Original subtitles

There's either something in the janitor's file

to indicate where they're headed,

or Crewes thinks there is.

He's trying to wipe them out, all of them,

before we have a chance to get them.

You have hard copy on the janitor's file, don't you?

Tell me you have hard copy.

Hard copy on the janitor's file?

Uh, why--? Why would I have

a hard copy on the janitor's file?

You don't.

I don't.

Never mind.

Don't talk. Just sit down at one of those computer terminals.

Get Central Records in Washington.

If we're lucky, very lucky,

we may be able to get to that file

before Crewes has a chance to send it to data heaven.

But how do you know that Crewes--?

I know, I know.

If you ever intend to have children,

get me that file.

( dial tone humming )

( sighs )

Major Moreland, either that file gets deleted,

or you do.

Well, um, if you put the order in writing,

General Crewes, I suppose.

( clears throat )

Uh-- Uh--

Burton, if you screw this up...

( sighs )

Should have it in writing, but...

"When Major Moreland deleted

"Harlan Williams' files from Central Records,

"he was following my orders.

Signed, General Crewes."

There. Are you satisfied, major?

Yes.

Now, if you could just date it.

I'll date it later! Just do it!

All right. All right.

( keyboard clicking )

( computer beeps )

But what if Crewes is trying to get in? Uh...

I better lock it out before I delete it.

It's better to be safe.

What--? What--?

What's today's--? Today's code term?

Today's word. Uh, today's word.

It's, uh... Something, something.

Uh...

Uh...

Something to do with birds. Something to do with, uh...

Today's word is, uh...

ALL: Sparrow Hawk!

Go back. "Sparrow Hawk" has two R's.

Two R's.

A-R-R-O-W.

What is going on here? And who the hell are you?

Just a minute.

No, don't move, mister.

Listen, I am authorized to be here, okay?

( beeps ) Yes! Come on.

( beeps )

( beeping )

No. No, no, no.

Look, look, look, look.

I need to see some identification, okay?

Now, do you see this red border around this badge,

my meddling friend?

Do you see that?

Yes, sir, and if you'd been wearing it in the first place,

you'd have saved us both a lot of trouble.

I'm sorry to have bothered you.

Not half as sorry as I am.

Uh, sir,

do you know where everybody else is?

No, not at all.

But I do know one thing.

Sir?

I wish I were with them.

( computer beeping )

Well, it's done.

Good. Let's go, major, we got places to go.

Where? Chicago.

The Windy City, that toddling town.

I can't go to Chicago.

This is our square-dancing night.

My wife would kill me.

No, she won't, but I know who might.

How you gonna explain to Jude Andrews

why you deleted vital information

he's so desperate to get his hands on?

Oh, no. Heh.

No, this isn't gonna do you any good.

The Department of the Interior

will have a complete file on Williams.

All I'm trying to do is to tie Jude Andrews up

long enough to give us a good head start.

And we'll need one.

But...

I have-- I-- I have your orders.

I have your written orders.

Just how much difference

do you think this little piece of paper

is gonna make to that psycho?

( tires squealing )

Afternoon, Major Moreland.

Are you all right?

Yes, heh, I'm fine.

May I have your keys, sir?

What for? Heh.

I need to look in the trunk.

What for?

I'm just following orders, sir.

( trunk squeaks open )

Everything seems to be in order, sir.

It does?

I suggest you get moving while you can, sir.

Thank you, son.

( engine starts )

( sighs )

Comes a time in every man's life...

( sighs )

What is happening to him, Miss Spann?

I mean...

Oh...

How can he be getting younger like he is?

Do you think you could call me Terry?

Yeah, all right. I guess I could do that.

The experiments that Toddhunter has been running

and the particle accelerator that he designed...

had something to do with regeneration.

( sighs )

I don't understand.

He found a way to turn back the clock.

To make living tissues get younger.

Something all the night creams in the world can't do.

And that's what's happening to Harlan?

