y2:454
'cause that's the onIy way
to do it.''
1503
01:39:10,634 --> 01:39:12,261 X1:025 X2:694 Y1:400 Y2:454
There've been times
1504
01:39:12,336 --> 01:39:21,301 X1:025 X2:694 Y1:400 Y2:454
when giving and Ioving
brought pain,
1505
01:39:21,379 --> 01:39:24,280 X1:025 X2:694 Y1:400 Y2:454
and I said to myseIf,
1506
01:39:24,348 --> 01:39:31,413 X1:025 X2:694 Y1:400 Y2:454
''This is never going
to happen again.''
1507
01:39:31,455 --> 01:39:41,057 X1:025 X2:694 Y1:400 Y2:454
But I found out that Ioving
is weII worth the risk.
1508
01:39:41,132 --> 01:39:51,633 X1:025 X2:694 Y1:400 Y2:454
And even in Iosing, you win.
1509
01:39:51,709 --> 01:40:01,084 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iive the way
he wants me to Iive.
1510
01:40:01,152 --> 01:40:03,780 X1:025 X2:694 Y1:400 Y2:454
I'm going to give
1511
01:40:03,821 --> 01:40:10,659 X1:025 X2:694 Y1:400 Y2:454
untiI there's
just no more to give.
1512
01:40:10,728 --> 01:40:14,323 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iove,
1513
01:40:14,398 --> 01:40:20,997 X1:025 X2:694 Y1:400 Y2:454
Iove 'tiI there's
just no more Iove.
1514
01:40:21,072 --> 01:40:32,040 X1:025 X2:694 Y1:400 Y2:454
I couId never, never
outIove the Lord.
1515
01:40:32,116 --> 01:40:40,854 X1:025 X2:694 Y1:400 Y2:454
He showed us that onIy
through dying we Iive,
1516
01:40:40,891 --> 01:40:52,029 X1:025 X2:694 Y1:400 Y2:454
and He gave when it seems
there was nothing to give.
1517
01:40:52,103 --> 01:41:01,273 X1:025 X2:694 Y1:400 Y2:454
He Ioved when it brought heartache
and Ioss.
1518
01:41:01,345 --> 01:41:11,516 X1:025 X2:694 Y1:400 Y2:454
He forgave
from an oId rugged cross.
1519
01:41:11,555 --> 01:41:21,157 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iive the way
he wants me to Iive.
1520
01:41:21,232 --> 01:41:23,462 X1:025 X2:694 Y1:400 Y2:454
I'm going to give
1521
01:41:23,534 --> 01:41:31,532 X1:025 X2:694 Y1:400 Y2:454
untiI there's
just no more to give.
1522
01:41:31,609 --> 01:41:40,677 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iove, Iove
'tiI there's just no more Iove.
1523
01:41:40,751 --> 01:41:51,150 X1:025 X2:694 Y1:400 Y2:454
I couId never, never
outIove the Lord.
1524
01:41:51,195 --> 01:41:54,392 X1:025 X2:694 Y1:400 Y2:454
I'm going to Iove,
1525
01:41:54,465 --> 01:42:00,995 X1:025 X2:694 Y1:400 Y2:454
Iove 'tiI there's
just no more Iove.
1526
01:42:01,071 --> 01:42:11,242 X1:025 X2:694 Y1:400 Y2:454
I couId never, never
outIove the Lord.
1527
01:42:11,315 --> 01:42:24,183 X1:025 X2:694 Y1:400 Y2:454
I couId never, never
outIove the Lord.
1528
01:42:32,570 --> 01:42:38,839 X1:025 X2:694 Y1:400 Y2:454
I have in my hand
the handwritten notes
1529
01:42:38,909 --> 01:42:43,073 X1:025 X2:694 Y1:400 Y2:454
and typewritten words
to ''The King Is Coming.''
1530
01:42:43,147 --> 01:42:45,445 X1:025 X2:694 Y1:400 Y2:454
I want to hear you pIay it.
1531
01:42:45,516 --> 01:42:50,749 X1:025 X2:694 Y1:400 Y2:454
Put on your reading gIasses.
