Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,839 --> 00:00:07,339
PREVIOUSLY ON "MIND GAMES"...
2
00:00:07,341 --> 00:00:10,509
YOU NEED TO BE LOOKING FOR WAYS
TO SIMPLIFY YOUR LIFE.
3
00:00:10,511 --> 00:00:12,044
I THINK YOU SHOULD
MOVE IN WITH ME.
4
00:00:12,046 --> 00:00:13,545
CLARK, ARE YOU SERIOUS?
5
00:00:13,547 --> 00:00:14,847
YOU WANT TO
GRAB SOME DINNER?
6
00:00:14,849 --> 00:00:16,949
YOU ARE MY BOSS,
SO IS THERE SOME SORT OF
7
00:00:16,951 --> 00:00:18,617
EMPLOYEE HANDBOOK
I SHOULD READ?
8
00:00:18,619 --> 00:00:20,386
HOW MUCH DO YOU OWE?
9
00:00:20,388 --> 00:00:22,388
MORE THAN YOU AND I
HAVE EVER LAID OUR HANDS ON.
10
00:00:22,390 --> 00:00:24,690
WHAT ABOUT MILES?
NO. I'M NOT DRAGGING...
11
00:00:24,692 --> 00:00:27,192
ALL I WOULD DO IS...
IS OPEN UP THE DOOR.
12
00:00:27,194 --> 00:00:29,228
WHEN IT'S ALL OVER,
YOU'RE PAID UP,
13
00:00:29,230 --> 00:00:31,511
I'M BACK ON
THE STRAIGHT AND NARROW.
14
00:00:37,737 --> 00:00:39,705
ARE YOU REALLY SURE
YOU'RE OKAY WITH THIS?
15
00:00:39,707 --> 00:00:41,840
BECAUSE I KNOW YOU SAID
YOU'RE OKAY WITH THIS,
16
00:00:41,842 --> 00:00:44,143
BUT I HAVE, LIKE, WAY MORE STUFF
THAN I THOUGHT I HAD.
17
00:00:44,145 --> 00:00:46,545
OH, STUFF IS GOOD.
I LIKE STUFF.
18
00:00:46,547 --> 00:00:47,813
YOU HATE STUFF.
19
00:00:47,815 --> 00:00:49,248
YOU LIKE
EXACTLY WHAT YOU HAVE,
20
00:00:49,250 --> 00:00:50,883
AND YOU LIKE IT TO BE
EXACTLY WHERE IT IS.
21
00:00:50,885 --> 00:00:52,818
IT'LL BE FINE.
22
00:00:52,820 --> 00:00:54,920
THIS IS...
THIS IS YOUR HOME, TOO.
23
00:00:54,922 --> 00:00:57,589
BUT I KNOW HOW IMPORTANT
YOUR ROUTINES ARE, SO IF...
24
00:00:57,591 --> 00:00:59,024
HEY.
25
00:00:59,026 --> 00:01:01,026
WE'LL MAKE NEW ONES.
26
00:01:01,028 --> 00:01:03,529
I WANT YOU HERE.
27
00:01:03,531 --> 00:01:05,998
AND YOUR STUFF.
28
00:01:08,001 --> 00:01:11,036
EXCEPT...
29
00:01:11,038 --> 00:01:13,172
EXCEPT FOR THIS!
30
00:01:13,174 --> 00:01:15,107
HEY, NO.
THAT'S FROM MEEMAW.
31
00:01:15,109 --> 00:01:16,408
MEEMAW?
MEEMAW.
32
00:01:16,410 --> 00:01:18,177
IS THAT, LIKE,
ONE OF THOSE NEW COUNTRIES
33
00:01:18,179 --> 00:01:19,611
THAT USED TO BE
SOME OTHER COUNTRY?
34
00:01:19,613 --> 00:01:20,946
[ LAUGHS ] MY GRANNY.
35
00:01:20,948 --> 00:01:22,548
IT WAS IN HER HOUSE
WHEN I GREW UP.
36
00:01:22,550 --> 00:01:23,782
IT REMINDS ME OF HER.
37
00:01:23,784 --> 00:01:25,384
I WISH
I COULD HAVE MET HER.
38
00:01:25,386 --> 00:01:27,586
I KNOW.
TALKED HER OUT OF BUYING THIS.
39
00:01:27,588 --> 00:01:29,955
HEY!
NO.
40
00:01:29,957 --> 00:01:31,523
THAT GOES UP!
41
00:01:36,229 --> 00:01:38,130
YOU'D LOOK GOOD IN THAT.
42
00:01:38,132 --> 00:01:40,399
[ Chuckling ] HEY.
43
00:01:40,401 --> 00:01:41,800
AW, THANKS.
44
00:01:41,802 --> 00:01:43,635
AT THAT PRICE,
YOU'D LOOK GOOD IN THAT.
45
00:01:43,637 --> 00:01:45,971
TIME WAS, YOU'D HAVE COME IN
ON THIS THING OF MINE,
46
00:01:45,973 --> 00:01:47,873
YOU COULD BUY
10 OF THOSE DRESSES.
47
00:01:47,875 --> 00:01:49,942
TIME WAS,
I WOULD HAVE JUST STOLEN IT.
48
00:01:49,944 --> 00:01:52,044
[ CHUCKLES ]
49
00:01:52,046 --> 00:01:54,046
THIS IS THE GUY
YOU'LL WORK WITH.
50
00:01:54,048 --> 00:01:56,148
OKAY. OLIVER?
51
00:01:56,150 --> 00:01:57,449
I-I DON'T KNOW HIM.
52
00:01:57,451 --> 00:01:59,418
HE'S ISAAC VINCENT'S GUY.
YOU KNOW...
53
00:01:59,420 --> 00:02:01,820
YEAH, THE GUY
THAT NEARLY BEAT YOU TO DEATH.
54
00:02:01,822 --> 00:02:03,489
LOOK, CALL ME NUTS,
55
00:02:03,491 --> 00:02:05,924
BUT I REALLY DON'T TRUST SOMEONE
LIKE THAT TO HAVE MY BACK.
56
00:02:05,926 --> 00:02:08,327
I CAN'T AFFORD
TO BARGAIN HERE...
57
00:02:08,329 --> 00:02:09,661
NOT WITH THIS GUY.
58
00:02:09,663 --> 00:02:12,331
THANKS AGAIN
FOR WHAT YOU'RE DOING, SAM...
59
00:02:12,333 --> 00:02:14,299
JUST IN CASE
IT DOESN'T GO WITHOUT SAYING.
60
00:02:14,301 --> 00:02:16,101
NO, NOT A PROBLEM.
I MEAN, YOU KNOW ME.
61
00:02:16,103 --> 00:02:18,137
WHEN I'M NOT IN CONTROL,
I GET UNCOMFORTABLE.
62
00:02:18,139 --> 00:02:20,639
HEY, WHAT WAS THAT THING
I USED TO SAY
63
00:02:20,641 --> 00:02:22,007
WHEN YOU WERE A KID?
64
00:02:22,009 --> 00:02:24,576
[ CHUCKLES ]
"YOU WANT COMFORT, GET A CAT!"
65
00:02:24,578 --> 00:02:25,911
[ LAUGHS ]
66
00:02:37,524 --> 00:02:40,225
[ PAPER RUSTLING ]
67
00:02:45,265 --> 00:02:47,199
MEGAN, DO YOU SEE THAT GUY
STANDING OVER THERE?
68
00:02:47,201 --> 00:02:48,867
DON'T... DON'T LOOK!
69
00:02:48,869 --> 00:02:50,536
It's Paul Madison.
70
00:02:50,538 --> 00:02:51,870
It's Paul...
71
00:02:51,872 --> 00:02:53,805
[ SNICKERS ]
It's Paul Madison!
72
00:02:53,807 --> 00:02:56,341
Who's Paul Madison?
OH, HERE WE GO.
73
00:02:56,343 --> 00:03:00,779
PAUL MADISON IS THE DRUMMER
FOR ROYAL FIASCO.
74
00:03:01,814 --> 00:03:03,649
THE GREATEST ROCK BAND
IN HISTORY!
75
00:03:03,651 --> 00:03:05,551
EV...
THEY WERE NOT THE GREATEST
ROCK BAND IN HISTORY.
76
00:03:05,553 --> 00:03:07,786
OKAY, THEY'RE ONE OF
THE GREATEST ROCK BANDS.
77
00:03:07,788 --> 00:03:09,321
THEY WERE GOOD, YES, BUT...
AND NOT JUST BY ME...
BY MILLIONS OF FANS.
78
00:03:09,323 --> 00:03:10,989
HE'S THE ONLY ONE
WHO THINKS THAT THEY...
79
00:03:10,991 --> 00:03:12,224
THEIR 1985 TOUR...
[ IMITATES EXPLOSION ]
80
00:03:12,226 --> 00:03:13,992
I WASN'T EVEN ALIVE
IN 1985.
81
00:03:13,994 --> 00:03:15,627
OOH.
OH, RIGHT.
82
00:03:15,629 --> 00:03:17,396
YEAH,
WERE YOU AROUND IN 1740?
83
00:03:17,398 --> 00:03:19,464
BECAUSE Y-YOU'VE HEARD
OF BACH, RIGHT?
84
00:03:19,466 --> 00:03:22,067
MEANWHILE, MR. MADISON REMAINS
IN OUR WAITING AREA.
85
00:03:22,069 --> 00:03:23,702
RIGHT.
86
00:03:23,704 --> 00:03:25,404
[ SIGHS ]
87
00:03:25,406 --> 00:03:26,872
Why do you think that is?
88
00:03:26,874 --> 00:03:28,207
Because he's our 10:00.
89
00:03:28,209 --> 00:03:30,576
WHAT?!
WHY DIDN'T YOU TELL ME?!
90
00:03:30,578 --> 00:03:32,911
BECAUSE THIS.
91
00:03:32,913 --> 00:03:35,080
HI!
HI.
92
00:03:35,082 --> 00:03:37,015
I'M... I FORGOT MY NAME.
PAUL MADISON.
93
00:03:37,017 --> 00:03:38,750
UH, YEAH, I KNOW.
DO... WERE YOU...
94
00:03:38,752 --> 00:03:40,252
ROSS EDWARDS.
HAVE YOU... HAVE YOU BEEN
WAITING HERE LONG?
95
00:03:40,254 --> 00:03:41,853
DID WE MAKE YOU
WAIT LONG?
96
00:03:41,855 --> 00:03:43,188
NO.
WOULD YOU LIKE
SOMETHING TO DRINK?
97
00:03:43,190 --> 00:03:44,656
WOULD YOU LIKE
SOME COFFEE, TEA,
98
00:03:44,658 --> 00:03:46,024
CRAN-APPLE JUICE,
COCONUT WATER?
99
00:03:46,026 --> 00:03:47,526
WE DON'T HAVE
HALF OF THOSE THINGS.
100
00:03:47,528 --> 00:03:48,860
I'M FINE.
[ Sighing ] OH.
101
00:03:48,862 --> 00:03:50,596
THANKS.
OH, GREAT.
102
00:03:50,598 --> 00:03:52,664
OKAY, STEP THIS WAY
AND JUST COME WITH ME.
103
00:03:52,666 --> 00:03:54,233
OKAY.
I'LL GO.
104
00:03:54,235 --> 00:03:56,101
NO, YOU CAN GO FIRST.
YOU CAN PICK ANY ROOM YOU WANT.
105
00:03:56,103 --> 00:03:57,369
GO AHEAD.
OKAY.
106
00:03:57,371 --> 00:03:59,671
[ LAUGHS SOFTLY ]
You did it!
107
00:03:59,673 --> 00:04:02,507
I know. Yeah.
108
00:04:02,509 --> 00:04:05,877
YOU KNOW, YOU DON'T SEE YOUR OWN
STORY WHILE YOU'RE IN IT.
109
00:04:05,879 --> 00:04:09,381
BUT WHEN I LOOK BACK
AT OURS...
110
00:04:09,383 --> 00:04:10,749
OH, MAN.
111
00:04:10,751 --> 00:04:12,684
I-IT'S A-A FAIRY TALE.
112
00:04:12,686 --> 00:04:14,519
YEAH.
113
00:04:14,521 --> 00:04:17,689
ONLY THIS ONE DOESN'T END
HAPPILY EVER AFTER.
114
00:04:17,691 --> 00:04:19,858
THIS ONE ENDS
WITH TWO IDIOTS
115
00:04:19,860 --> 00:04:21,693
WITH THEIR HEADS
SO FAR UP THEIR BUTTS,
116
00:04:21,695 --> 00:04:23,395
THEY DON'T...
THEY DON'T REALIZE IT.
117
00:04:23,397 --> 00:04:25,364
Clark:
OKAY, 14 YEARS AGO,
118
00:04:25,366 --> 00:04:27,266
TOMMY MATCH
WALKED AWAY FROM IT ALL.
119
00:04:27,268 --> 00:04:29,401
THIS IS TOMMY,
THE BASS PLAYER.
120
00:04:29,403 --> 00:04:31,803
HE HAD A FEW SOLO ALBUMS,
A FEW KIDS.
121
00:04:31,805 --> 00:04:34,273
HE FOUNDED A FEW CHARITIES,
ACTUALLY.
122
00:04:34,275 --> 00:04:38,710
YEAH. MAX... HE WAS LEAD GUITAR
AND VOCALS.
123
00:04:38,712 --> 00:04:40,445
HE MOVED UP TO CANADA
124
00:04:40,447 --> 00:04:43,148
AND STARRED [Chuckling] IN THAT
RIDICULOUS TELEVISION SHOW.
125
00:04:43,150 --> 00:04:44,449
UH, "CHECKERED FLAGG."
