Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:11,690 --> 00:00:14,220
[music playing]
2
00:00:22,750 --> 00:00:26,050
[static sound]
3
00:00:33,150 --> 00:00:36,500
[music playing]
4
00:00:49,080 --> 00:00:53,080
VESSEL 13 [VOICEOVER]:
All of these aspects of myself,
5
00:00:53,130 --> 00:00:59,170
all of these thoughts,
how do we heal them?
6
00:00:59,220 --> 00:01:00,090
How do I unify them?
7
00:01:03,180 --> 00:01:07,050
How do we create the we to an I?
8
00:01:11,670 --> 00:01:16,580
Every evil we
experience in this world
9
00:01:16,630 --> 00:01:19,190
is actually the world in
perfect balance with itself.
10
00:01:22,370 --> 00:01:27,770
I'm only a vessel
for your unfoldment.
11
00:01:27,810 --> 00:01:30,640
I am only here for you.
12
00:01:30,680 --> 00:01:35,080
So when a conflict arises
in me, the universe
13
00:01:35,120 --> 00:01:39,950
then sends a runner to manifest
that conflict in a form
14
00:01:40,000 --> 00:01:47,050
that I can see, to deal
with outside myself,
15
00:01:47,090 --> 00:01:49,180
to create the harmony
that I've lost within me.
16
00:01:52,270 --> 00:02:02,720
But the fear, a fear of not
having, a fear of not knowing,
17
00:02:02,760 --> 00:02:06,680
a fear of being left behind.
18
00:02:06,720 --> 00:02:11,160
The fear, the fear,
the fear, hardly
19
00:02:11,200 --> 00:02:12,160
leaves any room for love.
20
00:02:16,210 --> 00:02:19,250
Love is a reality.
21
00:02:19,300 --> 00:02:20,210
Love is the only reality.
22
00:02:23,780 --> 00:02:31,310
Had I run from it, I run
from the things that heal me,
23
00:02:31,350 --> 00:02:34,620
because I need to feel powerful.
24
00:02:34,660 --> 00:02:36,140
I need to feel validated.
25
00:02:38,880 --> 00:02:44,280
I need to give expression to
these tears that I have inside,
26
00:02:44,320 --> 00:02:45,670
because without them, who am I?
27
00:02:49,240 --> 00:02:50,110
Who am I?
28
00:02:53,640 --> 00:02:54,290
I'm an illusion.
29
00:02:58,420 --> 00:02:59,900
I'm not even here.
30
00:02:59,950 --> 00:03:03,260
[music playing]
31
00:03:09,390 --> 00:03:12,740
[phone ringing]
32
00:03:25,840 --> 00:03:27,060
VESSEL 13: Mom?
33
00:03:27,100 --> 00:03:29,800
MOTHER: It's not a
great time, honey.
34
00:03:29,850 --> 00:03:31,890
I'm out with the girls.
35
00:03:31,940 --> 00:03:33,940
I don't know what he wants.
36
00:03:33,980 --> 00:03:34,630
Hang on.
37
00:03:34,680 --> 00:03:36,240
I'm finding out.
38
00:03:36,290 --> 00:03:38,200
Honey, what's the problem?
39
00:03:38,250 --> 00:03:40,070
What happened?
40
00:03:40,120 --> 00:03:41,380
VESSEL 13: I don't know.
41
00:03:41,420 --> 00:03:42,730
MOTHER: What do you
mean you don't know?
42
00:03:42,770 --> 00:03:44,690
VESSEL 13: Um, a
friend came over.
43
00:03:44,730 --> 00:03:47,210
MOTHER: What did you
guys, break something?
44
00:03:47,260 --> 00:03:50,040
VESSEL 13: No.
45
00:03:50,080 --> 00:03:52,480
Mom, just come home, please.
46
00:03:55,440 --> 00:03:56,350
I need help.
47
00:03:56,400 --> 00:03:59,750
[music playing]
48
00:04:02,310 --> 00:04:05,710
[phone beeping]
49
00:04:08,320 --> 00:04:11,630
[music playing]
50
00:04:23,680 --> 00:04:27,730
We need one another
so that we can
51
00:04:27,770 --> 00:04:31,170
get to that place of balance.
52
00:04:31,210 --> 00:04:35,560
If we knew what balance was,
we would just achieve it.
53
00:04:35,610 --> 00:04:36,000
No.
54
00:04:38,960 --> 00:04:43,440
We have to feel our
way like blind men,
55
00:04:43,490 --> 00:04:48,190
walking in a vast room, looking
for the walls to hang on to,
56
00:04:48,230 --> 00:04:51,750
to feel, so they can
look for a way out.
57
00:04:56,850 --> 00:04:57,240
Mom?
58
00:05:04,290 --> 00:05:07,200
Am I bad?
59
00:05:07,250 --> 00:05:10,210
No.
60
00:05:10,250 --> 00:05:11,210
Of course not, honey.
61
00:05:11,250 --> 00:05:14,430
[music playing]
62
00:05:15,820 --> 00:05:16,820
VESSEL 13: Why did
this happen then?
63
00:05:20,090 --> 00:05:21,310
I'll explain
when you're older.
64
00:05:26,400 --> 00:05:29,360
You'll listen to them
and do what they say.
65
00:05:29,400 --> 00:05:29,790
OK?
66
00:05:33,100 --> 00:05:36,450
VESSEL 13: How long
will I be there?
67
00:05:36,500 --> 00:05:39,500
That depends on you.
68
00:05:39,540 --> 00:05:43,110
It's time you took
responsibility for yourself.
69
00:05:43,150 --> 00:05:46,980
You'll have to choose your own
path and follow it to the end.
70
00:05:50,200 --> 00:05:53,080
You have that key
I gave you, right?
71
00:05:53,120 --> 00:05:56,040
Yeah.
72
00:05:56,080 --> 00:05:56,910
That's a good boy.
73
00:05:56,950 --> 00:05:59,340
[music playing]
74
00:06:10,830 --> 00:06:14,230
[sound of door opening]
75
00:06:26,240 --> 00:06:29,550
[birds chirping]
76
00:06:39,120 --> 00:06:42,430
[music playing]
77
00:06:49,050 --> 00:06:51,440
OZAWA: Welcome to the clinic.
78
00:06:51,480 --> 00:06:54,570
Your treatment awaits you.
79
00:06:54,620 --> 00:07:00,270
Please make yourself at home
and be one with the others.
80
00:07:00,320 --> 00:07:06,890
Breathe in, breathe out.
81
00:07:06,930 --> 00:07:12,370
Close your eyes and
think of your new self,
82
00:07:12,420 --> 00:07:18,680
a self without limits, that
can create new worlds, where
83
00:07:18,730 --> 00:07:22,380
anything is possible.
84
00:07:22,430 --> 00:07:28,610
Breathe in, breathe out.
85
00:07:28,650 --> 00:07:33,830
Breathe in, breathe out.
86
00:07:33,870 --> 00:07:40,490
Your mind exists only in
the form you allow it to.
87
00:07:40,530 --> 00:07:47,020
Breathe in, breathe out.
88
00:07:47,060 --> 00:07:53,500
Breathe in, breathe out.
89
00:07:53,550 --> 00:07:54,500
Breathe in--
90
00:07:54,550 --> 00:07:57,900
[music playing]
91
00:08:42,460 --> 00:08:44,420
[low buzzing sound]
92
00:08:44,470 --> 00:08:47,820
[music playing]
93
00:09:12,410 --> 00:09:15,840
[ding-dong sound]
94
00:09:15,890 --> 00:09:17,110
Go ahead.
