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I'm on this forward path,
I'm focused.
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It's like no job...
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no man...
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All of this sounds bad,
but it's actually really good.
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It's good vibes only.
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Girl, this is awesome.
You made this happen.
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Enjoy, it's hype in there.
Blat!
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-Blat! Blat!
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On God, this party is lit!
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>> Eureka O'Hara: LADIES AND
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GENTLEMEN, WE'RE BEGINNING OUR
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FINAL DESCENT INTO BRANSON,
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MISSOURI.
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PLEASE MAKE SURE YOUR SEAT-BACKS
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AND TRAY TABLES ARE IN THEIR
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FULL UPRIGHT AND LOCKED
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POSITION.
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OH, BOY.
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>> Bob The Drag Queen: I GUESS
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TSA WENT THROUGH OUR SHIT
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AND THINGS.
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OH, BUT THAT IS NOT YOUR SHOE.
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>> Shangela: THAT'S MY SHOE.
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>> Bob The Drag Queen: THIS IS
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MOVING TOO...
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>> Shangela: MY SHOE.
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COME ON, BOB.
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>> Bob The Drag Queen: I'M THE
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ONE WITH THESE LAZY BITCHES.
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IT'S FINE WHEN I TRAVEL WITH
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THE LAZY MOTHERFUCKERS.
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IS THERE A CONCIERGE?
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HEY, BRANSON, HEY.
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WE ARE IN BRANSON, MISSOURI.
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THAT'S RIGHT, HONEY,
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THE WHOLESOME CHRISTIAN
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LAS VEGAS OF THE MIDWEST.
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>> YOU'RE A GUY.
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>> Bob The Drag Queen:
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WHAT'S YOUR NAME, BABY?
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WHO, ME?
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>> YEAH.
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>> Bob The Drag Queen: MAYBE
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YOU'RE A GUY?
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MAYBE WE'RE ALL GUYS.
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>> Shangela: YOU CAUGHT HIM.
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YOU CAUGHT HIM.
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OH, NO, I'M NOT A GUY.
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>> YOU'RE A GIRL.
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>> Shangela: THANK YOU VERY
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MUCH, BUT NO.
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>> YOU'RE NOT EITHER?
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>> Shangela: NO, NO, NO, NO.
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THIS IS A COSTUME.
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>> Eureka O'Hara: OBVIOUSLY
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A WOMAN.
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NOW I'M CLEARLY A WOMAN.
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>> Bob The Drag Queen: THIS
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JUST LIKE, RANDOM AREA IN
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THE MIDDLE OF NOWHERE, WHERE YOU
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HAVE ALL OF THESE ATTRACTIONS.
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CHRISTIAN BANDS AND CHRISTIAN
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CHORUS LINES, WHOLESOME FAMILY
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FRIENDLY SHOWS.
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HELLO, HOW ARE YOU ALL DOING?
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HELLO, HI.
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HELLO.
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>> Eureka O'Hara: OH, SO WE'RE
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DOING A DRAG SHOW AND WE'VE
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ACTUALLY GOTTEN SOME LOCALS HERE
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TO DO THE DRAG SHOW WITH US.
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AND WE NEED YOU ALL TO COME AND
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SUPPORT.
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>> I THINK IT'D BE GREAT THOUGH.
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>> Eureka O'Hara: HI.
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HE'S LIKE, "WHAT IN THE WORLD?"
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>> Bob The Drag Queen: WE LOOK
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ALMOST LIKE A --
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>> Shangela: BOB, YOU MAKE
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TOO MUCH MONEY TO SIT UP HERE
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AND HAVE SOCKS IN YOUR CHEST.
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>> Bob The Drag Queen: SOCKS
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ARE THE BEST TITTIES.
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I SAID IT.
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HELLO, SIR, HOW ARE YOU?
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>> YOU GUYS HAVE TO MOVE
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FROM THE PREMISES.
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THE COPS HAVE BEEN CALLED.
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>> Bob The Drag Queen: OH, WORK.
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ALL RIGHT, WE'RE ABOUT TO MOVE.
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>> Eureka O'Hara: WAIT, THEY
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CALLED THE POLICE?
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ON WHO?
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>> YOU GUYS HAVE TO MOVE
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FROM THE PREMISES.
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>> Tanner: GROWING UP, IT WASN'T
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TILL LATER THAT I REALIZED THAT
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BRANSON WAS, LIKE,
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A ONE-OF-A-KIND THING.
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YOU KNOW, THAT'S THE SHOWS.
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MY EARLIEST MEMORIES OF LIKE,
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GETTING INTO MUSICAL THEATER
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WAS ACTUALLY MY MOTHER.
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SHE WOULD LISTEN TO THE CAST
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RECORDING OF "WICKED" AND I FELL
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IN LOVE WITH THAT STINKING SHOW.
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AND EVER SINCE THEN I'VE BEEN
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TRYING TO PURSUE THAT.
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I STRUGGLED WITH SAME SEX
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ATTRACTION THROUGHOUT
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MY ENTIRE LIFE.
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SO I CAME OUT MY JUNIOR OF HIGH
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SCHOOL AND MY FAMILY WAS VERY
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SUPPORTIVE AND I HAD A VERY EASY
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COMING OUT.
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BUT NOW I ULTIMATELY IDENTIFY
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AS A CHRISTIAN, I DON'T IDENTIFY
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AS QUEER.
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TO SOMEONE LIKE MY MOTHER WHO
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ISN'T NECESSARILY WHAT YOU WOULD
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CALL A BELIEVER, IT'S REALLY
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HARD FOR HER.
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I KNOW THAT SHE DOESN'T
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UNDERSTAND THAT YOU KNOW,
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THIS IS WHAT GOD'S WORD SAYS.
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BUT I KNOW GOD'S GOT IT.
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OH, MY GOSH, IT'S SUCH AN HONOR.
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>> Bob The Drag Queen: OH, IT'S
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NICE TO MEET YOU.
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YOU DID A REALLY GOOD JOB.
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>> Tanner: THANK YOU.
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OH, MY GOSH.
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>> Bob The Drag Queen: HOW LONG
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HAVE YOU BEEN BACK IN BRANSON?
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>> Tanner: ABOUT, PROBABLY ABOUT
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A YEAR AND A HALF NOW.
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LIKE, WHEN I LIVED UP IN
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SPRINGFIELD, I WAS LIVING THIS
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EXTREMELY LIKE, ALL OVER THE
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PLACE LIFE.
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I WAS PART OF THE HOMOSEXUAL
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COMMUNITY AND MY DRUG HABITS
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AND MY ALCOHOL HABITS WERE
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REALLY GETTING OUT OF CONTROL,
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TO THE POINT THAT IT WAS
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DESTROYING MY LIFE.
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IT FINALLY CLICKED ONE DAY THAT
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IT WAS REALLY HURTING PEOPLE,
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SO I DECIDED LIKE, TO QUIT COLD
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TURKEY AND I PRAYED FOR THE
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FIRST TIME IN SO LONG.
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AND I JUST FELT THIS KIND OF
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EASE OFF ME AND I FELT LIKE,
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OKAY, EVERYTHING'S GONNA BE
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OKAY.
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EVERYTHING'S GONNA BE GOOD.
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THEN I HAD TO COME TO CALMS WITH
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BEING GAY AND FOLLOWING CHRIST
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AND I ULTIMATELY, I HAD TO GO
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THE BIBLE ROUTE.
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>> Bob The Drag Queen: WHEN YOU
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WERE IN SPRINGFIELD, DID YOU
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IDENTIFY AS A QUEER?
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>> Tanner: YES.
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>> Bob The Drag Queen: BUT YOU
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DON'T ANYMORE?
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>> Tanner: NO.
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>> Bob The Drag Queen: AND HOW'S
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THAT BEEN?
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IS THAT LIKE A DAILY STRUGGLE?
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>> Tanner: IT'S SOMETHING I
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STRUGGLE WITH ON A DAILY BASIS
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AND TO BE BLUNT, IT'S SOMETIMES
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I QUESTION LIKE, WHY IS IT A SIN
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FOR A GUY TO BE WITH A GUY?
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IT BOGGLES ME AT TIMES BUT IN
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THE SAME REGARD, YOU KNOW,
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THAT'S WHAT FAITH IS ABOUT,
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YOU KNOW.
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IT ALL GOES BACK TO MY JOB IS TO
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SPEAK THE TRUTH, SPEAK WHAT, YOU
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KNOW, GOD HAS SHOWN ME TO BE THE
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TRUTH AND THEN LOVE.
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>> Bob The Drag Queen: DO YOU
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TALK TO YOUR MOM ABOUT THIS LOT?
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>> Tanner: IT'S VERY SPARINGLY
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THAT WE DO AND IT'S ONE OF THOSE
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THINGS THAT I'VE JUST LEARNED
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THAT YOU KNOW, NOT EVERYONE'S
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GONNA UNDERSTAND, YOU KNOW.
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>> Bob The Drag Queen: I WENT
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THE RELIGIOUS PHASE OF MY LIFE
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AND I DID FEEL LIKE THERE WAS
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JUST SOMETHING WRONG WITH ME.
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SO I OFTEN HAVE VISCERAL
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RESPONSES TO CHRISTIANITY.
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BUT THEN I CAN ALSO LOOK BACK
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AT HOW IT HAS HELPED A LOT OF
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PEOPLE IN MY LIFE, IN MY FAMILY.
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AND IF THIS IS WHAT HE NEEDS TO
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GET TO A POSITIVE SPACE, A SPACE
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WHERE HE CAN LIVE WITH HIMSELF
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AND BE HAPPY WITH HIMSELF,
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THEN HE HAS TO DO IT.
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I'M JUST TRYING TO CONSIDER
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HIS POINT OF VIEW.
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I'M EXCITED ABOUT DOING THIS
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PERFORMANCE WITH YOU
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AND YOUR MOM.
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I HAVE A COUPLE OF IDEAS THAT
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I'VE BEEN LIKE, WHISHING AROUND
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IN MY HEAD.
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I ALSO WANT TO PRESENT THEM TO
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YOU AND YOUR MOM TOMORROW, SO WE
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CAN LIKE, SIT DOWN AND LIKE,
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REALLY LIKE, CREATE THIS NUMBER
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TOGETHER.
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MAKE IT SOMETHING THAT YOU ARE
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BOTH, NOT ONLY EXCITED TO BE A
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PART OF, BUT THAT YOU CAN LOOK
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BACK WHEN IT'S ALL SAID AND DONE
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AND GO, "THAT WAS FUN, AND IT
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WAS REPRESENTATIVE OF WHO I AM."
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YOU KNOW WHAT I MEAN?
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>> Tanner: MM-HM.
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I'M DOWN.
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>> Bob The Drag Queen: THIS IS
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SO EXCITING.
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>> Tanner: I KNOW, IT'S STILL
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LIKE, SETTING IN THAT I'M LIKE,
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SITTING WITH YOU AT --
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>> Bob The Drag Queen: CRAZY.
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ME OF ALL PEOPLE, IF YOU CAN
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EVEN BELIEVE IT.
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>> Shangela: OKAY, ALL RIGHT.
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AH, HELLO?
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HOW ARE YOU?
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I'M SORRY TO INTERRUPT YOUR
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REHEARSAL, YOU KNOW, I HATE TO
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INTERRUPT THE MAGIC.
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I SAW YOU WERE DOING LITTLE
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NUMBERS HERE AND I GOT EXCITED
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IN THE DOORWAY, BITCH,
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I WAS LIKE...
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ARE YOU A BALLET DANCER?
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>> Charles: THAT'S WHAT I WENT
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TO COLLEGE FOR, YEAH.
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KIND OF WENT A LITTLE BIT MORE
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MUSICAL THEATER AND JAZZ
250
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AND STUFF LIKE THAT.
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BUT...
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>> Shangela: OH, VERY COOL.
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YOU KNOW, I SEE DANCE,
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I GET EXCITED BY IT.
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>> Charles: YES.
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>> Shangela: NOW HERE'S THE MOST
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IMPORTANT QUESTION.
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>> Charles: OKAY.
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>> Shangela: WHAT DO YOU KNOW
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ABOUT DRAG?
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>> Charles: I KNOW A LITTLE BIT
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ABOUT DRAG.
263
00:08:44,333 --> 00:08:45,041
>> Shangela: OH, GIVE ME
264
00:08:45,125 --> 00:08:46,083
WHAT YOU KNOW.
265
00:08:46,166 --> 00:08:46,458
OH, HERE WE GO.
266
00:08:46,542 --> 00:08:47,041
GOT A PROFESSIONAL, Y'ALL.
267
00:08:47,125 --> 00:08:49,875
Y'ALL, WE GOT A PROFESSIONAL.
268
00:08:49,959 --> 00:08:50,542
>> Charles: I THINK EVERYONE HAS
269
00:08:50,625 --> 00:08:51,208
A LITTLE BIT OF A QUEEN IN THEM.
270
00:08:51,291 --> 00:08:51,709
>> Shangela: HALLELUJAH.
271
00:08:51,792 --> 00:08:52,875
>> Charles: RIGHT, SO I LOVE
272
00:08:52,959 --> 00:08:54,125
MAKEUP, YOU KNOW, I LOVE FLASHY
273
00:08:54,208 --> 00:08:55,041
THINGS.
274
00:08:55,125 --> 00:08:56,166
SO DRAG KIND OF IS A NATURAL
275
00:08:56,250 --> 00:08:57,709
THING FOR ME.
276
00:08:57,792 --> 00:08:58,834
I LOVE PERFORMING.
277
00:08:58,917 --> 00:09:00,917
I'M A DANCER.
278
00:09:01,000 --> 00:09:01,500
IT'S WHAT I DO.
279
00:09:01,583 --> 00:09:02,166
>> Shangela: WHAT'S THE QUEER
280
00:09:02,250 --> 00:09:04,625
COMMUNITY LIKE HERE?
281
00:09:04,709 --> 00:09:05,792
IS THERE A QUEER COMMUNITY?
282
00:09:05,875 --> 00:09:06,458
>> Charles: YEAH, THERE IS, IT'S
283
00:09:06,542 --> 00:09:07,083
DEFINITELY LIKE BUBBLING UNDER
284
00:09:07,166 --> 00:09:09,291
THE SURFACE, JUST BEING, YOU
285
00:09:09,375 --> 00:09:10,083
KNOW, HAVING SO MANY SHOWS IN
286
00:09:10,166 --> 00:09:10,709
TOWN, YOU'RE OBVIOUSLY GOING TO
287
00:09:10,792 --> 00:09:12,166
HAVE A QUEER PRESENCE.
288
00:09:12,250 --> 00:09:14,291
WE ARE HERE, I JUST DON'T KNOW
289
00:09:14,375 --> 00:09:15,959
THAT WE HAVE A COMPLETELY OPEN
290
00:09:16,041 --> 00:09:18,166
SPACE YET.
291
00:09:18,250 --> 00:09:20,792
YOU KNOW WHAT I MEAN?
292
00:09:20,875 --> 00:09:21,250
>> Shangela: WHY?
293
00:09:21,333 --> 00:09:22,709
>> Charles: WE'RE RIGHT IN THE
294
00:09:22,792 --> 00:09:23,375
CENTER OF THE BIBLE BELT,
295
00:09:23,458 --> 00:09:24,750
FIRST OF ALL.
296
00:09:24,834 --> 00:09:26,083
YOU KNOW.
297
00:09:26,166 --> 00:09:27,333
I'M A CHRISTIAN, BUT CERTAIN
298
00:09:27,417 --> 00:09:30,625
CHRISTIANS JUST THINK THAT IT'S
299
00:09:30,709 --> 00:09:31,375
WRONG.
300
00:09:31,458 --> 00:09:32,750
I LIVE WITH MY PARTNER, BRENT,
301
00:09:32,834 --> 00:09:36,375
WE'VE BEEN TOGETHER 11 YEARS.
302
00:09:36,458 --> 00:09:39,417
BRANSON PEOPLE, THEY SHOW THAT
303
00:09:39,542 --> 00:09:40,625
THEY'RE NOT FULLY ACCEPTING OF
304
00:09:40,750 --> 00:09:45,125
IT IN THEIR BODY LANGUAGE, OR
305
00:09:45,208 --> 00:09:46,709
YOU KNOW, THEIR GLANCES
306
00:09:46,792 --> 00:09:47,291
OVER AT US.
307
00:09:47,375 --> 00:09:50,458
CERTAIN THEATERS IN TOWN WILL
308
00:09:50,542 --> 00:09:52,166
NOT HIRE GAY PEOPLE, IF THEY
309
00:09:52,250 --> 00:09:52,834
FIND OUT YOU'RE GAY, I THINK YOU
310
00:09:52,917 --> 00:09:54,458
WOULD BE LET GO.
311
00:09:54,542 --> 00:09:56,583
>> Shangela: WOW.
312
00:09:56,667 --> 00:09:58,667
>> Charles: YEAH, THEY JUST,
313
00:09:58,750 --> 00:09:59,291
THERE ARE RELIGIOUS SHOWS THAT
314
00:09:59,375 --> 00:10:01,166
HAVE CERTAIN CORE BELIEFS AND IF
315
00:10:01,250 --> 00:10:02,875
YOU DON'T FOLLOW YOUR BELIEFS,
316
00:10:02,959 --> 00:10:04,291
THEN YOU'RE NOT A PART
317
00:10:04,375 --> 00:10:04,625
OF THEIR CAST.
318
00:10:04,709 --> 00:10:06,333
>> Shangela: WOW.
319
00:10:06,417 --> 00:10:08,166
>> Charles: SO I THINK THAT
320
00:10:08,250 --> 00:10:09,583
PROBABLY A LOT OF THOSE CAST
321
00:10:09,667 --> 00:10:11,333
MEMBERS ARE HIDING.
322
00:10:11,417 --> 00:10:12,625
>> Shangela: HERE'S WHAT I WANT
323
00:10:12,709 --> 00:10:14,834
FOR THOSE
324
00:10:14,917 --> 00:10:17,417
WHO ARE HERE IN THIS COMMUNITY,
325
00:10:17,500 --> 00:10:18,083
YOU HAD TO STEP EVEN MORE
326
00:10:18,166 --> 00:10:19,250
FORWARD, FARTHER THAN WHERE YOU
327
00:10:19,333 --> 00:10:20,500
ARE RIGHT NOW EVEN AND THAT WILL
328
00:10:20,583 --> 00:10:23,333
INSPIRE THE PEOPLE 'CAUSE THEY
329
00:10:23,417 --> 00:10:25,542
KNOW YOU OWN SO MUCH OF WHO YOU
330
00:10:25,625 --> 00:10:27,625
ARE ALREADY, BUT WHO ALSO YOU
331
00:10:27,709 --> 00:10:28,375
CAN BE.
332
00:10:28,458 --> 00:10:29,041
>> Charles: SURE.
333
00:10:29,125 --> 00:10:29,667
>> Shangela: SO ARE WE GONNA DO
334
00:10:29,750 --> 00:10:30,041
A SHOW TOGETHER.
335
00:10:30,125 --> 00:10:30,417
>> Charles: YEAH.
336
00:10:30,500 --> 00:10:31,083
>> Shangela: AND WE'LL HAVE SOME
337
00:10:31,166 --> 00:10:31,542
FUN WITH IT.
338
00:10:31,625 --> 00:10:32,625
>> Charles: COOL.
339
00:10:32,709 --> 00:10:33,250
>> Shangela: AND MAYBE THERE IS
340
00:10:33,333 --> 00:10:35,500
A HUGE AMOUNT OF SUPPORT THAT
341
00:10:35,583 --> 00:10:36,125
PEOPLE DIDN'T EVEN KNOW IN THIS
342
00:10:36,208 --> 00:10:36,792
COMMUNITY AND EVEN IF THERE
343
00:10:36,875 --> 00:10:40,792
AIN'T NOBODY, AT LEAST THERE'LL
344
00:10:40,875 --> 00:10:41,625
BE THE TWO OF US.
