All language subtitles for Mystery of the Hope Diamond 1080p EN SUB
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (SoranĂ®)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,238 --> 00:00:07,007
{\an7}Narrator: IT’S NIGHT
\h\hAT THE MUSEUM.
2
00:00:07,107 --> 00:00:10,611
{\an7}INSIDE THE SMITHSONIAN
INSTITUTION IN WASHINGTON,
3
00:00:10,644 --> 00:00:13,647
{\an7}THE LAST VISITOR HAS LEFT.
4
00:00:13,680 --> 00:00:16,016
{\an7}THE DINOSAURS ARE ALONE.
5
00:00:16,183 --> 00:00:21,822
{\an7}THE NORTH ATLANTIC RIGHT WHALE
HAS ONLY GUARDS FOR COMPANY.
6
00:00:21,855 --> 00:00:26,493
{\an7}\h\h\h\h\h\h\h\hBUT ON THIS NIGHT,
SOMETHING STRANGE IS HAPPENING.
7
00:00:26,527 --> 00:00:30,031
{\an7}THE MOST FAMOUS AND MYSTERIOUS
DIAMOND IN THE WORLD
8
00:00:30,063 --> 00:00:33,900
{\an7}\h\h\h\hIS BEING TAKEN FROM
ITS BOMB-PROOF CABINET.
9
00:00:33,934 --> 00:00:37,871
{\an7}\h\hTHE HOPE DIAMOND,
AT 45.5 CARATS,
10
00:00:37,905 --> 00:00:41,308
{\an7}THE BIGGEST DEEP BLUE DIAMOND
\h\h\h\h\h\h\h\hEVER DISCOVERED,
11
00:00:41,341 --> 00:00:46,813
{\an7}IS ABOUT TO GO UNDER THE DRILL
TO REVEAL ITS INNER SECRETS.
12
00:00:46,847 --> 00:00:50,484
{\an7}HUNDREDS OF MILLIONS OF ATOMS
\h\h\h\hWILL BE BLASTED OUT OF IT
13
00:00:50,517 --> 00:00:51,918
{\an7}AND OPEN UP A WINDOW
14
00:00:51,952 --> 00:00:57,524
{\an7}\h\h\h\hINTO A WORLD
OVER A BILLION YEARS OLD.
15
00:00:57,558 --> 00:00:58,759
{\an7}Man: THE HOPE DIAMOND
16
00:00:58,859 --> 00:01:01,829
{\an7}\h\hIS ONE OF THE WORLD’S
MOST UNIQUE CREATIONS.
17
00:01:01,862 --> 00:01:03,330
{\an7}IT’S A LITTLE BIT
LIKE A METEORITE
18
00:01:03,363 --> 00:01:05,365
{\an7}THAT’S FALLEN TO THE EARTH
\h\h\h\h\h\hFROM OUTER SPACE.
19
00:01:05,399 --> 00:01:07,401
{\an7}Narrator: THE HOPE DIAMOND
\h\hDOES NOT JUST CONTAIN
20
00:01:07,434 --> 00:01:08,969
{\an7}A SCIENTIFIC MYSTERY.
21
00:01:09,002 --> 00:01:12,439
{\an7}IT HAS ALSO SPAWNED
A LEGENDARY CURSE.
22
00:01:12,472 --> 00:01:14,107
{\an7}\h\hWoman: IT’S GOT THIS
FABULOUSLY COMPLICATED
23
00:01:14,141 --> 00:01:15,676
{\an7}AND DRAMATIC HISTORY.
24
00:01:15,709 --> 00:01:18,212
{\an7}\h\h\h\hTHERE ARE SO MANY TWISTS
AND TURNS AND DRAMATIC EVENTS
25
00:01:18,378 --> 00:01:20,513
{\an7}AND HORRIBLE DEATHS
ALONG THE WAY.
26
00:01:20,647 --> 00:01:22,449
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
BEHIND THE HOPE DIAMOND
27
00:01:22,482 --> 00:01:25,952
{\an7}LIES THE GREATEST JEWEL ROBBERY
IN HISTORY,
28
00:01:26,086 --> 00:01:30,457
{\an7}A GLITTERING AMERICAN HEIRESS
\h\h\h\h\h\h\h\hSTRUCK BY TRAGEDY
29
00:01:30,657 --> 00:01:33,793
{\an7}AND AN EXECUTED KING AND QUEEN.
30
00:01:33,827 --> 00:01:37,497
{\an7}Man: THE IDEA THAT HERE’S
\h\h\h\hTHIS DIAMOND
31
00:01:37,531 --> 00:01:41,101
{\an7}THAT HAS TOUCHED THE NECK
OF MARIE ANTOINETTE,
32
00:01:41,134 --> 00:01:44,037
{\an7}\h\hTHAT WAS STOLEN
FROM AN IDOL IN INDIA
33
00:01:44,104 --> 00:01:47,240
{\an7}AND HAS THIS MAGICAL POWER.
34
00:01:47,274 --> 00:01:48,575
{\an7}Narrator: FOR HALF A CENTURY
35
00:01:48,609 --> 00:01:51,846
{\an7}\h\hTHE HOPE DIAMOND HAS BEEN
AMERICA’S CROWN JEWEL.
36
00:01:51,878 --> 00:01:54,013
{\an7}NOW, TO MARK THE ANNIVERSARY,
37
00:01:54,114 --> 00:01:56,249
{\an7}MASTER CRAFTSMEN
AT HARRY WINSTON
38
00:01:56,350 --> 00:02:01,288
{\an7}\h\h\h\h\h\hARE CREATING A NEW SETTING
SELECTED BY THE AMERICAN PEOPLE.
39
00:02:04,358 --> 00:02:06,527
{\an7}Man: WHEN YOU LOOK AT THE HOPE,
YOU ARE NOT THE SAME.
40
00:02:06,560 --> 00:02:09,963
{\an7}THIS TRANSFORMS YOUR VISION
INTO THE WORLD OF GEMS.
41
00:02:09,997 --> 00:02:12,299
{\an7}\h\h\h\hNarrator: THIS IS
THE ASTONISHING STORY
42
00:02:12,332 --> 00:02:14,501
{\an7}OF THE HOPE DIAMOND.
43
00:02:26,113 --> 00:02:27,982
{\an7}Narrator: THE NATIONAL MUSEUM
\h\h\h\h\h\hOF NATURAL HISTORY
44
00:02:28,081 --> 00:02:31,484
{\an7}IN WASHINGTON, D.C.
45
00:02:31,518 --> 00:02:35,856
{\an7}HERE, PROTECTED BY A THICK LAYER
OF BULLET AND BOMB-PROOF GLASS,
46
00:02:35,889 --> 00:02:38,825
{\an7}LIES THE MOST VISITED EXHIBIT
\h\h\h\h\h\hON THE PLANET.
47
00:02:38,992 --> 00:02:42,996
{\an7}\h\hIT ATTRACTS ABOUT AS MANY
VISITORS AS THE MONA LISA.
48
00:02:43,130 --> 00:02:46,600
{\an7}WHAT MAKES THE HOPE DIAMOND
SO SPECIAL AND ALLURING
49
00:02:46,633 --> 00:02:48,068
{\an7}IS ITS UNIQUE COMBINATION
50
00:02:48,101 --> 00:02:53,306
{\an7}OF SIZE, NEAR PERFECT CLARITY
\h\h\h\hAND DEEP BLUE COLOR.
51
00:02:53,340 --> 00:02:55,542
{\an7}\h\hIT TOWERS OVER
THE SINGLE CARAT DIAMOND
52
00:02:55,575 --> 00:02:58,344
{\an7}TYPICAL OF AN ENGAGEMENT RING,
53
00:02:58,378 --> 00:03:01,548
{\an7}BUT THE HOPE ALSO CONTAINS
ONE MYSTERIOUS PROPERTY
54
00:03:01,581 --> 00:03:02,882
{\an7}THAT IS THE SUBJECT
55
00:03:02,916 --> 00:03:06,086
{\an7}\h\hOF A LONG RUNNING
SCIENTIFIC PUZZLE.
56
00:03:09,489 --> 00:03:12,258
{\an7}ONE NIGHT IN THE LATE 1960s,
57
00:03:12,292 --> 00:03:13,894
{\an7}SCIENTISTS IN SOUTH AFRICA
58
00:03:13,927 --> 00:03:17,497
{\an7}PLACED THE HOPE DIAMOND
\h\hUNDER ULTRAVIOLET LIGHT.
59
00:03:17,531 --> 00:03:19,733
{\an7}NOTHING HAPPENED...
60
00:03:19,766 --> 00:03:22,202
{\an7}UNTIL THE LIGHT
\h\hWAS SWITCHED OFF.
61
00:03:22,335 --> 00:03:26,973
{\an7}\hINCREDIBLY, THE DIAMOND EMITTED
AN ALMOST SUPERNATURAL RED GLOW.
62
00:03:27,007 --> 00:03:29,376
{\an7}IT CONTINUED TO GLOW
\h\hFOR UP TO A MINUTE,
63
00:03:29,409 --> 00:03:32,479
{\an7}AN EFFECT NEVER SEEN BEFORE.
64
00:03:32,512 --> 00:03:36,549
{\an7}\h\h\h\h\h\hDR. JEFFREY POST, CURATOR
OF THE NATIONAL GEM COLLECTION,
65
00:03:36,717 --> 00:03:40,087
{\an7}HAS STUDIED THE HOPE
\h\h\h\hFOR TWO DECADES.
66
00:03:40,120 --> 00:03:43,991
{\an7}Post: THIS GLOW WAS SOMETHING
THAT CLUED US IN TO THE IDEA
67
00:03:44,024 --> 00:03:47,027
{\an7}THAT THERE HAD TO BE SOMETHING
ABOUT THIS DIAMOND
68
00:03:47,127 --> 00:03:50,163
{\an7}THAT MADE IT DIFFERENT
\h\hTHAN MOST OTHER DIAMONDS.
69
00:03:50,197 --> 00:03:54,101
{\an7}WE’VE NEVER SEEN THIS INTENSITY
IN ANY OTHER DIAMOND.
70
00:03:55,969 --> 00:03:57,671
{\an7}Narrator: BUT WHAT WAS
\h\h\h\hTHAT SOMETHING
71
00:03:57,704 --> 00:04:00,840
{\an7}CREATING THIS MYSTERIOUS
\h\h\h\h\h\h\h\hRED GLOW?
72
00:04:00,874 --> 00:04:03,944
{\an7}SOME BELIEVED THE ANSWER
COULD BE FOUND IN HISTORY
73
00:04:03,977 --> 00:04:08,181
{\an7}OR EVEN IN LEGEND.
74
00:04:08,215 --> 00:04:10,617
{\an7}BUT FOR THE SMITHSONIAN’S
\h\h\h\h\h\h\h\hEXPERTS,
75
00:04:10,650 --> 00:04:14,387
{\an7}\h\h\h\h\h\h\h\h\h\hIT WAS A QUESTION
THAT ONLY SCIENCE COULD SOLVE.
76
00:04:14,421 --> 00:04:16,089
{\an7}\h\h\h\hTHE FIRST STAGE
OF THEIR INVESTIGATION
77
00:04:16,123 --> 00:04:18,659
{\an7}WAS TO GO BACK IN TIME,
78
00:04:18,759 --> 00:04:24,265
{\an7}\h\h\h\hTO PLANET EARTH
BILLIONS OF YEARS AGO.
79
00:04:24,297 --> 00:04:26,766
{\an7}WHAT EVENTUALLY BECAME
\h\h\h\h\h\hTHE HOPE DIAMOND
80
00:04:26,800 --> 00:04:28,068
{\an7}WAS FIRST CREATED
81
00:04:28,101 --> 00:04:31,938
{\an7}AROUND 100 MILES BELOW
\h\hTHE SURFACE OF THE EARTH
82
00:04:31,972 --> 00:04:35,309
{\an7}IN A LAYER CALLED
THE UPPER MANTLE.
83
00:04:35,408 --> 00:04:37,010
{\an7}LIKE EVERY OTHER DIAMOND,
84
00:04:37,043 --> 00:04:40,813
{\an7}IT BEGAN LIFE AS A CLUSTER
\h\h\h\h\h\hOF CARBON ATOMS.
85
00:04:40,847 --> 00:04:42,716
{\an7}UNDER EXTREME PRESSURE AND HEAT,
86
00:04:42,749 --> 00:04:47,654
{\an7}THE ATOMS FORMED INTO THE RIGID
CRYSTAL STRUCTURE OF DIAMOND.
87
00:04:47,687 --> 00:04:49,289
{\an7}BUT TO GET TO THE SURFACE,
88
00:04:49,389 --> 00:04:52,659
{\an7}A DIAMOND HAS TO SURVIVE
\h\hA PERILOUS JOURNEY.
89
00:04:55,729 --> 00:04:57,731
{\an7}\h\hPost: THE DIAMOND
IS A PASSENGER.
90
00:04:57,764 --> 00:05:00,634
{\an7}\h\hWE’VE GOT MOLTEN MAGMA
THAT’S NOW PUSHING, ERUPTING
91
00:05:00,667 --> 00:05:02,002
{\an7}TOWARDS THE SURFACE
\h\hOF THE EARTH.
92
00:05:02,035 --> 00:05:03,904
{\an7}IT CARRIES THE DIAMOND WITH IT.
93
00:05:03,937 --> 00:05:05,972
{\an7}NOW THIS ERUPTION IS SO VIOLENT,
94
00:05:06,006 --> 00:05:07,875
{\an7}IT GETS TO THE SURFACE
\h\h\h\h\h\hOF THE EARTH
95
00:05:07,908 --> 00:05:09,443
{\an7}IN A MATTER OF A FEW HOURS.
96
00:05:09,609 --> 00:05:12,879
{\an7}THESE DIAMONDS ARE TRAVELING
\h\h\h\hAT 30, 40 MILES PER HOUR.
97
00:05:12,913 --> 00:05:15,315
{\an7}THE DIAMOND COULD HAVE BEEN
DESTROYED DURING THIS.
98
00:05:15,348 --> 00:05:17,984
{\an7}IF THE DIAMOND TRAVELED
TOO SLOWLY TO THE SURFACE,
99
00:05:18,018 --> 00:05:20,153
{\an7}IT WOULD CHANGE FROM DIAMOND
\h\h\h\h\h\h\h\hTO GRAPHITE.
100
00:05:20,187 --> 00:05:21,922
{\an7}AGAIN, THE DIAMOND
WOULD BE DESTROYED.
101
00:05:21,955 --> 00:05:23,356
{\an7}YOU KNOW, MAYBE
\h\hONE IN A MILLION,
102
00:05:23,390 --> 00:05:24,691
{\an7}ONE IN A BILLION DIAMONDS
\h\hTHAT ARE DOWN THERE
103
00:05:24,791 --> 00:05:26,826
{\an7}ACTUALLY MAKE IT TO THE SURFACE.
104
00:05:29,996 --> 00:05:31,464
{\an7}\h\h\h\h\h\h\h\hNarrator:
AFTER THE DIAMOND CRYSTAL
105
00:05:31,498 --> 00:05:33,500
{\an7}SURVIVED ITS JOURNEY
\h\hTO THE SURFACE,
106
00:05:33,533 --> 00:05:36,469
{\an7}THE MOLTEN ROCK COOLED
\h\h\h\hAND SOLIDIFIED,
107
00:05:36,570 --> 00:05:39,239
{\an7}ENTOMBING THE DIAMOND.
