All language subtitles for Highwaymen.2004

( pencil scribbling )

( tires screech;
distant sirens wail )

( electric pencil
sharpener whirs )

( tires screech;
crash )

( medical ventilator
operates )

( electric pencil
sharpener whirs )

( crash )

( car engine starts )

( car accelerates )

( running footsteps;
labored breathing )

( gasp; crash )

( crash; tires screech;
metallic ring )

( labored breathing )

( anguished moan )

( crash )

( flames erupt )

( distant child shouts )

( no audio )

( tires screech )

( engine revs )

( choral singing begins )

( choral singing
continues )

( choral singing
continues )

( C.B. radio chatter )

( C.B. radio chatter
continues )

MOLLY.

HEY.

SURE I CAN'T GIVE YOU
A RIDE HOME?

OH, THANKS, BOONE.
ALEX IS PICKING ME UP.

BUT IT'S NICE OF YOU TO ASK.

WELL, IT'S LATE.

IT'S COLD.

YOU THINK IT'S
A GOOD IDEA FOR YOU
TO WAIT OUT HERE ALONE?

I COULD WAIT WITH YOU.
I'LL BE FINE.

GOOD NIGHT, MOLLY.

GOOD NIGHT, BOONE.

( car horn honks )

( fan belt squeaking )

HEY, ALEX. THANKS.

NO PROBLEM.

( fan belt squeaking )

ALEX, TAKE IT SLOW TONIGHT?

WHY?

I DON'T KNOW. IT'S LATE.

I'M NOT AS ALERT
AS I'D LIKE TO BE.

YOU'RE A PASSENGER, MOL.
HOW ALERT DO YOU HAVE TO BE?

WHAT'S HE DOING?

WINKING.

HE'S GETTING OVER.

( police scanner chatter )

ALEX!

( tires screech )

( truck horn blares )

( horse neighs )

AAH! AAH! AAH!

AAH!
AAH!

( truck horn blares )

( brakes squeal )

( engine revs )

UGH!

UGH!

( brakes screech )

( both panting )

ARE YOU ALL RIGHT?

( dials cellular phone )

( busy signal )
SHIT.

MOLLY.

MOLLY.

ARE YOU ALL RIGHT?

YEAH.

STAY HERE.

I'LL GO GET HELP.

( tires squeal )

HEY!

HEY! HEY!

HEY, DAMN IT, WE NEED HELP!

( engine revs )

( engine roars;
fan belt squeaks )

AAH!

UNH!

( gasping )

( crying )
NO! NO!

NO, PLEASE!

( screaming )

ALEX!

( engine revs )

( struggling )

Man: COME BACK HERE!
( dogs barking )

( grunting )

( dogs barking )

Woman:
...POSSIBLE HIT AND RUN,

MULTIPLE-T.I. ACCIDENT
WITH KILL INJURIES.

OFFICER ON SCENE NOT INVOLVED.

( sirens wail )

HOLD IT.
HOLD IT RIGHT THERE.

TUNNEL'S CLOSED.
THIS IS AN EMERGENCY LANE.

WILL MACKLIN,
TRAFFIC INVESTIGATOR.

OKAY.

Man: T.I. COMING THROUGH.

CLEAR A PATH, GUYS.

Man #2: COME ON, GET JUMPING.

YOU'RE GOOD. GO AHEAD.

( indistinct chatter )

HEY, JIMMY.

BILL.

WHAT HAPPENED?
WE GOT A MESS.

COME ON,
YOU REMEMBER HOW IT WAS--

IT'S GREAT TO BE
YOUNG AND STUPID
ON A SATURDAY NIGHT.

WE'VE GOT THREE VEHICLES,
FOUR BODIES,

NOTHING TICKING
BUT THEIR WATCHES.

WHITE FEMALE, EARLY 20s.

TALK ABOUT A HARD-ON.

YOU HAVE
A FILTHY MIND, JIMMY.

YOU OUGHT TO
TRANSFER TO VICE.

Man: OKAY, MOVE IT BACK.

THERE'S A CONCRETE POST!

Man #2:
WE'LL HAVE TO GO LOW.

HORSE TRAILER MUST HAVE
GONE DOWN FIRST.