345
00:10:41,709 --> 00:10:42,041
>> Charles: RIGHT,
346
00:10:42,125 --> 00:10:42,417
WE'LL HAVE FUN.
347
00:10:42,500 --> 00:10:42,875
>> Shangela: EXACTLY.
348
00:10:42,959 --> 00:10:44,500
IT'S HARD TO HAVE TO SUPPRESS
349
00:10:44,583 --> 00:10:45,667
WHO YOU ARE TO DO YOUR JOB.
350
00:10:45,750 --> 00:10:47,542
THAT'S NOT FAIR.
351
00:10:47,625 --> 00:10:49,583
IT'S NOT RIGHT, WHICH IS WHY I
352
00:10:49,667 --> 00:10:50,917
THINK IT'S SO IMPORTANT TO HAVE
353
00:10:51,000 --> 00:10:52,709
SOMEONE RIGHT IN THEIR COMMUNITY
354
00:10:52,792 --> 00:10:54,792
WHO IS LIKE, "LOOK, HERE I AM,
355
00:10:54,875 --> 00:10:55,458
I'M GAY.
356
00:10:55,542 --> 00:10:56,542
I'M PROUD.
357
00:10:56,625 --> 00:10:58,458
I'M LIVING MY BEST LIFE.
358
00:10:58,542 --> 00:11:00,375
AND YOU CAN TOO."
359
00:11:00,458 --> 00:11:01,083
SPEAKING OF PERFORMING, LET'S GO
360
00:11:01,166 --> 00:11:01,750
AND GET US FIVE, SIX, SEVEN,
361
00:11:01,834 --> 00:11:02,375
EIGHT, TOGETHER BEFORE I HAVE TO
362
00:11:02,458 --> 00:11:03,667
HIT IT.
363
00:11:03,750 --> 00:11:06,041
OH.
364
00:11:06,125 --> 00:11:06,625
>> Charles: DON'T POP A SEAM,
365
00:11:06,709 --> 00:11:06,834
GIRL.
366
00:11:06,917 --> 00:11:09,959
>> Shangela: GIRL, GOOD LUCK,
367
00:11:10,041 --> 00:11:10,583
THIS SHAPE GETS TIED UP IN THE
368
00:11:10,667 --> 00:11:11,250
JEANS GIRL, LOOK AT THAT, GIRL.
369
00:11:11,333 --> 00:11:11,917
I LOOK LIKE A KARDASHIAN IN THIS
370
00:11:12,000 --> 00:11:13,750
MIRROR, BITCH.
371
00:11:13,834 --> 00:11:15,250
>> Charles: YES, GIRL,
372
00:11:15,333 --> 00:11:16,291
ARE YOU PADDED?
373
00:11:16,375 --> 00:11:17,750
>> Shangela:
374
00:11:17,834 --> 00:11:18,083
OOH.
375
00:11:18,166 --> 00:11:18,834
BITCH I'M FEELING THINGS I AIN'T
376
00:11:18,917 --> 00:11:20,583
FELT SINCE '86.
377
00:11:20,667 --> 00:11:21,208
>> Charles: YOU PROBABLY FEEL.
378
00:11:21,291 --> 00:11:22,083
>> Shangela: WELL, HOW FAR DOWN
379
00:11:22,166 --> 00:11:22,417
ARE YOU GOING?
380
00:11:22,500 --> 00:11:23,250
>> Charles: I MEAN, YOU CAN GO
381
00:11:23,333 --> 00:11:23,875
LIKE, ALL THE WAY DOWN IF YOU
382
00:11:23,959 --> 00:11:26,000
WANT.
383
00:11:26,083 --> 00:11:27,291
>> Shangela: WELL, YOU CAN.
384
00:11:27,375 --> 00:11:27,875
IF I GO DOWN, GIRL, THEN YOU
385
00:11:27,959 --> 00:11:30,000
KNOW, I DO THE DEATH DROP.
386
00:11:30,083 --> 00:11:30,458
>> Charles: OH YES.
387
00:11:30,542 --> 00:11:31,291
>> Shangela: TWO MINUTES LIKE
388
00:11:31,375 --> 00:11:33,041
THIS, GOD, THAT I CAN DO.
389
00:11:33,125 --> 00:11:34,166
OOH THAT'S LOVELY.
390
00:11:34,250 --> 00:11:34,792
>> Charles: YOU'RE GONNA HAVE TO
391
00:11:34,875 --> 00:11:36,417
TEACH ME THAT.
392
00:11:36,500 --> 00:11:37,625
>> Chris: AS A CHILD, MY MODEL
393
00:11:47,083 --> 00:11:49,375
>> Chris: AS A CHILD, MY MODEL
394
00:11:49,458 --> 00:11:53,583
FOR MASCULINITY WAS MY GRANDPA.
395
00:11:53,667 --> 00:11:56,041
THAT WAS REALLY IT.
396
00:11:56,125 --> 00:11:56,792
THAT WAS THE ONLY MALE MODEL
397
00:11:56,875 --> 00:12:01,291
I REALLY HAD.
398
00:12:01,375 --> 00:12:04,959
HE TAUGHT ME YOU HAVE TO BOTTLE
399
00:12:05,041 --> 00:12:06,667
UP YOUR EMOTIONS.
400
00:12:06,750 --> 00:12:11,083
THAT IT WASN'T OKAY TO CRY.
401
00:12:11,166 --> 00:12:14,000
IT FELT LIKE I WAS GOING THROUGH
402
00:12:14,083 --> 00:12:16,333
THE MOTIONS OF LIFE AND NOT
403
00:12:16,417 --> 00:12:21,083
KNOWING HOW TO PROCESS ANYTHING.
404
00:12:21,166 --> 00:12:25,917
OUR DAUGHTER'S REALLY SICK.
405
00:12:26,000 --> 00:12:32,709
SHE IS GOING TO HAVE A HARD TIME
406
00:12:32,792 --> 00:12:34,875
FOR HER WHOLE LIFE.
407
00:12:34,959 --> 00:12:38,750
AND THERE WAS A LOT OF TIMES
408
00:12:38,834 --> 00:12:40,875
WHERE I WASN'T THERE FOR HER,
409
00:12:40,959 --> 00:12:44,709
WHEN I SHOULD HAVE BEEN.
410
00:12:44,792 --> 00:12:45,834
AND THAT MESSED THINGS UP.
411
00:12:45,917 --> 00:12:46,417
>> December: SO YOU GET YOUR
412
00:12:46,500 --> 00:12:48,792
RIGHT HAND AND YOU GO UP.
413
00:12:48,875 --> 00:12:51,166
>> Chris: MM-HM.
414
00:12:51,250 --> 00:12:56,333
THAT'S NOT WHO I WANTED TO BE.
415
00:13:03,000 --> 00:13:05,500
>> Eureka O'Hara: OH, HI, KITTY.
416
00:13:05,583 --> 00:13:11,458
OH, KITTY.
417
00:13:11,542 --> 00:13:12,667
HI, HI, HOW ARE YOU?
418
00:13:12,750 --> 00:13:13,125
>> Sarah: HI.
419
00:13:13,208 --> 00:13:15,125
>> Eureka O'Hara: I AM EUREKA.
420
00:13:15,208 --> 00:13:15,709
I FOUND THIS ON YOUR PORCH,
421
00:13:15,792 --> 00:13:17,792
Y'ALL.
422
00:13:17,875 --> 00:13:18,667
OH, MY GOD, YOU HAVE TWO.
423
00:13:18,750 --> 00:13:19,458
SORRY.
424
00:13:19,542 --> 00:13:20,083
>> Sarah: HI.
425
00:13:20,166 --> 00:13:21,792
>> Eureka O'Hara: HI, HUGS.
426
00:13:21,875 --> 00:13:22,291
>> Sarah: I'M SARAH.
427
00:13:22,375 --> 00:13:22,917
>> Eureka O'Hara: WHAT'S YOUR
428
00:13:23,000 --> 00:13:23,125
NAME?
429
00:13:23,208 --> 00:13:23,667
>> Sarah: THIS IS DECEMBER.
430
00:13:23,750 --> 00:13:24,250
>> Eureka O'Hara: DECEMBER,
431
00:13:24,333 --> 00:13:24,583
HOW ARE YOU?
432
00:13:24,667 --> 00:13:24,792
HI.
433
00:13:24,875 --> 00:13:28,041
>> Chris: HI.
434
00:13:28,125 --> 00:13:29,166
>> Eureka O'Hara: SO WHAT ARE
435
00:13:29,250 --> 00:13:29,625
YOU COOKING?
436
00:13:29,709 --> 00:13:30,500
>> SPAGHETTI.
437
00:13:30,583 --> 00:13:31,959
>> Eureka O'Hara: OH MY
438
00:13:32,041 --> 00:13:32,959
GOODNESS, THIS LOOKS GOOD.
439
00:13:33,041 --> 00:13:33,333
LET THE MAN COOK.
440
00:13:33,417 --> 00:13:34,250
I LOVE IT.
441
00:13:34,333 --> 00:13:34,792
>> Sarah: HE COOKS SO MUCH
442
00:13:34,875 --> 00:13:36,458
BETTER THAN I DO.
443
00:13:36,542 --> 00:13:37,291
>> Eureka O'Hara: ALL I LIKE TO
444
00:13:37,375 --> 00:13:38,208
DO IS EAT, I'M NOT A COOK
445
00:13:38,291 --> 00:13:40,750
EITHER.
446
00:13:40,834 --> 00:13:41,125
>> Sarah: RIGHT.
447
00:13:41,834 --> 00:13:42,417
LIKE ME AND DECEMBER WILL TURN
448
00:13:42,500 --> 00:13:43,792
ON MUSIC AND LIKE, HAVE A DANCE
449
00:13:43,875 --> 00:13:44,333
PARTY WHILE HE'S COOKING.
450
00:13:44,417 --> 00:13:44,917
>> Eureka O'Hara: SO HOW OLD
451
00:13:45,000 --> 00:13:45,458
IS SHE?
452
00:13:45,542 --> 00:13:46,583
>> Chris: SHE IS EIGHT
453
00:13:46,667 --> 00:13:47,083
YEARS OLD.
454
00:13:47,166 --> 00:13:47,792
>> Eureka O'Hara: EIGHT YEARS
455
00:13:47,875 --> 00:13:49,750
OLD, WOW.
456
00:13:49,834 --> 00:13:50,583
DOES SHE KNOW WHAT DRAG IS?
457
00:13:50,709 --> 00:13:51,792
>> Chris: YES, OH YES, SHE DOES.
458
00:13:51,875 --> 00:13:52,250
>> Sarah: SHE DOES.
459
00:13:52,333 --> 00:13:54,500
>> Eureka O'Hara: OH YEAH.
460
00:13:54,583 --> 00:13:55,208
>> Chris: YES.
461
00:13:55,291 --> 00:13:56,000
>> Eureka O'Hara: YOU'LL BE MY
462
00:13:56,083 --> 00:13:56,500
DRAG DAUGHTER, OBVIOUSLY.
463
00:13:56,583 --> 00:13:56,917
>> Sarah:
464
00:13:57,000 --> 00:13:58,250
>> Eureka O'Hara: SO I HOPE
465
00:13:58,333 --> 00:13:58,834
YOU'RE READY, I'M THE BEST AT
466
00:13:58,917 --> 00:13:59,125
WHAT I DO.
467
00:13:59,208 --> 00:13:59,667
ARE YOU EXCITED OR NERVOUS?
468
00:13:59,750 --> 00:14:00,250
>> Chris: YES, I'M EXCITED.
469
00:14:00,333 --> 00:14:00,792
>> Eureka O'Hara: EXCITED?
470
00:14:00,875 --> 00:14:01,667
>> Chris: YES.
471
00:14:01,750 --> 00:14:02,333
>> Eureka O'Hara: HAVE YOU EVER
472
00:14:02,417 --> 00:14:02,917
THOUGHT ABOUT BEING IN DRAG
473
00:14:03,000 --> 00:14:03,166
BEFORE?
474
00:14:03,250 --> 00:14:05,500
>> Sarah: CHRIS'S FIRST DRAG
475
00:14:05,583 --> 00:14:05,959
SHOW WAS...
476
00:14:06,041 --> 00:14:06,500
WHEN WAS THAT?
477
00:14:06,583 --> 00:14:06,792
SEPTEMBER?
478
00:14:06,875 --> 00:14:09,000
>> Chris: SEPTEMBER, YES.
479
00:14:09,083 --> 00:14:10,250
>> Sarah: WE WERE ALL SUPER
480
00:14:10,333 --> 00:14:11,792
PROUD OF HIM BECAUSE OF LIKE,
481
00:14:11,875 --> 00:14:15,333
HOW HE'S BEEN LIKE, REALLY IN A
482
00:14:15,417 --> 00:14:15,917
SHELL ABOUT A LOT OF THINGS.
483
00:14:16,000 --> 00:14:16,542
AND THAT NIGHT THAT WE WERE ALL
484
00:14:16,625 --> 00:14:17,166
OUT THERE, HE WAS SITTING RIGHT
485
00:14:17,250 --> 00:14:20,000
UP FRONT WITH ALL OF US.
486
00:14:20,083 --> 00:14:22,041
AND IT WAS REALLY, YEAH, IT WAS
487
00:14:22,125 --> 00:14:22,709
REALLY COOL TO WATCH HIM KIND OF
488
00:14:22,792 --> 00:14:23,333
GET OUT OF HIS SHELL FOR THAT.
489
00:14:23,417 --> 00:14:23,875
>> Eureka O'Hara: YEAH,
490
00:14:23,959 --> 00:14:27,500
ESPECIALLY WHEN YOU'RE RAISED
491
00:14:27,583 --> 00:14:28,083
A CERTAIN WAY, I GUESS, HUH?
492
00:14:28,166 --> 00:14:28,667
>> Chris: YEAH, THAT WAS MY
493
00:14:28,750 --> 00:14:29,208
BIGGEST THING IS, I USED TO
494
00:14:29,291 --> 00:14:32,542
SWEEP EVERYTHING UNDER THE RUG.
495
00:14:32,625 --> 00:14:34,583
LIKE, I WENT YEARS WITH,
496
00:14:34,667 --> 00:14:36,417
I'LL GO OVER HERE.
497
00:14:36,500 --> 00:14:41,667
I WENT YEARS JUST NOT KNOWING
498
00:14:41,750 --> 00:14:42,291
THAT I HAD DEPRESSION, ANXIETY,
499
00:14:42,375 --> 00:14:42,667
ALL THAT STUFF.
500
00:14:42,750 --> 00:14:43,291
THAT WAS SOMETHING I NEVER KNEW
501
00:14:43,375 --> 00:14:44,458
HOW TO PROCESS.
502
00:14:44,542 --> 00:14:48,166
AND I JUST MADE THE DECISION ONE
503
00:14:48,250 --> 00:14:50,250
DAY, I WAS AT WORK AND I WAS
504
00:14:50,333 --> 00:14:56,208
LIKE, I'M GONNA KILL MYSELF.
505
00:14:56,291 --> 00:15:00,750
AND I CAME HOME AND LIKE, PLAYED
506
00:15:00,834 --> 00:15:01,625
IT OFF LIKE, FOR A WEEK AND THEN
507
00:15:01,709 --> 00:15:02,917
I FINALLY TOLD HER, "HEY, THIS
508
00:15:03,000 --> 00:15:04,709
HAPPENED A WEEK AGO," AND SHE
509
00:15:04,792 --> 00:15:06,709
WAS LIKE, "WE'RE GONNA GET YOU
510
00:15:06,792 --> 00:15:07,667
HELP."
511
00:15:07,750 --> 00:15:08,250
>> Sarah: I MEAN, WE'VE BEEN
512
00:15:08,333 --> 00:15:12,333
TOGETHER FOR 11 YEARS.
513
00:15:12,417 --> 00:15:13,083
>> Eureka O'Hara: YEAH.
514
00:15:13,166 --> 00:15:13,792
>> Sarah: AND SO SOMEWHERE ALONG
515
00:15:13,875 --> 00:15:14,375
THE WAY, HE QUIT TALKING AND I
516
00:15:14,458 --> 00:15:15,834
QUIT TALKING.
517
00:15:15,917 --> 00:15:17,250
AND WE WERE BOTH EXPRESSING
518
00:15:17,333 --> 00:15:19,458
LIKE, HOW WE WERE FEELING.
519
00:15:19,542 --> 00:15:20,625
SO WE GOT HIM INTO A COUNSELOR
520
00:15:20,709 --> 00:15:22,458
TO JUST AND GET HIM TO A POINT
521
00:15:22,542 --> 00:15:23,500
WHERE HE CAN TALK ABOUT HOW HE
522
00:15:23,583 --> 00:15:24,667
FEELS AND STUFF.
523
00:15:24,750 --> 00:15:26,417
>> Eureka O'Hara: YEAH.
524
00:15:26,500 --> 00:15:28,125
>> Sarah: UNFORTUNATELY, IT TOOK
525
00:15:28,208 --> 00:15:29,625
TOO LONG FOR US TO COMMUNICATE
526
00:15:29,709 --> 00:15:31,709
THE RIGHT WAY.
527
00:15:31,792 --> 00:15:32,291
>> Eureka O'Hara: YEAH.
528
00:15:32,375 --> 00:15:34,792
>> Sarah: I MEAN, IT'S KIND OF
529
00:15:34,875 --> 00:15:35,792
WELL, WHAT IT IS WE'RE IN THE
530
00:15:35,875 --> 00:15:36,917
MIDDLE OF A DIVORCE, I DON'T
531
00:15:37,000 --> 00:15:37,750
KNOW, WE'RE KIND OF FIGURING OUT
532
00:15:37,834 --> 00:15:38,542
HOW TO BE FRIENDS AGAIN.
533
00:15:38,625 --> 00:15:39,041
>> Eureka O'Hara: YEAH.
534
00:15:39,125 --> 00:15:42,125
THAT'S AMAZING.
535
00:15:42,208 --> 00:15:42,667
>> Sarah: AND WE'RE ABLE TO
536
00:15:42,750 --> 00:15:43,291
LIKE, HAVE DINNER TOGETHER AND
537
00:15:43,375 --> 00:15:43,875
STUFF AND BE WHO WE NEED TO BE
538
00:15:43,959 --> 00:15:44,208
FOR HER AND...
539
00:15:44,291 --> 00:15:44,792
>> Eureka O'Hara: YEAH, I CAN
540
00:15:44,875 --> 00:15:45,542
SEE IT, I KNOW.
541
00:15:45,625 --> 00:15:49,333
THAT'S BEAUTIFUL.
542
00:15:49,417 --> 00:15:50,041
>> Chris: WHEN I WENT TO MY
543
00:15:50,125 --> 00:15:55,583
FIRST EVER DRAG SHOW, I JUST
544
00:15:55,709 --> 00:15:56,542
EXPERIENCED ALL THE GOOD
545
00:15:56,625 --> 00:15:57,166
POSITIVE ENERGY AND THEY WERE
546
00:15:57,250 --> 00:16:01,959
JUST SO NICE AND COOL.
547
00:16:02,041 --> 00:16:02,750
AND I LOVED IT.
548
00:16:02,834 --> 00:16:03,375
'CAUSE THAT'S A WAY TO EXPRESS
549
00:16:03,458 --> 00:16:06,083
YOURSELF.
550
00:16:06,166 --> 00:16:06,917
>> Eureka O'Hara: I'M GONNA BE
551
00:16:07,000 --> 00:16:07,500
IN DRAG LATER THIS WEEK WITH
552
00:16:07,583 --> 00:16:07,792
YOUR DAD.
553
00:16:07,875 --> 00:16:08,834
HOW DO YOU FEEL ABOUT THAT?
