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00:00:03,833 --> 00:00:07,166
NARRATOR: MANY OF THE WORLD'S
BEST-KNOWN LANDMARKS
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00:00:07,266 --> 00:00:10,200
HAVE BEEN INSPIRED BY FAITH.
3
00:00:10,300 --> 00:00:12,600
AND TODAY,
4
00:00:12,700 --> 00:00:14,700
MORE WORSHIPPERS THAN EVER ARE
FLOCKING TO THESE SACRED PLACES.
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00:00:14,800 --> 00:00:18,700
TO THESE SACRED PLACES,
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00:00:18,800 --> 00:00:22,400
BUT WHY DO THEY CONTINUE
TO PROVOKE SUCH PASSION?
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00:00:22,500 --> 00:00:26,933
[PEOPLE CHEER]
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00:00:27,033 --> 00:00:30,333
NARRATOR: HUNDREDS OF YEARS
AFTER THEY WERE FIRST BUILT,
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00:00:30,433 --> 00:00:34,633
MANY OF THEM REMAIN PLACES
OF DEEP SPIRITUAL SIGNIFICANCE
10
00:00:34,733 --> 00:00:37,766
AND CONTROVERSY.
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00:00:37,866 --> 00:00:40,033
FOR SOME PEOPLE,
THEY ARE SANCTUARIES
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00:00:40,133 --> 00:00:42,400
FOR QUIET CONTEMPLATION.
13
00:00:42,500 --> 00:00:48,833
FOR OTHERS, THEY ARE SITES
OF ASTONISHING ACTS OF WORSHIP,
14
00:00:48,933 --> 00:00:54,366
DANGEROUS CHALLENGES, AND
EXTRAORDINARY DEEDS OF DEVOTION
15
00:00:54,466 --> 00:00:59,466
RARELY SEEN BY OUTSIDERS.
16
00:00:59,566 --> 00:01:04,233
THIS TIME, AT THE HOLY
SEPULCHRE IN JERUSALEM,
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00:01:04,333 --> 00:01:09,066
AN ORTHODOX CHRISTIAN
MUST DELIVER A HOLY FLAME
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00:01:09,166 --> 00:01:12,400
INTO THE HANDS OF HIS BISHOP.
19
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[BELL RINGS]
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AT BUDHANATH IN NEPAL,
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A BUDDHIST PAINTER
BATTLES THE ELEMENTS
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00:01:20,066 --> 00:01:23,833
IN ORDER TO HONOR
BUDDHA'S BIRTHDAY,
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00:01:23,933 --> 00:01:28,066
AND AT LALISH IN IRAQ,
A YOUNG YAZIDI WOMAN
24
00:01:28,166 --> 00:01:30,366
GOES IN SEARCH OF SALVATION
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AFTER BEING TRAUMATIZED
BY RECENT CONFLICT.
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[WEEPING]
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NARRATOR: IN THIS SERIES,
WE REVEAL THE AMAZING THINGS
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THAT PEOPLE DO FOR THEIR FAITH
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IN SOME OF THE MOST SPECTACULAR
SACRED PLACES
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ON THE PLANET.
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00:01:59,400 --> 00:02:03,100
♪
32
00:02:03,200 --> 00:02:06,166
NARRATOR: AT ONE SACRED WONDER
IN JERUSALEM,
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00:02:06,266 --> 00:02:10,400
SOMETHING EXTRAORDINARY IS
THOUGHT TO HAPPEN EVERY YEAR
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00:02:10,500 --> 00:02:14,666
IN THE SAME PLACE
AT THE SAME TIME--
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A MIRACLE.
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THE CHURCH
OF THE HOLY SEPULCHRE--
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ONE OF THE MOST SACRED SITES
IN CHRISTIANITY.
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IT'S BUILT WHERE CHRIST
IS BELIEVED TO HAVE BEEN
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CRUCIFIED, BURIED,
AND RESURRECTED.
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♪
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HIS TOMB IS ENCLOSED
WITHIN A SHRINE,
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AND SURROUNDING IT
ARE A NUMBER OF CHAPELS,
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EACH ONE GOVERNED
BY A DIFFERENT BRANCH
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00:02:55,933 --> 00:02:57,466
OF THE CHRISTIAN CHURCH.
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00:02:57,566 --> 00:03:01,266
♪
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FOR SYRIAC ORTHODOX CHRISTIAN
HANNA KOSHO,
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00:03:01,366 --> 00:03:05,100
FOR SYRIAC ORTHODOX CHRISTIAN
HANNA KOSHO,
48
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IT IS A DEEPLY
SPIRITUAL PLACE.
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NARRATOR: LIKE MANY ORTHODOX
CHRISTIANS, HANNA BELIEVES
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THAT ON EASTER SATURDAY
FOR OVER 1,200 YEARS
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A MIRACLE
HAS TAKEN PLACE HERE.
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ON THIS DAY INSIDE THE SHRINE,
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IT IS SAID THE HOLY SPIRIT
CREATES A SACRED FLAME.
54
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THAT FLAME IS THEN CARRIED TO
THE CHAPELS A FEW METERS AWAY
55
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BEFORE BEING TAKEN TO ORTHODOX
CHURCHES ALL OVER THE CITY.
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♪
57
00:04:02,333 --> 00:04:05,500
NARRATOR: TOMORROW HANNA WILL
BE ONE OF THE FLAME BEARERS.
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♪
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00:04:09,200 --> 00:04:11,133
HE TRAVELS FROM SWEDEN
EVERY YEAR
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00:04:11,233 --> 00:04:13,933
TO PERFORM THIS ROLE
FOR HIS CHURCH.
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NARRATOR: IT IS
A HUGELY PRESTIGIOUS ROLE
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THAT IS PASSED
DOWN THE GENERATIONS.
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♪
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00:04:36,966 --> 00:04:39,133
NARRATOR: NOW HE'S STARTED
TEACHING HIS NEPHEW YOUSEF,
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00:04:39,233 --> 00:04:42,500
HERE FROM MICHIGAN,
HOW IT'S DONE.
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YOUSEF, VOICE-OVER: KNOWING
THAT IT HAS BEEN IN OUR FAMILY
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FOR SO LONG AND HAVING PEOPLE
LIKE MY FATHER, MY UNCLE,
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OUR GRANDPARENTS HAVING THE
CHANCE TO CARRY IT AND NOW THAT
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ME AND MY COUSINS ARE HAVING
THE CHANCE TO CARRY IT,
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IT'S JUST SUCH A GREAT HONOR.
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00:04:57,233 --> 00:05:04,166
♪
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NARRATOR: IT'S 9 A.M.
ON EASTER SATURDAY.
73
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CROWDS ARE STARTING TO GATHER
AT THE HOLY SEPULCHRE.
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PILGRIMS FROM ALL OVER
THE WORLD HAVE COME,
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HOPING TO WITNESS THE MIRACLE.
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[BAGPIPES AND DRUMS PLAYING]
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HANNA HAS BEEN DOING THIS
FOR 24 YEARS,
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BUT THIS YEAR,
YOUSEF IS GOING TO HELP HIM
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CARRY THE SACRED FLAME.
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YOUSEF, VOICE-OVER: IT'S
KIND OF OVERWHELMING AT FIRST,
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BUT THEN WHEN YOU REALIZE
WHAT YOU'RE DOING THERE,
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IT KIND OF MAKES EVERYTHING
SEEM PRETTY SMALL,
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THAT YOU'RE THERE
FOR A BIGGER REASON.
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[PEOPLE CHANTING]
85
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NARRATOR: INSIDE
THE HOLY SEPULCHRE,
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ANTICIPATION IS BUILDING.
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♪
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♪
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WHEN THE HOLY FLAME APPEARS,
90
00:06:06,200 --> 00:06:08,866
EVERYONE WILL BE DESPERATE
TO TOUCH IT.
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♪
92
00:06:17,666 --> 00:06:21,066
NARRATOR: HANNA AND YOUSEF WILL
ONLY HAVE A MATTER OF SECONDS
93
00:06:21,166 --> 00:06:25,200
TO GET IT FROM THE SHRINE
TO THEIR CHAPEL
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BEFORE THE OVEREXCITED CROWD
CLOSES IN.
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♪
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00:06:51,066 --> 00:06:55,700
NARRATOR: EVERYONE IS JOSTLING
FOR THE BEST SPOT.
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THE PRESSURE IS GETTING
TO HANNA AND YOUSEF, TOO.
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HANNA: YOUSEF...
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♪
100
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NARRATOR: THE ONLY PERSON
WHO WILL ACTUALLY
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WITNESS THE HOLY FLAME
IS THE PATRIARCH
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OF THE GREEK ORTHODOX CHURCH.
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HE'S SEARCHED TO MAKE SURE
HE ISN'T CARRYING ANYTHING
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THAT HE COULD USE
TO CREATE A FLAME.
105
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THEN HE'S SHUT
INSIDE THE SHRINE.
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WHEN THE HOLY FLAME APPEARS,
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00:07:38,866 --> 00:07:41,133
HE WILL PASS IT OUT
THROUGH A PORTHOLE
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TO THE WAITING FLAME CARRIERS.
