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You know it's been 15 years?
You remembered everything.
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First train after five.
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Oh my god.
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-What will I say?
-To who?
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This is unforgivable.
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I have a life,
with consequences!
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I want you to choose me.
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I'm not the same person
I used to be.
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You want to go home,
I'll understand.
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I don't wanna end here.
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Run.
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>> Shangela: HELLO!
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HALLELU!
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IS THE BUS STILL RUNNING?
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LORD.
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I PUT ON ALL THIS FOR NOTHING?
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>> Shangela: WHERE ARE WE?
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>> Eureka: MAMA, OUT OF THIS
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WORLD.
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>> Shangela: BABY, JUDY JETSON
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HOOKER IS ALL I GOT TO SAY.
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>> Bob: WE ARE IN FARMINGTON,
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NEW MEXICO.
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EVERYTHING'S JUST IN THE DESERT.
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LIKE YOU'RE JUST IN THE DESERT.
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>> Shangela: EVERYTHING IS TAN.
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JUST LOTS OF SHADES OF TAN.
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IT'S LIKE A KAYNE WEST FASHION
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SHOW.
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>> THE ENERGY I GET HERE IS KIND
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OF UPTIGHT, NOT REALLY A LET
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LOOSE TYPE OF PLACE.
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SO HOPEFULLY WE CAN SHOW
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FARMINGTON WHAT FUN LOOKS LIKE.
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>> Shangela: HERE WE GO, HONEY.
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>> Eureka: HI, WELCOME TO THE
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MONSTER TRUCK RALLY.
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>> Shangela: WHOA!
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EUREKA, WOULD YOU LIKE A FLAG?
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>> Eureka: OH, I'M A FLAG GIRL.
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>> FARMINGTON REMINDS ME OF THE
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MOUNTAINOUS AREAS I COME FROM.
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THERE'S DEFINITELY SOME COUNTRY
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ROOTS HERE.
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HI, FARMINGTON.
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WE'RE HERE.
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>> YOU'RE BEAUTIFUL!
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>> Bob: OH, THANK YOU.
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THANK YOU.
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>> Eureka: YOU SO RIGHT.
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YOU ARE SO CORRECT.
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>> Bob: THERE'S A LARGE
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INDIGENOUS POPULATION HERE IN
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FARMINGTON.
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IT'S RIGHT NEXT TO SHIPROCK,
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WHICH IS ON THE NAVAJO
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RESERVATION.
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>> Eureka: HI, BABES.
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>> Bob: WHEN YOU DON'T LIVE NEAR
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A RESERVATION, YOU JUST DON'T
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SEE THIS MANY INDIGENOUS PEOPLE.
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>> Eureka: BACK UP.
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YOUR TAIL GOT HOOKED.
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>> Bob: OH.
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>> Eureka: I GOT YOU, GAL.
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>> Bob: THANK YOU.
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>> Eureka: OH GOD, OH GOD!
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>> Bob: THESE ARE REALLY MOVING!
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>> Eureka: OH, MY GOD!
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>> Bob: EUREKA!
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OH MY GOD!
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>> Eureka: OH MY GOD!
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I'M GOOD.
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I'D LIKE TO GET UP.
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KNOCK KNOCK.
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>> Jasmine: HI.
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>> Eureka: HI.
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OH MY GOODNESS.
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Y'ALL LOOK SO CUTE.
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HI, I'M EUREKA.
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>> Jasmine: JASMINE, HOW ARE
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YOU?
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>> Eureka: OH, JASMINE, YOU'RE
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SO PRETTY.
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>> Jasmine: THANK YOU.
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>> Eureka: MOM, WHAT'S YOUR
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NAME?
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>> Stacey: STACEY.
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>> Eureka: STACEY, I'M EUREKA.
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>> Stacey: OR MOM.
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>> Eureka: OR MOM.
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>> Stacey: WHATEVER YOU WANT TO
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CALL ME.
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>> Eureka: WELL YOU CAN CALL ME
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DAD THEN.
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I'M KIDDING.
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>> Jasmine: I'M NOW THE BABY?
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>> Eureka: CAN I SIT WITH YOU?
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>> Jasmine: OF COURSE.
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>> Eureka: WORK.
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WHERE WE AT?
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WHAT IS THIS PLACE?
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>> Stacey: IT'S OUR FAMILY CAR
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LOT.
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WE OWN THE CAR LOT, A USED CAR
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LOT.
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>> Eureka: Y'ALL OWN THIS PLACE?
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WORK.
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BUSINESSWOMEN.
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I LOVE THAT.
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I LOVE THAT.
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SEEMS KIND OF LIKE A SMALL TOWN
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HERE.
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WOULD Y'ALL CALL THIS A SMALL
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TOWN?
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>> Stacey: OH YEAH, VERY SMALL.
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>> Jasmine: IT'S GOTTEN BIGGER
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BUT IT'S STILL A SMALL TOWN
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VIBE.
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>> Eureka: WORK, WORK, WORK.
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SO, WHY Y'ALL DOING THIS?
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I'M CURIOUS.
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>> Stacey: MY DAUGHTER WHO WAS A
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LESBIAN AT 25 DECIDED TO PUT A
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GUN TO HER HEAD AND KILL
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HERSELF.
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>> Jasmine: I HAVE DJ TATTOOED
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ON MY ARM.
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>> Eureka: THIS IS YOUR SISTER?
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YEAH?
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SHE'S GORGEOUS.
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>> Jasmine: YEAH.
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>> Stacey: SHE WAS.
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>> Eureka: WOW.
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WHAT HAPPENED?
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DO YOU MIND IF I ASK?
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I'M JUST CURIOUS.
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>> Jasmine: SHE'D HAD A COCKTAIL
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OF THINGS GOING ON.
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NOT ONLY WAS SHE GAY BUT SHE
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SUFFERED FROM BIPOLAR
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MANIC-DEPRESSIVE AND I THINK IT
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WAS A SPIRAL FROM THERE.
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>> Eureka: I CAN'T IMAGINE.
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>> Jasmine: I THINK DJ JUST
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STRUGGLED WITH THE FACT THAT SHE
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FELT LIKE SHE HAD THE CHOICE
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WHEN SHE DIDN'T, YOU KNOW?
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THAT'S ONE THING I CAN'T STAND
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IS PEOPLE ARE LIKE, "YOU CHOOSE
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TO BE GAY."
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AND WATCHING DJ STRUGGLE WITH
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THAT, I'M LIKE, I REALLY DON'T
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THINK SHE WOULD PUT HERSELF
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THROUGH TURMOIL OF WHO SHE WAS.
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>> Eureka: I LOVE THAT YOU SAID
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THAT BECAUSE SOCIETY BASICALLY
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TEACHES YOU YOUR WHOLE LIFE THAT
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WHAT YOU'RE DOING IS WRONG AND
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IT'S LIKE YOU HAVE THIS WEIGHT
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IN THE BACK OF YOUR MIND.
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NO MATTER HOW MUCH GOODNESS YOU
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HAVE AROUND YOU, IT'S STILL
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THERE, BECAUSE IT'S THE LITTLE
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THINGS THAT HURT THE MOST.
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>> Stacey: IN FARMINGTON, YOU
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FEEL JUDGED.
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I EVEN KNEW IT.
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I WATCHED MY DAUGHTER GO THROUGH
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IT AND I'M LIKE HOW CAN PEOPLE
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BE SO MEAN IN THE THINGS THEY
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SAY OR ACTIONS THAT THEY TAKE
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TOWARDS SOMEBODY WHO'S JUST A
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LITTLE BIT DIFFERENT.
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EVEN THOUGH I TRIED TO STOP IT
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FROM HAPPENING, IT STILL
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HAPPENED TO HER ALL THE TIME.
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>> Jasmine: EVERYTHING THAT WE
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STAND FOR IS BASED ON DJ.
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SHE WOULD GO HELP A SINGLE
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MOTHER PUT HER AIR CONDITIONER
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UP IN THE SUMMER BECAUSE HER
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HUSBAND WAS DEPLOYED AND THIS
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WOMAN HAD NOBODY ELSE.
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SO, THIS IS REAL LIFE STUFF.
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>> Stacey: WE DIDN'T KNOW THAT
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UNTIL AFTER SHE DIED AND THE
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LADY SENT ME A MESSAGE.
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>> Jasmine: SO GENUINE.
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YOU DIDN'T KNOW.
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>> Stacey: YOU DIDN'T KNOW.
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>> Jasmine: IT WAS ALMOST LIKE
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SHE WAS SUCH THIS LIGHT AND LIFE
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THAT WHEN SHE PASSED AWAY IT
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BECAME A BEACON BECAUSE THERE A
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SUICIDE EPIDEMIC GOING ON.
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WE CAN CHANGE.
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WE CAN USE WHAT HAPPENED TO OUR
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FAMILY, WHAT HAPPENED TO HER,
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WHAT SHE WENT THROUGH, AND HELP
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OTHER PEOPLE.
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SO, THAT'S OUR MAIN DRIVE.
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>> Eureka: CONGRATULATIONS.
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I THINK SOUNDS AMAZING.
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I WANT TO SHOW THAT TO PEOPLE.
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DJ'S NOT FORGOTTEN AND WE'RE
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GOING TO MAKE SURE THAT'S READ
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BUT I ALSO WANT PEOPLE TO SEE
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THAT Y'ALL HAVE BEEN THROUGH A
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STRUGGLE TOO.
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>> Stacey: FOR ME DOING THIS,
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THIS IS STEPPING OUT OF A
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COMFORT ZONE.
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SOMETHING THAT SHE HAD TO DO
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EVERY SINGLE DAY.
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THAT WAS HER EVERY SINGLE DAY
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LIFE.
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I WANT TO TRY TO SHED SOME LIGHT
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ON HOW WE CAN HELP.
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>> Eureka: IT WAS SO NICE TO
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MEET YOU.
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>> Stacey: YOU TOO.
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I'M SO EXCITED.
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>> Eureka: I'M MORE EXCITED THAN
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YOU ARE.
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I LOVE Y'ALL.
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>> Stacy: BYE.
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>> Jasmine: BYE.
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>> Eureka: SEE YOU.
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>> Stacey: SEE YOU.
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>> Nicole: I KNOW THAT AT AN
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EARLY AGE THAT I WANTED TO BE
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SOMEONE THAT HELPED PEOPLE.
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I DIDN'T KNOW THAT I WAS GOING
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TO BE A LAWYER.
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MORNING, LADIES.
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>> GOOD MORNING, NICOLE.
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>> Nicole: WHEN I CAME TO
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FARMINGTON, I GOT MY FIRST
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CAREER JOB HERE.
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I AM AN ATTORNEY.
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I WORK AT THE PUBLIC DEFENDER'S
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OFFICE.
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SO, THIS IS REALLY STARTING TO
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FEEL LIKE A PLACE THAT I COULD
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MAKE MY HOME AND JUST TRY TO
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MAKE AN IMPACT HERE.
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BUT, IT WAS KIND OF HARD WHEN I
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FIRST STARTED WORKING HERE.
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I LIKE WEARING MEN'S CLOTHES
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MORE THAN WEARING WOMEN'S
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CLOTHES.
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YOU'RE NOT SURE WHETHER YOU
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SHOULD BE CORRECTING SOMEONE WHO
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CALLS YOU MR. HALL OR SAYS, "YES
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SIR."
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IT'S BEEN HARD.
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I WANT TO CREATE SUPPORT FROM
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THE COMMUNITY, HERE IN
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FARMINGTON.
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I JUST WISH THAT IS WAS MORE
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COMFORTABLE FOR MORE PEOPLE.
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>> Shangela: HELLO.
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HI.
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00:09:18,542 --> 00:09:21,458
THEY TOLD ME ABOUT THE
266
00:09:21,500 --> 00:09:22,083
ORGANIZATION HERE, SO I WANTED
267
00:09:22,166 --> 00:09:23,083
TO COME AND CHAT WITH YOU AND
268
00:09:23,166 --> 00:09:25,542
HANG OUT FOR A LITTLE WHILE.
269
00:09:25,667 --> 00:09:26,166
>> Nicole: WE'RE REALLY EXCITED
270
00:09:26,250 --> 00:09:26,625
THAT YOU'RE HERE.
271
00:09:26,667 --> 00:09:28,583
I AM THE NEWLY ELECTED PRESIDENT
272
00:09:28,667 --> 00:09:31,125
OF IDENTITY.
273
00:09:31,208 --> 00:09:36,041
LGBTQ COMMUNITY CENTER.
274
00:09:36,125 --> 00:09:36,583
>> Shangela: AS A TEAM AND
275
00:09:36,667 --> 00:09:37,208
COMING OUT WE DIDN'T HAVE A GAY
276
00:09:37,291 --> 00:09:40,375
YOUTH CENTER IN MY TOWN.
277
00:09:40,458 --> 00:09:42,333
THAT WOULD HAVE BEEN REALLY COOL
278
00:09:42,417 --> 00:09:42,917
AT THE TIME.
279
00:09:43,000 --> 00:09:43,500
I DON'T EVEN KNOW IF I WOULD
280
00:09:43,583 --> 00:09:44,166
HAVE BEEN SUPER COMFORTABLE
281
00:09:44,250 --> 00:09:45,458
GOING THERE YET BUT IT WOULD
282
00:09:45,542 --> 00:09:48,125
HAVE BEEN NICE TO EVEN KNOW.
283
00:09:48,208 --> 00:09:49,000
>> Nicole: TO HAVE THAT, RIGHT?
284
00:09:49,083 --> 00:09:49,417
>> Shangela: RIGHT.
285
00:09:49,500 --> 00:09:50,083
>> Nicole: WE'D LOVE TO BE OPEN
286
00:09:50,166 --> 00:09:52,583
LONGER AND MORE HOURS AND THINGS
287
00:09:52,667 --> 00:09:54,583
LIKE THAT BUT WE HAVE SURVIVED
288
00:09:54,667 --> 00:09:57,125
SOLELY ON LGBTQ QUEER PEOPLE.
289
00:09:57,208 --> 00:09:59,625
>> Shangela: BUT ULTIMATELY,
290
00:09:59,709 --> 00:10:01,834
THIS CENTER NEEDS MORE SUPPORT
291
00:10:01,917 --> 00:10:03,041
FROM THIS COMMUNITY.
292
00:10:03,125 --> 00:10:03,417
>> Nicole: YEAH.
293
00:10:03,500 --> 00:10:04,250
>> Shangela: IN ANY WAY THAT WE
294
00:10:04,333 --> 00:10:04,542
CAN GET IT.
295
00:10:04,625 --> 00:10:05,125
>> Nicole: ANY WAY WE CAN GET
296
00:10:05,208 --> 00:10:07,208
IT.
297
00:10:07,291 --> 00:10:08,667
>> Shangela: AND I'LL TELL YOU,
298
00:10:08,750 --> 00:10:10,083
I'M HOPING, PART OF US BEING
299
00:10:10,166 --> 00:10:11,250
HERE IS WE WANT TO HELP BUILD
300
00:10:11,333 --> 00:10:11,917
THAT COMMUNITY.
301
00:10:12,000 --> 00:10:12,458
WHAT YOU'RE DOING WITH THIS
302
00:10:12,542 --> 00:10:13,041
CENTER AND BRINGING PEOPLE
303
00:10:13,125 --> 00:10:15,000
TOGETHER, WE ALSO WANT TO DO
304
00:10:15,083 --> 00:10:16,458
THAT.
305
00:10:16,542 --> 00:10:18,583
THE BEST WAY WE KNOW TO DO THAT
306
00:10:18,667 --> 00:10:19,083
IS PUT A SHOW.
307
00:10:19,166 --> 00:10:19,667
>> Nicole: I'VE NEVER DONE A
308
00:10:19,750 --> 00:10:21,375
SHOW, THOUGH.