( sighs )

( country music playing over radio )

♪ You know that I've loved you Since I met you ♪

( yawns )

♪ And I know that you... ♪

Uh, seems like we're making some good time, mister.

Just past midnight and we're already across the state line.

You doze off? Hey, mister.

Hey, mister.

( static over radio )

( radio stations changing rapidly )

What the hell's going on here?

Oh, come on.

( panting )

What's going on?

Oh, no.

( exhales )

( mystical theme playing )

( mouths ): What the--?

MAN 1: What's going on?

MAN 2: It was dark a second ago.

MAN 3: I don't believe this. What's happening?

MAN 4: Look.

MAN 5: Give us this day our daily bread...

Oh, man, it--

Oh, come on, guy, don't tell me you missed this.

The dashboard went all crazy, the sun came back up.

Hey, mister, wake up. Come on, wake up.

Come on--

This guy's full of green light.

( rumbling )

WOMAN: Oh, my God. Oh, no.

We gotta get out of here. We've got to get out of here.

It's him. It's all 'cause of him.

I swear, these used to be bigger.

MAN ( over radio ): We interrupt this program

to bring you this special bulletin.

A minor earthquake has been reported

in northeastern Illinois.

According to local reports, it was a minor tremor.

No injuries were reported,

but power in the area was disrupted for about 15 minutes.

Thanks.

And now back to more music on your favorite radio station.

( rock music resumes over radio )

You sure you're all right?

Yes, I'm-- I'm just tired.

I'm very tired.

We should get on the bus.

I want to call Francie.

Oh, there really isn't time. We have to go.

I'm gonna call my daughter.

Gina, the more time we spend standing here,

the more chance there is of someone spotting us.

We'll be there in an hour.

( sighs )

Please.

I'll give you one of my cupcakes.

All right.

( both chuckle )

Hang on. It's only an hour.

( suspenseful theme playing )

DRIVER ( over intercom ): This is Chicago.

Please check the overhead racks and be sure to take

all your personal belongings with you.

Oh...

We'll wait.

I thought you said we were in a hurry.

I'll tell you when.

What are you looking for?

A way to get out of here.

What's the matter with the door?

Do you see that man?

I'm almost positive he's Shop.

Excuse me, fellas.

Yes, ma'am?

Do you think you could do me a favor?

Sure.

Do you see that man reading the newspaper over there?

Uh-huh.

MAN: Hey, buddy. How you doing?

I'd like to have a talk with you over here, huh?

Let go of me. Get out of the way.

Hey, I heard you hit a lady.

How 'bout I hit you, bozo? Let go of me!

He's got a gun! He's got a gun. Call the police!

I am the police! There's an ID in my pocket.

Hold him. Police!

Come on.

All right?

Let go!

Hold up. He is. He's a cop, man.

I'm sorry, sir, but that lady on the--

On the bus over there, she said you were--

The lady on the bus?

( sighs )

Come on. What did you do, die on me or what?

Hurry up. Come on.

WOMAN: I'm sorry-- Yes, yes, let me hear it.

I'm sorry I took so long,

but I have the address for you now.

Burton! Francesca Williams.

Now, are you absolutely sure it's her?

It's got to be her,

because I've got a medical insurance notation

that says she's blind.

Okay, what's that address?

I should caution you

that we're definitely not suppose to have access

Let's go! to those records.

Would you just give me the damn address, please?

It's 895 Clerk Street.

Got it.

What's the word?

The word is that Francesca Williams

lives at 895 Clerk Street.

That's where they're going.

So are we. Let's go.

Francie? It's your mom. Open up.

I guess she's at work.

Do you have that number?

No. She changes jobs a lot.

Will you excuse me?

Keep an eye out, will you?

You're not going to break in here?

After you.

Where did you learn to do that?

TERRY: Graduate school.

Why did you turn off the light?

I just don't want anything to look different,

just in case...

Do you think Francie turns on the light when she comes in?

I know she does.

