Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:59,100 --> 00:02:02,000
(applause)
2
00:02:11,400 --> 00:02:15,200
(applause continues)
3
00:02:27,200 --> 00:02:30,800
Thrice happy he who hides
from pomp and power
4
00:02:30,900 --> 00:02:34,500
in sylvan shade
or solitary bower
5
00:02:35,000 --> 00:02:38,600
where balmy zephyrs
fan his burning cheeks...
6
00:02:38,600 --> 00:02:42,400
- Clown! The king of clowns!
Leave the stage at once!
7
00:02:44,900 --> 00:02:45,600
- Who is it?
8
00:02:45,600 --> 00:02:48,500
It's Cyrano.
I was afraid he'd do this.
9
00:02:48,600 --> 00:02:52,200
Thrice happy he
who hides from pomp and power...
10
00:02:52,200 --> 00:02:55,900
- Wretch! Did I not forbid
you to appear this month?
11
00:02:58,900 --> 00:03:00,200
- Let's be quiet.
- Quiet!
12
00:03:01,100 --> 00:03:02,300
- Go on Montfleury.
13
00:03:05,200 --> 00:03:07,400
Thrice happy he who...
14
00:03:07,400 --> 00:03:08,600
- He who, indeed.
15
00:03:08,600 --> 00:03:11,700
- Donkeys say rather Hee-Haw!
16
00:03:14,200 --> 00:03:18,700
Begone! Or must I come and
help you off the stage myself?
17
00:03:22,100 --> 00:03:25,000
What! Still there?
18
00:03:26,000 --> 00:03:29,200
Where balmy zephyrs
fan his burning cheeks...
19
00:03:29,200 --> 00:03:33,000
Fat swine, if you dare breathe
on balmy zephyr more
20
00:03:33,000 --> 00:03:35,600
I'll fan your cheeks
for you!
21
00:03:35,800 --> 00:03:37,400
Monsieur, won't you all
protect me?
22
00:03:37,500 --> 00:03:39,000
- Proceed, proceed.
- Go on.
23
00:03:39,100 --> 00:03:41,800
Sir, I will not allow you
to insult me in this manner.
24
00:03:41,900 --> 00:03:44,500
Really?
What manner would you prefer?
25
00:03:44,600 --> 00:03:45,800
Quiet, down there!
26
00:03:45,800 --> 00:03:47,900
- We'll tolerate
no more of this.
27
00:03:48,800 --> 00:03:50,700
Go on with the play,
Montfleury.
28
00:03:50,700 --> 00:03:53,300
(shouting criticisms)
29
00:03:53,400 --> 00:03:55,400
Unless these gentlemen
retain your seats
30
00:03:55,500 --> 00:03:57,700
my sword may
bite their ribbons.
31
00:03:57,800 --> 00:03:59,600
Who is this braggart?
32
00:04:00,000 --> 00:04:02,000
My cousin, sir.
33
00:04:02,700 --> 00:04:05,700
Well, Montfleury,
still no exit?
34
00:04:05,700 --> 00:04:07,900
- Very well then,
I enter
35
00:04:07,900 --> 00:04:12,700
with knife, to carve
this fat, stuffed goose.
36
00:04:13,000 --> 00:04:15,800
(ominous music begins)
37
00:04:15,800 --> 00:04:19,000
(crowd clamors)
38
00:04:21,000 --> 00:04:23,100
I pray, do not crowd
my scabbard here.
39
00:04:23,200 --> 00:04:25,300
She may put her
tongue out at you.
40
00:04:25,300 --> 00:04:28,100
(shouted recriminations)
41
00:04:30,800 --> 00:04:31,900
Silence.
42
00:04:32,900 --> 00:04:34,800
I say be silent!
43
00:04:36,400 --> 00:04:39,200
And I offer one universal
challenge to you all:
44
00:04:39,400 --> 00:04:42,400
Will all who wish to die,
please raise their hands.
45
00:04:42,400 --> 00:04:45,300
Approach, young heroes.
I will take your names.
46
00:04:46,100 --> 00:04:48,800
To the first man who falls
I'll build a monument.
47
00:04:49,500 --> 00:04:50,700
Who will head the list?
48
00:04:51,000 --> 00:04:51,700
You, sir?
49
00:04:52,300 --> 00:04:53,000
No.
50
00:04:53,800 --> 00:04:54,600
You?
51
00:04:55,400 --> 00:04:56,100
No, no.
52
00:04:56,800 --> 00:04:57,700
Anyone?
53
00:04:59,100 --> 00:05:00,600
Anyone at all?
54
00:05:02,100 --> 00:05:04,500
Not one...name?
55
00:05:05,200 --> 00:05:07,400
Not one finger?
56
00:05:09,300 --> 00:05:11,200
Very well then,
I go on.
57
00:05:17,100 --> 00:05:19,800
Attend to me, Full Moon.
58
00:05:22,300 --> 00:05:25,100
I clap my hands three times, thus.
59
00:05:25,200 --> 00:05:27,700
(three claps)
60
00:05:27,700 --> 00:05:31,300
At the third, you will...
eclipse yourself.
61
00:05:31,400 --> 00:05:32,300
Ready!
62
00:05:33,100 --> 00:05:33,900
One.
63
00:05:35,000 --> 00:05:35,900
(clap)
64
00:05:35,900 --> 00:05:37,000
How dare you.
65
00:05:37,100 --> 00:05:38,200
I demand!
66
00:05:38,200 --> 00:05:39,000
I insist.
67
00:05:39,100 --> 00:05:41,100
- I call upon all the nobles...
- Two!
68
00:05:42,000 --> 00:05:43,000
(clap)
69
00:05:43,100 --> 00:05:44,000
This is an outrage.
70
00:05:44,100 --> 00:05:45,000
You hear, an outrage.
71
00:05:45,000 --> 00:05:47,600
Nothing on earth
will move me from this stage.
72
00:05:48,500 --> 00:05:49,800
Three!
73
00:05:50,500 --> 00:05:50,900
(clap)
74
00:05:51,100 --> 00:05:56,400
(laughter)
75
00:05:57,200 --> 00:06:00,200
Fair ladies and noble gentlemen...
- Boo!
76
00:06:00,200 --> 00:06:03,500
(laughter)
77
00:06:03,900 --> 00:06:05,200
But, Monsieur de Bergerac,
78
00:06:05,200 --> 00:06:08,400
why have you done this
to our Montfleury, an admirable actor?
79
00:06:08,500 --> 00:06:11,000
I have two reasons,
either one conclusive.
80
00:06:11,600 --> 00:06:13,800
First, he is an
abominable actor,
81
00:06:13,800 --> 00:06:16,800
who mouths his verse
and moans his tragedy.
82
00:06:17,300 --> 00:06:18,600
Second,....
83
00:06:20,300 --> 00:06:21,900
Well, that's my secret.
84
00:06:23,500 --> 00:06:26,200
But...
But you've closed the play!
85
00:06:26,300 --> 00:06:27,800
It is not a very good play.
86
00:06:28,000 --> 00:06:29,900
Huh!
And of their money?
87
00:06:30,000 --> 00:06:32,000
Possibly you would like
that returned to these good people.
88
00:06:32,100 --> 00:06:32,900
Yes?
89
00:06:33,300 --> 00:06:34,300
Yes.
90
00:06:34,500 --> 00:06:36,800
Here,...catch!
91
00:06:36,800 --> 00:06:38,900
(crowd murmurs)
92
00:06:39,400 --> 00:06:42,900
Well, Monsieur, you are hereby
authorized to close our play every night.
93
00:06:43,000 --> 00:06:44,200
On these terms.
94
00:06:44,200 --> 00:06:44,700
(laughter)
95
00:06:44,700 --> 00:06:47,400
Ladies and gentlemen,
your money will be returned.
96
00:06:47,400 --> 00:06:49,200
Kindly pass out, quietly.
97
00:06:49,200 --> 00:06:51,000
Goodnight, goodnight.
98
00:06:51,000 --> 00:06:54,200
(crowd accepts
in good spirits)
99
00:06:56,700 --> 00:06:58,100
(until...)
100
00:07:00,500 --> 00:07:03,600
Your cousin is an
extraordinary man, Madame.
101
00:07:03,600 --> 00:07:05,000
Oh, I agree.
102
00:07:05,400 --> 00:07:09,500
Soldier, poet, philosopher,
musician, playwright.
103
00:07:09,500 --> 00:07:10,500
All those?
104
00:07:10,600 --> 00:07:14,300
Yes, and the best
swordsman in Paris.
105
00:07:14,400 --> 00:07:15,300
Really?
106
00:07:15,300 --> 00:07:18,000
Now, I should have thought
the Vicomte here had that honor.
107
00:07:18,300 --> 00:07:22,300
Tell me, Madame, that
comic mask, that nose,
108
00:07:22,300 --> 00:07:24,300
presently he will take it off?
109
00:07:25,200 --> 00:07:26,900
No, Monsieur, he keeps it.
110
00:07:27,400 --> 00:07:30,300
And heaven help
the man who smiles.
111
00:07:30,800 --> 00:07:32,000
Good night.
112
00:07:37,100 --> 00:07:38,800
Oh, Monsieur!
113
00:07:39,100 --> 00:07:40,900
Monsieur!
114
00:07:41,000 --> 00:07:43,700
Uh, when do you leave Paris?
115
00:07:44,200 --> 00:07:45,100
Sir?
116
00:07:45,200 --> 00:07:47,200
Why, after what you've
just done to Montfleury,
117
00:07:47,300 --> 00:07:49,700
did you not know that
the Compte de Guiche was his patron?
118
00:07:50,100 --> 00:07:51,100
Who's yours?
119
00:07:52,200 --> 00:07:53,100
No one.
120
00:07:53,100 --> 00:07:53,900
No one?
121
00:07:54,100 --> 00:07:54,800
No patron?
122
00:07:54,900 --> 00:07:55,600
I said not.
123
00:07:55,900 --> 00:07:57,900
But the Compte de Guiche
has a long arm.
124
00:07:57,900 --> 00:07:59,900
Mine is longer
by three feet of steel.
125
00:08:00,500 --> 00:08:01,100
Yes, but..
126
00:08:01,800 --> 00:08:03,100
but, what a scare...
127
00:08:03,100 --> 00:08:03,900
You may go now.
128
00:08:04,000 --> 00:08:05,500
- but...
- You may go.
129
00:08:06,800 --> 00:08:09,600
Well, tell me,
why are you staring at my nose?
130
00:08:09,600 --> 00:08:11,100
Oh, I was not staring.
131
00:08:11,100 --> 00:08:12,600
Does it astonish you?
132
00:08:12,600 --> 00:08:14,900
Why n...Why no, I've been careful
not to look.
133
00:08:14,900 --> 00:08:16,500
Oh, and why not, if you please?
134
00:08:16,500 --> 00:08:17,700
It disgusts you, then?
135
00:08:17,700 --> 00:08:18,800
But, no, I just...
136
00:08:18,900 --> 00:08:20,700
Does its color appear
to you unwholesome?
137
00:08:20,700 --> 00:08:21,400
By no means.
138
00:08:21,500 --> 00:08:23,300
Then, possibly you find it
just a trifle large?
139
00:08:23,300 --> 00:08:25,500
No, small, very small, tiny!
140
00:08:25,500 --> 00:08:26,600
Infinitesimal!
141
00:08:26,600 --> 00:08:29,900
What?
You accuse me of absurdity?
142
00:08:30,000 --> 00:08:33,700
Small, my nose?
Why magnificent, my nose!
143
00:08:33,700 --> 00:08:35,900
You pug, you knob,
you button head,
144
00:08:35,900 --> 00:08:38,100
know that I glory
in this nose of mine!
145
00:08:38,200 --> 00:08:40,400
For a great nose
indicates a great man,
146
00:08:40,700 --> 00:08:46,400
congenial, courteous,
intellectual, virile, courageous.
147
00:08:46,500 --> 00:08:49,000
Whilst that face of yours,
148
00:08:49,300 --> 00:08:55,000
that blank, inglorious concavity
which my right hand finds on top of you,
149
00:08:55,100 --> 00:09:00,600
is as devoid of pride, of poetry,
of soul, of picturesqueness,
150
00:09:00,600 --> 00:09:05,800
of contour, of character,
of nose, in short,
151
00:09:05,800 --> 00:09:10,700
as that which is at the bottom of
that limp spine of yours my left foot...
- Oh, help!
152
00:09:10,700 --> 00:09:12,500
(laughter)
153
00:09:12,500 --> 00:09:14,800
Presently, this fellow
will grow tiresome.
154
00:09:14,800 --> 00:09:17,500
Oh, he blows his horn.
155
00:09:18,300 --> 00:09:20,800
- Well, will no one
put him in his place?
156
00:09:21,200 --> 00:09:23,600
If you would all me.
Observe.
157
00:09:26,000 --> 00:09:32,200
Monsieur, your nose,
your nose is rather large.
158
00:09:35,400 --> 00:09:36,400
Rather?
159
00:09:36,400 --> 00:09:37,300
Oh, well.
160
00:09:37,500 --> 00:09:38,600
Is that all?
161
00:09:38,600 --> 00:09:39,500
Well, of course, you...
162
00:09:39,500 --> 00:09:41,400
Ah, no young sir, you're too simple.
163
00:09:41,400 --> 00:09:43,600
Why, you might have
said a great many things.
164
00:09:43,600 --> 00:09:45,800
Why waste your opportunity?
165
00:09:45,800 --> 00:09:46,800
For example, thus...
166
00:09:47,200 --> 00:09:48,400
Aggressive---
167
00:09:48,400 --> 00:09:52,000
I, sir, if that great nose were mine,
I would have it amputated on the spot.
168
00:09:52,500 --> 00:09:53,700
Practical---
169
00:09:53,700 --> 00:09:57,500
How do you drink with such a nose.
You must have had a cup made especially.
170
00:09:57,800 --> 00:09:58,800
Descriptive---
171
00:09:58,900 --> 00:10:01,500
'Tis a rock, a crag, a cape.
172
00:10:01,600 --> 00:10:06,500
A cape, say rather, a peninsula.
173
00:10:06,800 --> 00:10:07,900
Inquisitive---
174
00:10:08,000 --> 00:10:12,400
Uh, what is that receptacle,
a razor case or a portfolio?
175
00:10:12,400 --> 00:10:13,600
Kindly---
176
00:10:13,700 --> 00:10:16,800
Ah, do you love the little birds so much
that when they come and sing to you,
177
00:10:16,800 --> 00:10:19,600
you give them this to perch on?
178
00:10:20,600 --> 00:10:21,500
Cautious---
179
00:10:21,600 --> 00:10:25,100
Take care. A weight like that
might make you top-heavy.
180
00:10:25,500 --> 00:10:26,200
Eloquent---
181
00:10:26,200 --> 00:10:30,500
When it blows the typhoon howls
and the clouds darken.
182
00:10:30,500 --> 00:10:31,400
Dramatic---
183
00:10:31,400 --> 00:10:35,600
When it bleeds...the Red Sea.
184
00:10:36,500 --> 00:10:37,500
Simple---
185
00:10:37,500 --> 00:10:40,600
Eh, when do they
unveil the monument?
186
00:10:41,000 --> 00:10:41,900
Military---
187
00:10:41,900 --> 00:10:44,500
Beware, a secret weapon!
188
00:10:45,200 --> 00:10:46,600
Enterprising---
189
00:10:46,600 --> 00:10:49,000
What a sigh for some perfumer!
190
00:10:49,400 --> 00:10:50,300
Respectful---
191
00:10:50,300 --> 00:10:53,000
Uh sir, I recognize in you
a man of parts,
192
00:10:53,000 --> 00:10:55,700
a man of...prominence.
193
00:10:55,700 --> 00:10:57,500
Or, Literary---
194
00:10:57,500 --> 00:11:00,300
Was this the nose
that launched a thousand ships?
195
00:11:01,000 --> 00:11:03,800
These, my dear sir, are things
you might have said had you
196
00:11:03,800 --> 00:11:06,600
some tinge of letters or of wit
to color your discourse.
197
00:11:06,800 --> 00:11:08,900
Bit wit not so.
You never had an atom.
198
00:11:09,200 --> 00:11:15,400
And of letters, you need
but three to write you down, a..s..s.
199
00:11:16,900 --> 00:11:17,500
Ass.
200
00:11:17,500 --> 00:11:19,000
- (laughter)
- You, sir!
201
00:11:19,200 --> 00:11:21,600
Dolt! Bumpkin! Fool!
202
00:11:21,600 --> 00:11:27,600
How do you do, and I,
Cyrano Savinien Hercule de Bergerac.
203
00:11:27,600 --> 00:11:29,000
Vicomte, come.
204
00:11:29,000 --> 00:11:31,600
Such arrogance.
This scarecrow who...
205
00:11:31,600 --> 00:11:32,800
Look at him!
206
00:11:32,800 --> 00:11:37,100
No ribbons. No lace.
Not even gloves!
207
00:11:37,100 --> 00:11:40,700
True. I carry my adornments
only on my soul.
208
00:11:40,700 --> 00:11:42,800
Decked with deeds
instead of ribbons.
209
00:11:42,800 --> 00:11:44,400
Mantled in my good name,
210
00:11:44,400 --> 00:11:46,300
and crowned with a
white plume of freedom.
211
00:11:46,300 --> 00:11:47,100
But..
212
00:11:47,100 --> 00:11:48,500
But, I have no gloves.
213
00:11:48,500 --> 00:11:49,600
A pity, too.
214
00:11:49,600 --> 00:11:52,600
I had one, the last one of an old pair,
and lost that.
215
00:11:52,600 --> 00:11:54,200
Very careless of me.
216
00:11:54,300 --> 00:11:56,700
Some gentleman offered me
an impertinence.
217
00:11:56,700 --> 00:12:00,800
I left it in his face.
218
00:12:00,800 --> 00:12:01,800
So be it!
219
00:12:03,100 --> 00:12:06,000
You shall die exquisitely
220
00:12:06,000 --> 00:12:07,100
Oh, a poet.
221
00:12:07,200 --> 00:12:08,600
Oh, yes, a poet if you will.
222
00:12:08,600 --> 00:12:12,500
So, uh, while we fight,
I'll improvise a ballad for you,
223
00:12:12,500 --> 00:12:16,200
and as I end the refrain,
...skhrch!...thrust home.
224
00:12:16,300 --> 00:12:17,200
Will you?
225
00:12:18,100 --> 00:12:19,100
I will.
226
00:12:22,800 --> 00:12:24,400
(excited crowd)
227
00:12:24,400 --> 00:12:27,800
"Ballad au Duel"
at the Theatre de Burgoyne
228
00:12:27,900 --> 00:12:31,300
between de Bergerac,
and uh.....a barbarian.
229
00:12:31,300 --> 00:12:33,200
What do you mean by that?
230
00:12:33,200 --> 00:12:34,000
Oh, that?
231
00:12:34,500 --> 00:12:35,900
The title.
232
00:12:35,900 --> 00:12:37,500
(laughter)
233
00:12:37,600 --> 00:12:39,200
Stop. Let me choose my rhyme.
234
00:12:47,100 --> 00:12:48,600
So. Here we go.
235
00:12:48,600 --> 00:12:51,000
Lightly I toss my hat away.
236
00:12:51,500 --> 00:12:56,400
Languidly o'er my arm let fall
the cloak that covers my bright array.
237
00:12:56,500 --> 00:13:01,700
Then, out swords,
and to work withal.
238
00:13:03,600 --> 00:13:06,700
A Lancelot in his lady's hall,
239
00:13:07,800 --> 00:13:11,500
A Spartacus at the Hippodrome,
240
00:13:12,300 --> 00:13:14,300
I dally a while with you..
241
00:13:14,300 --> 00:13:15,700
you jackall.
242
00:13:33,800 --> 00:13:35,300
Just as I end the refrain,
243
00:13:37,200 --> 00:13:38,300
thrust home!
244
00:13:52,200 --> 00:13:55,200
Where shall I skewer my peacock again?
245
00:14:00,400 --> 00:14:02,100
Nay, better for you
to have shunned this brawl.
246
00:14:02,400 --> 00:14:05,000
Here in the heart
or your ribbons, gay,
247
00:14:05,000 --> 00:14:07,600
in the belly
'neath you silken shawl?
248
00:14:15,600 --> 00:14:18,100
Now, come my points floats,
light as the foam
249
00:14:18,100 --> 00:14:19,600
ready to drive you
back to the wall,
250
00:14:19,600 --> 00:14:21,000
and then as I end the refrain,
251
00:14:21,100 --> 00:14:22,400
thrust home.
252
00:14:22,900 --> 00:14:24,200
Oh, for a rhyme.
253
00:14:24,500 --> 00:14:26,000
Why, your fight is fading.
254
00:14:26,400 --> 00:14:27,000
You break.
255
00:14:27,300 --> 00:14:27,900
You cower.
256
00:14:28,000 --> 00:14:28,600
You cringe.
257
00:14:28,600 --> 00:14:29,200
You crawl.
258
00:14:30,300 --> 00:14:31,700
How can I tell
you're allowed to say
259
00:14:31,700 --> 00:14:32,700
something to turn on my head
260
00:14:32,700 --> 00:14:33,700
forestall.....