126
00:04:44,451 --> 00:04:46,218
HE PLAYED DANNY FLAGG,
A RACECAR DRIVER
127
00:04:46,220 --> 00:04:48,153
WHO TRIED TO CLEAR HIS NAME
OF MURDER.
128
00:04:48,155 --> 00:04:50,289
THERE'S ONE EPISODE
WHERE HE HAS A...
DOESN'T MATTER, REALLY.
129
00:04:50,291 --> 00:04:53,125
LOOK, THE POINT IS...
130
00:04:53,127 --> 00:04:54,493
WE'RE ALL FINE.
131
00:04:55,561 --> 00:04:58,297
SO... WHAT IS IT
YOU WANT US TO DO?
132
00:04:58,299 --> 00:05:02,501
I WANT YOU TO GET ROYAL FIASCO
BACK TOGETHER.
133
00:05:03,403 --> 00:05:04,670
YES!
134
00:05:04,672 --> 00:05:06,171
WHAT DO
THE OTHER GUYS SAY?
135
00:05:06,173 --> 00:05:08,307
OH, THEY DON'T...
THEY DON'T SPEAK.
136
00:05:08,309 --> 00:05:10,809
NO, NO, NO, ACTUALLY, THEY DO.
THEY SPEAK TO ME.
137
00:05:10,811 --> 00:05:14,246
I MEAN, THEY DON'T SPEAK
TO EACH OTHER.
138
00:05:14,248 --> 00:05:16,114
THEY'LL BE IN TOWN
THIS WEEK.
139
00:05:16,116 --> 00:05:18,984
WE... WE ALL HAVE TO SIGN
PUBLISHING AGREEMENTS.
140
00:05:18,986 --> 00:05:21,853
THEY HAVE TO PUT THESE GUYS
INTO SEPARATE ROOMS
141
00:05:21,855 --> 00:05:25,290
WHEN THEY SIGN, LIKE... LIKE...
LIKE THEY'RE FERAL CATS.
142
00:05:25,292 --> 00:05:27,993
TELL HIM
ABOUT THE CEREAL.
143
00:05:27,995 --> 00:05:29,461
YEAH. OKAY.
144
00:05:29,463 --> 00:05:31,697
WELL, WE WERE BACKSTAGE.
IT WAS BEFORE A SHOW.
145
00:05:31,699 --> 00:05:33,098
RIGHT.
146
00:05:33,100 --> 00:05:36,635
AND MAX GOT
REALLY, REALLY MAD
147
00:05:36,637 --> 00:05:40,339
AT HOW TOMMY WAS
EATING HIS CEREAL.
148
00:05:40,341 --> 00:05:42,774
ROLLING STONE
SAID HE WAS CRUNCHING.
149
00:05:42,776 --> 00:05:44,309
MAX CALLED IT SMACKING.
150
00:05:44,311 --> 00:05:46,011
OH, THAT'S WORSE.
151
00:05:46,013 --> 00:05:48,480
AND TOMMY JUST KEPT DOING IT
LOUDER AND LOUDER AND LOUDER
152
00:05:48,482 --> 00:05:51,616
UNTIL MAX GOT SO MAD, HE JUST
TOOK THE BOWL OF CEREAL...
153
00:05:51,618 --> 00:05:53,552
BOOM...
RIGHT OVER TOMMY'S HEAD.
154
00:05:53,554 --> 00:05:54,820
OH, MAN.
155
00:05:54,822 --> 00:05:56,621
IT'S CLASSIC MAX, MAN.
156
00:05:56,623 --> 00:05:58,623
I-I DIDN'T KNOW IT THEN,
157
00:05:58,625 --> 00:06:00,625
BUT THAT WAS
OUR LAST PERFORMANCE.
158
00:06:00,627 --> 00:06:01,860
[ CHUCKLES ]
159
00:06:01,862 --> 00:06:03,161
OVER CEREAL?
160
00:06:03,163 --> 00:06:06,832
THIS BAND WAS NOT A PHASE.
OKAY?
161
00:06:06,834 --> 00:06:09,901
IT WAS 20 YEARS
OF OUR LIVES.
162
00:06:09,903 --> 00:06:12,504
A-A-AND THEY JUST...
163
00:06:12,506 --> 00:06:15,874
I... I HAD TO GO TO THE DOCTOR'S
A FEW WEEKS AGO,
164
00:06:15,876 --> 00:06:18,910
AND, UH...
165
00:06:18,912 --> 00:06:21,646
THEY THOUGHT
THEY FOUND SOMETHING,
166
00:06:21,648 --> 00:06:24,082
BUT TURNS OUT
IT WAS NOTHING.
167
00:06:24,084 --> 00:06:26,585
BUT NEXT TIME, REALLY,
WHO KNOWS, RIGHT?
168
00:06:29,389 --> 00:06:32,724
I-I SAW
THIS DOCUMENTARY.
169
00:06:32,726 --> 00:06:36,361
IT WAS ABOUT APOLLO ASTRONAUTS
WHO HAD BEEN TO THE MOON.
170
00:06:36,363 --> 00:06:39,164
AND...
WHEN THEY GOT BACK...
171
00:06:39,166 --> 00:06:42,334
LIFE WENT ON...
172
00:06:42,336 --> 00:06:45,504
BUT IT... IT WASN'T THE SAME.
173
00:06:45,506 --> 00:06:48,340
AND THE ONLY OTHER PEOPLE
WHO UNDERSTOOD
174
00:06:48,342 --> 00:06:52,110
WERE OTHER ASTRONAUTS
WHO HAD BEEN TO THE MOON.
175
00:06:52,112 --> 00:06:55,113
ONE GUY SAID
HE WOULD DO ANYTHING...
176
00:06:55,115 --> 00:06:57,015
ANYTHING...
177
00:06:57,017 --> 00:07:01,353
TO GO BACK TO THE MOON
ONE MORE TIME...
178
00:07:01,355 --> 00:07:04,856
EVEN IF IT MEANT
NOT COMING HOME.
179
00:07:05,958 --> 00:07:07,959
MAN, THAT'S ALL I WANT.
180
00:07:07,961 --> 00:07:11,396
I WANT TO WALK ON THAT MOON
ONE MORE TIME
181
00:07:11,398 --> 00:07:13,832
WITH MY BEST FRIENDS.
182
00:07:15,468 --> 00:07:17,469
[ Chuckling ] OHH.
183
00:07:18,771 --> 00:07:21,106
[ ELEVATOR BELL DINGS ]
184
00:07:21,108 --> 00:07:22,874
THANK YOU.
185
00:07:22,876 --> 00:07:24,943
YEAH, THANK YOU.
186
00:07:24,945 --> 00:07:26,878
ALL RIGHT.
WE'LL SEE YOU.
COOL.
187
00:07:26,880 --> 00:07:28,246
ALL RIGHT.
Wow.
188
00:07:28,248 --> 00:07:29,648
[ ELEVATOR DOOR CLOSES ]
189
00:07:29,650 --> 00:07:31,483
ROSS, YOU KNOW WHAT?
190
00:07:31,485 --> 00:07:34,853
IF I GET THESE GUYS
BACK TOGETHER AGAIN...
191
00:07:36,422 --> 00:07:38,824
I'LL BE THE MOST FAMOUS
PERSON IN THE WORLD.
192
00:07:38,826 --> 00:07:40,659
YOU MIGHT BE OVERESTIMATING
THE LEGACY OF THIS BAND
193
00:07:40,661 --> 00:07:41,927
A LITTLE BIT.
194
00:07:41,929 --> 00:07:43,662
NO.
195
00:07:44,931 --> 00:07:48,099
HEY! SAM!
GOT TO TALK TO YOU.
196
00:07:48,101 --> 00:07:49,568
YEAH.
197
00:07:49,570 --> 00:07:52,270
GET READY TO DRESS UP,
BECAUSE IN TWO NIGHTS,
198
00:07:52,272 --> 00:07:54,739
I GOT US RESERVATIONS
AT BOSCO NEXT TO BOSCO.
199
00:07:54,741 --> 00:07:55,941
THAT NEW ITALIAN PLACE?
200
00:07:55,943 --> 00:07:57,476
NEXT TO BOSCO.
201
00:07:57,478 --> 00:07:59,110
IMPOSSIBLE, YES,
BUT I CALLED AND GOT LUCKY.
202
00:07:59,112 --> 00:08:01,847
AND AFTERWARDS,
SO WILL I.
203
00:08:02,849 --> 00:08:04,816
I THOUGHT
WE WERE... TAKING IT SLOW.
204
00:08:04,818 --> 00:08:06,818
WELL, IF IT MAKES YOU
FEEL ANY BETTER,
205
00:08:06,820 --> 00:08:09,421
I'll take a really long time.
206
00:08:09,423 --> 00:08:11,890
[ Sighing ] HMM.
207
00:08:18,498 --> 00:08:20,599
HEY, MILES.
208
00:08:20,601 --> 00:08:22,367
BIG FAVOR.
209
00:08:22,369 --> 00:08:24,202
THIS, UH, THIS OLD FRIEND
OF MINE JUST MOVED TO TOWN,
210
00:08:24,204 --> 00:08:26,371
AND I'M TAKING HIM OUT
FOR A DRINK TONIGHT, AND I...
211
00:08:26,373 --> 00:08:28,106
OH, LET ME GUESS...
HE'S GAY.
212
00:08:28,108 --> 00:08:29,441
I'M THE ONLY GAY PERSON
YOU KNOW,
213
00:08:29,443 --> 00:08:30,809
AND YOU JUST THOUGHT,
NATURALLY,
214
00:08:30,811 --> 00:08:32,277
WE WOULD GET ON
LIKE A HOUSE ON FIRE.
215
00:08:32,279 --> 00:08:34,346
NO! IS HE GAY?
I-I... WOW.
216
00:08:34,348 --> 00:08:35,680
I DON'T EVEN...
217
00:08:36,983 --> 00:08:39,017
OKAY, FINE. YES, HE'S GAY.
BUT I-IT'S NOT A SETUP.
218
00:08:39,019 --> 00:08:40,952
I JUST THOUGHT THAT MAYBE
YOU MIGHT KNOW, LIKE, A...
219
00:08:40,954 --> 00:08:43,688
WHERE GAY PEOPLE GO? YES.
YES, I DO. I GET THE NEWSLETTER.
220
00:08:43,690 --> 00:08:44,990
BUT YOU KNOW WHAT?
221
00:08:44,992 --> 00:08:46,825
IT'S BEEN A REALLY,
UM...
222
00:08:46,827 --> 00:08:49,528
FUN YEAR IN THAT ARENA.
223
00:08:49,530 --> 00:08:51,229
THERE'S THIS GUY THAT...
224
00:08:51,231 --> 00:08:54,332
WOW. OKAY. NO. JUST,
I'M... I'M FRAGILE RIGHT NOW.
225
00:08:54,334 --> 00:08:55,667
THAT'S THE...
NO, NO. I GET IT.
226
00:08:55,669 --> 00:08:57,202
I GET IT.
IT'S FINE, REALLY. I'M...
227
00:08:57,204 --> 00:08:58,637
BUT IF IT'S NOT ACTUALLY
A SETUP,
228
00:08:58,639 --> 00:09:00,171
THEN THAT'S
A DIFFERENT MATTER, AND...
229
00:09:00,173 --> 00:09:02,073
I MEAN, IT'S NOT,
BUT IT'S FINE. IT'S FINE.
230
00:09:02,075 --> 00:09:04,009
[ SIGHS ] I'M BEING SILLY. OKAY?
I'M BEING SILLY.
231
00:09:04,011 --> 00:09:05,477
I WILL MEET YOUR FRIEND.
232
00:09:05,479 --> 00:09:07,879
I WILL TALK GAY WITH HIM.
IT'LL BE GREAT.
233
00:09:07,881 --> 00:09:10,515
MILES, YOU DON'T
HAVE TO DO THIS.
234
00:09:10,517 --> 00:09:12,050
OKAY.
235
00:09:12,052 --> 00:09:14,386
BUT I WANT TO NOW,
SO GIVE ME THE ADDRESS.
236
00:09:16,022 --> 00:09:18,390
COME ON.
JUST GIVE ME THE ADDRESS.
237
00:09:21,661 --> 00:09:23,194
THERE WE GO.
238
00:09:39,011 --> 00:09:41,546
[ CLATTER ]
239
00:09:41,548 --> 00:09:43,615
Beth: CLARK?
HEY!
240
00:09:43,617 --> 00:09:46,051
[ Sighing ] OH.
WHAT WAS THAT?
241
00:09:46,053 --> 00:09:48,053
HUH?
242
00:09:48,055 --> 00:09:49,287
A BOOK.
243
00:09:49,289 --> 00:09:50,522
I DROPPED A BOOK...
244
00:09:50,524 --> 00:09:52,357
AN ENCYCLOPEDIA.
245
00:09:52,359 --> 00:09:54,626
NO... NO WONDER THEY'RE ONLINE
NOW. THE THING WEIGHS A TON.
246
00:09:54,628 --> 00:09:56,061
WHERE DID I...
247
00:09:56,063 --> 00:09:58,463
NO, YOU WEREN'T IN BED.
[ Sighing ] YEAH.
248
00:09:58,465 --> 00:10:00,599
WELL, I WAS JUST WORKING,
GAME-PLANNING.
249
00:10:00,601 --> 00:10:02,701
YOU KNOW,
I DIDN'T WANT TO WAKE YOU UP,
250
00:10:02,703 --> 00:10:04,536
SO I JUST CAME OUT HERE,
YOU KNOW?
251
00:10:04,538 --> 00:10:05,770
I'M FINE.
252
00:10:05,772 --> 00:10:08,440
OKAY.