Fine.

She wants everybody to know

that there's somebody just like them living here.

Besides, it keeps the burglars away.

Well, I'm going to look in the kitchen

and see if there's anything to eat.

Ha.

Oh, yes, this certainly is Francie's apartment.

No food.

Oh, I'm too tired to eat.

You take the bedroom, I'll take the couch.

I think I'll wait up for Harlan.

He may not show tonight.

He's not due until tomorrow.

He'll be here.

What if he got tired, stopped off someplace?

You need some sleep.

We all do.

Well, I'll make myself a cup of tea,

and after I've had my tea, I'll go to bed.

You promise?

I promise.

Francie likes fresh air at night.

( dramatic theme playing )

Oh, please, God,

okay?

Please.

( sighs )

Would you say that again? I didn't quite understand you.

MAN: I said, as of this evening's test run,

we're through Level 4

and we've achieved 80 percent power.

Yes.

I need authorization from Jude Andrews before we continue.

So, what is the problem?

He's not here.

So, what's the problem?

We can't continue without his consent.

We'll have to stop at Level 4.

We're not stopping anything.

Get back to your post at once.

That is a direct order, mister.

Will someone assume Mr. Yaniger's position

at the control board?

With all due respect, doctor,

none of us really wants to disobey Mr. Andrews' orders.

What about my orders?

Who do you think is running this show anyway?

Jude Andrews is, sir.

Mr. Yaniger,

get back to your post or get out.

I don't have time for this.

Please, Dr. Toddhunter,

we're also concerned for our personal safety.

This is mutiny, sir, plain and simple,

and I will see you hanged for it.

I'm only following orders.

Set me adrift in the middle

of my most important voyage, will you?

That's not the case, sir.

Well, I can cross the darkness on my own, thank you very much.

Unassisted, unfettered by your petty loyalties

and your treasonous behavior.

Shove off.

What? You heard me.

Get out.

Now. Get out.

All of you.

Clear this room at once.

Get out. Get out of my sight.

Your lack of courage disgusts me.

Get out. Out.

You're all a bunch of fraidy cats.

Get out. Out.

This is my experiment.

My experiment.

My experiment!

My experiment!

Mine!

( door opens )

( suspenseful theme playing )

( dog barks ) ( door closes )

Who's there?

I know someone's there. You'd better speak up.

This is a trained attack dog.

I'm ready when he is.

Who? Who are you?

Francie, honey, it's Mama.

Mom!

BOTH: Oh!

Oh, baby, am I glad to see you.

FRANCIE: What are you doing here?

Uh, sorry we didn't call first.

Who are you?

I'm Terry Lynn Spann,

the head of Security where your dad works.

Is Dad here?

Dad's on his way.

What's going on, Mom?

There are some people

who are trying to find your mother and father,

and I'm trying to stop them from doing that.

Are you in some kind of trouble?

It's really hard to explain what's been going on, so--

I am not talking to you, lady. I am talking to my mother.

She can speak for herself.

Are you in some kind of trouble, Mom?

Well, we haven't done anything wrong,

if that's what you mean.

But we did steal a car.

You stole a car?

GINA: Actually, it was a hearse.

You stole a hearse.

( indistinct radio chatter )

MAN: Mr. Andrews, I can't tell you how much

we're looking forward to working--

Where's the car?

Outside.

Do you know where this is?

Yes, sir. How far?

About, uh, 40 minutes, I'd say.

You get us there in half an hour. Let's go.

( barks )

Whitney.

Find out who it is.

( sighs )

( knocking at door )

Who is it?

HARLAN: Open up, it's your dad.

( gasps )

Daddy.

Francie.

( dog whimpers )

Hello, Whitney.

Where's your mother?

She's here. She got here last night.

Thank God she's all right. How are you doing?

I'm fine, Dad. What the hell is going on?

I'll tell you later.

GINA: Oh, thank God.

( Gina chuckles )

I didn't sleep a wink.

