Original subtitles

[ SUSPENSEFUL MUSIC PLAYS ]

[ BIG-BAND MUSIC PLAYS ]

[ BIRDS CHIRPING ]

[ DOG BARKING ]

[ LIGHT BUZZING ]

[ MUSIC CONTINUES ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ FOOTSTEPS APPROACHING ]

[ GLASS SHATTERS ]

[ WOMAN SCREAMS ]

[ MUSIC CONTINUES ]

[ GUN FIRES ]

[ GUN FIRING, MAN MOANING ]

>> [ PANTING ]

[ MUSIC CONTINUES ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ CRYING ]

[ MAN GROWLING ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ MUSIC CONTINUES ]

[ UP-TEMPO ROCK MUSIC PLAYS ]

>> ♪ I WAS LO-O-ST ♪

>> [ SNORING ]

>> ♪ BETWEEN THE MOON

AND THE SEA ♪

♪ I WAS TOSSED ♪

[ BOOK SLAMS ]

>> AS I HAVE SAID MANY TIMES

THIS SEMESTER, THIS CLASS

TEACHES NONFICTION CINEMA,

LADIES AND GENTLEMEN.

IF YOU WANT TO MAKE A FILM ABOUT

THE LATEST CELEBRITY, BROADCAST

JOURNALISM IS DOWN THE HALL.

TV "JOURNALISM" IS FLUFF, MIND

MEAT LOAF FOR FAT WOMEN.

>> [ LAUGHS ]

>> NONFICTION CINEMA SHOULD MAKE

THE VIEWER A PARTICIPANT, AN

ACCOMPLICE, A VOYEUR.

KEEP IN MIND WHILE YOU'RE OUT

THERE, CINEMATIC FORM AND ETHICS

ALWAYS COME FIRST.

AND BE AWARE THAT YOU ARE

DOCUMENTING REALITY WITH YOUR

CAMERA.

BUT THAT CAMERA DOES NOT CREATE

SOME MAGICAL, PROTECTIVE BUBBLE

AROUND YOU.

LIFE CAN ALWAYS REACH OUT AND

TOUCH YOU, WHICH BRINGS ME TO MY

LAST POINT OF THE DAY -- YOUR

FINAL PROJECT OF THE SEMESTER,

A 30-MINUTE NONFICTION FILM.

A STATEMENT OF INTENT, CITING AT

LEAST THREE REAL REFERENCES --

NOT FROM THE WEB, BUT FROM THE

LIBRARY -- WILL BE DUE IN MY

OFFICE BY THE CLOSE OF BUSINESS

TONIGHT.

FOR THOSE OF YOU NOT FAMILIAR

WITH THE LIBRARY, IT'S THE BIG,

WHITE BUILDING IN THE MIDDLE OF

CAMPUS.

YOU CAN'T MISS IT.

IF YOU HAVE ANY PROBLEMS, YOU

CAN ALWAYS REFER BACK TO YOUR

COURSE NOTES OR YOUR SHOOTING

GUIDE.

CHOOSE WISELY, SHOOT SAFELY, AND

BRING BACK SOME GOOD STUFF!

[ SUSPENSEFUL MUSIC PLAYS ]

[ CELLPHONE RINGING ]

>> HELLO?

>> ANGEL? HEY.

WHAT WAS THE --

>> What?

>> [ CHUCKLES ]

WHERE ARE YOU?

>> ON MY WAY TO THE DAMN TRAIN.

NO, THE PARTY GOT BUSTED.

JUST COPS AND DRUNK FRESHMEN

RUNNING AROUND EVERYWHERE.

>> HEY, NO, WHAT WAS THE NAME OF

THAT, UM, THE HOSPITAL, THE ONE

YOU'RE ALWAYS TALKING ABOUT?

>> THE COPPER QUEEN COMMUNITY?

>> COPPER -- HOLD ON.

COPPER QUEEN.

>> TELL ME YOU DIDN'T CALL ME ON

A FRIDAY NIGHT JUST FOR THAT.

>> [ CHUCKLES ]

ARE YOU GONNA HIT FOURTH AVENUE

TONIGHT?

>> NO, I'VE HAD ENOUGH

EXCITEMENT FOR ONE NIGHT.

SO, IS THIS FOR

"MR. McNUTT-BUSTER'S" CLASS?

>> UH, YEAH, FINAL PROJECT.

>> YOU LIVE WITH ME FOR TWO

YEARS, AND YOU FINALLY TAKE MY

ADVICE.

>> I'M THINKING ABOUT IT.

>> EAT ME.

You know what?

LET ME GET OUT OF HERE SO I

DON'T BECOME A STATISTIC.

SEE YOU AT HOME.

>> ALL RIGHT, BYE.

ACCORDING TO WEBSTER'S, A GHOST

IS DEFINED AS A DISEMBODIED

SOUL...

ESPECIALLY THE SOUL OF A

DECEASED PERSON BELIEVED TO BE

AN INHABITANT OF THE UNSEEN

WORLD, OR TO APPEAR TO THE

LIVING IN BODILY LIKENESS,

OFTEN AS A RESULT OF SOME

TRAGEDY OR TRAUMA.

DO THEY EXIST?

ULTIMATELY, AS A DOCUMENTARIAN,

MY GOAL IS TO PRESENT THE

INFORMATION...

AND POSSIBLY...

SHED LIGHT ON THE TRUTH.

[ TRAIN WHISTLE BLOWS

IN DISTANCE ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ CELLPHONE RINGING ]

[ MUTTERS ]

I DON'T WANT TO TALK TO YOU.

>> COME ON, BABY.

WHY DON'T YOU WANT TO TALK TO

ME?

>> BECAUSE I'M DONE, BRAD.

>> NO, NO.

YOU'RE JUST SAYING THAT.

WHAT AM I SUPPOSED TO --

>> NO, YOU CAN DO WHATEVER THE

HELL YOU WANT --

>> OH, COME ON, BABY.

I'M HURTING OVER HERE!

>> WELL, YOU CAN GO CRY ON THAT

WHORE'S SHOULDER, FOR ALL I --

>> I TOLD YOU ALREADY.

SHE MEANT NOTHING.

I WAS WASTED.

>> OH, YOU WERE DRUNK?

OH, SO, I'M IN THE WRONG FOR

BEING MAD?

>> WELL, YEAH.

>> YOU KNOW WHAT?

FUCK YOU!

STOP CALLING ME!

>> HEY!

DON'T FUCKING HANG UP ON ME.

>> SON OF A...

ANGEL?

>> I'M IN HERE.

>> [ CHUCKLES ]

>> CAPTAIN JACKASS IS BEING A

LITTLE POSSESSIVE, DON'T YOU

THINK?

>> FUCKING NIGHTMARE, NOT THAT

YOUR CURRENT BOYFRIEND WOULD WIN

ANY PRIZES.

>> DANIEL IS HARMLESS.

BUT I'M SERIOUS, MAYA.

IF HE PUTS ONE MORE BRUISE ON

YOU, I'LL CLAMP HIS FUCKING SAC.

>> BRUISE WASN'T EVEN THE HALF

OF IT.

IT'S JUST...

YEAH, IT DOESN'T MATTER.

I TOLD HIM OFF EARLIER.

IT'S OVER.

[ CELLPHONE RINGS ]

>> [ SIGHS ]

LOOKS LIKE HE GOT THE MESSAGE.

>> HOLD ON.

>> A GOVERNMENT BILL TO CRACK

DOWN ON LABORATORY...

>> YOU SHOULD PROBABLY GET A

RESTRAINING ORDER ON HIS ASS.

>> HA.

>> RICH, LITTLE COCKSUCKERS LIKE

THAT USUALLY HAVE TROUBLE WITH

THE WORD "NO."

>> HOW DO I ALWAYS END UP WITH

THESE GUYS?

IT'S LIKE A FUCKING PARADE --

ONE PSYCHOTIC TOOL AFTER

ANOTHER.

IS IT JUST ME?

>> NO!

YOU JUST HAVE SHIT LUCK.

THAT'S ALL.

>> ...DOLLAR DRUG...

22 POUNDS OF HEROIN WAS

SEIZED...

[ CELLPHONE RINGS ]

>> GOD!