261
00:14:33,700 --> 00:14:34,600
Life with a tunny
262
00:14:34,900 --> 00:14:35,900
death with a scall.
263
00:14:36,000 --> 00:14:37,700
Something to turn on my fancy roam,
264
00:14:37,800 --> 00:14:39,600
free for a time till the rhyme's recall,
265
00:14:40,100 --> 00:14:41,600
then as I end the refrain,
266
00:14:41,600 --> 00:14:42,600
thrust home!
267
00:14:44,800 --> 00:14:45,600
Refrain.
268
00:14:46,500 --> 00:14:49,900
Prince,
pray God that is Lord of all,
269
00:14:49,900 --> 00:14:51,800
pardon you soul,
270
00:14:52,500 --> 00:14:55,100
for your time has come.
271
00:14:57,800 --> 00:14:59,800
Pass! I fling you aslant, asprawl.
272
00:14:59,900 --> 00:15:01,500
Then as I end the refrain,
273
00:15:37,500 --> 00:15:38,600
thrust home!
274
00:15:42,800 --> 00:15:46,300
(shouts of hurray
and congratulation)
275
00:15:48,100 --> 00:15:50,400
Ladies and gentlemen,
please, please,
276
00:15:50,500 --> 00:15:51,700
not until the performance is over.
277
00:15:52,000 --> 00:15:52,900
Close the house.
278
00:15:53,000 --> 00:15:53,800
A strike,
279
00:15:54,200 --> 00:15:55,300
but leave the lights.
280
00:15:55,300 --> 00:15:57,000
We rehearse the new
farce tonight.
281
00:16:02,200 --> 00:16:03,200
Wait.
282
00:16:05,100 --> 00:16:06,500
You have only to watch a fight,
283
00:16:06,600 --> 00:16:08,500
or have you ruined
if you listen to them.
284
00:16:11,100 --> 00:16:12,500
Think of the enemies you've made,
285
00:16:12,600 --> 00:16:15,000
Montfleury, the Vicomte,
if he lives,
286
00:16:15,000 --> 00:16:18,300
all those foppish marquis,
the Comte de Guiche.
287
00:16:18,400 --> 00:16:19,900
That politician.
288
00:16:20,000 --> 00:16:22,900
He's the Cardinal's nephew.
There's power there!
289
00:16:22,900 --> 00:16:24,300
And power here.
290
00:16:24,300 --> 00:16:25,600
Young fool!
291
00:16:25,700 --> 00:16:27,500
Take an example from me.
292
00:16:27,500 --> 00:16:30,800
20 years a captain,
while others who know only
293
00:16:30,800 --> 00:16:32,700
how to deploy their
forces at court
294
00:16:32,700 --> 00:16:34,800
now dangle a marshal's baton.
295
00:16:34,900 --> 00:16:38,300
Well, uh, someday
I will avenge you, too.
296
00:16:38,400 --> 00:16:41,500
Impossible.
Come on, let's go to dinner.
297
00:16:41,500 --> 00:16:42,800
Dinner?
No, not I.
298
00:16:42,800 --> 00:16:43,500
Why not?
299
00:16:43,500 --> 00:16:45,500
Because I have no money.
300
00:16:46,000 --> 00:16:47,100
But, the purse of gold.
301
00:16:47,100 --> 00:16:49,100
Farewell paternal pension.
302
00:16:49,100 --> 00:16:52,400
And you have
until the first of next month?
303
00:16:52,400 --> 00:16:53,300
Nothing.
304
00:16:54,100 --> 00:16:55,400
What a fool.
305
00:16:55,500 --> 00:16:57,700
Yes, but, what a moment.
306
00:16:57,800 --> 00:16:58,600
- Pardon, Monsieur.
307
00:17:01,000 --> 00:17:02,700
A man ought
never to go hungry.
308
00:17:03,600 --> 00:17:05,100
I have everything here.
309
00:17:06,400 --> 00:17:07,300
Please.
310
00:17:07,500 --> 00:17:12,000
My dear child, I cannot bend this Gascon
pride of mine to accept such a kindness.
311
00:17:12,100 --> 00:17:12,800
But, I...
312
00:17:13,900 --> 00:17:16,800
Yet, for fear that
I may give you pain if I refuse,
313
00:17:17,500 --> 00:17:19,100
I will take something.
314
00:17:20,600 --> 00:17:21,600
A grape.
315
00:17:25,200 --> 00:17:26,100
One only.
316
00:17:26,800 --> 00:17:28,100
And a glass of water.
317
00:17:28,200 --> 00:17:29,600
No, clear.
318
00:17:31,500 --> 00:17:36,700
And, uh,...half a macaroon.
319
00:17:38,000 --> 00:17:39,100
Nothing more?
320
00:17:40,000 --> 00:17:40,900
Why, yes.
321
00:17:41,600 --> 00:17:43,200
Your hand to kiss.
322
00:17:59,800 --> 00:18:01,500
Thank you, sir.
323
00:18:03,000 --> 00:18:04,100
Good night.
324
00:18:10,500 --> 00:18:11,200
Idiot.
325
00:18:14,100 --> 00:18:14,800
Dinner.
326
00:18:16,500 --> 00:18:17,100
Drink.
327
00:18:19,800 --> 00:18:20,700
Desert.
328
00:18:23,100 --> 00:18:25,600
Mon Dieux, I was hungry,
abominably.
329
00:18:26,500 --> 00:18:27,300
Tell me.
330
00:18:27,500 --> 00:18:28,400
Anything.
331
00:18:28,700 --> 00:18:30,900
Why to you hate
this Montfleury?
332
00:18:32,300 --> 00:18:33,800
A very bad actor.
333
00:18:33,800 --> 00:18:35,800
Ah, come now, the real
reason, the truth.
334
00:18:37,600 --> 00:18:40,600
That fat goat who cannot hold
his belly in his arms,
335
00:18:40,600 --> 00:18:43,500
still dreams of being
sweetly dangerous among the women.
336
00:18:44,200 --> 00:18:48,600
Sighs and languishes, making sheep's
eyes out of his great frog's face.
337
00:18:49,600 --> 00:18:53,700
I hate him ever since one day
he dared smile upon....
338
00:18:54,600 --> 00:19:00,200
Oh, my friend, I seemed to see over
some flower a great snail crawling.
339
00:19:01,000 --> 00:19:02,100
Eh, what?
340
00:19:03,100 --> 00:19:04,300
Is it possible?
341
00:19:05,800 --> 00:19:07,100
For me to love?
342
00:19:09,700 --> 00:19:10,600
I love.
343
00:19:11,300 --> 00:19:13,500
Whom?
May I know?
344
00:19:13,600 --> 00:19:14,600
Whom I love?
345
00:19:16,000 --> 00:19:17,000
Think a moment.
346
00:19:17,200 --> 00:19:18,200
Think of me.
347
00:19:18,600 --> 00:19:21,600
Me, whom the plainest
woman would despise.
348
00:19:22,000 --> 00:19:26,000
Me, with this nose of mine that
marches on before me by a quarter of an hour.
349
00:19:27,500 --> 00:19:29,000
Whom shall I love.
350
00:19:30,800 --> 00:19:35,900
Why, of course, it must be the
woman in the world most beautiful.
351
00:19:36,700 --> 00:19:38,100
Most beautiful?
352
00:19:39,200 --> 00:19:43,900
In these eyes of mine....
beyond compare.
353
00:19:44,100 --> 00:19:45,000
Wait.
354
00:19:45,500 --> 00:19:47,400
Your cousin, Roxane.
355
00:19:49,200 --> 00:19:50,300
Yes.
356
00:19:51,100 --> 00:19:52,000
Roxane.
357
00:19:52,900 --> 00:19:53,800
Well?
358
00:19:54,000 --> 00:19:57,000
Why not?
If you love her, tell her so.
359
00:19:59,900 --> 00:20:01,100
My old friend.
360
00:20:02,100 --> 00:20:04,500
Look at me and tell me how
much hope remains for me
361
00:20:04,500 --> 00:20:05,900
with this protuberance.
362
00:20:06,000 --> 00:20:07,300
Ahhh, I have no more illusions.
363
00:20:08,500 --> 00:20:13,100
Now and then I may grow tender
walking alone in the blue of evening
364
00:20:13,100 --> 00:20:17,100
through some garden fresh with flowers
after the benediction of the rain.
365
00:20:17,900 --> 00:20:21,900
My poor big devil of a nose
inhales April.
366
00:20:22,400 --> 00:20:27,900
And I follow with my eyes where
some boy with a girl upon his arm,
367
00:20:28,500 --> 00:20:33,100
passes a patch of silver...
and I feel somehow....
368
00:20:35,600 --> 00:20:37,400
I wish I had a woman, too,
369
00:20:37,600 --> 00:20:42,600
walking with me under the moon,
and holding my arm and smiling.
370
00:20:43,900 --> 00:20:45,200
Then I dream.
371
00:20:45,900 --> 00:20:47,100
I forget.
372
00:20:50,500 --> 00:20:54,200
And then I see the shadow
of my profile on the wall.
373
00:20:55,700 --> 00:20:57,000
My friend.
374
00:20:58,100 --> 00:20:59,200
My friend.
375
00:20:59,400 --> 00:21:04,300
I have my bitter days,
knowing myself so ugly, so alone.
376
00:21:04,400 --> 00:21:06,200
Ah, but your wit, your courage,
377
00:21:06,500 --> 00:21:09,100
why that poor child who just
now offered you your dinner,
378
00:21:09,600 --> 00:21:11,700
your saw it, her eyes
did not avoid you.
379
00:21:14,800 --> 00:21:15,900
That is true.
380
00:21:15,900 --> 00:21:19,900
Well, then, Roxane herself,
watching your duel, pale.
381
00:21:19,900 --> 00:21:20,400
Pale?
382
00:21:20,500 --> 00:21:23,600
Yes, her lips parted.
Her hand at her breast, thus.
383
00:21:24,000 --> 00:21:25,000
I saw it.
384
00:21:25,200 --> 00:21:28,200
Speak to her. Speak, man.
385
00:21:36,800 --> 00:21:38,500
She might laugh at me.
386
00:21:40,500 --> 00:21:43,400
It is the one thing
in this world I fear.
387
00:21:43,500 --> 00:21:47,400
Pardon, Monsieur,
a lady outside asking for you.
388
00:21:49,400 --> 00:21:50,700
Monsieur.
389
00:21:51,300 --> 00:21:52,200
A Duenna.
390
00:21:52,400 --> 00:21:55,500
I have a message for you
from a...a certain lady.
391
00:21:55,500 --> 00:21:58,700
She desires to know when
and where she may see you privately.
392
00:21:58,800 --> 00:22:01,000
She has certain
things to tell you.
393
00:22:01,600 --> 00:22:02,800
Certain...
394
00:22:02,800 --> 00:22:04,000
Things!
395
00:22:05,200 --> 00:22:06,700
She wishes to see me?
396
00:22:06,700 --> 00:22:09,400
We go tomorrow at dawn
to hear mass at St. Rupe
397
00:22:09,400 --> 00:22:12,000
And afterwards, where
would you suggest?
398
00:22:12,100 --> 00:22:13,600
Well, then, I...
399
00:22:15,100 --> 00:22:16,300
- Where?
- Well?
400
00:22:16,600 --> 00:22:18,000
Ah....I am thinking.
401
00:22:18,100 --> 00:22:19,000
And you think?
402
00:22:20,700 --> 00:22:21,500
Where?
403
00:22:21,600 --> 00:22:23,000
The shop at Ragueneau's.
404
00:22:23,100 --> 00:22:25,500
Yes, yes, Ragueneau,
the pastry cook.
405
00:22:25,600 --> 00:22:26,400
Who dwells?
406
00:22:27,600 --> 00:22:28,500
Rue Saint Honore.
407
00:22:28,600 --> 00:22:29,600
Eh...Rue Saint Honore.
408
00:22:29,700 --> 00:22:34,500
We are agreed. At 7 o'clock.
Until then. Adieu.
409
00:22:39,700 --> 00:22:40,900
I'll be there.
410
00:22:42,600 --> 00:22:45,100
Me! To see me!
411
00:22:45,200 --> 00:22:46,800
Ah, not quite so gloomy.
412
00:22:46,800 --> 00:22:48,500
After all, she knows
that I exist.
413
00:22:48,600 --> 00:22:51,000
Imagine, she has
asked to see me!
414
00:22:51,100 --> 00:22:53,200
So, now you're
going to be happy?
415
00:22:53,200 --> 00:22:56,300
Happy.
I'm going to be a storm.
A flame!
416
00:22:56,300 --> 00:22:59,400
I need to fight whole
armies all alone!
417
00:22:59,500 --> 00:23:00,800
I have ten hearts!
418
00:23:00,800 --> 00:23:02,200
I have a hundred arms!.
419
00:23:02,300 --> 00:23:05,400
I feel too strong
to war with mortals!
420
00:23:06,000 --> 00:23:08,100
BRING ME GIANTS!
421
00:23:09,100 --> 00:23:12,200
Quiet, please, shhh.
We are rehearsing back here.
422
00:23:14,400 --> 00:23:17,600
So sorry.
Ha, ha, ha.
423
00:23:22,400 --> 00:23:23,200
Cyrano.
424
00:23:23,800 --> 00:23:24,600
Cyrano.
425
00:23:24,600 --> 00:23:25,500
Ragueneau.
426
00:23:27,100 --> 00:23:28,900
Oh, thank goodness
you're still here.
427
00:23:28,900 --> 00:23:30,100
Well, what's the matter.
428
00:23:30,200 --> 00:23:31,400
I'm afraid to go home.
429
00:23:31,400 --> 00:23:32,000
Why?
430
00:23:32,200 --> 00:23:34,000
You know those
comic verses I wrote?
431
00:23:34,000 --> 00:23:35,800
About the congregation.
432
00:23:35,800 --> 00:23:38,200
Cyrano, he's hired ruffians.
Bullies.
433
00:23:38,200 --> 00:23:40,700
A hundred, waiting for
me on the way home.
434
00:23:40,700 --> 00:23:42,600
They're gonna beat me.
Cane me!
435
00:23:42,600 --> 00:23:45,400
Please, would you permit me
to spend the night with you?
436
00:23:45,400 --> 00:23:47,400
A hundred men,
is that all?
437
00:23:48,500 --> 00:23:50,600
Ragueneau, you're
going home tonight.
438
00:23:50,600 --> 00:23:52,600
But they're armed.
They're cutthroats!
439
00:23:52,600 --> 00:23:54,600
Take this lantern.
Forward march.
440
00:23:54,600 --> 00:23:56,700
I say that I'll be the man
to see you to your shop.
441
00:23:56,800 --> 00:23:58,100
Not you, I want no help from you.
442
00:23:58,100 --> 00:23:59,500
For even for a hundred,
you're mad.
443
00:23:59,500 --> 00:24:00,700
Those are the odds I want.
444
00:24:01,700 --> 00:24:03,400
Why for this pastry cook?
445
00:24:03,500 --> 00:24:05,800
First, because this
pastry cook is a friend of mine.
446
00:24:05,900 --> 00:24:08,800
Second, because this
pastry cook is also a poet.
447
00:24:08,900 --> 00:24:10,300
And, most important,
448
00:24:10,500 --> 00:24:13,000
if anything should
happen to this pastry cook,
449
00:24:13,100 --> 00:24:17,800
tomorrow morning at seven
his shop will be closed.
450
00:24:19,500 --> 00:24:20,500
Goodnight.
451
00:25:21,900 --> 00:25:24,000
(a whistle signal)
452
00:25:38,400 --> 00:25:39,400
Cyrano. Help!
453
00:25:43,300 --> 00:25:44,500
Look out behind you!
454
00:26:23,700 --> 00:26:24,800
I have been robbed.
455
00:26:25,300 --> 00:26:27,000
- There are no hundred here.
456
00:26:32,200 --> 00:26:33,300
It's, it's, it's...
457
00:26:34,800 --> 00:26:36,200
Be quick. Inside.
458
00:26:37,600 --> 00:26:38,500
Bolt the door!
459
00:26:49,500 --> 00:26:50,300
Ah!
460
00:27:08,900 --> 00:27:09,600
Yah!
461
00:27:11,400 --> 00:27:13,200
(ruffians shouting)
462
00:28:01,100 --> 00:28:02,000
Ah!
463
00:28:04,800 --> 00:28:05,500
Awk.
464
00:28:06,800 --> 00:28:09,000
(ruffians shouting)
465
00:28:17,300 --> 00:28:18,200
(Le Bret)
- Cyrano!
466
00:28:18,300 --> 00:28:19,300
- Hold!
467
00:28:34,600 --> 00:28:35,300
Ah.
468
00:28:37,500 --> 00:28:38,400
How do you feel?
469
00:28:38,400 --> 00:28:40,500
Oh, pleasantly exhilarated.
470
00:28:41,100 --> 00:28:43,900
- Come, I know a little tavern not far...
- Where's Ragueneau?
471
00:28:44,300 --> 00:28:47,300
Ragueneau?
Ragueneau!
472
00:28:47,700 --> 00:28:50,500
Little boy, come out.
All's well!
473
00:28:51,300 --> 00:28:52,900
- Is it over?
- All over.
474
00:28:53,200 --> 00:28:54,000
Really?
475
00:28:55,500 --> 00:28:56,300
So soon?
476
00:28:56,300 --> 00:28:57,100
Ha, ha, ha.
477
00:28:57,100 --> 00:29:00,400
Oh, if only I'd had my sword.
How many did we kill?
478
00:29:00,500 --> 00:29:01,300
Oh, about eight.
479
00:29:01,300 --> 00:29:01,900
Eight.
480
00:29:02,400 --> 00:29:03,400
Eight!
481
00:29:03,400 --> 00:29:04,400
Ohhhh.
482
00:29:24,600 --> 00:29:28,900
This.....gentleman
begins to annoy me.
483
00:29:32,900 --> 00:29:34,600
(Ragueneau is a poet, too.)
484
00:29:36,000 --> 00:29:41,000
No. The sauce and meat must rhyme.
Add a pinch of marigold and thyme.
485
00:29:41,000 --> 00:29:45,900
Your house, of course, needs a stronger roof.
Eh? There's proof.
486
00:29:46,000 --> 00:29:46,800
Cyrano.
487
00:29:47,800 --> 00:29:48,500
Cyrano.
488
00:29:49,100 --> 00:29:50,100
Come in and eat.
489
00:29:50,100 --> 00:29:52,100
- What time is it?
- Not quite seven.
490
00:29:52,100 --> 00:29:55,100
Oh, now, please, Cyrano.
A man without breakfast is like...
491
00:29:55,100 --> 00:29:57,700
No.
Could she have changed her mind?
492
00:29:57,700 --> 00:29:58,900
Aw, she wouldn't dare.
493
00:29:58,900 --> 00:30:00,900
We were magnificent last night.
494
00:30:01,300 --> 00:30:02,800
And at the theater, too.
495
00:30:03,000 --> 00:30:05,300
'Then, as I end the refrain'....
496
00:30:05,300 --> 00:30:08,300
When she arrives.
Where can we converse undisturbed?
497
00:30:08,400 --> 00:30:10,100
Wherever you like.
My shop is yours.
498
00:30:10,300 --> 00:30:12,900
The little dining room
is quite romantic.
499
00:30:12,900 --> 00:30:15,400
'Thrust home!'
Yea gods, what a line.
500
00:30:15,500 --> 00:30:17,600
- 'Then as I end the re....'
- Vanish.
501
00:30:17,600 --> 00:30:19,100
- Uh, huh, she's come?
- Shhhh.
502
00:30:19,100 --> 00:30:19,900
I swear.
503
00:30:28,300 --> 00:30:29,100
Welcome.
504
00:30:39,400 --> 00:30:41,500
- A pardon, one word.
- Oh, yes?
505
00:30:41,500 --> 00:30:42,500
Have you a good digestion?
506
00:30:42,500 --> 00:30:43,400
Oh, wonderful.
507
00:30:44,200 --> 00:30:49,800
Eh, here are some �clairs.
Uh, creampuffs.
508
00:30:50,900 --> 00:30:54,100
Some, uh, jellyrolls.
And do you like nature?
509
00:30:54,200 --> 00:30:55,400
I adore it.
510
00:30:55,400 --> 00:30:57,700
Go out and eat these in the sunshine.
Do not return.
511
00:30:57,700 --> 00:30:58,400
But why?
512
00:30:58,400 --> 00:30:59,900
Until you have finished them.
513
00:30:59,900 --> 00:31:01,300
(outside)
- What do I do then?
514
00:31:09,400 --> 00:31:10,700
(door closes)
515
00:31:10,900 --> 00:31:14,000
Blessed above all others be the hour
when you remember to remember me,
516
00:31:14,200 --> 00:31:16,800
and came to tell me......what?
517
00:31:16,800 --> 00:31:18,700
To tell you that....
518
00:31:20,000 --> 00:31:22,800
Before I dare tell you I....
519
00:31:23,000 --> 00:31:25,800
Are you, I wonder, still
the same big brother almost
520
00:31:25,800 --> 00:31:27,700
that you used to be
when we were children,
521
00:31:27,700 --> 00:31:30,500
playing by the pond
in the old garden down there?
