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These are the user uploaded subtitles that are being translated: 1 00:00:04,238 --> 00:00:07,007 {\an7}Narrator: IT’S NIGHT \h\hAT THE MUSEUM. 2 00:00:07,107 --> 00:00:10,611 {\an7}INSIDE THE SMITHSONIAN INSTITUTION IN WASHINGTON, 3 00:00:10,644 --> 00:00:13,647 {\an7}THE LAST VISITOR HAS LEFT. 4 00:00:13,680 --> 00:00:16,016 {\an7}THE DINOSAURS ARE ALONE. 5 00:00:16,183 --> 00:00:21,822 {\an7}THE NORTH ATLANTIC RIGHT WHALE HAS ONLY GUARDS FOR COMPANY. 6 00:00:21,855 --> 00:00:26,493 {\an7}\h\h\h\h\h\h\h\hBUT ON THIS NIGHT, SOMETHING STRANGE IS HAPPENING. 7 00:00:26,527 --> 00:00:30,031 {\an7}THE MOST FAMOUS AND MYSTERIOUS DIAMOND IN THE WORLD 8 00:00:30,063 --> 00:00:33,900 {\an7}\h\h\h\hIS BEING TAKEN FROM ITS BOMB-PROOF CABINET. 9 00:00:33,934 --> 00:00:37,871 {\an7}\h\hTHE HOPE DIAMOND, AT 45.5 CARATS, 10 00:00:37,905 --> 00:00:41,308 {\an7}THE BIGGEST DEEP BLUE DIAMOND \h\h\h\h\h\h\h\hEVER DISCOVERED, 11 00:00:41,341 --> 00:00:46,813 {\an7}IS ABOUT TO GO UNDER THE DRILL TO REVEAL ITS INNER SECRETS. 12 00:00:46,847 --> 00:00:50,484 {\an7}HUNDREDS OF MILLIONS OF ATOMS \h\h\h\hWILL BE BLASTED OUT OF IT 13 00:00:50,517 --> 00:00:51,918 {\an7}AND OPEN UP A WINDOW 14 00:00:51,952 --> 00:00:57,524 {\an7}\h\h\h\hINTO A WORLD OVER A BILLION YEARS OLD. 15 00:00:57,558 --> 00:00:58,759 {\an7}Man: THE HOPE DIAMOND 16 00:00:58,859 --> 00:01:01,829 {\an7}\h\hIS ONE OF THE WORLD’S MOST UNIQUE CREATIONS. 17 00:01:01,862 --> 00:01:03,330 {\an7}IT’S A LITTLE BIT LIKE A METEORITE 18 00:01:03,363 --> 00:01:05,365 {\an7}THAT’S FALLEN TO THE EARTH \h\h\h\h\h\hFROM OUTER SPACE. 19 00:01:05,399 --> 00:01:07,401 {\an7}Narrator: THE HOPE DIAMOND \h\hDOES NOT JUST CONTAIN 20 00:01:07,434 --> 00:01:08,969 {\an7}A SCIENTIFIC MYSTERY. 21 00:01:09,002 --> 00:01:12,439 {\an7}IT HAS ALSO SPAWNED A LEGENDARY CURSE. 22 00:01:12,472 --> 00:01:14,107 {\an7}\h\hWoman: IT’S GOT THIS FABULOUSLY COMPLICATED 23 00:01:14,141 --> 00:01:15,676 {\an7}AND DRAMATIC HISTORY. 24 00:01:15,709 --> 00:01:18,212 {\an7}\h\h\h\hTHERE ARE SO MANY TWISTS AND TURNS AND DRAMATIC EVENTS 25 00:01:18,378 --> 00:01:20,513 {\an7}AND HORRIBLE DEATHS ALONG THE WAY. 26 00:01:20,647 --> 00:01:22,449 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: BEHIND THE HOPE DIAMOND 27 00:01:22,482 --> 00:01:25,952 {\an7}LIES THE GREATEST JEWEL ROBBERY IN HISTORY, 28 00:01:26,086 --> 00:01:30,457 {\an7}A GLITTERING AMERICAN HEIRESS \h\h\h\h\h\h\h\hSTRUCK BY TRAGEDY 29 00:01:30,657 --> 00:01:33,793 {\an7}AND AN EXECUTED KING AND QUEEN. 30 00:01:33,827 --> 00:01:37,497 {\an7}Man: THE IDEA THAT HERE’S \h\h\h\hTHIS DIAMOND 31 00:01:37,531 --> 00:01:41,101 {\an7}THAT HAS TOUCHED THE NECK OF MARIE ANTOINETTE, 32 00:01:41,134 --> 00:01:44,037 {\an7}\h\hTHAT WAS STOLEN FROM AN IDOL IN INDIA 33 00:01:44,104 --> 00:01:47,240 {\an7}AND HAS THIS MAGICAL POWER. 34 00:01:47,274 --> 00:01:48,575 {\an7}Narrator: FOR HALF A CENTURY 35 00:01:48,609 --> 00:01:51,846 {\an7}\h\hTHE HOPE DIAMOND HAS BEEN AMERICA’S CROWN JEWEL. 36 00:01:51,878 --> 00:01:54,013 {\an7}NOW, TO MARK THE ANNIVERSARY, 37 00:01:54,114 --> 00:01:56,249 {\an7}MASTER CRAFTSMEN AT HARRY WINSTON 38 00:01:56,350 --> 00:02:01,288 {\an7}\h\h\h\h\h\hARE CREATING A NEW SETTING SELECTED BY THE AMERICAN PEOPLE. 39 00:02:04,358 --> 00:02:06,527 {\an7}Man: WHEN YOU LOOK AT THE HOPE, YOU ARE NOT THE SAME. 40 00:02:06,560 --> 00:02:09,963 {\an7}THIS TRANSFORMS YOUR VISION INTO THE WORLD OF GEMS. 41 00:02:09,997 --> 00:02:12,299 {\an7}\h\h\h\hNarrator: THIS IS THE ASTONISHING STORY 42 00:02:12,332 --> 00:02:14,501 {\an7}OF THE HOPE DIAMOND. 43 00:02:26,113 --> 00:02:27,982 {\an7}Narrator: THE NATIONAL MUSEUM \h\h\h\h\h\hOF NATURAL HISTORY 44 00:02:28,081 --> 00:02:31,484 {\an7}IN WASHINGTON, D.C. 45 00:02:31,518 --> 00:02:35,856 {\an7}HERE, PROTECTED BY A THICK LAYER OF BULLET AND BOMB-PROOF GLASS, 46 00:02:35,889 --> 00:02:38,825 {\an7}LIES THE MOST VISITED EXHIBIT \h\h\h\h\h\hON THE PLANET. 47 00:02:38,992 --> 00:02:42,996 {\an7}\h\hIT ATTRACTS ABOUT AS MANY VISITORS AS THE MONA LISA. 48 00:02:43,130 --> 00:02:46,600 {\an7}WHAT MAKES THE HOPE DIAMOND SO SPECIAL AND ALLURING 49 00:02:46,633 --> 00:02:48,068 {\an7}IS ITS UNIQUE COMBINATION 50 00:02:48,101 --> 00:02:53,306 {\an7}OF SIZE, NEAR PERFECT CLARITY \h\h\h\hAND DEEP BLUE COLOR. 51 00:02:53,340 --> 00:02:55,542 {\an7}\h\hIT TOWERS OVER THE SINGLE CARAT DIAMOND 52 00:02:55,575 --> 00:02:58,344 {\an7}TYPICAL OF AN ENGAGEMENT RING, 53 00:02:58,378 --> 00:03:01,548 {\an7}BUT THE HOPE ALSO CONTAINS ONE MYSTERIOUS PROPERTY 54 00:03:01,581 --> 00:03:02,882 {\an7}THAT IS THE SUBJECT 55 00:03:02,916 --> 00:03:06,086 {\an7}\h\hOF A LONG RUNNING SCIENTIFIC PUZZLE. 56 00:03:09,489 --> 00:03:12,258 {\an7}ONE NIGHT IN THE LATE 1960s, 57 00:03:12,292 --> 00:03:13,894 {\an7}SCIENTISTS IN SOUTH AFRICA 58 00:03:13,927 --> 00:03:17,497 {\an7}PLACED THE HOPE DIAMOND \h\hUNDER ULTRAVIOLET LIGHT. 59 00:03:17,531 --> 00:03:19,733 {\an7}NOTHING HAPPENED... 60 00:03:19,766 --> 00:03:22,202 {\an7}UNTIL THE LIGHT \h\hWAS SWITCHED OFF. 61 00:03:22,335 --> 00:03:26,973 {\an7}\hINCREDIBLY, THE DIAMOND EMITTED AN ALMOST SUPERNATURAL RED GLOW. 62 00:03:27,007 --> 00:03:29,376 {\an7}IT CONTINUED TO GLOW \h\hFOR UP TO A MINUTE, 63 00:03:29,409 --> 00:03:32,479 {\an7}AN EFFECT NEVER SEEN BEFORE. 64 00:03:32,512 --> 00:03:36,549 {\an7}\h\h\h\h\h\hDR. JEFFREY POST, CURATOR OF THE NATIONAL GEM COLLECTION, 65 00:03:36,717 --> 00:03:40,087 {\an7}HAS STUDIED THE HOPE \h\h\h\hFOR TWO DECADES. 66 00:03:40,120 --> 00:03:43,991 {\an7}Post: THIS GLOW WAS SOMETHING THAT CLUED US IN TO THE IDEA 67 00:03:44,024 --> 00:03:47,027 {\an7}THAT THERE HAD TO BE SOMETHING ABOUT THIS DIAMOND 68 00:03:47,127 --> 00:03:50,163 {\an7}THAT MADE IT DIFFERENT \h\hTHAN MOST OTHER DIAMONDS. 69 00:03:50,197 --> 00:03:54,101 {\an7}WE’VE NEVER SEEN THIS INTENSITY IN ANY OTHER DIAMOND. 70 00:03:55,969 --> 00:03:57,671 {\an7}Narrator: BUT WHAT WAS \h\h\h\hTHAT SOMETHING 71 00:03:57,704 --> 00:04:00,840 {\an7}CREATING THIS MYSTERIOUS \h\h\h\h\h\h\h\hRED GLOW? 72 00:04:00,874 --> 00:04:03,944 {\an7}SOME BELIEVED THE ANSWER COULD BE FOUND IN HISTORY 73 00:04:03,977 --> 00:04:08,181 {\an7}OR EVEN IN LEGEND. 74 00:04:08,215 --> 00:04:10,617 {\an7}BUT FOR THE SMITHSONIAN’S \h\h\h\h\h\h\h\hEXPERTS, 75 00:04:10,650 --> 00:04:14,387 {\an7}\h\h\h\h\h\h\h\h\h\hIT WAS A QUESTION THAT ONLY SCIENCE COULD SOLVE. 76 00:04:14,421 --> 00:04:16,089 {\an7}\h\h\h\hTHE FIRST STAGE OF THEIR INVESTIGATION 77 00:04:16,123 --> 00:04:18,659 {\an7}WAS TO GO BACK IN TIME, 78 00:04:18,759 --> 00:04:24,265 {\an7}\h\h\h\hTO PLANET EARTH BILLIONS OF YEARS AGO. 79 00:04:24,297 --> 00:04:26,766 {\an7}WHAT EVENTUALLY BECAME \h\h\h\h\h\hTHE HOPE DIAMOND 80 00:04:26,800 --> 00:04:28,068 {\an7}WAS FIRST CREATED 81 00:04:28,101 --> 00:04:31,938 {\an7}AROUND 100 MILES BELOW \h\hTHE SURFACE OF THE EARTH 82 00:04:31,972 --> 00:04:35,309 {\an7}IN A LAYER CALLED THE UPPER MANTLE. 83 00:04:35,408 --> 00:04:37,010 {\an7}LIKE EVERY OTHER DIAMOND, 84 00:04:37,043 --> 00:04:40,813 {\an7}IT BEGAN LIFE AS A CLUSTER \h\h\h\h\h\hOF CARBON ATOMS. 85 00:04:40,847 --> 00:04:42,716 {\an7}UNDER EXTREME PRESSURE AND HEAT, 86 00:04:42,749 --> 00:04:47,654 {\an7}THE ATOMS FORMED INTO THE RIGID CRYSTAL STRUCTURE OF DIAMOND. 87 00:04:47,687 --> 00:04:49,289 {\an7}BUT TO GET TO THE SURFACE, 88 00:04:49,389 --> 00:04:52,659 {\an7}A DIAMOND HAS TO SURVIVE \h\hA PERILOUS JOURNEY. 89 00:04:55,729 --> 00:04:57,731 {\an7}\h\hPost: THE DIAMOND IS A PASSENGER. 90 00:04:57,764 --> 00:05:00,634 {\an7}\h\hWE’VE GOT MOLTEN MAGMA THAT’S NOW PUSHING, ERUPTING 91 00:05:00,667 --> 00:05:02,002 {\an7}TOWARDS THE SURFACE \h\hOF THE EARTH. 92 00:05:02,035 --> 00:05:03,904 {\an7}IT CARRIES THE DIAMOND WITH IT. 93 00:05:03,937 --> 00:05:05,972 {\an7}NOW THIS ERUPTION IS SO VIOLENT, 94 00:05:06,006 --> 00:05:07,875 {\an7}IT GETS TO THE SURFACE \h\h\h\h\h\hOF THE EARTH 95 00:05:07,908 --> 00:05:09,443 {\an7}IN A MATTER OF A FEW HOURS. 96 00:05:09,609 --> 00:05:12,879 {\an7}THESE DIAMONDS ARE TRAVELING \h\h\h\hAT 30, 40 MILES PER HOUR. 97 00:05:12,913 --> 00:05:15,315 {\an7}THE DIAMOND COULD HAVE BEEN DESTROYED DURING THIS. 98 00:05:15,348 --> 00:05:17,984 {\an7}IF THE DIAMOND TRAVELED TOO SLOWLY TO THE SURFACE, 99 00:05:18,018 --> 00:05:20,153 {\an7}IT WOULD CHANGE FROM DIAMOND \h\h\h\h\h\h\h\hTO GRAPHITE. 100 00:05:20,187 --> 00:05:21,922 {\an7}AGAIN, THE DIAMOND WOULD BE DESTROYED. 101 00:05:21,955 --> 00:05:23,356 {\an7}YOU KNOW, MAYBE \h\hONE IN A MILLION, 102 00:05:23,390 --> 00:05:24,691 {\an7}ONE IN A BILLION DIAMONDS \h\hTHAT ARE DOWN THERE 103 00:05:24,791 --> 00:05:26,826 {\an7}ACTUALLY MAKE IT TO THE SURFACE. 104 00:05:29,996 --> 00:05:31,464 {\an7}\h\h\h\h\h\h\h\hNarrator: AFTER THE DIAMOND CRYSTAL 105 00:05:31,498 --> 00:05:33,500 {\an7}SURVIVED ITS JOURNEY \h\hTO THE SURFACE, 106 00:05:33,533 --> 00:05:36,469 {\an7}THE MOLTEN ROCK COOLED \h\h\h\hAND SOLIDIFIED, 107 00:05:36,570 --> 00:05:39,239 {\an7}ENTOMBING THE DIAMOND. 