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These are the user uploaded subtitles that are being translated: 1 00:00:02,698 --> 00:00:04,221 PREVIOUSLY ON "BATWOMAN"... 2 00:00:04,265 --> 00:00:06,093 WHAT'S SO SPECIAL ABOUT LUCIUS FOX'S JOURNAL? 3 00:00:06,136 --> 00:00:08,095 TOMMY: IT'S A FAILSAFE 4 00:00:08,138 --> 00:00:09,792 TO KILL THE BAT. 5 00:00:09,835 --> 00:00:12,142 [BOTH GRUNTING] 6 00:00:12,186 --> 00:00:13,926 KATE: NO! 7 00:00:17,974 --> 00:00:21,108 ALICE: WE CAN MAKE YOU INTO ANYONE YOU WANT TO BE. 8 00:00:21,151 --> 00:00:24,067 WHEN DO...I GET MY FACE? 9 00:00:24,111 --> 00:00:27,244 AS SOON AS I GET THAT JOURNAL. 10 00:00:27,288 --> 00:00:29,159 REAGAN: KATE? 11 00:00:29,203 --> 00:00:30,769 REAGAN? 12 00:00:34,730 --> 00:00:36,253 LUKE: WHAT DO YOU MEAN IT'S GONE? 13 00:00:36,297 --> 00:00:38,429 KATE: I WOKE UP, AND REAGAN WAS GONE, 14 00:00:38,473 --> 00:00:40,083 AND--AND SO WAS THE BOOK. 15 00:00:40,127 --> 00:00:41,998 THE BOOK FILLED WITH SECRETS MY DAD 16 00:00:42,042 --> 00:00:43,304 DIED TO PROTECT? 17 00:00:43,347 --> 00:00:44,566 I NEVER THOUGHT THAT REAGAN-- 18 00:00:44,609 --> 00:00:46,089 GUYS, THE MILLION DOLLAR QUESTION IS 19 00:00:46,133 --> 00:00:48,091 WHAT WOULD A BLOODY BARTENDER WANT WITH IT? 20 00:00:48,135 --> 00:00:50,006 YOU GOT YOUR BOOK. YOU CAN TRADE IT FOR YOUR FREEDOM, 21 00:00:50,050 --> 00:00:52,269 BUT I'M DONE BEING ADVANCE SCOUT FOR MAGPIE. 22 00:00:52,313 --> 00:00:53,923 ALICE: HOW'S MY NEW FAVORITE BOOK? 23 00:00:53,966 --> 00:00:56,708 MOUSE: LUCIUS FOX WROTE THE ENTIRE JOURNAL 24 00:00:56,752 --> 00:00:59,189 IN CODE! 25 00:00:59,233 --> 00:01:02,323 WHAT? NO. ERRR! 26 00:01:13,334 --> 00:01:14,944 WAIT. PLEASE DON'T-- 27 00:01:14,987 --> 00:01:16,206 [MUFFLED GUNSHOTS] 28 00:01:26,216 --> 00:01:27,130 OH, MY GOD! 29 00:01:27,174 --> 00:01:28,653 WHAT THE HELL? 30 00:01:39,099 --> 00:01:40,187 [GASPS] 31 00:01:40,230 --> 00:01:42,058 HUSH. 32 00:02:12,697 --> 00:02:13,916 UNH! 33 00:02:15,744 --> 00:02:17,137 OH...MY GOD! 34 00:02:17,180 --> 00:02:19,574 -I DOUBLE-LOCKED THAT. -WHERE'S THE JOURNAL? 35 00:02:19,617 --> 00:02:21,358 HOW DID YOU EVEN FIND ME? 36 00:02:21,402 --> 00:02:23,273 YOU DON'T GET TO ASK QUESTIONS, REAGAN. 37 00:02:23,317 --> 00:02:24,840 NO MORE B.S. 38 00:02:24,883 --> 00:02:26,233 TELL ME WHERE THE JOURNAL IS, 39 00:02:26,276 --> 00:02:29,018 AND I WILL GET OUT OF YOUR LIFE. 40 00:02:29,061 --> 00:02:31,063 IT WASN'T ALL B.S., KATE. 41 00:02:31,107 --> 00:02:33,022 SORRY. I MUST HAVE MISINTERPRETED THE PART WHERE YOU SLEPT WITH ME 42 00:02:33,065 --> 00:02:35,198 SO YOU COULD STEAL MY PROPERTY. 43 00:02:35,242 --> 00:02:38,375 YES, I STOLE IT, AND, YES, I SLEPT WITH YOU, 44 00:02:38,419 --> 00:02:40,290 BUT IT WASN'T ALL-- 45 00:02:40,334 --> 00:02:42,771 I STILL-- 46 00:02:42,814 --> 00:02:44,816 [SIGHS] 47 00:02:44,860 --> 00:02:47,645 I TOTALLY GET WHY YOU HATE ME. 48 00:02:53,738 --> 00:02:56,350 -WHERE'S THE JOURNAL? -I DON'T KNOW, 49 00:02:56,393 --> 00:03:00,005 AND THAT'S THE TRUTH. I... 50 00:03:00,049 --> 00:03:01,703 I GAVE IT TO SOMEONE. 51 00:03:01,746 --> 00:03:03,400 WHO? 52 00:03:03,444 --> 00:03:05,576 IT WILL SOUND WORSE THAN IT IS. 53 00:03:05,620 --> 00:03:07,404 WHO DO YOU WORK FOR? 54 00:03:07,448 --> 00:03:09,363 IT'S MORE LIKE WITH. 55 00:03:09,406 --> 00:03:11,234 MY SISTER MARGOT. 56 00:03:11,278 --> 00:03:15,238 YOU KNOW HER... AS MAGPIE. 57 00:03:15,282 --> 00:03:17,240 MAGPIE IS YOUR SISTER? 58 00:03:17,284 --> 00:03:18,589 SURPRISE. 59 00:03:18,633 --> 00:03:20,112 WHY DID SHE WANT IT? 60 00:03:20,156 --> 00:03:22,114 IT BOUGHT HER HER FREEDOM OUT OF ARKHAM. 61 00:03:22,158 --> 00:03:24,160 -WHO DID SHE GIVE IT TO? -I DON'T KNOW. 62 00:03:24,204 --> 00:03:27,119 I DON'T ASK FOR DETAILS FOR EXACTLY THIS REASON. 63 00:03:27,163 --> 00:03:29,078 BESIDES, BY NOW, IT'S LOST UP THE FOOD CHAIN, 64 00:03:29,121 --> 00:03:30,384 SHE'S IN THE WIND. 65 00:03:30,427 --> 00:03:32,429 I TOLD ALL THIS TO YOUR FRIEND. 66 00:03:32,473 --> 00:03:35,040 WHAT? WHAT FRIEND? 67 00:03:35,084 --> 00:03:37,304 BLOND CHICK WITH THE BRITISH ACCENT. 68 00:03:37,347 --> 00:03:38,609 SHE CORNERED ME IN A PARKING LOT, 69 00:03:38,653 --> 00:03:39,828 PUT A KNIFE TO MY THROAT, 70 00:03:39,871 --> 00:03:41,569 DIDN'T STOP TO GIVE A NAME. 71 00:03:47,357 --> 00:03:49,620 GOOD EVENING, JANET. I HEARD YOU HAD QUITE THE ENCOUNTER 72 00:03:49,664 --> 00:03:51,579 WITH ABRAHAM EARLIER. 73 00:03:51,622 --> 00:03:53,450 WELL, THEY DON'T CALL IT THE MESS HALL FOR NOTHING, DR. BUTLER. 74 00:03:53,494 --> 00:03:55,365 HA HA! INDEED. 75 00:03:57,411 --> 00:04:01,763 [INMATES LAUGHING, SHOUTING, AND MOANING] 76 00:04:06,550 --> 00:04:09,292 [SCREAMING] 77 00:04:14,297 --> 00:04:16,386 THAT WAS THE WRONG ANSWER, PROFESSOR CARR. 78 00:04:16,430 --> 00:04:18,258 TRY AGAIN. 79 00:04:21,043 --> 00:04:23,393 IS HE DONE YET? 80 00:04:23,437 --> 00:04:25,439 DOES HE LOOK DONE YET? 81 00:04:25,482 --> 00:04:27,658 CARR: I THINK THIS NUMERAL IS ARAMAIC. 82 00:04:27,702 --> 00:04:29,617 THIS IS MAYAN. 83 00:04:29,660 --> 00:04:31,967 THESE TWO LETTERS COULD BE BABYLONIAN. 84 00:04:32,010 --> 00:04:33,534 I MEAN, IF YOU WANT KATE DEAD SO BADLY, 85 00:04:33,577 --> 00:04:35,449 WHY DON'T YOU JUST SHOOT HER? 86 00:04:35,492 --> 00:04:37,451 I'M SURE TOMMY WILL GIVE YOU THE FRIENDS AND FAMILY RATE. 87 00:04:37,494 --> 00:04:40,367 SO THE LAST THING SHE SEES IS HIS GAUZE PAD AND HIS GUN 88 00:04:40,410 --> 00:04:42,804 AND HAS NO IDEA WHAT'S HAPPENING? 89 00:04:42,847 --> 00:04:47,896 NO. HER BETRAYAL DESERVES A RECKONING. 90 00:04:47,939 --> 00:04:49,680 YOU SEE THIS, DOUCHEWAD? 91 00:04:49,724 --> 00:04:52,292 NOT EXACTLY THE LADY KILLER I USED TO BE 92 00:04:52,335 --> 00:04:54,381 BEFORE THAT LOONEY TUNE DECIDED TO HOLD 93 00:04:54,424 --> 00:04:56,383 MY NEW FACE HOSTAGE 94 00:04:56,426 --> 00:05:00,561 TILL YOU FIGURE OUT WHAT THE HELL THIS BOOK SAYS, 95 00:05:00,604 --> 00:05:03,346 SO GLUE A FEW BRAIN CELLS TOGETHER 96 00:05:03,390 --> 00:05:05,392 AND THINK ON IT! 97 00:05:06,654 --> 00:05:09,613 THIS IS EXTRAORDINARILY COMPLEX. 98 00:05:09,657 --> 00:05:12,529 MY EXPERTISE IS ACTUALLY NUMERICAL ANALYSIS, 99 00:05:12,573 --> 00:05:14,357 ITERATIVE--PLEASE, PLEASE! 100 00:05:14,401 --> 00:05:15,706 JUST LET ME GO! 101 00:05:15,750 --> 00:05:18,013 I WON'T TELL ANYONE I WAS HERE! PLEASE. 