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EMMA: I don't remember
the details...except that...
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MAN: Thirty seconds.
3
00:01:53,846 --> 00:01:56,046
EMMA: Except that...
4
00:01:57,582 --> 00:02:01,552
EMMA: Alex was lying
on his back.
5
00:02:01,852 --> 00:02:04,052
MAN: Fifteen seconds.
6
00:02:07,724 --> 00:02:11,664
WOMAN: Eight, seven...
MAN: Six.
7
00:02:12,428 --> 00:02:16,658
WOMAN 2: ...three, two, one.
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00:02:18,967 --> 00:02:23,397
EMMA: But I couldn't hear
what he was saying.
9
00:02:23,404 --> 00:02:28,244
And there was just this tiny,
tiny wound.
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00:02:29,109 --> 00:02:35,909
Almost like a cut where the
scab has been pulled off...
11
00:02:36,415 --> 00:02:38,945
and it's seeping blood.
12
00:02:40,651 --> 00:02:44,451
EMMA: But there was an awful
lot of blood coming from...
13
00:02:44,454 --> 00:02:47,524
this tiny...little...cut.
14
00:02:50,559 --> 00:02:53,759
EMMA: And the tissues I was...
15
00:02:53,762 --> 00:02:58,002
laying down weren't
soaking it up.
16
00:03:00,267 --> 00:03:05,437
DOCTOR: And so what did
you do when they didn't...
didn't soak it up?
17
00:03:09,208 --> 00:03:11,708
EMMA: Kept pressing on it.
18
00:03:13,044 --> 00:03:17,584
DOCTOR: With...with the
same tissues or...
EMMA: Yeah. And with my...
19
00:03:19,215 --> 00:03:22,415
Just with my fingers.
20
00:03:26,488 --> 00:03:29,318
DOCTOR: And then what?
21
00:03:32,260 --> 00:03:34,730
EMMA: I don't know.
22
00:03:36,130 --> 00:03:38,760
DOCTOR: What was Alex doing?
23
00:03:39,198 --> 00:03:43,998
EMMA: He was...trying to...
24
00:03:46,637 --> 00:03:51,137
Trying to tell me things.
25
00:03:53,743 --> 00:03:55,843
DOCTOR: What kind of things?
26
00:03:55,845 --> 00:04:00,105
EMMA: Some in Swedish.
Um...
27
00:04:00,115 --> 00:04:04,815
DOCTOR: Swedish things that
you've heard before? Or...
28
00:04:08,022 --> 00:04:10,292
EMMA: It was very hard to
understand what he was saying.
29
00:04:10,290 --> 00:04:17,730
EMMA: and I woke up...I think,
not really knowing
what had gone on.
30
00:04:18,597 --> 00:04:19,257
DOCTOR: Did he know that
31
00:04:19,264 --> 00:04:24,334
he was in...in some sort
of pain in the dream or
he was just unaware?
32
00:04:25,969 --> 00:04:28,169
EMMA: He seemed
to be...
33
00:04:31,908 --> 00:04:35,808
almost...almost happy.
34
00:04:38,113 --> 00:04:40,183
DOCTOR: Happy?
35
00:04:43,184 --> 00:04:45,984
DOCTOR: So...so he
was happy and he was
bleeding from this...from
36
00:04:45,986 --> 00:04:49,886
this very little cut and
you had a tissue.
37
00:04:49,889 --> 00:04:50,549
EMMA: Yeah.
38
00:04:50,556 --> 00:04:52,516
DOCTOR: ...that couldn't soak
up the blood.
39
00:04:52,524 --> 00:04:56,034
EMMA: Yes.
DOCTOR: And that was all
you had and you kept
40
00:04:56,027 --> 00:04:59,657
dabbing it with the
tissue and he was...
41
00:04:59,663 --> 00:05:02,403
he was talking to you
in Swedish...
42
00:05:03,967 --> 00:05:04,997
Happily.
43
00:05:05,001 --> 00:05:06,171
EMMA: Yes.
DOCTOR: And he was using
44
00:05:06,168 --> 00:05:12,408
endearments or...
EMMA: I don't know. I
think so.
45
00:05:12,407 --> 00:05:15,707
DOCTOR: And...and...and
what did you do after?
46
00:05:18,245 --> 00:05:20,775
EMMA: I'm not sure.
47
00:05:21,680 --> 00:05:24,810
DOCTOR: Let me ask you
something.
48
00:05:26,784 --> 00:05:29,084
Um, I'm just going to
give you a few words.
49
00:05:29,086 --> 00:05:34,886
And I just want you to tell me
the first thing that comes
into your head.
50
00:05:36,859 --> 00:05:38,689
Uh...okay?
51
00:05:40,028 --> 00:05:41,558
Okay, sleep.
52
00:05:42,796 --> 00:05:46,556
DOCTOR: First thing,
don't take time to think,
just first thing.
53
00:05:46,566 --> 00:05:48,766
DOCTOR: Sleep.
EMMA: EXEC.
54
00:05:48,901 --> 00:05:50,401
Blood.
55
00:05:50,802 --> 00:05:52,402
Fresh.
56
00:05:52,669 --> 00:05:54,199
Tissue.
57
00:05:55,938 --> 00:05:57,638
Fluffy.
58
00:05:59,107 --> 00:06:00,837
Happy.
59
00:06:01,375 --> 00:06:03,035
Sad.
60
00:06:04,511 --> 00:06:12,221
DOCTOR: When you woke up...
This was last night when you
were at your friend's house?
61
00:06:12,351 --> 00:06:15,791
EMMA: Yeah.
DOCTOR: What did you do?
62
00:06:20,825 --> 00:06:25,755
EMMA: I took a Melatonin,
a tablet to help me sleep
63
00:06:26,396 --> 00:06:31,566
EMMA: Then I...woke up
and came here.
64
00:06:32,601 --> 00:06:38,941
DOCTOR: So you take something
to fall asleep a lot?
EMMA: No, no.
65
00:06:38,940 --> 00:06:41,910
EMMA: But you happen to have
them with you?
66
00:06:41,909 --> 00:06:44,339
EMMA: I carry them with me.
67
00:06:44,344 --> 00:06:47,684
LAUREN: What happened?
Oh.
68
00:06:47,913 --> 00:06:51,083
SIKH NURSE: Hi. How are you?
GUARD: Hello.
69
00:06:51,482 --> 00:06:55,682
LAUREN: What time's your
meeting?
ROSE: In 20 minutes.
70
00:06:55,686 --> 00:06:57,216
LAUREN: What?
ROSE: In 20 minutes.
71
00:06:57,220 --> 00:07:03,560
LAUREN: Well, we don't
have time to call AAA.
Do you want a ride?
72
00:07:06,595 --> 00:07:10,795
LAUREN: There's no need for
dramatics. I'll take you.
73
00:07:11,032 --> 00:07:15,532
ROSE: Thank you, Lauren.
You are so generous.
74
00:07:20,607 --> 00:07:23,237
LAUREN: What's that attitude?
ROSE: No attitude.
75
00:07:23,242 --> 00:07:28,752
EMMA: So two nights ago
I decided to...I had
to leave the house...
76
00:07:28,747 --> 00:07:31,177
QUINTUS: Red Mullet?
EMMA: Because...
77
00:07:31,182 --> 00:07:32,782
GUARD: Sir, what's in the bag?
78
00:07:32,783 --> 00:07:39,153
EMMA: Alex was...
QUINTUS: Massage chair.
79
00:07:39,156 --> 00:07:41,316
EMMA: Upset.
RECEPTIONIST: Red Mullet.
80
00:07:41,324 --> 00:07:45,694
ASSISTANT: So, we'll call you
later. Okay?
ACTRESS: Okay.
81
00:07:45,695 --> 00:07:48,195
RECEPTIONIST:
I'll put you through. Okay.
82
00:07:48,197 --> 00:07:50,857
QUINTUS: I'm Quintus from
Roman Springs.
People call me Q.
83
00:07:50,866 --> 00:07:52,326
RECEPTIONIST: Uh-huh.
QUINTUS: I've come to do
the massage.
84
00:07:52,334 --> 00:07:55,404
RECEPTIONIST: Oh, wonderful.
What kind of massage
do you do?
85
00:07:55,403 --> 00:07:58,903
QUINTUS: Gently caressing
the soft tissue,
Swedish technique.
86
00:07:58,906 --> 00:08:03,136
QUINTUS: Deeper penetration,
I use a shiatsu technique.
RECEPTIONIST: Mm-hm.
87
00:08:03,143 --> 00:08:09,313
QUINTUS: Massage auras, hover
chakras, what makes you cum.
RECEPTIONIST: Excuse me?
88
00:08:09,315 --> 00:08:13,375
EMMA: House and go stay
with my friend.
RECEPTIONIST: Red Mullet.
89
00:08:13,385 --> 00:08:15,415
EMMA: So I just...took a
couple of things with me.
90
00:08:15,420 --> 00:08:18,720
RECEPTIONIST: Um, well, do you
set up or...
EMMA: I didn't think I'd...
91
00:08:18,723 --> 00:08:20,123
QUINTUS: I have a chair which
I could put there,
92
00:08:20,124 --> 00:08:23,564
but generally I visit people
in their work stations...
93
00:08:23,626 --> 00:08:25,186
DOCTOR: I'm just curious
about the pills.
94
00:08:25,194 --> 00:08:26,664
RECEPTIONIST: Red Mullet.
DOCTOR: Because of the...
95
00:08:26,662 --> 00:08:30,362
RECEPTIONIST: Oh, he's...
Let me put you to voicemail.