THAT'S HOW THE ANIMAL'S WALKING.
THEN THIS BABY COMES ALONG.
SPLAT!

FIRST ON THE SCENE
WAS THAT GUY OVER THERE
WITH THE DOGS,

BUT HE DIDN'T CALL IT IN.

WHO DID?

WOULDN'T LEAVE HIS NAME.
CAME IN ON CHANNEL NINE.

NINE? C.B.?
YEAH.

PEOPLE STILL USE 'EM?
TEN-FOUR.

Macklin: HEY!

THIS LOOK LIKE
A SOUVENIR SHOP?

HEY...HEY!

HEY, WE GOT
A SURVIVOR HERE! HEY!

HEY, UP HERE!

Man: LET'S GO!

Macklin: SOMEBODY--
GET SOMEBODY OVER HERE!

( knock on door )

COME IN.

MOLLY?

WILL MACKLIN,
STATE TRAFFIC INVESTIGATOR.

SHE'S ALREADY SAID
EVERYTHING SHE HAS TO SAY.

NOT TO ME.

IT'S OKAY.

I'LL BE RIGHT OUTSIDE.
OKAY.

PLEASE, SIT.

YOU MUST FEEL THAT WE
DON'T DO OUR JOB VERY WELL

FOR SOMETHING LIKE THIS
TO HAPPEN TO YOU...

...TWICE.

THIS ISN'T THE SAME.

NO, OF COURSE NOT.

THE OTHER WAS WORSE,
I'D GUESS,

LOSING YOUR FAMILY LIKE THAT.

I'VE SEEN IT
TAKE DOWN GROWN MEN.

YOU MUST HAVE BEEN
A TOUGH LITTLE GIRL.

I-I WAS JUST WONDERING...

WHAT?

...IF IT WOULDN'T SKEW
WHAT YOU SAW,

SHADE YOUR THINKING A LITTLE.

IT SHADES MY LIFE.

SO IT'S CONCEIVABLE
THAT YOU GOT THINGS WRONG?

HE SAW HER.

HE TOYED WITH HER.

HE KILLED HER,

AND THEN HE CAME AFTER ME.

DON'T SUPPOSE YOU KNOW
ANYTHING ABOUT SKID MARKS?

NO.

WELL, RUBBER ON ASPHALT
IS LIKE INK ON PAPER.

TIRES MAY NOT
KNOW HOW TO SPELL,

BUT THE MARKS THEY LEAVE
ARE A LANGUAGE, JUST THE SAME.

AND WHAT DO THEY SAY?

THERE WERE A LOT OF
PEOPLE IN THAT TUNNEL
TRYING TO AVOID ONE ANOTHER.

ONE GUY
DOING JUST THE OPPOSITE.

IT ALMOST SOUNDS LIKE
YOU BELIEVE ME.

WHAT ARE YOU
GONNA DO ABOUT IT?

MOLLY, I'M NOT
A HOMICIDE DETECTIVE.

I DON'T EVEN CARRY A GUN,
JUST A MEASURING TAPE

AND A PENCIL.

I NEVER MADE
AN ARREST IN MY LIFE.
NEVER SHOT ANYONE.

YOU SAID THE VEHICLE WAS BIG.

AMERICAN, MAYBE.

OLD. POSSIBLY GREEN.

WHAT ELSE
CAN YOU TELL ME ABOUT IT?

FILTHY.

Man: OKAY, LET ME START
BY CONFESSING

THAT I'VE NEVER ACTUALLY
BEEN IN AN ACCIDENT,

BUT I KNOW WHAT YOU'RE
THINKING...

...FEELING.

YOU'RE SAYING TO YOURSELF,
"WHY ME?"

YES, WELL,
IT DIDN'T JUST HAPPEN TO YOU.

IN AMERICA,

300 OF US ARE SERIOUSLY INJURED
IN A MOTOR VEHICLE ACCIDENT

EVERY HOUR.

THAT'S OVER 8,000 OF US A DAY,

250,000 A MONTH.

THAT'S OVER THREE MILLION
A YEAR.

50,000 OF US DIE.

THE PERSON NEXT TO YOU,
TAKE THEIR HAND.

TAKE IT.

COME ON, TAKE IT.

THAT'S IT.

I WANT YOU
TO DO SOMETHING FOR ME.