102 00:05:18,056 --> 00:05:20,842 [SCREAMING] 103 00:05:20,885 --> 00:05:23,845 TOMMY: ALICE, ALICE, STOP, STOP! 104 00:05:23,888 --> 00:05:26,108 ALICE, STOP! STOP! 105 00:05:26,151 --> 00:05:27,936 AGH! 106 00:05:27,979 --> 00:05:29,329 OOPSIE. 107 00:05:29,372 --> 00:05:31,418 LOOKS LIKE PROFESSOR CARR RAN OUT OF GAS. 108 00:05:31,461 --> 00:05:33,681 YEAH, BUT YOU DIDN'T EVEN GIVE HIM A CHANCE. 109 00:05:33,724 --> 00:05:35,247 CAN WE MOVE ON TO MY PLAN NOW? 110 00:05:35,291 --> 00:05:39,121 NO. WE CAN'T BRING LUKE FOX INTO THIS. 111 00:05:40,557 --> 00:05:42,559 HIS FATHER DESIGNED THE CODE. 112 00:05:42,603 --> 00:05:44,387 IT DOESN'T TAKE A CRYPTOLOGIST 113 00:05:44,431 --> 00:05:46,041 TO PUZZLE TOGETHER THAT HE'S OUR BEST CHOICE. 114 00:05:46,084 --> 00:05:48,565 IF WE KIDNAP THE KID, WE DRAW OUT THE BAT. 115 00:05:48,609 --> 00:05:53,309 IT'S ALREADY DANGEROUS ENOUGH BRINGING IN THESE OTHER PEOPLE. 116 00:05:53,353 --> 00:05:55,790 WE FOUND OUR WONDERLAND-- 117 00:05:55,833 --> 00:05:58,619 HOT SHOWERS, COMFORTABLE BEDS, 118 00:05:58,662 --> 00:06:00,664 3 MEALS A DAY, 119 00:06:00,708 --> 00:06:04,233 AND WE GET TO BE TOGETHER. 120 00:06:04,276 --> 00:06:05,626 IF WE DRAW HER OUT, 121 00:06:05,669 --> 00:06:08,324 WE COULD LOSE EVERYTHING. 122 00:06:08,368 --> 00:06:11,196 TOMMY SAID THAT THIS BOOK HOLDS THE KEY 123 00:06:11,240 --> 00:06:13,677 TO KILLING BATWOMAN, 124 00:06:13,721 --> 00:06:17,377 AND I WANT HER VERY, VERY DEAD. 125 00:06:21,511 --> 00:06:22,730 HAVING SAID THAT... 126 00:06:22,773 --> 00:06:26,473 I HATE TO SEE YOU FRET. 127 00:06:26,516 --> 00:06:28,431 HE'S NUMBER ONE. 128 00:06:28,475 --> 00:06:30,738 YOU HAVE TWO STRIKES LEFT. 129 00:06:30,781 --> 00:06:33,044 NOW PUT ON YOUR DR. BUTLER FACE 130 00:06:33,088 --> 00:06:35,569 AND ESCORT TOMMY OUT THE DOOR. 131 00:06:42,271 --> 00:06:45,492 VESPER: GOOD MORNING, GOTHAM, OR SHOULD I SAY... 132 00:06:45,535 --> 00:06:47,363 [HUSHED VOICE] GOOD MORNING, GOTHAM? 133 00:06:47,407 --> 00:06:48,886 [NORMAL VOICE] AFTER A SHOWDOWN IN G.U.'s 134 00:06:48,930 --> 00:06:51,280 LIBRARY LAST NIGHT, THE GCPD 135 00:06:51,323 --> 00:06:53,456 HAVE COINED THE BANDAGE-WRAPPED GUNSLINGER 136 00:06:53,500 --> 00:06:58,548 AFTER THE ONLY WORD WITNESSES HEARD HIM UTTER--"HUSH." 137 00:06:58,592 --> 00:07:00,071 WELCOME TO GOTHAM CITY, HUSH. 138 00:07:00,115 --> 00:07:02,422 SOUNDS LIKE YOU'RE GONNA FIT RIGHT IN. 139 00:07:04,554 --> 00:07:06,817 [COINS DROPPING] 140 00:07:06,861 --> 00:07:09,385 WHAT, YOU, UH, DIDN'T THINK I'D FIND HER? 141 00:07:09,429 --> 00:07:11,866 SORRY, LUV. YOU CAUGHT ME BEFORE MY LATTE. 142 00:07:11,909 --> 00:07:14,651 REAGAN SAID YOU CAME LOOKING FOR THE JOURNAL. 143 00:07:14,695 --> 00:07:16,697 RIGHT. I DID. 144 00:07:16,740 --> 00:07:18,307 WELL, CONSIDERING HER LITTLE DINE AND DASH, 145 00:07:18,350 --> 00:07:20,483 I FIGURED I'D SPARE YOU THE HUMILIATION. 146 00:07:20,527 --> 00:07:21,571 DID I DO SOMETHING WRONG? 147 00:07:21,615 --> 00:07:24,095 -WHY DID YOU WANT IT? -FOR YOU. 148 00:07:24,139 --> 00:07:25,749 YOU HELD A KNIFE TO HER THROAT. 149 00:07:25,793 --> 00:07:27,403 OH, PLEASE TELL ME YOU'RE NOT DEFENDING 150 00:07:27,447 --> 00:07:29,144 THE WOMAN WHO LURED YOU INTO BED TO PLUCK 151 00:07:29,187 --> 00:07:30,754 A BOOK OUT FROM UNDERNEATH YOUR PILLOW. 152 00:07:30,798 --> 00:07:32,234 WHY DIDN'T YOU JUST USE YOUR NAME, 153 00:07:32,277 --> 00:07:34,410 TELL HER YOU'RE WITH THE CROWS? 154 00:07:34,454 --> 00:07:36,673 I SEE. REAGAN CAN'T BE TRUSTED, 155 00:07:36,717 --> 00:07:38,501 AND NOW NO ONE CAN BE TRUSTED. 156 00:07:38,545 --> 00:07:41,417 NOT NO ONE, JUST PEOPLE WHO HAVE LIED TO ME IN THE PAST, 157 00:07:41,461 --> 00:07:44,159 AND LAST TIME I CHECKED, THAT INCLUDES YOU. 158 00:07:46,335 --> 00:07:48,119 THANKS. 159 00:07:48,163 --> 00:07:51,688 KATE, HEY. DIDN'T EXPECT TO SEE YOU HERE. 160 00:07:51,732 --> 00:07:53,255 SHE WAS JUST LEAVING. 161 00:07:55,997 --> 00:07:58,739 COMMANDER CALLED A BRIEFING. WE SHOULD GO. 162 00:08:04,701 --> 00:08:06,311 JACOB: APPROXIMATELY 20 MINUTES AGO, 163 00:08:06,355 --> 00:08:08,096 ONE OF OUR CLIENTS WAS KIDNAPPED. 164 00:08:08,139 --> 00:08:11,447 TONY KIM, 45, UNDERCOVER NSA AGENT. 165 00:08:11,491 --> 00:08:13,014 HE WAS TAKEN WHILE REPORTING FOR WORK 166 00:08:13,057 --> 00:08:15,451 AT THE FIELD OFFICE AT TRICORNER YARDS. 167 00:08:15,495 --> 00:08:17,584 IN SEARCHING THE AREA, THEIR SECURITY ALSO DISCOVERED 168 00:08:17,627 --> 00:08:21,544 LAST NIGHT'S KIDNAPPING VICTIM PROFESSOR JOHN CARR DEAD 169 00:08:21,588 --> 00:08:23,198 IN A DUMPSTER. 170 00:08:23,241 --> 00:08:26,027 SOPHIE: BASED ON CCTV FOOTAGE AT TRICORNER, 171 00:08:26,070 --> 00:08:27,768 WE CAN CONFIRM KIM WAS ABDUCTED 172 00:08:27,811 --> 00:08:29,596 BY THE SAME FACELESS PERP THAT 173 00:08:29,639 --> 00:08:31,554 TOOK CARR FROM THE UNIVERSITY, 174 00:08:31,598 --> 00:08:34,122 AND APPARENTLY, THE PRESS HAS ALREADY GIVEN HIM A NICKNAME-- 175 00:08:34,165 --> 00:08:35,558 HUSH. 176 00:08:35,602 --> 00:08:36,820 LET'S FIND AGENT KIM 177 00:08:36,864 --> 00:08:39,519 AND SNUFF THIS HOMICIDAL BASTARD OUT. 178 00:08:42,652 --> 00:08:44,480 LUKE: THAT DOESN'T MAKE ANY SENSE. 179 00:08:44,524 --> 00:08:46,569 WHY WOULD JULIA WANT THE BOOK FOR HERSELF? 180 00:08:46,613 --> 00:08:49,572 I DON'T KNOW. WHY IS JULIA SUDDENLY BACK IN TOWN, 181 00:08:49,616 --> 00:08:51,661 WORKING FOR MY DAD, DATING MY EX? 182 00:08:51,705 --> 00:08:54,621 -SHE'S NOT SCHEMING AGAINST US. -AND YOU'D KNOW THAT HOW? 183 00:08:54,664 --> 00:08:56,797 BECAUSE SHE PRETENDED TO FALL IN LOVE WITH YOU 184 00:08:56,840 --> 00:08:59,582 WHEN SHE WAS REALLY JUST A BABYSITTER SENT BY BRUCE WAYNE? 185 00:08:59,626 --> 00:09:01,976 OK. IT'S TIME TO DAY DRINK. 186 00:09:02,019 --> 00:09:03,760 BECAUSE I'VE KNOWN HER SINCE WE WERE KIDS. 187 00:09:03,804 --> 00:09:06,458 -SHE'S LEGIT. -SO YOU BELIEVE HER OVER ME? 188 00:09:06,502 --> 00:09:08,286 AM I NOT ALLOWED TO DISAGREE WITH YOU NOW? 189 00:09:08,330 --> 00:09:09,766 NOT WHEN WE'RE BOTH BEING LIED TO. 190 00:09:09,810 --> 00:09:11,159 I TRUST HER, KATE. 191 00:09:11,202 --> 00:09:12,900 THEN I CAN'T TRUST YOUR JUDGMENT. 192 00:09:12,943 --> 00:09:14,815 SAYS THE GIRL WHO WENT HOME WITH THE BARTENDER 193 00:09:14,858 --> 00:09:17,165 AND LEFT THE KEY TO DESTROYING GOTHAM ON THE NIGHTSTAND. 