Okay. Well, all the
96
00:08:30,365 --> 00:08:32,025
executives are in one big
meeting right now.
97
00:08:32,033 --> 00:08:35,903
QUINTUS: Well, that's
excellent. I can attack
the mother lode in one place.
98
00:08:35,903 --> 00:08:37,203
QUINTUS: Like going to a Web.
99
00:08:37,204 --> 00:08:38,774
RECEPTIONIST: Massage their
egos, that's for sure.
100
00:08:38,772 --> 00:08:42,042
QUINTUS: Oh, that's par for
the course and then I can
spread out...
101
00:08:42,041 --> 00:08:45,611
RECEPTIONIST: Right, but if
you can just be really subtle.
QUINTUS: I am subtle...
102
00:08:45,611 --> 00:08:50,011
QUINTUS: And discreet.
(WHISPERING)
You won't even hear me.
103
00:08:50,348 --> 00:08:54,818
RECEPTIONIST: Hi. This is Q
from Roman Springs.
He's a massage therapist.
104
00:08:54,819 --> 00:08:59,859
QUINTUS: Hail! Egos sum Quintus , your friendly
gladiator. People call me Q.
105
00:08:59,857 --> 00:09:05,587
I'm from Roman Springs and I
say to your tension,
" Veni vidi vici. "
106
00:09:05,596 --> 00:09:10,526
DARREN: This is the friend
of the friend from Roman
Springs so they usually
107
00:09:10,534 --> 00:09:12,634
send over little sort of
little, uh, gift just to
108
00:09:12,636 --> 00:09:15,596
entice us to go to Roman
Springs for the retreat.
109
00:09:15,605 --> 00:09:20,165
DARREN: I was expecting
just a fruit basket,
but I guess this is a...
110
00:09:20,176 --> 00:09:23,006
EMMA: And even if he
comes to bed at five in
111
00:09:23,012 --> 00:09:27,652
the morning, I still know
that he's coming to bed
at some time.
112
00:09:27,782 --> 00:09:30,252
QUINTUS: In the lower back...
EVAN: If we can do this,
113
00:09:30,251 --> 00:09:32,251
we've got a meeting running.
PENNY: He has a bad back.
114
00:09:32,253 --> 00:09:34,923
EVAN: Keep up with...
MAN: Yeah.
QUINTUS: I would urge them to
115
00:09:34,922 --> 00:09:39,622
avail themselves with some...
PENNY: He's got a bad back
116
00:09:39,626 --> 00:09:42,986
QUINTUS: physical education
at Roman Springs.
117
00:09:42,996 --> 00:09:47,826
EVAN: Guys, we've got a
situation on the set of
Teen Scene.
118
00:09:47,834 --> 00:09:50,404
EVAN: There's a...
Ow, go easy on me...
119
00:09:50,403 --> 00:09:54,643
EVAN: Outbreak of herpes and
it's really a nightmare.
120
00:09:54,640 --> 00:09:56,740
EVAN: I mean, the insurance
company's given us two
121
00:09:56,742 --> 00:09:59,542
more days and then we gotta
make a decision.
122
00:09:59,544 --> 00:10:02,884
DARREN: Nobody's found out
who the source is?
123
00:10:02,880 --> 00:10:06,310
EVAN: Uh, well, I think
they're trying to avoid
naming names.
124
00:10:06,316 --> 00:10:08,876
CONNIE: Is there a medic?
EVAN: Yeah. Four down.
125
00:10:08,885 --> 00:10:11,015
EVAN: They've done everything
they can with Blistex...
126
00:10:11,020 --> 00:10:12,590
EMMA: Been together...
EVAN: ...and cover-up,
but it's just
127
00:10:12,588 --> 00:10:15,118
a situation to be forewarned
of. We might have to hold up
production.
128
00:10:15,123 --> 00:10:18,163
CONNIE: You should put the
leads in separate hotels.
129
00:10:18,159 --> 00:10:20,659
EMMA: Long enough to...
130
00:10:20,661 --> 00:10:22,861
DARREN: Did you go by the set?
EMMA: Feel like a long time.
131
00:10:22,863 --> 00:10:26,463
EXEC: Yeah. I went
yesterday, which is why I
couldn't go to Lancaster.
132
00:10:26,466 --> 00:10:30,896
I had to fire the A.D.
I'm sorry. I didn't wanna
get sister-girl on him,
133
00:10:30,903 --> 00:10:36,343
but I had to. You know,
he challenged me, so...
But morale is up. So...
134
00:10:36,341 --> 00:10:39,211
EVAN: Yeah. You go girl.
EXEC: Yeah. You know?
135
00:10:39,210 --> 00:10:41,310
DARREN: Looks like you
got 'em.
136
00:10:41,312 --> 00:10:44,382
EXEC: There I am.
DARREN: That's it, that's
it. That's all. Walk in.
137
00:10:44,381 --> 00:10:48,021
DARREN: Boost morale, by
firing somebody. That's...
EXEC: Hey.
138
00:10:48,017 --> 00:10:53,017
EVAN: A little update on
John Tammer.
RENEE: Oh. John Tammer.
139
00:10:53,022 --> 00:10:56,622
Yeah, we had to fire...
I had to fire five of the
producers last night
140
00:10:56,625 --> 00:10:58,015
because somebody
was caught
embezzling money so...
141
00:10:58,026 --> 00:11:02,696
EVAN: Holy cow. They go
down like flies
in this organization.
142
00:11:02,697 --> 00:11:04,997
EMMA: He seems to be...
DARREN: Well, what? He was...
143
00:11:04,999 --> 00:11:07,869
DARREN: Really caught with
his hand in the till? Or...
144
00:11:07,868 --> 00:11:10,498
DARREN: Is it your friend?
EMMA: Falling apart.
145
00:11:10,503 --> 00:11:14,373
CONNIE: All right. Well, we
we won't talk about it.
146
00:11:14,374 --> 00:11:17,044
EMMA: Got this reckless...
EVAN: What can you tell us
about Madeline ?
147
00:11:17,043 --> 00:11:22,683
CONNIE: The desk cards came
back and most of the comments
was that it wasn't scary.
148
00:11:22,681 --> 00:11:27,151
EMMA: Reckless.
CONNIE: It's plain scary,
so that's pretty good.
149
00:11:27,152 --> 00:11:30,592
EMMA: We're living almost
as if he's happier
when he's falling apart.
150
00:11:30,588 --> 00:11:35,718
DARREN: The problem
is that I heard the rough cut
151
00:11:35,726 --> 00:11:38,656
and apparently the sound
effects are such
152
00:11:38,662 --> 00:11:41,562
that the Buddhists, when
they set themselves on fire,
153
00:11:41,564 --> 00:11:46,274
aren't crackling.
They are sort of popping
and exploding and...
154
00:11:46,268 --> 00:11:48,198
DARREN: It's adding a comic
undercurrent to an otherwise
155
00:11:48,203 --> 00:11:51,443
ACTRESS: Hey how are you?
DARREN: Fairly serious visual.
156
00:11:51,439 --> 00:11:54,369
DARREN: Now, uh, it's gonna
push us somewhat
157
00:11:54,375 --> 00:11:56,575
DARREN: farther into the red.
EMMA: I wish I didn't
158
00:11:56,577 --> 00:11:59,437
EMMA: care so much.
DARREN: You know, we have to
address it.
159
00:11:59,446 --> 00:12:01,446
DARREN: No way around it.
EVAN: That's your call.
160
00:12:01,448 --> 00:12:04,478
DARREN: That's my observation.
EVAN: Uh, it's a good call.
161
00:12:04,484 --> 00:12:09,354
Same thing for Flicker of Light. We got soft focus a few
days in a row and there's...
162
00:12:09,355 --> 00:12:10,615
DARREN: That might not be
a bad thing.
163
00:12:10,622 --> 00:12:14,192
DARREN: Because she's not a
spring chicken anymore.
164
00:12:14,192 --> 00:12:17,092
CONNIE: Looks like Playboy .
165
00:12:18,895 --> 00:12:21,295
(SCREAMING)
166
00:12:23,265 --> 00:12:25,795
DARREN: Jesus Christ,
what's that?
167
00:12:25,800 --> 00:12:27,530
EVAN: Five point six.
168
00:12:27,535 --> 00:12:29,835
GUARD: Good old Hollywood,
that's all.
169
00:12:29,837 --> 00:12:32,067
MAN: Is that a term I
used?
GUARD: So don't worry.
170
00:12:32,072 --> 00:12:34,442
GUARD: Everything's fine.
No, if you want to,
but it's fine.
171
00:12:34,441 --> 00:12:37,711
EVAN: You all right?
Everybody okay?
172
00:12:37,710 --> 00:12:42,410
DOCTOR: Honey, you okay?
EVAN: We came down.
173
00:12:42,414 --> 00:12:44,514
EMMA: But I really...
174
00:12:46,050 --> 00:12:49,220
LAUREN: You're a fucking slut.
175
00:12:49,886 --> 00:12:54,356
And you are a fool
if you don't think I know
what's going on.
176
00:12:55,057 --> 00:12:58,727
Ah! I've had it!
I have absolutely had it!
177
00:12:58,727 --> 00:13:02,357
You know, you can't go on
like this. It's not going on!
178
00:13:02,363 --> 00:13:04,533
The gravy train is over!
ROSE: Lauren.
179
00:13:04,531 --> 00:13:06,731
LAUREN: When we get back,
you can just
pack your bags and leave
180
00:13:06,733 --> 00:13:10,973
'Cause I am not a fool!
I got enough to worry about.
181
00:13:10,970 --> 00:13:14,300
I gotta try and...Oh, God.