I told you I'd be here.

Well, Terry...

how we doing?

Pretty good for now,

but I don't think we should push our luck.

We can't stay here much longer.

Well, we're not leaving until everybody has something to eat.

TERRY: I'll give her a hand.

You all right, Dad?

I'm fine, Francie.

Just, uh...

Something's happening to me.

Dad, it's your face.

It's everything, Francie.

Seems I'm getting younger.

What? You're kidding?

( quietly ): No, I'm not.

Dad...

( dramatic theme playing )

The plane's Shop.

How can you tell?

Damn pilot's taking up two parking places.

That's what autopilot's made for.

Didn't you know that?

No. You're kidding, right?

Well, what do you think those stewardesses are doing up there,

flying the plane?

Yeah, but, I mean, how can they--?

Excuse me.

It's easy. I could show you. Excuse me.

Who owns that small jet?

Is there a problem?

No. I wanted to talk to the pilot.

I'm the pilot. What do you wanna talk about?

Your passenger list.

That's classified information, general.

Classified, is it?

You know what this is?

I'd say that's a pretty persuasive argument

to declassify some information, sir.

Smart boy. Now, who did you bring in?

Jude Andrews.

And an operations officer by the name of, uh, Burton.

They were met by two other agents here.

That's it?

That's it.

Could you get that thing out of my face?

Please?

If he moves, shoot him.

What?

( knocking on door )

Get back.

Wait.

( knocking on door )

Now.

Who is it?

It's Crewes. Open up.

( tense theme playing )

( door unlocking )

Louis. Boy, am I happy to see you.

It's mutual. Who's this guy?

That's General Crewes.

What are you doing here?

Just lending a hand, Mrs. Williams.

How'd you find us?

Doesn't matter. We have to leave here right away.

Jude Andrews knows you're here too.

I'm surprised he isn't here already.

Okay, let's go, let's move out.

Uh, we'll steal a car from the garage.

You don't have to do that. I've got a car we can use.

CREWES: You do?

Yeah, if it's there. It belongs to my neighbor.

She's always losing her keys so she gave me a spare set.

You mind if I drive? Let's go.

It's the second car from the end.

( tires squealing )

Go, go, go.

Go. Go!

( action theme playing )

( doors opening, closing )

( footsteps )

( gunshots )

( gunshots )

Go.

( clicking )

This is too easy.

( growling )

Whitney! Whitney!

Whitney! Whitney!

( gunshots )

( gunshot, dog whimpers )

Whitney!

( gunshots )

Give it up, Terry, it's over.

I want the old man, and I want you.

Everybody else can go.

I'll get the son of a bitch.

Francie, listen to me, can you make it

to your friend's car in the dark?

What are you talking about?

For me it's always dark. What are you gonna do?

You cover me, I'm gonna blow out the lights.

She'll lead us to the car.

And I'm gonna follow up the rear.

FRANCIE: Give me your hand, Dad.

Hold your fire.

Very good, Terry.

Very smart.

I can still hear you.

I don't have to see you to stop you.

Just hit a leg.

Or maybe a kneecap.

( yells )

( car starts )

( tires squealing )

BURTON: Go, man. Go!

Jude!

( car starts )

We have to get rid of this car.

Wait here. Louis and I will be back in ten minutes.

You give us ten minutes.

If we don't come back, you're on your own.

I want you to cover the city.

Bus terminals, bridges,

airport, everything.

It's being done.

I want you to call the Chicago station chief.

Have him alert all the agents on the blue list.

What's that?

Hypes. Whores. Aging hippies.

You'd be surprised how useful some of them can be.

( dramatic theme playing )

CREWES: I say we make a run for the airport.

( groans )

And then what?

Well, then we climb on the plane, take off.

Then what?

And then we get airborne and I'll think of something.

Tsk. We need to think of something now.

We're not gonna get a second chance.

You know that.

We need some time.

We need a safe place to stay overnight.

All right. Thanks.

