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NARRATOR: The Great Pyramid.
One of the most studied ancient riddles on earth.
Yet, questions still remain.
There were tens of thousands of people here
building the pyramids.
Where's their settlement?
NARRATOR: Six million tons of stone
shaped and transported over 30 years
to build an eternal tomb
with a sacred purpose.
SALIMA IKRAM: In creating this magnificent monument,
they were going to have access to the afterlife.
NARRATOR: Now, stunning new discoveries
are revealing lost secrets about the structure.
MARK LEHNER: There's another void,
and that void exists right through this granite wall.
NARRATOR: About those who created it...
They actually called themselves the elite.
NARRATOR: And about how their king
mobilized a proud and willing nation.
IKRAM: Like the space program,
there was a sense of national pride and achievement
NARRATOR: To overcome monumental disasters...
LEHNER: They're trying again and again and again
until they get it right.
NARRATOR: And achieve the greatest
feat of precision engineering
of the ancient world.
GLEN DASH: It's perfectly level.
It's a remarkable achievement.
NARRATOR: This is how the Great Pyramid
united a nation...
that would become one of the greatest
civilizations of antiquity.
LEHNER: I think not about how the Egyptians built the pyramid,
I think more about how the pyramids built Egypt.
NARRATOR: "Decoding the Great Pyramid,"
right now, on "NOVA."
♪ ♪
tians
left an indelible mark on human civilization--
building awe-inspiring monuments, temples, and tombs;
demonstrating remarkably precise engineering,
all to honor their pharaohs as living gods.
Many were crowning achievements of the Old Kingdom,
the first great flowering of Egyptian art
that began 4,500 years ago.
The pyramids of Giza stand
as enduring and mysterious relics...
Massive structures raised
to ensure the afterlives of three all-powerful pharaohs:
Menkaure,
Khafre...
and Khufu,
the pharaoh who built the oldest
and the biggest pyramid of all,
the Great Pyramid...
The last surviving wonder of the ancient world.
IKRAM: The Great Pyramid is
a testament to ancient Egyptians' ingenuity,
acumen, and technical and scientific prowess.
DASH: The Great Pyramid is absolutely elegant
and marvelous, even by standards today.
NARRATOR: How did the Egyptians engineer
this enormous monument with such extreme precision,
using only the most basic of tools
and brute human power?
(hammers chiseling)
Who were the thousands of laborers
who toiled for decades on this massive project?
And how did building the Great Pyramid
transform ancient Egypt?
Now, after decades of intense research,
experts have uncovered a wealth
of new evidence about the construction
of the Great Pyramid.
LEHNER: From archaeology, from ancient texts
and even from understanding the engineering of the pyramid,
the people of the pyramid are coming back to life for us.
NARRATOR: When it comes to telling the story of the pyramids,
it's never been easy to separate fact from fantasy.
The silent enigma of the pyramids can be like
a blank canvas, ready to accept
the latest outlandish theory about its builders.
Such theories drew a young would-be archaeologist
to Egypt in the 1970s.
LEHNER: I came with so-called New Age ideas
about the pyramids, believing that they
had something to say about
the lost continent of Atlantis and so on.
And when I encountered bedrock reality
at the Giza Plateau, it didn't add up to those ideas.
NARRATOR: Now, after four decades of investigation,
Mark Lehner has become one of
the world's leading authorities on the Giza Pyramids.
His work has focused on illuminating
the lives of the workers.
From sifting through an ancient garbage dump...
(inaudible conversation)
...to excavating a highly ordered city
that housed the laborers.
He's found evidence of
a massive effort that transformed
the Old Kingdom.
LEHNER: I think not about
how the Egyptians built the pyramid,
I think more about how the pyramids built Egypt.
NARRATOR: The pharaoh Khufu ordered the construction
of this engineering marvel
as a monument and tomb for all eternity.
And yet, we know very little about the man himself.
IKRAM: This tiny statue is the image of the man who made
one of the largest buildings of the ancient world.
It's extraordinary that someone who has left us
the Great Pyramid, which is still standing
nearly 5,000 years after it was built,
we still don't have that much of the man himself.
NARRATOR: For thousands of years,
the only record of how Khufu built the pyramid
came from the world's first historian, Herodotus,
who wrote a history of Egypt in around 450 B.C.
It describes Khufu as a wicked and selfish king.
Perhaps not a very reliable account,
considering Khufu had been dead for 2,000 years.
