All language subtitles for The.Doll.Master.2017.DVDRip.x264-RedBlade-HI

(clanging)

(orchestral music)

Subtitles by explosiveskull

[Doctor Voiceover] The
patient has been in our system

for over 30 years.

He came to us when he was young.

He suffers from multiple problems,

including nightmares about his childhood.

He has delusional thoughts that revolve

around dolls and creatures.

Something in his psyche
must be discovered soon

and the answer is there
for all of us to find out.

(creepy music)

Go, take him, quick before she can get him.

Run, run, run.

(man breathing heavily)

(screaming)

(creepy music)

(dramatic music)

(ominous music)

Don't you shut up at all?

Hello?

Who's there?

Hugo, is that you?

(sad piano music)

(breathing)

(dramatic music)

[Doctor Voiceover] At first, we were unsure

what his medical condition was.

He was later diagnosed with paranoid

delusional thought, learning difficulties,

and schizophrenia.

The medication that he
has been administered

must be maintained at all times.

Otherwise he'll have a
tendency to be violent.

(dramatic music)

(creepy music)

(brushing)

(creepy music)

(ominous music)

Hugo, I told you not to scare me.

(ominous music)

(clock chiming)

Hugo, breakfast.

There you are.

(dramatic music)

Hugo?

You haven't eaten all of your breakfast.

(doorbell ringing)

(ominous music)

Yes, I know.

I know it's not her.

(knocking)

(knocking)

Norman?

Norman?

Norman?

It's Johnny, your support worker for today.

Where's Julie?

Julie's on holiday, remember?

She explained I'd be here today.

I have your favorite ice cream

and everything else on the list.

You'd better come in then.

[Johnny] Thank you.

Cup of tea to start I think.

Would you like to help?

I've had breakfast.

Were you expecting someone else?

That's Hugo's.

Who's Hugo?

My friend.

[Johnny] And, where is he?

Around.

(creepy music)

Well done you.

Now would you mind doing the washing up.

I'm sure you'll do great, but
can I just use your bathroom?

It's upstairs.

[Johnny] Thank you.

(piano music)

Johnny?

(piano music)

[Hugo] You know he's
in your room, don't you?

He's no support worker.

[Norman] Well who is he then?

[Hugo] He's here for me.

But, no one knows you're here.

[Hugo] Go and get him.

Johnny?

Oh sorry.

Sorry Norman, coming.

Sorry Norman.

(ominous music)

Now that is a work of art.

Please he doesn't like to be held.

Yes, he does.

He is awesome.

Please he doesn't take to strangers.

[Johnny] What's his name?

Hugo.

He's my best friend.

Oh right, table setting for two.

Hugo's your friend.

I get it now.

Now, I have an offer for
you you cannot refuse.

I think Hugo there is worth a lot of money.

How would you like me to
get him valued for you?

I have a friend who's quite the expert

when it comes to dummies.

Hugo's a doll.

A bit old to be playing
with dolls, aren't we?

Look it's five minutes down the road.

I can be there and back before you know it.

No, I can't leave the house
because of my condition.

I'll tell you what I'll take him.

It's just down the road.

I'll get him...

No, no, you need to leave now.

Hugo's staying here with me.

That's fine.

That's fine.

I was only trying to help.

No hard feelings?

Please go.

Are you sure?

Just go!

(dramatic music)

[Hugo] You don't listen to me.

He's gone now.

[Hugo] He'll be back.

(dramatic electronic music)

(siren ringing)

(dramatic orchestral music)

(ominous music)

(breathing)

(ominous music)

(breathing)

(ominous music)

(clock chiming)

(dramatic music)

(clanging)

(creepy music)

Hugo?

Hugo.

(rattling)

(tense music)

(phone chiming)

(dramatic music)

(crying)

(tense music)

Hey?

Hey what the hell you doing?

Sorry I haven't been out
of my house in a long time.

Yeah it looks like it, mate.

27 quid plus tip.

Hey, you sure you're okay?

You sure you want to be out here all alone?

It will be dark soon.

Yeah, I'm fine.

I mean I can hang around if you need me to.

You know there's nothing out here.

Even the junkies don't come out here.

They say it's cursed.

I need to find Hugo.

Oh, whatever.

Bloody leave the door open.

(muttering)

(dramatic music)

(ominous music)

(dramatic music)

Go take him.

Quick before she can get him.

Run, run, run.

(tense music)

(whispering)

(laughing)

[Doctor Voiceover] Medical diagnosis

as schizophrenia.

