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Yo, are you here
for the girl sesh?
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00:00:05,709 --> 00:00:07,417
-I guess.
-It's gonna be mad fun.
3
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We could've gone
somewhere less extra.
4
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What are you guys up to, man?
5
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It looks like you're on
some kind of mission.
6
00:00:12,875 --> 00:00:14,375
We're 'bout to mob, yo.
We need backup.
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Confidence, you have it.
You got this.
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-What?!
-I'm sorta arrested.
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I got you.
Just don't go anywhere.
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Yeah, no, I mean, I-- I can't.
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>> YES, COME ON, FISH!
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LITERALLY, LET'S FISH, FISH!
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>> WHERE'S THE END OF MY LITTLE
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LINE?
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>> IN THE WATER, SHANGELA.
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>> OH.
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>> FROM, LIKE, EIGHTH OR NINTH
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GRADE, THE ONLY WAY I COULD FIT
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IN WAS IF I DID ALL THE COUNTRY
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BOY STUFF, SO I DID IT, SO THAT
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WAY I COULD GO CAMPING WITH
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THEM.
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>> YOU LIKED IT, I KNOW, LIKE?
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>> YOU KNOW WHAT HAPPENED WHEN
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WE WENT CAMPING.
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SO, I WAS LIKE, MAMA, ALL
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"BROKEBACK MOUNTAIN" FISH.
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>> WE ARE UP IN NORTH LOUISIANA,
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SPECIFICALLY, RUSTON, LOUISIANA.
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>> DRIVING INTO RUSTON, IT'S
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LIKE, SO SOUTHERN.
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IT'S LIKE FIELDS, COWS ARE
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EVERYWHERE.
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THERE'S NOT EVEN 20,000 PEOPLE,
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I THINK, POPULATION IN THIS
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TOWN.
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>> HIYA!
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>> THESE BAKED GOODS LOOK SO
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DELICIOUS.
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I HEARD Y'ALL HAD COUNTRY
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CANNOLIS.
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>> THEY ARE.
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THEY'RE REDNECK CANNOLIS.
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>> HELLO!
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HELLO!
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DO YOU HAVE SOMETHING SWEET?
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>> UM, YES, SIR.
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>> THAT WILL BE -- SIR?
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>> MA'AM.
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>>
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THAT'S OKAY, BABY, THAT'S ALL
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RIGHT.
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>> YOU GOT TO WATCH THAT BIRD,
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BABY, WATCH THAT BIRD!
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>> THROUGH THE WING, OVER THE
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BIRD, THERE WE GO.
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>> OOH!
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SHOW THEM HIPS OFF, BABY.
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THERE WE GO.
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>> OH, WORK.
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GONNA TIE IT, CINCH IT, THAT
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WAIST.
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YOU SEE SOMETHING YOU LIKE?
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00:02:58,417 --> 00:02:59,583
>> RUSTON, YOU KNOW, IT'S VERY
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CIVILIZED AND VERY FABULOUS, BUT
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IT'S STILL THE COUNTRY, BITCH,
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ALL RIGHT?
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00:03:04,625 --> 00:03:05,834
>> I KIND OF THINK IT IS A QUEER
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WATERING HOLE IN RUSTON,
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LOUISIANA.
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>> HELLO?
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SWEET -- WHAT'S THE NAME OF THE
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STORE?
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>> UPTOWN DOWNTOWN.
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>> UPTOWN DOWNTOWN.
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HELLO?
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UPTOWN DOWNTOWN, MAY I HELP YOU?
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>> DO YOU KNOW HOW TO REALLY EAT
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A CUPCAKE?
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>> THERE IS NOT A TECHNICAL WAY.
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SHOW ME.
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>> LOOK.
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00:03:21,125 --> 00:03:23,834
YOU TAKE THAT BOTTOM AND YOU DO
84
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IT LIKE THIS, AND THEN YOU DON'T
85
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GET YOUR LIPSTICK MESSED UP.
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>> YOU ARE LYING!
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YOU ARE CHANGING MY LIFE RIGHT
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NOW!
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00:03:33,166 --> 00:03:33,750
>> WE HAVE COOKIES AND
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00:03:33,834 --> 00:03:34,834
SNICKERDOODLES AND THINGS THAT
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00:03:34,917 --> 00:03:36,500
LOOK LIKE WAFFLES.
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00:03:36,583 --> 00:03:37,083
>> THE THING ABOUT SMALL TOWNS
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LIKE THIS IS, THEY DON'T WANT
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CHANGE.
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00:03:40,250 --> 00:03:41,041
BUT THEY'RE ALWAYS READY FOR A
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00:03:41,125 --> 00:03:42,250
CHANGE.
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00:03:42,333 --> 00:03:43,500
>> BIG CAKES, LITTLE CAKES,
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00:03:43,583 --> 00:03:45,625
SWEET CAKES, CANNOLI CAKES.
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00:03:45,709 --> 00:03:46,250
>> SO IT'S LIKE, YOU'VE GOT TO
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00:03:46,333 --> 00:03:47,709
START SHARKING THINGS UP AND YOU
101
00:03:47,792 --> 00:03:48,667
GOT TO START DOING NEW THINGS IN
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AN AREA TO REALLY KIND OF CHANGE
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THE AREA.
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00:03:51,375 --> 00:03:52,375
>> STRAWBERRY COVERED MUSHROO --
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00:03:52,458 --> 00:03:53,750
NO, THAT'S NOT MUSHROOM.
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STRAWBERRY.
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00:03:54,500 --> 00:03:55,250
OH, CHOCOLATE COVERED
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STRAWBERRY.
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HELLO?
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I GUESS THEY DIDN'T WANT IT.
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>> HOW TALL ARE THESE SHOES,
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BECAUSE YOU ARE, LIKE, TOWERING
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00:04:02,208 --> 00:04:02,750
OVER ME.
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00:04:02,834 --> 00:04:04,750
>> I'M 5'5" WITHOUT THE HEELS.
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00:04:04,834 --> 00:04:05,333
>> OKAY, SO WE WOULD BE, LIKE,
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EQUALS.
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>> NO, I'M NOT.
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00:04:06,917 --> 00:04:07,417
>> AND I'M, LIKE, AND I'M
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ACTUALLY ONLY 140 WITHOUT THE
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PADDING, SO.
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00:04:09,291 --> 00:04:09,709
>> OH, REALLY?
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ME TOO, BABY, ME TOO.
123
00:04:27,166 --> 00:04:28,792
>> IT'S A VERY COMPLICATED
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00:04:28,875 --> 00:04:30,333
THING, JUST TO BE YOURSELF IN A
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SMALL TOWN WHERE EVERYBODY KNOWS
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00:04:35,041 --> 00:04:37,750
YOU.
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00:04:37,834 --> 00:04:40,125
LIKE, I ALWAYS TRY TO NOT BRING
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TOO MUCH ATTENTION TO ME,
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BECAUSE THE MORE ATTENTION THERE
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00:04:43,417 --> 00:04:47,792
IS ON ME, THE HARDER IT IS HERE
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IN RUSTON.
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'CAUSE ANYTHING THAT YOU DO,
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EVERYBODY KNOWS ABOUT THE NEXT
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DAY.
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AT WORK, I HAVE TO BE ALMOST
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STRAIGHT, HAVE TO MAKE SURE I AM
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00:05:00,917 --> 00:05:02,333
TALKING TO PEOPLE WITH A DEEPER
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VOICE.
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I HAVE TO MAKE SURE, LIKE, I
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00:05:05,208 --> 00:05:06,667
DON'T, YOU KNOW, DO SOMETHING
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00:05:06,750 --> 00:05:08,709
THAT MIGHT INDICATE THAT I'M
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GAY.
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IT MAKES ME SAD.
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PEOPLE GO YEARS AND YEARS AND
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THEY WAIT UNTIL THEY'RE, LIKE,
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60, 70 TO FINALLY JUST BE
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THEMSELVES.
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I DON'T WANT TO BE SUFFERING TO
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ALL OF THAT.
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BUT EVEN WITH MY FAMILY, I DON'T
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FEEL SUPPORTED.
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WHENEVER I WAS BEING A LITTLE
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BIT OF MYSELF AND I WAS GOING
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OUT WITH GUYS AND PEOPLE WERE
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SEEING ME AND STUFF, MY MOM GOT
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ATTACKED AT CHURCH BECAUSE OF
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THAT.
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AND THEN SHE BROUGHT THAT BACK
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TO ME AND SHE WAS, LIKE, TELLING
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ME NOT TO DO IT AGAIN.
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SO I FEEL LIKE I'M THE PROBLEM
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MOST OF THE TIME.
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I'M JUST TIRED OF NOT BEING ABLE
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TO BE ME, AND I DON'T FEEL
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WANTED.
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00:06:14,750 --> 00:06:16,208
>> OH, TRUMP 2020 SIGNS AT THE
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DOOR.
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NEVER SAYS "WELCOME."
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OKAY, HELLO.
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HI.
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HELLO, GUYS.
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>> HELLO!
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HEY!
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HI!
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>> LOOK AT THIS PLACE.
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DID SOMEBODY SAVE ME A SPACE FOR
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CRAWFISH?
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>> RIGHT HERE.
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YEAH!
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>> GOOD, RIGHT.
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YOU MUST BE JOSE?
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>> I AM, YES.
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>> NICE TO MEET YOU.
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CAN I BE HONEST WITH Y'ALL?
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>> UH-HUH.
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>> I'VE NEVER HAD CRAWFISH
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BEFORE.
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>> WHAT?
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REALLY?
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>> AND I'M FROM TEXAS.
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LOOK, I'M SCARED, I'M JUST
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TELLING YOU, I HAVE NEVER HAD
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IT.
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OH, THESE ARE NOT INDIVIDUAL
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PLATES, RIGHT?
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>> YEAH.
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YEAH.
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>> ARE YOU SERIOUS?
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>> YOU GOT TO REALIZE, HALF OF
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IT IS SHELL.
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>> HERE WE GO, YES!
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>> ALL RIGHT, SO, HOW WOULD YOU
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ATTACK THE CRAWFISH?
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>> WELL, I HAVE A COUSIN THAT
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LIVES IN HOUSTON AND SHE SAY YOU
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TAKE ONE END OFF FIRST.
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HA, HA!
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BYE-BYE, I THROW THIS PART IN
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00:07:02,959 --> 00:07:03,917
THE TRASH, IN THE THING?
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00:07:04,000 --> 00:07:04,625
>> NO, NO, NO!
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'CAUSE I GOT TO SHOW YOU, SHE --
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>> I MEAN, YOU CAN SUCK THE
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HEAD.
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>> SATURDAY NIGHT!
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>> THERE YOU GO.
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>> THAT'S VERY GOOD.
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WHOO!
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THIS IS FUN, OKAY, I'M HAVING A
219
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GOOD TIME!
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00:07:22,542 --> 00:07:23,250
SO I'M PARTNERING WITH JOSE
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HERE, AND HE'S GONNA BECOME MY
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NEW DRAG DAUGHTER, AND WE'RE
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PROGRAMMING A SHOW HERE FOR NEXT
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TUESDAY NIGHT.
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>> I'M STARTING TO GET NERVOUS.
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JUST, IT'S ALL AT ONCE, ALL THE
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FEELINGS AT ONCE, LIKE, JUST
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LOT.
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>> I THINK HE'S AT A TIME IN HIS
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LIFE.
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>> HE NEEDS IT.
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HE NEEDS IT.
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>> BUT YOU ALSO GOT TO REMEMBER,
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THIS ISN'T ABOUT YOU, THIS IS
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ABOUT THE OTHER LITTLE, CUTE
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LITTLE MEXICAN BOYS WHO ARE
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LIKE, I WANT TO BE FREE.
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>> AT TIMES, DO YOU FEEL UNFREE?
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>> YEAH, LIKE, HELD BACK?
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YEAH.
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00:07:53,166 --> 00:07:55,083
>> WHAT MAKES YOU FEEL THAT WAY?
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>> JUST NOT BEING ABLE TO
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EXPRESS MYSELF.
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JUST NOT BEING ABLE TO GO OUT
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THERE AND JUST BE MYSELF.
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>> WHEN YOU'RE IN A SMALL
247
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COMMUNITY, I COULD TOTALLY
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UNDERSTAND.
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ANY LITTLE THING THEY CAN, LIKE,
250
00:08:04,041 --> 00:08:07,125
TAKE AND TRY TO, YOU KNOW, PUT
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00:08:07,208 --> 00:08:09,083
YOU DOWN.
252
00:08:09,166 --> 00:08:10,250
>> EVERY TIME I GO OUT, LIKE,
253
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OUT IN PUBLIC, LIKE, I'M JUST BY
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MYSELF, I AM NOT COMFORTABLE.
255
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AS SOON AS HE'S THERE, I DON'T
256
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CARE, I CAN BE MYSELF BECAUSE
257
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HE'S THERE AND HE'S, LIKE, THE,
258
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LIKE, HE'S THE LIFEGUARD, LIKE,
259
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HE'S LIKE THE --
260
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WHAT'S IT CALLED?
261
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>> HE'S BIG MAMA.
262
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>> HE'S JUST --
263
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HE'S JUST BIG MAMA, YEAH.
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I CAN BE MYSELF AROUND MY
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FRIEND, MARIO, 'CAUSE HE'S SO
266
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CONFIDENT ABOUT HIMSELF, IT'S
267
00:08:37,500 --> 00:08:37,709
CONTAGIOUS.
268
00:08:37,792 --> 00:08:38,125
>> HOW TALL ARE YOU?
269
00:08:38,208 --> 00:08:38,542
>> I'M A BIG GUY.
270
00:08:38,625 --> 00:08:39,166
I'M 6'1" AND A HALF, AND I'M 250
271
00:08:39,250 --> 00:08:39,333
LBS.
272
00:08:39,417 --> 00:08:40,166
>> SO, BASICALLY, IT'S GONNA BE
273
00:08:40,250 --> 00:08:40,834
SOMETHING IF SOMEONE STARTS
274
00:08:40,917 --> 00:08:41,792
MESSING WITH YOU.
275
00:08:41,875 --> 00:08:42,917
>> OH, YEAH.
276
00:08:43,000 --> 00:08:44,792
LIKE, MY GRANDPA, HE'S PASSED,
277
00:08:44,875 --> 00:08:45,834
BUT HE ALWAYS TOLD ME, PEOPLE
278
00:08:45,917 --> 00:08:47,083
TREAT YOU HOW YOU ALLOW THEM TO,
279
00:08:47,166 --> 00:08:51,125
SO.
280
00:08:51,208 --> 00:08:51,542
>> AMEN.
281
00:08:51,625 --> 00:08:52,333
>> IF YOU LET SOMEBODY RUN OVER
282
00:08:52,417 --> 00:08:52,959
YOU, THEN OTHER PEOPLE ARE GONNA
283
00:08:53,041 --> 00:08:53,291
RUN OVER YOU.
284
00:08:53,375 --> 00:08:54,250
>> RIGHT.
285
00:08:54,333 --> 00:08:54,500
>> NOT ME!
286
00:08:54,583 --> 00:08:56,208
>> RIGHT, RIGHT.
287
00:08:56,291 --> 00:08:56,834
>> BUT I WANT HIM TO BE ABLE TO
288
00:08:56,917 --> 00:08:57,417
BE HIMSELF WITHOUT ME BEING
289
00:08:57,500 --> 00:09:00,625
AROUND.
290
00:09:00,709 --> 00:09:03,041
>> I CAN TELL THAT JOSE DRAWS A
291
00:09:03,125 --> 00:09:05,041
LOT OF STRENGTH FROM JAMARIO.
292
00:09:05,125 --> 00:09:06,583
SEEING THAT EXAMPLE OF QUEER
293
00:09:06,667 --> 00:09:08,375
CONFIDENCE, JOSE GETS TO HAVE A
294
00:09:08,458 --> 00:09:09,000
LITTLE BIT MORE CONFIDENCE IN
295
00:09:09,083 --> 00:09:10,583
HIMSELF.
296
00:09:10,667 --> 00:09:13,834
>> IT'S 2020.
297
00:09:13,917 --> 00:09:15,166
YOU, HER, HER, HER, WHATEVER.
298
00:09:15,250 --> 00:09:15,750
YOU SHOULD BE ABLE TO WEAR
299
00:09:15,834 --> 00:09:16,458
WHATEVER YOU WANT TO WEAR.
300
00:09:16,542 --> 00:09:17,166
YOU SHOULD BE ABLE TO BE WHO YOU
301
00:09:17,250 --> 00:09:20,500
WANT TO BE.
302
00:09:20,583 --> 00:09:21,083
I THINK THAT'S WHY I REALLY AM
303
00:09:21,166 --> 00:09:21,709
EXCITED THAT WE'RE COMING HERE
304
00:09:21,792 --> 00:09:22,542
AND DOING, LIKE, A DRAG SHOW
305
00:09:22,625 --> 00:09:23,792
HERE.
306
00:09:23,875 --> 00:09:25,000
BUT TRUST ME.
307
00:09:25,083 --> 00:09:26,333
THERE IS NO COMPLETE 180 SHIFT
308
00:09:26,417 --> 00:09:29,500
IN YOUR ENTIRE LIFE IN A WEEK.
309
00:09:29,583 --> 00:09:32,000
IT'S NOT GONNA HAPPEN.
310
00:09:32,083 --> 00:09:32,500
I KNOW, YOU KNOW, FAIRY
311
00:09:32,583 --> 00:09:33,917
GODMOTHER, FABULOUS AS I AM, I
312
00:09:34,000 --> 00:09:36,333
AIN'T NO FAIRY GODMOTHER, TO
313
00:09:36,417 --> 00:09:36,917
COME AND LIKE, BING, AND THE
314
00:09:37,000 --> 00:09:37,375
WHOLE LIFE IS CHANGED.
315
00:09:37,458 --> 00:09:39,417
THAT'S NOT GONNA HAPPEN.
316
00:09:39,500 --> 00:09:40,417
BUT WHAT CAN HAPPEN, IF YOU'RE
317
00:09:40,500 --> 00:09:42,417
OPEN TO IT, IS YOU'LL START TO
318
00:09:42,500 --> 00:09:44,333
GET THOSE TOOLS AND REINFORCE
319
00:09:44,417 --> 00:09:45,875
HOW YOU FEEL ABOUT YOURSELF,
320
00:09:45,959 --> 00:09:46,625
'CAUSE THAT'S WHERE IT COMES
321
00:09:46,709 --> 00:09:48,709
FROM, HOW WE FEEL ABOUT
322
00:09:48,792 --> 00:09:52,208
OURSELVES AT THE END OF THE DAY.