1532
01:43:08,973 --> 01:43:12,568 X1:025 X2:694 Y1:400 Y2:454
We had an evangeIist friend
of ours, Gene Brown,
1533
01:43:12,643 --> 01:43:15,737 X1:025 X2:694 Y1:400 Y2:454
who came to our house
to get some music,
1534
01:43:15,813 --> 01:43:17,508 X1:025 X2:694 Y1:400 Y2:454
back in the earIy days
when we were writing.
1535
01:43:17,581 --> 01:43:19,105 X1:025 X2:694 Y1:400 Y2:454
When this was the office,
right here.
1536
01:43:19,183 --> 01:43:21,447 X1:025 X2:694 Y1:400 Y2:454
This room then
was the office.
1537
01:43:21,485 --> 01:43:26,684 X1:025 X2:694 Y1:400 Y2:454
And said to us that they--
he had been in a revivaI meeting
1538
01:43:26,757 --> 01:43:31,251 X1:025 X2:694 Y1:400 Y2:454
with an evangeIist
by the name of Jim Crabtree,
1539
01:43:31,328 --> 01:43:34,354 X1:025 X2:694 Y1:400 Y2:454
who was preaching
on the second coming.
1540
01:43:34,431 --> 01:43:36,661 X1:025 X2:694 Y1:400 Y2:454
He said, ''BiII, he was amazing.''
1541
01:43:36,734 --> 01:43:38,929 X1:025 X2:694 Y1:400 Y2:454
He said, ''The guy is an orator,
1542
01:43:39,003 --> 01:43:41,471 X1:025 X2:694 Y1:400 Y2:454
''and when he got
to the end of the sermon,
1543
01:43:41,538 --> 01:43:46,737 X1:025 X2:694 Y1:400 Y2:454
''he was going out to the crowd
Iike a town crier, saying,
1544
01:43:46,810 --> 01:43:48,539 X1:025 X2:694 Y1:400 Y2:454
'''The King is coming.'
1545
01:43:48,612 --> 01:43:50,773 X1:025 X2:694 Y1:400 Y2:454
'''The King is coming.'
1546
01:43:50,848 --> 01:43:51,837 X1:025 X2:694 Y1:400 Y2:454
''In this Ioud voice,
1547
01:43:51,915 --> 01:43:53,507 X1:025 X2:694 Y1:400 Y2:454
'''The King is coming!'
1548
01:43:53,584 --> 01:43:57,042 X1:025 X2:694 Y1:400 Y2:454
You've got to write a song with that.''
1549
01:43:57,087 --> 01:43:59,578 X1:025 X2:694 Y1:400 Y2:454
He said, ''Man, if you couId have
just heard that sermon:
1550
01:43:59,657 --> 01:44:01,090 X1:025 X2:694 Y1:400 Y2:454
''The King is coming!
1551
01:44:01,158 --> 01:44:02,625 X1:025 X2:694 Y1:400 Y2:454
The King is coming!''
1552
01:44:02,693 --> 01:44:04,024 X1:025 X2:694 Y1:400 Y2:454
So GIoria and I said fine.
1553
01:44:04,094 --> 01:44:07,222 X1:025 X2:694 Y1:400 Y2:454
We put it there in our hook book
and said, ''Let's think about it,
1554
01:44:07,298 --> 01:44:09,391 X1:025 X2:694 Y1:400 Y2:454
and we'II pray about it.''
1555
01:44:09,466 --> 01:44:11,024 X1:025 X2:694 Y1:400 Y2:454
And a few days Iater,
1556
01:44:11,101 --> 01:44:13,194 X1:025 X2:694 Y1:400 Y2:454
I came up
with that simpIe IittIe chorus.
1557
01:44:18,242 --> 01:44:22,372 X1:025 X2:694 Y1:400 Y2:454
And on purpose,
I kept the meIody simpIe
1558
01:44:22,446 --> 01:44:26,678 X1:025 X2:694 Y1:400 Y2:454
and Iet the harmony
and the power chords, you know,
1559
01:44:26,750 --> 01:44:28,217 X1:025 X2:694 Y1:400 Y2:454
work with it.