554
00:16:08,917 --> 00:16:10,417
>> December: I DON'T KNOW WHAT
555
00:16:10,500 --> 00:16:11,291
HE'S GONNA LOOK LIKE THIS WAY.
556
00:16:11,375 --> 00:16:12,125
>> Eureka O'Hara: OH HONEY,
557
00:16:12,208 --> 00:16:14,709
TRUST, I'M GONNA MAKE SURE HE'S
558
00:16:14,792 --> 00:16:16,417
BEAUTIFUL.
559
00:16:16,500 --> 00:16:18,208
>> Chris: I THINK THAT THIS WILL
560
00:16:18,250 --> 00:16:19,375
HELP ME COMMUNICATE WITH MY
561
00:16:19,458 --> 00:16:22,583
DAUGHTER THE RIGHT WAY I SHOULD.
562
00:16:22,667 --> 00:16:23,458
BECAUSE SHOWING MY EMOTION IS,
563
00:16:23,542 --> 00:16:27,083
THAT'S HOW I'M GONNA CONNECT
564
00:16:27,166 --> 00:16:29,875
WITH HER.
565
00:16:29,959 --> 00:16:30,542
>> Eureka O'Hara: SO I ACTUALLY
566
00:16:30,625 --> 00:16:32,208
NEED YOUR HELP, BECAUSE WE'VE
567
00:16:32,291 --> 00:16:32,792
GOT TO FIGURE OUT A DRAG NAME
568
00:16:32,875 --> 00:16:33,208
FOR YOUR DAD TOO.
569
00:16:33,291 --> 00:16:33,834
>> December: WHAT ABOUT MIRANDA?
570
00:16:33,917 --> 00:16:34,959
>> Eureka O'Hara: MIRANDA?
571
00:16:35,041 --> 00:16:35,500
YOU'VE GOT TO ASK DADDY.
572
00:16:35,583 --> 00:16:36,542
>> December: YEAH.
573
00:16:36,625 --> 00:16:37,125
>> Sarah: I LIKE MIRANDA.
574
00:16:37,208 --> 00:16:37,750
>> Eureka O'Hara: SO WE LIKE
575
00:16:37,834 --> 00:16:38,250
MIRANDA SO FAR?
576
00:16:38,333 --> 00:16:40,625
JUST MIRANDA?
577
00:16:40,709 --> 00:16:41,250
>> December: MIRANDA JOLES.
578
00:16:41,333 --> 00:16:42,417
>> Eureka O'Hara: MIRANDA JOLES,
579
00:16:42,500 --> 00:16:44,542
WHERE DOES JOLES COME FROM?
580
00:16:44,625 --> 00:16:46,959
>> Sarah: GRANDMA?
581
00:16:47,041 --> 00:16:47,583
THAT'S GRANDMA'S MAIDEN NAME,
582
00:16:47,667 --> 00:16:47,792
LOVE IT.
583
00:16:47,875 --> 00:16:48,667
>> Eureka O'Hara: HI, MIRANDA
584
00:16:48,750 --> 00:16:50,750
JOLES, NICE TO MEET YOU, BABY.
585
00:16:50,834 --> 00:16:51,583
>> December:
586
00:16:51,667 --> 00:16:53,709
>> Eureka O'Hara: YAY, OH SO
587
00:16:53,792 --> 00:16:54,291
YOU'RE GONNA BE THE STYLIST?
588
00:16:54,375 --> 00:16:54,750
>> December: MM-HM,
589
00:16:54,834 --> 00:16:55,291
STYLIST, HEY.
590
00:16:55,375 --> 00:16:55,959
>> Eureka O'Hara: YOU'RE GONNA
591
00:16:56,041 --> 00:16:56,583
BE THE STYLIST, YOU'RE GONNA BE
592
00:16:56,667 --> 00:16:56,917
THE PRODUCER.
593
00:16:57,000 --> 00:16:59,083
>> December: YES.
594
00:16:59,166 --> 00:16:59,750
>> Eureka O'Hara: SO I NEED YOU
595
00:16:59,834 --> 00:17:00,291
TO SAY, "I AM THE PRODUCER."
596
00:17:00,375 --> 00:17:01,750
>> December: I AM THE PRODUCER.
597
00:17:01,834 --> 00:17:02,417
>> Eureka O'Hara: YEAH YOU ARE.
598
00:17:02,500 --> 00:17:03,250
>> December:
599
00:17:03,333 --> 00:17:03,792
>> Eureka O'Hara: GIVE ME
600
00:17:03,875 --> 00:17:05,125
A POUND, BOOM.
601
00:17:05,208 --> 00:17:07,458
>> December: I LIKE TO DO THIS.
602
00:17:07,542 --> 00:17:08,125
>> Eureka O'Hara: WHAT?
603
00:17:08,208 --> 00:17:09,500
>> December: BA-LA-LA.
604
00:17:09,583 --> 00:17:10,125
>> Eureka O'Hara: OKAY, ONE MORE
605
00:17:10,208 --> 00:17:10,333
TIME.
606
00:17:10,417 --> 00:17:11,083
>> December: BA-LA-LA.
607
00:17:11,166 --> 00:17:12,458
>> Eureka O'Hara: OH, MAMA.
608
00:17:12,542 --> 00:17:14,333
YES.
609
00:17:14,417 --> 00:17:15,333
ALL ABOUT IT.
610
00:17:15,417 --> 00:17:17,750
I LOVE THAT.
611
00:17:17,834 --> 00:17:19,542
WE'VE GOT OUR WARDROBE, STYLIST,
612
00:17:19,625 --> 00:17:22,291
OUR HAIR STYLIST, OUR MAKEUP
613
00:17:22,375 --> 00:17:22,959
ARTIST.
614
00:17:23,041 --> 00:17:23,583
I MEAN, YOU'RE GOING TO BE DONE
615
00:17:23,667 --> 00:17:24,834
TO THE NINES, HONEY.
616
00:17:24,917 --> 00:17:25,458
AND ME AND DECEMBER ARE GONNA
617
00:17:25,542 --> 00:17:27,000
MAKE SURE, AREN'T WE?
618
00:17:27,083 --> 00:17:27,625
>> December: YEAH.
619
00:17:27,709 --> 00:17:28,458
>> Eureka O'Hara: SO YOU GOT TO
620
00:17:28,542 --> 00:17:29,834
GIVE ME THE PUNCHY.
621
00:17:29,917 --> 00:17:31,542
December: BA-LA-LA-LA.
622
00:17:31,625 --> 00:17:32,875
>> Eureka O'Hara: YEAH!
623
00:17:32,959 --> 00:17:33,917
I THINK CHRIS WANTED TO BE AN
624
00:17:34,000 --> 00:17:35,125
EMOTIONAL PERSON, I THINK HE
625
00:17:35,208 --> 00:17:37,667
WANTED TO CARE ABOUT HIS
626
00:17:37,750 --> 00:17:38,709
DAUGHTER AND THE WAY I'M GONNA
627
00:17:38,792 --> 00:17:39,417
PLAY MY PART IN THIS IS, I'M
628
00:17:39,500 --> 00:17:40,000
JUST GONNA MAKE HIM HAVE FUN,
629
00:17:40,083 --> 00:17:43,125
I'M GONNA FORCE HIM TO OPEN UP.
630
00:17:43,208 --> 00:17:43,750
COME ON, GIVE US A LITTLE BIT
631
00:17:43,834 --> 00:17:44,375
EXTRA.
632
00:17:44,458 --> 00:17:45,125
AH.
633
00:17:45,208 --> 00:17:46,875
>> Sarah:
634
00:17:46,959 --> 00:17:48,000
>> Eureka O'Hara: MIRANDA JOLES
635
00:17:48,083 --> 00:17:49,333
IN THE HOUSE, MOM.
636
00:17:49,417 --> 00:17:50,291
TO ME, THAT'S WHAT WE'RE DOING
637
00:17:50,375 --> 00:17:53,125
WITH THIS PERFORMANCE, IT'S TIME
638
00:17:53,208 --> 00:17:54,458
TO GET YOUR ASS UP AND SHOW THAT
639
00:17:54,542 --> 00:17:55,458
BABY AND SHOW THAT WIFE WHO THE
640
00:17:55,542 --> 00:17:56,959
FUCK YOU ARE AND WHAT YOU'RE
641
00:17:57,083 --> 00:17:58,959
MADE OF.
642
00:17:59,083 --> 00:18:00,875
SO GUESS WHO'S HE GONNA BE?
643
00:18:00,959 --> 00:18:02,041
FIERCE, ICONIC, SICKENING,
644
00:18:02,125 --> 00:18:03,458
AND PROUD OF HIMSELF.
645
00:18:03,542 --> 00:18:09,875
OKAY.
646
00:18:15,000 --> 00:18:16,709
COME ON, MY DUTTONS.
647
00:18:16,792 --> 00:18:17,875
OH MY GOD Y'ALL, THIS STAGE IS
648
00:18:17,959 --> 00:18:20,041
SO MUCH BIGGER THAN IT LOOKS,
649
00:18:20,125 --> 00:18:21,750
LOOK HOW TALL THIS IS.
650
00:18:21,834 --> 00:18:22,333
OH MOMMA, THIS IS NICE.
651
00:18:22,417 --> 00:18:23,166
>> Shangela: I FEEL IT,
652
00:18:23,250 --> 00:18:23,709
BUT HERE'S A QUESTION, JED.
653
00:18:23,792 --> 00:18:36,667
>> Jed: YES SIR.
654
00:18:36,750 --> 00:18:37,291
>> Shangela: WE'RE DOING A DRAG
655
00:18:37,375 --> 00:18:37,875
SHOW, HAVE YOU EVER HAD A DRAG
656
00:18:37,959 --> 00:18:38,417
SHOW IN THIS VENUE BEFORE?
657
00:18:38,500 --> 00:18:38,875
>> Jed: NOT AT ALL.
658
00:18:38,959 --> 00:18:39,750
>> Shangela: HAVE YOU EVER HAD
659
00:18:39,834 --> 00:18:40,375
PEOPLE RUNNING UP TO THE STAGE
660
00:18:40,458 --> 00:18:40,875
TO TIP WITH DOLLAR BILLS,
661
00:18:40,959 --> 00:18:41,250
FIVES AND 20s?
662
00:18:41,333 --> 00:18:41,792
>> Jed: NO.
663
00:18:41,875 --> 00:18:42,458
>> Shangela: THANK YOU, BABY.
664
00:18:42,542 --> 00:18:42,875
THANK YOU, BABY.
665
00:18:42,959 --> 00:18:43,458
HAVE YOU EVER HAD DRAG QUEENS
666
00:18:43,542 --> 00:18:44,750
ROLLING THROUGH AND TRYING TO
667
00:18:44,834 --> 00:18:46,125
GET ACROSS TO THE MONEY BY THE
668
00:18:46,208 --> 00:18:46,750
PEOPLE OVER HERE, AND DOING A
669
00:18:46,834 --> 00:18:47,375
TWERK SESSION ON THE FRONT ROW?
670
00:18:47,458 --> 00:18:50,542
>> Jed: NO.
671
00:18:50,625 --> 00:18:51,125
>> Shangela: SO WOULD YOU BE
672
00:18:51,208 --> 00:18:53,458
OPEN TO THAT THOUGH?
673
00:18:53,542 --> 00:18:54,125
>> Jed: WHAT WE DO HERE IN THIS
674
00:18:54,208 --> 00:18:55,834
THEATER IS CLEAN, WHOLESOME
675
00:18:55,917 --> 00:18:57,750
ENTERTAINMENT.
676
00:18:57,834 --> 00:18:58,583
>> Eureka O'Hara: WE PUT ON A
677
00:18:58,667 --> 00:18:59,250
FAMILY FRIENDLY SHOW, BELIEVE IT
678
00:18:59,333 --> 00:18:59,583
OR NOT.
679
00:18:59,667 --> 00:19:00,917
>> Shangela: SOMETIMES.
680
00:19:01,000 --> 00:19:04,750
>> Bob The Drag Queen: IT'S NOT
681
00:19:04,834 --> 00:19:05,417
ALWAYS TWERK SHOWS, SOMETIMES IT
682
00:19:05,500 --> 00:19:06,041
IS, I MEAN, LIKE EVERYONE SAYS
683
00:19:06,125 --> 00:19:06,667
WE OFFEND PEOPLE AND I WOULD
684
00:19:06,750 --> 00:19:08,583
SAY, "YOU KNOW, WE HAVE FAMILIES
685
00:19:08,667 --> 00:19:10,166
TOO, SO WE UNDERSTAND FAMILIES."
686
00:19:10,250 --> 00:19:11,250
>> Shangela: HOWEVER, WE MIGHT
687
00:19:11,333 --> 00:19:13,041
BE IN A TWO-PIECE CROP TOP,
688
00:19:13,125 --> 00:19:15,959
FRENCH WITH THE CHEEKS OUT.
689
00:19:16,041 --> 00:19:16,333
THAT'S POSSIBLE.
690
00:19:16,417 --> 00:19:17,917
>> Jed: YOU NEED TO SPEAK TO
691
00:19:18,000 --> 00:19:18,542
MRS. DUTTON.
692
00:19:18,625 --> 00:19:23,125
>> Shangela: YES SIR.
693
00:19:27,333 --> 00:19:27,875
>> Bob The Drag Queen: NOT THIS
694
00:19:27,959 --> 00:19:28,083
PLACE.
695
00:19:28,166 --> 00:19:29,291
>> Eureka O'Hara: OH.
696
00:19:29,375 --> 00:19:29,959
>> Bob The Drag Queen: NOT THIS
697
00:19:30,041 --> 00:19:32,917
PLACE.
698
00:19:33,000 --> 00:19:33,750
"THE SILENT MAJORITY
699
00:19:33,834 --> 00:19:36,542
STANDS WITH TRUMP."
700
00:19:36,625 --> 00:19:38,959
WHAT?
701
00:19:39,041 --> 00:19:40,041
"MISUNDERSTOOD BY SOME, LOVED BY
702
00:19:40,125 --> 00:19:44,458
MILLIONS, A SYMBOL OF COURAGE,
703
00:19:44,542 --> 00:19:46,750
HONOR AND VALOR."
704
00:19:46,834 --> 00:19:51,208
>> Shangela: YEAH, I DON'T THINK
705
00:19:51,291 --> 00:19:52,166
THEY'VE CREATED A SAFE SPACE.
706
00:19:52,250 --> 00:19:52,792
>> Eureka O'Hara: I DON'T THINK
707
00:19:52,875 --> 00:19:53,500
THEY WANT TO SEE US, GIRL.
708
00:19:53,583 --> 00:19:54,250
>> Shangela: THIS IS WHAT I WAS
709
00:19:54,333 --> 00:19:55,250
TELLING YOU, NOW THIS PLACE,
710
00:19:55,333 --> 00:19:57,417
THEY DO CONCERTS IN HERE.
711
00:19:57,500 --> 00:19:58,250
SO IT'S LIKE A THEATER LIFESTYLE
712
00:19:58,333 --> 00:19:59,041
PLACE, SO IT'S GONNA HAVE A
713
00:19:59,125 --> 00:20:00,667
STAGE FOR SURE.
714
00:20:00,750 --> 00:20:01,208
>> Eureka O'Hara: YEAH,
715
00:20:01,291 --> 00:20:03,208
IT'S A THEATER.
716
00:20:03,291 --> 00:20:03,875
>> Shangela: AND IT'S GONNA HAVE
717
00:20:03,959 --> 00:20:04,792
LIKE PROBABLY --
718
00:20:04,875 --> 00:20:05,375
>> SOMEBODY NEEDS TO TALK TO
719
00:20:05,458 --> 00:20:08,500
SOMEBODY DOWN HERE.
720
00:20:08,583 --> 00:20:09,542
>> Shangela: YES, MA'AM, HI.
721
00:20:09,625 --> 00:20:09,792
>> HI.
722
00:20:09,875 --> 00:20:10,375
YOU WERE HERE BEFORE.
723
00:20:10,458 --> 00:20:10,917
>> Eureka O'Hara: HELLO?
724
00:20:11,000 --> 00:20:11,375
HOW MAY I HELP YOU?
725
00:20:11,458 --> 00:20:11,959
>> Shangela: THIS IS A THEATER
726
00:20:12,041 --> 00:20:14,250
THOUGH, YES MA'AM?
727
00:20:14,333 --> 00:20:14,875
>> Eureka O'Hara: OH WE WERE
728
00:20:14,959 --> 00:20:15,875
JUST COMING TO LOOK AT THE
729
00:20:15,959 --> 00:20:17,333
THEATER AND SCOPE IT OUT FOR A
730
00:20:17,417 --> 00:20:17,959
LOCATION TO POTENTIALLY PERFORM
731
00:20:18,041 --> 00:20:19,667
IN.
732
00:20:19,750 --> 00:20:21,625
>> Shangela: YEAH, WE'RE LOOKING
733
00:20:21,709 --> 00:20:22,291
TO DO LIKE, A DRAG SHOW TYPE
734
00:20:22,375 --> 00:20:23,625
EVENT HERE.
735
00:20:23,709 --> 00:20:24,750
>> Eureka O'Hara: I DON'T THINK
736
00:20:24,834 --> 00:20:27,500
SHE WANTS TO CONVERSE.
737
00:20:27,583 --> 00:20:28,625
>> Shangela: WE'RE JUST
738
00:20:28,709 --> 00:20:29,834
VISITING, WE JUST GOT TO TOWN.
739
00:20:29,917 --> 00:20:33,375
I WASN'T HERE -- OKAY.
740
00:20:33,458 --> 00:20:34,208
SORRY.
741
00:20:34,291 --> 00:20:35,542
>> Eureka O'Hara: THEY WANT US
742
00:20:35,625 --> 00:20:36,166
TO EVACUATE THE PREMISES, LIKE,
743
00:20:36,250 --> 00:20:38,542
WHAT DO YOU MEAN, CALL THE LAW?
744
00:20:38,625 --> 00:20:39,166
>> Bob The Drag Queen: WELL,
745
00:20:39,250 --> 00:20:41,458
LET'S GIVE THIS NICE LADY HER
746
00:20:41,542 --> 00:20:41,834
PHONE BACK.
747
00:20:41,917 --> 00:20:42,208
>> Shangela: OKAY.
748
00:20:42,291 --> 00:20:42,834
>> Eureka O'Hara: ALL RIGHT,
749
00:20:42,917 --> 00:20:43,250
BYE-BYE.
750
00:20:43,333 --> 00:20:44,208
>> Shangela: THANK YOU SO MUCH,
751
00:20:44,291 --> 00:20:44,667
MA'AM.
752
00:20:44,750 --> 00:20:45,959
>> Eureka O'Hara: WHAT IN THE --
753
00:20:46,041 --> 00:20:47,500
>> Shangela: GOD BLESS.
754
00:20:47,583 --> 00:20:48,125
>> Eureka O'Hara: WHAT IN THE
755
00:20:48,208 --> 00:20:49,291
WORLD.
756
00:20:49,375 --> 00:20:59,917
>> Shangela: GETTING THE LAW.
757
00:21:00,000 --> 00:21:00,917
>> Melissa: I'M NOT CHRISTIAN.
758
00:21:01,000 --> 00:21:03,083
I'M NOT.
759
00:21:03,166 --> 00:21:04,750
I CAN'T STAND HERE IN FRONT OF
760
00:21:04,834 --> 00:21:07,709
YOU AND SAY THAT I BELIEVE AND I
761
00:21:07,792 --> 00:21:11,625
HAVE FAITH AND I DON'T.
762
00:21:11,709 --> 00:21:20,625
BUT I RAISED MY CHILDREN AND
763
00:21:20,709 --> 00:21:21,083
BRANSON, WHICH IS VERY
764
00:21:21,166 --> 00:21:22,583
CHRISTIAN-BASED.
