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This was the language
of the gods.
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NARRATOR:
Did extraterrestrial beings
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00:00:09,343 --> 00:00:12,679
leave behind coded messages?
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We may find information
that is vital to mankind.
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NARRATOR: Messages that
are carved in stone
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and found all over the world?
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PAUL BAHN:
There has been an explosion
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in new discoveries of geoglyphs
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that we didn't
know about before.
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NARRATOR:
But once deciphered,
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will they reveal
a message of hope...
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GIORGIO TSOUKALOS: Many of
the geoglyphs were created
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in order to contact
someone up there.
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NARRATOR:
...or a deadly warning?
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WILLIAM HENRY: Just imagine
if we don't get that message.
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Humanity could be
in the balance.
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♪ ♪
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NARRATOR:
Saudi Arabia. 2004.
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While exploring the ancient
lava fields of Harrat Khaybar,
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amateur archaeologist
Dr. Abdullah Al-Saeed
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comes upon a number of
what appear to be stone walls,
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each approximately
three feet high.
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From the ground level,
Dr. Al-Saeed concludes
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that the structures have no
discernable pattern or purpose.
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That is,
not until four years later,
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when he obtains satellite photos
of the very same area.
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What he sees astounds him.
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There, detectable from the sky
are a vast collection
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of more than 400
stone enclosures.
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Known to the local Bedouin
as the Works of the Old Men,
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these mysterious structures
are quickly examined
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and are revealed to stretch
for hundreds of miles.
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ANDREW COLLINS: They were within
what's referred to
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as-as a lava field of activity.
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They're generally described
either as kites
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or as gates,
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which are more rectilinear forms
of them.
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And there are literally hundreds
of these.
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In fact, they stretch
all the way from Saudi Arabia
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right away across to Jordan
and into Syria.
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HUGH NEWMAN: They're kind of
like angular pyramids
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almost going off
into the distance like runways,
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widening at one end to being
short at the other end.
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NARRATOR:
Although no record exists
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indicating when these structures
were built,
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who built them or why,
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the predominant theory
among mainstream archaeologists
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is that they were constructed
for hunting purposes
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many thousands of years ago.
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What we think they are
are prehistoric hunting sites
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where gazelle and other animals
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would be driven
into the enclosure,
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and then on the outsides
of the enclosure, pits were dug
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and the animals
would fall into the pits.
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The kites, when you visit them
on the ground,
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are really hard to find.
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In the air you get
the whole pattern.
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There are literally thousands
of them.
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And they must have been in use
for thousands of years.
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And why did they
fall into disuse?
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That's an answer
we haven't yet got.
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NARRATOR: Although the theory
that the stone structures
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were used for hunting purposes
is compelling,
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ancient astronaut theorists
argue that if these structures
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00:03:53,817 --> 00:03:56,361
were really used
for hunting gazelle,
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the walls would have needed
to be more than three feet high
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since a gazelle can leap more
than ten feet into the air.
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00:04:03,577 --> 00:04:07,956
Instead, they suggest
that because the structures
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are only viewable from the air,
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they should be considered
geoglyphs.
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BAHN:
A geoglyph is just basically
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00:04:14,921 --> 00:04:18,300
a drawing on the landscape,
usually quite large scale.
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Most geoglyphs are in deserts,
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and in deserts
you get a phenomenon
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which we call desert varnish.
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It's just a natural dark patina
that builds up on the surface.
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So if you move the dark parts
to one side,
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expose the lighter soil
or sand underneath,
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that is one way
of making a drawing.
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The second basic technique
is to use the dark stones
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and pile them together
to make shapes.
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Geometric shapes, animal shapes
or whatever.
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And the third basic technique is
simply a combination of the two.
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You move things to one side
to expose lightness,
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you use the dark stones
to make patterns.
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So, you get very nice
combination of the two.
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In recent years,
thanks to modern technology,
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and particularly
satellite photographs,
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uh, there has been an explosion
in new discoveries
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00:05:03,261 --> 00:05:05,430
of-of geoglyphs that we didn't
know about before.
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COLLINS: The interesting fact
about all of these
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is that they point
towards the sky.
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And what might this tell us?
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Well, the first thing is
that many of the geoglyphs
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that we know today
were only discovered
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once aerial survey
started in around the 1920s.
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All of them were
only really revealed
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once aircraft got up
into the air.
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And this tells us something
very, very important.
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BAHN: Most geoglyphs really
only make sense from above.
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It therefore seems
that they would be messages
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to something nonhuman,
something up there.
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NARRATOR: When the now legendary
Nazca Lines of Peru
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were first discovered in 1927,
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they were considered
a unique phenomenon.
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But now, with the benefit
of satellite imagery,
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00:06:00,944 --> 00:06:03,029
thousands of ancient geoglyphs
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are being found
all over the world:
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in Kazakhstan, in the
Southwestern United States,
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in the Atacama Desert of Chile
and in Bolivia.
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COLLINS: Almost everywhere
around the world,
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we find what are known
as geoglyphs.
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Whether they be
the Nazca Lines in Peru,
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British geoglyphs to those
in the Middle East,
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they're something that are
virtually universal
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00:06:32,434 --> 00:06:34,895
around the world
and they've been appearing
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for many hundreds of years.
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NARRATOR:
But why would ancient people
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in so many different locations
around the world
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all be making signs that can
only be seen from above?
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00:06:47,073 --> 00:06:49,075
We don't know for sure
what ancient peoples
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were trying to communicate
through geoglyphs,
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but the most important thing is
the amount of time and effort
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that went into building them.
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They're not quick sketches.
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They're, many of them,
whole community projects.
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00:07:01,421 --> 00:07:03,131
And the time that you spend
working on them
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is time not spent
gathering food,
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not spent defending your land.
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00:07:07,802 --> 00:07:10,639
It's time not spent
looking after your children.
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So, the first thing
that they communicate
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is to the community itself what
is important to the community.
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NARRATOR:
But could there be another
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even more incredible
explanation?
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00:07:22,776 --> 00:07:26,821
Is it possible that these
ancient geoglyphs were created
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00:07:26,821 --> 00:07:31,785
not for a terrestrial purpose,
but for an extraterrestrial one?
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00:07:31,785 --> 00:07:35,538
Ancient astronaut theorists
say yes,
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00:07:35,538 --> 00:07:38,124
and suggest further clues
can be found
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00:07:38,124 --> 00:07:40,377
by examining similar shapes
and symbols
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that occur
on a much smaller scale.
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00:07:42,921 --> 00:07:47,717
Geoglyphs are
gigantic-sized versions
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of what we know as petroglyphs,
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the most obvious being
the rock art that we'd see
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on surfaces of stone rock
around the world
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that date back many, many
thousands of years.
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Petroglyphs are images
carved into stones or incised
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or hammered away.
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They occur all over the world
from Australia up through Asia,
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00:08:08,697 --> 00:08:11,408
Europe, Africa,
through the Americas.
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NARRATOR:
Perhaps more intriguing
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00:08:15,954 --> 00:08:17,997
than the petroglyphs themselves
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00:08:17,997 --> 00:08:20,333
are the eerie similarities
between them
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and their geoglyphic siblings.
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00:08:23,837 --> 00:08:26,423
We see certain symbols
recurring again and again.
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There are many geometric forms.
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These take the form
of, uh, spirals,
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of concentric rings
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and other more rectilinear
or abstract designs.
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They're something that
are virtually universal
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around the world.
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One of the most interesting
geoglyphs that you have at Nazca
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is the sun, star,
cross geoglyph,
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which is really a very
complicated huge mandala
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of interconnected stars
and triangles.
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And it's something we see
all over the world
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00:08:59,080 --> 00:09:02,667
and in Tibet and India
as mandalas and even yantras.