Yeah.

Okay.

( sighs )

Okay.

I-- I know a place we can stay,

at least for tonight.

A-- A safe house.

It's not polite to eavesdrop.

I wasn't. You talk too loud, and my hearing's too good.

Am I supposed to trust you now?

Heh. You don't have a choice.

( sighs )

( indistinct chatter )

How's it going?

Hey, Tom, what's going on?

You should be a grandfather now.

CREWES: What do you call this?

It's a recipe I invented.

TERRY: It's good.

Cap'n Trips.

Sybil, I was thinking,

why don't they head up to the border and find Harry Dobson?

He went back to Australia. You want some more, Terry?

No, thanks, but it's good.

How's your arm?

It's better, thank you.

Ah. Would you like some more?

Um, no, thank you. I have had about all I can eat.

CREWES: I'll try some more of this tofu stuff.

It's terrific.

Don't you think the seaweed gives it a wonderful flavor?

Don't say a word.

( quietly ): I think I'll get some pizza. You interested?

( quietly ): I'm with you.

GINA: No, we'll not.

FRANCIE: What about that guy in Colorado who had the cabin?

He got busted by the feds last year.

Besides, he didn't do ID.

You're gonna need new ID.

FRANCIE: I know. Richard Rogers.

Yeah, R2 can do.

He lives in Wisconsin on a farm,

he can make you a driver's license,

passport, credit cards...

you name it.

I'll go on ahead and I'll get things started.

Uh, can I use your phone? We don't have one,

but there's one down the street.

I better call Moreland,

let him know we won't be back till later.

I'll get someone to make the call for you.

Cap'n Trips? Yeah?

You mind making that call? No problem.

TERRY: Wait a minute, Louis.

Moreland will panic if he doesn't hear your voice.

Yeah, I better make it myself. Where's the nearest pay phone?

I'll show you.

( quietly ): Hey. No anchovies.

TERRY: Louis, you can't go dressed like that.

( dramatic theme playing )

Tick, tick, tick, tick.

Tick, tick. Tick, tick. Tick, tick.

( humming )

Hm.

Mm-hm.

Click. Click. Click, click, click.

COMPUTER: Dual-control security access keys

must be initiated within 0.5 seconds of each other

to activate the system.

Please, try again.

( sighs )

( pop music playing over headphones )

( loudly ): Oh, sorry, Dr. Toddhunter.

I didn't think anyone was in here.

That's all right.

What's your name?

I didn't see you in here.

What is your name?

What is your name?

Billy DeLois, sir.

I've got a job for you, Billy DeLois.

Come with me.

Yeah, this is 4027.

You beeped me. What's up?

Really?

You ain't gonna believe this,

but I'm out getting a pizza for the old man Williams right now.

Well, we're gonna be a little longer, that's all.

How long?

Overnight.

What? You mean, I have to--

I have to stay here overnight?

That's the safest place for you to be.

Yeah, the blond too. Yeah.

Great buns.

( chuckles )

Yeah, the military guy is here with me now.

( sighs )

Making a call.

What do you want me to do?

What's the telephone number there in case

I need to reach you?

I'm calling from a pay phone.

Yeah, yeah, but where are you? Heh. What's the address?

I don't know.

Are you, uh, in the city?

Uh, yes, major, uh-- Listen, I gotta go now.

I-I'll call you in the morning, let you know our plans.

Yep. What time?

Early. Hang in there.

I'll try.

Look, uh-- Here you go.

I-I, uh-- I did exactly what you told me, huh?

I tried to do exactly what you told me, huh?

I tried. I tried.

( laughs )

You know, I'm a team player.

Huh? A team player.

You make sure you tell Mr. Andrews that, won't you?

You'll tell him, uh,

Major Moreland, team player, huh?

Okay?

( laughs )

Now, can I--? Can I get you guys a snack?

( ominous theme playing )

Time to observe...

the results of the experiment...

( snaps )

firsthand.