[Johnny Voiceover] Old
to be playing with dolls,

aren't we?

[Hugo] Norman.

(tense music)

(heavy breathing)

(tense music)

(heavy breathing)

(tense music)

(ominous music)

(squealing)

(ominous music)

(coughing)

(ominous music)

(dramatic music)

(clanging)

We're rolling, you lot?

[Camera Man] Camera set, rolling.

Okay we're here doing our test shoot

at an undisclosed location where we hope

we are one step closer to
the mystery of the dolls.

We're here, I'm Sarah.

We've got Johnny with us, our expert.

We've got our team.

We've got security.

Marco on sound, we've got our sound guys,

our camera guys.

So okay, Steve, you're here.

You're the owner of the house.

He's just gonna show us where to find

the tunnels and just
talk us through quickly

on what we might find.

Well I don't know what you're expecting.

I've got some stories.

[Sarah] About the tunnels?

Do tell.

Would you mind, could
we just get those quickly

on camera?

Just a couple of minutes.

Marco, can I just get the boom.

[Malik] How long you've
lived here, mate, anyway?

Well we've owned it for eight years.

[Malik] Eight years?

Yeah, the site.

And, the site is quite big.

Stories?

You've got some stories.

[Sarah] Yeah, yeah.

Well basically I can tell you some stories

about this place.

I know you guys are here.

I know Johnny has come
up and asked me before

about the doll mystery.

I don't know much about it, but I do know

that I've been here for eight years,

and as you can see, this
has taken eight years

to get as far as this because
every time we attempted

with builders and
contractors something happens.

Yeah, I'll tell you what I can do you

a good deal on builders if you want it.

You know what I mean?

I mean eight years to get
to this is quite appalling.

Sorry, carry on.

Well the stories are, I
mean basically we've had

quite a lot of accidents and strange things

happening in the back room,
voices that kind of thing,

all the kind of paranormal stuff.

We've had a lot of damp.

We've also had things go missing.

A lot of contractors were annoyed

because things would disappear.

We've had deliveries come, and
it's cost me a lot of money.

And, you know it's just
that people I can't seem

to get any help.

Hey mate, this is a nice piece.

What's this from?

[Steve] Yeah, that's done by my wife.

Oh really?

[Steve] If you don't mind
that's quite valuable.

[Malik] Oh okay, no worries, mate.

[Sarah] Sorry Steve, carry on.

Yeah so we've had incidents.

I mean I know what you guys are here for,

and I know that you have come to do

this doll mystery thing.

I don't know anything about that.

I know there's been,
in the past there's been

stories of people going missing.

And, children used to
get in here and disappear,

but we're going back to Victorian times

and things like that.

You know it's all kind
of, so many mysteries,

it all overlaps each other.

I'm quite fascinated by
the ghost side of things,

but I'm not sure whether that's true

- with the dolls thing.
- Do you get that feeling...

[Malik] Ghosts, what kind of ghosts?

What have you seen?

That's not what made you
stop the renovation was it?

[Steve] Well the
renovations basically because

they say, you know we're
over here for instance,

and we were doing these
electrics and every time...

[Malik] Be careful with that.

[Steve] Every time we've
plastered in the area.

As you can see...

[Malik] Be careful.

Don't touch it.

That could be alive, you know what I mean?

[Steve] Every time we've done it,

we've come back, and
within a day, it's all off.

Or, it's just not setting
and stuff like that.

Can you tell us about the devil?

[Steve] I mean that's just kids.

Kids?

[Steve] You know you
can see it's underneath

where the plaster was.

[Malik] Are you sure it's just kids.

See the thing is this entrance

is the kind of official entrance.

[Sarah] Right, okay.

But, we do have other
places that people get in.

We can't keep 'em out.

It's such a big area.

Just because I suppose
they think it's abandoned,

not lived in, this part.

[Steve] Well you get a lot
of just weird people really,

strange people.

You get occultists, things like that.

It's probably something,
you know they've got in here.

Oh well, that's just kids, isn't it?

It didn't say in our petition.

He's talking about evil people.

[Steve] I mean this place goes back

to Victorian, even before that Napoleon.

And, I think they had gunpowder here.

They probably had accidents here.

Yeah I noticed that when I came in.

I could smell some gunpowder actually.

And, they've obviously had people die.

So I have had one thing happen
with something mysterious

which was here in this very room.

[Sarah] What happened?

Where we was here, I was in
the corner doing some stuff.