182
00:13:14,306 --> 00:13:15,136
ROSE: You've gone
fucking mad.
183
00:13:15,140 --> 00:13:18,340
LAUREN: No. I have not
gone mad.
ROSE: Yes, you've gone mad.
184
00:13:18,343 --> 00:13:19,383
LAUREN: No.
ROSE: You've gone mad.
185
00:13:19,377 --> 00:13:21,637
LAUREN: How have I gone mad?
ROSE: What the fuck is
your problem?
186
00:13:21,645 --> 00:13:24,405
LAUREN: What is my problem?
You are my problem. You!
187
00:13:24,414 --> 00:13:26,954
GUARD: You all right?
DOCTOR: I wanted to ask you...
188
00:13:26,949 --> 00:13:29,619
ROSE: What did I do now?
LAUREN: Oh, what did you
do now? You've never done
189
00:13:29,618 --> 00:13:31,348
anything wrong. I don't know
what's been going on the past
190
00:13:31,353 --> 00:13:34,823
few months. You know, if you
don't think I don't
notice the phone calls...
191
00:13:34,823 --> 00:13:38,993
ROSE: Oh, God....been
going on for the past few
months? I've had...
192
00:13:38,993 --> 00:13:40,833
LAUREN: I think you're
gonna make a great
193
00:13:40,828 --> 00:13:45,058
actress, let's just put
it that way. A great
actress.
194
00:13:45,298 --> 00:13:47,558
ROSE: What is your problem?
GUARD: Smells strong.
195
00:13:47,566 --> 00:13:50,596
LAUREN: I told you,
my problem is you.
196
00:13:50,602 --> 00:13:55,872
EVAN: Okay. What's the story
on the Blind Venetians ?
197
00:13:55,873 --> 00:13:57,443
DARREN: Uh, the Blind Venetians are...
198
00:13:57,441 --> 00:14:02,511
essentially that they've
been scheduled to open on
President's Day.
199
00:14:02,512 --> 00:14:05,852
LAUREN: My love, my time,
my money.
200
00:14:05,848 --> 00:14:10,048
My recommendation is
that they move it back to
201
00:14:10,052 --> 00:14:11,452
Helen Keller's birthday
just to...
202
00:14:11,453 --> 00:14:16,693
EXEC: I'm sorry, Darren.
We need to have a serious talk
about Alex being late.
203
00:14:16,691 --> 00:14:20,691
I mean...he lives three blocks
away. This is ridiculous.
204
00:14:20,695 --> 00:14:21,925
It's unprofessional.
It's unfair to us.
205
00:14:21,929 --> 00:14:24,699
EVAN: Sweetie, we just got
through having a serious talk
about it.
206
00:14:24,698 --> 00:14:27,128
EVAN: I made it clear...
EXEC: With us. Connie...
207
00:14:27,133 --> 00:14:28,703
EMMA: He's my best friend.
208
00:14:28,701 --> 00:14:31,171
EXEC: I'm tired of
waiting.
209
00:14:31,170 --> 00:14:34,300
RENEE: We can get a little
more done before he gets here.
210
00:14:34,306 --> 00:14:35,636
EVAN: That's the point.
We're tryin' to...
211
00:14:35,640 --> 00:14:38,370
RENEE: There he is.
EVAN: Here...here he comes.
212
00:14:38,843 --> 00:14:39,643
EVAN: As if on cue.
213
00:14:39,643 --> 00:14:41,283
ROSE: You won't have to pay
for anything for much longer.
214
00:14:41,277 --> 00:14:44,107
LAUREN: Well, I don't mind
paying for anything.
Listen to me...
215
00:14:44,113 --> 00:14:46,183
LAUREN: I don't mind...
ROSE: I'm getting my
shit together.
216
00:14:46,181 --> 00:14:49,751
ROSE: And I'm getting
out of your life, if that's
what you want.
217
00:14:49,751 --> 00:14:51,621
RENEE: The man will
rock and roll.
218
00:14:51,619 --> 00:14:53,919
EVAN: We gotta roll with
the man's punches because...
219
00:14:53,921 --> 00:14:55,391
LAUREN: Fine.
ROSE: Fine.
220
00:14:55,389 --> 00:14:57,759
EVAN: That's why this company
is what it is.
221
00:14:57,758 --> 00:15:00,188
RENEE: Rock and roll.
LAUREN: I don't mind...
222
00:15:00,193 --> 00:15:04,603
LAUREN: I don't mind...
CONNIE: If this is a hump,
223
00:15:04,597 --> 00:15:07,897
I'm willing to help him get
over this hump. I just...
224
00:15:07,900 --> 00:15:09,530
CONNIE: I don't know how long
this hump is gonna...
225
00:15:09,534 --> 00:15:11,774
LAUREN: What I mind is
being a fool.
CONNIE: It's a big hump.
226
00:15:11,769 --> 00:15:16,299
QUINTUS: Did you have
your feet bound?
CONNIE: No.
227
00:15:17,440 --> 00:15:19,570
RENEE: No. I think we
should perform an
intervention.
228
00:15:19,575 --> 00:15:21,605
And I know that most of the
time they're not successful,
229
00:15:21,610 --> 00:15:25,550
but I think that this is
something we should
try for him.
230
00:15:26,080 --> 00:15:29,310
ALEX: Hey, Rose, it's Alex.
231
00:15:29,316 --> 00:15:32,176
ROSE: I know it.
ALEX: You can't talk.
232
00:15:32,185 --> 00:15:35,585
ALEX: I wasn't sure if it was
today or tomorrow.
233
00:15:35,588 --> 00:15:38,758
If we're one for today,
say something like...
234
00:15:38,757 --> 00:15:41,257
You have a bad connection.
235
00:15:41,259 --> 00:15:46,499
ROSE: Mary, I can't hear
you. We have a bad connection.
236
00:15:46,497 --> 00:15:47,857
LAUREN: Let me speak to
Mary.
237
00:15:47,865 --> 00:15:49,655
ROSE: Listen, Lauren wants to
talk to you.
238
00:15:49,666 --> 00:15:53,526
LAUREN: Gimme the phone.
Mary. Hello?
239
00:15:53,536 --> 00:15:56,366
LAUREN: Hello? Mary.
EVAN: Hello.
240
00:15:56,372 --> 00:15:59,342
EMMA: Go back to it.
EVAN: Hello.
241
00:16:01,843 --> 00:16:03,213
EVAN: Jeff, man.
How's it goin', dude?
242
00:16:03,211 --> 00:16:06,951
EMMA: I stumbled into it...
ALEX: Hey, Randy.
GUARD: It's really good shit.
243
00:16:06,948 --> 00:16:09,918
EMMA: When I was younger.
ROSE: Move on...
244
00:16:09,917 --> 00:16:11,817
GUARD: From the jungles
of Bolivia.
245
00:16:11,818 --> 00:16:14,818
ROSE I understand, I know
I'm a burden to you.
246
00:16:16,055 --> 00:16:20,115
I don't wanna be.
I'm trying, you know.
247
00:16:21,226 --> 00:16:22,686
ROSE: I'm trying.
248
00:16:22,694 --> 00:16:27,134
LAUREN: I can't handle
this anymore.
249
00:16:27,131 --> 00:16:30,601
I can't handle the
pressure.
250
00:16:30,601 --> 00:16:32,531
DOCTOR: How does it make
you feel?
LAUREN: - supposed to be
251
00:16:32,536 --> 00:16:36,496
LAUREN: You're supposed to
be the good thing in my life.
252
00:16:36,506 --> 00:16:40,766
ROSE: Oh, I'm sorry.
LAUREN: Oh, right now, I have
this feeling...
253
00:16:40,776 --> 00:16:43,806
ROSE: Well, I'm sorry I'm the
bag thing in your life,
Lauren.
254
00:16:43,812 --> 00:16:46,112
LAUREN: No.
ROSE: I truly am.
255
00:16:46,114 --> 00:16:49,354
LAUREN: No, no. Look me
in the eye. Right now.
256
00:16:49,350 --> 00:16:52,620
Look me in the eye and
tell me that there is
no one else.
257
00:16:54,621 --> 00:16:57,191
Tell me th...
You didn't tell me.
258
00:16:57,190 --> 00:17:01,330
ROSE: I love you.
LAUREN: I love you, too. I do.
So, look me in the eye...
259
00:17:01,327 --> 00:17:03,557
LAUREN: and tell me.
260
00:17:05,564 --> 00:17:09,674
ROSE: Stop this.
LAUREN: See you can't do it.
261
00:17:09,668 --> 00:17:13,568
ROSE: Look, there's no one
else in my life, Lauren.
262
00:17:14,738 --> 00:17:16,998
ROSE: You happy now?
263
00:17:17,406 --> 00:17:19,236
LAUREN: There's no one else,
you swear.
264
00:17:19,241 --> 00:17:23,441
ROSE: How many times? There's
no one else. I swear.
265
00:17:25,046 --> 00:17:30,446
I don't know how to swear to
you. I don't know how to...
266
00:17:30,451 --> 00:17:32,421
I just don't know what to
do anymore. I mean...
267
00:17:32,419 --> 00:17:35,119
LAUREN: Okay, that's fine.
268
00:17:42,995 --> 00:17:45,895
ALEX: Morning, everybody.
DARREN: Hey, hey.
269
00:17:46,731 --> 00:17:49,501
ALEX: Hey. How was the trip?
270
00:17:58,709 --> 00:18:03,809
ALEX: I'm sorry I'm late.
The traffic was, uh...
271
00:18:04,648 --> 00:18:07,778
ALEX: So what do we have?
EVAN: We got a full plate.
272
00:18:07,784 --> 00:18:11,024
EVAN: I got a lot of stuff
we all read last night.