>> POLICE SAY THE RING WAS

CENTERED IN COLUMBIA WITH THE

DRUGS FINDING THEIR WAY INTO

LARGE CITY CENTERS.

[ RINGING ]

>> COME ON!

HEH.

>> SO?

>> YOU WERE RIGHT.

THIS PLACE HAS A LOT OF HISTORY.

I'M SURPRISED NO ONE'S USED IT

BEFORE.

>> I TOLD YOU.

IT'S AN UNDISCOVERED GEM.

YOU CAN BE THE FIRST.

YOU KNOW, THEY SAY THE WALLS

SWEAT BLOOD.

THEY SAY THE GHOSTLY APPARITIONS

PACE THE NARROW HALLWAYS, THAT

YOU CAN HEAR THE SOUNDS OF

TORTURED SOULS ECHOING THROUGH

THE TREES AT NIGHT.

>> YOU FREAK.

>> [ LAUGHS ]

>> HAVE YOU BEEN THERE BEFORE?

>> AH, YOU KNOW I HAVEN'T.

YOU AND DANIEL KEEP FLAKING OUT

ON ME.

>> WELL, YOU CAN QUIT BITCHING,

'CAUSE WE'RE GOING THIS WEEKEND.

>> FINALLY!

YOU COME TO YOUR SENSES AND DO

SOMETHING COOL!

NOT THAT I DON'T LIKE YOUR

NORMAL STUFF, BUT, YOU KNOW,

FINALLY SOMETHING INTERESTING,

FUN.

>> YEAH, THANKS.

THAT'S WHAT I LIKE ABOUT YOU.

YOU'RE SO SUPPORTIVE.

>> I'M HERE FOR YOU.

OH!

"GHOST CHASERS" IS ON!

[ SUSPENSEFUL MUSIC PLAYS ]

>> I WAS A PLUMBER.

THEN, ONE DAY, I WAS SNAKING A

TOILET AND SAW SOMETHING THAT

CHANGED MY LIFE.

NOW I GO AROUND THE COUNTRY,

LOOKING FOR GHOSTS.

MY NAME IS WES CARPENTER.

AND I AM THE GHOST CHASER.

IF YOU'RE HERE, GIVE ME A SIGN!

TALK TO ME, DAMN IT!

I'M RIGHT HERE!

I'M IN YOUR TERRITORY.

YOU GONNA DO SOMETHING TO ME OR

WHAT?

[ SUSPENSEFUL MUSIC PLAYS ]

>> AAH!

[ DISTORTED SCREAMING ]

[ MONITOR BEEPING ]

AAH! AAH!

AAH!

AAH! AAH!

AAH!

[ DISTORTED VOICES ]

AAH!

[ CRYING ]

[ GASPS ]

>> ...BY THIS AFTERNOON.

CLEAR SKIES TONIGHT, WITH A LOW

NEAR 70.

INCREASING CLOUDINESS TOMORROW,

STICKY AND HUMID, WITH A HIGH

OF 86.

IN SPORTS, THE BLUE JAYS AND

THE YANKEES...

[ SUSPENSEFUL MUSIC PLAYS ]

[ WATER RUNS ]

[ DISTORTED SCREAMING ]

[ CHUCKLES ]

HI.

UM, COULD -- EXCUSE ME, SIR?

>> HEY, POINDEXTER!

HER TITS AREN'T GONNA WRAP THIS

UP ANY FASTER.

I'M KIND OF IN A HURRY, OKAY?

THANK YOU.

>> SIGN THERE.

>> [ MUTTERING ]

>> HE'S COMING BACK.

>> OH, JOY.

>> CHECK TO MAKE SURE IT'S IN

THERE.

>> OKAY, GREAT.

>> YOU LADIES NEED ANY HELP

CARRYING THAT OUT OR --

>> WE'LL TAKE IT FROM HERE,

SPORT.

>> ARE WE GOOD?

>> OH, YEAH.

>> OKAY.

>> REAL GOOD.

>> GREAT. THANKS.

[ ROCK MUSIC PLAYS ]

>> [ LAUGHS ]

>> [ LAUGHS ]

YOU DOING OKAY BACK THERE?

>> [ GROANS ]

[ SNORES ]

GOT A LITTLE DRUNK LAST NIGHT.

>> WHAT?

YOU SHIT YOURSELF AGAIN?

>> NOT THIS TIME.

I WOKE UP ON THE LAWN IN FRONT

OF MY FRIEND'S APARTMENT.

>> WHAT?

DID HE AT LEAST WAKE YOU UP?

>> LUCKILY, THE SPRINKLERS ARE

ON A TIMER.

OR AT LEAST I THINK IT WAS THE

SPRINKLERS.

IT COULD HAVE BEEN CAT PISS FOR

ALL I KNOW.

>> MAYBE THAT'S WHAT I SMELL.

>> THAT'S JUST MY MAN SMELL.

DON'T LIE, GIRL.

YOU KNOW YOU LOVE IT.

>> SO, A REAL MAN SMELLS LIKE

DEAD YETI.

GOOD TO KNOW.

[ ALL LAUGH ]

>> WOW, MAYA.

THANKS AGAIN FOR BRINGING ME

ALONG FOR THIS.

I'M SUCH A SUCKER FOR GOOD

CONVERSATION.

[ ROCK MUSIC PLAYS ]

>> WHAA!

>> CHEETOS.

>> [ LAUGHS ]

[ ENGINE TURNS OVER ]

[ TRAIN WHISTLE BLOWS ]

>> THANK GOD.

>> I'M GOOD.

>> YOU BETTER BE, PEANUT

BLADDER.

LET'S GET OUT OF HERE.

>> I'M SORRY.

>> [ LAUGHS ]

>> YOU BETTER BE.

LET'S GET GOING.

>> I'M ALMOST DONE!

I'M GOOD!

>> AND THE QUEEN VICTORIA STILL

REMAINS.

YOU HAVE TO PEE?

>> FUNNY.

>> COME ON.

[ LAUGHTER ]

>> RIDICULOUS.

ARE YOU DONE?

>> [ SIGHS ]

REALLY?

>> NICE.

>> OH, GOD!

>> LUCAS, WHAT THE FUCK?

>> HEY!

YOU GUYS WANT TO HEAR ABOUT MY

LAST INTERNSHIP?

>> YOU GET A MOVIE?

>> NOT EXACTLY.

MORE LIKE HARDCORE PORN.

>> THAT'S HOT.

>> YOU KNOW YOU FIT RIGHT IN

THERE.

DON'T GIVE ME THAT.

>> IT'S EVERYTHING YOU'RE

THINKING.

JUST GROSS!

BY THE END OF THE DAY, I FELT

LIKE I HAD SUCTION CUPS ON THE

BOTTOM OF MY SHOES.

I KEPT STICKING TO THE FLOOR AND

SHIT.

WE HAD A QUICK BREAK WHILE THEY

WOULD LIGHT THE NEXT SET.

SO, I'D GO OVER TO CRAFT

SERVICE, WHICH CONSISTS OF A

COUPLE CEREAL BARS AND A BIG

PUNCH BOWL FULL OF M&Ms.

AS I GO TO GRAB SOMETHING, ONE

OF THE "ACTORS" WALKS UP AND

WITHOUT ANYTHING GOING STARTS TO

FUCK HIMSELF RIGHT IN FRONT OF

ME.

[ LAUGHTER ]

AND THEN THE FUCKER HAS THE

NERVE TO ASK ME ABOUT THE

WEATHER, LIKE I'M

GEORGE MICHAEL, AND WE'RE IN A

PUBLIC RESTROOM.

SO, HE'S TRYING TO HOLD A...

AND WITHOUT MISSING A BEAT, HE

TAKES HIS DICK HAND AND STICKS

IT RIGHT IN THE BOWL, TAKING A

BIG HANDFUL OF M&Ms.

[ LAUGHTER ]

AND THEN HE GOES ABOUT HIS

BUSINESS LIKE HE DOES IT ALL THE

TIME.

THE FUCKER HAD A FREE HAND AND

STILL CHOSE TO DIG IN THERE WITH

HIS GOOEY HAND.

>> FUCKING DICK.

>> IT WAS JUST SICK.