And, I turned around thinking
it was my wife standing there,

and my wife was actually
outside the window.

Well she was probably
doing that sculpture mate,

you know what I mean?

No, I know it was weird
because when I turned around

and looked there was a lady standing there.

And, she was quite, you
know, makeup, long hair,

but then when I turned
back, my wife was outside.

When I turned back
again, this girl had gone.

[Sarah] Has it put you
off wanting to finish

getting the work done?

Well I mean yeah, 'cause I
was having to do it myself.

So at that stage, all the
builders weren't around,

and I was in here trying
to sort some stuff out.

[Malik] Fucking bullshit, mate.

So it's that kind of thing that goes on.

I mean what I will say,
I mean I can show you

this back room because the back room...

[Sarah] That'd be great.

[Steve] And where the tunnels are.

Hang on a minute.

Before you all go, let me just check to see

if it's okay.

I'll go with the owner a minute.

Just hang on a minute.

So where we going then, mate?

[Steve] It's down here, and
the tunnels are that way.

But, I'll just show you this room.

[Malik] All right before you go,

can I just check these stairs, mate?

Just to make sure.

Is there anything up
here that we need to see?

[Steve] No, there's nothing up there.

[Malik] All right.

Well let me just check anyway
just to see if it's okay.

[Sarah] So what's through here, Steve?

Yeah it seems okay.

Do you know what I mean?

[Steve] That'll be my wife's bedroom,

but it's where everybody says...

Are you getting this, Marco?

It's where everybody says
they sense the things are.

Well I mean one of my
builders said that he saw

a child like creep thing in there

looking at him, watching.

And, they've heard footsteps
and voice and things like that.

So you know...

There's nothing in here.

Well there's nothing in here now.

I mean these things are
over, remember it's over

an eight year period
that this all happened.

(tapping)

So for me it's a business, and we've lost

a lot of money on this.

And, I believe in bits
of it and not other bits.

So yeah I mean...

What are you doing here now then?

At the moment, obviously Sarah's paid

to come here and do this.

Oh she's paid you money, has she?

All right.

[Steve] It's a business, isn't it?

I'm just gonna warn you
guys because I say this

to all the contractors when they come in.

I say I'm not responsible
for anything that happens.

[Johnny] We'll be fine.

They say that.

We'll be fine, we've got Johnny.

They all don't believe
it, and something happens.

So you're going to be going down to an area

that I don't even want to go down to.

But, I've been here eight years.

So whatever happens down there.

We've had a contractor go down,

and had to change all the
bulbs, fix all the bulbs,

get 'em all done, and
he lasted five minutes.

And, he came out of that white as a sheet.

And, he said he saw something.

Something touched him, he said, on the back

of his shoulder and grabbed him.

You've got a lot of dust out there.

I mean that could be, that
could potentially be...

When you go down there
guys be very careful.

There's long stairs that goes down.

It goes underneath the kind of area

right into these tunnels.

We're well lit.

The guys have got.

I'm just warning you now.

We've got it on camera, so I'm warning you.

[Sarah] That's fine.

[Malik] Do you know what,
Sarah, I think actually

Malik?

You could audition him for your new show.

I think he'd make a good actor actually.

Malik, shut up.

[Malik] What?

Do you know what this is?

It's a finger.

Mate, this is a false wall.

You could've just done that now.

You know what I mean?

[Johnny] I didn't just do that now.

It was there.

Yeah, but look.

Look at it.

- Is there one entrance?
- it's not solid, mate.

I'm just a little bit concerned
about your security guard

cause he's like, he seems quite.

[Malik] What?

[Steve] Well you seem like.

No, I just think, to be honest with you.

[Sarah] It's all right.

All right.

[Malik] I just think
it's a load of bollocks.

All right, Malik.

What you've gotta remember
is that you paid me

for this place.

I own it.

[Malik] Yeah, I know I understand that.

[Steve] If you go down
there and something happens,

I ain't coming to get you.

[Sarah] No, I know.

[Malik] Well that's all right, man.

That's all right.

I mean that's what I'm paid for,

so don't worry about it.

I'll show you down to the tunnels.

Can we hurray this up please?

I'm not going down there.

- It's as simple as that.
- All right.

That's fine, I didn't ask you to.

I just want to get this moving, you know?

I want to get seeing these tunnels.

You might be excited now.

I'll tell you what thing gonna be...

[Steve] Believe me...

[Johnny] Nothing's gonna stop my passion.

I love this, I live for this.