522
00:31:30,600 --> 00:31:32,500
At Bergerac.
Those lovely summers.
523
00:31:32,600 --> 00:31:34,700
You use to make swords
out of bulrushes.
524
00:31:34,700 --> 00:31:36,800
And you, dandelions
also golden hair.
525
00:31:36,800 --> 00:31:38,900
In those days
I could tell you everything.
526
00:31:39,000 --> 00:31:40,800
And you did
everything I wished.
527
00:31:41,000 --> 00:31:45,800
Little Roxane, a sweet tyrone
with short skirts and long hair.
528
00:31:45,800 --> 00:31:46,700
Was I pretty?
529
00:31:50,800 --> 00:31:52,200
Not too plain.
530
00:31:53,100 --> 00:31:55,400
Sometimes when you had fallen
or hurt your hand,
531
00:31:55,500 --> 00:31:58,600
you used to come running to me,
and I would be your mother and say,
532
00:31:58,700 --> 00:32:03,700
oh, with a very grownup voice,
'Now, what have you been doing to yourself?'
533
00:32:03,800 --> 00:32:05,300
'Let me see.'
534
00:32:06,800 --> 00:32:08,000
- Oh!
- No one that.
535
00:32:08,100 --> 00:32:09,200
Wait, let me see.
536
00:32:10,600 --> 00:32:12,500
Still. At your age?
537
00:32:13,000 --> 00:32:14,800
Now, how did you do that?
538
00:32:15,300 --> 00:32:17,900
Playing with the big boys
at the Place de Neanne.
539
00:32:18,500 --> 00:32:19,400
Come here.
540
00:32:20,300 --> 00:32:22,000
Such a wise little mother.
541
00:32:22,000 --> 00:32:25,700
And tell me, while I wash this
blood away, how many you played with?
542
00:32:25,700 --> 00:32:27,800
- Oh, about a hundred.
- A hundred?
543
00:32:27,800 --> 00:32:30,900
- More or less.
- It can't be.
544
00:32:30,900 --> 00:32:32,000
No.
545
00:32:32,600 --> 00:32:34,700
Tell me what you were
going to tell me.....
546
00:32:35,100 --> 00:32:36,300
if you dared.
547
00:32:37,100 --> 00:32:39,000
I think I do dare, now.
548
00:32:39,800 --> 00:32:42,400
It seems so like
those happy days long ago.
549
00:32:43,600 --> 00:32:44,700
Yes, I dare.
550
00:32:45,300 --> 00:32:48,100
Listen....I love someone.
551
00:32:48,800 --> 00:32:49,400
Yes?
552
00:32:49,400 --> 00:32:51,100
Someone who does not know.
553
00:32:51,500 --> 00:32:52,300
Yes?
554
00:32:52,400 --> 00:32:55,900
Someone who loves me, too,
but is afraid of me and keeps away
555
00:32:56,000 --> 00:32:57,300
and never says one word.
556
00:32:58,500 --> 00:32:59,200
(softly)
Yes.
557
00:33:00,000 --> 00:33:01,200
Give my that hand.
558
00:33:02,800 --> 00:33:04,000
Why, how hot it is.
559
00:33:05,300 --> 00:33:07,300
Yes, he loves me.
I am sure of it.
560
00:33:07,700 --> 00:33:08,500
(softly)
Yes.
561
00:33:09,100 --> 00:33:11,700
And he is a soldier, too,
in your own regiment,
562
00:33:11,700 --> 00:33:12,700
your own company.
563
00:33:12,700 --> 00:33:13,700
(loud)
Yes.
564
00:33:14,300 --> 00:33:15,400
Such a man.
565
00:33:16,200 --> 00:33:19,200
He is proud, noble, young, brave,
566
00:33:19,600 --> 00:33:20,700
beautiful!
567
00:33:22,300 --> 00:33:23,500
(softly)
Beautiful.
568
00:33:26,100 --> 00:33:27,000
What's the matter?
569
00:33:27,400 --> 00:33:28,100
Oh, nothing.
570
00:33:29,100 --> 00:33:31,200
It's this, my hand.
571
00:33:32,900 --> 00:33:35,200
I love him.
That is all.
572
00:33:35,900 --> 00:33:39,200
And I have never seen him
anywhere except in the theater.
573
00:33:40,200 --> 00:33:41,700
You have never spoken?
574
00:33:42,100 --> 00:33:43,700
Only with our hearts.
575
00:33:44,500 --> 00:33:46,000
Well, then, how do you know?
576
00:33:46,300 --> 00:33:51,200
Well, people talk about people,
and I hear things, and...
577
00:33:52,300 --> 00:33:53,700
and I know.
578
00:33:54,800 --> 00:33:56,500
(firmly)
You say he is in the guards?
579
00:33:57,000 --> 00:33:58,500
His name?
580
00:33:59,300 --> 00:34:03,200
Baron Christian de Neuvillette.
581
00:34:03,700 --> 00:34:04,900
You know him?
582
00:34:05,200 --> 00:34:06,600
He is not in the guards.
583
00:34:06,600 --> 00:34:08,000
Yes, since last week.
584
00:34:08,700 --> 00:34:10,500
He is only lately
come to Paris...
585
00:34:10,700 --> 00:34:12,100
from Normandy.
586
00:34:12,800 --> 00:34:16,000
So soon.
So soon we lose our hearts.
587
00:34:16,500 --> 00:34:17,100
What...
(door opens)
588
00:34:17,100 --> 00:34:18,200
(Duenna)
- Monsieur de Bergerac
589
00:34:18,200 --> 00:34:19,800
- I have eaten all the cakes.
590
00:34:19,800 --> 00:34:22,200
Good.
Now, go out and enjoy nature.
591
00:34:24,000 --> 00:34:27,100
But my dear child, you love
only words, wit, poetry.
592
00:34:27,100 --> 00:34:30,900
Why, for all you know,
the man may be a savage or a fool.
593
00:34:30,900 --> 00:34:35,200
Not with such eyes.
I read his soul in them.
594
00:34:36,200 --> 00:34:39,300
Yes, all our souls are
written in our eyes.
595
00:34:41,800 --> 00:34:43,700
And you have brought
me here to tell me this?
596
00:34:43,900 --> 00:34:46,800
I do not yet quite understand,
madam, the reason for your confidence.
597
00:34:47,700 --> 00:34:53,600
They say, that in your company,
it frightens me, you are all Gascon.
598
00:34:53,600 --> 00:34:55,800
We pick a quarrel with any outsider
who intrudes himself.
599
00:34:55,800 --> 00:34:57,200
Is that what you have heard?
600
00:34:57,200 --> 00:35:00,100
- I'm so afraid for him.
- Not without reason.
601
00:35:00,100 --> 00:35:04,700
And I thought you...
it's you whom they all respect and fear.
602
00:35:06,800 --> 00:35:09,500
You want me to defend
your little Baron?
603
00:35:09,600 --> 00:35:10,700
Will you?
604
00:35:11,800 --> 00:35:12,600
Just for me.
605
00:35:13,000 --> 00:35:15,400
Because I have always
been your friend.
606
00:35:15,500 --> 00:35:17,700
And this is what
you want of me?
607
00:35:17,800 --> 00:35:19,400
Will you be his friend?
608
00:35:21,400 --> 00:35:23,200
I will be his friend.
609
00:35:23,200 --> 00:35:24,000
And never let him
fight a duel.
610
00:35:24,000 --> 00:35:25,000
No, never.
611
00:35:25,000 --> 00:35:25,700
Promise?
612
00:35:26,600 --> 00:35:27,900
I promise.
613
00:35:28,400 --> 00:35:31,800
Oh, thank you. Thank you.
I knew I could rely on you.
614
00:35:34,900 --> 00:35:36,400
Well, now I must go.
615
00:35:42,300 --> 00:35:44,400
Oh, you never told
me about last night.
616
00:35:44,900 --> 00:35:46,700
Why, you must
have been a hero.
617
00:35:46,800 --> 00:35:51,200
Have write and tell me all about it,
and...about himself.
618
00:35:52,400 --> 00:35:55,300
Oh, you are a darling.
We are great friends, are we not?
619
00:35:55,800 --> 00:35:57,300
He must write to me.
620
00:35:59,300 --> 00:36:02,400
A hundred men against one.
You shall tell me the whole story
621
00:36:02,500 --> 00:36:03,900
someday when we have time.
622
00:36:07,500 --> 00:36:11,100
A hundred men.
What courage!
623
00:36:15,000 --> 00:36:17,800
I have done better.
624
00:36:22,800 --> 00:36:23,400
Well?
625
00:36:25,800 --> 00:36:27,000
Let us leave this place.
626
00:36:27,000 --> 00:36:28,600
But the whole company
is on its way here.
627
00:36:28,600 --> 00:36:29,300
Oh, no.
628
00:36:29,300 --> 00:36:31,800
On my heels. Naturally I told
them all about last night.
629
00:36:31,900 --> 00:36:32,800
They're wild.
630
00:36:32,900 --> 00:36:33,800
Here they are.
631
00:36:33,800 --> 00:36:36,400
- Yes, but, why did you?
- Perhaps I can stop them.
632
00:36:37,200 --> 00:36:37,800
Never mind.
633
00:36:39,500 --> 00:36:40,200
Cyrano!
634
00:36:40,200 --> 00:36:47,000
(greetings and cheers to Cyrano)
635
00:36:50,100 --> 00:36:52,500
Eight dead men in the street.
Scandalous.
636
00:36:52,600 --> 00:36:55,000
You know my edict
against dueling, nephew.
637
00:36:55,000 --> 00:36:56,500
I expect to have it enforced.
638
00:36:56,600 --> 00:36:59,900
Furthermore, I wish to know
who was responsible for last night's
639
00:36:59,900 --> 00:37:01,400
outrage at the Place de Neanne.
640
00:37:01,400 --> 00:37:02,800
I understand, Your Eminence.
641
00:37:03,000 --> 00:37:05,100
Very well.
And now I have news
642
00:37:05,200 --> 00:37:07,300
that should be more
to you liking.
643
00:37:09,400 --> 00:37:14,400
I fear, in confidence, our
uneasy armistice with Spain is doomed.
644
00:37:14,400 --> 00:37:15,400
My colonelcy?
645
00:37:15,400 --> 00:37:17,600
You commission has been prepared.
646
00:37:17,700 --> 00:37:19,800
Oh, thank you, uncle, thank you.
647
00:37:20,200 --> 00:37:21,600
Oh, one thing more.
648
00:37:22,500 --> 00:37:25,600
Last night at the theater,
the duel in rhyme,
649
00:37:25,700 --> 00:37:27,900
that guardsman with a nose.
650
00:37:28,000 --> 00:37:31,200
- Bergerac, that impossible Gascon.
- Yes, impossible.
651
00:37:31,200 --> 00:37:33,300
- His treatment of Montfleury.
- Abominable.
652
00:37:33,300 --> 00:37:36,200
- The arrogance with which he closed the play.
- Incredible.
653
00:37:36,200 --> 00:37:39,100
- It will be a miracle if the Vicomte survives.
- A sorrow.
654
00:37:39,100 --> 00:37:40,700
What will you do
with him, Your Eminence?
655
00:37:40,700 --> 00:37:42,100
I? Nothing.
656
00:37:42,100 --> 00:37:44,200
I thought I might
leave that to you.
657
00:37:44,300 --> 00:37:45,500
To me?
658
00:37:45,500 --> 00:37:49,200
Yes. Place him somewhere
in your service,
659
00:37:49,300 --> 00:37:50,800
with a comfortable allowance.
660
00:37:50,900 --> 00:37:52,300
He looked a little threadbare.
661
00:37:52,400 --> 00:37:56,000
I...You...But, Your Eminence.
You detest dueling.
662
00:37:56,000 --> 00:37:56,900
Of course I do.
663
00:37:57,300 --> 00:37:59,000
Why didn't you prevent it?
664
00:37:59,800 --> 00:38:02,300
I should much prefer
that monsieur de Beregrac
665
00:38:02,400 --> 00:38:06,300
live by the pen,
rather than die by the sword.
666
00:38:07,500 --> 00:38:09,400
Do you not agree, Antoine?
667
00:38:10,700 --> 00:38:13,500
By all means, Your Eminence.
By all means.
668
00:38:15,800 --> 00:38:22,600
'And then, as I end the refrain...
thrust home.'
669
00:38:25,700 --> 00:38:29,700
(Carousing at Ragueneau's)
670
00:38:34,200 --> 00:38:40,800
(noisy celebration of Cyrano's
defeat of 'a hundred' ruffians)
671
00:38:45,200 --> 00:38:47,500
(Antoine Comte de Guiche enters)
672
00:38:48,100 --> 00:38:49,600
Monsieur de Bergerac.
673
00:38:51,100 --> 00:38:52,300
Your Excellency.
674
00:38:52,900 --> 00:38:55,700
I have come to express my....
675
00:38:55,700 --> 00:38:59,500
admiration for both
your exploits last night.
676
00:38:59,500 --> 00:39:02,200
Indeed. Thank you.
677
00:39:02,300 --> 00:39:05,900
My dear fellow,
we may have had our differences,
678
00:39:05,900 --> 00:39:08,500
but I am disposed
to forget them.
679
00:39:08,500 --> 00:39:10,700
That is very generous
of you, sir.
680
00:39:10,700 --> 00:39:11,500
No, truly.
681
00:39:11,600 --> 00:39:14,900
You are, it seems, a man
of many skills.
682
00:39:15,000 --> 00:39:18,300
A rare combination
soldier and poet.
683
00:39:19,000 --> 00:39:22,700
- Would you care to join my following?
- No, sir.
684
00:39:22,700 --> 00:39:24,200
I do not follow.
685
00:39:24,700 --> 00:39:26,900
I am told you have
written a play.
686
00:39:27,100 --> 00:39:30,500
As you know, my uncle,
the Cardinal, is also a dramatist.
687
00:39:30,500 --> 00:39:31,900
I might help you there.
688
00:39:32,100 --> 00:39:35,000
Cyrano, now at last
you can have it performed.
689
00:39:35,000 --> 00:39:36,200
Why not?
690
00:39:36,200 --> 00:39:37,600
I could take it to him.
691
00:39:38,800 --> 00:39:40,300
Really?
692
00:39:40,300 --> 00:39:42,400
Of course.
Let him rewrite a few lines
693
00:39:42,400 --> 00:39:44,700
here and there, and
he'll find a theater for you.
694
00:39:45,200 --> 00:39:48,200
Rewrite...my lines?
695
00:39:48,600 --> 00:39:50,100
Impossible.
696
00:39:50,100 --> 00:39:53,000
Uh, when he likes a thing,
he pays well.
697
00:39:53,000 --> 00:39:54,200
Yes, but not so well as I.
698
00:39:54,200 --> 00:39:56,400
When I have made a line
that sings itself
699
00:39:56,500 --> 00:39:58,200
I pay myself a hundred times.
700
00:39:58,200 --> 00:39:59,900
You are proud, my friend.
701
00:39:59,900 --> 00:40:01,000
You have observed that?
702
00:40:01,000 --> 00:40:03,400
- Cyrano.
See what we found in the street.
703
00:40:03,500 --> 00:40:06,100
Plumes dropped in their flight
by those fine birds
704
00:40:06,100 --> 00:40:07,800
who showed their
tail feathers!
705
00:40:07,800 --> 00:40:09,500
(laughter)
706
00:40:09,600 --> 00:40:11,100
The man who hired
those scoundrels,
707
00:40:11,200 --> 00:40:13,000
he must be an
angry man today.
708
00:40:13,000 --> 00:40:14,400
Who was it?
Do you know?
709
00:40:14,800 --> 00:40:15,700
It was I.
710
00:40:17,000 --> 00:40:20,800
I hired them to do the sort
of work we do not soil our hands with.
711
00:40:21,600 --> 00:40:23,900
Punishing an insolent poet.
712
00:40:23,900 --> 00:40:26,600
They ought to be mounted
before they spoil.
713
00:40:26,600 --> 00:40:28,800
(laughter)
What shall we do with them?
714
00:40:32,100 --> 00:40:37,400
Sir, will you not return these
to your friends?
715
00:40:41,300 --> 00:40:43,100
Have you read Don Quixote?
716
00:40:43,200 --> 00:40:45,600
I have and found
myself the hero.
717
00:40:45,600 --> 00:40:48,700
Be so good as to read once more
the capture of the windmills.
718
00:40:48,800 --> 00:40:50,000
Chapter 13.
719
00:40:51,100 --> 00:40:53,200
Windmills, remember,
if you fight with them...
720
00:40:53,200 --> 00:40:57,500
may swing round their huge arms
and cast you down into the mire.
721
00:40:57,600 --> 00:41:00,000
Or up among the stars.
722
00:41:02,200 --> 00:41:02,900
Gentlemen.
723
00:41:03,300 --> 00:41:04,300
Gentlemen.
724
00:41:04,500 --> 00:41:05,500
Gentlemen.
725
00:41:06,200 --> 00:41:07,600
You've done it, now.
726
00:41:07,600 --> 00:41:08,800
You've made your fortune.
727
00:41:08,800 --> 00:41:10,000
He was willing to forget.
728
00:41:10,400 --> 00:41:12,100
There you go again, growling.
729
00:41:12,200 --> 00:41:14,400
Yesss,
this latest pose of yours,
730
00:41:14,500 --> 00:41:17,000
ruining every opportunity
that comes you way,
731
00:41:17,100 --> 00:41:18,100
becomes exaggerated.
732
00:41:18,100 --> 00:41:19,200
Very well, then, I exaggerate.
733
00:41:19,200 --> 00:41:20,700
There are certain things
in this world
734
00:41:20,700 --> 00:41:22,100
a man does well
to carry to extremes.
735
00:41:22,100 --> 00:41:24,700
Your precious independence.
Your white plume.
736
00:41:24,700 --> 00:41:26,400
How do you expect
to succeed in life?
737
00:41:26,400 --> 00:41:27,400
What would you have me do?
738
00:41:27,400 --> 00:41:29,500
Seek for the patronage
of some great man
739
00:41:29,600 --> 00:41:32,800
and like a creeping vine
on a tall tree crawl upward
740
00:41:32,900 --> 00:41:34,500
where I cannot stand alone?
741
00:41:34,900 --> 00:41:35,800
No, thank you.
742
00:41:36,200 --> 00:41:40,800
Be a buffoon in the vile hope
of teasing out a smile on some cold face.
743
00:41:41,300 --> 00:41:42,700
No, thank you.
744
00:41:43,000 --> 00:41:45,200
Eat a toad for breakfast
every morning.
745
00:41:45,300 --> 00:41:48,500
Make my knees calloused.
Cultivate a supple spine.
746
00:41:48,500 --> 00:41:50,300
Wear out my belly
groveling in the dust.
747
00:41:50,500 --> 00:41:51,400
No, thank you.
748
00:41:51,800 --> 00:41:55,800
With my left hand scratch the back
of any swine that roots up gold for me
749
00:41:55,900 --> 00:41:59,900
while my right, too proud to know
his partner's business, takes in the fee.
750
00:41:59,900 --> 00:42:00,900
No, thank you.
751
00:42:01,000 --> 00:42:04,800
Shall I use the fire God gave me
to burn incense all day long?
752
00:42:05,000 --> 00:42:06,000
No, thank you.
753
00:42:06,000 --> 00:42:09,400
Struggle to insinuate my name
into the columns of the Gazette?
754
00:42:09,400 --> 00:42:14,200
Calculate, scheme, be afraid?
Love more to make a visit than a poem?
755
00:42:14,200 --> 00:42:16,900
Seek introductions, favors,
influences?
756
00:42:17,000 --> 00:42:18,000
No, thank you.
757
00:42:18,000 --> 00:42:21,200
No, I thank you, and
again I thank you.
758
00:42:24,900 --> 00:42:31,300
But, to sing, to laugh, to dream,
to walk in my own way,
759
00:42:31,300 --> 00:42:33,500
free with and eye
to see things as they are.
760
00:42:34,300 --> 00:42:36,200
A voice that means manhood.
761
00:42:37,700 --> 00:42:39,600
To cut my have
the right shoes.
762
00:42:39,600 --> 00:42:47,100
And a word, a yes, a no,
to fight, or write,
763
00:42:47,800 --> 00:42:49,400
but never to make
a line I have not heard
764
00:42:49,400 --> 00:42:50,700
in my own heart.
765
00:42:51,400 --> 00:42:53,300
To travel any
road under the sun,
766
00:42:54,000 --> 00:42:55,700
under the stars,
767
00:42:57,000 --> 00:43:00,500
nor care if fame or fortune
lie beyond the bourne.
768
00:43:01,300 --> 00:43:03,200
Yet, with all modesty to say,
769
00:43:04,200 --> 00:43:06,800
my soul be satisfied
with flowers,
770
00:43:07,700 --> 00:43:09,000
with weeds,
771
00:43:10,200 --> 00:43:11,800
with thorns, even,
772
00:43:12,900 --> 00:43:15,900
but gather them in the one garden
you may call your own.
773
00:43:17,200 --> 00:43:19,400
In a word, I'm too proud
to be a parasite.