Herodotus wrote about the Great Pyramid
as, of course, who wouldn't?
Because he came here
as a historian and a tourist.
He also, of course, like any good tourist,
listened to what the various tour guides said,
and some of them were not very complimentary about Khufu.
And they accused him of being
a terrible, mean king.
NARRATOR: Herodotus's account provided Hollywood with
a box-office-ready story:
that Khufu brutally
enslaved his laborers to build his grand monument.
♪ ♪ (hammering)
Egyptologists like Mark Lehner
believe this story is too simplistic.
But to reach a deeper understanding,
Mark first had to shift his perspective.
I realized I had to turn my back
to the pyramids to properly understand them,
because to properly understand them,
you need to know about the people who built them,
their civilization, their society.
There were tens of thousands of people here
building the pyramids.
Where's their settlement?
And that led us to look to the far south southeast.
NARRATOR: In the 1990s, Mark collaborated
with renowned Egyptian archaeologist Zahi Hawass,
on a remarkable discovery.
Just south of the Great Pyramid,
and on the edge of modern day Cairo,
they uncovered the footprint of an ancient lost city--
the remains of streets, barrack-like buildings,
bakeries, storage facilities,
even what looked like guard houses
gradually emerged from the sand.
Pottery and other artifacts
dated it to the Fourth Dynasty 45 centuries ago,
the time the pyramids at Giza were built.
Mark estimates that long galleries
resembling dormitories could have housed
more than 2,000 people.
And they were just part of
a much larger city that now lies under
modern-day Cairo.
The whole thing looks like an early version
of institutional buildings
like our hospitals, schools, prisons.
NARRATOR: Mark has recently investigated
a huge ancient Egyptian garbage pit
on the edge of the lost city.
Is that the surface of Kromer's excavation?
NARRATOR: This garbage dump, originally excavated
by Austrian archaeologist Karl Kromer,
is now being intensively re-examined
by Mark Lehner's team.
So here is the gravel that's left behind,
even after we sieve.
Now most archaeological projects, I daresay,
just throw this away, they're done with it.
But we couldn't do that,
because we saw that it's full of information.
NARRATOR: It may appear to be just a pile of sand,
but it has revealed
unique insights into the everyday lives
of the people who lived and worked
on the Giza Plateau.
(indistinct chatter)
LEHNER: We're getting quantities
and quantities of pottery.
Even this clean sand
is showing all this kind of material,
the objects of everyday life.
♪ ♪
NARRATOR: Pottery and clay seals suggests
that this debris comes from
an earlier period of the lost city,
dating back to the time
that Khufu was building the Great Pyramid.
This vast collection of new finds from both the dump
and years of excavations at the lost city
is being processed at the team's labs,
situated in the shadow of the pyramids.
CLAIRE MALLESON: In this storage space,
we have all of the artifacts, all of the material culture
that's come from the excavations.
And it is probably millions of items.
We've listed hundreds and thousands of flint tools,
we have dozens and dozens
of large stone pounders.
We have broken seal impressions from sealing and opening
and closing boxes and doors.
We have metal-working waste from probably resharpening
and reworking copper tools.
NARRATOR: Among the finds
is evidence that some of the Great Pyramid's workers
were highly skilled.
MALLESON: It takes a particular knowledge
and skill to make a blade like this.
This may well have been used for scraping things.
It's also possibly used as a cutting tool.
So, there almost certainly
would have been specialized workers
providing tools for
the workers who were building the pyramids.
So it's a complete network,
everything fits together like this.
If you haven't got the craftsmen
to create the tools to provide the people
who are going to build the pyramids,
the whole system falls apart.
NARRATOR: Other discoveries
revealed there were thousands of bakeries,
indicating the mass production of food.
MALLESON: We have bread molds,
and this is the largest size we have,
and this is part of the evidence
that they're doing things on
a really massive industrial scale,
because this would have fed six or seven men,
just the bread made in this one mold.
NARRATOR: Archaeologist Richard Redding
estimates that enough cattle, sheep,
and goats were regularly slaughtered
to feed thousands,
providing a diet much better than slave rations.
REDDING: So, they're getting a lot of food,
but they're requiring, their bodies are requiring
a lot of protein, they're working very hard.
They're moving rocks, they work from
sunrise to sunset, and we estimate
they were getting almost 300 grams a day,
between 200 and 300 grams a day of meat,
which is about, probably a Big Mac
or a quarter pounder with cheese.