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00:09:02,667 --> 00:09:07,464
So, things like this that are
so geometrically complicated
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and are found all over the world
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indicates that there was
some kind of worldwide
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00:09:12,761 --> 00:09:16,806
symbolic language
that was brought here
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by a higher intelligence,
probably extraterrestrials.
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NARRATOR: Is it possible
that the thousands
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of mysterious petroglyphs
and geoglyphs
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found throughout the world
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were intended to be
a form of communication
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between early humans
and extraterrestrial visitors?
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00:09:34,657 --> 00:09:38,203
Ancient astronaut theorists
believe that proof
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00:09:38,203 --> 00:09:41,498
of such a profound idea
does exist
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and it can be found
by examining an ancient story
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associated with one of
the oldest petroglyphs
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00:09:47,629 --> 00:09:49,464
ever discovered.
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Northwest Nevada. 2013.
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In the dried-up bed of what was
once Winnemucca Lake,
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00:10:00,975 --> 00:10:03,186
researchers take
carbonate samples
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00:10:03,186 --> 00:10:06,981
from a series of recently
discovered limestone boulders.
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00:10:06,981 --> 00:10:12,153
They are covered with what
appears to be ancient carvings.
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00:10:12,153 --> 00:10:15,031
Some of the petroglyphs
are believed to be depictions
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00:10:15,031 --> 00:10:16,616
of ancient shipping techniques,
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00:10:16,616 --> 00:10:20,537
but others are much more
difficult to identify.
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00:10:22,956 --> 00:10:27,085
Even more mysterious is the fact
that the local Paiute people
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00:10:27,085 --> 00:10:30,588
say the petroglyphs were not
created by their ancestors,
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00:10:30,588 --> 00:10:34,217
but by a race of giants.
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00:10:34,217 --> 00:10:35,802
HEGG:
The Paiutes said that
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00:10:35,802 --> 00:10:38,763
initially they did not
create petroglyphs,
195
00:10:38,763 --> 00:10:43,184
that an ancient race
called the Si-Te-Cah did.
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00:10:43,184 --> 00:10:47,397
The Si-Te-Cah was
a race of giants
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00:10:47,397 --> 00:10:52,318
that was said to have been
white-complected,
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00:10:52,318 --> 00:10:56,156
having red hair, and well over
seven-foot tall.
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00:10:56,156 --> 00:10:59,450
The Paiutes explained that
these giants lived on the lake--
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00:10:59,450 --> 00:11:01,911
in Pyramid Lake,
on floating cities.
201
00:11:03,830 --> 00:11:07,125
And each Paiute legend has
their own versions
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00:11:07,125 --> 00:11:09,169
of how petroglyphs were
originally created.
203
00:11:09,169 --> 00:11:14,257
But they remain, to this day,
unaware now of what
204
00:11:14,257 --> 00:11:18,428
a lot of that language was,
like most tribes in the world.
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00:11:20,180 --> 00:11:22,348
NARRATOR: Samples of
the petroglyphs were taken
206
00:11:22,348 --> 00:11:25,018
to the University of Colorado
at Boulder,
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00:11:25,018 --> 00:11:28,605
where scientists performed
a series of radiocarbon tests
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00:11:28,605 --> 00:11:30,565
to determine their age.
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00:11:30,565 --> 00:11:35,570
The results are astonishing,
and reveal the petroglyphs
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00:11:35,570 --> 00:11:41,826
were etched between 10,500
and 14,800 years ago,
211
00:11:41,826 --> 00:11:43,828
making them
the oldest petroglyphs
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00:11:43,828 --> 00:11:46,664
ever found in North America.
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00:11:46,664 --> 00:11:48,541
HENRY:
When we look at petroglyphs,
214
00:11:48,541 --> 00:11:51,002
with their incredible spirals,
the doorways,
215
00:11:51,002 --> 00:11:52,587
the strange beings
that are featured,
216
00:11:52,587 --> 00:11:54,214
the stories that are told,
217
00:11:54,214 --> 00:11:56,466
it suggests that they all
have an origin
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00:11:56,466 --> 00:11:58,259
with extraterrestrials
themselves.
219
00:12:00,011 --> 00:12:01,596
NARRATOR:
Could the petroglyphs found
220
00:12:01,596 --> 00:12:04,349
at Winnemucca Lake
really have been created
221
00:12:04,349 --> 00:12:08,269
by an ancient race of
extraterrestrial giants?
222
00:12:08,269 --> 00:12:12,482
If so, what were they intended
to represent?
223
00:12:12,482 --> 00:12:16,486
A map indicating
their planet of origin?
224
00:12:16,486 --> 00:12:20,031
Or was it an alien form
of hieroglyphics which,
225
00:12:20,031 --> 00:12:22,951
when deciphered,
could teach us profound lessons
226
00:12:22,951 --> 00:12:25,536
about mankind's past?
227
00:12:25,536 --> 00:12:29,457
Perhaps further clues can be
found by examining geoglyphs
228
00:12:29,457 --> 00:12:34,295
that some believe are depictions
of actual alien beings.
229
00:12:38,424 --> 00:12:41,135
(wind whistling softly)
230
00:12:41,135 --> 00:12:44,722
NARRATOR:
The Atacama Desert, Chile.
231
00:12:44,722 --> 00:12:49,352
Located on the western side
of a hill called Cerro Unitas
232
00:12:49,352 --> 00:12:52,355
is an enormous geoglyph
of a human-like figure
233
00:12:52,355 --> 00:12:55,483
known as the Atacama Giant.
234
00:12:55,483 --> 00:12:58,319
Although its origins
remain a mystery,
235
00:12:58,319 --> 00:13:02,907
some have estimated it to be
as much as 10,000 years old.
236
00:13:02,907 --> 00:13:06,953
The Atacama Giant
is one of about
237
00:13:06,953 --> 00:13:09,998
500 petroglyphs
in the Atacama Desert
238
00:13:09,998 --> 00:13:13,251
that span a huge area of about
15,000 square kilometers,
239
00:13:13,251 --> 00:13:16,170
produced over about
a millennium of time,
240
00:13:16,170 --> 00:13:18,256
and linking cultures
from the Incas
241
00:13:18,256 --> 00:13:21,259
all the way up to
the early Christianization
242
00:13:21,259 --> 00:13:23,094
of South America.
243
00:13:23,094 --> 00:13:27,557
The Atacama Giant itself
is about 100 meters tall,
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00:13:27,557 --> 00:13:30,268
and it's a hugely
impressive figure.
245
00:13:30,268 --> 00:13:33,062
It's got the most amazing
symmetry and geometry,
246
00:13:33,062 --> 00:13:36,232
which would have required
the most exquisite planning.
247
00:13:36,232 --> 00:13:38,568
Because once you're up there
digging away,
248
00:13:38,568 --> 00:13:41,154
you can't see exactly
the proportions.
249
00:13:41,154 --> 00:13:44,115
It's clearly a focal point
250
00:13:44,115 --> 00:13:46,576
of the culture of the people
who made it.
251
00:13:46,576 --> 00:13:48,661
COLLINS:
It has these very strange
252
00:13:48,661 --> 00:13:52,665
horizontal and vertical lines
coming out of its head.
253
00:13:52,665 --> 00:13:55,251
Archaeoastronomers have
suggested that
254
00:13:55,251 --> 00:13:58,463
every part of this figure
was actually used
255
00:13:58,463 --> 00:14:01,257
for astronomical purposes.
256
00:14:01,257 --> 00:14:06,846
It marked the different cycles
of the moon in every year.