273
00:18:12,688 --> 00:18:14,918
Right? Get some opinions.
274
00:18:15,456 --> 00:18:17,456
EVAN: Has anyone seen Maria?
275
00:18:17,691 --> 00:18:18,761
EXEC: Yeah.
Is she under the chair?
276
00:18:18,758 --> 00:18:22,388
DARREN: She's being
stepped on.
LAUREN: I love you so much.
277
00:18:22,394 --> 00:18:28,434
EMMA: Dirty subject.
LAUREN: Tell me.
278
00:18:28,433 --> 00:18:30,973
LAUREN: Yes. That's not
realistic.
279
00:18:30,968 --> 00:18:33,268
EMMA: The fact that Alex
drinks so much...
280
00:18:33,270 --> 00:18:35,270
EVAN: That was the typing.
281
00:18:35,272 --> 00:18:37,512
CONNIE: Why don't they
ever make movies like...
282
00:18:37,507 --> 00:18:39,637
DARREN: There's no movies for
Latinos. Jennifer Lopez.
283
00:18:39,642 --> 00:18:42,942
EXEC: Yeah, as a maid?
As a promiscuous maid?
284
00:18:42,945 --> 00:18:45,905
DARREN: Well, what...Listen.
EXEC: Ask us when you
wanna play...
285
00:18:45,914 --> 00:18:50,924
EVAN: Okay. So...
what about...
286
00:18:52,587 --> 00:18:54,847
EVAN: In A Box .
287
00:18:54,955 --> 00:18:57,155
EXEC: An amazing script.
I haven't read a good script
288
00:18:57,157 --> 00:18:58,117
like this since
The Color Purple.
289
00:18:58,124 --> 00:19:03,864
EXEC: And Cosign.
It's a group of frustrated
black actors in Hollywood.
290
00:19:03,863 --> 00:19:05,633
They get so enraged with...
291
00:19:05,631 --> 00:19:08,831
with feeling isolated, with
feeling marginalized, tired of
292
00:19:08,834 --> 00:19:11,634
being the token splash of
color in a movie and they...
293
00:19:11,636 --> 00:19:15,036
they just embody this Marcus
Garvey period,
294
00:19:15,039 --> 00:19:17,739
you know, back to Africa,
while they're having coffee...
295
00:19:17,741 --> 00:19:19,411
EMMA: Sometimes I'm just
living in my own head.
296
00:19:19,409 --> 00:19:24,379
LAUREN: Pat, could you pull
over when you see a newsstand?
EMMA: And I don't understand.
297
00:19:24,380 --> 00:19:25,780
LAUREN: I need cigarettes
EMMA: A lot of the world.
298
00:19:25,781 --> 00:19:30,021
EXEC: Black people are more
than just gangs and shooting
each other's brains...
299
00:19:30,018 --> 00:19:31,378
EVAN: No. You know, that's not
what I'm talkin' about.
300
00:19:31,386 --> 00:19:34,486
EXEC: No, what you're saying,
Evan, is that you only
think blacks are commercial
301
00:19:34,489 --> 00:19:36,359
when they're shooting
each other's brains. I
mean...
302
00:19:36,357 --> 00:19:37,617
EVAN: No, you know
perfectly well that's not
what...
303
00:19:37,624 --> 00:19:39,594
EXEC: Blacks can be
multi-dimensional.
DARREN: Okay. We'll move on.
304
00:19:39,592 --> 00:19:42,662
EVAN: This is an issue that
has got great crossover
potential.
305
00:19:42,661 --> 00:19:45,161
EVAN: This is about the black
diaspora.
306
00:19:45,163 --> 00:19:47,003
EXEC: This is what Hollywood
307
00:19:46,998 --> 00:19:50,328
ACTRESS: It's a good show.
CONNIE: Crossover lead.
Will Smith is accessible.
308
00:19:50,334 --> 00:19:55,404
LESTER: I mean, it's really
difficult for, uh...very
309
00:19:55,405 --> 00:19:59,935
very demanding part
very full, rich you know,
310
00:19:59,942 --> 00:20:02,082
she tries to kill herself,
311
00:20:02,077 --> 00:20:04,507
she's a slut, she's a bitch,
312
00:20:05,279 --> 00:20:07,309
She has a heart of gold and...
313
00:20:07,314 --> 00:20:12,054
To play all those notes,
it really would be better
if you had read the script.
314
00:20:12,052 --> 00:20:14,292
But you didn't, so, um...
315
00:20:14,287 --> 00:20:15,047
DARREN: Too far gone?
316
00:20:15,054 --> 00:20:18,124
EXEC: Oh, that...that...
that's the...that's the...
The Shine .
317
00:20:18,123 --> 00:20:20,293
EVAN: The Shine .
RENEE: Except the guy's got,
318
00:20:20,291 --> 00:20:23,591
a lot more problems.
CONNIE: More problems.
319
00:20:23,594 --> 00:20:24,834
ROSE: I would love you anyway.
320
00:20:24,828 --> 00:20:27,558
LESTER: The man you love and
he's leaving forever.
321
00:20:27,564 --> 00:20:29,564
LESTER: Can we do a little
improv? Do you mind?
ACTRESS: Yeah.
322
00:20:29,566 --> 00:20:33,966
LESTER: Uh, Zee, can you...
do you mind if you're a
boat? Just be a boat.
323
00:20:33,970 --> 00:20:37,870
Yeah. You know. Here.
Here you go. A boat. Right?
324
00:20:37,873 --> 00:20:43,683
ACTRESS: What's the tone of
the movie? Is it just sort of,
like, comedy or drama?
325
00:20:43,678 --> 00:20:44,508
LESTER: Drama. Drama.
326
00:20:44,512 --> 00:20:48,852
It's a very deep, rich
melodrama and, uh, this...
327
00:20:48,849 --> 00:20:51,479
this...a lot of sex, but
328
00:20:51,684 --> 00:20:54,894
the sex is routed in the
storyline and it's all
based upon her character
329
00:20:54,887 --> 00:20:58,987
because she's sleeping
her way to the top of the
public relations firm in
330
00:20:58,992 --> 00:21:01,532
uh, in Saint Louis,
Missouri.
331
00:21:01,527 --> 00:21:03,027
(CAR DOOR CLOSES)
332
00:21:03,161 --> 00:21:05,831
LAUREN: Patch, lock the doors.
333
00:21:30,321 --> 00:21:35,921
Hello? Hello? Check. One, two. Hello. Hello? Check, check,
334
00:21:37,193 --> 00:21:40,233
Check, check, check, check, check, check.
335
00:21:43,232 --> 00:21:45,672
ACTOR: I still see the
innocent girl you used to be
336
00:21:45,667 --> 00:21:48,427
before Amanda got killed
in that tragic boat accident.
337
00:21:48,436 --> 00:21:49,966
EMMA: I think that it's
a very ugly place.
338
00:21:49,970 --> 00:21:53,300
ACTRESS: Oh, God Jason,
it feels so good
to unburden myself.
339
00:21:53,306 --> 00:21:58,106
EMMA: I think sometimes there
are moments of real beauty.
340
00:21:58,110 --> 00:22:02,410
ROSE: Unlock the door.
EMMA: Like a smile.
341
00:22:02,414 --> 00:22:05,184
DOCTOR: Hm. A smile.
ROSE Why'd you lock the door.
342
00:22:05,183 --> 00:22:09,523
DOCTOR: What else?
ACTRESS: Love all over again
343
00:22:09,520 --> 00:22:13,660
EMMA: Falling asleep together.
ACTOR: Very nice. Sorry.
344
00:22:13,657 --> 00:22:16,117
ACTOR: After all your lies...
345
00:22:16,726 --> 00:22:18,926
ACTRESS: Now that I've found
you, I do.
346
00:22:18,928 --> 00:22:20,758
EMMA: Your lover.
347
00:22:20,896 --> 00:22:22,256
EXEC: ...where the conflict
happened.
348
00:22:22,264 --> 00:22:25,574
And so that would mean that
the people who watch the
349
00:22:25,567 --> 00:22:27,167
History Channel they
would probably watch this
movie.
350
00:22:27,168 --> 00:22:28,798
EMMA: Knowing you're loved.
EXEC: But it also catches
351
00:22:28,802 --> 00:22:33,302
the teen market
because it's a boy and girl
who have just finished their
352
00:22:33,306 --> 00:22:36,536
freshman year at Harvard
and they're in...the...
the bush, and this girl
353
00:22:36,542 --> 00:22:39,412
is shaving her legs...
long, brown legs. Been in
the bush for an, uh, a
354
00:22:39,411 --> 00:22:42,181
few weeks and she's
shaving the slit.
355
00:22:42,180 --> 00:22:46,650
Blood trickling down. Big pool
of blood. A lotta blood.
356
00:22:46,651 --> 00:22:48,681
And...and...and...and...
and then you cut to like
357
00:22:48,686 --> 00:22:51,416
a wide shot and she and
her boyfriend on the
banks of this...
358
00:22:51,422 --> 00:22:55,562
EVAN: Renee, is there a
script on this?
RENEE: So far?
359
00:22:55,559 --> 00:22:57,829
RENEE: So far? That they
get into the river
360
00:22:57,827 --> 00:23:00,587
and the...the camera, like,
gushes down below the water.
361
00:23:00,596 --> 00:23:05,066
It's mur...murky, muddy...
EVAN: Sweetie, do we have
a script on this? Can we
362
00:23:05,067 --> 00:23:06,527
just...Is it something we
can read?
RENEE: There's a worm.
363
00:23:06,535 --> 00:23:11,035
It's like...like a glass
noodle worm, like the kind
usually...