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♪
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00:07:47,533 --> 00:07:50,366
HANNA IS POISED BY THE SHRINE,
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YOUSEF 60 FEET BEHIND HIM,
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00:07:54,366 --> 00:07:57,300
AND IN ONE
OF THE SURROUNDING CHAPELS,
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THE BISHOP FROM THEIR CHURCH
IS ALSO WAITING.
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EVERYONE IS PRAYING
FOR A MIRACLE.
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♪
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YOUSEF, VOICE-OVER:
YOUR HEART STARTS BEATING
FASTER AND FASTER.
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YOU CAN'T HELP BUT TO GET
A LITTLE BIT ANXIOUS.
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♪
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NARRATOR: THE HOLY FLAME
HAS APPEARED,
120
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AND THE FIRST CANDLES
LIT WITH IT
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ARE PASSED OUT OF THE SHRINE.
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THE FASTER HANNA AND YOUSEF
CAN GET IT TO THEIR BISHOP,
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THE GREATER THE HONOR.
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♪
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♪
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♪
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NARRATOR: IN LESS THAN
30 SECONDS, IT'S ALL OVER.
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THE BISHOP HAS THE FLAME.
129
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YOUSEF, VOICE-OVER: ONCE I WAS
ABLE TO GIVE THE HOLY FIRE
130
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TO THE BISHOP, THAT WAS
THE MOST AMAZING FEELING,
131
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KNOWING THAT IN MY HEART,
I FEEL CLOSER TO GOD
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AND TO JESUS.
133
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NARRATOR: ALL AROUND
THE SHRINE, THE FLAME IS PASSED
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FROM PERSON TO PERSON.
135
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♪
136
00:09:39,266 --> 00:09:43,766
OVER THE NEXT FEW HOURS,
THIS HOLY FIRE WILL BE TAKEN
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TO ORTHODOX CHURCHES
NOT JUST ACROSS JERUSALEM,
138
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BUT AS FAR AFIELD AS RUSSIA
AND NORTH AMERICA.
139
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♪
140
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YOUSEF, VOICE-OVER: ALL I COULD
FEEL IS PEACE,
141
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LOVE, AND HAPPINESS.
142
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I WAS ABLE TO HAVE THE HONOR
TO CARRY THE HOLY FIRE
143
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AND TO CONTINUE ON THE LEGACY
OF THE KOSHO FAMILY.
144
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♪
145
00:10:18,300 --> 00:10:19,933
NARRATOR: THERE HAS BEEN
A CHURCH ON THE SITE
146
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OF THE HOLY SEPULCHRE
FOR HUNDREDS OF YEARS,
147
00:10:23,766 --> 00:10:28,700
AND IT NEEDS CONSTANT CARE
AND ATTENTION,
148
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AS DO MANY SACRED WONDERS.
149
00:10:33,033 --> 00:10:37,666
THE CENTURIES-OLD CHURCHES
OF LALIBELA IN ETHIOPIA,
150
00:10:37,766 --> 00:10:42,300
CARVED OUT OF THE BEDROCK,
ARE NOW IN NEED
151
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OF A MULTIMILLION-DOLLAR
RESTORATION,
152
00:10:48,200 --> 00:10:51,266
AND AT THE BLUE MOSQUE
IN ISTANBUL,
153
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HUNDREDS OF THE DOME'S
ICONIC CERAMIC TILES
154
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HAVE BEEN BROKEN
OR STOLEN OVER THE YEARS
155
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AND ARE CURRENTLY
BEING REPLACED,
156
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BUT THERE'S
AN ANCIENT WONDER IN NEPAL
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THAT ALWAYS LOOKS PRISTINE--
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♪
159
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BOUDHANATH.
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THIS GRAND BUDDHIST STUPA IN
NEPAL'S CAPITAL CITY KATHMANDU
161
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IS ONE OF THE LARGEST
IN THE WORLD.
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DATING BACK
TO THE 14th CENTURY,
163
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IT HOUSES HOLY RELICS
SAID TO INCLUDE
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THE BONES OF BUDDHA,
165
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BUT DESPITE ITS AGE, IT'S
IN ALMOST-PERFECT CONDITION
166
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BECAUSE IT'S CONSTANTLY
BEING REPAINTED.
167
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38-YEAR-OLD BUDDHIST
MILAN SHRESTHA
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IS ONE OF A TEAM RESPONSIBLE.
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♪
170
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NARRATOR: WORKING AT BOUDHANATH
IS CONSIDERED AUSPICIOUS.
171
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MILAN BELIEVES HE AND HIS
FAMILY WILL HAVE GOOD FORTUNE,
172
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OR KARMA,
AS A RESULT OF HIS JOB,
173
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AND SO DO THE PEOPLE WHO
PROVIDE THE PAINT THEY USE.
174
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THERE'S A STEADY STREAM
OF DONATIONS FROM DEVOTEES
175
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HOPING FOR BETTER KARMA
IN THE FUTURE.
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00:12:55,133 --> 00:12:58,300
♪
177
00:12:58,400 --> 00:13:02,166
THE DONATIONS ARE MADE
ALL YEAR ROUND,
178
00:13:02,266 --> 00:13:06,533
AND AS A RESULT, THE STUPA
IS CONSTANTLY REPAINTED,
179
00:13:06,633 --> 00:13:10,933
SOMETIMES SEVERAL TIMES
A MONTH,
180
00:13:11,033 --> 00:13:16,333
BUT THE MOST IMPORTANT PAINT
JOB OF THE YEAR IS TOMORROW
181
00:13:16,433 --> 00:13:21,000
BECAUSE IT'S BUDDHA'S BIRTHDAY
AND THE ENTIRE STRUCTURE
182
00:13:21,100 --> 00:13:26,100
WILL BE REDONE FROM TOP
TO BOTTOM IN A SINGLE DAY.
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♪
184
00:13:44,533 --> 00:13:48,133
NARRATOR: WITH 24 HOURS TO GO,
185
00:13:48,233 --> 00:13:51,266
THE DECORATING TEAM
HAS GATHERED.
186
00:13:51,366 --> 00:13:53,233
THEY ARE WAITING
TO FIND OUT WHO GETS
187
00:13:53,333 --> 00:13:56,333
THE MOST IMPORTANT ROLE--
188
00:13:56,433 --> 00:14:01,333
PAINTING THE DECORATIVE ORANGE
ARCS ACROSS THE STRUCTURE.
189
00:14:01,433 --> 00:14:04,066
THEY REPRESENT LOTUS PETALS,
190
00:14:04,166 --> 00:14:08,000
A BUDDHIST SYMBOL
OF PURITY AND ENLIGHTENMENT.
191
00:14:15,600 --> 00:14:18,366
NARRATOR: MILAN HAS BEEN
CHOSEN TO PAINT 16
192
00:14:18,466 --> 00:14:21,633
AROUND THE BOTTOM
OF THE STUPA.
193
00:14:21,733 --> 00:14:25,700
IT'S HIS FIRST TIME DOING IT
ON BUDDHA'S BIRTHDAY,
194
00:14:25,800 --> 00:14:29,300
AND IT'S A HUGE RESPONSIBILITY.
195
00:14:29,400 --> 00:14:32,833
MAKING THEM TAKES
GREAT SKILL AND PRECISION.
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00:14:35,400 --> 00:14:38,066
♪
197
00:14:38,166 --> 00:14:45,266
ALL ACROSS THE CITY, EVERYONE
PREPARES FOR THE BIG DAY.
198
00:14:45,366 --> 00:14:50,300
THE STUPA'S DOME IS SO SACRED,
TO MINIMIZE CONTACT WITH IT,
199
00:14:50,400 --> 00:14:55,400
RATHER THAN USE BRUSHES,
THE PAINT MUST BE THROWN.
200
00:14:55,500 --> 00:14:59,900
MILAN'S FRIEND PURNA
HAS TAUGHT HIM A TECHNIQUE.
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♪
202
00:15:12,066 --> 00:15:16,200
NARRATOR: EVERY PETAL MUST BE
THE SAME SIZE AND SHAPE.
203
00:15:16,300 --> 00:15:21,900
THE KNACK LIES IN FLICKING THE
PAINT AT JUST THE RIGHT ANGLE,
204
00:15:22,000 --> 00:15:26,200
BUT THERE'S
AN ADDED COMPLICATION.
205
00:15:26,300 --> 00:15:30,700
THE HIMALAYAN WIND OFTEN
STRENGTHENS IN THE AFTERNOON.
206
00:15:30,800 --> 00:15:32,000
♪
207
00:15:43,900 --> 00:15:48,233
♪
208
00:16:00,666 --> 00:16:03,900
♪
209
00:16:04,000 --> 00:16:08,033
NARRATOR: IT'S THE DAY
OF BUDDHA'S BIRTHDAY.
210
00:16:08,133 --> 00:16:12,966
THOUSANDS HAVE ARRIVED,
AND MORE PAINT DONATIONS
211
00:16:13,066 --> 00:16:18,533
ARE MADE TODAY
THAN AT ANY OTHER TIME OF YEAR.