I FELT LIKE I NEEDED A SHOWER

AFTER THAT.

>> [ LAUGHS ]

>> IS THIS IT?

NOT MUCH GOING ON HERE, IS

THERE?

>> WELL, AFTER THE COPPER RAN

OUT, THE TOWN POPULATION WENT

FROM, LIKE, 7,000 TO 50

PRACTICALLY OVERNIGHT.

>> IT SAYS IN THE EARLY 1890s, A

COUPLE CONCEIVED THEIR FIRST

CHILD IN THE BOTTOM OF THE PIT.

>> THAT'S EXACTLY WHAT IT SAYS.

>> AND THEY STILL LIVE DOWN

THERE TODAY.

>> IN A MASS ORGY, RIGHT WHERE

YOU SEE THAT BIG SPOT.

>> DUDE, LOOK AT IT.

>> SERIOUS.

IT'S THE PERFECT PLACE FOR A

GREAT ORGY.

>> POSING FOR PICTURES -- HERE

WE GO.

[ CAMERA SHUTTER CLICKS ]

ALL RIGHT.

>> WELCOME, FOLKS.

>> HI, SIR.

I'M MAYA, AND WE'RE FROM THE

UNIVERSITY UP HERE DOING A

DOCUMENTARY FOR A CLASS ON THE

OLD HOSPITAL.

>> OH, AIN'T NOTHING WORTH

DOCUMENTING UP THERE, GIRL.

>> EVEN WITH ALL OF THE GHOSTS?

>> GHOSTS?

IS THAT RIGHT?

>> [ CHUCKLES ]

UH, YEAH.

ARE YOU FAMILIAR WITH THE

COPPER QUEEN?

>> YEAH.

IT'S BEEN UP THERE MY WHOLE

LIFE.

>> ONE OF THE UNFORTUNATE 50, I

GUESS.

>> SOMETHING FUNNY?

>> OH, NO. SORRY.

DO YOU KNOW HOW TO GET THERE?

>> YOU'D HAVE TO BE BLIND TO

MISS IT.

SOMETIME AROUND 1910, I THINK

DURING THE TAFT PRESIDENCY, THE

HOSPITAL WAS OPEN TO ACCOMMODATE

THE INFLUX OF MINERS AND THEIR

FAMILIES GOING TO WORK ON THE

MULE.

>> I'M SORRY -- THE MULE?

>> MULE MOUNTAINS.

AT ITS PEAK, OUR POPULATION ROSE

TO OH, ABOUT 9,000.

BUT BY THE 1950s, BOOM TIMES

WERE OVER.

PEOPLE BEGAN TO LEAVE TOWN.

AT THE TIME, THE HOSPITAL BECAME

A SPECIAL-CARE FACILITY AND

CHILDREN'S HOSPITAL.

AT LEAST, THAT'S WHAT THEY TOLD

US.

WASN'T UNTIL THE '70s, AFTER THE

PLACE WAS SHUT DOWN, THAT WE

STARTED TO HEAR ABOUT THE THINGS

THEY ACTUALLY DID THERE.

>> MISS, DO YOU BELIEVE THAT THE

HOSPITAL IS HAUNTED?

>> UM, WELL, I DON'T KNOW FOR

CERTAIN.

I'VE HEARD LOTS OF STORIES, BUT

I PERSONALLY HAVEN'T SEEN

ANYTHING.

>> DO YOU BELIEVE IN GHOSTS?

>> WELL, LIKE I SAID, I HAVEN'T

SEEN ANYTHING MYSELF, BUT MY

BEST FRIEND AT THE TIME, SONNY?

SHE COME OVER TO MY HOUSE,

TERRIFIED ONE ONE NIGHT BY WHAT

SHE HAD SEEN.

IT WAS LIKE SHE WAS HOPPED UP ON

SOMETHING, YOU KNOW?

ALL MANIC.

AS LONG AS I'D KNOWN HER, I

NEVER SEEN HER LIKE THAT.

SO, THERE'S GOT TO BE SOMETHING

TO IT.

SONNY WOULDN'T LIE TO ME.

>> WHAT WERE THEY DOING?

>> THEY WERE TORTURING THOSE

POOR KIDS WITH THAT

ELECTRIC-SHOCK THERAPY.

AND THEY'D BEEN DOING IT FOR

YEARS.

MOST OF THE PATIENTS WERE WARDS

OF THE STATE LABELED WITH SOME

SOCIAL-BEHAVIORAL DISORDER OR

DIAGNOSED WITH SOME MENTAL

ILLNESS.

SO, THEY WERE EASY PREY.

ALL THIS CAME OUT AFTER THAT

FUCKING DOCTOR WAS FOUND.

THE SCANDAL, MIXED WITH THE

CLOSURE OF THE MINE, ALMOST SHUT

THIS TOWN DOWN.

NOW WE'RE JUST A BOOMTOWN

WASTELAND.

>> SHE SAID SHE SAW A SHADOWY

MAN WHO SEEMED TO FLOAT THROUGH

THE WOODS -- AND SHE WAS

PETRIFIED TELLING ME THIS! --

DRAGGING A DEAD BODY BEHIND HIM.

>> NO, IT'S ALL BULLSHIT, LADY.

>> EVEN WITH ALL THE STORIES?

>> ESPECIALLY WITH ALL THE

STORIES!

ARE YOU KIDDING ME?

MY AUNT -- I MEAN, BACK IN '93?

MAN, SHE SAID SHE SAW ELVIS AT

THE PIGGLY WIGGLY.

MAN, I WAS AT THE STOP-N-GO ONE

TIME, AND I SAW SOMEBODY.

IT WASN'T WHO I THOUGHT IT WAS,

BUT I SAW HIM.

BUT IT TURNED OUT TO BE A

MARMOT.

BUT PEOPLE SEE WHAT THEY WANT TO

SEE, LADY.

IT'S JUST, YOU KNOW -- DON'T

LISTEN TO NOBODY.

IT'S ALL BULLSHIT, REALLY.

[ HORN HONKS ]

>> EXCUSE ME, SIR?

COULD YOU TELL US ABOUT THE OLD

HOSPITAL?

>> WHAT BUSINESS IS IT OF YOURS?

>> OH, I'M SORRY.

I'M MAKING A DOCUMENT--

>> LEAVE IT ALONE.

THAT PLACE CAUSED THIS TOWN MORE

TROUBLE.

YOU CITY RATS -- YOU DON'T KNOW

A DAMN THING ABOUT IT.

>> UM...THANK YOU!

ALL RIGHT.

ON TO THE NEXT CROTCHETY, OLD

BASTARD.

HAVE YOU BEEN OUT THERE SINCE

SHE TOOK YOU?

>> COME CLOSE A COUPLE OF TIMES,

BUT ONLY IN BROAD DAYLIGHT AND

WITH A SHITLOAD OF PEOPLE.

NOWADAYS, I DON'T HAVE MUCH

REASON TO GO OUT THAT FAR

OUTSIDE OF TOWN, NOT ANYMORE.

I TELL YOU WHAT.

I SURE AS HELL WON'T LET MY KIDS

GO OUT THERE.

>> EVERY NOW AND THEN, WHEN SOME

CITY KID COMES UP MISSING, I

HEAR A NEWS STORY THAT SAYS THAT

THEY MUST HAVE BEEN SWALLOWED UP

BY SOME GHOSTS.

[ CHUCKLES ]

I'VE HEARD A MILLION STORIES.

SOMEBODY HEARD SOMETHING,

SOMEBODY SAW SOMETHING -- THINGS

LIKE THAT.

BUT ONLY STORIES.

YOU GOT TO STOP WASTING TIME

WITH ME.

YOU SHOULD BE TALKING TO

MRS. CAMPBELL.

SHE KNOWS IT ALL.

HELL, SHE'S SEEN IT ALL.

USED TO BE A NURSE UP THERE.

>> THAT WOULD BE GREAT.

>> I'LL TELL HER YOU'RE COMING.

[ CHUCKLES ]

YEAH, YOU HAVE ANYTHING TO ASK

ABOUT THAT, YOU KIDS, YOU ASK

MRS. CAMPBELL.

SHE KNOWS THE TRUTH.

[ SUSPENSEFUL MUSIC PLAYS ]

>> NUMBER 25.