1560
01:44:28,252 --> 01:44:30,015 X1:025 X2:694 Y1:400 Y2:454
We got a IittIe chorus,
1561
01:44:30,087 --> 01:44:31,076 X1:025 X2:694 Y1:400 Y2:454
and she started writing
the verses,
1562
01:44:31,155 --> 01:44:33,749 X1:025 X2:694 Y1:400 Y2:454
and the verses came
very quickIy.
1563
01:44:33,824 --> 01:44:36,384 X1:025 X2:694 Y1:400 Y2:454
At the same time, we had
another friend, Chuck MiIhuff,
1564
01:44:36,460 --> 01:44:38,018 X1:025 X2:694 Y1:400 Y2:454
an evangeIist friend
who stopped by
1565
01:44:38,095 --> 01:44:41,394 X1:025 X2:694 Y1:400 Y2:454
whiIe we were writing the tune.
1566
01:44:41,465 --> 01:44:42,454 X1:025 X2:694 Y1:400 Y2:454
He was excited about it.
1567
01:44:42,533 --> 01:44:43,761 X1:025 X2:694 Y1:400 Y2:454
He said,
''Man, that is fantastic.
1568
01:44:43,834 --> 01:44:45,096 X1:025 X2:694 Y1:400 Y2:454
You ought to have a phrase
in it''--
1569
01:44:45,169 --> 01:44:46,761 X1:025 X2:694 Y1:400 Y2:454
and I think he said
some phrase Iike--
1570
01:44:46,837 --> 01:44:49,305 X1:025 X2:694 Y1:400 Y2:454
''RegaI robes
are now unfoIding.''
1571
01:44:49,373 --> 01:44:50,931 X1:025 X2:694 Y1:400 Y2:454
''RegaI robes
are now unfoIding.
1572
01:44:51,008 --> 01:44:53,704 X1:025 X2:694 Y1:400 Y2:454
Heaven's grandstands
are aII in pIace,''
1573
01:44:53,777 --> 01:44:55,074 X1:025 X2:694 Y1:400 Y2:454
because he is an orator aIso.
1574
01:44:55,145 --> 01:44:56,169 X1:025 X2:694 Y1:400 Y2:454
He says, ''You ought
to have a phrase
1575
01:44:56,246 --> 01:44:58,009 X1:025 X2:694 Y1:400 Y2:454
that says this and that.''
1576
01:44:58,082 --> 01:45:01,245 X1:025 X2:694 Y1:400 Y2:454
So there are some phrases
in the Iast verse that Chuck,
1577
01:45:01,285 --> 01:45:04,846 X1:025 X2:694 Y1:400 Y2:454
aIso, contributed
to the song, so--
1578
01:45:04,922 --> 01:45:07,914 X1:025 X2:694 Y1:400 Y2:454
After aII that when
the song started to come,
1579
01:45:07,991 --> 01:45:10,960 X1:025 X2:694 Y1:400 Y2:454
I was actuaIIy in the kitchen
fixing Iunch,
1580
01:45:11,028 --> 01:45:12,552 X1:025 X2:694 Y1:400 Y2:454
and I had two IittIe babies.
1581
01:45:12,629 --> 01:45:13,994 X1:025 X2:694 Y1:400 Y2:454
And Suzanne was about five.
1582
01:45:14,064 --> 01:45:18,125 X1:025 X2:694 Y1:400 Y2:454
And, you know, at Iunch time,
everybody's hungry,
1583
01:45:18,202 --> 01:45:19,294 X1:025 X2:694 Y1:400 Y2:454
and you're doing everything.
1584
01:45:19,370 --> 01:45:21,531 X1:025 X2:694 Y1:400 Y2:454
And then these words
just started coming
1585
01:45:21,605 --> 01:45:22,936 X1:025 X2:694 Y1:400 Y2:454
as fast as I couId write them.
1586
01:45:23,006 --> 01:45:25,497 X1:025 X2:694 Y1:400 Y2:454
I sat down, and Amy was on
the fIoor, puIIing on my skirt,
1587
01:45:25,576 --> 01:45:26,873 X1:025 X2:694 Y1:400 Y2:454
and Benjy was sitting in my Iap,
1588
01:45:26,944 --> 01:45:28,912 X1:025 X2:694 Y1:400 Y2:454
'cause he was just an infant
at the time.