212
00:16:18,633 --> 00:16:21,766
THEY USE TWO TYPES OF PAINT--
213
00:16:21,866 --> 00:16:25,933
THE LOTUS PETAL COLOR
MADE WITH SAFFRON
214
00:16:26,033 --> 00:16:28,900
AND THE WHITEWASH
MADE FROM LIME,
215
00:16:29,000 --> 00:16:32,333
A CORROSIVE MIX THAT MUST
BE HANDLED WITH CARE.
216
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♪
217
00:16:41,266 --> 00:16:45,933
FIRST, THE WHOLE DOME IS GIVEN
A NEW COAT OF WHITEWASH.
218
00:16:46,033 --> 00:16:59,200
♪
219
00:17:04,100 --> 00:17:09,700
♪
220
00:17:09,800 --> 00:17:16,200
NARRATOR: SO FAR, SO GOOD,
BUT THEY NEED TO WORK FAST.
221
00:17:16,300 --> 00:17:21,266
THE WIND HAS STARTED
TO PICK UP.
222
00:17:21,366 --> 00:17:25,433
SUDDENLY, MILAN IS TRIPPED UP.
223
00:17:28,000 --> 00:17:29,933
NARRATOR: A VIOLENT GUST
SPRAYS WHITEWASH
224
00:17:30,033 --> 00:17:34,233
STRAIGHT INTO HIS FACE.
225
00:17:39,933 --> 00:17:41,866
♪
226
00:17:41,966 --> 00:17:43,966
NARRATOR:
THE LIME IN THE PAINT
227
00:17:44,066 --> 00:17:46,366
COULD PERMANENTLY
DAMAGE HIS EYESIGHT...
228
00:17:46,466 --> 00:17:48,266
♪
229
00:17:51,533 --> 00:17:54,100
NARRATOR: BUT THE WIND'S
GETTING WORSE.
230
00:17:54,200 --> 00:17:58,033
AFTER WASHING HIS EYE,
THEY QUICKLY PUSH ON.
231
00:17:58,133 --> 00:18:02,833
♪
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232
00:18:05,866 --> 00:18:14,100
♪
233
00:18:14,200 --> 00:18:19,300
NARRATOR:
THE WHITEWASHING IS COMPLETE.
234
00:18:19,400 --> 00:18:22,966
NOW IT'S TIME TO PAINT
THE LOTUS PETALS.
235
00:18:27,233 --> 00:18:29,166
NARRATOR: AS HIS TEAMMATES
GET TO WORK
236
00:18:29,266 --> 00:18:31,533
ON THE UPPER PART OF THE STUPA,
237
00:18:31,633 --> 00:18:36,333
MILAN STARTS ON THE FIRST
OF 16 PETALS AROUND THE BASE.
238
00:18:36,433 --> 00:18:40,233
♪
239
00:18:40,333 --> 00:18:42,200
UH!
240
00:18:42,300 --> 00:18:44,133
NARRATOR: HE MUST
THROW HIS PAINT AT EXACTLY
241
00:18:44,233 --> 00:18:48,733
THE RIGHT ANGLE IN ORDER
TO CREATE THE PERFECT ARC.
242
00:18:48,833 --> 00:18:52,800
♪
243
00:18:52,900 --> 00:18:54,866
UH!
244
00:18:54,966 --> 00:18:56,533
♪
245
00:19:11,700 --> 00:19:14,333
UH!
246
00:19:14,433 --> 00:19:16,633
♪
247
00:19:16,733 --> 00:19:19,500
NARRATOR: DESPITE THE WIND,
248
00:19:19,600 --> 00:19:26,800
ONE BY ONE, THE PETALS
START TO TAKE SHAPE.
249
00:19:26,900 --> 00:19:30,233
UH!
250
00:19:30,333 --> 00:19:34,133
♪
251
00:19:41,566 --> 00:19:49,733
♪
252
00:19:49,833 --> 00:19:51,333
UH!
253
00:19:51,433 --> 00:19:56,200
♪
254
00:19:56,300 --> 00:19:59,466
UH!
255
00:19:59,566 --> 00:20:02,600
♪
256
00:20:02,700 --> 00:20:06,200
NARRATOR: AT LAST,
HE'S FINISHED,
257
00:20:06,300 --> 00:20:08,600
BUT IS IT UP TO PAR?
258
00:20:08,700 --> 00:20:12,033
ONE, TWO...
259
00:20:12,133 --> 00:20:19,500
♪
260
00:20:19,600 --> 00:20:23,533
NARRATOR: THERE'S ALWAYS
ROOM FOR IMPROVEMENT,
261
00:20:23,633 --> 00:20:27,133
BUT ALL 16 ARE PRESENT
AND CORRECT.
262
00:20:27,233 --> 00:20:31,066
♪
263
00:20:37,500 --> 00:20:42,066
♪
264
00:20:53,433 --> 00:20:57,566
♪
265
00:20:57,666 --> 00:21:02,733
NARRATOR: LIKE BOUDHANATH, MANY
WONDERS TAKE YEARS TO BUILD.
266
00:21:02,833 --> 00:21:05,433
♪
WEBVTT
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267
00:21:02,833 --> 00:21:05,433
♪
268
00:21:05,533 --> 00:21:10,700
THE CHURCH OF SAINT SAVA
IN SERBIA WAS BEGUN IN 1935,
269
00:21:10,800 --> 00:21:14,733
BUT CONSTRUCTION
WAS HALTED TWICE BY WAR,
270
00:21:14,833 --> 00:21:18,733
AND IT WASN'T FINALLY COMPLETED
UNTIL 2004...
271
00:21:18,833 --> 00:21:22,300
♪
272
00:21:22,400 --> 00:21:26,000
AND IN BARCELONA, THE CHURCH
OF THE SAGRADA FAMILIA--
273
00:21:26,100 --> 00:21:30,500
DESIGNED BY SPANISH ARCHITECT
GAUDI, STARTED IN 1882--
274
00:21:30,600 --> 00:21:36,366
IS STILL UNFINISHED
TO THIS DAY,
275
00:21:36,466 --> 00:21:40,433
BUT IN NEW MEXICO, THERE ARE
SACRED WONDERS THAT ARE BUILT
276
00:21:40,533 --> 00:21:45,066
IN A MATTER OF HOURS AND LAST
FOR JUST A MATTER OF DAYS.
277
00:21:45,166 --> 00:21:56,433
♪
278
00:21:56,533 --> 00:22:00,466
THIS GROUP
OF MESCALERO APACHES
279
00:22:00,566 --> 00:22:04,766
ARE GATHERING WOOD
FOR A NEW SACRED STRUCTURE.
280
00:22:04,866 --> 00:22:07,800
ONE MORE!
281
00:22:07,900 --> 00:22:12,200
NARRATOR: THEY BELIEVE THAT
AT THE CENTER OF ALL CREATION
282
00:22:12,300 --> 00:22:19,600
IS A POWERFUL, FEMALE FIGURE
CALLED WHITE PAINTED WOMAN,
283
00:22:19,700 --> 00:22:23,900
AND THESE TREES WILL BE USED
TO BUILD A SACRED TEPEE
284
00:22:24,000 --> 00:22:26,366
THAT WILL CHANNEL HER ENERGY
285
00:22:26,466 --> 00:22:32,100
TO TRANSFORM TWO GIRLS
INTO WOMEN.
286
00:22:32,200 --> 00:22:34,166
NO MORE!
287
00:22:38,000 --> 00:22:40,333
♪
288
00:22:40,433 --> 00:22:44,800
NARRATOR: IN JUST 24 HOURS,
14-YEAR-OLD JORDYN CHEE
289
00:22:44,900 --> 00:22:47,833
AND HER 13-YEAR-OLD
SISTER JAELYNNE
290
00:22:47,933 --> 00:22:51,900
WILL BEGIN THIS GRUELING
RITE OF PASSAGE.
291
00:22:52,000 --> 00:22:54,700
JORDYN: THERE'S 4
STAGES OF CHILDHOOD.
292
00:22:54,800 --> 00:23:00,700
THERE'S A BABY, A CHILD,
A TEENAGER, AND A WOMAN.
293
00:23:00,800 --> 00:23:05,400
BECOMING A WOMAN, YOU NEED
TO BE A PERSON THAT IS STRONG,
294
00:23:05,500 --> 00:23:09,833
A PERSON THAT'S
CARING FOR EVERYONE.
295
00:23:09,933 --> 00:23:12,033
NARRATOR:
FOR THE MESCALERO APACHE,
296
00:23:12,133 --> 00:23:15,666
THIS COMING-OF-AGE CEREMONY
IS HUGELY IMPORTANT,
297
00:23:15,766 --> 00:23:18,033
AND THE GIRLS HAVE BEEN
PREPARING FOR IT
298
00:23:18,133 --> 00:23:20,566
FOR OVER A YEAR.
299
00:23:20,666 --> 00:23:22,300
WOMAN: ALWAYS TRY
TO MAKE AS MANY
300
00:23:22,400 --> 00:23:24,700
MENTAL PICTURES
AS YOU CAN.
301
00:23:24,800 --> 00:23:26,400
REALLY JUST LOOK AROUND
AND BE THANKFUL
302
00:23:26,500 --> 00:23:28,800
TO ALL THE PEOPLE
WHO ARE HERE.