NARRATOR: It's a far cry from
the vision in popular imagination
of an army of unskilled,
disposable, and malnourished slaves.
IKRAM: The public thinks that slaves
made the pyramids, and it's very annoying because
they were well looked after,
because there's no point in having
a workforce that can't work.
So really, it was in the interest of Khufu
to have a happy, well-fed,
well-organized, and healthy workforce.
NARRATOR: But if they weren't slaves, who were they?
Egyptologists believe there was
a readily available workforce.
And they weren't all full-time builders.
Most were farmers,
working the fertile banks of the River Nile.
LEHNER: They would plant in late November,
December.
The crops would grow,
and then just about when it started
getting warm in the springtime,
they would harvest.
(thunder crashes)
NARRATOR: But for three to four months of the year,
that rural activity had to stop.
Seasonal rains high up in
the Ethiopian and Nubian highlands
flowed into the branches of the Nile,
swelling the river and swamping the surrounding farmland.
LEHNER: Every year,
the annual Nile flood turned
the Nile valley and the delta into one big lake.
NARRATOR: Normal agricultural life during the flood season
became impossible.
IKRAM: So, for four months of the year,
the land is flooded.
And what are your peasants going to do?
Probably they'd go down to the tavern
and have a drink or two or more
and start criticizing the government.
NARRATOR: The floods gave Khufu
a predictable source of seasonal labor.
They get fed, they get cared for
they get some payment.
They also feel involved,
and there's a sense of national pride.
So in a way, building a pyramid is a smart move.
NARRATOR: The artifacts unearthed suggest that
while many laborers took on
heavy-lifting jobs, thousands more
were involved in other ways.
We've got estimates that suggest
that there were more people involved in raising
the food to feed the pyramid builders
than were here actually working on the pyramids.
So, the... I think I've got an estimate
of over 1,500 individuals
directly involved in raising sheep,
over another 500 directly involved in raising cattle.
That's 2,000 people.
You can add them to what...
the feeding... the raising of wheat and barley
to make the bread.
NARRATOR: Mark estimates that along
the length of the Nile, over 20,000 people
played a role in the supply chain
that ended at the construction site
on the Giza Plateau.
Building the Great Pyramid must have had
a dramatic effect on these one-million-plus people
living in the Nile valley at that time.
NARRATOR: Adjusting for population, it would be
the equivalent of almost ten million modern-day Americans
recruited to work on a single project.
IKRAM: I think that
certainly there are state projects where people
try to get this feeling,
a sense of national pride and achievement.
So, you know when the U.S. had its space program,
there was a sense of national pride and achievement,
even if not every individual was involved in it.
NARRATOR: Mark Lehner believes
the evidence that the workforce was well-organized,
cared for, and skilled makes sense,
considering the audacious scale
and precision of the construction project.
But although the Great Pyramid
is the biggest pyramid ever built,
it wasn't the first.
It was based on 80 years of trial and error
by Khufu's predecessors.
The first Egyptian pyramid was a stepped structure
built by the architect Imhotep
for the burial of the pharaoh Djoser
around 2560 BC.
It consisted of six tiers, rising to almost 200 feet.
Then, around two decades later, came Khufu's father,
the pharaoh Sneferu,
his likeness now preserved in the Egyptian Museum in Cairo.
He launched a campaign of pyramid building
on an unprecedented scale.
Sneferu was the most prodigious pyramid builder of all time.
NARRATOR: He built three great monuments,
known as the Meidum Pyramid,
the Bent Pyramid,
and the Red Pyramid.
In building those three giant pyramids,
he basically did all the research and development
that led to the perfection
of the Great Pyramid of Khufu at Giza.
NARRATOR: But as he began building
the first true smooth-sided pyramid,
Sneferu ran into trouble.
The Bent Pyramid is named after
the abrupt bend in the angle of its sides.
They made the slope too steep,
and the structure kept threatening to collapse.
So, twice,
they changed their plan and reduced it to a safer angle.
They're trying again and again and again,
they're doing successive drafts until they get it right.
NARRATOR: The lessons learned during Sneferu's building campaign
would eventually lead to the Great Pyramid.
IKRAM: Khufu took what Snefru did
to the next level,
but certainly without Snefru's work,
Khufu would not have been able to achieve
such a stupendous monument.
♪ ♪
NARRATOR: Everything about the Great Pyramid is exceptional.
Even by modern standards, it's an engineering phenomenon.