765
00:21:22,667 --> 00:21:23,333
I WOULD SAY THAT 80 TO 90% OF
766
00:21:23,417 --> 00:21:23,917
THE RESIDENTS IN BRANSON ARE
767
00:21:24,000 --> 00:21:27,125
CHRISTIAN.
768
00:21:27,208 --> 00:21:28,166
THAT IS WHAT YOU HEAR, THAT IS
769
00:21:28,250 --> 00:21:28,500
WHAT YOU SEE.
770
00:21:28,583 --> 00:21:30,083
THERE IS NOTHING IN BRANSON THAT
771
00:21:30,166 --> 00:21:32,959
SAYS, "BE GAY."
772
00:21:33,041 --> 00:21:36,166
BUT TWO OUT OF MY THREE CHILDREN
773
00:21:36,250 --> 00:21:42,959
ARE GAY.
774
00:21:43,041 --> 00:21:44,166
MY MIDDLE SON DONOVAN, STRUGGLED
775
00:21:44,250 --> 00:21:47,083
INTERNALLY ALL HIS LIFE BEFORE
776
00:21:47,166 --> 00:21:50,083
HE WAS COMFORTABLE ENOUGH TO BE
777
00:21:50,166 --> 00:21:53,333
LIKE, "THIS IS ME."
778
00:21:53,417 --> 00:21:58,792
AND NOW TANNER IS STRUGGLING.
779
00:21:58,875 --> 00:22:01,959
>> Tanner: WHEN I CAME OUT AS A
780
00:22:02,041 --> 00:22:03,667
CHRISTIAN AND NOT GAY ANYMORE,
781
00:22:03,750 --> 00:22:04,250
WITH MY MOM, IT WAS KIND OF A
782
00:22:04,333 --> 00:22:07,959
TAILSPIN FOR HER.
783
00:22:08,041 --> 00:22:11,625
>> Melissa: AND I'M SO SCARED TO
784
00:22:11,709 --> 00:22:12,208
TALK TO HIM ABOUT IT, BECAUSE
785
00:22:12,291 --> 00:22:14,750
LIKE, THIS IS HIS LIFE.
786
00:22:14,834 --> 00:22:16,750
>> Tanner: I GUESS IT HURTS
787
00:22:16,834 --> 00:22:19,917
BECAUSE IT DOES CREATE THIS
788
00:22:20,000 --> 00:22:23,291
DISTANCE.
789
00:22:23,375 --> 00:22:28,959
>> Melissa: I JUST WANT HIM TO
790
00:22:29,041 --> 00:22:33,542
BE HAPPY.
791
00:22:33,625 --> 00:22:34,208
>> Bob The Drag Queen: WELCOME
792
00:22:34,291 --> 00:22:36,542
TO CAMP, CAMP.
793
00:22:36,625 --> 00:22:36,917
>> Melissa: OH.
794
00:22:37,000 --> 00:22:37,333
>> Tanner: OH MY.
795
00:22:37,417 --> 00:22:38,709
>> Bob The Drag Queen: HEY,
796
00:22:38,792 --> 00:22:39,166
THIS IS MY SPACE.
797
00:22:39,250 --> 00:22:40,625
>> Melissa: YAY.
798
00:22:40,709 --> 00:22:41,333
>> Bob The Drag Queen: ARE YOU
799
00:22:41,417 --> 00:22:41,875
EXCITED, ARE YOU NERVOUS?
800
00:22:41,959 --> 00:22:42,417
>> Melissa: I'M SO EXCITED.
801
00:22:42,500 --> 00:22:43,041
>> Bob The Drag Queen: ARE YOU
802
00:22:43,125 --> 00:22:43,375
JAZZY, ARE YOU?
803
00:22:43,458 --> 00:22:44,041
>> Melissa: I'M A LITTLE BIT OF
804
00:22:44,125 --> 00:22:46,375
BOTH, I THINK.
805
00:22:46,458 --> 00:22:47,083
YOU KNOW, JUST BECAUSE WE REALLY
806
00:22:47,166 --> 00:22:47,709
DON'T KNOW KIND OF LIKE, WHAT'S
807
00:22:47,792 --> 00:22:48,333
GOING ON AND WHAT YOUR VISION
808
00:22:48,417 --> 00:22:49,917
IS.
809
00:22:50,000 --> 00:22:50,458
SO I'M EXCITED ABOUT THAT.
810
00:22:50,542 --> 00:22:54,583
>> Bob The Drag Queen: SO WHAT
811
00:22:54,667 --> 00:22:55,166
I'M THINKING ABOUT IS, BOTH OF
812
00:22:55,250 --> 00:22:59,959
YOU APPEARANCE AT THE SHOW.
813
00:23:00,041 --> 00:23:01,917
I WAS THINKING TO MYSELF LIKE,
814
00:23:02,000 --> 00:23:06,417
HOW CAN I INCORPORATE Y'ALL'S
815
00:23:06,500 --> 00:23:07,000
NARRATIVE, Y'ALL'S STORY INTO
816
00:23:07,083 --> 00:23:07,709
THE BIGGER PICTURE, INTO A STORY
817
00:23:07,792 --> 00:23:09,792
THAT WE CAN TELL ON STAGE.
818
00:23:09,875 --> 00:23:11,625
AND MORE THAN ANYTHING, I REALLY
819
00:23:11,709 --> 00:23:12,834
WANT THIS TO SPEAK TO YOU.
820
00:23:12,917 --> 00:23:13,458
CAN I ASK YOU, WHAT DO YOU WANT
821
00:23:13,542 --> 00:23:16,291
TANNER TO TAKE FROM THIS?
822
00:23:16,375 --> 00:23:19,250
>> Melissa: IT'S SUCH A HARD
823
00:23:19,333 --> 00:23:19,917
QUESTION, BECAUSE I HAVE SO MANY
824
00:23:20,000 --> 00:23:22,834
DIFFERENT THINGS.
825
00:23:22,917 --> 00:23:25,291
LIKE, I KNOW THAT YOU STILL DEAL
826
00:23:25,375 --> 00:23:28,458
WITH YOUR SAID DEMON OF BEING
827
00:23:28,542 --> 00:23:32,959
ATTRACTED TO MEN, STILL.
828
00:23:33,041 --> 00:23:35,291
AND I KNOW THAT YOU HAVE TOLD ME
829
00:23:35,375 --> 00:23:36,667
THAT YOU'RE WILLING TO SACRIFICE
830
00:23:36,750 --> 00:23:37,583
YOUR TIME ON THIS EARTH,
831
00:23:37,667 --> 00:23:43,333
YOUR LIFE HERE.
832
00:23:43,417 --> 00:23:44,000
AND BECAUSE I DON'T BELIEVE
833
00:23:44,083 --> 00:23:44,625
THE WAY YOU DO, IT'S VERY HARD
834
00:23:44,709 --> 00:23:45,208
FOR ME TO STOMACH YOU LIVING
835
00:23:45,291 --> 00:23:47,917
LIFE WITHOUT LOVE.
836
00:23:48,000 --> 00:23:49,542
AND I JUST WANT YOU TO BE HAPPY
837
00:23:49,625 --> 00:23:50,667
WITH WHO YOU ARE, WHETHER YOU'RE
838
00:23:50,750 --> 00:23:53,250
GAY OR STRAIGHT OR WHATEVER.
839
00:23:53,333 --> 00:23:55,542
I JUST WANT YOU TO HAVE LOVE IN
840
00:23:55,625 --> 00:23:56,166
YOUR LIFE, BECAUSE I KNOW THAT I
841
00:23:56,250 --> 00:24:01,208
CAN'T LIVE WITHOUT IT.
842
00:24:01,291 --> 00:24:04,333
>> Bob The Drag Queen: HERE.
843
00:24:04,417 --> 00:24:06,166
>> Tanner: THAT'S THE THING,
844
00:24:06,250 --> 00:24:06,750
I DO HAVE LOVE IN MY LIFE.
845
00:24:06,834 --> 00:24:07,166
I HAVE YOU.
846
00:24:07,250 --> 00:24:10,333
I HAVE GOD.
847
00:24:10,417 --> 00:24:11,625
YOU KNOW, LOVE ISN'T JUST ME
848
00:24:11,709 --> 00:24:14,458
BEING ABLE TO COME HOME TO
849
00:24:14,542 --> 00:24:15,959
SOMEONE AND SAY, "THIS IS MY
850
00:24:16,041 --> 00:24:18,208
PARTNER, THIS IS THE PERSON WHO
851
00:24:18,291 --> 00:24:18,875
I'M LIVING WITH FOR THE REST OF
852
00:24:18,959 --> 00:24:19,333
MY LIFE."
853
00:24:19,417 --> 00:24:21,667
LOVE IS SO MUCH MORE DEEPER THAN
854
00:24:21,750 --> 00:24:22,500
THAT.
855
00:24:22,583 --> 00:24:23,750
AND I KNOW HOW, FROM AN OUTSIDE
856
00:24:23,834 --> 00:24:24,542
PERSPECTIVE IT COULD SEEM THAT
857
00:24:24,625 --> 00:24:26,333
I'M HURTING.
858
00:24:26,417 --> 00:24:28,375
BUT YOU KNOW, THAT'S JUST EVERY
859
00:24:28,458 --> 00:24:29,542
DAY LIFE, YOU KNOW, THERE'S
860
00:24:29,625 --> 00:24:32,208
NEVER GONNA BE A POINT IN THIS
861
00:24:32,291 --> 00:24:33,583
LIFE THAT WE'RE NOT GONNA BE
862
00:24:33,667 --> 00:24:35,250
DEALING WITH SOME SORT OF
863
00:24:35,333 --> 00:24:35,875
HARDSHIP.
864
00:24:35,959 --> 00:24:38,500
AND I NEVER WOULD ONCE CONDEMN
865
00:24:38,583 --> 00:24:39,917
YOU OR JUDGE YOU BECAUSE YOU
866
00:24:40,000 --> 00:24:43,166
DON'T UNDERSTAND WHERE I'M AT.
867
00:24:43,250 --> 00:24:44,667
UNDERSTANDING THAT, YOU KNOW,
868
00:24:44,750 --> 00:24:49,750
YOUR BRAIN IS DIFFERENT THAN
869
00:24:49,834 --> 00:24:50,417
MINE, YOUR EXPERIENCES ARE
870
00:24:50,500 --> 00:24:51,375
DIFFERENT THAN MINE.
871
00:24:51,458 --> 00:24:52,875
BUT MY JOB IS TO LOVE YOU,
872
00:24:52,959 --> 00:24:57,583
REGARDLESS OF IT.
873
00:24:57,667 --> 00:25:00,458
>> Melissa: IT'S FINE.
874
00:25:00,542 --> 00:25:01,166
>> Tanner: I'M OKAY.
875
00:25:01,250 --> 00:25:01,583
>> Melissa: OKAY.
876
00:25:01,667 --> 00:25:04,667
>> Tanner: I PROMISE.
877
00:25:04,750 --> 00:25:05,583
>> Melissa: OKAY.
878
00:25:05,667 --> 00:25:15,458
I LOVE YOU.
879
00:25:15,542 --> 00:25:16,083
>> Eureka O'Hara: YOU GOT TO
880
00:25:16,166 --> 00:25:19,000
START GETTING UNDRESSED, GIRL.
881
00:25:19,083 --> 00:25:19,792
BE BODY POSITIVE, DON'T BE SHY.
882
00:25:19,875 --> 00:25:22,333
>> Chris: SO TUCK, RIGHT?
883
00:25:22,417 --> 00:25:23,667
>> Eureka O'Hara: YOU HAVE
884
00:25:23,750 --> 00:25:24,500
UNDERWEAR, RIGHT?
885
00:25:24,583 --> 00:25:25,750
>> Chris: YEAH.
886
00:25:25,834 --> 00:25:26,458
ALL RIGHT, I'M GONNA TRY, BUT...
887
00:25:26,542 --> 00:25:27,625
>> Eureka O'Hara: WHAT'S
888
00:25:27,709 --> 00:25:27,917
HAPPENING?
889
00:25:28,000 --> 00:25:28,834
>> Chris: SO I HAD A VASECTOMY.
890
00:25:28,917 --> 00:25:30,500
>> Eureka O'Hara: OKAY.
891
00:25:30,583 --> 00:25:31,583
>> Chris: LIKE, I WENT INTO THE
892
00:25:31,667 --> 00:25:33,041
DOCTOR'S OFFICE, HE WENT TO PULL
893
00:25:33,125 --> 00:25:35,125
DOWN MY PANTS.
894
00:25:35,208 --> 00:25:35,750
YOU KNOW, THEY EXAMINE THEM,
895
00:25:35,834 --> 00:25:36,125
CHECK 'EM OUT.
896
00:25:36,208 --> 00:25:36,792
AND HE LOOKED AT ME AND HE SAID,
897
00:25:36,875 --> 00:25:37,417
"THOSE ARE THE BIGGEST SET OF
898
00:25:37,500 --> 00:25:37,959
BALLS I'VE EVER SEEN IN MY
899
00:25:38,041 --> 00:25:39,166
LIFE."
900
00:25:39,250 --> 00:25:40,709
>> Eureka O'Hara: WHAT?
901
00:25:40,792 --> 00:25:41,333
>> Chris: AND WE'RE GONNA HAVE
902
00:25:41,417 --> 00:25:45,125
TO DO THIS IN AN OPERATING ROOM.
903
00:25:45,583 --> 00:25:46,083
>> Eureka O'Hara: THEY CANNOT
904
00:25:46,166 --> 00:25:47,125
POSSIBLY BE THAT BIG.
905
00:25:47,208 --> 00:25:47,667
>> Chris: YEP, THEY ARE.
906
00:25:47,750 --> 00:25:48,291
>> Eureka O'Hara: WELL, THEN I
907
00:25:48,375 --> 00:25:48,834
NEED YOU TO JUST PUT THIS ON
908
00:25:48,917 --> 00:25:49,458
AND JUST PUSH EVERYTHING BACK
909
00:25:49,542 --> 00:25:50,041
AND TRY TO PULL IT WITH THIS,
910
00:25:50,125 --> 00:25:50,709
FOR THE BIG GIRLS.
911
00:25:50,792 --> 00:25:52,000
>> Chris: ALL RIGHT.
912
00:25:52,083 --> 00:25:52,667
>> Eureka O'Hara: DO YOU NEED ME
913
00:25:52,750 --> 00:25:53,709
TO HELP YOU PULL 'EM OUT?
914
00:25:53,792 --> 00:25:54,166
>> Chris: YEAH.
915
00:25:54,250 --> 00:25:56,000
>> Eureka O'Hara: OKAY,
916
00:25:56,083 --> 00:25:56,542
I'M COMING.
917
00:25:56,625 --> 00:25:56,834
OH, MY GOD!
918
00:25:56,917 --> 00:26:03,208
LOOK AT THESE BALLS!
919
00:26:03,291 --> 00:26:04,333
I'M JUST KIDDING.
920
00:26:04,417 --> 00:26:04,959
>> WE HAVE SOME COLOR OPTIONS.
921
00:26:05,041 --> 00:26:05,542
>> Melissa: I LIKE A COOLER
922
00:26:05,625 --> 00:26:06,458
BLOND, THIS IS --
923
00:26:06,542 --> 00:26:07,458
>> WELL, I'LL DO IT YOUR WAY,
924
00:26:07,542 --> 00:26:10,166
BECAUSE THESE ARE HIS OPTIONS.
925
00:26:10,250 --> 00:26:14,500
>> Melissa: OH, OH.
926
00:26:14,583 --> 00:26:15,709
>> Shangela: LOOK AT HIM DRESS,
927
00:26:15,792 --> 00:26:16,333
YOU GOT RIGHT INTO 'EM,
928
00:26:16,417 --> 00:26:16,625
DIDN'T YOU?
929
00:26:16,709 --> 00:26:17,208
LOOK, NOW DON'T BREAK AN ANKLE
930
00:26:17,291 --> 00:26:18,333
'CAUSE YOU KNOW, YOU GOT TO
931
00:26:18,417 --> 00:26:19,375
NEXT SEASON.
932
00:26:19,458 --> 00:26:22,083
OH, NEVER MIND.
933
00:26:22,166 --> 00:26:22,625
ALL RIGHT, NOT TOO MUCH NOW.
934
00:26:22,709 --> 00:26:23,834
OH, EEH.
935
00:26:23,917 --> 00:26:32,208
>> Charles: YES.
936
00:26:32,291 --> 00:26:32,583
>> Shangela: YOU
937
00:26:32,667 --> 00:26:33,166
ARE MID-AMERICA'S NIGHTMARE.
938
00:26:33,250 --> 00:26:33,375
YEAH.
939
00:26:33,458 --> 00:26:34,583
>> Tanner: I'M ALL FOR BEING
940
00:26:34,667 --> 00:26:35,458
LIKE, ALL OVER THE TOP BUT
941
00:26:35,542 --> 00:26:36,750
WITHOUT BEATING AROUND THE BUSH,
942
00:26:36,834 --> 00:26:37,250
I DON'T WANT TO BE LIKE,
943
00:26:37,333 --> 00:26:37,917
PRESENT THE WOMAN ASPECT.
944
00:26:38,000 --> 00:26:39,583
>> WHATEVER YOUR LIMIT IS,
945
00:26:39,667 --> 00:26:42,417
WE'RE GONNA STEP THAT UP.
946
00:26:42,500 --> 00:26:44,000
>> Tanner: YEAH, UM.
947
00:26:44,083 --> 00:26:45,667
>> Eureka O'Hara: YEAH, REMEMBER
948
00:26:45,750 --> 00:26:46,208
YOUR FEMALE HIP I TOLD YOU
949
00:26:46,291 --> 00:26:47,041
IS ALL THE WAY UP HERE.
950
00:26:47,125 --> 00:26:58,041
SO NOW YOU'VE GOT A FEMALE HIP.
951
00:26:58,125 --> 00:26:58,458
CHRIS IS SUPER INTO
952
00:26:58,542 --> 00:26:59,417
WRESTLING, SO WE'RE GONNA DO
953
00:26:59,500 --> 00:26:59,875
A WRESTLING NUMBER.
954
00:26:59,959 --> 00:27:00,417
BUT WE'RE ABOUT TO SISSY
955
00:27:00,500 --> 00:27:00,834
THE FUCK OUT OF IT.
956
00:27:00,917 --> 00:27:01,417
IT DON'T MATTER HOW STRAIGHT
957
00:27:01,500 --> 00:27:02,041
YOU ARE, MOMMA, YOU'RE GONNA POP
958
00:27:02,125 --> 00:27:02,750
RUBY UP AND YOU'RE GONNA
959
00:27:02,834 --> 00:27:04,333
GIVE SASS.
960
00:27:04,417 --> 00:27:05,041
>> WOULD THE LINE BE BREASTS?
961
00:27:05,125 --> 00:27:05,250
HIPS?
962
00:27:05,333 --> 00:27:06,875
>> Tanner: YEAH.
963
00:27:06,959 --> 00:27:07,542
>> Eureka O'Hara: THIS ALL
964
00:27:07,625 --> 00:27:07,750
RIGHT.
965
00:27:07,834 --> 00:27:08,417
OH, LOOK AT THOSE TITTIES.
966
00:27:08,500 --> 00:27:10,500
>> Chris:
967
00:27:10,583 --> 00:27:12,792
>> I FEEL COMFORTABLE THAT WE
968
00:27:12,875 --> 00:27:13,667
CAN STAY SAFE ENOUGH, I MEAN,
969
00:27:13,750 --> 00:27:15,125
I'M NOT GONNA GO CRAZY,
970
00:27:15,208 --> 00:27:16,208
BUT IT'LL BE A LITTLE CRAZY.
971
00:27:16,291 --> 00:27:19,083
>> Melissa:
972
00:27:19,166 --> 00:27:22,208
>> Bob The Drag Queen: EXCITING.