108
00:05:39,272 --> 00:05:43,309
{\an7}\h\h\h\h\h\hOVER MILLIONS OF YEARS,
THE MOLTEN VOLCANIC ROCK ERODED,
109
00:05:43,343 --> 00:05:45,846
{\an7}RELEASING THE DIAMOND
TO BE WASHED ALONG RIVERS
110
00:05:45,879 --> 00:05:48,281
{\an7}IN THE SUB-CONTINENT OF INDIA,
111
00:05:48,315 --> 00:05:52,753
{\an7}FINALLY COMING TO REST
\h\h\h\hIN GRAVEL DEPOSITS.
112
00:05:52,786 --> 00:05:56,056
{\an7}\h\hAND THAT WAS WHERE,
IN THE MID 17th CENTURY,
113
00:05:56,089 --> 00:06:00,026
{\an7}\h\hHUMAN EYES FIRST GAZED UPON
THE LARGEST DEEP BLUE DIAMOND
114
00:06:00,060 --> 00:06:02,396
{\an7}THE WORLD HAS EVER SEEN.
115
00:06:04,130 --> 00:06:09,469
{\an7}THE HOPE DIAMOND WAS ABOUT TO
EMBARK ON A 350-YEAR JOURNEY.
116
00:06:09,502 --> 00:06:11,170
{\an7}IT WOULD POSE A SET OF RIDDLES
117
00:06:11,271 --> 00:06:16,476
{\an7}ENCOMPASSING SCIENCE, HISTORY
\h\hAND A LEGENDARY CURSE.
118
00:06:21,214 --> 00:06:23,783
{\an7}\h\h\h\hBUT IT WASN’T UNTIL
THE EARLY 20th CENTURY
119
00:06:23,817 --> 00:06:26,353
{\an7}THAT THE STORY OF A CURSE
\h\h\h\hFIRST EMERGED
120
00:06:26,386 --> 00:06:28,788
{\an7}\h\h\h\h\h\hAND CAPTURED
THE PUBLIC IMAGINATION.
121
00:06:28,822 --> 00:06:32,793
{\an7}\h\h\h\hAT THE CENTER OF EVENTS
WAS A FAMOUS AMERICAN HEIRESS--
122
00:06:32,826 --> 00:06:36,396
{\an7}EVALYN WALSH McLEAN.
123
00:06:36,429 --> 00:06:37,931
{\an7}1910.
124
00:06:37,964 --> 00:06:41,034
{\an7}EVALYN AND HER HUSBAND NED
\h\hARE ON VACATION IN PARIS.
125
00:06:41,067 --> 00:06:42,302
{\an7}THEY RECEIVE A VISIT
126
00:06:42,335 --> 00:06:44,604
{\an7}FROM ONE OF THE WORLD’S
MOST FAMOUS JEWELERS--
127
00:06:44,638 --> 00:06:46,240
{\an7}PIERRE CARTIER--
128
00:06:46,273 --> 00:06:50,444
{\an7}\h\hA MAN ON CONSTANT LOOKOUT
FOR WEALTHY CUSTOMERS.
129
00:06:50,477 --> 00:06:53,647
{\an7}CARTIER TELLS EVALYN
\h\h\h\hAN AMAZING STORY.
130
00:06:53,680 --> 00:06:55,749
{\an7}HE’S RECENTLY ACQUIRED A DIAMOND
131
00:06:55,782 --> 00:06:58,952
{\an7}OF UNPARALLELED COLOR, SIZE
\h\h\h\h\h\h\h\hAND BEAUTY
132
00:06:58,985 --> 00:07:03,990
{\an7}AND WITH A HISTORY TO SEND
\h\hSHIVERS UP THE SPINE.
133
00:07:04,024 --> 00:07:06,827
{\an7}THE EXPLORER WHO DISCOVERED IT,
HE SAYS,
134
00:07:06,860 --> 00:07:09,296
{\an7}STOLE IT FROM THE EYE
\h\hOF A HINDU GODDESS
135
00:07:09,329 --> 00:07:11,131
{\an7}IN AN INDIAN TEMPLE.
136
00:07:11,164 --> 00:07:15,568
{\an7}HE WAS THEN RIPPED APART
\h\h\h\hBY WILD DOGS.
137
00:07:15,602 --> 00:07:17,771
{\an7}\h\h\h\h\h\h\h\hEVER SINCE,
THERE HAS BEEN A CURSE
138
00:07:17,804 --> 00:07:20,240
{\an7}ON WHOEVER OWNED THE DIAMOND.
139
00:07:20,273 --> 00:07:24,844
{\an7}A FRENCH QUEEN WORE IT AND WAS
BEHEADED AT THE GUILLOTINE.
140
00:07:24,878 --> 00:07:28,215
{\an7}\h\h\h\hTHE NEXT OWNERS, ONE OF
THE RICHEST FAMILIES IN EUROPE,
141
00:07:28,248 --> 00:07:31,418
{\an7}\h\h\h\hWERE PLUNGED
INTO FINANCIAL RUIN.
142
00:07:31,451 --> 00:07:33,720
{\an7}BUT FAR FROM SCARING
\h\h\h\hEVALYN AWAY,
143
00:07:33,887 --> 00:07:35,122
{\an7}PIERRE CARTIER’S STORY
144
00:07:35,155 --> 00:07:37,658
{\an7}ONLY WHETS HER DESIRE
\h\h\h\hFOR THE DIAMOND.
145
00:07:37,691 --> 00:07:40,727
{\an7}\h\hRichard Kurin:
EVALYN WAS TOTALLY TAKEN
\h\hBY CARTIER’S STORY,
146
00:07:40,827 --> 00:07:42,796
{\an7}I THINK SHE WAS
\h\hENTRANCED BY HIM.
147
00:07:42,829 --> 00:07:45,965
{\an7}CARTIER STAGE-MANAGED IT
\h\hSO BEAUTIFULLY,
148
00:07:45,999 --> 00:07:47,334
{\an7}SO HE WAS TELLING THE STORY
149
00:07:47,367 --> 00:07:50,270
{\an7}\h\h\h\h\h\hAND ALL THE TIME
HOLDING IN FRONT OF HIM
150
00:07:50,303 --> 00:07:54,107
{\an7}\h\hTHIS PACKAGE WITH
THE DIAMOND IN IT.
151
00:07:54,207 --> 00:07:57,944
{\an7}Narrator: FOR CARTIER,
\h\hEVALYN IS A PRIME CATCH.
152
00:07:57,978 --> 00:08:00,614
{\an7}SHE AGREES TO A DEAL--
153
00:08:00,647 --> 00:08:05,118
{\an7}SHE’LL BUY THE HOPE DIAMOND
\h\h\h\h\h\hFOR $180,000,
154
00:08:05,151 --> 00:08:08,087
{\an7}OVER $4 MILLION
\h\hIN TODAY’S MONEY.
155
00:08:08,254 --> 00:08:10,523
{\an7}BUT THERE’S ONE PROVISO--
156
00:08:10,557 --> 00:08:12,793
{\an7}IF THE LEGENDARY CURSE
\h\hBRINGS ANYTHING TERRIBLE
157
00:08:12,826 --> 00:08:15,362
{\an7}WITHIN THE NEXT SIX MONTHS,
158
00:08:15,395 --> 00:08:19,399
{\an7}SHE’LL GET HER MONEY BACK.
159
00:08:19,432 --> 00:08:22,468
{\an7}EVALYN REVELED IN HER DIAMOND.
160
00:08:24,037 --> 00:08:26,907
{\an7}Kurin: SO HERE’S EVALYN
\h\h\h\hAT HOME WEARING...
161
00:08:27,007 --> 00:08:31,345
{\an7}SHE’S WEARING A GEM
\h\hAROUND HER NECK.
162
00:08:31,378 --> 00:08:33,680
{\an7}AND THERE’S THE HOPE.
163
00:08:33,713 --> 00:08:35,582
{\an7}SHE LOVED THE CAMERA.
164
00:08:35,615 --> 00:08:38,585
{\an7}SHE’D BECOME HER OWN
\h\h\h\hKIND OF DIRECTOR.
165
00:08:38,618 --> 00:08:40,487
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
EVALYN WALSH McLEAN’S LIFE
166
00:08:40,620 --> 00:08:43,223
{\an7}\h\hHAD BEEN A TRUE
RAGS-TO-RICHES STORY.
167
00:08:43,256 --> 00:08:45,425
{\an7}SHE WAS BORN IN 1886,
168
00:08:45,525 --> 00:08:49,863
{\an7}\h\hTHE DAUGHTER OF A GOLD MINER
WHO STRUCK IT RICH IN COLORADO.
169
00:08:49,896 --> 00:08:53,400
{\an7}\h\h\h\h\h\hAT THE AGE OF 22,
EVALYN MARRIED NED McLEAN,
170
00:08:53,433 --> 00:08:56,303
{\an7}WHOSE FAMILY OWNED BANKS,
\h\h\h\h\h\hA RAILROAD
171
00:08:56,336 --> 00:08:59,105
{\an7}AND THE WASHINGTON POST
\h\h\h\h\h\h\h\hNEWSPAPER.
172
00:08:59,205 --> 00:09:02,175
{\an7}\h\h\h\h\h\hBUYING THE HOPE DIAMOND
WAS THE MOST EXCITING MOMENT YET
173
00:09:02,208 --> 00:09:05,778
{\an7}IN THE SPECTACULAR LIFE
\h\h\h\hOF EVALYN AND NED.
174
00:09:05,812 --> 00:09:09,983
{\an7}Kurin: THEY LIVED A VERY OPULENT
LIFE, HAD EVERYTHING.
175
00:09:10,016 --> 00:09:14,454
{\an7}THEY EVEN BUILT GOLF HOLES
\h\h\h\h\h\hWHEN NED BECAME--
176
00:09:14,487 --> 00:09:18,057
{\an7}\h\hWAS CLOSE TO SENATOR
AND THEN PRESIDENT HARDING.
177
00:09:18,091 --> 00:09:20,760
{\an7}SHE HAD FOUNTAINS AT THE ESTATE,
SO THESE WERE--
178
00:09:20,794 --> 00:09:26,033
{\an7}THIS WAS LIKE BEING IN A MASSIVE
HOLLYWOOD MOVIE IN A WAY.
179
00:09:28,468 --> 00:09:31,037
{\an7}\h\hNarrator: EVALYN
OWNED MANY HOUSES.
180
00:09:31,137 --> 00:09:33,973
{\an7}THE LARGEST ONE STILL STANDING
IS A FABULOUS MANSION
181
00:09:34,007 --> 00:09:36,042
{\an7}\h\h\h\hWHICH WAS ONCE
THE MOST EXPENSIVE PROPERTY
182
00:09:36,076 --> 00:09:38,512
{\an7}IN WASHINGTON, D.C.
183
00:09:38,545 --> 00:09:41,615
{\an7}TODAY, IT’S THE HOME
OF THE INDONESIAN EMBASSY
184
00:09:41,781 --> 00:09:44,284
{\an7}AND EVALYN’S GREAT-GRANDSON,
\h\h\h\h\h\hJOSEPH GREGORY,
185
00:09:44,384 --> 00:09:48,688
{\an7}HAS COME TO VISIT.
186
00:09:48,721 --> 00:09:50,790
{\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h\hGregory:
\h\h\h\h\h\hWHEN YOU FIRST WALK INTO
THE ENTRY HALLWAY OF THE HOUSE,
187
00:09:50,824 --> 00:09:52,259
{\an7}YOU SEE THE TIFFANY GLASS
188
00:09:52,292 --> 00:09:54,027
{\an7}THAT’S IN THE MIDDLE
OF THE ENTRY HALLWAY.
189
00:09:54,060 --> 00:09:56,563
{\an7}NOW, HOW MANY PEOPLE
\h\h\h\hDURING THAT TIME
190
00:09:56,596 --> 00:09:58,198
{\an7}WOULD HAVE SOMETHING LIKE THAT?
191
00:09:58,298 --> 00:09:59,533
{\an7}NOT EVEN THE PRESIDENT
\h\hOF THE UNITED STATES
192
00:09:59,566 --> 00:10:02,636
{\an7}\h\h\h\hCOULD AFFORD
SOMETHING LIKE THAT.
193
00:10:02,702 --> 00:10:04,604
{\an7}\h\h\h\h\h\h\h\hNarrator:
CELEBRITIES, POLITICIANS,
194
00:10:04,637 --> 00:10:07,540
{\an7}EVEN THE AMERICAN PRESIDENT,
\h\h\h\h\h\hWARREN G. HARDING,
195
00:10:07,574 --> 00:10:10,077
{\an7}ALL FLOCKED TO EVALYN’S PARTIES,
196
00:10:10,110 --> 00:10:13,113
{\an7}\h\hKNOWING THEY WERE IN
FOR AN UNFORGETTABLE NIGHT
197
00:10:13,146 --> 00:10:15,815
{\an7}WITH THE HOPE DIAMOND
\h\h\h\hAT THE CENTER
198
00:10:15,915 --> 00:10:19,018
{\an7}ON A MOST UNUSUAL MODEL.
199
00:10:19,052 --> 00:10:21,888
{\an7}Kurin: SHE HAD A GREAT DANE
\h\h\h\h\h\h\h\hNAMED MIKE,
200
00:10:21,988 --> 00:10:25,191
{\an7}\h\hAND MIKE WOULD SOMETIMES
WEAR THE HOPE DIAMOND.
201
00:10:31,464 --> 00:10:33,900
{\an7}Narrator: EVALYN NEVER BELIEVED
THAT THE HOPE DIAMOND CURSE
202
00:10:33,933 --> 00:10:36,135
{\an7}WOULD STRIKE HER.
203
00:10:36,169 --> 00:10:39,873
{\an7}\h\hBUT NEARLY 10 YEARS AFTER SHE
FIRST LAID EYES ON THE DIAMOND,
204
00:10:39,906 --> 00:10:42,575
{\an7}HER FAIRYTALE LIFE
WOULD BE SHATTERED.
205
00:10:42,609 --> 00:10:45,645
{\an7}\h\hDEATH AND DISASTER
WOULD STRIKE HER FAMILY.
206
00:10:45,678 --> 00:10:48,080
{\an7}IT WAS A SERIES OF EVENTS
\h\h\h\hTHAT WOULD CEMENT
207
00:10:48,114 --> 00:10:51,818
{\an7}\h\h\h\hTHE IDEA OF A CURSE
IN THE POPULAR IMAGINATION.
208
00:10:55,421 --> 00:10:57,623
{\an7}WAS THERE SOMETHING STRANGE
\h\h\h\hOR SUPERNATURAL
209
00:10:57,657 --> 00:11:00,293
{\an7}ABOUT THE HOPE DIAMOND?
210
00:11:00,426 --> 00:11:03,029
{\an7}\h\h\h\h\h\h\h\hCOULD IT BE RELATED
TO THE MYSTERIOUS RED AFTERGLOW
211
00:11:03,062 --> 00:11:06,866
{\an7}THAT SCIENTISTS FIRST NOTICED
\h\h\h\h\h\h\h\hIN THE 1960s?