323
00:09:52,291 --> 00:09:53,041
SO I'M EXCITED, AND I HOPE YOU
324
00:09:53,125 --> 00:09:54,542
GUYS WILL COME TO THE SHOW.
325
00:09:54,625 --> 00:09:55,625
>> OF COURSE!
326
00:09:55,709 --> 00:09:56,208
>> IT'S TUESDAY?
327
00:09:56,291 --> 00:09:56,750
>> TUESDAY.
328
00:09:56,834 --> 00:09:58,333
OKAY, WELL, I WILL SEE Y'ALL
329
00:09:58,417 --> 00:09:58,625
AGAIN SOON.
330
00:09:58,709 --> 00:09:59,208
WISH ME LUCK, I DON'T HAVE AN
331
00:09:59,291 --> 00:09:59,709
UMBRELLA.
332
00:09:59,792 --> 00:10:00,500
>> BYE!
333
00:10:00,583 --> 00:10:01,583
>> LOOK AT THIS MAN!
334
00:10:01,667 --> 00:10:02,750
>> THAT'S KARL MALONE.
335
00:10:04,000 --> 00:10:04,875
>> HE'S A BASKETBALL PLAYER,
336
00:10:04,959 --> 00:10:07,041
AIN'T HE?
337
00:10:07,125 --> 00:10:07,709
>> HE WAS LIKE THE SECOND OR
338
00:10:07,792 --> 00:10:07,917
THIRD --
339
00:10:08,000 --> 00:10:08,208
>> OH!
340
00:10:08,291 --> 00:10:08,542
>> HEY!
341
00:10:08,625 --> 00:10:09,542
>> SO SORRY.
342
00:10:09,625 --> 00:10:10,125
>> DON'T BE FOOLIN' WITH KARL,
343
00:10:10,208 --> 00:10:10,625
NOW!
344
00:10:10,709 --> 00:10:12,500
>> I APOLOGIZE, KARL!
345
00:10:12,583 --> 00:10:14,250
I'M SORRY, KARL!
346
00:10:14,333 --> 00:10:15,333
THANK Y'ALL.
347
00:10:39,834 --> 00:10:40,417
>> RUSTON IS A TOWN THAT'S SO
348
00:10:40,500 --> 00:10:45,583
FAR BEHIND.
349
00:10:45,667 --> 00:10:46,291
IT'S JUST CLOSED MIND, BAPTIST
350
00:10:46,375 --> 00:10:52,250
AMERICA.
351
00:10:52,333 --> 00:10:52,917
IT'S, ALL RIGHT, LET'S JUST PUSH
352
00:10:53,000 --> 00:10:53,917
OUR BELIEF ON EVERYBODY ELSE.
353
00:10:54,000 --> 00:10:54,917
WE DON'T CARE WHO WE OFFEND, WE
354
00:10:55,000 --> 00:10:57,000
DON'T CARE WHO WE DISCOURAGE.
355
00:10:57,083 --> 00:10:58,417
WE'RE JUST GONNA, YOU KNOW, GET
356
00:10:58,500 --> 00:10:59,166
THIS MESSAGE OUT THERE BECAUSE
357
00:10:59,250 --> 00:11:07,500
THAT'S WHAT GOD WANT US TO DO.
358
00:11:07,583 --> 00:11:08,959
AS A LIFE-LONG RESIDENT, 30
359
00:11:09,041 --> 00:11:11,125
YEARS OF LIVING HERE, TEN YEARS
360
00:11:11,208 --> 00:11:12,333
AT THE FIRE HOUSE, SO I'M VERY
361
00:11:12,417 --> 00:11:17,041
DATED TO CERTAIN ASPECTS.
362
00:11:17,125 --> 00:11:19,542
I'M A HETEROSEXUAL MALE, BUT I
363
00:11:19,625 --> 00:11:21,458
THINK, FOR A GAY PERSON LIVING
364
00:11:21,542 --> 00:11:25,333
IN RUSTON, THE TOWN THAT I KNOW,
365
00:11:25,417 --> 00:11:28,542
IT IS SO HARD TO BE OPENLY WHO
366
00:11:28,625 --> 00:11:34,083
YOU ARE HERE.
367
00:11:34,166 --> 00:11:35,667
BUT YOU'RE NOT GONNA MISTREAT
368
00:11:35,750 --> 00:11:37,083
NOBODY, JUST BECAUSE YOU MAY NOT
369
00:11:37,166 --> 00:11:39,083
LIKE WHAT THEY DO, IN FRONT OF
370
00:11:39,166 --> 00:11:43,333
ME.
371
00:11:43,417 --> 00:11:44,000
A LOT OF PEOPLE WOULD VIEW ME AS
372
00:11:44,083 --> 00:11:47,333
A MANLY MAN.
373
00:11:47,417 --> 00:11:49,417
I'VE BOUNCED AT BARS.
374
00:11:49,500 --> 00:11:51,542
I'VE ALSO BEEN A FIREMAN, AND
375
00:11:51,625 --> 00:11:52,834
I'VE ALWAYS HAD THESE, LIKE,
376
00:11:52,917 --> 00:11:58,208
JUST MANLY PROFESSIONS.
377
00:11:58,291 --> 00:11:59,667
I MEAN, I'M WILLING TO STEP
378
00:11:59,750 --> 00:12:00,291
OUTSIDE MY COMFORT ZONE TO MAKE
379
00:12:00,375 --> 00:12:05,959
OTHER PEOPLE WELCOME.
380
00:12:06,041 --> 00:12:07,542
IT'S 2020, SO I MEAN, IF YOU'RE
381
00:12:07,625 --> 00:12:08,709
NOT WILLING TO CHANGE IN 2020,
382
00:12:08,792 --> 00:12:21,375
THEN THERE'S NO HELP FOR YOU.
383
00:12:21,458 --> 00:12:21,917
>> HEY!
384
00:12:22,000 --> 00:12:22,792
>> HOW ARE YOU, MAN?
385
00:12:22,875 --> 00:12:24,500
>> I'M GOOD, HOW ARE YOU?
386
00:12:24,583 --> 00:12:25,125
>> I'M GOOD, YEAH, YEAH, STACY.
387
00:12:25,208 --> 00:12:29,417
>> IT'S NICE TO MEET YOU.
388
00:12:29,500 --> 00:12:30,041
HOW OFTEN DO YOU COME TO THIS
389
00:12:30,125 --> 00:12:31,291
BAR?
390
00:12:31,375 --> 00:12:32,291
>> I MEAN, IF I'M IN TOWN, THEN
391
00:12:32,375 --> 00:12:33,625
EVERY NIGHT.
392
00:12:33,709 --> 00:12:34,375
THEY KNOW WHO I AM WHEN I WALK
393
00:12:34,458 --> 00:12:36,125
THROUGH THE DOOR.
394
00:12:36,208 --> 00:12:36,750
YOU DON'T REALLY GET THAT IN A
395
00:12:36,834 --> 00:12:37,542
LOT OF PLACES, YOU'RE ALWAYS A
396
00:12:37,625 --> 00:12:38,000
NUMBER.
397
00:12:38,083 --> 00:12:39,041
>> I HEARD THAT YOU ARE THE
398
00:12:39,125 --> 00:12:40,625
UNOFFICIAL BOUNCER HERE?
399
00:12:40,709 --> 00:12:42,583
>> YEAH, SOMETIMES.
400
00:12:42,667 --> 00:12:43,583
>> YOU THINK SUNDOWN IS LIKE AN
401
00:12:43,667 --> 00:12:44,583
INCLUSIVE PLACE FOR EVERYONE?
402
00:12:44,667 --> 00:12:44,917
>> VERY MUCH SO.
403
00:12:45,000 --> 00:12:46,625
I MEAN IT.
404
00:12:46,709 --> 00:12:48,583
IT'S PROBABLY ONE OF THE ONLY
405
00:12:48,667 --> 00:12:49,417
ONES THAT.
406
00:12:49,500 --> 00:12:50,250
AROUND HERE.
407
00:12:50,333 --> 00:12:52,083
JUST LIKE A CHILL PLACE AND
408
00:12:52,166 --> 00:12:52,834
SOME, THAT YOU CAN COME AND FEEL
409
00:12:52,917 --> 00:12:53,709
COMFORTABLE.
410
00:12:53,792 --> 00:12:54,917
>> GOT IT.
411
00:12:55,000 --> 00:12:56,208
>> MYSELF AND MANY OTHERS
412
00:12:56,291 --> 00:12:57,417
INCLUDED HAVE BEEN GOING TO
413
00:12:57,500 --> 00:13:00,083
SUNDOWN A WHOLE LOT.
414
00:13:00,166 --> 00:13:00,667
YOU'RE GONNA FIND PEOPLE THERE
415
00:13:00,750 --> 00:13:02,750
IN ALL TYPES OF WALKS OF LIFE.
416
00:13:02,834 --> 00:13:04,792
IT'S KIND OF LIKE, YOU KNOW,
417
00:13:04,875 --> 00:13:06,166
YOUR VERY PROGRESSIVE
418
00:13:06,250 --> 00:13:07,709
COMMUNITIES, THAT'S SUNDOWN IN
419
00:13:07,792 --> 00:13:08,542
THE WHOLE.
420
00:13:08,625 --> 00:13:09,166
>> IS THERE ANYONE IN TOWN THAT
421
00:13:09,250 --> 00:13:11,250
YOU, LIKE, SPECIFICALLY WANT TO
422
00:13:11,333 --> 00:13:12,208
SEE THIS OR, LIKE, NEEDS TO SEE
423
00:13:12,291 --> 00:13:12,834
THIS OR WOULD GET A KICK OUT OF
424
00:13:12,917 --> 00:13:14,208
THIS?
425
00:13:14,291 --> 00:13:16,166
>> I HAVE SO MANY FRIENDS THAT,
426
00:13:16,250 --> 00:13:17,458
I MEAN, YOU KNOW --
427
00:13:17,542 --> 00:13:18,667
>> NOT TO BRAG.
428
00:13:18,750 --> 00:13:20,208
>> YEAH, YEAH, I MEAN, IT'S JUST
429
00:13:20,291 --> 00:13:21,375
LIKE, THAT'S WHO I AM.
430
00:13:21,458 --> 00:13:22,417
I MEAN, LOOK, TO MAKE
431
00:13:22,500 --> 00:13:23,000
CONVERSATION AND TO CREATE
432
00:13:23,083 --> 00:13:25,375
RELATIONSHIPS.
433
00:13:25,458 --> 00:13:27,875
AND BY DOING THIS, YOU KNOW, BY
434
00:13:27,959 --> 00:13:30,542
ME BEING AN ALLY, I THINK IT
435
00:13:30,625 --> 00:13:31,917
HOPEFULLY OPEN OTHER PEOPLE
436
00:13:32,000 --> 00:13:33,417
EYES, YOU KNOW, TO BE AN ALLY.
437
00:13:33,500 --> 00:13:34,917
>> WORK.
438
00:13:35,000 --> 00:13:36,041
WHAT WOULD YOU WANT FOR, LIKE, A
439
00:13:36,166 --> 00:13:37,375
STAGE NAME?
440
00:13:37,500 --> 00:13:38,166
>> YOU KNOW, BEING THAT I HAVE A
441
00:13:38,208 --> 00:13:41,417
UNISEX NAME, I DON'T KNOW,
442
00:13:41,500 --> 00:13:42,041
STACY.
443
00:13:44,875 --> 00:13:46,000
>> I CAN'T, IN GOOD FAITH, SAY
444
00:13:46,083 --> 00:13:48,667
THAT'S NOT AN EXCITING NAME,
445
00:13:48,750 --> 00:13:49,250
BECAUSE MY NAME IS BOB, SO
446
00:13:49,333 --> 00:13:49,834
OBVIOUSLY I CAN'T BE, LIKE,
447
00:13:49,917 --> 00:13:51,125
STACY'S NOT EXCITING, BECAUSE
448
00:13:51,208 --> 00:13:52,417
BOB'S NOT EXCITING.
449
00:13:52,500 --> 00:13:55,041
>> SO, HOW MANY PEOPLE YOU GONNA
450
00:13:55,125 --> 00:13:56,625
MEET THAT HAD A UNISEX NAME, YOU
451
00:13:56,709 --> 00:13:56,917
KNOW?
452
00:13:57,000 --> 00:13:59,667
>> YOU WANT TO KEEP YOUR BEARD?
453
00:13:59,750 --> 00:14:01,208
>> I'VE BEEN DREADING THAT EVEN,
454
00:14:01,291 --> 00:14:04,542
LIKE, JUST BROACHING IT, BECAUSE
455
00:14:04,625 --> 00:14:05,542
I MEAN, I FINALLY GREW A BEARD
456
00:14:05,625 --> 00:14:07,792
FOR THE FIRST TIME, AFTER
457
00:14:07,875 --> 00:14:08,583
GROWING UP, DIDN'T EVEN HAVE THE
458
00:14:08,667 --> 00:14:09,000
CHANCE, THEN YEAH.
459
00:14:09,083 --> 00:14:09,709
>> LOOKS LIKE A LOT OF WORK.
460
00:14:09,792 --> 00:14:11,041
LISTEN, THERE IS...
461
00:14:11,125 --> 00:14:12,542
I LOVE BEARDED DRAG.
462
00:14:12,625 --> 00:14:14,375
I'VE NEVER DONE IT MYSELF, SO
463
00:14:14,458 --> 00:14:15,834
THIS WOULD BE ACTUALLY REALLY
464
00:14:15,917 --> 00:14:17,875
EXCITING TO INCORPORATE THIS.
465
00:14:17,959 --> 00:14:19,709
>> I'M DOWN.
466
00:14:19,792 --> 00:14:20,291
WHATEVER YOU COME UP WITH, YOU
467
00:14:20,375 --> 00:14:20,583
LET ME KNOW.
468
00:14:20,667 --> 00:14:21,208
>> IT'S GOING TO GET A LITTLE
469
00:14:21,291 --> 00:14:21,542
DIFFERENT.
470
00:14:22,792 --> 00:14:24,542
>> I THINK, LIKE, WHAT STACY IS
471
00:14:24,625 --> 00:14:25,208
DOING WITH THIS SHOW IS INSANELY
472
00:14:25,291 --> 00:14:27,041
IMPORTANT.
473
00:14:27,125 --> 00:14:29,417
HE'S A FIREFIGHTER, HE STANDS UP
474
00:14:29,500 --> 00:14:31,208
FOR PEOPLE, AND IF YOU ARE
475
00:14:31,291 --> 00:14:32,917
RESPECTED AND YOU SET AN EXAMPLE
476
00:14:33,000 --> 00:14:33,542
AND YOU DO SOMETHING FOR OTHER
477
00:14:33,625 --> 00:14:35,667
PEOPLE, THEN OTHER PEOPLE DO IT
478
00:14:35,750 --> 00:14:35,834
TOO.
479
00:14:35,917 --> 00:14:36,750
>> I MEAN, I WEAR A PAIR OF
480
00:14:36,834 --> 00:14:37,583
CREASE PANTS AND COWBOY BOOTS
481
00:14:37,667 --> 00:14:39,000
DAILY, BUT BRING IT ON.
482
00:14:53,625 --> 00:14:54,375
>> LOOK BOTH WAYS BEFORE YOU
483
00:14:54,458 --> 00:14:58,667
CROSS THE STREET.
484
00:14:58,750 --> 00:15:00,125
HI, HI, HI.
485
00:15:00,208 --> 00:15:02,291
I'M LOOKING FOR LYNN.
486
00:15:02,375 --> 00:15:02,917
WORK!
487
00:15:03,000 --> 00:15:04,250
HI!
488
00:15:04,333 --> 00:15:05,041
I AM EUREKA, ACTUALLY IS MY
489
00:15:05,125 --> 00:15:06,041
NAME.
490
00:15:06,125 --> 00:15:07,000
OH MY GOD, HI!
491
00:15:07,083 --> 00:15:08,000
I'M SUPPOSED TO MEET YOU.
492
00:15:08,083 --> 00:15:09,166
>> HI, EUREKA.
493
00:15:09,250 --> 00:15:10,458
>> YOU'RE SEXY.
494
00:15:10,542 --> 00:15:12,583
WORK!
495
00:15:12,667 --> 00:15:13,667
HI, BABE.
496
00:15:13,750 --> 00:15:14,417
>> HEY!
497
00:15:14,500 --> 00:15:17,625
>> YOU'RE SO CUTE!
498
00:15:17,709 --> 00:15:18,375
>> IS THIS YOUR FIRST TIME IN
499
00:15:18,458 --> 00:15:18,792
RUSTON, LOUISIANA?
500
00:15:18,875 --> 00:15:20,500
>> OH, YEAH.
501
00:15:20,583 --> 00:15:25,542
BUT I'VE BEEN TO NEW ORLEANS.
502
00:15:25,625 --> 00:15:26,250
LIKE, THE BIG GAY PART..
503
00:15:26,333 --> 00:15:26,792
>> THERE'S A BIG DIFFERENCE.
504
00:15:26,875 --> 00:15:27,125
>> I CAN TELL!
505
00:15:27,208 --> 00:15:28,125
>> I MEAN, I DON'T KNOW IF YOU
506
00:15:28,208 --> 00:15:28,333
NOTICED.
507
00:15:28,417 --> 00:15:28,959
IT'S A FIVE-HOUR RIDE, BUT IT'S
508
00:15:29,041 --> 00:15:30,709
A WORLD AWAY.
509
00:15:30,792 --> 00:15:31,458
>> YOU'RE BAD ASS, LYNN, I CAN
510
00:15:31,542 --> 00:15:32,792
TELL.
511
00:15:32,875 --> 00:15:33,792
>> KIND OF, SOMETIMES.
512
00:15:33,875 --> 00:15:34,417
IT'S NOT JUST THE TATTOOS, YOU
513
00:15:34,500 --> 00:15:35,500
KNOW.
514
00:15:35,583 --> 00:15:36,125
>> WHAT'S THESE TATTOOS ALL
515
00:15:36,208 --> 00:15:36,333
ABOUT?
516
00:15:36,417 --> 00:15:37,166
TELL ME MORE.
517
00:15:37,250 --> 00:15:37,750
>> OKAY, LET ME TELL YOU MY
518
00:15:37,834 --> 00:15:39,125
STORIES.
519
00:15:39,208 --> 00:15:41,125
THIS IS THE OHM, BECAUSE I HAD
520
00:15:41,208 --> 00:15:41,834
TO REMIND MYSELF TO BREATHE
521
00:15:41,917 --> 00:15:43,792
AFTER MY ACCIDENT.