253
00:10:08,442 --> 00:10:10,241
[ SIGHS ]
254
00:10:10,243 --> 00:10:12,043
HEY!
255
00:10:12,045 --> 00:10:13,545
I GOT YOUR CALL.
EVERYTHING OKAY?
256
00:10:13,547 --> 00:10:14,879
FINE.
I SLEPT ON THE COUCH.
257
00:10:14,881 --> 00:10:16,081
AW, NO.
258
00:10:16,083 --> 00:10:17,315
LATRELL!
259
00:10:17,317 --> 00:10:18,717
YOU AND BETH
HAD A FIGHT ALREADY?
260
00:10:18,719 --> 00:10:20,919
NO. I WAS WORKING...
ON THE CASE.
261
00:10:20,921 --> 00:10:24,122
OOH. DID YOU COME UP
WITH ANYTHING?
YES.
262
00:10:24,124 --> 00:10:25,423
YES?
HOW CAN I HELP YOU?
263
00:10:25,425 --> 00:10:26,625
AAH!
AND STARTING NOW!
264
00:10:26,627 --> 00:10:27,926
WHAT THE HELL
ARE YOU DOING?
265
00:10:27,928 --> 00:10:29,494
OH, CALM DOWN.
IT'S FOR SCIENCE.
266
00:10:29,496 --> 00:10:31,930
WHAT IS THAT STUFF?
IT'S OXYTOCIN.
HOW DO YOU FEEL?
267
00:10:31,932 --> 00:10:33,999
LIKE I WANT TO KILL YOU.
HOW ABOUT NOW?
268
00:10:34,001 --> 00:10:35,600
OXYTOCIN...
THAT'S THE STUFF
269
00:10:35,602 --> 00:10:37,302
THAT NEW MOMS
AND BABIES EMIT, RIGHT?
270
00:10:37,304 --> 00:10:39,304
IT'S A NEUROTRANSMITTER
CREATED IN THE HYPOTHALAMUS
271
00:10:39,306 --> 00:10:41,072
THAT INCREASES
BONDING AND TRUST.
272
00:10:41,074 --> 00:10:44,809
DO YOU KNOW WHY WE SAY
PEOPLE HAVE CHEMISTRY TOGETHER?
273
00:10:44,811 --> 00:10:46,778
BECAUSE THEY HAVE
CHEMISTRY TOGETHER!
274
00:10:46,780 --> 00:10:49,247
HORMONES,
NEUROTRANSMITTERS.
275
00:10:49,249 --> 00:10:51,583
PHYSIOLOGICALLY,
TOMMY AND MAX...
276
00:10:51,585 --> 00:10:54,119
THEY'RE LIKE A COUPLE
WHOSE MARRIAGE IS ON THE ROCKS.
277
00:10:54,121 --> 00:10:56,021
WE JUST NEED
TO REKINDLE THE SPARK.
278
00:10:56,023 --> 00:10:58,123
SO, AN ACTUAL LOVE POTION.
I'M... I'M NOT EVEN GONNA ASK
279
00:10:58,125 --> 00:10:59,824
HOW YOU GUYS GOT AHOLD
OF SOMETHING LIKE THIS.
280
00:10:59,826 --> 00:11:01,126
ON THE INTERNET.
281
00:11:01,128 --> 00:11:02,761
YEAH,
MILES ALREADY HAD SOME.
282
00:11:02,763 --> 00:11:04,462
WELL,
WHY DID YOU HAVE...
283
00:11:04,464 --> 00:11:07,032
SHALL WE GO THROUGH
YOUR SEARCH HISTORY, ROSS?
284
00:11:07,034 --> 00:11:09,334
ALL RIGHT, NOW, LOOK, IF ANYONE
CAN GET AHOLD OF THIS STUFF,
285
00:11:09,336 --> 00:11:10,669
WHY ARE THEY
GONNA PAY US?
286
00:11:10,671 --> 00:11:12,937
BECAUSE WE KNOW
THE SECRET INGREDIENT.
287
00:11:12,939 --> 00:11:14,172
OH.
288
00:11:14,174 --> 00:11:17,208
WE COMBINE OXYTOCIN
WITH DOPAMINE.
289
00:11:17,210 --> 00:11:19,811
HMM.
THE REWARD AND PLEASURE
CHEMICALS.
290
00:11:19,813 --> 00:11:21,646
IT'S LIKE THE LITERAL
FLOOD OF RELIEF YOU GET
291
00:11:21,648 --> 00:11:23,348
WHEN YOU SURVIVE
A DANGEROUS SITUATION.
292
00:11:23,350 --> 00:11:26,484
AFTERWARDS, YOUR BRAIN ASSIGNS
THE CONTEXT OF THE THRILL
293
00:11:26,486 --> 00:11:27,952
TO WHOMEVER YOU'RE WITH.
294
00:11:27,954 --> 00:11:30,021
AND BAM! YOU'RE BONDED.
295
00:11:30,023 --> 00:11:31,823
OHH.
296
00:11:31,825 --> 00:11:33,958
TOMMY AND MAX ARE GONNA BE
AT THEIR LAWYER'S TODAY.
297
00:11:33,960 --> 00:11:36,194
IT'S GONNA BE THE ONLY TIME
THEY'RE GONNA BE TOGETHER,
298
00:11:36,196 --> 00:11:38,063
SO WE HAVE TO
TAKE THIS SHOT.
299
00:11:38,065 --> 00:11:41,166
LATRELL, I'M SORRY FOR SPRAYING
YOU IN THE FACE, MAN.
300
00:11:41,168 --> 00:11:42,500
NAH, THAT'S COOL, MAN.
301
00:11:42,502 --> 00:11:44,235
BRING IT IN.
302
00:11:44,237 --> 00:11:45,503
HEY! I TRUSTED YOU!
303
00:11:45,505 --> 00:11:47,665
[ STOPWATCH CLICKS ]
AND IT WORKS.
304
00:11:49,542 --> 00:11:51,710
HERE COMES TOMMY.
305
00:12:00,219 --> 00:12:02,187
AND THERE'S MAX...
RIGHT ON SCHEDULE.
306
00:12:02,189 --> 00:12:04,950
SAMPLE OUR NEW FRAGRANCE,
SIR?
NO, THANK YOU.
307
00:12:05,691 --> 00:12:07,659
OW! WOW!
308
00:12:07,661 --> 00:12:09,928
NO, THANK YOU.
NOT TODAY.
309
00:12:11,564 --> 00:12:14,566
HEY! WHAT...
WHAT IS YOUR PROBLEM, MAN?
310
00:12:17,336 --> 00:12:19,437
UNBELIEVABLE.
311
00:12:19,439 --> 00:12:21,539
Clark: OKAY, GOOD.
312
00:12:21,541 --> 00:12:23,508
NOW WE LET THE OXYTOCIN
THEY JUST INHALED
313
00:12:23,510 --> 00:12:25,577
WORK INTO THEIR BRAINS,
THEN...
[ SIGHS ]
314
00:12:25,579 --> 00:12:27,112
SCARE THE HELL
OUT OF THEM.
315
00:12:27,114 --> 00:12:29,434
YEAH, WE DEFINITELY HAVE
A WEIRD JOB.
316
00:12:37,356 --> 00:12:39,124
MR. ATWOOD!
OH, THANK GOD.
317
00:12:39,126 --> 00:12:40,391
HEY.
OKAY. HEY, COME ON.
318
00:12:40,393 --> 00:12:41,760
I'VE GOT ATWOOD.
319
00:12:41,762 --> 00:12:44,362
I'M PART OF PAUL MADISON'S
SECURITY DETAIL.
320
00:12:44,364 --> 00:12:46,564
WE NEED TO GET YOU
OUT OF THE BUILDING RIGHT AWAY.
321
00:12:46,566 --> 00:12:48,600
COME ON. SHE'S HERE.
WHO'S HERE?
322
00:12:48,602 --> 00:12:51,102
PEGGY KRUEGER.
SHE'S SOME CRAZY GROUPIE FAN.
323
00:12:51,104 --> 00:12:53,571
BEEN GIVING MR. MADISON PROBLEMS
FOR YEARS.
324
00:12:53,573 --> 00:12:55,406
BLAMES HIM FOR THE BREAKUP
OF THE GROUP OR SOMETHING.
325
00:12:55,408 --> 00:12:56,808
IT'S NOT GOOD.
TOTAL NUTJOB.
326
00:12:56,810 --> 00:12:58,743
SHE GOT AWAY
BEFORE WE COULD GRAB HER.
327
00:12:58,745 --> 00:13:00,378
SHE'S IN THE BUILDING SOMEWHERE.
DOWN, DOWN, DOWN.
328
00:13:00,380 --> 00:13:01,913
SHE HAS A WHAT?
329
00:13:01,915 --> 00:13:03,882
IS IT LOADED?
WHAT?
330
00:13:03,884 --> 00:13:05,550
COME ON. LET'S GO,
LET'S GO, LET'S GO.
GEEZ!
331
00:13:05,552 --> 00:13:06,985
I GOT IT.
332
00:13:06,987 --> 00:13:08,253
HOLD UP! HOLD UP.
333
00:13:08,255 --> 00:13:09,487
WHAT?! WHERE?
334
00:13:09,489 --> 00:13:11,322
UP, UP!
GO, GO, GO!
335
00:13:11,324 --> 00:13:13,258
WHERE ARE WE GOING?!
KEEP GOING, KEEP GOING.
336
00:13:13,260 --> 00:13:15,393
TAKE THE STAIRS.
[ YELLS ]
337
00:13:15,395 --> 00:13:17,462
BACK UP! BACK UP! BACK!
338
00:13:17,464 --> 00:13:18,730
OH, ALL RIGHT.
339
00:13:18,732 --> 00:13:22,000
HEY.
HEY.
340
00:13:22,002 --> 00:13:23,668
POLICE SAID THEY WERE GONNA
BE HERE IN FIVE MINUTES.
341
00:13:23,670 --> 00:13:25,937
SAID TO SIT TIGHT.
342
00:13:25,939 --> 00:13:27,572
SIT TIGHT?! I'M NOT
STANDING AROUND, WAITING
TO GET EXECUTED HERE.
343
00:13:27,574 --> 00:13:28,840
SO, WHAT DO YOU WANT
TO DO?
344
00:13:28,842 --> 00:13:30,074
OKAY.
[ ELEVATOR BELL DINGS ]
345
00:13:30,076 --> 00:13:31,810
Sam: PAUL?
346
00:13:31,812 --> 00:13:33,478
OKAY!
TAKE THE STAIRS!
TAKE THE STAIRS! GO, GO!
347
00:13:33,480 --> 00:13:36,114
GO, GO, GO, GO, GO, GO!
348
00:13:36,116 --> 00:13:38,850
WHAT DID YOU MEAN,
"EXECUTED"?
349
00:13:38,852 --> 00:13:41,486
SHE HAS A GUN.
A GUN?!
350
00:13:41,488 --> 00:13:43,621
WHAT KIND OF A GUN?
WHO CARES WHAT KIND OF A GUN?
351
00:13:43,623 --> 00:13:46,191
IS THERE A GUN
YOU'D BE OKAY WITH HER HAVING?
352
00:13:47,526 --> 00:13:49,994
[ MEN SCREAM ]
Ross: GO, GO, GO, GO, GO!
353
00:13:52,531 --> 00:13:53,798
[ DOOR HANDLE THUDS ]
354
00:13:53,800 --> 00:13:55,099
DAMN IT!
355
00:13:55,101 --> 00:13:57,035
Shh, shh, shh, shh!
356
00:13:57,037 --> 00:13:58,469
[ LOUD THUD ]
I'VE GOT THE KEY.
357
00:13:58,471 --> 00:14:00,171
Sam: PAUL?
358
00:14:00,173 --> 00:14:01,472
COME ON.
GO SLOW.
359
00:14:01,474 --> 00:14:02,707
COME ON. COME ON!
360
00:14:02,709 --> 00:14:04,609
YES, YES! IT WORKED!
361
00:14:04,611 --> 00:14:06,010
GO, GO, GO, GO, GO, GO!
362
00:14:06,012 --> 00:14:08,213
[ SIGHS ]
OKAY, LET'S GO.
363
00:14:08,215 --> 00:14:09,647
Clark: COME ON, GUYS!
GET IN THE CAR.
364
00:14:09,649 --> 00:14:11,049
COME ON!
GO, GO, GO.
365
00:14:11,051 --> 00:14:12,951
SHE'LL TAKE YOU SOMEWHERE SAFE,
ALL RIGHT?
366
00:14:12,953 --> 00:14:14,452
[ ENGINE TURNS OVER ]
367
00:14:14,454 --> 00:14:16,654
NOW, WHEN THEY REALIZE
THEY'RE SAFE,
368
00:14:16,656 --> 00:14:19,057
THEIR ROCK-STAR BRAINS
WILL BE DROWNING IN DOPAMINE,
369
00:14:19,059 --> 00:14:21,192
AND WE WERE THE ONES
THAT MADE THEM FRIENDS!
370
00:14:21,194 --> 00:14:23,127
[ HORN BLARES ]
371
00:14:23,129 --> 00:14:26,064
[ TIRES SCREECH ]
372
00:14:26,066 --> 00:14:28,533
IF WE DON'T
KILL THEM FIRST.
373
00:14:28,535 --> 00:14:31,703
[ BOTH PANTING ]
374
00:14:38,344 --> 00:14:41,179
GREAT.
WONDERFUL. THANKS.
375
00:14:41,181 --> 00:14:44,315
CHICAGO P.D.'s GOT HER.
YOU GUYS CAN RELAX.
376
00:14:44,317 --> 00:14:45,717
[ CHUCKLES NERVOUSLY ]
377
00:14:45,719 --> 00:14:47,585
"RELAX."