WELL, I GUESS THIS IS IT.

>> DUDE, I GET A BAD VIBRATION

FROM THIS PLACE.

>> WELL, IT'S A LITTLE FUCKED

UP, BUT IT'S NOT EXACTLY

"TEXAS CHAINSAW MASSACRE,"

EITHER.

>> YEAH, BUT, I MEAN, EVER SINCE

WE'VE COME TO THIS GODDAMN

DESERT, I JUST FEEL LIKE WE'RE

GONNA GET SHOT, OR WE'RE GONNA

GET RABIES OR SOME RIDICULOUS

BULLSHIT LIKE THAT.

COMING TO A PLACE LIKE THAT,

IT'S LIKE WE'RE JUST ASKING FOR

IT.

>> WELL, THEN, STAY IN THE CAR.

WE DON'T NEED YOU, ANYWAY.

>> THANKS.

>> ACTUALLY, I'M JUST GONNA GO

IN AND ASK HER IF WE CAN COME

IN.

I'LL BE RIGHT BACK.

[ BIRDS CHIRPING ]

[ CHICKEN CLUCKS ]

>> HELLO.

>> HI, MA'AM.

WE'RE DOING THE DOCUMENTARY ON

THE OLD HOSPITAL.

>> OH, YES.

HARLAN'S FRIENDS.

>> YEAH.

>> PLEASE, COME INSIDE.

>> OKAY.

UM...

DO YOU WANT TO JUST TELL US

EVERYTHING YOU REMEMBER FROM

THAT TIME?

WAS THE HOSPITAL REALLY HAUNTED,

OR...

>> I HAD JUST TURNED 15 WHEN MY

FATHER MOVED THE FAMILY HERE TO

WORK ON THE MINE, IN DECEMBER OF

1940.

AFTER THE JAPANESE BOMBED

PEARL HARBOR IN '41, I STAYED ON

AT THE HOSPITAL, EVENTUALLY

BECOMING A NURSE.

FOR THOSE FIRST TWO YEARS, WE

WERE SIMPLY A HOSPITAL CONCERNED

WITH PATIENT CARE.

BY 1950, BOOM TIMES WERE

DEFINITELY OVER.

THAT'S WHEN THIS UNKNOWN DOCTOR

TOOK OVER AT THE HOSPITAL.

UNDER HIM, I WATCHED THE FOCUS

OF THE HOSPITAL CHANGE.

HE HAD AN UNBEARABLE BITCH OF A

WIFE.

EXCUSE MY LANGUAGE, BUT SHE WAS

JUST AS RESPONSIBLE FOR WHAT

HAPPENED HERE AS HE WAS, MAYBE

MORE.

THEY WEREN'T INTERESTED IN

CURING ANYONE.

IN ORDER FOR THE HOSPITAL TO

KEEP GETTING GOVERNMENT FUNDING,

THEY HAD TO MAINTAIN A CERTAIN

NUMBER OF PATIENTS ON THE BOOKS.

THAT'S WHEN THE FIRST

DISAPPEARANCES WERE REPORTED.

>> OH, UM, I DIDN'T GET A LOT OF

INFORMATION.

I FOUND A FEW NEWSPAPER

CLIPPINGS.

>> I KNOW WHAT THE NEWSPAPER

SAID.

I ALSO KNOW WHAT I SAW.

PATIENTS WOULD COME IN AND OUT

OF THE TUNNELS -- NO PAPERWORK,

NO HISTORY.

IT WENT ON LIKE THAT FOR YEARS.

THAT'S WHEN...HE SHOWED UP.

>> WHO, MRS. CAMPBELL?

>> HIS NAME WAS ISAAC.

HE WAS A TYPICAL, LITTLE BOY,

BUT THERE WAS JUST SOMETHING

ABOUT HIM THAT DIDN'T FIT.

HE WASN'T SUPPOSED TO BE THERE.

I MEAN, HONESTLY, NONE OF THOSE

POOR CHILDREN SHOULD HAVE BEEN

THERE.

ACUTE SCHIZOPHRENIA AND

DEPRESSION, THE DOCTOR SAID.

BUT NONE OF THE SYMPTOMS ON HIS

CHART MATCHED UP.

IT JUST SEEMED LIKE HE WAS

ABANDONED THERE.

SO, I TOOK IT UPON MYSELF TO

LOOK AFTER HIM.

HE WAS BEGINNING TO MAKE

PROGRESS, UNTIL DR. HOSTEDLER

HAD HIM SENT DOWNSTAIRS TO

"THERAPY."

THAT'S WHAT THEY CALLED IT --

THERAPY.

AND I ASKED WHERE HE WAS TAKEN.

THEY SIMPLY SAID THAT HE WAS

TRANSFERRED DOWNSTAIRS AND THAT

ISAAC WAS NO LONGER MY CONCERN.

AFTER THAT, I NEVER SAW THE BOY

AGAIN.

LATER THAT FALL, RUMORS BEGAN TO

CIRCULATE AROUND THE NURSING

STAFF ABOUT THE BOY'S TRUE

IDENTITY.

ROSIE SHAW, A CLOSE FRIEND OF

MINE AT THE TIME, HEARD THE

DOCTOR AND HIS WIFE ARGUING IN

HIS OFFICE...

>> THAT ILLEGITIMATE BASTARD

NEEDS TO DISAPPEAR.

DO YOU HEAR ME?

HE COULD JEOPARDIZE EVERYTHING

WE'VE WORKED FOR!

I TOOK CARE OF THE MOTHER WHEN

SHE SHOWED UP AT OUR FUCKING

DOORSTEP!

YOU NEED TO HANDLE THIS

SITUATION ONE WAY OR THE OTHER.

JUST HANDLE IT...NOW!

>> IT'S MY SON.

>> THAT WEEK I COULDN'T GET IT

OUT OF MY HEAD.

SO, I SNUCK INTO THE RESTRICTED

LOWER LEVEL TO CHECK UP ON HIM.

WHAT I SAW THERE MADE ME SICK TO

MY STOMACH.

BEFORE I COULD GO ANY FURTHER,

I WAS CAUGHT AND PROMPTLY ASKED

TO LEAVE.

LATER, I HEARD FROM ROSIE THAT

ISAAC HAD DIED.

>> DID THE DOCTOR EVER ADMIT

THAT ISAAC WAS HIS SON?

>> NO, HE NEVER DID.

WHEN THE DOCTOR WAS FOUND DEAD,

THERE WAS NO QUESTION WHO HAD

DONE IT, NOT IN MY MIND, AT

LEAST.

>> I'M SORRY, MRS. CAMPBELL.

EVERYTHING I HAVE READ SAID IT

WAS A MURDER-SUICIDE.

>> FORGIVE ME.

BUT I WAS THERE.

I KNOW THE TRUTH.

>> UM...WHAT IS THE TRUTH,

MRS. CAMPBELL?

>> THAT THE BOY KILLED THEM ALL.

AND I CAN'T SAY THEY DIDN'T

DESERVE IT.

THAT NIGHT, I SAW THE BOY AS A

MAN.

I HATE TO THINK OF IT.

BUT HE MUST HAVE GOTTEN OUT AND

BEEN LIVING IN THAT HOSPITAL THE

WHOLE TIME.

THE SHERIFF KNEW MY HISTORY WITH

ISAAC.

WE TRACKED HIM IN THE

HOSTEDLERS' HOUSE, ALL THE WAY

TO THE HOSPITAL GROUNDS.

WHEN WE CAUGHT UP TO HIM, HE WAS

DRAGGING THE BODY OF THAT DAMN

NURSE.

THEY DUMPED HIS BODY IN A

SHALLOW GRAVE.

YOU ASKED ABOUT THE GHOSTS UP

THERE.

I SAW HIM DIE.

I SAW THE ANGUISH IN HIS EYES,

AND I BELIEVE THAT TORMENTED BOY

IS THE GHOST YOU'RE AFTER.

ISAAC DIDN'T DESERVE WHAT

HAPPENED TO HIM.

THAT BOY WASN'T BORN EVIL.

HE WAS MADE THAT WAY.

I THINK I'M DONE NOW, DEAR.

>> THANK YOU SO MUCH.