95
00:09:17,150 --> 00:09:19,200
This is your room.
96
00:09:19,240 --> 00:09:21,110
You may unpack if you wish.
97
00:09:21,150 --> 00:09:24,370
[music playing]
98
00:09:30,730 --> 00:09:32,950
The others.
99
00:09:32,990 --> 00:09:34,340
Why are they here?
100
00:09:34,380 --> 00:09:37,340
OZAWA: They are all
on their own journey.
101
00:09:37,390 --> 00:09:38,690
Journeys a lot like yours.
102
00:09:38,740 --> 00:09:42,090
[music playing]
103
00:09:47,180 --> 00:09:50,530
[BUZZING SOUND TO OPEN DOOR,
MUSIC PLAYING]
104
00:10:00,060 --> 00:10:03,410
[music playing]
105
00:10:32,310 --> 00:10:33,660
What happens here?
106
00:10:33,710 --> 00:10:36,140
OZAWA: We are here to help.
107
00:10:36,190 --> 00:10:38,670
Once you select a
path, you'll see.
108
00:10:38,710 --> 00:10:41,890
[music playing]
109
00:10:44,410 --> 00:10:45,720
What's that room?
110
00:10:45,760 --> 00:10:47,540
OZAWA: Selection room.
111
00:10:47,590 --> 00:10:50,980
When you are ready you
can select a path there.
112
00:10:51,030 --> 00:10:55,810
Once you make a choice,
the treatment can begin.
113
00:10:55,860 --> 00:10:58,990
Treatment?
114
00:10:59,030 --> 00:11:01,690
OZAWA: Why don't
you get some rest?
115
00:11:01,730 --> 00:11:03,260
You can meet the others later.
116
00:11:03,300 --> 00:11:07,700
[birds chirping]
117
00:11:07,740 --> 00:11:11,090
[music playing]
118
00:11:24,100 --> 00:11:32,850
VESSEL 13 [VOICEOVER]: I created
an automaton, and then two,
119
00:11:32,890 --> 00:11:42,250
and then four, until I
was surrounded with them.
120
00:11:50,300 --> 00:11:57,310
When I caught that reality,
I could replicate anything
121
00:11:57,350 --> 00:12:10,720
that was already in
existence and call it my own
122
00:12:10,760 --> 00:12:11,370
and feel powerful.
123
00:12:14,630 --> 00:12:17,850
[clicking of camera]
124
00:12:17,900 --> 00:12:21,990
It's almost as if I'm
lost in my own dreams.
125
00:12:22,030 --> 00:12:25,380
[music playing]
126
00:12:42,830 --> 00:12:46,140
[static sound]
127
00:13:00,110 --> 00:13:03,460
[music playing]
128
00:13:09,560 --> 00:13:11,380
[ding-dong sound]
129
00:13:13,560 --> 00:13:15,260
OZAWA: Your trainers
will be here soon.
130
00:13:15,300 --> 00:13:18,650
[music playing]
131
00:13:30,140 --> 00:13:33,490
[buzzing sound]
132
00:13:37,060 --> 00:13:39,980
[scratching sound]
133
00:13:40,020 --> 00:13:40,940
[spitting]
134
00:13:40,980 --> 00:13:44,330
[music playing]
135
00:13:50,600 --> 00:13:52,380
MOTHER [VOICEOVER]: How
can I be your mother
136
00:13:52,430 --> 00:13:53,640
and not feel responsible?
137
00:13:56,820 --> 00:13:57,820
You are my son.
138
00:14:03,570 --> 00:14:07,440
I look in your face and find
no other eyes but my own.
139
00:14:15,140 --> 00:14:17,620
I'd hoped that you would
turn out different.
140
00:14:22,540 --> 00:14:24,370
I wanted you to be perfect.
141
00:14:29,330 --> 00:14:35,340
But I can't help but wonder,
is perfection something
142
00:14:35,380 --> 00:14:36,030
this world needs?
143
00:14:36,080 --> 00:14:39,390
[music playing]
144
00:14:47,780 --> 00:14:49,700
No.
145
00:14:49,740 --> 00:14:50,920
Perfection is horrible.
146
00:14:50,960 --> 00:14:52,050
[music playing]
147
00:14:54,570 --> 00:14:56,490
It will destroy us all.
148
00:14:56,530 --> 00:14:59,880
[music playing]
149
00:15:47,020 --> 00:15:47,580
What happened?
150
00:15:51,500 --> 00:15:52,680
OZAWA: Tell me what's going on.
151
00:15:56,200 --> 00:15:58,380
You have to tell
me what's going on.
152
00:15:58,420 --> 00:15:59,770
I don't know.
153
00:15:59,810 --> 00:16:01,950
OZAWA: We can't help
you unless you open up.
154
00:16:05,510 --> 00:16:08,000
I don't know.
155
00:16:08,040 --> 00:16:09,950
OZAWA: The danger is still real.
156
00:16:10,000 --> 00:16:13,350
[music playing]
157
00:16:16,440 --> 00:16:17,310
[loud bang]
158
00:16:18,960 --> 00:16:20,920
Hi.
159
00:16:20,970 --> 00:16:21,530
Were you--
160
00:16:21,570 --> 00:16:22,310
No.
161
00:16:22,360 --> 00:16:23,360
I was just-- um--
162
00:16:23,400 --> 00:16:24,580
SARAH: Sorry.
163
00:16:24,620 --> 00:16:26,320
I was trying to find my room.
164
00:16:26,360 --> 00:16:27,970
Um, I'm guessing it's this.
165
00:16:31,060 --> 00:16:32,410
What's your name?
166
00:16:32,450 --> 00:16:32,850
Sarah.
167
00:16:37,290 --> 00:16:39,160
VESSEL 13: Where you from?
168
00:16:39,200 --> 00:16:41,070
SARAH: Me?
169
00:16:41,120 --> 00:16:46,210
Um, I grew up pretty far away.
170
00:16:46,250 --> 00:16:48,860
VESSEL 13: Do you feel
out of place here?
171
00:16:48,910 --> 00:16:50,690
SARAH: No.
172
00:16:50,730 --> 00:16:54,390
I think everyone's
on similar journeys.
173
00:16:54,430 --> 00:16:55,350
What about you?
174
00:16:55,390 --> 00:16:58,740
Where are you from?
175
00:16:58,790 --> 00:17:01,140
VESSEL 13: Not too far away.
176
00:17:01,180 --> 00:17:03,220
My mom came here
when she was younger
177
00:17:03,270 --> 00:17:10,450
and she thought they
could, um, fix me.
178
00:17:10,490 --> 00:17:11,320
SARAH: Fix you?
179
00:17:14,840 --> 00:17:18,720
VESSEL 13: I've been having
these strange visions.
180
00:17:21,680 --> 00:17:24,030
SARAH: Hm.
181
00:17:24,070 --> 00:17:25,380
Have you made your
selection yet?
182
00:17:25,420 --> 00:17:26,030
Not yet.
183
00:17:28,730 --> 00:17:32,780
SARAH: What are you waiting
for to start your journey?
184
00:17:32,820 --> 00:17:36,170
I don't know.
185
00:17:36,210 --> 00:17:38,610
You have to evolve
past your own nature.
186
00:17:38,650 --> 00:17:40,000
You have to get
to the next place
187
00:17:40,040 --> 00:17:42,700
if you want to
get along in here.
188
00:17:42,740 --> 00:17:45,140
You're doing that?