522
00:15:43,875 --> 00:15:45,959
>> TO BREATHE?
523
00:15:46,041 --> 00:15:47,375
>> JUST BREATHE.
524
00:15:47,458 --> 00:15:48,333
NOW, THE EAGLE WAS THE LATEST
525
00:15:48,417 --> 00:15:49,166
AND GREATEST.
526
00:15:49,250 --> 00:15:50,500
I ACTUALLY, PRIOR TO MY
527
00:15:50,583 --> 00:15:53,875
ACCIDENT, HAD AN EAGLE SOARING
528
00:15:53,959 --> 00:15:54,625
OVER A STORM CLOUD TATTOOED ON
529
00:15:54,709 --> 00:15:55,542
THIS ARM.
530
00:15:55,625 --> 00:15:56,333
>> REALLY?
531
00:15:56,417 --> 00:15:56,792
>> YES.
532
00:15:56,875 --> 00:15:58,667
SO THE EAGLE DURING A STORM WILL
533
00:15:58,750 --> 00:15:59,542
ACTUALLY RISE ABOVE IT AND USE
534
00:15:59,625 --> 00:16:00,750
THE DRAFT FROM THE STORM TO
535
00:16:00,834 --> 00:16:01,333
FLOAT ALONG.
536
00:16:01,417 --> 00:16:02,917
>> TO FLY?
537
00:16:03,000 --> 00:16:04,000
>> AND SO THAT'S KIND OF WHAT MY
538
00:16:04,083 --> 00:16:05,291
LIFE HAS BEEN LATELY.
539
00:16:05,375 --> 00:16:06,417
>> WHAT HAPPENED?
540
00:16:06,500 --> 00:16:07,333
DO YOU MIND?
541
00:16:07,417 --> 00:16:09,041
I'M SORRY.
542
00:16:09,083 --> 00:16:09,500
>> SO I WAS HIT HEAD-ON BY
543
00:16:09,583 --> 00:16:09,917
SOMEBODY.
544
00:16:10,041 --> 00:16:12,208
THEY CAME OVER TO MY LANE.
545
00:16:12,250 --> 00:16:13,083
I DON'T HAVE ANY RECOLLECTION OF
546
00:16:13,208 --> 00:16:14,875
THEM DOING THAT, WHICH IS, I
547
00:16:14,959 --> 00:16:15,709
THINK, WONDERFUL, BECAUSE I
548
00:16:15,792 --> 00:16:17,542
THINK IT WOULD BE VERY HARD FOR
549
00:16:17,625 --> 00:16:18,625
ME TO DRIVE OR TO BE OUT ON THE
550
00:16:18,709 --> 00:16:19,834
STREETS.
551
00:16:19,917 --> 00:16:21,125
>> YOU DIDN'T SEE IT BASICALLY?
552
00:16:21,208 --> 00:16:23,000
>> NEVER SAW HIM COMING, NO.
553
00:16:23,083 --> 00:16:27,000
I WAS COMING AROUND A CORNER AND
554
00:16:27,083 --> 00:16:27,875
HE JUST PEELED, HIT ME AND THEN
555
00:16:27,959 --> 00:16:28,834
CONTINUED ANOTHER 150, 160 FT
556
00:16:28,917 --> 00:16:33,041
DOWN THE ROAD BEFORE HE CAME TO
557
00:16:33,125 --> 00:16:33,291
A STOP.
558
00:16:33,375 --> 00:16:36,083
I HAD MY ARM AND MY LEG RIPPED
559
00:16:36,166 --> 00:16:36,417
FROM MY BODY.
560
00:16:36,500 --> 00:16:37,291
>> WOW.
561
00:16:37,375 --> 00:16:38,709
>> SO, YEAH.
562
00:16:38,792 --> 00:16:41,083
>> HOW ARE YOU ALL DOING NOW?
563
00:16:41,166 --> 00:16:43,625
>> IT'S BEEN A ROUGH GO OF IT
564
00:16:43,709 --> 00:16:44,250
BECAUSE I WAS A MOTORCYCLE RIDER
565
00:16:44,333 --> 00:16:45,792
AND VERY INDEPENDENT AND
566
00:16:45,875 --> 00:16:46,417
SELF-EMPLOYED AND JUST, I WAS
567
00:16:46,500 --> 00:16:47,417
STRONG.
568
00:16:47,500 --> 00:16:48,208
I REALLY DIDN'T HAVE TO ASK FOR
569
00:16:48,291 --> 00:16:48,792
HELP MUCH.
570
00:16:48,875 --> 00:16:52,625
AND ALL OF A SUDDEN, I'M TRYING
571
00:16:52,709 --> 00:16:53,250
TO LEARN WHO I AM, AND THERE ARE
572
00:16:53,333 --> 00:16:56,125
DAYS THAT I GO, I CAN'T DO THIS.
573
00:16:56,208 --> 00:16:57,125
I MEAN, IN THE BEGINNING WHEN I
574
00:16:57,208 --> 00:16:59,834
FIRST CAME TO WORK HERE, I WOULD
575
00:16:59,917 --> 00:17:00,458
SAY THERE WAS PROBABLY AT LEAST
576
00:17:00,542 --> 00:17:01,250
ONE DAY A WEEK THAT I WOULD SAY,
577
00:17:01,333 --> 00:17:02,458
"HEY, I CAN'T COME IN."
578
00:17:02,542 --> 00:17:03,834
>> YEAH.
579
00:17:03,917 --> 00:17:05,750
>> AND IT WAS BECAUSE I EITHER
580
00:17:05,834 --> 00:17:07,750
COULDN'T GET MY LEG ON RIGHT, SO
581
00:17:07,834 --> 00:17:08,417
I JUST PHYSICALLY COULDN'T COME
582
00:17:08,500 --> 00:17:09,083
IN, OR I COULDN'T GET MY HEAD ON
583
00:17:09,166 --> 00:17:09,500
RIGHT.
584
00:17:09,583 --> 00:17:11,291
>> YEAH.
585
00:17:11,375 --> 00:17:11,834
>> AND SO MENTALLY I JUST
586
00:17:11,917 --> 00:17:13,542
COULDN'T DO IT.
587
00:17:13,625 --> 00:17:15,000
BUT IF YOU LOOK AT THE BIG
588
00:17:15,083 --> 00:17:15,625
PICTURE, I WOULD HAVE NEVER MET
589
00:17:15,709 --> 00:17:17,291
MY WIFE IF THIS DIDN'T HAPPEN.
590
00:17:17,375 --> 00:17:17,959
>> WOW.
591
00:17:18,041 --> 00:17:20,709
>> SO, YEAH.
592
00:17:20,792 --> 00:17:22,333
>> SO YOU FEEL PRETTY ACCEPTED
593
00:17:22,417 --> 00:17:23,542
HERE?
594
00:17:23,625 --> 00:17:24,458
>> I MEAN, EVERYBODY KNOWS THAT
595
00:17:24,542 --> 00:17:24,875
I'M A LESBIAN.
596
00:17:24,959 --> 00:17:25,583
EVERYBODY KNOWS I'M MARRIED TO A
597
00:17:25,667 --> 00:17:27,291
WOMAN.
598
00:17:27,375 --> 00:17:29,000
I KNOW THERE'S ENVIRONMENTS
599
00:17:29,083 --> 00:17:32,375
WHERE IT'S MUCH MORE ACCEPTED.
600
00:17:32,458 --> 00:17:32,625
>> YEAH.
601
00:17:32,709 --> 00:17:33,208
>> NEW ORLEANS, FOR EXAMPLE,
602
00:17:33,291 --> 00:17:35,375
WOULD BE A PLACE THAT YOU CAN GO
603
00:17:35,458 --> 00:17:36,000
AND NOT HAVE TO WORRY ABOUT IT,
604
00:17:36,083 --> 00:17:36,417
PROBABLY, AT ALL.
605
00:17:36,500 --> 00:17:38,208
WHEREAS HERE, YOU KNOW, I THINK
606
00:17:38,291 --> 00:17:40,625
A LOT OF US ARE A LITTLE BIT
607
00:17:40,709 --> 00:17:42,083
MORE SUBDUED THAN WE MIGHT BE.
608
00:17:42,166 --> 00:17:42,834
>> WELL, HAVE YOU EVER BEEN IN
609
00:17:42,917 --> 00:17:43,291
DRAG BEFORE?
610
00:17:43,375 --> 00:17:44,250
>> NEVER!
611
00:17:44,333 --> 00:17:44,709
NEVER.
612
00:17:44,792 --> 00:17:45,625
>> SO, I'M GONNA BE YOUR
613
00:17:45,709 --> 00:17:46,000
DRAG-MAMA.
614
00:17:46,083 --> 00:17:47,417
>> YAY!
615
00:17:47,500 --> 00:17:48,291
>> DO YOU WANT TO BE A MALE OR A
616
00:17:48,375 --> 00:17:48,834
FEMALE?
617
00:17:48,917 --> 00:17:49,917
>> DEFINITELY A MALE.
618
00:17:50,000 --> 00:17:50,625
>> OKAY, GOT IT.
619
00:17:50,709 --> 00:17:51,041
>> DEFINITELY MALE.
620
00:17:51,125 --> 00:17:52,041
DON'T GET ME WRONG THOUGH.
621
00:17:52,125 --> 00:17:52,667
>> 'CAUSE I'M THE WOMAN IN THIS
622
00:17:52,750 --> 00:17:54,166
RELATIONSHIP.
623
00:17:54,250 --> 00:17:55,291
>> EXACTLY.
624
00:17:55,375 --> 00:17:55,959
>> HOW DO YOU FEEL ABOUT, LIKE,
625
00:17:56,041 --> 00:17:56,542
DANCING AND STUFF LIKE THAT?
626
00:17:56,625 --> 00:17:59,458
>> SO, I'M REALLY...
627
00:17:59,542 --> 00:18:00,291
I DANCE LIKE A STRAIGHT, WHITE
628
00:18:00,375 --> 00:18:01,125
DUDE NOW.
629
00:18:01,208 --> 00:18:02,291
YEAH.
630
00:18:02,375 --> 00:18:04,125
I HAVE NO RHYTHM WHATSOEVER.
631
00:18:04,208 --> 00:18:05,208
NO, THE NIGHT OF MY ACCIDENT, I
632
00:18:05,291 --> 00:18:07,125
WAS WEARING MY COWBOY BOOTS.
633
00:18:07,208 --> 00:18:08,917
>> OH, WHERE ARE THEY?
634
00:18:09,000 --> 00:18:10,667
>> WELL, THEY'RE STILL IN THE
635
00:18:10,750 --> 00:18:12,208
CLOSET.
636
00:18:12,291 --> 00:18:13,125
I HAVEN'T MADE IT -- I HAVEN'T
637
00:18:13,208 --> 00:18:13,709
GRADUATED TO COWBOY BOOTS YET
638
00:18:13,792 --> 00:18:14,792
BECAUSE, WELL, IT'S A DIFFERENT
639
00:18:14,875 --> 00:18:15,500
FEEL TO WALK.
640
00:18:15,583 --> 00:18:17,333
RIGHT, YOU GOT THE HEEL, AND I
641
00:18:17,417 --> 00:18:20,375
ACTUALLY HAVE TO HAVE A ZIPPER
642
00:18:20,458 --> 00:18:21,000
PUT IN SO THAT WE CAN GET IT ON
643
00:18:21,083 --> 00:18:23,583
THE PROSTHETIC FOOT.
644
00:18:23,667 --> 00:18:24,250
>> OH, YEAH, 'CAUSE YOU HAVE TO,
645
00:18:24,333 --> 00:18:24,917
LIKE, BEND YOUR FOOT TO GET INTO
646
00:18:25,000 --> 00:18:25,166
A BOOT.
647
00:18:25,250 --> 00:18:25,500
>> YEAH.
648
00:18:25,583 --> 00:18:25,959
IT IS A GOAL OF MINE.
649
00:18:26,041 --> 00:18:26,542
>> WE'RE GONNA GET A ZIPPER ON
650
00:18:26,625 --> 00:18:27,291
YOUR BOOTS.
651
00:18:27,375 --> 00:18:28,375
>> NICE, LET'S DO IT.
652
00:18:28,458 --> 00:18:29,083
>> WE'RE GONNA FIGURE IT OUT.
653
00:18:29,166 --> 00:18:30,250
WE'RE GONNA MAKE YOU A BAD ASS.
654
00:18:30,333 --> 00:18:30,709
>> COOL!
655
00:18:30,792 --> 00:18:31,959
>> FOR SURE.
656
00:18:32,041 --> 00:18:32,792
>> WELL, 'CAUSE I FEEL LIKE
657
00:18:32,875 --> 00:18:33,667
THAT'S WHAT I SHOULD BE.
658
00:18:33,750 --> 00:18:35,333
>> YOU ARE A GUY, YEAH, YEAH.
659
00:18:35,417 --> 00:18:35,792
>> I MEAN, YOU KNOW.
660
00:18:35,875 --> 00:18:36,417
I LOOK FORWARD TO SEEING YOU.
661
00:18:36,500 --> 00:18:37,166
>> WE HAVE A LOT OF COSTUMES,
662
00:18:37,250 --> 00:18:39,375
TEAMS TO GET TOGETHER.
663
00:18:39,458 --> 00:18:40,458
>> YES, AND YOU NEED TO FIND
664
00:18:40,542 --> 00:18:45,291
SOMEBODY TO PUT SOME ZIPPERS IN.
665
00:18:45,375 --> 00:18:46,750
>> THIS IS GOING TO BE THE FIRST
666
00:18:46,834 --> 00:18:48,208
TIME LYNN HAS DANCED, PROBABLY,
667
00:18:48,291 --> 00:18:48,875
SINCE HER ACCIDENT, SO WE REALLY
668
00:18:48,959 --> 00:18:51,583
GOT TO PUSH HER TO UNDERSTAND
669
00:18:51,667 --> 00:18:52,709
THAT SHE CAN DO IT AND THAT I'M
670
00:18:52,792 --> 00:18:53,417
HERE WITH HER AND I'M NOT GONNA
671
00:18:53,500 --> 00:18:56,208
LET ANYTHING HAPPEN.
672
00:18:56,291 --> 00:18:57,083
IF I CAN GET LYNN LINE DANCING
673
00:18:57,166 --> 00:18:59,291
AND GETTING DOWN, THE CROWD IS
674
00:18:59,375 --> 00:19:14,417
GONNA LOSE THEIR FUCKING MIND!
675
00:19:14,500 --> 00:19:16,083
>> SO, WELCOME TO THE CAMP.
676
00:19:16,166 --> 00:19:16,875
>> THE CAMP.
677
00:19:16,959 --> 00:19:17,750
>> YES.
678
00:19:17,834 --> 00:19:22,750
THIS IS WHERE US QUEENS DO ALL
679
00:19:22,834 --> 00:19:23,667
OF OUR GLAMOFYING AND, YOU KNOW,
680
00:19:23,750 --> 00:19:24,250
DRAGGERY AND, YOU KNOW, GAY
681
00:19:24,333 --> 00:19:24,417
SHIT.
682
00:19:24,500 --> 00:19:25,333
>> WELCOME TO MY HOME.
683
00:19:25,417 --> 00:19:26,125
>> THE DIVA!
684
00:19:26,208 --> 00:19:27,291
>> THE DIVA!
685
00:19:27,375 --> 00:19:29,041
THIS IS A VERY EXTRA GAY SPACE.
686
00:19:29,125 --> 00:19:29,625
>> DID YOU MAKE ANY OF THESE?
687
00:19:29,709 --> 00:19:31,125
>> OH, CHILD, NO.
688
00:19:31,208 --> 00:19:34,959
IF I MADE IT, IT'D BE FALLING ON
689
00:19:35,041 --> 00:19:36,959
THE GROUND APART.
690
00:19:37,041 --> 00:19:37,792
YOU KNOW, I HAVE YOU AS MY
691
00:19:37,875 --> 00:19:38,792
DAUGHTER, OF COURSE, TA-DA,
692
00:19:38,875 --> 00:19:38,959
LOOK.
693
00:19:39,041 --> 00:19:40,667
YAY.
694
00:19:40,750 --> 00:19:41,625
>> YAY.
695
00:19:41,709 --> 00:19:42,667
>> BUT I WANTED TO INVITE
696
00:19:42,750 --> 00:19:44,166
JAMARIO TO ALSO BE INVOLVED IN
697
00:19:44,250 --> 00:19:44,625
THE NUMBER WITH US.
698
00:19:44,709 --> 00:19:45,625
WOULD THAT BE FINE?
699
00:19:45,709 --> 00:19:47,291
>> AS LONG AS HE'S OKAY WITH IT.
700
00:19:47,375 --> 00:19:47,959
>> THAT INCLUDES YOU GETTING IN
701
00:19:48,041 --> 00:19:48,959
DRAG TOO.
702
00:19:49,041 --> 00:19:49,959
>> I'M OKAY WITH IT.
703
00:19:50,041 --> 00:19:50,291
>> YAY!
704
00:19:50,375 --> 00:19:52,166
OKAY.
705
00:19:52,250 --> 00:19:53,834
AND I'M TAKING ON EVERYTHING
706
00:19:53,917 --> 00:19:56,458
FROM HIPS TO TITS TO WIGS.
707
00:19:56,542 --> 00:19:58,250
WE'RE GONNA GO FULL ON.
708
00:19:58,333 --> 00:20:00,750
THE STORY IS ABOUT EMPOWERMENT
709
00:20:00,834 --> 00:20:01,375
AND CELEBRATING YOUR LIFE, AND I
710
00:20:01,458 --> 00:20:03,417
DON'T THINK THAT JOSE WOULD
711
00:20:03,500 --> 00:20:04,417
FULLY BE CELEBRATING HIS LIFE AS
712
00:20:04,500 --> 00:20:05,208
A GAY PERSON WITHOUT JAMARIO IN
713
00:20:05,291 --> 00:20:08,166
IT.
714
00:20:08,250 --> 00:20:09,333
SO, ARE YOU READY?
715
00:20:09,417 --> 00:20:10,166
>> YES.
716
00:20:10,250 --> 00:20:11,583
I FEEL READY.
717
00:20:11,667 --> 00:20:12,834
>> I'M SORRY, ARE YOU READY?
718
00:20:12,917 --> 00:20:13,834
>> I'M READY, YES.
719
00:20:13,917 --> 00:20:15,375
>> HE'S LIKE, I'M READY?
720
00:20:15,458 --> 00:20:17,917
ARE YOU READY?