309
00:10:21,458 --> 00:10:23,959
I'VE NEVER EVER EVEN DONE DRAG.
310
00:10:24,041 --> 00:10:24,709
>> Shangela: COME STAND UP WITH
311
00:10:24,792 --> 00:10:24,875
ME.
312
00:10:24,959 --> 00:10:25,250
COME ON.
313
00:10:25,333 --> 00:10:25,792
WE'VE GOT TO SEE WHERE AM I
314
00:10:25,875 --> 00:10:34,500
WORKING FROM.
315
00:10:34,583 --> 00:10:34,959
OKAY, KEEP UP WITH ME.
316
00:10:35,041 --> 00:10:35,709
WE AT THE FAMILY BARBECUE.
317
00:10:35,792 --> 00:10:36,083
THAT'S THE BEAT.
318
00:10:36,166 --> 00:10:36,709
OKAY.
319
00:10:36,792 --> 00:10:37,333
AND NOW HUH, OH YOU KICKED IT!
320
00:10:37,417 --> 00:10:37,959
OKAY, SO YOU CAN KEEP A RHYTHM.
321
00:10:38,041 --> 00:10:38,542
NOW I KNOW WHAT I'M WORKING
322
00:10:38,625 --> 00:10:46,333
WITH.
323
00:10:46,417 --> 00:10:46,917
>> Nicole: I'VE GOT YOU.
324
00:10:47,000 --> 00:10:47,333
A LITTLE BIT.
325
00:10:47,417 --> 00:10:47,959
>> Shangela: SO, WHAT KIND OF
326
00:10:48,041 --> 00:10:48,542
DRAG WOULD YOU LIKE TO SEE ON
327
00:10:48,625 --> 00:10:48,750
STAGE.
328
00:10:48,834 --> 00:10:49,375
>> Nicole: SO, I LIVE MY LIFE AS
329
00:10:49,458 --> 00:10:49,917
A WOMAN BUT I DRESS MORE
330
00:10:50,000 --> 00:10:51,959
MASCULINE, EVERY DAY ALL DAY.
331
00:10:52,041 --> 00:10:53,291
EVEN AT WORK, I GOT MISGENDERED
332
00:10:53,375 --> 00:10:53,959
WHEN I FIRST GOT HERE BY
333
00:10:54,041 --> 00:10:54,583
PROFESSIONALS.
334
00:10:54,667 --> 00:10:55,291
>> Shangela: THAT HAS TO BE A
335
00:10:55,375 --> 00:10:57,333
JARRING EXPERIENCE.
336
00:10:57,417 --> 00:11:01,000
>> Nicole: YEAH, IT WAS REALLY
337
00:11:01,083 --> 00:11:02,625
JARRING AND THAT'S A CONSTANT
338
00:11:02,709 --> 00:11:02,792
THING.
339
00:11:02,875 --> 00:11:04,291
AN EVERYDAY THING IN MY LIFE.
340
00:11:04,375 --> 00:11:06,750
LIKE, I WENT TO THE STORE THE
341
00:11:06,834 --> 00:11:07,542
OTHER DAY, SHE ASKED FOR MY ID
342
00:11:07,625 --> 00:11:08,166
AND I HAVE HER THE ID AND SHE
343
00:11:08,250 --> 00:11:08,583
DOES A DOUBLE TAKE.
344
00:11:08,667 --> 00:11:09,250
I WAS, "OH I KNOW, I'VE GOT THIS
345
00:11:09,333 --> 00:11:13,125
BABY FACE."
346
00:11:13,208 --> 00:11:13,917
>> Shangela: YEAH, .
347
00:11:14,000 --> 00:11:14,333
>> Nicole: I'M 33.
348
00:11:14,417 --> 00:11:14,500
YEAH.
349
00:11:14,583 --> 00:11:15,500
AND SO, SHE'S LIKE, "NO, NO,
350
00:11:15,583 --> 00:11:17,667
IT'S JUST YOU LOOK LIKE A MAN ON
351
00:11:17,750 --> 00:11:18,709
THIS ID."
352
00:11:18,792 --> 00:11:20,000
I WAS LIKE, "OH, IT'S PROBABLY
353
00:11:20,083 --> 00:11:22,667
BECAUSE I'VE GOT MY SHORT HAIR."
354
00:11:22,750 --> 00:11:23,709
BUT HOW --
355
00:11:23,792 --> 00:11:26,875
>> Shangela: BUT YOU KNOW WHAT I
356
00:11:26,959 --> 00:11:28,083
ALSO THINK ABOUT IN ADDITION TO
357
00:11:28,166 --> 00:11:28,875
US, OUR TRANS BROTHERS AND
358
00:11:28,959 --> 00:11:29,166
SISTERS TOO.
359
00:11:29,250 --> 00:11:29,667
>> Nicole: SAME THING.
360
00:11:29,750 --> 00:11:38,542
>> Shangela: THAT IT'S YOUR
361
00:11:38,625 --> 00:11:39,000
FULL IDENTITY.
362
00:11:39,083 --> 00:11:40,166
YOU WORK SO HARD TO REALIZE,
363
00:11:40,250 --> 00:11:40,792
COME IN TO WHO YOU ARE SUPPOSED
364
00:11:40,875 --> 00:11:41,417
TO BE IN THIS WORLD AND WHO YOU
365
00:11:41,500 --> 00:11:42,000
WERE BORN TO BE, AND THEN YOU
366
00:11:42,083 --> 00:11:42,667
HAVE TO FACE BEING MISGENDERED.
367
00:11:42,750 --> 00:11:43,667
>> Nicole: RIGHT.
368
00:11:43,750 --> 00:11:44,333
I THINK I JUST NEED TO, I DON'T
369
00:11:44,417 --> 00:11:48,375
KNOW, LEARN HOW TO RESPOND.
370
00:11:48,458 --> 00:11:48,917
>> Shangela: I THINK BEING
371
00:11:49,000 --> 00:11:49,500
MISGENDERED GREATLY AFFECTS
372
00:11:49,583 --> 00:11:49,709
NICOLE.
373
00:11:49,792 --> 00:11:51,917
YOU CAN JUST FEEL IT AND WHEN
374
00:11:52,000 --> 00:11:53,041
YOU'RE MISGENDERED, IT JUST
375
00:11:53,125 --> 00:11:54,834
KNOCKS YOU DOWN.
376
00:11:54,917 --> 00:11:58,917
I WANT TO GIVE NICOLE A
377
00:11:59,000 --> 00:12:00,625
PERFORMANCE THAT HAS MEANING AS
378
00:12:00,709 --> 00:12:01,208
A PROUD OUT LESBIAN PERSON WHO
379
00:12:01,291 --> 00:12:01,792
IS A LEADING PERSON IN THIS
380
00:12:01,875 --> 00:12:04,542
COMMUNITY, WHO EMBRACES HER
381
00:12:04,625 --> 00:12:05,083
FEMININITY BUT STILL HOLDS
382
00:12:05,166 --> 00:12:08,750
STRONG TO WHO SHE IS AS A
383
00:12:08,834 --> 00:12:09,375
MALE-PRESENTING LESBIAN.
384
00:12:09,458 --> 00:12:10,542
RIGHT?
385
00:12:10,625 --> 00:12:11,875
>> Shangela: AND IT'S GOING TO
386
00:12:11,959 --> 00:12:12,125
BE FUN.
387
00:12:12,208 --> 00:12:12,542
>> Nicole: YOU SURE?
388
00:12:12,625 --> 00:12:14,375
>> Shangela: NO.
389
00:12:14,458 --> 00:12:16,375
IT'S GOING TO BE HORRIBLE.
390
00:12:16,458 --> 00:12:19,542
IT'S ME, GIRL.
391
00:12:19,625 --> 00:12:20,208
WHEN IT COMES TO SHOW TIME, I'M
392
00:12:20,291 --> 00:12:20,583
LIKE YAH!
393
00:12:20,667 --> 00:12:21,917
OKAY, COME ON.
394
00:12:22,000 --> 00:12:23,667
LET ME GET A COUPLE OF THESE.
395
00:12:23,750 --> 00:12:24,375
>> Nicole: OH, YOU'RE GOING TO
396
00:12:24,458 --> 00:12:24,875
TAKE THE FEMALE ONES?
397
00:12:24,959 --> 00:12:26,709
>> Shangela: WELL YEAH.
398
00:12:26,792 --> 00:12:27,875
I'M GOING TO PRACTICE AT HOME.
399
00:12:27,959 --> 00:12:28,250
>> Nicole: OKAY.
400
00:12:28,333 --> 00:12:28,750
>> Shangela: SAFE SEX,
401
00:12:28,834 --> 00:12:29,000
EVERYBODY.
402
00:12:29,083 --> 00:12:31,917
HALLELU.
403
00:12:44,500 --> 00:12:46,041
>> Darren: I LIVE ON THE NAVAJO
404
00:12:46,125 --> 00:12:46,625
RESERVATION IN SHIPROCK, NEW
405
00:12:46,709 --> 00:12:50,583
MEXICO.
406
00:12:50,667 --> 00:12:53,375
GROWING UP ON THE RESERVATION I
407
00:12:53,458 --> 00:12:58,417
WAS PICKED ON AT SCHOOL.
408
00:12:58,500 --> 00:13:07,750
"ARE YOU GAY?"
409
00:13:07,834 --> 00:13:08,917
THAT'S WHAT THEY WOULD SAY.
410
00:13:09,000 --> 00:13:10,750
OR CALLING ME "FAGGOT."
411
00:13:10,834 --> 00:13:12,000
I JUST NEVER SAID ANYTHING
412
00:13:12,083 --> 00:13:14,875
BECAUSE I WAS SCARED.
413
00:13:14,959 --> 00:13:17,917
AS FAR AS THE INDIGENOUS LGBTQ
414
00:13:18,000 --> 00:13:19,125
COMMUNITY HERE IN THE NAVAJO
415
00:13:19,208 --> 00:13:20,875
NATION, THE COMMUNITIES ARE
416
00:13:20,959 --> 00:13:25,750
ENCLOSED, PROTECTING THEMSELVES.
417
00:13:25,834 --> 00:13:29,417
AS I GOT OLDER, I STARTED TO
418
00:13:29,500 --> 00:13:31,166
IDENTIFY WHO I AM AND WHERE I
419
00:13:31,250 --> 00:13:36,917
CAME FROM AS AN INDIGENOUS GAY
420
00:13:37,000 --> 00:13:38,917
MALE.
421
00:13:39,000 --> 00:13:40,542
I WANT TO KNOW MY LANGUAGE MORE.
422
00:13:40,625 --> 00:13:41,125
I WANT TO SAY THINGS.
423
00:13:41,208 --> 00:13:43,917
SOMETIMES I'M SCARED BUT SEEING
424
00:13:44,000 --> 00:13:49,041
THE WORLD DIFFERENTLY, I FEEL
425
00:13:49,125 --> 00:13:53,166
LIKE THAT'S IMPORTANT AS A
426
00:13:53,250 --> 00:13:59,959
NAVAJO, AS A DINE.
427
00:14:00,041 --> 00:14:00,834
>> Nate: OKAY, I LOVE THIS LOOK.
428
00:14:00,917 --> 00:14:05,000
>> Darren: DINE IS THE PREFERRED
429
00:14:05,083 --> 00:14:06,583
TERM FOR THE PEOPLE IN NAVAJO
430
00:14:06,667 --> 00:14:08,333
AND I'M STILL LEARNING ABOUT MY
431
00:14:08,417 --> 00:14:13,875
TRIBE TODAY.
432
00:14:13,959 --> 00:14:19,333
>> Nate: THANK YOU.
433
00:14:19,417 --> 00:14:20,542
>> Bob: ARE THERE LIKE A LOT OF
434
00:14:20,625 --> 00:14:23,000
QUEER PEOPLE AROUND?
435
00:14:23,083 --> 00:14:28,333
>> Darren: DISCREETLY.
436
00:14:28,417 --> 00:14:28,750
>> DISCREETLY.
437
00:14:28,834 --> 00:14:31,041
>> Nate: WE WERE JUST TALKING
438
00:14:31,125 --> 00:14:31,458
ABOUT THAT.
439
00:14:31,542 --> 00:14:34,458
>> Darren: I THINK WE'RE REALLY
440
00:14:34,542 --> 00:14:36,333
LUCKY THAT WE FOUND EACH OTHER,
441
00:14:36,417 --> 00:14:37,166
ACTUALLY, 'CAUSE THERE ARE SOME
442
00:14:37,250 --> 00:14:37,709
POINTS WITHIN THE COMMUNITY
443
00:14:37,792 --> 00:14:38,375
WHERE YOU'RE DEFINITELY PUSHED
444
00:14:38,458 --> 00:14:40,834
ASIDE AND OSTRACIZED.
445
00:14:40,917 --> 00:14:41,208
>> YEAH, WE ALL
446
00:14:41,291 --> 00:14:41,834
GOT CONNECTED THROUGH OUR ART.
447
00:14:41,917 --> 00:14:42,208
HE DOES CLOTHES.
448
00:14:42,291 --> 00:14:43,625
HE DOES PHOTOGRAPHY.
449
00:14:43,709 --> 00:14:44,750
I DO DRAG.
450
00:14:44,834 --> 00:14:45,125
>> Bob: OH WORK.
451
00:14:45,208 --> 00:14:47,792
THAT'S AMAZING.
452
00:14:47,875 --> 00:14:49,041
>> Nate: THEY WOULD PERFORM AND
453
00:14:49,125 --> 00:14:50,458
THEN I WOULD TAKE PHOTOS AND
454
00:14:50,542 --> 00:14:52,125
THAT'S HOW I DEVELOPED MY ART AS
455
00:14:52,208 --> 00:14:53,625
A PHOTOGRAPHER, SUPPORTING THE
456
00:14:53,709 --> 00:14:54,375
COMMUNITY.
457
00:14:54,458 --> 00:14:57,542
I LOVE WHAT I DO AND SOMETIMES
458
00:14:57,625 --> 00:14:59,625
IT TAKES SACRIFICES.
459
00:14:59,709 --> 00:15:01,375
BEING WHO I AM, RIGHT NOW, EVEN
460
00:15:01,458 --> 00:15:06,208
BEFORE I CAME OUT WAS SOMETHING
461
00:15:06,291 --> 00:15:11,208
THAT WAS BAD ACCORDING TO THE
462
00:15:11,291 --> 00:15:14,041
BIBLE.
463
00:15:14,125 --> 00:15:15,750
>> Bob: YES.
464
00:15:15,834 --> 00:15:16,291
>> Nate's Friend: IN OUR
465
00:15:16,375 --> 00:15:16,917
CULTURE, US AS QUEER FOLKS ARE
466
00:15:17,000 --> 00:15:17,417
VERY SACRED HUMAN BEINGS.
467
00:15:17,500 --> 00:15:19,917
>> Darren: THEY'VE FORGOT.
468
00:15:20,000 --> 00:15:20,667
>> AND BECAUSE OF
469
00:15:20,750 --> 00:15:21,208
RELIGION, THEY FORGOT THAT.
470
00:15:21,333 --> 00:15:21,834
>> Darren: YOU FIND OUT THAT
471
00:15:21,917 --> 00:15:22,750
QUEER PEOPLE, IN OUR STORIES,
472
00:15:22,834 --> 00:15:23,750
SINCE THE BEGINNING OF TIME
473
00:15:23,834 --> 00:15:25,041
THEY'VE BEEN INTEGRAL.
474
00:15:25,083 --> 00:15:26,041
VERY, VERY INTEGRAL.