194 00:09:17,208 --> 00:09:18,383 DAMN. 195 00:09:18,427 --> 00:09:19,733 IF YOU DON'T LIKE HOW I DO THINGS, 196 00:09:19,776 --> 00:09:21,386 NO ONE'S FORCING YOU TO BE HERE. 197 00:09:21,430 --> 00:09:23,954 YOU KNOW WHAT? YOU ARE ABSOLUTELY RIGHT. 198 00:09:30,482 --> 00:09:32,659 I HAVE TO FIND THIS DAMN BOOK. 199 00:09:32,702 --> 00:09:37,272 WHICH WOULD BE EASIER WITH LUKE. 200 00:09:37,315 --> 00:09:41,450 BECAUSE COMPUTERS AND STUFF. 201 00:09:41,493 --> 00:09:44,801 OK. I GOT TO--UM--MMM. 202 00:09:44,845 --> 00:09:47,848 [CELL PHONE VIBRATING] 203 00:09:47,891 --> 00:09:49,240 GOTHAM SAFETY ALERT. 204 00:09:49,284 --> 00:09:51,808 THERE'S BEEN ANOTHER KIDNAPPING. 205 00:09:51,852 --> 00:09:55,856 THEY THINK IT'S THE SAME GUY WHO HIT UP G.U.'s LIBRARY LAST NIGHT. 206 00:09:55,899 --> 00:09:57,771 NSA DATA ANALYST. 207 00:09:57,814 --> 00:10:01,992 NSA? WAIT. HANG ON. 208 00:10:07,607 --> 00:10:10,174 IN COLLEGE, ONE OF MY FRIENDS HAD PROFESSOR CARR 209 00:10:10,218 --> 00:10:12,786 AT LEAST UNTIL HE HAD TO HAVE AN EMERGENCY HEART SURGERY, 210 00:10:12,829 --> 00:10:15,092 AND THEN APPARENTLY, THEY GOT, LIKE, THE HOTTEST SUB 211 00:10:15,136 --> 00:10:17,181 TO REPLACE HIM, AND THE CLASS BECAME STANDING ROOM... 212 00:10:17,225 --> 00:10:18,922 -MARY. -ONLY. SORRY. 213 00:10:18,966 --> 00:10:22,230 RIGHT. I THINK... 214 00:10:22,273 --> 00:10:26,756 YEP. DR. CARR TAUGHT CRYPTOGRAPHY I AND II. 215 00:10:26,800 --> 00:10:29,890 CODES JUST LIKE NSA. 216 00:10:29,933 --> 00:10:32,849 OK. REAGAN SAID THE JOURNAL LOOKED LIKE IT WAS WRITTEN 217 00:10:32,893 --> 00:10:34,503 IN HUNDREDS OF DIFFERENT LANGUAGES 218 00:10:34,546 --> 00:10:36,070 LIKE A CIPHER. 219 00:10:37,898 --> 00:10:40,814 SO YOU THINK THIS HUSH GUY 220 00:10:40,857 --> 00:10:42,337 IS KIDNAPPING CODEBREAKERS 221 00:10:42,380 --> 00:10:44,426 BECAUSE HE HAS THE JOURNAL? 222 00:10:44,469 --> 00:10:47,821 YEAH, AND IF HE GETS SOMEONE TO BREAK THE CODE BEFORE I FIND HIM-- 223 00:10:47,864 --> 00:10:50,171 THEN THE SAME MONSTER WHO SHOT UP 224 00:10:50,214 --> 00:10:51,955 A LIBRARY FULL OF PEOPLE WILL KNOW 225 00:10:51,999 --> 00:10:54,697 ALL ABOUT THE DEADLIEST WEAPONS IN GOTHAM. 226 00:11:07,188 --> 00:11:09,799 ALICE: AGENT KIM, HI. 227 00:11:09,843 --> 00:11:12,672 I WAS HOPING TO EMPLOY YOUR SERVICES. 228 00:11:15,413 --> 00:11:17,981 HMM? 229 00:11:18,025 --> 00:11:20,941 [SCREAMING] 230 00:11:23,857 --> 00:11:25,075 AND TO THINK, 231 00:11:25,119 --> 00:11:27,425 HE WAS HIRED TO PROTECT OUR COUNTRY. 232 00:11:27,469 --> 00:11:31,125 THEY NEED MORE THAN 90 MINUTES TO FIGURE IT OUT. 233 00:11:31,168 --> 00:11:33,388 ALICE, YOU KEEP KILLING THEM. 234 00:11:33,431 --> 00:11:36,173 WELL, THEY KEEP DISAPPOINTING ME. 235 00:11:36,217 --> 00:11:39,046 YOU REALIZE THE MORE PEOPLE WE ABDUCT, 236 00:11:39,089 --> 00:11:41,091 THE MORE WE RISK EXPOSURE. 237 00:11:41,135 --> 00:11:43,877 AND YOU REALIZE NONE OF THIS IS REAL, RIGHT? 238 00:11:43,920 --> 00:11:46,880 YOU CAN PLAY HOUSE AND DRESS-UP 239 00:11:46,923 --> 00:11:50,797 AND PRETEND THIS FUNNY FARM IS YOUR OWN PRIVATE CASTLE, 240 00:11:50,840 --> 00:11:52,929 BUT AT THE END OF THE DAY, 241 00:11:52,973 --> 00:11:56,890 YOU'RE JUST A FREAK WHO MADE OUT WITH A RADIATOR. 242 00:11:56,933 --> 00:12:00,763 [BOTH GRUNTING] 243 00:12:00,807 --> 00:12:01,938 ENOUGH! 244 00:12:01,982 --> 00:12:03,810 BOYS... 245 00:12:03,853 --> 00:12:07,596 YOU'LL JUST HAVE TO FIND ME SOMEONE ELSE. 246 00:12:07,639 --> 00:12:10,817 EVERY CODEBREAKER IN THE CITY IS ON LOCKDOWN 247 00:12:10,860 --> 00:12:13,994 BECAUSE OF HIM! 248 00:12:14,037 --> 00:12:18,346 WELL, THERE IS ONE CODEBREAKER NO ONE KNOWS ABOUT. 249 00:12:18,389 --> 00:12:21,392 HA HA! YOU ARE SUCH A DORK. 250 00:12:21,436 --> 00:12:23,612 YOU KNOW, MY MOM IS NOW OBSESSED WITH THAT SHOW 251 00:12:23,655 --> 00:12:24,787 THANKS TO YOU. 252 00:12:24,831 --> 00:12:26,963 AS SHE SHOULD BE BECAUSE SHE UNDERSTANDS 253 00:12:27,007 --> 00:12:28,617 CULTURAL RELEVANCY. 254 00:12:28,660 --> 00:12:30,967 MY MOM THINKS CULTURE IS SPAGHETTI WITH-- 255 00:12:31,011 --> 00:12:32,752 OH, MY GOD. 256 00:12:32,795 --> 00:12:33,840 HUSH. 257 00:12:33,883 --> 00:12:35,624 GIRL: PARKER, WHAT'S UP? 258 00:12:35,667 --> 00:12:37,452 KATE: ACCORDING TO THE "GAZETTE," CARR'S BODY 259 00:12:37,495 --> 00:12:39,497 WAS FOUND COVERED IN BURN MARKS. 260 00:12:39,541 --> 00:12:40,890 WHAT DOES THAT MEAN? 261 00:12:40,934 --> 00:12:42,849 IT MEANS POOR PROFESSOR CARR. 262 00:12:42,892 --> 00:12:45,242 LIKE HE HADN'T BEEN THROUGH ENOUGH. 263 00:12:45,286 --> 00:12:47,505 RIGHT. YOU SAID HE HAD HEART SURGERY. 264 00:12:47,549 --> 00:12:50,030 -MM-HMM. -ANY CHANCE THAT SURGERY 265 00:12:50,073 --> 00:12:53,642 INVOLVED GETTING A PACEMAKER? 266 00:12:53,685 --> 00:12:57,298 HMM. BECAUSE A PACEMAKER IS TOTALLY TRACEABLE. 267 00:12:57,341 --> 00:12:59,343 -EXACTLY. -SO WE TRACE IT BACK 268 00:12:59,387 --> 00:13:01,302 TO WHERE IT TRANSMITTED ITS LAST SIGNAL, 269 00:13:01,345 --> 00:13:02,999 AND THEN WE'LL KNOW WHERE HE DIED, 270 00:13:03,043 --> 00:13:04,087 AND THEN WE'LL FIND HUSH. THAT'S GENIUS. 271 00:13:04,131 --> 00:13:06,046 -MM-HMM. -RIGHT. 272 00:13:06,089 --> 00:13:07,090 -LET'S DO IT. -OK. 273 00:13:07,134 --> 00:13:08,352 -YEAH. -YEAH. 274 00:13:08,396 --> 00:13:11,007 -RIGHT. -SO TRACE IT. 275 00:13:11,051 --> 00:13:13,227 -HOW? -YOU DON'T KNOW? 276 00:13:13,270 --> 00:13:15,359 KIND OF A LUKE THING. 277 00:13:15,403 --> 00:13:17,709 MAYBE IT'S TIME TO APOLOGIZE. 278 00:13:17,753 --> 00:13:19,059 -WAIT. ME? -MM-HMM. 279 00:13:19,102 --> 00:13:21,322 [TELEPHONE RINGING] 280 00:13:26,153 --> 00:13:29,199 YOU HAVE A LAND LINE? 281 00:13:29,243 --> 00:13:30,984 GOTHAM PRIDE REAL ESTATE. 282 00:13:31,027 --> 00:13:32,942 GIRL: IS KATE KANE THERE? 283 00:13:32,986 --> 00:13:35,075 -WHO IS THIS? -MY NAME'S GINA. 284 00:13:35,118 --> 00:13:36,163 I'M PARKER TORRES' GIRLFRIEND, 285 00:13:36,206 --> 00:13:37,860 AND SHE SAID SHE KNEW YOU. 286 00:13:37,904 --> 00:13:39,906 -OK. YEP. HI. -SO I DON'T KNOW WHAT HAPPENED, 287 00:13:39,949 --> 00:13:43,083 BUT WE WERE FACETIMING, AND THEN THE PHONE STARTED SHAKING, 288 00:13:43,126 --> 00:13:44,693 AND THEN SHE SCREAMED TO CALL YOU, 289 00:13:44,736 --> 00:13:46,434 BUT THEN IT WENT DEAD, AND THE LAST PLACE 290 00:13:46,477 --> 00:13:47,914 SHE SHOWED UP ON FIND MY FRIENDS 291 00:13:47,957 --> 00:13:50,090 WAS IN SOMERSET, AND NOW I'M FREAKING OUT. 292 00:13:50,133 --> 00:13:52,657 WHO IS PARKER TORRES? 