303
00:23:28,900 --> 00:23:30,466
THEIR DRESSES
WILL HAVE...
304
00:23:30,566 --> 00:23:32,233
NARRATOR: THEY ARE BEING
MENTORED BY THEIR GODMOTHER
305
00:23:32,333 --> 00:23:36,500
ARDENA, WHO WENT
THROUGH THE CEREMONY HERSELF.
306
00:23:36,600 --> 00:23:40,800
ARDENA: THE NEXT FEW DAYS
IS SHOWING YOU CHALLENGES
307
00:23:40,900 --> 00:23:42,933
AND THAT YOU CAN GET
THROUGH ANY CHALLENGE
308
00:23:43,033 --> 00:23:46,800
THAT COMES
INTO YOUR LIFE.
309
00:23:46,900 --> 00:23:51,000
NARRATOR: FOR THE NEXT
4 DAYS AND NIGHTS, THE GIRLS
310
00:23:51,100 --> 00:23:55,000
MUST PERFORM A SERIES
OF TRADITIONAL MESCALERO DANCES.
311
00:23:55,100 --> 00:23:57,466
♪
312
00:23:57,566 --> 00:24:00,066
JORDYN, VOICE-OVER:
IT'S A LOT OF WORK.
313
00:24:00,166 --> 00:24:05,733
HOW I'VE BEEN PREPARING MYSELF
IS JUST TRYING TO GET MYSELF
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314
00:24:00,166 --> 00:24:05,733
HOW I'VE BEEN PREPARING MYSELF
IS JUST TRYING TO GET MYSELF
315
00:24:05,833 --> 00:24:11,566
FIT FOR THIS BECAUSE
IT'S GONNA BE HARD, I KNOW.
316
00:24:11,666 --> 00:24:14,566
NARRATOR: THE WOOD THAT THE MEN
HAVE COLLECTED WILL BE USED
317
00:24:14,666 --> 00:24:19,266
TO BUILD A SACRED STRUCTURE
APACHES CALL THE BIG TEPEE.
318
00:24:19,366 --> 00:24:25,233
ONCE COMPLETED, IT WILL BE
A PORTAL INTO THE SPIRIT WORLD.
319
00:24:25,333 --> 00:24:28,300
WHEN THE GIRLS
ARE DANCING INSIDE IT,
320
00:24:28,400 --> 00:24:31,000
IT IS BELIEVED THAT
THEY WILL CHANNEL THE POWER
321
00:24:31,100 --> 00:24:37,766
OF WHITE PAINTED WOMAN
AND BECOME WOMEN THEMSELVES,
322
00:24:37,866 --> 00:24:42,666
BUT IT WILL BE AN EXHAUSTING
TEST OF MIND AND BODY.
323
00:24:42,766 --> 00:24:46,366
JAELYNNE, VOICE-OVER:
IT'S POWERFUL IN MANY WAYS.
324
00:24:46,466 --> 00:24:48,800
WHEN WE'RE DANCING,
I THINK WE'RE GONNA
325
00:24:48,900 --> 00:24:53,533
FEEL THE ENERGY
AS WE'RE IN THE TEPEE.
326
00:24:53,633 --> 00:24:56,500
I DON'T KNOW THE JOURNEY
OF BEING A WOMAN YET,
327
00:24:56,600 --> 00:25:02,100
BUT I THINK ME AND
MY SISTER CAN TAKE IT.
328
00:25:02,200 --> 00:25:06,333
NARRATOR: THE 4-DAY TRIAL
IS ABOUT TO BEGIN.
329
00:25:06,433 --> 00:25:09,166
OH, HEY, COME ON.
GET BACK HERE.
330
00:25:09,266 --> 00:25:13,500
NARRATOR:
THE BIG TEPEE IS RAISED.
331
00:25:13,600 --> 00:25:17,200
APACHES ARE ANIMISTS.
332
00:25:17,300 --> 00:25:20,000
THEY BELIEVE THAT EVERYTHING
IN THE NATURAL WORLD
333
00:25:20,100 --> 00:25:23,600
HAS A SPIRITUAL ESSENCE.
334
00:25:23,700 --> 00:25:27,433
THE BIG TEPEE IS A SYMBOL
OF THEIR BELIEFS.
335
00:25:27,533 --> 00:25:29,333
IT'S SAID TO REPRESENT
336
00:25:29,433 --> 00:25:32,633
THE MESCALERO APACHE VIEW
OF THE UNIVERSE.
337
00:25:32,733 --> 00:25:36,033
THE FRAME IS SUPPORTED
BY 4 FOUNDATION POLES
338
00:25:36,133 --> 00:25:39,866
KNOWN AS THE GRANDFATHERS.
339
00:25:39,966 --> 00:25:44,266
THEY ARE BELIEVED TO HOLD UP
THE SKY, WHICH IS MALE.
340
00:25:44,366 --> 00:25:49,666
♪
341
00:25:49,766 --> 00:25:53,066
THEY, IN TURN, ENCIRCLE
THAT PART OF THE FEMALE EARTH,
342
00:25:53,166 --> 00:25:55,800
WHICH IS
THE APACHE'S HOMELAND.
343
00:25:57,333 --> 00:26:00,900
♪
344
00:26:01,000 --> 00:26:04,066
AS THE TEPEE NEARS COMPLETION,
345
00:26:04,166 --> 00:26:09,333
THE GIRLS ARE DRESSED
IN CEREMONIAL CLOTHES.
346
00:26:09,433 --> 00:26:15,566
EACH TASSEL REPRESENTS
A MESCALERO ANCESTOR
347
00:26:15,666 --> 00:26:17,933
WHILE THE FEATHERS
IN THEIR HAIR
348
00:26:18,033 --> 00:26:20,300
LINK THEM
TO THE NATURAL WORLD.
349
00:26:20,400 --> 00:26:24,000
[MEN SINGING]
350
00:26:24,100 --> 00:26:27,333
NARRATOR: ONCE DRESSED, THE
GIRLS ARE BLESSED WITH POLLEN,
351
00:26:27,433 --> 00:26:31,766
A SYMBOL OF
WHITE PAINTED WOMAN.
352
00:26:31,866 --> 00:26:36,400
FROM THIS POINT ONWARDS,
THEY MUST SHOW NO EMOTION
353
00:26:36,500 --> 00:26:43,166
UNTIL THE CEREMONY
IS COMPLETE.
354
00:26:43,266 --> 00:26:45,400
THEY ARE READY.
355
00:26:45,500 --> 00:26:49,700
[MEN SINGING]
356
00:26:49,800 --> 00:26:53,266
NARRATOR: NOW SPIRITUAL GUIDES
CALLED CROWN DANCERS
357
00:26:53,366 --> 00:26:57,400
MUST UNLOCK THE DOOR
TO THE SPIRIT WORLD
358
00:26:57,500 --> 00:27:00,666
BY DANCING AND CHANTING.
359
00:27:00,766 --> 00:27:04,066
[SINGING CONTINUES]
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360
00:27:00,766 --> 00:27:04,066
[SINGING CONTINUES]
361
00:27:10,366 --> 00:27:13,066
NARRATOR: ONCE THE POWER OF
WHITE PAINTED WOMAN IS BELIEVED
362
00:27:13,166 --> 00:27:17,233
TO BE FLOWING, THE GIRLS
GO INSIDE THE BIG TEPEE
363
00:27:17,333 --> 00:27:21,933
AND BEGIN TO DANCE.
364
00:27:22,033 --> 00:27:24,966
OVER THE NEXT
3 DAYS AND NIGHTS,
365
00:27:25,066 --> 00:27:29,733
THEY WILL INCREASE THE LENGTH
OF TIME THEY DANCE FOR
366
00:27:29,833 --> 00:27:35,800
AS THEY RE-ENACT
THE APACHE STORY OF CREATION.
367
00:27:35,900 --> 00:27:39,200
IT'S SAID WHITE PAINTED WOMAN
WAS IMPREGNATED
368
00:27:39,300 --> 00:27:44,433
BY THE SUN AND THE RAIN,
GIVING BIRTH TO TWO CHILDREN.
369
00:27:44,533 --> 00:27:48,966
THEY HELPED SAVE THE WORLD
FROM DESTRUCTION,
370
00:27:49,066 --> 00:27:53,200
MAKING IT A SAFE PLACE
FOR THE APACHE PEOPLE TO LIVE.
371
00:27:53,300 --> 00:27:59,166
[SINGING CONTINUES]
372
00:27:59,266 --> 00:28:03,566
NARRATOR: LIKE MANY
NATIVE AMERICAN CEREMONIES,
373
00:28:03,666 --> 00:28:08,133
IT WAS OUTLAWED BY THE
U.S. GOVERNMENT IN THE 1890s
374
00:28:08,233 --> 00:28:12,600
AND COULD ONLY BE
PRACTICED IN SECRET.
375
00:28:12,700 --> 00:28:17,533
THE BAN WAS ONLY LIFTED
IN 1978,
376
00:28:17,633 --> 00:28:22,400
BUT EVEN TODAY THE CEREMONY
REMAINS A CLOSELY GUARDED EVENT
377
00:28:22,500 --> 00:28:25,333
ONLY WITNESSED
BY IMMEDIATE FAMILY.