108 00:05:39,272 --> 00:05:43,309 {\an7}\h\h\h\h\h\hOVER MILLIONS OF YEARS, THE MOLTEN VOLCANIC ROCK ERODED, 109 00:05:43,343 --> 00:05:45,846 {\an7}RELEASING THE DIAMOND TO BE WASHED ALONG RIVERS 110 00:05:45,879 --> 00:05:48,281 {\an7}IN THE SUB-CONTINENT OF INDIA, 111 00:05:48,315 --> 00:05:52,753 {\an7}FINALLY COMING TO REST \h\h\h\hIN GRAVEL DEPOSITS. 112 00:05:52,786 --> 00:05:56,056 {\an7}\h\hAND THAT WAS WHERE, IN THE MID 17th CENTURY, 113 00:05:56,089 --> 00:06:00,026 {\an7}\h\hHUMAN EYES FIRST GAZED UPON THE LARGEST DEEP BLUE DIAMOND 114 00:06:00,060 --> 00:06:02,396 {\an7}THE WORLD HAS EVER SEEN. 115 00:06:04,130 --> 00:06:09,469 {\an7}THE HOPE DIAMOND WAS ABOUT TO EMBARK ON A 350-YEAR JOURNEY. 116 00:06:09,502 --> 00:06:11,170 {\an7}IT WOULD POSE A SET OF RIDDLES 117 00:06:11,271 --> 00:06:16,476 {\an7}ENCOMPASSING SCIENCE, HISTORY \h\hAND A LEGENDARY CURSE. 118 00:06:21,214 --> 00:06:23,783 {\an7}\h\h\h\hBUT IT WASN’T UNTIL THE EARLY 20th CENTURY 119 00:06:23,817 --> 00:06:26,353 {\an7}THAT THE STORY OF A CURSE \h\h\h\hFIRST EMERGED 120 00:06:26,386 --> 00:06:28,788 {\an7}\h\h\h\h\h\hAND CAPTURED THE PUBLIC IMAGINATION. 121 00:06:28,822 --> 00:06:32,793 {\an7}\h\h\h\hAT THE CENTER OF EVENTS WAS A FAMOUS AMERICAN HEIRESS-- 122 00:06:32,826 --> 00:06:36,396 {\an7}EVALYN WALSH McLEAN. 123 00:06:36,429 --> 00:06:37,931 {\an7}1910. 124 00:06:37,964 --> 00:06:41,034 {\an7}EVALYN AND HER HUSBAND NED \h\hARE ON VACATION IN PARIS. 125 00:06:41,067 --> 00:06:42,302 {\an7}THEY RECEIVE A VISIT 126 00:06:42,335 --> 00:06:44,604 {\an7}FROM ONE OF THE WORLD’S MOST FAMOUS JEWELERS-- 127 00:06:44,638 --> 00:06:46,240 {\an7}PIERRE CARTIER-- 128 00:06:46,273 --> 00:06:50,444 {\an7}\h\hA MAN ON CONSTANT LOOKOUT FOR WEALTHY CUSTOMERS. 129 00:06:50,477 --> 00:06:53,647 {\an7}CARTIER TELLS EVALYN \h\h\h\hAN AMAZING STORY. 130 00:06:53,680 --> 00:06:55,749 {\an7}HE’S RECENTLY ACQUIRED A DIAMOND 131 00:06:55,782 --> 00:06:58,952 {\an7}OF UNPARALLELED COLOR, SIZE \h\h\h\h\h\h\h\hAND BEAUTY 132 00:06:58,985 --> 00:07:03,990 {\an7}AND WITH A HISTORY TO SEND \h\hSHIVERS UP THE SPINE. 133 00:07:04,024 --> 00:07:06,827 {\an7}THE EXPLORER WHO DISCOVERED IT, HE SAYS, 134 00:07:06,860 --> 00:07:09,296 {\an7}STOLE IT FROM THE EYE \h\hOF A HINDU GODDESS 135 00:07:09,329 --> 00:07:11,131 {\an7}IN AN INDIAN TEMPLE. 136 00:07:11,164 --> 00:07:15,568 {\an7}HE WAS THEN RIPPED APART \h\h\h\hBY WILD DOGS. 137 00:07:15,602 --> 00:07:17,771 {\an7}\h\h\h\h\h\h\h\hEVER SINCE, THERE HAS BEEN A CURSE 138 00:07:17,804 --> 00:07:20,240 {\an7}ON WHOEVER OWNED THE DIAMOND. 139 00:07:20,273 --> 00:07:24,844 {\an7}A FRENCH QUEEN WORE IT AND WAS BEHEADED AT THE GUILLOTINE. 140 00:07:24,878 --> 00:07:28,215 {\an7}\h\h\h\hTHE NEXT OWNERS, ONE OF THE RICHEST FAMILIES IN EUROPE, 141 00:07:28,248 --> 00:07:31,418 {\an7}\h\h\h\hWERE PLUNGED INTO FINANCIAL RUIN. 142 00:07:31,451 --> 00:07:33,720 {\an7}BUT FAR FROM SCARING \h\h\h\hEVALYN AWAY, 143 00:07:33,887 --> 00:07:35,122 {\an7}PIERRE CARTIER’S STORY 144 00:07:35,155 --> 00:07:37,658 {\an7}ONLY WHETS HER DESIRE \h\h\h\hFOR THE DIAMOND. 145 00:07:37,691 --> 00:07:40,727 {\an7}\h\hRichard Kurin: EVALYN WAS TOTALLY TAKEN \h\hBY CARTIER’S STORY, 146 00:07:40,827 --> 00:07:42,796 {\an7}I THINK SHE WAS \h\hENTRANCED BY HIM. 147 00:07:42,829 --> 00:07:45,965 {\an7}CARTIER STAGE-MANAGED IT \h\hSO BEAUTIFULLY, 148 00:07:45,999 --> 00:07:47,334 {\an7}SO HE WAS TELLING THE STORY 149 00:07:47,367 --> 00:07:50,270 {\an7}\h\h\h\h\h\hAND ALL THE TIME HOLDING IN FRONT OF HIM 150 00:07:50,303 --> 00:07:54,107 {\an7}\h\hTHIS PACKAGE WITH THE DIAMOND IN IT. 151 00:07:54,207 --> 00:07:57,944 {\an7}Narrator: FOR CARTIER, \h\hEVALYN IS A PRIME CATCH. 152 00:07:57,978 --> 00:08:00,614 {\an7}SHE AGREES TO A DEAL-- 153 00:08:00,647 --> 00:08:05,118 {\an7}SHE’LL BUY THE HOPE DIAMOND \h\h\h\h\h\hFOR $180,000, 154 00:08:05,151 --> 00:08:08,087 {\an7}OVER $4 MILLION \h\hIN TODAY’S MONEY. 155 00:08:08,254 --> 00:08:10,523 {\an7}BUT THERE’S ONE PROVISO-- 156 00:08:10,557 --> 00:08:12,793 {\an7}IF THE LEGENDARY CURSE \h\hBRINGS ANYTHING TERRIBLE 157 00:08:12,826 --> 00:08:15,362 {\an7}WITHIN THE NEXT SIX MONTHS, 158 00:08:15,395 --> 00:08:19,399 {\an7}SHE’LL GET HER MONEY BACK. 159 00:08:19,432 --> 00:08:22,468 {\an7}EVALYN REVELED IN HER DIAMOND. 160 00:08:24,037 --> 00:08:26,907 {\an7}Kurin: SO HERE’S EVALYN \h\h\h\hAT HOME WEARING... 161 00:08:27,007 --> 00:08:31,345 {\an7}SHE’S WEARING A GEM \h\hAROUND HER NECK. 162 00:08:31,378 --> 00:08:33,680 {\an7}AND THERE’S THE HOPE. 163 00:08:33,713 --> 00:08:35,582 {\an7}SHE LOVED THE CAMERA. 164 00:08:35,615 --> 00:08:38,585 {\an7}SHE’D BECOME HER OWN \h\h\h\hKIND OF DIRECTOR. 165 00:08:38,618 --> 00:08:40,487 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: EVALYN WALSH McLEAN’S LIFE 166 00:08:40,620 --> 00:08:43,223 {\an7}\h\hHAD BEEN A TRUE RAGS-TO-RICHES STORY. 167 00:08:43,256 --> 00:08:45,425 {\an7}SHE WAS BORN IN 1886, 168 00:08:45,525 --> 00:08:49,863 {\an7}\h\hTHE DAUGHTER OF A GOLD MINER WHO STRUCK IT RICH IN COLORADO. 169 00:08:49,896 --> 00:08:53,400 {\an7}\h\h\h\h\h\hAT THE AGE OF 22, EVALYN MARRIED NED McLEAN, 170 00:08:53,433 --> 00:08:56,303 {\an7}WHOSE FAMILY OWNED BANKS, \h\h\h\h\h\hA RAILROAD 171 00:08:56,336 --> 00:08:59,105 {\an7}AND THE WASHINGTON POST \h\h\h\h\h\h\h\hNEWSPAPER. 172 00:08:59,205 --> 00:09:02,175 {\an7}\h\h\h\h\h\hBUYING THE HOPE DIAMOND WAS THE MOST EXCITING MOMENT YET 173 00:09:02,208 --> 00:09:05,778 {\an7}IN THE SPECTACULAR LIFE \h\h\h\hOF EVALYN AND NED. 174 00:09:05,812 --> 00:09:09,983 {\an7}Kurin: THEY LIVED A VERY OPULENT LIFE, HAD EVERYTHING. 175 00:09:10,016 --> 00:09:14,454 {\an7}THEY EVEN BUILT GOLF HOLES \h\h\h\h\h\hWHEN NED BECAME-- 176 00:09:14,487 --> 00:09:18,057 {\an7}\h\hWAS CLOSE TO SENATOR AND THEN PRESIDENT HARDING. 177 00:09:18,091 --> 00:09:20,760 {\an7}SHE HAD FOUNTAINS AT THE ESTATE, SO THESE WERE-- 178 00:09:20,794 --> 00:09:26,033 {\an7}THIS WAS LIKE BEING IN A MASSIVE HOLLYWOOD MOVIE IN A WAY. 179 00:09:28,468 --> 00:09:31,037 {\an7}\h\hNarrator: EVALYN OWNED MANY HOUSES. 180 00:09:31,137 --> 00:09:33,973 {\an7}THE LARGEST ONE STILL STANDING IS A FABULOUS MANSION 181 00:09:34,007 --> 00:09:36,042 {\an7}\h\h\h\hWHICH WAS ONCE THE MOST EXPENSIVE PROPERTY 182 00:09:36,076 --> 00:09:38,512 {\an7}IN WASHINGTON, D.C. 183 00:09:38,545 --> 00:09:41,615 {\an7}TODAY, IT’S THE HOME OF THE INDONESIAN EMBASSY 184 00:09:41,781 --> 00:09:44,284 {\an7}AND EVALYN’S GREAT-GRANDSON, \h\h\h\h\h\hJOSEPH GREGORY, 185 00:09:44,384 --> 00:09:48,688 {\an7}HAS COME TO VISIT. 186 00:09:48,721 --> 00:09:50,790 {\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h\hGregory: \h\h\h\h\h\hWHEN YOU FIRST WALK INTO THE ENTRY HALLWAY OF THE HOUSE, 187 00:09:50,824 --> 00:09:52,259 {\an7}YOU SEE THE TIFFANY GLASS 188 00:09:52,292 --> 00:09:54,027 {\an7}THAT’S IN THE MIDDLE OF THE ENTRY HALLWAY. 189 00:09:54,060 --> 00:09:56,563 {\an7}NOW, HOW MANY PEOPLE \h\h\h\hDURING THAT TIME 190 00:09:56,596 --> 00:09:58,198 {\an7}WOULD HAVE SOMETHING LIKE THAT? 191 00:09:58,298 --> 00:09:59,533 {\an7}NOT EVEN THE PRESIDENT \h\hOF THE UNITED STATES 192 00:09:59,566 --> 00:10:02,636 {\an7}\h\h\h\hCOULD AFFORD SOMETHING LIKE THAT. 193 00:10:02,702 --> 00:10:04,604 {\an7}\h\h\h\h\h\h\h\hNarrator: CELEBRITIES, POLITICIANS, 194 00:10:04,637 --> 00:10:07,540 {\an7}EVEN THE AMERICAN PRESIDENT, \h\h\h\h\h\hWARREN G. HARDING, 195 00:10:07,574 --> 00:10:10,077 {\an7}ALL FLOCKED TO EVALYN’S PARTIES, 196 00:10:10,110 --> 00:10:13,113 {\an7}\h\hKNOWING THEY WERE IN FOR AN UNFORGETTABLE NIGHT 197 00:10:13,146 --> 00:10:15,815 {\an7}WITH THE HOPE DIAMOND \h\h\h\hAT THE CENTER 198 00:10:15,915 --> 00:10:19,018 {\an7}ON A MOST UNUSUAL MODEL. 199 00:10:19,052 --> 00:10:21,888 {\an7}Kurin: SHE HAD A GREAT DANE \h\h\h\h\h\h\h\hNAMED MIKE, 200 00:10:21,988 --> 00:10:25,191 {\an7}\h\hAND MIKE WOULD SOMETIMES WEAR THE HOPE DIAMOND. 201 00:10:31,464 --> 00:10:33,900 {\an7}Narrator: EVALYN NEVER BELIEVED THAT THE HOPE DIAMOND CURSE 202 00:10:33,933 --> 00:10:36,135 {\an7}WOULD STRIKE HER. 203 00:10:36,169 --> 00:10:39,873 {\an7}\h\hBUT NEARLY 10 YEARS AFTER SHE FIRST LAID EYES ON THE DIAMOND, 204 00:10:39,906 --> 00:10:42,575 {\an7}HER FAIRYTALE LIFE WOULD BE SHATTERED. 205 00:10:42,609 --> 00:10:45,645 {\an7}\h\hDEATH AND DISASTER WOULD STRIKE HER FAMILY. 206 00:10:45,678 --> 00:10:48,080 {\an7}IT WAS A SERIES OF EVENTS \h\h\h\hTHAT WOULD CEMENT 207 00:10:48,114 --> 00:10:51,818 {\an7}\h\h\h\hTHE IDEA OF A CURSE IN THE POPULAR IMAGINATION. 208 00:10:55,421 --> 00:10:57,623 {\an7}WAS THERE SOMETHING STRANGE \h\h\h\hOR SUPERNATURAL 209 00:10:57,657 --> 00:11:00,293 {\an7}ABOUT THE HOPE DIAMOND? 210 00:11:00,426 --> 00:11:03,029 {\an7}\h\h\h\h\h\h\h\hCOULD IT BE RELATED TO THE MYSTERIOUS RED AFTERGLOW 211 00:11:03,062 --> 00:11:06,866 {\an7}THAT SCIENTISTS FIRST NOTICED \h\h\h\h\h\h\h\hIN THE 1960s? 212 00:11:09,736 --> 00:11:12,806 {\an7}\h\hPost: LOOKS VERY MUCH LIKE A GLOWING EMBER, FOR EXAMPLE, 213 00:11:12,839 --> 00:11:14,240 {\an7}IN A BARBECUE GRILL AT NIGHT. 