364
00:23:11,039 --> 00:23:12,909
EVAN: That's sounds really...
RENEE: In Japanese
365
00:23:12,907 --> 00:23:16,577
restaurants, you know, the
glass noodle worm. I mean,
noodles? And...
366
00:23:16,577 --> 00:23:18,207
and that's what the
worm is like...
EVAN: What about...what
367
00:23:18,211 --> 00:23:20,981
about the whole South Park
thing? Are we excited
about that?
368
00:23:20,980 --> 00:23:24,380
CONNIE: Oh, I like that.
EVAN: South Park ?
369
00:23:24,383 --> 00:23:27,253
DARREN: South Park ? Oh, well,
the South Park thing is...is
370
00:23:27,252 --> 00:23:31,652
kind of exciting to me. Alex,
I'd love for you to chime in.
371
00:23:31,656 --> 00:23:33,786
This has got to me by
Debbie Weavling.
372
00:23:33,791 --> 00:23:35,891
And, uh, this is the
South Park guys,
373
00:23:35,893 --> 00:23:39,233
Matt Stone, Trey Parker.
They've written a script.
374
00:23:39,229 --> 00:23:45,299
Granted the title might...it's
a working title, Time Toilet .
375
00:23:45,301 --> 00:23:49,001
Essentially Time Toilet is...
a janitor working on a nuclear
376
00:23:49,004 --> 00:23:54,744
energy facility discovers
that the toilet of the men's
room is actually
377
00:23:54,743 --> 00:23:57,783
a time portal and they've been
inadvertently flushing
378
00:23:57,779 --> 00:24:02,949
waste products back in time.
Subtly changing time.
Obviously, this is
379
00:24:02,950 --> 00:24:07,250
a sci-fi comedy
with historical, uh,
value because there are
380
00:24:07,254 --> 00:24:12,324
there are several, um,
tableaux that we hit upon.
Most notably is the, uh,
381
00:24:12,325 --> 00:24:15,825
assassination of Lincoln
which is foiled because
just as John Wilkes Booth
382
00:24:15,828 --> 00:24:19,498
is raising his pistol
to the back of our
sixteenth President's head,
383
00:24:19,498 --> 00:24:23,428
Whoosh. Wilkes Booth is
washed with waste, uh,
384
00:24:23,435 --> 00:24:26,595
flushed from today back then.
385
00:24:26,604 --> 00:24:29,504
That would be Mrs. Lincoln.
So now he has to
386
00:24:29,506 --> 00:24:33,336
flush himself back in time
to kill Lincoln.
So that's our hero.
387
00:24:33,343 --> 00:24:37,913
ALEX: Great.
DARREN: It is a good
opportunity.
388
00:24:37,914 --> 00:24:40,954
EVAN: Yeah. It's cameos,
it's historical, it's
educational and it's
389
00:24:40,950 --> 00:24:44,850
funny as hell. You like it?
390
00:24:44,853 --> 00:24:46,123
ALEX: I love it
391
00:24:46,120 --> 00:24:50,820
ACTRESS: Oh, my God.
I love Johnny Depp.
392
00:24:51,658 --> 00:24:55,188
I saw him the other night
at the Viper Room
and he is so hot.
393
00:24:55,194 --> 00:24:58,564
EXEC: Great soundtrack.
DARREN: We can " Bill and Ted "
the whole thing, you know?
394
00:24:58,564 --> 00:25:00,834
EXEC: Garbage. I don't even
listen to garbage.
395
00:25:00,832 --> 00:25:04,502
EVAN: Cornhole.
EXEC: Cornhole!
396
00:25:04,502 --> 00:25:08,272
VAN: What do we think of
Ricky Skaggs?
397
00:25:08,272 --> 00:25:12,272
RENEE: I...I...I...I...I
398
00:25:12,843 --> 00:25:14,043
EVAN: No. Right? We hate it.
399
00:25:14,044 --> 00:25:16,314
ACTRESS: He wants to
hang out and read it again.
400
00:25:16,312 --> 00:25:18,252
EVAN: Do you have a tissue,
please?
401
00:25:18,247 --> 00:25:21,717
WOMAN: Break a leg.
ACTRESS: You break a leg.
402
00:25:21,717 --> 00:25:24,917
PENNY: Um, I, uh, d...did
403
00:25:24,920 --> 00:25:29,960
you f...feel something...
sh...shaking?
404
00:25:29,958 --> 00:25:32,158
ROSE: BPT.
LAUREN: BPT?
405
00:25:32,160 --> 00:25:34,160
ROSE: Best People in Town.
406
00:25:34,162 --> 00:25:36,562
LAUREN: Then wouldn't it be...
407
00:25:36,564 --> 00:25:39,634
EXEC: I'm just curious.
But didn't you think that...
408
00:25:39,633 --> 00:25:40,573
Whatever script that was
you read...
409
00:25:40,567 --> 00:25:42,997
LAUREN: Really?
That's your agency?
410
00:25:43,002 --> 00:25:44,942
ROSE: Well, I wish it
411
00:25:44,937 --> 00:25:47,637
was my agency. I...
412
00:25:48,039 --> 00:25:51,069
LAUREN: Wouldn't that be
BP...I...T?
413
00:25:51,075 --> 00:25:56,775
ROSE: Well, you know,
Best People Tell. I don't
know, Lauren.
414
00:25:56,780 --> 00:25:59,180
But it's better than nothing.
415
00:26:04,620 --> 00:26:06,150
(LAUREN LAUGHS)
416
00:26:06,921 --> 00:26:11,091
ROSE: Don't worry.
I'll get an agent.
LAUREN: I know you will.
417
00:26:11,391 --> 00:26:12,861
LAUREN: And what's this part
you're auditioning for?
418
00:26:12,859 --> 00:26:16,689
ROSE: I'm auditioning
for the part of a teacher.
419
00:26:17,363 --> 00:26:18,263
LAUREN: Dressed like that?
420
00:26:18,263 --> 00:26:22,273
ROSE: Who used to be a
shepherd.
LAUREN: Dressed like that?
421
00:26:23,001 --> 00:26:26,871
ROSE: She wanted to be a
teacher all her life and...
422
00:26:27,271 --> 00:26:33,441
EVAN: She's young,
18 years old, a brilliant
genius director.
423
00:26:33,443 --> 00:26:35,313
EXEC: I just can't over the
fact that...
424
00:26:35,311 --> 00:26:37,911
EVAN: Meeting today?
EXEC: She is so young.
425
00:26:37,913 --> 00:26:39,753
EXEC: What were we all
doing at 18?
426
00:26:39,748 --> 00:26:41,578
CONNIE: I think I was
collecting stickers.
427
00:26:41,583 --> 00:26:43,723
EVAN: She's makin' a movie
for thirty thousand that
428
00:26:43,718 --> 00:26:48,748
translates to...what is it?
RENEE: Sixty million.
429
00:26:48,756 --> 00:26:50,916
EXEC: Grossed $60 million.
EVAN: Not bad.
430
00:26:50,924 --> 00:26:54,364
ROSE: So she would read books
as she was tending the sheep.
431
00:26:54,360 --> 00:26:57,260
ROSE: While she was
preparing herself...
432
00:26:57,262 --> 00:26:59,902
MAN: Yeah. That's right,
she did all the music.
433
00:26:59,897 --> 00:27:02,497
ROSE: The owner of the
ranch where she tended
the sheep
434
00:27:02,499 --> 00:27:04,999
had many kids.
LAUREN: Like seven?
435
00:27:05,001 --> 00:27:10,171
ROSE: The youngest one...
He has seven children.
LAUREN: Like seven? She had...
436
00:27:10,172 --> 00:27:12,442
ROSE: The youngest one
got into an accident...
437
00:27:12,440 --> 00:27:16,280
ROSE: He almost drowned
and she saves his life.
So the owner of the
438
00:27:16,277 --> 00:27:20,507
hacienda asks her what
she wants in return
for saving his son.
439
00:27:20,514 --> 00:27:22,454
LESTER: Hi.
ACTRESS: How old are you?
440
00:27:22,449 --> 00:27:27,149
ROSE: She says...
LESTER: ...the documentary...
441
00:27:27,153 --> 00:27:30,623
LESTER: Oh, no.
RENEE: It's amazing.
442
00:27:30,623 --> 00:27:34,163
LESTER: I've seen pictures
of her. She's beautiful.
CONNIE: She's coming in today.
443
00:27:34,159 --> 00:27:37,059
LESTER: Is she really?
CONNIE: Yeah.
LESTER: Oh, wow.
444
00:27:37,061 --> 00:27:39,461
EXEC: You're 40, yeah?
RENEE: No, no, like 45.
445
00:27:39,463 --> 00:27:40,163
LESTER: Uh, I...I'm...41.
446
00:27:40,163 --> 00:27:44,973
EVAN: Alex, the thing about
Ana is that she's got
European sensibilities.
447
00:27:44,967 --> 00:27:45,527
GUARD: Hurray!
448
00:27:45,534 --> 00:27:47,304
She's Italian...Venezuelan.
A combination of three things.
449
00:27:47,302 --> 00:27:50,342
But she speaks five languages
and we thought you'd be able
to talk to her.
450
00:27:50,338 --> 00:27:53,268
CONNIE: She doesn't really
look Egyptian.
DARREN: She looks like a mutt.
451
00:27:53,274 --> 00:27:55,644
EVAN: She speaks intellectual.
She speaks smart.
452
00:27:55,643 --> 00:27:59,443
ROSE: I forgot to tell you
that his wife had died.
LAUREN: Of course.