774
00:43:19,700 --> 00:43:22,400
And if mine intellect the germ
that grows towering to heaven
775
00:43:22,500 --> 00:43:23,700
like the mountain pine
776
00:43:24,300 --> 00:43:26,500
I stand not high, it may be,
777
00:43:28,200 --> 00:43:29,400
but alone.
778
00:43:29,500 --> 00:43:32,100
Alone, yes, but why
go about making enemies?
779
00:43:33,100 --> 00:43:36,800
Watching other people
making friends...everywhere,
780
00:43:36,800 --> 00:43:38,900
as a dog makes friends.
781
00:43:39,400 --> 00:43:42,500
I mark the manner of
these canine courtesies,
782
00:43:42,500 --> 00:43:47,700
and think, here comes,
thank heaven, another enemy.
783
00:43:47,800 --> 00:43:53,700
Yes, tell this to all the world,
and then to me say very softly
784
00:43:53,700 --> 00:43:56,500
that she loves you not.
785
00:43:59,800 --> 00:44:01,900
Let me be alone
for a moment.
786
00:44:04,900 --> 00:44:06,000
Cyrano, wait.
787
00:44:06,000 --> 00:44:07,700
Give us your story
of the fight.
788
00:44:08,500 --> 00:44:09,400
Presently.
789
00:44:09,400 --> 00:44:11,000
No, the story, now!
790
00:44:11,000 --> 00:44:12,900
Oh, let him alone.
There's time enough.
791
00:44:13,000 --> 00:44:14,300
I want it now!
792
00:44:16,100 --> 00:44:20,000
As an example for that young
tadpole sneaking out the doorway.
793
00:44:20,100 --> 00:44:22,000
You, there.
794
00:44:26,300 --> 00:44:27,800
Are you addressing me?
795
00:44:29,100 --> 00:44:33,700
Yes, you flat-footed
Norman farmer.
796
00:44:37,100 --> 00:44:38,400
You wish something of me?
797
00:44:38,500 --> 00:44:40,900
Listen, Monsieur de...de...de
whatever your name is.
798
00:44:40,900 --> 00:44:41,900
de Neuvillette!
799
00:44:42,000 --> 00:44:44,200
Baron Christan de Neuvillette.
800
00:44:44,200 --> 00:44:46,300
Very well, de Neuvillette.
801
00:44:46,600 --> 00:44:49,000
As you are a newcomer here,
you should know there is a
802
00:44:49,100 --> 00:44:53,300
certain subject or object, if you prefer,
that is never mentioned among us.
803
00:44:53,300 --> 00:44:54,300
And that is....?
804
00:44:54,300 --> 00:44:55,500
Look at me!
805
00:44:55,500 --> 00:44:56,900
(touching his nose)
806
00:44:57,000 --> 00:44:58,300
You understand?
807
00:44:58,400 --> 00:44:59,600
You mean....?
808
00:44:59,700 --> 00:45:02,000
Thus we never speak that word.
809
00:45:02,500 --> 00:45:05,300
To even breathe it is
to have to do with him.
810
00:45:05,400 --> 00:45:09,700
He has exterminated several
whose mere tone of voice suggested...
811
00:45:09,700 --> 00:45:13,900
Would you die before your time?
Just mention anything convex.
812
00:45:13,900 --> 00:45:15,500
Or cartilaginous.
813
00:45:15,500 --> 00:45:19,500
One word. One syllable.
One gesture. Nay, one sneeze.
814
00:45:19,500 --> 00:45:22,300
And your handkerchief
becomes your winding sheet.
815
00:45:25,100 --> 00:45:25,900
Captain.
816
00:45:26,400 --> 00:45:27,200
Sir?
817
00:45:27,300 --> 00:45:31,000
What is the proper thing to do
when Gascons grow too boastful?
818
00:45:31,800 --> 00:45:34,800
Prove to them that one may
be a Norman and still have courage.
819
00:45:34,800 --> 00:45:36,100
I thank you.
820
00:45:42,300 --> 00:45:44,300
Come on, Cyrano, your story.
821
00:45:45,400 --> 00:45:48,300
(shouts of encouragement)
822
00:45:48,700 --> 00:45:50,500
Now, let me see.
Where shall we begin?
823
00:45:51,400 --> 00:45:53,500
I followed with our host
to meet those scoundrels
824
00:45:53,500 --> 00:45:54,600
not knowing where
they might attack.
825
00:45:55,000 --> 00:45:57,300
No lamps in those narrow
back streets.
826
00:45:58,500 --> 00:45:59,600
No moon in the sky.
827
00:46:00,300 --> 00:46:02,200
Dark. Everything dark.
828
00:46:02,400 --> 00:46:05,000
It was so dark, Mon Dieux,
you could not see beyond...
829
00:46:05,000 --> 00:46:06,400
Your nose!
830
00:46:06,800 --> 00:46:09,400
(Christian shows his courage.)
831
00:46:26,200 --> 00:46:34,200
Who...is that...man...there?
832
00:46:35,200 --> 00:46:36,300
- A new recruit.
833
00:46:37,000 --> 00:46:38,500
- Arrived last week.
834
00:46:39,600 --> 00:46:41,000
A recruit, eh?
835
00:46:41,800 --> 00:46:42,900
Ha, ha---.
836
00:46:42,900 --> 00:46:46,300
His name is Christian de Neuvillette.
837
00:46:46,300 --> 00:46:49,600
(Cyrano remembers his
promise to Roxane.)
838
00:46:59,500 --> 00:47:00,500
I see.
839
00:47:03,600 --> 00:47:04,500
Very well.
840
00:47:05,800 --> 00:47:07,400
As I was saying.
841
00:47:11,800 --> 00:47:12,900
It grew dark.
842
00:47:13,400 --> 00:47:16,100
You could not see
your hand before your eyes.
843
00:47:17,300 --> 00:47:20,400
I marched on thinking our all for
the sake of one amateur poet
844
00:47:20,500 --> 00:47:23,600
- who wrote a verse whenever he took a..
- A nose full.
845
00:47:25,300 --> 00:47:26,700
...whenever he took a notion.,
846
00:47:27,300 --> 00:47:29,600
and might antagonize
some dangerous man.
847
00:47:29,600 --> 00:47:31,800
One powerful enough
to make me pay...
848
00:47:31,800 --> 00:47:32,900
Through the nose!
849
00:47:33,000 --> 00:47:34,000
...pay the piper!
850
00:47:34,400 --> 00:47:36,400
After all, I thought,
why am I putting in my..
851
00:47:36,400 --> 00:47:37,300
- Nose!
852
00:47:38,100 --> 00:47:40,100
...putting in my oar in a quarrel
that was none of mine,
853
00:47:40,200 --> 00:47:42,200
however now that I am here,
I may as well go through with it.
854
00:47:42,200 --> 00:47:43,800
Come Gascon, do your duty.
855
00:47:43,800 --> 00:47:45,800
Suddenly a sword
flashed in the dark!
856
00:47:45,900 --> 00:47:46,800
I caught it fair...
857
00:47:46,800 --> 00:47:47,800
On the nose!
858
00:47:48,900 --> 00:47:50,100
...on my blade!
859
00:47:50,100 --> 00:47:51,500
Before I knew it,
there I was...
860
00:47:51,500 --> 00:47:52,600
Rubbing noses!
861
00:47:52,700 --> 00:47:54,800
...crossing swords with
harvard's joy once.
862
00:47:54,800 --> 00:47:55,900
I had the bottom then...
863
00:47:55,900 --> 00:47:56,900
A nosegay!
864
00:47:56,900 --> 00:47:58,100
...a monstrous crab tree.
865
00:47:58,600 --> 00:48:01,100
(breathing heavily)
He went down for as a wave.
866
00:48:01,300 --> 00:48:01,900
I charged...
867
00:48:02,000 --> 00:48:03,500
Who was in the air hard.
868
00:48:03,600 --> 00:48:04,400
...at the two of them.
869
00:48:05,700 --> 00:48:06,900
Another lunged,
and I parried...
870
00:48:06,900 --> 00:48:08,200
Through your nose!
871
00:48:08,200 --> 00:48:10,300
Right out of here!
All of you go!
872
00:48:10,300 --> 00:48:11,100
Leave me with him.
873
00:48:27,500 --> 00:48:29,600
To my arms, sir.
You have courage.
874
00:48:29,600 --> 00:48:30,800
- That pleases me.
- Why?
875
00:48:30,900 --> 00:48:32,800
Come, do you not know
I am her brother?
876
00:48:32,800 --> 00:48:33,400
Whose?
877
00:48:33,500 --> 00:48:35,200
Hers. Roxane.
878
00:48:38,300 --> 00:48:39,300
Brother?
879
00:48:40,200 --> 00:48:41,100
You?
880
00:48:41,200 --> 00:48:43,100
Well, a distant cousin.
Much the same.
881
00:48:43,500 --> 00:48:45,400
- Then she has told you?
- Everything.
882
00:48:45,500 --> 00:48:47,600
- She loves me?
- Perhaps.
883
00:48:48,600 --> 00:48:50,900
My dear sir, more than I can say.
I am honored.
884
00:48:50,900 --> 00:48:53,000
- Rather sudden.
- Oh, please, forgive me.
885
00:48:53,200 --> 00:48:55,200
If you knew how
much I have admired you.
886
00:48:55,300 --> 00:48:58,600
- Yes, yes, and all those noses.
- Please. I apologize.
887
00:49:00,000 --> 00:49:01,600
Roxane expects a letter.
888
00:49:01,700 --> 00:49:03,300
- From me?
- Yes, why not?
889
00:49:03,300 --> 00:49:04,100
Oh,, No.
890
00:49:04,500 --> 00:49:06,800
- Once I write, that ruins everything.
- Why?
891
00:49:06,900 --> 00:49:10,000
Because, any schoolboy can write
to her more gracefully than I.
892
00:49:10,500 --> 00:49:11,700
A fool!
893
00:49:11,900 --> 00:49:15,500
- You did not attack me like a fool.
- Anyone can pick a quarrel.
894
00:49:15,700 --> 00:49:17,500
No, I'm never at loss
for words among men,
895
00:49:17,600 --> 00:49:22,200
but with any women...
paralyzed...speechless, dumb.
896
00:49:22,400 --> 00:49:24,600
I'm one of those
stammering idiots
897
00:49:24,600 --> 00:49:26,200
who can not court a woman.
898
00:49:26,300 --> 00:49:27,100
Really?
899
00:49:27,800 --> 00:49:29,700
As for myself,
it seems to me that
900
00:49:29,700 --> 00:49:33,300
given the opportunity,
and if I put my mind to it,
901
00:49:34,300 --> 00:49:36,300
I could do that..
rather well.
902
00:49:36,400 --> 00:49:38,800
Oh, is I had words to say
what I have here!
903
00:49:38,900 --> 00:49:40,400
If I were handsome
like you.
904
00:49:41,100 --> 00:49:44,700
Together, we could make
one mighty hero of romance.
905
00:49:44,800 --> 00:49:46,300
If only I had your wit.
906
00:49:51,500 --> 00:49:52,700
Borrow it, then.
907
00:49:53,300 --> 00:49:54,100
What?
908
00:49:55,600 --> 00:49:56,400
Tell me,
909
00:49:57,900 --> 00:50:00,700
would you dare repeat to her
the words I gave you day by day?
910
00:50:01,300 --> 00:50:03,400
Send to her
the letters that I write?
911
00:50:03,400 --> 00:50:05,800
I mean, that Roxane
should have no disillusionment.
912
00:50:06,100 --> 00:50:07,800
Come, shall we win her
both together?
913
00:50:08,000 --> 00:50:08,800
For you?
914
00:50:08,800 --> 00:50:10,900
- Why, Cyrano...
- Christian, why not?
915
00:50:11,000 --> 00:50:12,800
I...I'm afraid.
916
00:50:12,800 --> 00:50:15,000
Afraid that when you
have her all alone, you will lose her.
917
00:50:15,200 --> 00:50:17,400
Have not fear,
it is your self she loves.
918
00:50:17,400 --> 00:50:18,900
Give her yourself.
919
00:50:18,900 --> 00:50:24,600
Put into words,
my words...upon your lips.
920
00:50:25,100 --> 00:50:26,100
Will you?
921
00:50:27,700 --> 00:50:29,000
Will you?
922
00:50:29,900 --> 00:50:31,700
Does it mean
so much to you?
923
00:50:31,700 --> 00:50:33,300
It means....
924
00:50:35,100 --> 00:50:38,000
It means a comedy,
a situation for a poet.
925
00:50:38,100 --> 00:50:39,300
Come, shall we collaborate?
926
00:50:39,300 --> 00:50:43,400
I'll be your cloak of darkness,
your enchanted sword,
927
00:50:43,400 --> 00:50:46,300
your ring to charm
the fairy princess.
928
00:50:47,700 --> 00:50:50,100
Think!
Is the prize not worth the danger?
929
00:50:52,800 --> 00:50:53,900
My friend!
930
00:50:55,600 --> 00:50:56,700
My friend.
931
00:50:57,800 --> 00:51:01,100
Take my heart.
I shall have it all the more.
932
00:51:01,300 --> 00:51:04,600
Plucking the flowers,
we will keep the plant in bloom.
933
00:51:04,800 --> 00:51:07,000
Thus do I love thee,
my darling.
934
00:51:09,800 --> 00:51:10,600
Idiot.
935
00:51:10,900 --> 00:51:13,200
There are a dozen
ways to read that line.
936
00:51:13,200 --> 00:51:15,500
Can't you give it some meaning?
Any meaning!
937
00:51:15,500 --> 00:51:16,900
THUS do I love thee!
938
00:51:16,900 --> 00:51:18,200
Thus do "I" love thee.
939
00:51:18,300 --> 00:51:19,500
Thus do I LOVE thee.
940
00:51:19,500 --> 00:51:21,900
Thus do I love THEE,
THEE, THEE.
941
00:51:23,500 --> 00:51:26,600
Who knows your smile
has known a perfect thing.
942
00:51:26,700 --> 00:51:29,400
You are a white rose,
wherein love lies in ambush
943
00:51:29,400 --> 00:51:31,100
for its natural prey.
944
00:51:31,300 --> 00:51:34,700
In the garden of my heart,
you are the most...
945
00:51:34,900 --> 00:51:36,600
eh, the most....
946
00:51:38,400 --> 00:51:40,700
fragrant blossom.
947
00:51:42,000 --> 00:51:45,700
As the tender sapling
thirsts for rain,
948
00:51:46,000 --> 00:51:48,900
as the eagle seeks the sky,
949
00:51:49,000 --> 00:51:52,000
as the wave
hurtles toward the shore,
950
00:51:52,000 --> 00:51:54,900
my heart yearns for you.
951
00:51:55,400 --> 00:51:56,800
Good, good.
952
00:51:56,900 --> 00:51:59,700
You know, you're beginning
to have a feel for words.
953
00:51:59,700 --> 00:52:03,000
- Words. I'm sick of words.
- Those are your weapons.
954
00:52:03,000 --> 00:52:04,100
How else do you conquer?
955
00:52:04,200 --> 00:52:05,100
Yes, but when, when?
956
00:52:05,100 --> 00:52:07,100
They're fighting in the north, now.
You know that.
957
00:52:07,200 --> 00:52:08,600
The Regiment will be
called up any day,
958
00:52:08,700 --> 00:52:09,800
and I've never
even kissed her.
959
00:52:09,800 --> 00:52:12,900
Patience, my boy, patience.
960
00:52:12,900 --> 00:52:14,100
I've been patient.
961
00:52:14,100 --> 00:52:17,200
Why, she sees the Compte de Guiche
as often as she does me.
962
00:52:20,300 --> 00:52:22,100
Do you suppose
she's playing with me?
963
00:52:22,200 --> 00:52:23,500
Making a fool of me?
964
00:52:24,800 --> 00:52:25,800
Impossible.
965
00:52:25,900 --> 00:52:27,200
How can you say?
How do you know?
966
00:52:28,200 --> 00:52:32,300
Cyrano, you have her confidence.
You could find out.
967
00:52:40,300 --> 00:52:41,600
Nonsense, I say.
968
00:52:43,200 --> 00:52:44,400
Oh, very well.
969
00:52:44,800 --> 00:52:46,100
I'll scout the terrain.
970
00:52:46,200 --> 00:52:48,200
Listen, Cyrano,
intelligently, discreetly.
971
00:52:48,200 --> 00:52:49,100
Yes.
972
00:52:49,100 --> 00:52:50,300
With finesse.
973
00:52:53,000 --> 00:52:56,500
And, uh, what do you think
of Christian after all these weeks?
974
00:52:56,600 --> 00:52:59,000
He is beautiful,
but he's brilliant.
975
00:52:59,000 --> 00:53:00,700
- And I love him.
- Good!
976
00:53:00,800 --> 00:53:02,700
Uh, do you find him intellectual?
977
00:53:02,700 --> 00:53:04,600
- More so than you, even.
- Huh?
978
00:53:04,600 --> 00:53:07,400
- Oh, I didn't mean.
- No, no, no, I am glad.
979
00:53:07,500 --> 00:53:10,200
No man ever so beautifully
said those things.
980
00:53:10,300 --> 00:53:12,900
Those pretty nothings
to everything.
981
00:53:13,300 --> 00:53:16,700
Sometimes, he,. he, he falls
into a reverie.
982
00:53:17,400 --> 00:53:20,100
His inspiration..fails.
983
00:53:21,000 --> 00:53:24,900
But, then all at once,
he will say something absolutely...
984
00:53:24,900 --> 00:53:26,300
Ah!
985
00:53:26,400 --> 00:53:27,700
Really?
986
00:53:28,400 --> 00:53:29,900
How like a man!
987
00:53:29,900 --> 00:53:33,200
You think because a man
has a handsome face he must be a fool.
988
00:53:34,300 --> 00:53:35,700
Not necessarily.
989
00:53:35,800 --> 00:53:39,400
Uh, he talks well about, uh,
matters of the heart?
990
00:53:39,400 --> 00:53:43,400
He does not talk.
He rhapsodizes. He dreams.
991
00:53:43,400 --> 00:53:47,300
Only the other night he said to me,
extemporaneously, mind you.
992
00:53:47,400 --> 00:53:48,200
Oh, of course.
993
00:53:48,900 --> 00:53:51,600
'Take my heart.
I shall have it all the more.
994
00:53:51,700 --> 00:53:55,700
'Plucking the flowers
we will keep the plants in bloom.'
995
00:53:56,700 --> 00:53:57,700
Well?
996
00:53:57,700 --> 00:53:59,500
Umm, passable.
997
00:53:59,900 --> 00:54:01,000
He writes well?
998
00:54:01,000 --> 00:54:03,000
Wonderfully, listen:
999
00:54:03,700 --> 00:54:06,500
'Knowing you have in store
more heart to give
1000
00:54:06,500 --> 00:54:09,100
- 'than I to find heart room...'
- The first he has too much heart,
1001
00:54:09,100 --> 00:54:11,400
then too little. Just how much heart
does he need?
1002
00:54:11,400 --> 00:54:12,700
You are teasing.
1003
00:54:12,800 --> 00:54:13,800
You are jealous!
1004
00:54:13,900 --> 00:54:14,600
Jealous?
1005
00:54:14,700 --> 00:54:15,400
Yes.
1006
00:54:15,400 --> 00:54:16,800
Poets are all alike.
1007
00:54:17,700 --> 00:54:20,600
Would you dare
criticize these lines?
1008
00:54:21,900 --> 00:54:26,100
'Only believe that unto you
my whole heart gives one cry.
1009
00:54:26,500 --> 00:54:30,400
'And writing, writes down
more than you receive.
1010
00:54:31,000 --> 00:54:35,000
'Sending you kisses
through my fingertips.
1011
00:54:35,000 --> 00:54:39,000
'Lady, oh, read my letter
with your lips.'
1012
00:54:40,300 --> 00:54:44,800
Yes, those last lines,
but he overwrites.
1013
00:54:44,900 --> 00:54:45,900
Listen to this.
1014
00:54:46,000 --> 00:54:47,000
Do you know
them all by heart?
1015
00:54:47,000 --> 00:54:48,000
Every one.
1016
00:54:48,100 --> 00:54:49,500
Well, I may call
that flattering.
1017
00:54:49,500 --> 00:54:50,300
He is a master.
1018
00:54:50,300 --> 00:54:52,800
- Oh, come..
- Yes, a master.
1019
00:54:52,800 --> 00:54:56,200
Huh, a master,...
if you will.
1020
00:54:58,200 --> 00:55:01,500
And, uh, when do you
bestow the laurel wreath?
1021
00:55:01,500 --> 00:55:06,200
How many prodigies of poetry
must this new Hercules perform?
1022
00:55:06,300 --> 00:55:07,400
I do not know.
1023
00:55:08,300 --> 00:55:12,500
My friend, you men own the world
and all that's in it.
1024
00:55:13,000 --> 00:55:18,900
Woman is at best a prize, a property
valued much the same as a horse or a dog,
1025
00:55:19,100 --> 00:55:23,000
unlike the pear and sheen of skin
and soundness of teeth and limb.