293 00:13:56,009 --> 00:13:57,706 [HORN HONKING] 294 00:13:59,099 --> 00:14:01,231 SO IF YOU'RE SCARED TO SHOW YOUR FACE 295 00:14:01,275 --> 00:14:04,060 IN GOTHAM, THAT'S BAD. 296 00:14:04,104 --> 00:14:05,409 LIKE, WHAT'S UNDER THERE? 297 00:14:05,453 --> 00:14:06,497 SHUT UP! 298 00:14:06,541 --> 00:14:08,021 AREN'T YOU SUPPOSED TO SAY, "HUSH"? 299 00:14:08,064 --> 00:14:10,458 SHUT UP! 300 00:14:10,501 --> 00:14:12,590 NO OFFENSE, BUT I'VE BEEN KIDNAPPED BY WORSE, 301 00:14:12,634 --> 00:14:14,288 AND I KNOW IF YOU HAVEN'T KILLED ME YET, 302 00:14:14,331 --> 00:14:16,464 IT MEANS YOU CAN'T KILL ME. 303 00:14:16,507 --> 00:14:18,118 ERR. AHH. 304 00:14:19,946 --> 00:14:21,208 [TIRES SQUEALING] 305 00:14:21,251 --> 00:14:23,514 KATE, THIS IS MARY. OOP. WAIT. 306 00:14:23,558 --> 00:14:25,603 ARE WE ALLOWED TO USE OUR REAL NAMES? 307 00:14:25,647 --> 00:14:27,954 KATE: IT DOESN'T MATTER. I'M IN SOMERSET. 308 00:14:27,997 --> 00:14:30,521 OK. THERE'S A VAN GOING SOUTH ON THE WILLIAMS VIADUCT. 309 00:14:30,565 --> 00:14:32,393 IT JUST TRIGGERED 3 SPEED TRAP CAMS. 310 00:14:32,436 --> 00:14:34,221 PROBABLY HIM. I'M HEADING NORTH. 311 00:14:34,264 --> 00:14:37,050 I...DON'T KNOW IF THAT'S A GOOD IDEA. 312 00:14:37,093 --> 00:14:39,356 LET ME ZOOM IN REAL QUICK. 313 00:14:39,400 --> 00:14:43,099 GOD. HOW DO YOU--OHH. IS THERE A MANUAL? 314 00:14:43,143 --> 00:14:45,101 OHH. 315 00:14:45,145 --> 00:14:47,930 UH, OK. HELLO? CAN YOU STILL HEAR ME? 316 00:14:47,974 --> 00:14:51,934 I THINK YOU'RE DRIVING THE WRONG WAY ON A ONE-WAY. 317 00:14:51,978 --> 00:14:54,763 KATE, YOU'RE GOING THE WRONG WAY. 318 00:15:01,291 --> 00:15:03,250 [TIRES SQUEALING] 319 00:15:03,293 --> 00:15:06,253 [HORN HONKING] 320 00:15:08,081 --> 00:15:08,951 [TIRES SQUEALING] 321 00:15:08,995 --> 00:15:10,648 BATWOMAN. 322 00:15:12,172 --> 00:15:15,566 WELL, BATTY WANTS TO BE A HOOD ORNAMENT. 323 00:15:28,797 --> 00:15:30,016 [THUD] 324 00:15:41,679 --> 00:15:43,943 UNH! 325 00:15:43,986 --> 00:15:45,118 COME ON. 326 00:15:45,161 --> 00:15:46,815 DRIVER: HEY! 327 00:16:04,964 --> 00:16:07,923 OH. HELLO, PARKER. 328 00:16:07,967 --> 00:16:13,146 WELCOME. THANK YOU FOR JOINING US. 329 00:16:13,189 --> 00:16:16,758 "I'M A TEEN. I HAVE ANGST." 330 00:16:16,801 --> 00:16:20,892 WE GET IT, ALICE. 331 00:16:20,936 --> 00:16:22,416 DO YOU? 332 00:16:22,459 --> 00:16:27,029 BECAUSE YOU COULDN'T HANDLE A TEENAGE SCHOOL GIRL. 333 00:16:27,073 --> 00:16:29,205 WELL, BATWOMAN SHOWED, 334 00:16:29,249 --> 00:16:31,077 I HAD TO BAIL. 335 00:16:31,120 --> 00:16:35,429 WHAT DO YOU MEAN BATWOMAN SHOWED? 336 00:16:35,472 --> 00:16:37,126 WERE YOU FOLLOWED? 337 00:16:37,170 --> 00:16:38,780 WELL, I SORT OF STOPPED THINKING CLEARLY 338 00:16:38,823 --> 00:16:41,261 WHEN SHE THREW A BATARANG IN MY LEG! 339 00:16:41,304 --> 00:16:43,306 BOYS, BOYS, 340 00:16:43,350 --> 00:16:46,788 ALL THE MORE REASON TO WANT HER DEAD. HA! 341 00:16:46,831 --> 00:16:51,967 NOW I HAVE MET DISAPPOINTMENT THRICE. 342 00:16:52,011 --> 00:16:54,535 ARE WE FINALLY READY 343 00:16:54,578 --> 00:16:58,017 TO DO THINGS MY WAY, HMM? 344 00:17:01,759 --> 00:17:04,284 GOT TO JET. WE GOT A POSSIBLE HUSH SIGHTING 345 00:17:04,327 --> 00:17:05,763 ON THE WILLIAMS VIADUCT. 346 00:17:05,807 --> 00:17:07,156 GOT IT. 347 00:17:11,160 --> 00:17:13,249 UH, YOU GO AHEAD. I'LL MEET UP. 348 00:17:13,293 --> 00:17:14,729 COPY. 349 00:17:17,297 --> 00:17:19,473 HEY, YOU. I LOVE VISITORS AND ALL, 350 00:17:19,516 --> 00:17:21,649 BUT I'M PRETTY SURE YOU'RE NOT SUPPOSED TO BE HERE. 351 00:17:21,692 --> 00:17:24,826 THAT'S FUNNY BECAUSE I DID A LITTLE DIGGING, JULIA, 352 00:17:24,869 --> 00:17:27,611 AND I'M PRETTY SURE I CAN SAY THE SAME THING ABOUT YOU. 353 00:17:36,838 --> 00:17:41,321 OMG! FULL DISCLOSURE, I THOUGHT BATCAVE WAS A METAPHOR. 354 00:17:41,364 --> 00:17:45,107 ARE THERE, LIKE--AAH! 355 00:17:45,151 --> 00:17:47,457 YEP. NOT A METAPHOR. 356 00:17:52,941 --> 00:17:56,901 UH, HI. I THINK YOU GOT OFF AT THE WRONG FLOOR. 357 00:17:56,945 --> 00:17:59,121 IT'S FINE. THIS IS PARKER TORRES. 358 00:17:59,165 --> 00:18:02,037 -HMM. -K.K. AND I GO WAY BACK, 359 00:18:02,081 --> 00:18:04,039 AND YOU'RE... 360 00:18:04,083 --> 00:18:07,216 MARY, OTHERWISE KNOWN AS THE LAST PERSON 361 00:18:07,260 --> 00:18:09,392 TO FIND OUT THAT KATE IS BATWOMAN. 362 00:18:09,436 --> 00:18:11,307 KATE: HUSH GOT AWAY. 363 00:18:11,351 --> 00:18:13,353 WHAT DO YOU MEAN HUSH GOT AWAY? 364 00:18:13,396 --> 00:18:16,051 HE WAS OUR ONLY LEAD SINCE YOU REFUSE TO ASK LUKE 365 00:18:16,095 --> 00:18:17,444 HOW TO TRACK A PACEMAKER. 366 00:18:17,487 --> 00:18:18,836 I'M WELL AWARE. THANK YOU. 367 00:18:18,880 --> 00:18:20,273 MAYBE YOU SHOULD KISS AND MAKE UP 368 00:18:20,316 --> 00:18:22,492 AND GET HIS BUTT BACK HERE. 369 00:18:26,844 --> 00:18:28,194 WHO ARE YOU? 370 00:18:28,237 --> 00:18:29,847 JULIA: AND THEN SRR FOUND OUT I WAS DOING 371 00:18:29,891 --> 00:18:32,067 A SPOT OF FREELANCING FOR ANOTHER PARTY, 372 00:18:32,111 --> 00:18:34,156 AND, WELL, THEY LET ME GO. 373 00:18:34,200 --> 00:18:36,376 NO. A SPOT OF FREELANCING DOESN'T GET YOU BLACKLISTED 374 00:18:36,419 --> 00:18:40,336 FROM THE BIGGEST INTELLIGENCE AGENCY IN THE EU. 375 00:18:40,380 --> 00:18:42,382 WHO ARE YOU WORKING FOR? 376 00:18:42,425 --> 00:18:44,079 WHO WANTS MY DAD'S JOURNAL? 377 00:18:44,123 --> 00:18:45,515 LUKE, IF I TOLD YOU THAT, 378 00:18:45,559 --> 00:18:47,300 WE WOULDN'T BE SITTING HERE RIGHT NOW. 379 00:18:47,343 --> 00:18:49,824 [CELL PHONE VIBRATING] 380 00:18:53,480 --> 00:18:56,526 LUKE: HELLO. KATE: HEY. WHERE ARE YOU? 381 00:18:56,570 --> 00:18:58,528 WILSON PLAZA BY CROWS HEADQUARTERS. 382 00:18:58,572 --> 00:18:59,964 WHAT--WHAT PHONE ARE YOU USING? 383 00:19:00,008 --> 00:19:02,053 STAY THERE. I'LL FIND YOU. 384 00:19:02,097 --> 00:19:03,707 OK. 385 00:19:03,751 --> 00:19:05,361 KATE'S ON HER WAY DOWN, 386 00:19:05,405 --> 00:19:08,147 SO ARE YOU GONNA TELL HER, OR AM I? 387 00:19:15,893 --> 00:19:17,634 BALLISTICS MATCHED THESE ROUNDS 388 00:19:17,678 --> 00:19:20,159 TO THE LIBRARY CRIME SCENE. 389 00:19:20,202 --> 00:19:22,422 SAME 45-CALIBER PISTOL. 390 00:19:22,465 --> 00:19:25,033 -IT WAS HUSH. -AND HE WASN'T ALONE. 391 00:19:25,076 --> 00:19:27,209 WE'RE LUCKY THERE WASN'T MUCH TRAFFIC ON THAT BRIDGE, 392 00:19:27,253 --> 00:19:30,038 OR WE'D BE BAGGING A LOT MORE THAN BATARANGS. 