378
00:14:47,587 --> 00:14:49,654
I, UH...
379
00:14:49,656 --> 00:14:51,356
I THINK RIGHT NOW
380
00:14:51,358 --> 00:14:54,859
IS THE MOST I'VE MISSED ALCOHOL
IN 20 YEARS. "RELAX."
381
00:14:54,861 --> 00:14:57,095
WELL, DON'T WORRY. I PLAN
ON DRINKING ENOUGH FOR
THE BOTH OF US, SO...
382
00:14:57,097 --> 00:14:59,197
[ CHUCKLES ]
383
00:14:59,199 --> 00:15:00,498
[ SIGHS ]
384
00:15:00,500 --> 00:15:03,201
OKAY, THEN,
SO, I MEAN, CAN WE... GO?
385
00:15:03,203 --> 00:15:05,203
YEAH.
YES.
386
00:15:05,205 --> 00:15:07,005
BUT JUST... JUST... JUST...
BEFORE YOU DO,
387
00:15:07,007 --> 00:15:08,606
I KNOW
THIS IS SUPER TACKY,
388
00:15:08,608 --> 00:15:10,375
ESPECIALLY AFTER EVERYTHING
YOU JUST WENT THROUGH,
389
00:15:10,377 --> 00:15:13,211
BUT IS THERE ANY WAY
THAT YOU GUYS WOULD AUTOGRAPH
390
00:15:13,213 --> 00:15:16,014
SOME CDs AND THINGS
[Chuckling] BEFORE YOU LEAVE?
391
00:15:16,016 --> 00:15:17,615
[ CHUCKLES ]
392
00:15:17,617 --> 00:15:20,118
RIGHT NOW, YOUR BUDDIES
ARE FEELING THE EFFECTS
393
00:15:20,120 --> 00:15:21,920
OF A VERY POTENT
COCKTAIL...
394
00:15:21,922 --> 00:15:24,222
ONE SHOT OXYTOCIN,
ONE SHOT DOPAMINE.
395
00:15:24,224 --> 00:15:26,591
SHAKE AND POUR.
THEY'RE PRIMED TO BOND.
396
00:15:26,593 --> 00:15:29,694
NOW ALL THEY NEED IS A LITTLE
NUDGE FROM OUR COLLEAGUE.
397
00:15:29,696 --> 00:15:31,763
Max: OH, MY GOD.
398
00:15:31,765 --> 00:15:34,365
BOOTLEG OF THE FIRST ROSELAND
SHOW. YOU REMEMBER THAT ONE?
399
00:15:34,367 --> 00:15:36,434
MM-HMM.
MY BOYFRIEND IS
SUCH A HUGE FAN.
400
00:15:36,436 --> 00:15:39,537
WHEN I TOLD HIM THAT
WE WERE OFFERING YOU
GUYS PROTECTION TODAY,
401
00:15:39,539 --> 00:15:41,272
HE... [Laughing] HE GOT SO...
402
00:15:41,274 --> 00:15:43,608
YOU GOT A BOYFRIEND?
HOW DISAPPOINTING.
403
00:15:43,610 --> 00:15:46,744
HE CAN BE, BUT HE'S A MUSICIAN,
SO I MAKE ALLOWANCES.
404
00:15:46,746 --> 00:15:48,212
OOH. GOOD ONE.
405
00:15:48,214 --> 00:15:50,748
ON OUR FIRST DATE,
HE PLAYED "NOT THAT WAY"
406
00:15:50,750 --> 00:15:52,951
FROM YOUR
"CHASING THE ENEMY" ALBUM.
407
00:15:52,953 --> 00:15:54,152
Both:
"SILVER MERCHANTS."
408
00:15:54,154 --> 00:15:56,955
RIGHT!
[ Chuckling ] RIGHT.
409
00:15:57,990 --> 00:15:59,791
SO, DO... DO YOU GUYS
HAVE ANY ADVICE?
410
00:15:59,793 --> 00:16:01,659
TELL HIM
TO JUST KEEP PRACTICING.
411
00:16:01,661 --> 00:16:03,494
NO, I MEAN, FOR ME.
412
00:16:03,496 --> 00:16:05,330
HIS BAND'S ABOUT TO GO ON TOUR
FOR THE FIRST TIME.
413
00:16:05,332 --> 00:16:07,231
AND... AND I TRUST HIM
AND EVERYTHING, BUT...
414
00:16:07,233 --> 00:16:10,568
MAYBE I SHOULD GO ALONG...
IN CASE THERE ARE TEMPTATIONS?
415
00:16:10,570 --> 00:16:12,170
YEAH.
[ Chuckling ] YEAH.
416
00:16:12,172 --> 00:16:14,439
Both: DEFINITELY GO ALONG.
GO ALONG.
417
00:16:14,441 --> 00:16:16,607
ABSOLUTELY GO ALONG.
HEY. GUYS.
418
00:16:16,609 --> 00:16:18,476
GUYS, THEY JUST TOLD ME
WHAT HAPPENED.
419
00:16:18,478 --> 00:16:20,178
I'M SHOCKED.
I'M SO SORRY.
420
00:16:20,180 --> 00:16:22,013
EVERYTHING OKAY HERE?
YES. WE'RE FINISHED.
421
00:16:22,015 --> 00:16:23,614
I WAS JUST
ABOUT TO ASK THEM
422
00:16:23,616 --> 00:16:25,583
WHAT WAS THE CRAZIEST THING
THAT EVER HAPPENED ON TOUR.
423
00:16:25,585 --> 00:16:26,818
UH...
424
00:16:26,820 --> 00:16:28,186
Both: STOCKHOLM.
DENVER.
425
00:16:28,188 --> 00:16:30,788
DENVER? OH, MY GOD, NO.
COME ON. SHE'S YOUNG.
426
00:16:30,790 --> 00:16:32,857
SHE DOES NOT NEED
TO HEAR THAT.
427
00:16:32,859 --> 00:16:34,492
YEAH, I'M OLD, AND I DON'T
EVEN NEED TO HEAR IT.
428
00:16:34,494 --> 00:16:35,960
WHY? W-WHAT HAPPENED
IN DENVER?
ROSS: Shh, shh.
429
00:16:35,962 --> 00:16:37,962
HEY, W-WHY DON'T WE
JUST GO SOMEWHERE
430
00:16:37,964 --> 00:16:40,198
AND TALK ABOUT IT
WHERE NO ONE WILL BE INDICTED?
431
00:16:40,200 --> 00:16:42,000
I'LL BUY YOU GUYS DINNER.
432
00:16:42,002 --> 00:16:43,768
PLEASE... GO.
AND... AND SEND US THE BILL.
433
00:16:43,770 --> 00:16:45,770
WE FEEL TERRIBLE
ABOUT TODAY.
434
00:16:45,772 --> 00:16:47,905
YEAH. I-IT'LL MAKE ME
FEEL BETTER.
435
00:16:50,209 --> 00:16:52,377
UH... OKAY.
436
00:16:52,379 --> 00:16:54,679
BUT, UH,
I DON'T DO GLUTEN.
437
00:16:54,681 --> 00:16:55,947
Ross: COOL.
438
00:16:55,949 --> 00:16:57,281
AND HERE WE GO.
439
00:16:57,283 --> 00:17:01,185
SO NICE TO MEET YOU.
THANK YOU SO MUCH.
440
00:17:03,622 --> 00:17:05,523
OKAY, EVEN I THOUGHT
YOU WERE CRAZY,
441
00:17:05,525 --> 00:17:07,291
BUT LOOK AT THEM...
IT WORKED.
442
00:17:07,293 --> 00:17:08,826
YEAH.
DON'T SPEAK TOO SOON.
443
00:17:08,828 --> 00:17:11,162
THEY'RE IN A CHEMICAL-INDUCED
HONEYMOON PHASE.
444
00:17:11,164 --> 00:17:13,631
AFTER DINNER, THEIR SYSTEMS
WILL BE BACK TO NORMAL.
445
00:17:13,633 --> 00:17:16,634
THEN WE'LL KNOW MORE.
446
00:17:18,971 --> 00:17:21,372
[ INDISTINCT CONVERSATIONS,
UP-TEMPO MUSIC PLAYS ]
447
00:17:21,374 --> 00:17:22,707
OH! MILES!
448
00:17:22,709 --> 00:17:25,243
SAM. HEY.
HEY.
449
00:17:25,245 --> 00:17:27,345
UH, MILES,
THIS IS MY FRIEND OLIVER.
450
00:17:27,347 --> 00:17:30,081
HE JUST MOVED HERE TWO DAYS AGO
FROM ST. LOUIS.
451
00:17:30,083 --> 00:17:32,083
OLIVER, MILES.
452
00:17:32,085 --> 00:17:33,518
HEY.
NICE TO MEET YOU.
453
00:17:33,520 --> 00:17:35,086
HELLO.
454
00:17:35,088 --> 00:17:36,888
UH, OKAY.
I'M GONNA GO.
455
00:17:36,890 --> 00:17:38,156
PLEASE DO NOT TELL ME
THAT YOU'RE LEAVING.
456
00:17:38,158 --> 00:17:39,590
TO THE LADIES' ROOM.
457
00:17:39,592 --> 00:17:41,526
I'LL BE RIGHT BACK.
PROMISE. GEEZ.
458
00:17:41,528 --> 00:17:43,027
OKAY. ALL RIGHT.
459
00:17:43,029 --> 00:17:44,896
WE'LL JUST... WE'LL WAIT HERE
AND JUST, UM...
460
00:17:44,898 --> 00:17:47,098
SPEAK IN THE LANGUAGE
OF OUR PEOPLE.
461
00:17:47,100 --> 00:17:48,833
GOOD THING
CHER HAS A NEW ALBUM.
462
00:17:48,835 --> 00:17:50,334
OTHERWISE,
I GOT NOTHING.
463
00:17:50,336 --> 00:17:51,636
FUNNY. [ CHUCKLES ]
464
00:18:01,613 --> 00:18:03,748
YOU REALLY NEED
THE BINOCULARS?
465
00:18:03,750 --> 00:18:05,950
IT'S LIKE 40 FEET AWAY.
Shh.
466
00:18:05,952 --> 00:18:09,454
[ SIGHS ]
467
00:18:09,456 --> 00:18:10,955
LOOK.
468
00:18:10,957 --> 00:18:12,924
LOOK, LOOK, LOOK.
469
00:18:12,926 --> 00:18:14,459
YEAH. YEAH.
LOOK. LOOK.
470
00:18:14,461 --> 00:18:15,927
LOOK.
471
00:18:17,062 --> 00:18:19,197
LOOK, LOOK, LOOK!
YES!
472
00:18:19,199 --> 00:18:23,034
YES! YES! YES!!
OKAY. OKAY.
473
00:18:23,036 --> 00:18:25,470
YEAH! OH!
474
00:18:25,472 --> 00:18:27,271
Shh!
Okay.
475
00:18:27,273 --> 00:18:29,073
HEY,
YOU SPOTTED US, HUH?
476
00:18:29,075 --> 00:18:30,374
AWESOME!
477
00:18:30,376 --> 00:18:31,609
THAT WAS GREAT.
478
00:18:31,611 --> 00:18:33,244
WE WATCHED THE...
WHEN'S THE...
479
00:18:33,246 --> 00:18:35,546
WHEN'S THE CONCERT?
I'M JUST THROWING IT OUT THERE.
480
00:18:35,548 --> 00:18:37,315
I'VE NEVER SEEN A CONCERT
FROM ON...
481
00:18:37,317 --> 00:18:39,383
ON THE STAGE,
BUT ON THE SIDE OF THE STAGE.
482
00:18:39,385 --> 00:18:41,419
AND YOU WON'T SEE
THIS ONE, EITHER.
483
00:18:41,421 --> 00:18:43,488
WHAT DO YOU MEAN?
YOU GUYS WERE TALKING.
EVERYTHING WAS GREAT.
484
00:18:43,490 --> 00:18:46,424
WELL, SOMEHOW,
THOSE TWO GENIUSES DECIDED
485
00:18:46,426 --> 00:18:49,227
THAT BEING IN THE BAND WAS
WHAT CAUSED ALL THEIR TROUBLES,
486
00:18:49,229 --> 00:18:53,898
SO THEY, UH, MADE A PACT
TO ALWAYS BE FRIENDS
487
00:18:53,900 --> 00:18:57,001
AND TO NEVER
PLAY MUSIC TOGETHER AGAIN.
488
00:19:00,172 --> 00:19:02,006
YEAH.
489
00:19:11,683 --> 00:19:13,551
[ GASPS LIGHTLY ]
490
00:20:06,672 --> 00:20:08,806
[ PANTING ]
491
00:20:10,542 --> 00:20:11,876
YES, MR. MADISON.
492
00:20:11,878 --> 00:20:14,345
YES, I-I-I COMPLETELY
UNDERSTAND.
493
00:20:14,347 --> 00:20:16,180
BUT IT DID WORK, RIGHT?
494
00:20:16,182 --> 00:20:18,082
I MEAN,
UH, T-THEY'RE FRIENDS.
495
00:20:18,084 --> 00:20:20,251
NOW WE JUST NEED TO DEAL WITH
THE CURVEBALL THEY THREW US.
496
00:20:20,253 --> 00:20:21,919
I BAKED A CAKE.
AS WE SPEAK,
497
00:20:21,921 --> 00:20:24,522
MY BROTHER IS DEVISING
OUR NEXT COURSE OF ACTION.
498
00:20:24,524 --> 00:20:26,524
WE'LL... WE'LL CALL YOU
WITH A PLAN.
499
00:20:26,526 --> 00:20:27,992
THAT WAS PAUL.