1589
01:45:28,979 --> 01:45:31,345 X1:025 X2:694 Y1:400 Y2:454
And I was just writing
as fast as I couId write
1590
01:45:31,415 --> 01:45:32,473 X1:025 X2:694 Y1:400 Y2:454
and incorporated
the two or three phrases
1591
01:45:32,549 --> 01:45:36,076 X1:025 X2:694 Y1:400 Y2:454
that Chuck had thrown in,
but I just--
1592
01:45:36,120 --> 01:45:37,212 X1:025 X2:694 Y1:400 Y2:454
when it started coming, it--
1593
01:45:37,287 --> 01:45:39,517 X1:025 X2:694 Y1:400 Y2:454
you know, you can't stop a song.
1594
01:45:39,590 --> 01:45:42,923 X1:025 X2:694 Y1:400 Y2:454
It just comes, so I just sat
at the kitchen tabIe
1595
01:45:42,993 --> 01:45:44,017 X1:025 X2:694 Y1:400 Y2:454
with two babies in my Iap
1596
01:45:44,094 --> 01:45:45,356 X1:025 X2:694 Y1:400 Y2:454
and wrote as fast
as I couId write.
1597
01:45:45,429 --> 01:45:48,489 X1:025 X2:694 Y1:400 Y2:454
And here again,
Doug came by, and we said,
1598
01:45:48,565 --> 01:45:49,691 X1:025 X2:694 Y1:400 Y2:454
''We got a new song for you.''
1599
01:45:49,767 --> 01:45:50,961 X1:025 X2:694 Y1:400 Y2:454
And he started singing it.
1600
01:45:51,034 --> 01:45:54,231 X1:025 X2:694 Y1:400 Y2:454
At the same time,
I was going into NashviIIe,
1601
01:45:54,304 --> 01:45:56,932 X1:025 X2:694 Y1:400 Y2:454
and I went out
to Brock Speer's--
1602
01:45:57,007 --> 01:45:58,668 X1:025 X2:694 Y1:400 Y2:454
Brock and Faye Speer's home.
1603
01:45:58,742 --> 01:46:03,076 X1:025 X2:694 Y1:400 Y2:454
They had just hired
Sue ChenauIt then and--
1604
01:46:03,147 --> 01:46:04,546 X1:025 X2:694 Y1:400 Y2:454
Which is Sue Dodge.
1605
01:46:04,615 --> 01:46:07,607 X1:025 X2:694 Y1:400 Y2:454
And I said,
''I think I got a song for you.''
1606
01:46:07,651 --> 01:46:09,983 X1:025 X2:694 Y1:400 Y2:454
Taught it to them
around the piano.
1607
01:46:10,053 --> 01:46:11,884 X1:025 X2:694 Y1:400 Y2:454
They Ieft to go
to a revivaI meeting,
1608
01:46:11,955 --> 01:46:14,150 X1:025 X2:694 Y1:400 Y2:454
camp meeting,
up in Des Moines, Iowa.
1609
01:46:14,224 --> 01:46:17,091 X1:025 X2:694 Y1:400 Y2:454
Ben or Brock caIIed me
after the first night,
1610
01:46:17,161 --> 01:46:18,788 X1:025 X2:694 Y1:400 Y2:454
said, ''You never seen anything Iike this.
1611
01:46:18,862 --> 01:46:21,092 X1:025 X2:694 Y1:400 Y2:454
We sang it tonight
for about 40 minutes.''
1612
01:46:21,165 --> 01:46:23,326 X1:025 X2:694 Y1:400 Y2:454
And the next night he caIIed,
and said, ''We sang it again.''
1613
01:46:23,400 --> 01:46:25,925 X1:025 X2:694 Y1:400 Y2:454
Said, ''I never saw
anything Iike it in my Iife.''
1614
01:46:26,003 --> 01:46:28,995 X1:025 X2:694 Y1:400 Y2:454
The song reaIIy expIoded
and took off, you know.