212
00:11:09,736 --> 00:11:12,806
{\an7}\h\hPost: LOOKS VERY MUCH LIKE
A GLOWING EMBER, FOR EXAMPLE,
213
00:11:12,839 --> 00:11:14,240
{\an7}IN A BARBECUE GRILL AT NIGHT.
214
00:11:14,274 --> 00:11:15,709
{\an7}YOU LOOK AT THESE GLOWING COALS,
215
00:11:15,742 --> 00:11:20,113
{\an7}AND THAT’S REALLY WHAT
THE DIAMOND REMINDS ME OF.
216
00:11:20,146 --> 00:11:22,181
{\an7}Narrator: SMITHSONIAN SCIENTISTS
WERE BEGINNING TO THINK
217
00:11:22,215 --> 00:11:23,883
{\an7}OF A DARING EXPERIMENT
218
00:11:23,983 --> 00:11:25,985
{\an7}\h\h\h\hWHICH THEY HOPED
WOULD SHOW THE WORLD
219
00:11:26,019 --> 00:11:27,687
{\an7}THAT THE RIDDLE OF THE RED GLOW
220
00:11:27,720 --> 00:11:31,724
{\an7}WAS A MATTER OF SCIENCE,
\h\h\h\hNOT SUPERSTITION.
221
00:11:34,894 --> 00:11:36,763
{\an7}BUT WHILE SCIENCE
WOULD BE ONE TOOL
222
00:11:36,796 --> 00:11:38,698
{\an7}TO INVESTIGATE THE DIAMOND,
223
00:11:38,731 --> 00:11:40,600
{\an7}HISTORY WOULD BE ANOTHER.
224
00:11:49,475 --> 00:11:51,744
{\an7}\h\h\h\h\h\hWAS THERE EVIDENCE
IN THE HOPE DIAMOND’S JOURNEY
225
00:11:51,878 --> 00:11:55,648
{\an7}TO SUPPORT THE IDEA OF A CURSE?
226
00:11:55,748 --> 00:12:01,320
{\an7}\h\h\h\hWHAT WAS FACT
AND WHAT WAS LEGEND?
227
00:12:01,354 --> 00:12:02,989
{\an7}ONE THING WAS CERTAIN--
228
00:12:03,022 --> 00:12:04,891
{\an7}IN THE MID 17TH CENTURY,
229
00:12:04,924 --> 00:12:08,461
{\an7}\h\hA FRENCH EXPLORER,
JEAN BAPTISTE TAVERNIER,
230
00:12:08,494 --> 00:12:10,696
{\an7}TRAVELED TO AN ANCIENT KINGDOM
IN INDIA
231
00:12:10,730 --> 00:12:13,733
{\an7}IN SEARCH OF PRECIOUS GEMSTONES.
232
00:12:13,766 --> 00:12:17,403
{\an7}AT THAT TIME, INDIA WAS
THE ONLY PLACE IN THE WORLD
233
00:12:17,437 --> 00:12:21,074
{\an7}\h\hWHERE DIAMONDS
HAD BEEN DISCOVERED.
234
00:12:21,107 --> 00:12:23,309
{\an7}HISTORIAN OMAR KHALIDI
235
00:12:23,343 --> 00:12:26,346
{\an7}HAS STUDIED TAVERNIER’S
OWN ACCOUNT OF HIS TRAVELS
236
00:12:26,379 --> 00:12:29,382
{\an7}TO A PLACE CALLED GOLKONDA.
237
00:12:29,415 --> 00:12:32,418
{\an7}\h\hKhalidi: IT WAS A TIME
WHEN THE KINGDOM OF GOLKONDA
238
00:12:32,452 --> 00:12:34,921
{\an7}WAS AT THE HEIGHT
OF ITS PROSPERITY
239
00:12:34,954 --> 00:12:38,758
{\an7}\h\h\h\hAND THE CENTER
OF THE WORLD GEM TRADE,
240
00:12:38,791 --> 00:12:42,662
{\an7}\h\h\h\hAND THE PURPOSE
OF TAVERNIER’S JOURNEY
241
00:12:42,729 --> 00:12:50,237
{\an7}\h\h\h\hWAS TO BUY DIAMONDS FOR THE
ROYALTY AND NOBILITY OF FRANCE.
242
00:12:50,270 --> 00:12:52,372
{\an7}Narrator: TAVERNIER WRITES
\h\hOF VISITING A TEMPLE
243
00:12:52,472 --> 00:12:55,976
{\an7}CONTAINING A LARGE HINDU IDOL.
244
00:12:56,009 --> 00:12:58,144
{\an7}Tavernier: "THE GREAT IDOL
\h\h\h\h\h\hON THE ALTAR
245
00:12:58,177 --> 00:13:00,913
{\an7}HAS TWO DIAMONDS FOR HIS EYES,
246
00:13:01,014 --> 00:13:02,983
{\an7}AND THE SMALLEST
OF THESE DIAMONDS
247
00:13:03,016 --> 00:13:06,019
{\an7}WEIGHS ABOUT 40 CARATS."
248
00:13:06,052 --> 00:13:08,688
{\an7}Narrator: TAVERNIER THEN RELATES
AN EXTRAORDINARY STORY
249
00:13:08,721 --> 00:13:10,122
{\an7}OF A LOCAL JEWELER
250
00:13:10,156 --> 00:13:13,493
{\an7}WHO EXTRACTED A DIAMOND
FROM ONE OF THE IDOL’S EYES
251
00:13:13,526 --> 00:13:15,428
{\an7}AND WAS HORRIBLY PUNISHED.
252
00:13:15,461 --> 00:13:17,663
{\an7}Tavernier: "AS HE WAS ABOUT
\h\hTO LEAVE IN THE MORNING,
253
00:13:17,697 --> 00:13:21,100
{\an7}THIS THIEF, THEY SAY,
\h\h\h\hDIED AT THE DOOR
254
00:13:21,134 --> 00:13:23,870
{\an7}AND THE IDOL PERFORMED
\h\h\h\h\h\hTHIS MIRACLE
255
00:13:23,903 --> 00:13:27,106
{\an7}AS A PUNISHMENT OF SACRILEGE."
256
00:13:27,140 --> 00:13:30,810
{\an7}\h\h\h\h\h\h\h\h\h\h\h\h\h\hNarrator:
\h\h\h\hMANY INDIANS BELIEVED THAT
DIAMONDS HAD INHERENT QUALITIES
257
00:13:30,843 --> 00:13:35,014
{\an7}WHICH, DEPENDING ON THEIR COLOR,
COULD SIGNAL DANGER.
258
00:13:35,048 --> 00:13:38,618
{\an7}\h\hKhalidi: DIAMONDS HAD
SIGNIFICANCE BEYOND WEALTH.
259
00:13:38,651 --> 00:13:42,922
{\an7}WHITE DIAMONDS WERE SIGNS
\h\hOF PROSPERITY;
260
00:13:42,955 --> 00:13:46,826
{\an7}RED DIAMONDS WERE ASSOCIATED
\h\h\h\h\h\h\h\hWITH BRAVERY;
261
00:13:46,859 --> 00:13:52,031
{\an7}WHEREAS THE BLUE DIAMONDS
\h\hWERE ASSOCIATED
262
00:13:52,065 --> 00:13:57,203
{\an7}WITH MISFORTUNES, ILL OMEN,
BAD LUCK AND SO FORTH.
263
00:14:00,139 --> 00:14:03,542
{\an7}Narrator: ON DECEMBER 6, 1668,
264
00:14:03,576 --> 00:14:06,979
{\an7}\h\h\h\h\h\hTAVERNIER APPEARS AT
THE FRENCH COURT IN VERSAILLES
265
00:14:07,013 --> 00:14:11,284
{\an7}CARRYING AN ENORMOUS
\h\h\h\hBLUE DIAMOND.
266
00:14:11,317 --> 00:14:13,052
{\an7}THERE IS NO RECORD
\h\hOF HIM REVEALING
267
00:14:13,086 --> 00:14:17,390
{\an7}WHERE OR HOW HE’S OBTAINED IT.
268
00:14:17,423 --> 00:14:21,594
{\an7}\h\h\h\h\h\h\h\hTAVERNIER’S CLIENT IS
EUROPE’S MOST ILLUSTRIOUS KING--
269
00:14:21,694 --> 00:14:24,697
{\an7}LOUIS XIV OF FRANCE.
270
00:14:24,731 --> 00:14:26,800
{\an7}FOR HISTORIAN LUCY WORSLEY,
271
00:14:26,833 --> 00:14:30,470
{\an7}TAVERNIER’S GLITTERING DIAMONDS
WERE THE PERFECT MATCH
272
00:14:30,503 --> 00:14:33,940
{\an7}FOR THE MONARCH WHO CALLED
HIMSELF "THE SUN KING."
273
00:14:34,040 --> 00:14:35,675
{\an7}\h\h\h\h\h\h\h\hWorsley:
WHEN LOUIS XIV WAS HERE,
274
00:14:35,708 --> 00:14:38,778
{\an7}THIS ROOM WAS FULL OF LIGHT
\h\hTHROUGH THE WINDOWS,
275
00:14:38,811 --> 00:14:41,113
{\an7}FROM THE MIRRORS,
FROM THE CANDLES,
276
00:14:41,147 --> 00:14:43,750
{\an7}\h\h\h\h\h\hFROM THE SILVER FURNITURE
AND ALSO FROM THE KING HIMSELF
277
00:14:43,783 --> 00:14:46,886
{\an7}AND THE DIAMONDS THAT HE
MIGHT HAVE BEEN WEARING.
278
00:14:46,919 --> 00:14:50,556
{\an7}\h\h\h\h\h\h\h\hNarrator: LOUIS WAS
THE BIGGEST SPENDER OF THE AGE.
279
00:14:50,590 --> 00:14:55,028
{\an7}\h\hHE SINGLE-HANDEDLY SPARKED THE
WORLD’S OBSESSION WITH DIAMONDS.
280
00:14:55,061 --> 00:14:58,331
{\an7}\h\h\h\h\h\hWorsley: LOUIS XIV REALLY
CREATED THE MARKET IN DIAMONDS.
281
00:14:58,364 --> 00:15:01,434
{\an7}UP UNTIL HIM, THE JEWEL
\h\hTHAT EVERYONE HAD WANTED
282
00:15:01,467 --> 00:15:03,569
{\an7}\h\h\h\hWAS THE PEARL,
PEARLS WERE THE THING,
283
00:15:03,603 --> 00:15:05,672
{\an7}BUT SUDDENLY TAVERNIER
\h\h\h\hARRIVES FROM INDIA
284
00:15:05,705 --> 00:15:07,840
{\an7}\h\h\h\hWITH ALL OF THESE
FABULOUS NEW STONES,
285
00:15:07,874 --> 00:15:12,912
{\an7}AND LOUIS XIV BUYS 40 BIG ONES
AND 1,200 LITTLE ONES,
286
00:15:12,945 --> 00:15:14,213
{\an7}\h\h\h\hHAS THEM CUT,
STARTS WEARING THEM,
287
00:15:14,247 --> 00:15:16,249
{\an7}\h\hSUDDENLY EVERYONE
WANTS DIAMONDS,
288
00:15:16,282 --> 00:15:18,017
{\an7}THEY’RE THE NEW CRAZE.
289
00:15:18,050 --> 00:15:21,554
{\an7}Narrator: TAVERNIER GROWS RICH
FROM THIS NEW EUROPEAN CRAZE,
290
00:15:21,621 --> 00:15:24,557
{\an7}NETTING THE EQUIVALENT
\h\hOF NEARLY $10 MILLION
291
00:15:24,657 --> 00:15:26,659
{\an7}FOR HIS INDIAN DIAMONDS,
292
00:15:26,692 --> 00:15:30,095
{\an7}BUT THE MOST DESIRABLE OF ALL
\h\h\h\h\h\hAND LOUIS’ FAVORITE
293
00:15:30,129 --> 00:15:34,266
{\an7}\h\hIS AN ENORMOUS
115-CARAT DARK BLUE.
294
00:15:36,235 --> 00:15:38,070
{\an7}BUT LOUIS IS NOT FULLY SATISFIED
295
00:15:38,104 --> 00:15:40,773
{\an7}WITH THE DIAMOND TAVERNIER
\h\h\h\h\h\hHAS BROUGHT HIM.
296
00:15:40,807 --> 00:15:44,711
{\an7}HE’S WILLING TO CUT DOWN
\h\hA 115-CARAT DIAMOND
297
00:15:44,744 --> 00:15:48,915
{\an7}TO CREATE SOMETHING
EVEN MORE DAZZLING.
298
00:15:48,948 --> 00:15:52,285
{\an7}THE SCIENCE OF CUTTING DIAMONDS
TO ENHANCE THEIR BRILLIANCE
299
00:15:52,318 --> 00:15:53,452
{\an7}IS STILL NEW,
300
00:15:53,486 --> 00:15:54,787
{\an7}BUT LOUIS’ COURT JEWELER
301
00:15:54,921 --> 00:15:57,657
{\an7}\h\hWILL CREATE PERHAPS
THE ULTIMATE EXAMPLE.
302
00:15:57,690 --> 00:16:01,661
{\an7}HE GRINDS AND POLISHES
\h\h\h\h\h\h63 NEW FACETS
303
00:16:01,761 --> 00:16:03,963
{\an7}TO CREATE THE FRENCH BLUE.
304
00:16:03,996 --> 00:16:08,901
{\an7}\h\h\h\hIN THE PROCESS,
HE SHRINKS IT TO 69 CARATS.
305
00:16:09,001 --> 00:16:11,971
{\an7}Post: IT WAS REALLY A MASTERFUL
CUTTING JOB OF THE DAY.
306
00:16:12,104 --> 00:16:14,907
{\an7}I MEAN, YOU CAN ONLY IMAGINE
HOW LONG IT MUST HAVE TAKEN,
307
00:16:14,941 --> 00:16:16,843
{\an7}HOW PAINSTAKING
\h\hIT MUST HAVE BEEN
308
00:16:16,876 --> 00:16:19,045
{\an7}WITH THE TOOLS AVAILABLE
\h\h\h\hAT THAT TIME,
309
00:16:19,078 --> 00:16:23,416
{\an7}BUT WHAT RESULTED WAS WHAT WAS
CONSIDERED AT THE TIME BY MANY
310
00:16:23,449 --> 00:16:28,287
{\an7}\h\h\h\h\h\hTO BE THE WORLD’S
MOST BEAUTIFUL DIAMOND.
311
00:16:28,321 --> 00:16:31,891
{\an7}\h\h\h\h\hNarrator: FOR FOUR DECADES,
THE FRENCH BLUE IS IN THE EMBLEM
312
00:16:31,924 --> 00:16:33,993
{\an7}\h\h\h\hOF THE ORDER
OF THE GOLDEN FLEECE,
313
00:16:34,026 --> 00:16:36,862
{\an7}PART OF THE FRENCH CROWN JEWELS.
314
00:16:36,896 --> 00:16:38,931
{\an7}\h\hBUT BY THE END
OF THE 18th CENTURY,
315
00:16:38,965 --> 00:16:42,202
{\an7}\h\h\h\h\h\h\h\hTIME IS RUNNING OUT
FOR THE DECADENT FRENCH ROYALS.
316
00:16:42,235 --> 00:16:44,738
{\an7}AND FOR THE QUEEN,
\h\hMARIE ANTOINETTE,
317
00:16:44,837 --> 00:16:49,875
{\an7}DIAMONDS WILL NOT TURN OUT TO BE
A GIRL’S BEST FRIEND.