500
00:20:27,994 --> 00:20:29,227
SHOCKINGLY,
HE'S LESS THAN THRILLED
501
00:20:29,229 --> 00:20:31,062
WITH THE WAY THINGS WENT
WITH THE BAND.
502
00:20:31,064 --> 00:20:32,863
I MIXED, BAKED,
503
00:20:32,865 --> 00:20:36,601
AND SOMEWHAT COMPETENTLY FROSTED
AN ENTIRE CAKE...
504
00:20:36,603 --> 00:20:38,035
IN MY SLEEP.
505
00:20:38,037 --> 00:20:41,939
BUT YOU DON'T BAKE.
I'M SLEEPWALKING, ROSS!
506
00:20:41,941 --> 00:20:43,441
TWICE!
507
00:20:43,443 --> 00:20:45,343
PLEASE TELL ME
BETH GOT A PHOTO.
508
00:20:45,345 --> 00:20:47,111
SHE CAN'T KNOW.
509
00:20:47,113 --> 00:20:48,446
SHE'LL THINK I'M A NUT.
510
00:20:48,448 --> 00:20:50,281
SHE ALREADY DOES.
NOW, WHAT CAUSES IT?
511
00:20:50,283 --> 00:20:54,518
ALL RIGHT, UH, SLEEPWALKING
IS A CHRONIC DISORDER.
512
00:20:54,520 --> 00:20:56,687
I'VE NEVER DONE IT
BEFORE.
513
00:20:56,689 --> 00:20:58,289
UM, SO, OTHER CAUSES.
[ SIGHS ]
514
00:20:58,291 --> 00:20:59,957
UM, SUBCONSCIOUS STRESS.
515
00:20:59,959 --> 00:21:01,292
WELL, THERE YOU GO.
THERE'S...
516
00:21:01,294 --> 00:21:03,694
BUT I'M NOT STRESSED.
517
00:21:03,696 --> 00:21:05,296
OH, NO,
I DON'T MEAN STRESS...
518
00:21:05,298 --> 00:21:07,198
NOT LIKE YOU'D HAVE YOUR
22-YEAR-OLD GIRLFRIEND MOVED IN
519
00:21:07,200 --> 00:21:08,933
WHO YOU'D ONLY BEEN DATING
FOR A FEW MONTHS.
520
00:21:08,935 --> 00:21:11,135
OH, MY GOD! IT'S BETH!
IT'S BETH.
521
00:21:11,137 --> 00:21:13,738
SHE TOLD ME. SHE SAID
IF SHE MOVED IN, SHE
WOULD BREAK MY ROUTINE.
522
00:21:13,740 --> 00:21:15,206
SHE WAS RIGHT.
SHE WAS RIGHT.
523
00:21:15,208 --> 00:21:16,574
NOW SHE'S GONNA FLIP OUT.
524
00:21:16,576 --> 00:21:18,209
SHE'S GONNA LEAVE ME,
AND NOW I DON'T...
525
00:21:18,211 --> 00:21:20,144
I-I DON'T EVEN...
I'M NOT GONNA BE ABLE...
CLARK.
526
00:21:20,146 --> 00:21:21,545
CLARK, IT'S GONNA BE FINE,
ALL RIGHT?
527
00:21:21,547 --> 00:21:22,780
WHAT?
THIS IS A BIG CHANGE.
528
00:21:22,782 --> 00:21:24,582
CHANGE IS SCARY FOR ANYONE,
RIGHT?
529
00:21:24,584 --> 00:21:26,784
RIGHT, YEAH.
YOUR BRAIN MAYBE JUST NEEDS
SOME TIME TO DEAL.
530
00:21:26,786 --> 00:21:28,252
RIGHT. ADAPT.
531
00:21:28,254 --> 00:21:29,787
YOU KNOW WHAT, ROSS?
I THINK YOU'RE RIGHT.
532
00:21:29,789 --> 00:21:31,222
I AM.
THANK YOU.
533
00:21:31,224 --> 00:21:32,590
SURE.
ALL RIGHT.
534
00:21:32,592 --> 00:21:33,891
BUT...
IF IT HAPPENS AGAIN...
535
00:21:33,893 --> 00:21:35,293
YEAH? WHAT?
536
00:21:35,295 --> 00:21:36,661
MAYBE RED VELVET?
537
00:21:36,663 --> 00:21:38,996
THAT'S NOT HELPFUL.
538
00:21:38,998 --> 00:21:40,564
Sam: HI. MILES.
539
00:21:40,566 --> 00:21:41,999
WHAT'S UP?
NOTHING.
540
00:21:42,001 --> 00:21:43,501
[ THUD ]
OOH!
541
00:21:43,503 --> 00:21:45,770
UM, BUT WHILE I'M HERE,
YOU KNOW YOUR FRIEND OLIVER,
542
00:21:45,772 --> 00:21:48,172
WITH THE REALLY... BIG...
SMILE?
543
00:21:48,174 --> 00:21:50,007
UM, DID HE, LIKE,
SAY ANYTHING ABOUT ME,
544
00:21:50,009 --> 00:21:51,642
ASK ABOUT ME TODAY?
545
00:21:51,644 --> 00:21:53,411
YEAH, YEAH, YEAH. ACTUALLY, UH,
HE ASKED ME FOR YOUR NUMBER.
546
00:21:53,413 --> 00:21:54,812
YES. GIVE IT TO HIM...
RIGHT NOW.
547
00:21:54,814 --> 00:21:56,314
I TOLD HIM
THAT YOU WEREN'T INTERESTED
548
00:21:56,316 --> 00:21:57,915
IN A RELATIONSHIP
RIGHT NOW.
549
00:21:57,917 --> 00:21:59,417
TELL HIM YOU LIED.
YOU'RE A VICIOUS, VICIOUS LIAR.
550
00:21:59,419 --> 00:22:00,685
UH, I'M ALL BETTER NOW.
[ CHUCKLES ]
551
00:22:00,687 --> 00:22:02,420
OKAY.
552
00:22:02,422 --> 00:22:04,422
WELL, IF I WOULD HAVE KNOWN
IT WAS GONNA GO THIS WAY,
553
00:22:04,424 --> 00:22:05,856
I WOULD HAVE TOLD YOU
THIS BEFORE.
554
00:22:05,858 --> 00:22:07,525
UH, IT'S...
IT'S NOTHING, REALLY.
555
00:22:07,527 --> 00:22:09,527
UM, OLIVER AND I...
556
00:22:09,529 --> 00:22:12,763
WE MET AT THE SAME PLACE
I MET ROSS...
557
00:22:12,765 --> 00:22:14,965
THAT WORK-RELEASE PROGRAM.
558
00:22:14,967 --> 00:22:17,868
OLIVER WAS IN... PRISON?
559
00:22:17,870 --> 00:22:19,136
HMM.
560
00:22:19,138 --> 00:22:20,705
REALLY, PLEASE DON'T
SAY ANYTHING TO HIM.
561
00:22:20,707 --> 00:22:22,106
IT WAS BRIEF. IT WAS
FOR SOME FINANCIAL STUFF.
562
00:22:22,108 --> 00:22:24,141
NOTHING BIG.
563
00:22:24,143 --> 00:22:26,177
BUT I FIGURE, YOU'RE MY FRIEND,
SO YOU SHOULD KNOW.
564
00:22:26,179 --> 00:22:29,180
YEAH. OKAY.
WELL, THANK YOU. UM...
565
00:22:29,182 --> 00:22:32,049
BUT YOU KNOW WHAT? JUST, UH,
STILL YES ON THE NUMBER.
566
00:22:32,051 --> 00:22:34,352
[ FOOTSTEPS DEPART ]
567
00:22:35,454 --> 00:22:36,987
Clark:
THEY GOT IT ALL WRONG.
568
00:22:36,989 --> 00:22:39,690
MUSIC DIDN'T
TEAR THE BAND APART.
569
00:22:39,692 --> 00:22:41,692
IT'S WHAT
BROUGHT THEM TOGETHER.
570
00:22:41,694 --> 00:22:44,528
LOOK... THE GARAGE WHERE
THEY WROTE THEIR FIRST SONG,
571
00:22:44,530 --> 00:22:46,297
UH, "CELLAR DOOR."
572
00:22:46,299 --> 00:22:49,700
THIS WAS
A MAGIC, HAPPY BUBBLE.
573
00:22:49,702 --> 00:22:51,535
IT WAS THE GARDEN OF EDEN.
BUT SOMETHING HAPPENED.
574
00:22:51,537 --> 00:22:53,671
THEY GOT FAMOUS.
THEY LEFT THE GARAGE.
575
00:22:53,673 --> 00:22:58,008
THEN... POP...
NO MORE HAPPY, MAGIC BUBBLE.
576
00:22:58,010 --> 00:23:00,544
THEY GO ON TOUR.
THEY GET PAID.
577
00:23:00,546 --> 00:23:03,013
MUSIC BECOMES A JOB.
JOB MEANS STRESS.
578
00:23:03,015 --> 00:23:04,248
WONDER
IF THEY SLEEPWALKED.
579
00:23:04,250 --> 00:23:05,916
NOT FUNNY.
KIND OF FUNNY.
580
00:23:05,918 --> 00:23:07,818
AND SUDDENLY, MUSIC,
581
00:23:07,820 --> 00:23:10,087
WHICH ALWAYS HAD
A POSITIVE MENTAL ASSOCIATION,
582
00:23:10,089 --> 00:23:11,889
BECAME POISONED
WITH THESE NEGATIVES.
583
00:23:11,891 --> 00:23:14,325
WE NEED TO FIND A WAY
TO REWRITE
584
00:23:14,327 --> 00:23:17,995
WHAT MUSIC REPRESENTS
IN MAX AND TOMMY'S BRAINS.
585
00:23:17,997 --> 00:23:20,398
YES! EXCELLENT.
586
00:23:23,869 --> 00:23:26,070
I'M SORRY. I THOUGHT
A HOW-TO WAS COMING.
587
00:23:26,072 --> 00:23:29,039
YEAH.
YEAH, SO DID I.
588
00:23:29,041 --> 00:23:30,875
HOW ABOUT
REINFORCED GROUPTHINK?
589
00:23:30,877 --> 00:23:32,243
MM...
590
00:23:32,245 --> 00:23:34,044
WHAT ABOUT BLACKMAIL?
591
00:23:34,046 --> 00:23:35,913
I'M SURE THERE'S
SOME COMPROMISING PHOTOS
592
00:23:35,915 --> 00:23:37,515
FROM THEIR WILD DAYS
WE COULD USE...
593
00:23:37,517 --> 00:23:38,783
MAYBE EVEN DOCTOR.
594
00:23:38,785 --> 00:23:40,251
ONCE AGAIN, NOT HELPFUL.
595
00:23:40,253 --> 00:23:41,552
HERE.
596
00:23:41,554 --> 00:23:43,087
READ THESE.
597
00:23:43,089 --> 00:23:44,529
LOOK FOR THE BIG WORDS,
ROSS.
598
00:23:48,293 --> 00:23:50,594
Ross: WHAT... WHAT ABOUT
THAT GUY WITH THE DOG?
599
00:23:50,596 --> 00:23:51,896
CHARLIE BROWN?
600
00:23:51,898 --> 00:23:53,097
NO, HE HAD THE BELL
AND THAT...
601
00:23:53,099 --> 00:23:54,632
QUASIMODO?
602
00:23:54,634 --> 00:23:56,367
[ CHUCKLES ]
PAVLOV.
603
00:23:56,369 --> 00:23:58,135
YEAH, YEAH! THAT GUY.
WHAT ABOUT HIM?
604
00:23:58,137 --> 00:24:00,538
SO, WHAT...
WE'RE GONNA TRAIN TOMMY AND MAX
605
00:24:00,540 --> 00:24:02,640
TO SALIVATE
EVERY TIME THEY HEAR MUSIC?
606
00:24:02,642 --> 00:24:04,074
AT LEAST I'M TRYING.
607
00:24:04,076 --> 00:24:05,910
[ GRUNTS ]
I'M GOING TO A MOVIE.
608
00:24:05,912 --> 00:24:07,778
WHAT? NOW?
WE HAVEN'T SOLVED THIS.
609
00:24:07,780 --> 00:24:08,979
I AM SOLVING THIS.
610
00:24:08,981 --> 00:24:10,748
YOU KNOW,
STUDIES HAVE SHOWN
611
00:24:10,750 --> 00:24:12,650
THAT IF YOU NEED INSPIRATION,
LOOKING FOR IT
612
00:24:12,652 --> 00:24:14,885
IS THE MOST COUNTERPRODUCTIVE
THING THAT YOU CAN DO.
613
00:24:14,887 --> 00:24:16,754
YOU KNOW WHAT?
614
00:24:16,756 --> 00:24:18,055
THERE'S A REALLY BIG WORD FOR
THAT RIGHT HERE IN THIS BOOK.
615
00:24:18,057 --> 00:24:19,824
IT'S CALLED
"PROCRASTINATION"!
616
00:24:19,826 --> 00:24:21,058
NOPE!
617
00:24:21,060 --> 00:24:22,960
GET YOUR MIND
OFF THE PROBLEM.
618
00:24:22,962 --> 00:24:24,628
BAM!
THERE'S THE ANSWER.
619
00:24:24,630 --> 00:24:26,263
IT'S LIKE HOW YOU CAN
SEE STARS BETTER
620
00:24:26,265 --> 00:24:28,165
OUT OF THE CORNER
OF YOUR EYE.
621
00:24:28,167 --> 00:24:30,334
IT'S TRUE.
NEVER LOOK RIGHT AT A STAR.