214 00:11:14,274 --> 00:11:15,709 {\an7}YOU LOOK AT THESE GLOWING COALS, 215 00:11:15,742 --> 00:11:20,113 {\an7}AND THAT’S REALLY WHAT THE DIAMOND REMINDS ME OF. 216 00:11:20,146 --> 00:11:22,181 {\an7}Narrator: SMITHSONIAN SCIENTISTS WERE BEGINNING TO THINK 217 00:11:22,215 --> 00:11:23,883 {\an7}OF A DARING EXPERIMENT 218 00:11:23,983 --> 00:11:25,985 {\an7}\h\h\h\hWHICH THEY HOPED WOULD SHOW THE WORLD 219 00:11:26,019 --> 00:11:27,687 {\an7}THAT THE RIDDLE OF THE RED GLOW 220 00:11:27,720 --> 00:11:31,724 {\an7}WAS A MATTER OF SCIENCE, \h\h\h\hNOT SUPERSTITION. 221 00:11:34,894 --> 00:11:36,763 {\an7}BUT WHILE SCIENCE WOULD BE ONE TOOL 222 00:11:36,796 --> 00:11:38,698 {\an7}TO INVESTIGATE THE DIAMOND, 223 00:11:38,731 --> 00:11:40,600 {\an7}HISTORY WOULD BE ANOTHER. 224 00:11:49,475 --> 00:11:51,744 {\an7}\h\h\h\h\h\hWAS THERE EVIDENCE IN THE HOPE DIAMOND’S JOURNEY 225 00:11:51,878 --> 00:11:55,648 {\an7}TO SUPPORT THE IDEA OF A CURSE? 226 00:11:55,748 --> 00:12:01,320 {\an7}\h\h\h\hWHAT WAS FACT AND WHAT WAS LEGEND? 227 00:12:01,354 --> 00:12:02,989 {\an7}ONE THING WAS CERTAIN-- 228 00:12:03,022 --> 00:12:04,891 {\an7}IN THE MID 17TH CENTURY, 229 00:12:04,924 --> 00:12:08,461 {\an7}\h\hA FRENCH EXPLORER, JEAN BAPTISTE TAVERNIER, 230 00:12:08,494 --> 00:12:10,696 {\an7}TRAVELED TO AN ANCIENT KINGDOM IN INDIA 231 00:12:10,730 --> 00:12:13,733 {\an7}IN SEARCH OF PRECIOUS GEMSTONES. 232 00:12:13,766 --> 00:12:17,403 {\an7}AT THAT TIME, INDIA WAS THE ONLY PLACE IN THE WORLD 233 00:12:17,437 --> 00:12:21,074 {\an7}\h\hWHERE DIAMONDS HAD BEEN DISCOVERED. 234 00:12:21,107 --> 00:12:23,309 {\an7}HISTORIAN OMAR KHALIDI 235 00:12:23,343 --> 00:12:26,346 {\an7}HAS STUDIED TAVERNIER’S OWN ACCOUNT OF HIS TRAVELS 236 00:12:26,379 --> 00:12:29,382 {\an7}TO A PLACE CALLED GOLKONDA. 237 00:12:29,415 --> 00:12:32,418 {\an7}\h\hKhalidi: IT WAS A TIME WHEN THE KINGDOM OF GOLKONDA 238 00:12:32,452 --> 00:12:34,921 {\an7}WAS AT THE HEIGHT OF ITS PROSPERITY 239 00:12:34,954 --> 00:12:38,758 {\an7}\h\h\h\hAND THE CENTER OF THE WORLD GEM TRADE, 240 00:12:38,791 --> 00:12:42,662 {\an7}\h\h\h\hAND THE PURPOSE OF TAVERNIER’S JOURNEY 241 00:12:42,729 --> 00:12:50,237 {\an7}\h\h\h\hWAS TO BUY DIAMONDS FOR THE ROYALTY AND NOBILITY OF FRANCE. 242 00:12:50,270 --> 00:12:52,372 {\an7}Narrator: TAVERNIER WRITES \h\hOF VISITING A TEMPLE 243 00:12:52,472 --> 00:12:55,976 {\an7}CONTAINING A LARGE HINDU IDOL. 244 00:12:56,009 --> 00:12:58,144 {\an7}Tavernier: "THE GREAT IDOL \h\h\h\h\h\hON THE ALTAR 245 00:12:58,177 --> 00:13:00,913 {\an7}HAS TWO DIAMONDS FOR HIS EYES, 246 00:13:01,014 --> 00:13:02,983 {\an7}AND THE SMALLEST OF THESE DIAMONDS 247 00:13:03,016 --> 00:13:06,019 {\an7}WEIGHS ABOUT 40 CARATS." 248 00:13:06,052 --> 00:13:08,688 {\an7}Narrator: TAVERNIER THEN RELATES AN EXTRAORDINARY STORY 249 00:13:08,721 --> 00:13:10,122 {\an7}OF A LOCAL JEWELER 250 00:13:10,156 --> 00:13:13,493 {\an7}WHO EXTRACTED A DIAMOND FROM ONE OF THE IDOL’S EYES 251 00:13:13,526 --> 00:13:15,428 {\an7}AND WAS HORRIBLY PUNISHED. 252 00:13:15,461 --> 00:13:17,663 {\an7}Tavernier: "AS HE WAS ABOUT \h\hTO LEAVE IN THE MORNING, 253 00:13:17,697 --> 00:13:21,100 {\an7}THIS THIEF, THEY SAY, \h\h\h\hDIED AT THE DOOR 254 00:13:21,134 --> 00:13:23,870 {\an7}AND THE IDOL PERFORMED \h\h\h\h\h\hTHIS MIRACLE 255 00:13:23,903 --> 00:13:27,106 {\an7}AS A PUNISHMENT OF SACRILEGE." 256 00:13:27,140 --> 00:13:30,810 {\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h\hNarrator: \h\h\h\hMANY INDIANS BELIEVED THAT DIAMONDS HAD INHERENT QUALITIES 257 00:13:30,843 --> 00:13:35,014 {\an7}WHICH, DEPENDING ON THEIR COLOR, COULD SIGNAL DANGER. 258 00:13:35,048 --> 00:13:38,618 {\an7}\h\hKhalidi: DIAMONDS HAD SIGNIFICANCE BEYOND WEALTH. 259 00:13:38,651 --> 00:13:42,922 {\an7}WHITE DIAMONDS WERE SIGNS \h\hOF PROSPERITY; 260 00:13:42,955 --> 00:13:46,826 {\an7}RED DIAMONDS WERE ASSOCIATED \h\h\h\h\h\h\h\hWITH BRAVERY; 261 00:13:46,859 --> 00:13:52,031 {\an7}WHEREAS THE BLUE DIAMONDS \h\hWERE ASSOCIATED 262 00:13:52,065 --> 00:13:57,203 {\an7}WITH MISFORTUNES, ILL OMEN, BAD LUCK AND SO FORTH. 263 00:14:00,139 --> 00:14:03,542 {\an7}Narrator: ON DECEMBER 6, 1668, 264 00:14:03,576 --> 00:14:06,979 {\an7}\h\h\h\h\h\hTAVERNIER APPEARS AT THE FRENCH COURT IN VERSAILLES 265 00:14:07,013 --> 00:14:11,284 {\an7}CARRYING AN ENORMOUS \h\h\h\hBLUE DIAMOND. 266 00:14:11,317 --> 00:14:13,052 {\an7}THERE IS NO RECORD \h\hOF HIM REVEALING 267 00:14:13,086 --> 00:14:17,390 {\an7}WHERE OR HOW HE’S OBTAINED IT. 268 00:14:17,423 --> 00:14:21,594 {\an7}\h\h\h\h\h\h\h\hTAVERNIER’S CLIENT IS EUROPE’S MOST ILLUSTRIOUS KING-- 269 00:14:21,694 --> 00:14:24,697 {\an7}LOUIS XIV OF FRANCE. 270 00:14:24,731 --> 00:14:26,800 {\an7}FOR HISTORIAN LUCY WORSLEY, 271 00:14:26,833 --> 00:14:30,470 {\an7}TAVERNIER’S GLITTERING DIAMONDS WERE THE PERFECT MATCH 272 00:14:30,503 --> 00:14:33,940 {\an7}FOR THE MONARCH WHO CALLED HIMSELF "THE SUN KING." 273 00:14:34,040 --> 00:14:35,675 {\an7}\h\h\h\h\h\h\h\hWorsley: WHEN LOUIS XIV WAS HERE, 274 00:14:35,708 --> 00:14:38,778 {\an7}THIS ROOM WAS FULL OF LIGHT \h\hTHROUGH THE WINDOWS, 275 00:14:38,811 --> 00:14:41,113 {\an7}FROM THE MIRRORS, FROM THE CANDLES, 276 00:14:41,147 --> 00:14:43,750 {\an7}\h\h\h\h\h\hFROM THE SILVER FURNITURE AND ALSO FROM THE KING HIMSELF 277 00:14:43,783 --> 00:14:46,886 {\an7}AND THE DIAMONDS THAT HE MIGHT HAVE BEEN WEARING. 278 00:14:46,919 --> 00:14:50,556 {\an7}\h\h\h\h\h\h\h\hNarrator: LOUIS WAS THE BIGGEST SPENDER OF THE AGE. 279 00:14:50,590 --> 00:14:55,028 {\an7}\h\hHE SINGLE-HANDEDLY SPARKED THE WORLD’S OBSESSION WITH DIAMONDS. 280 00:14:55,061 --> 00:14:58,331 {\an7}\h\h\h\h\h\hWorsley: LOUIS XIV REALLY CREATED THE MARKET IN DIAMONDS. 281 00:14:58,364 --> 00:15:01,434 {\an7}UP UNTIL HIM, THE JEWEL \h\hTHAT EVERYONE HAD WANTED 282 00:15:01,467 --> 00:15:03,569 {\an7}\h\h\h\hWAS THE PEARL, PEARLS WERE THE THING, 283 00:15:03,603 --> 00:15:05,672 {\an7}BUT SUDDENLY TAVERNIER \h\h\h\hARRIVES FROM INDIA 284 00:15:05,705 --> 00:15:07,840 {\an7}\h\h\h\hWITH ALL OF THESE FABULOUS NEW STONES, 285 00:15:07,874 --> 00:15:12,912 {\an7}AND LOUIS XIV BUYS 40 BIG ONES AND 1,200 LITTLE ONES, 286 00:15:12,945 --> 00:15:14,213 {\an7}\h\h\h\hHAS THEM CUT, STARTS WEARING THEM, 287 00:15:14,247 --> 00:15:16,249 {\an7}\h\hSUDDENLY EVERYONE WANTS DIAMONDS, 288 00:15:16,282 --> 00:15:18,017 {\an7}THEY’RE THE NEW CRAZE. 289 00:15:18,050 --> 00:15:21,554 {\an7}Narrator: TAVERNIER GROWS RICH FROM THIS NEW EUROPEAN CRAZE, 290 00:15:21,621 --> 00:15:24,557 {\an7}NETTING THE EQUIVALENT \h\hOF NEARLY $10 MILLION 291 00:15:24,657 --> 00:15:26,659 {\an7}FOR HIS INDIAN DIAMONDS, 292 00:15:26,692 --> 00:15:30,095 {\an7}BUT THE MOST DESIRABLE OF ALL \h\h\h\h\h\hAND LOUIS’ FAVORITE 293 00:15:30,129 --> 00:15:34,266 {\an7}\h\hIS AN ENORMOUS 115-CARAT DARK BLUE. 294 00:15:36,235 --> 00:15:38,070 {\an7}BUT LOUIS IS NOT FULLY SATISFIED 295 00:15:38,104 --> 00:15:40,773 {\an7}WITH THE DIAMOND TAVERNIER \h\h\h\h\h\hHAS BROUGHT HIM. 296 00:15:40,807 --> 00:15:44,711 {\an7}HE’S WILLING TO CUT DOWN \h\hA 115-CARAT DIAMOND 297 00:15:44,744 --> 00:15:48,915 {\an7}TO CREATE SOMETHING EVEN MORE DAZZLING. 298 00:15:48,948 --> 00:15:52,285 {\an7}THE SCIENCE OF CUTTING DIAMONDS TO ENHANCE THEIR BRILLIANCE 299 00:15:52,318 --> 00:15:53,452 {\an7}IS STILL NEW, 300 00:15:53,486 --> 00:15:54,787 {\an7}BUT LOUIS’ COURT JEWELER 301 00:15:54,921 --> 00:15:57,657 {\an7}\h\hWILL CREATE PERHAPS THE ULTIMATE EXAMPLE. 302 00:15:57,690 --> 00:16:01,661 {\an7}HE GRINDS AND POLISHES \h\h\h\h\h\h63 NEW FACETS 303 00:16:01,761 --> 00:16:03,963 {\an7}TO CREATE THE FRENCH BLUE. 304 00:16:03,996 --> 00:16:08,901 {\an7}\h\h\h\hIN THE PROCESS, HE SHRINKS IT TO 69 CARATS. 305 00:16:09,001 --> 00:16:11,971 {\an7}Post: IT WAS REALLY A MASTERFUL CUTTING JOB OF THE DAY. 306 00:16:12,104 --> 00:16:14,907 {\an7}I MEAN, YOU CAN ONLY IMAGINE HOW LONG IT MUST HAVE TAKEN, 307 00:16:14,941 --> 00:16:16,843 {\an7}HOW PAINSTAKING \h\hIT MUST HAVE BEEN 308 00:16:16,876 --> 00:16:19,045 {\an7}WITH THE TOOLS AVAILABLE \h\h\h\hAT THAT TIME, 309 00:16:19,078 --> 00:16:23,416 {\an7}BUT WHAT RESULTED WAS WHAT WAS CONSIDERED AT THE TIME BY MANY 310 00:16:23,449 --> 00:16:28,287 {\an7}\h\h\h\h\h\hTO BE THE WORLD’S MOST BEAUTIFUL DIAMOND. 311 00:16:28,321 --> 00:16:31,891 {\an7}\h\h\h\h\hNarrator: FOR FOUR DECADES, THE FRENCH BLUE IS IN THE EMBLEM 312 00:16:31,924 --> 00:16:33,993 {\an7}\h\h\h\hOF THE ORDER OF THE GOLDEN FLEECE, 313 00:16:34,026 --> 00:16:36,862 {\an7}PART OF THE FRENCH CROWN JEWELS. 314 00:16:36,896 --> 00:16:38,931 {\an7}\h\hBUT BY THE END OF THE 18th CENTURY, 315 00:16:38,965 --> 00:16:42,202 {\an7}\h\h\h\h\h\h\h\hTIME IS RUNNING OUT FOR THE DECADENT FRENCH ROYALS. 316 00:16:42,235 --> 00:16:44,738 {\an7}AND FOR THE QUEEN, \h\hMARIE ANTOINETTE, 317 00:16:44,837 --> 00:16:49,875 {\an7}DIAMONDS WILL NOT TURN OUT TO BE A GIRL’S BEST FRIEND. 