721
00:20:18,000 --> 00:20:19,500
I'M SORRY?
722
00:20:19,583 --> 00:20:21,333
>> I'M READY!
723
00:20:21,417 --> 00:20:22,000
>> I WANT TO HEAR AN ECHO.
724
00:20:22,083 --> 00:20:23,291
I'M READY!
725
00:20:23,375 --> 00:20:24,500
>> I'M READY!
726
00:20:24,583 --> 00:20:25,750
>> OKAY, SHE'S READY, SHE LIVES.
727
00:20:25,834 --> 00:20:26,375
>> COME ON IN, THIS IS OUR WORK
728
00:20:26,458 --> 00:20:27,458
SPACE.
729
00:20:27,542 --> 00:20:28,208
>> MAKEUP MIRRORS.
730
00:20:28,291 --> 00:20:30,166
MOM WOULD BE SO HAPPY.
731
00:20:30,250 --> 00:20:31,000
>> OH, 'CAUSE YOU'RE IN FRONT OF
732
00:20:31,083 --> 00:20:31,667
A MAKEUP MIRROR?
733
00:20:31,750 --> 00:20:33,834
>> EXACTLY.
734
00:20:33,917 --> 00:20:34,834
>> WHAT WOULD YOU SAY IS ONE OF
735
00:20:34,917 --> 00:20:35,500
YOUR BEST FEATURES THAT YOU LIKE
736
00:20:35,583 --> 00:20:36,792
TO SHOWCASE ON STAGE?
737
00:20:36,875 --> 00:20:38,375
>> I LIKE MY CHEST AND MY LEGS.
738
00:20:38,458 --> 00:20:39,125
>> CHEST AND LEGS, OKAY, SO SHE
739
00:20:39,208 --> 00:20:40,834
WANTS TO BE NAKED.
740
00:20:40,917 --> 00:20:41,750
WHAT ABOUT YOU?
741
00:20:41,834 --> 00:20:43,875
>> ASS.
742
00:20:45,834 --> 00:20:48,333
>> I AM SO EXCITED.
743
00:20:48,417 --> 00:20:48,834
>> I'M EXCITED TOO, AND
744
00:20:48,917 --> 00:20:49,500
HONESTLY, I'VE NEVER DONE, LIKE,
745
00:20:49,583 --> 00:20:50,041
THIS TYPE OF TRANSFORMATION
746
00:20:50,166 --> 00:20:51,542
BEFORE.
747
00:20:51,625 --> 00:20:52,959
I DON'T KNOW THE MOST ABOUT
748
00:20:53,041 --> 00:20:54,000
BEING A DRAG KING.
749
00:20:54,083 --> 00:20:57,208
I MEAN, I CAN TEACH LYNN HOW TO
750
00:20:57,291 --> 00:20:57,792
DO DRAG, BUT I DON'T KNOW IF I
751
00:20:57,875 --> 00:20:59,375
CAN TEACH LYNN HOW TO BE A MAN.
752
00:20:59,458 --> 00:21:00,792
SO, I DEFINITELY NEED TO PULL IN
753
00:21:00,875 --> 00:21:02,333
SOMEBODY TO HELP US WITH THIS.
754
00:21:02,417 --> 00:21:03,333
I BROUGHT IN LANDON CIDER WHO
755
00:21:03,417 --> 00:21:04,250
IS, LIKE, A PROFESSIONAL DRAG
756
00:21:04,333 --> 00:21:04,875
KING.
757
00:21:04,959 --> 00:21:06,542
>> HI!
758
00:21:06,625 --> 00:21:08,208
NICE TO MEET YOU.
759
00:21:08,291 --> 00:21:08,667
>> HI, HOW ARE YOU?
760
00:21:08,750 --> 00:21:09,875
NICE TO MEET YOU!
761
00:21:09,959 --> 00:21:10,917
>> SHOW HIM YOUR SHIMMY.
762
00:21:11,000 --> 00:21:12,208
>> SHOW US YOUR SHIMMY.
763
00:21:12,291 --> 00:21:13,542
>> I DON'T HAVE A SHIMMY YET.
764
00:21:13,625 --> 00:21:14,250
>> A SHIMMY, YES, COME ON, GIVE
765
00:21:14,333 --> 00:21:14,792
US -- THIS IS THE SHIMMY.
766
00:21:14,875 --> 00:21:15,041
SHIMMY.
767
00:21:15,125 --> 00:21:15,250
YES!
768
00:21:18,667 --> 00:21:21,000
>> FOR THIS HERO VERSION OF A
769
00:21:21,083 --> 00:21:22,417
FIRE MARSHAL DRAG QUEEN, I AM
770
00:21:22,500 --> 00:21:25,041
THINKING THAT WE DO SOME KIND OF
771
00:21:25,125 --> 00:21:26,166
INTERPRETIVE GAS MASK THAT CAN
772
00:21:26,250 --> 00:21:26,792
THEN REVEAL THAT YOU HAVE A FULL
773
00:21:26,875 --> 00:21:27,875
BEARD UNDERNEATH ALL OF IT TOO.
774
00:21:27,959 --> 00:21:29,250
>> COOL, COOL.
775
00:21:29,333 --> 00:21:31,458
>> I LOVE YOUR RESPONSE.
776
00:21:31,542 --> 00:21:32,959
>> I MEAN, IF I LOOK LIKE THAT,
777
00:21:33,041 --> 00:21:33,291
THEN I'M DOWN.
778
00:21:33,375 --> 00:21:35,291
>> THE NUMBER IS GONNA HAVE THAT
779
00:21:35,375 --> 00:21:37,041
GREAT MEXICAN LAYER TO IT AND
780
00:21:37,125 --> 00:21:37,709
EXCITEMENT.
781
00:21:37,792 --> 00:21:38,959
>> RIGHT.
782
00:21:39,041 --> 00:21:39,583
>> I WAS THINKING, LIKE A FULL
783
00:21:39,667 --> 00:21:42,125
SENORITA MEXICO FANTASY.
784
00:21:42,208 --> 00:21:43,542
>> SEE, WE'RE GOING, LIKE, VERY
785
00:21:43,625 --> 00:21:44,041
COUNTRY BUT A LITTLE --
786
00:21:44,125 --> 00:21:45,917
>> OH, I LOVE IT, YES.
787
00:21:46,000 --> 00:21:48,792
YOU'RE STILL A LITTLE GAY.
788
00:21:51,166 --> 00:21:52,834
>> SO WHAT IS THE CLIMATE LIKE
789
00:21:52,917 --> 00:21:54,208
FOR GAYS IN MEXICAN CULTURE?
790
00:21:54,291 --> 00:21:55,291
>> I THINK IT'S A LOT OF, LIKE,
791
00:21:55,375 --> 00:21:57,250
THESE ASSUMPTIONS.
792
00:21:57,333 --> 00:21:58,458
DRAG QUEENS ARE PERVERTS AND
793
00:21:58,542 --> 00:22:00,458
THEY'RE THIS AND THEY'RE THAT.
794
00:22:00,542 --> 00:22:01,166
>> YEAH.
795
00:22:01,250 --> 00:22:02,208
JUST BAD PEOPLE AND PEOPLE YOU
796
00:22:02,291 --> 00:22:04,500
CAN'T TRUST.
797
00:22:04,583 --> 00:22:05,792
>> WHEN I FIRST CAME OUT TO MY
798
00:22:05,875 --> 00:22:07,125
MOTHER, A LOT OF TEARS, RIGHT?
799
00:22:07,208 --> 00:22:08,166
"I'M SURE IT'S JUST A PHASE."
800
00:22:08,250 --> 00:22:09,875
AND YOU'RE LIKE, "NO, MOM, VERY
801
00:22:09,959 --> 00:22:10,792
GAY.
802
00:22:10,875 --> 00:22:12,333
STAYING GAY.
803
00:22:12,417 --> 00:22:15,333
FOREVER GAY."
804
00:22:15,417 --> 00:22:17,083
>> WELL, I THINK THE MORE THAT
805
00:22:17,166 --> 00:22:18,291
PEOPLE KNOW SOMEONE, AN ACTUAL
806
00:22:18,375 --> 00:22:20,500
PERSON AS OPPOSED TO JUST AN
807
00:22:20,583 --> 00:22:22,000
IDEA OF WHAT A GAY PERSON, OR A
808
00:22:22,083 --> 00:22:23,917
DRAG QUEEN IS, MAYBE WILL HELP
809
00:22:24,000 --> 00:22:25,125
BREAK DOWN WHAT THAT STEREOTYPE
810
00:22:25,208 --> 00:22:28,583
IS.
811
00:22:28,667 --> 00:22:30,834
>> I WANT TO SHOW YOU THE ENERGY
812
00:22:30,917 --> 00:22:31,792
THAT DRAG QUEENS BRING TO THE
813
00:22:31,875 --> 00:22:32,375
STAGE WHEN THEY'RE TRYING TO
814
00:22:32,458 --> 00:22:34,583
BRING THE HOUSE DOWN.
815
00:22:34,667 --> 00:22:36,000
SO THERE'S THIS LEGENDARY QUEEN
816
00:22:36,083 --> 00:22:36,625
WHO PERFORMED THE SAME SONG THAT
817
00:22:36,709 --> 00:22:39,333
YOU'RE PERFORMING.
818
00:22:39,417 --> 00:22:40,500
TANDI IMAN DUPREE, THIS IS THE
819
00:22:40,583 --> 00:22:43,000
ENTRANCE, GET READY.
820
00:22:43,083 --> 00:22:47,166
>> BAM!
821
00:22:47,250 --> 00:22:48,000
IT'S GONNA BE HARD!
822
00:22:53,083 --> 00:22:54,500
>> SO J.LO, WHEN SHE GETS THAT
823
00:22:54,583 --> 00:22:55,709
HAIR IN HER FACE, SHE TOSSES IT
824
00:22:55,792 --> 00:22:57,291
BACK OUT.
825
00:22:57,375 --> 00:22:58,208
SO, YOU JUST.
826
00:22:58,291 --> 00:22:59,333
LET'S SAY YOU'RE DOING YOUR
827
00:22:59,417 --> 00:23:00,709
NUMBER AND THIS HAPPENS, WHAT
828
00:23:00,792 --> 00:23:01,125
YOU GONNA DO?
829
00:23:01,208 --> 00:23:03,875
YES, YES.
830
00:23:03,959 --> 00:23:05,834
I AM A WOMAN, AND I KNOW WHAT
831
00:23:05,917 --> 00:23:07,041
I'M DOING.
832
00:23:07,125 --> 00:23:09,041
>> I'M A WOMAN.
833
00:23:09,125 --> 00:23:09,834
GET THE FUCK OUT OF MY FACE,
834
00:23:09,917 --> 00:23:10,834
BITCH!
835
00:23:10,917 --> 00:23:14,834
>> YES, OH!
836
00:23:14,917 --> 00:23:15,667
>> CONFIDENCE IS KEY.
837
00:23:15,750 --> 00:23:16,542
THAT KIND OF LIKE, "HEY, LADIES,
838
00:23:16,625 --> 00:23:17,500
WHAT'S UP?"
839
00:23:17,583 --> 00:23:20,667
YOU KNOW, KIND OF, WHAT SWAGGER.
840
00:23:20,750 --> 00:23:21,583
YOU CAN DO SOME HIP THRUSTS.
841
00:23:21,667 --> 00:23:23,834
SO THERE'S, YEAH.
842
00:23:23,917 --> 00:23:24,375
HYPER MASCULINITY VERSION OF
843
00:23:24,458 --> 00:23:25,041
YOURSELF IS GONNA BE SO FUN TO
844
00:23:25,125 --> 00:23:26,792
WATCH.
845
00:23:26,875 --> 00:23:27,333
>> WHAT ARE YOUR INITIAL
846
00:23:27,417 --> 00:23:31,583
THOUGHTS?
847
00:23:31,667 --> 00:23:32,917
>> LIKE, THIS IS A LOT.
848
00:23:33,000 --> 00:23:33,667
>> I MEAN, THE TRANSFORMATION'S
849
00:23:33,750 --> 00:23:34,208
GONNA BE, YOU KNOW, HUGE!
850
00:23:35,625 --> 00:23:36,625
>> I DON'T THINK STACY
851
00:23:36,709 --> 00:23:37,291
UNDERSTANDS THE GRAVITY OF WHAT
852
00:23:37,375 --> 00:23:37,875
IT IS WE'RE DOING.
853
00:23:37,959 --> 00:23:39,000
ALLY VOICES ARE AS STRONG AS
854
00:23:39,083 --> 00:23:41,417
QUEER VOICES THEMSELVES.
855
00:23:41,500 --> 00:23:43,083
>> IT'S A HUGE DEAL WHEN THAT
856
00:23:43,166 --> 00:23:46,250
PERSON WHO EVERYBODY HAS LOOKED
857
00:23:46,333 --> 00:23:47,917
UP TO IS STANDING UP FOR A GAY
858
00:23:48,000 --> 00:23:48,208
COMMUNITY.
859
00:23:48,291 --> 00:23:48,750
>> WE GONNA LOOK LIKE THREE
860
00:23:48,834 --> 00:23:49,000
SISTERS.
861
00:23:49,083 --> 00:23:50,166
THEY GONNA THINK WE DREAM GIRLS.
862
00:23:50,208 --> 00:23:51,083
>> YES.
863
00:23:51,166 --> 00:23:52,917
>> OH, I'M DEENA.
864
00:23:53,041 --> 00:24:13,667
>> OKAY.
865
00:24:13,750 --> 00:24:15,083
>> IN THE BEGINNING, I WOULD
866
00:24:15,166 --> 00:24:16,250
WAKE UP MANY MORNINGS FORGETTING
867
00:24:16,333 --> 00:24:18,333
THAT I WAS AN AMPUTEE AND, YOU
868
00:24:18,417 --> 00:24:18,750
KNOW, THEN HAVE THAT
869
00:24:18,834 --> 00:24:20,333
REALIZATION.
870
00:24:20,417 --> 00:24:23,000
IT'S NOT A DREAM, IT'S REAL.
871
00:24:23,083 --> 00:24:23,667
COME ON, LULU, YOU WANT TO GO
872
00:24:23,750 --> 00:24:25,000
OUT?
873
00:24:25,083 --> 00:24:30,667
LET'S GO OUTSIDE.
874
00:24:30,750 --> 00:24:32,166
AFTER MY ACCIDENT, I WAS AT THE
875
00:24:32,250 --> 00:24:35,208
REHAB.
876
00:24:35,291 --> 00:24:37,583
THE EMTS ARE PUSHING ME ON THE
877
00:24:37,667 --> 00:24:39,834
STRETCHER, AND I LOOKED WAY DOWN
878
00:24:39,917 --> 00:24:40,750
THE HALL, AND THERE WAS A PERSON
879
00:24:40,834 --> 00:24:41,500
STANDING THERE WITH A LIGHT
880
00:24:41,583 --> 00:24:49,333
AROUND HER.
881
00:24:49,417 --> 00:24:51,083
AND I CAN'T TELL YOU, IT WAS NOT
882
00:24:51,166 --> 00:24:53,125
A LIGHT SOURCE LIKE YOU WOULD
883
00:24:53,208 --> 00:24:57,500
EXPECT, BUT SHE WAS ILLUMINATED.
884
00:24:57,583 --> 00:25:00,959
LOVE YOU, BABY.
885
00:25:01,041 --> 00:25:02,625
AND I REMEMBER LOOKING AT HER
886
00:25:02,709 --> 00:25:07,959
AND SAYING, "WOW, WHO IS THAT?"
887
00:25:08,041 --> 00:25:09,792
I DON'T KNOW AT THE TIME WHAT I
888
00:25:09,875 --> 00:25:11,667
WAS THINKING BECAUSE, WHO'S
889
00:25:11,750 --> 00:25:12,375
LOOKING FOR THEIR LIFE MATE IN
890
00:25:12,458 --> 00:25:14,041
THE MIDDLE OF, YOU KNOW, THIS
891
00:25:14,125 --> 00:25:18,542
TYPE OF SITUATION?
892
00:25:18,625 --> 00:25:20,875
I REMEMBER JUST LOOKING AT HER
893
00:25:20,959 --> 00:25:21,834
AND NOT REALLY KNOWING FOR SURE
894
00:25:21,917 --> 00:25:23,625
IF SHE WAS EVEN SOMEBODY THAT
895
00:25:23,709 --> 00:25:32,041
DATED WOMEN.
896
00:25:32,125 --> 00:25:33,250
>> ARE YOU SEATED?
897
00:25:33,333 --> 00:25:36,375
>> I THINK I AM.
898
00:25:36,458 --> 00:25:37,125
HAVE TO WALK FIRST.
899
00:25:37,208 --> 00:25:37,792
I WAS ACTUALLY TOLD, YOU'LL
900
00:25:37,875 --> 00:25:38,375
PROBABLY NEVER WALK AGAIN.
901
00:25:38,458 --> 00:25:41,542
GET YOUR HOUSE WHEELCHAIR READY.
902
00:25:41,625 --> 00:25:46,000
DO MY TEST WALK.
903
00:25:46,083 --> 00:25:48,750
AND I REMEMBER, ROSE WAS JUST
904
00:25:48,834 --> 00:25:52,417
LIKE, "THIS IS UNACCEPTABLE."
905
00:25:52,500 --> 00:25:53,500
AND SHE'S LIKE, "PUT THE LEG ON.
906
00:25:53,583 --> 00:25:57,291
LET'S GO."
907
00:25:57,375 --> 00:26:00,041
>> WANT TO CHECK THAT STRAP?
908
00:26:00,125 --> 00:26:00,250
>> YEAH.
909
00:26:00,333 --> 00:26:01,041
COULD BE A LITTLE BIT --
910
00:26:01,125 --> 00:26:01,542
>> IT'S A LITTLE SNUG.
911
00:26:01,625 --> 00:26:02,458
IS IT SNUG?
912
00:26:02,542 --> 00:26:03,583
OR TOO MUCH?
913
00:26:03,667 --> 00:26:05,291
>> NO, IT'S GOOD, I THINK.
914
00:26:05,375 --> 00:26:07,166
>> OH, IT'S RELEASING TOO.
915
00:26:07,250 --> 00:26:07,792
>> YEAH, JUST TIGHTEN IT JUST A
916
00:26:07,875 --> 00:26:09,208
TAD BIT SO THAT I DON'T HAVE TO
917
00:26:09,291 --> 00:26:14,041
WORK SO HARD TO OPEN.
918
00:26:14,125 --> 00:26:15,417
ALL RIGHT, LET'S TRY THAT.