475
00:15:26,083 --> 00:15:27,250
CEREMONIOUSLY IN THE HOUSEHOLD,
476
00:15:27,375 --> 00:15:30,041
GENDER WASN'T A THING.
477
00:15:30,125 --> 00:15:31,750
>> BUT BECAUSE OF
478
00:15:31,834 --> 00:15:32,375
RELIGION WE WERE SHUNNED OUT AND
479
00:15:32,458 --> 00:15:32,959
PUSHED AWAY.
480
00:15:33,041 --> 00:15:35,250
>> Bob: I DID NOT KNOW THAT.
481
00:15:35,333 --> 00:15:35,834
THAT IS WILD.
482
00:15:35,917 --> 00:15:37,542
THAT IS REALLY, REALLY WILD.
483
00:15:37,625 --> 00:15:41,000
SO, I REALLY WANT TO TALK ABOUT
484
00:15:41,083 --> 00:15:42,417
DRAG.
485
00:15:42,500 --> 00:15:43,041
HAVE YOU EVER DONE ANYTHING LIKE
486
00:15:43,125 --> 00:15:45,375
THIS BEFORE?
487
00:15:45,458 --> 00:15:45,959
>> Nate: NO.
488
00:15:46,041 --> 00:15:46,792
>> Bob: DO YOU HAVE A
489
00:15:46,875 --> 00:15:47,375
PERFORMANCE HISTORY OF DANCE,
490
00:15:47,458 --> 00:15:52,291
SINGING, ACTING, THEATER?
491
00:15:52,375 --> 00:15:52,875
>> BOB'S TRYING
492
00:15:52,959 --> 00:15:53,458
TO ASK IF YOU HAVE TWO LEFT
493
00:15:53,542 --> 00:15:55,625
FEET.
494
00:15:55,959 --> 00:15:56,375
>> Nate: AS FAR AS BEING
495
00:15:56,458 --> 00:15:57,041
THEATRICAL, DANCING BY MYSELF IN
496
00:15:57,125 --> 00:15:57,667
THE LIVING ROOM IS SOMETHING
497
00:15:57,750 --> 00:15:57,875
ELSE.
498
00:16:00,750 --> 00:16:01,750
I CAN'T MOVE SO QUICKLY BUT I
499
00:16:01,834 --> 00:16:02,458
WOULD LOVE TO MOVE QUICKLY.
500
00:16:02,542 --> 00:16:03,083
THAT'S SOMETHING I WOULD LOVE TO
501
00:16:03,166 --> 00:16:04,166
DO.
502
00:16:04,250 --> 00:16:08,625
I WAS INJURED IN A CAR ACCIDENT.
503
00:16:08,709 --> 00:16:10,834
>> Bob: HOW LONG AGO WAS THIS?
504
00:16:10,917 --> 00:16:13,834
>> Nate: ABOUT FIVE YEARS AGO.
505
00:16:13,917 --> 00:16:15,041
THIS JEEP BACKED INTO ME AND I
506
00:16:15,125 --> 00:16:17,041
ENDED UP IN THE EMERGENCY ROOM
507
00:16:17,125 --> 00:16:19,917
ON LIFE SUPPORT AND I HAD TO
508
00:16:20,000 --> 00:16:20,709
HAVE SURGERY.
509
00:16:20,792 --> 00:16:21,166
>> Bob: THAT'S WILD.
510
00:16:21,250 --> 00:16:21,834
>> Nate: IN FACT, I HAD TO HAVE
511
00:16:21,917 --> 00:16:23,458
SCREWS PUT IN IN MY SPINE.
512
00:16:23,542 --> 00:16:25,333
IT TOOK ME ABOUT THREE MONTHS TO
513
00:16:25,417 --> 00:16:27,208
WALK AGAIN AND A FULL YEAR TO
514
00:16:27,291 --> 00:16:28,875
LEARN HOW TO RUN AGAIN.
515
00:16:28,959 --> 00:16:31,875
IT WAS A VERY TRAUMATIC
516
00:16:31,959 --> 00:16:32,709
EXPERIENCE AND IT CHANGED THE
517
00:16:32,792 --> 00:16:35,041
WAY I LOOKED AT LIFE.
518
00:16:35,125 --> 00:16:37,542
HOW I FELT, WHAT I WANTED TO DO.
519
00:16:37,625 --> 00:16:43,375
LIFE, YOU ONLY HAVE IT ONCE AND
520
00:16:43,458 --> 00:16:45,959
IT'S NOT PROMISED.
521
00:16:46,041 --> 00:16:47,709
I WANT TO TRY NEW THINGS AND I
522
00:16:47,792 --> 00:16:51,542
FEEL LIKE I CAN EXPLORE SIDES OF
523
00:16:51,625 --> 00:16:55,875
ME I NEVER THOUGHT I HAD.
524
00:16:55,959 --> 00:16:59,583
>> Bob: WORK.
525
00:16:59,667 --> 00:17:00,333
NO ONE IS JUST ONE THING.
526
00:17:00,417 --> 00:17:01,125
I MEAN, NATE'S NOT JUST QUEER,
527
00:17:01,208 --> 00:17:03,166
NATE'S NO JUST INDIGENOUS,
528
00:17:03,250 --> 00:17:08,375
NATE'S NOT JUST A MAN, NATE'S
529
00:17:08,458 --> 00:17:09,208
NOT JUST AN AMERICAN, NATE'S NOT
530
00:17:09,291 --> 00:17:09,709
JUST A PERSON LIVING ON A
531
00:17:09,792 --> 00:17:10,041
RESERVATION.
532
00:17:10,125 --> 00:17:10,583
HE'S NOT JUST HIS ACCIDENT.
533
00:17:10,667 --> 00:17:11,208
NATE IS ALL THESE THINGS PULLED
534
00:17:11,291 --> 00:17:15,375
TOGETHER.
535
00:17:15,458 --> 00:17:16,041
SO BASICALLY, WE TAKE THAT IDEA
536
00:17:16,125 --> 00:17:16,625
AN FIGURE OUT WHAT DRAG WORKS
537
00:17:16,709 --> 00:17:20,208
FOR NATE.
538
00:17:20,291 --> 00:17:22,000
>> KNOWING HIM
539
00:17:22,083 --> 00:17:23,000
AND KNOWING DARREN, PEOPLE LIKE
540
00:17:23,083 --> 00:17:23,667
THAT, THAT WE'RE TRYING TO BRING
541
00:17:23,750 --> 00:17:24,667
OUR LIFESTYLE AND CULTURE BACK
542
00:17:24,750 --> 00:17:28,542
TO OUR RESERVATION.
543
00:17:28,625 --> 00:17:29,250
I THINK IT'S AMAZING.
544
00:17:29,333 --> 00:17:29,750
SO, ANYTIME WE GET TO
545
00:17:29,834 --> 00:17:30,417
COLLABORATE TOGETHER, IT'S
546
00:17:30,500 --> 00:17:41,834
ALWAYS A BLESSING.
547
00:17:45,834 --> 00:17:46,625
>> Shangela: I'M GOING TO LEAVE
548
00:17:46,709 --> 00:17:47,000
YOU A FLIER.
549
00:17:47,083 --> 00:17:48,250
I'LL PUT IT THROUGH THE DOOR.
550
00:17:48,333 --> 00:17:52,625
OKAY, THROUGH THIS PART.
551
00:17:52,709 --> 00:17:53,875
OH NO, OH LORD.
552
00:17:53,959 --> 00:17:54,458
HI, WE'RE HAVING A SHOW AT THE
553
00:17:54,542 --> 00:17:55,166
LOUDER HOUSE SO JUST IN CASE YOU
554
00:17:55,250 --> 00:17:58,959
WANT TO COME AND HAVE A GOOD
555
00:17:59,041 --> 00:17:59,291
TIME.
556
00:17:59,375 --> 00:17:59,834
ALL RIGHT, HALLELU.
557
00:17:59,917 --> 00:18:02,375
YOU COULDN'T HAVE GOT AWAY FROM
558
00:18:02,458 --> 00:18:04,583
ME NO FASTER, COULD YOU?
559
00:18:07,166 --> 00:18:07,792
>> Jasmine: SO, WE ARE HAVING A
560
00:18:07,875 --> 00:18:08,291
DRAG SHOW ON THURSDAY.
561
00:18:08,375 --> 00:18:09,542
WE'D LOVE YOU GUYS TO COME OUT
562
00:18:09,625 --> 00:18:11,417
AND SHOW SUPPORT.
563
00:18:11,500 --> 00:18:12,458
>> Eureka: DO YOU KNOW WHAT DRAG
564
00:18:12,542 --> 00:18:12,667
IS?
565
00:18:12,750 --> 00:18:20,458
>> NO.
566
00:18:20,542 --> 00:18:24,333
>> YES.
567
00:18:24,417 --> 00:18:24,875
>> I GOT MY FIRST
568
00:18:24,959 --> 00:18:25,291
BOOTS IN THIS STORE.
569
00:18:25,375 --> 00:18:25,959
>> Shangela: DO YOU THINK THEY
570
00:18:26,041 --> 00:18:29,291
HAVE DRAG BOOTS IN HERE?
571
00:18:29,375 --> 00:18:30,333
>> NO, PROBABLY
572
00:18:30,417 --> 00:18:30,709
NOT.
573
00:18:30,792 --> 00:18:31,291
>> Shangela: WHAT DO YOU THINK
574
00:18:31,375 --> 00:18:31,792
HAPPENS AT A DRAG SHOW?
575
00:18:31,875 --> 00:18:32,250
>> I'VE GOT NO IDEA.
576
00:18:32,333 --> 00:18:32,917
>> PROBABLY WHAT YOU WOULD SEE
577
00:18:33,000 --> 00:18:33,375
IN A MALE STRIP CLUB.
578
00:18:33,458 --> 00:18:33,792
>> Shangela: OH.
579
00:18:33,875 --> 00:18:34,375
IN A STRIP CLUB, YOU THINK I'M
580
00:18:34,458 --> 00:18:34,875
DOING A CARDI B NUMBER.
581
00:18:34,959 --> 00:18:35,208
>> I GUESS SO.
582
00:18:35,291 --> 00:18:36,750
>> Shangela: I CAN'T GUARANTEE
583
00:18:36,834 --> 00:18:38,125
THAT THAT WON'T BE THERE.
584
00:18:40,583 --> 00:18:41,625
>> Bob: HERE, WE GOT A FREE SHOW
585
00:18:41,709 --> 00:18:43,959
IN TOWN.
586
00:18:44,041 --> 00:18:47,083
DO YOU THINK HE'S GOING TO COME?
587
00:18:50,542 --> 00:18:51,041
>> Jasmine: ARE YOU GUYS GOING
588
00:18:51,125 --> 00:18:52,500
TO COME TO THE SHOW?
589
00:18:52,583 --> 00:18:59,166
>> I'LL BE THERE.
590
00:18:59,250 --> 00:19:00,875
I'M NOT SURE.
591
00:19:00,959 --> 00:19:01,458
GOING TO DO THE BEER YOGA.
592
00:19:01,542 --> 00:19:02,083
>> Eureka: WELL THE SHOW TIME'S
593
00:19:02,166 --> 00:19:02,667
AT 7 PM, IT'S PRETTY EARLY.
594
00:19:02,750 --> 00:19:03,208
>> WELL, THE BEER YOGA LASTS
595
00:19:03,291 --> 00:19:04,375
FROM 6:30 TO 7:30.
596
00:19:04,458 --> 00:19:05,000
>> Bob: YOU EVER BEEN TO A DRAG
597
00:19:05,083 --> 00:19:05,333
SHOW, DEREK?
598
00:19:05,417 --> 00:19:05,667
>> Derek: NO.
599
00:19:05,750 --> 00:19:06,166
I'D LOVE TO GO, THOUGH.
600
00:19:06,250 --> 00:19:07,250
>> Bob: YOU SHOULD COME.
601
00:19:07,333 --> 00:19:07,709
WE'RE ALL PERFORMING.
602
00:19:07,792 --> 00:19:08,625
>> Derek: RIGHT ON.
603
00:19:08,709 --> 00:19:11,542
COOL.
604
00:19:11,625 --> 00:19:12,750
>> Bob: SO YOU MIGHT NOT
605
00:19:12,834 --> 00:19:13,250
RECOGNIZE US.
606
00:19:13,333 --> 00:19:14,166
BUT I'LL BE THE BLACK ONE.
607
00:19:14,250 --> 00:19:15,041
>> Shangela: SEVEN O'CLOCK.
608
00:19:15,125 --> 00:19:15,458
>> COOL.
609
00:19:15,542 --> 00:19:15,834
UNTIL WHEN?
610
00:19:15,917 --> 00:19:16,625
>> Shangela: UNTIL THE LAST OF
611
00:19:16,709 --> 00:19:17,291
US GET KICKED OUT, OKAY?
612
00:19:17,792 --> 00:19:18,375
WE'RE GOING ALL NIGHT.
613
00:19:18,458 --> 00:19:18,917
HALLELU.
614
00:19:19,000 --> 00:19:19,500
>> Eureka: IT'S GOING TO BE
615
00:19:19,583 --> 00:19:20,458
FAMILY FRIENDLY.
616
00:19:20,542 --> 00:19:24,250
>> OKAY.
617
00:19:24,333 --> 00:19:24,917
>> Jasmine: WE'LL SEE YOU GUYS
618
00:19:25,000 --> 00:19:26,792
THERE.
619
00:19:26,875 --> 00:19:27,250
>> Stacey: THANK YOU.
620
00:19:27,333 --> 00:19:27,875
>> Eureka: HAVE A GOOD DAY.
621
00:19:27,959 --> 00:19:28,291
>> Jasmine: BYE.
622
00:19:28,375 --> 00:19:28,917
>> Eureka: THE ONE IN THE HOODY
623
00:19:29,000 --> 00:19:29,375
COULD BE MY HUSBAND.
624
00:19:33,542 --> 00:19:40,208
I'M CURIOUS, WHO WAS EVERYONE TO
625
00:19:40,291 --> 00:19:40,542
DJ?
626
00:19:40,625 --> 00:19:44,083
DO YOU MIND IF I ASK?
627
00:19:44,166 --> 00:19:44,709
>> THIS IS MY
628
00:19:44,792 --> 00:19:45,041
DAUGHTER.
629
00:19:45,125 --> 00:19:46,208
>> Eureka: SO YOU'RE STACEY'S
630
00:19:46,291 --> 00:19:48,458
MAMA.
631
00:19:48,542 --> 00:19:48,834
>> THESE ARE MY
632
00:19:48,917 --> 00:19:49,625
GREAT BABIES.
633
00:19:49,709 --> 00:19:50,000
>> Eureka: OKAY.
634
00:19:50,083 --> 00:19:52,709
HI, NANA.
635
00:19:52,792 --> 00:19:53,542
>> HI.
636
00:19:53,625 --> 00:19:56,750
>> Eureka: WHAT ABOUT YOU?
637
00:19:56,834 --> 00:19:57,208
>> I AM
638
00:19:57,291 --> 00:19:57,959
ONE OF STACEY'S BEST FRIENDS AND
639
00:19:58,041 --> 00:19:58,542
MY SON, WHO ALSO COMMITTED
640
00:19:58,625 --> 00:19:59,125
SUICIDE, WAS DJ'S GOOD FRIEND.
641
00:19:59,208 --> 00:19:59,625
>> Eureka: I'M SO SORRY.
642
00:19:59,709 --> 00:19:59,792
WOW.
643
00:19:59,875 --> 00:20:00,417
WELL, YOU REALLY CLOSE TO HOME
644
00:20:00,500 --> 00:20:01,083
WITH STACEY, I'M SURE, THEN.
645
00:20:01,166 --> 00:20:01,542
>> YES.
646
00:20:01,625 --> 00:20:02,625
>> I'M MELISSA.