257
00:14:06,846 --> 00:14:10,266
If you ask the local elders
258
00:14:10,266 --> 00:14:14,103
what the Atacama Giant
represents,
259
00:14:14,103 --> 00:14:18,524
they will say that it represents
sacred space,
260
00:14:18,524 --> 00:14:21,444
and that actually entering
inside them
261
00:14:21,444 --> 00:14:24,405
allowed you communication
with the sky gods.
262
00:14:27,658 --> 00:14:30,244
Given that these geoglyphs
have multiple layers of meaning
263
00:14:30,244 --> 00:14:32,455
and much knowledge
encoded with them,
264
00:14:32,455 --> 00:14:36,250
we have to ask if maybe
it's also a device
265
00:14:36,250 --> 00:14:39,504
to tell the locals when the
extraterrestrials would return.
266
00:14:41,881 --> 00:14:45,176
NARRATOR: Although the
Atacama Giant is extraordinary,
267
00:14:45,176 --> 00:14:47,637
it is by no means unique,
268
00:14:47,637 --> 00:14:49,430
as similar geoglyphs
can be found
269
00:14:49,430 --> 00:14:51,808
in many parts of the world.
270
00:14:56,104 --> 00:14:59,482
Blythe, California.
271
00:14:59,482 --> 00:15:03,027
Located in the desert,
just west of the Arizona border,
272
00:15:03,027 --> 00:15:06,989
an estimated 300 gigantic
figures can be seen etched
273
00:15:06,989 --> 00:15:08,699
in the arid ground.
274
00:15:11,452 --> 00:15:15,540
Known as the Blythe Intaglios,
these ancient carvings depict
275
00:15:15,540 --> 00:15:18,334
animals, spirals,
276
00:15:18,334 --> 00:15:20,378
and, perhaps
most significantly,
277
00:15:20,378 --> 00:15:22,964
gigantic humanoid figures.
278
00:15:22,964 --> 00:15:25,591
These intaglios are unique
279
00:15:25,591 --> 00:15:29,011
in that they're always found
on the shorelines
280
00:15:29,011 --> 00:15:33,432
of ancient lakes that existed
12,500 years ago and prior.
281
00:15:36,769 --> 00:15:39,730
NARRATOR:
In April 2018,
282
00:15:39,730 --> 00:15:42,900
author and ancient astronaut
researcher David Childress
283
00:15:42,900 --> 00:15:46,529
traveled to Blythe to meet with
Alfredo Figueroa,
284
00:15:46,529 --> 00:15:49,031
an elder of the local
Chemehuevi tribe.
285
00:15:49,031 --> 00:15:51,159
He is also known
to many in the region
286
00:15:51,159 --> 00:15:54,287
as The Guardian of the Glyphs.
287
00:15:54,287 --> 00:15:57,582
David was eager to see firsthand
whether the legends
288
00:15:57,582 --> 00:16:00,459
surrounding these unique
geoglyphs could be true.
289
00:16:00,459 --> 00:16:02,378
They can only be seen
from the air, really, right?
290
00:16:02,378 --> 00:16:03,963
Well, they can be seen
from the ground,
291
00:16:03,963 --> 00:16:06,215
but you can see it over intact.
292
00:16:06,215 --> 00:16:07,550
PATRICIA ROBLES:
If you're walking on it,
293
00:16:07,550 --> 00:16:09,510
you really don't know
what you're walking on.
294
00:16:09,510 --> 00:16:10,761
Exactly, yeah, right.
295
00:16:10,761 --> 00:16:12,555
We'll be able to see it
with the drone, I think.
296
00:16:12,555 --> 00:16:14,390
Oh, that's excellent.
You got a drone?
297
00:16:14,390 --> 00:16:16,100
-Yes, we've got it.
-Oh, that's wonderful.
298
00:16:16,100 --> 00:16:17,643
-Let me get the drone out.
-That's the best way.
299
00:16:17,643 --> 00:16:18,769
-Okay, let me get it.
-Thank you.
300
00:16:21,564 --> 00:16:23,983
CHILDRESS:
Who builds this, and-and why?
301
00:16:23,983 --> 00:16:25,985
FIGUEROA: The original tribes
here were the Aztecas.
302
00:16:25,985 --> 00:16:27,320
-CHILDRESS: The Aztecs.
-Right.
303
00:16:27,320 --> 00:16:30,948
Okay. Here we go.
304
00:16:30,948 --> 00:16:32,783
(drone buzzing)
305
00:16:37,205 --> 00:16:38,706
CHILDRESS:
Wow.
306
00:16:38,706 --> 00:16:39,832
That's pretty interesting.
307
00:16:39,832 --> 00:16:41,959
NARRATOR:
With the drone camera,
308
00:16:41,959 --> 00:16:44,587
David and Alfredo
are able to see
309
00:16:44,587 --> 00:16:47,006
the Blythe Intaglios
from a vantage point
310
00:16:47,006 --> 00:16:49,175
that their creators
never could have,
311
00:16:49,175 --> 00:16:53,721
at least not without the aid
of some form of aircraft.
312
00:16:53,721 --> 00:16:57,391
But if this is true,
then why were they created?
313
00:16:57,391 --> 00:16:59,477
And for whom?
314
00:16:59,477 --> 00:17:00,686
CHILDRESS:
All right, this is...
315
00:17:00,686 --> 00:17:01,896
FIGUEROA:
Is Omecihuatl.
316
00:17:01,896 --> 00:17:05,274
"Cihuatl" means "woman."
317
00:17:05,274 --> 00:17:08,110
And she is pregnant,
right here, see?
318
00:17:08,110 --> 00:17:09,654
CHILDRESS: She's, like,
having a baby, then.
319
00:17:09,654 --> 00:17:11,155
Ah, okay.
320
00:17:11,155 --> 00:17:14,617
And right next to her
is the ocelot.
321
00:17:14,617 --> 00:17:16,327
Ocelot is the jaguar.
322
00:17:16,327 --> 00:17:17,870
CHILDRESS:
Okay, so you can see it's a cat
323
00:17:17,870 --> 00:17:20,039
because it has
a very long tail, huh?
324
00:17:20,039 --> 00:17:23,084
Well, the tail is supposed to be
like a "U,"
325
00:17:23,084 --> 00:17:27,588
and in the cosmos,
it represents the Big Dipper.
326
00:17:29,674 --> 00:17:32,760
ROBLES: Here in this place,
they came down.
327
00:17:32,760 --> 00:17:35,763
And because they descended
from the cosmos,
328
00:17:35,763 --> 00:17:39,433
our ancestors created
these images
329
00:17:39,433 --> 00:17:43,437
and aligned them with
the constellations
330
00:17:43,437 --> 00:17:46,566
so that we would understand
that story.
331
00:17:46,566 --> 00:17:49,110
NARRATOR:
But of all the Blythe Intaglios,
332
00:17:49,110 --> 00:17:51,445
the one Alfredo is
most eager to show David
333
00:17:51,445 --> 00:17:54,282
are the ones
that are the largest
334
00:17:54,282 --> 00:17:55,992
and arguably the most dramatic.
335
00:17:55,992 --> 00:17:57,910
CHILDRESS:
This is big. This thing is huge.
336
00:17:57,910 --> 00:18:00,997
FIGUEROA:
That's right.
337
00:18:00,997 --> 00:18:03,124
NARRATOR:
They are the ones representing
338
00:18:03,124 --> 00:18:07,003
the Aztec gods, Kokopelli--
better known as Quetzalcoatl--
339
00:18:07,003 --> 00:18:10,339
and Cicimitl,
the Aztec star god.
340
00:18:10,339 --> 00:18:11,924
CHILDRESS:
Which glyph is this one?
341
00:18:11,924 --> 00:18:14,051
What we're seeing here
is Kokopelli,
342
00:18:14,051 --> 00:18:16,596
and he represents Quetzalcoatl.