[Sarah] Malik?

Fucking actor, you know what I mean?

[Johnny] Malik?

Yeah, yeah, yeah, it's all right.

I'm just checking a bit of
this, that, and the others,

do you know what I mean?

Where are we going?

All right, okay, sorry.

Johnny, Johnny, Johnny, I know it.

[Steve] The doors are unlocked.

I'm not going anywhere past this door.

Sorry, sorry mate, sorry.

Do you want to take the keys?

[Steve] No, you guys go through,

then I'm gonna shut the door behind you.

[Sarah] All right, well thank you, Steve.

[Malik] Yeah, thanks Steve.

Appreciate it, mate.

Guys, we're gonna make our way down

to the tunnels and see
what we can find there.

Hang on here darling.

Give him a minute.

He's a bit delirious,
do you know what I mean?

Norman?

Norman?

Norman?

Norman.

Norman.

Hello?

Listen don't be afraid.

There's nothing to worry about.

Don't worry about the cameras.

They're with me.

Listen, I need you to listen to me.

Norman, my name's Sarah,
and I'm a producer.

And, all of my friends are here.

Listen.

All these cameras, they're with me.

We're making a program, Norman.

We're making a documentary.

We're here to talk to you
about your dolls, Norman.

We want to talk to you about, Hugo.

(laughing)

Come on, up you get.

Now listen, I'm just gonna
grab a microphone for you.

[Malik] You all right, mate?

You want a cup of tea?

What, two sugars?

Or, you sweet enough?

Listen, I've got one.

Johnny's got one.

You remember Johnny, don't you?

Hey Norman, do you remember me?

[Sarah] Listen.

I came to look after you, remember?

[Sarah] There you go.

Johnny's your friend.

You met him this morning, didn't you?

You remember Johnny, don't you?

It's okay.

[Sarah] He knows about Hugo.

We wanted to just talk to you about Hugo.

Hugo?

- Hugo, yes.
- Hugo.

Yes, Hugo.

Your doll, remember your dolls.

[Malik] I think we should
make a fucking porno actually.

There you go touching him up.

[Norman] Where's Hugo?

Norman, do you talk to Hugo?

Norman, Norman?

Did Hugo talk to you?

Do you talk to him?

Julie?

Julie's not here, no.

I'm Johnny.

You took Hugo.

I told you he doesn't like to be handled.

Guys, don't get too close.

He's getting a bit stressed out now,

do you know what I mean?

All right, well don't fucking,

if he goes fucking mental
don't fucking blame me.

Norman, calm down.

Norman, there is nothing
to worry about here.

We're your friends.

- You know me.
- They're bright.

It's okay they're just cameras.

They're with me, they're all with me.

They're just cameras.

It's fine.

They're with us.

[Sarah] They're all with me.

- We just want to talk to you
- Listen to me.

about Hugo.

All right, Norman, talk to us.

We're your friends.

We're fine.

Sarah, tell me all of it.

Do you remember when I
came in for the interview,

and you said you wanted me to do something.

Where's Hugo?

I don't know.

I've done that, and you know
everything's secure here.

He's not dangerous anymore.

Listen he's not dangerous anymore,

so I think, you know, you can sort me out

with my rates, do you know what I mean?

Have you been here before?

Do you know?

Are you ignoring me again?

[Norman] It's in my dreams.

[Johnny] Hold on.

Your dreams?

Tell us about your dreams.

[Sarah] Your dreams, Norman?

Are you getting this?

[Sarah] Norman your dreams?

Talk to me about your dreams.

[Malik] You sure you don't want

a cup of tea, mate?

Yeah, you're talking about dreams.

Shutup.

[Malik] It's not wet dreams, is it?

- Tell us about the dreams.
- Norman, Norman.

[Norman] I don't know.

Norman, tell me about your dream.

[Norman] I don't know.

I don't know.

I don't know.

[Malik] He's getting frustrated.

Just come away from him.

[Norman] I don't know, I don't know.

[Johnny] He's fine.

[Malik] He's getting frustrated.

Look I know about these situations.

Aren't you a social worker or something,

but I know how to deal
with these situations.

[Sarah] There's no need
to get yourself worked up.

[Johnny] He knows me.

[Malik] Knows you?

[Johnny] Yes.

[Sarah] Nobody's here
to hurt you, all right?

[Malik] What you went around his place,

and we fucking, you're
best friends now or what?

Okay, nobody's here to hurt you.

We just want to talk to you about Hugo,

all right, okay?