189
00:17:45,180 --> 00:17:46,620
Evolving?
190
00:17:46,660 --> 00:17:49,530
SARAH: Yeah.
191
00:17:49,580 --> 00:17:51,970
Come with me.
192
00:17:52,010 --> 00:17:55,230
[music playing]
193
00:17:59,150 --> 00:18:01,200
VESSEL 13 [VOICEOVER]: When
every space that we see
194
00:18:01,240 --> 00:18:07,250
is empty, there's a
story being played out.
195
00:18:07,290 --> 00:18:14,470
There's a universe unfolding
between two people.
196
00:18:14,510 --> 00:18:16,380
There may be thousands
upon thousands
197
00:18:16,430 --> 00:18:23,700
of realities happening that
they may not be aware of.
198
00:18:23,740 --> 00:18:26,700
I need to make my selection.
199
00:18:26,740 --> 00:18:28,140
OK.
200
00:18:28,180 --> 00:18:29,090
Please hurry.
201
00:18:32,180 --> 00:18:35,190
VESSEL 13 [VOICEOVER]: You
see, for those two people, who
202
00:18:35,230 --> 00:18:37,930
see each other,
they're vibrating
203
00:18:37,970 --> 00:18:48,200
at a specific frequency, one
that allows the other person
204
00:18:48,240 --> 00:18:52,120
to be manifest before them.
205
00:18:52,160 --> 00:18:58,210
But the true process, the one
that brings them together,
206
00:18:58,250 --> 00:18:59,380
is so much more subtle.
207
00:19:06,960 --> 00:19:07,910
SARAH: Hey.
208
00:19:07,960 --> 00:19:10,350
Check it out.
209
00:19:10,400 --> 00:19:11,830
Girls in outer space.
210
00:19:11,870 --> 00:19:15,140
[music playing]
211
00:19:20,140 --> 00:19:22,840
What's wrong?
212
00:19:22,890 --> 00:19:23,360
Come on.
213
00:19:23,410 --> 00:19:24,840
Tell me.
214
00:19:24,890 --> 00:19:26,370
I can tell you were
thinking about something.
215
00:19:26,410 --> 00:19:33,420
I mean, you look so familiar.
216
00:19:38,340 --> 00:19:39,080
Weird.
217
00:19:39,120 --> 00:19:39,550
You know that?
218
00:19:56,010 --> 00:19:59,230
OZAWA: You're
putting her at risk.
219
00:19:59,270 --> 00:20:00,840
Why are you here?
220
00:20:00,880 --> 00:20:04,230
To fix this, this problem.
221
00:20:04,280 --> 00:20:07,280
OZAWA: Why haven't you
chosen a path then?
222
00:20:07,320 --> 00:20:11,500
Don't you remember what
happened to your girlfriend?
223
00:20:11,540 --> 00:20:12,890
It was like I was--
224
00:20:12,940 --> 00:20:14,150
I was in a dream.
225
00:20:14,200 --> 00:20:15,070
OZAWA: What did you see?
226
00:20:19,810 --> 00:20:21,550
VESSEL 13: I was terrified.
227
00:20:21,600 --> 00:20:23,290
I had no control.
228
00:20:23,340 --> 00:20:26,510
I-- I couldn't do anything.
229
00:20:26,560 --> 00:20:30,430
It was like I was on a
ride I couldn't get off of.
230
00:20:30,480 --> 00:20:38,090
But at the same time, deep
down, I liked it, and then--
231
00:20:38,130 --> 00:20:38,870
and then I woke up.
232
00:20:38,920 --> 00:20:42,230
[music playing]
233
00:20:50,320 --> 00:20:53,450
OZAWA: Are you ready
to be in treatment?
234
00:20:53,500 --> 00:20:55,540
You're endangering her.
235
00:20:55,590 --> 00:20:57,020
VESSEL 13: What will it do?
236
00:20:57,070 --> 00:21:00,420
OZAWA: Transgenic in
vivo microbionic implants
237
00:21:00,460 --> 00:21:02,290
will cure you.
238
00:21:02,330 --> 00:21:05,680
This technology can
mutate your perception
239
00:21:05,730 --> 00:21:09,120
and free you from
your base program.
240
00:21:09,170 --> 00:21:12,430
It's a choice you can make.
241
00:21:12,470 --> 00:21:16,650
You can become something
better, something
242
00:21:16,700 --> 00:21:24,920
more refined, more evolved,
but you have to act now.
243
00:21:24,960 --> 00:21:29,360
This miracle process can only
work if you start your journey
244
00:21:29,400 --> 00:21:31,970
and allow it to take its course.
245
00:21:32,010 --> 00:21:33,490
Are you ready?
246
00:21:33,540 --> 00:21:34,230
Yes.
247
00:21:34,280 --> 00:21:37,410
[music playing]
248
00:25:00,010 --> 00:25:00,700
OZAWA: Good morning.
249
00:25:04,050 --> 00:25:06,530
Congratulations on
starting your journey.
250
00:25:06,580 --> 00:25:09,930
[music playing]
251
00:25:25,550 --> 00:25:25,990
Come closer.
252
00:25:30,210 --> 00:25:33,470
This is how your packages
will be delivered.
253
00:25:33,520 --> 00:25:36,260
Because this is a
personal process,
254
00:25:36,300 --> 00:25:40,570
you will install the
upgrades yourself.
255
00:25:40,610 --> 00:25:49,180
ROBOT: Package for patient 1379.
256
00:25:49,230 --> 00:25:50,840
Thank you.
257
00:25:50,880 --> 00:25:53,060
OZAWA: Just follow
the instructions.
258
00:25:53,100 --> 00:25:54,670
I'm here if you need help.
259
00:25:54,710 --> 00:25:58,020
[music playing]
260
00:26:07,420 --> 00:26:11,380
Step one, remove this first
item from the package.
261
00:26:11,420 --> 00:26:14,560
[music playing]
262
00:26:35,140 --> 00:26:39,630
Step two, use the item to
draw the specific lines.
263
00:26:39,670 --> 00:26:42,980
[music playing]
264
00:27:10,270 --> 00:27:13,050
Step three, press the button.
265
00:27:13,090 --> 00:27:16,450
[music playing]
266
00:27:31,370 --> 00:27:37,290
Step four, use the
item to penetrate.
267
00:27:37,340 --> 00:27:39,600
The pain will only be temporary.
268
00:27:39,640 --> 00:27:42,990
[music playing]
269
00:28:20,470 --> 00:28:24,120
Step five, remove the
abcess from your body.
270
00:28:24,170 --> 00:28:27,520
[music playing]
271
00:28:45,970 --> 00:28:51,280
Step six, take out the
beautiful and clean treatment.
272
00:28:56,680 --> 00:28:58,590
Apply the treatment in cavity.
273
00:28:58,630 --> 00:29:01,900
[music playing]
274
00:29:09,820 --> 00:29:14,090
You are one step closer to
completion and being pure.
275
00:29:17,700 --> 00:29:20,130
VESSEL 13 [VOICEOVER]: Let go.
276
00:29:20,180 --> 00:29:20,870
Try to be free.
277
00:29:25,530 --> 00:29:28,840
[breathing hard]
278
00:29:46,420 --> 00:29:56,430
[music playing]
279
00:31:07,630 --> 00:31:11,030
You chose a path.
280
00:31:11,070 --> 00:31:11,940
Where were you?
281
00:31:14,640 --> 00:31:18,120
I you think you're great,
but I think we should continue
282
00:31:18,170 --> 00:31:21,820
our transition separately.