318 00:16:49,909 --> 00:16:54,080 {\an7}\h\h\h\hIN JULY 1789, PUBLIC ANGER SPILLS OVER 319 00:16:54,113 --> 00:16:56,349 {\an7}INTO FULL BLOWN REVOLUTION 320 00:16:56,382 --> 00:17:00,820 {\an7}\h\h\h\h\h\h\h\hAGAINST LOUIS XVI AND HIS DIAMOND-LOVING QUEEN. 321 00:17:03,122 --> 00:17:07,426 {\an7}PIERRE CARTIER WILL LATER RELISH TELLING EVALYN WALSH McLEAN 322 00:17:07,460 --> 00:17:09,228 {\an7}THAT MARIE ANTOINETTE WORE THE FRENCH BLUE 323 00:17:09,262 --> 00:17:11,531 {\an7}AROUND HER DELICATE NECK, 324 00:17:11,664 --> 00:17:16,802 {\an7}A NECK THAT WILL SOON BE CHOPPED BY THE GUILLOTINE. 325 00:17:16,903 --> 00:17:19,239 {\an7}THE CROWN JEWELS ARE MOVED \h\h\h\h\h\hTO THIS BUILDING, 326 00:17:19,272 --> 00:17:22,175 {\an7}THE ROYAL WAREHOUSE, \h\h\h\hFOR SAFEKEEPING. 327 00:17:22,208 --> 00:17:24,377 {\an7}THEY WILL NOT BE SAFE FOR LONG. 328 00:17:31,584 --> 00:17:34,053 {\an7}SEPTEMBER 1792. 329 00:17:34,186 --> 00:17:36,388 {\an7}A GANG OF PROFESSIONAL THIEVES 330 00:17:36,422 --> 00:17:39,592 {\an7}COMMITS THE GREATEST HEIST \h\h\h\h\h\h\h\hIN HISTORY. 331 00:17:39,692 --> 00:17:43,262 {\an7}THE ROBBERS CLIMB UP THE OUTSIDE OF THE ROYAL WAREHOUSE. 332 00:17:43,296 --> 00:17:45,198 {\an7}THEY BREAK INTO THE JEWEL ROOM 333 00:17:45,231 --> 00:17:48,334 {\an7}\h\h\h\h\h\hAND TAKE OFF WITH A GLITTERING HAUL. 334 00:17:48,367 --> 00:17:51,570 {\an7}AMAZINGLY, NO ONE NOTICES THE THEFT 335 00:17:51,671 --> 00:17:55,241 {\an7}\h\h\h\hAND THEY RETURN OVER THE NEXT FIVE NIGHTS. 336 00:17:55,374 --> 00:17:59,445 {\an7}BY THE END, THEY GET AWAY WITH NEARLY ALL THE CROWN JEWELS, 337 00:17:59,478 --> 00:18:00,779 {\an7}A PRICELESS COLLECTION 338 00:18:00,813 --> 00:18:03,182 {\an7}THAT INCLUDES THE ORDER \h\hOF THE GOLDEN FLEECE 339 00:18:03,215 --> 00:18:06,051 {\an7}\h\h\h\hWITH ITS DAZZLING FRENCH BLUE DIAMOND. 340 00:18:09,789 --> 00:18:13,059 {\an7}IT WILL NEVER BE SEEN AGAIN. 341 00:18:14,427 --> 00:18:20,033 {\an7}\h\hSO WHAT HAPPENED TO THE FRENCH BLUE? 342 00:18:20,066 --> 00:18:23,002 {\an7}\h\hIN 1812, 20 YEARS AFTER THE THEFT 343 00:18:23,169 --> 00:18:24,837 {\an7}OF THE FRENCH CROWN JEWELS, 344 00:18:24,870 --> 00:18:27,339 {\an7}A MYSTERIOUS BLUE DIAMOND \h\h\h\h\h\hAPPEARS 345 00:18:27,373 --> 00:18:29,342 {\an7}IN A JEWELER’S SHOP IN LONDON. 346 00:18:29,375 --> 00:18:33,246 {\an7}A MEMORANDUM AUTHENTICATES \h\h\h\hITS SIZE AND SHAPE. 347 00:18:33,279 --> 00:18:35,348 {\an7}IT COMPARES TO THE FRENCH BLUE, 348 00:18:35,381 --> 00:18:38,184 {\an7}\h\h\h\h\h\h\h\hBUT THERE’S ONE OBVIOUS DIFFERENCE. 349 00:18:38,217 --> 00:18:40,886 {\an7}\h\hIT’S A COMPLETELY DIFFERENT SIZE. 350 00:18:40,987 --> 00:18:43,323 {\an7}Kurin: THE FRENCH BLUE \h\h\h\h\h\hIS 67 CARATS, 351 00:18:43,489 --> 00:18:45,458 {\an7}A LITTLE MORE THAN 67 CARATS. 352 00:18:45,491 --> 00:18:48,260 {\an7}THIS GEM IS 44 CARATS, 353 00:18:48,427 --> 00:18:52,464 {\an7}\h\h\h\hAND THE QUESTION IS AT THAT TIME, IN 1812, 354 00:18:52,498 --> 00:18:54,433 {\an7}AT THE TIME OF THIS MEMORANDUM, 355 00:18:54,467 --> 00:18:58,371 {\an7}NOBODY WAS REALLY ASKING WHETHER THESE DIAMONDS WERE THE SAME, 356 00:18:58,404 --> 00:19:02,808 {\an7}SO THIS WAS THOUGHT TO BE \h\hJUST A NEW DIAMOND. 357 00:19:02,908 --> 00:19:04,877 {\an7}Narrator: THE NEW LONDON BLUE’S NEXT DESTINATION 358 00:19:04,910 --> 00:19:06,945 {\an7}HAS NEVER BEEN PROVED, 359 00:19:07,046 --> 00:19:09,081 {\an7}BUT THE FINGER POINTS \h\h\h\hTO NONE OTHER 360 00:19:09,115 --> 00:19:13,886 {\an7}THAN THE FUTURE BRITISH KING, \h\h\h\h\h\h\h\h\h\hGEORGE IV. 361 00:19:14,053 --> 00:19:17,590 {\an7}Worsley: IT’S JUST SO TEMPTING TO THINK THAT GEORGE IV 362 00:19:17,623 --> 00:19:19,458 {\an7}WAS THE IDEAL PURCHASER. 363 00:19:19,492 --> 00:19:20,893 {\an7}WHO ELSE COULD HAVE AFFORDED IT? 364 00:19:20,993 --> 00:19:22,394 {\an7}WHO ELSE WOULD HAVE WANTED IT? 365 00:19:22,428 --> 00:19:25,431 {\an7}\h\hBUT WHAT WE DON’T HAVE IS ANY KIND OF DOCUMENTATION 366 00:19:25,464 --> 00:19:26,799 {\an7}FROM THE ROYAL ARCHIVES 367 00:19:26,832 --> 00:19:28,300 {\an7}\h\h\h\h\h\hOR CONNECTED WITH GEORGE PERSONALLY, 368 00:19:28,334 --> 00:19:30,970 {\an7}\h\h\h\hSAYING, "YEAH, I BOUGHT THE DIAMOND." 369 00:19:31,137 --> 00:19:34,607 {\an7}Narrator: IN 1830, GEORGE IV DIES. 370 00:19:34,640 --> 00:19:36,909 {\an7}\h\h\h\hSHORTLY AFTERWARDS, THE LONDON BLUE DIAMOND 371 00:19:37,009 --> 00:19:40,746 {\an7}\h\h\h\h\h\h\h\hREAPPEARS AGAIN IN DOCUMENTED HISTORICAL FACT. 372 00:19:40,780 --> 00:19:42,248 {\an7}IT’S BOUGHT BY THE MAN 373 00:19:42,281 --> 00:19:44,550 {\an7}WHO WILL GIVE THE DIAMOND \h\h\h\hITS FAMOUS NAME, 374 00:19:44,583 --> 00:19:48,687 {\an7}A WEALTHY BRITISH BANKER, \h\hHENRY PHILIP HOPE. 375 00:19:50,623 --> 00:19:53,659 {\an7}IN 1851 THE HOPE DIAMOND \h\hGOES ON DISPLAY 376 00:19:53,693 --> 00:19:56,262 {\an7}AT THE GREAT EXHIBITION \h\h\h\h\h\h\h\hIN LONDON. 377 00:19:56,295 --> 00:19:58,731 {\an7}IT’S A SENSATION. 378 00:19:58,764 --> 00:20:03,535 {\an7}BUT A FRENCH GEM EXPERT NOW PUTS FORWARD AN EXTRAORDINARY THEORY. 379 00:20:03,569 --> 00:20:05,871 {\an7}\h\h\h\h\h\hHE SUGGESTS THAT THE HOPE DIAMOND 380 00:20:05,905 --> 00:20:09,475 {\an7}MIGHT BE A RE-CUT VERSION \h\hOF THE FRENCH BLUE, 381 00:20:09,508 --> 00:20:14,446 {\an7}WHICH HAD DISAPPEARED IN THE FRENCH REVOLUTION. 382 00:20:14,480 --> 00:20:18,617 {\an7}THE THEORY WOULD REMAIN UNPROVEN UNTIL AS RECENTLY AS 2005, 383 00:20:18,651 --> 00:20:22,288 {\an7}\h\h\h\h\h\hWHEN SCIENTISTS FROM THE SMITHSONIAN AND NEW MEXICO 384 00:20:22,388 --> 00:20:26,192 {\an7}FINALLY SOLVED THE MYSTERY. 385 00:20:26,225 --> 00:20:30,429 {\an7}USING COMPUTER-AIDED GEOMETRY, THEY MODELED BOTH DIAMONDS. 386 00:20:30,463 --> 00:20:33,232 {\an7}THEY THEN CREATED A REPLICA \h\h\h\hOF THE FRENCH BLUE 387 00:20:33,332 --> 00:20:36,135 {\an7}AND A MOLD THAT \h\hPRECISELY FIT IT. 388 00:20:36,168 --> 00:20:39,538 {\an7}THE NEXT MOVE WAS TO INSERT \h\hTHE SMALLER HOPE DIAMOND 389 00:20:39,672 --> 00:20:45,878 {\an7}\h\h\h\h\h\hINTO THE MOLD AND INJECT IT WITH WAX. 390 00:20:45,911 --> 00:20:47,646 {\an7}THEY FOUND THAT THE HOPE DIAMOND 391 00:20:47,680 --> 00:20:50,783 {\an7}\h\h\h\h\h\hWOULD FIT SNUGLY INSIDE THE FRENCH BLUE. 392 00:20:50,816 --> 00:20:53,585 {\an7}THERE WAS ONLY ONE CONCLUSION. 393 00:20:53,686 --> 00:20:56,455 {\an7}Post: THE HOPE DIAMOND \h\h\h\hTHAT WE KNOW TODAY 394 00:20:56,489 --> 00:20:59,459 {\an7}IS IN FACT THE ONLY SURVIVING PIECE 395 00:20:59,492 --> 00:21:01,894 {\an7}OF THE STONE THAT WAS \h\hORIGINALLY SOLD 396 00:21:01,927 --> 00:21:06,999 {\an7}TO KING LOUIS XIV OF FRANCE \h\h\h\h\h\h\h\h\h\hIN 1668. 397 00:21:07,032 --> 00:21:09,468 {\an7}Narrator: SO DID THOSE \h\hWHO POSSESSED THE DIAMOND 398 00:21:09,502 --> 00:21:11,170 {\an7}DURING THIS MURKY PERIOD 399 00:21:11,203 --> 00:21:13,539 {\an7}SUFFER FROM A CURSE? 400 00:21:13,572 --> 00:21:16,708 {\an7}GEORGE IV CERTAINLY MET \h\h\h\h\h\hAN AGONIZING END. 401 00:21:16,742 --> 00:21:20,946 {\an7}HE DIED IN PAIN, OVERWEIGHT \h\hAND SUFFERING FROM GOUT. 402 00:21:20,980 --> 00:21:24,984 {\an7}FORTUNE WOULD ALSO NOT SMILE \h\h\h\h\h\hON THE HOPE FAMILY. 403 00:21:25,017 --> 00:21:29,054 {\an7}IN 1887, 21-YEAR-OLD \h\h\h\hLORD FRANCIS HOPE 404 00:21:29,088 --> 00:21:32,224 {\an7}INHERITS THE FAMILY ESTATE, \h\h\h\hART COLLECTION 405 00:21:32,258 --> 00:21:35,261 {\an7}AND FAMOUS BLUE DIAMOND. 406 00:21:35,294 --> 00:21:37,396 {\an7}BUT HE’S ABOUT TO LOSE IT ALL 407 00:21:37,429 --> 00:21:39,598 {\an7}\h\h\h\h\h\hTHANKS PARTLY TO AN AMERICAN SHOWGIRL 408 00:21:39,632 --> 00:21:42,935 {\an7}NAMED MAY YOHE. 409 00:21:42,968 --> 00:21:44,770 {\an7}Kurin: HE TREATED HER \h\hEXTREMELY WELL, 410 00:21:44,904 --> 00:21:47,273 {\an7}HE WANTED TO IMPRESS \h\hTHIS AMERICAN GAL. 411 00:21:47,306 --> 00:21:51,977 {\an7}\h\h\h\hHE ACTUALLY WAS PART OWNER OF THE LYRIC THEATRE IN LONDON, 412 00:21:52,011 --> 00:21:55,114 {\an7}AND HE ARRANGED FOR HER TO GET A CONTRACT THERE 413 00:21:55,147 --> 00:21:56,782 {\an7}AND BECOME A LEADING LADY. 414 00:21:56,882 --> 00:21:59,184 {\an7}\h\h\h\h\h\hHE FINANCED, HE OWNED THE NEWSPAPER, 415 00:21:59,218 --> 00:22:01,087 {\an7}AND HE REALLY PROMOTED \h\h\h\h\h\hAND MARKETED HER 416 00:22:01,120 --> 00:22:04,256 {\an7}BECAUSE HE WANTED HER TO SHINE. 417 00:22:04,290 --> 00:22:06,425 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: BUT FOR LORD FRANCIS HOPE, 418 00:22:06,458 --> 00:22:09,995 {\an7}\h\hMAY YOHE TURNS OUT TO BE A RUINOUS EXTRAVAGANCE. 419 00:22:10,095 --> 00:22:11,863 {\an7}TO MAINTAIN HER LIFESTYLE, 420 00:22:11,897 --> 00:22:15,434 {\an7}HE GAMBLES AWAY THE EQUIVALENT OF $75 MILLION, 421 00:22:15,467 --> 00:22:18,670 {\an7}SQUANDERING THE FAMILY FORTUNE. 422 00:22:18,804 --> 00:22:21,674 {\an7}IN 1901, MAY LEAVES HIM 423 00:22:21,707 --> 00:22:24,176 {\an7}AND LATER MAKES A HOLLYWOOD \h\hMOVIE OF THEIR LIFE, 424 00:22:24,210 --> 00:22:29,982 {\an7}\h\h\h\h\h\hBLAMING THEIR DOWNFALL ON THE CURSE OF THE BLUE DIAMOND. 