Can you tell us about the dreams?

What did you see?

[Malik] I still think you're
taking a liberty, you know?

I don't know just a dream.

[Sarah] What dream, do you remember?

[Norman] Here I've seen.

[Sarah] Here Norman?

What about here?

Was Hugo in the dreams?

[Norman] Where's Hugo?

I want Hugo.

I want Hugo.

Hugo, where for art thou, Hugo?

Where are you Hugo?

Hold on, hold on, look, look.

You've taken Hugo.

You've got Hugo.

- No, it's fine.
- Who's taken Hugo?

We'll get you Hugo.

If you want Hugo, we can find you Hugo

if you tell us where the secret passage is.

There's a secret passage.

I know there is.

[Sarah] Norman do you
know anything about that?

I want Hugo.

[Johnny] You can get Hugo.

[Malik] Listen how long are
we gonna be here with this?

[Johnny] Norman, listen to me.

[Norman] Hugo.

- Listen to me.
- Hugo!

- Give you a minute?
- Norman.

- Hugo?
- Where is Hugo?

[Norman] Hugo?

Norman, we need you to be very brave

talking to us now, all right?

We need you to be very brave for us?

Can you do that, Norman?

[Malik] Hang on a minute.

Come back here, mate.

(grunting)

[Johnny] Malik, get off him.

Malik.

Malik!

Norman, Norman, Norman, Norman?

Just stand him up, just get him up.

Just get him up.

Get him up.

Norman, Norman, Norman, Norman, Norman?

He's secure, he's secure.

Norman, Norman.

You all right, mate?

Norman, Norman, Norman.

You sure?

You all right, mate?

You okay?

[Sarah] Fuck, Norman?

That's it, Norman.

He's got you, Norman.

He's fucking chocked as well.

[Sarah] All right just let him go a bit.

You sure?

- Let him go a bit!
- You sure?

[Sarah] Let him go a bit.

All right I'm not responsible.

[Sarah] Let him go a bit.

It's all right Norman, Norman, Norman?

You're taking a piss.

Taking the piss?

That's what I do, mate.

No need to fucking fight.

This is what I do, mate.

I'm fucking security.

That's what she employed me for.

Don't know what you're employed for.

You didn't even fucking steal
the fucking thing, did you?

[Sarah] All right, just
let him be a minute, okay?

You're a fucking nonce mate, fucking nonce.

[Sarah] Norman, Norman,
that's it, all right?

Come on.

Come on.

All right, we'll pop these
back on for you, come on

Come on get your glasses on.

[Sarah] There you go.

There you are.

Sorry about that, mate, sorry.

[Sarah] There you are.

(laughing)

All right, okay.

Listen mate, you really wanna watch

who you're talking to,
do you know what I mean?

Just in case, you know.

Let him go, let him go.

It's all right.

I'm keeping him secure just like I did

with Norman there, do you know what I mean?

He's all right.

[Sarah] I'm fucking
babysitting three kids here.

Oh GB.

(coughing)

Sorry mate, sorry about that.

You all right, mate?

Sorry about that mate.

Norman, do you think you might be ready

- to talk to me yet?
- He's all right.

You all right, mate?

Don't mean a thing.

(dramatic music)

(yelling)

(ominous music)

I wanna talk about my
five grand, all right?

I think she fancies the
guy, do you know what I mean?

What are you fucking
talking about money for

in front of people?

What are you fucking playing at?

[Malik] What do you mean?

Listen...

Listen we had an agreement, right?

When I came for the
interview, you said to me

that you wanted muscle
which I've done for you.

You can have your fucking money,

but you mind your etiquette.

All right, fucking all right.

You listen to me, and you listen good.

Okay.

Because I may not be
as stupid as my sister,

and you know why?

Why?

She may not know what's
going on, but I fucking do.

Norman, hey?

Hey it's me.

A friend, see?

Not like that nasty guy.

The nasty man, did he hurt you?

He's gone.

Did he hurt you?

And, she will find out, all right?

So I suggest you take your money

and fuck off away from me.

Do you know what I like?

In fact do you know what,
I mean I've got a saying

that I didn't think of you
in that same sort of a light,

but you know you're
really turning me on a bit.

(smacking)

(laughing)

Is that five grand in 20s then?

[Sarah] Fuck you!

Bitch.

How do I get out of this fucking place?

Fucking unbelievable?

We're gonna find Hugo, yeah?

Come on.