343
00:18:16,596 --> 00:18:20,474
CHILDRESS:
The Aztec god, Quetzalcoatl.
344
00:18:20,474 --> 00:18:23,060
-So, this one is...
-ROBLES: Cicimitl.
345
00:18:23,060 --> 00:18:24,937
CHILDRESS:
Cicimitl.
346
00:18:26,981 --> 00:18:29,191
His face there--
you see his nose.
347
00:18:29,191 --> 00:18:31,861
I mean, he's not like
a normal person, is he?
348
00:18:31,861 --> 00:18:34,780
No, he looks just like a...
a E. T.
349
00:18:34,780 --> 00:18:37,450
He looks like an
extraterrestrial. Uh-huh, yeah.
350
00:18:37,450 --> 00:18:40,870
NARRATOR:
An extraterrestrial?
351
00:18:40,870 --> 00:18:44,582
Is it possible that these
incredible geoglyphs represent
352
00:18:44,582 --> 00:18:48,961
not just mythological gods,
but actual alien beings,
353
00:18:48,961 --> 00:18:52,757
whose arrival on Earth was
witnessed by the Azteca people?
354
00:18:54,759 --> 00:18:57,637
Ancient astronaut theorists
say yes,
355
00:18:57,637 --> 00:19:01,265
and Alfredo Figueroa is
convinced that it was here--
356
00:19:01,265 --> 00:19:05,186
the location of the Aztecs'
legendary home of Aztlan--
357
00:19:05,186 --> 00:19:09,857
where extraterrestrial visitors
came down from the sky.
358
00:19:09,857 --> 00:19:13,653
CHILDRESS: Aztlan is very
important in Aztec mythology.
359
00:19:13,653 --> 00:19:17,198
It was a place where the gods
came down to give them
360
00:19:17,198 --> 00:19:20,534
the information and prophecies
that the Aztecs had.
361
00:19:22,703 --> 00:19:25,039
I mean, you're maintaining
that this whole area here,
362
00:19:25,039 --> 00:19:26,999
around Blythe
and the Colorado River,
363
00:19:26,999 --> 00:19:30,086
is an ancient homeland
of-of the Aztecs
364
00:19:30,086 --> 00:19:32,672
-and-and the gods, too?
-Yes.
365
00:19:32,672 --> 00:19:37,093
The geoglyphs were made by
the Nahuatl people.
366
00:19:37,093 --> 00:19:41,097
The Nahuatl are the origin of
the Aztecas and the Mexicas.
367
00:19:41,097 --> 00:19:43,683
So, they're the ones
that made 'em at first.
368
00:19:43,683 --> 00:19:47,269
And then the Nahuatl people
made these geoglyphs to...
369
00:19:47,269 --> 00:19:50,106
to honor, uh, the creator gods.
370
00:19:50,106 --> 00:19:52,817
Right. And to not forget
where we came from.
371
00:19:52,817 --> 00:19:54,652
Where we came from.
That's right.
372
00:19:54,652 --> 00:19:57,405
NARRATOR: Could it be
that Blythe, California,
373
00:19:57,405 --> 00:20:01,117
really was the ancestral home
of the Aztec people,
374
00:20:01,117 --> 00:20:04,078
and that more than
1,000 years ago,
375
00:20:04,078 --> 00:20:08,165
the area was visited by
extraterrestrial beings?
376
00:20:08,165 --> 00:20:11,752
Ancient astronaut theorists
suggest that the answers
377
00:20:11,752 --> 00:20:13,713
may be found by examining
378
00:20:13,713 --> 00:20:16,465
the most mysterious geoglyphs
of all,
379
00:20:16,465 --> 00:20:21,095
incredible markings that are
invisible to the naked eye.
380
00:20:27,518 --> 00:20:29,478
NARRATOR:
Palpa, Peru.
381
00:20:29,478 --> 00:20:32,648
December 2017.
382
00:20:32,648 --> 00:20:36,986
Researchers use state-of-the-art
drones to photograph
383
00:20:36,986 --> 00:20:41,031
the famous Nazca Lines
with high-resolution cameras.
384
00:20:41,031 --> 00:20:44,243
COLLINS: This is new technology
being employed
385
00:20:44,243 --> 00:20:46,036
to search the landscape,
386
00:20:46,036 --> 00:20:49,206
and to try and find
what the human eye
387
00:20:49,206 --> 00:20:53,043
has not been able to notice
and not even from airplanes.
388
00:20:53,043 --> 00:20:56,422
NARRATOR: What the researchers
find amazes them,
389
00:20:56,422 --> 00:21:00,468
as the HD camera reveals dozens
of additional geoglyphs
390
00:21:00,468 --> 00:21:02,928
that had never been seen before.
391
00:21:02,928 --> 00:21:07,057
COLLINS:
They include a huge serpent,
392
00:21:07,057 --> 00:21:10,978
and also a giant fish,
393
00:21:10,978 --> 00:21:13,022
both of which
are cosmic symbols.
394
00:21:15,441 --> 00:21:18,444
NEWMAN: The thing is, with some
of the figures found in Palpa,
395
00:21:18,444 --> 00:21:21,489
they think they could be older
than some of the Nazca figures,
396
00:21:21,489 --> 00:21:23,324
because they're on hillsides,
and it's known
397
00:21:23,324 --> 00:21:26,827
that the Paracas culture, who
were around before the Nazca,
398
00:21:26,827 --> 00:21:30,289
going back to probably 800 BC,
or even earlier.
399
00:21:30,289 --> 00:21:32,541
It does suggest
that there was more cultures
400
00:21:32,541 --> 00:21:34,418
than just
the Nazca people creating
401
00:21:34,418 --> 00:21:39,507
these effigies and lines in that
part of the whole Nazca region.
402
00:21:39,507 --> 00:21:41,675
NARRATOR:
More geoglyphs,
403
00:21:41,675 --> 00:21:45,638
created by cultures stretching
back nearly 3,000 years?
404
00:21:45,638 --> 00:21:47,765
But who were they?
405
00:21:47,765 --> 00:21:50,351
What were they trying
to communicate?
406
00:21:50,351 --> 00:21:52,937
GIORGIO A. TSOUKALOS:
One has to wonder,
407
00:21:52,937 --> 00:21:57,107
why did our ancestors
create these things
408
00:21:57,107 --> 00:22:00,110
if they can only be appreciated
from the air?
409
00:22:02,655 --> 00:22:06,075
Because here is the thing:
sometimes it has been proposed
410
00:22:06,075 --> 00:22:09,995
that the Nazca Lines were crests
411
00:22:09,995 --> 00:22:14,625
of different tribes,
of different societies.
412
00:22:14,625 --> 00:22:17,002
But if I were a society leader,
413
00:22:17,002 --> 00:22:20,005
and I had my crest created
on the ground,
414
00:22:20,005 --> 00:22:24,176
but I could not see it, I would
not be very happy with that.
415
00:22:24,176 --> 00:22:28,055
That many of them can
only be seen from the air,
416
00:22:28,055 --> 00:22:32,852
that suggests to me that many
of the geoglyphs were in fact
417
00:22:32,852 --> 00:22:37,857
created in order to contact
someone up there.
418
00:22:37,857 --> 00:22:41,443
COLLINS: The ancients were
trying to represent
419
00:22:41,443 --> 00:22:45,906
that which they believed
was coming from the cosmos,
420
00:22:45,906 --> 00:22:48,701
and that they themselves
were trying to communicate
421
00:22:48,701 --> 00:22:52,830
or make the link
with these cosmic beings.
422
00:22:55,165 --> 00:22:57,459
NARRATOR: For ancient
astronaut theorists,
423
00:22:57,459 --> 00:22:59,628
the link between the Nazca Lines
424
00:22:59,628 --> 00:23:03,299
and extraterrestrial
communication is an obvious one.