425 00:22:30,015 --> 00:22:33,986 {\an7}LORD FRANCIS IS FORCED TO SELL THE HOPE DIAMOND. 426 00:22:34,019 --> 00:22:36,421 {\an7}HE DIES FINANCIALLY RUINED. 427 00:22:36,455 --> 00:22:40,092 {\an7}FOR SEVERAL YEARS, THE GEMSTONE CRISSCROSSES THE ATLANTIC, 428 00:22:40,192 --> 00:22:41,694 {\an7}LOOKING FOR A BUYER, 429 00:22:41,727 --> 00:22:46,165 {\an7}UNTIL FINALLY PIERRE CARTIER \h\hFINDS EVALYN WALSH McLEAN. 430 00:22:46,232 --> 00:22:49,235 {\an7}[JAZZ MUSIC PLAYING] 431 00:22:51,737 --> 00:22:53,505 {\an7}IN HER EARLY YEARS OF OWNING IT, 432 00:22:53,572 --> 00:22:57,376 {\an7}THE HOPE DIAMOND HAD BROUGHT EVALYN NOTHING BUT PLEASURE. 433 00:22:57,409 --> 00:22:59,811 {\an7}THE CURSE WAS JUST A STORY. 434 00:23:02,448 --> 00:23:06,519 {\an7}BUT THEN A SERIES OF TRAGEDIES STRUCK HER FAMILY 435 00:23:06,552 --> 00:23:10,322 {\an7}AND PROPELLED THE CURSE \h\hONTO THE WORLD STAGE. 436 00:23:14,426 --> 00:23:17,129 {\an7}\h\hWHILE EVALYN IS AWAY AT THE KENTUCKY DERBY, 437 00:23:17,229 --> 00:23:20,799 {\an7}HER 9-YEAR-OLD SON VINSON IS PLAYING NEAR THE ROAD 438 00:23:20,833 --> 00:23:24,837 {\an7}IN FRONT OF THEIR ESTATE IN NORTHWEST WASHINGTON. 439 00:23:29,942 --> 00:23:33,345 {\an7}\h\hTHE BOY RUNS OUT IN FRONT OF A PASSING FORD MODEL T. 440 00:23:33,379 --> 00:23:34,447 {\an7}[HORN HONKS] 441 00:23:34,480 --> 00:23:35,982 {\an7}[CRASH] 442 00:23:37,850 --> 00:23:39,552 {\an7}HE’S KNOCKED TO THE GROUND, 443 00:23:39,585 --> 00:23:41,954 {\an7}\h\hHIS HEAD SMASHING INTO THE CONCRETE. 444 00:23:42,121 --> 00:23:43,956 {\an7}Man: VINSON! 445 00:23:43,989 --> 00:23:45,791 {\an7}MY GOD, WHAT HAPPENED? 446 00:23:45,824 --> 00:23:50,595 {\an7}Narrator: A FEW HOURS LATER, \h\h\h\hVINSON WALSH McLEAN DIES 447 00:23:50,629 --> 00:23:54,766 {\an7}AND THE FAMILY’S MISFORTUNE BECOMES HEADLINE NEWS. 448 00:23:54,800 --> 00:23:55,901 {\an7}Man: GET SOME HELP, MAN. 449 00:23:55,935 --> 00:23:59,038 {\an7}Kurin: AND ON THE NEXT DAY \h\h\h\hIN THE PAPERS, 450 00:23:59,071 --> 00:24:00,506 {\an7}IN THE NEW YORK TIMES 451 00:24:00,539 --> 00:24:04,176 {\an7}AND FOLLOWING IN OTHER PAPERS \h\h\h\h\h\hAROUND THE COUNTRY, 452 00:24:04,209 --> 00:24:07,379 {\an7}\h\h\h\h\h\h\h\hPEOPLE SPECULATED WAS THIS YET ANOTHER INSTANCE 453 00:24:07,413 --> 00:24:10,416 {\an7}\h\h\h\hOF THE CURSE OF THE HOPE DIAMOND? 454 00:24:10,449 --> 00:24:12,785 {\an7}Narrator: EVALYN WALSH McLEAN’S DREAM LIFE 455 00:24:12,885 --> 00:24:16,155 {\an7}IS SHATTERED IN AN INSTANT. 456 00:24:16,255 --> 00:24:19,792 {\an7}AFTER VINSON’S DEATH, THE BAD LUCK MULTIPLIES. 457 00:24:19,825 --> 00:24:22,261 {\an7}THE WASHINGTON POST \h\hGOES BANKRUPT 458 00:24:22,294 --> 00:24:25,464 {\an7}AND THE McLEAN FAMILY FORTUNE \h\h\h\h\h\h\h\hIS DECIMATED. 459 00:24:25,564 --> 00:24:27,733 {\an7}EVALYN’S MARRIAGE FALLS APART. 460 00:24:27,766 --> 00:24:32,271 {\an7}HER HUSBAND NED ENDS UP \h\hIN AN INSANE ASYLUM, 461 00:24:32,304 --> 00:24:36,441 {\an7}AND THEIR ONLY DAUGHTER COMMITS SUICIDE AT THE AGE OF 25. 462 00:24:40,212 --> 00:24:43,916 {\an7}\h\hEVALYN ALWAYS INSISTED SHE DIDN’T BELIEVE IN THE LEGEND, 463 00:24:43,949 --> 00:24:48,420 {\an7}\h\h\h\hBUT WHEN SHE DIED AT 60 AFTER A LIFETIME OF TRAGEDIES, 464 00:24:48,454 --> 00:24:54,794 {\an7}SHE HAD BECOME THE EMBODIMENT \h\h\h\h\h\h\h\hOF THE CURSE. 465 00:24:54,827 --> 00:24:58,130 {\an7}HER LAVISH COLLECTION OF JEWELS WAS PUT UP FOR SALE 466 00:24:58,163 --> 00:25:01,333 {\an7}\h\hWITH THE HOPE DIAMOND AS THE STAR ATTRACTION. 467 00:25:01,367 --> 00:25:04,036 {\an7}WHETHER IT WAS SCIENCE, \h\h\h\hHISTORY OR LEGEND, 468 00:25:04,069 --> 00:25:05,938 {\an7}ONE THING SEEMED CLEAR-- 469 00:25:05,971 --> 00:25:09,208 {\an7}\h\h\h\hTHE HOPE DIAMOND WAS UNLIKE ANY OTHER, 470 00:25:09,274 --> 00:25:13,445 {\an7}AND THE DISCOVERY IN THE 1960s OF ITS MYSTERIOUS RED GLOW 471 00:25:13,479 --> 00:25:16,248 {\an7}\h\h\h\hOR PHOSPHORESCENCE, AS SCIENTISTS CALL IT, 472 00:25:16,281 --> 00:25:18,984 {\an7}ONLY REINFORCED THE MYSTERY. 473 00:25:19,018 --> 00:25:23,222 {\an7}\h\h\h\h\h\h\h\h\h\h\h\hPost: \h\hWHY DOES IT SHOW THIS, THIS VERY INTENSE PHOSPHORESCENCE 474 00:25:23,255 --> 00:25:25,791 {\an7}THAT SEEMED TO BE UNUSUAL 475 00:25:25,824 --> 00:25:30,228 {\an7}AND PERHAPS EVEN UNIQUE \h\hTO THE HOPE DIAMOND? 476 00:25:30,262 --> 00:25:33,098 {\an7}\h\hNarrator: TO TEST WHETHER THE HOPE REALLY IS UNIQUE, 477 00:25:33,132 --> 00:25:36,569 {\an7}JEFF POST NEEDS TO COMPARE IT \h\h\h\hWITH OTHER BLUE DIAMONDS, 478 00:25:36,602 --> 00:25:38,938 {\an7}BUT BLUES ARE VERY RARE. 479 00:25:38,971 --> 00:25:41,607 {\an7}JEFF AND HIS COLLEAGUE \h\h\h\hELOISE GAILLOU 480 00:25:41,640 --> 00:25:43,942 {\an7}TRAVEL TO NEW YORK CITY’S \h\h\h\hDIAMOND DISTRICT 481 00:25:43,976 --> 00:25:47,146 {\an7}\h\h\h\h\h\hTO THE ONE MAN HE KNOWS CAN HELP, A DEALER-- 482 00:25:47,179 --> 00:25:49,615 {\an7}ALAN BRONSTEIN. 483 00:25:49,648 --> 00:25:53,485 {\an7}Bronstein: WE’VE GOTTEN TOGETHER ABOUT 90 BLUE DIAMONDS FOR HIM, 484 00:25:53,519 --> 00:25:55,788 {\an7}WHICH HAVE A VARIETY OF SHADES 485 00:25:55,821 --> 00:25:58,490 {\an7}AND HAVE A VARIETY OF SATURATIONS 486 00:25:58,724 --> 00:26:01,227 {\an7}AND GRAYNESS MODIFICATION, 487 00:26:01,460 --> 00:26:04,596 {\an7}SO THAT IS, THAT’S A LARGE NUMBER OF BLUE DIAMONDS 488 00:26:04,630 --> 00:26:08,300 {\an7}TO HAVE IN ONE PLACE TO STUDY \h\h\h\h\h\h\h\hAT ONE TIME. 489 00:26:08,333 --> 00:26:12,170 {\an7}\h\h\h\h\h\h\h\hNarrator: USING A SPECTROMETER TO MEASURE THE WAVELENGTHS OF LIGHT, 490 00:26:12,204 --> 00:26:17,042 {\an7}THEY FLOOD THE STONES \h\h\h\hWITH ULTRAVIOLET. 491 00:26:17,076 --> 00:26:18,711 {\an7}WHEN THEY TURN OFF THE LIGHT, 492 00:26:18,744 --> 00:26:21,780 {\an7}THEIR INSTRUMENT PICKS UP THE PHOSPHORESCENCE. 493 00:26:26,785 --> 00:26:29,254 {\an7}Post: OK, SO WE HAVE A REALLY STRONG PEAK 494 00:26:29,288 --> 00:26:31,423 {\an7}IN THE BLUE/GREEN PORTION \h\h\h\hOF THE SPECTRUM, 495 00:26:31,457 --> 00:26:33,960 {\an7}JUST THE OPPOSITE OF WHAT WE SEE IN THE HOPE DIAMOND. 496 00:26:36,295 --> 00:26:38,197 {\an7}WE WERE SURPRISED TO SEE THAT, 497 00:26:38,230 --> 00:26:41,066 {\an7}\h\hIN ALL OF THE BLUE DIAMONDS THAT WE’VE LOOKED AT SO FAR, 498 00:26:41,100 --> 00:26:43,636 {\an7}AND IT’S APPROACHING \h\h\h\h80 BLUE DIAMONDS, 499 00:26:43,669 --> 00:26:47,606 {\an7}\h\hALL OF THEM SHOW A PHOSPHORESCENCE. 500 00:26:47,639 --> 00:26:49,407 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: ALL BLUE DIAMONDS GLOW, 501 00:26:49,508 --> 00:26:51,210 {\an7}BUT THE EXPERIMENT SHOWS 502 00:26:51,243 --> 00:26:54,146 {\an7}\h\hTHAT EACH HAS ITS OWN DISTINCTIVE SIGNATURE. 503 00:26:54,179 --> 00:26:57,883 {\an7}SOME RED LIKE THE HOPE, \h\h\h\hOTHERS BLUE/GREEN-- 504 00:26:57,916 --> 00:27:02,854 {\an7}AND NONE SHINES AS INTENSELY \h\hOR FOR AS LONG AS THE HOPE. 505 00:27:02,888 --> 00:27:08,494 {\an7}SO WHY DO BLUE DIAMONDS HAVE \h\hTHIS EERIE PHOSPHORESCENCE? 506 00:27:08,594 --> 00:27:10,096 {\an7}Post: THE FACT THAT WE ONLY SEE 507 00:27:10,129 --> 00:27:13,299 {\an7}\h\h\h\h\h\hTHIS PARTICULAR KIND OF PHOSPHORESCENCE IN BLUE DIAMONDS 508 00:27:13,332 --> 00:27:16,435 {\an7}\h\h\h\hSTRONGLY SUGGESTS THAT IT IS CORRELATED 509 00:27:16,468 --> 00:27:18,770 {\an7}WITH THE PRESENCE OF BORON. 510 00:27:18,871 --> 00:27:21,273 {\an7}Narrator: BORON IS AN ELEMENT \h\h\h\h\h\h\h\hLIKE CARBON, 511 00:27:21,306 --> 00:27:25,577 {\an7}A BASIC BUILDING BLOCK OF NATURE FOUND, FOR EXAMPLE, IN SOAP. 512 00:27:25,677 --> 00:27:27,913 {\an7}BUT IT’S EXTREMELY RARE \h\h\h\h\h\hDEEP IN THE EARTH 513 00:27:28,013 --> 00:27:29,848 {\an7}WHERE DIAMONDS ARE FORMED. 514 00:27:29,882 --> 00:27:32,385 {\an7}THE HOPE DIAMOND GLOWS \h\h\h\hFAR MORE INTENSELY 515 00:27:32,417 --> 00:27:35,453 {\an7}\h\hAND LONGER THAN ANY OF THE SMALLER DIAMONDS, 516 00:27:35,487 --> 00:27:38,857 {\an7}SO WHAT IMPACT MIGHT BORON \h\hBE HAVING INSIDE IT? 517 00:27:38,891 --> 00:27:41,494 {\an7}TO FIND OUT, JEFF POST \h\h\h\h\h\hWILL HAVE TO TAKE 518 00:27:41,593 --> 00:27:43,595 {\an7}A SAMPLE FROM THE HOPE DIAMOND. 519 00:27:43,662 --> 00:27:48,000 {\an7}THE ONLY WAY TO DO THAT SEEMS \h\h\h\h\h\hALMOST UNTHINKABLE. 520 00:27:48,033 --> 00:27:51,904 {\an7}\h\hHE WILL HAVE TO DRILL INTO AMERICA’S CROWN JEWEL. 521 00:27:54,773 --> 00:27:57,276 {\an7}\h\hHIS EXPERIMENT WOULD NOT BE POSSIBLE 522 00:27:57,309 --> 00:28:00,412 {\an7}IF THE DIAMOND WERE STILL ADORNING SOMEONE’S NECK. 523 00:28:00,445 --> 00:28:02,547 {\an7}\h\h\h\h\h\hBUT THANKS TO A SURPRISING DONATION, 524 00:28:02,714 --> 00:28:06,751 {\an7}\h\h\h\hTHE HOPE BECAME A SPECIMEN FOR SCIENCE. 525 00:28:06,785 --> 00:28:09,087 {\an7}AFTER EVALYN WALSH McLEAN DIED, 526 00:28:09,188 --> 00:28:14,160 {\an7}THE NEXT OWNER WAS THE JEWELER TO THE STARS, HARRY WINSTON. 