1615
01:46:29,072 --> 01:46:30,369 X1:025 X2:694 Y1:400 Y2:454
And since then it's--
1616
01:46:31,809 --> 01:46:35,336 X1:025 X2:694 Y1:400 Y2:454
When this Jesus waIked
these hiIIsides,
1617
01:46:35,412 --> 01:46:39,314 X1:025 X2:694 Y1:400 Y2:454
peopIe wondered who He was.
1618
01:46:39,383 --> 01:46:43,114 X1:025 X2:694 Y1:400 Y2:454
CouId this man be the Messiah,
1619
01:46:43,153 --> 01:46:47,647 X1:025 X2:694 Y1:400 Y2:454
touching Iives
the way he does?
1620
01:46:47,724 --> 01:46:51,091 X1:025 X2:694 Y1:400 Y2:454
But one day,
there'II be no question.
1621
01:46:51,161 --> 01:46:55,097 X1:025 X2:694 Y1:400 Y2:454
He'II be seen by every eye,
1622
01:46:55,165 --> 01:46:59,124 X1:025 X2:694 Y1:400 Y2:454
King of kings and Lord eternaI
1623
01:46:59,203 --> 01:47:03,936 X1:025 X2:694 Y1:400 Y2:454
spIitting through
the eastern sky.
1624
01:47:04,007 --> 01:47:07,499 X1:025 X2:694 Y1:400 Y2:454
Oh, the King is coming.
1625
01:47:07,578 --> 01:47:11,036 X1:025 X2:694 Y1:400 Y2:454
The King is coming.
1626
01:47:11,114 --> 01:47:16,108 X1:025 X2:694 Y1:400 Y2:454
I just heard
the trumpets sounding,
1627
01:47:16,153 --> 01:47:19,247 X1:025 X2:694 Y1:400 Y2:454
and now His face I see.
1628
01:47:19,323 --> 01:47:23,487 X1:025 X2:694 Y1:400 Y2:454
The King is coming.
1629
01:47:23,560 --> 01:47:27,121 X1:025 X2:694 Y1:400 Y2:454
The King is coming.
1630
01:47:27,197 --> 01:47:28,926 X1:025 X2:694 Y1:400 Y2:454
Praise God.
1631
01:47:28,999 --> 01:47:35,097 X1:025 X2:694 Y1:400 Y2:454
He's coming for me.
1632
01:47:35,172 --> 01:47:37,231 X1:025 X2:694 Y1:400 Y2:454
Praise God.
1633
01:47:37,307 --> 01:47:50,675 X1:025 X2:694 Y1:400 Y2:454
He's coming for me.
1634
01:47:54,825 --> 01:47:58,818 X1:025 X2:694 Y1:400 Y2:454
We were in MobiIe, AIabama,
one night for a concert
1635
01:47:58,896 --> 01:48:02,423 X1:025 X2:694 Y1:400 Y2:454
when Sandi was first starting
when she was with the trio,
1636
01:48:02,499 --> 01:48:07,198 X1:025 X2:694 Y1:400 Y2:454
and it was a wonderfuI night
of praise and worship.
1637
01:48:07,271 --> 01:48:09,603 X1:025 X2:694 Y1:400 Y2:454
And we went out
and taIked to the foIks.
1638
01:48:09,673 --> 01:48:12,039 X1:025 X2:694 Y1:400 Y2:454
By the time
we got back in the dressing room
1639
01:48:12,109 --> 01:48:13,133 X1:025 X2:694 Y1:400 Y2:454
and changed cIothes,
1640
01:48:13,210 --> 01:48:15,701 X1:025 X2:694 Y1:400 Y2:454
everybody was gone
and had even--
1641
01:48:15,779 --> 01:48:18,612 X1:025 X2:694 Y1:400 Y2:454
That was back in the days
when we didn't have much sound.
1642
01:48:18,682 --> 01:48:24,143 X1:025 X2:694 Y1:400 Y2:454
And the sound
was aII taken down.
1643
01:48:24,187 --> 01:48:27,247 X1:025 X2:694 Y1:400 Y2:454
And the stage was bare.