622
00:24:32,137 --> 00:24:34,104
I HEARD THAT ON THE SET
OF "VALKYRIE,"
623
00:24:34,106 --> 00:24:36,586
NO ONE WAS ALLOWED TO LOOK
DIRECTLY AT TOM CRUISE.
624
00:24:39,644 --> 00:24:42,313
[ SOFT JAZZ PLAYS ]
625
00:24:48,987 --> 00:24:51,188
WOW.
626
00:24:51,190 --> 00:24:52,656
[ CHUCKLES ]
627
00:24:52,658 --> 00:24:55,025
UM, I BELIEVE
THAT'S ALL I CAN ASK FOR,
628
00:24:55,027 --> 00:24:57,094
SO THANK YOU.
629
00:25:00,198 --> 00:25:02,199
SERIOUSLY.
630
00:25:02,201 --> 00:25:05,469
OKAY, IF I WANTED TO SPEAK
IN ONE-WORD SENTENCES ALL NIGHT,
631
00:25:05,471 --> 00:25:07,605
I COULD HAVE STILL BEEN DATING
THAT HOCKEY PLAYER.
632
00:25:07,607 --> 00:25:09,340
[ CHUCKLES ]
633
00:25:09,342 --> 00:25:11,275
MM.
634
00:25:11,277 --> 00:25:12,910
[ SIGHS ]
635
00:25:18,383 --> 00:25:20,050
OH, NO.
DID I SPILL SOMETHING?
636
00:25:20,052 --> 00:25:21,318
NO.
637
00:25:21,320 --> 00:25:22,786
AND, UH, LOOK...
638
00:25:22,788 --> 00:25:25,856
I MEAN, YOU'D LOOK AMAZING
IN A BROWN PAPER SACK
639
00:25:25,858 --> 00:25:27,324
IF THAT WAS YOUR THING,
640
00:25:27,326 --> 00:25:29,026
WHICH I BET WOULD GO GREAT
WITH YOUR EYES,
641
00:25:29,028 --> 00:25:31,362
BUT THIS IS, UH, SOMETHING
SPECIAL... REALLY SPECIAL.
642
00:25:31,364 --> 00:25:32,663
I'M HONORED.
643
00:25:32,665 --> 00:25:34,498
THANKS.
644
00:25:34,500 --> 00:25:36,901
OKAY, SO,
WHAT ARE YOU GETTING?
645
00:25:36,903 --> 00:25:38,135
UM...
646
00:25:38,137 --> 00:25:39,970
DID YOU BORROW IT
FROM A FRIEND?
647
00:25:39,972 --> 00:25:43,707
GIRLS DO THAT, RIGHT?
THEY BORROW CLOTHES, SHOES.
648
00:25:43,709 --> 00:25:45,709
IT'S NEW.
649
00:25:45,711 --> 00:25:48,879
UM, I THOUGHT THAT
I WOULD BUY SOMETHING
SPECIAL FOR TONIGHT...
650
00:25:48,881 --> 00:25:51,048
TONIGHT, WHICH WAS
SUPPOSED TO BE... SPECIAL?
651
00:25:51,050 --> 00:25:52,750
SURE.
652
00:25:54,252 --> 00:25:55,886
LET'S SEE.
653
00:25:59,090 --> 00:26:00,858
L-LOOK, YOU KNOW,
654
00:26:00,860 --> 00:26:04,061
I DON'T CLAIM TO BE
A REGULAR READER OF US MAGAZINE,
655
00:26:04,063 --> 00:26:05,396
BUT I-I DO ENJOY THE PART
656
00:26:05,398 --> 00:26:06,830
WHERE THEY SHOW YOU
THE DESIGNER DRESS
657
00:26:06,832 --> 00:26:08,666
AND THEN HOW...
REGULAR PEOPLE
658
00:26:08,668 --> 00:26:10,901
CAN PULL OFF THE SAME LOOK
FOR 90 BUCKS.
659
00:26:10,903 --> 00:26:13,537
AND INEVITABLY, IN MY OPINION,
THEY FAIL TO DO IT.
660
00:26:13,539 --> 00:26:15,573
ROSS, IS THERE SOMETHING
THAT YOU WANT TO SAY TO ME?
661
00:26:15,575 --> 00:26:17,107
THAT I KNOW
WHAT I PAY YOU,
662
00:26:17,109 --> 00:26:19,076
AND I CAN GUESS
WHAT THAT DRESS COST.
663
00:26:19,078 --> 00:26:21,445
AND WHILE I LIKE TO THINK
WE OFFER A COMPETITIVE SALARY,
664
00:26:21,447 --> 00:26:23,347
I'M JUST HAVING A HARD TIME
WITH THE MATH.
665
00:26:25,383 --> 00:26:28,519
OKAY, LOOK, DO YOU REALIZE
THE KIND OF CHARACTERS
666
00:26:28,521 --> 00:26:30,721
THAT YOU HAVE ME PLAY
FOR YOUR BUSINESS?
667
00:26:30,723 --> 00:26:33,524
I'VE BEEN A LAWYER, I'VE BEEN
A HIGH-END HEADHUNTER,
668
00:26:33,526 --> 00:26:35,259
I'VE BEEN ANOTHER LAWYER...
THE KINDS OF PEOPLE
669
00:26:35,261 --> 00:26:38,028
THAT HAVE WARDROBES
THAT MATCH THEIR BANK ACCOUNTS.
670
00:26:38,030 --> 00:26:40,864
AND SINCE I DON'T SEE
YOUR LITTLE-COMPANY-THAT-COULD
671
00:26:40,866 --> 00:26:42,967
COUGHING UP THE MONEY
TO PAY FOR IT,
672
00:26:42,969 --> 00:26:46,203
WHY DON'T WE JUST CALL THIS
A BUSINESS EXPENSE?
673
00:26:46,205 --> 00:26:47,438
[ CHUCKLES ]
674
00:26:47,440 --> 00:26:49,707
WELL, WE COULD
IF ANYTHING WAS SPENT.
675
00:26:49,709 --> 00:26:51,075
NICE.
676
00:26:51,077 --> 00:26:52,543
[ CHUCKLES ]
677
00:26:52,545 --> 00:26:54,645
AND SO YOU CAN TAKE
AN ATTITUDE OF SUPERIORITY
678
00:26:54,647 --> 00:26:56,580
BECAUSE YOU'VE NEVER
STOLEN ANYTHING.
679
00:26:56,582 --> 00:26:58,949
NOT LATELY. NOT ANYMORE.
THAT IS ALL BEHIND ME.
680
00:26:58,951 --> 00:27:00,784
I HAVE
A LEGITIMATE BUSINESS NOW.
681
00:27:00,786 --> 00:27:02,720
WHICH YOU GOT
BY CONNING YOUR BROTHER
682
00:27:02,722 --> 00:27:05,422
AND PAYING SOMEONE
TO HAVE HIM FIRED.
683
00:27:05,424 --> 00:27:07,024
[ SCOFFS ]
684
00:27:08,126 --> 00:27:09,727
[ MENU OPENS ]
685
00:27:16,334 --> 00:27:18,369
I HEAR THE FISH IS GOOD.
686
00:27:22,007 --> 00:27:24,141
COME ON. DON'T LEAVE.
WE'LL TALK ABOUT IT LATER.
687
00:27:24,143 --> 00:27:25,943
I'M... I'M ALL OUT OF
ONE-WORD SENTENCES.
688
00:27:25,945 --> 00:27:29,313
THE NEXT ONE
IS GONNA NEED TWO.
689
00:27:29,315 --> 00:27:31,582
EXCUSE ME.
690
00:27:31,584 --> 00:27:33,651
[ SIGHS ]
691
00:27:36,988 --> 00:27:38,689
[ SIGHS ]
692
00:27:44,796 --> 00:27:46,363
[ KNOCK ON DOOR ]
693
00:27:47,198 --> 00:27:49,199
YOU'RE NOT ANSWERING
YOUR PHONE.
694
00:27:49,201 --> 00:27:51,602
YEAH,
THAT'S MY WAY OF SAYING,
695
00:27:51,604 --> 00:27:53,804
"IF YOU WANT TO CHAT,
PLEASE DROP BY."
696
00:27:53,806 --> 00:27:57,708
DIDN'T ANYONE EVER TEACH YOU
TO HANG UP YOUR THINGS?
697
00:27:57,710 --> 00:27:59,810
I'M GONNA GUESS "NO."
698
00:27:59,812 --> 00:28:01,812
WELL, I'M NOT PSYCHIC,
ALTHOUGH I HAVE PRETENDED TO BE,
699
00:28:01,814 --> 00:28:03,347
BUT I'M GONNA GUESS
700
00:28:03,349 --> 00:28:06,650
THAT THE GUY YOU WORE THAT
TO IMPRESS WAS UNIMPRESSED.
701
00:28:06,652 --> 00:28:08,352
[ SMACKS LIPS ]
702
00:28:08,354 --> 00:28:11,655
LET'S JUST SAY THAT
HE HAD AN ISSUE WITH
HOW IT WAS ACQUIRED.
703
00:28:11,657 --> 00:28:13,657
AND IT'S PROBABLY BETTER
THIS WAY.
704
00:28:13,659 --> 00:28:16,393
DATING MY BOSS...
WHAT COULD GO WRONG?
705
00:28:16,395 --> 00:28:19,196
YOU MEAN [SIGHS] THE GUY
IN THE ARTICLE... THE FELON?
706
00:28:19,198 --> 00:28:21,865
MAYBE I...
THOUGHT HE'D UNDERSTAND.
707
00:28:21,867 --> 00:28:24,168
SOUNDS LIKE HE DID.
708
00:28:24,170 --> 00:28:25,903
I DON'T KNOW
WHY I TOOK IT.
709
00:28:25,905 --> 00:28:27,905
I MEAN, THINGS ARE...
THINGS ARE GOING REALLY GOOD.
710
00:28:27,907 --> 00:28:30,207
I-I GOT A LEGIT JOB.
711
00:28:30,209 --> 00:28:32,876
AND SUDDENLY, I'M...
712
00:28:32,878 --> 00:28:35,412
PULLING A CON ON A FRIEND
AND SHOPLIFTING.
713
00:28:35,414 --> 00:28:37,581
YOU MEAN "SUDDENLY,"
SINCE I SHOWED UP?
714
00:28:37,583 --> 00:28:39,316
NO.
715
00:28:41,352 --> 00:28:44,888
ALL RIGHT, WELL, MAYBE
IT'S NOT... TOTALLY UNRELATED.
716
00:28:44,890 --> 00:28:47,357
IT'S LIKE, YOU KNOW, WHEN I WAS
TRYING TO QUIT SMOKING.
717
00:28:47,359 --> 00:28:48,726
REMEMBER?
718
00:28:48,728 --> 00:28:50,561
DO I REMEMBER?
YEAH, I REMEMBER.
719
00:28:50,563 --> 00:28:53,197
THE HARDEST PART WAS,
EVERY TIME I'D GO OUT DRINKING,
720
00:28:53,199 --> 00:28:55,332
I'D WANT A CIGARETTE,
SO I DIDN'T DRINK.
721
00:28:55,334 --> 00:28:57,534
AND THIS FELON
YOU'RE SEEING...
722
00:28:57,536 --> 00:29:00,104
YOU DON'T SUPPOSE
MAYBE HE'S THE DRINK
723
00:29:00,106 --> 00:29:01,672
THAT MAKES YOU
WANT A CIGARETTE?
724
00:29:01,674 --> 00:29:07,611
IT'S WHY FELONS
ARE NOT SUPPOSED TO CONSORT...
725
00:29:07,613 --> 00:29:09,213
THE CHEMISTRY.
726
00:29:09,215 --> 00:29:11,782
SOMETIMES YOU MIX THINGS,
YOU GET A MANHATTAN.
727
00:29:11,784 --> 00:29:14,284
SOMETIMES YOU GET
THE MANHATTAN PROJECT.
728
00:29:15,286 --> 00:29:16,954
WHATEVER.
729
00:29:18,089 --> 00:29:19,423
[ SIGHS ]
730
00:29:19,425 --> 00:29:22,459
HOW'D THINGS GO
WITH MILES HOOD?
731
00:29:22,461 --> 00:29:24,528
THAT'S THE REASON
I WAS CALLING.
732
00:29:24,530 --> 00:29:26,096
FINE.
733
00:29:26,098 --> 00:29:29,066
UM, HE MET OLIVER,
AND HE LIKED HIM.
734
00:29:29,068 --> 00:29:31,135
BUT I WARNED HIM
ABOUT OLIVER'S PAST...
735
00:29:31,137 --> 00:29:32,402
THE PRISON TIME.
736
00:29:32,404 --> 00:29:34,724
I TOLD HIM
TO BE CAREFUL.
737
00:29:36,107 --> 00:29:37,708
GOOD.
738
00:29:37,710 --> 00:29:39,309
WELL-PLAYED.
739
00:29:42,981 --> 00:29:47,985
♪ 3 A.M., TABLES TURNING ♪
740
00:29:49,420 --> 00:29:53,957
♪ WANNA SABOTAGE YOUR HEART
LONG-DISTANCE ♪
741
00:29:53,959 --> 00:29:56,493
CLARK?
IS THIS NORMAL?
742
00:29:56,495 --> 00:29:57,995
[ VOLUME DECREASES ]
MORNING.
743
00:29:57,997 --> 00:29:59,596
UH, NORMAL?
744
00:29:59,598 --> 00:30:01,799
BECAUSE IF IT IS,
I CAN ADJUST.
745
00:30:01,801 --> 00:30:05,068
NO, NO. I'M... I'M...
I'M RELAXING MY BRAIN.
746
00:30:05,070 --> 00:30:07,104
STUDIES SHOW
TAKING A SHOWER IN THE MORNING
747
00:30:07,106 --> 00:30:08,839
IS ONE OF THE MOST RELAXING
PARTS OF THE DAY.