( snaps )

Are you ready, Billy?

All right.

Let's get this show on the road.

All right, Billy.

Now. Do it now.

( machinery whirring )

TODDHUNTER: It works.

It works!

( laughing )

It works. It works.

Destroying federal property is a serious crime, major.

This cannot go unpunished.

Yeah, well, I was forced to do that, don't you see that?

Huh? I didn't-- I didn't wanna come along.

I didn't want to destroy those computer files.

Why didn't you get out of the plane

and call for help when he left you?

Well, I-- I-I wanted to.

I-- I wanted to, see, but-- And I was going to--

Ah! Heh. Thank you.

I was going to, but-- But your men showed up.

That's-- That's-- See, I really-- I really was.

I was going to, and then your men showed up

and I couldn't decide who to call.

Ha! T-that's all. That's what happened.

I'll bet.

I got Dr. Toddhunter on the line for you.

Don't go away.

Thanks.

I got some good news for you.

We found the old man.

One of your blue agents called in.

Just the old man?

No, no, all of them.

We've got the stakeout on the house right now.

All right, I wanna move at first light.

Arrange for backup. Feds and locals.

I want the city plans for the whole block.

What for?

Okay, I-I'll get 'em.

Dr. Toddhunter.

Just a second. I wanna take him along with us.

We might need him later.

Dr. Toddhunter.

What do you want? I'm busy.

Is everything all right there?

Fine. What do you want?

I want you to pull the plug. Shut down till I get back.

I'm sorry, I can't do that.

( chuckles )

It's not like you have a choice, doc.

Yes, I do.

I'm here and you're there. Do you not see that?

Billy, throw the next three switches.

Do it now, Billy.

Uh, I'm sorry, I have to go now.

You want the janitor?

You have him?

Yeah, I got him.

Swear on your mother's grave.

( chuckles )

I'll swear on your father's grave.

How's that?

You leave my father out of this.

Come on, doc...

you want the old man to experiment on?

I can't bring him back to a lab

that's a smoking hole in the ground.

Bastard.

The party's over, Billy.

For now.

Come in.

What's up?

You know, Louis, those beads really bring out

the color in your eyes.

Is that what you wanted to talk about?

Have a seat.

Oh!

Waterbed. Never been on one of these things.

You know, there's a lot you missed by spending your youth

in the Iron Triangle rather than Haight-Ashbury.

Yeah, well, maybe someday I'll find out what I missed.

Yeah, maybe.

So, what about the airport?

I don't wanna go near the airport.

I don't like the way Moreland sounded.

I think you want to just keep wearing these clothes.

Sybil has an old van we can use.

If we stick to the back roads,

we can be in Wisconsin in two days.

And after we meet up with Francie and get new IDs?

Leave the country.

Yeah.

You know, this is really comfortable.

I checked out the rest of the house.

There's a basement

and an access to an old unused storm drain.

It's there if we need it.

You never stop thinking, do you?

No.

That's why I'm still alive

after being partners with Jude Andrews.

I wouldn't worry about this.

We'll make it.

I hope you're right.

If we don't make it, Louis,

this could be the end of a beautiful friendship.

( suspenseful theme playing )

( dramatic theme playing )

Let's dance, Gina.

Yes. Slow.

It still feels like Coney Island for me.

For me too.

MAN: Yo, yo, yo. Yo, outside!

Hey, ho, whoa! Good, good. Good, man.

Okay, guys, let's go, okay.

Pay him.

Thanks, man. Heh.

It really is great to see my tax dollars at work.

Far out.

Sign for it.

Sign for it?

( laughs )

Would you sign it? Come on. I love you guys.

Get out of my face.

Where's Moreland?

We're using a house across the street from them as com center.

He's there, but he is not a happy camper.

( sarcastically ): Breaks my heart.

Did you get those city plans I asked for?

Uh, I'm-- I'm working on 'em, yeah.

You know, time is-- Very short.