973
00:27:23,041 --> 00:27:23,959
>> Eureka O'Hara: OKAY, GIVE ME
974
00:27:24,041 --> 00:27:25,041
A LITTLE SASHAY AROUND THIS
975
00:27:25,125 --> 00:27:25,792
TABLE.
976
00:27:25,875 --> 00:27:26,625
SASHAY, SHANTAY, SHANTAY,
977
00:27:26,709 --> 00:27:28,291
SHANTAY, SHANTAY.
978
00:27:28,375 --> 00:27:29,375
ALMOST.
979
00:27:29,458 --> 00:27:30,166
ALL RIGHT, THAT WAS REALLY
980
00:27:30,250 --> 00:27:34,083
TERRIBLE.
981
00:27:34,166 --> 00:27:34,583
>> Chris: YEAH, I KNOW.
982
00:27:34,667 --> 00:27:35,208
>> Eureka O'Hara: YOU WALK LIKE
983
00:27:35,291 --> 00:27:35,542
A CLYDESDALE.
984
00:27:35,625 --> 00:27:37,542
I WANT YOU TO LET GO OF
985
00:27:37,625 --> 00:27:38,333
EVERYTHING YOU'VE BEEN TAUGHT
986
00:27:38,417 --> 00:27:38,959
ABOUT BEING A TENSE MASCULINE
987
00:27:39,041 --> 00:27:43,709
PERSON OR MAN.
988
00:27:43,792 --> 00:27:45,542
I DON'T THINK YOU UNDERSTAND OR
989
00:27:45,625 --> 00:27:47,250
EVEN HAVE MAYBE WRAPPED YOUR
990
00:27:47,333 --> 00:27:48,375
HEART AROUND THE IDEA OF LIKE,
991
00:27:48,458 --> 00:27:50,792
THE PEOPLE YOU'RE GOING TO HELP.
992
00:27:50,875 --> 00:27:53,709
NOT JUST STRAIGHT MEN, BUT ALSO
993
00:27:53,792 --> 00:27:55,917
LGBT MEMBERS BY PUTTING YOURSELF
994
00:27:56,000 --> 00:27:57,166
IN THIS VULNERABLE POSITION AND
995
00:27:57,250 --> 00:27:59,875
BEING ABLE TO LIKE, LOOK PAST
996
00:27:59,959 --> 00:28:01,625
SOCIETY'S LABEL OF WHAT A MAN
997
00:28:01,709 --> 00:28:04,208
IS.
998
00:28:04,291 --> 00:28:04,792
BECAUSE WE'RE CONSTANTLY TOLD
999
00:28:04,875 --> 00:28:06,917
WE'RE NOT ALLOWED TO DO IT.
1000
00:28:07,000 --> 00:28:09,291
AND WHEN PEOPLE LIKE YOU TAKE
1001
00:28:09,375 --> 00:28:13,917
THAT STEP, IT VALIDATES PEOPLE
1002
00:28:14,000 --> 00:28:14,959
THAT AREN'T CHOOSING A SIDE,
1003
00:28:15,041 --> 00:28:16,500
YOU KNOW.
1004
00:28:16,583 --> 00:28:22,250
>> Chris: IT WAS JUST THIS GEAR,
1005
00:28:22,333 --> 00:28:23,458
DAMN IT.
1006
00:28:23,542 --> 00:28:25,417
>> Eureka O'Hara: IT'S OKAY.
1007
00:28:25,500 --> 00:28:25,834
>> IT'S OKAY.
1008
00:28:25,917 --> 00:28:27,291
>> Eureka O'Hara: HOLD MOMMA'S
1009
00:28:27,375 --> 00:28:30,333
HAND.
1010
00:28:30,417 --> 00:28:31,917
TALK TO US.
1011
00:28:32,000 --> 00:28:33,667
>> Chris: WHEN SARAH AND I FIRST
1012
00:28:33,750 --> 00:28:36,250
BROUGHT UP THAT WE WERE GONNA
1013
00:28:36,333 --> 00:28:38,417
GET A DIVORCE AND EVERYTHING,
1014
00:28:38,500 --> 00:28:43,667
SAM WAS OVER AT HER GRANDMA'S,
1015
00:28:43,750 --> 00:28:45,875
I WENT OVER THERE AND IT WAS
1016
00:28:45,959 --> 00:28:47,083
JUST THIS YEAR THAT DECEMBER SAW
1017
00:28:47,166 --> 00:28:49,667
ME CRY FOR THE FIRST TIME EVER.
1018
00:28:49,750 --> 00:28:50,709
SO I THINK IT WAS AT THAT
1019
00:28:50,792 --> 00:28:52,291
MOMENT, THAT I REALIZED LIKE,
1020
00:28:52,375 --> 00:28:56,125
I HAVE TO SHOW EMOTION FOR MY
1021
00:28:56,208 --> 00:28:56,709
DAUGHTER BECAUSE SHE'S EIGHT
1022
00:28:56,792 --> 00:29:00,750
YEAR'S OLD AND THAT'S NOT OKAY
1023
00:29:00,834 --> 00:29:05,458
FOR HER TO NOT KNOW LIKE, DAD
1024
00:29:05,542 --> 00:29:06,792
NEVER CRIES, LIKE, IN MY MIND
1025
00:29:06,875 --> 00:29:07,542
THAT DIDN'T FIT WELL WITH ME.
1026
00:29:07,625 --> 00:29:11,917
>> Eureka O'Hara: YOU HAVE TO
1027
00:29:12,000 --> 00:29:14,333
TEACH HER IT'S OKAY TO HAVE
1028
00:29:14,417 --> 00:29:17,291
FEELINGS, YOU KNOW.
1029
00:29:17,375 --> 00:29:18,500
AND THAT SHE HAS TO PROCESS
1030
00:29:18,583 --> 00:29:20,291
THEM.
1031
00:29:20,375 --> 00:29:20,875
YOU'VE BEEN THROUGH A LOT,
1032
00:29:20,959 --> 00:29:21,375
YOU KNOW.
1033
00:29:21,458 --> 00:29:22,000
AND NOW I THINK YOU'RE EVEN MORE
1034
00:29:22,083 --> 00:29:22,625
EMOTIONAL BECAUSE YOU'RE FINALLY
1035
00:29:22,709 --> 00:29:23,250
IN TUNE WITH THAT EMOTIONAL
1036
00:29:23,333 --> 00:29:24,458
SIDE.
1037
00:29:24,542 --> 00:29:29,125
BECAUSE YOU'RE NO LONGER LOOKING
1038
00:29:29,208 --> 00:29:29,750
AT THIS LIKE, GENDER ROLE.
1039
00:29:29,834 --> 00:29:30,333
AND YOU'VE HELD IT IN FOR SO
1040
00:29:30,417 --> 00:29:33,959
LONG, THAT HAS TO COME OUT.
1041
00:29:34,041 --> 00:29:34,333
>> Chris: YEAH.
1042
00:29:34,417 --> 00:29:35,041
>> Eureka O'Hara: THAT DOESN'T
1043
00:29:35,125 --> 00:29:35,625
MAKE YOU ANY LESS OF A MAN,
1044
00:29:35,709 --> 00:29:36,250
I'M SO PROUD OF YOU.
1045
00:29:36,333 --> 00:29:37,083
>> Chris: YEAH, I'VE PUT MYSELF
1046
00:29:37,166 --> 00:29:38,583
LIVING IN FEAR OF NOT WANTING TO
1047
00:29:38,667 --> 00:29:42,500
CONNECT WITH HER AND FACE THOSE
1048
00:29:42,583 --> 00:29:44,166
SITUATIONS WITH EVERYTHING THAT
1049
00:29:44,250 --> 00:29:46,834
SHE'S HAD GOING ON.
1050
00:29:46,917 --> 00:29:50,000
>> Eureka O'Hara: LOOK FORWARD
1051
00:29:50,125 --> 00:29:50,709
TO THE FUTURE AND KNOW THAT NOW,
1052
00:29:50,792 --> 00:29:51,333
MOVING FORWARD, YOU'RE GONNA BE
1053
00:29:51,417 --> 00:29:51,959
THE BEST DAD YOU CAN BE, BECAUSE
1054
00:29:52,041 --> 00:29:52,583
YOU'RE GOING TO BE THE BEST YOU
1055
00:29:52,667 --> 00:29:52,875
YOU CAN BE.
1056
00:29:52,959 --> 00:29:54,875
YOU KNOW WHAT I'M SAYING?
1057
00:29:54,959 --> 00:29:56,667
>> Chris: MM-HM.
1058
00:29:56,750 --> 00:29:57,333
>> Eureka O'Hara: AND HOWEVER
1059
00:29:57,417 --> 00:30:01,625
THE FUCK YOU WANT TO ACT,
1060
00:30:01,709 --> 00:30:02,041
YOU CAN.
1061
00:30:02,125 --> 00:30:02,583
THAT DOESN'T MAKE YOU A BAD
1062
00:30:02,667 --> 00:30:03,083
PERSON OR LESS OF A MAN.
1063
00:30:03,166 --> 00:30:03,458
>> Chris: YEAH.
1064
00:30:03,542 --> 00:30:04,083
>> Eureka O'Hara: IT MAKES YOU
1065
00:30:04,166 --> 00:30:06,709
PERFECTLY YOU, YOU KNOW.
1066
00:30:11,291 --> 00:30:14,375
>> Shangela: OH THIS IS CUTE.
1067
00:30:14,458 --> 00:30:15,875
>> Bob The Drag Queen: JUST IN,
1068
00:30:15,959 --> 00:30:16,542
LIKE, LOOKING FOR SPACES TO DO
1069
00:30:16,625 --> 00:30:17,083
A SHOW HERE, WE'VE HAD A FEW
1070
00:30:17,166 --> 00:30:18,709
PLACES THAT WERE LESS THAN
1071
00:30:18,792 --> 00:30:20,959
FRIENDLY.
1072
00:30:21,041 --> 00:30:22,083
>> COME ON IN, THIS IS THE
1073
00:30:22,166 --> 00:30:22,375
EVENTS ROOM.
1074
00:30:22,458 --> 00:30:23,417
>> Bob The Drag Queen: OH, WOW.
1075
00:30:23,500 --> 00:30:24,792
>> YEAH, SO WE USE THIS FOR ALL
1076
00:30:24,875 --> 00:30:25,875
TYPES OF EVENTS.
1077
00:30:25,959 --> 00:30:30,709
>> Shangela: OH YES, YES, YES.
1078
00:30:30,792 --> 00:30:31,250
>> Eureka O'Hara: WELL, I'M
1079
00:30:31,333 --> 00:30:31,875
ACTUALLY JUST REALLY CURIOUS,
1080
00:30:31,959 --> 00:30:32,375
HAVE YOU ALL EVER HAD
1081
00:30:32,458 --> 00:30:32,875
A DRAG SHOW HERE BEFORE?
1082
00:30:32,959 --> 00:30:33,083
>> NO.
1083
00:30:33,166 --> 00:30:33,667
>> Eureka O'Hara: OR ANYTHING
1084
00:30:33,750 --> 00:30:34,125
LIKE THAT IN THE TOWN?
1085
00:30:34,208 --> 00:30:35,959
>> NO.
1086
00:30:36,041 --> 00:30:36,583
>> Eureka O'Hara: REALLY?
1087
00:30:36,667 --> 00:30:36,959
>> YEAH.
1088
00:30:37,041 --> 00:30:38,333
>> Bob The Drag Queen: YOU EVER
1089
00:30:38,417 --> 00:30:38,917
HAD ANYTHING LIKE ANY THING
1090
00:30:39,000 --> 00:30:39,417
CENTERED AROUND THE QUEER
1091
00:30:39,500 --> 00:30:41,792
COMMUNITY HERE BEFORE?
1092
00:30:41,875 --> 00:30:42,542
>> IT'S JUST KIND OF, I THINK,
1093
00:30:42,625 --> 00:30:43,542
JUST EVOLVING, YOU KNOW,
1094
00:30:43,625 --> 00:30:44,041
SO YEAH.
1095
00:30:44,125 --> 00:30:45,500
>> Eureka O'Hara: THE CRAZIEST
1096
00:30:45,583 --> 00:30:47,125
PART IS, IS WE'VE BEEN TOLD NO
1097
00:30:47,208 --> 00:30:47,917
A LOT, SO WE'RE ACTUALLY JUST
1098
00:30:48,000 --> 00:30:49,291
REALLY EXCITED THAT...
1099
00:30:49,375 --> 00:30:49,667
FEELING A YES.
1100
00:30:49,750 --> 00:30:50,417
SO.
1101
00:30:50,500 --> 00:30:51,083
>> Bob The Drag Queen: WE'VE
1102
00:30:51,166 --> 00:30:52,709
LITERALLY BEEN RUN OUT OF
1103
00:30:52,792 --> 00:30:53,291
A COUPLE OF PLACES, LITERALLY.
1104
00:30:53,375 --> 00:30:55,542
>> WE'RE ACCOMMODATING,
1105
00:30:55,625 --> 00:30:56,417
SO THAT'S NO PROBLEM.
1106
00:30:56,500 --> 00:30:57,417
>> Shangela: HOLD ON, BEFORE WE
1107
00:30:57,500 --> 00:30:58,667
LEAVE, IF YOU DON'T MIND.
1108
00:30:58,750 --> 00:31:00,041
WHERE ARE THE DRESSING ROOMS?
1109
00:31:00,125 --> 00:31:00,625
>> DRESSING ROOMS ARE GONNA BE
1110
00:31:00,709 --> 00:31:01,083
OUT ON THE PRINCESS.
1111
00:31:01,166 --> 00:31:01,750
>> Eureka O'Hara: ON THE
1112
00:31:01,834 --> 00:31:02,834
PRINCESS?
1113
00:31:02,917 --> 00:31:03,458
>> Shangela: IS THAT A BOAT?
1114
00:31:03,542 --> 00:31:03,709
>> YES.
1115
00:31:03,792 --> 00:31:04,750
THAT'S OUR YACHT.
1116
00:31:04,834 --> 00:31:05,375
>> Shangela: OH, ON THE YACHT.
1117
00:31:05,458 --> 00:31:07,959
OH.
1118
00:31:08,041 --> 00:31:13,000
I'M FEELING VERY GOLDIE HAWN,
1119
00:31:13,125 --> 00:31:13,583
"OVERBOARD."
1120
00:31:13,667 --> 00:31:14,208
>> Shangela: OH YES, NOW THIS IS
1121
00:31:14,291 --> 00:31:15,291
MY GIG.
1122
00:31:15,375 --> 00:31:16,542
>> Eureka O'Hara: WELL SHANGE,
1123
00:31:16,625 --> 00:31:17,166
YOU DON'T KNOW IF YOU CAN STAND
1124
00:31:17,250 --> 00:31:19,375
UP IN YOUR HEELS.
1125
00:31:19,458 --> 00:31:20,000
>> Bob The Drag Queen: THIS IS
1126
00:31:20,083 --> 00:31:20,625
SUCH A LOVELY, Y'ALL GOT SOME
1127
00:31:20,709 --> 00:31:21,083
NICE STUFF IN BRANSON.
1128
00:31:21,166 --> 00:31:21,583
>> THANK YOU, THANK YOU
1129
00:31:21,667 --> 00:31:23,709
VERY MUCH.
1130
00:31:23,792 --> 00:31:24,792
>> Shangela: YES, YOU DO
1131
00:31:24,875 --> 00:31:26,333
HAVE NICE THINGS.
1132
00:31:26,417 --> 00:31:30,208
DON'T MIND IF I DO.
1133
00:31:30,291 --> 00:31:31,417
>> Bob The Drag Queen: OH MY
1134
00:31:31,500 --> 00:31:32,041
GOD, I FEEL LIKE A REAL CAPTAIN.
1135
00:31:32,125 --> 00:31:32,667
>> YOU JUST NEED TO GO OUT AND
1136
00:31:32,750 --> 00:31:33,000
DRIVE THE BOAT.
1137
00:31:33,083 --> 00:31:33,542
>> Bob The Drag Queen: OH,
1138
00:31:33,625 --> 00:31:36,583
MY GOD.
1139
00:31:36,667 --> 00:31:37,125
SHANGELA, LOOK AT THE MAST
1140
00:31:37,208 --> 00:31:37,333
THING.
1141
00:31:37,417 --> 00:31:37,667
WHERE'S SHE AT?
1142
00:31:37,750 --> 00:31:38,500
>> Shangela: OH, MY GOODNESS,
1143
00:31:38,583 --> 00:31:41,125
I WANT A PICTURE, BOB.
1144
00:31:41,208 --> 00:31:42,458
>> Bob The Drag Queen:
1145
00:31:42,542 --> 00:31:43,083
WHERE DID YOU GET A DRINK FROM?
1146
00:31:43,166 --> 00:31:43,542
>> Shangela: ICE TEA.
1147
00:31:43,625 --> 00:31:44,166
>> Bob The Drag Queen: LET ME
1148
00:31:44,250 --> 00:31:45,959
SMELL THAT, WAFT IT.
1149
00:31:46,041 --> 00:31:49,875
SHUT UP, BITCH.
1150
00:31:49,959 --> 00:31:50,834
MAKE SURE Y'ALL TAKE A RIDE ON
1151
00:31:50,917 --> 00:31:52,834
THE PRINCESS, HONEY, BUILT FOR
1152
00:31:52,917 --> 00:31:54,500
A QUEEN.
1153
00:31:54,583 --> 00:31:55,917
>> ALL RIGHT, THURSDAY, WE'LL
1154
00:31:56,000 --> 00:31:58,500
SEE YOU THURSDAY, OKAY.
1155
00:32:05,667 --> 00:32:06,625
>> Shangela: NOW I WANT YOU TO
1156
00:32:06,709 --> 00:32:09,166
YOU'RE A DRAG QUEEN.
1157
00:32:09,250 --> 00:32:10,750
SO THESE MOVES ARE LIKE A LADY,
1158
00:32:10,834 --> 00:32:11,291
YOU'RE GONNA HAVE HIPS AND
1159
00:32:11,375 --> 00:32:17,458
TITTIES AND HAIR AND FACE.
1160
00:32:22,959 --> 00:32:24,709
>> Bob The Drag Queen: THIS IS
1161
00:32:24,792 --> 00:32:26,250
A REPRESENTATION OF YOUR LIFE,
1162
00:32:26,333 --> 00:32:26,875
YOUR JOURNEY FROM SPRINGFIELD
1163
00:32:26,959 --> 00:32:30,417
BACK TO BRANSON.
1164
00:32:30,500 --> 00:32:31,333
I WANT A PHYSICAL REPRESENTATION
1165
00:32:31,417 --> 00:32:33,166
OF THEN VERSUS NOW.
1166
00:32:33,250 --> 00:32:34,041
>> Eureka O'Hara: THE IDEA OF
1167
00:32:34,125 --> 00:32:36,375
OVER-EXAGGERATED FEMININITY IS
1168
00:32:36,458 --> 00:32:38,041
THAT WE MAKE IT CLASSY AND
1169
00:32:38,125 --> 00:32:39,250
BEAUTIFUL.
1170
00:32:39,333 --> 00:32:41,542
FEET STARTING TO HURT?
1171
00:32:41,625 --> 00:32:42,417
>> Chris: YEAH.
1172
00:32:42,500 --> 00:32:43,000
>> Eureka O'Hara: WELCOME TO
1173
00:32:43,083 --> 00:32:44,000
DRAG.
1174
00:32:44,083 --> 00:32:45,333
>> Chris:
1175
00:32:45,417 --> 00:32:45,834
>> Shangela: JUMP UP.
1176
00:32:45,917 --> 00:32:46,333
>> Charles: YEAH.