527 00:28:16,795 --> 00:28:20,565 {\an7}MANY BELIEVE HARRY WINSTON WILL SIMPLY REMOUNT THE HOPE DIAMOND 528 00:28:20,599 --> 00:28:22,201 {\an7}AND FIND A NEW BUYER, 529 00:28:22,234 --> 00:28:26,238 {\an7}BUT HE KNOWS IT MIGHT NOW \h\hBE A HARD SELL. 530 00:28:26,338 --> 00:28:27,573 {\an7}\h\hMaurice Galli: THINK ABOUT IT THIS WAY-- 531 00:28:27,706 --> 00:28:30,209 {\an7}HE KNEW OF THE CURSE STORY. 532 00:28:30,242 --> 00:28:33,345 {\an7}\h\h\h\hHE KNEW ALSO THAT THE COST ITSELF, 533 00:28:33,378 --> 00:28:37,349 {\an7}THE PRICE OF THE STONE, WENT INTO THE MILLIONS. 534 00:28:37,382 --> 00:28:40,585 {\an7}TO FIND A CLIENT WILLING TO BUY 535 00:28:40,619 --> 00:28:44,456 {\an7}A QUOTE, UNQUOTE "CURSED" STONE FOR THAT AMOUNT OF MONEY 536 00:28:44,489 --> 00:28:47,659 {\an7}MIGHT HAVE BEEN A HUGE PROBLEM. 537 00:28:47,726 --> 00:28:51,029 {\an7}Narrator: INSTEAD, WINSTON \h\hBEGINS TO THINK OF AN ACT 538 00:28:51,063 --> 00:28:53,132 {\an7}OF EXTRAORDINARY PHILANTHROPY-- 539 00:28:53,265 --> 00:28:58,070 {\an7}HE WILL DONATE THE HOPE DIAMOND TO THE SMITHSONIAN INSTITUTION. 540 00:28:58,103 --> 00:29:00,806 {\an7}\h\h\h\h\h\hBUT WHEN THE NEWS OF HIS INTENTION LEAKS OUT, 541 00:29:00,839 --> 00:29:03,041 {\an7}NOT EVERYONE IS DELIGHTED. 542 00:29:03,075 --> 00:29:07,546 {\an7}A VOCAL MINORITY IS PETRIFIED BY WHAT MIGHT HAPPEN TO THE NATION. 543 00:29:07,579 --> 00:29:10,615 {\an7}\h\hONE AMERICAN WRITES TO THE SMITHSONIAN... 544 00:29:10,649 --> 00:29:12,050 {\an7}Man: "WITH OUR NEIGHBOR RUSSIA 545 00:29:12,084 --> 00:29:13,819 {\an7}ABLE TO BLOW OUR COUNTRY \h\h\h\h\h\h\h\hTO PIECES 546 00:29:13,852 --> 00:29:16,288 {\an7}\h\h\h\hIN A FEW HOURS OF MISSILE BOMBARDMENT, 547 00:29:16,321 --> 00:29:18,223 {\an7}IT WOULD BE INSANE TO TEMPT FATE 548 00:29:18,257 --> 00:29:22,962 {\an7}\h\hBY HAVING ANYTHING TO DO WITH THIS GHASTLY GEM." 549 00:29:22,995 --> 00:29:26,065 {\an7}Kurin: ACTUALLY, PEOPLE EVEN \h\h\h\hBYPASSED THE SMITHSONIAN. 550 00:29:26,098 --> 00:29:28,300 {\an7}\h\h\h\h\h\h\h\hTHEY WROTE TO PRESIDENT EISENHOWER 551 00:29:28,400 --> 00:29:32,471 {\an7}AND THEY SAID, "ARE YOU CRAZY? 552 00:29:32,504 --> 00:29:35,974 {\an7}\h\hTHIS HOPE DIA-- THIS DIAMOND IS CURSED." 553 00:29:36,008 --> 00:29:38,577 {\an7}Narrator: BUT THE SMITHSONIAN \h\h\h\h\h\hDOESN’T FLINCH. 554 00:29:38,610 --> 00:29:40,378 {\an7}THEY ACCEPT THE DIAMOND. 555 00:29:40,479 --> 00:29:43,549 {\an7}\h\h\h\h\h\hYOU WOULD THINK WINSTON WOULD SEND HIS PRICELESS DIAMOND 556 00:29:43,582 --> 00:29:46,051 {\an7}IN AN ARMORED CAR. 557 00:29:46,084 --> 00:29:48,520 {\an7}INSTEAD, WHAT DOES HE DO? 558 00:29:48,620 --> 00:29:50,422 {\an7}WHAT HE ALWAYS DID. 559 00:29:50,455 --> 00:29:54,459 {\an7}HE MAILS IT BY REGULAR POST. 560 00:29:54,493 --> 00:29:56,862 {\an7}Broadcaster: TODAY, HERE CAME A BROWN PAPER WRAPPED PACKAGE 561 00:29:56,895 --> 00:30:00,198 {\an7}SENT BY REGISTERED MAIL \h\h\h\h\h\hFOR $152 POSTAGE. 562 00:30:00,299 --> 00:30:01,467 {\an7}NEW YORK DIAMOND MERCHANT... 563 00:30:01,500 --> 00:30:03,402 {\an7}\h\h\h\hNarrator: WINSTON’S UNUSUAL DELIVERY METHOD 564 00:30:03,568 --> 00:30:06,571 {\an7}\h\hENSURES NEWS COVERAGE THROUGHOUT THE COUNTRY. 565 00:30:06,672 --> 00:30:09,375 {\an7}\h\h\h\hBroadcaster: A GIFT TO THE SMITHSONIAN WORTH A MILLION DOLLARS-- 566 00:30:09,408 --> 00:30:12,878 {\an7}THE HOPE DIAMOND, THE BIGGEST \h\hBLUE DIAMOND IN THE WORLD. 567 00:30:12,911 --> 00:30:15,847 {\an7}\h\hNarrator: THE JEWEL IS PUT IN A SPECIALLY DESIGNED SAFE 568 00:30:15,914 --> 00:30:20,051 {\an7}WHERE THE PUBLIC CAN VIEW IT \h\hTHROUGH BULLET-PROOF GLASS. 569 00:30:20,085 --> 00:30:22,220 {\an7}Post: WITH THE HOPE DIAMOND \h\h\h\h\h\hCOMING HERE, 570 00:30:22,254 --> 00:30:24,623 {\an7}HARRY WINSTON’S VISION \h\h\h\hSTARTED TO UNFOLD-- 571 00:30:24,723 --> 00:30:28,193 {\an7}THAT IS, TO BUILD A GREAT NATIONAL GEM COLLECTION. 572 00:30:28,226 --> 00:30:30,128 {\an7}\h\h\h\h\h\h\h\hAS HE LIKED TO SAY, WE DON’T HAVE A KING AND QUEEN, 573 00:30:30,162 --> 00:30:34,166 {\an7}BUT WE SHOULD HAVE \h\hOUR CROWN JEWELS. 574 00:30:34,199 --> 00:30:37,402 {\an7}\h\h\h\h\h\h\h\h\h\h\h\hNarrator: 50 YEARS AFTER HARRY WINSTON \h\h\h\hGAVE HOPE TO AMERICA, 575 00:30:37,469 --> 00:30:40,238 {\an7}HIS COMPANY HAS OFFERED \h\h\h\h\h\h\h\h\h\hTO CREATE 576 00:30:40,272 --> 00:30:42,841 {\an7}AN ANNIVERSARY PARTY DRESS \h\h\h\h\h\hFOR THE DIAMOND-- 577 00:30:42,874 --> 00:30:44,676 {\an7}A NEW, TEMPORARY SETTING 578 00:30:44,710 --> 00:30:49,448 {\an7}USING MODERN DESIGN TECHNIQUES TO SHOWCASE ITS BRILLIANCE. 579 00:30:49,481 --> 00:30:50,716 {\an7}\h\h\h\h\h\h\h\h\h\hde Laage: OUR RULE IN THIS STUDIO 580 00:30:50,749 --> 00:30:53,619 {\an7}IS TO START WITH NO LIMITATION. 581 00:30:53,652 --> 00:30:58,123 {\an7}WITH NO CONSTRAINT OF PRICE, \h\hOF SIZE, OF CRAZINESS, 582 00:30:58,156 --> 00:30:59,891 {\an7}OF ANYTHING. 583 00:30:59,925 --> 00:31:03,695 {\an7}\h\hGalli: WHAT YOU WANT TO DO IS ENHANCE THE COLOR AND THE SIZE 584 00:31:03,729 --> 00:31:07,499 {\an7}AND THE LIFE OF THAT STONE \h\hWITHOUT OVERPOWERING. 585 00:31:07,532 --> 00:31:10,135 {\an7}\h\h\h\h\h\h\h\hNarrator: FROM 25 INITIAL SKETCHES, 586 00:31:10,168 --> 00:31:13,304 {\an7}THE SMITHSONIAN SELECTS \h\h\h\hTHREE FINALISTS... 587 00:31:23,482 --> 00:31:25,484 {\an7}BUT THE FINAL SELECTION \h\h\h\hIS IN THE HANDS 588 00:31:25,517 --> 00:31:28,353 {\an7}OF THE HOPE DIAMOND’S \h\h\h\hTRUE OWNERS. 589 00:31:28,387 --> 00:31:30,990 {\an7}\h\h\h\h\h\hFrédéric de Narp: WE REALLY WANTED TO INVOLVE THE AMERICAN AUDIENCE, 590 00:31:31,156 --> 00:31:35,494 {\an7}\h\h\h\h\h\h\h\hTHE AMERICAN PUBLIC, TO HAVE THEM CHOOSE THE NECKLACE 591 00:31:35,527 --> 00:31:38,964 {\an7}THAT WOULD SURROUND \h\hTHE HOPE DIAMOND. 592 00:31:38,997 --> 00:31:40,966 {\an7}\h\hWoman: THE FATE OF THE HOPE DIAMOND, 593 00:31:40,999 --> 00:31:42,400 {\an7}IT’S ALL IN YOUR HANDS! 594 00:31:42,434 --> 00:31:44,269 {\an7}\h\h\h\h\h\h\h\h\h\hMan: HOPE TAKES ON A NEW DESIGN FOR A FAMOUS JEWEL. 595 00:31:44,302 --> 00:31:45,670 {\an7}\h\hWoman: THE PUBLIC WILL GET TO DECIDE 596 00:31:45,704 --> 00:31:47,172 {\an7}WHAT SETTING IT WILL HAVE. 597 00:31:47,305 --> 00:31:49,674 {\an7}\h\h\h\hMan: STARTING TODAY, YOU CAN HELP PICK ONE OF THOSE SETTINGS. 598 00:31:52,144 --> 00:31:54,313 {\an7}Narrator: AS THE HOPE DIAMOND \h\h\h\h\h\hGOES ON DISPLAY 599 00:31:54,346 --> 00:31:56,915 {\an7}\h\h\h\h\h\hFOR THE FIRST TIME OUT OF ITS HISTORIC SETTING, 600 00:31:56,948 --> 00:32:00,385 {\an7}OVER 100,000 VOTES FLOOD IN. 601 00:32:03,422 --> 00:32:06,926 {\an7}\h\h\h\hCristián Samper: AND THE WINNER IS... 602 00:32:06,958 --> 00:32:08,660 {\an7}EMBRACING HOPE. 603 00:32:15,534 --> 00:32:17,569 {\an7}\h\h\h\hNarrator: CREATING SUCH A COMPLEX SETTING 604 00:32:17,602 --> 00:32:21,439 {\an7}WILL TAKE A POUND OF PLATINUM, OVER 300 BAGUETTE DIAMONDS, 605 00:32:21,473 --> 00:32:24,309 {\an7}AND MONTHS OF PAINSTAKING WORK. 606 00:32:41,927 --> 00:32:43,395 {\an7}BUT SOME MIGHT WONDER: 607 00:32:43,428 --> 00:32:46,097 {\an7}BY CHANGING THE SETTING, \h\h\h\hEVEN TEMPORARILY, 608 00:32:46,131 --> 00:32:49,267 {\an7}COULD THEY BE INVOKING \h\hTHE LEGENDARY CURSE? 609 00:32:54,306 --> 00:32:56,175 {\an7}Broadcaster: OVER THE CENTURIES, THE DIAMOND HAS ACQUIRED 610 00:32:56,208 --> 00:33:01,613 {\an7}AN UNSAVORY REPUTATION AS A PRODUCER OF BAD LUCK. 611 00:33:01,646 --> 00:33:04,916 {\an7}\h\h\h\h\h\hNarrator: WITHIN A YEAR OF ITS DONATION TO THE SMITHSONIAN, 612 00:33:04,950 --> 00:33:08,153 {\an7}\h\h\h\hTHE HOPE APPEARED TO CLAIM ANOTHER VICTIM-- 613 00:33:08,186 --> 00:33:10,922 {\an7}THE MAILMAN JAMES TODD. 614 00:33:10,956 --> 00:33:12,591 {\an7}HE WAS INJURED BY A TRUCK, 615 00:33:12,757 --> 00:33:16,661 {\an7}\h\h\h\h\h\hHIS WIFE DIED AND HIS HOUSE BURNED DOWN. 616 00:33:16,761 --> 00:33:19,497 {\an7}OVER THE YEARS, LETTERS \h\hHAVE CONTINUED TO ARRIVE 617 00:33:19,531 --> 00:33:21,266 {\an7}AT THE NATIONAL GEM COLLECTION 618 00:33:21,299 --> 00:33:23,635 {\an7}WARNING OF THE CURSE. 619 00:33:26,571 --> 00:33:29,140 {\an7}\h\hBUT FOR JEFF POST, ALL THE CURSE STORIES 620 00:33:29,174 --> 00:33:31,843 {\an7}\h\h\h\h\h\h\h\hARE FANTASY OR SIMPLE COINCIDENCE. 621 00:33:32,010 --> 00:33:34,012 {\an7}FOR 50 YEARS, THE HOPE DIAMOND 622 00:33:34,045 --> 00:33:36,781 {\an7}HAS BROUGHT THE SMITHSONIAN \h\hNOTHING BUT GOOD LUCK 623 00:33:36,815 --> 00:33:39,318 {\an7}AND FASCINATING SCIENTIFIC PUZZLES. 624 00:33:39,351 --> 00:33:42,688 {\an7}FOR HIM THE REAL STORY \h\hIS BURIED FAR DEEPER, 625 00:33:42,721 --> 00:33:45,657 {\an7}IN THE SCIENCE OF ITS CREATION. 626 00:33:45,690 --> 00:33:47,325 {\an7}Post: IN FACT, IN MANY WAYS 627 00:33:47,359 --> 00:33:48,961 {\an7}THE MORE INCREDIBLE PART OF THE HOPE DIAMOND STORY 628 00:33:49,094 --> 00:33:52,664 {\an7}IS THE ONE THAT STARTED PERHAPS TWO OR THREE BILLION YEARS AGO 629 00:33:52,697 --> 00:33:54,599 {\an7}DEEP IN THE EARTH’S \h\hUPPER MANTLE. 630 00:33:57,769 --> 00:33:59,204 {\an7}Narrator: IT’S 7:30 PM 631 00:33:59,237 --> 00:34:02,373 {\an7}AT THE NATIONAL MUSEUM \h\h\h\hOF NATURAL HISTORY. 