(Sarah muttering)

I think we're going to try
and find his best friend,

aren't we?

Yeah, do you want to do that?

Where the fuck is Malik?

[Sarah] Fuck Malik.

Come on, let's go.

He's a cunt anyway.

Come on.

Come on, let's go.

We're gonna find Hugo, and
you're gonna be happy again.

And, you'll be fine.

Yeah make sure you give
us some space, mate.

Right, now we're doing this for you.

We're trying to help you
find your best friend.

We're here to find Hugo, Norman.

Can you tell us, hold on
a sec, just wait there.

Can you tell us where
is the hidden passageway?

Where is the secret?

Do you know where it is?

You've been here before.

You've seen it before.

Can you tell us, Norman?

Can you?

He's fucking useless.

He's fucking useless.

Come on, come on now.

[Sarah] All right, Norman.

Norman, oh no, we don't need him anyway.

Honestly just leave him be.

It's a lost cause.

(shuffling)

We can't just let him go.

It's fine, leave him be.

Babe, babe?

It's you and I now, just the two of us.

I think I know where the treasure is.

Well I assume there's treasure,

and if there is treasure
which I'm pretty sure there is.

I think it's better just you and I.

So if you come with me, I need you, right?

I need you.

I really need you.

So if you come with me, we'll find it,

and we can split it, halves.

We'll be fine, come on.

I need you, babe.

Come on.

You better lead the way.

Yeah come on let's go.

Come on.

I reckon you go down here, you turn right.

That's where the secret passage is.

It's gotta be.

That's the only place we haven't looked.

The only place we haven't looked.

[Sarah] I don't know Johnny.

Honestly it will be fine.

Come on let's go.

Trust me, yeah.

[Sarah] I'm not feeling it.

I'm feeling it.

I've been searching for
this my whole life, okay.

I know where we're going, okay?

Come on.

(creepy music)

(strange grumbling)

(creepy music)

You'll kill the poor bastard.

It's much more complicated,
and much more...

Well then you better start
fucking talking to me.

It's a fucking long story.

Okay.

Johnny, my career is on the line here.

This is going to be good for you.

What the fuck is going on?

This could be good for you, all right?

It started when I was young.

I remember I was walking to school,

and every time I'd walked past his house,

his doll was always in
the window staring at me.

It felt as if it was drawing me in.

I felt something.

I can't explain what it was.

It's crazy.

I'd walk home, and he wouldn't be there.

Yes obviously someone
could've just fucking moved it.

But, it wasn't there anymore.

But, every time I was this doll,

I'd get these dreams,
these vivid nightmares.

It was here, it was this place.

What do you mean it was here?

It was this place.

I couldn't explain it.

I didn't understand what was going on.

I was just a child.

I had absolutely no idea what was going on.

Something's not right
about this place, Johnny.

Yeah, you're right.

Something's wrong with it.

I just don't get a good feeling.

No I get it.

People died here.

I don't know.

They might have.

I've done research.

I found every library.

I've been to every library.

I've read every book.

I even like hacked government files.

I found this information
online about this place.

Something happened here.

There's an experiment.

What are you talking about?

What are you fucking on about?

You need to start making
more sense, Johnny,

because this is not what I signed up for.

This is my job!

I've worked too hard for this
to fucking all fall apart now.

It's a real opportunity for you.

It's fine.

Honestly, all right?

It's fine.

But, I figured out what this thing was,

or I think I did anyway.

I went back to the house, and I broke in.

Norman was there.

What are you on about?

Norman was there all
right, but he was young.

I was 14.

And, it's hazy.

The doll attacked me.

- What the fuck?
- It's fucked up.

It sounds fucked up.

Seriously.

Hugo?

Yeah.

That's how I got this.

I broke in.

I was looking for the doll.

I'm not understanding you.

Something drew me into the doll.

I got in there.

I was looking for him.

Norman was upstairs.

This fucking doll, one
minute he wasn't here,

and the next minute he was.

I don't remember much after that.

That's all I fucking know.

Fucking mental.

But, I went back.

But, that's why I went back for him.

This has all gone a bit far now.

Yeah it is, but I need to find this place.

I know there's a secret
passageway somewhere.

I found it online.

I found this information.

It's somewhere.

It's in this hall.

Where?

I don't fucking know.

This is why I took him and Norman

would be able to fucking help.

It wasn't in your dream?

He's the one who, oh fucking.

I don't fucking know.

I just need to find this place.

I've been looking for
this my whole fucking life.

Be my guest, after you.