HAVE A GREAT DAY.

OH, MY GOD.

HOLY SHIT.

I CAN'T BELIEVE WE JUST GOT

THAT.

>> YEAH, PRETTY FUCKING CREEPY.

>> SHE WAS AMAZING.

NOW WE JUST HAVE TO COVER THE

HOSPITAL.

>> DUDE, I'M NOT EVEN SURE I

WANT TO GO ANYMORE.

>> OH, COME ON!

WE'RE SO CLOSE.

AND ALL WE NEED IS SOME BUREAU

FOOTAGE AND A LITTLE AUDIO, SOME

"GHOST CHASERS"-TYPE STUFF, AND

I'LL HAVE YOU HOME IN TIME FOR

"SOUTH PARK."

>> ALL RIGHT, IF YOU SAY SO.

[ DANIEL, ANGEL MOANING ]

>> AW, IT'S LIKE ON

ANIMAL PLANET, YOU KNOW, WHEN,

LIKE THE AWKWARD WATER BUFFALO

MOUNTS THE GRACEFUL GAZELLE.

>> IT'S JUST 'CAUSE IT'S YOUR

FIRST TIME SEEING IT.

I MEAN, YOU GET USED TO IT,

REALLY.

ALL YOU NEED IS A BLINDFOLD,

EARPLUGS, LYSOL, AND A BUCKET

OF PURELL.

HEY, COOL IT.

WE HAVE TO GET ON THE ROAD.

>> SHIT, DUDE, CAN YOU JUST WAIT

FOR, LIKE, 20 MINUTES?

>> AND I WOULD REALLY PREFER IT

IF YOU WOULD PAY TO GET THE CAR

WASHED.

>> THAT'S THE LEAST Y'ALL DIRTY

MOTHERFUCKERS CAN DO.

>> UGH!

DUDE, YOU GUYS, MOVE OVER.

OH, THAT'S DISGUSTING.

DUDE, IT REEKS IN HERE!

[ SUSPENSEFUL MUSIC PLAYS ]

>> I TOLD YOU GUYS TO ONLY BRING

WHAT YOU NEED.

COME ON.

WE HAVE TO GET UP THIS HILL.

>> HEY!

YOU AIN'T SUPPOSED TO BE FOOLING

AROUND OUT HERE.

>> WHAT'S THE PROBLEM?

YOU'RE UP HERE.

>> COME ON, SPORT.

THESE YOUNG GIRLS, THEY DON'T

WANT TO BE MESSING AROUND UP

HERE.

IT AIN'T SAFE.

>> IT'S NOT THE OLD WEST,

COWBOY.

THESE ARE BIG GIRLS.

THEY CAN TAKE CARE OF

THEMSELVES.

>> THIS IS A DANGEROUS AREA.

YOU JUST CAN'T GO WANDERING

AROUND HERE LIKE YOU KNOW WHAT

YOU'RE DOING.

THIS WHOLE AREA'S PEPPERED WITH

ABANDONED MINE SHAFTS, NOT TO

MENTION THE WILD ANIMALS.

IF YOU AIN'T FROM HERE, YOU

MIGHT NOT MAKE IT OUT OF HERE.

NOW GO BACK WHERE YOU CAME FROM

NOW.

I'M SERIOUS.

>> THANK YOU FOR YOUR CONCERN,

SIR, BUT WE'LL BE ALL RIGHT.

>> THANKS, COACH.

IT'S A GREAT TALK.

>> MM-HMM.

YOU'RE PRETTY FUCKING SMART,

AIN'T YOU?

YOU THINK YOU KNOW EVERYTHING.

YOU GOT ALL THE ANSWERS, RIGHT?

WELL, YOU'RE GONNA BE DAMN SORRY

YOU DIDN'T LISTEN TO ME, BECAUSE

THAT FUCKING EGO OF YOURS IS

GONNA GET YOUR CANDY-ASS IN

TROUBLE!

>> FUCKING SERIOUS? REALLY?

>> STOP, DUDE.

>> YOU'LL ALL BE DEAD BY

MORNING.

>> OH, YEAH?

FUCK YOU, TOO, OLD MAN!

>> STOP!

DUDE, WATCH OUT.

>> WHAT THE HELL'S THAT GUY'S

PROBLEM, ANYWAY?

THE FUCKER'S PROBABLY...

[ SUSPENSEFUL MUSIC PLAYS ]

THAT THING'S NEVER GONNA WORK.

THEY CUT THE POWER DOWN AT THE

STREET LEVEL.

>> IT'LL WORK.

>> MY FRIENDS AND I SNUCK INTO

THE MINE LAST SUMMER.

THE LIGHTS THERE WERE ON.

IT'S ALL TIED TOGETHER.

>> DAMN, GIRL!

THAT WAS LAST SUMMER.

>> WHEN THE HELL DID YOU GUYS

GET ENGINEERING DEGREES?

[ ELECTRICITY CRACKLES ]

[ WHIRRING ]

>> LET THE RECORD STATE THAT THE

PATIENT IS NONRESPONSIVE.

>> ONLY YOU.

[ SUSPENSEFUL MUSIC PLAYS ]

>> [ GROANS ]

YOU GUYS, COME IN THIS WAY!

>> THIS IS LIKE A MAZE...

SO AWESOME.

>> WHY DON'T WE JUST LEAVE OUR

STUFF IN HERE AND THEN GO TO A

ROOM BEFORE YOU CAN GET CLEAN

EVP.

>> YEAH. YEAH, SURE.

>> AND JUST, LIKE, WALK AROUND

AND JUST TAKE PICTURES OF, YOU

KNOW, LIKE, ANYTHING.

WELL, YOU'RE GOOD AT THIS.

>> YEAH, WE GOT IT.

AND THEN, WHEN LUCAS GETS HERE,

HE CAN DO THE INFRARED, AND

YOU...

WELL, YOU CAN JUST DO WHATEVER

YOU WANT TO DO.

>> [ LAUGHS ]

YOU SHOULD NEVER SAY THAT TO ME.

[ SUSPENSEFUL MUSIC PLAYS ]

[ DISTORTED MALE VOICE ]

[ DISTORTED LAUGHTER ]

>> LET THE RECORD STATE THAT

THE PATIENT IS NONRESPONSIVE.

DO YOU KNOW WHY YOU'RE HERE?

>> HELLO?

>> AGAIN, THE PATIENT IS

NONRESPONSIVE.

[ PEOPLE SCREAMING ]

[ CAMERA SHUTTER CLICKS ]

>> WHAT?

>> HI.

ARE YOU ALL RIGHT?

>> YEAH, YEAH.

I JUST GOT A LITTLE SENSITIVE,

I GUESS.

>> I'LL SAY.

IF I REMEMBER, THIS PLACE IS

AWESOME!

>> YEAH.

I DON'T KNOW.

IT'S...I JUST...

I...I KIND OF FELT HIM IN THERE.

YOU KNOW, I FELT HIM SCREAMING

FOR HELP.

[ LAUGHS ]

>> WELL, THEN, WE DEFINITELY

HAVE TO SHOOT THIS.

YOU COULD TELL HIS STORY, MAYBE

EVEN MAKE US FAMOUS.

[ LAUGHS ]

>> Yeah.

DID I EVER TELL YOU WHY I

TRANSFERRED TO U. OF A.?

>> NO.

>> UM...

I WENT A LITTLE CRAZY MY

FRESHMAN YEAR.

I WAS AT USC, AND I WAS SITTING

THERE WITH MY NEW SORORITY

SISTERS, LISTENING TO THEIR

STUPID, SELF-ABSORBED TALK, AND

I JUST...

I JUST BROKE, YOU KNOW?

I DIDN'T KNOW WHY I WAS THERE.

I DIDN'T HAVE ANYTHING IN COMMON

WITH THEM.

AND IF I HAD TO SIT THERE AND

LISTEN TO THEM TALK ABOUT THEIR

SELVES FOR ONE MORE SECOND --

LIKE, EVEN THEIR VOICES STARTED

TO SOUND LIKE YAPPING POODLES.

IT WAS...

ALL I KNEW WAS I COULDN'T SEE

THEIR FUCKING FACES OR LISTEN TO

THEM TALK ANYMORE.