748
00:30:08,841 --> 00:30:11,942
THAT'S WHY SO MANY PEOPLE HAVE
GOOD IDEAS, UM, IN A SHOWER.
749
00:30:11,944 --> 00:30:13,577
BUT A-AFTER AWHILE,
750
00:30:13,579 --> 00:30:15,312
I WAS KIND OF FEELING BAD
ABOUT USING SO MUCH WATER,
751
00:30:15,314 --> 00:30:17,447
SO I WAS JUST HOPING THAT
THIS MIGHT HAVE THE SAME EFFECT.
752
00:30:17,449 --> 00:30:20,217
[ WATER RUNS ]
753
00:30:21,186 --> 00:30:22,452
[ WATER STOPS ]
754
00:30:22,454 --> 00:30:24,822
YOU DIDN'T COME TO BED
LAST NIGHT.
755
00:30:24,824 --> 00:30:26,657
I'M NO SCIENTIST,
BUT I'M GUESSING
756
00:30:26,659 --> 00:30:29,026
STAYING UP ALL NIGHT
IS NOT GOOD FOR YOUR MIND.
757
00:30:29,028 --> 00:30:32,462
YOU NEED SLEEP.
YOU NEED FOOD.
758
00:30:32,464 --> 00:30:33,864
SALMON. BLUEBERRIES.
759
00:30:33,866 --> 00:30:35,499
THEY MAKE BAD PANCAKES,
760
00:30:35,501 --> 00:30:38,035
BUT THEY'RE THE BEST SOURCE
OF OMEGA-3s AND ANTIOXIDANTS.
761
00:30:38,037 --> 00:30:39,469
WHAT IS THIS?
762
00:30:39,471 --> 00:30:40,838
OH...
763
00:30:46,144 --> 00:30:48,612
IT'S A CAKE.
764
00:30:48,614 --> 00:30:49,880
OHH.
765
00:30:49,882 --> 00:30:51,648
BETH, I-I S...
766
00:30:51,650 --> 00:30:53,150
I'M SLEEPWALKING, BETH,
767
00:30:53,152 --> 00:30:57,721
AND I MADE AN ENTIRE CAKE
WHILE I WAS SLEEPWALKING.
768
00:30:58,790 --> 00:31:00,324
AND THE TRUTH IS,
769
00:31:00,326 --> 00:31:02,059
I DIDN'T [SIGHS]
I DIDN'T GO TO BED LAST NIGHT
770
00:31:02,061 --> 00:31:04,728
BECAUSE I-I DIDN'T... I DIDN'T
WANT TO SLEEPWALK AGAIN
771
00:31:04,730 --> 00:31:07,865
AND THEN MAKE ANOTHER PASTRY
TO MARK THE OCCASION.
772
00:31:07,867 --> 00:31:11,335
IT'S JUST THAT MY SUBCONSCIOUS
IS HAVING A HARD TIME,
773
00:31:11,337 --> 00:31:12,870
LIKE, DEALING WITH...
774
00:31:12,872 --> 00:31:14,972
WITH... WITH JUST
SOME OF THE CHANGES IN MY LIFE.
775
00:31:14,974 --> 00:31:17,341
YOU MEAN... LIKE ME?
NO. NO. NO.
776
00:31:17,343 --> 00:31:19,476
I ASKED YOU SEVERAL TIMES
IF THIS WAS A MISTAKE,
777
00:31:19,478 --> 00:31:20,978
AND YOU SAID
THAT EVERYTHING...
778
00:31:20,980 --> 00:31:22,212
IT'S NOT.
779
00:31:22,214 --> 00:31:24,882
LOOK, THE ONLY MISTAKE
IS ME [SIGHS]
780
00:31:24,884 --> 00:31:26,850
KIDDING MYSELF
THAT THIS WAS GONNA BE EASY,
781
00:31:26,852 --> 00:31:28,986
BUT T... BUT THIS IS...
THIS IS JUST ON ME, BETH.
782
00:31:28,988 --> 00:31:30,187
IT'S NOT YOU.
783
00:31:30,189 --> 00:31:31,889
YEAH,
NO DUH IT'S YOU!
784
00:31:31,891 --> 00:31:34,391
ALL RIGHT? BUT IT'S ALSO ME
BEING HERE WITH YOU.
785
00:31:34,393 --> 00:31:36,426
I-IT'S MY STUFF,
IT'S MY ELEPHANT, IT'S MY...
786
00:31:36,428 --> 00:31:38,028
NO,
I-I LIKE YOUR ELEPHANT.
787
00:31:38,030 --> 00:31:39,596
OH, AND THE FACT
THAT YOU WERE AFRAID TO TELL ME
788
00:31:39,598 --> 00:31:40,931
THAT YOU WERE
SLEEPWALKING...
789
00:31:40,933 --> 00:31:42,199
BETH, STOP!
790
00:31:42,201 --> 00:31:44,534
JUST STOP
FOR JUST ONE SECOND, PLEASE.
791
00:31:44,536 --> 00:31:45,936
WHAT ARE YOU DOING?
792
00:31:45,938 --> 00:31:47,771
[ MUSIC CONTINUES ]
793
00:31:47,773 --> 00:31:49,273
[ NEEDLE SCRATCHES ]
794
00:31:49,275 --> 00:31:51,008
NO, THAT SONG HAS ONLY HELD
GOOD MEMORIES FOR ME,
795
00:31:51,010 --> 00:31:52,676
AND NOW IF I ASSOCIATE IT
WITH OUR FIRST FIGHT,
796
00:31:52,678 --> 00:31:55,112
I'LL... I'LL NEVER TH-THINK
OF IT IN ANY OTHER WAY.
797
00:31:55,114 --> 00:31:56,680
NO,
WE'RE NOT FIGHTING.
798
00:31:56,682 --> 00:31:59,082
IT'S JUST... I MEAN,
NO GIRL WANTS TO HEAR
799
00:31:59,084 --> 00:32:01,051
THAT HER BOYFRIEND DOESN'T WANT
TO GET IN BED WITH HER.
800
00:32:01,053 --> 00:32:03,086
THAT'S IT!
CLARK, I WAS TALKING.
801
00:32:03,088 --> 00:32:04,788
THE... THE POWER OF MUSIC!
802
00:32:04,790 --> 00:32:06,690
OKAY.
803
00:32:06,692 --> 00:32:08,025
THE BRAIN CREATES
804
00:32:08,027 --> 00:32:11,061
INVOLUNTARY EMOTIONAL
ASSOCIATIONS WITH MUSIC.
805
00:32:11,063 --> 00:32:12,696
BUT IT'S DEEP!
IT'S LIKE... IT'S LIKE...
806
00:32:12,698 --> 00:32:14,765
IT'S LIKE
LIZARD-BRAIN DEEP, OKAY?
807
00:32:14,767 --> 00:32:16,633
THAT SONG...
THAT SONG, OKAY?
808
00:32:16,635 --> 00:32:19,036
I'M... I'M 11 YEARS OLD.
809
00:32:19,038 --> 00:32:20,370
MY MOM'S MAKING
BAKED ZITI.
810
00:32:20,372 --> 00:32:22,306
I'M... MY ROOM'S AT THE TOP
OF THE STAIRS,
811
00:32:22,308 --> 00:32:24,608
SO I ALWAYS KNOW
WHAT'S FOR DINNER.
812
00:32:24,610 --> 00:32:26,076
THAT SONG MAKES ME HUNGRY!
813
00:32:26,078 --> 00:32:27,711
OKAY?
814
00:32:27,713 --> 00:32:31,815
MUSIC IS LIKE A SECRET DOOR
TO A SECRET PATH TO THE PAST!
815
00:32:31,817 --> 00:32:34,284
[ SLAMS COUNTER ]
YES! I KNEW IT.
816
00:32:39,891 --> 00:32:42,359
[ SIGHS ]
817
00:32:48,166 --> 00:32:51,802
AND NOW,
WHEN I HEAR THAT SONG...
818
00:32:51,804 --> 00:32:54,085
IT'LL ALSO REMIND ME
OF YOU.
819
00:33:01,245 --> 00:33:05,182
'CAUSE IT WASN'T A MISTAKE
TO WANT YOU HERE.
820
00:33:05,184 --> 00:33:08,251
TO FALL ASLEEP NEXT TO YOU
EVERY NIGHT...
821
00:33:10,788 --> 00:33:13,924
TO WAKE UP NEXT TO YOU
EVERY MORNING.
822
00:33:13,926 --> 00:33:15,592
[ SIGHS ]
823
00:33:18,663 --> 00:33:20,197
I JUST NEED SOME TIME,
824
00:33:20,199 --> 00:33:22,599
AND I'LL... I'LL...
I'LL FIX IT.
825
00:33:22,601 --> 00:33:25,502
I-I DON'T KNOW HOW YET,
BUT... BUT I WILL.
826
00:33:25,504 --> 00:33:27,604
I WILL.
827
00:33:27,606 --> 00:33:29,706
WE WILL.
828
00:33:29,708 --> 00:33:31,775
WE'RE A "WE" NOW.
829
00:33:31,777 --> 00:33:33,844
I CAN HELP.
830
00:33:41,219 --> 00:33:44,788
THE SINK WORKED.
[ LAUGHS ]
831
00:33:44,790 --> 00:33:47,858
I GOT TO TELL ROSS.
I KNOW HOW TO FIX THE BAND!
832
00:33:54,399 --> 00:33:55,665
Paul:
THANKS FOR THE ASSIST, MAN.
833
00:33:55,667 --> 00:33:57,234
MY REGULAR
SESSION GUITARIST
834
00:33:57,236 --> 00:33:59,136
IS [Chuckling]
ON MATERNITY LEAVE.
835
00:33:59,138 --> 00:34:00,704
[ BOTH LAUGH ]
836
00:34:00,706 --> 00:34:02,973
SO, I-I AUDITIONED THIS NEW GUY.
HE'S GREAT.
837
00:34:02,975 --> 00:34:04,474
HE'S REALLY, REALLY COOL,
838
00:34:04,476 --> 00:34:08,545
BUT... UM... I-I-I NEED
TO HEAR HIM IMPROVISE
839
00:34:08,547 --> 00:34:09,813
WITH A SERIOUS
BASS PLAYER.
840
00:34:09,815 --> 00:34:11,048
[ CHUCKLES ]
841
00:34:11,050 --> 00:34:12,516
AND THAT...
THAT'D BE YOU.
842
00:34:12,518 --> 00:34:13,884
THANKS FOR SAYING THAT.
YEAH.
843
00:34:13,886 --> 00:34:15,252
BUT I'M A LITTLE PRESSED
FOR TIME, SO...
844
00:34:15,254 --> 00:34:16,920
GOTCHA. GOTCHA.
845
00:34:16,922 --> 00:34:18,922
UH, IT'S A LITTLE DARK IN THERE.
AM I GONNA BE ABLE TO SEE YOU?
846
00:34:18,924 --> 00:34:20,824
UM... YOU KNOW...
847
00:34:20,826 --> 00:34:22,492
LISTEN,
IF THIS NEW GUY THOUGHT
848
00:34:22,494 --> 00:34:25,228
HE WAS AUDITIONING
WITH TOMMY ATWOOD...
849
00:34:25,230 --> 00:34:26,897
[ CHUCKLES ]
WOW. HE'D JUST FREEZE UP.
850
00:34:26,899 --> 00:34:28,165
OKAY.
851
00:34:28,167 --> 00:34:29,666
YOU'RE THE MAN.
852
00:34:29,668 --> 00:34:32,269
I LOVE YOU, MAN.
YOU'RE THE MAN.
853
00:34:32,271 --> 00:34:34,538
[ SIGHS ]
854
00:34:34,540 --> 00:34:35,906
[ GUITAR TUNING ]
855
00:34:35,908 --> 00:34:37,207
HEY, BIG GUY.
856
00:34:37,209 --> 00:34:39,109
[ CHUCKLES ]
BASS PLAYER JUST ARRIVED.
857
00:34:39,111 --> 00:34:41,044
UH, WHY DON'T YOU GIVE HIM
A MINUTE...
858
00:34:41,046 --> 00:34:42,712
PRE-AUDITION JITTERS,
YOU KNOW.
859
00:34:42,714 --> 00:34:45,182
[ CHUCKLES NERVOUSLY ]
YOU'RE THE MAN.
860
00:34:45,184 --> 00:34:46,950
[ SIGHS ] Oh, my God.
861
00:34:50,588 --> 00:34:51,855
HEY!
HEY.
862
00:34:51,857 --> 00:34:53,457
AH, THIS IS SO COOL!
863
00:34:53,459 --> 00:34:54,958
ARE YOU SURE
THAT THEY CAN'T SEE EACH OTHER?
864
00:34:54,960 --> 00:34:56,393
YEAH.
865
00:34:56,395 --> 00:34:58,628
LISTEN, GUYS, I-I DON'T WANT
TO DO THIS ANYMORE.
866
00:34:58,630 --> 00:35:00,097
WHOA, WHOA.
WHAT DO YOU MEAN?
867
00:35:00,099 --> 00:35:01,932
LOOK, I-I-I'VE CHANGED
MY MIND, OKAY?
868
00:35:01,934 --> 00:35:03,200
NO, THIS IS GONNA WORK!
869
00:35:03,202 --> 00:35:04,601
YEAH, WELL,
WHAT IF IT DOESN'T?
870
00:35:04,603 --> 00:35:06,636
WELL, I-IT WILL...
PROBABLY.
871
00:35:06,638 --> 00:35:09,206
OH! WOW. "PROBABLY."