647
00:20:02,709 --> 00:20:03,166
I AM DJ'S BEST FRIEND.
648
00:20:03,250 --> 00:20:03,792
>> Eureka: I LOVE YOU SAID, "I
649
00:20:03,875 --> 00:20:04,458
AM."
650
00:20:04,542 --> 00:20:05,000
>> Melissa: I AM.
651
00:20:05,083 --> 00:20:05,959
>> Eureka: I LOVE THAT.
652
00:20:06,041 --> 00:20:07,500
>> Melissa: THAT IS MY GO TO.
653
00:20:07,583 --> 00:20:08,250
WE JUST OPENED SO MUCH WITH EACH
654
00:20:08,333 --> 00:20:11,750
OTHER.
655
00:20:11,834 --> 00:20:17,000
WE JUST CONNECTED ON A LEVEL AND
656
00:20:17,083 --> 00:20:20,875
THEN WE JUST GOT CLOSER EVER
657
00:20:20,959 --> 00:20:21,125
SINCE.
658
00:20:21,208 --> 00:20:21,709
>> Eureka: WOW.
659
00:20:21,792 --> 00:20:22,291
I FEEL LIKE I WOULD HAVE LOVED
660
00:20:22,375 --> 00:20:22,750
DJ.
661
00:20:22,834 --> 00:20:23,875
>> Melissa: YEAH, DUDE, SHE WAS
662
00:20:23,959 --> 00:20:24,083
AWESOME.
663
00:20:24,166 --> 00:20:25,417
I GOT A LOT OF MY CONFIDENCE
664
00:20:25,500 --> 00:20:27,083
FROM DJ.
665
00:20:27,166 --> 00:20:29,375
SHE WAS JUST ABOUT IT, JUST
666
00:20:29,458 --> 00:20:30,000
TALKING TO EVERYBODY.
667
00:20:30,083 --> 00:20:30,625
>> Jasmine: OH, SHE DIDN'T KNOW
668
00:20:30,709 --> 00:20:31,041
A STRANGER.
669
00:20:31,125 --> 00:20:32,291
SHE WOULD WALK INTO YOUR HOUSE,
670
00:20:32,375 --> 00:20:32,959
"I'M DJ, THANK FOR HAVING ME
671
00:20:33,041 --> 00:20:34,000
HERE."
672
00:20:34,083 --> 00:20:35,500
SHE DIDN'T KNOW.
673
00:20:35,583 --> 00:20:37,125
>> WE DIDN'T KNOW HALF THE
674
00:20:37,208 --> 00:20:38,458
PEOPLE SHE KNEW.
675
00:20:38,542 --> 00:20:39,125
>> Eureka: HOW MANY PEOPLE
676
00:20:39,208 --> 00:20:45,458
SHOWED UP TO THE FUNERAL?
677
00:20:45,542 --> 00:20:46,750
>> OVER 500.
678
00:20:46,834 --> 00:20:52,959
509.
679
00:20:53,041 --> 00:20:55,125
>> Eureka: WOW.
680
00:20:55,208 --> 00:20:55,625
>> THAT'S WHAT
681
00:20:55,709 --> 00:20:55,917
WE COUNTED.
682
00:20:56,000 --> 00:20:56,333
WE LOST COUNT.
683
00:20:56,417 --> 00:20:56,834
THAT'S WHAT WE COUNTED.
684
00:20:56,917 --> 00:20:57,667
>> Eureka: DID DJ EVER MENTION
685
00:20:57,750 --> 00:20:58,458
TO YOU THAT SHE WANTED TO COMMIT
686
00:20:58,542 --> 00:20:58,667
SUICIDE?
687
00:20:58,750 --> 00:20:59,291
>> Melissa: SHE MESSAGED ME AND
688
00:20:59,375 --> 00:20:59,792
SHE GOES, "DUDE, I'M NOT
689
00:20:59,875 --> 00:21:00,625
SUICIDAL BUT I WANT TO DIE RIGHT
690
00:21:00,709 --> 00:21:01,417
NOW."
691
00:21:01,500 --> 00:21:04,625
ME, I GOT PISSED.
692
00:21:04,709 --> 00:21:08,125
I GOT MAD.
693
00:21:08,208 --> 00:21:10,125
I DIDN'T LOOK AT DEPRESSION AS A
694
00:21:10,208 --> 00:21:10,792
DISEASE, I LOST MY BEST FRIEND
695
00:21:10,875 --> 00:21:11,542
TO A DISEASE I DIDN'T BELIEVE IN
696
00:21:11,625 --> 00:21:15,125
AND NOW I SEE IT BECAUSE I'VE
697
00:21:15,208 --> 00:21:16,417
BEEN THROUGH IT.
698
00:21:16,500 --> 00:21:17,959
IT'S HIT ME HARDER NOW THAN EVER
699
00:21:18,041 --> 00:21:25,959
BECAUSE LOOK WHAT IT DID TO US.
700
00:21:27,250 --> 00:21:28,625
>> Eureka: DO YOU FEEL LIKE THE
701
00:21:28,709 --> 00:21:29,083
AREA'S A LOT LIKE THAT?
702
00:21:29,208 --> 00:21:30,208
HIDE YOUR ISSUES AND YOUR
703
00:21:30,250 --> 00:21:30,834
PROBLEMS AND JUST FAKE IT TILL
704
00:21:30,875 --> 00:21:31,417
YOU MAKE IT KIND OF ATTITUDE.
705
00:21:31,500 --> 00:21:32,792
>> Melissa: THROW IT UNDER THE
706
00:21:32,875 --> 00:21:36,000
RUG AND THERE'S LIKE A LOT OF
707
00:21:36,083 --> 00:21:36,917
BOTTLING IN AND PEOPLE ARE
708
00:21:37,000 --> 00:21:40,208
SCARED TO TALK.
709
00:21:40,291 --> 00:21:41,041
>> Eureka: YOU ALL LOVED THIS
710
00:21:41,125 --> 00:21:42,834
PERSON.
711
00:21:42,917 --> 00:21:44,250
I CAN'T IMAGINE, ONLY YOU ALL
712
00:21:44,333 --> 00:21:46,709
KNOW, WHAT IT FEELS LIKE.
713
00:21:46,792 --> 00:21:47,291
BUT YOU'RE TRYING TO TELL THE
714
00:21:47,375 --> 00:21:50,375
WORLD WHAT IT FEELS LIKE.
715
00:21:50,458 --> 00:21:51,250
THERE IS ACCEPTANCE AND THERE IS
716
00:21:51,333 --> 00:21:52,250
LOVE AND THAT WE'RE HERE FOR
717
00:21:52,333 --> 00:21:53,875
YOU.
718
00:21:53,959 --> 00:21:55,709
LIKE, THESE PEOPLE ARE HERE FOR
719
00:21:55,792 --> 00:21:56,375
THEIR COMMUNITY AND YOU ALL ARE,
720
00:21:56,458 --> 00:21:56,959
AND ALL THE OTHER ALLIES THAT
721
00:21:57,041 --> 00:21:57,709
ARE GOING TO COME TO THIS EVENT.
722
00:21:57,792 --> 00:22:00,250
IT'S GOING TO BE INCREDIBLE.
723
00:22:00,333 --> 00:22:01,542
IT'S ABOUT JUST BEING VISIBLE.
724
00:22:01,625 --> 00:22:05,125
SHOWING PEOPLE THAT YOU'RE THERE
725
00:22:05,208 --> 00:22:05,375
AND WHY.
726
00:22:05,458 --> 00:22:06,041
SO, IF YOU ARE DOING THAT, THEN
727
00:22:06,125 --> 00:22:13,750
YOU'RE DOING IT THE DJ WAY.
728
00:22:22,250 --> 00:22:23,417
>> Shangela: WELCOME.
729
00:22:23,500 --> 00:22:24,041
TAKE A LOOK AROUND.
730
00:22:24,125 --> 00:22:26,709
TAKE IT IN.
731
00:22:26,792 --> 00:22:29,875
THIS IS OUR SAFE SPACE.
732
00:22:29,959 --> 00:22:30,750
WE LIKE TO CALL IT CAMP.
733
00:22:30,834 --> 00:22:34,208
AND THEN OVER HERE.
734
00:22:34,291 --> 00:22:38,583
>> Nate: OH, I SEE.
735
00:22:38,667 --> 00:22:39,583
>> Shangela: WHERE THE GLAM.
736
00:22:39,667 --> 00:22:40,583
>> Bob: SO THIS IS DOMINO.
737
00:22:40,667 --> 00:22:41,083
DOMINO IS IN CHARGE OF OUR
738
00:22:41,166 --> 00:22:41,417
DESIGN TEAM.
739
00:22:41,500 --> 00:22:42,417
I FEEL LIKE THE
740
00:22:42,500 --> 00:22:43,834
INTERSECTIONALITY BETWEEN BEING
741
00:22:43,917 --> 00:22:44,375
QUEER, BEING NATIVE, BEING
742
00:22:44,458 --> 00:22:44,917
ARTIST, THE CAR ACCIDENT.
743
00:22:45,000 --> 00:22:46,750
ALL THESE THINGS WERE BROUGHT
744
00:22:46,834 --> 00:22:47,750
TOGETHER TO MAKE YOU WHO YOU ARE
745
00:22:47,834 --> 00:22:51,458
TODAY.
746
00:22:51,542 --> 00:22:52,500
SO I HAVE THIS VISION FOR THE
747
00:22:52,583 --> 00:22:54,709
PERFORMANCE.
748
00:22:54,792 --> 00:22:59,959
>> Domino: SO, WE'RE STARTING
749
00:23:00,041 --> 00:23:00,709
OUT IN THIS CLASSIC BRIDE OF
750
00:23:00,792 --> 00:23:01,291
FRANKENSTEIN LOOK WITH THE ALL
751
00:23:01,375 --> 00:23:01,959
WHITE BANDAGES AND ALL THAT AND
752
00:23:02,041 --> 00:23:02,500
HAVING THAT TEAR AWAY AND BE
753
00:23:02,583 --> 00:23:03,291
SOMETHING THAT'S MORE
754
00:23:03,375 --> 00:23:03,917
REPRESENTATIVE OF THE PARTS OF
755
00:23:04,000 --> 00:23:04,083
YOU.
756
00:23:04,166 --> 00:23:04,709
IT'S GOING TO BE ALL DIFFERENT
757
00:23:04,792 --> 00:23:06,875
FABRICS PATCHWORKED TOGETHER.
758
00:23:06,959 --> 00:23:08,083
>> Bob: WE'RE GOING TO TRY TO
759
00:23:08,166 --> 00:23:09,625
HAVE DARREN INCORPORATE SOME
760
00:23:09,709 --> 00:23:10,458
EMBROIDERY THAT HE'S DONE THAT
761
00:23:10,542 --> 00:23:11,041
DOMINO CAN THEN SEW INTO THE
762
00:23:11,125 --> 00:23:14,083
GARMENT.
763
00:23:14,166 --> 00:23:15,125
>> I THINK THIS
764
00:23:15,208 --> 00:23:15,458
IS SO SPECIAL.
765
00:23:15,542 --> 00:23:16,875
JUST BEING A QUEER PERSON ON THE
766
00:23:16,959 --> 00:23:20,792
RESERVATION, THAT'S US.
767
00:23:20,875 --> 00:23:22,125
THAT'S US BEING PULLED APART.
768
00:23:22,208 --> 00:23:24,291
AND NOW THIS EVENT, YOU'RE ALL
769
00:23:24,375 --> 00:23:26,583
GETTING SEWN TOGETHER.
770
00:23:29,709 --> 00:23:30,458
>> Eureka: I LOVE THIS PATTERN.
771
00:23:30,542 --> 00:23:33,375
SO, THIS IS GOING TO BE BLACK
772
00:23:33,458 --> 00:23:33,750
AND THE EDGING?
773
00:23:33,834 --> 00:23:34,458
>> IT'LL BE WHITE ON THE INSIDE.
774
00:23:34,542 --> 00:23:38,000
ALL BLACK ON THE OUTSIDE.
775
00:23:38,083 --> 00:23:40,000
>> Stacey: YEAH, I LIKE THAT.
776
00:23:40,083 --> 00:23:40,542
>> Eureka: ME TOO.
777
00:23:40,625 --> 00:23:41,333
>> YOURS ARE CONSIDERABLY
778
00:23:41,417 --> 00:23:41,667
LARGER.
779
00:23:41,750 --> 00:23:42,166
>> Eureka: CAUSE THEY'RE
780
00:23:42,250 --> 00:23:43,166
ENORMOUS.
781
00:23:43,959 --> 00:23:45,291
>> Shangela: I UNDERSTAND THAT
782
00:23:45,375 --> 00:23:47,792
YOU'RE INTERESTED IN GOING FAR
783
00:23:47,875 --> 00:23:48,375
WITH THE CHARACTER THAT WE'RE
784
00:23:48,458 --> 00:23:49,041
CREATING.
785
00:23:49,125 --> 00:23:49,667
HOW FAR DO YOU WANT TO GO?
786
00:23:49,750 --> 00:23:51,875
>> Nicole: I'M OKAY WITH A
787
00:23:51,959 --> 00:23:53,375
JUMPSUIT.
788
00:23:53,458 --> 00:23:54,208
>> WE EXPLORE FEMININE IN MANY
789
00:23:54,291 --> 00:23:56,291
DIFFERENT WAYS.
790
00:23:56,375 --> 00:23:57,500
SO IT DOESN'T HAVE TO BE A
791
00:23:57,583 --> 00:23:57,834
DRESS.
792
00:23:57,917 --> 00:23:58,625
>> Nicole: AND IF WE'RE GOING TO
793
00:23:58,709 --> 00:24:00,333
DO HEELS, MAYBE START WITH
794
00:24:00,417 --> 00:24:01,667
WEDGES.
795
00:24:01,750 --> 00:24:03,166
>> Shangela: WEDGES.
796
00:24:03,250 --> 00:24:05,417
COME ON NOW.
797
00:24:05,500 --> 00:24:09,709
>> Bob: WE'RE TRYING TO MAKE TWO
798
00:24:09,792 --> 00:24:10,959
EXTREME LOOKS HERE.
799
00:24:11,041 --> 00:24:11,542
IS THERE A WAY TO GO FROM THIS
800
00:24:11,625 --> 00:24:13,000
HAIR TO A DIFFERENT HAIR.
801
00:24:13,083 --> 00:24:15,000
>> SO, IT COULD BE PULLED OFF.
802
00:24:15,083 --> 00:24:16,542
HE COULD HAVE AN OWL ON TOP OF
803
00:24:16,625 --> 00:24:28,709
HIS HEAD IF YOU WANTED TO.
804
00:24:28,792 --> 00:24:29,250
>> OWLS ARE BAD LUCK.
805
00:24:29,333 --> 00:24:29,834
YOU CAN'T PUT AN OWL ON YOUR
806
00:24:29,917 --> 00:24:30,041
HEAD.
807
00:24:30,125 --> 00:24:30,583
>> OKAY, A RABBIT.
808
00:24:30,667 --> 00:24:31,166
A RABBIT.
809
00:24:31,250 --> 00:24:32,041
>> Bob: IT'S REALLY AMAZING.
810
00:24:32,125 --> 00:24:32,667
IT TAKES A VILLAGE TO UPLIFT A
811
00:24:32,750 --> 00:24:33,208
QUEEN.
812
00:24:33,291 --> 00:24:33,625
>> Eureka:
813
00:24:33,709 --> 00:24:34,208
I WANT GLITTER ON THE LIDS.
814
00:24:34,291 --> 00:24:34,834
I WANT A LITTLE BIT OF AN OPEN
815
00:24:34,917 --> 00:24:39,458
EYE.