I WANT YOU TO SAY,
"I AM NOT ALONE."

SAY IT WITH ME.
"I AM NOT ALONE."

GOOD. AGAIN.

I AM NOT ALONE.

WHAT HAPPENED TO ME
HAPPENED ONCE.

Man: PARDON?

NOT 8,000 TIMES A DAY.
ONE TIME.

I UNDERSTAND
WHAT YOU'RE FEELING.

EXCUSE ME.

OKAY, SEE? THAT'S WHAT HAPPENS
WHEN WE PUT UP THE BARRICADES.

SORRY.

ABOUT WHAT?

ABOUT WHATEVER
BROUGHT YOU HERE.

HOW DID YOURS HAPPEN?

HIT AND RUN.

ME TOO.

DID THEY CATCH THE PERSON?

NO, THEY DIDN'T.

I HAVE TO BE SOMEWHERE.

CAN I GIVE YOU A RIDE?

SOMEBODY'S MEETING ME.

WHAT ABOUT LATER?

IT'S KIND OF A BAD TIME.

I DIDN'T SAY
WE'D ENJOY OURSELVES.

YOU PROMISE?

WE'LL BE PITIFUL.

I'LL BE BACK NEXT WEEK,

AND IF YOU'RE HERE,
THEN WE'LL SEE.

WASN'T AN ACCIDENT, MOLLY.

HE KNEW WHAT HE WAS DOING.

WHAT ARE YOU TALKING ABOUT?

HE DRIVES
A 1972 CADILLAC EL DORADO,
PEPPER GREEN.

I BELIEVE YOU KNOW THE CAR.

IF YOU KNOW SOMETHING
ABOUT WHAT HAPPENED TO ME,

TAKE IT TO THE POLICE.

THEY CAN'T HELP US.

YOU DON'T THINK
I'VE TRIED THAT BEFORE?

NO POLICE.

DID HE TAKE
SOMETHING OF YOURS?

WHAT DO YOU MEAN?

ARE YOU MISSING SOMETHING,
SOMETHING TO REMEMBER YOU BY?

HE ALWAYS TAKES A SOUVENIR.

HE TOOK MY PICTURE.

IF I CAN FIND YOU, SO CAN HE.

HE'S COMING BACK, MOLLY.

YOU'RE HIS ONLY MISTAKE.

11:00, ORCHESTRA HALL.

( indistinct chatter )

( starts engine )

I THINK YOU AND I
HAD BETTER TALK.

Macklin:
HEY! SON OF A BITCH! DAMN!

THIS IS TRAFFIC UNIT 48.

Woman: IDENTIFY YOURSELF.
MACKLIN.

WHO?

WILL MACKLIN,
TRAFFIC INVESTIGATIONS.

STAND BY.

( truck horn blares )

SHIT!

NEVER MIND.

THE TUNNEL'S COMING UP.
MAYBE WE SHOULD GO AROUND.

LET'S GO AROUND.

THANKS, BOONE.

BOONE!

AAH!

( fan belt squeaking )

( El Dorado door opens )

( tires roll;
chain clanks )

( sharp clank )

BOONE.

BOONE, CAN YOU MOVE?

( El Dorado door closes )

( El Dorado engine starts )

AAH!

AAH!

BOONE! BOONE!

AAH! AAH!

NO!

AAH!

AAH!

( gasping )

NO! HOLD IT!

COME ON!

GRAB MY HAND!

LOOK AT ME! LOOK AT ME!

NOW!
NO!

( sobbing )

Man's Voice: CRAY.

YOU WANT ANOTHER SHOT AT ME?

HAVE THE GIRL OUT HERE
TOMORROW NIGHT.

IT'S SIMPLE.
I WANT HER, YOU WANT ME.

USE HER.

WE'LL BE HERE.
VERY GOOD.

ANOTHER 100,000 MILES OF THIS,
AND YOU'LL BE

JUST LIKE ME.

( sirens approaching )

LET ME OUT.
I HAVE TO HELP MY FRIEND.

MOLLY, YOUR FRIEND'S DEAD,

AND LIKE I SAID BEFORE,
NO POLICE.

( indistinct chatter )

Macklin:
ANY SIGN OF THE GIRL?