283
00:31:21,870 --> 00:31:26,780
I'm too far ahead of you, and I
see you like a man sees an ant.
284
00:31:30,870 --> 00:31:34,830
But I wish you well on your way.
285
00:31:34,880 --> 00:31:35,750
This is goodbye.
286
00:31:38,880 --> 00:31:40,320
Thanks for showing me my room.
287
00:31:40,360 --> 00:31:43,710
[music playing]
288
00:32:16,480 --> 00:32:18,490
MAN [VOICEOVER]: The
chrysalis is the pupal stage
289
00:32:18,530 --> 00:32:21,970
of the butterfly.
290
00:32:22,010 --> 00:32:26,840
Chrys s is Greek for gold.
291
00:32:26,890 --> 00:32:28,840
It's called that because
of the metallic gold
292
00:32:28,890 --> 00:32:31,850
color found in the pupae
of many butterflies.
293
00:32:34,980 --> 00:32:44,340
When the caterpillar
is fully grown,
294
00:32:44,380 --> 00:32:50,340
it fuses itself
with silk to a twig,
295
00:32:50,390 --> 00:32:52,740
then the caterpillar's
skin comes off.
296
00:32:59,830 --> 00:33:03,580
Under this old skin
is a hard covering.
297
00:33:07,010 --> 00:33:08,190
The chrysalis.
298
00:33:19,200 --> 00:33:20,460
Hi.
299
00:33:20,510 --> 00:33:20,900
Hey, mom.
300
00:33:25,990 --> 00:33:28,510
Sorry I haven't called.
301
00:33:28,560 --> 00:33:29,640
MOTHER: How are things going?
302
00:33:33,340 --> 00:33:35,000
Are you happy?
303
00:33:35,040 --> 00:33:35,610
Trying to be.
304
00:33:38,570 --> 00:33:41,000
Nothing's really
changed yet, but I'm
305
00:33:41,050 --> 00:33:42,050
committed to making it work.
306
00:33:45,530 --> 00:33:46,570
MOTHER: Well, that's good.
307
00:33:46,620 --> 00:33:49,970
[music playing]
308
00:33:59,200 --> 00:34:01,070
What kind of stuff are
they having you do there?
309
00:34:06,900 --> 00:34:09,860
Mom, there's this girl here.
310
00:34:09,900 --> 00:34:11,510
You would like her.
311
00:34:11,560 --> 00:34:14,860
Be careful, sweetheart.
312
00:34:14,910 --> 00:34:16,740
Take it easy.
313
00:34:16,780 --> 00:34:17,130
I am.
314
00:34:20,170 --> 00:34:22,440
Don't get too close.
315
00:34:22,480 --> 00:34:24,570
You meet anyone else there?
316
00:34:24,610 --> 00:34:26,270
Anyone that works there?
317
00:34:26,310 --> 00:34:28,700
There's this voice who talks
to me through the intercom.
318
00:34:31,840 --> 00:34:39,760
I feel like this is my fault,
like I wasn't there enough.
319
00:34:39,800 --> 00:34:42,110
It's not your fault.
320
00:34:42,150 --> 00:34:47,110
Maybe if-- if I
was a better mother--
321
00:34:47,160 --> 00:34:48,590
No.
322
00:34:48,640 --> 00:34:49,590
That's not it, Mom.
323
00:34:49,640 --> 00:34:52,990
[dramatic music playing]
324
00:35:31,070 --> 00:35:34,380
[FIRE BURNING, DRAMATIC MUSIC
PLAYING]
325
00:35:38,510 --> 00:35:39,990
[screaming]
326
00:35:40,040 --> 00:35:43,390
[dramatic music playing]
327
00:36:11,980 --> 00:36:15,290
[music playing]
328
00:36:32,390 --> 00:36:35,270
[foot beating the floor]
329
00:36:37,920 --> 00:36:40,360
[dinging]
330
00:36:40,400 --> 00:36:43,750
[music playing]
331
00:37:29,230 --> 00:37:31,630
VESSEL 13 [VOICEOVER]: This has
already passed, just not yet.
332
00:37:36,720 --> 00:37:38,240
It's happening,
but somewhere else.
333
00:37:41,290 --> 00:37:44,030
How do I reconcile that
when things feel so real?
334
00:37:48,030 --> 00:37:48,600
So who are you?
335
00:37:52,340 --> 00:37:55,560
Are you my adversary?
336
00:37:55,610 --> 00:37:56,220
Are you my enemy?
337
00:38:00,130 --> 00:38:01,570
Are you a thing
that I must control?
338
00:38:01,610 --> 00:38:04,960
[music playing]
339
00:38:12,540 --> 00:38:16,930
The way out is
really the way in.
340
00:38:16,980 --> 00:38:21,680
And the deeper in that I go,
the more free that I become.
341
00:38:26,290 --> 00:38:27,070
You are the person.
342
00:38:27,120 --> 00:38:29,070
You are the guide.
343
00:38:29,120 --> 00:38:31,120
You are the one that will
lead me back to myself.
344
00:38:31,160 --> 00:38:34,510
[music playing]
345
00:38:54,580 --> 00:38:57,930
[music - flying lotus]
346
00:41:39,220 --> 00:41:43,400
In this great delusion
of love, an object
347
00:41:43,440 --> 00:41:49,060
can not exist without
something else
348
00:41:49,100 --> 00:41:52,360
to reflect itself
back unto itself.
349
00:41:55,670 --> 00:41:59,070
[music playing]
350
00:42:10,640 --> 00:42:14,040
[biting into fruit]
351
00:42:27,620 --> 00:42:31,010
[music playing]
352
00:42:54,600 --> 00:42:56,040
DR. PRICE: How's the boy?
353
00:42:56,080 --> 00:42:56,950
Price-shachou.
354
00:43:03,650 --> 00:43:05,050
I didn't hear you come in.
355
00:43:05,090 --> 00:43:08,310
[music playing]
356
00:43:12,490 --> 00:43:13,880
DR. PRICE: Is
everything on schedule?
357
00:43:18,760 --> 00:43:20,970
OZAWA: I think we are
about to find out.
358
00:43:26,070 --> 00:43:30,330
DR. PRICE: He's grown so
much since I last saw him.
359
00:43:30,380 --> 00:43:31,380
He's becoming a man.
360
00:43:35,470 --> 00:43:38,910
I don't have much
more time left.
361
00:43:38,950 --> 00:43:42,910
You will need to start
the transfer soon.
362
00:43:42,950 --> 00:43:44,910
OZAWA: Yes, Price-shachou.
363
00:43:44,960 --> 00:43:48,310
[music playing]
364
00:45:17,790 --> 00:45:18,440
Sarah?
365
00:45:18,480 --> 00:45:21,660
[music playing]
366
00:45:32,760 --> 00:45:35,200
Stay with me.
367
00:45:35,240 --> 00:45:36,630
It's not an option.
368
00:45:40,720 --> 00:45:41,590
I need you.
369
00:45:44,730 --> 00:45:48,340
Have to let me go.
370
00:45:48,380 --> 00:45:51,560
You can't follow
me where I'm going.
371
00:45:51,600 --> 00:45:52,950
That's not how it goes.
372
00:45:53,000 --> 00:45:58,960
VESSEL 13: Please, stay with me.
373
00:45:59,000 --> 00:46:01,920
I need you.
374
00:46:01,960 --> 00:46:04,920
Don't leave me, please.
375
00:46:04,960 --> 00:46:06,440
Don't leave.