816
00:24:39,542 --> 00:24:40,083
>> DO YOU HAVE ANY COLOR THEORY
817
00:24:40,166 --> 00:24:40,458
THAT'S GOING ON.
818
00:24:40,542 --> 00:24:41,041
>> Jasmine: I JUST LIKE MORE
819
00:24:41,125 --> 00:24:41,583
NATURAL STUFF.
820
00:24:41,667 --> 00:24:42,250
>> GOOD LUCK, THAT'S A DIFFERENT
821
00:24:42,333 --> 00:24:44,041
SHOW, HONEY.
822
00:24:45,917 --> 00:24:47,583
>> DO YOU KNOW THE REFERENCE
823
00:24:47,667 --> 00:24:50,166
THAT I LOVE?
824
00:24:50,250 --> 00:24:53,542
THAT WOULD BE A GREAT
825
00:24:53,625 --> 00:24:54,166
FLAT TOP.
826
00:24:54,250 --> 00:24:54,792
WE'RE TALKING SOLID FOUR INCHES
827
00:24:54,875 --> 00:24:55,166
ABOVE YOUR HEAD.
828
00:24:55,250 --> 00:24:56,375
>> Shangela: SO, I'M JUST GOING
829
00:24:56,458 --> 00:24:57,166
TO BE STRAIGHT UP WITH Y'ALL.
830
00:24:57,250 --> 00:24:57,542
I DON'T SEE IT.
831
00:24:57,625 --> 00:24:58,083
THIS, WITH A MAGNET FLAT TOP
832
00:24:58,166 --> 00:25:01,875
DON'T WORK.
833
00:25:01,959 --> 00:25:02,834
YOU'LL BE BALD HEADED.
834
00:25:02,917 --> 00:25:03,417
YOUR HAIR'S GOING TO BE ON THE
835
00:25:03,500 --> 00:25:03,667
GROUND.
836
00:25:03,750 --> 00:25:04,250
>> FOR YOU, I DEFINITELY FEEL
837
00:25:04,333 --> 00:25:04,834
LIKE OVER-EXAGGERATING YOUR
838
00:25:04,917 --> 00:25:05,417
FEATURES AND BRINGING AS MUCH
839
00:25:05,500 --> 00:25:08,041
ATTENTION TO YOUR NATURAL BEAUTY
840
00:25:08,125 --> 00:25:08,792
AS POSSIBLE WITHOUT MAKING YOU
841
00:25:08,875 --> 00:25:11,000
LOOK LIKE A CLOWN.
842
00:25:11,083 --> 00:25:12,959
>> Jasmine: OKAY.
843
00:25:13,041 --> 00:25:14,125
>> Eureka: AH, WHY DON'T YOU
844
00:25:14,208 --> 00:25:14,583
EVER SAY THAT TO ME?
845
00:25:14,667 --> 00:25:15,208
>> I SAY IT TO HER ALL THE TIME.
846
00:25:15,291 --> 00:25:16,500
SHE JUST NEVER STOPS TALKING.
847
00:25:18,000 --> 00:25:18,500
>> Shangela: EXCUSE ME FOR
848
00:25:18,583 --> 00:25:20,917
ASKING, WHAT SIZE ARE YOU HERE?
849
00:25:21,000 --> 00:25:23,917
>> Nicole: I TOLD HIM THAT I
850
00:25:24,000 --> 00:25:25,166
DIDN'T KNOW.
851
00:25:25,250 --> 00:25:26,000
>> Shangela: YOU DON'T KNOW YOUR
852
00:25:26,083 --> 00:25:26,250
BRA SIZE?
853
00:25:26,333 --> 00:25:26,917
>> Nicole: I'VE WORN SPORTS BRAS
854
00:25:27,000 --> 00:25:27,458
SINCE JUNIOR YEAR IN HIGH
855
00:25:27,542 --> 00:25:30,875
SCHOOL.
856
00:25:30,959 --> 00:25:32,709
>> Shangela: YOU ARE MY MOTHER.
857
00:25:32,792 --> 00:25:33,250
YOU'RE NOT MY MOTHER, YOU'RE
858
00:25:33,333 --> 00:25:33,917
OBVIOUSLY YOUNGER THAN A MOTHER,
859
00:25:34,000 --> 00:25:34,458
BUT YES MY MOM WEARS SPORTS
860
00:25:34,542 --> 00:25:34,667
BRAS.
861
00:25:34,750 --> 00:25:35,333
I'M LIKE, "MAMA, WHAT'S YOUR BRA
862
00:25:35,417 --> 00:25:36,250
SIZE?"
863
00:25:36,333 --> 00:25:36,875
SHE GO, "I DON'T KNOW, A LARGE."
864
00:25:36,959 --> 00:25:38,500
>> Nicole: I'M A LARGE, OKAY.
865
00:25:38,583 --> 00:25:45,250
>> Shangela: ALL RIGHT, I GOT
866
00:25:45,333 --> 00:25:47,542
YOU.
867
00:26:07,834 --> 00:26:08,959
>> Stacey: THIS IS DJS SHIRT,
868
00:26:09,041 --> 00:26:11,333
HER WORK SHIRT, SHE WOULD CHANGE
869
00:26:11,417 --> 00:26:12,000
INTO AT THE LOT.
870
00:26:12,083 --> 00:26:12,917
AND SO IT'S ONE OF THE SHIRTS I
871
00:26:13,000 --> 00:26:13,458
HAVE OF HERS THAT I HAVEN'T
872
00:26:13,542 --> 00:26:14,709
WASHED.
873
00:26:14,792 --> 00:26:22,041
IT'S EXACTLY HOW SHE LEFT IT.
874
00:26:22,125 --> 00:26:23,542
BUT I PUT IT ON A PILLOW AND I
875
00:26:23,625 --> 00:26:23,875
SLEEP WITH IT.
876
00:26:23,959 --> 00:26:25,667
AND THEN IT JUST STAYS RIGHT
877
00:26:25,750 --> 00:26:26,291
THERE.
878
00:26:26,375 --> 00:26:29,417
BRINGS ME SOME COMFORT, LAYING
879
00:26:29,500 --> 00:26:34,333
ON IT.
880
00:26:35,709 --> 00:26:37,000
>> Stacey: ANY COMMUNITY, NOT
881
00:26:37,083 --> 00:26:42,166
JUST OUR COMMUNITY, CAN IMPACT A
882
00:26:42,250 --> 00:26:43,667
PERSON'S OUTLOOK ON THEMSELVES.
883
00:26:43,750 --> 00:26:47,375
WE DIDN'T SEE DJ'S SUICIDE
884
00:26:47,458 --> 00:26:50,166
COMING ON LIKE IT DID.
885
00:26:50,250 --> 00:26:54,041
WE ALL ACCEPTED HER BUT I THINK
886
00:26:54,125 --> 00:26:55,375
THAT SHE KNEW THAT OTHER PEOPLE
887
00:26:55,458 --> 00:27:03,250
DIDN'T ACCEPT AND IT WAS HARD ON
888
00:27:03,333 --> 00:27:04,250
HER.
889
00:27:04,333 --> 00:27:05,000
I KNOW JASMINE BEATS HERSELF UP
890
00:27:05,083 --> 00:27:07,750
A LOT BECAUSE SHE WAS THE LAST
891
00:27:07,834 --> 00:27:11,000
ONE TO TALK TO DJ.
892
00:27:11,083 --> 00:27:11,625
I WASN'T DOING GOOD FOR A LONG
893
00:27:11,709 --> 00:27:14,583
TIME AND SHE HAD TO BE THAT
894
00:27:14,667 --> 00:27:16,375
PERSON THAT WAS.
895
00:27:16,458 --> 00:27:17,667
JASMINE WOULD SHOW UP AT THE
896
00:27:17,792 --> 00:27:18,667
HOUSE AND IT WOULD BE TEN
897
00:27:18,792 --> 00:27:19,917
O'CLOCK AND SHE'D JUST SIT THERE
898
00:27:19,959 --> 00:27:24,542
AND HOLD MY HAND AND SHE'D JUST
899
00:27:24,625 --> 00:27:25,917
BE, "I'M JUST WORRIED ABOUT YOU,
900
00:27:25,959 --> 00:27:28,834
MOM."
901
00:27:28,917 --> 00:27:30,542
>> Jasmine: WE DON'T TALK ABOUT
902
00:27:30,625 --> 00:27:31,375
WHAT HAPPENED THAT NIGHT.
903
00:27:31,458 --> 00:27:33,375
SOMETIMES I'LL MAYBE START TO
904
00:27:33,458 --> 00:27:35,625
VENT TO MY MOM AND MY MOM CAN'T
905
00:27:35,709 --> 00:27:41,083
EVEN DEAL WITH HER OWN EMOTIONS,
906
00:27:41,166 --> 00:27:42,333
LET ALONE SOMEBODY ELSE'S RIGHT
907
00:27:42,417 --> 00:27:42,917
NOW.
908
00:27:43,000 --> 00:27:43,792
MOM, ARE YOU EATING?
909
00:27:43,875 --> 00:27:44,417
>> Stacey: JUST A HALF OF ONE
910
00:27:44,500 --> 00:27:47,458
PLEASE.
911
00:27:47,542 --> 00:27:51,333
>> Jasmine: GROWING UP, MY MOM
912
00:27:51,417 --> 00:27:52,583
WAS ALWAYS ME AND DJ'S STRONG
913
00:27:52,667 --> 00:27:55,125
POINT.
914
00:27:55,208 --> 00:27:55,834
SHE'S ALWAYS BEEN OUR ROCK.
915
00:27:55,917 --> 00:27:56,500
THAT HAS BEEN ME, HER AND MY MOM
916
00:27:56,583 --> 00:27:57,125
THROUGH EVERYTHING.
917
00:27:57,208 --> 00:27:57,959
AND TO WATCH MY MOM CRUMBLE AND
918
00:27:58,041 --> 00:27:59,792
BE COMPLETELY DESTROYED, I THINK
919
00:27:59,875 --> 00:28:01,792
IT'S INTERTWINED ME TO FEEL LIKE
920
00:28:01,875 --> 00:28:02,959
MAYBE I WASN'T QUITE ALLOWED TO
921
00:28:03,041 --> 00:28:08,125
GRIEVE YET BECAUSE I NEEDED TO
922
00:28:08,208 --> 00:28:09,041
GET HER THROUGH THIS.
923
00:28:09,125 --> 00:28:12,333
IN A SENSE, I FELT LIKE I NOT
924
00:28:12,417 --> 00:28:13,250
ONLY LOST MY SISTER, BUT I'VE
925
00:28:13,333 --> 00:28:19,625
LOST MY MOM.
926
00:28:19,709 --> 00:28:20,834
>> Eureka: YOU KNOW, PERFORMANCE
927
00:28:20,917 --> 00:28:22,750
ART IS A REALLY GOOD WAY TO GET
928
00:28:22,834 --> 00:28:24,959
OUT THINGS THAT YOU CAN'T TALK
929
00:28:25,041 --> 00:28:25,709
ABOUT.
930
00:28:25,792 --> 00:28:26,834
THIS IS KIND OF A CHANCE FOR YOU
931
00:28:26,917 --> 00:28:28,166
TO SHOW THESE PEOPLE, WITHOUT
932
00:28:28,250 --> 00:28:34,166
HAVING TO TELL ABOUT IT OR BE
933
00:28:34,250 --> 00:28:34,792
MAD ABOUT IT, JUST WHAT YOU'VE
934
00:28:34,875 --> 00:28:35,125
BEEN THROUGH.
935
00:28:35,208 --> 00:28:35,667
YOU'VE SUFFERED A HUGE LOSS.
936
00:28:35,750 --> 00:28:36,792
THAT'S THE BIGGEST THING FOR
937
00:28:36,875 --> 00:28:37,667
THIS EXPERIENCE, I WANT TO START
938
00:28:37,750 --> 00:28:39,333
WORKING ON A PROCESS OF, NOT
939
00:28:39,417 --> 00:28:41,500
GETTING OVER, 'CAUSE YOU'LL
940
00:28:41,583 --> 00:28:42,166
NEVER GET OVER THIS, Y'ALL ARE
941
00:28:42,250 --> 00:28:48,333
NEVER GOING TO GET OVER THIS,
942
00:28:48,417 --> 00:28:49,875
AND TO ME I THINK THIS
943
00:28:49,959 --> 00:28:50,542
PERFORMANCE, AND JUST IN GENERAL
944
00:28:50,625 --> 00:28:51,125
THIS EXPERIENCE, I HOPE, IS
945
00:28:51,208 --> 00:28:51,792
GOING TO PUSH YOU ALL TO BE MORE
946
00:28:51,875 --> 00:28:52,333
CONFIDENT ABOUT YOURSELVES.
947
00:28:52,417 --> 00:28:56,125
AND THAT'S WHAT DRAG DOES IS IT
948
00:28:56,208 --> 00:28:57,959
HELPS YOU CREATE STRENGTH THAT
949
00:28:58,041 --> 00:29:02,166
YOU DON'T KNOW WHERE TO FIND IT.
950
00:29:02,250 --> 00:29:03,959
IT MAKES YOU FEEL POWERFUL.
951
00:29:04,041 --> 00:29:05,667
>> Stacey: AS EVERYBODY CAN
952
00:29:05,750 --> 00:29:08,000
TELL, I'M NOT A VERY EMOTIONAL
953
00:29:08,083 --> 00:29:09,792
PERSON VERY MUCH, IT'S JUST
954
00:29:09,875 --> 00:29:11,625
SOMETIMES I DON'T WANT THEM TO
955
00:29:11,709 --> 00:29:16,125
KNOW HOW CRAZY THE THOUGHTS FEEL
956
00:29:16,208 --> 00:29:17,041
IN MY HEAD ABOUT DJ.
957
00:29:17,125 --> 00:29:17,667
>> Eureka: WELL THE FIRST STEP
958
00:29:17,750 --> 00:29:18,959
IS ADMITTING SOME OF THESE
959
00:29:19,041 --> 00:29:23,417
THINGS OUT LOUD TO PEOPLE.
960
00:29:23,500 --> 00:29:24,583
>> Stacey: WHEN WE DID LOSE DJ,
961
00:29:24,667 --> 00:29:25,208
IT WAS ROUGH, AND YOU ASKING TO
962
00:29:25,291 --> 00:29:25,834
SAY WHAT WOULD YOU SAY TO HER?
963
00:29:25,917 --> 00:29:26,458
I DON'T KNOW THAT I'D BE ABLE TO
964
00:29:26,542 --> 00:29:28,000
SAY ANYTHING.
965
00:29:28,083 --> 00:29:30,083
ALL I'D BE ABLE TO DO IS GRAB
966
00:29:30,166 --> 00:29:31,041
HER AND HUG AND SAY I LOVE YOU,
967
00:29:31,125 --> 00:29:36,083
I'M SORRY.
968
00:29:36,166 --> 00:29:37,542
AND THAT EVERY DAY SINCE SHE'S
969
00:29:37,625 --> 00:29:42,667
BEEN GONE HAS BEEN HELL.
970
00:29:42,750 --> 00:29:44,083
I FEEL LIKE WE'RE IN HELL.
971
00:29:44,166 --> 00:29:52,375
I THINK OF HER 24/7.
972
00:29:52,458 --> 00:29:53,083
>> Jasmine: I DON'T KNOW IF SHE
973
00:29:53,166 --> 00:29:53,750
TOLD YOU BUT MY MOM FOUND HER.
974
00:29:53,834 --> 00:29:54,250
>> Eureka: OH NO.
975
00:29:54,333 --> 00:29:55,208
>> Stacey: I MEAN, I KNEW SHE
976
00:29:55,291 --> 00:29:55,792
WAS DEAD BUT I WAS SO HOPING.