378
00:28:25,433 --> 00:28:29,233
JORDYN, VOICE-OVER: THERE ARE
STORIES THAT ARE TOLD IN THERE.
379
00:28:29,333 --> 00:28:33,933
JUST THE POWER OF EVERYONE
PRAYING FOR THE GIRL
380
00:28:34,033 --> 00:28:40,533
TO BE STRONG IS GIVING HER HELP
DURING THE WHOLE PROCESS.
381
00:28:46,100 --> 00:28:50,066
♪
382
00:28:50,166 --> 00:28:54,100
NARRATOR: ON THE THIRD NIGHT,
THE GIRLS DANCE FOR 7 HOURS
383
00:28:54,200 --> 00:28:56,366
IN A SINGLE SESSION...
384
00:28:56,466 --> 00:29:02,666
[SINGING CONTINUES]
385
00:29:02,766 --> 00:29:06,366
NARRATOR: BUT NOW,
ON THE FOURTH AND FINAL NIGHT,
386
00:29:06,466 --> 00:29:10,933
THEY FACE THEIR BIGGEST TEST.
387
00:29:11,033 --> 00:29:15,600
JORDYN AND JAELYNNE
LEAVE THE BIG TEPEE.
388
00:29:15,700 --> 00:29:18,666
THEY ARE NOW READY TO JOIN
THE CROWN DANCERS
389
00:29:18,766 --> 00:29:23,600
FOR THE LAST STEP IN TAKING ON
WHITE PAINTED WOMAN'S POWER,
390
00:29:23,700 --> 00:29:28,866
AND TONIGHT THEY MUST DANCE
NONSTOP FROM DUSK TILL DAWN.
391
00:29:28,966 --> 00:29:33,166
[BELLS AND DRUMS PLAYING]
392
00:29:33,266 --> 00:29:37,200
JORDYN, VOICE-OVER:
EVERYONE GATHERS AROUND,
393
00:29:37,300 --> 00:29:41,333
AND JUST THE POWER
OF MY LATE ANCESTORS,
394
00:29:41,433 --> 00:29:47,966
THAT POWER LIFTS ME
TO BE STRONGER.
395
00:29:48,066 --> 00:29:50,433
JAELYNNE, VOICE-OVER:
WE'RE JUST GONNA GET STRONGER
396
00:29:50,533 --> 00:29:52,433
AND STRONGER.
397
00:29:52,533 --> 00:30:03,033
♪
398
00:30:03,133 --> 00:30:06,666
NARRATOR: AS DAWN BREAKS
ON THE FINAL DAY,
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399
00:30:03,133 --> 00:30:06,666
NARRATOR: AS DAWN BREAKS
ON THE FINAL DAY,
400
00:30:06,766 --> 00:30:09,900
THE GIRLS HAVE
ONE LAST FINAL TASK
401
00:30:10,000 --> 00:30:15,866
BEFORE THEIR TRANSFORMATION
IS COMPLETE.
402
00:30:15,966 --> 00:30:19,700
TO SHOW THEY HAVE TAKEN ON THE
POWER OF WHITE PAINTED WOMAN,
403
00:30:19,800 --> 00:30:22,566
THEY ARE MARKED
WITH WHITE CLAY.
404
00:30:22,666 --> 00:30:29,133
♪
405
00:30:29,233 --> 00:30:32,000
THE BIG TEPEE
HAS NOW DONE ITS JOB,
406
00:30:32,100 --> 00:30:34,766
AND THE MEN BEGIN
TO DISMANTLE IT.
407
00:30:34,866 --> 00:30:36,933
[MAN SHOUTS]
408
00:30:37,033 --> 00:30:39,566
NARRATOR: JORDYN AND JAELYNNE
MUST NOW DEMONSTRATE
409
00:30:39,666 --> 00:30:42,100
THEIR NEWFOUND STRENGTH.
410
00:30:42,200 --> 00:30:44,200
[PEOPLE CHEERING]
411
00:30:44,300 --> 00:30:46,733
NARRATOR: AFTER DANCING
ALL NIGHT WITH NO SLEEP,
412
00:30:46,833 --> 00:30:49,333
THEY'RE UTTERLY EXHAUSTED,
413
00:30:49,433 --> 00:30:53,066
BUT NOW THEY MUST RUN
AS FAR FROM THE TEPEE
414
00:30:53,166 --> 00:30:57,600
AS THEY FEEL THEY ARE ABLE TO
BEFORE TURNING AROUND
415
00:30:57,700 --> 00:31:04,233
AND COVERING
THE SAME DISTANCE BACK.
416
00:31:04,333 --> 00:31:07,700
JAELYNNE, VOICE-OVER:
IT'S TESTING OUR STRENGTH.
417
00:31:07,800 --> 00:31:10,200
WE JUST GOT TO KEEP ON TRYING.
418
00:31:10,300 --> 00:31:13,733
♪
419
00:31:13,833 --> 00:31:16,700
NARRATOR: THE GIRLS
HAVE COVERED NEARLY A MILE
420
00:31:16,800 --> 00:31:19,900
AND ARE NOW ON THE RETURN LEG.
421
00:31:20,000 --> 00:31:21,866
THEY'RE CLOSE TO COLLAPSE...
422
00:31:21,966 --> 00:31:24,200
[CHEERING CONTINUES]
423
00:31:24,300 --> 00:31:33,100
♪
424
00:31:33,200 --> 00:31:38,233
NARRATOR: BUT THEIR JOURNEY
IS COMPLETE.
425
00:31:38,333 --> 00:31:44,866
IN THE EYES OF THEIR PEOPLE,
THEY ARE NOW CONSIDERED WOMEN,
426
00:31:44,966 --> 00:31:51,700
AND THE SACRED WONDER CRUCIAL
TO THAT TRANSFORMATION IS GONE.
427
00:31:51,800 --> 00:31:55,466
♪
428
00:31:55,566 --> 00:31:58,166
JORDYN, VOICE-OVER:
IT WAS JUST BEAUTIFUL.
429
00:31:58,266 --> 00:32:01,000
IT'S SOMETHING THAT
I WANT TO CHERISH
430
00:32:01,100 --> 00:32:03,933
WITH ME
FOR A LONG TIME.
431
00:32:04,033 --> 00:32:07,266
♪
432
00:32:07,366 --> 00:32:10,400
NARRATOR: LIKE THE APACHE'S
SACRED TEPEE,
433
00:32:10,500 --> 00:32:14,366
MANY WONDERS ARE PLACES
WHERE SPIRITUAL ENERGY
434
00:32:14,466 --> 00:32:19,000
IS THOUGHT TO BE FOCUSED.
435
00:32:19,100 --> 00:32:22,533
AT ALMOST 22,000 FEET HIGH,
436
00:32:22,633 --> 00:32:25,266
MOUNT KAILASH IN TIBET
IS CONSIDERED A HUB
437
00:32:25,366 --> 00:32:29,733
OF SACRED POWER
IN 4 DIFFERENT FAITHS.
438
00:32:29,833 --> 00:32:32,100
TO THE SHAMANIC BON RELIGION,
439
00:32:32,200 --> 00:32:36,600
IT IS THE CENTRAL PILLAR
OF THE WORLD
440
00:32:36,700 --> 00:32:40,166
WHILE IN JERUSALEM,
JEWISH TRADITION HAS IT
441
00:32:40,266 --> 00:32:45,066
THAT A DIVINE PRESENCE CENTERS
ON THE WESTERN WALL.
442
00:32:45,166 --> 00:32:49,200
MANY BELIEVE THAT PRAYERS
PLACED IN ITS CRACKS
443
00:32:49,300 --> 00:32:54,400
WILL BE HEARD BY GOD,
444
00:32:54,500 --> 00:32:58,700
AND ON THE INDONESIAN
ISLAND OF BALI,
445
00:32:58,800 --> 00:33:02,166
THE FOCUS OF SPIRITUAL ENERGY
IS A TEMPLE
446
00:33:02,266 --> 00:33:06,133
BUILT ON THE SLOPES
OF A SACRED VOLCANO.
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
447
00:33:02,266 --> 00:33:06,133
BUILT ON THE SLOPES
OF A SACRED VOLCANO.
448
00:33:06,233 --> 00:33:15,333
♪
449
00:33:15,433 --> 00:33:19,300
BESAKIH TEMPLE.
450
00:33:19,400 --> 00:33:23,233
DATING BACK
TO THE 14th CENTURY,
451
00:33:23,333 --> 00:33:29,266
THIS HINDU SITE IS A COMPLEX
OF PAGODAS AND SHRINES
452
00:33:29,366 --> 00:33:31,833
ON THE SLOPES
OF BALI'S HIGHEST
453
00:33:31,933 --> 00:33:35,766
AND MOST ACTIVE VOLCANO--
MOUNT AGUNG.
454
00:33:35,866 --> 00:33:39,900
♪
455
00:33:40,000 --> 00:33:44,133
THE BALINESE PRACTICE
A UNIQUE FORM OF HINDUISM.