425
00:23:03,299 --> 00:23:06,468
They believe ancient man
426
00:23:06,468 --> 00:23:09,263
would have no reason
to make such detailed
427
00:23:09,263 --> 00:23:12,308
and elaborate representations
of life on Earth
428
00:23:12,308 --> 00:23:16,770
unless they were trying
to communicate with someone.
429
00:23:16,770 --> 00:23:20,399
They also cite recent images
recorded on Mars
430
00:23:20,399 --> 00:23:23,527
as evidence
which supports their claims.
431
00:23:23,527 --> 00:23:25,946
Certainly, the photographs
432
00:23:25,946 --> 00:23:29,033
that have been taken
by the Mars orbiters
433
00:23:29,033 --> 00:23:33,245
and the landers and the rovers
would suggest
434
00:23:33,245 --> 00:23:37,583
there are actually
geoglyphs on Mars.
435
00:23:37,583 --> 00:23:40,419
These geoglyphic formations
are structural,
436
00:23:40,419 --> 00:23:42,212
like we see
with the American Indians,
437
00:23:42,212 --> 00:23:45,299
the Mound Builders,
those type of formations.
438
00:23:45,299 --> 00:23:49,303
We're also finding pictographic
images like the face on Mars,
439
00:23:49,303 --> 00:23:51,889
which have facial features.
440
00:23:51,889 --> 00:23:54,266
ERICH VON DANIKEN:
We have wonderful pictures
441
00:23:54,266 --> 00:23:56,769
of the surface of Mars,
and definitely
442
00:23:56,769 --> 00:24:00,189
on the surface of Mars,
we have some stone circles.
443
00:24:00,189 --> 00:24:03,734
Nature does not
create stone circle.
444
00:24:03,734 --> 00:24:06,362
Nature could make
one stone circle,
445
00:24:06,362 --> 00:24:09,114
but not three or four
put together.
446
00:24:11,241 --> 00:24:13,744
NARRATOR: Of particular
interest to researchers
447
00:24:13,744 --> 00:24:16,830
is a recently discovered
geological anomaly
448
00:24:16,830 --> 00:24:20,793
that strongly resembles
a species of bird.
449
00:24:20,793 --> 00:24:24,421
In 2002, a member of
the Cydonia Institute discovered
450
00:24:24,421 --> 00:24:27,925
a parrot formation in
the Argyre basin area of Mars.
451
00:24:27,925 --> 00:24:31,345
After two geologists
and three veterinarians--
452
00:24:31,345 --> 00:24:34,640
one being an avian specialist--
examined the formation,
453
00:24:34,640 --> 00:24:38,018
they confirmed that the parrot
formation had over 17 points
454
00:24:38,018 --> 00:24:41,230
of anatomical correctness, all
adhering to the proper shape,
455
00:24:41,230 --> 00:24:44,608
size and orientation
to a real parrot.
456
00:24:44,608 --> 00:24:47,695
The same motif can be
seen on a copper plate
457
00:24:47,695 --> 00:24:51,073
produced by the Hopewell Indians
that features the same type
458
00:24:51,073 --> 00:24:53,701
of parrot formation
with an upraised wing.
459
00:24:55,995 --> 00:24:58,664
NARRATOR: Could the mysterious
parrot-shaped formation
460
00:24:58,664 --> 00:25:02,042
on the surface of Mars
really offer a link
461
00:25:02,042 --> 00:25:05,004
to the thousands of geoglyphs
found here on Earth?
462
00:25:05,004 --> 00:25:10,050
And, if so, does it offer
evidence that extraterrestrials
463
00:25:10,050 --> 00:25:12,928
have been using them as a form
of communication with humans
464
00:25:12,928 --> 00:25:16,515
for thousands of years?
465
00:25:16,515 --> 00:25:20,310
Ancient astronaut theorists
say yes, and believe
466
00:25:20,310 --> 00:25:23,313
that the various geoglyphic
depictions of animals,
467
00:25:23,313 --> 00:25:27,568
humans and birds may not have
been intended as mere artwork,
468
00:25:27,568 --> 00:25:29,862
but as a form of language,
469
00:25:29,862 --> 00:25:34,158
whose message for mankind
has yet to be decoded.
470
00:25:43,292 --> 00:25:45,210
NARRATOR:
Elkab, Egypt.
471
00:25:45,210 --> 00:25:48,047
June 2017.
472
00:25:48,047 --> 00:25:51,717
A team of researchers
from Yale University
473
00:25:51,717 --> 00:25:54,762
and the Royal Museums
of Art and History in Brussels
474
00:25:54,762 --> 00:25:57,264
make an historic find.
475
00:25:57,264 --> 00:26:01,769
While exploring this ancient
city, they discover a number
476
00:26:01,769 --> 00:26:05,481
of rock art carvings,
which after closer examination,
477
00:26:05,481 --> 00:26:09,068
date back
an estimated 5,200 years,
478
00:26:09,068 --> 00:26:12,946
making them the oldest
monumental Egyptian hieroglyphs
479
00:26:12,946 --> 00:26:14,782
ever discovered.
480
00:26:14,782 --> 00:26:18,869
Using combinations of
various shapes and symbols,
481
00:26:18,869 --> 00:26:22,122
including representations
of humans and animals,
482
00:26:22,122 --> 00:26:24,208
hieroglyphics is regarded
483
00:26:24,208 --> 00:26:26,877
as a highly sophisticated
writing system,
484
00:26:26,877 --> 00:26:29,379
where every symbol
and combination of symbols
485
00:26:29,379 --> 00:26:32,883
has a specific meaning.
486
00:26:32,883 --> 00:26:36,845
When we look at the hieroglyphs
of ancient Egypt,
487
00:26:36,845 --> 00:26:38,764
they seem to have come
from nowhere.
488
00:26:38,764 --> 00:26:41,809
No one knows
where they came from,
489
00:26:41,809 --> 00:26:44,895
no one knows who they really
were designed for,
490
00:26:44,895 --> 00:26:47,189
or for their purpose, they just
appeared out of nowhere.
491
00:26:47,189 --> 00:26:49,024
So where did these come from?
492
00:26:49,024 --> 00:26:51,652
Were they sort of
just divinely inspired?
493
00:26:51,652 --> 00:26:53,403
Was it some other reason,
494
00:26:53,403 --> 00:26:56,073
was it some gods that emerged
and arrived
495
00:26:56,073 --> 00:26:58,534
and presented them
with this information?
496
00:26:58,534 --> 00:27:01,662
NARRATOR:
The term "hieroglyphics"
497
00:27:01,662 --> 00:27:05,958
literally means "holy writing,"
and ancient Egyptian texts say
498
00:27:05,958 --> 00:27:10,420
it was a gift given to them
from the god Thoth.
499
00:27:10,420 --> 00:27:16,093
There are legends from
all over the world that sky gods
500
00:27:16,093 --> 00:27:20,430
have come down to Earth
and given information
501
00:27:20,430 --> 00:27:25,060
of science and learning,
and also communication
502
00:27:25,060 --> 00:27:27,104
and of language to people.
503
00:27:27,104 --> 00:27:32,985
And early language and alphabets
are these symbols.
504
00:27:32,985 --> 00:27:35,445
(birds chirping)
505
00:27:35,445 --> 00:27:38,031
ROMANY:
We're here in Luxor Temple,
506
00:27:38,031 --> 00:27:43,161
and the hieroglyphs here...
507
00:27:43,161 --> 00:27:45,163
are so interesting.