977
00:29:55,875 --> 00:29:56,834
PLEASE GOD, I'LL TAKE ANYWAY,
978
00:29:56,917 --> 00:29:57,875
I'LL TAKE CARE OF HER THE REST
979
00:29:57,959 --> 00:29:59,250
OF HER LIFE.
980
00:29:59,333 --> 00:30:01,208
I'LL TAKE CARE OF HER.
981
00:30:01,291 --> 00:30:02,792
JUST GIVE HER BACK TO ME.
982
00:30:02,875 --> 00:30:04,792
DON'T TAKE HER.
983
00:30:04,875 --> 00:30:05,750
AND, MY FRIEND GRABBED ME AND
984
00:30:05,834 --> 00:30:11,750
ONE OF MY HUSBAND'S FRIENDS
985
00:30:11,834 --> 00:30:12,375
GRABBED AND WAS LIKE, "YOU'VE
986
00:30:12,458 --> 00:30:14,917
GOT TO LET HER GO."
987
00:30:15,000 --> 00:30:19,125
FROM THERE ON IT JUST WENT
988
00:30:19,208 --> 00:30:24,458
THROUGH.
989
00:30:24,542 --> 00:30:25,083
>> Eureka: THAT IS TERRIFYING.
990
00:30:25,166 --> 00:30:25,583
>> Stacey: IT WAS PRETTY
991
00:30:25,667 --> 00:30:25,792
INTENSE.
992
00:30:25,875 --> 00:30:26,417
I DON'T TALK ABOUT THAT MUCH
993
00:30:26,500 --> 00:30:29,417
ANYMORE.
994
00:30:29,500 --> 00:30:32,834
>> Eureka: I APPRECIATE IT.
995
00:30:32,959 --> 00:30:34,834
YOU'RE GIVING ME A PIECE OF YOUR
996
00:30:34,917 --> 00:30:35,709
EMOTION.
997
00:30:35,792 --> 00:30:36,917
YOU'RE GOING TO GET TO SHOW THIS
998
00:30:37,000 --> 00:30:38,250
ENERGY IN THIS PERFORMANCE TO
999
00:30:38,333 --> 00:30:39,750
PEOPLE AND YOU'RE GOING TO GET
1000
00:30:39,834 --> 00:30:40,417
TO KEEP THIS EXPERIENCE FOREVER.
1001
00:30:40,500 --> 00:30:41,000
MOM, I APPRECIATE YOU OPENING
1002
00:30:41,083 --> 00:30:41,166
UP.
1003
00:30:41,250 --> 00:30:41,792
I'M SO PROUD OF YOU, STACEY.
1004
00:30:41,875 --> 00:30:44,583
>> Jasmine: I'M PROUD OF YOU
1005
00:30:44,667 --> 00:30:47,000
TOO.
1006
00:30:47,083 --> 00:30:48,125
>> Eureka: PEOPLE AROUND HERE
1007
00:30:48,208 --> 00:30:51,250
DON'T FACE THEIR EMOTIONS.
1008
00:30:51,333 --> 00:30:52,750
THEY DON'T TALK ABOUT IT, THEY
1009
00:30:52,834 --> 00:30:53,792
JUST PRETEND LIKE EVERYTHING'S
1010
00:30:53,875 --> 00:30:54,166
OKAY.
1011
00:30:54,250 --> 00:30:55,583
STACEY, I THINK THAT SHE'S
1012
00:30:55,667 --> 00:30:56,208
SEEING THAT HOLDING ALL OF THIS
1013
00:30:56,291 --> 00:30:57,458
EMOTION IN IS ACTUALLY MAKING
1014
00:30:57,542 --> 00:30:59,917
THE SITUATION WORSE.
1015
00:31:00,000 --> 00:31:02,417
AND STACEY HAS TO MAKE A CHANGE,
1016
00:31:02,500 --> 00:31:05,291
NOT JUST FOR HERSELF BUT FOR
1017
00:31:05,375 --> 00:31:05,875
JASMINE, WHO'S BEEN CARING SO
1018
00:31:05,959 --> 00:31:14,417
MUCH FOR HER MOM.
1019
00:31:17,375 --> 00:31:18,792
>> Bob: IT IS PUMPING OVER HERE.
1020
00:31:18,875 --> 00:31:19,291
>> Shangela: YES IT IS.
1021
00:31:19,375 --> 00:31:21,625
HI.
1022
00:31:21,709 --> 00:31:22,166
>> HI, HOW ARE YOU?
1023
00:31:22,250 --> 00:31:23,208
>> Shangela: GOOD, HOW ARE YOU?
1024
00:31:23,291 --> 00:31:26,667
>> I'M DOING GREAT.
1025
00:31:26,750 --> 00:31:27,959
>> Shangela: AWESOME.
1026
00:31:28,041 --> 00:31:28,667
>> Bob: YEAH.
1027
00:31:28,750 --> 00:31:29,000
I RECKON WE ARE.
1028
00:31:29,083 --> 00:31:29,583
CAN I GET AN 11 AND A HALF?
1029
00:31:29,667 --> 00:31:31,250
>> Shangela: COULD I HAVE AN
1030
00:31:31,333 --> 00:31:37,041
EIGHT, PLEASE?
1031
00:31:37,125 --> 00:31:37,709
>> Eureka: CAN I GET A DAINTY
1032
00:31:37,792 --> 00:31:37,875
15?
1033
00:31:37,959 --> 00:31:39,333
>> Bob: LET'S BOWL.
1034
00:31:39,417 --> 00:31:40,333
>> Shangela: I HOPE Y'ALL ARE
1035
00:31:40,417 --> 00:31:41,792
READY BECAUSE MY DAUGHTER, SHE
1036
00:31:41,875 --> 00:31:42,500
MIGHT BE ROUGH AROUND THE EDGES
1037
00:31:42,583 --> 00:31:45,000
NOW, BUT I'M PUTTING HER THROUGH
1038
00:31:45,083 --> 00:31:45,583
THE RINGER AND SHE'S GOING TO
1039
00:31:45,667 --> 00:31:48,166
TURN THE PARTY FOR Y'ALL.
1040
00:31:48,250 --> 00:31:48,834
>> Bob: LET'S SAY THIS GOAL WILL
1041
00:31:48,917 --> 00:31:50,083
BE INDICATIVE OF YOUR
1042
00:31:50,166 --> 00:31:56,291
PERFORMANCE THIS WEEK.
1043
00:31:56,375 --> 00:31:57,083
>> Shangela: LOVELY.
1044
00:31:57,166 --> 00:31:57,709
>> Bob: ALL RIGHT, HERE WE GO.
1045
00:31:57,792 --> 00:32:00,875
THIS WILL SET THE TONE.
1046
00:32:00,959 --> 00:32:05,834
>> Eureka: WHOA!
1047
00:32:06,959 --> 00:32:09,333
>> Bob: HERE WE GO.
1048
00:32:09,417 --> 00:32:12,041
OOH THAT WAS WIDE.
1049
00:32:12,125 --> 00:32:13,208
>> Shangela: WELL, BOB, IT'S NOT
1050
00:32:13,291 --> 00:32:13,667
BASEBALL.
1051
00:32:13,750 --> 00:32:17,208
>> Bob: IT JUMPED OUT OF THE
1052
00:32:17,291 --> 00:32:22,041
GUTTER.
1053
00:32:22,125 --> 00:32:22,917
IT SCARED ME.
1054
00:32:23,000 --> 00:32:33,917
Y'ALL FROM ROUND HERE?
1055
00:32:34,000 --> 00:32:34,792
>> NO, WE'RE FROM --
1056
00:32:34,875 --> 00:32:35,208
>> Bob: OH WORK.
1057
00:32:35,291 --> 00:32:36,083
HOW FAR IS THAT FROM HERE?
1058
00:32:36,166 --> 00:32:36,500
>> ABOUT AN HOUR.
1059
00:32:36,583 --> 00:32:42,166
>> Bob: OH THAT'S NOT TOO BAD.
1060
00:32:42,250 --> 00:32:43,375
WELL, WE'RE ALL
1061
00:32:43,458 --> 00:32:44,166
PERFORMERS.
1062
00:32:44,250 --> 00:32:46,834
WE'RE ALL DRAG QUEENS.
1063
00:32:46,917 --> 00:32:48,166
>> IT WAS REALLY HARD FOR ME TO.
1064
00:32:48,250 --> 00:32:49,041
BUT YOU KNOW WHAT?
1065
00:32:49,125 --> 00:32:49,667
YOU'VE JUST GOT TO STAND BEHIND
1066
00:32:49,750 --> 00:32:49,834
HIM.
1067
00:32:49,917 --> 00:32:50,375
>> Bob: WELL, HOW HAS YOUR
1068
00:32:50,458 --> 00:32:53,625
EXPERIENCE BEEN IN ALL THIS?
1069
00:32:53,709 --> 00:32:56,250
>> IT'S BEEN VERY CHALLENGING.
1070
00:33:01,333 --> 00:33:03,291
>> Bob: IT'S SO CRAZY, WE ALL
1071
00:33:03,375 --> 00:33:07,417
JUST ENDED UP RIGHT BESIDE EACH
1072
00:33:07,500 --> 00:33:08,250
OTHER HERE.
1073
00:33:08,333 --> 00:33:08,917
WHO'S THE BEST BOWLER OUT Y'ALL?
1074
00:33:09,000 --> 00:33:11,959
REALLY?
1075
00:33:12,041 --> 00:33:12,875
LISTEN, WILL YOU BOWL A FRAME
1076
00:33:12,959 --> 00:33:14,083
FOR ME?
1077
00:33:16,542 --> 00:33:17,000
>> Bob: I'M CALLING IN A
1078
00:33:17,083 --> 00:33:18,750
SUBSTITUTE TO HELP ME WITH A
1079
00:33:18,834 --> 00:33:22,166
FRAME.
1080
00:33:22,250 --> 00:33:23,166
OKAY, OKAY.
1081
00:33:23,208 --> 00:33:23,917
>> Eureka: WORK.
1082
00:33:23,959 --> 00:33:25,667
OKAY.
1083
00:33:25,792 --> 00:33:26,166
>> Bob: OKAY, OKAY.
1084
00:33:26,208 --> 00:33:26,792
>> Eureka: 'CAUSE SHE'S NOT GOOD
1085
00:33:26,834 --> 00:33:27,667
ENOUGH TO DO IT ON HER OWN.
1086
00:33:27,750 --> 00:33:28,792
>> Shangela: BOB IS SO
1087
00:33:28,875 --> 00:33:29,083
COMPETITIVE.
1088
00:33:29,166 --> 00:33:30,333
GET READY.
1089
00:33:30,417 --> 00:33:31,458
>> Eureka: HOW YOU GONNA HAPPY
1090
00:33:31,542 --> 00:33:34,125
DANCE SOMEONE ELSE'S BALL.
1091
00:33:34,208 --> 00:33:37,834
>> Bob: LISTEN, LIFE'S NOT ABOUT
1092
00:33:37,917 --> 00:33:38,667
WINNING AND LOSING, IT'S ABOUT
1093
00:33:38,750 --> 00:33:43,667
DOING YOUR BEST.
1094
00:33:45,083 --> 00:33:46,500
>> Eureka: REHEARSAL TIME.
1095
00:33:46,583 --> 00:33:49,000
ARE YOU NERVOUS?
1096
00:33:49,083 --> 00:33:53,709
>> Jasmine: YEAH.
1097
00:33:53,792 --> 00:33:54,542
I'M A LITTLE NERVOUS.
1098
00:33:54,625 --> 00:33:54,959
>> Eureka: ME TOO.
1099
00:33:55,041 --> 00:33:55,542
DID YOU ALL DO YOUR HOMEWORK?
1100
00:33:55,625 --> 00:33:55,917
>> Stacey: YES.
1101
00:33:56,000 --> 00:33:56,291
>> Eureka: YES?
1102
00:33:56,375 --> 00:33:56,917
>> Shangela: KEEP IN MIND, THAT
1103
00:33:57,000 --> 00:33:57,667
NO MATTER WHO HAS EVER PUT YOU
1104
00:33:57,750 --> 00:33:58,583
DOWN OR NOT ACCEPTED YOU,
1105
00:33:58,667 --> 00:33:59,834
WHETHER IT'S ANYONE IN THIS
1106
00:33:59,917 --> 00:34:04,667
COMMUNITY, WHOEVER, I AM WHAT I
1107
00:34:04,750 --> 00:34:05,125
AM.
1108
00:34:05,208 --> 00:34:05,667
>> Nicole: I AM WHAT I AM.
1109
00:34:05,750 --> 00:34:06,208
>> Shangela: I AM WHAT I AM.
1110
00:34:06,291 --> 00:34:06,500
ALL RIGHT?
1111
00:34:06,583 --> 00:34:06,959
>> Nicole: ALL RIGHT.
1112
00:34:07,041 --> 00:34:07,750
>> Shangela: ALL RIGHT.
1113
00:34:07,834 --> 00:34:08,125
LET ME FEEL IT.
1114
00:34:08,208 --> 00:34:12,500
LET'S DO IT.
1115
00:34:12,583 --> 00:34:14,834
>> Jasmine: I'M NERVOUS ABOUT
1116
00:34:21,917 --> 00:34:22,417
>> Jasmine: I'M NERVOUS ABOUT
1117
00:34:22,500 --> 00:34:24,959
THE THINGS WE JUST ADDED.
1118
00:34:25,041 --> 00:34:25,583
SO IT'D BE NICE SO I CAN RUN IT,
1119
00:34:25,667 --> 00:34:25,959
THAT BE GREAT.
1120
00:34:26,041 --> 00:34:26,625
>> Eureka: OKAY LET'S GO TO THIS
1121
00:34:26,709 --> 00:34:33,417
SPOT, THEN.
1122
00:34:36,333 --> 00:34:42,458
>> Shangela: HMM.
1123
00:34:42,542 --> 00:34:42,917
YEP.
1124
00:34:43,041 --> 00:34:43,542
>> Nicole: I NEEDED TO TRY.
1125
00:34:43,625 --> 00:34:44,125
WE NEED TO DO THIS AGAIN.
1126
00:34:44,208 --> 00:34:44,750
>> Bob: NO MATTER WHERE I PUSH
1127
00:34:44,834 --> 00:34:45,417
YOU, TRY TO KEEP LOOKING OUT TO
1128
00:34:45,500 --> 00:34:46,083
THE AUDIENCE.
1129
00:34:46,166 --> 00:34:47,000
SO IF I TURN, YOU'VE GOT TO TURN
1130
00:34:47,083 --> 00:34:47,625
YOUR HEAD AND LOOK THEM, OKAY?
1131
00:34:47,709 --> 00:34:48,500
>> Nate: OKAY.
1132
00:34:48,583 --> 00:34:50,500
>> Bob: WATCH THE STAIRS THOUGH.
1133
00:34:50,583 --> 00:34:52,083
THIS IS THE EDGE OF THE STAGE.
1134
00:34:52,375 --> 00:34:52,917
>> Eureka: GIVE IT TO HIM SIS,
1135
00:34:53,000 --> 00:34:57,166
GIVE IT TO HIM, SIS.
1136
00:34:57,250 --> 00:34:58,250
>> Shangela: FOOT, FOOT.
1137
00:34:58,333 --> 00:34:59,458
YOU'VE GOT TO TWIST YOUR BODY,
1138
00:34:59,542 --> 00:35:03,917
OKAY?
1139
00:35:04,000 --> 00:35:05,208
'CAUSE THAT'S GOING TO HELP YOU.
1140
00:35:05,291 --> 00:35:05,583
>> Nicole: OKAY.