456
00:33:44,233 --> 00:33:47,033
MANY BELIEVE THAT
THEIR ANCESTRAL SPIRITS
457
00:33:47,133 --> 00:33:53,833
AS WELL AS THE HINDU GODS
LIVE ON THIS SACRED VOLCANO,
458
00:33:53,933 --> 00:33:58,366
AND AS THE CLOSEST PLACE
OF WORSHIP TO THIS GATEWAY,
459
00:33:58,466 --> 00:34:01,900
BESAKIH IS
THE MOST HOLY SITE IN BALI.
460
00:34:02,000 --> 00:34:07,900
♪
461
00:34:08,000 --> 00:34:12,300
24-YEAR-OLD HINDU
DEWA ADI OFTEN PRAYS HERE.
462
00:34:12,400 --> 00:34:15,600
♪
463
00:34:18,866 --> 00:34:21,533
[BELL RINGS]
464
00:34:30,000 --> 00:34:33,266
♪
465
00:34:33,366 --> 00:34:36,533
NARRATOR: TODAY DEWA HAS COME
TO COLLECT HOLY WATER
466
00:34:36,633 --> 00:34:41,266
FROM THE SACRED SPRINGS HERE.
467
00:34:41,366 --> 00:34:44,466
IT'S AN ESSENTIAL INGREDIENT
IN WHAT HE BELIEVES
468
00:34:44,566 --> 00:34:48,800
IS AN ANNUAL,
TWO-DAY BATTLE AGAINST EVIL.
469
00:34:48,900 --> 00:34:52,200
♪
470
00:34:52,300 --> 00:34:55,033
WHILE BALINESE HINDUS
BELIEVE MOUNT AGUNG
471
00:34:55,133 --> 00:34:58,800
IS HOME TO THE GODS,
THEY ALSO BELIEVE
472
00:34:58,900 --> 00:35:03,133
THE ENTIRE ISLAND IS STALKED
BY DEMONIC SPIRITS
473
00:35:03,233 --> 00:35:05,900
SEARCHING FOR HUMAN SOULS
TO TORMENT.
474
00:35:06,000 --> 00:35:08,200
♪
475
00:35:15,266 --> 00:35:18,333
NARRATOR: TOMORROW DEWA
WILL USE THE WATER FROM BESAKIH
476
00:35:18,433 --> 00:35:21,900
TO HELP HIM DRIVE
THESE SPIRITS AWAY.
477
00:35:22,000 --> 00:35:23,300
♪
478
00:35:34,133 --> 00:35:35,833
♪
479
00:35:35,933 --> 00:35:38,866
NARRATOR: THE FIRST STEP
IS TO CATCH THESE SPIRITS,
480
00:35:38,966 --> 00:35:43,200
AND FOR THAT,
DEWA NEEDS A TRAP.
481
00:35:43,300 --> 00:35:47,033
♪
482
00:35:47,133 --> 00:35:49,700
LIKE OTHER GROUPS IN
HIS VILLAGE, HE AND HIS FRIENDS
483
00:35:49,800 --> 00:35:54,800
ARE MAKING A GIANT SPIRIT
CATCHER CALLED AN OGOH OGOH.
484
00:35:59,000 --> 00:36:00,766
♪
485
00:36:00,866 --> 00:36:03,033
NARRATOR: IN JUST 12 HOURS,
IT WILL BE USED
486
00:36:03,133 --> 00:36:05,400
TO ROUND UP
THE DEMONIC SPIRITS.
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
487
00:36:03,133 --> 00:36:05,400
TO ROUND UP
THE DEMONIC SPIRITS.
488
00:36:09,366 --> 00:36:11,866
♪
489
00:36:11,966 --> 00:36:15,133
NARRATOR: THE BIGGER AND
FIERCER THE OGOH OGOH LOOKS,
490
00:36:15,233 --> 00:36:20,533
THE MORE SPIRITS
WILL BE DRAWN INTO IT.
491
00:36:20,633 --> 00:36:23,266
THIS YEAR'S CEREMONY
IS EVEN MORE IMPORTANT
492
00:36:23,366 --> 00:36:25,500
THAN USUAL FOR DEWA.
493
00:36:28,466 --> 00:36:30,633
NARRATOR: AS WELL
AS BEING RESPONSIBLE
494
00:36:30,733 --> 00:36:32,866
FOR HIS OWN OGOH OGOH,
HE'S IN CHARGE
495
00:36:32,966 --> 00:36:36,300
OF THE ENTIRE SPIRIT HUNT
IN HIS VILLAGE.
496
00:36:52,200 --> 00:36:55,133
♪
497
00:36:55,233 --> 00:36:58,500
[MAN CHANTING]
498
00:36:58,600 --> 00:37:01,366
NARRATOR: IT'S THE DAY
OF THE CEREMONY.
499
00:37:01,466 --> 00:37:05,033
LIKE EVERY DAY,
THE PRIESTS AT BESAKIH PRAY
500
00:37:05,133 --> 00:37:09,100
AND MAKE OFFERINGS TO APPEASE
THE GODS ON MOUNT AGUNG...
501
00:37:09,200 --> 00:37:15,866
♪
502
00:37:15,966 --> 00:37:19,533
BUT AS NIGHT FALLS,
503
00:37:19,633 --> 00:37:23,233
DEWA AND THE REST OF HIS
VILLAGE ARE AT THE FRONT LINE
504
00:37:23,333 --> 00:37:25,766
IN THE STRUGGLE AGAINST EVIL.
505
00:37:25,866 --> 00:37:28,166
[BELL RINGING]
506
00:37:28,266 --> 00:37:31,700
BEFORE THEY START,
PRIESTS SPRAY
507
00:37:31,800 --> 00:37:34,600
ALL THE SPIRIT CATCHERS
WITH THE HOLY WATER
508
00:37:34,700 --> 00:37:37,333
THAT DEWA BROUGHT
FROM BESAKIH.
509
00:37:37,433 --> 00:37:40,066
♪
510
00:37:54,233 --> 00:37:58,933
NARRATOR:
TIME TO GO SPIRIT HUNTING.
511
00:37:59,033 --> 00:38:06,133
EVERYONE MAKES AS MUCH NOISE
AS THEY CAN TO FLUSH THEM OUT.
512
00:38:06,233 --> 00:38:09,600
[PEOPLE SHOUTING]
513
00:38:09,700 --> 00:38:12,000
NARRATOR:
NOW THEY MUST CATCH THEM.
514
00:38:12,100 --> 00:38:15,700
[PERCUSSION CONTINUES]
515
00:38:15,800 --> 00:38:19,133
DEWA AND THE TEAM
SPIN THE OGOH OGOH ROUND...
516
00:38:19,233 --> 00:38:22,666
♪
517
00:38:22,766 --> 00:38:25,766
TO SCOOP UP
AS MANY SPIRITS AS THEY CAN.
518
00:38:25,866 --> 00:38:28,433
♪
519
00:38:32,366 --> 00:38:33,866
[SHOUTING CONTINUES]
520
00:38:33,966 --> 00:38:37,733
♪
521
00:38:41,433 --> 00:38:49,200
♪
522
00:38:49,300 --> 00:38:52,900
NARRATOR: THEY MUST COVER EVERY
SINGLE STREET IN THE VILLAGE.
523
00:38:53,000 --> 00:38:54,733
♪
524
00:38:57,833 --> 00:39:00,300
♪
525
00:39:00,400 --> 00:39:02,900
NARRATOR: BALINESE HINDUS
BELIEVE THAT DEMONIC SPIRITS
526
00:39:03,000 --> 00:39:06,233
CANNOT TURN CORNERS
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
527
00:39:03,000 --> 00:39:06,233
CANNOT TURN CORNERS
528
00:39:06,333 --> 00:39:10,166
AND TEND TO GATHER
AT CROSSROADS AND JUNCTIONS,
529
00:39:10,266 --> 00:39:12,800
SO DEWA AND THE TEAM
MUST PAY SPECIAL ATTENTION
530
00:39:12,900 --> 00:39:15,366
TO THESE PARTS
OF THE VILLAGE...
531
00:39:15,466 --> 00:39:17,466
[SHOUTING CONTINUES]
532
00:39:17,566 --> 00:39:20,466
♪
533
00:39:23,933 --> 00:39:28,666
♪
534
00:39:28,766 --> 00:39:32,500
NARRATOR:
BUT THEY MUST BE CAREFUL.
535
00:39:32,600 --> 00:39:35,300
IF THE OGOH OGOH GETS BROKEN,
THEY BELIEVE,
536
00:39:35,400 --> 00:39:38,466
ALL THE DEMONIC SPIRITS
WILL ESCAPE.
537
00:39:38,566 --> 00:39:43,900
♪
538
00:39:44,000 --> 00:39:48,533
[PEOPLE CHEERING]
539
00:39:48,633 --> 00:39:54,200
NARRATOR: AFTER 5 HOURS,
THEIR TRAPS ARE FULL.
540
00:39:54,300 --> 00:39:58,366
THE NEXT STEP
IS TO DESTROY THE SPIRITS
541
00:39:58,466 --> 00:40:02,266
THEY'VE CAUGHT WITH FIRE.