The precision of its planning
began before a single stone was laid on site.
Its base is a near-perfect square,
each side measuring 756 feet,
covering an area the size of
seven Manhattan blocks.
It's as tall as a modern 44-story building,
and it weighs some six million tons.
DASH: When the tourists come here,
inevitably they take a look at the Great Pyramid
and they look up, and they look up with awe.
From an engineering point of view,
when you come to a place like this,
you look down.
Because the clues of how they built the pyramid
are written in stone on a scale of acres here.
NARRATOR: Although it is 4,500 years old,
it was built with astonishing accuracy.
At the base of the monument,
engineer Glen Dash finds evidence that
the foundations were meticulously prepared
before construction began.
DASH: We're now standing on
the bedrock, and originally, the bedrock sloped
at a six-degree angle
from the northwest to the southeast.
They carved all of that way.
NARRATOR: With only simple tools, the ancient engineers carved
an almost perfectly level, flat foundation
into the sloping Giza Plateau.
But that still wasn't good enough
to build the perfect pyramid.
They would lay out on the bedrock
a platform.
The platform itself is one of
the miracles of the pyramids.
NARRATOR: Despite its unassuming appearance,
this stone platform is one of the pyramid's
most impressive and critical engineering marvels.
It's perfectly level over its entire periphery,
almost a kilometer, to within plus or minus one inch.
That was one of the keys:
the perfectly flat perfect platform
to build the perfect pyramid.
NARRATOR: Dash's survey reveals that
the base and sides of the pyramid
are aligned to the north, south, east, and west
to within a fraction of a degree.
But, in a time before the invention
of the magnetic compass,
how could the architects have laid out
the square base of the pyramid accurately?
Glen has a theory.
You simply take a stick
and you stick it in the ground.
The stick doesn't have to be straight,
it doesn't have to be vertical.
You just have to do the test
on either the spring or the fall equinox.
NARRATOR: The equinoxes are
the two days each year that fall midway
between midsummer and midwinter.
And ancient Egyptian sky watchers
would have noticed that on those days,
the sun rose and set directly east-west,
casting a near-perfect west-east shadow line
as it passed.
Glen argues that by marking
the tip of that shadow as it moved--
with stones, for example--
the architects could lay out an accurate east-to-west line.
DASH: If you do that, you get
the kind of accuracy that the Egyptians
achieved when they aligned their pyramids,
one tenth of one degree.
It's a remarkable achievement.
NARRATOR: But why put so much effort
into aligning the pyramid so accurately?
Like every aspect of its design,
the orientation of the pyramid had symbolic significance.
It mirrored the pharaoh's own supernatural alignment
with the sun god Ra.
The afterlife of the pharaoh
was modeled on the afterlife of the sun.
So, it was the similarity between the life cycle
and resurrection of the sun
and the life cycle and resurrection of the king
that leads us to believe the pyramid
was primarily a solar monument.
NARRATOR: The birth and death of the sun each day
was at the heart of ancient Egyptian religion.
If burial rites were performed correctly,
the sun and Osiris,
the god of life,
would merge with the king's soul to be reborn.
According to Egyptologist
Salima Ikram, each evening, the sun
and the king's soul traveled together
to the underworld.
IKRAM: The ancient Egyptians believed that you lived forever.
Now, if you were a king,
you had responsibilities, because you were
not just a human being,
you were a god, and as such you were
son of the sun god, and you allied to the sun god.
And, of course, without the sun, the world doesn't function.
NARRATOR: The Great Pyramid
and the king's tomb deep inside it
was the starting point for the pharaoh's resurrection...
♪ ♪ (woman vocalizing)
...Reenacted each evening
as the sun god and the king's soul
disappeared below the western horizon
and began their nightly journey
through the underworld.
When the sun did battle against the forces
of darkness and evil and Apophis,
the king was with the sun god,
almost fused with him.
♪ ♪ (woman vocalizing)
The king went across the night sky
battling against the demons of darkness...
♪ ♪ (woman vocalizing)
...and then had to emerge-- we hope--
victorious the next day...
♪ ♪ (woman vocalizing)
so that Egypt would live,
so that the land would flourish
and that life would continue.
NARRATOR: The Great Pyramid was built to house and protect
the king's precious mummified body
during his eternal battle
for the world's survival and prosperity.
Inside are three chambers
joined to the outside by a network of passageways.
None of these internal structures
were ever meant to be seen once the pyramid was complete.