1026
00:55:23,600 --> 00:55:28,800
Well, if I must be chattel,
then the terms shall be mine,
1027
00:55:28,900 --> 00:55:32,400
and the price according
to my own values.
1028
00:55:32,500 --> 00:55:33,600
There.
1029
00:55:35,000 --> 00:55:36,400
I see.
1030
00:55:38,000 --> 00:55:40,800
Christian tells me
that you meet tonight.
1031
00:55:43,500 --> 00:55:46,200
What would you have him
speak about?
1032
00:55:47,200 --> 00:55:48,900
Oh, nothing,
1033
00:55:49,200 --> 00:55:50,500
and everything.
1034
00:55:50,900 --> 00:55:55,100
I shall say, speak to me
of love in your own words.
1035
00:55:55,500 --> 00:55:57,800
Improvise, rhapsodize.
1036
00:55:58,500 --> 00:55:59,700
Be eloquent.
1037
00:56:00,900 --> 00:56:02,500
But you will not tell him,
will you?
1038
00:56:02,500 --> 00:56:04,200
Ah, perish the thought.
1039
00:56:04,500 --> 00:56:07,300
Madame, Compte de Guiche.
1040
00:56:11,700 --> 00:56:13,800
(Sigh)
Madame.
1041
00:56:16,900 --> 00:56:17,800
Monsieur.
1042
00:56:18,700 --> 00:56:19,700
Madame.
1043
00:56:22,500 --> 00:56:25,200
Monsieur.
(Crunch)
1044
00:56:34,400 --> 00:56:36,000
- Christian, quick.
- No.
1045
00:56:36,100 --> 00:56:38,000
There's still time to learn your lines.
No.
1046
00:56:38,000 --> 00:56:40,700
I have some brilliant phrases for you,
brilliant, sensitive...
1047
00:56:40,700 --> 00:56:41,500
No.
1048
00:56:42,100 --> 00:56:43,100
I'll have not more of it.
1049
00:56:43,100 --> 00:56:45,200
Taking all my words, my sentences
all from you,
1050
00:56:45,200 --> 00:56:47,400
- making our love a little comedy.
- Don't you real...
1051
00:56:47,500 --> 00:56:49,400
It was a game at first,
but now she cares.
1052
00:56:49,500 --> 00:56:50,300
Huh?
1053
00:56:50,400 --> 00:56:51,700
Thanks to you.
Uh.
1054
00:56:51,700 --> 00:56:54,000
I'm not afraid any longer.
I'll speak for myself, now.
1055
00:56:54,000 --> 00:56:54,700
Oh, undoubtedly.
1056
00:56:54,700 --> 00:56:56,900
I will. You shall see!
1057
00:56:57,500 --> 00:57:00,100
Besides, I know enough
to take a woman in my arms,
1058
00:57:00,100 --> 00:57:01,800
and tonight, I will.
1059
00:57:05,000 --> 00:57:06,400
(knocking on door)
- Christian!
1060
00:57:06,400 --> 00:57:08,200
Thank you, my friend,
and goodbye.
1061
00:57:08,200 --> 00:57:10,000
- Christian, I beg of you.
- Leave me!
1062
00:57:10,000 --> 00:57:11,800
- You're making a grave error.
- Go away!
1063
00:57:14,500 --> 00:57:15,500
So be it.
1064
00:57:17,900 --> 00:57:19,600
(door opens)
1065
00:57:21,300 --> 00:57:22,400
Christian.
1066
00:57:22,400 --> 00:57:23,500
Roxane.
1067
00:57:24,100 --> 00:57:26,300
I'm so glad you are early.
1068
00:57:27,400 --> 00:57:29,400
Let us stay out here
in the moonlight.
1069
00:57:30,100 --> 00:57:31,400
It's so pleasant.
1070
00:57:33,700 --> 00:57:34,600
Sit down.
1071
00:57:37,400 --> 00:57:38,700
There, so.
1072
00:57:41,700 --> 00:57:44,700
Now, speak to me.
1073
00:57:45,200 --> 00:57:46,400
I love you.
1074
00:57:47,000 --> 00:57:49,300
Yes, speak to me of love.
1075
00:57:51,100 --> 00:57:54,300
I...love you.
1076
00:57:54,400 --> 00:57:56,600
Now, be eloquent.
Be brilliant for me.
1077
00:57:57,300 --> 00:57:58,900
Tonight of all nights.
1078
00:57:59,200 --> 00:58:02,500
I love you....so.
1079
00:58:04,600 --> 00:58:08,600
You have your scene.
Now, improvise, rhapsodize.
1080
00:58:08,600 --> 00:58:12,500
I love you...
very much!
1081
00:58:15,500 --> 00:58:18,600
I ask for cream,
and you give me milk and water.
1082
00:58:19,700 --> 00:58:23,400
Tell me firstly,
how you love me.
1083
00:58:23,500 --> 00:58:24,700
Very much!
1084
00:58:26,100 --> 00:58:27,400
Is that all you feel?
1085
00:58:27,400 --> 00:58:30,300
Your throat, if only
I might kiss it.
1086
00:58:30,300 --> 00:58:31,100
Christian!
1087
00:58:31,200 --> 00:58:32,500
But, Roxane, I love you.
1088
00:58:32,800 --> 00:58:33,800
Again.
1089
00:58:33,800 --> 00:58:35,400
No, not again.
I do not love you.
1090
00:58:38,400 --> 00:58:39,500
That is better.
1091
00:58:40,300 --> 00:58:43,800
I...I adore you!
1092
00:58:44,000 --> 00:58:44,800
Oh!
1093
00:58:45,500 --> 00:58:47,000
I know I grow absurd.
1094
00:58:47,100 --> 00:58:49,800
And that distresses me as much
as if you had grown ugly!
1095
00:58:52,000 --> 00:58:55,900
Please. Gather your dreams
together into words.
1096
00:58:55,900 --> 00:58:58,800
I...um, I...
1097
00:58:58,800 --> 00:59:01,200
I know. You love me!
Good night!
1098
00:59:01,300 --> 00:59:02,400
Oh, but wait, please!
1099
00:59:02,400 --> 00:59:03,500
I was going to say...
1100
00:59:03,500 --> 00:59:05,500
That you adore me.
Yes, I know that, too.
1101
00:59:05,500 --> 00:59:07,700
-No, go away.
- I....
1102
00:59:08,600 --> 00:59:11,200
(door slams shut)
1103
00:59:26,100 --> 00:59:29,300
(Cyrano claps his hands)
1104
00:59:29,400 --> 00:59:30,800
A great success.
1105
00:59:31,900 --> 00:59:32,700
Help me.
1106
00:59:32,700 --> 00:59:34,600
Not I.
Speak for yourself, my friend.
1107
00:59:34,600 --> 00:59:36,200
Why I...I can't.
1108
00:59:36,200 --> 00:59:39,000
Well, at least you know enough
to take a woman in your arms.
1109
00:59:39,000 --> 00:59:40,600
Oh, Cyrano, please!
1110
00:59:40,700 --> 00:59:42,600
What, and make your love
a little comedy.
1111
00:59:42,600 --> 00:59:45,000
Cyrano, I cannot live
unless I win her back, now.
1112
00:59:45,100 --> 00:59:45,600
This moment!
1113
00:59:45,600 --> 00:59:48,800
This moment. How the devil
am I to teach you now, this mo...
1114
00:59:48,900 --> 00:59:49,900
(Christian)
Her window.
1115
00:59:50,500 --> 00:59:52,600
- Help me, Cyrano, help me.
- Shhhh.
1116
00:59:54,200 --> 00:59:55,800
(Cyrano)
It does seem fairly dark.
1117
00:59:55,800 --> 00:59:56,700
(Christian)
Well? Well?
1118
00:59:58,400 --> 01:00:00,100
(Cyrano)
It is more than
you deserve.
1119
01:00:01,500 --> 01:00:03,000
(Cyrano)
I must try out what
can be done.
1120
01:00:03,000 --> 01:00:04,000
(Cyrano)
Stand over there.
1121
01:00:07,400 --> 01:00:10,500
(Cyrano)
Idiot, here, before the balcony.
I'll whisper you what to say.
1122
01:00:10,500 --> 01:00:12,300
- She'll hear..
- Shhhh. Call her.
1123
01:00:12,800 --> 01:00:14,600
(Christian)
Roxane.
1124
01:00:15,900 --> 01:00:18,300
(Christian louder)
Roxane.
1125
01:00:18,300 --> 01:00:20,200
(balcony window opens)
1126
01:00:22,600 --> 01:00:23,700
Who's calling?
1127
01:00:24,400 --> 01:00:25,200
Christian.
1128
01:00:25,500 --> 01:00:26,600
You again.
1129
01:00:26,700 --> 01:00:28,400
I...had to tell you.
1130
01:00:28,700 --> 01:00:30,300
No. Go away.
You tell me nothing.
1131
01:00:30,300 --> 01:00:31,300
Please.
1132
01:00:31,400 --> 01:00:33,200
You do not
love me anymore.
1133
01:00:34,200 --> 01:00:35,800
(Christian copies Cyrano)
No, not anymore.
1134
01:00:36,500 --> 01:00:38,300
I love you evermore,
1135
01:00:39,100 --> 01:00:41,000
and evermore and more.
1136
01:00:42,100 --> 01:00:43,600
Oh, a little better.
1137
01:00:45,800 --> 01:00:49,100
Love grows and struggles
like an angry child.
1138
01:00:49,700 --> 01:00:51,600
Breaking my heart.
1139
01:00:52,500 --> 01:00:54,000
His cradle...
1140
01:00:54,100 --> 01:00:55,600
Better still.
1141
01:00:56,200 --> 01:00:58,300
But such a babe is dangerous.
1142
01:00:58,900 --> 01:01:01,100
Why not have
smothered it newborn?
1143
01:01:02,800 --> 01:01:04,200
And so I do.
1144
01:01:04,600 --> 01:01:06,200
And yet he lives.
1145
01:01:07,300 --> 01:01:09,900
I found as you sha...
you shall find
1146
01:01:11,200 --> 01:01:15,400
this newborn babe...
and infant Hercules!
1147
01:01:15,900 --> 01:01:16,400
Good.
1148
01:01:16,400 --> 01:01:17,800
Strong enough at birth
1149
01:01:18,700 --> 01:01:20,600
to strangle
those two serpents
1150
01:01:21,000 --> 01:01:21,500
doubt and
1151
01:01:21,500 --> 01:01:22,000
What?
1152
01:01:22,200 --> 01:01:23,600
pride!
1153
01:01:24,400 --> 01:01:25,400
Why, very good.
1154
01:01:26,300 --> 01:01:28,800
Only, tell me why
you speak so haltingly.
1155
01:01:28,900 --> 01:01:31,500
Has your imagination
gone....lame?
1156
01:01:34,200 --> 01:01:36,100
(Cyrano)
This grows too difficult.
1157
01:01:36,500 --> 01:01:39,300
Your words tonight
hesitate, why?
1158
01:01:39,600 --> 01:01:43,900
Through the warm summer gloom,
they grope in darkness
1159
01:01:44,100 --> 01:01:45,600
toward the light of you.
1160
01:01:47,000 --> 01:01:48,800
My words are
heavy with honey,
1161
01:01:48,900 --> 01:01:50,300
like returning bees.
1162
01:01:51,100 --> 01:01:53,300
Yet they must fly so high.
1163
01:01:53,500 --> 01:01:55,100
Come nearer then.
Stand you on the bench.
1164
01:01:55,100 --> 01:01:56,000
No.
1165
01:01:56,000 --> 01:01:57,100
Then I'll come down.
1166
01:01:57,200 --> 01:01:58,100
NO!
1167
01:01:58,500 --> 01:02:00,300
And why so great a no?
1168
01:02:01,400 --> 01:02:03,900
Let me enjoy the one
moment I ever...
1169
01:02:04,700 --> 01:02:08,100
My one chance
to speak to you...unseen.
1170
01:02:08,300 --> 01:02:09,200
Unseen?
1171
01:02:09,300 --> 01:02:10,700
Yes. Yes.
1172
01:02:11,000 --> 01:02:13,300
Night making all things
dimly beautiful
1173
01:02:13,400 --> 01:02:14,700
one veil over us both.
1174
01:02:15,000 --> 01:02:17,000
You need no eyes
to hear my heart.
1175
01:02:17,600 --> 01:02:21,400
Oh, tonight, let it seem as if
I speak for the first time.
1176
01:02:22,100 --> 01:02:23,100
For the first time?
1177
01:02:23,100 --> 01:02:24,000
Yes.
1178
01:02:24,900 --> 01:02:26,700
Your voice, even,
is not the same.
1179
01:02:26,800 --> 01:02:27,900
How should it be.
1180
01:02:28,000 --> 01:02:29,400
I have another
voice tonight.
1181
01:02:29,400 --> 01:02:32,200
My own, myself,... daring!
1182
01:02:32,600 --> 01:02:33,600
Why daring?
1183
01:02:33,600 --> 01:02:37,600
Because, what am I, what is any man
would he dare ask for you?
1184
01:02:37,600 --> 01:02:41,700
Therefore my heart has hidden behind
poetic words and tinsel phrases.
1185
01:02:42,200 --> 01:02:44,600
But are they not sweet,
those pretty phrases?
1186
01:02:44,600 --> 01:02:46,600
Not enough sweet
for you and me tonight.
1187
01:02:48,500 --> 01:02:50,200
You never spoke
to me like this.
1188
01:02:50,200 --> 01:02:52,500
I tell you, there comes
one moment, once,
1189
01:02:52,500 --> 01:02:54,800
and heaven help those
who pass that moment by,
1190
01:02:54,800 --> 01:02:57,100
when beauty stands
looking into the soul
1191
01:02:57,100 --> 01:03:02,800
with grave, sweet eyes,
that sicken at pretty words.
1192
01:03:03,600 --> 01:03:07,200
Yes...that is love.
1193
01:03:07,200 --> 01:03:08,000
Love.
1194
01:03:08,000 --> 01:03:10,200
A love beyond breath,
beyond reason,
1195
01:03:10,200 --> 01:03:12,500
beyond love's own
power of loving.
1196
01:03:12,600 --> 01:03:15,200
Your name is like a golden bell
hung in my heart,
1197
01:03:15,200 --> 01:03:19,400
and when I think of you I tremble,
and the bell swings and rings,
1198
01:03:19,600 --> 01:03:29,500
Roxane! Roxane!
Along my veins...Roxane.
1199
01:03:30,000 --> 01:03:34,900
Yes...that is love.
1200
01:03:35,000 --> 01:03:36,700
(Cyrano)
Yes...that is love.
1201
01:03:37,000 --> 01:03:39,900
That wind of terrible
and jealous beauty,
1202
01:03:39,900 --> 01:03:45,200
that dark fire,
that soaring, blinding music.
1203
01:03:46,400 --> 01:03:48,600
Yet, you may take my happiness
to make you happier
1204
01:03:48,700 --> 01:03:50,400
even though you
never know I gave it to you.
1205
01:03:50,900 --> 01:03:56,700
Only let me hear, sometimes, all alone,
the distant laughter of your joy.
1206
01:03:57,700 --> 01:03:59,400
Do you begin
to understand a little?
1207
01:04:00,000 --> 01:04:03,200
Can you feel my soul there
in the darkness breathe on you?
1208
01:04:04,200 --> 01:04:07,600
Oh, only tonight,
now I dare say these things.
1209
01:04:07,700 --> 01:04:10,400
I to you, and you hear them.
1210
01:04:11,000 --> 01:04:13,600
It is my voice, mine, my own
that makes you tremble
1211
01:04:13,600 --> 01:04:16,300
there in the green gloom,
above me, for you do tremble
1212
01:04:16,400 --> 01:04:19,100
as a blossom among the leaves,
you tremble, and I can feel
1213
01:04:19,100 --> 01:04:20,600
all the way down along
this jasmine branch
1214
01:04:20,700 --> 01:04:24,700
whether you will unhold
the passion of you trembling.
1215
01:04:25,300 --> 01:04:26,900
Yes, I do tremble.
1216
01:04:28,200 --> 01:04:30,800
And I weep, and I love you,
and I am yours,
1217
01:04:30,900 --> 01:04:32,700
and you have made me thus.
1218
01:04:37,700 --> 01:04:39,200
I have done this to you.
1219
01:04:40,900 --> 01:04:42,300
I myself.
1220
01:04:45,900 --> 01:04:48,200
Only let me ask
one thing more.
1221
01:04:49,000 --> 01:04:49,900
I want a kiss!
1222
01:04:51,800 --> 01:04:53,000
You ask me for...
1223
01:04:53,100 --> 01:04:54,000
I...yes.
1224
01:04:54,100 --> 01:04:55,200
That is to say...
1225
01:04:55,700 --> 01:04:56,700
I mean...
1226
01:04:57,100 --> 01:04:58,400
You've gone too far.
1227
01:04:58,400 --> 01:05:00,300
If she's willing, why
not make the most of it?
1228
01:05:00,400 --> 01:05:05,200
I, I ask.
I know I ask too much.
1229
01:05:06,100 --> 01:05:07,400
Only one?
1230
01:05:08,500 --> 01:05:09,600
Is that all?
1231
01:05:10,100 --> 01:05:13,200
All?
How much more than all?
1232
01:05:13,200 --> 01:05:17,000
I know I startle you,
I...I ask, I ask you to refuse.
1233
01:05:17,000 --> 01:05:18,200
Why? Why? Why?
1234
01:05:18,200 --> 01:05:19,300
Christian, be quiet.
1235
01:05:19,300 --> 01:05:20,400
What is that your say?
1236
01:05:20,400 --> 01:05:22,800
I am angry with myself,
because I know I go too far
1237
01:05:22,800 --> 01:05:27,200
and so I say to myself,
CHRISTIAN, BE QUIET!
1238
01:05:27,900 --> 01:05:29,300
Watch it, someone comes.
1239
01:05:37,300 --> 01:05:40,100
Well, sir, I am looking
for the house of madame Roxane Robin.
1240
01:05:40,200 --> 01:05:44,400
This is not the house. That way.
To the right. Keep to the right.
1241
01:05:44,400 --> 01:05:45,300
I thank you sir.
1242
01:05:45,300 --> 01:05:48,800
I shall say my beads for you
to the very last bead.
1243
01:05:50,300 --> 01:05:51,600
Win me that kiss?
1244
01:05:52,300 --> 01:05:53,000
No!
1245
01:05:53,200 --> 01:05:54,700
Sooner or later.
1246
01:06:00,100 --> 01:06:01,500
So that is true.
1247
01:06:02,400 --> 01:06:08,500
Sooner or later must be so, because,
she is young, and you are handsome.
1248
01:06:10,100 --> 01:06:16,200
Since it must be, I'd rather be
myself the cause, if it must be.
1249
01:06:17,900 --> 01:06:20,600
(balcony window opens)
1250
01:06:24,300 --> 01:06:25,600
Are you still there?
1251
01:06:25,600 --> 01:06:26,400
(Cyrano)
Yes.
1252
01:06:27,700 --> 01:06:29,700
We were speaking of...
1253
01:06:31,000 --> 01:06:33,400
A kiss.
- A kiss.
1254
01:06:33,400 --> 01:06:35,300
And what is a kiss
when all is done?
1255
01:06:35,900 --> 01:06:38,000
A vow taken before
the shrine of memory.
1256
01:06:38,200 --> 01:06:40,600
A rosy dot
over the "i" of loving.
1257
01:06:40,700 --> 01:06:43,900
- A secret whisper
to listen if the past.
1258
01:06:43,900 --> 01:06:44,600
Shhh.
1259
01:06:44,600 --> 01:06:47,700
A moment free to mortal
with a rush of wing from Ceden.
1260
01:06:47,700 --> 01:06:49,200
A sacrament of blossoms.
1261
01:06:49,200 --> 01:06:54,200
A new song sung by two hearts
to an old, simple tune.
1262
01:06:54,200 --> 01:06:55,400
Hush.
1263
01:06:55,400 --> 01:06:57,000
Why? What shame?
1264
01:06:59,000 --> 01:07:02,300
No.
No shame.
1265
01:07:02,600 --> 01:07:03,700
Then come.
1266
01:07:04,500 --> 01:07:06,600
Gather your sacred blossoms.
1267
01:07:08,200 --> 01:07:10,200
Your moment made immortal.
1268
01:07:10,200 --> 01:07:10,800
Climb!
1269
01:07:11,600 --> 01:07:13,300
- But, climb?
- Many more!
1270
01:07:23,400 --> 01:07:24,700
Roxane.
1271
01:07:34,800 --> 01:07:35,600
(sigh)
1272
01:07:37,000 --> 01:07:40,700
Ah, Roxane.
I have won what I have wanted.
1273
01:07:41,300 --> 01:07:46,400
A feast of love,
and I am faint with hunger.
1274
01:07:49,100 --> 01:07:52,000
Yet, I have something here
that is mine now,...
1275
01:07:52,000 --> 01:07:54,300
and was not mine before.
1276
01:07:55,200 --> 01:07:57,700
I spoke the words
that won her.
1277
01:07:58,800 --> 01:08:06,800
She kisses my words.
My words...upon his lips.
1278
01:08:08,200 --> 01:08:09,600
(gate opens)
1279
01:08:14,200 --> 01:08:15,600
What, dear Father,
lost your way again?