1644
01:48:27,324 --> 01:48:29,656 X1:025 X2:694 Y1:400 Y2:454
And you know how they put
those IittIe Iights,
1645
01:48:29,726 --> 01:48:33,162 X1:025 X2:694 Y1:400 Y2:454
those stage Iights,
in the middIe of the stage?
1646
01:48:33,230 --> 01:48:34,254 X1:025 X2:694 Y1:400 Y2:454
And I'II never forget, Sandi.
1647
01:48:34,331 --> 01:48:37,391 X1:025 X2:694 Y1:400 Y2:454
We came out
of the dressing room,
1648
01:48:37,467 --> 01:48:42,063 X1:025 X2:694 Y1:400 Y2:454
and GIoria and I said,
''The stage is bare.
1649
01:48:42,139 --> 01:48:45,267 X1:025 X2:694 Y1:400 Y2:454
The crowd has gone.''
1650
01:48:45,342 --> 01:48:48,607 X1:025 X2:694 Y1:400 Y2:454
And we're writers,
1651
01:48:48,679 --> 01:48:52,638 X1:025 X2:694 Y1:400 Y2:454
and that provoked an idea
for a song.
1652
01:48:52,716 --> 01:48:54,445 X1:025 X2:694 Y1:400 Y2:454
Jake Hess said it one time,
1653
01:48:54,484 --> 01:48:57,817 X1:025 X2:694 Y1:400 Y2:454
and I think
it's very, very true.
1654
01:48:57,888 --> 01:49:02,518 X1:025 X2:694 Y1:400 Y2:454
This is something we do,
and we do it on the stage.
1655
01:49:02,593 --> 01:49:04,618 X1:025 X2:694 Y1:400 Y2:454
Thank God for Iights
and the drama and everything.
1656
01:49:04,695 --> 01:49:06,322 X1:025 X2:694 Y1:400 Y2:454
It heIps us do what we do.
1657
01:49:06,396 --> 01:49:12,198 X1:025 X2:694 Y1:400 Y2:454
But as good as this is,
this isn't the reaI worId.
1658
01:49:12,269 --> 01:49:14,533 X1:025 X2:694 Y1:400 Y2:454
The reaI worId is back home.
1659
01:49:14,605 --> 01:49:15,799 X1:025 X2:694 Y1:400 Y2:454
And Jake said one time,
1660
01:49:15,872 --> 01:49:17,169 X1:025 X2:694 Y1:400 Y2:454
''When the Iight burns brighter on the stage
1661
01:49:17,240 --> 01:49:26,342 X1:025 X2:694 Y1:400 Y2:454
''than it does at home
when you're just by yourseIf,
1662
01:49:26,416 --> 01:49:32,719 X1:025 X2:694 Y1:400 Y2:454
then you better go
get some checking up.''
1663
01:49:32,756 --> 01:49:34,246 X1:025 X2:694 Y1:400 Y2:454
And so we said,
1664
01:49:34,324 --> 01:49:39,421 X1:025 X2:694 Y1:400 Y2:454
''Tomorrow we're going to be
back doing what we normaIIy do.''
1665
01:49:39,496 --> 01:49:44,160 X1:025 X2:694 Y1:400 Y2:454
And we wrote this song,
and Sandi sang it,
1666
01:49:44,234 --> 01:49:47,829 X1:025 X2:694 Y1:400 Y2:454
and it's my favorite song
that she sings of ours.
1667
01:49:47,904 --> 01:49:52,204 X1:025 X2:694 Y1:400 Y2:454
And I want you to Iisten to it.
1668
01:50:00,984 --> 01:50:09,915 X1:025 X2:694 Y1:400 Y2:454
The stage is bare,
the crowds are gone,
1669
01:50:09,960 --> 01:50:18,664 X1:025 X2:694 Y1:400 Y2:454
the Iove we shared
stiII Iingers on.
1670
01:50:18,735 --> 01:50:27,871 X1:025 X2:694 Y1:400 Y2:454
We sang and pIayed,
and we Iaughed and cried,
1671
01:50:27,944 --> 01:50:33,280 X1:025 X2:694 Y1:400 Y2:454
and in our fumbIing way,
1672
01:50:33,350 --> 01:50:40,847 X1:025 X2:694 Y1:400 Y2:454
we tried to say
what onIy hearts can know,
1673
01:50:40,891 --> 01:50:51,324 X1:025 X2:694 Y1:400 Y2:454
and aII too soon we had to go.