453
00:27:59,446 --> 00:28:01,946
LAUREN: I think I've seen
this. Is this a musical?
454
00:28:01,948 --> 00:28:05,178
CONNIE: She's like a big wad
of cash with a head on it.
455
00:28:05,184 --> 00:28:06,954
CONNIE: Yeah. She's gonna
walk in our door.
456
00:28:06,952 --> 00:28:09,692
LAUREN: Did you read the
script?
ROSE: I read it.
457
00:28:09,688 --> 00:28:12,288
LAUREN: I never saw you
read the script.
458
00:28:12,290 --> 00:28:17,760
ROSE: 'Cause I didn't read the
script, Lauren, I read the
synopsis.
459
00:28:17,762 --> 00:28:18,362
LAUREN: Why?
460
00:28:18,362 --> 00:28:21,562
ROSE: I don't even know
why I bother.
LAUREN: Did I lose my mind?
461
00:28:21,565 --> 00:28:23,625
ROSE: Of course not, they're
gonna give me a scene.
462
00:28:23,633 --> 00:28:29,173
that I will see for the first
time and then I...I'm very
good...but
463
00:28:29,171 --> 00:28:33,211
I'll just, um, I'll read
off the page.
464
00:28:33,208 --> 00:28:36,378
LESTER: An Asian, a black
girl, I want a white girl.
I want to give you
465
00:28:36,377 --> 00:28:41,407
the whole gamut of racial...
EXEC: Wait, wait, wait,
466
00:28:41,415 --> 00:28:43,545
Wait. Wait. Wait.
467
00:28:44,417 --> 00:28:47,677
LESTER: Poor white trash...
468
00:28:48,920 --> 00:28:51,120
EXEC: If you cast a
black woman...You know.
469
00:28:51,122 --> 00:28:54,292
We talked about this.
You're taking bitch out
of the title.
470
00:28:54,291 --> 00:28:57,361
LESTER: Oh. Okay.
EXEC: All right. But
it's just derogatory.
471
00:28:57,360 --> 00:29:01,230
LESTER: That's a good idea.
EVAN: I thought we liked this.
472
00:29:01,230 --> 00:29:03,230
LESTER: I kind of like bitch.
473
00:29:03,232 --> 00:29:05,132
RENEE: I...I like bitch.
LESTER: I like bitch.
474
00:29:05,133 --> 00:29:10,203
LAUREN: Dressed like that?
ROSE: Anywhere I dress...
475
00:29:10,204 --> 00:29:13,144
I mean, doesn't matter
how I dress. I am...I am
still the right person
476
00:29:13,140 --> 00:29:14,670
for the part.
LAUREN: You want some
respect?
477
00:29:14,674 --> 00:29:18,484
ROSE: Yes. And I will
earn it with my acting.
LAUREN: Well, why don't
478
00:29:18,477 --> 00:29:22,277
you earn it right now by just
covering up your breasts.
479
00:29:22,280 --> 00:29:22,950
LESTER: I can change it.
480
00:29:22,947 --> 00:29:27,747
EXEC: I mean this word takes
so much negativity. I mean,
with female violence? Battery?
481
00:29:27,751 --> 00:29:30,791
LESTER: You like this, right?
EXEC: Abuse.
482
00:29:30,787 --> 00:29:31,547
I'm a bad person.
483
00:29:31,554 --> 00:29:35,564
LAUREN: It would make me
feel good.
ROSE: No, I'm doin' it.
484
00:29:35,558 --> 00:29:38,488
ROSE: Stop the nagging
and I'll do it.
485
00:29:42,030 --> 00:29:44,460
There, happy?
486
00:29:44,665 --> 00:29:47,995
ROSE: See you at home later.
LAUREN: No, I'll wait on you.
487
00:29:48,001 --> 00:29:51,441
ROSE: Oh, no, no, no.
LAUREN: No, I thought we
were gonna do.
488
00:29:51,437 --> 00:29:53,237
LESTER: Oh, I can give you
instruction...
489
00:29:53,238 --> 00:29:55,168
ROSE: What made you
think that?
490
00:29:55,173 --> 00:29:57,213
ROSE: No. You're going
home and I'll meet you there.
491
00:29:57,208 --> 00:29:58,468
ROSE: Or you're going wherever
you were going...
492
00:29:58,475 --> 00:30:01,035
EVAN: What are you talking
about? You're wasting
our time.
493
00:30:01,044 --> 00:30:02,914
EVAN: Darren why do they call
it a budget?
494
00:30:02,912 --> 00:30:05,512
DARREN: They call it a
budget so you don't budge
from it.
495
00:30:05,514 --> 00:30:07,784
(ALL LAUGH)
EXEC: It works every time.
496
00:30:07,782 --> 00:30:10,852
ROSE: Thanks for the ride.
LAUREN: I'll be out here.
I'm gonna be out here
497
00:30:10,851 --> 00:30:15,851
ROSE: No.
LAUREN: Readin' the paper. I
got a lot of business to do.
498
00:30:15,856 --> 00:30:17,216
LAUREN: Have a good audition.
499
00:30:17,224 --> 00:30:20,634
ROSE: I might be a long time.
LAUREN: Okay. I'll be here.
500
00:30:25,098 --> 00:30:26,528
RENEE: From 21 to 18 day
shoot. Right?
501
00:30:26,532 --> 00:30:29,632
Weren't we talkin'
about that last time on
the telephone?
502
00:30:29,635 --> 00:30:31,635
EVAN: Yeah.
RENEE: Twenty-one to 18.
503
00:30:31,637 --> 00:30:34,797
LESTER: Wait, wait. We were
talkin' about 24 days.
504
00:30:34,806 --> 00:30:37,406
EVAN: We talked about 21.
Now it's down to 18.
505
00:30:37,408 --> 00:30:39,408
LESTER: Alex, wh...what...
506
00:30:39,410 --> 00:30:40,140
EVAN: Can you do in 18?
507
00:30:40,144 --> 00:30:45,614
LESTER: 18 days, I can
do it better. I'm gonna give
you a better product.
508
00:30:45,616 --> 00:30:48,376
LESTER: All right, uh, okay,
good, good. Keep it raw
and gritty.
509
00:30:48,385 --> 00:30:49,775
DARREN: That's what your
style was? Man, that's
your grandpa.
510
00:30:49,786 --> 00:30:53,646
LESTER: Okay, no problem and
no...I mean, I'll use my
handheld...I...I...
511
00:30:53,656 --> 00:30:55,516
EVAN: Let's do
it for 30,000.
512
00:30:55,524 --> 00:30:57,694
The film should make
60 million, right?
So you can do it for 18.
513
00:30:57,692 --> 00:31:00,762
LESTER: Okay. Okay.
Production values are not
gonna suffer. Believe me.
514
00:31:00,761 --> 00:31:04,161
You're gonna love
this rock and roll.
515
00:31:04,330 --> 00:31:07,000
EVAN: Welcome. What can she
do in 18 days? A lot.
516
00:31:06,999 --> 00:31:08,199
LESTER: Can I talk about the
ending?
517
00:31:08,200 --> 00:31:10,000
I was thinkin' about changing
the ending. I had some ideas.
518
00:31:10,001 --> 00:31:13,241
LAUREN: Oh, oh.
LESTER: I think a feel-good
happy ending...
519
00:31:13,238 --> 00:31:15,438
DARREN: No, no, no.
520
00:31:15,440 --> 00:31:17,770
Lester, let's stick to
the plan...
521
00:31:17,775 --> 00:31:22,275
DARREN: I think we need to
stick to what is written
522
00:31:22,279 --> 00:31:26,049
and you have to work
within those boundaries
the way you work so well.
523
00:31:26,049 --> 00:31:26,679
LESTER: Okay.
524
00:31:26,682 --> 00:31:30,652
MAN: Provided you're at
peak form and you're in
your health...
525
00:31:30,652 --> 00:31:34,252
LESTER: Right, right.
DARREN: And all that...
526
00:31:36,156 --> 00:31:39,116
ALEX: You got some friends.
You'll be able to
pull some names...
527
00:31:39,125 --> 00:31:40,815
ROSE: You an actress?
EMMA: Yeah.
528
00:31:40,826 --> 00:31:43,826
ROSE: Are you here for
the audition?
EMMA: Mm-hm.
529
00:31:43,829 --> 00:31:46,829
ROSE: You're pretty.
EMMA: You're pretty.
530
00:31:46,832 --> 00:31:50,902
EMMA: No, you're beautiful.
ROSE: You think so?
531
00:31:50,902 --> 00:31:54,642
EVAN: Whoa, whoa. What...what
do you mean two days?
532
00:31:54,639 --> 00:31:56,739
CONNIE: Why are you sweating?
LESTER: I'm not sweating.
533
00:31:56,741 --> 00:31:59,141
But what do you mean two days
in turnaround? Alex...
534
00:31:59,143 --> 00:32:04,383
LESTER: Alex, what...what is
that two days in turnaround
business? What is this?
535
00:32:04,381 --> 00:32:06,111
ALEX: Sorry, Lester,
you only have two days,
536
00:32:06,116 --> 00:32:07,576
but you can cast it in
two days, couldn't you?
537
00:32:07,584 --> 00:32:09,884
MAN: I've been tryin' since
I... this is my fifth week and
538
00:32:09,886 --> 00:32:13,446
I haven't casted 'em yet.
ALEX: You'll manage.
539
00:32:13,456 --> 00:32:17,516
CONNIE: Lester, you're clean,
aren't ya?
540
00:32:17,792 --> 00:32:19,262
(LESTER MUTTERS)
541
00:32:19,927 --> 00:32:23,027
CONNIE: You're clean, right?