Nevertheless, they are built with the same precision
and attention to detail
as the huge platform the pyramid sits on.
At the heart of the pyramid is a granite tomb
where the dead king's mummified body
would lie for eternity.
We're in the king's chamber--
more or less in the heart of the pyramid.
Here is essentially this great granite-lined box
built, for the most part, to contain the body of the king.
NARRATOR: This chamber would be the starting point
of the pharaoh's cycle of death and rebirth.
For Egypt's continued survival,
this tomb needed to last forever.
So the engineers turned to one of the strongest stones
available to them--
granite.
LEHNER: It must have made sense in a magical way--
what we would call magic.
There must above been spiritual power that made them
take these choices.
NARRATOR: Building this magical chamber would pose
an unprecedented challenge to the ancient engineers
LEHNER: They didn't want the weight of the pyramid,
the pyramid that was meant to protect the king
and ensure his resurrection,
so that the weight of the pyramid
wouldn't actually crush and destroy his mummy.
Because if you destroy the mummy,
the whole magical machine is broken.
♪ ♪
NARRATOR: But the ceiling of the king's chamber is flat--
a potential structural weak point.
All of the weight of the stone between this ceiling
and the top of the pyramid would be bearing down
on this flat surface
with no support in the chamber below to hold it up.
Yet 4,500 years later, it is still intact.
How is that possible?
In 1837, a British antiquarian, Major General Howard Vyse,
solved the puzzle
by discovering what was above the granite slabs
that formed the flat roof.
He actually put reeds through the cracks
of the great beams
and it went into dead space, empty space.
NARRATOR: What Vyse did next was highly destructive.
(explosion)
So he had his workers blast their way up,
making a vertical tunnel.
(explosion)
NARRATOR: Vyse used gunpowder
to blow a series of holes up through the heart of the pyramid
and discovered not one hidden chamber,
but a stack of five empty granite roofed spaces.
And at the very top: a large, sloping, gabled roof.
They used big limestone beams and they put them
in a gabled pattern to, we think,
so that the weight of the pyramid
would be thrust away from this stack of chambers
and from the king's chamber below.
♪ ♪
NARRATOR: The gabled roof on top of the secret stack of chambers
relieved the downward stresses on the sacred tomb's flat roof
and instead deflected the weight of the pyramid
away from the king's chamber.
By today's standards,
it may have been an excessively cautious solution,
but they couldn't afford to take risks.
They were over-engineering, because they had never
really done this before.
So that the pyramid, the very thing that was meant
to protect the king and ensure his resurrection,
would not collapse and crush his mortal remains.
♪ ♪
NARRATOR: Khufu's engineers had learned from the mistakes
his father Sneferu had made.
And they pushed ancient architecture to the limit,
turning the Great Pyramid into a unique monument.
LEHNER: Khufu was the first and the last
to attempt this audacious engineering.
And so for that, the Great Pyramid--
although it's the classic pyramid
in the popular imagination--
is actually the most unusual.
It's a huge anomaly.
♪ ♪
NARRATOR: Despite the unprecedented effort
invested in Khufu's great pyramid,
no records were ever found describing the details
of this vast building operation...
Until now.
In this barren landscape,
archaeologists have discovered a unique written record.
But this isn't Giza--
it's over 150 miles away at a place called Wadi el-Jarf
on the edge of the Red Sea.
♪ ♪
It's here that, in 2013, archaeologist Pierre Tallet
was investigating the remains of the world's oldest port.
Dating to the Old Kingdom, it played a crucial role
in the pharaohs' monumental building projects.
To cut massive stones,
the builders needed high-quality metal tools.
The only metal readily available to the Egyptians was copper,
which was mined in the Sinai, and ferried across the Red Sea
to this port at Wadi el-Jarf.
Sinai is the main place where Egyptian were able
to fetch copper at that time, and you...
when you are building huge structures in limestone
like pyramids, you dramatically need copper.
♪ ♪
NARRATOR: Pierre and his team began to excavate
around the boat houses where ships were stored
when not in use.
They then made a surprising discovery.
♪ ♪
First, we came across big limestone blocks.
It was inscribed with name of Khufu.
NARRATOR: It was an important find
since so little evidence from Khufu's reign has survived.
But nothing prepared them for what they found next.
TALLET: It was a real surprise.
We have got small pieces of papyri.
NARRATOR: Pierre and his team had discovered a cache
of fragile ancient documents on paper
made from reeds called papyri
covered in Egyptian hieroglyphs,
including many examples of the same royal insignia...