542
00:40:02,366 --> 00:40:04,500
[PEOPLE HOOTING]
543
00:40:04,600 --> 00:40:09,933
♪
544
00:40:10,033 --> 00:40:14,066
NARRATOR: THEIR SPIRITUAL
CLEANSE IS ALMOST COMPLETE,
545
00:40:14,166 --> 00:40:18,066
BUT THERE IS ONE FINAL STEP
IN THE BATTLE AGAINST EVIL--
546
00:40:28,833 --> 00:40:33,833
THE DAY OF SILENCE.
547
00:40:33,933 --> 00:40:39,833
FOR THE NEXT 24 HOURS,
DEWA AND EVERYONE ON BALI,
548
00:40:39,933 --> 00:40:43,100
FROM RESIDENTS TO TOURISTS,
549
00:40:43,200 --> 00:40:48,033
IS REQUIRED BY LAW
TO HIDE INDOORS AND KEEP QUIET.
550
00:40:51,566 --> 00:40:55,066
THE AIM IS TO FOOL
ANY REMAINING SPIRITS
551
00:40:55,166 --> 00:40:57,333
THEY MIGHT HAVE MISSED
IN THE HUNT
552
00:40:57,433 --> 00:41:00,600
INTO THINKING THE ISLAND
HAS BEEN ABANDONED.
553
00:41:00,700 --> 00:41:04,466
WITH NO HUMANS LEFT
TO TORMENT,
554
00:41:04,566 --> 00:41:08,766
THE SPIRITS WILL MOVE ON.
555
00:41:11,233 --> 00:41:16,033
THE DAY OF SILENCE IS TAKEN
EXTREMELY SERIOUSLY.
556
00:41:16,133 --> 00:41:22,633
RELIGIOUS WARDENS ARE
ON PATROL TO ENFORCE THE RULES.
557
00:41:22,733 --> 00:41:25,166
[MAN SPEAKING INDONESIAN]
558
00:41:31,900 --> 00:41:34,100
[MAN ON RADIO
SPEAKING INDONESIAN]
559
00:41:34,200 --> 00:41:36,766
♪
560
00:41:36,866 --> 00:41:40,966
NARRATOR: WORKING OR
TRAVELLING IS FORBIDDEN.
561
00:41:41,066 --> 00:41:45,366
THE INTERNATIONAL AIRPORT
IS SHUT DOWN.
562
00:41:45,466 --> 00:41:52,000
THE INTERNET
IS SWITCHED OFF...
563
00:41:52,100 --> 00:41:54,933
AND ELECTRICITY SUPPLIES
ARE CUT.
564
00:41:58,266 --> 00:42:04,266
[BELL RINGING]
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
565
00:41:58,266 --> 00:42:04,266
[BELL RINGING]
566
00:42:04,366 --> 00:42:11,566
BY 6 A.M. THE FOLLOWING DAY,
IT'S ALL OVER.
567
00:42:11,666 --> 00:42:15,366
HELPED BY THE POWER
OF BESAKIH,
568
00:42:15,466 --> 00:42:20,100
BALI'S SPIRITUAL ORDER HAS BEEN
RESTORED FOR ANOTHER YEAR.
569
00:42:20,200 --> 00:42:22,200
[BELL RINGING]
570
00:42:22,300 --> 00:42:24,933
[MAN CHANTING]
571
00:42:34,166 --> 00:42:38,333
♪
572
00:42:38,433 --> 00:42:42,366
NARRATOR: FOR THE BALINESE,
THE HOLY WATERS OF BESAKIH
573
00:42:42,466 --> 00:42:48,466
ARE A VITAL WEAPON IN
THE ANNUAL BATTLE AGAINST EVIL,
574
00:42:48,566 --> 00:42:50,900
AND IN MANY SACRED WONDERS,
575
00:42:51,000 --> 00:42:53,866
WATER LIES AT THE HEART
OF ACTS OF FAITH.
576
00:42:53,966 --> 00:42:57,233
♪
577
00:42:57,333 --> 00:43:04,033
IN INDIA, THE RIVER GANGES
IS CONSIDERED SACRED BY HINDUS.
578
00:43:04,133 --> 00:43:08,166
IT IS PERSONIFIED
BY THE GODDESS GANGA,
579
00:43:08,266 --> 00:43:11,066
AND BATHING IN ITS WATERS
IS BELIEVED
580
00:43:11,166 --> 00:43:15,600
TO ABSOLVE PEOPLE
OF THEIR SINS
581
00:43:15,700 --> 00:43:20,833
WHILE AT LOURDES IN FRANCE,
THE WATERS OF ITS HOLY SPRING
582
00:43:20,933 --> 00:43:23,600
ARE BELIEVED BY MANY
OF THE MILLIONS OF PILGRIMS
583
00:43:23,700 --> 00:43:29,933
WHO VISIT EVERY YEAR TO HAVE
MIRACULOUS HEALING POWERS,
584
00:43:30,033 --> 00:43:33,900
AND IN A WAR-TORN CORNER
OF IRAQ,
585
00:43:34,000 --> 00:43:37,066
THERE IS ANOTHER WONDER
WHERE THE WATERS
586
00:43:37,166 --> 00:43:40,933
OF A SACRED SPRING
ARE HELPING TO HEAL WOMEN
587
00:43:41,033 --> 00:43:45,200
TRAUMATIZED
BY A RECENT CONFLICT.
588
00:43:45,300 --> 00:43:54,833
♪
589
00:43:54,933 --> 00:43:59,900
THE VALLEY OF LALISH.
590
00:44:00,000 --> 00:44:03,366
THERE HAS BEEN
A COMPLEX OF SHRINES HERE
591
00:44:03,466 --> 00:44:07,933
SINCE THE 12th CENTURY.
592
00:44:08,033 --> 00:44:12,733
IT IS THE HEART
OF THE YAZIDI RELIGION,
593
00:44:12,833 --> 00:44:16,966
AN ANCIENT FAITH FOLLOWED
BY UNDER A MILLION PEOPLE.
594
00:44:17,066 --> 00:44:20,000
♪
595
00:44:20,100 --> 00:44:23,033
YAZIDIS BELIEVE IN ONE GOD,
596
00:44:23,133 --> 00:44:26,266
REPRESENTED
BY THE PEACOCK ANGEL.
597
00:44:26,366 --> 00:44:30,600
♪
598
00:44:30,700 --> 00:44:33,033
THEIR HOLIEST FIGURE ON EARTH,
599
00:44:33,133 --> 00:44:35,866
BURIED BENEATH
THESE CONICAL SHRINES,
600
00:44:35,966 --> 00:44:40,033
IS SHEIKH ADI IBN MUSAFIR.
601
00:44:40,133 --> 00:44:44,900
FOR YAZIDIS, LALISH IS THE MOST
SACRED PLACE ON EARTH,
602
00:44:45,000 --> 00:44:48,866
AND FOR 21-YEAR-OLD YAZIDI
IVANA WALEED,
603
00:44:48,966 --> 00:44:51,666
IT HAS BECOME
A PLACE OF HEALING.
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
604
00:45:07,266 --> 00:45:11,366
♪
605
00:45:11,466 --> 00:45:15,133
NARRATOR: IVANA DOESN'T LIVE
IN IRAQ ANYMORE.
606
00:45:15,233 --> 00:45:19,800
SINCE 2015, SHE'S BEEN LIVING
IN GERMANY WITH HER FAMILY...
607
00:45:26,666 --> 00:45:29,733
NARRATOR: BUT LALISH IS NEVER
FAR FROM HER THOUGHTS
608
00:45:29,833 --> 00:45:33,733
ALONG WITH THE REASONS
WHY SHE FLED.
609
00:45:35,900 --> 00:45:41,500
IN 2014, SO-CALLED ISLAMIC
STATE INVADED IVANA'S HOMELAND
610
00:45:41,600 --> 00:45:45,500
IN THE SINJAR REGION OF IRAQ,
611
00:45:45,600 --> 00:45:49,366
AND IN AN EVENT THAT HAS NOW
BEEN RECOGNIZED AS A GENOCIDE
612
00:45:49,466 --> 00:45:53,600
BY THE U.N., THEIR VILLAGES
WERE RAZED TO THE GROUND.
613
00:45:53,700 --> 00:45:56,666
THOUSANDS OF MEN
AND BOYS WERE KILLED,
614
00:45:56,766 --> 00:46:01,100
AND OVER 6,000 THOUSAND
WOMEN AND GIRLS WERE TAKEN,
615
00:46:01,200 --> 00:46:06,066
MANY OF THEM AS SEX SLAVES,
INCLUDING IVANA.
616
00:46:06,166 --> 00:46:09,166
♪
617
00:46:23,800 --> 00:46:27,133
♪
618
00:46:27,233 --> 00:46:29,800
NARRATOR: SINCE HER ORDEAL,
LALISH HAS BECOME
619
00:46:29,900 --> 00:46:32,966
MORE SIGNIFICANT
THAN EVER FOR IVANA.