376
00:46:06,490 --> 00:46:09,840
[music playing]
377
00:46:17,460 --> 00:46:19,810
You are her, aren't you?
378
00:46:24,940 --> 00:46:26,420
I just need more time.
379
00:46:26,460 --> 00:46:28,290
We don't have any more time.
380
00:46:31,430 --> 00:46:31,770
Sorry.
381
00:46:36,910 --> 00:46:39,870
When you're at the
end of your journey,
382
00:46:39,910 --> 00:46:43,350
you'll come for me, in here.
383
00:46:43,390 --> 00:46:46,790
[music playing]
384
00:47:54,250 --> 00:47:56,950
[clicking of camera]
385
00:47:56,990 --> 00:47:58,900
VESSEL 13 [VOICEOVER]: I
can feel myself changing.
386
00:48:02,820 --> 00:48:05,000
My mind is becoming less known.
387
00:48:05,040 --> 00:48:08,780
[clicking of camera]
388
00:48:08,830 --> 00:48:09,830
I need to release myself.
389
00:48:15,790 --> 00:48:17,140
[inaudible].
390
00:48:21,800 --> 00:48:25,100
[thundering sound]
391
00:48:27,760 --> 00:48:33,160
[music playing]
392
00:48:33,200 --> 00:48:33,590
Hey.
393
00:48:38,730 --> 00:48:42,030
I want to know every detail
about your entire life.
394
00:48:46,690 --> 00:48:47,610
Really?
395
00:48:47,650 --> 00:48:50,610
Yeah.
396
00:48:50,650 --> 00:48:53,090
Wait here for a second.
397
00:48:53,130 --> 00:48:55,090
Yeah.
398
00:48:55,130 --> 00:48:58,010
My mom gave me it
when she was younger.
399
00:48:58,050 --> 00:48:58,750
Don't stop.
400
00:48:58,790 --> 00:49:01,970
[music playing]
401
00:49:04,580 --> 00:49:09,020
I came here
because I killed my--
402
00:49:09,060 --> 00:49:12,410
[music playing]
403
00:49:21,550 --> 00:49:26,820
MAN: The bow of
God's wrath is bent,
404
00:49:26,860 --> 00:49:32,780
and the arrow made
ready on the string.
405
00:49:32,820 --> 00:49:38,400
And it is justice that bends
the arrow at your heart,
406
00:49:38,440 --> 00:49:39,960
and it strains the bow.
407
00:49:42,750 --> 00:49:52,760
And it is nothing but
the mere pleasure of God
408
00:49:52,800 --> 00:49:55,370
and that of an angry God.
409
00:50:00,370 --> 00:50:08,030
That without any promise
or obligation at all that
410
00:50:08,080 --> 00:50:16,040
keeps the arrow one moment from
being drunk with your blood.
411
00:50:16,090 --> 00:50:19,960
If your right eye
causes you to stumble,
412
00:50:20,000 --> 00:50:23,830
then tear it out and
throw it from you.
413
00:50:23,880 --> 00:50:30,100
For it is far better to lose
one of the parts of your body
414
00:50:30,140 --> 00:50:35,500
than to have your entire
body thrown into hell.
415
00:50:35,540 --> 00:50:41,460
OZAWA: The visions are triggered
by intense social connection.
416
00:50:41,500 --> 00:50:44,500
You yourself are still
quite susceptible,
417
00:50:44,550 --> 00:50:45,850
and are therefore in danger.
418
00:50:55,390 --> 00:51:00,430
Every time you open up, you
are putting everyone at risk.
419
00:51:00,480 --> 00:51:02,130
I can't believe you know that.
420
00:51:02,170 --> 00:51:03,870
OZAWA: That is the
purpose of the clinic.
421
00:51:03,920 --> 00:51:06,920
[music playing]
422
00:51:12,400 --> 00:51:13,140
Tell me the truth.
423
00:51:16,060 --> 00:51:17,970
What's wrong with me?
424
00:51:18,020 --> 00:51:23,590
OZAWA: Your animal brain, bred
for harsh life on the savanna,
425
00:51:23,630 --> 00:51:26,070
is not suited to the
present-day world
426
00:51:26,110 --> 00:51:28,510
of civilization and discipline.
427
00:51:32,070 --> 00:51:36,640
You need to open up yourself
to complete reprogramming.
428
00:51:36,690 --> 00:51:38,650
Only then will you
have peace of mind.
429
00:51:38,690 --> 00:51:39,340
You don't get it.
430
00:51:43,870 --> 00:51:47,870
Even if I can
evolve, it'll never
431
00:51:47,920 --> 00:51:50,480
be enough to earn peace of mind.
432
00:51:50,530 --> 00:51:51,090
That's the thing.
433
00:51:54,360 --> 00:51:55,970
How could I ever
trust myself again?
434
00:51:58,620 --> 00:52:02,230
How could I ever get
close to anyone again?
435
00:52:02,280 --> 00:52:04,670
OZAWA: Well, for
instance, through a radio.
436
00:52:11,030 --> 00:52:11,640
Ozawa.
437
00:52:15,810 --> 00:52:16,990
That's your name.
438
00:52:17,030 --> 00:52:17,860
OZAWA: How do you know?
439
00:52:23,520 --> 00:52:26,130
Control yourself.
440
00:52:26,170 --> 00:52:28,910
Don't lose focus.
441
00:52:28,960 --> 00:52:31,260
Stay right here with me.
442
00:52:34,350 --> 00:52:36,700
Listen, you must exercise will.
443
00:52:41,230 --> 00:52:42,710
I've just felt
like this before.
444
00:52:42,750 --> 00:52:45,630
OZAWA: Stay right here with me.
445
00:52:45,670 --> 00:52:49,020
[breathing hard]
446
00:52:53,720 --> 00:52:55,590
Yes.
447
00:52:55,640 --> 00:52:56,250
Let it all go.
448
00:52:59,550 --> 00:53:02,210
Let it all go out.
449
00:53:02,250 --> 00:53:04,210
It's OK.
450
00:53:04,250 --> 00:53:04,640
Yes.
451
00:53:09,260 --> 00:53:10,220
[trying to catch breath]
452
00:53:10,260 --> 00:53:13,610
[music playing]
453
00:54:59,060 --> 00:55:00,500
[yelling]
454
00:55:00,540 --> 00:55:03,890
[music playing]
455
00:55:11,550 --> 00:55:13,120
What happened?
456
00:55:13,160 --> 00:55:15,910
I need more.
457
00:55:15,950 --> 00:55:18,130
OZAWA: You've already
reached the limits of what
458
00:55:18,170 --> 00:55:19,910
we can safely do for you.
459
00:55:19,950 --> 00:55:21,560
I'm not clean.
460
00:55:21,610 --> 00:55:22,830
I'm not pure.
461
00:55:22,870 --> 00:55:24,390
I'm not perfect yet.
462
00:55:24,440 --> 00:55:26,220
What is this place?
463
00:55:26,260 --> 00:55:29,140
Does this stuff even work?
464
00:55:29,180 --> 00:55:31,920
OZAWA: Of course it works,
but it's not instant.
465
00:55:34,660 --> 00:55:37,190
And it's also up to you.
466
00:55:37,230 --> 00:55:39,970
You have to be able
to accept the changes,
467
00:55:40,020 --> 00:55:43,110
to let yourself be pure.
468
00:55:43,150 --> 00:55:45,330
What if I end my treatment?
469
00:55:45,370 --> 00:55:49,330
OZAWA: If you wish to
end your treatment now,
470
00:55:49,370 --> 00:55:50,940
I'll have to recommend
you be confined.