A cartouche-- an oval frame--
with the name of an ancient Egyptian pharaoh inside.
That name was Khufu.
TALLET: The cartouche of Khufu is quite everywhere.
NARRATOR: These are the world's oldest papyrus texts.
In 2017, Pierre Tallet published the first volume of his analysis
of these ancient writings.
Amazingly, they offer the only first-hand record
of the building of the Great Pyramid.
TALLET: You have the name
of the Akhet-Khufu, "the Horizon of Khufu."
♪ ♪
NARRATOR: Akhet-Khufu, "the Horizon of Khufu."
In ancient Egypt, the word horizon can mean
mountain of light, somewhere where the sun rises or sets.
And the Horizon of Khufu was the name the ancient Egyptians
gave to the sacred Great Pyramid.
♪ ♪
TALLET: We have these words, I think,
maybe more than 100 times.
We were excited-- it was, yeah, kind of a dream.
♪ ♪
NARRATOR: Dating to year 27 of Khufu's reign,
the papyri lists details of the times, dates,
and deliveries of cargo to the pyramid site.
Suddenly here are these Excel spread sheets
of ancient times on papyrus, giving us accounts
of what Khufu's workers received.
We have a diary and a log book-- that's what makes
the Wadi el-Jarf papyri so much more significant.
NARRATOR: Among the entries are records of meetings with senior officials
and the time it took to deliver a cargo.
There was even a note in red ink
that someone had fetched a large supply of bread
for the crew.
IKRAM: These papyri are fabulous because they give us
the sort of slice of life, and it just gives you a sense
that throughout Egypt there would have been
these little hives of activity and people keeping
the same kind of accounts,
and by putting it all together you get a much bigger picture.
♪ ♪
NARRATOR: The papyri were written by the overseer of a work team
that delivered the stone.
♪ ♪
A man whose name was Merer.
And Merer's handwritten notes
record how he and his crew of 40 men sailed the Nile.
His was one of several ships
delivering fine quality limestone
to the construction site from the quarries of Turah,
ten miles from Giza.
But how did they deliver the stones
from the Nile to the site,
over 100 feet higher on the Giza Plateau?
The papyri referred to artificial basins and harbors
that Merer encountered
as he approached the construction site.
When Merer and his team arrived in Giza,
we have information about the artificial lakes
that were made to allow boats
to deliver raw materials
for the building of the pyramids.
NARRATOR: Today, the Giza Plateau sits on the edge of modern-day Cairo.
Traces of the artificial basins recorded by Merer
have been found underneath these streets.
(car horns honking)
And thanks to the papyrus,
we now know the ancient name of one of them.
♪ ♪
Ro-She Khufu-- the entrance to the Basin of Khufu.
When the Nile floods filled this manmade pool,
a navigable path opened between the river and the Giza Plateau.
LEHNER: So we now know that the major
influx of material--
both gigantic stones, timber, wood, grain to feed the people--
happened during the flood season when the Nile rose
and covered the valley and filled the deep channel
where it rose more than seven meters.
And they used this system of basins and waterways
almost like a hydraulic lift to bring the materials needed
for pyramid building.
♪ ♪
NARRATOR: If Giza was the beating heart of the pyramid project,
then its lifeblood was the river Nile.
Its annual floods not only freed up a national work force
but enabled the laborers to deliver supplies all the way
to the foot of the pyramid site.
The Great Pyramid could not really have been built
if Egypt did not have the Nile and a complex system
of waterways connecting the land.
Because at this time, the terrain isn't good enough,
we don't really do wheeled vehicles.
♪ ♪
NARRATOR: Remarkably, archaeologists at Giza
have discovered the remains of two boats from the time
the artificial waterfront at Giza was at its zenith.
One has already been carefully restored from the 1,200 pieces
recovered by archaeologists, who believe
that it was a ceremonial boat crafted to transport Khufu
in his journey through the afterlife,
while the second is now being meticulously excavated
under the watchful eye of project consultant
Mohamed Abd El-Meguid.
♪ ♪
MOHAMED ABD EL-MEGUID: Now they are extracting the woods of the second boat.
All of this will constitute the boat itself--
the hull, and the deck,
and also the superstructure, which is the canopy itself.
♪ ♪
NARRATOR: These timbers provide a fascinating glimpse
of ancient Egyptian boat-building methods.