919
00:26:15,500 --> 00:26:16,250
>> HOLD UP.
920
00:26:16,333 --> 00:26:16,750
STRAIGHTEN YOUR ARM OUT.
921
00:26:16,834 --> 00:26:18,291
SEE?
922
00:26:18,375 --> 00:26:20,792
>> THAT'S GOOD.
923
00:26:20,875 --> 00:26:22,959
>> ALL RIGHT?
924
00:26:23,041 --> 00:26:25,375
>> THE THING THAT I KNOW FOR
925
00:26:25,458 --> 00:26:26,041
SURE, SHE'S GONNA TAKE CARE OF
926
00:26:26,083 --> 00:26:41,875
ME.
927
00:26:41,959 --> 00:26:43,875
>> LYNN, DO Y'ALL KNOW EACH
928
00:26:43,959 --> 00:26:44,083
OTHER?
929
00:26:44,166 --> 00:26:44,959
>> I DON'T, I DON'T.
930
00:26:45,041 --> 00:26:46,125
>> NO, NO.
931
00:26:46,208 --> 00:26:46,750
>> STACY WAS A FIREFIGHTER FOR
932
00:26:46,834 --> 00:26:48,333
ABOUT TEN YEARS.
933
00:26:48,417 --> 00:26:48,834
>> YEAH, I REMEMBER YOUR
934
00:26:48,917 --> 00:26:50,667
INCIDENT, YEAH, YEAH.
935
00:26:50,750 --> 00:26:51,208
>> OH, REALLY?
936
00:26:51,291 --> 00:26:51,709
NO KIDDING, OKAY.
937
00:26:51,792 --> 00:26:53,250
YOU WERE ON THE SCENE OR --
938
00:26:53,333 --> 00:26:54,083
>> YOU LEFT, YOU LEFT.
939
00:26:54,166 --> 00:26:54,667
YOU WERE GETTING IN THE
940
00:26:54,750 --> 00:26:55,250
HELICOPTER BY THE TIME I WAS
941
00:26:55,333 --> 00:26:55,875
THERE, YEAH.
942
00:26:55,959 --> 00:26:56,375
>> YOU WERE THERE, YEAH.
943
00:26:56,458 --> 00:26:56,667
THANK YOU.
944
00:26:56,750 --> 00:26:57,250
THANK YOU FOR EVERYTHING YOU
945
00:26:57,333 --> 00:26:58,625
DID, YEAH.
946
00:26:58,709 --> 00:26:59,208
>> OH, ANY TIME, ANY TIME.
947
00:26:59,291 --> 00:26:59,542
HOW ARE YOU?
948
00:26:59,625 --> 00:27:00,834
STACY.
949
00:27:00,917 --> 00:27:01,417
>> I'M SHANGELA, NICE TO MEET
950
00:27:01,500 --> 00:27:02,166
YOU, STACY.
951
00:27:02,250 --> 00:27:03,083
LET ME INTRODUCE YOU TO MY
952
00:27:03,166 --> 00:27:03,375
FRIENDS.
953
00:27:03,458 --> 00:27:04,834
THIS IS MARIO.
954
00:27:04,917 --> 00:27:07,041
>> WE GREW UP TOGETHER.
955
00:27:07,125 --> 00:27:07,709
>> I THINK WE GREW UP TOGETHER,
956
00:27:07,792 --> 00:27:08,875
YEAH, YEAH.
957
00:27:08,959 --> 00:27:09,458
>> I LOVE THAT.
958
00:27:09,542 --> 00:27:11,709
AND JOSE.
959
00:27:11,792 --> 00:27:12,333
>> OH, Y'ALL ALREADY KNOW EACH
960
00:27:12,417 --> 00:27:13,125
OTHER?
961
00:27:13,208 --> 00:27:14,333
>> OH, MY CHILD.
962
00:27:14,417 --> 00:27:15,709
>> DRAG MAMA!
963
00:27:15,792 --> 00:27:18,750
I AM SO HAPPY YOU'RE HERE.
964
00:27:18,834 --> 00:27:21,250
>> HI, BABY, HOW YOU DOING?
965
00:27:21,333 --> 00:27:21,709
YOUR HANDS ARE COLD.
966
00:27:21,792 --> 00:27:24,083
HI, BEAUTIFUL.
967
00:27:24,166 --> 00:27:25,166
>> HOW ARE YOU GUYS FEELING
968
00:27:25,250 --> 00:27:27,000
ABOUT THE SHOW THAT'S COMING UP?
969
00:27:27,083 --> 00:27:28,250
>> I'VE HEARD WE HAVE BEEN THE
970
00:27:28,333 --> 00:27:29,667
HOT TOPIC ON RUSTON RANTS.
971
00:27:29,750 --> 00:27:30,959
>> WHAT IS THAT?
972
00:27:31,041 --> 00:27:32,291
>> WAIT, WHAT'S RUSTON RANTS?
973
00:27:32,375 --> 00:27:33,542
>> ON FACEBOOK.
974
00:27:33,625 --> 00:27:35,166
>> IT'S A GOSSIPING LITTLE --
975
00:27:35,250 --> 00:27:35,750
>> YEAH, IT'S FOR VERY NARROW
976
00:27:35,834 --> 00:27:36,083
MINDED PEOPLE.
977
00:27:38,000 --> 00:27:39,083
>> SO YOU THINK VERY HIGHLY OF
978
00:27:39,166 --> 00:27:41,542
IT.
979
00:27:41,625 --> 00:27:44,792
>> I SEE YOU'RE A BIG FAN, ROSE.
980
00:27:44,875 --> 00:27:48,750
>> I GOT KICKED OFF, SO.
981
00:27:48,834 --> 00:27:51,083
>> 20,000 MEMBERS OF RUSTON
982
00:27:51,166 --> 00:27:51,500
RANTS!
983
00:27:51,583 --> 00:27:53,500
>> THAT'S THE WHOLE TOWN, YEAH.
984
00:27:53,583 --> 00:27:54,417
>> THE PEOPLE THAT YOU WOULD
985
00:27:54,500 --> 00:27:54,875
EXPECT WHO WOULDN'T BE
986
00:27:54,959 --> 00:27:55,583
SUPPORTIVE, THEY'RE LIKE, LET
987
00:27:55,667 --> 00:27:58,667
'EM DO WHATEVER THEM DOING.
988
00:27:58,750 --> 00:28:00,542
THE FOLKS WILL BE, LIKE, "I LOVE
989
00:28:00,625 --> 00:28:01,417
YOU" OR LIKE, "THAT'S NOT A
990
00:28:01,500 --> 00:28:04,917
CHRISTIAN THING TO DO."
991
00:28:05,000 --> 00:28:05,500
>> SO IT'S BEEN...
992
00:28:05,583 --> 00:28:06,083
THEY'RE THE ONES LIKE WRITING
993
00:28:06,166 --> 00:28:06,750
CITY HALL, BEING LIKE, "THE GAYS
994
00:28:06,834 --> 00:28:07,917
ARE TAKING OVER."
995
00:28:08,000 --> 00:28:08,542
>> BUT THEY SAY THESE THINGS
996
00:28:08,625 --> 00:28:09,083
WHEN THEY ARE BEHIND THEIR
997
00:28:09,166 --> 00:28:10,208
KEYBOARD.
998
00:28:10,291 --> 00:28:12,959
THEY DON'T SAY IT OUT --
999
00:28:13,041 --> 00:28:13,750
>> IF YOU MET 'EM OUT IN PUBLIC?
1000
00:28:13,834 --> 00:28:16,083
YEAH, THEY WOULDN'T SAY THAT.
1001
00:28:16,166 --> 00:28:16,917
>> NO, THEY GONNA RUN.
1002
00:28:17,000 --> 00:28:17,834
'CAUSE I'VE HAD INTERACTIONS
1003
00:28:17,917 --> 00:28:20,750
WHERE THEY TAKE OFF RUNNING.
1004
00:28:20,834 --> 00:28:23,917
>> SO, DO YOU FEEL LIKE HAVING
1005
00:28:24,000 --> 00:28:25,125
THIS EVENT, THEN, ON TUESDAY
1006
00:28:25,208 --> 00:28:25,750
NIGHT, DO YOU THINK IT'S GOING
1007
00:28:25,834 --> 00:28:26,750
TO MAKE A MARK ON RUSTON, IT'S
1008
00:28:26,834 --> 00:28:28,083
GOING TO MAKE A DIFFERENCE IN
1009
00:28:28,166 --> 00:28:30,792
THIS TOWN, YOU THINK?
1010
00:28:30,875 --> 00:28:32,250
>> I THINK FOR THOSE PEOPLE THAT
1011
00:28:32,333 --> 00:28:32,875
HAVE NEVER PARTICIPATED IN BEING
1012
00:28:32,959 --> 00:28:33,625
INVOLVED IN THAT ARE GONNA BE
1013
00:28:33,709 --> 00:28:36,375
LIKE, WOW, THIS IS NOT WHAT I
1014
00:28:36,458 --> 00:28:39,125
THOUGHT.
1015
00:28:39,208 --> 00:28:39,792
>> SO DON'T FORGET, GUYS, WE
1016
00:28:39,875 --> 00:28:40,917
ALSO HAVE REHEARSAL TOMORROW.
1017
00:28:41,000 --> 00:28:42,834
>> REHEARSAL TOMORROW.
1018
00:28:42,917 --> 00:28:44,458
>> THERE ARE A LOT OF PEOPLE IN
1019
00:28:44,542 --> 00:28:49,250
THIS COMMUNITY WHO MAY NOT FEEL
1020
00:28:49,333 --> 00:28:49,875
COMFORTABLE BEING AS OUT, LOUD,
1021
00:28:49,959 --> 00:28:50,500
AND PROUD OR BEING AN ALLY LIKE
1022
00:28:50,583 --> 00:28:51,125
YOU GUYS ARE ON THAT STAGE AND
1023
00:28:51,208 --> 00:28:51,750
IF YOU GIVE THEM THE AMOUNT OF
1024
00:28:51,834 --> 00:28:53,959
CONFIDENCE THAT YOU HAVE AND YOU
1025
00:28:54,041 --> 00:28:55,125
GIVE THEM THE PRIDE THAT YOU
1026
00:28:55,208 --> 00:28:57,166
GUYS HAVE, THEN IT'S GONNA
1027
00:28:57,250 --> 00:28:57,792
REALLY HELP SOMEBODY OUT, AND
1028
00:28:57,875 --> 00:29:01,959
THAT'S REALLY WHY WE'RE HERE.
1029
00:29:02,041 --> 00:29:02,625
>> WE'RE GONNA GET, RUSTON'S GOT
1030
00:29:02,750 --> 00:29:03,625
SOMETHING TO RANT ABOUT.
1031
00:29:03,667 --> 00:29:05,417
>> HEY!
1032
00:29:05,500 --> 00:29:06,166
>> HEY, HEY, YOU GUYS, LISTEN.
1033
00:29:06,250 --> 00:29:09,166
THERE'S A MARDI GRAS FESTIVAL,
1034
00:29:09,250 --> 00:29:09,500
WE SHOULD GO.
1035
00:29:09,583 --> 00:29:21,083
WORK.
1036
00:29:34,125 --> 00:29:34,625
>> DO THEY HAVE, LIKE, CERTAIN
1037
00:29:34,709 --> 00:29:35,959
BARBECUES AND STUFF LIKE THAT?
1038
00:29:36,041 --> 00:29:36,542
>> WELL, MY WIFE ALWAYS COOKS
1039
00:29:36,625 --> 00:29:37,166
SOME CORN DOGS AND THAT'S --
1040
00:29:37,250 --> 00:29:40,375
>> WORK.
1041
00:29:40,458 --> 00:29:44,125
>> HOP UP ON 'EM.
1042
00:29:44,208 --> 00:29:45,208
IS THIS, LIKE, TRADITIONAL NEW
1043
00:29:45,291 --> 00:29:49,500
ORLEANS MUSIC?
1044
00:29:49,583 --> 00:29:55,083
>> YES, THIS IS IT.
1045
00:29:55,166 --> 00:29:55,709
>> OH MY GOSH, AND YOU MAKE THE
1046
00:29:55,792 --> 00:29:56,333
CAT FRY RIGHT HERE?
1047
00:29:56,417 --> 00:29:57,125
>> YEAH.
1048
00:29:57,208 --> 00:29:57,709
>> OH, I LOVE IT.
1049
00:29:57,792 --> 00:29:59,166
YEP, SIGN ME UP.
1050
00:29:59,250 --> 00:30:01,208
THIS IS MY FIRST TIME TO RUSTON.
1051
00:30:01,291 --> 00:30:01,583
>> REALLY?
1052
00:30:01,667 --> 00:30:04,250
>> YES!
1053
00:30:04,333 --> 00:30:05,041
I'M SHANGELA, BY THE WAY.
1054
00:30:05,125 --> 00:30:05,875
WHAT'S YOUR NAME?
1055
00:30:05,959 --> 00:30:06,750
>> I'M JACKIE K.
1056
00:30:06,834 --> 00:30:07,333
>> NICE TO MEET YOU, MISS
1057
00:30:07,417 --> 00:30:08,625
JACKIE.
1058
00:30:08,709 --> 00:30:15,041
AND LOOK, IF Y'ALL ARE HERE ON
1059
00:30:15,125 --> 00:30:15,583
TUESDAY, OUR SHOW IS 7:00.
1060
00:30:15,667 --> 00:30:16,166
WE'RE DOING A BIG DRAG SHOW
1061
00:30:16,250 --> 00:30:16,375
HERE.
1062
00:30:16,458 --> 00:30:16,959
HAVE YOU EVER BEEN TO A DRAG
1063
00:30:17,041 --> 00:30:17,291
SHOW?
1064
00:30:17,375 --> 00:30:17,792
>> OH, HAVE I!
1065
00:30:17,875 --> 00:30:20,417
YES.
1066
00:30:20,500 --> 00:30:21,458
>> WHAT?
1067
00:30:21,542 --> 00:30:22,458
>> YES.
1068
00:30:22,542 --> 00:30:23,750
>> I LOVE IT.
1069
00:30:23,834 --> 00:30:24,375
>> I'D BETTER GET YOU SOME RED
1070
00:30:24,458 --> 00:30:24,917
KOOL-AID.
1071
00:30:25,000 --> 00:30:25,750
>> OH, OKAY, RED KOOL-AID.
1072
00:30:25,834 --> 00:30:28,000
>> YOU GOT TO HAVE RED KOOL-AID.
1073
00:30:28,083 --> 00:30:28,250
>> OKAY.
1074
00:30:28,333 --> 00:30:29,375
OH, MISS JACKIE, THANK YOU.
1075
00:30:29,458 --> 00:30:30,667
>> I'M PUTTING SOME EXTRA FISH
1076
00:30:30,750 --> 00:30:31,500
ON.
1077
00:30:31,583 --> 00:30:32,500
>> YOU ARE?
1078
00:30:32,583 --> 00:30:33,333
OH, I'M SO FISH!
1079
00:30:33,417 --> 00:30:33,917
YES, GOD!
1080
00:30:34,000 --> 00:30:34,667
GOT TO SERVE ME FOR THE FIRST
1081
00:30:34,750 --> 00:30:35,959
TIME WITH SOME FISH!
1082
00:30:36,041 --> 00:30:36,250
YES, GOD!
1083
00:30:36,333 --> 00:30:36,542
GO FISH!
1084
00:30:36,625 --> 00:30:37,458
GO FISH!
1085
00:30:37,542 --> 00:30:38,667
GO FISH!
1086
00:30:38,750 --> 00:30:39,875
GO FISH!
1087
00:30:39,959 --> 00:30:40,875
GO FISH!
1088
00:30:40,959 --> 00:30:41,667
GO FISH!
1089
00:30:41,750 --> 00:30:42,709
OW!
1090
00:30:42,792 --> 00:30:55,792
I LIKE THIS TOWN.
1091
00:30:58,875 --> 00:31:00,667
>> WORK.
1092
00:31:00,750 --> 00:31:02,542
>> OH, THAT DOESN'T OPEN EASY.
1093
00:31:02,625 --> 00:31:03,792
>> WORK.
1094
00:31:03,875 --> 00:31:04,750
ISN'T THIS WILD?
1095
00:31:04,834 --> 00:31:06,291
>> THIS IS VERY WILD.
1096
00:31:06,375 --> 00:31:07,625
>> OOH, OKAY, SO WE GOT SOME
1097
00:31:07,709 --> 00:31:08,083
DUCKIES HERE.
1098
00:31:08,166 --> 00:31:08,667
>> I BELIEVE THOSE ARE GEESE,
1099
00:31:08,750 --> 00:31:09,208
ACTUALLY.
1100
00:31:09,291 --> 00:31:10,375
>> OH, ARE THEY GEESE?
1101
00:31:10,458 --> 00:31:11,083
>> YEAH, THOSE WOULD BE THE
1102
00:31:11,166 --> 00:31:11,709
GEESE.
1103
00:31:11,792 --> 00:31:12,208
>> HI, GIRLS.
1104
00:31:12,291 --> 00:31:12,875
ALL RIGHT, SO WE'RE GONNA GET
1105
00:31:12,959 --> 00:31:13,291
SOME REHEARSAL IN.
1106
00:31:13,375 --> 00:31:14,083
ARE YOU EXCITED?
1107
00:31:14,166 --> 00:31:14,291
>> OKAY.
1108
00:31:14,375 --> 00:31:15,542
I AM VERY.
1109
00:31:15,625 --> 00:31:16,333
JUST A LITTLE CONCERNED, BECAUSE
1110
00:31:16,417 --> 00:31:19,041
I HAVEN'T DANCED.
1111
00:31:19,125 --> 00:31:20,625
>> YOU HAVEN'T DANCED?
1112
00:31:20,709 --> 00:31:21,208
>> I HAVE NOT DANCED SINCE MY
1113
00:31:21,291 --> 00:31:21,625
ACCIDENT.
1114
00:31:21,709 --> 00:31:22,667
>> OKAY.
1115
00:31:22,750 --> 00:31:24,917
HOW DOES THAT FEEL?
1116
00:31:25,000 --> 00:31:25,542
BECAUSE YOU'RE THE GENTLEMAN, SO
1117
00:31:25,625 --> 00:31:25,834
I THINK...
1118
00:31:25,917 --> 00:31:26,542
AND I'LL HOLD YOU LIKE THIS.
1119
00:31:26,625 --> 00:31:27,041
>> YEAH, THAT'S RIGHT.