To quote the good doctor,

"Do you not see this?"

I'm-- I'm sorry, Mr. Andrews,

I'm not getting what you're saying.

Do you get this? Ah! Ah.

Do you get it? Ah! Yeah. Ah.

Do you get it now? Okay, okay.

Do you get it? Yes.

Ow! Ah! Do you finally get it?

Get me those plans, Burton.

Or next time, I'll twist something else

that's attached to your body.

( gasps )

Do you understand?

Yes. Yes, sir.

Well, should we get up, Mother?

In a minute.

I wanna lie here a little longer.

I wanna be held.

I wanna feel you close to me.

Whatever happens,

I have always loved you, Harlan Ethan Williams.

And I've always loved you, Gina, but...

when you start talking like that,

I feel a goose walking over my grave.

( grunts )

It's not a goose.

It's that man...

Andrews.

If he's not the devil's right hand,

he's the devil himself.

Now, stop, or you'll just get yourself upset.

No, I won't.

I'm finished with that.

But there is something I wanna say,

and don't you stop me.

I won't.

How many times have we made love, Harl?

Since 1941, I--

I don't know exactly, Gina,

but I guess if we had a buck for each time,

we could buy a Mercedes-Benz.

Yes.

A lot of times. Mm.

A lot of love.

But this time was different.

You felt it too, didn't you?

Don't, Gina. Please, don't.

No, listen to me now.

Nothing ever really ends, Harl.

I don't know if I believe

in the heaven that my mother believed in,

but I do believe that--

That nothing ever really ends.

Remember when we were on the road

and I said that you were one of the people on the ship

and I was one of the people on the pier?

Well, someday, we're both gonna be on the ship.

We'll be together again.

I know it, I feel it.

Hush, Gina. Please.

But till that time...

I'll be with you...

in your memories and in your heart.

I will...

won't I?

( quietly ): Yes.

I love you, Gina.

Oh, I love you too.

So, so much.

Yeah. Yeah, that's right. You heard me.

I want those plans here in the next five minutes,

or I will personally pull your ears down

and tie them up under your chair!

That's right, you got it.

You know, if I wasn't afraid that he would...

track me down and find me,

I would just clear the hell out of here, man, just disappear.

I haven't, uh--

I haven't seen any paperwork on this.

No, not a scrap.

Ha. This place is a zoo.

It's the damn zoo.

I-- I can't use-- I can't get bypass--

Bypass normal channels.

And I haven't seen a-- Haven't seen a--

Haven't seen a budget!

Who the hell's that?

Who the hell is paying for these men, huh?

I mean, who the hell's paying for these men?!

I-- I haven't seen any, uh-- I haven't seen any...

ammunition invoices.

No, no, no, no.

No, no, no, no, no, no.

I'm not gonna-- I'm not gonna bite the bullet on this one.

I'm not gonna bite the bullet on this one,

and I can tell you that!

MORELAND: Attention!

I want everyone's attention!

Gentlemen, without rules, what have you got, huh?!

You got chaos!

You have got the jungle!

Now...

I'm gonna put a stop to this.

As you were, soldier.

Hey, hey, hey, hey!

I told you, you gotta call it off!

There is absolutely no requisition

for this kind of fieldwork!

Do you hear me?!

Who's that in the street?

There is absolutely no authorization...

Looks like we just ran out of time, Louis.

Come on, let's get going.

What's going on here?

TERRY: Something big, something bad.

( Moreland yelling indistinctly )

I'll get him, I'll get him.

MORELAND: Nothing of this sort! Burton!

Most irregular.

Sharpshooters only. I don't want the old man hit.

This is it.

Let's get dressed.

I think we gotta get outta here now.

I didn't go to Canada for ten years

to come back, get blasted by these Chicago pigs, I mean...

We're surrounded. It doesn't look good, does it?

What do you think they're gonna do to us?

I don't think anybody should do anything until we talk to them.

Right.

You see what happens when we don't get

a consensus about who crashes here?