393 00:19:30,081 --> 00:19:31,518 [SIGHS] 394 00:19:31,561 --> 00:19:33,955 SIR... I DON'T WANT TO FIGHT 395 00:19:33,998 --> 00:19:36,436 WITH YOU ABOUT BATWOMAN'S INTENTIONS. 396 00:19:36,479 --> 00:19:38,438 MY FIGHT'S NOT WITH YOU, 397 00:19:38,481 --> 00:19:40,135 BUT I ALSO DON'T WANT TO WAIT AROUND TO FIND OUT 398 00:19:40,179 --> 00:19:43,312 WHICH MASKED FREAK IS GONNA GET MORE PEOPLE KILLED. 399 00:19:43,356 --> 00:19:45,227 JULIA: I'M BLOODY SERIOUS, LUKE. 400 00:19:45,271 --> 00:19:47,011 KATE CAN'T KNOW ANY OF THIS. 401 00:19:47,055 --> 00:19:49,231 I BLEW UP ON KATE THIS MORNING IN YOUR DEFENSE, 402 00:19:49,275 --> 00:19:50,928 AND SHE WAS RIGHT ABOUT EVERYTHING. 403 00:19:50,972 --> 00:19:52,408 NOT EVERYTHING, OK? 404 00:19:52,452 --> 00:19:54,454 THERE'S STUFF ABOUT KATE YOU DON'T KNOW. 405 00:19:54,497 --> 00:19:56,891 [CELL PHONE VIBRATING] 406 00:19:59,459 --> 00:20:00,851 ARE YOU HERE ALREADY? 407 00:20:00,895 --> 00:20:02,375 KATE: WHAT ARE YOU TALKING ABOUT? 408 00:20:02,418 --> 00:20:04,290 WHAT DO YOU MEAN WHAT AM I TAL-- 409 00:20:05,813 --> 00:20:07,031 HUSH. 410 00:20:08,729 --> 00:20:12,472 UNH! 411 00:20:12,515 --> 00:20:14,996 [KATE'S VOICE] WELCOME TO ARKHAM. 412 00:20:18,260 --> 00:20:20,741 YOU'RE GOING TO DECIPHER DADDY'S CODE, 413 00:20:20,784 --> 00:20:26,399 OR WE WILL FRY THIS LITTLE CUTIE... 414 00:20:26,442 --> 00:20:28,139 LIKE BACON. 415 00:20:28,183 --> 00:20:29,837 THERE'S NO WAY. MY DAD WAS A GENIUS 416 00:20:29,880 --> 00:20:32,274 LEGITIMATELY--MENSA, 163 IQ. 417 00:20:32,318 --> 00:20:35,930 IT WOULD TAKE A TEAM A CODEBREAKERS WEEKS, MONTHS TO CRACK THIS. 418 00:20:35,973 --> 00:20:38,672 WELL...SADLY, 419 00:20:38,715 --> 00:20:41,327 I DON'T THINK HE'S GONNA GIVE YOU THAT LONG. 420 00:20:48,682 --> 00:20:50,379 NOW HE'S NOT ANSWERING. CAN YOU TEXT HIM? 421 00:20:50,423 --> 00:20:51,641 I AM. IT'S GREEN. 422 00:20:51,685 --> 00:20:53,164 I THINK HIS PHONE IS OFF. 423 00:20:53,208 --> 00:20:54,862 SOMETHING'S UP. HE MIGHT BE MAD AT ME, 424 00:20:54,905 --> 00:20:56,516 BUT HE WOULDN'T TURN OFF HIS PHONE. 425 00:20:56,559 --> 00:20:57,430 [COMPUTER CHIMES] 426 00:20:57,473 --> 00:21:00,346 WAIT. IS THAT HIM? 427 00:21:00,389 --> 00:21:03,958 NO. IT'S SOPHIE IN THE ELEVATOR. 428 00:21:04,001 --> 00:21:05,481 SHOULD I INVITE HER DOWN HERE 429 00:21:05,525 --> 00:21:09,311 SINCE APPARENTLY EVERYONE ELSE IS ALLOWED? 430 00:21:09,355 --> 00:21:11,357 GOOD TALK. 431 00:21:11,400 --> 00:21:13,228 [SIGHS] 432 00:21:16,231 --> 00:21:17,406 HMM. 433 00:21:28,156 --> 00:21:30,506 SOPHIE, HEY. 434 00:21:30,550 --> 00:21:32,291 YOU OK? 435 00:21:32,334 --> 00:21:36,077 HONESTLY, TRYING TO REIN IN A LITTLE PANIC. 436 00:21:36,120 --> 00:21:40,211 NOT TO MAKE THIS AWKWARD OR...WHATEVER, 437 00:21:40,255 --> 00:21:42,083 BUT HAVE YOU SEEN JULIA? 438 00:21:42,126 --> 00:21:43,258 SHE'S M.I.A. 439 00:21:43,302 --> 00:21:44,433 WHO'S THE BABE? 440 00:21:44,477 --> 00:21:48,481 WAY OFF LIMITS. IT'S KATE'S EX. 441 00:21:48,524 --> 00:21:51,353 OF COURSE SHE IS, AND WHO'S JULIA? 442 00:21:51,397 --> 00:21:53,355 UH... 443 00:21:53,399 --> 00:21:57,098 HER OTHER EX. 444 00:21:57,141 --> 00:21:59,361 OK. MOVE! 445 00:21:59,405 --> 00:22:01,929 KATE: I HEARD YOU TWO WERE HANGING OUT. 446 00:22:01,972 --> 00:22:03,234 JULIA AND ME? 447 00:22:04,845 --> 00:22:07,587 I--I GUESS YOU COULD SAY THAT. 448 00:22:11,460 --> 00:22:13,854 IS THAT...OK? 449 00:22:13,897 --> 00:22:17,553 -NO, IT'S NOT OK. -OH, THIS IS TORTURE. 450 00:22:17,597 --> 00:22:19,338 SOPHIE: BECAUSE IF IT'S NOT, 451 00:22:19,381 --> 00:22:22,993 I'LL KEEP IT PLATONIC. 452 00:22:23,037 --> 00:22:25,169 WHATEVER MAKES YOU HAPPY. 453 00:22:27,998 --> 00:22:29,957 NO! TELL HER YOU LOVE HER! 454 00:22:30,000 --> 00:22:32,002 OH, SHH. I CAN'T HEAR. 455 00:22:33,830 --> 00:22:37,138 IF I HEAR FROM JULIA, I'LL TELL HER TO CHECK IN. 456 00:22:40,750 --> 00:22:42,709 WOULD YOU ASK LUKE, TOO? 457 00:22:42,752 --> 00:22:46,800 HE WAS WITH HER BEFORE SHE WENT RADIO SILENT. 458 00:22:46,843 --> 00:22:49,542 LUKE? 459 00:22:49,585 --> 00:22:51,370 [JULIA SCREAMING] 460 00:22:51,413 --> 00:22:53,807 LUKE: STOP! STOP! STOP! 461 00:22:53,850 --> 00:22:55,852 STOP! YOU'RE KILLING HER! 462 00:22:55,896 --> 00:22:58,812 UGH! 463 00:22:58,855 --> 00:23:02,990 NOPE. NOT YET. STILL ALIVE FOR NOW. 464 00:23:03,033 --> 00:23:04,731 AW. YOU ARE A TOUGH ONE, LASS. 465 00:23:04,774 --> 00:23:07,211 ARKHAM'S POWER BILLS ARE GONNA BE THROUGH THE ROOF, 466 00:23:07,255 --> 00:23:13,914 BUT JUST BETWEEN ME, YOU, AND...WELL, SCIENCE, 467 00:23:13,957 --> 00:23:18,527 I'M NOT SURE HOW MUCH MORE YOU CAN TAKE. 468 00:23:18,571 --> 00:23:20,834 I'VE HAD WORSE. 469 00:23:20,877 --> 00:23:24,359 NOT YET, BUT YOU WILL 470 00:23:24,403 --> 00:23:26,666 IF THE HUMAN ABACUS OVER HERE DOESN'T SHOW ME 471 00:23:26,709 --> 00:23:28,058 HOW THE CIPHER WORKS. 472 00:23:28,102 --> 00:23:29,930 LUKE: HOW DO YOU EXPECT ME TO CONCENTRATE? 473 00:23:31,932 --> 00:23:33,455 YOU WANT ME TO FIGURE THIS OUT, 474 00:23:33,499 --> 00:23:35,065 GIVE ME SOME SPACE. 475 00:23:36,806 --> 00:23:41,463 INDEED. OH, AND SHOW ME YOUR WORK, MR. FOX, 476 00:23:41,507 --> 00:23:45,641 BECAUSE IF YOU'RE LYING, I AM GOING TO TURN BLONDIE 477 00:23:45,685 --> 00:23:47,861 INTO A GLOW STICK. HEH. 478 00:23:55,608 --> 00:23:57,523 YOU CAN DO THIS, RIGHT? 479 00:24:02,179 --> 00:24:04,704 I DON'T KNOW. UH, I NEED MORE BRAIN POWER, 480 00:24:04,747 --> 00:24:06,662 I NEED--I NEED MORE TIME. 481 00:24:06,706 --> 00:24:09,883 I NEED--I NEED MY DAD. 482 00:24:09,926 --> 00:24:15,062 LUKE, YOU ARE EVERY BIT AS SMART AS YOUR FATHER. 483 00:24:15,105 --> 00:24:17,717 NO, I'M NOT. 484 00:24:17,760 --> 00:24:19,501 OK. I MORE THAN ANYBODY WISH LIKE HELL THAT WERE TRUE, 485 00:24:19,545 --> 00:24:21,460 BUT I AM NOT MY FATHER, OK? 486 00:24:21,503 --> 00:24:22,896 I'M NOT EVEN CLOSE. 487 00:24:27,466 --> 00:24:29,729 AND WE'RE BOTH GOING TO DIE BECAUSE OF IT. 488 00:24:36,562 --> 00:24:40,783 I DON'T UNDERSTAND WHY WE'RE KEEPING TOMMY ALIVE. 489 00:24:40,827 --> 00:24:42,872 BECAUSE HE SPENT THE LAST DECADE 490 00:24:42,916 --> 00:24:46,441 LOOKING FOR WAYS TO KILL BATMAN. 491 00:24:46,485 --> 00:24:48,617 HE MANAGED TO STEAL THE RAIL GUN FROM WAYNE R&D 492 00:24:48,661 --> 00:24:51,533 BEFORE MY SISTER PILFERED IT. 493 00:24:51,577 --> 00:24:54,014 MAYBE HE'LL KNOW WHERE WE CAN FIND WHATEVER WEAPON 494 00:24:54,057 --> 00:24:57,234 WE GLEAN FROM THIS JOURNAL, 495 00:24:57,278 --> 00:24:59,628 AND THEN WE'LL KILL HIM. 496 00:24:59,672 --> 00:25:02,109 HEH HEH. OFF TO GROUP THERAPY. 