THREE DAYS LATER, I WAS AT THE

THIS RANCH IN TUCSON, FIGURING

SHIT OUT.

THEY DIAGNOSED ME WITH "ACUTE

EXHAUSTION AND DEPRESSION."

AND I TRIED TO TRANSFER BACK,

BUT IT WAS TOO LATE.

I HAD ALREADY LOST MY

SCHOLARSHIP, AND I WOULD HAVE

HAD TO REGISTER AS HAVING A

MENTAL DISORDER SO THAT THEY

COULD KEEP TABS ON ME -- FOR MY

PROTECTION, OF COURSE.

SO, HERE I AM.

>> SHIT.

I'M SORRY.

[ SIGHS ]

NO WONDER THIS HITS YOU SO HARD.

SIXTY YEARS AGO, YOU COULD HAVE

BEEN HERE.

WHY DIDN'T YOU MENTION ANYTHING

BEFORE?

>> YEAH. YEAH.

"HI.

MY NAME'S MAYA, AND I JUST SPENT

TIME IN A PSYCH WARD, BUT I

REALLY NEED A ROOMMATE."

NO.

I TRUST YOU.

I JUST...I GUESS I WAS HOPING IT

WOULD NEVER COME UP.

>> WELL, HEY, I'M NOT GONNA

JUDGE YOU.

NOW COME ON.

LET'S GO CHECK THE REST OF THIS

PLACE OUT.

YEAH?

[ VIDEO CAMERA BEEPS ]

>> [ SIGHS ]

>> WHY DON'T YOU CATCH A PICTURE

OF THAT?

THAT CRAP OVER THERE.

[ LAUGHS ]

OH, GOD!

YOU KNOW, WE ACTUALLY TRAIPSED

THROUGH THAT.

WE DID THAT FOR THIS FILM.

>> ARE YOU GETTING ANY OF THIS,

OR ARE YOU JUST PLAYING AROUND

BACK THERE?

>> DOES ANY OF THIS STUFF LOOK

LIKE THE SET OF YOUR LAST

INTERNSHIP?

>> NAH. THIS IS CLEAN.

>> THIS WILL BE REALLY GOOD FOR

PICTURES.

>> YOU KNOW, THE MOST DANGEROUS

THING IN THIS PLACE IS YOUR

SENSE OF CURIOSITY.

>> OH, YOU KNOW, CURIOSITY IS

WHAT CREATES FILMS.

>> UH-HUH.

ALSO WHAT KILLS FILMMAKERS.

ARE THERE ANY MORE

SHIT-INFESTED HOLES YOU'D LIKE

TO DRAG US INTO?

>> GOD!

BATTERIES.

IT'S WEIRD.

WHY WOULD SOMEONE NEED TO CUT A

HOLE IN THE MIDDLE OF THAT?

[ CAMERA SHUTTER CLICKS ]

>> THERE WE GO.

>> CAN YOU GET CLOSE ON THAT?

>> YEAH.

>> EXCELLENT.

>> GUYS, DON'T LEAVE ME OUT

HERE!

>> WELL, THEN, WALK IN THE DOOR.

>> WALK WITH US, THEN.

GEEZ!

YOU DON'T HAVE TO DO ANYTHING.

>> OKAY.

>> THIS IS NICE, JOURNEY

TOGETHER THROUGH THE BASEMENT.

>> SHUT UP!

ALL RIGHT, IT IS KIND OF NICE,

ACTUALLY.

>> I LIKE THE FACT THAT THERE

ARE NAILS STICKING OUT OF THE

CEILING.

>> YEAH.

>> IT'S KIND OF LIKE

"HELLRAISER."

[ RATTLING ]

>> THAT'S NOT FUNNY, YOU GUYS.

>> WHAT'S GOING UP THERE?

>> HEY, IT'S PROBABLY -- IT'S

PROBABLY JUST ANGEL AND DANIEL.

>> DOESN'T SOUND LIKE THEM.

>> MY GOD, GET THIS.

>> THERE'S NOTHING IN HERE, YOU

GUYS.

[ GASPS ]

>> I KNOW YOU GUYS HEARD THAT.

COME ON!

>> I...IT WAS PROBABLY -- IT'S

PROBABLY AN ANIMAL.

IT'S ABANDONED.

[ RATTLING CONTINUES ]

>> YOU GUYS...IT SOUNDS LIKE A

KID.

>> IT'S PROBABLY AN ANIMAL.

IT'S AN ABANDONED STRUCTURE.

>> YEAH.

ABANDONED STRUCTURES AND ANIMALS

SOUND LIKE THAT ALL THE TIME.

[ SUSPENSEFUL MUSIC PLAYS ]

>> [ GASPS ]

WHAT WAS THAT?

>> I DON'T KNOW.

I SAW THE SAME THING YOU DID.

I DON'T KNOW WHAT THE HELL THAT

WAS.

BUT YOU SAW IT, RIGHT?

>> Yeah.

>> YEAH.

>> Fuck!

[ VEHICLE DOOR OPENS, CLOSES ]

FUCK THIS SHIT!

I'M GETTING THIS BITCH.

I'M GETTING HER.

[ VIDEO CAMERA BEEPS ]

>> [ SIGHS ]

>> HOW COULD ANYBODY POSSIBLY

NEED TO PISS THAT MUCH?

>> YOU ARE SO DISGUSTING!

>> NO, I'M SERIOUS.

>> I'M SERIOUS.

AAH!

WHAT THE FUCK?!

>> [ LAUGHS ]

>> WHERE HAVE YOU BEEN?

>> AT LEAST I'M GETTING SOME

GOOD STUFF.

I'M GOOD. I'M GOOD.

>> NOT EVEN FUNNY.

IT'S NOT FUNNY AT ALL, AND DON'T

DO THAT AGAIN!

>> IT'S FUCKING HILARIOUS.

WHAT ARE YOU TALKING ABOUT?

>> [ SIGHS ]

>> HEY...

[ SUSPENSEFUL MUSIC PLAYS ]

>> AAH!

>> YOU GUYS, I THINK I'M GOING

TO GO IN THE OTHER ROOM AND TAKE

SOME PICTURES.

I SAW SOME PLACES EARLIER THAT I

WOULD LIKE TO CATCH.

>> COOL.

>> GIVE ME YOUR FLASHLIGHT.

>> YEAH.

>> THANKS.

ALL RIGHT.

>> BE RIGHT BACK.

TALK TO YOU GUYS LATER!

>> [ SIGHS ]

>> SEE, I LEFT YOU A MESSAGE.

>> DID YOU?

>> MMM.

>> DO YOU HAVE ENOUGH BATTERIES?

>> BATTERY LOOKS GOOD.

>> MEKALIA'S BEEN OUT FOR A

WHILE.

>> I KNOW.

I'M WORRIED ABOUT HER.

>> THE GIRL'S PROBABLY HALFWAY

TO THE CAR BY NOW.

>> NO, SHE WOULDN'T DO THAT.

>> YES, SHE WOULD.

>> HEY, BABE.

>> HE SAID YOU'D BE SURPRISED.

I SURE AS HELL WAS.

>> IT'S GOOD TO SEE YOU, TOO.

HEY!

>> WHAT THE FUCK DID YOU DO?

>> HEY!

>> WHAT?

WHAT THE FUCK ARE YOU DOING

HERE?!

>> ME? WHAT THE FUCK ARE YOU --

>> I AM DOING --

>> WHO THE FUCK IS THIS GUY?

>> HE IS HELPING ME --

>> SHUT UP.

WE NEED TO TALK.

WHY DIDN'T YOU ANSWER ANY OF MY

CALLS?

>> UM, WELL, WHAT PART OF "I

DON'T WANT TO TALK TO YOU

ANYMORE" DO YOU NOT UNDERSTAND?

>> I SAID I WAS SORRY.

>> OH, OKAY, THEN.

WHY DON'T YOU JUST GET THE FUCK

OUT OF HERE?

>> SEE, I KNOW YOU DON'T MEAN

THAT, HONEY.

YOU JUST GOT A LITTLE UPSET.

IT'S OKAY.

I FORGIVE YOU.

>> DON'T, ALL RIGHT?

>> HEY, IT'S NONE OF YOUR

FUCKING BUSINESS, LITTLE MAN.