471
00:55:54,290 --> 00:55:55,600
Confined?
472
00:55:55,640 --> 00:55:57,340
OZAWA: Unfortunately
you are still a danger.
473
00:56:03,390 --> 00:56:06,700
Then I will
continue my treatment.
474
00:56:06,740 --> 00:56:07,440
OZAWA: Are you sure?
475
00:56:10,570 --> 00:56:12,010
Yes.
476
00:56:12,050 --> 00:56:12,620
Yes.
477
00:56:12,660 --> 00:56:14,790
I need it.
478
00:56:14,830 --> 00:56:17,140
OZAWA: There's one final level.
479
00:56:17,180 --> 00:56:19,880
We usually don't recommend
it to people transitioning
480
00:56:19,930 --> 00:56:21,410
for the first time.
481
00:56:21,450 --> 00:56:24,450
But in your case,
an exception might
482
00:56:24,500 --> 00:56:28,410
be made if you feel it
would help you progress.
483
00:56:28,460 --> 00:56:31,590
But I will need approval.
484
00:56:31,630 --> 00:56:32,460
[YELLING] Please.
485
00:56:37,380 --> 00:56:39,160
Please.
486
00:56:39,210 --> 00:56:39,950
Please.
487
00:56:39,990 --> 00:56:40,730
I fucking need it.
488
00:56:40,770 --> 00:56:42,820
Please.
489
00:56:42,860 --> 00:56:43,250
Please.
490
00:56:46,210 --> 00:56:47,390
Perhaps we should stop.
491
00:56:47,430 --> 00:56:50,700
[music playing]
492
00:57:00,490 --> 00:57:01,400
I think we should try.
493
00:57:04,280 --> 00:57:07,450
A true purification might
simply be too much for him.
494
00:57:07,500 --> 00:57:10,760
[music playing]
495
00:57:19,290 --> 00:57:20,680
We owe him our best efforts.
496
00:57:24,250 --> 00:57:28,130
I'll talk to him.
497
00:57:28,170 --> 00:57:29,080
Assess the risks.
498
00:57:29,130 --> 00:57:32,480
[music playing]
499
00:57:55,500 --> 00:57:57,890
Time to get up.
500
00:57:57,940 --> 00:57:59,460
Don't worry.
501
00:57:59,500 --> 00:58:00,330
It'll all work out.
502
00:58:00,370 --> 00:58:02,120
You'll be OK.
503
00:58:02,160 --> 00:58:04,550
Who are you?
504
00:58:04,600 --> 00:58:06,080
My name's Dr. Hamilton Price.
505
00:58:06,120 --> 00:58:09,470
[music playing]
506
00:58:15,960 --> 00:58:17,300
Do you know your
mother came here
507
00:58:17,350 --> 00:58:18,520
to this clinic as a young woman?
508
00:58:22,140 --> 00:58:22,480
Yes.
509
00:58:25,570 --> 00:58:39,940
DR. PRICE: Well, I
founded this clinic
510
00:58:39,980 --> 00:58:41,810
and I treated your mother.
511
00:58:48,510 --> 00:58:58,350
And let's just say I fell
in love with my work.
512
00:58:58,390 --> 00:59:01,700
[music playing]
513
00:59:19,670 --> 00:59:20,540
You mean you're my--
514
00:59:30,120 --> 00:59:35,950
Yes, both figuratively
and literally.
515
00:59:40,560 --> 00:59:41,520
What's wrong with me?
516
00:59:41,560 --> 00:59:44,870
[music playing]
517
00:59:50,960 --> 00:59:52,310
There's nothing
wrong with you.
518
00:59:55,100 --> 00:59:55,840
I have made mistakes.
519
00:59:58,670 --> 00:59:59,490
Lots of them.
520
01:00:04,890 --> 01:00:05,720
But you're not one.
521
01:00:08,760 --> 01:00:10,980
You've just been a slave to
other people's bad choices.
522
01:00:19,300 --> 01:00:26,130
Your mother and I, we've
accepted our responsibility.
523
01:00:29,700 --> 01:00:33,660
And now we're going to fix that.
524
01:00:33,700 --> 01:00:34,620
We're going to free you.
525
01:00:39,710 --> 01:00:42,670
Would you like that?
526
01:00:42,710 --> 01:00:43,360
Yes.
527
01:00:43,410 --> 01:00:46,580
[music playing]
528
01:00:54,680 --> 01:00:55,640
Let me see your hands.
529
01:00:55,680 --> 01:00:58,940
[music playing]
530
01:01:13,830 --> 01:01:20,400
I'm going to help
you, with this.
531
01:01:26,020 --> 01:01:26,890
Just lay back.
532
01:01:37,500 --> 01:01:50,950
We know a reflection
never really knows itself,
533
01:01:51,000 --> 01:01:54,700
never knows it's real,
because it isn't.
534
01:01:58,790 --> 01:01:59,740
Let's make you beautiful.
535
01:01:59,790 --> 01:02:03,180
[music playing]
536
01:02:55,580 --> 01:02:58,930
[waves crashing]
537
01:03:15,170 --> 01:03:15,950
Damn.
538
01:03:15,990 --> 01:03:18,080
This is good stuff.
539
01:03:18,130 --> 01:03:19,960
I feel it already.
540
01:03:20,000 --> 01:03:23,390
[music playing]
541
01:03:35,490 --> 01:03:37,760
Think about it.
542
01:03:37,800 --> 01:03:38,840
I'll always be a danger.
543
01:03:41,720 --> 01:03:43,070
I don't know
when I'm doing it.
544
01:03:45,850 --> 01:03:46,810
I can't even trust myself.
545
01:03:51,200 --> 01:04:01,560
I've been thinking about
that, and I have an idea,
546
01:04:01,610 --> 01:04:02,740
if you're willing to trust me.
547
01:04:09,310 --> 01:04:12,620
You shall be closer
to that source that
548
01:04:12,660 --> 01:04:15,230
brought us into being.
549
01:04:15,270 --> 01:04:21,100
You, as am I. I'm merely
the vessel of this creator.
550
01:04:29,720 --> 01:04:35,330
But I have created
this clinic to free us
551
01:04:35,380 --> 01:04:41,820
from the will of the maker,
for that we may freely
552
01:04:41,860 --> 01:04:45,740
give ourselves back
to the same life.
553
01:04:52,830 --> 01:04:54,700
You need to look
inside yourself.
554
01:04:57,790 --> 01:05:01,750
Myself.
555
01:05:01,800 --> 01:05:02,750
Let's sit.
556
01:05:02,800 --> 01:05:06,100
[music playing]
557
01:05:24,170 --> 01:05:25,040
Close your eyes.
558
01:05:34,130 --> 01:05:35,000
Now breathe.
559
01:05:40,620 --> 01:05:44,060
Breathe in.
560
01:05:44,100 --> 01:05:45,490
Now breathe out.
561
01:05:48,150 --> 01:05:57,630
Your breath is a ball of
energy, moving down your spine
562
01:05:57,680 --> 01:05:59,030
and the top of your head.
563
01:06:02,160 --> 01:06:06,030
[waves crashing]
564
01:06:09,690 --> 01:06:13,040
Focus those thoughts
inward and see yourself.
565
01:06:17,000 --> 01:06:20,050
OZAWA: Puraisu-shacho, you'd
better take a look at this.
566
01:06:20,090 --> 01:06:21,480
DR. PRICE: I'm busy here.