1120
00:31:27,125 --> 00:31:28,000
WOULD YOU, PLEASE?
1121
00:31:28,083 --> 00:31:29,166
>> I KNOW I'M THE LADY.
1122
00:31:29,250 --> 00:31:30,333
YOU AIN'T GOTS TO WORRY ABOUT
1123
00:31:30,417 --> 00:31:31,250
THAT, PAPA.
1124
00:31:34,667 --> 00:31:36,667
>> I'M JUST NOT A GOOD DANCER.
1125
00:31:36,792 --> 00:31:37,250
>> DON'T THINK OF THIS AS
1126
00:31:37,291 --> 00:31:37,625
DANCING, RIGHT?
1127
00:31:37,667 --> 00:31:38,834
WE'RE JUST WALKING AROUND.
1128
00:31:38,959 --> 00:31:43,792
ONE, TWO, THREE, FOUR.
1129
00:31:43,875 --> 00:31:44,041
>> RIGHT.
1130
00:31:44,125 --> 00:31:53,750
AND TURN?
1131
00:31:57,458 --> 00:31:57,959
>> COME ON, STAND.
1132
00:31:59,917 --> 00:32:01,709
>> OH, I NEED TO LOOK AT IT.
1133
00:32:01,792 --> 00:32:03,375
>> COME ON, FISH.
1134
00:32:03,458 --> 00:32:06,041
>> THE HUSTLE, COME ON.
1135
00:32:06,125 --> 00:32:08,250
OH, GIRL, USE THIS.
1136
00:32:08,333 --> 00:32:08,875
>> JOSE CAN'T EVEN WALK IN THE
1137
00:32:08,959 --> 00:32:09,083
HEEL.
1138
00:32:09,166 --> 00:32:09,709
I'M LIKE, WHAT KIND OF GAY BOY
1139
00:32:09,792 --> 00:32:09,917
ARE YOU?
1140
00:32:10,000 --> 00:32:10,583
YOU AIN'T NEVER PLAYED UP IN THE
1141
00:32:10,667 --> 00:32:10,917
PUMP?
1142
00:32:11,000 --> 00:32:12,083
'CAUSE I KNOW WHEN MY MAMA LEFT,
1143
00:32:12,166 --> 00:32:18,875
I WAS UP IN THE PUMP, OKAY?
1144
00:32:18,959 --> 00:32:20,125
SO I'M GONNA GET AN AEROBICS
1145
00:32:20,208 --> 00:32:23,834
FANTASY GOING ON.
1146
00:32:23,917 --> 00:32:24,709
>> SO LIKE BAT WINGS?
1147
00:32:24,792 --> 00:32:25,625
LIKE P90X STYLE?
1148
00:32:25,709 --> 00:32:26,375
>> YEAH, BUT NO, 'CAUSE THAT IS
1149
00:32:26,458 --> 00:32:27,834
NOT THE STUFF.
1150
00:32:27,917 --> 00:32:30,542
>> NAOMI CAMPBELL, SET, GO.
1151
00:32:30,625 --> 00:32:32,250
COME ON, BABY.
1152
00:32:32,333 --> 00:32:33,208
>> I'M GONNA FALL.
1153
00:32:33,291 --> 00:32:34,083
>> YOU ARE NOT GONNA FALL.
1154
00:32:34,166 --> 00:32:34,917
KEEP YOUR STATURE, YOUR POSTURE
1155
00:32:35,000 --> 00:32:36,083
IS UP, YOUR HEAD IS UP LIKE A
1156
00:32:36,166 --> 00:32:36,709
BOOK IS ON TOP AND YOU GONNA HIT
1157
00:32:36,792 --> 00:32:37,417
THAT SIDE CORNER.
1158
00:32:37,500 --> 00:32:38,834
YOU READY?
1159
00:32:38,917 --> 00:32:39,458
FIVE, SIX, SEVEN, EIGHT AND
1160
00:32:39,542 --> 00:32:43,667
WALK.
1161
00:32:43,750 --> 00:32:44,750
I'M GETTING A LITTLE NERVOUS
1162
00:32:44,834 --> 00:32:47,375
WITH YOU IN THIS SHOE.
1163
00:32:47,458 --> 00:32:48,417
FOR DANCING AND FOR ALL THAT WE
1164
00:32:48,500 --> 00:32:50,458
HAVE TO DO.
1165
00:32:50,542 --> 00:32:54,709
SO LET'S TRY ON A BOOT, OKAY?
1166
00:32:54,792 --> 00:32:56,834
NOW, THAT'S A SICKENING BOOT.
1167
00:32:56,917 --> 00:33:01,291
CAT WALK ACROSS THE STAGE.
1168
00:33:01,375 --> 00:33:02,375
>> HANDS ON MY HIPS.
1169
00:33:02,458 --> 00:33:02,959
>> THERE YOU GO, YEAH, YES!
1170
00:33:03,041 --> 00:33:03,125
YES!
1171
00:33:03,208 --> 00:33:03,875
PUT YOUR HEAD UP!
1172
00:33:03,959 --> 00:33:04,458
THERE YOU GO.
1173
00:33:04,542 --> 00:33:06,792
LESSON ON THE CHOREO, OKAY?
1174
00:33:06,875 --> 00:33:09,750
>> YEAH, I FORGOT.
1175
00:33:09,834 --> 00:33:11,583
>> SO I'M GONNA NEED THE MUSIC
1176
00:33:11,667 --> 00:33:19,792
AND A COCKTAIL, GOOD LORD.
1177
00:33:19,875 --> 00:33:21,041
>> TAP, TAP, UP AND CLAP.
1178
00:33:21,125 --> 00:33:22,667
>> YEAH, YEAH.
1179
00:33:22,750 --> 00:33:23,792
>> STEP, TOUCH, STEP, TOUCH,
1180
00:33:23,875 --> 00:33:24,750
STEP, TOUCH.
1181
00:33:24,834 --> 00:33:25,542
>> OH, FRONT AND BACK, YEAH.
1182
00:33:25,625 --> 00:33:26,125
>> YEAH, OH, YEAH.
1183
00:33:26,208 --> 00:33:29,166
FRONT AND BACK.
1184
00:33:29,250 --> 00:33:29,667
>> THERE YOU GO.
1185
00:33:29,750 --> 00:33:30,000
OH, YOU GOT IT.
1186
00:33:30,083 --> 00:33:31,041
YOU KNOW HOW TO DO THAT.
1187
00:33:31,125 --> 00:33:37,041
WHY ARE YOU PRETENDING?
1188
00:33:37,125 --> 00:33:37,583
>> SOMETIMES DRAG IS BIG.
1189
00:33:37,667 --> 00:33:38,250
'CAUSE YOU HAVE TO SEE IT ON THE
1190
00:33:38,333 --> 00:33:38,500
BACK ROW!
1191
00:33:38,583 --> 00:33:39,375
NOT HERE.
1192
00:33:39,458 --> 00:33:40,417
OH, EXTEND ALL THE WAY.
1193
00:33:40,500 --> 00:33:42,417
>> EXTEND.
1194
00:33:42,500 --> 00:33:43,583
>> SO, IF YOU FORGET YOUR WORDS,
1195
00:33:43,667 --> 00:33:45,333
YOU JUST START SAYING WATERMELON
1196
00:33:45,417 --> 00:33:45,834
MOTHERFUCKER, AND FOR SOME
1197
00:33:45,917 --> 00:33:47,834
REASON.
1198
00:33:47,917 --> 00:33:48,417
IT LOOKS LIKE YOU MIGHT NO A
1199
00:33:48,500 --> 00:33:49,917
WORD OR TWO.
1200
00:33:50,000 --> 00:33:52,500
>> FANTASTIC!
1201
00:33:52,583 --> 00:33:53,792
>> WATERMELON MOTHERFUCKER!
1202
00:33:53,875 --> 00:33:55,834
FOR SURE.
1203
00:33:55,917 --> 00:33:58,959
>> I AM A LADY, HA!
1204
00:33:59,041 --> 00:33:59,750
I AM SELENA.
1205
00:33:59,834 --> 00:34:00,125
OOH.
1206
00:34:00,208 --> 00:34:00,375
WHAT IS...
1207
00:34:00,458 --> 00:34:02,041
OOH.
1208
00:34:02,125 --> 00:34:03,875
HELP ME, JESUS.
1209
00:34:03,959 --> 00:34:06,500
>> IT'S JUST A TURN.
1210
00:34:06,583 --> 00:34:07,125
>> WHAT YOU ALSO HAVE TO
1211
00:34:07,208 --> 00:34:08,583
REMEMBER TOO, LET ME TELL YOU
1212
00:34:08,667 --> 00:34:11,041
RIGHT NOW, THIS PERFORMANCE AND
1213
00:34:11,166 --> 00:34:13,000
WHAT WE'RE DOING, GOES BEYOND IF
1214
00:34:13,083 --> 00:34:14,125
YOU TURN AND STEP ON THE RIGHT
1215
00:34:14,208 --> 00:34:14,917
FOOT AT THE RIGHT TIME.
1216
00:34:15,000 --> 00:34:17,083
>> RIGHT.
1217
00:34:17,166 --> 00:34:18,417
>> I'M GONNA NEED HIM TO, LIKE,
1218
00:34:18,500 --> 00:34:20,083
LIVEN UP, BECAUSE I THINK IT'S
1219
00:34:20,166 --> 00:34:21,083
IMPORTANT THAT OTHER PEOPLE SEE
1220
00:34:21,166 --> 00:34:22,542
WHAT STACY'S DOING AND THAT HE
1221
00:34:22,625 --> 00:34:25,542
DO IT UNABASHEDLY.
1222
00:34:25,625 --> 00:34:26,083
>> IT IS PUTTING EVERYTHING
1223
00:34:26,166 --> 00:34:26,375
TOGETHER.
1224
00:34:26,458 --> 00:34:27,583
THAT'S WHAT IT COMES DOWN TO.
1225
00:34:27,667 --> 00:34:28,458
>> I'M GONNA TELL YOU NOW, I
1226
00:34:28,542 --> 00:34:29,250
DON'T KNOW WHAT TIME YOU'LL BE
1227
00:34:29,333 --> 00:34:30,375
UP IN THE MORNING, BUT IF YOU
1228
00:34:30,458 --> 00:34:31,000
DON'T HAVE THIS MEMORIZED
1229
00:34:31,083 --> 00:34:32,625
TONIGHT BEFORE YOU GO TO BED.
1230
00:34:32,709 --> 00:34:33,250
>> WE'RE NOT GOING TO SLEEP
1231
00:34:33,333 --> 00:34:34,583
TONIGHT, BITCH.
1232
00:34:34,667 --> 00:34:36,750
>> I KNOW.
1233
00:34:36,834 --> 00:34:37,500
>> I'M A LITTLE NERVOUS FOR
1234
00:34:37,583 --> 00:34:39,000
JOSE.
1235
00:34:39,083 --> 00:34:41,166
THE SHOW IS UPON US, OKAY?
1236
00:34:41,250 --> 00:34:41,792
>> NO, I MEAN, I LOOK FORWARD TO
1237
00:34:41,875 --> 00:34:43,709
IT.
1238
00:34:43,792 --> 00:34:45,291
I WISH WE KIND OF HAD LIKE A
1239
00:34:45,375 --> 00:34:47,041
TELEPROMPT.
1240
00:34:47,125 --> 00:34:47,959
>> TELEPROMPTER!
1241
00:34:48,041 --> 00:34:48,625
LISTEN, WE'LL DO WHAT WE GOT TO
1242
00:34:48,709 --> 00:34:49,417
DO TO GET WHERE WE GOT TO GET,
1243
00:34:49,500 --> 00:35:01,125
OKAY?
1244
00:35:01,208 --> 00:35:01,792
>> HOW OFTEN DO YOU COME OVER
1245
00:35:01,875 --> 00:35:03,875
HERE?
1246
00:35:03,959 --> 00:35:05,917
>> ONCE OR TWICE A MONTH.
1247
00:35:06,000 --> 00:35:07,291
>> OKAY.
1248
00:35:07,375 --> 00:35:09,333
BUT YOU LIVE IN THIS TOWN TOO.
1249
00:35:09,417 --> 00:35:11,041
SO IT SOUNDS TO ME LIKE YOU AND
1250
00:35:11,125 --> 00:35:12,834
YOUR MOM HAVE A SOMEWHAT OF A
1251
00:35:12,917 --> 00:35:13,709
ROCKY RELATIONSHIP?
1252
00:35:13,792 --> 00:35:15,250
>> YEAH.
1253
00:35:15,333 --> 00:35:16,250
>> DO YOU LOVE HER?
1254
00:35:16,333 --> 00:35:17,792
>> YES.
1255
00:35:17,875 --> 00:35:20,750
HER, BRINGING US HERE AND TAKING
1256
00:35:20,834 --> 00:35:21,542
ME AWAY FROM HOW BAD MY LIFE WAS
1257
00:35:21,625 --> 00:35:22,417
BACK IN MEXICO, I'M JUST
1258
00:35:22,500 --> 00:35:24,834
GRATEFUL FOR THAT.
1259
00:35:24,917 --> 00:35:25,417
I LIVED WITH HER TILL I WAS
1260
00:35:25,500 --> 00:35:27,917
ALMOST 19.
1261
00:35:28,000 --> 00:35:29,333
>> OKAY.
1262
00:35:29,417 --> 00:35:30,000
>> AND THAT'S IT, AND THEN I'VE
1263
00:35:30,083 --> 00:35:30,792
BEEN ON MY OWN SINCE THEN.
1264
00:35:30,875 --> 00:35:33,041
WHY DID YOU MOVE OUT?
1265
00:35:33,125 --> 00:35:36,333
>> WE HAD A FALL-OUT.
1266
00:35:36,417 --> 00:35:38,083
I TOLD HER I WAS GONNA GO SEE A
1267
00:35:38,166 --> 00:35:40,625
GUY THAT I WANTED TO DATE AND
1268
00:35:40,709 --> 00:35:42,166
SHE WAS LIKE, IF YOU GO OUT AND
1269
00:35:42,250 --> 00:35:43,709
SEE HIM, DON'T COME BACK.
1270
00:35:43,792 --> 00:35:51,166
YOU KNOW?
1271
00:35:51,250 --> 00:35:52,125
>> DID YOU GUYS EVER, LIKE, HAVE
1272
00:35:52,208 --> 00:35:53,333
THAT TALK WHERE YOU WERE, LIKE,
1273
00:35:53,417 --> 00:35:55,125
"MOM, I WANT YOU TO HEAR ME,
1274
00:35:55,208 --> 00:35:58,000
THIS IS HOW I FELT AS A KID."
1275
00:35:58,083 --> 00:36:00,667
>> NO.
1276
00:36:00,750 --> 00:36:01,667
TO THIS DAY, NOW WE ALWAYS TRY
1277
00:36:01,750 --> 00:36:02,250
TO NOT TALK ABOUT STUFF LIKE
1278
00:36:02,333 --> 00:36:04,625
THAT.
1279
00:36:04,709 --> 00:36:05,959
AND WHENEVER I DO TRY AND TALK
1280
00:36:06,041 --> 00:36:07,291
ABOUT IT OR ANYBODY TRIES TO
1281
00:36:07,417 --> 00:36:08,125
TALK ABOUT IT, IT JUST GETS SHUT
1282
00:36:08,208 --> 00:36:09,250
DOWN BECAUSE THEY DON'T KNOW AND
1283
00:36:09,333 --> 00:36:10,000
I DON'T KNOW HOW TO COPE WITH
1284
00:36:10,083 --> 00:36:12,250
IT.
1285
00:36:12,333 --> 00:36:13,417
>> WELL, YOU KNOW WHAT HAPPENS
1286
00:36:13,500 --> 00:36:14,041
WHEN THINGS GET BOTTLED UP AND
1287
00:36:14,125 --> 00:36:14,750
IGNORED.
1288
00:36:14,834 --> 00:36:15,709
THEY JUST SIT THERE AND THEY EAT
1289
00:36:15,792 --> 00:36:19,542
AWAY AT YOU.
1290
00:36:19,625 --> 00:36:20,834
HELLO!
1291
00:36:20,917 --> 00:36:22,208
>> HI.
1292
00:36:22,291 --> 00:36:23,375
>> HOW YOU DOING?
1293
00:36:23,458 --> 00:36:24,208
>> HI!
1294
00:36:24,291 --> 00:36:26,041
I'M DJ, OR SHANGELA.
1295
00:36:26,125 --> 00:36:27,041
>> NICE TO MEET YOU.
1296
00:36:27,125 --> 00:36:28,041
>> NICE TO MEET YOU.
1297
00:36:28,125 --> 00:36:28,875
>> MY NAME IS ROSIO.
1298
00:36:28,959 --> 00:36:29,208
>> ROSIO.
1299
00:36:29,291 --> 00:36:30,750
I LOVE IT.
1300
00:36:30,834 --> 00:36:32,250
BEAUTIFUL.
1301
00:36:32,333 --> 00:36:33,125
NICE TO MEET YOU, ROSIO.
1302
00:36:33,208 --> 00:36:33,500
A PLEASURE.
1303
00:36:33,583 --> 00:36:35,333
ARE YOU MAKING ME SOME CEREAL?
1304
00:36:35,417 --> 00:36:37,000
>> YEAH.
1305
00:36:37,083 --> 00:36:37,542
>> YEAH, I WANT A BOWL OF
1306
00:36:37,625 --> 00:36:43,959
CEREAL, MAMA!
1307
00:36:44,083 --> 00:36:44,583
EVERY MORNING, WHEN I WAS A
1308
00:36:44,667 --> 00:36:45,750
LITTLE KID, MY GRANDMA, SHE
1309
00:36:45,792 --> 00:36:47,458
WOULD GIVE ME A BOWL OF FROSTY
1310
00:36:47,542 --> 00:36:48,583
FLAKES AND THAT'S WHAT I'D EAT,
1311
00:36:48,667 --> 00:36:49,166
AND SHE WOULD DUMP SUGAR ON IT
1312
00:36:49,250 --> 00:36:50,250
THOUGH.
1313
00:36:50,333 --> 00:36:52,291
>> OH.
1314
00:36:52,375 --> 00:36:53,333
>> I DIDN'T HAVE NO TEETH.
1315
00:36:53,417 --> 00:36:55,917
I HAD TO GET 'EM ALL NEW.
1316
00:36:57,333 --> 00:36:59,959
HOW WAS JOSE GROWING UP?
1317
00:37:00,041 --> 00:37:02,625
AS A NIÑO, AS A KID?