♪ ♪
EL-MEGUID: The same techniques
that we can see on the ceremonial boat were used
for the transport boats that brought the stones from Turah
to here or from Aswan to here.
♪ ♪
NARRATOR: Building the pyramids not only involved
transporting thousands of stones up the Nile,
but also required importing copper from the Sinai,
which meant sailing across the Red Sea
to the port at Wadi el-Jarf.
Mohamed believes these timbers reveal a cunning design feature
that allowed Merer and others like him
to use the same boat on bodies of water
separated by 150 miles of desert.
EL-MEGUID: They would cut V-shaped channels in a 45-degree direction
and the other one in the other direction,
so he can pass through his ropes from one side to the other.
♪ ♪
NARRATOR: These holes weren't cut for wooden or metal fasteners
because ancient Egyptian ships were held together with rope.
When we look at the Khufu boat,
we see that here is a ship with elegance and amazing engineering
but that's entirely stitched together
with mortise and tenon joints
and by ropes that interlace
through all the parts of the hull, for example.
♪ ♪
NARRATOR: By using ropes instead of nails,
teams could dismantle their boats and transport them
across the desert to where they were next needed.
LEHNER: They took the parts from the Nile valley
across to the Red Sea coast piece by piece.
Then they would put the parts together,
they would basically stitch the whole ship together,
sail across to Sinai, get their loads of copper,
bring the copper back.
(hammering, indistinct chatter)
NARRATOR: Copper is a relatively soft metal, prone to wearing down.
The amount of copper required for tools on the job site
must have been tremendous.
But nothing compared to the hundreds of thousands of tons
of stone demanded by the builders.
Meeting that need would have been
a massive logistical challenge
made even more difficult because the Great Pyramid
is actually built of three different types of stone.
The exterior was an outer casing of high-quality white limestone
concealing a much rougher inner core of coarse common limestone.
And then, deep within the pyramid,
the complex of granite chambers
reserved for the sacred tomb of the king.
And that meant millions of tons of stone
had to be shipped to the site.
The rough limestone for the core came from a quarry
just 500 yards south of the pyramid platform
while the pyramid's high quality casing stones were brought
by Merer's team and other work gangs from nearby Turah.
Meanwhile, the stone for the king's chamber
had to be shipped from the major granite quarry in Egypt
at Aswan, some 500 miles south of Giza.
These different types of stone all had to be delivered
at around the same time because all the sections
of the Great Pyramid were constructed simultaneously.
They built them in stages, incrementally and then filled in
the mass of the pyramid around them, step by step,
almost like 3D printing these days.
NARRATOR: All the elements of the pyramid--
the casing, the core and the internal chambers--
would rise as one from the Giza Plateau.
But as the pyramid grew, how did the builders
manage to raise the blocks up the rising and sloping sides
of the monument.
By looking at what seems to be in its loose state just rubble,
we can have an understanding of how they built the pyramids
because they formed this rubble into ramps and embankments,
some of which like this one remain together until this day.
Probably they enveloped the entire pyramid
with big embankments like this.
NARRATOR: But this was before ancient Egypt had the wheel.
Their solution was well-suited to the desert terrain.
IKRAM: It doesn't look very pretty, but it's really important
because this is one of the key sort of tools that was used
to make the Great Pyramid.
It is in fact a sledge and you can use them on sand
as well as snow.
So, here we have this big sledge that would have been used
to take the large rocks on them and pulled by teams of men
up through the causeway,
up the ramps to build the Great Pyramid.
♪ ♪
NARRATOR: For the people of Egypt, this backbreaking work
was a physical investment in the spiritual future of Egypt,
their contribution to ensure the pharaoh would be successful
in his journey through the afterlife.
and they did it all with just the most basic of equipment.
♪ ♪
IKRAM: It's extraordinary to think
that it was built with very simple tools.
You had wood rollers, you had rope,
you had hard stone on soft stone,
and you had a few metal tools, and, most importantly,
you had the brains and the brawn of human beings.
And that's all that they had.
(indistinct shouting)
NARRATOR: During the annual Nile flood, the construction site
on the Giza Plateau would have received
a constant supply of stone, food, and tools
brought in by ships.
(indistinct shouting)
It was an operation that would strain
even a modern supply chain.
♪ ♪
The overseer of all the king's works had to keep in mind
complex logistics and how to keep
this whole workforce fed, healthy, and effective--
what modern contractors call the critical path.
How to get from the beginning point
to the end point and deliver the product.