632 00:34:02,407 --> 00:34:07,612 {\an7}THE LAST MEMBERS OF THE PUBLIC LEAVE, AND ALL GOES QUIET. 633 00:34:11,950 --> 00:34:15,487 {\an7}TONIGHT, JEFF POST WILL REMOVE THE HOPE DIAMOND 634 00:34:15,520 --> 00:34:19,090 {\an7}\h\h\h\hAND SUBJECT IT TO AN AUDACIOUS EXPERIMENT. 635 00:34:21,993 --> 00:34:23,228 {\an7}Post: THE GOAL OF DOING THIS WORK 636 00:34:23,261 --> 00:34:27,098 {\an7}ISN’T TO TRY TO DISPEL A CURSE. 637 00:34:27,132 --> 00:34:29,101 {\an7}\h\hTHE GOAL IS TO LEARN ABOUT THE HOPE DIAMOND 638 00:34:29,134 --> 00:34:32,404 {\an7}AND ITS HISTORY AND ITS ORIGIN. 639 00:34:32,437 --> 00:34:36,408 {\an7}Narrator: HE AND HIS TEAM ARE ABOUT TO DO THE UNTHINKABLE-- 640 00:34:36,441 --> 00:34:38,276 {\an7}DRILL INTO THE HOPE DIAMOND 641 00:34:38,310 --> 00:34:43,882 {\an7}\h\h\h\hTO EXTRACT ATOMS AND UNRAVEL ITS DNA. 642 00:34:43,915 --> 00:34:48,620 {\an7}\h\hTHEY’RE USING A TIME OF FLIGHT SECONDARY ION MASS SPECTROMETER. 643 00:34:48,720 --> 00:34:50,889 {\an7}IT’S AN INSTRUMENT MORE OFTEN USED 644 00:34:50,989 --> 00:34:52,824 {\an7}TO TEST CHEMICAL SUBSTANCES, 645 00:34:52,991 --> 00:34:57,028 {\an7}\h\h\h\h\h\hFOR EXAMPLE, FOR TRACES OF STEROIDS. 646 00:34:57,062 --> 00:34:58,964 {\an7}THEY’RE ABOUT TO OPEN A WINDOW 647 00:34:59,064 --> 00:35:01,967 {\an7}INTO A WORLD MORE THAN \h\hA BILLION YEARS OLD, 648 00:35:02,000 --> 00:35:05,937 {\an7}WHEN THE DIAMOND WAS CREATED. 649 00:35:05,971 --> 00:35:08,373 {\an7}THE INSTRUMENT FIRES BEAMS \h\h\h\h\h\hOF TINY PARTICLES 650 00:35:08,406 --> 00:35:10,241 {\an7}CALLED GALLIUM IONS 651 00:35:10,275 --> 00:35:13,111 {\an7}\h\h\h\hONTO THE SURFACE OF THE HOPE DIAMOND. 652 00:35:13,144 --> 00:35:16,748 {\an7}THE IONS BLAST A CRATER INVISIBLE TO THE NAKED EYE 653 00:35:16,781 --> 00:35:18,516 {\an7}\h\hFROM WHICH HUNDREDS OF MILLIONS OF ATOMS 654 00:35:18,550 --> 00:35:20,619 {\an7}ARE SUCKED BACK \h\hINTO THE MACHINE, 655 00:35:20,719 --> 00:35:23,222 {\an7}WHERE THEY’RE SORTED BY WEIGHT AND COUNTED. 656 00:35:23,254 --> 00:35:24,756 {\an7}Post: IT SOUNDS \h\hA BIT DESTRUCTIVE 657 00:35:24,789 --> 00:35:27,592 {\an7}AND IN FACT IT IS A LITTLE BIT OF A DESTRUCTIVE PROCESS. 658 00:35:27,626 --> 00:35:29,528 {\an7}BLASTING IS PERHAPS TOO STRONG A WORD, 659 00:35:29,628 --> 00:35:31,130 {\an7}BUT IT GIVES YOU THE IDEA. 660 00:35:31,162 --> 00:35:34,666 {\an7}IT’LL BE GOUGING OR BLASTING \h\hA SMALL LITTLE TINY CRATER 661 00:35:34,699 --> 00:35:36,067 {\an7}INTO THE DIAMOND. 662 00:35:36,134 --> 00:35:38,470 {\an7}IT WILL SORT OF DRILL DOWN \h\h\h\hTHROUGH THE SURFACE 663 00:35:38,503 --> 00:35:41,206 {\an7}INTO THE NEXT SEVERAL \h\h\h\hLAYERS OF ATOMS, 664 00:35:41,239 --> 00:35:43,074 {\an7}\h\h\h\hKNOCKING OUT SOME OF THOSE ATOMS, 665 00:35:43,174 --> 00:35:45,843 {\an7}\h\hAND WE WILL BE MAKING A VERY TINY LITTLE HOLE 666 00:35:45,877 --> 00:35:48,413 {\an7}IN THE HOPE DIAMOND. 667 00:35:48,446 --> 00:35:51,816 {\an7}Narrator: HE HOPES TO FINALLY REVEAL EXACTLY WHAT HAPPENED 668 00:35:51,850 --> 00:35:55,053 {\an7}WHEN THE HOPE DIAMOND WAS BORN. 669 00:35:55,086 --> 00:35:57,021 {\an7}TWO MONTHS PASS. 670 00:35:57,122 --> 00:35:58,490 {\an7}HUNDREDS OF MILLIONS OF ATOMS 671 00:35:58,523 --> 00:36:01,860 {\an7}HAVE BEEN EXTRACTED \h\hAND ANALYZED. 672 00:36:01,960 --> 00:36:04,996 {\an7}\h\h\h\hTHIS PHOTO, TAKEN UNDER ULTRAVIOLET LIGHT, 673 00:36:05,030 --> 00:36:08,166 {\an7}\h\hINDICATES AREAS WHERE THE SAMPLES WERE TAKEN, 674 00:36:08,199 --> 00:36:12,170 {\an7}BUT THE HOLES ARE FAR TOO TINY TO SEE WITH THE NAKED EYE. 675 00:36:12,203 --> 00:36:16,107 {\an7}\h\h\h\h\h\hTHE PRESENCE OF BORON IS JUST AS JEFF POST ANTICIPATED, 676 00:36:16,207 --> 00:36:17,642 {\an7}BUT THE HEADLINE RESULT 677 00:36:17,676 --> 00:36:20,112 {\an7}IS THAT THERE’S ONLY A TINY AMOUNT OF IT, 678 00:36:20,145 --> 00:36:24,983 {\an7}AND THE BIG SURPRISE IS THAT IT’S NOT EVENLY DISTRIBUTED. 679 00:36:25,016 --> 00:36:27,418 {\an7}\h\h\h\h\h\h\h\hBORON MAKES THE HOPE DIAMOND BLUE, 680 00:36:27,452 --> 00:36:29,454 {\an7}BUT ITS UNEVEN DISTRIBUTION 681 00:36:29,487 --> 00:36:33,157 {\an7}GIVES A NEW INSIGHT \h\hTO THAT BLUENESS. 682 00:36:33,191 --> 00:36:36,861 {\an7}Post: THE HOPE DIAMOND PROBABLY ISN’T UNIFORMLY BLUE. 683 00:36:36,961 --> 00:36:38,262 {\an7}WHAT WE’RE SEEING WITH THE EYE 684 00:36:38,296 --> 00:36:41,466 {\an7}IS ACTUALLY A SUMMATION \h\h\h\hOF ALL OF THE BLUE, 685 00:36:41,499 --> 00:36:43,735 {\an7}DIFFERENT SHADES OF BLUE \h\hIN THE DIAMOND, 686 00:36:43,835 --> 00:36:46,171 {\an7}SORT OF A MOSAIC OF BLUES \h\h\h\h\h\hIN A SENSE, 687 00:36:46,204 --> 00:36:49,207 {\an7}AND THAT THE BLUE COLOR \h\h\h\hVARIES SLIGHTLY 688 00:36:49,374 --> 00:36:50,942 {\an7}WITH THE CONCENTRATION, 689 00:36:50,975 --> 00:36:55,213 {\an7}THE AMOUNTS OF BORON \h\h\h\hTHAT ARE PRESENT. 690 00:36:55,246 --> 00:36:57,281 {\an7}Narrator: BUT THE MOST \h\h\h\hSIGNIFICANT OUTCOME 691 00:36:57,348 --> 00:36:59,951 {\an7}IS TO SHOW THAT IT’S \h\h\h\hTHE BORON ATOMS-- 692 00:37:00,118 --> 00:37:01,386 {\an7}ACTING WITH THE CARBON 693 00:37:01,419 --> 00:37:04,088 {\an7}AND ANOTHER UNIDENTIFIED ATOM \h\h\h\h\h\h\h\hIN THE DIAMOND-- 694 00:37:04,222 --> 00:37:07,258 {\an7}\h\hTHAT ARE PRODUCING THE MYSTERIOUS RED GLOW. 695 00:37:07,292 --> 00:37:10,762 {\an7}WHEN AN ULTRAVIOLET LIGHT RAY \h\hPASSES THROUGH THE DIAMOND, 696 00:37:10,795 --> 00:37:15,266 {\an7}\h\hIT STRIKES A CARBON ATOM AND SPINS OFF AN ELECTRON, 697 00:37:15,300 --> 00:37:18,770 {\an7}\h\hWHICH GETS TRAPPED IN THE UNIDENTIFIED ATOM. 698 00:37:18,803 --> 00:37:20,271 {\an7}AT THE SAME TIME, 699 00:37:20,305 --> 00:37:23,508 {\an7}A POSITIVE CHARGE SPINS OFF \h\hFROM THE CARBON ATOM 700 00:37:23,541 --> 00:37:25,877 {\an7}AND GETS TRAPPED IN THE BORON. 701 00:37:25,910 --> 00:37:28,312 {\an7}\h\h\h\hATTRACTED BY THE POSITIVE CHARGE, 702 00:37:28,346 --> 00:37:31,249 {\an7}THE ELECTRON JUMPS TO THE BORON ATOM. 703 00:37:31,282 --> 00:37:36,387 {\an7}IT’S THAT COLLISION THAT CAUSES THE BURST OF RED LIGHT. 704 00:37:36,421 --> 00:37:39,224 {\an7}THIS PROCESS HAPPENS \h\h\h\hOVER AND OVER 705 00:37:39,257 --> 00:37:40,558 {\an7}IN THE DIAMOND LATTICE, 706 00:37:40,592 --> 00:37:42,327 {\an7}AND BECAUSE SOME BORON ATOMS 707 00:37:42,360 --> 00:37:45,196 {\an7}\h\h\h\h\h\h\h\hARE FARTHER AWAY FROM THE UNIDENTIFIED ATOMS, 708 00:37:45,230 --> 00:37:48,500 {\an7}THE GLOW CONTINUES FOR UP TO A MINUTE. 709 00:37:50,702 --> 00:37:52,671 {\an7}SCIENCE HAS EXPLAINED 710 00:37:52,704 --> 00:37:54,739 {\an7}THE HOPE DIAMOND’S INNER SECRETS, 711 00:37:54,773 --> 00:37:58,944 {\an7}WHICH LEAVES ONLY THE CURSE. 712 00:37:58,977 --> 00:38:03,114 {\an7}BACK IN 1910, PIERRE CARTIER HAD TOLD EVALYN WALSH McLEAN 713 00:38:03,148 --> 00:38:04,950 {\an7}HIS AMAZING STORY-- 714 00:38:04,983 --> 00:38:07,185 {\an7}THE EXPLORER WHO’D STOLEN \h\h\h\hTHE HOPE DIAMOND 715 00:38:07,218 --> 00:38:09,253 {\an7}FROM THE EYE OF A HINDU GODDESS 716 00:38:09,287 --> 00:38:12,423 {\an7}AND BEEN RIPPED APART \h\h\h\hBY WILD DOGS; 717 00:38:12,457 --> 00:38:16,594 {\an7}THE FRENCH QUEEN WHO’D WORN IT AND LOST HER HEAD; 718 00:38:16,628 --> 00:38:20,365 {\an7}THE FAMILY WHO’D BEEN RUINED. 719 00:38:20,398 --> 00:38:24,435 {\an7}\h\h\h\hALL STRUCK DOWN BY THE LEGENDARY CURSE. 720 00:38:27,672 --> 00:38:31,943 {\an7}\h\hAMERICA’S LIBRARY OF CONGRESS HOUSES AN EXTENSIVE COLLECTION, 721 00:38:31,976 --> 00:38:36,180 {\an7}\h\h\h\hWHICH RICHARD KURIN USED TO RESEARCH THE HOPE’S CURSE. 722 00:38:36,214 --> 00:38:37,682 {\an7}THE MORE HE FOUND OUT, 723 00:38:37,782 --> 00:38:41,653 {\an7}THE MORE HOLES HE DISCOVERED \h\h\h\h\h\hIN CARTIER’S STORY. 724 00:38:41,686 --> 00:38:44,789 {\an7}TAVERNIER WASN’T KILLED \h\h\h\h\h\hBY WILD DOGS. 725 00:38:44,823 --> 00:38:47,859 {\an7}HE DIED OF OLD AGE IN RUSSIA. 726 00:38:47,892 --> 00:38:50,461 {\an7}THERE WAS NO EVIDENCE THAT MARIE ANTOINETTE 727 00:38:50,495 --> 00:38:53,298 {\an7}EVER EVEN WORE THE FRENCH BLUE. 728 00:38:53,398 --> 00:38:56,534 {\an7}Kurin: YOU KNOW, WHEN IT WAS SOLD TO THE McLEANS, 729 00:38:56,634 --> 00:38:58,569 {\an7}\h\h\h\hTHE NEW YORK TIMES ON THE FRONT PAGE SAID, 730 00:38:58,603 --> 00:39:00,939 {\an7}"THIS IS AN ANCIENT CURSE." 731 00:39:00,972 --> 00:39:03,808 {\an7}AS I STARTED TO GO THROUGH THE HISTORICAL RECORDS, 732 00:39:03,908 --> 00:39:07,945 {\an7}\h\h\h\h\h\hI DID NOT FIND ANY MENTION OF ANY CURSE OF THE HOPE DIAMOND 733 00:39:08,046 --> 00:39:11,483 {\an7}BEFORE THE 1900s. 734 00:39:11,516 --> 00:39:13,952 {\an7}"REMARKABLE JEWEL A HOODOO." 735 00:39:13,985 --> 00:39:17,789 {\an7}\h\h\h\h"HOPE DIAMOND HAS BROUGHT TROUBLE TO ALL WHO’VE OWNED IT." 736 00:39:21,526 --> 00:39:22,994 {\an7}Narrator: IF THE CURSE WAS REAL, 737 00:39:23,094 --> 00:39:26,531 {\an7}ITS OWNERS COULD BE EXPECTED \h\hTO HAVE LIVED SHORT LIVES, 738 00:39:26,564 --> 00:39:28,900 {\an7}BUT DID THEY? 739 00:39:28,933 --> 00:39:30,935 {\an7}KURIN WENT BACK THROUGH THE RECORDS 740 00:39:30,969 --> 00:39:34,239 {\an7}\h\h\h\hAND INVESTIGATED ALL THEIR LIFESPANS. 