1280
01:08:15,700 --> 01:08:17,200
But, she lives here,
Madame Robin.
1281
01:08:17,300 --> 01:08:18,800
Oh, I thought
you said, Rolen?
1282
01:08:18,800 --> 01:08:20,800
No, r..o..b..i..n, Robin.
1283
01:08:20,800 --> 01:08:22,000
Oh, Robin, I see.
1284
01:08:22,000 --> 01:08:24,000
I'm too old
to chase wild geese
1285
01:08:24,100 --> 01:08:26,000
- my feet...
- Oh, what a shame,
1286
01:08:26,100 --> 01:08:28,900
(knocking on door)
however, I'm sure there's someone at home.
1287
01:08:30,300 --> 01:08:31,100
(door opens)
1288
01:08:31,100 --> 01:08:31,800
What is it?
1289
01:08:31,800 --> 01:08:35,500
Yeah, I'm looking for
the young lady, Madam Rolen
1290
01:08:35,600 --> 01:08:36,800
Rolen?
1291
01:08:36,800 --> 01:08:38,000
Robin!
1292
01:08:38,900 --> 01:08:41,000
Madame!
A letter for you.
1293
01:08:41,500 --> 01:08:43,000
Yes, yes, I heard.
1294
01:08:43,900 --> 01:08:44,600
Cyrano.
1295
01:08:44,600 --> 01:08:47,000
Uh, passing by cousin,
I saw this light.
1296
01:08:47,700 --> 01:08:51,300
Uh, some matter
profitable to the soul.
1297
01:08:51,300 --> 01:08:53,500
A very noble lord gave it to me.
1298
01:08:53,700 --> 01:08:54,600
(Christian)
What is it?
1299
01:08:55,700 --> 01:08:58,100
My regiment has been
ordered to the front.
1300
01:08:58,100 --> 01:09:00,400
I cannot allow you
to delay any longer.
1301
01:09:00,500 --> 01:09:02,800
This simple old monk,
who knows nothing,
1302
01:09:02,800 --> 01:09:05,100
will marry us tonight.
My love, Antoine de Guiche.
1303
01:09:05,700 --> 01:09:08,100
(Roxane changes everything)
1304
01:09:08,100 --> 01:09:09,800
Father, this letter
concerns you.
1305
01:09:11,500 --> 01:09:14,900
"Madame, the Cardinal
will have his way,
1306
01:09:14,900 --> 01:09:16,500
"although against your will.
1307
01:09:16,700 --> 01:09:19,100
"That is why I am
sending this to you,
1308
01:09:19,100 --> 01:09:21,400
"by a most holy man.
1309
01:09:22,000 --> 01:09:24,100
"Intelligent, discreet.
1310
01:09:24,500 --> 01:09:27,600
"You will communicate
to him our order to perform
1311
01:09:27,900 --> 01:09:32,100
"here and at once
the rite of holy matrimony.
1312
01:09:33,500 --> 01:09:36,900
"You and Christian will be
married privately in your house.
1313
01:09:38,600 --> 01:09:40,700
"Be resigned to the
Cardinal's command,
1314
01:09:40,800 --> 01:09:42,900
"who sends herewith
his blessings.
1315
01:09:42,900 --> 01:09:45,000
"Your very humble,
and etcetera..."
1316
01:09:45,900 --> 01:09:47,700
Oh, this is terrible.
1317
01:09:49,200 --> 01:09:50,800
Oh, you're to be
the, uh...
1318
01:09:50,800 --> 01:09:52,400
I am to be the bridegroom.
1319
01:09:54,900 --> 01:09:57,200
Uh, look here.
A postscript.
1320
01:09:57,700 --> 01:10:03,300
"Give to the monastery,
in my name 120 pieces of gold."
1321
01:10:03,300 --> 01:10:05,000
One hundred and twenty...
1322
01:10:05,600 --> 01:10:09,500
Oh, a worthy lord.
A very worthy lord.
1323
01:10:10,400 --> 01:10:13,000
Daughter, resign yourself.
1324
01:10:13,000 --> 01:10:15,000
I am resigned.
1325
01:10:23,300 --> 01:10:25,500
The Guiche is coming, too.
Don't let him enter.
1326
01:10:25,600 --> 01:10:26,700
Not let him enter?
1327
01:10:26,700 --> 01:10:28,700
Until we're married, please.
1328
01:10:29,600 --> 01:10:31,300
(door slams shut)
1329
01:10:45,300 --> 01:10:46,200
(Count)
What is that?
1330
01:10:46,300 --> 01:10:47,300
(Cyrano)
Me?
1331
01:10:47,300 --> 01:10:49,300
- Why, where did you come from?
- The moon.
1332
01:10:49,300 --> 01:10:50,300
- You...
- From the moon.
1333
01:10:50,300 --> 01:10:51,600
I have just returned
from the moon.
1334
01:10:51,700 --> 01:10:53,400
- The fellow's mad!
-Like a bomb, I tell you,
1335
01:10:53,400 --> 01:10:55,100
- I fell from the moon!
- Your feet must...
1336
01:10:55,100 --> 01:10:56,400
- I say THE MOON!
1337
01:10:56,400 --> 01:10:58,500
- Very well, if you say so.
- Thank you.
1338
01:10:58,600 --> 01:10:59,600
- Raving mad.
1339
01:11:01,600 --> 01:11:03,800
- Where am I?
- My dear sir!
1340
01:11:03,800 --> 01:11:05,000
- What place is this?
What country?
1341
01:11:05,100 --> 01:11:07,100
- Please, let me pass.
- This face, good heavens!
1342
01:11:07,200 --> 01:11:09,700
Maul, a robber.
Where am I?
1343
01:11:09,700 --> 01:11:13,800
- A lady is waiting for me.
- Oh, this is Paris, huh?
1344
01:11:13,800 --> 01:11:14,600
You fool!
1345
01:11:14,600 --> 01:11:15,800
Dear old Paris.
1346
01:11:15,800 --> 01:11:18,700
Excuse my appearance.
I arrived by the last thunderbolt.
1347
01:11:18,700 --> 01:11:20,900
A trifled singed
as I passed through the ether.
1348
01:11:21,400 --> 01:11:22,300
Monsieur!
1349
01:11:22,300 --> 01:11:23,000
Sir?
1350
01:11:23,100 --> 01:11:24,700
That will do, now. I wish...
1351
01:11:24,800 --> 01:11:26,600
I know, you wish to look for
my own list of nature for moons
1352
01:11:26,600 --> 01:11:28,800
and happiness and character
of it's surface, if any.
1353
01:11:28,800 --> 01:11:30,000
I desire no such thing, I...
1354
01:11:30,100 --> 01:11:31,000
Of course not.
1355
01:11:33,900 --> 01:11:35,300
You wish to know
by what mysterious
1356
01:11:35,300 --> 01:11:36,500
means I reached the moon.
1357
01:11:36,600 --> 01:11:38,800
Well, a very secret affair of state,
1358
01:11:38,900 --> 01:11:42,700
but confidentially
a new invention of my own.
1359
01:11:42,800 --> 01:11:44,100
Drunk, two ways.
Well a man..
1360
01:11:44,200 --> 01:11:47,000
Oh, no. In truth I have
my choice of several inventions.
1361
01:11:47,000 --> 01:11:47,600
Uh?
1362
01:11:47,600 --> 01:11:51,800
Yes, several ways
to violate the virgin sky.
1363
01:11:51,800 --> 01:11:53,200
Several?
1364
01:11:53,200 --> 01:11:54,500
Several.
1365
01:11:54,500 --> 01:11:58,500
As, for instance, smoke
having a natural tendency to rise,
1366
01:11:58,500 --> 01:12:03,000
blow in a globe
enough to raise me.
1367
01:12:03,000 --> 01:12:04,300
Yes, that makes one.
1368
01:12:04,300 --> 01:12:07,700
Again, I might construct a rocket
in the shape of a HUGE locust
1369
01:12:07,800 --> 01:12:11,800
driven by impulses up within
a saltpeter from the rear
1370
01:12:11,800 --> 01:12:15,000
and thus speed upwards,
like, thus!
1371
01:12:15,200 --> 01:12:16,200
Yes, another?
1372
01:12:16,200 --> 01:12:19,900
Finally, seated on an iron plate,
hurl a magnet into the air.
1373
01:12:19,900 --> 01:12:22,800
The iron follows.
I catch the magnet.
1374
01:12:22,800 --> 01:12:26,300
Throw it again, and
so proceed indefinitely.
1375
01:12:26,300 --> 01:12:28,400
Excellent, and
which did you adopt?
1376
01:12:32,400 --> 01:12:33,300
Why none of them.
1377
01:12:33,900 --> 01:12:35,300
Yet another.
1378
01:12:35,300 --> 01:12:36,700
Which was...?
1379
01:12:47,800 --> 01:12:48,500
Guess.
1380
01:12:48,800 --> 01:12:50,300
Ahhh, I can't!
1381
01:12:51,000 --> 01:12:52,100
Try.
1382
01:12:53,300 --> 01:12:54,900
Interesting idiot, this.
1383
01:13:06,300 --> 01:13:07,500
Have you guessed it yet?
1384
01:13:07,500 --> 01:13:08,900
Why, no, what is it?
1385
01:13:14,700 --> 01:13:16,800
Alas, you will never know,
but no matter.
1386
01:13:16,900 --> 01:13:19,400
You are free and
they are bound in wedlock.
1387
01:13:19,500 --> 01:13:22,000
I drunk that voice,
and that nose, Cyrano!
1388
01:13:22,000 --> 01:13:24,700
Cyrano. This very moment
they have exchanged vows.
1389
01:13:24,700 --> 01:13:25,400
Who?
1390
01:13:30,800 --> 01:13:32,500
My sincere compliments.
1391
01:13:33,000 --> 01:13:35,900
You, also, my traveler in space.
1392
01:13:35,900 --> 01:13:38,800
My Lord, the heads of Capathieu
and Joyce have joined together.
1393
01:13:38,800 --> 01:13:39,700
Quite so!
1394
01:13:40,800 --> 01:13:45,100
Madame, kindly bid
your... husband farewell.
1395
01:13:45,100 --> 01:13:47,600
Your regiment leaves tonight, sir.
Report at once!
1396
01:13:48,600 --> 01:13:50,300
But, the Cadets are not called.
1397
01:13:50,300 --> 01:13:52,800
They are, indeed, and
under my command.
1398
01:13:53,700 --> 01:13:56,000
Out there we may
have an accounting.
1399
01:13:56,200 --> 01:13:59,100
Somehow, that news
fails to disquiet me.
1400
01:14:00,100 --> 01:14:02,100
Here are the orders.
Baron, deliver this.
1401
01:14:03,500 --> 01:14:04,600
Christian!
1402
01:14:07,800 --> 01:14:10,600
The bridal night
is not so near.
1403
01:14:11,000 --> 01:14:14,400
Somehow that news
fails to disquiet me.
1404
01:14:18,700 --> 01:14:20,300
Baron, you have your orders.
1405
01:14:37,200 --> 01:14:38,500
Farewell, Roxane.
1406
01:14:39,200 --> 01:14:41,400
Take care of him, for me.
Promise me never to let him
1407
01:14:41,500 --> 01:14:42,400
do anything dangerous.
1408
01:14:42,400 --> 01:14:43,800
I will do my best.
I cannot promise.
1409
01:14:43,900 --> 01:14:45,900
I thought you brave always.
Make him be careful.
1410
01:14:46,000 --> 01:14:47,000
Yes, yes, I'll try.
1411
01:14:47,100 --> 01:14:48,800
Be sure to keep him
warm and dry!
1412
01:14:48,800 --> 01:14:50,100
Yes, if possible.
1413
01:14:50,100 --> 01:14:52,800
Have him write to me
every single day!
1414
01:14:52,800 --> 01:14:55,000
That, I promise you.
1415
01:15:20,000 --> 01:15:22,900
(the war with Spain)
1416
01:15:41,800 --> 01:15:42,500
Halt!
1417
01:16:04,300 --> 01:16:04,900
Uh!
1418
01:16:14,900 --> 01:16:19,500
(Madame Baroness de Neuvillette,
Rue Marais No. 12, Paris)
1419
01:16:47,600 --> 01:16:49,100
The situation
is simple, gentlemen.
1420
01:16:49,400 --> 01:16:54,300
We have besieged Arras.
The Prince of Spain has besieged us.
1421
01:16:54,500 --> 01:16:56,900
Consequently, we
are surrounded.
1422
01:16:57,000 --> 01:16:59,900
- A fine war. Where
the besiegers are besieged
1423
01:16:59,900 --> 01:17:01,000
and starve to death.
1424
01:17:01,000 --> 01:17:02,900
Yes, but the Marshal has
devised a brilliant plan
1425
01:17:03,000 --> 01:17:04,400
for bringing in food
this very night.
1426
01:17:04,500 --> 01:17:05,400
Now, see here.
1427
01:17:05,500 --> 01:17:07,200
Spare us the details, Colonel.
1428
01:17:07,200 --> 01:17:09,800
Merely inform us
when the food arrives.
1429
01:17:09,800 --> 01:17:12,300
True, we are hungry.
But why blame me?
1430
01:17:12,700 --> 01:17:14,300
I'm only your Colonel.
1431
01:17:15,700 --> 01:17:17,900
Oh, yes, I know
you disprove of me.
1432
01:17:18,000 --> 01:17:19,900
Call me courtier, politician.
1433
01:17:20,400 --> 01:17:23,000
Well, I can afford you little hates.
1434
01:17:23,100 --> 01:17:25,700
My conduct under fire
is well known.
1435
01:17:25,700 --> 01:17:28,100
It was only yesterday
I repelled a Spanish attack.
1436
01:17:28,200 --> 01:17:30,000
Pouring my men down
like an avalanche.
1437
01:17:30,200 --> 01:17:31,700
I, myself lead the charge.
1438
01:17:31,900 --> 01:17:34,300
- And your white scarf?
(through a cannon barrel)
1439
01:17:34,300 --> 01:17:35,100
Cyrano!
1440
01:17:38,800 --> 01:17:40,100
And your white scarf?
1441
01:17:40,100 --> 01:17:41,400
Eh, you heard that episode?
1442
01:17:41,700 --> 01:17:45,100
Yes, I was so far in advance
I was in danger of being captured.
1443
01:17:45,100 --> 01:17:47,500
But I thought quickly,
took off and flung away
1444
01:17:47,600 --> 01:17:49,200
the scarf that marked
my military rank.
1445
01:17:49,400 --> 01:17:52,100
And so being inconspicuous
escaped among my own force,
1446
01:17:52,400 --> 01:17:55,200
rallied them, returned,
and won the day.
1447
01:17:55,200 --> 01:17:56,500
What do you say to that?
1448
01:17:56,500 --> 01:17:59,500
Still, enough that is not likely
to resign the privilege of being a target.
1449
01:17:59,500 --> 01:18:02,600
How pleasant for you
that you are denied that privilege.
1450
01:18:02,700 --> 01:18:04,600
Pleasant?
Lend me your scarf.
1451
01:18:04,600 --> 01:18:06,500
With your permission I shall
lead the first charge tonight
1452
01:18:06,600 --> 01:18:07,800
wearing it over my shoulder.
1453
01:18:07,900 --> 01:18:08,700
What bluster.
1454
01:18:08,700 --> 01:18:10,600
You're safe making that offer,
and you know it.
1455
01:18:10,600 --> 01:18:13,600
My scarf lies on the
river bank between the lines.
1456
01:18:13,600 --> 01:18:16,500
A spot swept by artillery.
Impossible to reach alive.
1457
01:18:16,700 --> 01:18:17,700
Yes.
1458
01:18:17,700 --> 01:18:21,500
(displays the Colonel's scarf)
1459
01:18:22,500 --> 01:18:23,400
Here.
1460
01:18:23,500 --> 01:18:25,500
(laughter)
1461
01:18:26,700 --> 01:18:27,500
Thank you.
1462
01:18:29,100 --> 01:18:32,000
This bit of white is
what I need to make a signal.
1463
01:18:32,800 --> 01:18:34,300
I was hesitating.
1464
01:18:34,900 --> 01:18:36,700
You have decided me.
1465
01:18:42,300 --> 01:18:44,000
- Stand or I'll fire!
- Hold you fire.
1466
01:18:44,000 --> 01:18:45,600
There's a man down
there running away.
1467
01:18:45,600 --> 01:18:47,700
Yes, a Spaniard.
1468
01:18:48,400 --> 01:18:51,300
But very useful as a spy
to both sides.
1469
01:18:52,200 --> 01:18:53,400
As I was about
to tell you.
1470
01:18:53,600 --> 01:18:56,100
The Marshal has withdrawn
more than half our forces here.
1471
01:18:56,100 --> 01:18:58,100
Fortunately, the Spaniards
do not know that.
1472
01:18:58,200 --> 01:19:01,400
Oh, yes, they do now,
and they will attack tonight.
1473
01:19:01,500 --> 01:19:03,200
At this point.
1474
01:19:04,000 --> 01:19:05,500
Your revenge, eh?
1475
01:19:05,500 --> 01:19:07,600
I make not great
pretense in loving you.
1476
01:19:07,700 --> 01:19:11,100
But since you gentlemen
esteem yourselves invincible,
1477
01:19:11,200 --> 01:19:13,700
the bravest of the brave,
and all that.
1478
01:19:13,700 --> 01:19:15,100
Why need we be personal.
1479
01:19:15,100 --> 01:19:17,700
The Marshal needs
a diversion, and I serve him
1480
01:19:17,700 --> 01:19:20,000
in choosing as I chose.
1481
01:19:20,200 --> 01:19:22,400
As you can see, Captain,
the great thing is to gain time.
1482
01:19:22,400 --> 01:19:24,000
To hold until the Marshal returns.
1483
01:19:24,100 --> 01:19:25,900
- And to gain time?
1484
01:19:26,400 --> 01:19:32,300
You will all be so kind
as to lay down your lives.
1485
01:19:40,600 --> 01:19:41,700
Christian?
1486
01:19:41,700 --> 01:19:42,400
Yes.
1487
01:19:45,900 --> 01:19:47,100
Roxane?
1488
01:19:47,900 --> 01:19:50,200
I should like to say
farewell to her
1489
01:19:50,200 --> 01:19:52,500
with my whole
heart for her to keep.
1490
01:19:54,600 --> 01:19:56,600
I have taken the liberty of...
1491
01:19:59,500 --> 01:20:04,700
(the first letter
Christian is aware of)
1492
01:20:05,200 --> 01:20:06,100
But, wait.
1493
01:20:08,200 --> 01:20:09,100
This little spot.
1494
01:20:09,600 --> 01:20:10,300
Spot?
1495
01:20:10,400 --> 01:20:11,100
Yes.
1496
01:20:11,400 --> 01:20:12,500
A tear.
1497
01:20:14,500 --> 01:20:15,200
Is nothing.
1498
01:20:15,200 --> 01:20:17,800
A poet while he writes
is like a lover in his lady's arms,
1499
01:20:17,800 --> 01:20:20,000
believing his imagination,
everything seems real.
1500
01:20:20,000 --> 01:20:21,700
There's half the charm
of writing.
1501
01:20:22,200 --> 01:20:25,000
Now, I made this letter
so pathetic, that,
1502
01:20:25,000 --> 01:20:28,200
while I was writing it,
I wept.
1503
01:20:28,300 --> 01:20:29,100
You wept?
1504
01:20:29,600 --> 01:20:32,500
Why, yes, because
it is a little thing to die,
1505
01:20:33,500 --> 01:20:37,700
but not to see her,...
that is terrible.
1506
01:20:38,700 --> 01:20:42,800
I shall never...,
you will never...
1507
01:20:43,400 --> 01:20:44,600
Give me that.
1508
01:20:46,100 --> 01:20:49,500
- Halt. Who goes there.
- On the service of the King.
1509
01:20:59,000 --> 01:21:02,300
- The King!
- Fall in...
1510
01:21:11,500 --> 01:21:12,600
Good evening.
1511
01:21:12,600 --> 01:21:14,500
On the King's service, you?
1512
01:21:24,400 --> 01:21:26,800
- Gentlemen,...
- What are you doing here?
1513
01:21:26,800 --> 01:21:29,300
- We heard rumors at home
you were hungry,
1514
01:21:29,300 --> 01:21:30,800
- so we came prepared.
1515
01:21:30,800 --> 01:21:35,500
The Spaniards adored the fare,
but they missed the fowl!
1516
01:21:35,500 --> 01:21:38,500
(soldiers clamor for food)
1517
01:21:43,900 --> 01:21:48,000
But why did you come here
into this, this danger?
1518
01:21:48,000 --> 01:21:50,400
They said in Paris
there was no fighting.
1519
01:21:51,400 --> 01:21:54,600
Besides, it was your own fault.
1520
01:22:02,400 --> 01:22:04,700
Think of the
letters you have written me.
1521
01:22:05,000 --> 01:22:07,500
How many times!
Every day!
1522
01:22:07,500 --> 01:22:08,600
Every day?
1523
01:22:08,700 --> 01:22:09,800
Of course.