1318
00:37:02,709 --> 00:37:03,375
>> HE WAS A GOOD BOY, JUST WHEN
1319
00:37:03,458 --> 00:37:05,333
HE LITTLE.
1320
00:37:05,417 --> 00:37:09,792
WHEN HE IS MOVING HERE IS A LOT
1321
00:37:09,875 --> 00:37:12,291
FOR HIM, FOR CHANGE EVERYTHING
1322
00:37:12,375 --> 00:37:12,792
AND THIS IS CONFUSED, NO
1323
00:37:12,875 --> 00:37:14,125
ENGLISH, NOTHING, GOING TO
1324
00:37:14,208 --> 00:37:16,792
SCHOOLING HERE IN SIXTH GRADE.
1325
00:37:16,875 --> 00:37:18,458
I CAN ONLY IMAGINE.
1326
00:37:18,542 --> 00:37:19,000
>> I STARTED SCHOOL WITH NO
1327
00:37:19,083 --> 00:37:19,750
ENGLISH.
1328
00:37:19,834 --> 00:37:21,083
>> YEAH, NOTHING.
1329
00:37:21,166 --> 00:37:21,834
>> WERE YOU MORE QUIET IN
1330
00:37:21,917 --> 00:37:22,709
SCHOOL?
1331
00:37:22,792 --> 00:37:24,291
>> OH, YEAH.
1332
00:37:24,375 --> 00:37:24,834
>> ONE YEAR HE HAS TO SPEAK
1333
00:37:24,917 --> 00:37:25,166
ENGLISH.
1334
00:37:25,250 --> 00:37:26,625
>> ONE YEAR ONLY?
1335
00:37:26,709 --> 00:37:29,000
>> IN ONE YEAR ONLY.
1336
00:37:29,083 --> 00:37:29,792
THIS IS COMING TO HIM 'CAUSE
1337
00:37:29,875 --> 00:37:30,333
HE'S GONE TO SCHOOL, IN THE
1338
00:37:30,417 --> 00:37:32,250
SCHOOL.
1339
00:37:32,333 --> 00:37:34,083
NEVER COMPLAIN IN THE SCHOOL.
1340
00:37:34,166 --> 00:37:36,375
AND THEN IN THE SCHOOL, SOMEBODY
1341
00:37:36,458 --> 00:37:37,166
PUSH ON HIM AND --
1342
00:37:37,250 --> 00:37:38,000
>> BULLYING.
1343
00:37:38,083 --> 00:37:39,250
>> BULLYING.
1344
00:37:39,333 --> 00:37:39,875
>> UH-HUH, THE BULLYING ON THE
1345
00:37:39,959 --> 00:37:41,625
SCHOOL.
1346
00:37:41,709 --> 00:37:49,959
HE HAS NOT TOLD ME, BUT I...
1347
00:37:50,041 --> 00:37:51,667
HE'S TOLD TO ME EVERYTHING.
1348
00:37:51,750 --> 00:37:52,667
>> WHY DO YOU FEEL THAT YOU
1349
00:37:52,750 --> 00:37:53,500
WOULDN'T FEEL COMFORTABLE COMING
1350
00:37:53,583 --> 00:37:55,875
HOME AND TELLING YOUR MOM?
1351
00:37:55,959 --> 00:37:57,083
>> I THINK SHE'S MORE WORRIED
1352
00:37:57,166 --> 00:37:58,500
ABOUT, LIKE, WHAT THEY WILL SAY
1353
00:37:58,583 --> 00:38:01,041
ABOUT HER AND THE FAMILY AND,
1354
00:38:01,125 --> 00:38:01,667
YOU KNOW, WHAT THEY WILL THINK
1355
00:38:01,750 --> 00:38:02,500
ABOUT HER, STUFF LIKE THAT.
1356
00:38:02,583 --> 00:38:04,417
SO I JUST DON'T TELL HER.
1357
00:38:04,500 --> 00:38:05,625
>> NO, YOU REMEMBER WHEN YOU 12
1358
00:38:05,709 --> 00:38:07,583
YEARS OLD?
1359
00:38:07,667 --> 00:38:08,750
WHEN YOU 12 YEARS?
1360
00:38:08,834 --> 00:38:09,709
WHEN I TALK TO YOU.
1361
00:38:09,792 --> 00:38:18,083
YOU REMEMBER?
1362
00:38:30,709 --> 00:38:30,959
>> NO, NO.
1363
00:38:31,041 --> 00:38:39,500
I'M YOUR MOTHER.
1364
00:38:39,583 --> 00:38:40,458
WHEN YOU --
1365
00:38:40,542 --> 00:39:01,875
IT'S MY RESPONSIBILITY.
1366
00:39:01,959 --> 00:39:04,208
>> DO YOU HEAR HER?
1367
00:39:04,291 --> 00:39:04,583
THIS IS FOR REAL.
1368
00:39:04,667 --> 00:39:05,417
>> THIS IS REAL.
1369
00:39:05,500 --> 00:39:06,250
>> REAL.
1370
00:39:06,333 --> 00:39:08,291
>> REAL.
1371
00:39:08,375 --> 00:39:09,333
>> AND ALL THE TIME, ALL THE
1372
00:39:09,417 --> 00:39:13,834
TIME, I'M SUPPORTING YOU.
1373
00:39:13,917 --> 00:39:14,625
>> ALL RIGHT, SO I HAVE MORE OF
1374
00:39:14,709 --> 00:39:15,375
A, "DON'T DO IT BECAUSE YOU
1375
00:39:15,458 --> 00:39:16,083
GONNA BRING ATTENTION TO
1376
00:39:16,166 --> 00:39:18,375
YOURSELF."
1377
00:39:18,458 --> 00:39:19,125
AND SHE DOESN'T, SHE DIDN'T WANT
1378
00:39:19,208 --> 00:39:20,542
THAT.
1379
00:39:20,625 --> 00:39:25,959
INSTEAD OF BEING, LIKE, "DON'T
1380
00:39:26,041 --> 00:39:29,375
WORRY ABOUT IT, JUST DO IT" SHE
1381
00:39:29,458 --> 00:39:30,709
SUPPRESSED IT.
1382
00:39:30,792 --> 00:39:31,417
>> WE'RE DOING A SHOW TOGETHER.
1383
00:39:31,500 --> 00:39:32,000
WHAT WILL IT MEAN TO YOU WHEN
1384
00:39:32,083 --> 00:39:32,625
YOU SEE YOUR MOM AND YOUR SISTER
1385
00:39:32,709 --> 00:39:33,458
IN THE AUDIENCE?
1386
00:39:33,542 --> 00:39:35,792
>> THAT I CAN COUNT ON THEM.
1387
00:39:35,875 --> 00:39:37,875
THEN MAYBE EVERYTHING THAT I'VE
1388
00:39:37,959 --> 00:39:39,500
THOUGHT, THAT THEY DID WRONG OR
1389
00:39:39,583 --> 00:39:41,667
THAT I THOUGHT IT WAS WRONG,
1390
00:39:41,750 --> 00:39:51,667
THAT I WASN'T RIGHT, YOU KNOW?
1391
00:39:51,750 --> 00:39:52,333
>> HOW WILL IT MAKE YOU FEEL TO
1392
00:39:52,417 --> 00:40:04,333
SEE HIM ON STAGE?
1393
00:40:04,417 --> 00:40:04,959
>> I LOVE THIS.
1394
00:40:05,041 --> 00:40:06,667
WELL, THANK YOU.
1395
00:40:06,750 --> 00:40:07,834
>> CAN ONLY DRAG PEOPLE WALK ON
1396
00:40:07,917 --> 00:40:08,875
STAGE?
1397
00:40:08,959 --> 00:40:09,500
>> BABY, YOU WANT TO COME UP ON
1398
00:40:09,583 --> 00:40:12,291
THE STAGE?
1399
00:40:12,375 --> 00:40:12,917
>> YOU MAKE SURE AND THANK YOUR
1400
00:40:13,000 --> 00:40:13,417
SISTER.
1401
00:40:13,500 --> 00:40:14,041
THANK YOUR SISTER AND TAKE HER
1402
00:40:14,125 --> 00:40:14,583
TO THE SHOW.
1403
00:40:14,667 --> 00:40:15,667
I KNEW IT.
1404
00:40:15,750 --> 00:40:17,333
WE WILL SEE YOU AT THE SHOW.
1405
00:40:17,417 --> 00:40:18,542
>> YES, IT IS.
1406
00:40:18,625 --> 00:40:19,083
>> OKAY, PLEASE INVITE YOUR
1407
00:40:19,166 --> 00:40:19,709
FRIENDS.
1408
00:40:19,792 --> 00:40:20,125
>> OH, YEAH.
1409
00:40:20,208 --> 00:40:21,375
OH, YEAH.
1410
00:40:21,458 --> 00:40:22,000
>> I LOVE IT.
1411
00:40:22,083 --> 00:40:23,375
OKAY, WE'LL SEE YOU.
1412
00:40:23,458 --> 00:40:24,458
>> THANK YOU, THANK YOU.
1413
00:40:24,542 --> 00:40:25,667
>> TUESDAY, TUESDAY NIGHT.
1414
00:40:25,750 --> 00:40:26,583
>> TUESDAY NIGHT.
1415
00:40:26,667 --> 00:40:28,917
>> OKAY.
1416
00:40:29,000 --> 00:40:32,542
>> REMEMBER, MOTHERS ARE ALWAYS
1417
00:40:32,625 --> 00:40:33,125
GONNA PUT ON THE BEST FACE
1418
00:40:33,208 --> 00:40:34,542
AMONGST FRIENDS.
1419
00:40:34,625 --> 00:40:36,125
>> AMONG STRANGERS.
1420
00:40:36,208 --> 00:40:37,041
>> UH-HUH.
1421
00:40:37,125 --> 00:40:38,000
>> THEY'RE ALWAYS GONNA DO THAT.
1422
00:40:38,083 --> 00:40:40,417
>> DID YOU FEEL LIKE THAT?
1423
00:40:40,500 --> 00:40:44,000
>> I DIDN'T FEEL IT, I SAW IT.
1424
00:40:44,083 --> 00:40:45,375
IT'S JUST, I DON'T WANT TO HURT
1425
00:40:45,458 --> 00:40:47,041
THEM, SO IT JUST, WHATEVER FACE
1426
00:40:47,125 --> 00:40:48,166
SHE GIVES ME, THAT'S GOOD ENOUGH
1427
00:40:48,250 --> 00:40:49,208
FOR ME RIGHT NOW.
1428
00:40:49,291 --> 00:40:50,250
>> RIGHT.
1429
00:40:50,333 --> 00:40:51,667
AND SOMETIMES, YOU KNOW WHAT,
1430
00:40:51,750 --> 00:40:55,959
WE'LL TAKE RIGHT NOW.
1431
00:40:56,041 --> 00:40:59,959
>> DOING DRAG IS NOT ABOUT
1432
00:41:00,041 --> 00:41:00,583
WANTING TO DRESS OR BE A GIRL,
1433
00:41:00,667 --> 00:41:03,291
IT'S ABOUT SHOWING MY FAMILY
1434
00:41:03,375 --> 00:41:04,583
THAT I CAN FEEL GOOD ABOUT
1435
00:41:04,667 --> 00:41:05,500
MYSELF AND BE MORE THAN THEY
1436
00:41:05,583 --> 00:41:09,375
THINK I AM.
1437
00:41:09,458 --> 00:41:10,875
IF THEY WERE THERE, I WOULDN'T
1438
00:41:10,959 --> 00:41:12,083
CARE IF THEY WERE THE ONLY
1439
00:41:12,166 --> 00:41:13,875
PEOPLE THERE.
1440
00:41:13,959 --> 00:41:15,500
I JUST DON'T WANT MORE
1441
00:41:15,583 --> 00:41:24,709
REJECTION.
1442
00:41:27,667 --> 00:41:30,667
>> LOOK STRAIGHT AT ME.
1443
00:41:30,750 --> 00:41:34,750
>> OH, WHO IS SHE?
1444
00:41:34,834 --> 00:41:35,333
>> HAVE YOU EVER SEEN JAMARIO
1445
00:41:35,417 --> 00:41:36,250
WITHOUT HIS MUSTACHE?
1446
00:41:36,333 --> 00:41:37,083
>> NO.
1447
00:41:37,166 --> 00:41:38,083
>> IT'S A PART OF WHO I AM.
1448
00:41:38,166 --> 00:41:39,583
>> YEAH, HE ALWAYS HAD IT.
1449
00:41:39,667 --> 00:41:44,667
>> IT'S GONE.
1450
00:41:44,750 --> 00:41:45,333
NOW I LOOK LIKE A LITTLE CUTIE
1451
00:41:45,417 --> 00:41:49,667
LIKE YOU.
1452
00:42:00,375 --> 00:42:00,917
>> TAKE A SHOT BEFORE YOU GO ON
1453
00:42:01,000 --> 00:42:06,917
STAGE, SETTLE THE NERVES.
1454
00:42:07,000 --> 00:42:07,542
>> WELL, I AM BETTER AT DANCING
1455
00:42:07,625 --> 00:42:08,291
WHEN I'M DRUNK.
1456
00:42:08,375 --> 00:42:08,875
>> YOU EVER BEEN DRUNK IN HIGH
1457
00:42:08,959 --> 00:42:09,834
HEELS THOUGH?
1458
00:42:09,917 --> 00:42:10,500
>> MM-MM, MM-MM, I CAN'T SAY I
1459
00:42:10,583 --> 00:42:11,500
HAVE.
1460
00:42:11,583 --> 00:42:12,625
>> I THINK EVERYONE'S SURPRISED
1461
00:42:12,709 --> 00:42:13,500
BY WHAT THEY FIND WHEN THEY GET
1462
00:42:13,583 --> 00:42:14,041
IN DRAG FOR THE FIRST TIME.
1463
00:42:14,125 --> 00:42:15,542
LIKE, YOU FIND SOMETHING IN YOU
1464
00:42:15,625 --> 00:42:16,417
THAT WAS NEVER BEFORE AND YOU'RE
1465
00:42:16,500 --> 00:42:17,041
LIKE, "OH, THIS IS BRAND THE
1466
00:42:17,125 --> 00:42:20,250
FUCK NEW."
1467
00:42:20,333 --> 00:42:20,917
>> HOW YOU DOING WITH YOUR
1468
00:42:21,000 --> 00:42:21,125
LINES?
1469
00:42:21,208 --> 00:42:22,000
YOU GOOD?
1470
00:42:22,083 --> 00:42:23,083
>> GOOD, YES.
1471
00:42:23,166 --> 00:42:24,041
>> YOU FEEL GOOD?
1472
00:42:24,125 --> 00:42:24,667
OKAY, TELL ME, WHAT'S THE FIRST
1473
00:42:24,750 --> 00:42:27,208
WORDS OF J.LO?
1474
00:42:27,291 --> 00:42:29,625
>> OOH, WHO?
1475
00:42:29,709 --> 00:42:32,083
>> HEY, SIR, YOU WANT A DATE?
1476
00:42:32,166 --> 00:42:32,625
>> I COULD GO TAKE YOU OUT
1477
00:42:32,709 --> 00:42:33,250
DANCING.
1478
00:42:33,333 --> 00:42:35,500
>> AH!
1479
00:42:35,583 --> 00:42:36,959
>> THIS WAS SO CONVINCING WHEN I
1480
00:42:37,041 --> 00:42:37,542
WALKED INTO THE BATHROOM, I
1481
00:42:37,625 --> 00:42:39,375
TRIED TO PEE STANDING UP.
1482
00:42:50,125 --> 00:42:51,250
>> RUSTON, LOUISIANA, ARE YOU
1483
00:42:51,333 --> 00:42:53,542
READY FOR A GOOD TIME?
1484
00:43:00,083 --> 00:43:01,417
PLEASE WELCOME THE ONE AND ONLY
1485
00:43:01,500 --> 00:43:08,250
MISS BOB THE DRAG QUEEN!
1486
00:45:13,500 --> 00:45:17,500
>> RUSTON, HOW YOU FEELING?
1487
00:45:17,583 --> 00:45:18,166
SOMEBODY TAKE MY BABY, I GOT
1488
00:45:18,250 --> 00:45:18,625
TO...
1489
00:45:18,709 --> 00:45:20,917
YOU KNOW, THEY JUST LATCH ON.
1490
00:45:21,000 --> 00:45:26,250
THERE WE GO.
1491
00:45:26,333 --> 00:45:26,917
CAN WE HAVE A BIG, BIG, BIG
1492
00:45:27,000 --> 00:45:27,834
THANK YOU AND BIG SHOUT OUT TO
1493
00:45:27,917 --> 00:45:30,166
SUNDOWN FOR ALLOWING US TO HAVE
1494
00:45:30,250 --> 00:45:32,333
A --
1495
00:45:32,417 --> 00:45:34,083
YES, WE SAID, WHERE IS THERE A
1496
00:45:34,166 --> 00:45:35,333
SAFE SPACE FOR QUEERS TO GO AND
1497
00:45:35,417 --> 00:45:37,792
DRINK AND PARTY AND COMMUNE AND
1498
00:45:37,875 --> 00:45:40,041
TIME AND TIME AGAIN, PEOPLE SAID
1499
00:45:40,125 --> 00:45:45,834
"GO TO THE SUNDOWN TAVERN."
1500
00:45:46,375 --> 00:45:47,583
WE'VE HAD A VERY INTERESTING
1501
00:45:47,667 --> 00:45:49,250
RECEPTION HERE IN RUSTON.
1502
00:45:49,333 --> 00:45:52,792
WE HEARD ABOUT RUSTON RANTS.
1503
00:45:52,875 --> 00:45:55,959
>> BOO!
1504
00:45:56,041 --> 00:45:57,959
>> WE HEARD ALL THE RUMORS.
1505
00:45:58,041 --> 00:45:59,458
THEY'RE HERE TO CHANGE PEOPLE
1506
00:45:59,542 --> 00:46:02,625
GAY!
1507
00:46:02,709 --> 00:46:03,667
AND I'M LIKE, MARY, THE GAYS
1508
00:46:03,750 --> 00:46:05,166
WERE ALREADY HERE BEFORE WE
1509
00:46:05,250 --> 00:46:08,709
SHOWED UP.
1510
00:46:11,041 --> 00:46:12,083
PEOPLE LIKE US AND PEOPLE LIKE
1511
00:46:12,166 --> 00:46:12,667
THE PEOPLE WE ARE SHOWING IN
1512
00:46:12,750 --> 00:46:14,250
THIS CAST TONIGHT, ALREADY EXIST
1513
00:46:14,333 --> 00:46:16,542
RIGHT HERE IN YOUR TOWN.