620
00:46:33,066 --> 00:46:36,300
♪
621
00:46:53,233 --> 00:46:55,066
♪
622
00:46:55,166 --> 00:46:57,566
NARRATOR: WHILE SHE WAS HELD,
IVANA WAS FORCED
623
00:46:57,666 --> 00:47:02,033
TO CONVERT TO ISLAM AND WAS
FREQUENTLY RAPED AND BEATEN
624
00:47:02,133 --> 00:47:06,500
DURING HER 11-MONTH CAPTIVITY.
625
00:47:06,600 --> 00:47:10,733
SHE WAS JUST 17 AT THE TIME.
626
00:47:19,166 --> 00:47:21,166
♪
627
00:47:28,600 --> 00:47:30,933
♪
628
00:47:31,033 --> 00:47:34,700
NARRATOR: IVANA EVENTUALLY
MANAGED TO ESCAPE.
629
00:47:34,800 --> 00:47:38,433
SHE MADE IT TO A REFUGEE CAMP
BEFORE FINALLY BEING GRANTED
630
00:47:38,533 --> 00:47:43,466
A SAFE HAVEN IN GERMANY,
631
00:47:43,566 --> 00:47:50,200
BUT OVER A THOUSAND WOMEN
AND GIRLS ARE STILL MISSING.
632
00:47:50,300 --> 00:47:53,866
[IVANA SPEAKS ARABIC]
633
00:47:53,966 --> 00:47:57,166
NARRATOR: NOW IVANA
IS RETURNING TO LALISH
634
00:47:57,266 --> 00:48:01,633
TO ATTEND ONE OF THE HOLIEST
EVENTS IN THE YAZIDI CALENDAR--
635
00:48:01,733 --> 00:48:05,433
THE AUTUMN GATHERING.
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
636
00:48:01,733 --> 00:48:05,433
THE AUTUMN GATHERING.
637
00:48:05,533 --> 00:48:08,400
[MAN SPEAKING ARABIC]
638
00:48:08,500 --> 00:48:10,500
NARRATOR: IT WILL BE
THE FIRST TIME IVANA
639
00:48:10,600 --> 00:48:13,800
HAS BEEN BACK FOR THIS FESTIVAL
SINCE SHE MOVED TO GERMANY.
640
00:48:30,200 --> 00:48:33,000
♪
641
00:48:33,100 --> 00:48:37,066
NARRATOR: IRAQ, 4 DAYS LATER.
642
00:48:37,166 --> 00:48:40,033
THIS AUTUMN GATHERING
IS THE FIRST OFFICIAL ONE
643
00:48:40,133 --> 00:48:44,466
SINCE THE YAZIDIS' HOMELAND
WAS INVADED,
644
00:48:44,566 --> 00:48:49,566
BUT IVANA'S RETURN ISN'T
JUST TO MARK THIS FESTIVAL.
645
00:48:49,666 --> 00:48:54,966
SHE'S ALSO HERE
IN SEARCH OF SALVATION.
646
00:48:55,066 --> 00:48:58,200
TRADITIONALLY, SEXUAL
RELATIONS WITH ANYONE
647
00:48:58,300 --> 00:49:01,600
WHO ISN'T YAZIDI,
EVEN IF IT'S NONCONSENSUAL,
648
00:49:01,700 --> 00:49:06,700
MEANS EXPULSION FROM THE FAITH
AND THE COMMUNITY,
649
00:49:06,800 --> 00:49:09,100
BUT ONE MONTH
AFTER THE INVASION,
650
00:49:09,200 --> 00:49:12,266
THE YAZIDI RELIGIOUS LEADER
ANNOUNCED A CHANGE IN THE RULES
651
00:49:12,366 --> 00:49:15,833
FOR VICTIMS LIKE IVANA.
652
00:49:15,933 --> 00:49:18,666
WOMEN WHO HAD BEEN HELD
AS SEX SLAVES
653
00:49:18,766 --> 00:49:21,466
COULD RE-ENTER THE FAITH
IF THEY RETURNED
654
00:49:21,566 --> 00:49:23,700
TO LALISH FOR A BLESSING.
655
00:49:23,800 --> 00:49:29,933
♪
656
00:49:30,033 --> 00:49:33,433
FOR IVANA,
CROSSING THE THRESHOLD
657
00:49:33,533 --> 00:49:39,300
IS A HUGELY POIGNANT MOMENT.
658
00:49:39,400 --> 00:49:42,366
LALISH IS CONSIDERED SO SACRED
659
00:49:42,466 --> 00:49:47,600
THAT NO SHOES ARE WORN
ANYWHERE INSIDE.
660
00:49:47,700 --> 00:49:51,033
♪
661
00:50:08,300 --> 00:50:10,000
♪
662
00:50:10,100 --> 00:50:12,833
NARRATOR: IVANA LOOKS OUT
FOR OLD FRIENDS...
663
00:50:12,933 --> 00:50:14,766
♪
664
00:50:19,300 --> 00:50:22,466
NARRATOR: AND MEETS
YAZIDI SPIRITUAL LEADERS...
665
00:50:28,433 --> 00:50:30,966
♪
666
00:50:31,066 --> 00:50:33,166
NARRATOR: BUT AMONG THE CROWD,
SHE IS SEARCHING
667
00:50:33,266 --> 00:50:36,666
FOR TWO FACES IN PARTICULAR--
668
00:50:36,766 --> 00:50:39,966
[IVANA WEEPING]
669
00:50:40,066 --> 00:50:43,233
NARRATOR: HER GRANDPARENTS.
670
00:50:43,333 --> 00:50:44,800
♪
671
00:50:48,633 --> 00:50:51,266
NARRATOR: THEY NOW LIVE
IN A REFUGEE CAMP,
672
00:50:51,366 --> 00:50:55,100
AND IVANA HASN'T SEEN THEM
SINCE SHE FLED 4 YEARS AGO.
673
00:50:55,200 --> 00:50:56,466
♪
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
674
00:51:11,633 --> 00:51:15,233
[CONVERSATION CONTINUES
IN ARABIC]
675
00:51:17,433 --> 00:51:20,933
♪
676
00:51:21,033 --> 00:51:23,566
NARRATOR: EVERY VISIT TO LALISH
MUST INCLUDE A PILGRIMAGE
677
00:51:23,666 --> 00:51:26,400
TO THE BURIAL TOMB
OF SHEIKH ADI...
678
00:51:26,500 --> 00:51:30,933
♪
679
00:51:31,033 --> 00:51:34,500
AND PRAYERS
WITH A YAZIDI PRIEST.
680
00:51:34,600 --> 00:51:49,033
♪
681
00:51:49,133 --> 00:51:51,333
NARRATOR: NOW IT'S TIME
FOR IVANA'S BLESSING
682
00:51:51,433 --> 00:51:55,100
AT THE SACRED SPRING.
683
00:51:55,200 --> 00:51:57,966
FOR MANY YAZIDI WOMEN
WHO SUFFERED AT THE HANDS
684
00:51:58,066 --> 00:52:00,733
OF ISLAMIC STATE,
THIS CEREMONY BRINGS
685
00:52:00,833 --> 00:52:05,766
SO MUCH COMFORT, THEY RETURN
TO REPEAT IT AGAIN AND AGAIN.
686
00:52:05,866 --> 00:52:09,766
♪
687
00:52:09,866 --> 00:52:13,766
THIS WILL BE IVANA'S SECOND
BLESSING SINCE HER ORDEAL.
688
00:52:13,866 --> 00:52:17,933
♪
689
00:52:52,666 --> 00:53:00,700
♪
690
00:53:00,800 --> 00:53:06,600
[PEOPLE ULULATING]
691
00:53:06,700 --> 00:53:09,200
[IVANA SOBBING]
692
00:53:22,933 --> 00:53:25,733
NARRATOR: IVANA'S BLESSING
TODAY CAN'T UNDO WHAT HAPPENED
693
00:53:25,833 --> 00:53:29,433
TO HER AND THOUSANDS
OF OTHER YAZIDI WOMEN,
694
00:53:29,533 --> 00:53:32,433
BUT IT'S A STEP
ON THE ROAD TO HEALING.
695
00:53:32,533 --> 00:53:36,366
[NEY AND TAMBOURINE PLAYING]
696
00:53:56,833 --> 00:54:02,633
NARRATOR: FOR YAZIDIS, LALISH
IS THE CENTER OF THEIR IDENTITY
697
00:54:02,733 --> 00:54:05,466
AND A PLACE THAT CELEBRATES
WEBVTT
X-TIMESTAMP-MAP=MPEGTS:187507, LOCAL:00:00:00.000
698
00:54:02,733 --> 00:54:05,466
AND A PLACE THAT CELEBRATES
699
00:54:05,566 --> 00:54:08,633
THE UNIFYING POWER
OF SACRED WONDERS.
700
00:54:11,400 --> 00:54:17,366
♪
701
00:54:17,466 --> 00:54:20,133
ANNOUNCER: TO ORDER "EARTH'S
SACRED WONDERS" ON DVD,
702
00:54:20,233 --> 00:54:23,900
VISIT SHOPPBS
OR CALL 1-800-PLAY-PBS.
703
00:54:24,000 --> 00:54:27,000
THIS PROGRAM IS ALSO AVAILABLE
ON AMAZON PRIME VIDEO.
704
00:54:27,100 --> 00:54:31,100
♪
49930
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