508
00:27:45,163 --> 00:27:47,708
Most people would think that
ancient Egyptian hieroglyphs
509
00:27:47,708 --> 00:27:52,754
is more like emojis, and symbols
where the sun and a cow
510
00:27:52,754 --> 00:27:55,257
would meet the sky, and you have
this picture of the sky--
511
00:27:55,257 --> 00:27:57,426
it's not pictures
next to each other.
512
00:27:57,426 --> 00:28:00,178
It's a proper language.
513
00:28:00,178 --> 00:28:02,764
It's a language
that has such precision
514
00:28:02,764 --> 00:28:05,267
that people
from all over the world
515
00:28:05,267 --> 00:28:09,813
can translate it
with the same exact meaning.
516
00:28:09,813 --> 00:28:14,318
All this language
was from the god of knowledge.
517
00:28:14,318 --> 00:28:15,986
That's what ancient
Egyptians believed,
518
00:28:15,986 --> 00:28:20,699
that god Thoth gave them
the language, with all it has.
519
00:28:20,699 --> 00:28:22,618
And the kings then used it
520
00:28:22,618 --> 00:28:24,870
to also communicate
with their gods.
521
00:28:24,870 --> 00:28:27,831
Ancient Egyptian kings knew
for a fact that their gods
522
00:28:27,831 --> 00:28:30,792
understood hieroglyphs.
523
00:28:30,792 --> 00:28:34,838
NARRATOR: As described
in the Pyramid Texts,
524
00:28:34,838 --> 00:28:37,633
ancient Egyptian religious texts
that date back
525
00:28:37,633 --> 00:28:40,052
more than 4,000 years,
526
00:28:40,052 --> 00:28:43,680
a meteoric iron object
called the Benben stone
527
00:28:43,680 --> 00:28:46,892
was reported as having descended
from the heavens
528
00:28:46,892 --> 00:28:48,769
like a firebird.
529
00:28:48,769 --> 00:28:50,479
(explosion)
530
00:28:50,479 --> 00:28:55,734
Even Egyptologists agree
that this type of a shape
531
00:28:55,734 --> 00:28:57,945
descended from the sky...
532
00:29:00,155 --> 00:29:02,866
...and made
a controlled landing.
533
00:29:02,866 --> 00:29:07,037
The Benben stone opened,
and people walked out,
534
00:29:07,037 --> 00:29:09,873
the first creator gods.
535
00:29:09,873 --> 00:29:14,378
Now, when I hear a story
like this, I wonder
536
00:29:14,378 --> 00:29:17,965
if this thing may have been
some type of a craft,
537
00:29:17,965 --> 00:29:20,008
because it is very reminiscent
538
00:29:20,008 --> 00:29:24,221
of the top module
of an Apollo rocket.
539
00:29:26,056 --> 00:29:28,892
The Benben came with
hieroglyphic inscriptions on it,
540
00:29:28,892 --> 00:29:32,104
and it was the first form
of hieroglyphic language,
541
00:29:32,104 --> 00:29:34,189
the gift from the gods.
542
00:29:34,189 --> 00:29:37,567
This was the language
of the gods.
543
00:29:37,567 --> 00:29:41,113
NARRATOR:
Did an otherworldly spacecraft
544
00:29:41,113 --> 00:29:43,907
bring the language of
hieroglyphics to the people
545
00:29:43,907 --> 00:29:48,662
of ancient Egypt
thousands of years ago?
546
00:29:48,662 --> 00:29:51,999
And, if so, could there be
a connection between hieroglyphs
547
00:29:51,999 --> 00:29:55,752
and the various individual
figures of animals,
548
00:29:55,752 --> 00:29:59,006
shapes and symbols found
in the world's
549
00:29:59,006 --> 00:30:01,925
petroglyphs and geoglyphs?
550
00:30:01,925 --> 00:30:04,928
CHILDRESS: It would seem that
these petroglyphs and geoglyphs
551
00:30:04,928 --> 00:30:08,181
are ultimately part
of this universal language
552
00:30:08,181 --> 00:30:09,808
that's the forerunner
553
00:30:09,808 --> 00:30:12,853
of hieroglyphic and pictographic
languages, too,
554
00:30:12,853 --> 00:30:14,688
like the Chinese for example.
555
00:30:14,688 --> 00:30:17,065
When we're really able
to understand
556
00:30:17,065 --> 00:30:19,109
these geoglyphs or petroglyphs,
557
00:30:19,109 --> 00:30:22,112
we may find
that there is a message for us
558
00:30:22,112 --> 00:30:24,823
that we have been missing
all this time.
559
00:30:24,823 --> 00:30:27,701
One day, hopefully,
we will find that knowledge
560
00:30:27,701 --> 00:30:31,079
and know that message.
561
00:30:31,079 --> 00:30:33,957
NARRATOR: If hieroglyphs
actually represent
562
00:30:33,957 --> 00:30:37,002
a type of
ancient alien language,
563
00:30:37,002 --> 00:30:39,880
could their earliest examples
exist carved into rocks
564
00:30:39,880 --> 00:30:42,674
and etched in desert sands?
565
00:30:42,674 --> 00:30:46,011
Could they be trying to tell us
that Earth's history
566
00:30:46,011 --> 00:30:49,514
is very different
than the one we've been taught?
567
00:30:49,514 --> 00:30:53,518
Ancient astronaut theorists
say yes,
568
00:30:53,518 --> 00:30:56,104
and suggest that instead
of viewing them as symbols
569
00:30:56,104 --> 00:30:58,815
of mankind's ancient past,
570
00:30:58,815 --> 00:31:03,278
we should start to look at them
as part of mankind's future.
571
00:31:12,662 --> 00:31:16,291
NARRATOR: Kanda,
the Republic of Macedonia.
572
00:31:16,291 --> 00:31:21,088
There, isolated on a hill
in the middle of a vast steppe,
573
00:31:21,088 --> 00:31:24,257
sits a giant geoglyph
depicting a symbol
574
00:31:24,257 --> 00:31:27,636
known as the cosmic egg.
575
00:31:27,636 --> 00:31:30,597
According to ancient mythology,
576
00:31:30,597 --> 00:31:33,058
it is the great egg
of the universe
577
00:31:33,058 --> 00:31:38,522
from which a powerful deity
is often hatched or born.
578
00:31:38,522 --> 00:31:42,692
COLLINS: The concept
of the cosmic egg is universal.
579
00:31:42,692 --> 00:31:46,154
But what's so interesting
is that a multinational team
580
00:31:46,154 --> 00:31:49,199
who have been
investigating this site
581
00:31:49,199 --> 00:31:53,954
have come to the conclusion
that it's orientated
582
00:31:53,954 --> 00:31:57,499
towards the constellation
of Cassiopeia.
583
00:31:57,499 --> 00:32:02,003
Cassiopeia represents
the queen of Heaven.
584
00:32:02,003 --> 00:32:03,880
NARRATOR:
In addition to the alignment
585
00:32:03,880 --> 00:32:07,175
of the egg with
the Cassiopeia constellation,
586
00:32:07,175 --> 00:32:09,219
many scholars believe
that the symbol
587
00:32:09,219 --> 00:32:13,223
contained in the egg represents
that of the cosmic god Se.
588
00:32:15,475 --> 00:32:18,854
HENRY: He represents
the all-seeing god.
589
00:32:18,854 --> 00:32:22,065
Macedonian myth
says that the god Se
590
00:32:22,065 --> 00:32:24,693
was the child
of the great cosmic mother
591
00:32:24,693 --> 00:32:26,528
and the supreme god father.
592
00:32:26,528 --> 00:32:29,197
NARRATOR:
While there are various theories
593
00:32:29,197 --> 00:32:32,742
as to who made the cosmic egg
geoglyph and why,
594
00:32:32,742 --> 00:32:36,079
ancient astronaut theorists
agree on one point,
595
00:32:36,079 --> 00:32:38,456
that this geoglyph,
596
00:32:38,456 --> 00:32:42,419
like the thousands of others
found all across the world,
597
00:32:42,419 --> 00:32:45,172
was intended to be more than
simply a work of art
598
00:32:45,172 --> 00:32:47,716
or indicate a place of worship.