1524
01:22:09,900 --> 01:22:12,500
And each one
more wonderful than the last.
1525
01:22:12,600 --> 01:22:15,800
All this, for a few absurd love letters.
1526
01:22:15,800 --> 01:22:19,000
Hush. Absurd?
Your letters...no, never.
1527
01:22:20,000 --> 01:22:23,700
Every one was like hearing your voice
that night in the dark. Remember?
1528
01:22:23,700 --> 01:22:27,500
Like your arms around me.
I read them over and over.
1529
01:22:27,600 --> 01:22:31,400
Every page was like
a petal fallen from you soul.
1530
01:22:31,400 --> 01:22:34,300
Like the light
and the fire of a great love.
1531
01:22:34,300 --> 01:22:37,000
- Sweet and strong and true.
- Sweet.
1532
01:22:37,100 --> 01:22:38,200
Strong.
1533
01:22:38,500 --> 01:22:39,400
True?
1534
01:22:42,500 --> 01:22:44,000
Oh, my Christian.
1535
01:22:44,600 --> 01:22:47,400
I came here to ask forgiveness.
1536
01:22:48,600 --> 01:22:50,300
It is time to be forgiven.
1537
01:22:50,800 --> 01:22:52,900
Now, when we
may die so soon.
1538
01:22:54,700 --> 01:22:56,300
Forgive me for being
light and vain
1539
01:22:56,400 --> 01:22:58,500
and loving you only
because you were handsome.
1540
01:22:58,600 --> 01:23:00,200
- For now...
- Now?
1541
01:23:01,000 --> 01:23:02,900
I love you for yourself.
1542
01:23:03,300 --> 01:23:05,000
For what you are.
1543
01:23:05,100 --> 01:23:06,300
Roxane.
1544
01:23:06,900 --> 01:23:10,000
How you must have suffered.
For you saw how frivolous I was.
1545
01:23:10,000 --> 01:23:12,300
And to be loved
for the mere costume,
1546
01:23:12,400 --> 01:23:15,000
for the poor, casual
body you went about in.
1547
01:23:15,700 --> 01:23:18,600
To a soul like yours,
that must have been torture.
1548
01:23:18,600 --> 01:23:19,300
No.
1549
01:23:23,000 --> 01:23:24,100
I understand.
1550
01:23:24,700 --> 01:23:26,900
You cannot perfectly
believe in me,
1551
01:23:26,900 --> 01:23:28,500
a...a love like this...
1552
01:23:28,500 --> 01:23:30,000
I want no love like this.
1553
01:23:30,300 --> 01:23:32,000
I want love only for...
1554
01:23:32,000 --> 01:23:34,000
Only for what every
woman sees in you.
1555
01:23:34,700 --> 01:23:36,000
I can to better than that.
1556
01:23:36,000 --> 01:23:38,200
No, it...it was best before.
1557
01:23:39,300 --> 01:23:41,000
You do not
altogether know me.
1558
01:23:41,500 --> 01:23:43,200
I was a child.
1559
01:23:43,300 --> 01:23:44,600
I'm a woman now.
1560
01:23:45,200 --> 01:23:47,700
- If...if you were less handsome,
- No.
1561
01:23:47,700 --> 01:23:51,100
unattractive, ugly even,
I should love you, still.
1562
01:23:51,700 --> 01:23:52,900
Do you mean that?
1563
01:23:53,500 --> 01:23:54,700
I do mean that.
1564
01:23:54,900 --> 01:23:56,000
Ugly?
1565
01:23:56,100 --> 01:23:57,200
Even then.
1566
01:23:57,800 --> 01:23:59,000
Now, are you happy?
1567
01:24:04,400 --> 01:24:05,600
Yes.
1568
01:24:05,600 --> 01:24:06,500
What is it?
1569
01:24:07,100 --> 01:24:09,600
Nothing, only, Cyrano...
1570
01:24:10,700 --> 01:24:11,800
Cyrano.
1571
01:24:13,000 --> 01:24:15,000
he has something
to tell you.
1572
01:24:17,100 --> 01:24:18,200
Where are you going?
1573
01:24:18,200 --> 01:24:21,600
I...will...return...in a moment.
1574
01:24:30,200 --> 01:24:31,000
Cyrano.
1575
01:24:31,600 --> 01:24:33,400
Your wife, sir,
she goes with me?
1576
01:24:33,500 --> 01:24:34,300
No, sir, she remains.
1577
01:24:34,300 --> 01:24:35,600
There is still time
for her to escape.
1578
01:24:35,700 --> 01:24:36,600
She stays!
1579
01:24:37,000 --> 01:24:37,700
Very well.
1580
01:24:37,800 --> 01:24:39,900
Someone give me a musket.
I stay here also.
1581
01:24:40,400 --> 01:24:41,600
Sir, you show courage.
1582
01:24:41,600 --> 01:24:43,800
What, shall I run away,
and leave a woman?
1583
01:24:44,400 --> 01:24:46,300
Colonel, my compliments, sir.
1584
01:24:47,800 --> 01:24:48,800
What of Roxane?
1585
01:24:48,800 --> 01:24:49,400
Wait.
1586
01:24:50,300 --> 01:24:51,800
Well, what is it?
You look so...
1587
01:24:53,800 --> 01:24:55,500
She does not love me.
1588
01:24:55,900 --> 01:24:58,300
- You think not?
- She loves you.
1589
01:24:58,300 --> 01:25:00,600
- No.
- She loves only my soul.
1590
01:25:00,600 --> 01:25:01,300
- No.
- Yes!
1591
01:25:01,400 --> 01:25:04,100
That means you.
And you love her.
1592
01:25:04,100 --> 01:25:06,300
- I?
- I see. I know.
1593
01:25:06,300 --> 01:25:09,300
You wrote her,
everyday, every day!
1594
01:25:09,800 --> 01:25:11,000
- Perfectly simple.
- Simple?
1595
01:25:11,000 --> 01:25:12,700
For a month,
we've been blockaded here.
1596
01:25:12,700 --> 01:25:14,300
How did you send
all those letters?
1597
01:25:14,300 --> 01:25:15,500
Before daylight
I managed...
1598
01:25:15,500 --> 01:25:17,000
To face death
everyday.
1599
01:25:17,800 --> 01:25:18,900
You love her.
1600
01:25:20,000 --> 01:25:21,100
Yes.
1601
01:25:27,900 --> 01:25:28,800
Tell her so.
1602
01:25:28,900 --> 01:25:30,200
- No.
- Why not?
1603
01:25:30,300 --> 01:25:33,200
Why?
Look at me.
1604
01:25:33,500 --> 01:25:36,400
She would love me
if I were ugly.
1605
01:25:36,900 --> 01:25:39,800
- She said that?
- Yes. Now, go to her.
1606
01:25:41,000 --> 01:25:43,400
Nonsense. Do not
believe any such madness.
1607
01:25:43,400 --> 01:25:45,700
Go back to her.
You never will be ugly.
1608
01:25:45,700 --> 01:25:46,800
Go!
It is you she loves.
1609
01:25:46,800 --> 01:25:47,800
That is what
we shall see.
1610
01:25:47,900 --> 01:25:48,800
No, no!
1611
01:25:48,800 --> 01:25:50,400
- Let her chose between us.
- No.
1612
01:25:50,500 --> 01:25:52,500
- Tell her everything.
- Why do you torture me?
1613
01:25:52,500 --> 01:25:55,700
Shall I ruin your happiness,
because I was born with a pretty face?
1614
01:25:55,700 --> 01:25:58,200
Am I to ruin yours,
because I happen to have power
1615
01:25:58,200 --> 01:25:59,700
to say what you perhaps feel?
1616
01:25:59,700 --> 01:26:01,900
- Tell her!
- Don't drive me too far!
1617
01:26:01,900 --> 01:26:04,200
- I'm tired of being my own rival.
- Hard to know.
1618
01:26:04,200 --> 01:26:06,400
My secret marriage, that
can be annulled, I expect.
1619
01:26:06,500 --> 01:26:08,700
I want her love
for the poor fool than I am,
1620
01:26:08,800 --> 01:26:10,000
or not at all.
1621
01:26:10,300 --> 01:26:13,000
Oh, I'm going through with this.
I'll know one way or the other.
1622
01:26:13,800 --> 01:26:16,200
Now, go!....Tell her.
1623
01:26:16,400 --> 01:26:17,700
Let her chose one of us.
1624
01:26:18,500 --> 01:26:19,700
It will be you.
1625
01:26:20,600 --> 01:26:22,300
I hope so.
1626
01:26:34,000 --> 01:26:34,800
- Captain!
1627
01:26:37,500 --> 01:26:39,100
The Spanish fires are going out.
1628
01:26:42,000 --> 01:26:43,100
It begins.
1629
01:26:43,200 --> 01:26:45,100
I need a scout. Where's Cyrano.
1630
01:26:45,400 --> 01:26:46,200
Captain.
1631
01:26:46,800 --> 01:26:47,700
Let me go.
1632
01:26:47,700 --> 01:26:50,400
No, my boy, Cyrano knows
the terrain. He knows their lines.
1633
01:26:50,500 --> 01:26:52,500
So do I.
Please, allow me.
1634
01:26:55,100 --> 01:26:57,000
Very well.
We must know from which
1635
01:26:57,100 --> 01:26:59,800
direction the advance comes.
Their weight and numbers.
1636
01:26:59,800 --> 01:27:00,500
I understand.
1637
01:27:12,900 --> 01:27:13,700
Roxane.
1638
01:27:14,400 --> 01:27:15,400
Cyrano.
1639
01:27:15,400 --> 01:27:16,900
Christian thinks...
1640
01:27:18,400 --> 01:27:20,100
Christian thinks you
ought to know that...
1641
01:27:20,200 --> 01:27:21,200
But I do know.
1642
01:27:21,700 --> 01:27:23,800
He still doubts what I
just told him, just now.
1643
01:27:23,800 --> 01:27:24,800
I saw that.
1644
01:27:25,200 --> 01:27:28,500
Yes, but,...was it true,
what you told him just now?
1645
01:27:28,500 --> 01:27:29,900
It was true.
1646
01:27:29,900 --> 01:27:33,200
I said that I should love him,
even if he were....
1647
01:27:34,000 --> 01:27:35,500
The word comes
hard before me?
1648
01:27:38,400 --> 01:27:39,800
Say it, I shall
not be hurt.
1649
01:27:40,300 --> 01:27:41,600
Ugly?
1650
01:27:41,600 --> 01:27:43,100
Even, then
I should love him.
1651
01:27:44,500 --> 01:27:45,600
Disfigured.
1652
01:27:45,700 --> 01:27:46,800
Or disfigured.
1653
01:27:47,400 --> 01:27:50,600
Even....grotesque.
1654
01:27:50,600 --> 01:27:52,300
How could he
every be grotesque,
1655
01:27:52,800 --> 01:27:53,900
ever to me?
1656
01:27:53,900 --> 01:27:56,500
But, you could love him so,
as much as?
1657
01:27:56,600 --> 01:27:57,700
Yes, and more.
1658
01:27:58,300 --> 01:27:59,300
Roxane...
1659
01:27:59,300 --> 01:28:00,300
(gunshot)
1660
01:28:00,300 --> 01:28:01,200
What is it?
1661
01:28:02,500 --> 01:28:03,600
Are they fighting?
1662
01:28:06,200 --> 01:28:07,500
What is happening?
1663
01:28:07,600 --> 01:28:09,000
- The Spaniards advance,
1664
01:28:09,900 --> 01:28:10,900
but there is time.
1665
01:28:11,400 --> 01:28:13,300
- Where is Christian?
- At the parapet.
1666
01:28:13,800 --> 01:28:14,800
Oh, of course.
1667
01:28:15,900 --> 01:28:17,700
What is it
that you wish to tell me?
1668
01:28:17,700 --> 01:28:19,100
Roxane,...
1669
01:28:19,800 --> 01:28:22,600
believe me this is difficult,
and for once I lack words.
1670
01:28:25,600 --> 01:28:27,300
Christian asked me to...
1671
01:28:27,400 --> 01:28:28,800
He told me...
1672
01:28:38,000 --> 01:28:39,200
Christian!
1673
01:28:42,800 --> 01:28:43,900
To your places, gentlemen.
1674
01:28:44,900 --> 01:28:46,100
Is he dead?
1675
01:28:46,100 --> 01:28:47,200
No, but dying.
1676
01:28:47,300 --> 01:28:48,600
I will not let him!
1677
01:28:52,800 --> 01:28:55,500
Cyrano...did you?
1678
01:28:55,500 --> 01:28:57,600
Yes, my friend.
I have told her.
1679
01:28:59,300 --> 01:29:00,400
She loves you.
1680
01:29:01,800 --> 01:29:03,100
Roxane.
1681
01:29:03,200 --> 01:29:04,500
Yes, my darling.
1682
01:29:07,000 --> 01:29:08,300
Christian!
1683
01:29:09,100 --> 01:29:10,300
He is not dead?
1684
01:29:11,900 --> 01:29:12,800
Yes.
1685
01:29:13,300 --> 01:29:14,600
(gasp)
1686
01:29:22,600 --> 01:29:23,800
Time you must go, now.
1687
01:29:24,300 --> 01:29:26,800
Really, he is dead.
1688
01:29:26,800 --> 01:29:28,700
No one else
knew him but you.
1689
01:29:29,200 --> 01:29:30,600
Was he not a hero?
1690
01:29:30,600 --> 01:29:31,700
Yes, Roxane.
1691
01:29:32,500 --> 01:29:34,300
A heart deeper
than we knew.
1692
01:29:34,300 --> 01:29:35,900
Yes, Roxane.
1693
01:29:36,000 --> 01:29:40,300
A poet.
A soul magnificently tender.
1694
01:29:42,700 --> 01:29:44,600
Yes, Roxane.
1695
01:29:45,800 --> 01:29:47,700
But he is dead now.
1696
01:29:49,300 --> 01:29:51,000
(collapses sobbing)
1697
01:29:51,000 --> 01:29:52,200
Why, so am I.
1698
01:29:53,600 --> 01:29:56,000
For I am dead
and my love mourns for me
1699
01:29:56,100 --> 01:29:57,500
and does not know.
1700
01:29:59,100 --> 01:30:00,500
Will never know.
1701
01:30:00,500 --> 01:30:01,900
(rapid gunfire)
1702
01:30:02,000 --> 01:30:03,400
(bugle calls)
1703
01:30:04,000 --> 01:30:05,000
Take her away quickly.
1704
01:30:06,600 --> 01:30:07,500
Wait.
1705
01:30:08,600 --> 01:30:10,200
A letter over his heart.
1706
01:30:12,400 --> 01:30:13,800
(sobbing)
1707
01:30:17,700 --> 01:30:19,400
I have two deaths
to avenge, now,
1708
01:30:20,000 --> 01:30:23,600
Christian's...and my own.
1709
01:30:39,200 --> 01:30:43,200
(fighting becomes intense)
1710
01:30:44,300 --> 01:30:47,800
(the Spanish army advances)
1711
01:30:50,400 --> 01:30:51,200
Fire!
1712
01:31:01,200 --> 01:31:03,800
Surrender or you die!
1713
01:32:50,900 --> 01:32:52,700
(de Guiche)
Look! The signal!
1714
01:33:00,900 --> 01:33:01,900
Ah!
1715
01:33:08,000 --> 01:33:10,600
We fought. We died.
We fought again.
1716
01:33:10,700 --> 01:33:13,700
Who are these men who are
so fond of death, one Spaniard cried.
1717
01:33:13,800 --> 01:33:15,400
On and on, they came.
1718
01:33:15,500 --> 01:33:18,200
Then, when all seemed lost,
we heard the trumpets
1719
01:33:18,200 --> 01:33:20,800
of our returning troops.
The battle was ours!
1720
01:33:21,600 --> 01:33:25,000
Ah, you have been fortunate,
Ms. de Bergerac, you have lived!
1721
01:33:25,000 --> 01:33:29,800
While we, we waste our youth.
There is no war and not hope for any.
1722
01:33:30,700 --> 01:33:31,800
No hope for any?
1723
01:33:32,500 --> 01:33:35,200
My fellow, I just realize,
we are both fools.
1724
01:33:35,600 --> 01:33:38,500
But mine is the greater folly,
for I am an older fool.
1725
01:33:39,100 --> 01:33:43,300
What is more......
Everything I told you was a lie.
1726
01:33:48,500 --> 01:33:50,600
Another satire
for the Gazette?
1727
01:33:50,700 --> 01:33:51,400
Yes.
1728
01:33:51,800 --> 01:33:54,400
Another glove flung
in the face of power?
1729
01:33:54,600 --> 01:33:56,400
Oh, why do you
do it, Cyrano?
1730
01:33:56,400 --> 01:33:58,800
- Why do you attack...
- Stupidity?
1731
01:33:58,800 --> 01:34:02,100
Deceit? Corruption?
I'm too old to change.
1732
01:34:02,300 --> 01:34:04,900
I'm an old dog
with nothing left but his teeth.
1733
01:34:05,000 --> 01:34:07,500
Ah, but teeth can be pulled.
That can be painful.
1734
01:34:11,400 --> 01:34:15,500
That insolent wretch.
That scoundrel de Bergerac.
1735
01:34:16,000 --> 01:34:18,100
This time he's gone too far.
I swear it.
1736
01:34:18,200 --> 01:34:19,700
He's signed his death warrant.
1737
01:34:20,900 --> 01:34:22,700
And who will deliver it?
1738
01:34:23,200 --> 01:34:26,000
His sword is still very
powerful, my friend.
1739
01:34:26,400 --> 01:34:28,200
There are may ways
a man can die.
1740
01:34:28,900 --> 01:34:30,500
Who knows?
1741
01:34:30,800 --> 01:34:32,400
He may meet
with an accident.
1742
01:34:33,500 --> 01:34:34,500
Soon.
1743
01:34:36,100 --> 01:34:39,700
(church chimes)
1744
01:34:45,200 --> 01:34:47,000
But, uh, tell me, Madame.
1745
01:34:47,100 --> 01:34:51,800
How long will you continue
to remain here, forever in mourning?
1746
01:34:52,600 --> 01:34:53,500
Forever.
1747
01:34:54,000 --> 01:34:56,000
Was Christian all that?
1748
01:34:56,700 --> 01:34:58,400
If you knew him
you would not ask.
1749
01:34:58,900 --> 01:35:01,100
His last letter
is still in my heart.
1750
01:35:01,800 --> 01:35:05,700
And, uh, Cyrano?
Do you see him often?
1751
01:35:05,900 --> 01:35:10,200
Every week. My old friend
takes the place of my Gazette.
1752
01:35:10,600 --> 01:35:12,300
He brings me all the news.
1753
01:35:13,000 --> 01:35:15,900
Every Saturday under
that tree out there.
1754
01:35:15,900 --> 01:35:18,000
I wait for him embroidering.
1755
01:35:18,400 --> 01:35:21,200
The hour strikes.
I need not turn to look.
1756
01:35:21,500 --> 01:35:25,000
At the last stroke,
I hear his cane tapping the walk.
1757
01:35:25,100 --> 01:35:27,400
His satires have made
him many enemies.
1758
01:35:28,000 --> 01:35:30,700
But, they still fear
that sword of his.
1759
01:35:31,300 --> 01:35:33,100
No one dare touch him.
1760
01:35:33,500 --> 01:35:34,600
Hm, that may be so.
1761
01:35:36,600 --> 01:35:39,100
It is not violence
I fear for him,
1762
01:35:39,200 --> 01:35:43,500
but solitude, poverty.
Old gray Decembers
1763
01:35:43,500 --> 01:35:46,300
stealing on wolf's feet
into his darkened room.
1764
01:35:47,000 --> 01:35:49,200
It seems to me he's
worn the same old coat
1765
01:35:49,200 --> 01:35:50,600
for many months, now.
1766
01:35:50,600 --> 01:35:52,700
Eh, that is nothing
strange in this world.
1767
01:35:52,700 --> 01:35:54,800
You need not pity
him overmuch.
1768
01:35:54,800 --> 01:35:57,900
He lives his life,
his own life his own way,
1769
01:35:57,900 --> 01:36:01,300
thought, word and deed free.
1770
01:36:01,400 --> 01:36:02,600
My Lord Duke.
1771
01:36:02,700 --> 01:36:06,800
Oh, yes, I know.
I have all. He has nothing.
1772
01:36:07,300 --> 01:36:13,100
Nevertheless, today,
I should be proud to shake his hand.
1773
01:36:13,300 --> 01:36:15,000
Ah, well, adieu.
1774
01:36:15,600 --> 01:36:17,300
Will I ever see you again?
1775
01:36:17,300 --> 01:36:18,900
Come whenever you like.
1776
01:36:19,000 --> 01:36:20,600
Then, you have forgiven me.
1777
01:36:21,500 --> 01:36:22,600
I am here.
1778
01:36:23,900 --> 01:36:26,300
Do you know?
When a man wins
1779
01:36:26,400 --> 01:36:30,700
everything in this world,
when he succeeds too much,
1780
01:36:30,700 --> 01:36:35,100
he feels, somehow,
a thousand small displeasures
1781
01:36:35,200 --> 01:36:39,500
with himself, whose whole sum
is not quite remorse
1782
01:36:39,600 --> 01:36:46,500
but rather a sort of vague
disgust, dry illusions, pained regrets.