567
01:06:21,530 --> 01:06:22,830
OZAWA: It's rejecting
the treatment, attacking
568
01:06:22,880 --> 01:06:23,830
like an invading army.
569
01:06:28,270 --> 01:06:29,140
[baby crying]
570
01:06:31,890 --> 01:06:32,710
This isn't right.
571
01:06:32,760 --> 01:06:33,760
We have to stop this.
572
01:06:33,800 --> 01:06:37,110
[music playing]
573
01:06:44,250 --> 01:06:47,640
[baby crying]
574
01:06:50,770 --> 01:06:52,730
DR. PRICE: It's
working beautifully.
575
01:06:52,780 --> 01:06:55,390
[screaming]
576
01:06:55,430 --> 01:06:56,740
Go on, Son.
577
01:06:56,780 --> 01:06:58,740
Accept it.
578
01:06:58,780 --> 01:06:59,650
Accept it.
579
01:07:05,270 --> 01:07:07,180
OZAWA: This is what
you call working?
580
01:07:07,230 --> 01:07:10,230
This is monstrous.
581
01:07:10,270 --> 01:07:11,750
We have to help him.
582
01:07:11,800 --> 01:07:15,150
[dramatic music playing]
583
01:07:28,200 --> 01:07:31,160
[struggling to breathe]
584
01:07:31,210 --> 01:07:34,560
[dramatic music playing]
585
01:08:00,240 --> 01:08:02,630
VESSEL 13 [VOICEOVER]: What a
beautiful delusion I lived in.
586
01:08:10,590 --> 01:08:11,290
I had no idea.
587
01:08:17,640 --> 01:08:19,820
I summoned you thinking
that I would be safe.
588
01:08:24,690 --> 01:08:28,130
When I saw you, I ran.
589
01:08:28,180 --> 01:08:30,090
I ran to the edges
of my own reality.
590
01:08:33,360 --> 01:08:41,490
I ran to the place that I never
knew existed, the place where
591
01:08:41,540 --> 01:08:42,230
I would find myself.
592
01:08:45,240 --> 01:08:51,370
And I hid there for a
while, in plain sight.
593
01:08:51,420 --> 01:08:56,550
I must have looked like
a madman, overtaken
594
01:08:56,600 --> 01:08:59,120
with fear and grief.
595
01:09:03,600 --> 01:09:07,000
You had to go.
596
01:09:07,040 --> 01:09:11,260
You had to go far away
to forget what I saw
597
01:09:11,310 --> 01:09:16,090
and what I felt, and everything
and everyone associated
598
01:09:16,140 --> 01:09:28,980
to that, and create a new
reality because, you see,
599
01:09:29,020 --> 01:09:30,280
you destroyed my old one.
600
01:09:34,110 --> 01:09:35,680
So there was no going back.
601
01:09:39,770 --> 01:09:43,210
How have we changed ourselves?
602
01:09:43,250 --> 01:09:45,340
From one thing into another.
603
01:09:48,520 --> 01:09:54,480
I think the first step
is to allow our mind
604
01:09:54,520 --> 01:09:59,480
to ponder the possibility
that we may be nothing at all.
605
01:09:59,530 --> 01:10:03,270
That what we think
we are is actually
606
01:10:03,310 --> 01:10:10,100
a projection, a projection
of a fractured ego,
607
01:10:10,150 --> 01:10:11,760
a projection of a damaged mind.
608
01:10:17,890 --> 01:10:19,980
MAN: Failing to
gorge your senses
609
01:10:20,030 --> 01:10:22,590
from the social
contagion, picking meat
610
01:10:22,640 --> 01:10:25,770
from the incisors of hellhounds.
611
01:10:25,820 --> 01:10:30,390
So we're mixing herbs between
our toes as lightning strikes
612
01:10:30,430 --> 01:10:35,000
to reboot your antiquated
IBM desktop computer,
613
01:10:35,040 --> 01:10:38,960
and finally give you
something older to die for.
614
01:10:39,000 --> 01:10:42,350
[music playing]
615
01:11:18,300 --> 01:11:21,610
[buzzing]
616
01:11:31,660 --> 01:11:35,060
[music playing]
617
01:11:37,150 --> 01:11:39,320
VESSEL 13 [VOICEOVER]: But
there was very little that
618
01:11:39,370 --> 01:11:40,320
was original in my life.
619
01:11:45,680 --> 01:11:47,200
Everything was stolen
from the moment
620
01:11:47,240 --> 01:11:49,120
that I had seen
somewhere before.
621
01:11:52,730 --> 01:11:59,650
It made me feel comfortable.
622
01:11:59,690 --> 01:12:05,610
It made me feel connected.
623
01:12:05,650 --> 01:12:11,090
It made me feel in
control of my destiny.
624
01:12:11,140 --> 01:12:13,620
His name-- his name-- his name--
625
01:12:13,660 --> 01:12:26,680
you see, back then I thought
that that was what power was,
626
01:12:26,720 --> 01:12:28,290
to control the world around you.
627
01:12:33,420 --> 01:12:39,340
I feel like I'm meeting
myself everywhere I go.
628
01:12:39,380 --> 01:12:42,820
It can be daunting.
629
01:12:42,870 --> 01:12:43,820
It can be lonely.
630
01:12:43,870 --> 01:12:47,220
[music playing]
631
01:13:12,720 --> 01:13:14,030
I am the vessel.
632
01:13:14,070 --> 01:13:20,250
Yet I'm always running
from that vessel.
633
01:13:25,170 --> 01:13:33,350
And in that and all
that big story, life--
634
01:13:33,390 --> 01:13:49,800
life seems to find me and
embrace me, but I fight it.
635
01:13:49,850 --> 01:13:51,240
I never give in.
636
01:13:54,330 --> 01:13:56,500
And as I do, I sink
deeper into it.
637
01:13:56,550 --> 01:13:59,940
[music playing]
638
01:14:36,460 --> 01:14:38,110
So there was no going back.
639
01:14:45,030 --> 01:14:52,820
The problem with the truth is
that once you know the truth
640
01:14:52,860 --> 01:14:56,040
you can't unknow it.
641
01:14:56,090 --> 01:14:59,520
It will haunt you.
642
01:14:59,570 --> 01:15:05,830
You will see it in everything,
and it will consume you.
643
01:15:05,880 --> 01:15:09,230
[music playing, screaming]
644
01:15:45,130 --> 01:15:55,140
You see, I, like you, I came
into this world fighting,
645
01:15:55,190 --> 01:15:58,930
fighting to exist, fighting
to stay in existence.
646
01:15:58,970 --> 01:16:02,190
[music playing]
647
01:16:25,610 --> 01:16:27,000
OZAWA: Oh my god.
648
01:16:27,050 --> 01:16:30,400
[music playing]
649
01:16:38,930 --> 01:16:42,890
VESSEL 13 [VOICEOVER]:
And for the first in life,
650
01:16:42,930 --> 01:16:48,850
in this experience that I call
life, did-- did-- did I --
651
01:16:48,890 --> 01:16:51,500
did I see myself being seen?
652
01:16:51,550 --> 01:16:52,640
Did I-- did I--
653
01:16:52,680 --> 01:16:54,330
being saved?
654
01:16:54,380 --> 01:16:58,640
And your eyes looked at me.
655
01:16:58,690 --> 01:17:03,690
For the first time I felt
the separation of myself--
656
01:17:03,730 --> 01:17:06,960
looking back at me--
657
01:17:07,000 --> 01:17:08,650
I was so scared.