I mean...
542
00:32:23,030 --> 00:32:24,230
We're all adults here.
Um, there's...there's
543
00:32:24,231 --> 00:32:28,271
been a couple rumors and,
uh, I just wanted to make
sure you're not using again.
544
00:32:28,268 --> 00:32:30,738
LESTER: No. I'm not using...
Of course, I'm not using.
545
00:32:30,737 --> 00:32:33,837
CONNIE: Everyone takes a cast
and crew physical before we go
into production.
546
00:32:33,840 --> 00:32:37,710
LESTER: Are you trying to...
CONNIE: Insurance purposes.
547
00:32:37,710 --> 00:32:41,450
ALEX: I'll be right with ya.
LESTER: What are you talkin'
about?
548
00:32:46,885 --> 00:32:50,015
DARREN: I don't think he's
using.
549
00:32:50,021 --> 00:32:51,951
ALEX: We're pretty much done,
aren't we?
550
00:32:51,956 --> 00:32:57,026
RENEE: We'll show you...
our arms if you show us yours.
551
00:32:58,528 --> 00:33:00,858
ALEX: Take notes, Connie,
really.
EVAN: The other one.
552
00:33:00,863 --> 00:33:01,933
RENEE: I...I wanted to
talk to you...
553
00:33:01,930 --> 00:33:04,000
EVAN. The other one. The
other one.
LESTER: All right. No, no,
554
00:33:03,998 --> 00:33:05,558
LESTER: Come on, come on.
EVAN: Show us the other arm.
555
00:33:05,566 --> 00:33:07,226
LESTER: This is a joke...
EVAN: There's your answer.
556
00:33:07,234 --> 00:33:08,604
EVAN: Alex, what's going on?
557
00:33:08,602 --> 00:33:10,642
EVAN: There's your answer.
558
00:33:14,040 --> 00:33:17,510
LESTER: All right, screening.
ALEX: So what you been up to?
559
00:33:17,510 --> 00:33:21,140
LESTER: Screen test is in...
Okay. And I'll see you there.
560
00:33:21,246 --> 00:33:24,006
EMMA: Just wanted to say
hello.
561
00:33:24,281 --> 00:33:26,311
ALEX: Yeah.
562
00:33:26,849 --> 00:33:28,979
MAN: Alex, come on, man.
What is that shit? Two
563
00:33:28,984 --> 00:33:32,594
days? Two days I've been
tryin' to get this for
five weeks now.
564
00:33:32,587 --> 00:33:35,417
ALEX: Don't worry...Two days.
LESTER: What do you mean
don't worry?
565
00:33:35,423 --> 00:33:39,263
EXEC: If I didn't know you so
well, I'd think you were
a racist.
566
00:33:39,260 --> 00:33:42,560
EVAN: You're pushing it.
EXEC: No I'm not pushing it.
567
00:33:45,465 --> 00:33:46,955
ALEX: What?
EVAN: What're you doing?
568
00:33:46,966 --> 00:33:49,466
ALEX: I gotta see my wife.
Uh, I'll talk to you later.
569
00:33:49,468 --> 00:33:53,168
EVAN: So you'll come back?
Are you gonna come back...
570
00:33:56,807 --> 00:34:00,607
ALEX: So, no
flowers, no cards,
571
00:34:00,610 --> 00:34:06,210
no presents and not even
a phone call and it was my
birthday yesterday.
572
00:34:07,716 --> 00:34:11,016
EMMA: You're full of shit.
ALEX: I am.
573
00:34:11,352 --> 00:34:15,452
But if it would have been
my birthday, would you
have called?
574
00:34:15,456 --> 00:34:16,386
LESTER: Okay, kids, uh, you
575
00:34:16,390 --> 00:34:18,720
wanna hear the good news
or you wanna hear the bad
news?
576
00:34:18,725 --> 00:34:20,855
ACTOR: Good news always.
LESTER: All right, the good
577
00:34:20,860 --> 00:34:24,560
news is there ain't no
good news. There's only
bad news. I got two days
578
00:34:24,563 --> 00:34:26,863
to cast this movie or
they're pullin' the plug.
579
00:34:26,865 --> 00:34:30,065
LESTER: They cut my days
down from 24 to 21 days.
580
00:34:30,068 --> 00:34:35,138
And they think I'm fuckin'
usin' drugs again, God dammit.
Fuck!
581
00:34:35,139 --> 00:34:38,409
ASSISTANT: Lester, you are
using drugs again.
582
00:34:38,975 --> 00:34:40,335
ALEX: I've been thinking.
583
00:34:40,343 --> 00:34:43,413
If I took a couple weeks off,
maybe a month.
584
00:34:44,513 --> 00:34:49,223
We could just take a plane
to Venice.
585
00:34:50,117 --> 00:34:58,017
Or Florence. A plane to
Florence and then drive south
for a couple of hours and, uh,
586
00:34:58,024 --> 00:35:03,264
and rent a villa, maybe
in Chianti or why not by
the coast. You know?
587
00:35:03,996 --> 00:35:11,096
Cook our own food and
no scripts, no cell phones,
no faxes.
588
00:35:11,103 --> 00:35:17,243
Only books that can't be
made into movies.
And we'll swim naked.
589
00:35:19,611 --> 00:35:25,751
I'll lick the salt off your
body while you're drying in
the sun.
590
00:35:31,455 --> 00:35:33,345
EMMA: Can I look?
591
00:35:36,325 --> 00:35:40,385
ALEX: Yeah. Of course you can
look. Look in the top drawer.
592
00:35:40,395 --> 00:35:44,355
ROSE: ...money to accomplish
all my desires.
593
00:35:44,365 --> 00:35:48,825
I now have enough time
and energy...
594
00:35:48,836 --> 00:35:52,066
ROSE: To accomplish all
my desires.
595
00:35:52,272 --> 00:35:59,482
ROSE: I am the calm,
especially the peace,
and I see love in everyone.
596
00:35:59,479 --> 00:36:04,519
ROSE: I am the calm,
especially the peace,
597
00:36:04,517 --> 00:36:07,777
and I see love in everyone.
598
00:36:07,786 --> 00:36:11,916
I am the calm,
especially the peace,
and I see love in everyone.
599
00:36:11,923 --> 00:36:16,663
ALEX: It's very hard
to stop drinking when
you're not at home.
600
00:36:17,695 --> 00:36:20,555
You know, I can't...I can't
work, I can't sleep.
601
00:36:20,564 --> 00:36:24,174
ROSE: I believe in
infinite aboondance .
LAUREN: Abundance.
602
00:36:24,167 --> 00:36:26,627
ROSE: And the money is always
there...
603
00:36:26,636 --> 00:36:29,966
ALEX: You know what I think
we should do? We should...
604
00:36:29,972 --> 00:36:32,642
We should buy a
house.
605
00:36:32,641 --> 00:36:35,881
Buy a house in Tuscany,
606
00:36:35,977 --> 00:36:40,847
and move there. You don't
like L.A. anyway, do ya?
607
00:36:40,848 --> 00:36:48,448
ALEX: Moving to London is
not such a good idea. So
let's...let's leave this town.
608
00:36:52,325 --> 00:36:53,915
QUINTUS: For all the radiation
in her earlobe.
609
00:36:53,926 --> 00:36:58,856
ALEX: Do you love me?
EMMA: Is that what you think?
610
00:37:00,665 --> 00:37:04,125
ALEX: What I think is not the
point. Do you love me?
611
00:37:04,135 --> 00:37:06,665
ROSE: I accept it. No.
612
00:37:08,471 --> 00:37:09,241
ROSE: Every day I....
613
00:37:09,238 --> 00:37:15,478
EMMA: I wish I didn't love you
quite so much.
ROSE: Every day...
614
00:37:15,477 --> 00:37:18,847
ALEX: Well, then, I think we
should live together
615
00:37:19,013 --> 00:37:21,083
and I think you should
come back home.
616
00:37:21,081 --> 00:37:22,111
ROSE: Every day...
617
00:37:22,115 --> 00:37:26,915
ALEX: And we'll...
work things out.
618
00:37:29,788 --> 00:37:34,658
I know that you've been a bit
unbalanced lately, but,
619
00:37:34,659 --> 00:37:36,389
uh, maybe you should see
someone, talk to someone.
620
00:37:36,394 --> 00:37:43,034
EVAN: Alex? You're with us
at the screening?
ALEX: Yeah, sure.
621
00:37:43,366 --> 00:37:47,266
EVAN: Sorry to interrupt.
ROSE: I am vibrantly
healthy...
622
00:37:48,370 --> 00:37:52,940
ALEX: Jesus. I wanna
get outta here.
623
00:37:55,843 --> 00:38:00,283
ROSE: I am vibrantly
healthy...
ALEX: What do you say?
624
00:38:00,280 --> 00:38:02,910
ROSE: I am vibrantly...
625
00:38:04,783 --> 00:38:09,593
ROSE: I am always in the right
place at the right time.
626
00:38:10,988 --> 00:38:16,158
ROSE: I am always at the right
place at the right time.
627
00:38:19,061 --> 00:38:21,691
(SCREAMING)
628
00:38:23,264 --> 00:38:26,604
GUARD: Okay, okay. Okay.
It's okay. It's okay.
629
00:38:34,007 --> 00:38:37,137
GUARD: It's okay, it's okay.
630
00:38:51,924 --> 00:38:54,724
EMMA: Alex?
ALEX: Yeah.
631
00:38:54,926 --> 00:38:57,686
EMMA: I'm going to leave you.
632
00:39:03,500 --> 00:39:05,400
ALEX: Yeah.