NADA.

THE GUY IN THE BARRACUDA?

WELL, HIS PLATES WERE
STOLEN THREE WEEKS AGO
IN INDIANA, AND...

WHAT?

HE'S MISSING A DOOR.

PLEASE.

WHAT DO YOU WANT WITH ME?

YOU'RE NOT
SERIOUSLY CONSIDERING
GOING BACK OUT THERE.

I'M NOT CONSIDERING.
WE'LL BE THERE.

NO, WE WON'T.

I AM NOT GETTING
BACK IN THAT CAR.

WHAT HAPPENED TO YOU?

HE KILLED SOMEONE
CLOSE TO YOU, DIDN'T HE?

WHO DID HE RUN DOWN?

AAH! AAH!

AAH!

STOP!

AM I GONNA DIE?

MY WIFE.

HE RAN OVER MY WIFE.

AAH!

HE ALWAYS TAKES A SOUVENIR?

HE CONVINCED THEM
IT WAS AN ACCIDENT.

THAT SHE WAS
STANDING IN THE ROAD.

THAT HE RAN
BECAUSE I WENT AFTER HIM.

AAH!

I DID THREE YEARS,

AND HE SPENT
THE NEXT 18 MONTHS
IN THE HOSPITAL.

THEY REBUILT HIM
FROM THE GROUND UP.

THEN ONE DAY
HIS BED WAS EMPTY.

MONTH LATER, I GOT
THE FIRST OF I DON'T KNOW
HOW MANY LETTERS.

PRESS CLIPPINGS
OF HIS ACCIDENTS.

FROM ALL OVER THE MAP.
TOTALLY RANDOM.

JUST LIKE YOURS.

MOST OF THEM RECENT.

MOST?

HE'D BEEN DOING THIS
FOR A WHILE.

NINE WOMEN.
THREE BEFORE OLIVIA.

WHY DIDN'T YOU
TELL THE POLICE?

I DID.

BUT THEY'RE JUST
HIT-AND-RUNS TO THE POLICE,

AND USUALLY
A THOUSAND MILES APART.

THEY DON'T HAVE
THE IMAGINATION
TO LINK THEM TO ONE MAN.

DID YOU MEAN TO HIT HIM?

I DIDN'T KNOW MUCH
ABOUT DRIVING BACK THEN.

YOU KNOW, IT'S
BASIC OBSTACLE AVOIDANCE.

YOU'RE NOT SUPPOSED TO
LOOK AT THE THING THAT
YOU'RE TRYING TO AVOID

OR YOU'LL DRIVE
RIGHT INTO IT.

ALL I KNOW IS...

...I WAS LOOKING AT HIM.

THAT DOOR
GET OVER HERE YET?

DOOR?

OH, YEAH.
YOU MEAN THE '68. SURE.

CHECK THIS OUT.

"FOR USE IN SUPERVISED
ACCELERATION TRIALS.

NOT INTENDED
FOR HIGHWAY USE."

BARRACUDA, SUPER STOCK 426,
HEAVY PACKAGE.

ONLY ABOUT 50,
60 EVER SHIPPED.

THE BODY'S BEEN ACID-DIPPED,
FOR WEIGHT.

CHECK THIS OUT.

THERE'S NO SOUND DEADENER.

IT'S NOT WHAT YOU'D CALL
STREET LEGAL.

PUT HER ON A DRAG STRIP,

SHE'LL LAY DOWN
SOME SERIOUS RUBBER.

MAN, I'D LOVE TO GET MY HANDS
ON THE REST OF HER.

YEAH, SO WOULD I.

HMPH, SOMETHING ELSE.

LOOK AT THE TINY MAGNET
ON THAT THING.

IT'S NOT FOR VOICE ONLY--

SCANNER, TWO-WAY RADIO,
C.B., STUFF LIKE THAT.

THAT MEAN SOMETHING TO YOU?

MAYBE.

SOMEONE I'M LOOKING FOR
USES A C.B.

WELL, CONGRATULATIONS.

YOU'VE ARRESTED HIS DOOR.

WALLY, CAN YOU
HOOK ME UP WITH A C.B.?

YEAH, I GOT A NICE LITTLE
40-CHANNEL NUMBER,

SINGLE SIDE BAND,
VOICE LOCK, DYNAMIC SQUELCH.