497 00:25:02,152 --> 00:25:04,328 MR. CALDERON IS RIGHT ON THE VERGE 498 00:25:04,372 --> 00:25:05,982 OF A REAL BREAKTHROUGH. 499 00:25:06,026 --> 00:25:07,549 OOH. GO GET THEM, DOC! 500 00:25:07,593 --> 00:25:09,377 HEH HEH HEH. 501 00:25:11,640 --> 00:25:14,425 OF COURSE HUSH TOOK LUKE. HIS DAD WROTE THE JOURNALS. 502 00:25:14,469 --> 00:25:16,471 -ANYTHING? -I CAN'T GET A PING 503 00:25:16,515 --> 00:25:18,255 -ON EITHER OF THEIR PHONES. -OK. WHAT ABOUT RUNNING A TRACE 504 00:25:18,299 --> 00:25:19,866 ON PROFESSOR CARR'S PACEMAKER? 505 00:25:19,909 --> 00:25:21,650 YEAH, MAYBE, BUT NOT FROM THIS. 506 00:25:21,694 --> 00:25:23,783 WHAT ABOUT THAT? 507 00:25:23,826 --> 00:25:25,132 THAT LOOKS OLDER THAN MY MOM. 508 00:25:25,175 --> 00:25:26,612 SURE YOU DON'T HAVE ANYTHING MORE MODERN 509 00:25:26,655 --> 00:25:28,570 LIKE A SUNDIAL? 510 00:25:28,614 --> 00:25:32,748 SORRY. WHY DOES THIS RANDO TEEN GET TO KNOW YOU'RE BATWOMAN? 511 00:25:32,792 --> 00:25:34,750 -LET ME SEE WHAT I CAN DO. -OOH. 512 00:25:40,451 --> 00:25:42,628 JULIA... 513 00:25:42,671 --> 00:25:45,718 IT'S A POLYALPHABETIC CIPHER. 514 00:25:45,761 --> 00:25:48,808 OK. THAT'S A START. 515 00:25:48,851 --> 00:25:50,679 HOW MANY LETTERS ARE IN IT? 516 00:25:50,723 --> 00:25:52,028 HUNDREDS. 517 00:25:52,072 --> 00:25:53,682 HUNDREDS IN MULTIPLE LANGUAGES 518 00:25:53,726 --> 00:25:55,379 AND ALPHABETS. 519 00:25:55,423 --> 00:25:57,120 WELL, CAN YOU WORK OUT THE SEQUENCE? 520 00:25:57,164 --> 00:25:59,079 SO FAR, I GOT "A" CORRESPONDS WITH HETH, 521 00:25:59,122 --> 00:26:01,516 THE FIRST LETTER OF THE ARAMAIC ALPHABET, 522 00:26:01,560 --> 00:26:04,432 WHICH IS ALPHABETICALLY THE FIRST OF THE OTHER ALPHABETS MY DAD USED. 523 00:26:04,475 --> 00:26:06,347 "B" TAKES US TO THE BABYLONIAN ALPHABET, 524 00:26:06,390 --> 00:26:08,741 THE NEXT ALPHABETICALLY. 525 00:26:08,784 --> 00:26:10,656 THAT'S BLOODY BRILLIANT. 526 00:26:10,699 --> 00:26:13,006 CAN'T YOU SLIDE ONE LETTER AT A TIME? 527 00:26:13,049 --> 00:26:15,269 NO. I TRIED THAT. 528 00:26:15,312 --> 00:26:17,837 THAT WOULD BE WAY TOO EASY FOR MY DAD. 529 00:26:17,880 --> 00:26:19,665 THERE'S AN INTERVAL VARIANCE EACH TIME 530 00:26:19,708 --> 00:26:21,492 HE SWITCHES TO A NEW ALPHABET. 531 00:26:21,536 --> 00:26:23,582 NOW IF I COULD FIGURE OUT THE--THE NUMBER SEQUENCE 532 00:26:23,625 --> 00:26:25,801 FOR THE INTERVALS, THEN I'D HAVE THE KEY TO DECRYPT THIS. 533 00:26:25,845 --> 00:26:27,847 THAT LEAVES US 10 MINUTES TO WORK OUT 534 00:26:27,890 --> 00:26:29,675 A FEW BILLION RANDOM NUMBER SEQUENCES. 535 00:26:29,718 --> 00:26:32,765 EXCEPT MY DAD WAS METICULOUS. 536 00:26:32,808 --> 00:26:35,594 IT WOULD NEVER BE RANDOM. 537 00:26:35,637 --> 00:26:37,465 IT'D BE PERSONAL TO HIM. 538 00:26:40,686 --> 00:26:42,601 OR PERSONAL TO ME. 539 00:26:45,647 --> 00:26:48,650 OK. THE FIRST SLIDES 5, THE SECOND SLIDES 3, 540 00:26:48,694 --> 00:26:50,783 THE THIRD 5. 541 00:26:52,915 --> 00:26:55,178 HE USED MY SOCIAL SECURITY NUMBER. 542 00:27:01,707 --> 00:27:03,230 OK. NO PRESSURE, BUT-- 543 00:27:03,273 --> 00:27:04,971 THAT'S WHAT PEOPLE SAY WHEN THEY'RE PRESSURING SOMEONE. 544 00:27:05,014 --> 00:27:06,537 IT'S JUST THAT WE'RE RUNNING OUT OF TIME. 545 00:27:06,581 --> 00:27:08,539 I'M IN. MANUFACTURER'S DATABASE SAYS 546 00:27:08,583 --> 00:27:11,804 THERE ARE 3 JOHN CARRS WITH PACEMAKERS. 547 00:27:11,847 --> 00:27:13,936 -DO YOU HAVE THEIR LOCATIONS? -NOT YET, 548 00:27:13,980 --> 00:27:15,938 BUT IF I'M NOT CAREFUL, I COULD KILL 549 00:27:15,982 --> 00:27:18,027 THE TWO JOHN CARRS THAT AREN'T ALREADY DEAD, 550 00:27:18,071 --> 00:27:21,074 SO, YEAH, NO PRESSURE. 551 00:27:21,117 --> 00:27:23,554 ANYTHING I CAN DO TO HELP? 552 00:27:23,598 --> 00:27:25,121 CAN YOU BYPASS THE DATA THROTTLE AND GET ME 553 00:27:25,165 --> 00:27:27,863 MORE SPEED OUT OF THIS HEAP? 554 00:27:27,907 --> 00:27:29,256 NOPE. 555 00:27:29,299 --> 00:27:31,214 THEN I'LL SETTLE FOR YOU NOT DISTRACTING ME. 556 00:27:34,609 --> 00:27:36,132 [SIGHS] 557 00:27:37,743 --> 00:27:42,225 AW. HOW CUTE WAS BABY LUKE? HA! 558 00:27:44,184 --> 00:27:50,538 HEY, MR. FOX, YOUR FRAMES ARE ON POINT. 559 00:28:04,378 --> 00:28:07,598 GLASSES. IT'S THE GLASSES. 560 00:28:07,642 --> 00:28:10,340 THEY CAN TRANSLATE THE JOURNALS. TRY. 561 00:28:15,868 --> 00:28:18,131 THE JOURNALS NEED THESE TO DECODE THEM. 562 00:28:27,183 --> 00:28:31,753 JULIA: AH. YOU DID IT? AH! DIDN'T YOU? 563 00:28:31,797 --> 00:28:34,756 YOU KNOW WHAT IT SAYS? 564 00:28:34,800 --> 00:28:37,803 -YEAH. -HA! 565 00:28:37,846 --> 00:28:39,761 WHY AREN'T YOU HAPPIER ABOUT THIS? 566 00:28:39,805 --> 00:28:41,415 YOU DID IT! 567 00:28:44,026 --> 00:28:46,115 WHAT DOES IT SAY? 568 00:28:46,159 --> 00:28:48,639 SOMETHING THAT I CAN'T TELL ANYONE, 569 00:28:48,683 --> 00:28:51,860 MOST OF ALL GOTHAM'S LEAST MENTALLY STABLE VILLAIN. 570 00:28:53,427 --> 00:28:55,342 I'M SORRY. 571 00:28:55,385 --> 00:28:58,824 TIME'S UP. PENCILS DOWN NOW. 572 00:28:58,867 --> 00:29:03,089 READ TO ME FROM MY NEW FAVORITE BEDTIME STORY. 573 00:29:03,132 --> 00:29:06,962 WE'RE NOT TELLING YOU. 574 00:29:07,006 --> 00:29:08,703 [SIGHS] 575 00:29:10,923 --> 00:29:13,795 DOES SHE SPEAK FOR BOTH OF YOU, OR... 576 00:29:13,839 --> 00:29:16,929 MY FATHER WAS WILLING TO DIE FOR THIS SECRET, 577 00:29:16,972 --> 00:29:18,974 AND WE'RE WILLING TO DO THE SAME. 578 00:29:24,850 --> 00:29:26,808 OK. TWO OF THE JOHN CARR PACEMAKERS ARE STILL ACTIVE, 579 00:29:26,852 --> 00:29:28,592 AND THE THIRD STOPPED WORKING HERE. 580 00:29:28,636 --> 00:29:31,030 PROFESSOR CARR'S HEART BEAT FOR THE LAST TIME AT-- 581 00:29:31,073 --> 00:29:32,422 -NO. -IS THAT ARKHAM? 582 00:29:32,466 --> 00:29:34,207 ALICE IS BEHIND THIS SOMEHOW. 583 00:29:34,250 --> 00:29:36,818 REAGAN STOLE THE JOURNAL TO GET MAGPIE OUT OF ARKHAM. 584 00:29:36,862 --> 00:29:38,428 THAT'S WHO SHE BOUGHT HER FREEDOM FOR. 585 00:29:38,472 --> 00:29:40,604 NOT TO STATE THE OBVIOUS, BUT ALICE IS AN INMATE. 586 00:29:40,648 --> 00:29:42,998 SHE'S ALSO ALICE, AND BEING CAPTIVE 587 00:29:43,042 --> 00:29:44,521 IS A WAY OF LIFE FOR HER. 588 00:29:44,565 --> 00:29:45,958 YOU KNOW HOW CARR HAD BURN MARKS ON HIS BODY? 589 00:29:46,001 --> 00:29:47,960 MARY: YEAH. KATE: I THINK I KNOW HOW 590 00:29:48,003 --> 00:29:50,310 SHE'S TORTURING HER VICTIMS. 