>> LET HER GO.

>> OH, WE MOVE ON QUICKLY, DON'T

WE?

ALREADY TRYING TO REPLACE ME.

NICE.

LOOKS LIKE I'M GONNA HAVE TO

SHOW OUR GUARD DOG A LITTLE

LESSON IN OBEDIENCE.

>> JUST FUCKING LEAVE!

SHE OBVIOUSLY DOESN'T WANT YOU

IN HER LIFE ANYMORE, AND NONE OF

US WANT YOU HERE.

GET THE HINT!

>> OKAY, FINE.

Stop. FINE.

WE'LL TALK.

>> YEAH, THATAGIRL.

>> ARE YOU SURE, MAYA?

>> YEAH.

>> YOUR LUCKY YOUR MAMA'S HERE.

COME ON!

WHY ARE YOU DOING THIS?

I SAID I WAS SORRY.

>> WHAT IS WRONG WITH YOU?

LIKE, WHY CAN'T YOU HEAR WHAT

I'M SAYING TO YOU?

>> YOU'RE STILL MY GIRL.

>> WAS!

WAS, AS IN PAST TENSE!

WHAT IS WRONG --

>> YOU DON'T TELL ME WHEN THIS

IS OVER!

>> WHAT ARE YOU EVEN DOING HERE?

HOW DID YOU EVEN KNOW WHERE I

WAS?

>> I TRACKED YOUR PHONE BY GPS.

I HAVE TO KEEP TABS ON YOU.

>> [ SCOFFS ]

YOU SON OF A BITCH.

JUST LEAVE ME THE HELL ALONE.

NO!

NO, YOU DON'T GET TO TOUCH ME

ANYMORE!

>> LISTEN.

YOU'RE STILL MY GIRL, DAMN IT.

I DON'T CARE WHAT YOU SAY.

I'M TAKING YOU BACK.

HEY!

DON'T YOU FUCKING --

>> STOP IT!

>> WANT TO LOOK LIKE A HERO?

>> STOP IT!

STOP IT!

NO! NO!

STOP!

>> OKAY.

WELL, YOU UNDERSTAND SHE'S

COMING WITH ME, REGARDLESS.

UNDERSTAND THAT, DON'T YOU?

NOW COME ON, BABY.

GET OVER HERE NOW!

[ RATTLING ]

[ KNIFE SLICES, BLOOD SQUIRTS ]

[ Crying ] N-NO.

HELP!

HELP!

HELP ME!

AAH!

>> MAYA.

>> HELP!

>> SOMEBODY, GET ME OUT OF HERE!

WHAT'S GOING ON?!

DAMN IT!

>> AAHHH!

>> NO!!

[ KNIFE PUNCTURES ]

>> AAHHH!

>> WAIT!

>> JUST RUN FASTER.

JUST RUN FUCKING FASTER!

>> DO YOU EVEN KNOW WHERE YOU'RE

GOING?

>> OUT!

ANYWHERE BUT IN THIS FUCKING

PLACE.

>> NONE OF THIS LOOKS RIGHT.

I DON'T REMEMBER ANY OF THIS.

>> WELL, EVERYTHING IN THIS

FUCKING PLACE LOOKS EXACTLY THE

SAME.

I'M JUST TRYING TO GET AWAY FROM

WHATEVER THE FUCK THAT THING

WAS!

>> THAT'S IT!

I SHOULD HAVE MY HEAD EXAMINED

BLINDLY FOLLOWING YOU.

>> ANY MINUTE, THAT THING'S

GONNA COME BACK DOWN HERE.

IT'S GONNA SKULL-FUCK ALL OF US!

AND WHAT THE FUCK WAS THAT

THING?

IT WASN'T JUST SOME HILLBILLY.

>> KEEP YOUR VOICE DOWN.

>> WHAT THE FUCK IS THE POINT?

YOU SAW WHAT THAT THING DID.

WE'RE SCREWED!

THIS PLACE IS FUCKED, MAN.

>> LISTEN!

YOU BETTER GET IT TOGETHER.

SAC UP AND KEEP YOUR VOICE DOWN,

'CAUSE IF YOU DON'T, I'LL

SKULL-FUCK YOU MYSELF.

NOW SNAP OUT OF IT!

>> ISAAC.

>> HE'S DEAD.

MRS. CAMPBELL SAYS HE'S DEAD.

>> NO, I KNOW, EXCEPT THE BOY IS

A MAN!

>> ALL RIGHT, LOOK!

LUCAS IS RIGHT.

IF WE STAY HERE, WE'RE ALL

SITTING DUCKS.

>> YOU STAY DOWN HERE WITH YOUR

CRAZY, FUCKING FRIEND.

I'M GONNA TRY IT ON MY OWN.

>> WHAT ARE YOU SAYING?

YOU DON'T GIVE A FUCK ABOUT US?

ME?

>> I'M JUST TRYING TO MAXIMIZE

MY POTENTIAL OF SURVIVAL.

AND IF I HAVE TO STAY DOWN HERE

TO SNIFF YOUR PANTIES, IT'S

JUST NOT WORTH IT.

>> OH, I SEE HOW IT IS, YOU

PIECE OF SHIT!

>> IF THAT'S WHAT I HAVE TO BE

TO SURVIVE, THEN, FINE!

WELL, FUCK YOU, YOU CUNT!

AND YOU, YOUR CRAZY-ASS FRIENDS.

STAYING DOWN HERE IS JUST NOT

WORTH IT.

GREAT IDEA, MAYA.

>> THIS ISN'T SMART!

>> LET HIM GO.

>> NO!

ANGEL!

ANGEL, NO!

NO!

>> YOU'RE DISGUSTING!

[ ALL TALKING ]

>> I DON'T CARE ABOUT HIM, BUT

SHE'S MY BEST FRIEND!

>> SHE TOLD YOU FOLLOW.

>> OKAY, OKAY.

>> FUCK!

>> GET UP, YOU FUCKING BABY!

>> WHAT THE FUCK IS THE POINT?!

THERE'S NO WAY OUT OF THIS

PLACE!

>> MAYBE YOU COULD BE CONTENT,

SITTING HERE LIKE A PIECE OF

SHIT.

BUT I'M NOT!

WE FOUND OUR WAY IN HERE.

WE CAN FIND A WAY OUT.

>> [ SIGHS ]

[ CRYING ]

>> HOW FUCKING WORTHLESS ARE

YOU?!

EVERY TIME WE GET INTO A

SITUATION, YOU FOLD LIKE A DECK

OF CARDS!

YOU'RE NOT WORTH A BUCKET OF

PETER MURPHY'S PISS.

>> YOU SHUT THE FUCK UP, ALL

RIGHT?

>> COWARD!

>> SO, WHAT ARE WE GONNA DO?

>> FIND ANOTHER WAY OUT.

>> OKAY. UM...

UH...WHERE ARE WE?

UM...THE CREMATORIUM!

THE SECRET BACK TUNNEL WHERE

THEY USED TO TAKE OUT THE BODIES

WITHOUT SCARING THE PATIENTS,

RIGHT?

WE COULD GO OUT THAT WAY, RIGHT?

>> WHEN YOU WERE RESEARCHING

THIS PLACE, DO YOU REMEMBER

WHERE THE CREMATORIUM WAS?

>> WHAT THE HELL?

[ SIGHS ]

>> OF COURSE, THEY BRICKED IN

THE FUCKING DOOR.

>> NICE OF YOU TO JOIN ME.

Yeah.

COULD YOU MAKE ANY MORE NOISE?

>> LOOK.

THEY TRIED TO BURY THIS PLACE.

YOU DON'T THINK IT'S TRYING TO

DO THE SAME TO US?

>> RIGHT. PROTECT YOURSELF!

>> WHAT THE FUCK ARE WE GONNA

DO?

>> Lucas, I overheard her and

Angel talking, and I'm not

putting my life in the hands of

a fucking crazy person!

>> OKAY.

WELL, I GUESS WE'LL JUST FIND

THE CREMATORIUM.

IF WE CAN FIND IT, WE CAN FIND

IT.

>> Okay, I'll find it.

>> Okay.

>> MAYA?