[ SIGHS ]
872
00:35:09,208 --> 00:35:10,574
THAT'S GREAT, MAN.
873
00:35:10,576 --> 00:35:12,042
I MEAN... I-I-I MEAN,
874
00:35:12,044 --> 00:35:14,244
IF THESE GUYS FIND OUT
THAT I TRICKED THEM...
875
00:35:14,246 --> 00:35:17,380
YOU... YOU THINK THEY DIDN'T
TALK TO EACH OTHER THEN?
876
00:35:17,382 --> 00:35:19,416
THESE GUYS
WILL NOT TALK TO ME.
877
00:35:19,418 --> 00:35:21,384
THESE ARE
MY OLDEST FRIENDS.
878
00:35:21,386 --> 00:35:23,820
THAT'S RIGHT.
THEY'RE SPECIAL, RIGHT?
879
00:35:23,822 --> 00:35:25,555
YEAH.
YOU KNOW WHY?
880
00:35:25,557 --> 00:35:28,291
I'M THINKING SCIENCE.
YEAH... BRAIN SCIENCE.
881
00:35:28,293 --> 00:35:31,094
WHEN MUSICIANS GET TOGETHER
AND THEY IMPROVISE,
882
00:35:31,096 --> 00:35:34,097
A WHOLE MESS OF REGIONS
IN THE BRAIN GET ACTIVATED,
883
00:35:34,099 --> 00:35:36,566
INCLUDING THE ONE
THAT CONTROLS LANGUAGE.
884
00:35:36,568 --> 00:35:38,502
SEE, TO YOU THREE,
885
00:35:38,504 --> 00:35:41,171
MUSIC IS... IS...
IS A SECOND LANGUAGE.
886
00:35:41,173 --> 00:35:43,406
YOU GUYS CAN GET TOGETHER,
YOU CAN TALK, YOU CAN CHAT,
887
00:35:43,408 --> 00:35:45,842
BUT YOU'RE NOT GONNA BE
TALKING...
888
00:35:45,844 --> 00:35:48,345
BECAUSE YOU'RE NOT SPEAKING
YOUR NATIVE TONGUE.
889
00:35:48,347 --> 00:35:51,581
[ BASS PLAYING ]
SEE, THEY THINK THAT MUSIC
IS WHAT BROKE THEM UP.
890
00:35:51,583 --> 00:35:54,851
I'M TELLING YOU, IT'S
WHAT'S GONNA BRING THEM
BACK TOGETHER AGAIN.
891
00:35:54,853 --> 00:35:58,255
EVERY HUMAN CULTURE
IN THE HISTORY OF THE WORLD
892
00:35:58,257 --> 00:36:00,457
MADE MUSIC.
IT'S PRIMAL, IT'S EVOLUTIONARY.
893
00:36:00,459 --> 00:36:02,792
OUR ANCESTORS USED IT
894
00:36:02,794 --> 00:36:05,929
TO IDENTIFY
MEMBERS OF THEIR OWN TRIBE.
895
00:36:05,931 --> 00:36:07,297
[ SIGHS ]
896
00:36:07,299 --> 00:36:09,166
PAUL...
897
00:36:11,302 --> 00:36:14,104
UNITE YOUR TRIBE.
898
00:36:14,106 --> 00:36:17,641
BE ASTRONAUTS.
899
00:36:17,643 --> 00:36:20,510
Max:
HEY, PAUL, YOU IN THERE?
900
00:36:20,512 --> 00:36:22,512
REALLY GOT TO GET GOING,
MAN.
901
00:36:37,728 --> 00:36:39,963
YEAH. OKAY, GUYS.
902
00:36:39,965 --> 00:36:42,566
UH... LET'S DO THIS.
903
00:36:42,568 --> 00:36:45,569
BASS, YOU GOT LEAD.
904
00:36:49,340 --> 00:36:52,242
[ DRUM PLAYS MID-TEMPO BEAT ]
905
00:36:53,077 --> 00:36:55,111
[ BASS PLAYING ]
906
00:36:58,916 --> 00:37:00,784
[ GUITAR PLAYING ]
907
00:37:15,199 --> 00:37:17,500
YOU KNOW,
WHEN WE LEARN SOMETHING NEW,
908
00:37:17,502 --> 00:37:20,203
OUR BRAIN
PHYSICALLY CHANGES.
909
00:37:20,205 --> 00:37:22,939
A LITTLE ROAD IS FORMED
IN THE CEREBRAL TISSUE.
910
00:37:22,941 --> 00:37:26,009
LITERALLY,
THEY'RE LAYING DOWN A GROOVE.
911
00:37:26,011 --> 00:37:27,777
FOR THE LAST 14 YEARS,
912
00:37:27,779 --> 00:37:30,213
THEIR LITTLE ROAD
HAS BEEN ABANDONED,
913
00:37:30,215 --> 00:37:33,350
BUT NOW IT'S... IT'S...
IT'S LIGHTING UP LIKE A RUNWAY.
914
00:37:33,352 --> 00:37:35,619
CLARK, WOULD YOU JUST SHUT UP
AND LISTEN?
SORRY.
915
00:37:35,621 --> 00:37:37,420
[ MUSIC CONTINUES ]
916
00:37:47,898 --> 00:37:50,967
[ MUSIC STOPS ]
917
00:37:50,969 --> 00:37:52,902
OKAY, WHERE IS HE?
918
00:37:52,904 --> 00:37:54,537
[ SIGHS ]
919
00:37:59,810 --> 00:38:01,244
I KNEW IT.
920
00:38:01,246 --> 00:38:03,647
YEAH.
WOW.
921
00:38:03,649 --> 00:38:05,882
WOW. WOW. THAT WAS GREAT.
THAT WAS GREAT.
922
00:38:05,884 --> 00:38:07,317
PAUL, WHAT'S GOING ON?
923
00:38:07,319 --> 00:38:08,752
I JUST WANTED TO GET OUT THERE
WITH YOU GUYS
924
00:38:08,754 --> 00:38:09,986
AND GET ON
THOSE DRUMS, MAN.
925
00:38:09,988 --> 00:38:11,388
PAUL...
BUM-BUM BUH.
926
00:38:11,390 --> 00:38:13,490
ALL RIGHT, ALL RIGHT.
LOOK, I'M SORRY.
927
00:38:13,492 --> 00:38:16,092
I-I SHOULDN'T HAVE
TRICKED YOU GUYS. OKAY?
928
00:38:16,094 --> 00:38:17,594
BUT I-I THOUGHT...
929
00:38:17,596 --> 00:38:19,496
WHAT IF
WE'RE NEVER HERE AGAIN?
930
00:38:19,498 --> 00:38:22,265
WHAT IF WE'RE NEVER ANYWHERE
AGAIN... RIGHT?
931
00:38:22,267 --> 00:38:24,334
AND I DIDN'T GIVE IT
MY BEST SHOT?
932
00:38:24,336 --> 00:38:26,636
WAIT! WHOA!
NO.
933
00:38:26,638 --> 00:38:28,972
YOU HEARD THAT,
RIGHT?
934
00:38:28,974 --> 00:38:30,407
COME ON!
YOU HEARD THAT.
935
00:38:30,409 --> 00:38:32,342
Tommy: IT WAS GOOD, YEAH,
BUT YOU CAN'T...
936
00:38:32,344 --> 00:38:34,344
GOOD?!
I GOT JEALOUS.
937
00:38:34,346 --> 00:38:35,645
JUST HANDING OFF RIFFS.
938
00:38:35,647 --> 00:38:36,913
YEAH, "A" FOR EFFORT, PAUL.
THAT WAS FUN.
939
00:38:36,915 --> 00:38:38,648
BUT I GOT A PLANE TO CATCH
NOW, SO...
940
00:38:38,650 --> 00:38:39,949
UNH-UNH.
941
00:38:39,951 --> 00:38:41,618
NOT TILL TONIGHT.
942
00:38:41,620 --> 00:38:45,455
COME ON. WHY DON'T...
WHY DON'T WE ALL JUST PLUG IN?
943
00:38:45,457 --> 00:38:47,090
WHAT'S CHANGED, HUH?
944
00:38:47,092 --> 00:38:50,293
YEAH, IT WAS GREAT.
THAT PART WAS ALWAYS GREAT.
945
00:38:50,295 --> 00:38:53,596
SO WHAT?
STILL THE SAME THREE GUYS, PAUL.
946
00:38:53,598 --> 00:38:55,432
I'M NOT THE SAME.
947
00:38:55,434 --> 00:38:56,700
TOMMY?
948
00:38:56,702 --> 00:38:59,002
[ Chuckling ]
NO, PROBABLY NOT.
949
00:38:59,004 --> 00:39:00,637
I MEAN, FOR ONE THING,
950
00:39:00,639 --> 00:39:03,273
I-I CAN'T CHEW
CRUNCHY CEREAL ANYMORE.
951
00:39:03,275 --> 00:39:06,810
YEAH. LOT OF OATMEAL
FOR ME, MAN. CHOLESTEROL.
952
00:39:06,812 --> 00:39:08,044
EGG WHITES ONLY HERE.
953
00:39:08,046 --> 00:39:09,713
GOT ME
A REALLY NICE JUICER.
954
00:39:09,715 --> 00:39:11,748
EGG WHITES?
AND A JUICER?
955
00:39:15,219 --> 00:39:17,120
VERY ROCK 'N' ROLL.
956
00:39:21,625 --> 00:39:23,226
[ CYMBALS PLAY ]
957
00:39:23,228 --> 00:39:24,694
[ DRUMS PLAY ]
958
00:39:24,696 --> 00:39:26,763
[ "FACE OF LIGHT" PLAYS ]
959
00:40:00,231 --> 00:40:03,266
♪ IF I CAN GET THROUGH TONIGHT
960
00:40:03,268 --> 00:40:06,436
♪ I'M WAKING UP WITH MY WINGS
961
00:40:06,438 --> 00:40:10,273
♪ THERE'S NO WAY I CAN SLEEP
MY WAY THROUGH A FIGHT ♪
962
00:40:10,275 --> 00:40:13,410
♪ AND THINK I'M GONNA LIKE
WHAT TOMORROW BRINGS ♪
963
00:40:13,412 --> 00:40:16,112
♪ LOOK AT MY EYES
964
00:40:16,114 --> 00:40:19,416
♪ DON'T EVEN KNOW WHO I AM
965
00:40:19,418 --> 00:40:23,686
♪ THAT'S HOW I SPEND ALL MY
WORTHLESS TIME ON THE FLOOR ♪
966
00:40:23,688 --> 00:40:26,256
♪ WAITING FOR YOU
TO TELL ME I'M A MAN ♪
967
00:40:26,258 --> 00:40:32,695
♪ BUT YOU AND YOUR FA-A-A-A-CE
968
00:40:32,697 --> 00:40:35,198
♪ OF LIGHT
969
00:40:35,200 --> 00:40:36,800
Ross: WOW.
970
00:40:36,802 --> 00:40:39,035
[ SCOFFS ] TOO LATE.
971
00:40:39,037 --> 00:40:41,704
I KNOW NOW THAT YOU SAY THAT
TO ALL THE GIRLS.
972
00:40:41,706 --> 00:40:43,873
NO, I'M TALKING ABOUT
THE TAKEOUT.
973
00:40:43,875 --> 00:40:47,177
I PAID FOR THIS,
IF YOU WANT TO SEE THE RECEIPT.
974
00:40:48,145 --> 00:40:50,079
I'M SORRY
ABOUT THE OTHER NIGHT.
975
00:40:50,081 --> 00:40:52,415
LOOK, LET'S JUST BE HONEST
ABOUT THIS.
976
00:40:52,417 --> 00:40:54,451
YOU AND ME...
WE'RE NOT A GREAT MIX.
977
00:40:54,453 --> 00:40:56,319
REALLY?
YEAH.
978
00:40:56,321 --> 00:40:57,754
I JUST WATCHED THREE GUYS
979
00:40:57,756 --> 00:41:00,056
WHO WERE SUPPOSED TO BE
AN ABSOLUTELY TOXIC MIX
980
00:41:00,058 --> 00:41:01,991
CREATE SOME OF
THE MOST BEAUTIFUL SOUNDS
981
00:41:01,993 --> 00:41:03,760
I'VE EVER HEARD.
982
00:41:03,762 --> 00:41:07,263
I HAPPEN TO THINK GREAT THINGS
CAN COME FROM MIXING THINGS
983
00:41:07,265 --> 00:41:10,166
THAT HAVE NO BUSINESS
BEING MIXED TOGETHER.
984
00:41:10,168 --> 00:41:13,570
I'M SAYING THAT A LOT OF ROCKETS
BLEW UP ON THE TEST PAD
985
00:41:13,572 --> 00:41:15,572
BEFORE WE ACTUALLY GOT PEOPLE
TO THE MOON.
986
00:41:16,807 --> 00:41:18,508
[ SIGHS ]
987
00:41:18,510 --> 00:41:21,077
DO YOU WANNA...
COME IN?
988
00:41:23,147 --> 00:41:25,381
SURE YOU'RE COMFORTABLE
WITH THAT?
989
00:41:26,684 --> 00:41:28,751
YOU WANT COMFORT?
GET A CAT.
990
00:41:28,753 --> 00:41:30,019
[ CHUCKLES ]
991
00:41:30,021 --> 00:41:32,255
[ SIGHS ]
992
00:41:32,257 --> 00:41:35,425
[ MUSIC CONTINUES ]
993
00:41:38,629 --> 00:41:41,564
[ VOCALIZING ]
994
00:41:51,041 --> 00:41:54,711
♪ BUT YOU WILL KNOW
995
00:41:54,713 --> 00:41:57,547
[ INDISTINCT SINGING ]
70842
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