♪ ♪
NARRATOR: Merer's records give Egyptologists a unique insight
into how this sophisticated operation worked.
♪ ♪
We were entering the administrative world
of the people that were behind the whole construction
of the monument like the Pyramid of Giza.
(hammers clanging)
NARRATOR: The papyri also reveal the name of the man in charge.
That name was Ankh-haf.
And a stunningly lifelike image of him survives,
now on display in the Boston Museum of Fine Arts.
Ankh-haf was a noble, the half brother of the pharaoh.
He seems to be, at that time, the vizier,
which is the chief of the administration.
The big boss for the building of the pyramid of Khufu.
NARRATOR: Pierre believes Merer may have had several meetings
with Ankh-haf.
And the papyri note that Merer's team was part of an "elite"
perhaps because their cargoes of fine Turah limestone
were highly prized.
Merer was responsible
for bringing this limestone of Turah,
which is of high quality needed to construct the...
all the casing, outer casing of the pyramid of Khufu.
NARRATOR: The outer casing of Turah limestone gave the Great Pyramid
a spectacular appearance.
Today the monument has been almost completely stripped
of that outer casing.
But 4,500 years ago, the smooth white limestone
delivered by people like Merer,
would have covered the whole of the pyramid...
♪ ♪ (woman vocalizing)
...catching the rays of the rejuvenating sun
in a spectacular display.
LEHNER: We can think of the Great Pyramid
as a colossal special effect--
clad in white limestone, polished smooth.
But for them, such special effects were not entertainment,
for them they were... they were religious, they were magical.
NARRATOR: The magic was a constant reminder
of the special religious significance
of the Great Pyramid
and the dead king's fight for Egypt's survival.
♪ ♪ (woman vocalizing)
For people like Merer, it was a privilege to be involved
in the king's grand construction project.
LEHNER: They actually called themselves the elite.
Merer's group at one point was called in the papyri
(speaking Ancient Egyptian language)-- "the chosen group."
♪ ♪
NARRATOR: It's estimated the people of Egypt spent some 30 years
building the Great Pyramid.
Its last and most enduring mystery
is that the mummy of the God King Khufu
has never been found.
The granite coffin in the king's chamber is empty.
Many Egyptologists believe it was cleared out by tomb robbers
in ancient times.
Others speculate that Khufu was never buried in his tomb at all.
If so, where might he be?
In 2017, scientists detected a mysterious void
deep inside the Great Pyramid.
An advanced scanning technique called Muon tomography
identified a large cavity the size of 747 fuselage
approximately parallel with the king's chamber.
And that void exists right through this granite wall
at about this level of the pyramid
above the grand gallery leading to this chamber.
NARRATOR: Many theories for this mysterious empty space
have been suggested.
It's possible this void,
which is like a very vague cloud for us right now,
is another chamber with untold treasures
or, more importantly,
documentation like the Wadi el-Jarf papyri.
But most likely it's dead space that they framed in
to relieve the weight of the pyramid
on the roof of the grand gallery
just like the relieving chambers above the king's chamber.
NARRATOR: Further investigation may confirm the void
is another example of the masterful engineering
that's ensured this giant monument
has stood the test of time.
But even without the pharaoh's body,
the Great Pyramid continues to ensure Khufu's place
in history.
IKRAM: Khufu in fact has achieved his immortality
to a certain extent.
We might not have his body
but his name lives forever.
And as each person recites it,
he is once again given more empowerment in the afterlife,
and his Great Pyramid does reign supreme.
♪ ♪
NARRATOR: Through Khufu's mighty building project,
the people of ancient Egypt were drawn into the creation
of a magical machine for the pharaoh's journey
through the afterlife.
IKRAM: They were creating this magnificent monument
which also gives you sort of religious credit
because you're helping to build the house of eternity
for your god king.
NARRATOR: The amazing discoveries of the Wadi el-Jarf papyri,
the workers' city, and the preserved boats
reveal the phenomenal planning operation
that built the Great Pyramid
and unified the people of Egypt
into one of the world's first nation states.
The networks that they created and the national unity
and infrastructure-- national infrastructure
that they created for building these giant pyramids,
that now was where they devoted their attention
and their energies.
NARRATOR: The new evidence shows how Khufu's Great Pyramid project
became the economic engine that drove the first great era
of the ancient world's most vibrant civilization--
the Egypt of the Pharaohs.
♪ ♪
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♪ ♪
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