Where is he?

(dramatic music)

(laughing)

(stepping)

[Hugo] Come closer.

Closer!

Who's the kidnapped one now?

(ominous music)

Closer.

(creepy music)

Time to die.

(yelling)

Fuck you!

(fleshy sucking)

You getting this?

Oh my God it's daylight.

We're back to the start.

It's fucking daylight.

We're at the beginning.

[Johnny] Are you kidding me?

For fuck's sake.

[Johnny] Fucking hell.

Oh my God.

[Johnny] What?

Look at all this stuff.

[Johnny] What is it?

This is that job.

That job that all the
builders just downed tools

and fucked off.

They must've found the dolls.

They knew.

Johnny, we've gotta go back for the others.

No.

God, we've got to go back for the others.

Sarah, no.

It's gotta be around here somewhere.

The entrance has to be around here.

If they found them, it's
gotta be around here.

What is wrong with you?

We've got to go back.

No, fuck them.

We've already been there.

We know there's nothing in there.

[Sarah] This is fucking ridiculous.

[Johnny] Fucking hell.

Johnny.

(dramatic music)

What?

What is it?

[Sarah] I don't know.

(dramatic music)

[Johnny] It's the devil.

Well what's it doing on the wall?

I guess the builders put it there.

Why?

[Johnny] I don't know,
but let's check it out.

[Sarah] God.

(dramatic music)

[Johnny] It's a fucking empty room!

What's that?

Nothing.

I've worked too fucking
hard to lose this now.

[Johnny] Don't make this about you.

I've been looking to do
this my whole fucking life.

I've been trying to find them.

[Sarah] For fuck's sake.

What is it?

It's hollow.

There must be a passage way behind it.

In there.

[Sarah] I don't like this Johnny.

[Johnny] It's fine.

There's nothing in there.

[Sarah] Something's not right.

It smells fucking awful.

Look at this.

It's the passageway.

We've found it.

[Sarah] Oh my God, he's found it.

[Johnny] Come on then.

You coming?

(laughing)

How come no one's every found this before?

It's like a maze, isn't it?

[Sarah] A fucking labyrinth.

Yep.

(squeaking)

Are you coming or what?

Seriously are you coming?

[Sarah] I don't know about this, Johnny.

You're pissing me off now.

You really are.

Seriously if you're not gonna
come, just fucking go home.

[Sarah] No, I'm really not sure.

[Johnny] Just go.

You're slowing me down.

What is it?

It's just a fucking box.

Just a piece of wood.

This is it.

How do you know?

(yelling)

(dramatic music)

I think we found it.

This is it.

This is the place.

[Sarah] I hope these fucking
things don't come to life.

(dramatic music)

[Johnny] Come on, there's
much more to see here,

Let's go.

They seem so real.

Wait for me.

(dramatic music)

(crying)

Hugo!

Hugo!

(dramatic music)

Hugo!

(dramatic music)

Hugo!

(dramatic music)

Hugo!

(creepy music)

(sniffling)

(ominous music)

(strange scratching)

(cracking)

(odd rattling)

(dramatic music)

Welcome home.

My little Norman.

How you have grown.

Now finally I can complete my spell

and send us all back, so we
can take this evil with us.

Who are you?

[Norman's Mother] You don't remember?

I have dreams.

I knew you'd come.

When we got Hugo back, all of us starting

coming alive again.

But, we just needed you, and here you are

to save us all.

Who are you?

I'm your mother.

(creaking)

I really don't like it.

We've come this far.

Don't give up now.

I really think we should turn back.

No.

I'm going on.

This isn't right, Johnny.

There's something here.

It's weird.

And, it's pissed off at us.

I'm not giving up now.

If you want to, you go back.

But, I'm going this direction.

This is all over a fucking doll!

This isn't just about the doll.

This is about a mystery
that's been hidden down here

for decades, and I'm
this close to figuring out

what it is.

Nothing is gonna stop me.

Johnny!

(crying)

(ominous music)

Come on Sarah, you can do this.

Get your shit together.

There's nothing to worry about.

[Hugo] Oh yes there is.

(Hugo muttering)

(groaning)

(laughing)

[Female Doll] Do I make the cut?

(crying)

(creepy music)

This is gonna sting a little.

[Hugo] Get her!

(crying)

(creepy music)

(screaming)

(fleshy thudding)

(creaking)

I tried to save you.

It was you in my dreams.

Something happened to Eleanor.

It changed her.

She was the one who read from the book.