HOW'S THAT GRAB YOU?

IF THAT'S A C.B.,
I'LL TAKE IT.

YOU'VE DONE THIS BEFORE.

A LONG TIME AGO.

YOU'RE A DOCTOR?

IT'S JUST WHAT I WAS.

HERE'S A...SHIRT.

AND, UH...

...SOME OTHER THINGS,
IF YOU NEED 'EM.

THANK YOU.

COULD YOU TURN AROUND?

SO, WHAT WAS HE
BEFORE ALL OF THIS?

INSURANCE.

HE WORKED OUT OF
A LITTLE BUNGALOW
IN OAKLAND.

MOSTLY AUTOMOBILE COVERAGE.

DEALING WITH SMASHUPS ALL DAY

COULD BE WHERE HE
PICKED UP A TASTE FOR IT.

DEFINITELY WHERE HE LEARNED
HOW TO GET AWAY WITH IT.

IT HAPPENED TO YOU, TOO.

A CAR DID THAT.

WHEN YOU WERE A KID.

WHO WAS DRIVING,
YOUR MOM OR YOUR DAD?

DAD.

DID HE MAKE IT?

WHAT ABOUT YOUR MOM?

I CAN'T DRIVE BECAUSE OF IT.

CAN'T GET OVER THE FEAR
THAT I'LL SCREW UP

AND MAKE ANOTHER LITTLE GIRL
AN ORPHAN.

WE HAVE A LOT IN COMMON,
YOU AND ME.

I CAN'T GO OUT THERE AGAIN.

HE DISAPPEARS FOR THREE,
FOUR MONTHS AT A TIME.

I'D HAVE TO START OVER AGAIN.

I CAN'T DO IT.

HE'D BE HALFWAY
ACROSS THE COUNTRY RIGHT NOW
IF IT WEREN'T FOR YOU.

MOLLY, HE KILLED
TWO OF YOUR FRIENDS

WITHOUT SO MUCH
AS GETTING A SPEEDING TICKET.

I KNOW WHAT HE DID.
THEN HELP ME.

I CAN'T.

THERE'S SOMETHING
I CAN'T DO, EITHER.

I CAN'T LET YOU GO.

( C.B. radio chatter )

( C.B. radio chatter )

Man: WILL.
I'M HERE.

OKAY. THERE ARE ONLY
25 HEAVY BARRACUDAS
STILL REGISTERED,

ONE MODEL
MATCHING DESCRIPTION.

OWNER OF RECORD,
CRAY, RENFORD JAMES.

DID THREE YEARS
FOR AGGRAVATED ASSAULT.

GUESS WHAT HE USED
FOR A WEAPON.

HIS CAR.

Man on C.B.: CRAY.

ARE YOU THERE?

I WAS THINKING
OF HEADING OUT WEST
AFTER THIS ONE,

TRY OUR LUCK
ON ONE OF THE SUPER SLABS,

THE I-10, MAYBE THE 70,
PAST ALL THOSE PIZZA HUTS,

7-11s, K-MARTS,
ALL THOSE CHAIN CITIES.

AND ALL THOSE GIRLS.

YOU KNOW, SHE TAKES
A PRETTY GOOD PICTURE,
OUR MOLLY.

I WONDER IF SHE'S
THINKING OF ME AS MUCH
AS I'M THINKING OF HER.

YOU SHOULD LET ME
FINISH HER, CRAY.

YOU KNOW I'M GOING TO.

SOONER, LATER...

...WITH YOU, WITHOUT YOU.

YOU KNOW WHAT
THE HEAD SHRINKERS CALL THIS?

EXPOSURE THERAPY.

I KNOW.

WHEN THE BODY'S
DOING SOMETHING
IT DOESN'T WANT TO DO...

...IT TIGHTENS UP.

YOU LOSE FEELING
IN YOUR HANDS, YOUR LEGS.

YOU CAN'T STEER.

YOU CAN'T SHIFT.

TURN THE KEY.

( engine starts )

IS THAT HIM?

NO. HIS HEADLIGHTS
ARE LIKE HIS EYES.

ONLY ONE WORKS.

HIS BODY IS HIS CAR.