318
00:16:49,909 --> 00:16:54,080
{\an7}\h\h\h\hIN JULY 1789,
PUBLIC ANGER SPILLS OVER
319
00:16:54,113 --> 00:16:56,349
{\an7}INTO FULL BLOWN REVOLUTION
320
00:16:56,382 --> 00:17:00,820
{\an7}\h\h\h\h\h\h\h\hAGAINST LOUIS XVI
AND HIS DIAMOND-LOVING QUEEN.
321
00:17:03,122 --> 00:17:07,426
{\an7}PIERRE CARTIER WILL LATER RELISH
TELLING EVALYN WALSH McLEAN
322
00:17:07,460 --> 00:17:09,228
{\an7}THAT MARIE ANTOINETTE
WORE THE FRENCH BLUE
323
00:17:09,262 --> 00:17:11,531
{\an7}AROUND HER DELICATE NECK,
324
00:17:11,664 --> 00:17:16,802
{\an7}A NECK THAT WILL SOON BE CHOPPED
BY THE GUILLOTINE.
325
00:17:16,903 --> 00:17:19,239
{\an7}THE CROWN JEWELS ARE MOVED
\h\h\h\h\h\hTO THIS BUILDING,
326
00:17:19,272 --> 00:17:22,175
{\an7}THE ROYAL WAREHOUSE,
\h\h\h\hFOR SAFEKEEPING.
327
00:17:22,208 --> 00:17:24,377
{\an7}THEY WILL NOT BE SAFE FOR LONG.
328
00:17:31,584 --> 00:17:34,053
{\an7}SEPTEMBER 1792.
329
00:17:34,186 --> 00:17:36,388
{\an7}A GANG OF PROFESSIONAL THIEVES
330
00:17:36,422 --> 00:17:39,592
{\an7}COMMITS THE GREATEST HEIST
\h\h\h\h\h\h\h\hIN HISTORY.
331
00:17:39,692 --> 00:17:43,262
{\an7}THE ROBBERS CLIMB UP THE OUTSIDE
OF THE ROYAL WAREHOUSE.
332
00:17:43,296 --> 00:17:45,198
{\an7}THEY BREAK INTO THE JEWEL ROOM
333
00:17:45,231 --> 00:17:48,334
{\an7}\h\h\h\h\h\hAND TAKE OFF
WITH A GLITTERING HAUL.
334
00:17:48,367 --> 00:17:51,570
{\an7}AMAZINGLY, NO ONE
NOTICES THE THEFT
335
00:17:51,671 --> 00:17:55,241
{\an7}\h\h\h\hAND THEY RETURN
OVER THE NEXT FIVE NIGHTS.
336
00:17:55,374 --> 00:17:59,445
{\an7}BY THE END, THEY GET AWAY WITH
NEARLY ALL THE CROWN JEWELS,
337
00:17:59,478 --> 00:18:00,779
{\an7}A PRICELESS COLLECTION
338
00:18:00,813 --> 00:18:03,182
{\an7}THAT INCLUDES THE ORDER
\h\hOF THE GOLDEN FLEECE
339
00:18:03,215 --> 00:18:06,051
{\an7}\h\h\h\hWITH ITS DAZZLING
FRENCH BLUE DIAMOND.
340
00:18:09,789 --> 00:18:13,059
{\an7}IT WILL NEVER BE SEEN AGAIN.
341
00:18:14,427 --> 00:18:20,033
{\an7}\h\hSO WHAT HAPPENED
TO THE FRENCH BLUE?
342
00:18:20,066 --> 00:18:23,002
{\an7}\h\hIN 1812, 20 YEARS
AFTER THE THEFT
343
00:18:23,169 --> 00:18:24,837
{\an7}OF THE FRENCH CROWN JEWELS,
344
00:18:24,870 --> 00:18:27,339
{\an7}A MYSTERIOUS BLUE DIAMOND
\h\h\h\h\h\hAPPEARS
345
00:18:27,373 --> 00:18:29,342
{\an7}IN A JEWELER’S SHOP IN LONDON.
346
00:18:29,375 --> 00:18:33,246
{\an7}A MEMORANDUM AUTHENTICATES
\h\h\h\hITS SIZE AND SHAPE.
347
00:18:33,279 --> 00:18:35,348
{\an7}IT COMPARES TO THE FRENCH BLUE,
348
00:18:35,381 --> 00:18:38,184
{\an7}\h\h\h\h\h\h\h\hBUT THERE’S
ONE OBVIOUS DIFFERENCE.
349
00:18:38,217 --> 00:18:40,886
{\an7}\h\hIT’S A COMPLETELY
DIFFERENT SIZE.
350
00:18:40,987 --> 00:18:43,323
{\an7}Kurin: THE FRENCH BLUE
\h\h\h\h\h\hIS 67 CARATS,
351
00:18:43,489 --> 00:18:45,458
{\an7}A LITTLE MORE THAN 67 CARATS.
352
00:18:45,491 --> 00:18:48,260
{\an7}THIS GEM IS 44 CARATS,
353
00:18:48,427 --> 00:18:52,464
{\an7}\h\h\h\hAND THE QUESTION IS
AT THAT TIME, IN 1812,
354
00:18:52,498 --> 00:18:54,433
{\an7}AT THE TIME OF THIS MEMORANDUM,
355
00:18:54,467 --> 00:18:58,371
{\an7}NOBODY WAS REALLY ASKING WHETHER
THESE DIAMONDS WERE THE SAME,
356
00:18:58,404 --> 00:19:02,808
{\an7}SO THIS WAS THOUGHT TO BE
\h\hJUST A NEW DIAMOND.
357
00:19:02,908 --> 00:19:04,877
{\an7}Narrator: THE NEW LONDON BLUE’S
NEXT DESTINATION
358
00:19:04,910 --> 00:19:06,945
{\an7}HAS NEVER BEEN PROVED,
359
00:19:07,046 --> 00:19:09,081
{\an7}BUT THE FINGER POINTS
\h\h\h\hTO NONE OTHER
360
00:19:09,115 --> 00:19:13,886
{\an7}THAN THE FUTURE BRITISH KING,
\h\h\h\h\h\h\h\h\h\hGEORGE IV.
361
00:19:14,053 --> 00:19:17,590
{\an7}Worsley: IT’S JUST SO TEMPTING
TO THINK THAT GEORGE IV
362
00:19:17,623 --> 00:19:19,458
{\an7}WAS THE IDEAL PURCHASER.
363
00:19:19,492 --> 00:19:20,893
{\an7}WHO ELSE COULD HAVE AFFORDED IT?
364
00:19:20,993 --> 00:19:22,394
{\an7}WHO ELSE WOULD HAVE WANTED IT?
365
00:19:22,428 --> 00:19:25,431
{\an7}\h\hBUT WHAT WE DON’T HAVE
IS ANY KIND OF DOCUMENTATION
366
00:19:25,464 --> 00:19:26,799
{\an7}FROM THE ROYAL ARCHIVES
367
00:19:26,832 --> 00:19:28,300
{\an7}\h\h\h\h\h\hOR CONNECTED
WITH GEORGE PERSONALLY,
368
00:19:28,334 --> 00:19:30,970
{\an7}\h\h\h\hSAYING, "YEAH,
I BOUGHT THE DIAMOND."
369
00:19:31,137 --> 00:19:34,607
{\an7}Narrator: IN 1830,
GEORGE IV DIES.
370
00:19:34,640 --> 00:19:36,909
{\an7}\h\h\h\hSHORTLY AFTERWARDS,
THE LONDON BLUE DIAMOND
371
00:19:37,009 --> 00:19:40,746
{\an7}\h\h\h\h\h\h\h\hREAPPEARS AGAIN
IN DOCUMENTED HISTORICAL FACT.
372
00:19:40,780 --> 00:19:42,248
{\an7}IT’S BOUGHT BY THE MAN
373
00:19:42,281 --> 00:19:44,550
{\an7}WHO WILL GIVE THE DIAMOND
\h\h\h\hITS FAMOUS NAME,
374
00:19:44,583 --> 00:19:48,687
{\an7}A WEALTHY BRITISH BANKER,
\h\hHENRY PHILIP HOPE.
375
00:19:50,623 --> 00:19:53,659
{\an7}IN 1851 THE HOPE DIAMOND
\h\hGOES ON DISPLAY
376
00:19:53,693 --> 00:19:56,262
{\an7}AT THE GREAT EXHIBITION
\h\h\h\h\h\h\h\hIN LONDON.
377
00:19:56,295 --> 00:19:58,731
{\an7}IT’S A SENSATION.
378
00:19:58,764 --> 00:20:03,535
{\an7}BUT A FRENCH GEM EXPERT NOW PUTS
FORWARD AN EXTRAORDINARY THEORY.
379
00:20:03,569 --> 00:20:05,871
{\an7}\h\h\h\h\h\hHE SUGGESTS
THAT THE HOPE DIAMOND
380
00:20:05,905 --> 00:20:09,475
{\an7}MIGHT BE A RE-CUT VERSION
\h\hOF THE FRENCH BLUE,
381
00:20:09,508 --> 00:20:14,446
{\an7}WHICH HAD DISAPPEARED
IN THE FRENCH REVOLUTION.
382
00:20:14,480 --> 00:20:18,617
{\an7}THE THEORY WOULD REMAIN UNPROVEN
UNTIL AS RECENTLY AS 2005,
383
00:20:18,651 --> 00:20:22,288
{\an7}\h\h\h\h\h\hWHEN SCIENTISTS FROM
THE SMITHSONIAN AND NEW MEXICO
384
00:20:22,388 --> 00:20:26,192
{\an7}FINALLY SOLVED THE MYSTERY.
385
00:20:26,225 --> 00:20:30,429
{\an7}USING COMPUTER-AIDED GEOMETRY,
THEY MODELED BOTH DIAMONDS.
386
00:20:30,463 --> 00:20:33,232
{\an7}THEY THEN CREATED A REPLICA
\h\h\h\hOF THE FRENCH BLUE
387
00:20:33,332 --> 00:20:36,135
{\an7}AND A MOLD THAT
\h\hPRECISELY FIT IT.
388
00:20:36,168 --> 00:20:39,538
{\an7}THE NEXT MOVE WAS TO INSERT
\h\hTHE SMALLER HOPE DIAMOND
389
00:20:39,672 --> 00:20:45,878
{\an7}\h\h\h\h\h\hINTO THE MOLD
AND INJECT IT WITH WAX.
390
00:20:45,911 --> 00:20:47,646
{\an7}THEY FOUND THAT THE HOPE DIAMOND
391
00:20:47,680 --> 00:20:50,783
{\an7}\h\h\h\h\h\hWOULD FIT SNUGLY
INSIDE THE FRENCH BLUE.
392
00:20:50,816 --> 00:20:53,585
{\an7}THERE WAS ONLY ONE CONCLUSION.
393
00:20:53,686 --> 00:20:56,455
{\an7}Post: THE HOPE DIAMOND
\h\h\h\hTHAT WE KNOW TODAY
394
00:20:56,489 --> 00:20:59,459
{\an7}IS IN FACT THE ONLY
SURVIVING PIECE
395
00:20:59,492 --> 00:21:01,894
{\an7}OF THE STONE THAT WAS
\h\hORIGINALLY SOLD
396
00:21:01,927 --> 00:21:06,999
{\an7}TO KING LOUIS XIV OF FRANCE
\h\h\h\h\h\h\h\h\h\hIN 1668.
397
00:21:07,032 --> 00:21:09,468
{\an7}Narrator: SO DID THOSE
\h\hWHO POSSESSED THE DIAMOND
398
00:21:09,502 --> 00:21:11,170
{\an7}DURING THIS MURKY PERIOD
399
00:21:11,203 --> 00:21:13,539
{\an7}SUFFER FROM A CURSE?
400
00:21:13,572 --> 00:21:16,708
{\an7}GEORGE IV CERTAINLY MET
\h\h\h\h\h\hAN AGONIZING END.
401
00:21:16,742 --> 00:21:20,946
{\an7}HE DIED IN PAIN, OVERWEIGHT
\h\hAND SUFFERING FROM GOUT.
402
00:21:20,980 --> 00:21:24,984
{\an7}FORTUNE WOULD ALSO NOT SMILE
\h\h\h\h\h\hON THE HOPE FAMILY.
403
00:21:25,017 --> 00:21:29,054
{\an7}IN 1887, 21-YEAR-OLD
\h\h\h\hLORD FRANCIS HOPE
404
00:21:29,088 --> 00:21:32,224
{\an7}INHERITS THE FAMILY ESTATE,
\h\h\h\hART COLLECTION
405
00:21:32,258 --> 00:21:35,261
{\an7}AND FAMOUS BLUE DIAMOND.
406
00:21:35,294 --> 00:21:37,396
{\an7}BUT HE’S ABOUT TO LOSE IT ALL
407
00:21:37,429 --> 00:21:39,598
{\an7}\h\h\h\h\h\hTHANKS PARTLY
TO AN AMERICAN SHOWGIRL
408
00:21:39,632 --> 00:21:42,935
{\an7}NAMED MAY YOHE.
409
00:21:42,968 --> 00:21:44,770
{\an7}Kurin: HE TREATED HER
\h\hEXTREMELY WELL,
410
00:21:44,904 --> 00:21:47,273
{\an7}HE WANTED TO IMPRESS
\h\hTHIS AMERICAN GAL.
411
00:21:47,306 --> 00:21:51,977
{\an7}\h\h\h\hHE ACTUALLY WAS PART OWNER
OF THE LYRIC THEATRE IN LONDON,
412
00:21:52,011 --> 00:21:55,114
{\an7}AND HE ARRANGED FOR HER
TO GET A CONTRACT THERE
413
00:21:55,147 --> 00:21:56,782
{\an7}AND BECOME A LEADING LADY.
414
00:21:56,882 --> 00:21:59,184
{\an7}\h\h\h\h\h\hHE FINANCED,
HE OWNED THE NEWSPAPER,
415
00:21:59,218 --> 00:22:01,087
{\an7}AND HE REALLY PROMOTED
\h\h\h\h\h\hAND MARKETED HER
416
00:22:01,120 --> 00:22:04,256
{\an7}BECAUSE HE WANTED HER TO SHINE.
417
00:22:04,290 --> 00:22:06,425
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
BUT FOR LORD FRANCIS HOPE,
418
00:22:06,458 --> 00:22:09,995
{\an7}\h\hMAY YOHE TURNS OUT TO BE
A RUINOUS EXTRAVAGANCE.
419
00:22:10,095 --> 00:22:11,863
{\an7}TO MAINTAIN HER LIFESTYLE,
420
00:22:11,897 --> 00:22:15,434
{\an7}HE GAMBLES AWAY THE EQUIVALENT
OF $75 MILLION,
421
00:22:15,467 --> 00:22:18,670
{\an7}SQUANDERING THE FAMILY FORTUNE.
422
00:22:18,804 --> 00:22:21,674
{\an7}IN 1901, MAY LEAVES HIM
423
00:22:21,707 --> 00:22:24,176
{\an7}AND LATER MAKES A HOLLYWOOD
\h\hMOVIE OF THEIR LIFE,
424
00:22:24,210 --> 00:22:29,982
{\an7}\h\h\h\h\h\hBLAMING THEIR DOWNFALL ON
THE CURSE OF THE BLUE DIAMOND.