She was the one who summoned Hugo here.

(grunting)

And, then it took me.

You're changing.

You're changing into one of them.

(ominous music)

(humming)

[Norman's Mother] How you progressing?

Stage three, there are
definite abnormalities.

We could go to stage two,
but no further than that.

Okay look at this.

Rise from the deepest,
darkest caverns of damnation

through me become this vessel.

Become this vessel.

Make glorious your
vessels upon this household

and shake a fear for these halls.

Come now and be as one.

(thunder crashing)

[Norman's Mother] Eleanor,
what are you doing?

Rise from the depth, and you believe in me.

Please be one.

Oh mother.

No, no.

It's already done.

(rattling)

You have doomed us for
an eternity of damnation,

an eternity of hell.

No mother.

I'm already been living in hell.

Don't you understand, mom?

He came to me, and he spoke to me.

(laughing)

He's not yet complete.

(laughing)

Oh Norman.

(laughing)

Now we have a chance to save everyone

and put Hugo back where he came from.

How?

You must say these words from the book,

say these words, fire and inferno.

(fleshy sucking)

(laughing)

Hello mama, Mommy's all done now.

(tense music)

(dramatic music)

This is it.

(ominous music)

Norman?

Norman?

(banging)

What is this place, Norman?

What is the secret?

(banging)

What are you?

What is the secret?

[Dolls] Secrets?

Yes, I need to know.

I've been searching for you my whole life.

Is it immortality?

[Dolls] Immortality.

I need to know the secret.

It's not a secret, Johnny.

It's a curse.

(laughing)

[Hugo] Curse it is.

[Johnny] Tell me.

Tell me everything.

[Hugo] Eleanor my darling,

do you think he's ready to know everything?

I don't think his tiny
little brain could take it.

Oh Hugo, I think he knows way too much.

I think it's time we say bye-bye Johnny.

(laughing)

[Hugo] No, only Norman could do that,

and he's a blabbering pile of mush.

(laughing)

[Hugo] Meet mother by the way.

[Johnny] Oh fuck, I don't understand.

The stories I've been told are different.

Oh please tell, Johnny,
we're all listening.

You and your family were working

on a top secret government experiment,

but this was no ordinary experiment.

There were no men in
white coats, no test tubes.

This was witchcraft.

The government wanted you to create

a super human hybrid.

You used mannequins as test subjects.

[Hugo] Witchcraft?

This all sounds a little fantastical to me.

But, do go on, old boy,
as I find you most amusing.

But, something went wrong,
something unexpected,

something evil.

Oh Johnny, we've been
rotting here for decades

slowly away with the rest of the walls.

Boo.

(laughing)

[Johnny] What really happened?

Well Hugo happened.

I hated living in this shit hole.

I was told that it was top secret,

and we were never allowed out or to have

any communication with the outside world.

Do you know what that's
like for a teenager?

I just wanted them to die,
just something to happen,

so I could go out an play.

(laughing)

But, then he came.

Well the voice in my head.

He just told me what to do
and how to read mother's book,

and well he'd come and save me.

(laughing)

Demon?

(laughing)

Well Johnny you see, my mother was meddling

with witchcraft so powerful,
and it worked very well.

So I just tapped into it,
and well Hugo was the result.

(laughing)

But, then Norman got away with Hugo

before I can even finish and complete it.

And, it was only half done.

Thank you for bringing
him back to me Johnny.

I can finally finish what I completed now.

(laughing)

And, what are you gonna do?

Oh Johnny, you don't
think Hugo's the only demon

I can summon.

(laughing)

[Hugo] That's right, my dear.

I have a very big family.

And, they all want to come and play.

(laughing)

(tense music)

Norman, come on get up.

Get up and do something.

[Hugo] That's right, Norman.

Always the weak link.

Just look at you, you
fucking useless tub of meat.

You fool.

I'm laughing at your superior intellect.

By Jove, I never knew he had it in him.

I never knew my mother untill just now.

You took her from me, but she told me

these three words.

Fire and inferno.

[Hugo] Oh shit.

(tense music)

(coughing)

(tense music)

Let's get out of here.

(tense music)

(grunting)

(tense music)

(sad music)

(coughing)

(dramatic music)

(coughing)

(dramatic music)

We're all right.

We're safe.

You're okay now.

(dramatic music)

Yeah, I am.

(dramatic music)

(ominous music)

(dripping)

(ominous music)

(dramatic orchestral music)

Subtitles by explosiveskull