WE'RE GONNA FIND A WAY OUT OF

HERE, OKAY?

SO, JUST WAIT RIGHT HERE.

WE'LL BE RIGHT BACK.

>> IT'S LIKE ONE IN 50 DOORS ARE

UNLOCKED IN THIS PLACE.

>> I WOULDN'T TRUST IT.

THIS PLACE IS BUILT TO TRAP

PEOPLE.

AND I THINK THAT SON OF A BITCH

HAS BEEN DOWN HERE FOR A LONG

TIME.

HE KNOWS EXACTLY WHERE WE ARE.

>> [ SIGHS ]

>> HE KNOWS WE'VE ONLY GOT ONE

WAY TO GO.

>> I WONDER WHAT'S THROUGH

THERE.

>> IT'S NOTHING YOU WANT TO FIND

OUT ABOUT.

>> [ SCOFFS ]

SERIOUSLY?

>> YEAH, I CAN HANDLE THIS ONE.

[ SIGHS ]

[ SUSPENSEFUL MUSIC PLAYS ]

>> DANIEL?

DANIEL?!

DANIEL?

NO!

DANIEL!

>> [ ROARS ]

AAH!

AAH! AAH! AAH!

[ ROARING, SCREAMING CONTINUE ]

>> AAH!

AAH!

AAHHH! AAHHH!

AAHHH!

[ GASPING ]

[ ANGEL SCREAMING ]

[ KNIFE PIERCES ]

>> [ PANTING ]

[ ROARS ]

[ ANGEL SCREAMING, CRYING ]

>> [ GASPS ]

NO!

[ PANTING ]

AAH! AAH!

[ PANTING ]

AAH!

[ LIQUID DRIPPING ]

No! No!

>> [ PANTING ]

[ DOOR CREAKING ]

>> [ PANTING ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ DISTORTED VOICES IN DISTANCE ]

[ FOOTSTEPS IN DISTANCE ]

[ DISTORTED LAUGHTER IN

DISTANCE ]

[ RATTLING ]

>> UGH!

WHAT THE FUCK?

FUCK.

WE NEED TO FIND ANOTHER WAY OUT.

>> YES.

WE GOT TO FIND ANOTHER WAY.

HEY!

HERE'S A HATCH.

IT'S LIKE A LADDER.

>> GREAT.

COME ON.

LET'S GET THE FUCK OUT OF HERE.

AAH!

JESUS CHRIST!

OH, FUCK.

>> HE'S COMING!

HE'S RIGHT BEHIND US!

>> [ GROANS ]

[ PANTING ]

>> GO!

>> MY GOD! HURRY!

HE'S RIGHT BEHIND YOU!

>> [ ROARS ]

>> TAKE MY HAND! LUCAS!

LUCAS!

>> AAH! HAH!

>> NO!

>> AAH!

LUCAS!

COME ON!

>> [ ROARS ]

>> COME ON! HE'S RIGHT THERE!

AAH!

>> GET OUT OF HERE!

>> AAHHH!

NO!

>> SHIT!

AAH!

>> AAAHHHHH!

AAH! AAH! AAH! AAH!

AAH!

AAAHHHH!

LET ME GO!

[ CRYING ]

>> [ PANTING ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ MEKALIA WHIMPERING ]

[ CRYING, PANTING ]

AAH! AAH! AAH!

[ THUD ]

[ POUNDING ]

HELP ME!

HELP ME!

HELP ME!

[ BOTH YELLING ]

>> OUT!

>> [ CRYING ]

>> I WILL GET YOU.

I PROMISE, OKAY?

I WILL GET YOU.

WHERE ARE YOU?

>> [ Crying ] YOU HAVE TO FIND

ANOTHER WAY!

[ PANTING, SCREAMING ]

>> MEKALIA, JUST PUSH OUT.

WHY CAN'T YOU JUST CALM DOWN?

[ MONSTER YELLING ]

AAH!

AAH!

AAH!

AAH!

AAH! AAH! AAH!

AAH!

[ PANTING ]

AAH!

AAH! AAH! AAH!

[ MONSTER PANTING ]

>> [ GRUNTS ]

[ GROWLS ]

[ GRUNTING ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ GRUNTING ]

>> AAH!

[ PANTING ]

>> [ ROARS ]

[ ROARS ]

>> [ PANTING ]

AAH!

OH...OH, MY GOD!

WHAT ARE YOU DOING HERE?

ARE YOU OKAY?

>> ARE YOU OKAY?

>> YEAH, YEAH.

IS ANYONE WITH YOU, OR IS IT

JUST...

>> DANIEL'S DEAD.

>> IT'S OKAY.

WE'LL BE OKAY.

>> YEAH. ALL RIGHT.

>> I CAME FROM THAT WAY, AND I

DON'T KNOW WHERE -- UM, DO YOU

WANT TO TRY THIS WAY?

>> YEAH, LET'S TRY.

>> OKAY.

>> LET'S GO.

>> OKAY.

OKAY, OKAY.

HERE'S A MAP.

I READ ABOUT THIS.

THEY, THEY -- WHEN THEY BUILT

THE MINE.

IN CASE THE MINERS GOT CAVED IN,

IT'S GOT EMERGENCY EXITS, BUT I

DON'T --

>> OKAY, OKAY, OKAY, OKAY!

WELL, THERE'S THE SURFACE,

RIGHT?

SO, IF WE KEEP GOING THAT WAY,

THEN WE CAN HIT IT.

>> YEAH, OR HIT HIM.

>> WELL, WE SURE AS HELL CAN'T

GO BACK, CAN WE?

MAYA, WHAT ARE YOU LOOKING FOR?

>> I DON'T KNOW.

SOMETHING, ANGEL.

WE HAVE TO HAVE SOMETHING TO

DEFEND OURSELVES!

WE CAN'T JUST SIT HERE!

>> WASTING TIME.

WE HAVE TO KEEP MOVING.

LET'S GO!

>> FACE IT.

WE DON'T HAVE A CHOICE.

>> WHAT DO YOU WANT TO DO?

>> TRAP HIM.

WE HAVE TO KILL HIM.

>> [ PANTING ]

[ SUSPENSEFUL MUSIC PLAYS ]

[ WOMEN YELLING,

MONSTER ROARING ]

[ ROARING ]

[ MAYA GRUNTING ]

AAHHH!

>> [ GROANING ]

[ COUGHING ]

[ GAGGING ]

>> AAAAHHHH!

>> AAHHH!

AAHHH!

AAAHHHH!

>> [ YELLS ]

[ PANTING ]

ACCORDING TO WEBSTER'S, A GHOST

IS DEFINED AS A DISEMBODIED

SOUL, ESPECIALLY THE SOUL OF A

DECEASED PERSON BELIEVED TO BE

AN INHABITANT OF THE UNSEEN

WORLD, OR TO APPEAR TO THE

LIVING IN BODILY LIKENESS,

OFTEN AS A RESULT OF SOME

TRAGEDY OR TRAUMA.

DO THEY EXIST?

ULTIMATELY, AS A DOCUMENTARIAN,

MY GOAL IS TO PRESENT THE

INFORMATION AND POSSIBLY SHED

LIGHT ON THE TRUTH.

[ GUITAR PLAYS INTRODUCTION ]

♪ ZWEE DAY ♪

♪ ZOY YABBA DOO ♪

♪ ZOY YABBA DOO ♪

♪ AMEN ♪

♪ AMEN ♪

♪ ZWEE DWEE BUM ♪

♪ 'CAUSE I KNOW I'M LOST ♪

♪ AND I KNOW THAT WITHOUT YOU

I AM NOTHING ♪

♪ ZWEE DAY BUM, DAY BUM DAY ♪

♪ ZWEE ZWEE ♪

♪ I AM ZWEE ZWEE ♪

♪ I AM ♪

♪ YOU LEFT ME BROODING SCARLET,

LIKE SOME SELF-DELUDING

HARLOT ♪

♪ CALLING YOUR NAME

DESPITE IT ALL

TO FILL THE EMPTINESS ♪

♪ HOPING AGAIN

THAT YOU WOULD CRAWL

INTO MY LAP, I GUESS ♪

♪ DEAR HAPPINESS ♪

♪ FOR YOU ARE ALL I KNOW ♪