599
00:32:47,716 --> 00:32:51,845
It was intended to communicate
something of great,
600
00:32:51,845 --> 00:32:55,182
possibly intergalactic,
importance.
601
00:32:55,182 --> 00:32:57,184
CHILDRESS:
It would seem that
602
00:32:57,184 --> 00:33:00,020
extraterrestrials
arrived on Earth,
603
00:33:00,020 --> 00:33:03,481
and then taught humans
the meanings of these symbols.
604
00:33:03,481 --> 00:33:07,235
And then humans
then used these symbols
605
00:33:07,235 --> 00:33:09,279
to try and contact the
extraterrestrials themselves,
606
00:33:09,279 --> 00:33:13,742
either as giant geoglyphs
on the ground
607
00:33:13,742 --> 00:33:15,994
to even just petroglyphs
on the rocks.
608
00:33:22,083 --> 00:33:24,586
NARRATOR: Ancient astronaut
theorists suggest
609
00:33:24,586 --> 00:33:27,505
that the notion that
petroglyphs and geoglyphs
610
00:33:27,505 --> 00:33:29,758
could represent
a form of communication
611
00:33:29,758 --> 00:33:31,676
taught to humans
by alien visitors
612
00:33:31,676 --> 00:33:35,513
is supported by our own
relatively modern science
613
00:33:35,513 --> 00:33:38,266
of semiotics.
614
00:33:38,266 --> 00:33:41,853
It is the study
of signs and symbols
615
00:33:41,853 --> 00:33:45,065
mankind will need to use
when trying to communicate,
616
00:33:45,065 --> 00:33:47,442
not only with
future generations,
617
00:33:47,442 --> 00:33:49,986
but with extraterrestrials.
618
00:33:49,986 --> 00:33:51,446
EDGAR GARCIA:
Pictographs are more than
619
00:33:51,446 --> 00:33:53,073
pretty simplistic pictures.
620
00:33:53,073 --> 00:33:56,243
They are, in fact, another way
of communicating entirely,
621
00:33:56,243 --> 00:34:00,121
not only on Earth, but in
a spacecraft sent to deep space
622
00:34:00,121 --> 00:34:03,124
to communicate
perhaps with beings
623
00:34:03,124 --> 00:34:05,585
we have no idea about
how they speak, write,
624
00:34:05,585 --> 00:34:07,921
or make signification.
625
00:34:10,715 --> 00:34:13,176
NARRATOR:
In 1991,
626
00:34:13,176 --> 00:34:15,303
the United States
Department of Energy
627
00:34:15,303 --> 00:34:17,430
assigned two teams of experts
628
00:34:17,430 --> 00:34:20,308
to the task of devising
a marking system
629
00:34:20,308 --> 00:34:23,687
for the Waste Isolation
Pilot Plant, or WIPP,
630
00:34:23,687 --> 00:34:26,439
a nuclear waste facility
631
00:34:26,439 --> 00:34:29,150
located in the salt beds
of the Delaware Basin,
632
00:34:29,150 --> 00:34:32,737
26 miles east
of Carlsbad, New Mexico.
633
00:34:35,031 --> 00:34:38,201
The project attempted
to find ways of communicating
634
00:34:38,201 --> 00:34:40,161
the hazard of the plant
635
00:34:40,161 --> 00:34:42,622
to humans living
in the distant future,
636
00:34:42,622 --> 00:34:46,459
humans who may have developed
entirely new languages
637
00:34:46,459 --> 00:34:49,504
or other forms of communication.
638
00:34:52,299 --> 00:34:55,385
One prominent member
of the project
639
00:34:55,385 --> 00:34:58,555
was space artist and science
journalist Jon Lomberg.
640
00:35:00,890 --> 00:35:06,646
Lomberg had previously worked on
NASA's 1977 Voyager mission,
641
00:35:06,646 --> 00:35:08,773
helping to determine
what sounds and images
642
00:35:08,773 --> 00:35:11,610
should be included
on a pair of golden discs
643
00:35:11,610 --> 00:35:13,528
being sent into deep space.
644
00:35:15,739 --> 00:35:18,199
They put together
a panel of people
645
00:35:18,199 --> 00:35:20,160
from a wide variety
of backgrounds,
646
00:35:20,160 --> 00:35:23,330
including me as an artist
647
00:35:23,330 --> 00:35:25,248
and as somebody
who had experience
648
00:35:25,248 --> 00:35:27,917
trying to communicate
with extraterrestrials.
649
00:35:27,917 --> 00:35:31,046
The idea being was,
if we can come up with a way
650
00:35:31,046 --> 00:35:34,174
of communicating
with extraterrestrials,
651
00:35:34,174 --> 00:35:37,302
then communicating with humans
10,000 years
652
00:35:37,302 --> 00:35:41,056
or a half a million years away
should be a piece of cake.
653
00:35:43,266 --> 00:35:45,977
NARRATOR: Through their
research, the teams determined
654
00:35:45,977 --> 00:35:49,522
that simple images are
the most universally recognized.
655
00:35:49,522 --> 00:35:55,362
But some can only be understood
when paired with other images.
656
00:35:55,362 --> 00:35:57,906
We knew that there were
certain elements of human art
657
00:35:57,906 --> 00:36:00,867
that had appeared so widely
658
00:36:00,867 --> 00:36:02,702
that you could assume
everybody would understand them.
659
00:36:02,702 --> 00:36:05,497
And they were: the comic strip.
660
00:36:05,497 --> 00:36:09,042
The idea of a series of images
where first this happens,
661
00:36:09,042 --> 00:36:11,252
and then this happens,
and then this happens,
662
00:36:11,252 --> 00:36:12,962
you find that all over,
663
00:36:12,962 --> 00:36:17,050
from ancient Egypt
to the plains tribes
664
00:36:17,050 --> 00:36:19,219
to the Bayeux Tapestry.
665
00:36:19,219 --> 00:36:21,137
The idea of telling
a story with pictures
666
00:36:21,137 --> 00:36:23,515
seems to be something
that everybody knows.
667
00:36:23,515 --> 00:36:28,144
So we used the linear story
and the stick figure
668
00:36:28,144 --> 00:36:31,356
to try to explain
the meaning of symbols
669
00:36:31,356 --> 00:36:35,902
like the poison symbol
or the nuclear radiation trefoil
670
00:36:35,902 --> 00:36:38,113
or the "do not" sign.
671
00:36:38,113 --> 00:36:40,490
None of these are universal,
672
00:36:40,490 --> 00:36:43,118
but they're easily explained
with a little comic strip.
673
00:36:45,161 --> 00:36:48,581
The whole of written human
history is only 5,000 years old.
674
00:36:48,581 --> 00:36:51,626
It's only by the most
incredible efforts
675
00:36:51,626 --> 00:36:54,504
that we're able to read
the earliest human languages.
676
00:36:54,504 --> 00:36:57,090
So trying to guess how people
are going to understand things
677
00:36:57,090 --> 00:37:01,010
10,000 years from now requires
incredibly imaginative thinking.
678
00:37:01,010 --> 00:37:04,639
COLLINS:
Symbols are universal, and thus,
679
00:37:04,639 --> 00:37:06,766
when we're looking
at hieroglyphs
680
00:37:06,766 --> 00:37:09,936
or petroglyphs on rock
681
00:37:09,936 --> 00:37:12,814
or geoglyphs,
682
00:37:12,814 --> 00:37:15,817
we have to also recognize
683
00:37:15,817 --> 00:37:17,944
that there are
universal symbols.