1177
00:32:46,417 --> 00:32:46,959
>> Shangela: AND YOUR LEGS
1178
00:32:47,041 --> 00:32:47,166
ARE HERE.
1179
00:32:47,250 --> 00:32:51,667
SICKENING.
1180
00:32:53,208 --> 00:32:53,792
>> Eureka O'Hara: I'M GONNA HIT
1181
00:32:53,875 --> 00:32:54,417
YOU LIKE THIS OR SOMETHING, AND
1182
00:32:54,500 --> 00:32:55,291
THEN YOU HIT ME BACK AND THEN
1183
00:32:55,375 --> 00:32:56,250
I'M GONNA -- NO, NOT, DON'T BE
1184
00:32:56,333 --> 00:32:57,500
PUSHING HARD.
1185
00:32:57,583 --> 00:33:01,917
MOMMA'S A FIGHTER, HONEY,
1186
00:33:02,000 --> 00:33:04,500
STREET FIGHTER.
1187
00:33:04,959 --> 00:33:05,458
>> Bob The Drag Queen: I WANT
1188
00:33:05,542 --> 00:33:06,041
YOU TO HOLD HANDS, THAT'S
1189
00:33:06,125 --> 00:33:07,083
IMPORTANT.
1190
00:33:07,166 --> 00:33:08,333
BOTH HANDS, BOTH HANDS, RIGHT
1191
00:33:08,417 --> 00:33:11,125
INTO EACH OTHER'S EYES.
1192
00:33:11,208 --> 00:33:11,458
PEEL OFF.
1193
00:33:11,542 --> 00:33:12,125
NOT YET, NOT THERE YET, NOT YET.
1194
00:33:12,208 --> 00:33:14,542
THERE WE GO.
1195
00:33:14,625 --> 00:33:15,208
>> Eureka O'Hara: I WANT TO TELL
1196
00:33:15,291 --> 00:33:16,041
YOU A SECRET.
1197
00:33:16,125 --> 00:33:16,750
>> December: WHAT?
1198
00:33:16,834 --> 00:33:17,375
>> Eureka O'Hara: WE'RE GONNA
1199
00:33:17,458 --> 00:33:18,291
MAKE YOU LIKE, YOUR OWN LITTLE
1200
00:33:18,375 --> 00:33:19,041
COSTUME AND EVERYTHING.
1201
00:33:19,166 --> 00:33:20,834
YOU HAVEN'T TOLD DADDY?
1202
00:33:20,917 --> 00:33:23,667
OKAY, GOOD JOB.
1203
00:33:23,750 --> 00:33:25,333
LISTEN, DECEMBER IS SO GAGGED
1204
00:33:25,417 --> 00:33:25,917
ABOUT DRAG RIGHT NOW THAT SHE
1205
00:33:26,000 --> 00:33:26,500
HAS TO BE IN THIS PERFORMANCE
1206
00:33:26,583 --> 00:33:27,959
WITH HER DAD.
1207
00:33:28,041 --> 00:33:29,250
>> Bob The Drag Queen: THIS IS
1208
00:33:29,333 --> 00:33:29,792
A REPRESENTATION OF YOU.
1209
00:33:29,875 --> 00:33:30,458
SO WHATEVER MAKES TANNER
1210
00:33:30,542 --> 00:33:32,542
A SUPERSTAR IS WHAT MAKES YOU
1211
00:33:32,625 --> 00:33:33,333
A SUPERSTAR.
1212
00:33:33,417 --> 00:33:38,000
>> Tanner: ARE YOU GUYS FAMILIAR
1213
00:33:38,083 --> 00:33:39,000
WITH "HAMILTON?"
1214
00:33:39,083 --> 00:33:39,667
>> Bob The Drag Queen: I DIDN'T
1215
00:33:39,750 --> 00:33:40,208
JUST TURN GAY YESTERDAY, OF
1216
00:33:40,291 --> 00:33:40,750
COURSE I KNOW "HAMILTON."
1217
00:33:40,834 --> 00:33:41,291
>> Tanner: WELL, YOU KNOW,
1218
00:33:41,375 --> 00:33:41,542
ANGELICA.
1219
00:33:41,625 --> 00:33:42,208
>> Bob The Drag Queen: YEAH,
1220
00:33:42,291 --> 00:33:42,500
WORK, WORK.
1221
00:33:42,583 --> 00:33:43,542
>> Tanner: I LOVE THAT, LIKE --
1222
00:33:43,625 --> 00:33:44,125
>> Bob The Drag Queen: WORK,
1223
00:33:44,208 --> 00:33:49,834
THAT'S IT, BABY.
1224
00:33:49,917 --> 00:33:50,333
SUPERSTARS.
1225
00:33:50,417 --> 00:33:51,834
>> Shangela: THIS IN A SHOW'S
1226
00:33:51,917 --> 00:33:52,500
LEG, THIS THING, YOU HAVE A TILT
1227
00:33:52,583 --> 00:33:52,750
THINGY?
1228
00:33:52,834 --> 00:33:53,208
>> Charles: SOMETIMES.
1229
00:33:53,291 --> 00:33:53,834
>> Shangela: OKAY, LET'S SEE.
1230
00:33:53,917 --> 00:33:55,500
SWAH!
1231
00:33:55,583 --> 00:33:56,125
WORKS FOR DRAG.
1232
00:33:56,208 --> 00:33:57,375
HOW DARE YOU?
1233
00:33:57,458 --> 00:33:57,834
IN JEANS, SHE DID IT,
1234
00:33:57,917 --> 00:34:00,083
I CAN'T TAKE IT.
1235
00:34:00,208 --> 00:34:00,750
>> Bob The Drag Queen: THAT'S SO
1236
00:34:00,834 --> 00:34:01,709
AMAZING, I LOVE THAT.
1237
00:34:01,792 --> 00:34:02,875
>> Eureka O'Hara: POSE.
1238
00:34:02,959 --> 00:34:04,542
SMILE.
1239
00:34:04,625 --> 00:34:07,250
AND THEN PUSH FORWARD.
1240
00:34:07,333 --> 00:34:08,875
EY!
1241
00:34:08,959 --> 00:34:09,208
OKAY.
1242
00:34:09,291 --> 00:34:10,375
ARE YOU EXCITED?
1243
00:34:10,458 --> 00:34:11,208
>> Chris: I'M EXCITED, YEAH.
1244
00:34:11,291 --> 00:34:11,542
I AM.
1245
00:34:11,625 --> 00:34:12,834
>> Eureka O'Hara: I AM TOO, I
1246
00:34:12,917 --> 00:34:13,417
DON'T KNOW HOW WE'RE GONNA GET
1247
00:34:13,500 --> 00:34:14,041
YOUR BIG BALLS TO DISAPPEAR BUT
1248
00:34:14,125 --> 00:34:19,709
WE'RE GONNA MAKE IT HAPPEN.
1249
00:34:19,792 --> 00:34:20,625
>> Shangela: THAT WAS GOOD.
1250
00:34:20,709 --> 00:34:23,166
THAT WAS GREAT.
1251
00:34:23,250 --> 00:34:23,750
>> Charles: OKAY, GOOD.
1252
00:34:23,834 --> 00:34:24,333
>> Shangela: THAT WAS GREAT.
1253
00:34:24,417 --> 00:34:24,792
AND HOW DO YOU FEEL?
1254
00:34:24,875 --> 00:34:25,875
>> Charles: IT FELT DIFFERENT,
1255
00:34:25,959 --> 00:34:27,917
MORE EMOTIONAL.
1256
00:34:28,000 --> 00:34:28,375
>> Shangela: AND WARM.
1257
00:34:28,458 --> 00:34:28,834
>> Charles: YEAH.
1258
00:34:28,917 --> 00:34:29,500
>> Shangela: AND THINK ABOUT
1259
00:34:29,583 --> 00:34:29,834
THAT EMOTION.
1260
00:34:29,917 --> 00:34:30,500
THAT'S WHAT'S ON SO MANY PEOPLE.
1261
00:34:30,583 --> 00:34:30,917
>> Charles: YEAH.
1262
00:34:31,000 --> 00:34:31,542
>> Shangela: YOU GET TO LIVE IT
1263
00:34:31,625 --> 00:34:33,458
OUT, THEY WANT TO DO THAT.
1264
00:34:33,542 --> 00:34:34,792
THEY CAN'T.
1265
00:34:34,875 --> 00:34:36,417
SOMEBODY'S TELLING THEM IT'S
1266
00:34:36,500 --> 00:34:37,709
IMMORAL, IT'S UNETHICAL, IT'S
1267
00:34:37,792 --> 00:34:47,417
WRONG, JUST BE WHO THEY ARE.
1268
00:34:47,500 --> 00:34:47,917
YOU SEEM LIKE YOU'RE...
1269
00:34:48,000 --> 00:34:48,500
WHAT'S GOING ON, WHAT ARE YOU
1270
00:34:48,583 --> 00:34:48,792
THINKING?
1271
00:34:48,875 --> 00:34:49,333
>> Charles: YEAH, I MEAN IT
1272
00:34:49,417 --> 00:34:50,041
JUST, IT BRINGS SO MANY EMOTIONS
1273
00:34:50,125 --> 00:34:53,625
OUT LIKE, YOU KNOW, THERE HAS
1274
00:34:53,709 --> 00:34:54,959
BEEN TIMES WHERE I FEEL LIKE I
1275
00:34:55,041 --> 00:34:55,542
HAVE MORE TO GIVE, YOU WANT TO
1276
00:34:55,625 --> 00:34:57,291
BE DEFINITELY SEEN A CERTAIN WAY
1277
00:34:57,375 --> 00:34:58,166
AND IT'S UNCOMFORTABLE TO LET
1278
00:34:58,250 --> 00:35:01,542
THEM SEE OTHER SIDES OF YOU.
1279
00:35:01,625 --> 00:35:02,125
>> Shangela: RIGHT.
1280
00:35:02,208 --> 00:35:03,083
>> Charles: IT'S SHOCKING TO
1281
00:35:03,166 --> 00:35:04,041
HEAR THAT YOU KNOW, THEY WOULD
1282
00:35:04,125 --> 00:35:05,417
CALL THE POLICE JUST BECAUSE YOU
1283
00:35:05,500 --> 00:35:05,959
GUYS WERE OUTSIDE IN DRAG.
1284
00:35:06,041 --> 00:35:06,750
>> Shangela: HOW DO YOU THINK WE
1285
00:35:06,834 --> 00:35:07,458
SHOULD HAVE RESPONDED?
1286
00:35:07,542 --> 00:35:08,792
HOW WOULD YOU HAVE RESPONDED?
1287
00:35:08,875 --> 00:35:11,208
>> Charles: I MEAN, I GUESS
1288
00:35:11,291 --> 00:35:12,333
I WOULD JUST LEAVE, BUT I MEAN.
1289
00:35:12,417 --> 00:35:15,125
>> Shangela: WHY?
1290
00:35:15,208 --> 00:35:16,166
>> Charles: I WOULDN'T WANT THEM
1291
00:35:16,250 --> 00:35:17,291
TO ACCOST ME OR, I'M VERY NON
1292
00:35:17,375 --> 00:35:19,917
CONFRONTATIONAL SO I GUESS IN
1293
00:35:20,000 --> 00:35:21,625
THE SAME WAY, THEY WON'T
1294
00:35:21,709 --> 00:35:23,583
CONFRONT ME AND SAY, "I HAVE
1295
00:35:23,667 --> 00:35:25,792
A PROBLEM WITH YOUR LIFESTYLE,"
1296
00:35:25,875 --> 00:35:27,166
I WOULDN'T CAUSE THAT
1297
00:35:27,250 --> 00:35:31,583
CONFRONTATION HERE.
1298
00:35:31,667 --> 00:35:33,125
>> Shangela: OKAY, I UNDERSTAND.
1299
00:35:33,208 --> 00:35:35,834
>> Charles: YOU KIND OF PUT UP
1300
00:35:35,917 --> 00:35:39,959
A WALL OR A MASK OR WHATEVER TO
1301
00:35:40,041 --> 00:35:41,125
THE WORLD AND I REALLY NEED TO
1302
00:35:41,208 --> 00:35:44,291
STEP OUT, SHOW WHO I AM 100%
1303
00:35:44,375 --> 00:35:45,500
OF THE TIME.
1304
00:35:45,583 --> 00:35:47,625
>> Shangela: WHEN YOU'RE DOING
1305
00:35:47,709 --> 00:35:48,208
THIS NUMBER, JUST THINK OF ALL
1306
00:35:48,291 --> 00:35:48,834
THAT, THINK OF THE SITUATIONS
1307
00:35:48,917 --> 00:35:49,417
THAT ARE HAPPENING AND EVEN IF
1308
00:35:49,500 --> 00:35:51,000
IT'S HEAVY, KNOW THAT THERE ARE
1309
00:35:51,083 --> 00:35:53,542
DAYS OUT THERE IN LIFE, A LOT OF
1310
00:35:53,625 --> 00:35:54,458
TIMES IF WE WEREN'T ABLE TO
1311
00:35:54,542 --> 00:35:55,333
CARRY IT, IT WOULDN'T BE GIVEN
1312
00:35:55,417 --> 00:35:57,792
TO US.
1313
00:35:57,875 --> 00:36:01,333
>> Charles: THAT'S TRUE.
1314
00:36:05,375 --> 00:36:05,959
>> Eureka O'Hara: Y'ALL WANT TO
1315
00:36:06,083 --> 00:36:08,000
COME OVER HERE.
1316
00:36:08,083 --> 00:36:08,583
>> Shangela: CAN WE TALK ABOUT
1317
00:36:08,667 --> 00:36:11,333
HIDDEN TALENTS REAL QUICK?
1318
00:36:11,417 --> 00:36:12,250
>> Bob The Drag Queen: MELISSA'S
1319
00:36:12,333 --> 00:36:12,792
ACTUALLY A LONG TIME BELLY
1320
00:36:12,875 --> 00:36:13,250
DANCER.
1321
00:36:13,333 --> 00:36:13,750
>> Shangela: YEAH COME ON.
1322
00:36:13,834 --> 00:36:14,417
>> Eureka O'Hara: LET'S ALL TRY
1323
00:36:14,500 --> 00:36:15,500
IT, COME ON GUYS, SHE'S GONNA
1324
00:36:15,583 --> 00:36:16,166
GIVE US A BELLY DANCING CLASS.
1325
00:36:16,250 --> 00:36:17,667
>> Melissa: ABOUT 13 YEARS.
1326
00:36:17,750 --> 00:36:18,250
>> Eureka O'Hara: 13 YEARS.
1327
00:36:18,333 --> 00:36:19,959
>> Tanner: TEACH 'EM HOW TO DO
1328
00:36:20,041 --> 00:36:20,250
SNAKE ARMS.
1329
00:36:20,333 --> 00:36:20,875
>> Eureka O'Hara: SNAKE ARMS
1330
00:36:20,959 --> 00:36:21,834
PLEASE.
1331
00:36:21,917 --> 00:36:23,125
>> Melissa: OH SNAKE ARMS IS
1332
00:36:23,208 --> 00:36:24,750
SHOULDER, ELBOW, WRIST, FLICK.
1333
00:36:24,834 --> 00:36:25,375
>> Eureka O'Hara: SHOULDER,
1334
00:36:25,458 --> 00:36:26,542
ELBOW, WRIST, FLICK.
1335
00:36:26,625 --> 00:36:27,917
YOU KNOW, YOU'RE DOING IT IN
1336
00:36:28,000 --> 00:36:28,667
REVERSE, YOU'RE BREAK-DANCING.
1337
00:36:28,750 --> 00:36:31,583
>> Melissa: YEAH.
1338
00:36:31,667 --> 00:36:32,041
>> Eureka O'Hara: OW.
1339
00:36:32,333 --> 00:36:35,709
WHOA.
1340
00:36:35,792 --> 00:36:37,250
>> Shangela: SHOW US ALL,
1341
00:36:37,333 --> 00:36:37,625
WE'RE HOT, HOT.
1342
00:36:37,709 --> 00:36:38,750
>> Eureka O'Hara: WORK, WORK,
1343
00:36:38,834 --> 00:36:39,625
WORK, WORK.
1344
00:36:39,709 --> 00:36:43,750
WORK, WORK, WORK.
1345
00:36:43,834 --> 00:36:45,250
IS A MUSICAL
1346
00:36:45,333 --> 00:36:45,959
>> Chris: WHAT AM I DOING?
1347
00:36:46,041 --> 00:36:47,792
>> Eureka O'Hara: COME ON.
1348
00:36:47,875 --> 00:36:48,458
>> Chris: BUT WHAT AM I DOING?
1349
00:36:48,542 --> 00:36:49,041
>> Eureka O'Hara: DON'T BE
1350
00:36:49,125 --> 00:36:50,792
AFRAID, COME ON.
1351
00:36:50,875 --> 00:36:55,166
DON'T GO THERE, YOU'RE DANCING.
1352
00:36:56,250 --> 00:36:57,834
>> Shangela: COME ON, BRANSON.
1353
00:36:57,917 --> 00:36:58,458
EUREKA, OH, OH.
1354
00:36:58,542 --> 00:36:59,458
>> Eureka O'Hara: Y'ALL CAN'T
1355
00:36:59,542 --> 00:37:00,458
HANDLE ME.
1356
00:37:00,542 --> 00:37:01,041
>> Bob The Drag Queen: GIVE ME
1357
00:37:01,125 --> 00:37:01,792
SOME TINA TURNER.
1358
00:37:01,875 --> 00:37:04,208
>> Melissa: OH.
1359
00:37:04,291 --> 00:37:05,458
>> Bob The Drag Queen: LIKE TINA
1360
00:37:05,542 --> 00:37:06,667
TURNER, WHATEVER YOU THINK TINA
1361
00:37:06,750 --> 00:37:06,959
WOULD DO.
1362
00:37:07,041 --> 00:37:08,375
>> Eureka O'Hara: LIKE, DON'T
1363
00:37:08,458 --> 00:37:08,834
GIVE HIM THE MOVES,
1364
00:37:08,917 --> 00:37:09,333
LET HIM SEE IT.
1365
00:37:09,417 --> 00:37:09,917
>> Tanner: I DON'T KNOW WHO
1366
00:37:10,000 --> 00:37:12,583
THAT IS?
1367
00:37:12,667 --> 00:37:13,041
>> Shangela: STOP IT.
1368
00:37:13,125 --> 00:37:13,667
>> Tanner: I DON'T KNOW WHO
1369
00:37:13,750 --> 00:37:14,709
TINA TURNER IS.
1370
00:37:14,792 --> 00:37:16,959
>> Melissa: NOW I'M IN TROUBLE.
1371
00:37:17,041 --> 00:37:17,458
NOW I'M IN TROUBLE.
1372
00:37:17,542 --> 00:37:18,291
>> Eureka O'Hara: ALL HER FAULT.
1373
00:37:18,375 --> 00:37:18,875
>> Shangela: OKAY, THIS IS A
1374
00:37:18,959 --> 00:37:19,458
PLACE OF LOVE, THIS IS A PLACE
1375
00:37:19,542 --> 00:37:19,709
OF LOVE.
1376
00:37:19,792 --> 00:37:20,291
HOLD THE MUSIC.
1377
00:37:20,375 --> 00:37:21,125
>> Bob The Drag Queen: PULL ME
1378
00:37:21,208 --> 00:37:23,625
UP.
1379
00:37:23,709 --> 00:37:24,792
>> Tanner: I CAN DO TINA
1380
00:37:24,875 --> 00:37:26,125
FROM BOB'S BURGERS.
1381
00:37:26,208 --> 00:37:27,500
>> Shangela: ROLLING.
1382
00:37:27,583 --> 00:37:30,458
ROLLING ON A RIVER.
1383
00:37:40,417 --> 00:37:42,792
>> Eureka O'Hara: ARE WE
1384
00:37:42,875 --> 00:37:43,625
SINGING, NOW LOOK AT HIM, GUYS.