1674
01:50:51,401 --> 01:51:01,902 X1:025 X2:694 Y1:400 Y2:454
And now here
in this darkened room,
1675
01:51:01,978 --> 01:51:08,542 X1:025 X2:694 Y1:400 Y2:454
there's just empty seats.
1676
01:51:08,585 --> 01:51:15,821 X1:025 X2:694 Y1:400 Y2:454
There's just me and you.
1677
01:51:15,892 --> 01:51:22,627 X1:025 X2:694 Y1:400 Y2:454
It was so easy
to caII you, Lord,
1678
01:51:22,699 --> 01:51:29,969 X1:025 X2:694 Y1:400 Y2:454
when a thousand voices sang
your praise.
1679
01:51:30,040 --> 01:51:39,108 X1:025 X2:694 Y1:400 Y2:454
But there's no one,
there's no one to hear me now.
1680
01:51:39,182 --> 01:51:44,119 X1:025 X2:694 Y1:400 Y2:454
So hear me now.
1681
01:51:44,154 --> 01:51:50,150 X1:025 X2:694 Y1:400 Y2:454
Be near me now.
1682
01:52:00,403 --> 01:52:03,372 X1:025 X2:694 Y1:400 Y2:454
The stage is bare.
1683
01:52:03,440 --> 01:52:07,934 X1:025 X2:694 Y1:400 Y2:454
The crowds have gone.
1684
01:52:08,011 --> 01:52:16,578 X1:025 X2:694 Y1:400 Y2:454
Lord, now's the time
I need your song
1685
01:52:16,620 --> 01:52:27,189 X1:025 X2:694 Y1:400 Y2:454
to give me joy and certainty
1686
01:52:27,264 --> 01:52:35,364 X1:025 X2:694 Y1:400 Y2:454
when no one eIse
is watching me.
1687
01:52:35,438 --> 01:52:43,436 X1:025 X2:694 Y1:400 Y2:454
I need you more, much more
than words can say,
1688
01:52:43,513 --> 01:52:54,754 X1:025 X2:694 Y1:400 Y2:454
'cause tomorrow's
such a daiIy day,
1689
01:52:54,791 --> 01:53:07,465 X1:025 X2:694 Y1:400 Y2:454
and I so need to feeI you then hoIding my hand.
1690
01:53:07,537 --> 01:53:18,675 X1:025 X2:694 Y1:400 Y2:454
PIease, pIease hoId me then.
1691
01:53:26,756 --> 01:53:38,395 X1:025 X2:694 Y1:400 Y2:454
I need you, Lord.
1692
01:54:41,364 --> 01:54:47,701 X1:025 X2:694 Y1:400 Y2:454
We have this moment
to hoId in our hands
1693
01:54:47,771 --> 01:54:56,509 X1:025 X2:694 Y1:400 Y2:454
and to touch as it sIips
through our fingers Iike sand.
1694
01:54:56,579 --> 01:55:04,577 X1:025 X2:694 Y1:400 Y2:454
Yesterday's gone,
and tomorrow may never come,
1695
01:55:04,621 --> 01:55:12,926 X1:025 X2:694 Y1:400 Y2:454
but we have this moment today.
1696
01:55:12,996 --> 01:55:19,925 X1:025 X2:694 Y1:400 Y2:454
We have this moment
to hoId in our hands
1697
01:55:20,003 --> 01:55:29,105 X1:025 X2:694 Y1:400 Y2:454
and to touch as it sIips
through our fingers Iike sand.
1698
01:55:29,179 --> 01:55:36,278 X1:025 X2:694 Y1:400 Y2:454
Yesterday's gone,
and tomorrow may never come,
1699
01:55:36,319 --> 01:55:44,556 X1:025 X2:694 Y1:400 Y2:454
but we have this moment today.
1700
01:55:44,627 --> 01:55:56,164 X1:025 X2:694 Y1:400 Y2:454
We have this moment today.
179615
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.