1514
00:46:16,625 --> 00:46:17,625
THESE ARE YOUR BROTHERS, YOUR
1515
00:46:17,709 --> 00:46:19,375
SISTERS, YOUR SIBLINGS, YOUR
1516
00:46:19,458 --> 00:46:21,125
PARENTS, YOUR NEIGHBORS, YOUR
1517
00:46:21,208 --> 00:46:22,458
CHILDREN, YOUR GRANDCHILDREN,
1518
00:46:22,542 --> 00:46:26,625
YOUR COUSINS.
1519
00:46:27,208 --> 00:46:28,750
SO, WITHOUT FURTHER ADO, ARE YOU
1520
00:46:28,834 --> 00:46:31,333
READY FOR AN AMAZING DRAG SHOW?
1521
00:46:31,417 --> 00:46:38,166
>> YEAH!
1522
00:46:38,250 --> 00:46:40,208
>> FOR ME, THE BIGGEST THING IS
1523
00:46:40,291 --> 00:46:41,500
THAT I'M A LESBIAN AND I'M A
1524
00:46:41,583 --> 00:46:44,041
DOUBLE AMPUTEE AND I JUST WANT
1525
00:46:44,125 --> 00:46:45,750
TO BE ACCEPTED FOR BEING JUST
1526
00:46:45,834 --> 00:46:53,375
THE WAY I AM.
1527
00:46:53,458 --> 00:46:54,333
THREE YEARS AGO, I WAS HIT BY A
1528
00:46:54,417 --> 00:46:55,166
DUMB MOTHERFUCKER AND LOST MY
1529
00:46:55,250 --> 00:47:04,166
ARM AND LEG.
1530
00:47:04,250 --> 00:47:04,917
MY NAME IS WILL-LYNN O'HARA AND
1531
00:47:04,959 --> 00:47:07,750
THIS IS MY DRAG-MAMA, EUREKA.
1532
00:49:01,917 --> 00:49:02,417
>> WHAT DO Y'ALL THINK OF THIS
1533
00:49:02,500 --> 00:49:06,208
FUCKIN' STUD, WILL-LYNN O'HARA!?
1534
00:49:06,291 --> 00:49:07,000
WE ALSO GOT THE WIFE IN THE
1535
00:49:07,083 --> 00:49:07,583
HOUSE, MISS ROSE.
1536
00:49:07,667 --> 00:49:10,667
MISS ROSE, GET UP HERE.
1537
00:49:10,750 --> 00:49:13,000
SO THIS IS A BEAUTIFUL, OPEN,
1538
00:49:13,083 --> 00:49:14,000
LESBIAN COUPLE RIGHT HERE IN
1539
00:49:14,083 --> 00:49:18,959
TOWN.
1540
00:49:25,959 --> 00:49:27,667
>> I JUST WANT TO SAY, THESE ARE
1541
00:49:27,750 --> 00:49:29,792
THE EXACT BOOTS THAT I WAS
1542
00:49:29,875 --> 00:49:30,583
KNOCKED OUT OF THE NIGHT THAT I
1543
00:49:30,667 --> 00:49:36,041
WAS HIT ON MY MOTORCYCLE.
1544
00:49:36,583 --> 00:49:37,458
PUTTING THEM BACK ON THIS
1545
00:49:37,542 --> 00:49:44,208
MORNING, FELT LIKE COMING HOME.
1546
00:49:46,917 --> 00:49:49,125
>> DO YOU HAVE ANY RESERVATIONS?
1547
00:49:49,208 --> 00:49:49,750
>> NO, I MEAN, I AM NERVOUS, BUT
1548
00:49:49,834 --> 00:49:53,834
I MEAN, IT'S ALL RIGHT.
1549
00:49:53,917 --> 00:49:54,709
>> IT REALLY DOES MEAN A LOT, I
1550
00:49:54,792 --> 00:49:55,333
THINK, TO ALL OF US, TO HAVE YOU
1551
00:49:55,417 --> 00:49:57,041
HERE.
1552
00:49:57,125 --> 00:49:59,000
>> I'VE ALWAYS BEEN INCLUSIVE.
1553
00:49:59,083 --> 00:50:02,208
I'VE ALWAYS BEEN AN ALLY.
1554
00:50:02,291 --> 00:50:03,792
IF ANYBODY EVER BEING
1555
00:50:03,875 --> 00:50:06,125
MISTREATED, I'LL ALWAYS STEP IN.
1556
00:50:06,208 --> 00:50:12,291
IT DON'T MATTER WHO YOU ARE.
1557
00:50:12,375 --> 00:50:14,417
>> SO COMING TO THE STAGE RIGHT
1558
00:50:14,500 --> 00:50:15,875
NOW, I WANT TO INVITE MY GOOD...
1559
00:50:15,959 --> 00:50:17,041
WHAT?
1560
00:50:17,125 --> 00:50:18,083
>> WE DON'T WANT NO GAYS!
1561
00:50:18,166 --> 00:50:18,333
>> WHAT?
1562
00:50:18,417 --> 00:50:21,125
I'M SORRY, WHAT?
1563
00:50:21,208 --> 00:50:21,750
>> WE DON'T WANT NO DRAG SHOW,
1564
00:50:21,834 --> 00:50:24,792
NO GAYS!
1565
00:50:24,875 --> 00:50:25,500
>> Y'ALL DON'T WANT NO DRAG
1566
00:50:25,583 --> 00:50:25,709
SHOW?
1567
00:50:25,792 --> 00:50:27,041
WHAT?
1568
00:50:27,125 --> 00:50:27,625
>> WE DON'T WANT NO DRAG SHOW,
1569
00:50:27,709 --> 00:50:28,375
HEY, HEY!
1570
00:50:28,458 --> 00:50:32,083
WE DON'T WANT NO DRAG SHOW!
1571
00:52:51,417 --> 00:52:54,417
>> GIVE IT UP FOR FIRE MARSHAL
1572
00:52:54,500 --> 00:52:59,375
STACY.
1573
00:53:00,917 --> 00:53:01,875
WE ARE TAKING YOU OUT OF YOUR
1574
00:53:01,959 --> 00:53:02,458
COMFORT ZONE, LITERALLY WITH
1575
00:53:02,542 --> 00:53:03,875
THIS CORSET.
1576
00:53:03,959 --> 00:53:09,000
OH, OH.
1577
00:53:09,083 --> 00:53:09,875
WHAT HAS THIS WEEK BEEN LIKE FOR
1578
00:53:09,959 --> 00:53:12,291
YOU?
1579
00:53:12,375 --> 00:53:13,709
>> IT'S BEEN VERY EYE-OPENING.
1580
00:53:13,792 --> 00:53:19,917
I MEAN, IF IT TAKES THIS MUCH
1581
00:53:20,000 --> 00:53:20,583
JUST TO FEEL YOURSELF, THEN I --
1582
00:53:20,667 --> 00:53:21,166
I HATE FOR THE PEOPLE THAT ARE
1583
00:53:21,250 --> 00:53:23,333
SUPPRESSED AND DON'T FEEL LIKE
1584
00:53:23,417 --> 00:53:25,417
THEY CAN BE THEIRSELVES.
1585
00:53:25,500 --> 00:53:26,000
>> I APPRECIATE YOU SO MUCH
1586
00:53:26,083 --> 00:53:27,291
BEING A PART OF THIS.
1587
00:53:27,375 --> 00:53:27,917
HOW MUCH OF A BIG BROTHER YOU'VE
1588
00:53:28,000 --> 00:53:32,000
BEEN.
1589
00:53:32,083 --> 00:53:35,166
>> I AM PROUD OF YOU, MAN.
1590
00:53:35,250 --> 00:53:35,750
STANDING UP FOR HIMSELF MORE.
1591
00:53:35,834 --> 00:53:37,625
I'M TRYING NOT TO CRY.
1592
00:53:37,709 --> 00:53:38,291
>> YOUR MOM, HAS SHE ALWAYS BEEN
1593
00:53:38,375 --> 00:53:40,291
SUPPORTIVE?
1594
00:53:40,375 --> 00:53:42,583
>> HER UNDERSTANDING, IT'S KIND
1595
00:53:42,667 --> 00:53:43,500
OF LIKE DIFFICULT, I GUESS.
1596
00:53:43,583 --> 00:53:44,208
SHE SEES IT HER WAY AND THEN I
1597
00:53:44,291 --> 00:53:45,542
SEE IT MY WAY AND THEN WE DON'T
1598
00:53:45,625 --> 00:53:46,333
MEET IN THE MIDDLE MOST OF THE
1599
00:53:46,417 --> 00:53:52,709
TIME, SO I'M VERY NERVOUS.
1600
00:53:52,792 --> 00:53:54,709
>> I WANT TO PLEASE GET A HUGE
1601
00:53:54,792 --> 00:53:59,458
ROUND OF APPLAUSE FOR
1602
00:53:59,542 --> 00:54:00,583
KIWI-LICIOUS, BIG MAMA BUTTER,
1603
00:54:00,667 --> 00:54:03,417
AND SHANGELA LAQUIFA WADLEY!
1604
00:54:15,417 --> 00:54:16,333
>> NO, EVERYBODY'S GONNA LAUGH.
1605
00:54:16,417 --> 00:54:17,000
>> FRIEND, IT DOESN'T MATTER
1606
00:54:17,083 --> 00:54:17,542
WHAT OTHERS THINK OF YOU.
1607
00:54:17,625 --> 00:54:18,125
BELIEVE IN YOURSELF AND I WILL
1608
00:54:18,208 --> 00:54:23,750
ALWAYS BE YOUR FRIEND.
1609
00:55:19,333 --> 00:55:19,667
>> SOMEONE'S COMING.
1610
00:55:19,750 --> 00:55:21,583
I THINK IT'S YOUR NOSY NEIGHBOR.
1611
00:55:21,667 --> 00:55:21,875
>> NEIGHBOR!
1612
00:55:21,959 --> 00:55:25,667
NEIGHBOR!
1613
00:55:25,750 --> 00:55:27,166
HELLO.
1614
00:55:27,250 --> 00:55:30,166
>> HI, OLD LADY WADLEY.
1615
00:55:30,250 --> 00:55:33,625
>> WHAT ARE YOU WEARING?
1616
00:55:33,709 --> 00:55:34,291
OH, THE WHOLE NEIGHBORHOOD WILL
1617
00:55:34,375 --> 00:55:34,583
BE TALKING.
1618
00:55:34,667 --> 00:55:35,917
ARE YOU A DRAG QUEEN?
1619
00:55:36,000 --> 00:55:39,375
>> NO.
1620
00:55:39,458 --> 00:55:40,959
>> I MEAN, YES, I AM A DRAG
1621
00:55:41,041 --> 00:55:41,709
QUEEN, AND I DON'T CARE WHAT YOU
1622
00:55:41,792 --> 00:55:42,709
THINK.
1623
00:55:42,792 --> 00:55:43,750
IT'S TIME I START CELEBRATING
1624
00:55:43,834 --> 00:55:44,959
BEING ME.
1625
00:55:45,041 --> 00:55:47,875
HIT IT!
1626
00:56:32,709 --> 00:56:33,250
>> I KNOW Y'ALL NOT GONNA HAVE
1627
00:56:33,333 --> 00:56:35,458
THIS PARTY WITHOUT ME, HONEY.
1628
00:56:35,542 --> 00:56:56,583
COME ON.
1629
00:57:31,417 --> 00:57:32,500
>> TONIGHT, I THANK YOU BOTH
1630
00:57:32,583 --> 00:57:33,875
BECAUSE YOU WERE OPEN TO
1631
00:57:33,959 --> 00:57:34,834
SOMETHING THAT YOU WERE NOT
1632
00:57:34,917 --> 00:57:36,083
COMFORTABLE WITH AT FIRST, BUT
1633
00:57:36,166 --> 00:57:40,583
YOU GREW.
1634
00:57:41,166 --> 00:57:42,250
>> LIVING IN A TOWN LIKE THIS,
1635
00:57:42,333 --> 00:57:44,166
NOT REALLY KNOWING HOW MANY
1636
00:57:44,250 --> 00:57:45,542
PEOPLE ACTUALLY DO SUPPORT YOU,
1637
00:57:45,625 --> 00:57:47,542
THIS IS HISTORY RIGHT HERE.
1638
00:57:47,625 --> 00:57:49,458
I AM VERY, VERY HAPPY.
1639
00:57:49,542 --> 00:57:51,834
MY FAMILY IS RIGHT HERE, MY
1640
00:57:51,917 --> 00:58:02,458
MOTHER.
1641
00:58:07,375 --> 00:58:08,709
>> GOOD JOB!
1642
00:58:08,792 --> 00:58:09,333
>> THANK YOU FOR PUSHING ME SO
1643
00:58:09,417 --> 00:58:12,750
HARD.
1644
00:58:12,834 --> 00:58:13,458
>> SIS, YOU PULLED OUT SOME
1645
00:58:13,542 --> 00:58:19,000
STUFF I HADN'T EVEN SEEN YET.
1646
00:58:19,083 --> 00:58:19,542
I WAS LIKE, OKAY THEN, MISS
1647
00:58:19,625 --> 00:58:19,750
THING!
1648
00:58:19,834 --> 00:58:20,542
WHOO!
1649
00:58:20,625 --> 00:58:21,166
>> I'M DEFINITELY A NEW PERSON.
1650
00:58:21,250 --> 00:58:22,291
IT FELT GOOD, IT FELT RIGHT.
1651
00:58:22,375 --> 00:58:25,583
>> WHEN I PUT ON FULL COSTUME, I
1652
00:58:25,667 --> 00:58:26,208
WAS ABLE TO RELATE A LITTLE BIT
1653
00:58:26,291 --> 00:58:26,875
MORE OF WHAT DRAG MEANS TO MANY
1654
00:58:26,959 --> 00:58:27,250
PEOPLE.
1655
00:58:27,333 --> 00:58:28,250
IT WAS LIKE, WOW, YOU CAN SEE
1656
00:58:28,333 --> 00:58:32,250
THEIR AUTHENTIC SELVES.
1657
00:58:32,333 --> 00:58:34,000
>> I'M SO FUCKIN' PROUD OF YOU.
1658
00:58:34,083 --> 00:58:36,125
>> OH, MY GOD, THAT WAS AMAZING.
1659
00:58:36,208 --> 00:58:37,041
THERE WAS A PART OF ME THAT WAS
1660
00:58:37,125 --> 00:58:38,083
A LITTLE BIT NERVOUS BECAUSE
1661
00:58:38,166 --> 00:58:40,917
QUITE A FEW PEOPLE WEREN'T REAL
1662
00:58:41,000 --> 00:58:43,250
HAPPY THAT WE WERE DOING THIS.
1663
00:58:43,333 --> 00:58:44,208
BUT THE MAJORITY OF THE PEOPLE
1664
00:58:44,291 --> 00:58:45,834
HERE ARE VERY ACCEPTANT OF ALL
1665
00:58:45,917 --> 00:58:48,041
LIFESTYLES.
1666
00:58:48,125 --> 00:58:50,583
THAT'S WHAT I SAW TONIGHT.
1667
00:58:50,667 --> 00:58:51,792
>> HEY, KIDS, DON'T FORGET, THIS
1668
00:58:51,875 --> 00:58:52,417
IS NOW A SAFE SPACE HERE AT THE
1669
00:58:52,500 --> 00:58:57,125
SUNDOWN.
1670
00:58:57,208 --> 00:58:59,083
>> BIG SHOUT OUT TO ALL THE DRAG
1671
00:58:59,166 --> 00:59:00,250
QUEENS AND THE NON-BINARY
1672
00:59:00,333 --> 00:59:01,083
PEOPLE, THE QUEERS WHO CAME OUT
1673
00:59:01,166 --> 00:59:05,083
HERE TO CELEBRATE TONIGHT.
1674
00:59:05,166 --> 00:59:06,792
THIS IS A PLACE WHERE I CAN BE
1675
00:59:06,875 --> 00:59:08,959
MYSELF WITH MY LOVED ONES, WITH
1676
00:59:09,041 --> 00:59:10,959
MY FAMILY, WITH MY PARTNERS AND
1677
00:59:11,041 --> 00:59:13,792
YOURSELVES, THE COMMUNITY.
1678
00:59:13,875 --> 00:59:26,959
YES!
1679
00:59:27,041 --> 00:59:27,333
>> WE ARE HERE!
1680
00:59:27,417 --> 00:59:27,750
WE ARE HERE!
1681
00:59:27,834 --> 00:59:28,625
>> THANK YOU SO MUCH, RUSTON,
1682
00:59:28,709 --> 00:59:33,750
YOU'VE BEEN AMAZING!
1683
01:00:36,667 --> 01:00:37,750
Sound is speeding!
1684
01:00:37,834 --> 01:00:39,125
I'ma do a clap slay!
1685
01:00:41,750 --> 01:00:43,250
Me, Bob, and Shangela
have been through
1686
01:00:43,333 --> 01:00:44,542
a lot of things
to get where we are.
1687
01:00:44,625 --> 01:00:46,291
And we hope that you all enjoy
exploring
1688
01:00:46,375 --> 01:00:47,458
just a part of our stories.
1689
01:00:47,667 --> 01:00:51,208
I used to try on towels,
on my hair, you know, as wigs,
1690
01:00:51,291 --> 01:00:52,291
and tip around
in my mom's heels
1691
01:00:52,375 --> 01:00:53,500
when she wasn't looking.
1692
01:00:54,375 --> 01:00:56,041
Being a gay kid
in a small town,
1693
01:00:56,333 --> 01:00:57,166
it was hard.
1694
01:00:57,458 --> 01:00:59,041
I always liked dressing up,
1695
01:00:59,291 --> 01:01:00,208
since I could remember,
1696
01:01:00,417 --> 01:01:02,041
but I was just really terrified
to do it.
1697
01:01:02,333 --> 01:01:03,834
I kept thinking, I'm broken.
1698
01:01:04,125 --> 01:01:07,166
Like just didn't wanna deal
with being myself.
1699
01:01:07,667 --> 01:01:08,875
Drag saved my life,
I don't know what I would do
1700
01:01:08,959 --> 01:01:10,000
if I didn't have this.
1701
01:01:13,000 --> 01:01:14,125
During this lockdown,
1702
01:01:14,208 --> 01:01:15,375
you might feel like
you're alone,
1703
01:01:16,250 --> 01:01:18,417
but this is a thing that
we're all in together.
1704
01:01:21,291 --> 01:01:22,333
Work.
106363
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