1385
00:37:43,750 --> 00:37:46,500
WE ARE SINGING AT THIS MAN.
1386
00:38:05,959 --> 00:38:08,083
THE MAIN THING I WANT TO REMIND
1387
00:38:08,166 --> 00:38:09,291
EVERYONE OF ALSO IS LIKE,
1388
00:38:09,375 --> 00:38:12,000
JUST HAVE A GOOD TIME, RIGHT.
1389
00:38:12,083 --> 00:38:12,625
I MEAN, THE WHOLE POINT OF THIS
1390
00:38:12,709 --> 00:38:13,166
IS LIKE, TO.
1391
00:38:13,250 --> 00:38:14,166
>> Bob The Drag Queen: TO HAVE
1392
00:38:14,250 --> 00:38:14,625
FUN.
1393
00:38:14,709 --> 00:38:15,250
>> Eureka O'Hara: RIGHT, HAVE
1394
00:38:15,333 --> 00:38:16,542
FUN.
1395
00:38:16,625 --> 00:38:17,500
AND YOU ALL SHOWED UP IS WHAT
1396
00:38:17,583 --> 00:38:18,125
YOU'RE GONNA PROVE IS THAT YOU
1397
00:38:18,208 --> 00:38:18,834
SHOWED OUT, AND THAT'S WHAT I'M
1398
00:38:18,917 --> 00:38:19,250
GONNA BE PROUD OF.
1399
00:38:19,333 --> 00:38:20,250
SO JUST SHOW OUT.
1400
00:38:20,333 --> 00:38:22,125
>> Shangela: BRING IT IN.
1401
00:38:22,208 --> 00:38:25,166
ONE, TWO, THREE, WE'RE HERE.
1402
00:38:29,709 --> 00:38:31,291
>> Bob The Drag Queen: HOW ARE
1403
00:38:31,375 --> 00:38:31,583
YOU FEELING?
1404
00:38:31,667 --> 00:38:32,125
JUST CHECKING IN WITH YOU.
1405
00:38:32,208 --> 00:38:32,917
>> Tanner: I'M FEELING REALLY
1406
00:38:33,000 --> 00:38:36,458
GOOD.
1407
00:38:36,542 --> 00:38:37,333
I KNOW FROM OUTSIDE PERSPECTIVES
1408
00:38:37,417 --> 00:38:38,250
THAT IT'S CRAZY, IT'S INSANE
1409
00:38:38,333 --> 00:38:41,750
LIKE, WHERE I'M AT AND LIKE,
1410
00:38:41,834 --> 00:38:43,000
WHERE I'VE COME.
1411
00:38:43,083 --> 00:38:44,208
AND JUST I UNDERSTAND HOW
1412
00:38:44,291 --> 00:38:45,667
DIFFICULT IT IS FOR PEOPLE, YOU
1413
00:38:45,750 --> 00:38:47,542
KNOW, MY MOTHER, TO YOU KNOW,
1414
00:38:47,625 --> 00:38:49,375
UNDERSTAND.
1415
00:38:49,458 --> 00:38:49,959
>> Bob The Drag Queen: I DON'T
1416
00:38:50,041 --> 00:38:50,917
THINK, BUT YOU KEEP SAYING THAT
1417
00:38:51,000 --> 00:38:52,166
IT'S INSANE, I DON'T THINK YOUR
1418
00:38:52,291 --> 00:38:53,625
MOM THINKS YOU'RE INSANE.
1419
00:38:53,709 --> 00:38:54,917
LIKE, I DON'T THINK ANYONE
1420
00:38:55,000 --> 00:38:55,458
THINKS LIKE, "OH MY GOD,
1421
00:38:55,542 --> 00:38:58,208
TANNER'S CRAZY."
1422
00:38:58,291 --> 00:39:00,041
YEARS AGO, IF SOMEONE SAID, YOU
1423
00:39:00,125 --> 00:39:01,709
ARE EXCEPTIONAL BUT YOU'RE NOT
1424
00:39:01,792 --> 00:39:02,291
THE EXCEPTION, YOU KNOW WHAT I
1425
00:39:02,375 --> 00:39:03,291
MEAN.
1426
00:39:03,375 --> 00:39:05,458
WHEN I WAS YOUNG, MY MOM TOLD ME
1427
00:39:05,542 --> 00:39:06,709
SHE WAS A LESBIAN.
1428
00:39:06,792 --> 00:39:08,000
AND THEN WHEN I WAS IN LIKE,
1429
00:39:08,083 --> 00:39:10,959
HIGH SCHOOL, MY MOM WAS BORN
1430
00:39:11,041 --> 00:39:12,792
AGAIN.
1431
00:39:12,875 --> 00:39:13,709
AND THEN SHE WAS LIKE,
1432
00:39:13,792 --> 00:39:15,125
"THAT'S NOT ME ANYMORE."
1433
00:39:15,208 --> 00:39:17,834
AND THEN I CALLED HER LAST NIGHT
1434
00:39:17,917 --> 00:39:20,500
AND I WAS LIKE, "MA, WHAT DO I
1435
00:39:20,583 --> 00:39:24,375
SAY TANNER SO THAT I CAN HAVE
1436
00:39:24,500 --> 00:39:25,792
RESPECT TO HIS RELIGION?"
1437
00:39:25,875 --> 00:39:30,083
AND MY MOM WAS LIKE, IT TOOK HER
1438
00:39:30,166 --> 00:39:34,333
A WHILE TO REALIZE THAT SHE IS A
1439
00:39:34,417 --> 00:39:36,917
PERFECT DESIGN, THERE WERE
1440
00:39:37,000 --> 00:39:37,375
NO FLAWS.
1441
00:39:37,458 --> 00:39:38,208
MY MOM SAID WHEN SHE WAS BEING
1442
00:39:38,291 --> 00:39:38,917
CREATED, THERE WAS NO OOPSIES,
1443
00:39:39,000 --> 00:39:41,250
THERE WASN'T TOO MUCH OF THIS,
1444
00:39:41,333 --> 00:39:42,959
TOO LITTLE OF THIS.
1445
00:39:43,041 --> 00:39:43,834
THE WAY SHE WAS MADE IS THE WAY
1446
00:39:43,917 --> 00:39:45,208
SHE WAS MADE INTENTIONALLY.
1447
00:39:45,291 --> 00:39:53,875
YOU ARE A PERFECT DESIGN.
1448
00:39:53,959 --> 00:39:54,875
>> Bob The Drag Queen: I FEEL
1449
00:39:54,959 --> 00:39:55,375
LIKE WE RAN INTO TANNER AT
1450
00:39:55,458 --> 00:39:56,000
A REALLY PIVOTAL POINT IN HIS
1451
00:39:56,083 --> 00:39:57,166
LIFE.
1452
00:39:57,250 --> 00:39:59,375
I THINK THAT HE'S FIGURING OUT
1453
00:39:59,458 --> 00:40:01,709
WHAT HAPPINESS MEANS FOR HIM.
1454
00:40:01,792 --> 00:40:04,917
I HOPE THIS IS THERAPEUTIC,
1455
00:40:05,000 --> 00:40:05,709
THAT'S WHAT I HOPE.
1456
00:40:05,792 --> 00:40:06,291
I WANT HIM TO GET TO A POINT
1457
00:40:06,375 --> 00:40:08,417
WHERE HE CAN ACCEPT THE THINGS
1458
00:40:08,500 --> 00:40:18,208
THAT HE CANNOT CHANGE.
1459
00:40:23,000 --> 00:40:23,750
>> Shangela: HOW ARE YOU FEELING
1460
00:40:23,834 --> 00:40:24,917
TODAY?
1461
00:40:25,000 --> 00:40:25,375
>> WHO?
1462
00:40:25,458 --> 00:40:27,583
>> Shangela: YOU.
1463
00:40:27,667 --> 00:40:28,083
>> I'M FEELING GREAT.
1464
00:40:28,166 --> 00:40:28,834
>> Shangela: YOU READY TO ROCK
1465
00:40:28,917 --> 00:40:30,083
AND ROLL?
1466
00:40:30,166 --> 00:40:31,458
>> UH-HUH.
1467
00:40:31,542 --> 00:40:32,375
>> GET THESE FOLKS RIGHT ON
1468
00:40:32,458 --> 00:40:33,500
TOGETHER, GIVE THEM A SHOW,
1469
00:40:33,583 --> 00:40:37,333
GIRL.
1470
00:40:51,083 --> 00:40:57,834
>> Eureka O'Hara: FUCK YOU.
1471
00:40:57,917 --> 00:40:59,625
OH, MY GOD.
1472
00:40:59,709 --> 00:41:00,458
>> Bob The Drag Queen: I'M
1473
00:41:00,542 --> 00:41:01,083
LEANING TOWARDS THE BUTCH SIDE
1474
00:41:01,208 --> 00:41:02,333
OF ANDROG.
1475
00:41:02,375 --> 00:41:04,333
ROCK GLAM BUT LIKE, POP ROCK
1476
00:41:04,375 --> 00:41:05,208
GLAM, NOT LIKE KISS,
1477
00:41:05,291 --> 00:41:07,959
IT'S NOT SLIPKNOT.
1478
00:41:08,041 --> 00:41:08,959
>> SLIPKNOT.
1479
00:41:09,041 --> 00:41:10,000
>> Bob The Drag Queen: YEAH,
1480
00:41:10,083 --> 00:41:14,000
SLIPKNOT.
1481
00:41:14,083 --> 00:41:14,583
WHAT ARE YOU THINKING ABOUT
1482
00:41:14,667 --> 00:41:14,917
THAT?
1483
00:41:15,000 --> 00:41:17,125
>> Tanner: I'M GAME.
1484
00:41:17,208 --> 00:41:19,125
>> Shangela: IF YOU THINK YOU'RE
1485
00:41:19,208 --> 00:41:21,041
THE ONLY GAY PERSON AROUND,
1486
00:41:21,125 --> 00:41:24,291
IT CAN MAKE YOU FEEL ISOLATED.
1487
00:41:24,375 --> 00:41:25,166
AND IN THIS PERFORMANCE, I WANT
1488
00:41:25,250 --> 00:41:26,333
CHARLES TO ALLOW THAT TO PROPEL
1489
00:41:26,417 --> 00:41:27,625
HIM AND THE REST OF THIS
1490
00:41:27,709 --> 00:41:28,208
COMMUNITY FORWARD, TO HELP US
1491
00:41:28,291 --> 00:41:29,333
MAKE A COMMUNITY.
1492
00:41:29,417 --> 00:41:30,500
>> Shangela: WE'LL LOOK AT EACH
1493
00:41:30,583 --> 00:41:31,333
OTHER AND BE ABLE TO BE LIKE,
1494
00:41:31,417 --> 00:41:31,834
THAT'S GOOD, LET'S GO.
1495
00:41:31,917 --> 00:41:32,333
>> Charles: THAT'S FUN.
1496
00:41:32,417 --> 00:41:37,333
>> Shangela: YOU KNOW
1497
00:41:37,417 --> 00:41:37,667
WHAT I MEAN?
1498
00:41:37,750 --> 00:41:38,291
>> Rich: THIS IS THE BIG DAY.
1499
00:41:38,375 --> 00:41:38,625
>> Chris: YEP.
1500
00:41:38,709 --> 00:41:39,375
>> Rich: YOU'RE READY FOR THIS?
1501
00:41:39,458 --> 00:41:39,875
>> Chris: I'M READY.
1502
00:41:39,959 --> 00:41:41,875
>> Rich: OKAY.
1503
00:41:41,959 --> 00:41:42,250
>> Eureka O'Hara:
1504
00:41:42,333 --> 00:41:42,959
IT'S IMPORTANT FOR CHRIS TO SAY,
1505
00:41:43,041 --> 00:41:43,709
FUCK THE STEREOTYPES, BECAUSE
1506
00:41:43,792 --> 00:41:44,333
THAT'S WHAT'S CAUSING HIM TO
1507
00:41:44,417 --> 00:41:44,959
HOLD A REALLY BEAUTIFUL PART OF
1508
00:41:45,041 --> 00:41:45,291
HIMSELF BACK.
1509
00:41:45,375 --> 00:41:45,875
>> Rich: OH, YOU'RE GONNA BE
1510
00:41:45,959 --> 00:41:47,041
BEAUTIFUL.
1511
00:41:47,125 --> 00:41:49,667
>> Eureka O'Hara: ULTIMATELY IT
1512
00:41:49,750 --> 00:41:50,208
COMES DOWN TO UNDERSTANDING
1513
00:41:50,291 --> 00:41:50,875
YOURSELF, FORGIVING YOURSELF AND
1514
00:41:50,959 --> 00:41:51,458
MOVING PAST SOME OF THE THINGS
1515
00:41:51,542 --> 00:41:52,041
THAT YOU'RE RESENTFUL TO
1516
00:41:52,125 --> 00:41:55,041
YOURSELF FOR.
1517
00:41:55,125 --> 00:41:56,875
LET THAT SHIT GO, BRO.
1518
00:41:56,959 --> 00:42:01,083
RICH, I HAVE ONE REQUEST.
1519
00:42:01,166 --> 00:42:01,417
>> Rich: YEAH?
1520
00:42:01,500 --> 00:42:02,041
>> Eureka O'Hara: YOU BETTER NOT
1521
00:42:02,125 --> 00:42:02,625
LET HER LOOK BETTER THAN ME
1522
00:42:02,709 --> 00:42:02,875
TONIGHT.
1523
00:42:02,959 --> 00:42:03,500
ALL RIGHT, WELL, I GUESS GET UP,
1524
00:42:03,583 --> 00:42:03,917
LET ME HAVE MY TURN.
1525
00:42:04,000 --> 00:42:04,375
>> Chris: ALL RIGHT.
1526
00:42:04,458 --> 00:42:04,917
>> Eureka O'Hara: GO EAT OR
1527
00:42:05,000 --> 00:42:05,542
SOMETHING.
1528
00:42:05,625 --> 00:42:06,083
>> Chris: OKAY.
1529
00:42:06,166 --> 00:42:07,625
>> Eureka O'Hara: DON'T BE IN
1530
00:42:07,709 --> 00:42:08,750
THE BATHROOM SUCKING DICK LIKE
1531
00:42:08,834 --> 00:42:11,250
YOUR MOMMA, HEY.
1532
00:42:20,166 --> 00:42:24,750
HELLO, BRANSON, MISSOURI.
1533
00:42:26,083 --> 00:42:27,041
ARE YOU ALL READY FOR A
1534
00:42:27,125 --> 00:42:28,959
PHENOMENAL DRAG SHOW?
1535
00:42:29,041 --> 00:42:31,250
PLEASE MAKE SOME NOISE
1536
00:42:31,333 --> 00:42:37,709
FOR MISS EUREKA, OH.
1537
00:43:36,917 --> 00:43:39,166
HOW ARE YOU ALL DOING, BRANSON?
1538
00:43:41,125 --> 00:43:42,250
I'M SO EXCITED TO BE HERE
1539
00:43:42,333 --> 00:43:43,333
IN BRANSON.
1540
00:43:48,959 --> 00:43:51,542
YOU KNOW, WHEN YOU TRAVEL ALL
1541
00:43:51,625 --> 00:43:53,208
ACROSS THE CITY, IT IS SUCH A
1542
00:43:53,291 --> 00:43:54,709
BEAUTIFUL SHOW-BUSINESS CITY.
1543
00:43:54,792 --> 00:43:56,208
OUR GOAL IS NOT TO DIMINISH THE
1544
00:43:56,291 --> 00:43:58,083
SHOWBIZ YOU HAVE, BUT ONLY TO
1545
00:43:58,166 --> 00:44:00,667
ADD SOME MORE FABULOUS DISCO
1546
00:44:00,750 --> 00:44:10,959
HITS.
1547
00:44:11,041 --> 00:44:12,125
>> Charles: THE PEOPLE THAT KNOW
1548
00:44:12,208 --> 00:44:13,542
ME, KNOW THAT I'M GAY.
1549
00:44:13,625 --> 00:44:16,041
I HAVE NO FEARS.
1550
00:44:16,125 --> 00:44:23,333
I THINK THE LGBT COMMUNITY IS
1551
00:44:23,417 --> 00:44:24,417
JUST UNDER THE SURFACE, BRANSON
1552
00:44:24,500 --> 00:44:25,083
IS CHANGING, THE DEMOGRAPHIC IS
1553
00:44:25,166 --> 00:44:27,125
CHANGING.
1554
00:44:27,208 --> 00:44:29,208
I WANT TO BE THE VOICE THAT
1555
00:44:29,291 --> 00:44:31,750
THEY'RE LOOKING FOR.
1556
00:44:31,834 --> 00:44:33,291
>> Bob The Drag Queen: PLEASE
1557
00:44:33,375 --> 00:44:42,875
PUT YOUR HANDS TOGETHER FOR MISS
1558
00:44:42,959 --> 00:44:47,000
ALEXIA SAINT-CROIX.
1559
00:45:28,291 --> 00:45:29,333
I'M JUST SO FRUSTRATED,
1560
00:45:29,417 --> 00:45:31,625
WHAT AM I MISSING?
1561
00:45:31,709 --> 00:45:32,375
I WISH SOMEONE COULD TEACH ME
1562
00:45:32,458 --> 00:45:34,583
HOW TO BE A DRAG SUPERSTAR.
1563
00:45:34,667 --> 00:45:37,959
>> Shangela: DID SOMEBODY CALL
1564
00:45:38,041 --> 00:45:42,542
FOR A PROFESSIONAL?
1565
00:45:42,625 --> 00:45:43,667
YOU SEE, QUEEN, YOU'VE ALREADY
1566
00:45:43,750 --> 00:45:45,208
GOT THE TALENT, BUT ALL YOU NEED
1567
00:45:45,291 --> 00:45:45,834
ARE THESE SHOES AND TO PUMP UP
1568
00:45:45,917 --> 00:45:52,750
YOUR GROOVE.
1569
00:46:24,709 --> 00:46:25,250
HOLD UP, HOLD UP, HOLD UP.
1570
00:46:25,333 --> 00:46:25,917
OOH, GIRL.
1571
00:46:26,000 --> 00:46:27,291
LET'S TAKE THIS PARTY HIGH.
1572
00:46:27,375 --> 00:46:28,750
HIGH.
1573
00:46:28,834 --> 00:46:30,291
HIGH.
1574
00:46:30,375 --> 00:46:31,834
HIGH.
1575
00:46:31,917 --> 00:46:36,166
HIGH.
1576
00:46:52,208 --> 00:46:55,667
WHOO, I AM PUMPED OUT.
1577
00:47:02,709 --> 00:47:04,542
>> Charles: THANK YOU SO MUCH.
1578
00:47:04,625 --> 00:47:05,458
I'VE SAID THAT I WANT TO BE A
1579
00:47:05,542 --> 00:47:06,667
BEACON OF LIGHT TO THE PEOPLE
1580
00:47:06,750 --> 00:47:10,625
HERE IN BRANSON, THAT FEEL LIKE
1581
00:47:10,709 --> 00:47:16,125
THEY CAN'T BE OUT AND PROUD,
1582
00:47:16,208 --> 00:47:16,667
THAT CAN'T LIVE A VISIBLE,
1583
00:47:16,750 --> 00:47:18,500
QUEER LIFE.
1584
00:47:18,583 --> 00:47:22,417
AND I'M PROOF THAT YOU CAN.
1585
00:47:30,208 --> 00:47:30,834
SO I'VE GOT MY PARTNER BRENT
1586
00:47:30,917 --> 00:47:31,041
HERE.
1587
00:47:31,125 --> 00:47:31,750
YES.
1588
00:47:32,500 --> 00:47:33,208
SO WE'VE BEEN TOGETHER
1589
00:47:33,291 --> 00:47:33,542
FOR 11 YEARS.