1141
00:35:05,667 --> 00:35:05,875
>> Shangela:
1142
00:35:05,959 --> 00:35:06,333
YOU GOOD, YOU GOT IT.
1143
00:35:06,417 --> 00:35:06,875
YOU GOT THIS.
1144
00:35:06,959 --> 00:35:07,500
>> Nicole: SO YOU KNOW I'M GOING
1145
00:35:07,583 --> 00:35:12,917
TO BE IN HEELS THOUGH, RIGHT?
1146
00:35:13,000 --> 00:35:13,583
>> Shangela: I DO.
1147
00:35:13,667 --> 00:35:13,959
>> Nicole: OKAY.
1148
00:35:14,041 --> 00:35:14,583
>> Shangela: 'CAUSE YOU KNOW,
1149
00:35:14,667 --> 00:35:14,875
GUESS WHAT?
1150
00:35:14,959 --> 00:35:15,625
I AM GOING TO BE TOO.
1151
00:35:15,709 --> 00:35:16,041
>> Nicole: OKAY.
1152
00:35:16,125 --> 00:35:17,875
>> Shangela: YOU SAID YOU WANT A
1153
00:35:17,959 --> 00:35:18,333
TRANSFORMATION.
1154
00:35:18,417 --> 00:35:20,959
>> Bob: YOU WERE TALKING ABOUT
1155
00:35:21,041 --> 00:35:22,041
HOW IN THE INDIGENOUS CULTURE,
1156
00:35:22,125 --> 00:35:23,083
QUEERS AND TRANS PEOPLE USED TO
1157
00:35:23,166 --> 00:35:26,291
BE A PART OF THE CEREMONY.
1158
00:35:26,375 --> 00:35:27,291
AND DARREN JUST SAID, "THEY
1159
00:35:27,375 --> 00:35:30,458
FORGOT."
1160
00:35:30,542 --> 00:35:31,250
THAT HAS BEEN STICKING WITH ME
1161
00:35:31,333 --> 00:35:31,750
EVER SINCE YOU SAID IT.
1162
00:35:31,834 --> 00:35:32,041
THEY FORGOT.
1163
00:35:32,125 --> 00:35:32,709
THEY FORGOT HOW POWERFUL WE ARE.
1164
00:35:32,792 --> 00:35:35,458
THEY FORGOT HOW IMPORTANT WE
1165
00:35:35,542 --> 00:35:36,500
ARE.
1166
00:35:36,583 --> 00:35:40,458
AND THIS IS THE MOMENT WHEN YOU
1167
00:35:40,542 --> 00:35:41,083
GET TO SAY THESE THINGS AND YOU
1168
00:35:41,166 --> 00:35:41,709
HAVE THE SPOTLIGHT AND THEY HAVE
1169
00:35:41,792 --> 00:35:41,959
TO LISTEN.
1170
00:35:42,041 --> 00:35:45,583
LET'S ACT UP.
1171
00:35:45,667 --> 00:35:46,041
LET'S CAUSE A SCENE.
1172
00:35:46,125 --> 00:35:47,125
>> Eureka: READY?
1173
00:35:47,208 --> 00:35:48,125
STEP, STEP.
1174
00:35:48,208 --> 00:35:50,125
DOWN YOUR FACE.
1175
00:35:50,208 --> 00:35:51,333
CHEST.
1176
00:35:51,417 --> 00:35:52,917
THEY'RE A LITTLE HARDER THAN YOU
1177
00:35:53,000 --> 00:35:56,625
THINK.
1178
00:35:56,709 --> 00:36:00,709
WE'RE GOING TO START AGAIN.
1179
00:36:00,792 --> 00:36:01,208
>> Shangela: NOW TWIST.
1180
00:36:01,291 --> 00:36:01,834
SEE THINGS FROM A DIFFERENT
1181
00:36:01,917 --> 00:36:06,834
ANGLE.
1182
00:36:06,917 --> 00:36:07,500
YEAH, COME ON OUT OF THAT GAS.
1183
00:36:07,583 --> 00:36:08,458
GET THOSE JAZZ.
1184
00:36:08,542 --> 00:36:12,750
YES!
1185
00:36:12,834 --> 00:36:16,375
>> Bob: I WOULD REALLY LIKE TO
1186
00:36:16,458 --> 00:36:17,333
PROJECT HIS ARTWORK.
1187
00:36:17,417 --> 00:36:20,875
PICTURES OF HIS COMMUNITY,
1188
00:36:20,959 --> 00:36:22,000
PICTURES OF QUEERS, PICTURES OF
1189
00:36:22,083 --> 00:36:22,792
INDIGENOUS PEOPLE, FLASHING.
1190
00:36:22,875 --> 00:36:23,375
>> Eureka: LET'S DO IT AGAIN.
1191
00:36:23,458 --> 00:36:23,792
>> Jasmine: OKAY.
1192
00:36:23,875 --> 00:36:27,333
>> Eureka: WE'RE JUST GOING TO
1193
00:36:27,417 --> 00:36:28,166
SEE IF YOU REMEMBER THE SMALL
1194
00:36:28,250 --> 00:36:28,458
STUFF.
1195
00:36:28,542 --> 00:36:29,250
>> Bob: WORK.
1196
00:36:29,333 --> 00:36:30,333
THAT WAS GREAT.
1197
00:36:30,417 --> 00:36:33,166
HOW DID THAT FEEL?
1198
00:36:33,250 --> 00:36:33,959
>> Nate: IT FELT LIBERATING.
1199
00:36:34,041 --> 00:36:35,125
I FELT LIKE I LOST MYSELF.
1200
00:36:35,208 --> 00:36:35,458
>> Bob: WORK.
1201
00:36:35,542 --> 00:36:37,667
THAT'S IT.
1202
00:36:37,750 --> 00:36:41,000
YES.
1203
00:36:41,083 --> 00:36:41,458
>> I'M SO EXCITED
1204
00:36:41,542 --> 00:36:42,166
FOR YOU.
1205
00:36:42,250 --> 00:36:44,834
>> NATE: I KNOW, THIS IS A LOT.
1206
00:36:51,750 --> 00:36:55,792
LAND IS SACRED.
1207
00:36:55,875 --> 00:37:01,834
HOME IS SACRED.
1208
00:37:01,917 --> 00:37:08,750
KEEP THE TRADITIONS ALIVE.
1209
00:37:10,125 --> 00:37:11,041
>> Bob: WHAT WERE THESE
1210
00:37:11,125 --> 00:37:11,333
BUILDINGS?
1211
00:37:11,417 --> 00:37:12,917
>> Nate: THIS WAS A HARDWARE
1212
00:37:13,000 --> 00:37:14,709
STORE.
1213
00:37:14,792 --> 00:37:16,500
AND THAT WAS A VIDEO STORE.
1214
00:37:16,583 --> 00:37:18,250
THE COMMUNITY HERE IS STRUGGLING
1215
00:37:18,333 --> 00:37:24,041
AND WE NEED A LOT OF AWARENESS
1216
00:37:24,125 --> 00:37:26,083
BROUGHT TO OUR COMMUNITY.
1217
00:37:26,166 --> 00:37:34,500
FOR DRAG, I SEE AWARENESS THAT
1218
00:37:34,583 --> 00:37:40,750
IS BEING SPREAD IN A DIFFERENT
1219
00:37:40,834 --> 00:37:45,917
FORM.
1220
00:37:46,000 --> 00:37:47,792
YOU KNOW THE MURALS THAT ARE
1221
00:37:47,875 --> 00:37:52,250
MADE HERE, I LOOK AT IT AS A
1222
00:37:52,333 --> 00:38:00,166
SIGN OF HOPE.
1223
00:38:00,250 --> 00:38:00,625
WHEN I THINK OF THIS
1224
00:38:00,709 --> 00:38:06,625
PERFORMANCE, I FEEL VERY SCARED
1225
00:38:06,709 --> 00:38:08,750
ABOUT IT SOMETIMES BUT I'M DOING
1226
00:38:08,834 --> 00:38:09,250
THIS FOR THE COMMUNITY.
1227
00:38:09,333 --> 00:38:09,792
I'M DOING THIS TO RAISE
1228
00:38:09,875 --> 00:38:12,250
AWARENESS FOR THOSE THAT DON'T
1229
00:38:12,333 --> 00:38:19,208
HAVE A VOICE AND I WANT IT TO BE
1230
00:38:19,291 --> 00:38:22,458
POWERFUL.
1231
00:38:22,542 --> 00:38:23,542
I WANT TO MAKE SURE THAT MY
1232
00:38:23,625 --> 00:38:29,000
MESSAGE IS HEARD.
1233
00:38:36,542 --> 00:38:37,625
>> Eureka: HI, HOW ARE YOU?
1234
00:38:37,709 --> 00:38:38,542
HI.
1235
00:38:38,625 --> 00:38:40,959
OH MY GOD, IT LOOKS SO GOOD.
1236
00:38:41,041 --> 00:38:41,583
WOW.
1237
00:38:41,667 --> 00:38:43,500
OOH, SNACKS.
1238
00:39:07,208 --> 00:39:08,875
>> Nate: IT'S MOTIVATING.
1239
00:39:08,959 --> 00:39:10,375
MY iPHONE DOESN'T EVEN RECOGNIZE
1240
00:39:10,458 --> 00:39:11,583
MY FACE.
1241
00:39:11,667 --> 00:39:14,792
>> Bob: DRAG IS WHAT YOU MAKE
1242
00:39:14,875 --> 00:39:15,041
IT.
1243
00:39:15,125 --> 00:39:15,875
THIS IS A GREAT VEHICLE FOR WHAT
1244
00:39:15,959 --> 00:39:16,333
HE WANTS TO BE.
1245
00:39:16,417 --> 00:39:17,917
I HOPE THAT NATE GETS HIS
1246
00:39:18,000 --> 00:39:29,542
MESSAGE ACROSS.
1247
00:39:29,667 --> 00:39:30,917
>> Shangela: BACK TO THE BACK
1248
00:39:31,000 --> 00:39:31,625
ROW.
1249
00:39:31,709 --> 00:39:32,166
YES, SHE CAN'T GET OUT THE
1250
00:39:32,250 --> 00:39:32,375
MIRROR.
1251
00:39:32,458 --> 00:39:32,709
LOOK AT HER.
1252
00:39:32,792 --> 00:39:33,875
I'M STANDING TALKING TO HER,
1253
00:39:33,959 --> 00:39:34,458
SHE'S LOOKING IN THE MIRROR.
1254
00:39:34,542 --> 00:39:35,125
>> Nicole: I'M SORRY, MY NEED TO
1255
00:39:35,208 --> 00:39:35,583
BE LONGER THAN THAT.
1256
00:39:35,667 --> 00:39:36,166
>> Shangela: YOUR LASHES?
1257
00:39:36,250 --> 00:39:36,792
OH NOW SHE WANTS THE BIG LASH.
1258
00:39:36,875 --> 00:39:37,417
NEXT SHE'S GOING TO WANT TO
1259
00:39:37,500 --> 00:39:38,250
BATHE IN GLITTER.
1260
00:39:38,333 --> 00:39:40,333
DON'T THINK YOU ARE.
1261
00:39:40,417 --> 00:39:41,333
>> Eureka: AH!
1262
00:39:41,417 --> 00:39:42,333
YOU ALL LOOK SO GORGEOUS.
1263
00:39:42,417 --> 00:39:44,083
>> Eureka: YOU HAVE TO BELIEVE
1264
00:39:44,166 --> 00:39:45,458
THAT YOU DESERVE A GOOD LIFE AND
1265
00:39:45,542 --> 00:39:47,458
YOU DESERVE HAPPINESS BECAUSE
1266
00:39:47,542 --> 00:39:49,250
SOMETIMES WE GET SO LOW, WE
1267
00:39:49,333 --> 00:39:51,417
DON'T BELIEVE WE DESERVE TO BE
1268
00:39:51,500 --> 00:39:54,333
UP HERE.
1269
00:39:54,417 --> 00:39:55,583
AND YOU ALL DO NOT BELONG THERE.
1270
00:39:55,667 --> 00:39:59,083
IT'S OKAY.
1271
00:39:59,166 --> 00:39:59,917
>> Stacey: EXACTLY, I'M TRYING
1272
00:40:00,000 --> 00:40:00,542
TO LIKE BLOW.
1273
00:40:00,625 --> 00:40:03,375
>> Eureka: IT'S OKAY.
1274
00:40:03,458 --> 00:40:06,041
>> Jasmine: I'M REALLY EXCITED
1275
00:40:06,125 --> 00:40:07,125
BUT I'M SUPER NERVOUS.
1276
00:40:07,208 --> 00:40:07,625
I DON'T WANT TO MESS UP.
1277
00:40:07,709 --> 00:40:08,250
>> Stacey: THEY SAID THERE'S A
1278
00:40:08,333 --> 00:40:08,625
LINE OUT THE DOOR.
1279
00:40:08,709 --> 00:40:11,583
>> Jasmine: THERE'S ALREADY A
1280
00:40:11,667 --> 00:40:12,792
LINE OUT THE DOOR?
1281
00:40:12,875 --> 00:40:14,917
OH MY GOD.
1282
00:40:15,000 --> 00:40:17,291
>> Nicole: I'M GOING TO VOMIT.
1283
00:40:17,375 --> 00:40:19,291
NO, THE NERVES.
1284
00:40:19,375 --> 00:40:24,959
THIS IS GOING TO BE FIRST TIME
1285
00:40:25,041 --> 00:40:27,542
IN MY CORSET AND HEELS.
1286
00:40:27,625 --> 00:40:31,750
>> Bob: CITIZENS OF FARMINGTON.
1287
00:40:31,834 --> 00:40:33,875
CITIZENS OF SHIPROCK.
1288
00:40:33,959 --> 00:40:38,250
ARE YOU READY FOR A SHOW?
1289
00:40:38,709 --> 00:40:41,583
>> Bob: PUT YOUR HANDS TOGETHER
1290
00:40:41,667 --> 00:40:45,166
FOR SHANGELA LAQUIFA WADLEY.
1291
00:40:45,250 --> 00:40:45,959
>> Shangela: ARE YOU HAVING A
1292
00:40:46,041 --> 00:40:50,166
GOOD TIME?
1293
00:40:50,250 --> 00:40:53,792
LET'S DO IT.
1294
00:41:48,291 --> 00:41:48,875
HOW YOU DOING TONIGHT
1295
00:41:48,959 --> 00:41:49,875
FARMINGTON?
1296
00:41:49,959 --> 00:41:50,458
I'M GOING TO TELL YOU, WE'VE
1297
00:41:50,542 --> 00:41:51,542
BEEN TRAVELING TO SMALL TOWNS
1298
00:41:51,625 --> 00:41:53,333
ACROSS AMERICA CONNECTED WITH
1299
00:41:53,417 --> 00:41:55,375
GREAT PEOPLE, HELPING SHOWCASE
1300
00:41:55,458 --> 00:42:00,917
WHAT A QUEER COMMUNITY CAN LOOK
1301
00:42:01,000 --> 00:42:01,583
LIKE, NO MATTER HOW LARGE OR HOW
1302
00:42:01,667 --> 00:42:02,000
SMALL.
1303
00:42:02,083 --> 00:42:02,542
IT'S THE LOVE THAT MATTERS.
1304
00:42:02,625 --> 00:42:04,417
HALLELU.
1305
00:42:21,917 --> 00:42:22,458
>> Eureka: DON'T HOLD ANYTHING
1306
00:42:22,542 --> 00:42:22,667
BACK.
1307
00:42:22,750 --> 00:42:23,709
FEEL ALL THAT TRAUMA.
1308
00:42:23,792 --> 00:42:24,333
JUST BE INDIGENOUS AND BE QUEER
1309
00:42:24,417 --> 00:42:24,917
AND BE AN ARTIST.