591 00:29:50,353 --> 00:29:52,791 HOW? 592 00:29:52,834 --> 00:29:55,532 OH, SHE USUALLY DOESN'T TELL US WHAT SHE'S THINKING. 593 00:29:58,013 --> 00:29:59,362 SO COOL. 594 00:30:04,411 --> 00:30:06,021 [GRAPPLING LINE UNSPOOLING] 595 00:30:06,065 --> 00:30:08,937 HEY. STOP RIGHT THERE! 596 00:30:08,981 --> 00:30:10,896 HEY. WHAT THE HELL ARE YOU DOING? 597 00:30:14,987 --> 00:30:17,032 SORRY, GUYS. I DIDN'T WANT TO DO THAT. 598 00:30:17,076 --> 00:30:20,035 [GUARD COUGHS AND GRUNTS] 599 00:30:20,079 --> 00:30:21,994 [BEEP] 600 00:30:22,037 --> 00:30:25,562 [STATIC AND OVERLAPPING SOUNDS] 601 00:30:31,873 --> 00:30:34,093 MAN ON TV: LIKE HOT HAVING THE RIGHT TOOL. 602 00:30:34,136 --> 00:30:36,051 CAN I GET AN AMEN? 603 00:30:36,095 --> 00:30:38,662 THAT'S RIGHT, AND WHEN IT COMES TO DRILL BITS, I'M-- 604 00:30:38,706 --> 00:30:40,490 [STATIC] 605 00:30:40,534 --> 00:30:43,189 DISPATCHER: DELTA 1566, GIVE ME A CALL... 606 00:30:48,194 --> 00:30:51,414 [ELECTRICITY BUZZING] 607 00:30:57,420 --> 00:30:59,683 JACOB: BATWOMAN JUST TOOK DOWN A PAIR OF GUARDS AT ARKHAM. 608 00:30:59,727 --> 00:31:00,946 WE'RE STILL ROUNDING UP THE PERPS 609 00:31:00,989 --> 00:31:02,948 FROM THE LAST BREAKOUT. 610 00:31:02,991 --> 00:31:05,733 I WANT ALL AVAILABLE TEAMS GETTING A HANDLE ON THIS NOW! 611 00:31:05,776 --> 00:31:07,866 [GROANING] 612 00:31:10,433 --> 00:31:12,305 I CAN DO THIS ALL DAY. 613 00:31:12,348 --> 00:31:15,482 OH, SHE'S SO STRONG. 614 00:31:17,092 --> 00:31:19,616 OOH! TOASTY! 615 00:31:19,660 --> 00:31:24,012 NOW TELL ME WHAT DADDY HAD TO SAY. 616 00:31:24,056 --> 00:31:26,101 DO YOU NOT GET IT, ALICE? 617 00:31:26,145 --> 00:31:28,669 YOU'RE THE REASON THERE'S A CODE IN THE FIRST PLACE. 618 00:31:28,712 --> 00:31:32,673 AND YOU'RE THE REASON ALFIE PENNYWORTH 619 00:31:32,716 --> 00:31:36,895 HAS TO GO... CASKET SHOPPING. 620 00:31:36,938 --> 00:31:38,722 [WHOOSH, CLANG] 621 00:31:41,682 --> 00:31:43,466 LET THEM GO. 622 00:31:43,510 --> 00:31:45,816 I'M SORRY. WHO ARE YOU? 623 00:31:45,860 --> 00:31:47,688 ALL THE TORTURE THERAPY I'VE ENDURED HERE 624 00:31:47,731 --> 00:31:49,733 HAS MESSED WITH THE OLD NOGGIN. 625 00:31:49,777 --> 00:31:51,344 I SAID LET THEM GO. 626 00:31:52,519 --> 00:31:56,740 AW. BATTY, YOU'RE OUTNUMBERED, 627 00:31:56,784 --> 00:31:59,743 AND SADLY, WE DON'T DO DEMANDS. 628 00:31:59,787 --> 00:32:03,095 KATE: I'M NOT DEMANDING. I'M TRADING. 629 00:32:03,138 --> 00:32:05,271 THESE ARE LUCIUS FOX'S GLASSES. 630 00:32:05,314 --> 00:32:07,012 THEY UNLOCK THE CODE. 631 00:32:07,055 --> 00:32:08,665 NO. 632 00:32:08,709 --> 00:32:12,104 LET LUKE AND JULIA GO, AND THEY'RE YOURS. 633 00:32:12,147 --> 00:32:13,714 YOU CANNOT DO THIS. 634 00:32:13,757 --> 00:32:15,020 IF I DON'T, SHE WILL KILL YOU. 635 00:32:15,063 --> 00:32:16,630 AND SHE'LL KILL YOU! 636 00:32:17,936 --> 00:32:20,808 THE BOOK DOESN'T CONTAIN BATWEAPON DESIGNS. 637 00:32:20,851 --> 00:32:24,594 IT CONTAINS THE SECRET TO KILLING YOU. 638 00:32:33,864 --> 00:32:35,301 MY OFFER STANDS. 639 00:33:01,240 --> 00:33:03,155 ALICE: LET THEM GO. 640 00:33:09,335 --> 00:33:11,206 TAKE THESE STAIRS TO THE BOTTOM. 641 00:33:11,250 --> 00:33:13,208 YOU'LL FIND A HATCH IN THE FLOOR THAT LEADS TO THE TUNNELS. 642 00:33:13,252 --> 00:33:15,341 -GET HER OUT OF HERE. -WHERE ARE YOU GOING? 643 00:33:15,384 --> 00:33:17,517 TO STOP ALICE AND GET THE BOOK BACK. 644 00:33:20,650 --> 00:33:22,217 HEY! 645 00:33:22,261 --> 00:33:24,828 BATWOMAN'S IN CELL BLOCK "D." 646 00:33:24,872 --> 00:33:28,571 [ALARM BLARING] 647 00:33:28,615 --> 00:33:30,138 WHAT DID THEY DO NOW? 648 00:33:30,182 --> 00:33:31,922 OH, WE GOT TO GET OUT OF THIS PLACE. 649 00:33:31,966 --> 00:33:34,273 OUR COVER'S BLOWN. 650 00:33:34,316 --> 00:33:37,145 GET THE VAN. PULL TO THE SIDE LOT BY THE AIR VENTS. 651 00:33:37,189 --> 00:33:39,191 WE'LL FIND YOU. 652 00:33:43,325 --> 00:33:46,067 ALICE, YOU GOT TO GET BACK TO YOUR CELL NOW. 653 00:33:46,111 --> 00:33:49,244 UH--WHAT ARE YOU DOING? 654 00:33:49,288 --> 00:33:52,595 NO. NO, NO, NO, NO, NO, NO. 655 00:33:54,641 --> 00:33:59,080 IT WAS ALL VERY WELL AND GOOD WHILE IT LASTED, MY DEAR MOUSE. 656 00:33:59,124 --> 00:34:00,864 PLEASE DON'T. 657 00:34:00,908 --> 00:34:02,518 [BUZZER] 658 00:34:02,562 --> 00:34:05,478 [INDISTINCT CHATTER] 659 00:34:09,438 --> 00:34:11,962 MAN: COME ON. WE'RE HEADED TO THE MAIN ROOM. 660 00:34:14,139 --> 00:34:17,272 AAH! UNH! 661 00:34:17,316 --> 00:34:19,927 [INMATES SHOUTING] 662 00:34:21,537 --> 00:34:24,105 MAN: HA HA HA! YEAH! 663 00:34:24,149 --> 00:34:25,193 YEAH! 664 00:34:25,237 --> 00:34:28,849 [SHOUTING AND SCREAMING] 665 00:34:30,851 --> 00:34:33,810 ["SEE THEM FALL" BY NICHOLAS HILL, GLENN HERWEIJER, AND BEN SUMNER PLAYING] 666 00:34:33,854 --> 00:34:35,377 ♪ DON'T TRUST THEM AT ALL ♪ 667 00:34:35,421 --> 00:34:37,423 ♪ THEY JUST WANT TO SEE YOU FALL ♪ 668 00:34:58,096 --> 00:35:00,054 YEAHHH! 669 00:35:00,098 --> 00:35:01,838 AAH! 670 00:35:03,362 --> 00:35:07,583 NO! ALICE! HELP ME! 671 00:35:07,627 --> 00:35:09,498 -THIS DOESN'T MATTER. -IT DOES MATTER. 672 00:35:09,542 --> 00:35:11,239 WE'VE BUILT A LIFE FOR US HERE. 673 00:35:11,283 --> 00:35:13,415 IT'S OVER, MOUSE. 674 00:35:13,459 --> 00:35:16,157 WE'VE BEEN EXPOSED. 675 00:35:16,201 --> 00:35:19,160 OH! 676 00:35:19,204 --> 00:35:20,335 NO! 677 00:35:20,379 --> 00:35:23,599 LET'S GO! TUNNELS NOW! 678 00:35:23,643 --> 00:35:26,124 ♪ DON'T TRUST THEM AT ALL ♪ 679 00:35:26,167 --> 00:35:28,169 ♪ THEY JUST WANT TO SEE YOU FALL ♪ 680 00:35:30,389 --> 00:35:32,260 ♪ DON'T TRUST THEM AT ALL 681 00:35:32,304 --> 00:35:34,262 ♪ THEY JUST WANT TO SEE YOU FALL ♪ 682 00:35:37,439 --> 00:35:39,224 GET OUT NOW! 683 00:35:43,315 --> 00:35:44,620 ♪ DON'T TRUST THEM AT ALL 684 00:35:44,664 --> 00:35:46,709 ♪ THEY JUST WANT TO SEE YOU FALL ♪ 685 00:35:48,320 --> 00:35:50,365 [HELICOPTER FLYING] 686 00:36:00,375 --> 00:36:03,117 [SIRENS] 687 00:36:04,379 --> 00:36:05,685 SIR, WE WERE TOO LATE. 688 00:36:05,728 --> 00:36:07,426 IT'S WORLD WAR III IN THERE. 689 00:36:07,469 --> 00:36:09,384 LOCK IT ALL DOWN 690 00:36:09,428 --> 00:36:11,299 AND FIND ME THE BAT. 691 00:36:20,308 --> 00:36:22,876 HEY. 692 00:36:22,919 --> 00:36:24,225 I THOUGHT YOU WENT HOME. 693 00:36:24,269 --> 00:36:27,228 LET ME JUST SAY SOMETHING REAL QUICK. 