658
01:17:08,700 --> 01:17:13,270
MOTHER [VOICEOVER]: Close
your eyes and listen.
659
01:17:13,310 --> 01:17:15,220
VESSEL 13 [VOICEOVER]:
And in that life--
660
01:17:15,270 --> 01:17:18,400
MOTHER [VOICEOVER]:
To hear the ocean.
661
01:17:18,440 --> 01:17:20,880
VESSEL 13 [VOICEOVER]: That
life that I've been hiding from.
662
01:17:20,930 --> 01:17:23,670
Became you.
663
01:17:23,710 --> 01:17:28,110
MOTHER [VOICEOVER]: Be baptised,
son, and breathe in life.
664
01:17:31,240 --> 01:17:33,290
The water is a
symbol and you will
665
01:17:33,330 --> 01:17:37,810
be reborn as the ripples
travel across the surface.
666
01:17:41,380 --> 01:17:43,560
You will know the innocence
and bliss you deserve.
667
01:17:43,600 --> 01:17:46,950
[waves crashing]
668
01:17:55,570 --> 01:17:59,620
You'll start feeling
less aware, less present.
669
01:18:03,230 --> 01:18:06,710
There will be no more growing.
670
01:18:06,750 --> 01:18:09,710
Not anymore.
671
01:18:09,760 --> 01:18:10,710
You're home.
672
01:18:10,760 --> 01:18:14,070
[music playing]
673
01:18:41,660 --> 01:18:44,100
My baby.
674
01:18:44,140 --> 01:18:45,010
I'm here.
675
01:18:49,670 --> 01:18:50,620
I love you.
676
01:18:50,670 --> 01:18:54,020
[music playing]
677
01:22:48,470 --> 01:22:53,000
I'm here to fix Kemet's last
sun soaked proto-computer.
678
01:22:53,040 --> 01:22:56,520
I heard it sputtering out
incomplete Communist Party word
679
01:22:56,570 --> 01:23:00,000
search results that'd
skipped from digital fuzz,
680
01:23:00,050 --> 01:23:04,440
coughing out ghost red briefs,
buffering mid-sentences,
681
01:23:04,490 --> 01:23:07,710
mind police come to feed.
682
01:23:07,750 --> 01:23:11,490
You buried the building blocks
of stylish dissent, minced
683
01:23:11,540 --> 01:23:14,930
in the watermelon
dance smoothie spill.
684
01:23:14,980 --> 01:23:19,940
Hand over your definition
for e-vites, to orgy bathing,
685
01:23:19,980 --> 01:23:23,550
and the chance to be
the single black friend
686
01:23:23,590 --> 01:23:27,940
to the sea of white merry-folk.
687
01:23:27,990 --> 01:23:32,820
Reselling dirty water with
top freshly digested favelas.
688
01:23:32,860 --> 01:23:36,740
Running past
improvised encampments.
689
01:23:36,780 --> 01:23:40,350
Radiating internet signals
from polished teeth,
690
01:23:40,390 --> 01:23:45,400
producing genetically altered
Pomeranians from phone apps.
691
01:23:45,440 --> 01:23:51,360
Making multi-million dollar
mistakes every god damn day.
692
01:23:51,400 --> 01:23:54,140
Voicing updates on
your pocket calculator
693
01:23:54,190 --> 01:23:56,760
from a bed of
constructive criticisms.
694
01:23:56,800 --> 01:23:59,930
Sandwiches of
repurposed ego meat,
695
01:23:59,980 --> 01:24:01,850
chewed into a
personality disorder.
696
01:24:05,420 --> 01:24:08,510
Lime here to wipe
the drive clean
697
01:24:08,550 --> 01:24:11,550
and reinstall the
guts of your computer,
698
01:24:11,600 --> 01:24:15,340
as you have become the safe
nigger, with a temperament
699
01:24:15,380 --> 01:24:19,430
that of an amicable butler,
be-speckled and disarmed.
700
01:24:19,470 --> 01:24:21,690
Behind ulterior
motives, your printer
701
01:24:21,740 --> 01:24:26,050
spits out sheets of acid,
completely tripping.
702
01:24:26,090 --> 01:24:30,010
Failing to guard your senses
from the social contagion,
703
01:24:30,050 --> 01:24:33,580
picking meat from the
incisors of hellhounds.
704
01:24:33,620 --> 01:24:38,150
So we're mixing herbs between
our toes as lightning strikes
705
01:24:38,190 --> 01:24:43,060
to reboot your antiquated
IBM desktop computer
706
01:24:43,110 --> 01:24:46,280
and finally give you
something older to die for.
707
01:24:53,200 --> 01:24:54,550
Free Black Press.
708
01:24:57,640 --> 01:24:59,950
I don't write
rhymes, I write code.
709
01:25:03,000 --> 01:25:08,350
We went to the Grammys to be
dubbed the King of Niggers.
710
01:25:08,390 --> 01:25:12,180
Spin dunking above
gourmet chicken.
711
01:25:12,220 --> 01:25:14,620
Screaming street
names and sports
712
01:25:14,660 --> 01:25:18,490
coverage of police shootings.
713
01:25:18,530 --> 01:25:20,620
We're all surprised
you took the time away
714
01:25:20,670 --> 01:25:26,370
from spearhead sharpening and
dice game refereeing to accept.
715
01:25:26,410 --> 01:25:31,240
Your hand slick with the blood
of fragile, young white women,
716
01:25:31,290 --> 01:25:34,900
pulverized under your concept.
717
01:25:34,940 --> 01:25:37,160
There are imaginary
emotional triggers
718
01:25:37,200 --> 01:25:42,340
howling at the moral barometer.
719
01:25:42,380 --> 01:25:44,650
Exploding screams
on the cell walls
720
01:25:44,690 --> 01:25:47,650
of a militarized touchy subject.
721
01:25:47,690 --> 01:25:52,920
You are dangerous and need to be
defanged before you can be cast
722
01:25:52,960 --> 01:25:55,400
in the multi-cultural milieu.
723
01:25:55,440 --> 01:26:00,710
So kneel or die broke.
724
01:26:00,750 --> 01:26:03,190
Your Grammy is placed
on a clean mantel
725
01:26:03,230 --> 01:26:06,670
as snipers flick
fingernails and tip jars,
726
01:26:06,710 --> 01:26:09,190
choke chains around
oversight panels.
727
01:26:09,240 --> 01:26:13,200
Bullets stacking up
in dressing rooms.
728
01:26:13,240 --> 01:26:15,200
Shine it.
729
01:26:15,240 --> 01:26:18,640
Make it the touch tone to
your cosmopolitan chugging.
730
01:26:18,680 --> 01:26:21,160
Lizard tongues
licking glowing teeth,
731
01:26:21,200 --> 01:26:25,120
as bubbledy blood
splashes behind them.
732
01:26:25,170 --> 01:26:27,990
Make it the badges
of your success.
733
01:26:28,040 --> 01:26:30,130
Make it the end
of your struggle.
734
01:26:30,170 --> 01:26:34,220
Unhook your jaw and
hand it to your sponsor.
735
01:26:34,260 --> 01:26:36,220
Toss your genitals to
the European doctors.
736
01:26:39,310 --> 01:26:39,790
And cry aloud.
737
01:26:48,010 --> 01:26:49,970
[vocalizing]
738
01:27:09,910 --> 01:27:17,960
[music end]
739
01:27:18,000 --> 01:27:23,000
Resync by sirCRD
47423
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Finnish
Frisian
Galician
Georgian
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