684
00:37:17,944 --> 00:37:21,614
We may look at them today
and not be aware
685
00:37:21,614 --> 00:37:24,075
of exactly what they mean.
686
00:37:24,075 --> 00:37:27,162
Just possibly some of them
687
00:37:27,162 --> 00:37:31,750
could have been influenced
by external sources,
688
00:37:31,750 --> 00:37:35,128
non-terrestrial intelligences,
689
00:37:35,128 --> 00:37:38,631
perhaps even extraterrestrials.
690
00:37:38,631 --> 00:37:42,135
These messages
potentially contain
691
00:37:42,135 --> 00:37:44,179
tremendous knowledge
for humanity.
692
00:37:44,179 --> 00:37:46,264
It could be something
very simple
693
00:37:46,264 --> 00:37:49,058
like "point yourselves
at this particular star system"
694
00:37:49,058 --> 00:37:52,395
or "meet us at this
particular time and place."
695
00:37:52,395 --> 00:37:54,981
And just imagine if
we don't get that message
696
00:37:54,981 --> 00:37:56,775
and don't make that meeting,
697
00:37:56,775 --> 00:37:59,861
or don't look to that
particular star system.
698
00:37:59,861 --> 00:38:02,155
Humanity could be
in the balance.
699
00:38:04,449 --> 00:38:06,618
NARRATOR: Could it be that
the petroglyphs and geoglyphs
700
00:38:06,618 --> 00:38:08,495
found all over the world
701
00:38:08,495 --> 00:38:11,122
are not only examples
of how early humans
702
00:38:11,122 --> 00:38:13,166
communicated with each other,
703
00:38:13,166 --> 00:38:17,170
but their attempt to replicate
a more sophisticated form
704
00:38:17,170 --> 00:38:19,047
of extraterrestrial language?
705
00:38:21,257 --> 00:38:23,718
Ancient astronaut
theorists say yes,
706
00:38:23,718 --> 00:38:26,638
and believe the evidence
can be found
707
00:38:26,638 --> 00:38:29,724
by investigating UFO encounters
in which witnesses
708
00:38:29,724 --> 00:38:32,310
reported seeing
hieroglyphic writing
709
00:38:32,310 --> 00:38:34,187
on alien spacecraft.
710
00:38:40,568 --> 00:38:42,237
NARRATOR:
Rendlesham Forest.
711
00:38:42,237 --> 00:38:44,489
Suffolk County, England.
712
00:38:44,489 --> 00:38:48,159
December 26, 1980.
713
00:38:48,159 --> 00:38:52,330
Near an airbase leased
to the United States Air Force
714
00:38:52,330 --> 00:38:54,123
by the R. A. F.,
715
00:38:54,123 --> 00:38:57,836
strange lights are reported
on the horizon.
716
00:38:57,836 --> 00:39:01,798
Two U. S. servicemen
are dispatched to the site
717
00:39:01,798 --> 00:39:03,800
to investigate what they believe
718
00:39:03,800 --> 00:39:07,470
could be a possible
downed aircraft.
719
00:39:07,470 --> 00:39:12,350
Some U. S. servicemen
at a base called Woodbridge
720
00:39:12,350 --> 00:39:15,353
saw a strange light
over the forest
721
00:39:15,353 --> 00:39:17,564
and went to investigate,
722
00:39:17,564 --> 00:39:23,361
and in a clearing
came across this landed craft.
723
00:39:23,361 --> 00:39:28,074
One of them saw these
strange sequence of symbols
724
00:39:28,074 --> 00:39:30,618
upon the side of it.
725
00:39:30,618 --> 00:39:36,249
The object then rose up
and disappeared out of sight.
726
00:39:38,418 --> 00:39:40,962
What were these hieroglyphs?
727
00:39:40,962 --> 00:39:45,133
Were we meant to see them?
Were we meant to record them?
728
00:39:45,133 --> 00:39:48,887
There are some very famous cases
729
00:39:48,887 --> 00:39:53,099
of hieroglyphs being seen
on the side
730
00:39:53,099 --> 00:39:57,353
of what appeared to be
flying saucers or UFOs.
731
00:39:57,353 --> 00:39:59,856
Another UFO incident
732
00:39:59,856 --> 00:40:04,235
where hieroglyphs were seen
on the side of a strange craft
733
00:40:04,235 --> 00:40:07,906
took place at Kecksburg,
in Pennsylvania.
734
00:40:09,824 --> 00:40:13,995
On December 9, 1965,
a fireball was seen
735
00:40:13,995 --> 00:40:17,290
streaking through the skies
of-of Michigan and Ontario
736
00:40:17,290 --> 00:40:21,461
and then crashing
in Pennsylvania.
737
00:40:21,461 --> 00:40:25,256
And this became known as
the Kecksburg UFO.
738
00:40:25,256 --> 00:40:27,800
But what they said
that they found
739
00:40:27,800 --> 00:40:31,429
on this bell-shaped object
740
00:40:31,429 --> 00:40:36,267
were strange hieroglyphic
writing all along the base,
741
00:40:36,267 --> 00:40:41,189
very similar to the early
pictographs and petroglyphs
742
00:40:41,189 --> 00:40:43,900
and geoglyphs that we find
all over the world.
743
00:40:43,900 --> 00:40:47,904
NARRATOR: Could the details
of these and other UFO reports
744
00:40:47,904 --> 00:40:51,491
provide proof that
the geoglyphs and petroglyphs
745
00:40:51,491 --> 00:40:53,743
found all across the world
746
00:40:53,743 --> 00:40:57,830
were actually inspired by alien
encounters in the distant past?
747
00:41:00,541 --> 00:41:02,502
HEGG: I believe that
one day we will break
748
00:41:02,502 --> 00:41:06,172
the entire code of the
ancient language locked away
749
00:41:06,172 --> 00:41:10,051
in the petroglyphs, geoglyphs,
and even megaliths of the world.
750
00:41:10,051 --> 00:41:12,512
And in it, we may
find information
751
00:41:12,512 --> 00:41:15,807
that is vital to mankind.
752
00:41:15,807 --> 00:41:17,976
When we're really
able to understand
753
00:41:17,976 --> 00:41:19,560
these geoglyphs and petroglyphs,
754
00:41:19,560 --> 00:41:22,939
we may find that there is
a message for us
755
00:41:22,939 --> 00:41:25,483
that we have been
missing all this time.
756
00:41:25,483 --> 00:41:27,276
One day, hopefully,
757
00:41:27,276 --> 00:41:31,489
we will find that knowledge
and know that message.
758
00:41:31,489 --> 00:41:34,575
It may be that there's a sort of
metaphysical time lock
759
00:41:34,575 --> 00:41:37,078
or a timeline for the decoding
760
00:41:37,078 --> 00:41:38,663
of the petroglyphs
and geoglyphs.
761
00:41:38,663 --> 00:41:40,206
Maybe now is the time
762
00:41:40,206 --> 00:41:43,459
for us to fully understand
what those messages are.
763
00:41:43,459 --> 00:41:47,672
NARRATOR: Perhaps the keys
to breaking the alien code
764
00:41:47,672 --> 00:41:51,175
are all around us, and have been
hiding in plain sight
765
00:41:51,175 --> 00:41:54,220
for thousands of years.
766
00:41:54,220 --> 00:41:58,266
All we need to do to unlock
their mystery is to see them
767
00:41:58,266 --> 00:42:02,854
from the same perspective as
our extraterrestrial ancestors.
768
00:42:02,854 --> 00:42:05,773
We must look at them
from the sky.
769
00:42:05,773 --> 00:42:07,773
�gmoov lmvhd ����
62664
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