1783
01:36:46,800 --> 01:36:49,700
Yes, now and then,
I envy your Cyrano.
1784
01:36:50,000 --> 01:36:51,800
The sentiment
does you honor.
1785
01:36:51,800 --> 01:36:53,200
(chuckling)
1786
01:37:00,300 --> 01:37:05,200
Madame, I must tell you,
it is true that no one has yet
1787
01:37:05,300 --> 01:37:07,400
dared to attack
your friend Cyrano.
1788
01:37:07,800 --> 01:37:12,300
Nevertheless, at the theater
last night, I heard some things.
1789
01:37:13,200 --> 01:37:14,700
Keep him at home all you can.
1790
01:37:15,000 --> 01:37:18,300
Tomorrow when you see him,
tell him to be careful.
1791
01:37:18,300 --> 01:37:20,100
I thank you.
1792
01:37:33,000 --> 01:37:34,100
(Cyrano)
Good night, Ragueneau.
1793
01:37:34,100 --> 01:37:36,100
(Ragueneau)
Cyrano, you not leaving?
1794
01:37:36,100 --> 01:37:38,000
You will not have
dinner here with me?
1795
01:37:38,000 --> 01:37:39,800
(Cyrano)
My regrets. I have a magnificent
1796
01:37:39,900 --> 01:37:43,400
roast waiting for me, a rare wine,
a gift from my publisher.
1797
01:37:43,400 --> 01:37:44,800
(Ragueneau)
Fine, to be sure.
1798
01:37:45,600 --> 01:37:48,400
Uh, have you seen
Moliere's new play?
1799
01:37:48,500 --> 01:37:49,100
No.
1800
01:37:49,300 --> 01:37:50,600
Heh, ah, well....
1801
01:37:50,600 --> 01:37:51,500
What is it?
1802
01:37:51,600 --> 01:37:52,400
Well, he...
1803
01:37:52,500 --> 01:37:53,200
Speak.
1804
01:37:53,200 --> 01:37:56,200
He stole a scene
from you, word for word.
1805
01:37:56,200 --> 01:37:58,100
You know, "What the devil
was he doing there?"
1806
01:37:58,100 --> 01:37:58,700
That one.
1807
01:37:58,700 --> 01:38:00,000
He stole it, bodily.
1808
01:38:00,000 --> 01:38:02,300
Well, he showed
good taste.
1809
01:38:02,300 --> 01:38:04,000
It, uh, played well?
1810
01:38:04,000 --> 01:38:06,400
Oh, beautifully. They
laughed and laughed.
1811
01:38:06,400 --> 01:38:07,800
Oh, how they laughed.
1812
01:38:08,200 --> 01:38:09,500
Moliere has genius.
1813
01:38:10,300 --> 01:38:12,000
Christian had good looks.
1814
01:38:13,100 --> 01:38:14,600
With me, it was
always thus.
1815
01:38:17,000 --> 01:38:18,200
Good night, my friend.
1816
01:38:33,300 --> 01:38:33,900
(man)
Hold, there.
1817
01:38:34,100 --> 01:38:34,900
(man)
You!
1818
01:38:36,600 --> 01:38:37,800
(Cyrano)
Are you addressing me?
1819
01:38:37,800 --> 01:38:39,900
Yes, you, Monsieur
of the long nose.
1820
01:38:40,100 --> 01:38:41,000
Insolence.
1821
01:38:41,200 --> 01:38:42,900
- Foulmouthed scribbler.
- What?
1822
01:38:43,000 --> 01:38:44,400
- Lair, plagiarist!
- Liar.
1823
01:38:48,900 --> 01:38:50,600
(whistling to wagon)
1824
01:39:09,600 --> 01:39:11,900
(driver whips horses)
1825
01:39:28,500 --> 01:39:29,400
Doctor.
1826
01:39:30,900 --> 01:39:32,200
Why pretend?
1827
01:39:32,500 --> 01:39:33,900
It is very grave.
1828
01:39:34,900 --> 01:39:36,500
Keep him quiet
at all costs.
1829
01:39:36,500 --> 01:39:39,500
If he attempts
to rise, he will die.
1830
01:39:39,500 --> 01:39:40,800
Shhhh.
1831
01:39:44,200 --> 01:39:44,900
Thank you.
1832
01:39:45,900 --> 01:39:48,200
(door closes)
1833
01:39:55,400 --> 01:39:56,800
(gate bell rings)
1834
01:40:00,800 --> 01:40:02,400
(gate opens)
1835
01:40:02,500 --> 01:40:04,100
Monsieur.
1836
01:40:04,200 --> 01:40:04,800
Ah, Sister.
1837
01:40:10,800 --> 01:40:11,800
(gasp)
1838
01:40:12,000 --> 01:40:13,300
What is the matter
with you?
1839
01:40:15,400 --> 01:40:16,900
Shall I tell you
something, Sister?
1840
01:40:17,500 --> 01:40:21,400
Yesterday, Friday, mind you,
I ate meat again.
1841
01:40:22,900 --> 01:40:24,000
Yes, I know.
1842
01:40:24,300 --> 01:40:26,000
That is why you
are so pale.
1843
01:40:26,100 --> 01:40:28,900
Please come to me
to the refectory before you go.
1844
01:40:28,900 --> 01:40:31,200
I'll make you a great
bowl of hot soup.
1845
01:40:31,200 --> 01:40:32,600
Of course, of course.
1846
01:40:33,000 --> 01:40:34,900
You're quite reasonable today.
1847
01:40:34,900 --> 01:40:37,100
Perhaps you'll convert me.
1848
01:40:37,100 --> 01:40:39,200
Oh, no! Not for the world.
1849
01:40:39,900 --> 01:40:41,600
Why, now I think of it,
that is so.
1850
01:40:42,000 --> 01:40:45,500
You, bursting with holiness,
and yet you never preach.
1851
01:40:46,400 --> 01:40:47,700
Astonishing.
1852
01:40:48,000 --> 01:40:50,100
And now I shall astonish you.
1853
01:40:50,600 --> 01:40:55,100
I'm going to let you
pray for me tonight, at Vespers.
1854
01:40:56,800 --> 01:40:59,700
Absolutely struck dumb, eh?
1855
01:41:03,500 --> 01:41:06,100
I did not wait for you
to say I might.
1856
01:41:15,900 --> 01:41:18,400
Now may the devil admire
me if never hope to see
1857
01:41:18,400 --> 01:41:20,500
the end of that embroidery.
1858
01:41:20,600 --> 01:41:24,400
After 14 years,
late for the first time.
1859
01:41:24,400 --> 01:41:27,500
Yes.
Yes, maddening.
1860
01:41:28,300 --> 01:41:32,400
I was detained by
a visitor. Most unexpected.
1861
01:41:33,100 --> 01:41:34,600
An old friend of mine.
1862
01:41:35,500 --> 01:41:37,800
At least a very
old acquaintance.
1863
01:41:37,800 --> 01:41:39,300
Did you tell him
to go away?
1864
01:41:39,900 --> 01:41:41,400
For the time being, yes.
1865
01:41:41,400 --> 01:41:46,200
I said excuse me,
I see that it's Saturday,
1866
01:41:46,600 --> 01:41:49,200
I have a previous
engagement.
1867
01:41:49,200 --> 01:41:50,600
One I cannot miss.
1868
01:41:51,300 --> 01:41:53,300
Even for you.
1869
01:41:54,200 --> 01:41:56,300
Come back an hour from now.
1870
01:41:56,400 --> 01:42:00,100
Your friend will have to wait.
I shall not let you go till dark.
1871
01:42:01,200 --> 01:42:05,900
Perhaps a little before dark,
I must go.
1872
01:42:06,000 --> 01:42:10,000
Oh, then tell me now
the court news. My Gazette.
1873
01:42:11,300 --> 01:42:15,100
Ah, yes, well, let me see.
1874
01:42:17,300 --> 01:42:21,800
Saturday, 19th, the King
fell ill after eight helpings of
1875
01:42:21,800 --> 01:42:23,100
grape marmalade.
1876
01:42:23,800 --> 01:42:27,300
Grape marmalade will
no longer be served at court.
1877
01:42:29,100 --> 01:42:34,000
Sunday, the royal pulse
is now normal.
1878
01:42:35,600 --> 01:42:38,900
Monday, everyone was
talking about the success
1879
01:42:38,900 --> 01:42:40,600
of Moliere's new play.
1880
01:42:41,800 --> 01:42:47,100
Tuesday, the King fell ill
after six helpings of marone glacee.
1881
01:42:48,900 --> 01:42:51,100
Marone glacee will no
longer be served at court.
1882
01:42:52,700 --> 01:42:56,700
Wednesday, the Compte de Firske
spoke to Madame de Monte Glas.
1883
01:42:57,500 --> 01:43:00,300
She said....no.
1884
01:43:02,400 --> 01:43:08,400
Thursday.... Nothing.
1885
01:43:08,400 --> 01:43:11,500
Friday, Madame de Monte Glas
said yes.
1886
01:43:13,800 --> 01:43:19,800
Saturday, 25th....
1887
01:43:20,400 --> 01:43:21,500
Cyrano!
1888
01:43:22,300 --> 01:43:25,000
What is it?
Cyrano!
1889
01:43:29,600 --> 01:43:32,300
- Oh, no, no, it is nothing.
- What?
1890
01:43:32,700 --> 01:43:35,200
The old wound at Arras
sometimes...
1891
01:43:35,200 --> 01:43:37,900
- My poor friend.
- No, no, no, it is nothing.
1892
01:43:38,800 --> 01:43:40,300
It will soon be gone.
1893
01:43:42,000 --> 01:43:45,900
(gasp) There. 'Tis gone.
1894
01:43:46,900 --> 01:43:49,400
We all have
our old wounds.
1895
01:43:50,000 --> 01:43:54,900
I have mine here,
under this faded scrap of writing.
1896
01:43:56,300 --> 01:43:58,300
It's hard to read now.
1897
01:43:59,300 --> 01:44:02,300
All for the blots
and tears.
1898
01:44:02,300 --> 01:44:03,500
His letter?
1899
01:44:04,400 --> 01:44:07,600
Did you not promise me,
that someday you would let me read it?
1900
01:44:08,000 --> 01:44:13,300
- This letter? You wish...?
- I do wish it....today.
1901
01:44:23,600 --> 01:44:25,200
Open it and read.
1902
01:44:50,700 --> 01:44:55,600
"Farewell, Roxane,
because today I die."
1903
01:44:55,600 --> 01:44:57,000
Aloud?
1904
01:44:58,100 --> 01:45:01,100
"I know that it will be today,
my own dearly beloved.
1905
01:45:02,600 --> 01:45:05,900
"Yet, my heart still so heavy
with love I have not told.
1906
01:45:07,400 --> 01:45:12,300
"And I shall die without telling you.
1907
01:45:12,900 --> 01:45:16,700
"No more shall my eyes
drink the sight of you like wine,
1908
01:45:17,200 --> 01:45:20,100
"never more with a look
that is a kiss,
1909
01:45:20,700 --> 01:45:23,400
"follow the sweet
grace of you."
1910
01:45:23,400 --> 01:45:25,400
How you read it.
His letter.
1911
01:45:25,400 --> 01:45:27,300
"I remember now the way you have
1912
01:45:27,300 --> 01:45:31,200
"of pushing back a lock of hair
with one hand from your forehead,
1913
01:45:31,800 --> 01:45:34,200
- "and my heart cries out..."
- His letter!
1914
01:45:34,300 --> 01:45:36,000
- "cries out and keeps crying."
1915
01:45:36,000 --> 01:45:39,200
- You read it so...
- "Farewell, my dear, my dearest,"
1916
01:45:39,200 --> 01:45:41,600
- In a voice...
- "my own heart's own,"
1917
01:45:41,600 --> 01:45:45,200
- "my own treasure,"
- In such a voice!
- "my...love."
1918
01:45:45,200 --> 01:45:48,100
Yes, I remember hearing long ago.
1919
01:45:48,400 --> 01:45:53,200
"I am never away from you.
Even now I shall not leave you.
1920
01:45:54,100 --> 01:45:57,300
"In another world, I shall
still be that one who loves you,
1921
01:45:57,300 --> 01:46:01,100
"loves you beyond measure,
beyond..."
1922
01:46:10,100 --> 01:46:12,100
But, how can you read it now?
1923
01:46:15,400 --> 01:46:18,800
And all those 14 years
he has been the old friend
1924
01:46:18,800 --> 01:46:20,600
who came to me to be amusing.
1925
01:46:21,900 --> 01:46:24,100
- Roxane.
- It was you.
1926
01:46:24,900 --> 01:46:25,800
No, no, Roxane, no.
1927
01:46:25,900 --> 01:46:29,100
And I might have know it every time
that I heard you speak my name.
1928
01:46:29,100 --> 01:46:32,600
- No, it was not I.
- It was you!
- I swear.
1929
01:46:33,400 --> 01:46:35,800
- The letters. That was you.
- No.
1930
01:46:36,100 --> 01:46:39,900
- And the dear foolish words.
That was you.
- No.
1931
01:46:40,100 --> 01:46:44,200
- And the voice in the dark.
That was you.
- On my honor!
1932
01:46:44,300 --> 01:46:48,100
And the soul.
It was all you.
1933
01:46:48,200 --> 01:46:50,100
I never loved you.
1934
01:46:50,300 --> 01:46:51,800
Yes, you loved me.
1935
01:46:51,900 --> 01:46:53,700
Even now you love me.
1936
01:46:54,600 --> 01:46:56,600
(gasp)
No!
1937
01:46:56,600 --> 01:46:58,900
And twice you're great to know.
1938
01:46:58,900 --> 01:47:01,700
Oh, no, no, my own dear love,
I love you not.
1939
01:47:04,300 --> 01:47:06,800
Why were you silent
for so many years?
1940
01:47:07,500 --> 01:47:08,800
All the while.
1941
01:47:09,000 --> 01:47:12,100
Every night, and every day,
he gave me nothing.
1942
01:47:12,800 --> 01:47:14,100
You knew that.
1943
01:47:14,700 --> 01:47:17,600
You knew in that letter
lying on my breast.
1944
01:47:18,900 --> 01:47:20,200
Your tears.
1945
01:47:21,500 --> 01:47:23,700
You knew they
were your tears.
1946
01:47:27,300 --> 01:47:29,200
The blood was his.
1947
01:47:30,300 --> 01:47:31,200
Cyrano!
1948
01:47:33,600 --> 01:47:35,300
Here! He's here.
1949
01:47:35,400 --> 01:47:37,200
Oh, what recklessness.
1950
01:47:37,300 --> 01:47:37,500
No.
1951
01:47:37,600 --> 01:47:38,400
I knew it!
1952
01:47:38,400 --> 01:47:41,400
- Oh Madame he has killed
himself coming here.
- No. Shh.
1953
01:47:41,700 --> 01:47:43,200
That drink is, what is it?
1954
01:47:43,200 --> 01:47:46,500
Nothing. I did not
finish my Gazette.
1955
01:47:47,600 --> 01:47:50,900
Saturday, 26th, an hour
or so before dinner
1956
01:47:51,500 --> 01:47:56,300
Ms. de Bergerac died,
foully murdered.
1957
01:47:56,600 --> 01:47:58,400
Cyrano, what have
they done to you?
1958
01:47:58,600 --> 01:48:00,500
How fate loves a jest.
1959
01:48:00,900 --> 01:48:04,000
Behold me ambushed,
taken unawares.
1960
01:48:04,100 --> 01:48:09,800
My noble foe, a lackey.
My battlefield, a gutter.
1961
01:48:10,400 --> 01:48:11,900
It seems too logical.
1962
01:48:12,300 --> 01:48:14,000
They have missed everything,
1963
01:48:14,800 --> 01:48:16,200
even my death.
1964
01:48:17,300 --> 01:48:18,900
Sisters! Sisters!
1965
01:48:18,900 --> 01:48:22,300
No, do not go away.
I may not be here when you return.
1966
01:48:23,000 --> 01:48:24,700
You shall not die.
1967
01:48:24,800 --> 01:48:26,400
(sobbing)
I love you.
1968
01:48:26,400 --> 01:48:28,400
No, my lady,
it's not in the story.
1969
01:48:29,100 --> 01:48:30,900
When beauty said
I love you to the beast
1970
01:48:30,900 --> 01:48:33,900
all his ugliness changed
and dissolved, like magic.
1971
01:48:34,500 --> 01:48:38,300
But, you see,
I am still the same.
1972
01:48:38,400 --> 01:48:40,400
And I have
done this to you.
1973
01:48:40,400 --> 01:48:41,600
You? Why no.
1974
01:48:41,800 --> 01:48:43,000
All my fault, mine!
1975
01:48:43,100 --> 01:48:44,300
On the contrary.
1976
01:48:45,000 --> 01:48:48,000
I have never know womanhood
in its sweetness, but for you.
1977
01:48:49,700 --> 01:48:51,700
My mother did not
like to look at me.
1978
01:48:53,000 --> 01:48:54,500
I never had a sister.
1979
01:48:55,800 --> 01:49:02,100
Later, I feared those sweethearts
with mockery behind her smile.
1980
01:49:03,500 --> 01:49:07,100
But, because of you,
I have had across my life
1981
01:49:07,900 --> 01:49:11,600
one whispering, silken gown.
1982
01:49:13,700 --> 01:49:16,200
I never loved but
one man in my life.
1983
01:49:17,800 --> 01:49:19,600
I have lost him, twice.
1984
01:49:20,600 --> 01:49:24,500
(sobbing)
1985
01:49:24,500 --> 01:49:28,800
I would not have you mourning
any less that good, noble Christian.
1986
01:49:29,900 --> 01:49:33,500
But, perhaps, I ask only this,
1987
01:49:35,100 --> 01:49:37,300
when the great cold
gathers around my bones,
1988
01:49:38,700 --> 01:49:43,500
you may give a double
meaning to your widow's weeds.
1989
01:49:44,900 --> 01:49:51,900
The tears you let fall for him,
may for a little, be my tears.
1990
01:49:52,000 --> 01:49:54,000
Oh, my love!
1991
01:49:57,400 --> 01:49:59,400
No, not here.
Not lying down.
1992
01:49:59,700 --> 01:50:02,300
Let no one help me.
No one need help me.
1993
01:50:07,300 --> 01:50:08,400
It is coming.
1994
01:50:09,200 --> 01:50:12,400
I feel already shod with marble.
1995
01:50:13,700 --> 01:50:14,900
Gloved with lead.
1996
01:50:15,700 --> 01:50:17,700
Very well,
let the old fellow come now.
1997
01:50:18,100 --> 01:50:20,600
He shall find me
on my feet.
1998
01:50:22,600 --> 01:50:24,100
Sword in hand.
1999
01:50:24,100 --> 01:50:25,100
Cyrano!
2000
01:50:25,500 --> 01:50:26,800
He'd delirious.
2001
01:50:27,700 --> 01:50:29,000
I see him now.
2002
01:50:29,000 --> 01:50:29,700
He grins.
2003
01:50:29,700 --> 01:50:31,700
He is looking at my nose!
2004
01:50:31,700 --> 01:50:32,800
That skeleton.
2005
01:50:33,600 --> 01:50:34,700
You there.
2006
01:50:34,900 --> 01:50:35,600
Who are you?
2007
01:50:36,500 --> 01:50:37,900
A hundred against one, eh?
2008
01:50:38,300 --> 01:50:41,000
I know them now,
my ancient enemies.
2009
01:50:40,800 --> 01:50:41,900
Falsehood, there!
2010
01:50:42,200 --> 01:50:43,400
There, Prejudice!
2011
01:50:43,400 --> 01:50:45,100
Compromise, Cowardice.
2012
01:50:45,500 --> 01:50:48,100
What's that?
Surrender? No, never!
2013
01:50:48,100 --> 01:50:49,400
Never!
2014
01:50:49,800 --> 01:50:51,800
Ah, you too, Vanity.
2015
01:50:52,000 --> 01:50:55,100
I knew you would
overthrow me in the end.
2016
01:50:55,200 --> 01:50:58,300
No, I fight, I fight on,
I fight....ow!
2017
01:50:59,800 --> 01:51:02,000
(gasping)
2018
01:51:07,500 --> 01:51:09,500
All my laurels
you have riven away.
2019
01:51:11,200 --> 01:51:12,700
And my roses.
2020
01:51:13,900 --> 01:51:16,600
Yet, in spite of you,
there is one crown
2021
01:51:16,600 --> 01:51:17,900
I made away with me.
2022
01:51:18,000 --> 01:51:21,300
And tonight when I
enter before God,
2023
01:51:22,800 --> 01:51:28,100
my salute shall sweep away
the stars from the blue threshold.
2024
01:51:29,300 --> 01:51:34,200
One thing without stain,
unspotted from the world,
2025
01:51:35,200 --> 01:51:41,600
in spite of doom, mine own,
...and that is...
2026
01:51:44,200 --> 01:51:52,200
my...white...plume...
143103
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Ukrainian
Urdu
Uzbek
Vietnamese