STOP HIS CAR, STOP HIM.

ALL WE HAVE TO DO
IS HUSK THE SLUG
RIGHT OUT OF HIS SHELL.

WHAT?

I'M NOT SURE.

( shuts engine off )

( car glides silently )

LISTEN.

( engine starts )

( engine revs;
Molly screams )

Man on C.B.:
CRAY, DO YOU HAVE HER?

IS SHE WITH YOU?

YEAH, SHE'S HERE.

HE'S COMING.

( truck horn blares )

( C.B. radio chatter )

( chatter continues )

( engine stalls )

SHIT!

GOD DAMN!

SHIT!

( El Dorado engine idling )

( man on C.B. panting )

RENNIE!

RENNIE!

AAH! AAH!

AUGH!

( engine starts;
shotgun cocks )

Macklin:
RENFORD JAMES CRAY!

KILL THE ENGINE.

LISTEN TO ME CAREFULLY,

'CAUSE I ONLY HAVE TIME
TO SAY THIS ONCE.

THE FELLOW YOU'RE AFTER
DRIVES A '72 CADILLAC
EL DORADO.

HE'S GOT A TWO-MINUTE
HEAD START.

STEP OUT OF MY WAY,
I MAKE THAT TIME UP
NO PROBLEM.

TURN IT OFF.
THREE-MINUTE HEAD START.

I SAID TURN IT OFF!

THE ONLY WAY I'M GONNA
FIND OUT WHAT'S GOING ON
IS TO KEEP...

...ONE OF YOU OFF THE ROAD...
MOVE!

...LONG ENOUGH
TO FILL ME IN!

( engine revs;
gunshot )

( steam hisses )

( distant dog barks )

AAH!

Man on C.B.:
CRAY, PICK UP.

PICK UP, CRAY.

I KNOW YOU'RE THERE.

IS SHE STILL ALIVE?

I'M NOT SURE.

JUST TELL ME!

LET ME CHECK.

Molly:
NO! RENNIE! NO!

FARGO!

FARGO.

WOULD SOMEONE PLEASE TELL ME
WHAT THE FUCK IS GOING ON?

YEAH. FIRST HELP ME
FIND A RADIATOR.

SHH!

( hand tools clanking )

( power tool whirs )

( labored breathing )

DO YOU HAVE ANY IDEA
WHERE WE'RE GOING,

OR YOU JUST DRIVING?

BEEN TRACKING HIM
FOR TWO YEARS.

YEAH, I HAVE SOME IDEA.

YOU'RE JUST DRIVING.

WHEW...

HE PREFERS MAJOR HIGHWAYS.

SEE, HE LIKES TO SPEED.

WITH FALL COMING,
HE'LL STICK PRETTY MUCH

TO THE WESTERN/SOUTHWESTERN
STATES.

HE HAS A SIXTH SENSE
FOR HICK TOWNS
WITH SPEED TRAPS

AND MANAGES TO AVOID THEM.

HE LOVES TUNNELS,
DRIVE-THRU RESTAURANTS.

HE HATES DRAWBRIDGES,

WILL GO MILES
OUT OF HIS WAY
TO AVOID ONE.

USED TO STOP
FOR REPAIRS, TOO,

BUT HE'S GOTTEN
PRETTY GOOD AT
TAKING CARE OF THAT HIMSELF.

YOU CAN PATCH A PUNCTURED LUNG
JUST AS EASILY AS A FLAT TIRE.

WHY DOES HE DO IT?

HE JUST DOES IT.
ISN'T THAT ENOUGH?

NO, MAN. IF I'M
SUPPOSED TO HELP,
I NEED TO KNOW MORE.

HIS FATHER HAD
A LITTLE AUTO INSURANCE
BUSINESS.

HE USED TO SHOW HIS KID
WRECK PHOTOS.

BODIES, SMASHED FACES,
DECAPITATIONS.

KID COLLECTED THEM,
AND HE WENT TO WORK
FOR HIS FATHER.

SOON THAT WASN'T ENOUGH.

HE STARTED CREATING
HIS OWN PICTURES WITH
THE ACCIDENTS HE CAUSED.

WHY MOLLY?
I MEAN, HOW DOES HE
CHOOSE THESE WOMEN?