425
00:22:30,015 --> 00:22:33,986
{\an7}LORD FRANCIS IS FORCED TO SELL
THE HOPE DIAMOND.
426
00:22:34,019 --> 00:22:36,421
{\an7}HE DIES FINANCIALLY RUINED.
427
00:22:36,455 --> 00:22:40,092
{\an7}FOR SEVERAL YEARS, THE GEMSTONE
CRISSCROSSES THE ATLANTIC,
428
00:22:40,192 --> 00:22:41,694
{\an7}LOOKING FOR A BUYER,
429
00:22:41,727 --> 00:22:46,165
{\an7}UNTIL FINALLY PIERRE CARTIER
\h\hFINDS EVALYN WALSH McLEAN.
430
00:22:46,232 --> 00:22:49,235
{\an7}[JAZZ MUSIC PLAYING]
431
00:22:51,737 --> 00:22:53,505
{\an7}IN HER EARLY YEARS OF OWNING IT,
432
00:22:53,572 --> 00:22:57,376
{\an7}THE HOPE DIAMOND HAD BROUGHT
EVALYN NOTHING BUT PLEASURE.
433
00:22:57,409 --> 00:22:59,811
{\an7}THE CURSE WAS JUST A STORY.
434
00:23:02,448 --> 00:23:06,519
{\an7}BUT THEN A SERIES OF TRAGEDIES
STRUCK HER FAMILY
435
00:23:06,552 --> 00:23:10,322
{\an7}AND PROPELLED THE CURSE
\h\hONTO THE WORLD STAGE.
436
00:23:14,426 --> 00:23:17,129
{\an7}\h\hWHILE EVALYN IS AWAY
AT THE KENTUCKY DERBY,
437
00:23:17,229 --> 00:23:20,799
{\an7}HER 9-YEAR-OLD SON VINSON
IS PLAYING NEAR THE ROAD
438
00:23:20,833 --> 00:23:24,837
{\an7}IN FRONT OF THEIR ESTATE
IN NORTHWEST WASHINGTON.
439
00:23:29,942 --> 00:23:33,345
{\an7}\h\hTHE BOY RUNS OUT IN FRONT
OF A PASSING FORD MODEL T.
440
00:23:33,379 --> 00:23:34,447
{\an7}[HORN HONKS]
441
00:23:34,480 --> 00:23:35,982
{\an7}[CRASH]
442
00:23:37,850 --> 00:23:39,552
{\an7}HE’S KNOCKED TO THE GROUND,
443
00:23:39,585 --> 00:23:41,954
{\an7}\h\hHIS HEAD SMASHING
INTO THE CONCRETE.
444
00:23:42,121 --> 00:23:43,956
{\an7}Man: VINSON!
445
00:23:43,989 --> 00:23:45,791
{\an7}MY GOD, WHAT HAPPENED?
446
00:23:45,824 --> 00:23:50,595
{\an7}Narrator: A FEW HOURS LATER,
\h\h\h\hVINSON WALSH McLEAN DIES
447
00:23:50,629 --> 00:23:54,766
{\an7}AND THE FAMILY’S MISFORTUNE
BECOMES HEADLINE NEWS.
448
00:23:54,800 --> 00:23:55,901
{\an7}Man: GET SOME HELP, MAN.
449
00:23:55,935 --> 00:23:59,038
{\an7}Kurin: AND ON THE NEXT DAY
\h\h\h\hIN THE PAPERS,
450
00:23:59,071 --> 00:24:00,506
{\an7}IN THE NEW YORK TIMES
451
00:24:00,539 --> 00:24:04,176
{\an7}AND FOLLOWING IN OTHER PAPERS
\h\h\h\h\h\hAROUND THE COUNTRY,
452
00:24:04,209 --> 00:24:07,379
{\an7}\h\h\h\h\h\h\h\hPEOPLE SPECULATED
WAS THIS YET ANOTHER INSTANCE
453
00:24:07,413 --> 00:24:10,416
{\an7}\h\h\h\hOF THE CURSE
OF THE HOPE DIAMOND?
454
00:24:10,449 --> 00:24:12,785
{\an7}Narrator: EVALYN WALSH McLEAN’S
DREAM LIFE
455
00:24:12,885 --> 00:24:16,155
{\an7}IS SHATTERED IN AN INSTANT.
456
00:24:16,255 --> 00:24:19,792
{\an7}AFTER VINSON’S DEATH,
THE BAD LUCK MULTIPLIES.
457
00:24:19,825 --> 00:24:22,261
{\an7}THE WASHINGTON POST
\h\hGOES BANKRUPT
458
00:24:22,294 --> 00:24:25,464
{\an7}AND THE McLEAN FAMILY FORTUNE
\h\h\h\h\h\h\h\hIS DECIMATED.
459
00:24:25,564 --> 00:24:27,733
{\an7}EVALYN’S MARRIAGE FALLS APART.
460
00:24:27,766 --> 00:24:32,271
{\an7}HER HUSBAND NED ENDS UP
\h\hIN AN INSANE ASYLUM,
461
00:24:32,304 --> 00:24:36,441
{\an7}AND THEIR ONLY DAUGHTER COMMITS
SUICIDE AT THE AGE OF 25.
462
00:24:40,212 --> 00:24:43,916
{\an7}\h\hEVALYN ALWAYS INSISTED SHE
DIDN’T BELIEVE IN THE LEGEND,
463
00:24:43,949 --> 00:24:48,420
{\an7}\h\h\h\hBUT WHEN SHE DIED AT 60
AFTER A LIFETIME OF TRAGEDIES,
464
00:24:48,454 --> 00:24:54,794
{\an7}SHE HAD BECOME THE EMBODIMENT
\h\h\h\h\h\h\h\hOF THE CURSE.
465
00:24:54,827 --> 00:24:58,130
{\an7}HER LAVISH COLLECTION OF JEWELS
WAS PUT UP FOR SALE
466
00:24:58,163 --> 00:25:01,333
{\an7}\h\hWITH THE HOPE DIAMOND
AS THE STAR ATTRACTION.
467
00:25:01,367 --> 00:25:04,036
{\an7}WHETHER IT WAS SCIENCE,
\h\h\h\hHISTORY OR LEGEND,
468
00:25:04,069 --> 00:25:05,938
{\an7}ONE THING SEEMED CLEAR--
469
00:25:05,971 --> 00:25:09,208
{\an7}\h\h\h\hTHE HOPE DIAMOND
WAS UNLIKE ANY OTHER,
470
00:25:09,274 --> 00:25:13,445
{\an7}AND THE DISCOVERY IN THE 1960s
OF ITS MYSTERIOUS RED GLOW
471
00:25:13,479 --> 00:25:16,248
{\an7}\h\h\h\hOR PHOSPHORESCENCE,
AS SCIENTISTS CALL IT,
472
00:25:16,281 --> 00:25:18,984
{\an7}ONLY REINFORCED THE MYSTERY.
473
00:25:19,018 --> 00:25:23,222
{\an7}\h\h\h\h\h\h\h\h\h\h\h\hPost:
\h\hWHY DOES IT SHOW THIS, THIS
VERY INTENSE PHOSPHORESCENCE
474
00:25:23,255 --> 00:25:25,791
{\an7}THAT SEEMED TO BE UNUSUAL
475
00:25:25,824 --> 00:25:30,228
{\an7}AND PERHAPS EVEN UNIQUE
\h\hTO THE HOPE DIAMOND?
476
00:25:30,262 --> 00:25:33,098
{\an7}\h\hNarrator: TO TEST WHETHER
THE HOPE REALLY IS UNIQUE,
477
00:25:33,132 --> 00:25:36,569
{\an7}JEFF POST NEEDS TO COMPARE IT
\h\h\h\hWITH OTHER BLUE DIAMONDS,
478
00:25:36,602 --> 00:25:38,938
{\an7}BUT BLUES ARE VERY RARE.
479
00:25:38,971 --> 00:25:41,607
{\an7}JEFF AND HIS COLLEAGUE
\h\h\h\hELOISE GAILLOU
480
00:25:41,640 --> 00:25:43,942
{\an7}TRAVEL TO NEW YORK CITY’S
\h\h\h\hDIAMOND DISTRICT
481
00:25:43,976 --> 00:25:47,146
{\an7}\h\h\h\h\h\hTO THE ONE MAN
HE KNOWS CAN HELP, A DEALER--
482
00:25:47,179 --> 00:25:49,615
{\an7}ALAN BRONSTEIN.
483
00:25:49,648 --> 00:25:53,485
{\an7}Bronstein: WE’VE GOTTEN TOGETHER
ABOUT 90 BLUE DIAMONDS FOR HIM,
484
00:25:53,519 --> 00:25:55,788
{\an7}WHICH HAVE A VARIETY OF SHADES
485
00:25:55,821 --> 00:25:58,490
{\an7}AND HAVE A VARIETY
OF SATURATIONS
486
00:25:58,724 --> 00:26:01,227
{\an7}AND GRAYNESS MODIFICATION,
487
00:26:01,460 --> 00:26:04,596
{\an7}SO THAT IS, THAT’S A LARGE
NUMBER OF BLUE DIAMONDS
488
00:26:04,630 --> 00:26:08,300
{\an7}TO HAVE IN ONE PLACE TO STUDY
\h\h\h\h\h\h\h\hAT ONE TIME.
489
00:26:08,333 --> 00:26:12,170
{\an7}\h\h\h\h\h\h\h\hNarrator:
USING A SPECTROMETER TO MEASURE
THE WAVELENGTHS OF LIGHT,
490
00:26:12,204 --> 00:26:17,042
{\an7}THEY FLOOD THE STONES
\h\h\h\hWITH ULTRAVIOLET.
491
00:26:17,076 --> 00:26:18,711
{\an7}WHEN THEY TURN OFF THE LIGHT,
492
00:26:18,744 --> 00:26:21,780
{\an7}THEIR INSTRUMENT PICKS UP
THE PHOSPHORESCENCE.
493
00:26:26,785 --> 00:26:29,254
{\an7}Post: OK, SO WE HAVE
A REALLY STRONG PEAK
494
00:26:29,288 --> 00:26:31,423
{\an7}IN THE BLUE/GREEN PORTION
\h\h\h\hOF THE SPECTRUM,
495
00:26:31,457 --> 00:26:33,960
{\an7}JUST THE OPPOSITE OF WHAT WE SEE
IN THE HOPE DIAMOND.
496
00:26:36,295 --> 00:26:38,197
{\an7}WE WERE SURPRISED TO SEE THAT,
497
00:26:38,230 --> 00:26:41,066
{\an7}\h\hIN ALL OF THE BLUE DIAMONDS
THAT WE’VE LOOKED AT SO FAR,
498
00:26:41,100 --> 00:26:43,636
{\an7}AND IT’S APPROACHING
\h\h\h\h80 BLUE DIAMONDS,
499
00:26:43,669 --> 00:26:47,606
{\an7}\h\hALL OF THEM SHOW
A PHOSPHORESCENCE.
500
00:26:47,639 --> 00:26:49,407
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
ALL BLUE DIAMONDS GLOW,
501
00:26:49,508 --> 00:26:51,210
{\an7}BUT THE EXPERIMENT SHOWS
502
00:26:51,243 --> 00:26:54,146
{\an7}\h\hTHAT EACH HAS ITS OWN
DISTINCTIVE SIGNATURE.
503
00:26:54,179 --> 00:26:57,883
{\an7}SOME RED LIKE THE HOPE,
\h\h\h\hOTHERS BLUE/GREEN--
504
00:26:57,916 --> 00:27:02,854
{\an7}AND NONE SHINES AS INTENSELY
\h\hOR FOR AS LONG AS THE HOPE.
505
00:27:02,888 --> 00:27:08,494
{\an7}SO WHY DO BLUE DIAMONDS HAVE
\h\hTHIS EERIE PHOSPHORESCENCE?
506
00:27:08,594 --> 00:27:10,096
{\an7}Post: THE FACT THAT WE ONLY SEE
507
00:27:10,129 --> 00:27:13,299
{\an7}\h\h\h\h\h\hTHIS PARTICULAR KIND OF
PHOSPHORESCENCE IN BLUE DIAMONDS
508
00:27:13,332 --> 00:27:16,435
{\an7}\h\h\h\hSTRONGLY SUGGESTS
THAT IT IS CORRELATED
509
00:27:16,468 --> 00:27:18,770
{\an7}WITH THE PRESENCE OF BORON.
510
00:27:18,871 --> 00:27:21,273
{\an7}Narrator: BORON IS AN ELEMENT
\h\h\h\h\h\h\h\hLIKE CARBON,
511
00:27:21,306 --> 00:27:25,577
{\an7}A BASIC BUILDING BLOCK OF NATURE
FOUND, FOR EXAMPLE, IN SOAP.
512
00:27:25,677 --> 00:27:27,913
{\an7}BUT IT’S EXTREMELY RARE
\h\h\h\h\h\hDEEP IN THE EARTH
513
00:27:28,013 --> 00:27:29,848
{\an7}WHERE DIAMONDS ARE FORMED.
514
00:27:29,882 --> 00:27:32,385
{\an7}THE HOPE DIAMOND GLOWS
\h\h\h\hFAR MORE INTENSELY
515
00:27:32,417 --> 00:27:35,453
{\an7}\h\hAND LONGER THAN ANY
OF THE SMALLER DIAMONDS,
516
00:27:35,487 --> 00:27:38,857
{\an7}SO WHAT IMPACT MIGHT BORON
\h\hBE HAVING INSIDE IT?
517
00:27:38,891 --> 00:27:41,494
{\an7}TO FIND OUT, JEFF POST
\h\h\h\h\h\hWILL HAVE TO TAKE
518
00:27:41,593 --> 00:27:43,595
{\an7}A SAMPLE FROM THE HOPE DIAMOND.
519
00:27:43,662 --> 00:27:48,000
{\an7}THE ONLY WAY TO DO THAT SEEMS
\h\h\h\h\h\hALMOST UNTHINKABLE.
520
00:27:48,033 --> 00:27:51,904
{\an7}\h\hHE WILL HAVE TO DRILL
INTO AMERICA’S CROWN JEWEL.
521
00:27:54,773 --> 00:27:57,276
{\an7}\h\hHIS EXPERIMENT
WOULD NOT BE POSSIBLE
522
00:27:57,309 --> 00:28:00,412
{\an7}IF THE DIAMOND WERE STILL
ADORNING SOMEONE’S NECK.
523
00:28:00,445 --> 00:28:02,547
{\an7}\h\h\h\h\h\hBUT THANKS TO
A SURPRISING DONATION,
524
00:28:02,714 --> 00:28:06,751
{\an7}\h\h\h\hTHE HOPE BECAME
A SPECIMEN FOR SCIENCE.
525
00:28:06,785 --> 00:28:09,087
{\an7}AFTER EVALYN WALSH McLEAN DIED,
526
00:28:09,188 --> 00:28:14,160
{\an7}THE NEXT OWNER WAS THE JEWELER
TO THE STARS, HARRY WINSTON.