These people are prepared to commit violent acts.

We didn't start it, son.

Hey, man, this place is open to anyone in need.

You know the rules. No firearms.

He's right. Francie knows better.

If you knew you was gonna come here,

you shouldn't have brought guns.

I'm sorry, but getting trapped inside an old house

with a bunch of granola heads

wasn't exactly on my daily calendar,

it just sorta happened.

Why are the police here?

It's none of your business.

MAN: I'm afraid it is.

You have put all of us in jeopardy.

The police don't want us. They certainly don't want me.

I'm gonna go out there and negotiate with them

to let us go.

I don't recommend that.

I don't wanna see a lot of people get hurt.

We can settle this without violence,

but if that's what you choose as a form of discussion,

you can do it yourselves.

After we're all gone.

Sybil?

Everybody stay here where you'll be safe.

We'll be all right. Don't worry.

They'll listen to reason.

Why don't you all chant and hold hands

while we're outside?

Let's get outta here. It's gonna be a bloodbath.

( sighing ): Tell me about it.

ALL ( chanting ): Om...

Hold your fire.

You on the first floor, come on out,

nobody's gonna hurt ya.

Ready?

ALL: Ready.

Come on out, we can talk about this.

Who's in charge here?

I am.

What's your name?

Jude Andrews.

Hey, Jude.

I'm Tom.

I want you to let myself and my friends go.

Send out the old man and the young woman.

Nobody has to get hurt.

I can't do that.

Whatever problem you have with them,

you must settle for yourself.

I'm not the one with the problem here, Tommy Boy.

You are.

You're starting to get on my nerves.

No, we don't want any violence here.

You said we could talk.

Talk's over.

Take 'em out.

( woman screaming )

WOMAN: They shot them!

( people screaming )

MAN: Hey! WOMAN: Tom!

Hey, you.

( car splutters ) I'm sorry,

they can't find the city-- What's his name?

BURTON: Cap'n Trips.

Trips!

( people screaming )

( rock theme playing )

All right...

smoke 'em up.

Man, we're done! You can say that again.

Let's grab Harlan and get the hell out of here!

I hope that tunnel's open!

TERRY: Come on. Let's get outta here.

I don't think Gina's able to.

No, I told you, I'm all right.

What are we waiting for?

Come on, follow me. Keep low.

( tense theme playing )

Where's the old man?

Get him outta here.

They just got here, just this second.

I don't know if you still need 'em, or...

You think they're still in there?

No, they're gone.

Where are we going? After them.

( groans )

I got to sit a spell.

No, we can't stop.

We have to keep going. No.

She's not well. It's not gonna take them long

to figure out we're not in the house.

Harlan, you go on without me, please.

No, I won't! We'll sit a minute.

( Gina panting )

We'll sit a minute.

Where's Louis?

He was right behind me.

Louis?

Louis?

Louis?! Drop it.

MAN ( over radio ): Com center.

Andrews here.

What's your status, Andrews?

I've got 'em. Come pick us up.

10-4.

( dramatic theme playing )

Harlan?

Gina.

ANDREWS: Get away from him!

Hold on to me, Gina.

I said get away from him, or I'll blow your brains out.

What's happening?

Don't let go, no matter what.

Let go.

I can't see you, Gina.

Don't be frightened, Gina,

you're coming with me.

Let go!

You're coming with me.

( chuckles )

Well, I'll be damned.

CREWES: Terry! Well, I'll be damned.

Terry!

I took a wrong turn.

Luckily, I heard your shouting.

Where's Harlan and Gina?

Oh, God.

Do you believe people get

a second chance in this world, Louis?

What?

I think they do.

I think we just did.

Ah. Come on, let's get outta here.

They're gonna come looking for him soon.

Terry.

( somber theme playing )

Do you wanna go non-reg for a minute?

What for?

Maybe for the rest of our lives?

( siren wailing in distance )

( upbeat rock theme playing )