IT'S COMPLETELY RANDOM.

HE DRIVES FOR HOURS,
PLAYING OUT DIFFERENT
SCENARIOS IN HIS HEAD

UNTIL HE HAS TO ACT,
THEN HE JUST LOOKS
FOR AN OPPORTUNITY.

YOU KNOW,
AN EMPTY HIGHWAY OR...

...A WOMAN BY HERSELF.

SO, A KILLER
WHO LEAVES NO FINGERPRINTS,

NO DNA,

AND HE DRIVES OFF
IN THE MURDER WEAPON.

AND ONLY YOU KNOW ABOUT IT.

AND YOU.

HAVE YOU EVER SEEN HIM?
UP CLOSE, I MEAN.

TWICE.

LAST NIGHT.

FIVE YEARS AGO.

THE DAY HE KILLED MY WIFE.

HE LOOKED EXACTLY
LIKE WHAT HE WAS--

A MIDDLE-AGED
INSURANCE SALESMAN

THAT NO ONE
WOULD PAY ATTENTION TO.

ORDINARY FACE.

FORGETTABLE.

EXCEPT YOU CAN'T FORGET IT.

LET ME TELL YOU SOMETHING.

OUTSIDE THAT CADDIE,
HE IS NOTHING.

YOU SEPARATE THE MIND
FROM THE MACHINE...

AND WHAT?

YOU CAN GO HOME.

WHAT?

NOT SURE. SOMETHING.

IT'S MORPHINE SULFATE.

SHE'S ALIVE.

I DON'T UNDERSTAND.
HOW CAN YOU TELL?

THAT'S WHAT HE'S TELLING US.

HE'S ALSO TELLING US
WHERE HE'S TAKEN HER.

WHERE?

ABOUT FOUR HUNDRED MILES
OR SO,

ACROSS A COUPLE OF STATES.

IT'S WHERE HE'S
GONNA KILL HER.

( fan belt squeaking )

YOU KNOW WHERE WE ARE?

I GOT IT FOR A GOOD PRICE.

INSURANCE MONEY.

YOU KNOW WHAT THAT IS?

THERE'S A LOT OF ME
STILL IN THAT CAR.

IF YOU LOOK CLOSE,
YOU CAN SEE BONE.

CHECK THE GLOVE BOX.

PICTURES.

THIS YOUR WIFE?

KEEP LOOKING.

THERE. THAT ONE.

IT WAS TAKEN
THE DAY HE KILLED HER.

FOR REVENGE,
HE'S GONNA DO IT AGAIN.

( engine shuts off )

THERE'S ONE THING ABOUT ME
FARGO'S ALWAYS DEPENDED ON.

WHAT'S THAT?

I'D COME ALONE.

HE'LL BE EXPECTING ME.

WON'T BE EXPECTING YOU.

IS THERE A REACT UNIT
MONITORING THIS CHANNEL?

( garbled C.B. radio
chatter )

THIS IS A POLICE EMERGENCY.

I'M AT A MOTEL
SOMEWHERE NEAR
THE STATE LINE.

TOWERS MOTEL.

ANYONE. ANYO--

I NEED TO BE
SURE OF SOMETHING.

YOU'VE BEEN ON THIS HIGHWAY
A LONG TIME,

AND THAT CAN CHANGE A MAN.

I NEED TO BE SURE
THAT WHEN THE TIME COMES,
YOU CAN CHANGE BACK.

WHAT ARE YOU ASKING?

WE'RE HERE TO SAVE A LIFE,
NOT COMMIT HOMICIDE.

RIGHT?

( horn honks )

AAH!

Fargo: RIGHT THERE
IS GOOD, CRAY!

RENNIE!
I SAID THERE!

( engine revs )

AAH!

( Macklin coughing )

GO. GO.

( engines idling )

( revs engine )

( revs engine )

( fan belt squeaking )

( small burst )

( engine starts )

AAH!

( car horn blares )

( car horn blares )

( engine dies )

( car horn blares )

( horn goes silent )

( sirens approach )

( coughs )
( gasps )

( cocks shotgun )

WHO ARE YOU SUPPOSED TO BE?

WILL MACKLIN.

STATE TRAFFIC INVESTIGATOR.

( gunshot )