527
00:28:16,795 --> 00:28:20,565
{\an7}MANY BELIEVE HARRY WINSTON WILL
SIMPLY REMOUNT THE HOPE DIAMOND
528
00:28:20,599 --> 00:28:22,201
{\an7}AND FIND A NEW BUYER,
529
00:28:22,234 --> 00:28:26,238
{\an7}BUT HE KNOWS IT MIGHT NOW
\h\hBE A HARD SELL.
530
00:28:26,338 --> 00:28:27,573
{\an7}\h\hMaurice Galli:
THINK ABOUT IT THIS WAY--
531
00:28:27,706 --> 00:28:30,209
{\an7}HE KNEW OF THE CURSE STORY.
532
00:28:30,242 --> 00:28:33,345
{\an7}\h\h\h\hHE KNEW ALSO
THAT THE COST ITSELF,
533
00:28:33,378 --> 00:28:37,349
{\an7}THE PRICE OF THE STONE,
WENT INTO THE MILLIONS.
534
00:28:37,382 --> 00:28:40,585
{\an7}TO FIND A CLIENT WILLING TO BUY
535
00:28:40,619 --> 00:28:44,456
{\an7}A QUOTE, UNQUOTE "CURSED" STONE
FOR THAT AMOUNT OF MONEY
536
00:28:44,489 --> 00:28:47,659
{\an7}MIGHT HAVE BEEN A HUGE PROBLEM.
537
00:28:47,726 --> 00:28:51,029
{\an7}Narrator: INSTEAD, WINSTON
\h\hBEGINS TO THINK OF AN ACT
538
00:28:51,063 --> 00:28:53,132
{\an7}OF EXTRAORDINARY PHILANTHROPY--
539
00:28:53,265 --> 00:28:58,070
{\an7}HE WILL DONATE THE HOPE DIAMOND
TO THE SMITHSONIAN INSTITUTION.
540
00:28:58,103 --> 00:29:00,806
{\an7}\h\h\h\h\h\hBUT WHEN THE NEWS
OF HIS INTENTION LEAKS OUT,
541
00:29:00,839 --> 00:29:03,041
{\an7}NOT EVERYONE IS DELIGHTED.
542
00:29:03,075 --> 00:29:07,546
{\an7}A VOCAL MINORITY IS PETRIFIED BY
WHAT MIGHT HAPPEN TO THE NATION.
543
00:29:07,579 --> 00:29:10,615
{\an7}\h\hONE AMERICAN WRITES
TO THE SMITHSONIAN...
544
00:29:10,649 --> 00:29:12,050
{\an7}Man: "WITH OUR NEIGHBOR RUSSIA
545
00:29:12,084 --> 00:29:13,819
{\an7}ABLE TO BLOW OUR COUNTRY
\h\h\h\h\h\h\h\hTO PIECES
546
00:29:13,852 --> 00:29:16,288
{\an7}\h\h\h\hIN A FEW HOURS
OF MISSILE BOMBARDMENT,
547
00:29:16,321 --> 00:29:18,223
{\an7}IT WOULD BE INSANE TO TEMPT FATE
548
00:29:18,257 --> 00:29:22,962
{\an7}\h\hBY HAVING ANYTHING TO DO
WITH THIS GHASTLY GEM."
549
00:29:22,995 --> 00:29:26,065
{\an7}Kurin: ACTUALLY, PEOPLE EVEN
\h\h\h\hBYPASSED THE SMITHSONIAN.
550
00:29:26,098 --> 00:29:28,300
{\an7}\h\h\h\h\h\h\h\hTHEY WROTE
TO PRESIDENT EISENHOWER
551
00:29:28,400 --> 00:29:32,471
{\an7}AND THEY SAID, "ARE YOU CRAZY?
552
00:29:32,504 --> 00:29:35,974
{\an7}\h\hTHIS HOPE DIA--
THIS DIAMOND IS CURSED."
553
00:29:36,008 --> 00:29:38,577
{\an7}Narrator: BUT THE SMITHSONIAN
\h\h\h\h\h\hDOESN’T FLINCH.
554
00:29:38,610 --> 00:29:40,378
{\an7}THEY ACCEPT THE DIAMOND.
555
00:29:40,479 --> 00:29:43,549
{\an7}\h\h\h\h\h\hYOU WOULD THINK WINSTON
WOULD SEND HIS PRICELESS DIAMOND
556
00:29:43,582 --> 00:29:46,051
{\an7}IN AN ARMORED CAR.
557
00:29:46,084 --> 00:29:48,520
{\an7}INSTEAD, WHAT DOES HE DO?
558
00:29:48,620 --> 00:29:50,422
{\an7}WHAT HE ALWAYS DID.
559
00:29:50,455 --> 00:29:54,459
{\an7}HE MAILS IT BY REGULAR POST.
560
00:29:54,493 --> 00:29:56,862
{\an7}Broadcaster: TODAY, HERE CAME
A BROWN PAPER WRAPPED PACKAGE
561
00:29:56,895 --> 00:30:00,198
{\an7}SENT BY REGISTERED MAIL
\h\h\h\h\h\hFOR $152 POSTAGE.
562
00:30:00,299 --> 00:30:01,467
{\an7}NEW YORK DIAMOND MERCHANT...
563
00:30:01,500 --> 00:30:03,402
{\an7}\h\h\h\hNarrator: WINSTON’S
UNUSUAL DELIVERY METHOD
564
00:30:03,568 --> 00:30:06,571
{\an7}\h\hENSURES NEWS COVERAGE
THROUGHOUT THE COUNTRY.
565
00:30:06,672 --> 00:30:09,375
{\an7}\h\h\h\hBroadcaster:
A GIFT TO THE SMITHSONIAN
WORTH A MILLION DOLLARS--
566
00:30:09,408 --> 00:30:12,878
{\an7}THE HOPE DIAMOND, THE BIGGEST
\h\hBLUE DIAMOND IN THE WORLD.
567
00:30:12,911 --> 00:30:15,847
{\an7}\h\hNarrator: THE JEWEL IS PUT
IN A SPECIALLY DESIGNED SAFE
568
00:30:15,914 --> 00:30:20,051
{\an7}WHERE THE PUBLIC CAN VIEW IT
\h\hTHROUGH BULLET-PROOF GLASS.
569
00:30:20,085 --> 00:30:22,220
{\an7}Post: WITH THE HOPE DIAMOND
\h\h\h\h\h\hCOMING HERE,
570
00:30:22,254 --> 00:30:24,623
{\an7}HARRY WINSTON’S VISION
\h\h\h\hSTARTED TO UNFOLD--
571
00:30:24,723 --> 00:30:28,193
{\an7}THAT IS, TO BUILD A GREAT
NATIONAL GEM COLLECTION.
572
00:30:28,226 --> 00:30:30,128
{\an7}\h\h\h\h\h\h\h\hAS HE LIKED TO SAY,
WE DON’T HAVE A KING AND QUEEN,
573
00:30:30,162 --> 00:30:34,166
{\an7}BUT WE SHOULD HAVE
\h\hOUR CROWN JEWELS.
574
00:30:34,199 --> 00:30:37,402
{\an7}\h\h\h\h\h\h\h\h\h\h\h\hNarrator:
50 YEARS AFTER HARRY WINSTON
\h\h\h\hGAVE HOPE TO AMERICA,
575
00:30:37,469 --> 00:30:40,238
{\an7}HIS COMPANY HAS OFFERED
\h\h\h\h\h\h\h\h\h\hTO CREATE
576
00:30:40,272 --> 00:30:42,841
{\an7}AN ANNIVERSARY PARTY DRESS
\h\h\h\h\h\hFOR THE DIAMOND--
577
00:30:42,874 --> 00:30:44,676
{\an7}A NEW, TEMPORARY SETTING
578
00:30:44,710 --> 00:30:49,448
{\an7}USING MODERN DESIGN TECHNIQUES
TO SHOWCASE ITS BRILLIANCE.
579
00:30:49,481 --> 00:30:50,716
{\an7}\h\h\h\h\h\h\h\h\h\hde Laage:
OUR RULE IN THIS STUDIO
580
00:30:50,749 --> 00:30:53,619
{\an7}IS TO START WITH NO LIMITATION.
581
00:30:53,652 --> 00:30:58,123
{\an7}WITH NO CONSTRAINT OF PRICE,
\h\hOF SIZE, OF CRAZINESS,
582
00:30:58,156 --> 00:30:59,891
{\an7}OF ANYTHING.
583
00:30:59,925 --> 00:31:03,695
{\an7}\h\hGalli: WHAT YOU WANT TO DO IS
ENHANCE THE COLOR AND THE SIZE
584
00:31:03,729 --> 00:31:07,499
{\an7}AND THE LIFE OF THAT STONE
\h\hWITHOUT OVERPOWERING.
585
00:31:07,532 --> 00:31:10,135
{\an7}\h\h\h\h\h\h\h\hNarrator:
FROM 25 INITIAL SKETCHES,
586
00:31:10,168 --> 00:31:13,304
{\an7}THE SMITHSONIAN SELECTS
\h\h\h\hTHREE FINALISTS...
587
00:31:23,482 --> 00:31:25,484
{\an7}BUT THE FINAL SELECTION
\h\h\h\hIS IN THE HANDS
588
00:31:25,517 --> 00:31:28,353
{\an7}OF THE HOPE DIAMOND’S
\h\h\h\hTRUE OWNERS.
589
00:31:28,387 --> 00:31:30,990
{\an7}\h\h\h\h\h\hFrédéric de Narp:
WE REALLY WANTED TO INVOLVE
THE AMERICAN AUDIENCE,
590
00:31:31,156 --> 00:31:35,494
{\an7}\h\h\h\h\h\h\h\hTHE AMERICAN PUBLIC,
TO HAVE THEM CHOOSE THE NECKLACE
591
00:31:35,527 --> 00:31:38,964
{\an7}THAT WOULD SURROUND
\h\hTHE HOPE DIAMOND.
592
00:31:38,997 --> 00:31:40,966
{\an7}\h\hWoman: THE FATE
OF THE HOPE DIAMOND,
593
00:31:40,999 --> 00:31:42,400
{\an7}IT’S ALL IN YOUR HANDS!
594
00:31:42,434 --> 00:31:44,269
{\an7}\h\h\h\h\h\h\h\h\h\hMan: HOPE TAKES ON
A NEW DESIGN FOR A FAMOUS JEWEL.
595
00:31:44,302 --> 00:31:45,670
{\an7}\h\hWoman: THE PUBLIC
WILL GET TO DECIDE
596
00:31:45,704 --> 00:31:47,172
{\an7}WHAT SETTING IT WILL HAVE.
597
00:31:47,305 --> 00:31:49,674
{\an7}\h\h\h\hMan: STARTING TODAY, YOU CAN
HELP PICK ONE OF THOSE SETTINGS.
598
00:31:52,144 --> 00:31:54,313
{\an7}Narrator: AS THE HOPE DIAMOND
\h\h\h\h\h\hGOES ON DISPLAY
599
00:31:54,346 --> 00:31:56,915
{\an7}\h\h\h\h\h\hFOR THE FIRST TIME
OUT OF ITS HISTORIC SETTING,
600
00:31:56,948 --> 00:32:00,385
{\an7}OVER 100,000 VOTES FLOOD IN.
601
00:32:03,422 --> 00:32:06,926
{\an7}\h\h\h\hCristián Samper:
AND THE WINNER IS...
602
00:32:06,958 --> 00:32:08,660
{\an7}EMBRACING HOPE.
603
00:32:15,534 --> 00:32:17,569
{\an7}\h\h\h\hNarrator: CREATING
SUCH A COMPLEX SETTING
604
00:32:17,602 --> 00:32:21,439
{\an7}WILL TAKE A POUND OF PLATINUM,
OVER 300 BAGUETTE DIAMONDS,
605
00:32:21,473 --> 00:32:24,309
{\an7}AND MONTHS OF PAINSTAKING WORK.
606
00:32:41,927 --> 00:32:43,395
{\an7}BUT SOME MIGHT WONDER:
607
00:32:43,428 --> 00:32:46,097
{\an7}BY CHANGING THE SETTING,
\h\h\h\hEVEN TEMPORARILY,
608
00:32:46,131 --> 00:32:49,267
{\an7}COULD THEY BE INVOKING
\h\hTHE LEGENDARY CURSE?
609
00:32:54,306 --> 00:32:56,175
{\an7}Broadcaster: OVER THE CENTURIES,
THE DIAMOND HAS ACQUIRED
610
00:32:56,208 --> 00:33:01,613
{\an7}AN UNSAVORY REPUTATION
AS A PRODUCER OF BAD LUCK.
611
00:33:01,646 --> 00:33:04,916
{\an7}\h\h\h\h\h\hNarrator: WITHIN A YEAR OF
ITS DONATION TO THE SMITHSONIAN,
612
00:33:04,950 --> 00:33:08,153
{\an7}\h\h\h\hTHE HOPE APPEARED
TO CLAIM ANOTHER VICTIM--
613
00:33:08,186 --> 00:33:10,922
{\an7}THE MAILMAN JAMES TODD.
614
00:33:10,956 --> 00:33:12,591
{\an7}HE WAS INJURED BY A TRUCK,
615
00:33:12,757 --> 00:33:16,661
{\an7}\h\h\h\h\h\hHIS WIFE DIED
AND HIS HOUSE BURNED DOWN.
616
00:33:16,761 --> 00:33:19,497
{\an7}OVER THE YEARS, LETTERS
\h\hHAVE CONTINUED TO ARRIVE
617
00:33:19,531 --> 00:33:21,266
{\an7}AT THE NATIONAL GEM COLLECTION
618
00:33:21,299 --> 00:33:23,635
{\an7}WARNING OF THE CURSE.
619
00:33:26,571 --> 00:33:29,140
{\an7}\h\hBUT FOR JEFF POST,
ALL THE CURSE STORIES
620
00:33:29,174 --> 00:33:31,843
{\an7}\h\h\h\h\h\h\h\hARE FANTASY
OR SIMPLE COINCIDENCE.
621
00:33:32,010 --> 00:33:34,012
{\an7}FOR 50 YEARS, THE HOPE DIAMOND
622
00:33:34,045 --> 00:33:36,781
{\an7}HAS BROUGHT THE SMITHSONIAN
\h\hNOTHING BUT GOOD LUCK
623
00:33:36,815 --> 00:33:39,318
{\an7}AND FASCINATING
SCIENTIFIC PUZZLES.
624
00:33:39,351 --> 00:33:42,688
{\an7}FOR HIM THE REAL STORY
\h\hIS BURIED FAR DEEPER,
625
00:33:42,721 --> 00:33:45,657
{\an7}IN THE SCIENCE OF ITS CREATION.
626
00:33:45,690 --> 00:33:47,325
{\an7}Post: IN FACT, IN MANY WAYS
627
00:33:47,359 --> 00:33:48,961
{\an7}THE MORE INCREDIBLE PART
OF THE HOPE DIAMOND STORY
628
00:33:49,094 --> 00:33:52,664
{\an7}IS THE ONE THAT STARTED PERHAPS
TWO OR THREE BILLION YEARS AGO
629
00:33:52,697 --> 00:33:54,599
{\an7}DEEP IN THE EARTH’S
\h\hUPPER MANTLE.
630
00:33:57,769 --> 00:33:59,204
{\an7}Narrator: IT’S 7:30 PM
631
00:33:59,237 --> 00:34:02,373
{\an7}AT THE NATIONAL MUSEUM
\h\h\h\hOF NATURAL HISTORY.