1310
00:42:25,000 --> 00:42:25,333
THIS IS YOUR TIME.
1311
00:42:25,417 --> 00:42:26,333
>> Nate: THANK YOU GUYS SO MUCH.
1312
00:42:26,417 --> 00:42:29,625
>> Eureka: WE'RE HERE FOR YOU.
1313
00:42:29,709 --> 00:42:36,417
>> DON'T CRY.
1314
00:42:36,500 --> 00:42:36,959
>> Nate: WHEN THAT WHOLE
1315
00:42:37,041 --> 00:42:37,583
ACCIDENT HAPPENED, IT CHANGED
1316
00:42:37,667 --> 00:42:38,500
THE WAY I LOOKED AT LIFE.
1317
00:42:38,583 --> 00:42:39,834
I WANT TO HELP MY COMMUNITY OUT.
1318
00:42:39,917 --> 00:42:41,709
I WANT THE LGBTQ COMMUNITY TO
1319
00:42:41,792 --> 00:42:44,792
EXPRESS THEMSELVES.
1320
00:42:44,875 --> 00:42:49,083
I WANT TO TAKE BEAUTIFUL PHOTOS.
1321
00:42:49,166 --> 00:42:50,000
I THINK IT'S IMPORTANT TO SPEAK
1322
00:42:50,083 --> 00:42:50,250
UP.
1323
00:42:50,333 --> 00:42:50,917
I DON'T FEEL LIKE PEOPLE SHOULD
1324
00:42:51,000 --> 00:43:00,542
BE AFRAID.
1325
00:43:00,625 --> 00:43:01,250
>> LET'S GET A LOUD WELCOME TO
1326
00:43:01,333 --> 00:43:02,041
OUR NEXT ENTERTAINER, ALL THE
1327
00:43:02,125 --> 00:43:10,792
WAY FROM THE RESERVATION.
1328
00:43:10,875 --> 00:43:19,166
GIVE IT UP.
1329
00:43:19,250 --> 00:43:20,625
>> IT'S ALIVE!
1330
00:43:22,375 --> 00:43:24,625
IT'S ALIVE!
1331
00:43:24,709 --> 00:43:26,417
BUT IT SHOULD LIVE.
1332
00:43:26,500 --> 00:43:41,458
IT LIVES.
1333
00:46:15,458 --> 00:46:33,291
E
1334
00:46:48,291 --> 00:46:48,917
>> Nate: WHERE'S ALL MY
1335
00:46:49,000 --> 00:46:51,959
INDIGENOUS FOLKS AT?
1336
00:46:55,083 --> 00:46:57,208
THANK YOU TO THE INDIGENOUS
1337
00:46:57,291 --> 00:46:57,834
COMMUNITIES FOR SUPPORTING THE
1338
00:46:57,917 --> 00:47:00,375
LGBTQ COMMUNITY.
1339
00:47:00,458 --> 00:47:03,875
YOU KNOW WHO YOU ARE.
1340
00:47:03,959 --> 00:47:10,667
WE NEED MORE PLACES LIKE THIS.
1341
00:47:10,750 --> 00:47:12,000
WE NEED MORE EVENTS LIKE THIS.
1342
00:47:12,083 --> 00:47:22,875
THIS TOWN NEEDS MOVEMENT.
1343
00:47:22,959 --> 00:47:24,875
>> Nicole: THE LAST TIME I WORE
1344
00:47:24,959 --> 00:47:26,959
A DRESS I WAS 18 OR 19.
1345
00:47:27,041 --> 00:47:28,834
I AM A WOMAN AND JUST BECAUSE I
1346
00:47:28,917 --> 00:47:33,542
WEAR MEN'S CLOTHES DOESN'T MAKE
1347
00:47:33,625 --> 00:47:35,000
ME ANY LESS OF A WOMAN.
1348
00:47:35,083 --> 00:47:37,208
MASCULINITY IS NOT A GENDER AND
1349
00:47:37,291 --> 00:47:40,083
I THINK THIS IS A WAY TO KIND OF
1350
00:47:40,166 --> 00:47:40,834
SHOW THAT.
1351
00:47:40,917 --> 00:47:57,000
>> Bob: PUT YOUR HANDS TOGETHER
1352
00:47:57,083 --> 00:48:15,417
FOR HER SHE ESQUIRE.
1353
00:49:31,542 --> 00:49:33,875
>> Nicole: THANK YOU GUYS.
1354
00:49:33,959 --> 00:49:35,959
SO, I'M NOT ORIGINALLY FROM
1355
00:49:36,041 --> 00:49:36,875
FARMINGTON AND COMING HERE I GOT
1356
00:49:36,959 --> 00:49:41,166
LUCKY AND I QUICKLY FELL INTO
1357
00:49:41,250 --> 00:49:44,709
IDENTITY INC'S HANDS AND I WAS
1358
00:49:44,792 --> 00:49:46,959
ABLE TO MAKE A COMMUNITY THERE.
1359
00:49:47,041 --> 00:49:48,375
THIS EXPERIENCE HAS BEEN A ONCE
1360
00:49:48,458 --> 00:49:53,583
IN A LIFETIME.
1361
00:49:53,667 --> 00:49:56,041
I DON'T THINK I EVER WOULD HAVE
1362
00:49:56,125 --> 00:49:56,709
DONE THIS IS THERE WASN'T SO
1363
00:49:56,792 --> 00:49:57,625
MUCH SUPPORT FROM MY FRIENDS AND
1364
00:49:57,709 --> 00:49:58,959
FAMILY AND COMMUNITY SO THANK
1365
00:49:59,041 --> 00:50:01,959
YOU GUYS.
1366
00:50:02,041 --> 00:50:03,583
THANK YOU.
1367
00:50:17,000 --> 00:50:19,667
>> Stacey: IT'S A VERY EVIL
1368
00:50:19,750 --> 00:50:21,375
FEELING WATCHING YOUR CHILD
1369
00:50:21,458 --> 00:50:22,792
BEING LOWERED INTO THE GROUND.
1370
00:50:22,875 --> 00:50:24,083
I THINK I HAVE TO GET TO WHERE I
1371
00:50:24,166 --> 00:50:28,166
CAN GRIEVE HER.
1372
00:50:28,250 --> 00:50:28,834
>> Jasmine: THERE'S SO MANY
1373
00:50:28,917 --> 00:50:30,208
PEOPLE OUT THERE.
1374
00:50:30,291 --> 00:50:31,166
>> Stacey: IS THERE?
1375
00:50:31,250 --> 00:50:31,625
I COULDN'T SEE.
1376
00:50:31,709 --> 00:50:32,125
>> Eureka: THERE IS.
1377
00:50:32,208 --> 00:50:34,834
>> Jasmine: IT'S PACKED.
1378
00:50:34,917 --> 00:50:35,458
>> Stacey: I THOUGHT IT'D BE
1379
00:50:35,542 --> 00:50:36,291
PACKED.
1380
00:50:36,375 --> 00:50:38,208
I DIDN'T THINK IT'D BE TOTALLY
1381
00:50:38,291 --> 00:50:38,750
PACKED.
1382
00:50:38,834 --> 00:50:49,875
>> OH IT'S PACKED.
1383
00:50:51,291 --> 00:50:54,166
>> PUT YOUR HANDS TOGETHER FOR
1384
00:50:54,250 --> 00:50:54,792
EUREKA, STEPHANIE AND JOSELINE
1385
00:50:54,875 --> 00:50:55,625
O'HARA.
1386
00:52:22,166 --> 00:52:39,583
E
1387
00:52:39,667 --> 00:52:41,041
>> Eureka: LADIES AND GENTLEMEN,
1388
00:52:41,125 --> 00:52:41,583
THESE ARE LOVED ONES OF THE
1389
00:52:41,667 --> 00:52:42,667
BEAUTIFUL DJ.
1390
00:52:42,750 --> 00:52:44,000
>> Jasmine: I KNOW MOST OF YOU
1391
00:52:44,083 --> 00:52:45,000
PROBABLY KNEW DJ AND THAT'S WHY
1392
00:52:45,083 --> 00:52:53,291
WE'RE DOING ALL OF THIS.
1393
00:52:55,000 --> 00:52:56,125
SHE WAS PRETTY SPECIAL.
1394
00:52:56,208 --> 00:52:57,166
I DID WANT TO REALLY GIVE IT TO
1395
00:52:57,250 --> 00:52:58,208
MY MOM BECAUSE SHE HAS BROKE
1396
00:52:58,291 --> 00:52:59,000
THROUGH BOUNDARIES WE'VE BEEN
1397
00:52:59,083 --> 00:52:59,583
TRYING TO GET HER TO BREAK
1398
00:52:59,667 --> 00:53:00,208
THROUGH FOR THE LAST YEAR, IN A
1399
00:53:00,291 --> 00:53:00,959
WEEK, YOU GUYS.
1400
00:53:01,041 --> 00:53:04,458
>> Eureka: WE KNOW THAT ALTHOUGH
1401
00:53:04,542 --> 00:53:07,083
WE WANT TO MEMORIALIZE DJ, DJ
1402
00:53:07,166 --> 00:53:09,375
WOULD WANT TO CELEBRATE LIFE.
1403
00:53:09,458 --> 00:53:12,083
SHE WOULD WANT TO BE CELEBRATED
1404
00:53:12,166 --> 00:53:12,875
AND SHE WOULD WANT HER MOTHER
1405
00:53:12,959 --> 00:53:13,709
AND HER SISTER TO ENJOY THE ART
1406
00:53:13,792 --> 00:53:23,250
OF DRAG AND BE ABLE TO SHOW YOU
1407
00:53:23,333 --> 00:53:24,125
HOW FUCKING FIERCE THEY ARE.
1408
00:53:24,208 --> 00:53:24,875
>> Stacey: I FEEL GOOD.
1409
00:53:24,959 --> 00:53:25,875
I FEEL GOOD.
1410
00:53:25,959 --> 00:53:27,959
IT ACTUALLY FEELS BETTER.
1411
00:53:28,041 --> 00:53:31,583
>> Jasmine: SHE WENT UP THERE
1412
00:53:31,667 --> 00:53:32,250
AND SHAKE YOUR ALL HANGING OUT.
1413
00:53:32,333 --> 00:53:33,166
>> Stacey: OH THERE WE GO.
1414
00:53:33,250 --> 00:53:33,750
>> Jasmine: YOU CAN DO THIS.
1415
00:53:33,834 --> 00:53:34,500
>> Stacey: YES.
1416
00:53:34,583 --> 00:53:35,083
I NEED TO LET HER BE AT PEACE
1417
00:53:35,166 --> 00:53:36,625
AND I NEED TO START LIVING.
1418
00:53:36,709 --> 00:53:37,583
>> Shangela: EXCUSE ME, EXCUSE
1419
00:53:37,667 --> 00:53:38,250
ME.
1420
00:53:38,333 --> 00:53:41,667
>> Nicole: EXCUSE ME.
1421
00:53:41,750 --> 00:53:43,166
>> Shangela: YOU STEPPED UP AND
1422
00:53:43,250 --> 00:53:44,166
THAT IS GOING TO CARRY YOU FOR
1423
00:53:44,250 --> 00:53:45,083
THE REST OF YOUR LIFE, THE
1424
00:53:45,166 --> 00:53:46,834
ABILITY TO STEP UP, STEP OUTSIDE
1425
00:53:46,917 --> 00:53:48,333
YOUR COMFORT ZONE.
1426
00:53:48,417 --> 00:53:49,041
AIN'T NOBODY COME AT YOU WITH
1427
00:53:49,125 --> 00:53:50,083
NOTHING DIFFERENT, THAT YOU KNOW
1428
00:53:50,166 --> 00:53:53,792
YOU CAN'T CONQUER.
1429
00:53:53,875 --> 00:53:57,333
>> Bob: DRAG IS BEST
1430
00:53:57,417 --> 00:53:58,333
WHEN IT SPEAKS TO YOU.
1431
00:53:58,417 --> 00:53:59,375
WE ARE ALL THE PRODUCT OF THESE
1432
00:53:59,458 --> 00:54:00,250
WORLDS THAT OVERLAP.
1433
00:54:00,333 --> 00:54:01,208
THAT'S WHAT A QUEEN IS, YOU KNOW
1434
00:54:01,291 --> 00:54:02,333
WHAT I MEAN?
1435
00:54:02,417 --> 00:54:03,166
ALL THESE PARTS, NO MATTER WHERE
1436
00:54:03,250 --> 00:54:05,166
THEY CAME FROM, HAVE MADE US
1437
00:54:05,250 --> 00:54:06,834
STRONGER.
1438
00:54:06,917 --> 00:54:07,500
>> Eureka: I WANT US TO ALL PUT
1439
00:54:07,583 --> 00:54:15,458
OUR HANDS TOGETHER.
1440
00:54:15,542 --> 00:54:16,750
I LOVE YOU, JASMINE.
1441
00:54:16,834 --> 00:54:17,291
I'VE HAD SUCH AN HONOR OF
1442
00:54:17,375 --> 00:54:17,875
GETTING TO KNOW THIS FAMILY.
1443
00:54:17,959 --> 00:54:20,709
I APPRECIATE IT SO MUCH.
1444
00:54:20,792 --> 00:54:22,375
>> AND WE THANK YOU.
1445
00:54:22,458 --> 00:54:23,041
>> Eureka: NO, I THINK IT'S ONLY
1446
00:54:23,125 --> 00:54:23,667
FAIR, ON THE COUNT OF THREE WE
1447
00:54:23,750 --> 00:54:24,583
RELEASE THIS IN DJ'S HONOR.
1448
00:54:24,667 --> 00:54:28,417
ONE, TWO, THREE.
1449
00:54:37,792 --> 00:54:39,000
>> WHY ARE YOU CRYING?
1450
00:54:39,083 --> 00:54:59,208
>> Stacey: I'M NOT CRYING.
1451
00:54:59,291 --> 00:54:59,917
>> Jasmine: WE'RE GOING TO PARTY
1452
00:55:00,000 --> 00:55:00,583
TONIGHT.
1453
00:55:00,667 --> 00:55:02,834
OKAY?
1454
00:56:02,083 --> 00:56:03,542
Literally let's fish, fish!
1455
00:56:03,625 --> 00:56:04,667
Oi!
1456
00:56:07,250 --> 00:56:08,875
We are up at Ruston, Louisiana.
1457
00:56:09,291 --> 00:56:11,083
Hello, hello!
1458
00:56:12,041 --> 00:56:14,500
-Tie it, cinch it, that waist!
-Tie?
1459
00:56:14,750 --> 00:56:16,625
You see something you like?
1460
00:56:17,417 --> 00:56:19,834
I'm a lesbian,
and I'm a double amputee.
1461
00:56:19,917 --> 00:56:22,083
And I just wanna be accepted,
just the way I am.
1462
00:56:22,166 --> 00:56:26,041
The more attention that
is on me, the harder it is
here in Ruston.
1463
00:56:26,291 --> 00:56:29,000
I'm a heterosexual male,
and I'm willing to step outside
1464
00:56:29,083 --> 00:56:30,917
my comfort zone and make
other people welcome.
1465
00:56:31,250 --> 00:56:34,166
Ally voices are as strong
as queer voices themselves.
1466
00:56:34,250 --> 00:56:35,792
You should be able to wear
whatever you wanna wear,
1467
00:56:35,875 --> 00:56:37,458
you should be able to be
who you wanna be.
1468
00:56:38,792 --> 00:56:39,750
What?
1469
00:56:40,041 --> 00:56:41,000
We don't want no drags--
1470
00:56:41,083 --> 00:56:43,083
Y'all don't wanna drag show,
what?
92924
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