741 00:39:34,272 --> 00:39:36,641 {\an7}\h\hKurin: THE AVERAGE LIFE EXPECTANCY OF PEOPLE 742 00:39:36,674 --> 00:39:39,010 {\an7}\h\h\h\h\h\h\h\h\h\hTHAT HAVE OWNED THE HOPE DIAMOND, DIRECT OWNERS, 743 00:39:39,043 --> 00:39:41,112 {\an7}IS ABOUT 72 YEARS OLD. 744 00:39:41,145 --> 00:39:43,381 {\an7}THAT IS QUITE A LONG LIFESPAN, 745 00:39:43,414 --> 00:39:46,117 {\an7}CONSIDERING THAT WE’RE TALKING ABOUT PEOPLE, YOU KNOW, 746 00:39:46,150 --> 00:39:48,886 {\an7}LIKE TAVERNIER AND KINGS OF FRANCE 747 00:39:48,920 --> 00:39:54,926 {\an7}THAT LIVED IN THE 17th \h\h\h\hAND 18th CENTURIES. 748 00:39:54,959 --> 00:39:58,129 {\an7}\h\h\hYOU FIND THAT ACTUALLY PEOPLE THAT HAVE OWNED THE HOPE DIAMOND 749 00:39:58,162 --> 00:40:00,598 {\an7}LIVED EXTRAORDINARILY \h\h\h\h\h\hLONG LIVES, 750 00:40:00,698 --> 00:40:03,501 {\an7}LONGER THAN THE AVERAGE. 751 00:40:03,534 --> 00:40:06,270 {\an7}Narrator: THERE COULD ONLY BE \h\h\h\h\h\h\h\hONE CONCLUSION-- 752 00:40:06,304 --> 00:40:08,640 {\an7}THE CURSE WAS AN INVENTION, 753 00:40:08,673 --> 00:40:11,142 {\an7}THE BRAINCHILD OF PIERRE CARTIER, 754 00:40:11,175 --> 00:40:13,411 {\an7}\h\hWHO FABRICATED THE TALLEST OF TALES 755 00:40:13,444 --> 00:40:17,315 {\an7}TO WHET EVALYN WALSH McLEAN’S \h\h\h\hAPPETITE FOR THE DIAMOND. 756 00:40:19,317 --> 00:40:23,521 {\an7}\hCARTIER’S BRILLIANT SALES PITCH HAD CREATED FOR THE HOPE DIAMOND 757 00:40:23,554 --> 00:40:25,856 {\an7}A LEGENDARY MYSTIQUE \h\h\h\hTHAT ELEVATED IT 758 00:40:25,890 --> 00:40:29,394 {\an7}INTO ONE OF THE WORLD’S \h\hMOST VALUABLE ARTIFACTS. 759 00:40:34,999 --> 00:40:39,804 {\an7}IT HAS SURVIVED GREAT JOURNEYS, DRAMATIC DISAPPEARANCES 760 00:40:39,837 --> 00:40:42,740 {\an7}AND RADICAL RE-DESIGNS. 761 00:40:42,774 --> 00:40:47,078 {\an7}AND NOW, IT’S ABOUT TO GET ANOTHER. 762 00:40:47,111 --> 00:40:49,480 {\an7}HARRY WINSTON IS PUTTING THE FINISHING TOUCHES 763 00:40:49,514 --> 00:40:52,150 {\an7}ON THE HOPE DIAMOND’S \h\h\h\hNEW SETTING. 764 00:40:59,624 --> 00:41:02,594 {\an7}David Schwartz: IN ORDER TO CREATE A PIECE OF ART 765 00:41:02,627 --> 00:41:03,795 {\an7}THAT’S WEARABLE, 766 00:41:03,828 --> 00:41:07,298 {\an7}THAT ACTUALLY CONFORMS \h\hTO THE WEARER’S NECK, 767 00:41:07,332 --> 00:41:08,867 {\an7}IS ALWAYS A CHALLENGE. 768 00:41:08,900 --> 00:41:11,269 {\an7}AND WHAT WE ARE DOING \h\h\h\hIN THIS CASE 769 00:41:11,336 --> 00:41:14,940 {\an7}IS WE ARE ACTUALLY HINGING \h\hEVERY SINGLE SETTING. 770 00:41:15,039 --> 00:41:19,410 {\an7}\h\hAND IN ORDER TO CREATE THIS FLUID, VERY FEMININE DESIGN, 771 00:41:19,444 --> 00:41:24,316 {\an7}IN PLATINUM, WITH 300 STONES \h\hAND 60 CARATS OF DIAMONDS, 772 00:41:24,415 --> 00:41:30,388 {\an7}\h\h\h\hIT’S A TREMENDOUS AMOUNT OF WORKMANSHIP THAT GOES INTO IT. 773 00:41:30,421 --> 00:41:32,523 {\an7}WE’VE ACTUALLY ACCOMPLISHED \h\h\h\h\h\h\h\hA NECKLACE 774 00:41:32,557 --> 00:41:34,893 {\an7}THAT WOULD NORMALLY TAKE ABOUT A YEAR TO MAKE 775 00:41:34,926 --> 00:41:37,796 {\an7}WITHIN ABOUT 8 MONTHS. 776 00:41:37,929 --> 00:41:42,000 {\an7}\h\h\h\hSO FOR US IT WAS A BIT OF A LABOR OF LOVE. 777 00:42:09,527 --> 00:42:12,797 {\an7}\h\h\h\h\h\h\h\h\h\hNarrator: DAVID SCHWARTZ AND HIS TEAM BRING THE COMPLETED SETTING 778 00:42:12,897 --> 00:42:15,166 {\an7}TO THE NATURAL HISTORY MUSEUM. 779 00:42:15,233 --> 00:42:16,801 {\an7}Schwartz: THE EMBRACING HOPE \h\h\h\h\h\h\h\h\h\h\h\hNECKLACE. 780 00:42:16,834 --> 00:42:18,069 {\an7}Post: OH, MY GOSH. WOW! 781 00:42:18,102 --> 00:42:19,470 {\an7}THAT IS SPECTACULAR! 782 00:42:19,504 --> 00:42:21,673 {\an7}ALL WE NEED IS A DIAMOND IN THE CENTER THERE. 783 00:42:21,706 --> 00:42:24,175 {\an7}\h\h\h\h\h\h\h\hSchwartz: YEAH, THAT’S ALL WE NEED. 784 00:42:24,208 --> 00:42:26,010 {\an7}IT’S READY FOR THE HOPE. 785 00:42:26,110 --> 00:42:27,878 {\an7}Post: IT DOES LOOK LIKE IT WAS MADE FOR IT, DOESN’T IT? 786 00:42:27,912 --> 00:42:29,847 {\an7}Schwartz: EXACTLY. 787 00:42:29,881 --> 00:42:32,117 {\an7}Narrator: NOW THE TRICKY PART. 788 00:42:33,951 --> 00:42:35,653 {\an7}IT’S BEEN A HUNDRED YEARS 789 00:42:35,686 --> 00:42:38,756 {\an7}SINCE THE HOPE DIAMOND WAS PUT IN A NEW SETTING. 790 00:42:38,790 --> 00:42:41,559 {\an7}[CLASSICAL MUSIC PLAYING] 791 00:42:48,733 --> 00:42:51,336 {\an7}[SAWING] 792 00:42:51,369 --> 00:42:58,209 {\an7}ONE WRONG MOVE COULD DAMAGE THE WORLD’S MOST VALUABLE GEMSTONE. 793 00:42:58,242 --> 00:43:01,045 {\an7}BUT IT’S IN MASTERFUL HANDS. 794 00:43:01,079 --> 00:43:05,584 {\an7}PAVEL BESPALKO HAS BEEN CRAFTING JEWELRY FOR OVER 30 YEARS. 795 00:43:05,616 --> 00:43:09,887 {\an7}[CLASSICAL MUSIC PLAYING] 796 00:43:09,921 --> 00:43:12,257 {\an7}\h\h\h\hONE OF HIS SECRETS IS LISTENING TO CHOPIN 797 00:43:12,290 --> 00:43:15,693 {\an7}TO MAINTAIN HIS CONCENTRATION. 798 00:43:17,361 --> 00:43:19,864 {\an7}\h\h\h\h\h\hWINSTON HAS BROUGHT HIS WORK BENCH FROM NEW YORK 799 00:43:19,897 --> 00:43:23,100 {\an7}\h\h\h\hTO ENSURE HE HAS EVERYTHING HE NEEDS. 800 00:43:31,742 --> 00:43:33,110 {\an7}Bespalko: THAT’S IT! 801 00:43:33,144 --> 00:43:34,979 {\an7}[APPLAUSE] 802 00:43:37,682 --> 00:43:40,051 {\an7}Narrator: A SINGLE SCREW \h\hIS ALL IT TAKES 803 00:43:40,084 --> 00:43:44,889 {\an7}TO HOLD THE SET DIAMOND IN ITS RIBBONS OF PLATINUM. 804 00:43:44,922 --> 00:43:47,191 {\an7}de Narp: I FIND THE DESIGN \h\hEXTREMELY INSPIRING. 805 00:43:47,225 --> 00:43:48,827 {\an7}I JUST PERSONALLY LOVE IT. 806 00:43:48,860 --> 00:43:51,029 {\an7}YOU REALLY SEE THERE \h\h\h\hTHE TWO HANDS 807 00:43:51,062 --> 00:43:54,933 {\an7}\h\hOF SOMEBODY HOLDING THE WORLD, HOLDING THE RAREST GEM ON EARTH. 808 00:43:54,966 --> 00:43:56,234 {\an7}AND IT IS A SYMBOL OF GENEROSITY 809 00:43:56,267 --> 00:43:59,270 {\an7}WHEN YOU PUT YOUR TWO HANDS \h\h\h\h\h\h\h\hLIKE THAT. 810 00:44:01,806 --> 00:44:03,574 {\an7}Narrator: TO SHOWCASE \h\h\h\hTHE NEW SETTING, 811 00:44:03,741 --> 00:44:06,544 {\an7}THE MUSEUM HAS TAPPED \h\h\h\hA HOMETOWN GIRL: 812 00:44:06,577 --> 00:44:08,946 {\an7}ESTEE LAUDER MODEL HILARY RHODA. 813 00:44:08,980 --> 00:44:10,949 {\an7}\h\h\h\hRhoda: I’M ACTUALLY FROM CHEVY CHASE, MARYLAND, 814 00:44:10,982 --> 00:44:12,851 {\an7}\h\h\h\hAND THAT’S WHY IT’S ALSO REALLY NICE TO COME BACK HERE 815 00:44:12,950 --> 00:44:14,118 {\an7}AND TO THE SMITHSONIAN 816 00:44:14,152 --> 00:44:18,423 {\an7}AND SHOOT THIS AMAZING DIAMOND ON MY NECK. 817 00:44:18,456 --> 00:44:21,993 {\an7}IT DOES FEEL HEAVY. 818 00:44:22,093 --> 00:44:24,195 {\an7}I’M FEELING VERY EXPENSIVE \h\h\h\h\h\h\h\hRIGHT NOW. 819 00:44:26,364 --> 00:44:28,666 {\an7}MY MOM AND I WERE WALKING INTO THE MUSEUM TODAY 820 00:44:28,699 --> 00:44:31,001 {\an7}\h\h\h\h\h\h\h\hAND SHE’S LIKE, "YOU KNOW IT’S CURSED, RIGHT?" 821 00:44:31,035 --> 00:44:32,470 {\an7}AND I WAS LIKE, "WHAT? NO!" 822 00:44:32,503 --> 00:44:35,139 {\an7}I LOOKED IT UP, AND YOU KNOW, 823 00:44:35,239 --> 00:44:37,942 {\an7}APPARENTLY IT’S JUST AN URBAN MYTH, RIGHT? 824 00:44:37,975 --> 00:44:39,176 {\an7}I’M HOPING? 825 00:44:44,515 --> 00:44:46,684 {\an7}\h\h\h\h\h\h\h\h\h\h\h\hNarrator: 50th ANNIVERSARY PARTY DRESS 826 00:44:46,717 --> 00:44:48,786 {\an7}WILL BE ON DISPLAY FOR A YEAR 827 00:44:48,819 --> 00:44:52,523 {\an7}BEFORE THE DIAMOND RETURNS TO ITS HISTORICAL SETTING. 828 00:44:56,294 --> 00:44:58,363 {\an7}\h\h\h\h\h\hPost: WE FOCUS A LOT ON THE HISTORY OF THE HOPE DIAMOND. 829 00:44:58,529 --> 00:44:59,964 {\an7}WE’RE THINKING ABOUT THAT 830 00:45:00,131 --> 00:45:01,399 {\an7}AS SOMETHING THAT’S ALWAYS \h\hHAPPENED A LONG TIME AGO, 831 00:45:01,432 --> 00:45:02,700 {\an7}WHICH IN A SENSE IT HAS, 832 00:45:02,733 --> 00:45:05,169 {\an7}\h\h\h\hEXCEPT TONIGHT IS PART OF HISTORY, TOO. 833 00:45:05,203 --> 00:45:07,772 {\an7}\h\h\h\hAND THE HISTORY OF THE HOPE DIAMOND CONTINUES. 834 00:45:07,872 --> 00:45:10,174 {\an7}AND AS LONG AS PEOPLE COME \h\h\h\hTO SEE THIS DIAMOND 835 00:45:10,208 --> 00:45:11,476 {\an7}OR HAVE AN INTEREST IN IT, 836 00:45:11,576 --> 00:45:14,646 {\an7}\h\h\h\hWHATEVER HAPPENS TO IT WILL BECOME PART OF THAT STORY. 837 00:45:20,751 --> 00:45:22,219 {\an7}IT’S FUN TO IN A SENSE 838 00:45:22,253 --> 00:45:23,955 {\an7}BE A PART OF THIS MOMENT \h\hIN ITS HISTORY 839 00:45:23,988 --> 00:45:26,991 {\an7}AND REALIZE THAT IT IS SOMETHING VERY SPECIAL. 840 00:45:32,597 --> 00:45:34,299 {\an7}Rhoda’s mother: HER BIRTHSTONE IS THE DIAMOND, 841 00:45:34,332 --> 00:45:38,469 {\an7}AND HER MONOGRAM IS H.R.H., 842 00:45:38,502 --> 00:45:40,838 {\an7}HER ROYAL HIGHNESS, WHICH IS, I THINK, 843 00:45:40,871 --> 00:45:42,406 {\an7}VERY FITTING, VERY REGAL. 844 00:45:42,440 --> 00:45:46,210 {\an7}de Narp: THIS STONE CARRIES \h\h\h\hMORE THAN 350 YEARS 845 00:45:46,244 --> 00:45:49,380 {\an7}OF THE MOST INCREDIBLE HISTORY, 846 00:45:49,413 --> 00:45:52,349 {\an7}AND THAT MAKES THE HOPE DIAMOND THE RAREST GEM 847 00:45:52,383 --> 00:45:54,619 {\an7}AND THE MOST MYTHICAL STONE 848 00:45:54,652 --> 00:45:56,587 {\an7}ON EARTH. 102025

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