632
00:34:02,407 --> 00:34:07,612
{\an7}THE LAST MEMBERS OF THE PUBLIC
LEAVE, AND ALL GOES QUIET.
633
00:34:11,950 --> 00:34:15,487
{\an7}TONIGHT, JEFF POST WILL REMOVE
THE HOPE DIAMOND
634
00:34:15,520 --> 00:34:19,090
{\an7}\h\h\h\hAND SUBJECT IT
TO AN AUDACIOUS EXPERIMENT.
635
00:34:21,993 --> 00:34:23,228
{\an7}Post: THE GOAL
OF DOING THIS WORK
636
00:34:23,261 --> 00:34:27,098
{\an7}ISN’T TO TRY TO DISPEL A CURSE.
637
00:34:27,132 --> 00:34:29,101
{\an7}\h\hTHE GOAL IS TO LEARN
ABOUT THE HOPE DIAMOND
638
00:34:29,134 --> 00:34:32,404
{\an7}AND ITS HISTORY AND ITS ORIGIN.
639
00:34:32,437 --> 00:34:36,408
{\an7}Narrator: HE AND HIS TEAM ARE
ABOUT TO DO THE UNTHINKABLE--
640
00:34:36,441 --> 00:34:38,276
{\an7}DRILL INTO THE HOPE DIAMOND
641
00:34:38,310 --> 00:34:43,882
{\an7}\h\h\h\hTO EXTRACT ATOMS
AND UNRAVEL ITS DNA.
642
00:34:43,915 --> 00:34:48,620
{\an7}\h\hTHEY’RE USING A TIME OF FLIGHT
SECONDARY ION MASS SPECTROMETER.
643
00:34:48,720 --> 00:34:50,889
{\an7}IT’S AN INSTRUMENT
MORE OFTEN USED
644
00:34:50,989 --> 00:34:52,824
{\an7}TO TEST CHEMICAL SUBSTANCES,
645
00:34:52,991 --> 00:34:57,028
{\an7}\h\h\h\h\h\hFOR EXAMPLE,
FOR TRACES OF STEROIDS.
646
00:34:57,062 --> 00:34:58,964
{\an7}THEY’RE ABOUT TO OPEN A WINDOW
647
00:34:59,064 --> 00:35:01,967
{\an7}INTO A WORLD MORE THAN
\h\hA BILLION YEARS OLD,
648
00:35:02,000 --> 00:35:05,937
{\an7}WHEN THE DIAMOND WAS CREATED.
649
00:35:05,971 --> 00:35:08,373
{\an7}THE INSTRUMENT FIRES BEAMS
\h\h\h\h\h\hOF TINY PARTICLES
650
00:35:08,406 --> 00:35:10,241
{\an7}CALLED GALLIUM IONS
651
00:35:10,275 --> 00:35:13,111
{\an7}\h\h\h\hONTO THE SURFACE
OF THE HOPE DIAMOND.
652
00:35:13,144 --> 00:35:16,748
{\an7}THE IONS BLAST A CRATER
INVISIBLE TO THE NAKED EYE
653
00:35:16,781 --> 00:35:18,516
{\an7}\h\hFROM WHICH HUNDREDS
OF MILLIONS OF ATOMS
654
00:35:18,550 --> 00:35:20,619
{\an7}ARE SUCKED BACK
\h\hINTO THE MACHINE,
655
00:35:20,719 --> 00:35:23,222
{\an7}WHERE THEY’RE SORTED BY WEIGHT
AND COUNTED.
656
00:35:23,254 --> 00:35:24,756
{\an7}Post: IT SOUNDS
\h\hA BIT DESTRUCTIVE
657
00:35:24,789 --> 00:35:27,592
{\an7}AND IN FACT IT IS A LITTLE BIT
OF A DESTRUCTIVE PROCESS.
658
00:35:27,626 --> 00:35:29,528
{\an7}BLASTING IS PERHAPS
TOO STRONG A WORD,
659
00:35:29,628 --> 00:35:31,130
{\an7}BUT IT GIVES YOU THE IDEA.
660
00:35:31,162 --> 00:35:34,666
{\an7}IT’LL BE GOUGING OR BLASTING
\h\hA SMALL LITTLE TINY CRATER
661
00:35:34,699 --> 00:35:36,067
{\an7}INTO THE DIAMOND.
662
00:35:36,134 --> 00:35:38,470
{\an7}IT WILL SORT OF DRILL DOWN
\h\h\h\hTHROUGH THE SURFACE
663
00:35:38,503 --> 00:35:41,206
{\an7}INTO THE NEXT SEVERAL
\h\h\h\hLAYERS OF ATOMS,
664
00:35:41,239 --> 00:35:43,074
{\an7}\h\h\h\hKNOCKING OUT
SOME OF THOSE ATOMS,
665
00:35:43,174 --> 00:35:45,843
{\an7}\h\hAND WE WILL BE MAKING
A VERY TINY LITTLE HOLE
666
00:35:45,877 --> 00:35:48,413
{\an7}IN THE HOPE DIAMOND.
667
00:35:48,446 --> 00:35:51,816
{\an7}Narrator: HE HOPES TO FINALLY
REVEAL EXACTLY WHAT HAPPENED
668
00:35:51,850 --> 00:35:55,053
{\an7}WHEN THE HOPE DIAMOND WAS BORN.
669
00:35:55,086 --> 00:35:57,021
{\an7}TWO MONTHS PASS.
670
00:35:57,122 --> 00:35:58,490
{\an7}HUNDREDS OF MILLIONS OF ATOMS
671
00:35:58,523 --> 00:36:01,860
{\an7}HAVE BEEN EXTRACTED
\h\hAND ANALYZED.
672
00:36:01,960 --> 00:36:04,996
{\an7}\h\h\h\hTHIS PHOTO, TAKEN
UNDER ULTRAVIOLET LIGHT,
673
00:36:05,030 --> 00:36:08,166
{\an7}\h\hINDICATES AREAS WHERE
THE SAMPLES WERE TAKEN,
674
00:36:08,199 --> 00:36:12,170
{\an7}BUT THE HOLES ARE FAR TOO TINY
TO SEE WITH THE NAKED EYE.
675
00:36:12,203 --> 00:36:16,107
{\an7}\h\h\h\h\h\hTHE PRESENCE OF BORON IS
JUST AS JEFF POST ANTICIPATED,
676
00:36:16,207 --> 00:36:17,642
{\an7}BUT THE HEADLINE RESULT
677
00:36:17,676 --> 00:36:20,112
{\an7}IS THAT THERE’S ONLY
A TINY AMOUNT OF IT,
678
00:36:20,145 --> 00:36:24,983
{\an7}AND THE BIG SURPRISE IS THAT
IT’S NOT EVENLY DISTRIBUTED.
679
00:36:25,016 --> 00:36:27,418
{\an7}\h\h\h\h\h\h\h\hBORON MAKES
THE HOPE DIAMOND BLUE,
680
00:36:27,452 --> 00:36:29,454
{\an7}BUT ITS UNEVEN DISTRIBUTION
681
00:36:29,487 --> 00:36:33,157
{\an7}GIVES A NEW INSIGHT
\h\hTO THAT BLUENESS.
682
00:36:33,191 --> 00:36:36,861
{\an7}Post: THE HOPE DIAMOND PROBABLY
ISN’T UNIFORMLY BLUE.
683
00:36:36,961 --> 00:36:38,262
{\an7}WHAT WE’RE SEEING WITH THE EYE
684
00:36:38,296 --> 00:36:41,466
{\an7}IS ACTUALLY A SUMMATION
\h\h\h\hOF ALL OF THE BLUE,
685
00:36:41,499 --> 00:36:43,735
{\an7}DIFFERENT SHADES OF BLUE
\h\hIN THE DIAMOND,
686
00:36:43,835 --> 00:36:46,171
{\an7}SORT OF A MOSAIC OF BLUES
\h\h\h\h\h\hIN A SENSE,
687
00:36:46,204 --> 00:36:49,207
{\an7}AND THAT THE BLUE COLOR
\h\h\h\hVARIES SLIGHTLY
688
00:36:49,374 --> 00:36:50,942
{\an7}WITH THE CONCENTRATION,
689
00:36:50,975 --> 00:36:55,213
{\an7}THE AMOUNTS OF BORON
\h\h\h\hTHAT ARE PRESENT.
690
00:36:55,246 --> 00:36:57,281
{\an7}Narrator: BUT THE MOST
\h\h\h\hSIGNIFICANT OUTCOME
691
00:36:57,348 --> 00:36:59,951
{\an7}IS TO SHOW THAT IT’S
\h\h\h\hTHE BORON ATOMS--
692
00:37:00,118 --> 00:37:01,386
{\an7}ACTING WITH THE CARBON
693
00:37:01,419 --> 00:37:04,088
{\an7}AND ANOTHER UNIDENTIFIED ATOM
\h\h\h\h\h\h\h\hIN THE DIAMOND--
694
00:37:04,222 --> 00:37:07,258
{\an7}\h\hTHAT ARE PRODUCING
THE MYSTERIOUS RED GLOW.
695
00:37:07,292 --> 00:37:10,762
{\an7}WHEN AN ULTRAVIOLET LIGHT RAY
\h\hPASSES THROUGH THE DIAMOND,
696
00:37:10,795 --> 00:37:15,266
{\an7}\h\hIT STRIKES A CARBON ATOM
AND SPINS OFF AN ELECTRON,
697
00:37:15,300 --> 00:37:18,770
{\an7}\h\hWHICH GETS TRAPPED
IN THE UNIDENTIFIED ATOM.
698
00:37:18,803 --> 00:37:20,271
{\an7}AT THE SAME TIME,
699
00:37:20,305 --> 00:37:23,508
{\an7}A POSITIVE CHARGE SPINS OFF
\h\hFROM THE CARBON ATOM
700
00:37:23,541 --> 00:37:25,877
{\an7}AND GETS TRAPPED IN THE BORON.
701
00:37:25,910 --> 00:37:28,312
{\an7}\h\h\h\hATTRACTED BY
THE POSITIVE CHARGE,
702
00:37:28,346 --> 00:37:31,249
{\an7}THE ELECTRON JUMPS
TO THE BORON ATOM.
703
00:37:31,282 --> 00:37:36,387
{\an7}IT’S THAT COLLISION THAT CAUSES
THE BURST OF RED LIGHT.
704
00:37:36,421 --> 00:37:39,224
{\an7}THIS PROCESS HAPPENS
\h\h\h\hOVER AND OVER
705
00:37:39,257 --> 00:37:40,558
{\an7}IN THE DIAMOND LATTICE,
706
00:37:40,592 --> 00:37:42,327
{\an7}AND BECAUSE SOME BORON ATOMS
707
00:37:42,360 --> 00:37:45,196
{\an7}\h\h\h\h\h\h\h\hARE FARTHER AWAY
FROM THE UNIDENTIFIED ATOMS,
708
00:37:45,230 --> 00:37:48,500
{\an7}THE GLOW CONTINUES
FOR UP TO A MINUTE.
709
00:37:50,702 --> 00:37:52,671
{\an7}SCIENCE HAS EXPLAINED
710
00:37:52,704 --> 00:37:54,739
{\an7}THE HOPE DIAMOND’S
INNER SECRETS,
711
00:37:54,773 --> 00:37:58,944
{\an7}WHICH LEAVES ONLY THE CURSE.
712
00:37:58,977 --> 00:38:03,114
{\an7}BACK IN 1910, PIERRE CARTIER
HAD TOLD EVALYN WALSH McLEAN
713
00:38:03,148 --> 00:38:04,950
{\an7}HIS AMAZING STORY--
714
00:38:04,983 --> 00:38:07,185
{\an7}THE EXPLORER WHO’D STOLEN
\h\h\h\hTHE HOPE DIAMOND
715
00:38:07,218 --> 00:38:09,253
{\an7}FROM THE EYE OF A HINDU GODDESS
716
00:38:09,287 --> 00:38:12,423
{\an7}AND BEEN RIPPED APART
\h\h\h\hBY WILD DOGS;
717
00:38:12,457 --> 00:38:16,594
{\an7}THE FRENCH QUEEN WHO’D WORN IT
AND LOST HER HEAD;
718
00:38:16,628 --> 00:38:20,365
{\an7}THE FAMILY WHO’D BEEN RUINED.
719
00:38:20,398 --> 00:38:24,435
{\an7}\h\h\h\hALL STRUCK DOWN
BY THE LEGENDARY CURSE.
720
00:38:27,672 --> 00:38:31,943
{\an7}\h\hAMERICA’S LIBRARY OF CONGRESS
HOUSES AN EXTENSIVE COLLECTION,
721
00:38:31,976 --> 00:38:36,180
{\an7}\h\h\h\hWHICH RICHARD KURIN USED
TO RESEARCH THE HOPE’S CURSE.
722
00:38:36,214 --> 00:38:37,682
{\an7}THE MORE HE FOUND OUT,
723
00:38:37,782 --> 00:38:41,653
{\an7}THE MORE HOLES HE DISCOVERED
\h\h\h\h\h\hIN CARTIER’S STORY.
724
00:38:41,686 --> 00:38:44,789
{\an7}TAVERNIER WASN’T KILLED
\h\h\h\h\h\hBY WILD DOGS.
725
00:38:44,823 --> 00:38:47,859
{\an7}HE DIED OF OLD AGE IN RUSSIA.
726
00:38:47,892 --> 00:38:50,461
{\an7}THERE WAS NO EVIDENCE
THAT MARIE ANTOINETTE
727
00:38:50,495 --> 00:38:53,298
{\an7}EVER EVEN WORE THE FRENCH BLUE.
728
00:38:53,398 --> 00:38:56,534
{\an7}Kurin: YOU KNOW, WHEN IT
WAS SOLD TO THE McLEANS,
729
00:38:56,634 --> 00:38:58,569
{\an7}\h\h\h\hTHE NEW YORK TIMES
ON THE FRONT PAGE SAID,
730
00:38:58,603 --> 00:39:00,939
{\an7}"THIS IS AN ANCIENT CURSE."
731
00:39:00,972 --> 00:39:03,808
{\an7}AS I STARTED TO GO THROUGH
THE HISTORICAL RECORDS,
732
00:39:03,908 --> 00:39:07,945
{\an7}\h\h\h\h\h\hI DID NOT FIND ANY MENTION
OF ANY CURSE OF THE HOPE DIAMOND
733
00:39:08,046 --> 00:39:11,483
{\an7}BEFORE THE 1900s.
734
00:39:11,516 --> 00:39:13,952
{\an7}"REMARKABLE JEWEL A HOODOO."
735
00:39:13,985 --> 00:39:17,789
{\an7}\h\h\h\h"HOPE DIAMOND HAS BROUGHT
TROUBLE TO ALL WHO’VE OWNED IT."
736
00:39:21,526 --> 00:39:22,994
{\an7}Narrator: IF THE CURSE WAS REAL,
737
00:39:23,094 --> 00:39:26,531
{\an7}ITS OWNERS COULD BE EXPECTED
\h\hTO HAVE LIVED SHORT LIVES,
738
00:39:26,564 --> 00:39:28,900
{\an7}BUT DID THEY?
739
00:39:28,933 --> 00:39:30,935
{\an7}KURIN WENT BACK
THROUGH THE RECORDS
740
00:39:30,969 --> 00:39:34,239
{\an7}\h\h\h\hAND INVESTIGATED
ALL THEIR LIFESPANS.