694 00:36:27,272 --> 00:36:28,838 YOU MESSED UP TODAY, OK? 695 00:36:28,882 --> 00:36:31,014 I'M NOT WORTH THE DEATH OF BATWOMAN. 696 00:36:31,058 --> 00:36:34,714 I'M NOT WORTH SEEING HUNDREDS UPON THOUSANDS OF CITIZENS LOSE HOPE 697 00:36:34,757 --> 00:36:37,456 AS A RESULT OF WHATEVER INSANE PLAN ALICE IS FORMULATING. 698 00:36:37,499 --> 00:36:41,416 I AM NOT WORTH ALL THE LIVES THAT COULD HAVE-- 699 00:36:41,460 --> 00:36:45,855 WE BOTH KNOW THERE'S NO BATWOMAN WITHOUT LUKE FOX 700 00:36:45,899 --> 00:36:49,816 OCIE ELLIOTT: ♪ AND I'LL RUN TO YOU 701 00:36:49,859 --> 00:36:53,036 I WAS LOST WITHOUT YOU TODAY. 702 00:36:53,080 --> 00:36:54,429 GOOD. 703 00:36:54,473 --> 00:36:56,475 SORRY. HI. 704 00:36:56,518 --> 00:37:01,044 UM, I'M--WHERE--WH-- 705 00:37:01,088 --> 00:37:02,916 UH...I'M GONNA GO. 706 00:37:02,959 --> 00:37:04,918 THANK YOU FOR YOUR HELP TODAY. 707 00:37:07,703 --> 00:37:09,444 NOT THAT YOU'RE GONNA TAKE ADVICE 708 00:37:09,488 --> 00:37:11,272 FROM A RANDO TEEN, 709 00:37:11,316 --> 00:37:15,276 BUT...SOPHIE. 710 00:37:15,320 --> 00:37:18,453 MAYBE FIGHT A LITTLE HARDER? 711 00:37:18,497 --> 00:37:19,933 WE'LL SEE. 712 00:37:19,976 --> 00:37:23,284 ELLIOTT: ♪ AS WE COULD 713 00:37:28,376 --> 00:37:31,336 I WAS GONE FOR 5 HOURS. 714 00:37:31,379 --> 00:37:32,685 YEAH. 715 00:37:36,515 --> 00:37:37,994 OK. 716 00:37:39,561 --> 00:37:46,438 ELLIOTT: ♪ AND I'LL RUN TO YOU WHEN THE WATERS RISE ♪ 717 00:37:46,481 --> 00:37:47,352 ♪ AND I'LL... 718 00:37:47,395 --> 00:37:49,005 WHAT'S THE DAMAGE? 719 00:37:49,049 --> 00:37:51,399 OH. WELL, MY LEFT HAND'S NUMB, 720 00:37:51,443 --> 00:37:52,835 SOME NERVE DAMAGE IN MY ARM. 721 00:37:52,879 --> 00:37:54,794 THE MEDIC THINKS I'LL HEAL EVENTUALLY. 722 00:37:54,837 --> 00:37:59,538 ELLIOTT: ♪ CALL TO YOU IF I LOSE MY SIGHT ♪ 723 00:37:59,581 --> 00:38:05,065 ♪ AND I'LL FALL FOR YOU IF YOU NEED A FIGHT ♪ 724 00:38:06,414 --> 00:38:11,376 ♪ AND I'LL RUN TO YOU WHEN THE WATERS RISE ♪ 725 00:38:11,419 --> 00:38:12,725 OR SOONER. 726 00:38:12,768 --> 00:38:14,509 I'M GLAD YOU'RE OK. 727 00:38:14,553 --> 00:38:16,511 ME, TOO. 728 00:38:16,555 --> 00:38:19,558 ♪ IF THE BOMBS IGNITE 729 00:38:19,601 --> 00:38:23,388 ♪ I'LL STILL CALL TO YOU... ♪ 730 00:38:23,431 --> 00:38:25,390 KATE. 731 00:38:25,433 --> 00:38:27,348 LOOKS LIKE A BAD TIME. 732 00:38:27,392 --> 00:38:30,873 HEY. I'M GONNA GO. 733 00:38:36,705 --> 00:38:38,185 LUKE TOLD ME EVERYTHING. 734 00:38:38,228 --> 00:38:39,665 HE COULDN'T HAVE TOLD YOU EVERYTHING 735 00:38:39,708 --> 00:38:41,362 BECAUSE HE DOESN'T KNOW EVERYTHING. 736 00:38:41,406 --> 00:38:42,929 I KNOW YOU'RE LYING ABOUT WHY YOU'RE AFTER A BOOK 737 00:38:42,972 --> 00:38:44,713 THAT DESCRIBES HOW TO KILL ME. 738 00:38:47,194 --> 00:38:48,674 THE RIFLE SHOWED UP IN GOTHAM 739 00:38:48,717 --> 00:38:50,284 TO ASSASSINATE YOU SEVERAL MONTHS AGO. 740 00:38:50,328 --> 00:38:52,939 I HELPED THWART HIM, AND HE DISAPPEARED. 741 00:38:52,982 --> 00:38:56,551 YOU EVER WONDER WHY HE NEVER CAME BACK? 742 00:38:56,595 --> 00:38:58,901 BECAUSE I FOLLOWED HIM TO HIS BOSS 743 00:38:58,945 --> 00:39:02,078 AND MADE A DEAL WITH HER TO STOP PURSUING YOU. 744 00:39:02,122 --> 00:39:03,602 IN EXCHANGE FOR YOUR LIFE, 745 00:39:03,645 --> 00:39:05,125 I'D FETCH HER THE JOURNAL, 746 00:39:05,168 --> 00:39:06,692 AND WE'D BOTH BE ON OUR MERRY WAY. 747 00:39:06,735 --> 00:39:08,520 IF SHE HAD THE JOURNAL, SHE COULD STILL KILL ME. 748 00:39:08,563 --> 00:39:10,043 SHE PLAYED ME. I DIDN'T KNOW WHAT 749 00:39:10,086 --> 00:39:11,610 THE JOURNAL ENTAILED TILL TODAY. 750 00:39:11,653 --> 00:39:14,352 NOW THAT I DO, THE DEAL'S OFF. 751 00:39:14,395 --> 00:39:16,615 WHO IS SHE? 752 00:39:16,658 --> 00:39:19,531 SAFIYAH SOHAIL. 753 00:39:19,574 --> 00:39:20,793 I'VE NEVER HEARD OF HER. 754 00:39:20,836 --> 00:39:22,882 WELL, SHE'S HEARD OF YOU, LUV, 755 00:39:22,925 --> 00:39:24,536 AND NOW THAT I'VE DOUBLE-CROSSED HER, 756 00:39:24,579 --> 00:39:27,016 WE'VE BOTH GOT TARGETS ON OUR BACKS. 757 00:39:37,505 --> 00:39:39,464 [GRAPPLING LINE UNSPOOLING] 758 00:39:44,599 --> 00:39:46,471 [BEEP] 759 00:39:46,514 --> 00:39:48,124 [VOICE MODULATED] HOW'S ARKHAM? 760 00:39:48,168 --> 00:39:49,822 IT'S A MESS. 761 00:39:49,865 --> 00:39:53,565 PSYCHOTIC ESCAPEES ARE ALL OVER THIS CITY RIGHT NOW THANKS TO YOU. 762 00:39:53,608 --> 00:39:55,218 THANKS TO ALICE. 763 00:39:55,262 --> 00:39:56,916 SHE HAD THE ENTIRE ASYLUM UNDER-- 764 00:39:56,959 --> 00:39:59,614 ALICE ISN'T THE ONE CLAIMING TO BE THE CITY'S HERO. 765 00:40:01,224 --> 00:40:03,749 SHE NEEDS YOU AS MUCH AS YOU NEED HER. 766 00:40:03,792 --> 00:40:06,142 THE JOKER HAD BATMAN LIKE SHE HAS YOU, 767 00:40:06,186 --> 00:40:09,015 AND GUESS WHO ALWAYS ENDS UP AS COLLATERAL DAMAGE. 768 00:40:09,058 --> 00:40:11,147 I WILL PROTECT MY CITY. 769 00:40:11,191 --> 00:40:14,194 NO, YOU WON'T BECAUSE YOU'RE DONE. 770 00:40:14,237 --> 00:40:15,891 GET OUT. 771 00:40:15,935 --> 00:40:17,980 YOU KNOW I WON'T LEAVE. 772 00:40:18,024 --> 00:40:21,288 LET THIS SERVE AS YOUR WARNING. 773 00:40:21,331 --> 00:40:23,377 IF I SEE YOU AGAIN, 774 00:40:23,421 --> 00:40:24,726 IT'S WAR. 775 00:40:37,043 --> 00:40:38,914 MOUSE: THIS ISN'T A SHELTER, ALICE. 776 00:40:38,958 --> 00:40:43,484 THIS IS...BACK TO WHERE WE STARTED. 777 00:40:43,528 --> 00:40:46,226 NO ONE'S FORCING YOU TO STAY. 778 00:40:46,269 --> 00:40:49,751 I TOLD YOU THAT INVITING LUKE INTO YOUR OBSESSION 779 00:40:49,795 --> 00:40:53,276 WOULD DRAW OUT THE BAT, AND NOW HERE WE ARE, 780 00:40:53,320 --> 00:40:57,455 FREEZING, WET, DRENCHED IN SEWER WATER. 781 00:40:57,498 --> 00:41:00,588 AND I TOLD YOU THAT LUKE WOULD BRING US THE ANSWERS 782 00:41:00,632 --> 00:41:04,592 THAT WE NEED, SO I SUPPOSE WE'RE BOTH RIGHT. 783 00:41:04,636 --> 00:41:10,685 I WAS HAPPY, ALICE. I WAS HAPPY. 784 00:41:10,729 --> 00:41:13,906 WHAT HAPPENED TO YOU? 785 00:41:13,949 --> 00:41:17,475 DO YOU EVEN CARE THAT YOU BURNT THE WHOLE THING DOWN? 786 00:41:23,655 --> 00:41:27,310 I CARE ABOUT KILLING THE BAT, 787 00:41:27,354 --> 00:41:30,226 SO GO BRING ME THAT WALKING FACIAL GONE WRONG 788 00:41:30,270 --> 00:41:32,533 SO HE CAN TELL ME WHERE TO FIND 789 00:41:32,577 --> 00:41:35,493 A LITTLE GREEN ROCK 790 00:41:35,536 --> 00:41:37,320 CALLED KRYPTONITE. 791 00:42:04,783 --> 00:42:06,698 MAN: GREG, MOVE YOUR HEAD! 55674

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