1590
00:47:33,625 --> 00:47:34,333
HE'S ALWAYS BEEN IN MY CORNER.
1591
00:47:34,417 --> 00:47:35,417
I LOVE YOU SO MUCH, AND I'M SO
1592
00:47:35,500 --> 00:47:38,375
HAPPY THAT YOU'RE HERE.
1593
00:47:38,458 --> 00:47:40,917
YOU CAN BE WHO YOU ARE AND YOU
1594
00:47:41,000 --> 00:47:42,542
HAVE PEOPLE THAT WILL LOVE AND
1595
00:47:42,625 --> 00:47:45,000
THAT WILL SUPPORT YOU AND
1596
00:47:45,083 --> 00:47:54,750
CELEBRATE YOU, STARTING WITH ME.
1597
00:47:54,834 --> 00:47:55,709
I WILL BE YOUR FRIEND, YOU CAN
1598
00:47:55,792 --> 00:47:56,917
CALL ME AND I'LL BE THERE
1599
00:47:57,000 --> 00:47:57,417
FOR YOU.
1600
00:47:57,500 --> 00:47:58,000
THANK YOU.
1601
00:47:58,667 --> 00:48:00,875
OUR DIFFERENCES SHOULD BE
1602
00:48:00,959 --> 00:48:04,917
CELEBRATED.
1603
00:48:05,000 --> 00:48:06,000
>> Rich: DOES IT LOOK GOOD?
1604
00:48:06,083 --> 00:48:07,458
>> December: YEAH, YOU LOOK
1605
00:48:07,542 --> 00:48:09,709
DIFFERENT.
1606
00:48:09,792 --> 00:48:11,792
YOU LOOK WAY DIFFERENT.
1607
00:48:11,875 --> 00:48:15,917
>> Rich: SO PRETTY,
1608
00:48:16,000 --> 00:48:16,417
SEE THE LASHES.
1609
00:48:16,500 --> 00:48:18,417
>> Chris: I'VE NEVER TRULY LOVED
1610
00:48:18,500 --> 00:48:19,583
MYSELF, THAT IS SOMETHING I'VE
1611
00:48:19,667 --> 00:48:20,333
ALWAYS STRUGGLED WITH.
1612
00:48:20,417 --> 00:48:22,625
>> Eureka O'Hara: OH MY GOD,
1613
00:48:22,709 --> 00:48:23,250
THEM BIG OLD, GOD IT FEELS LIKE
1614
00:48:23,333 --> 00:48:24,542
A REAL TITTIE.
1615
00:48:24,625 --> 00:48:26,792
>> Chris:
1616
00:48:26,875 --> 00:48:37,542
>> Eureka O'Hara: MY GOD, SORRY.
1617
00:48:37,625 --> 00:48:38,583
MY HETERONORMATIVITY'S COMING
1618
00:48:38,667 --> 00:48:39,083
OUT.
1619
00:48:39,166 --> 00:48:39,625
>> Chris: YOU CAN BE OPEN,
1620
00:48:39,709 --> 00:48:40,333
YOU CAN BE EMOTIONAL, YOU CAN BE
1621
00:48:40,417 --> 00:48:43,125
CARING FOR SOMEONE AND YOU CAN
1622
00:48:43,208 --> 00:48:43,709
STILL BE THAT SAME LIKE,
1623
00:48:43,792 --> 00:48:44,041
STRONG PERSON.
1624
00:48:44,125 --> 00:48:46,375
I'M NOT THERE YET BUT I'M
1625
00:48:46,458 --> 00:48:46,792
GETTING THERE.
1626
00:48:46,875 --> 00:48:54,625
>> LADIES AND GENTLEMEN, THIS IS
1627
00:48:54,709 --> 00:48:55,250
YOUR MAIN EVENT OF THE EVENING.
1628
00:48:55,333 --> 00:48:55,875
AND INTODUCING, SHE IS THE BODY
1629
00:48:55,959 --> 00:48:57,083
POSITIVE ELEPHANT QUEEN AND THE
1630
00:48:57,166 --> 00:49:02,500
CURRENT CONFIDENCE CHAMPION OF
1631
00:49:02,583 --> 00:49:08,959
THE WORLD, EUREKA.
1632
00:49:09,041 --> 00:49:09,542
>> Eureka O'Hara:
1633
00:49:43,542 --> 00:49:43,917
>> IN THIS WORLD,
1634
00:49:44,000 --> 00:49:46,625
HAILING FROM BRANSON, MISSOURI,
1635
00:49:46,709 --> 00:49:48,500
MIRANDA JOLES.
1636
00:49:48,583 --> 00:49:49,208
>> Chris:
1637
00:50:18,333 --> 00:50:19,792
>> Sarah: ARE YOU EXCITED?
1638
00:50:19,875 --> 00:50:21,458
>> December: YEAH, I'M NERVOUS.
1639
00:50:21,542 --> 00:50:22,291
>> Sarah: NO, DON'T BE NERVOUS.
1640
00:50:22,375 --> 00:50:22,875
YOU'RE BEAUTIFUL AND YOU'RE
1641
00:50:22,959 --> 00:50:23,208
AMAZING, OKAY.
1642
00:50:23,291 --> 00:50:23,792
THERE'S NOTHING TO BE NERVOUS
1643
00:50:23,875 --> 00:50:24,417
ABOUT, YOU'RE GONNA GO OUT HERE
1644
00:50:24,500 --> 00:50:25,041
AND YOU'RE GONNA SHOW THEM HOW
1645
00:50:25,125 --> 00:50:25,542
TOUGH YOU ARE, OKAY?
1646
00:50:25,625 --> 00:50:28,250
YOU GOT THIS.
1647
00:50:28,333 --> 00:50:30,834
>> Chris: ♪ THANKS TO YOU
1648
00:51:31,458 --> 00:51:37,291
>> AH.
1649
00:51:37,375 --> 00:51:38,875
A NEW DRAG QUEEN, MIRANDA JOLES.
1650
00:51:48,250 --> 00:51:49,583
>> Eureka O'Hara: GIVE IT UP FOR
1651
00:51:49,667 --> 00:51:50,542
ONE OF YOUR MOST CONFIDENT
1652
00:51:50,625 --> 00:51:53,083
PEOPLE IN BRANSON, MISS MIRANDA
1653
00:51:53,166 --> 00:51:58,208
JOLES.
1654
00:51:58,291 --> 00:51:59,709
>> Chris: THIS EXPERIENCE HAS
1655
00:51:59,792 --> 00:52:01,875
BEEN ABSOLUTELY AMAZING.
1656
00:52:01,959 --> 00:52:04,792
I WANTED TO APPROACH IT AS TO
1657
00:52:04,875 --> 00:52:06,166
TEACH EVERYONE THAT THERE IS
1658
00:52:06,250 --> 00:52:08,792
MANY MORE WAYS TO BE A MAN.
1659
00:52:13,375 --> 00:52:14,333
TWO YEARS AGO I WANTED TO END MY
1660
00:52:14,417 --> 00:52:15,875
LIFE.
1661
00:52:15,959 --> 00:52:17,125
AND I DIDN'T.
1662
00:52:17,208 --> 00:52:18,709
AND I KNOW WHY.
1663
00:52:18,792 --> 00:52:20,458
AND THAT REASON IS TO REACH OUT
1664
00:52:20,542 --> 00:52:20,834
AND HELP PEOPLE.
1665
00:52:20,917 --> 00:52:24,917
AND I'M DOING THAT RIGHT NOW.
1666
00:52:26,375 --> 00:52:27,208
IT FELT LIKE THE WHOLE PLACE
1667
00:52:27,291 --> 00:52:28,583
ERUPTED AND IT WAS AMAZING.
1668
00:52:28,667 --> 00:52:29,208
>> Bob The Drag Queen: WAS IT
1669
00:52:29,291 --> 00:52:32,417
GREAT?
1670
00:52:32,500 --> 00:52:33,083
>> Chris: YES, IT WAS EVERYTHING
1671
00:52:33,166 --> 00:52:33,375
I WANTED.
1672
00:52:33,458 --> 00:52:34,458
I HAVE MORE SELF CONFIDENCE NOW,
1673
00:52:34,500 --> 00:52:38,625
I HAVE MORE.
1674
00:52:38,709 --> 00:52:40,083
I'M NOT GONNA LOOK AT MYSELF IN
1675
00:52:40,166 --> 00:52:40,625
THE SAME LIGHT THAT I HAVE.
1676
00:52:40,709 --> 00:52:41,291
I'M GONNA LOVE MYSELF FOR WHO I
1677
00:52:41,375 --> 00:52:44,667
AM.
1678
00:52:44,750 --> 00:52:46,750
>> Melissa: YOU KNOW, LIKE THE
1679
00:52:46,834 --> 00:52:47,834
LAST COUPLE OF DAYS, I'VE SLOWLY
1680
00:52:47,917 --> 00:52:48,667
SEEN THIS LITTLE SPARK IN TANNER
1681
00:52:48,750 --> 00:52:56,041
AND HE'S LIKE GROWING.
1682
00:52:56,125 --> 00:52:56,667
>> Eureka O'Hara: HOW AMAZING.
1683
00:52:56,750 --> 00:52:57,875
THANK YOU FOR DOING THIS WITH
1684
00:52:57,959 --> 00:52:58,917
US.
1685
00:52:59,000 --> 00:52:59,458
>> Tanner: NO, THANK YOU.
1686
00:52:59,542 --> 00:53:00,125
>> Eureka O'Hara: I'M REALLY
1687
00:53:00,208 --> 00:53:03,792
PROUD OF YOU.
1688
00:53:03,875 --> 00:53:04,500
>> Melissa: HIS FAITH DOESN'T
1689
00:53:04,583 --> 00:53:05,125
BRING THAT SPARK BUT I, I DON'T
1690
00:53:05,208 --> 00:53:05,709
KNOW, THERE IS A SPARK THERE.
1691
00:53:05,792 --> 00:53:06,333
THERE IS A SPARK OF EXCITEMENT
1692
00:53:06,417 --> 00:53:07,625
I'VE SEEN IN THE LAST COUPLE OF
1693
00:53:07,709 --> 00:53:08,333
DAYS.
1694
00:53:08,417 --> 00:53:12,625
SO WE'LL SEE.
1695
00:53:12,709 --> 00:53:13,500
>> PLEASE, PLEASE WELCOME.
1696
00:54:20,917 --> 00:54:23,041
>> Melissa:
1697
00:54:39,291 --> 00:54:40,208
>> Tanner:
1698
00:54:53,750 --> 00:54:55,333
>> Melissa:
1699
00:55:09,333 --> 00:55:10,542
>> Tanner:
1700
00:55:25,291 --> 00:55:25,750
>> Bob The Drag Queen:
1701
00:56:32,625 --> 00:56:33,667
>> Tanner: IT'S BEEN SUCH
1702
00:56:33,750 --> 00:56:35,291
A HUMBLING EXPERIENCE AND SUCH
1703
00:56:35,375 --> 00:56:37,959
A LIFE CHANGING EXPERIENCE.
1704
00:56:38,041 --> 00:56:41,625
THIS WORLD NEEDS MORE LOVE, LOVE
1705
00:56:41,709 --> 00:56:43,083
ABOVE ALL ELSE, SMILE AT THE
1706
00:56:43,166 --> 00:56:45,083
NEXT PERSON YOU SEE, GIVE THE
1707
00:56:45,166 --> 00:56:46,291
NEXT PERSON YOU CAN A HUG.
1708
00:56:46,375 --> 00:56:49,083
FEEL THIS WORLD WITH LOVE.
1709
00:56:50,583 --> 00:56:52,458
I FOUND IN LIFE THAT THERE'S NO
1710
00:56:52,542 --> 00:56:54,000
SUCH THING AS COINCIDENCE.
1711
00:56:54,083 --> 00:56:55,834
>> Bob The Drag Queen: TANNER,
1712
00:56:55,917 --> 00:56:56,083
TANNER.
1713
00:56:56,166 --> 00:56:57,834
>> TANNER, TANNER.
1714
00:56:57,917 --> 00:57:02,917
>> Tanner: YOU KNOW, SOMETIMES
1715
00:57:03,000 --> 00:57:03,500
IT'S EASY TO FORGET THAT, YOU
1716
00:57:03,583 --> 00:57:04,166
KNOW, YOU HAVE SO MUCH LOVE IN
1717
00:57:04,250 --> 00:57:04,709
YOUR LIFE AND THIS WAS JUST
1718
00:57:04,792 --> 00:57:05,333
ANOTHER REMINDER OF YOU KNOW,
1719
00:57:05,417 --> 00:57:06,208
ALL THE PEOPLE WHO I HAVE IN MY
1720
00:57:06,291 --> 00:57:08,583
LIFE THAT ARE SUPPORTING ME.
1721
00:57:08,667 --> 00:57:09,333
WE'RE ALL IN THIS TOGETHER.
1722
00:57:09,417 --> 00:57:11,166
THE SEPARATION BETWEEN CHRISTIAN
1723
00:57:11,250 --> 00:57:12,709
AND LGBT, THAT ISN'T A
1724
00:57:12,792 --> 00:57:19,458
SEPARATION BY GOD, THAT IS A
1725
00:57:19,542 --> 00:57:20,000
SEPARATION BY PEOPLE.
1726
00:57:20,083 --> 00:57:24,667
>> Bob The Drag Queen: SOMETIMES
1727
00:57:24,750 --> 00:57:25,250
YOU HAVE TO LET OTHER PEOPLE
1728
00:57:25,333 --> 00:57:26,709
LOVE YOU, SO YOU CAN FULLY LOVE
1729
00:57:26,792 --> 00:57:27,000
YOURSELF.
1730
00:57:27,083 --> 00:57:27,625
IT GOES BACK TO THE HUMAN
1731
00:57:27,709 --> 00:57:29,166
EXPERIENCE, EVERYONE WANTS PEACE
1732
00:57:29,250 --> 00:57:29,834
AND HAPPINESS.
1733
00:57:29,917 --> 00:57:30,750
WE ALL STRUGGLE AND WE CAN ALL
1734
00:57:30,834 --> 00:57:31,458
OVERCOME.
1735
00:57:31,500 --> 00:57:32,375
>> Sarah: YOU ARE BEAUTIFUL,
1736
00:57:32,458 --> 00:57:32,917
OKAY.
1737
00:57:32,959 --> 00:57:33,625
>> Shangela: WE DID IT!
1738
00:57:33,709 --> 00:57:34,709
>> Charles: IT WAS FUN.
1739
00:57:34,750 --> 00:57:35,291
YEAH.
1740
00:57:35,375 --> 00:57:39,000
>> Shangela: ALL RIGHT.
1741
00:57:39,333 --> 00:57:41,041
>> Charles: I FEEL LIKE A
1742
00:57:41,125 --> 00:57:41,458
SUPERSTAR.
1743
00:57:41,542 --> 00:57:43,417
IT WAS REALLY AMAZING.
1744
00:57:43,500 --> 00:57:44,750
>> Eureka O'Hara: THERE'S A
1745
00:57:44,834 --> 00:57:46,125
THING ABOUT DRAG, IT'S LIKE YOU
1746
00:57:46,208 --> 00:57:48,917
CAN CONQUER THE WORLD.
1747
00:57:49,000 --> 00:57:51,667
AND ONCE YOU FEEL THAT, IT MAKES
1748
00:57:51,750 --> 00:57:52,792
YOU WANT TO START CHANGING
1749
00:57:52,875 --> 00:57:53,458
THINGS IN YOUR LIFE, SO THAT YOU
1750
00:57:53,542 --> 00:57:54,542
CAN FEEL THAT WAY AGAIN.
1751
00:57:54,625 --> 00:57:55,208
WELL, SO THIS TIME OR WHEN
1752
00:57:55,291 --> 00:57:56,875
YOU'RE AT THE POOL, WHAT ARE YOU
1753
00:57:56,959 --> 00:57:57,166
GONNA WEAR?
1754
00:57:57,250 --> 00:58:00,458
>> Chris: A SPEEDO.
1755
00:58:00,542 --> 00:58:01,917
>> Eureka O'Hara: A SPEEDO.
1756
00:58:02,000 --> 00:58:06,250
>> Chris:
1757
00:58:06,333 --> 00:58:07,750
>> Eureka O'Hara: THIS IS GONNA
1758
00:58:07,834 --> 00:58:08,333
BE A MEMORY HE'S GONNA HOLD
1759
00:58:08,417 --> 00:58:08,959
FOREVER, NOT ONLY FOR HIM, BUT
1760
00:58:09,041 --> 00:58:09,417
ALSO FOR HIS DAUGHTER.
1761
00:58:09,500 --> 00:58:10,041
AND THAT'S THE MOST BEAUTIFUL
1762
00:58:10,125 --> 00:58:10,834
PART ABOUT THAT.
1763
00:58:10,917 --> 00:58:11,417
>> Shangela: YOU LOOK SO CUTE.
1764
00:58:11,500 --> 00:58:12,083
WHEN YOU'RE ABLE JUST TO PUT ON
1765
00:58:12,166 --> 00:58:12,667
THE ARMOR OF WHO YOU ARE AND
1766
00:58:12,750 --> 00:58:17,667
WALK IN THAT TRUTH.
1767
00:58:17,750 --> 00:58:20,166
THAT'S THE MOST IMPORTANT THING.
1768
00:58:20,250 --> 00:58:21,125
THAT'S DRAG.
1769
00:58:21,208 --> 00:58:24,959
>> Tanner: I FEEL LIKE A MIX OF
1770
00:58:25,041 --> 00:58:26,000
LIKE, CINDEL AND DAVID BOWIE.
1771
00:58:26,083 --> 00:58:29,250
>> A LITTLE CINDEL, YEAH.
1772
00:58:29,333 --> 00:58:35,542
>> Melissa: I THINK HE FEELS
1773
00:58:35,625 --> 00:58:36,333
REALLY LOVED RIGHT NOW.
1774
00:58:36,417 --> 00:58:37,000
AND WHAT MORE COULD YOU ASK FOR,
1775
00:58:37,083 --> 00:58:37,208
RIGHT?
1776
00:58:37,291 --> 00:58:37,625
YOU KNOW.
1777
00:58:37,709 --> 00:58:38,291
I JUST WANT HIM TO BE HAPPY, I
1778
00:58:38,375 --> 00:58:44,625
JUST WANT THEM ALL TO BE HAPPY.
1779
00:59:46,458 --> 00:59:49,583
Hello!
1780
00:59:49,667 --> 00:59:52,458
Lord, I put on all this
for nothing?
1781
00:59:54,208 --> 00:59:56,917
We are
in Farmington, New Mexico.
1782
00:59:57,291 --> 01:00:00,667
Hopefully, we can show
Farmington what fun looks like!
1783
01:00:00,959 --> 01:00:02,583
-Ah!
-Oh God, oh God.
1784
01:00:02,667 --> 01:00:04,250
-Ok, alright.
-Ah!
1785
01:00:04,333 --> 01:00:06,667
-Oh my God.
1786
01:00:07,208 --> 01:00:08,667
As an indigenous gay male,
1787
01:00:08,750 --> 01:00:11,917
on the reservation,
I was picked on, I was scared.
1788
01:00:12,125 --> 01:00:14,083
We all accepted her,
but I think she knew
1789
01:00:14,166 --> 01:00:15,583
that other people didn't.
1790
01:00:15,667 --> 01:00:20,250
I want to create support
from the community here
in Farmington.
1791
01:00:20,709 --> 01:00:22,667
That's what drag does;
it helps you create strength
1792
01:00:22,750 --> 01:00:24,542
that you don't know where
to find it.
1793
01:00:24,625 --> 01:00:27,709
You have the spotlight,
and they have to listen.
1794
01:00:28,041 --> 01:00:29,375
Let's cause a scene.
114888
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