741
00:39:34,272 --> 00:39:36,641
{\an7}\h\hKurin: THE AVERAGE
LIFE EXPECTANCY OF PEOPLE
742
00:39:36,674 --> 00:39:39,010
{\an7}\h\h\h\h\h\h\h\h\h\hTHAT HAVE OWNED
THE HOPE DIAMOND, DIRECT OWNERS,
743
00:39:39,043 --> 00:39:41,112
{\an7}IS ABOUT 72 YEARS OLD.
744
00:39:41,145 --> 00:39:43,381
{\an7}THAT IS QUITE A LONG LIFESPAN,
745
00:39:43,414 --> 00:39:46,117
{\an7}CONSIDERING THAT WE’RE TALKING
ABOUT PEOPLE, YOU KNOW,
746
00:39:46,150 --> 00:39:48,886
{\an7}LIKE TAVERNIER
AND KINGS OF FRANCE
747
00:39:48,920 --> 00:39:54,926
{\an7}THAT LIVED IN THE 17th
\h\h\h\hAND 18th CENTURIES.
748
00:39:54,959 --> 00:39:58,129
{\an7}\h\h\hYOU FIND THAT ACTUALLY PEOPLE
THAT HAVE OWNED THE HOPE DIAMOND
749
00:39:58,162 --> 00:40:00,598
{\an7}LIVED EXTRAORDINARILY
\h\h\h\h\h\hLONG LIVES,
750
00:40:00,698 --> 00:40:03,501
{\an7}LONGER THAN THE AVERAGE.
751
00:40:03,534 --> 00:40:06,270
{\an7}Narrator: THERE COULD ONLY BE
\h\h\h\h\h\h\h\hONE CONCLUSION--
752
00:40:06,304 --> 00:40:08,640
{\an7}THE CURSE WAS AN INVENTION,
753
00:40:08,673 --> 00:40:11,142
{\an7}THE BRAINCHILD
OF PIERRE CARTIER,
754
00:40:11,175 --> 00:40:13,411
{\an7}\h\hWHO FABRICATED
THE TALLEST OF TALES
755
00:40:13,444 --> 00:40:17,315
{\an7}TO WHET EVALYN WALSH McLEAN’S
\h\h\h\hAPPETITE FOR THE DIAMOND.
756
00:40:19,317 --> 00:40:23,521
{\an7}\hCARTIER’S BRILLIANT SALES PITCH
HAD CREATED FOR THE HOPE DIAMOND
757
00:40:23,554 --> 00:40:25,856
{\an7}A LEGENDARY MYSTIQUE
\h\h\h\hTHAT ELEVATED IT
758
00:40:25,890 --> 00:40:29,394
{\an7}INTO ONE OF THE WORLD’S
\h\hMOST VALUABLE ARTIFACTS.
759
00:40:34,999 --> 00:40:39,804
{\an7}IT HAS SURVIVED GREAT JOURNEYS,
DRAMATIC DISAPPEARANCES
760
00:40:39,837 --> 00:40:42,740
{\an7}AND RADICAL RE-DESIGNS.
761
00:40:42,774 --> 00:40:47,078
{\an7}AND NOW, IT’S ABOUT
TO GET ANOTHER.
762
00:40:47,111 --> 00:40:49,480
{\an7}HARRY WINSTON IS PUTTING
THE FINISHING TOUCHES
763
00:40:49,514 --> 00:40:52,150
{\an7}ON THE HOPE DIAMOND’S
\h\h\h\hNEW SETTING.
764
00:40:59,624 --> 00:41:02,594
{\an7}David Schwartz: IN ORDER
TO CREATE A PIECE OF ART
765
00:41:02,627 --> 00:41:03,795
{\an7}THAT’S WEARABLE,
766
00:41:03,828 --> 00:41:07,298
{\an7}THAT ACTUALLY CONFORMS
\h\hTO THE WEARER’S NECK,
767
00:41:07,332 --> 00:41:08,867
{\an7}IS ALWAYS A CHALLENGE.
768
00:41:08,900 --> 00:41:11,269
{\an7}AND WHAT WE ARE DOING
\h\h\h\hIN THIS CASE
769
00:41:11,336 --> 00:41:14,940
{\an7}IS WE ARE ACTUALLY HINGING
\h\hEVERY SINGLE SETTING.
770
00:41:15,039 --> 00:41:19,410
{\an7}\h\hAND IN ORDER TO CREATE THIS
FLUID, VERY FEMININE DESIGN,
771
00:41:19,444 --> 00:41:24,316
{\an7}IN PLATINUM, WITH 300 STONES
\h\hAND 60 CARATS OF DIAMONDS,
772
00:41:24,415 --> 00:41:30,388
{\an7}\h\h\h\hIT’S A TREMENDOUS AMOUNT OF
WORKMANSHIP THAT GOES INTO IT.
773
00:41:30,421 --> 00:41:32,523
{\an7}WE’VE ACTUALLY ACCOMPLISHED
\h\h\h\h\h\h\h\hA NECKLACE
774
00:41:32,557 --> 00:41:34,893
{\an7}THAT WOULD NORMALLY TAKE
ABOUT A YEAR TO MAKE
775
00:41:34,926 --> 00:41:37,796
{\an7}WITHIN ABOUT 8 MONTHS.
776
00:41:37,929 --> 00:41:42,000
{\an7}\h\h\h\hSO FOR US IT WAS
A BIT OF A LABOR OF LOVE.
777
00:42:09,527 --> 00:42:12,797
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
DAVID SCHWARTZ AND HIS TEAM
BRING THE COMPLETED SETTING
778
00:42:12,897 --> 00:42:15,166
{\an7}TO THE NATURAL HISTORY MUSEUM.
779
00:42:15,233 --> 00:42:16,801
{\an7}Schwartz: THE EMBRACING HOPE
\h\h\h\h\h\h\h\h\h\h\h\hNECKLACE.
780
00:42:16,834 --> 00:42:18,069
{\an7}Post: OH, MY GOSH. WOW!
781
00:42:18,102 --> 00:42:19,470
{\an7}THAT IS SPECTACULAR!
782
00:42:19,504 --> 00:42:21,673
{\an7}ALL WE NEED IS A DIAMOND
IN THE CENTER THERE.
783
00:42:21,706 --> 00:42:24,175
{\an7}\h\h\h\h\h\h\h\hSchwartz:
YEAH, THAT’S ALL WE NEED.
784
00:42:24,208 --> 00:42:26,010
{\an7}IT’S READY FOR THE HOPE.
785
00:42:26,110 --> 00:42:27,878
{\an7}Post: IT DOES LOOK LIKE IT WAS
MADE FOR IT, DOESN’T IT?
786
00:42:27,912 --> 00:42:29,847
{\an7}Schwartz: EXACTLY.
787
00:42:29,881 --> 00:42:32,117
{\an7}Narrator: NOW THE TRICKY PART.
788
00:42:33,951 --> 00:42:35,653
{\an7}IT’S BEEN A HUNDRED YEARS
789
00:42:35,686 --> 00:42:38,756
{\an7}SINCE THE HOPE DIAMOND WAS PUT
IN A NEW SETTING.
790
00:42:38,790 --> 00:42:41,559
{\an7}[CLASSICAL MUSIC PLAYING]
791
00:42:48,733 --> 00:42:51,336
{\an7}[SAWING]
792
00:42:51,369 --> 00:42:58,209
{\an7}ONE WRONG MOVE COULD DAMAGE THE
WORLD’S MOST VALUABLE GEMSTONE.
793
00:42:58,242 --> 00:43:01,045
{\an7}BUT IT’S IN MASTERFUL HANDS.
794
00:43:01,079 --> 00:43:05,584
{\an7}PAVEL BESPALKO HAS BEEN CRAFTING
JEWELRY FOR OVER 30 YEARS.
795
00:43:05,616 --> 00:43:09,887
{\an7}[CLASSICAL MUSIC PLAYING]
796
00:43:09,921 --> 00:43:12,257
{\an7}\h\h\h\hONE OF HIS SECRETS
IS LISTENING TO CHOPIN
797
00:43:12,290 --> 00:43:15,693
{\an7}TO MAINTAIN HIS CONCENTRATION.
798
00:43:17,361 --> 00:43:19,864
{\an7}\h\h\h\h\h\hWINSTON HAS BROUGHT
HIS WORK BENCH FROM NEW YORK
799
00:43:19,897 --> 00:43:23,100
{\an7}\h\h\h\hTO ENSURE HE HAS
EVERYTHING HE NEEDS.
800
00:43:31,742 --> 00:43:33,110
{\an7}Bespalko: THAT’S IT!
801
00:43:33,144 --> 00:43:34,979
{\an7}[APPLAUSE]
802
00:43:37,682 --> 00:43:40,051
{\an7}Narrator: A SINGLE SCREW
\h\hIS ALL IT TAKES
803
00:43:40,084 --> 00:43:44,889
{\an7}TO HOLD THE SET DIAMOND
IN ITS RIBBONS OF PLATINUM.
804
00:43:44,922 --> 00:43:47,191
{\an7}de Narp: I FIND THE DESIGN
\h\hEXTREMELY INSPIRING.
805
00:43:47,225 --> 00:43:48,827
{\an7}I JUST PERSONALLY LOVE IT.
806
00:43:48,860 --> 00:43:51,029
{\an7}YOU REALLY SEE THERE
\h\h\h\hTHE TWO HANDS
807
00:43:51,062 --> 00:43:54,933
{\an7}\h\hOF SOMEBODY HOLDING THE WORLD,
HOLDING THE RAREST GEM ON EARTH.
808
00:43:54,966 --> 00:43:56,234
{\an7}AND IT IS A SYMBOL OF GENEROSITY
809
00:43:56,267 --> 00:43:59,270
{\an7}WHEN YOU PUT YOUR TWO HANDS
\h\h\h\h\h\h\h\hLIKE THAT.
810
00:44:01,806 --> 00:44:03,574
{\an7}Narrator: TO SHOWCASE
\h\h\h\hTHE NEW SETTING,
811
00:44:03,741 --> 00:44:06,544
{\an7}THE MUSEUM HAS TAPPED
\h\h\h\hA HOMETOWN GIRL:
812
00:44:06,577 --> 00:44:08,946
{\an7}ESTEE LAUDER MODEL HILARY RHODA.
813
00:44:08,980 --> 00:44:10,949
{\an7}\h\h\h\hRhoda: I’M ACTUALLY
FROM CHEVY CHASE, MARYLAND,
814
00:44:10,982 --> 00:44:12,851
{\an7}\h\h\h\hAND THAT’S WHY IT’S ALSO
REALLY NICE TO COME BACK HERE
815
00:44:12,950 --> 00:44:14,118
{\an7}AND TO THE SMITHSONIAN
816
00:44:14,152 --> 00:44:18,423
{\an7}AND SHOOT THIS AMAZING DIAMOND
ON MY NECK.
817
00:44:18,456 --> 00:44:21,993
{\an7}IT DOES FEEL HEAVY.
818
00:44:22,093 --> 00:44:24,195
{\an7}I’M FEELING VERY EXPENSIVE
\h\h\h\h\h\h\h\hRIGHT NOW.
819
00:44:26,364 --> 00:44:28,666
{\an7}MY MOM AND I WERE WALKING
INTO THE MUSEUM TODAY
820
00:44:28,699 --> 00:44:31,001
{\an7}\h\h\h\h\h\h\h\hAND SHE’S LIKE,
"YOU KNOW IT’S CURSED, RIGHT?"
821
00:44:31,035 --> 00:44:32,470
{\an7}AND I WAS LIKE, "WHAT? NO!"
822
00:44:32,503 --> 00:44:35,139
{\an7}I LOOKED IT UP, AND YOU KNOW,
823
00:44:35,239 --> 00:44:37,942
{\an7}APPARENTLY IT’S JUST
AN URBAN MYTH, RIGHT?
824
00:44:37,975 --> 00:44:39,176
{\an7}I’M HOPING?
825
00:44:44,515 --> 00:44:46,684
{\an7}\h\h\h\h\h\h\h\h\h\h\h\hNarrator:
50th ANNIVERSARY PARTY DRESS
826
00:44:46,717 --> 00:44:48,786
{\an7}WILL BE ON DISPLAY FOR A YEAR
827
00:44:48,819 --> 00:44:52,523
{\an7}BEFORE THE DIAMOND RETURNS
TO ITS HISTORICAL SETTING.
828
00:44:56,294 --> 00:44:58,363
{\an7}\h\h\h\h\h\hPost: WE FOCUS A LOT ON
THE HISTORY OF THE HOPE DIAMOND.
829
00:44:58,529 --> 00:44:59,964
{\an7}WE’RE THINKING ABOUT THAT
830
00:45:00,131 --> 00:45:01,399
{\an7}AS SOMETHING THAT’S ALWAYS
\h\hHAPPENED A LONG TIME AGO,
831
00:45:01,432 --> 00:45:02,700
{\an7}WHICH IN A SENSE IT HAS,
832
00:45:02,733 --> 00:45:05,169
{\an7}\h\h\h\hEXCEPT TONIGHT IS
PART OF HISTORY, TOO.
833
00:45:05,203 --> 00:45:07,772
{\an7}\h\h\h\hAND THE HISTORY OF
THE HOPE DIAMOND CONTINUES.
834
00:45:07,872 --> 00:45:10,174
{\an7}AND AS LONG AS PEOPLE COME
\h\h\h\hTO SEE THIS DIAMOND
835
00:45:10,208 --> 00:45:11,476
{\an7}OR HAVE AN INTEREST IN IT,
836
00:45:11,576 --> 00:45:14,646
{\an7}\h\h\h\hWHATEVER HAPPENS TO IT
WILL BECOME PART OF THAT STORY.
837
00:45:20,751 --> 00:45:22,219
{\an7}IT’S FUN TO IN A SENSE
838
00:45:22,253 --> 00:45:23,955
{\an7}BE A PART OF THIS MOMENT
\h\hIN ITS HISTORY
839
00:45:23,988 --> 00:45:26,991
{\an7}AND REALIZE THAT IT IS
SOMETHING VERY SPECIAL.
840
00:45:32,597 --> 00:45:34,299
{\an7}Rhoda’s mother: HER BIRTHSTONE
IS THE DIAMOND,
841
00:45:34,332 --> 00:45:38,469
{\an7}AND HER MONOGRAM IS H.R.H.,
842
00:45:38,502 --> 00:45:40,838
{\an7}HER ROYAL HIGHNESS,
WHICH IS, I THINK,
843
00:45:40,871 --> 00:45:42,406
{\an7}VERY FITTING, VERY REGAL.
844
00:45:42,440 --> 00:45:46,210
{\an7}de Narp: THIS STONE CARRIES
\h\h\h\hMORE THAN 350 YEARS
845
00:45:46,244 --> 00:45:49,380
{\an7}OF THE MOST INCREDIBLE HISTORY,
846
00:45:49,413 --> 00:45:52,349
{\an7}AND THAT MAKES THE HOPE DIAMOND
THE RAREST GEM
847
00:45:52,383 --> 00:45:54,619
{\an7}AND THE MOST MYTHICAL STONE
848
00:45:54,652 --> 00:45:56,587
{\an7}ON EARTH.
102025