633
00:39:08,804 --> 00:39:10,344
(PHONE RINGING)
634
00:39:10,338 --> 00:39:12,598
ALEX: I understand.
635
00:39:13,707 --> 00:39:19,077
LAUREN: Get out, get out of
there. It's me. I'm outside.
636
00:39:19,179 --> 00:39:22,149
ROSE: Puppy, go home. I'll
take a taxi. It'll be okay.
637
00:39:22,148 --> 00:39:24,818
LAUREN: No, no, come on out.
638
00:39:40,566 --> 00:39:45,596
ROSE. Puppy, I'm in line,
I have to go in and
do my audition.
639
00:39:45,604 --> 00:39:49,874
LAUREN: You don't understand,
it's not worth it.
640
00:39:50,441 --> 00:39:53,181
ROSE: Puppy, go home.
641
00:39:54,545 --> 00:39:57,275
ROSE: You don't know how hard
it was to get this audition.
642
00:39:57,281 --> 00:39:59,681
ROSE: I cannot do that.
I'll be fine.
643
00:39:59,683 --> 00:40:03,423
Just go home. I'll take a
taxi. It'll be okay.
644
00:40:05,288 --> 00:40:08,118
ALEX: Hello? Yeah, hi Bunny.
645
00:40:08,124 --> 00:40:09,064
BUNNY: Hey, how you doing?
646
00:40:09,058 --> 00:40:14,528
ALEX: Oh, just fine. How you
doing?
BUNNY: It's making me crazy.
647
00:40:14,530 --> 00:40:16,360
ALEX: Yeah. This is a...
648
00:40:16,365 --> 00:40:18,225
BUNNY: I'm a little early. I'm outside your offices.
649
00:40:18,233 --> 00:40:22,273
I thought if you got a second, why don't we grab a cup of coffee, something.
650
00:40:22,270 --> 00:40:25,540
I wanna talk to you. Got a minute?
651
00:40:25,539 --> 00:40:28,769
ALEX: I'm actually in a
meeting right now.
652
00:40:28,775 --> 00:40:30,535
BUNNY: You are. Oh. All right. All right.
653
00:40:30,543 --> 00:40:32,683
Well, listen, uh, I'll take a rain check. I wanna get
654
00:40:32,678 --> 00:40:37,908
together with you sort of, you know, away from all the business. Okay?
655
00:40:37,916 --> 00:40:40,116
ALEX: Yeah. Absolutely.
BUNNY: Great.
656
00:40:40,118 --> 00:40:42,518
BUNNY: Oh, and, um, one other thing. I wanna give you a heads up.
657
00:40:42,520 --> 00:40:49,530
Ana Powells wants to bring in her boyfriend into this pitch meeting.
658
00:40:49,860 --> 00:40:53,860
And, uh, you know, normally, I would say no, but, uh, his name is Joey
659
00:40:53,864 --> 00:40:56,204
Zee. He's in this band, Walk Don't Run, and... and, uh, this thing just
660
00:40:56,199 --> 00:40:58,899
went platinum. So...
WOMAN: Hello?
BUNNY: He wants to
661
00:40:58,901 --> 00:41:01,431
do the soundtrack. I think it will be a great addition.
662
00:41:01,436 --> 00:41:03,396
WOMAN: Hi, how are you?
BUNNY: And she seems, you know, very intent on
663
00:41:03,404 --> 00:41:07,274
having him there, so I thought no problem, but...
WOMAN: Are you a little busy?
664
00:41:07,274 --> 00:41:09,314
BUNNY: Would you do me a favor and let everybody know?
665
00:41:09,309 --> 00:41:12,209
ALEX: Absolutely.
BUNNY: Great. I think...
666
00:41:12,211 --> 00:41:13,741
uh, and let's see what they have to offer...
667
00:41:13,745 --> 00:41:18,005
ACTRESS: Remember I had that
audition today?
668
00:41:18,015 --> 00:41:23,445
It was good. He wants me to
stay and maybe read it
with him again later.
669
00:41:24,053 --> 00:41:28,563
ACTRESS: Yeah, yeah.
It's good.
670
00:41:28,557 --> 00:41:32,327
ACTRESS: He gave me shit
about the script.
ALEX: See you in half an hour.
671
00:41:32,327 --> 00:41:34,357
BUNNY: I'll see you in half.
ALEX: Okay.
672
00:41:34,362 --> 00:41:37,002
ACTRESS: You should've
sent it.
BUNNY: Thanks, Alex.
673
00:41:36,997 --> 00:41:40,227
ACTRESS: You didn't send the
script.
674
00:41:43,069 --> 00:41:47,539
(PHONE RINGING)
675
00:41:47,540 --> 00:41:52,540
ACTRESS: It does matter 'cause
this is not the first time
this has happened.
676
00:41:55,714 --> 00:41:57,414
ROSE: Alex.
ALEX: Hey, Rose.
677
00:41:57,415 --> 00:42:00,615
ROSE WHISPERING:
Where the hell are you?
Listen to me.
678
00:42:00,619 --> 00:42:02,989
ALEX: Uh, I'm on my
way. I'm in a meeting
679
00:42:02,988 --> 00:42:04,918
right now, but I'll be...
I'll be right...
right with you.
680
00:42:04,923 --> 00:42:06,493
ROSE: Shh. There... there's
people...there's
681
00:42:06,491 --> 00:42:11,231
people in the room.
There's people in the
screening room.
682
00:42:11,229 --> 00:42:13,529
ALEX: What?
ACTRESS: After
everything I've done?
683
00:42:13,531 --> 00:42:16,571
ALEX: What?
I forgot about that.
684
00:42:17,167 --> 00:42:23,837
ACTRESS: I signed with you,
not with your assistant.
685
00:42:36,452 --> 00:42:38,852
ALEX: I forgot about that.
686
00:42:51,199 --> 00:42:55,969
ACTRESS: If you don't respect
me, then...
687
00:42:59,740 --> 00:43:02,170
FEMALE VOICE: After everything
that's happened.
688
00:43:02,175 --> 00:43:08,645
MALE VOICE: Because I still
see the little girl might
want to come...innocent
689
00:43:08,648 --> 00:43:11,648
one. Before the tragic
accident...
690
00:43:11,651 --> 00:43:12,951
ROSE WHISPERING:
They're here.
691
00:43:12,952 --> 00:43:15,352
MALE VOICE: Boating accident.
ROSE: What?
692
00:43:15,354 --> 00:43:19,664
ALEX: I got a better
idea. I'm gonna hang up.
693
00:43:27,866 --> 00:43:30,026
MALE VOICE: Yeah. The truth...
the truth will - the
694
00:43:30,034 --> 00:43:35,874
truth will set you free.
FEMALE VOICE: Oh, yes, yes.
695
00:43:40,177 --> 00:43:45,277
MALE VOICE: What? After all
your lies, do you know
who you are anymore?
696
00:43:45,282 --> 00:43:49,722
FEMALE VOICE: No, but I found
you, I did.
MAN: Hey.
697
00:43:49,719 --> 00:43:53,749
FEMALE VOICE:
Oh...
698
00:43:53,756 --> 00:43:56,186
MALE VOICE:
I still believe you.
699
00:43:56,191 --> 00:43:58,421
FEMALE VOICE:
Oh Jason.
700
00:43:58,426 --> 00:44:00,726
(GROANS OF PASSION)
701
00:44:14,374 --> 00:44:19,084
MALE VOICE:
Is this the old Valerie or
is this the new one?
702
00:44:20,312 --> 00:44:24,112
MALE VOICE:
Or is this the new new one?
703
00:44:24,115 --> 00:44:26,945
FEMALE VOICE:
It's the new new one.
704
00:44:26,951 --> 00:44:33,421
Now that you're here,
everything is brand
spanking new new.
705
00:44:33,424 --> 00:44:35,624
(KNOCKING ON THE WINDOW)
706
00:44:38,629 --> 00:44:42,129
LESTER: Okay and ready,
Diamond?
WOMAN: I'm ready.
707
00:44:42,132 --> 00:44:44,132
LESTER: And action.
708
00:44:44,134 --> 00:44:46,804
EVAN: Diamond...
EXEC: Actress...
709
00:44:47,403 --> 00:44:49,573
ACTRESS: Hi.
LAUREN: Hi.
710
00:44:49,571 --> 00:44:52,571
ACTRESS: You have a light?
LAUREN: A light?
711
00:44:52,574 --> 00:44:55,584
LAUREN: Yes, sure.
712
00:44:58,913 --> 00:45:02,713
RENEE: I mean, she seems
very...sweet.
713
00:45:02,716 --> 00:45:07,946
ACTRESS: Do I know you?
LAUREN: Do I know you?
714
00:45:10,623 --> 00:45:12,423
LAUREN: No.
715
00:45:32,043 --> 00:45:34,443
FEMALE VOICE: Oh yeah.
716
00:45:37,314 --> 00:45:40,014
FEMALE VOICE: It's so good.
717
00:45:47,723 --> 00:45:52,963
FEMALE VOICE: Now that I've
found you...
MALE VOICE: I was just...
718
00:45:52,961 --> 00:45:55,731
(PASSIONATE GROANING)
719
00:45:59,533 --> 00:46:00,673
LESTER: Just do your lines.
720
00:46:00,667 --> 00:46:04,937
LESTER: Keep it going, just
keep it going. I have to
get more. That...that
721
00:46:04,937 --> 00:46:09,667
orgasm. Orgasm. That's
good. Orgasm. That's
good, that's good. Okay,
722
00:46:09,675 --> 00:46:12,405
you can come down now.
723
00:46:13,745 --> 00:46:17,575
(WOMAN SQUEALING)
724
00:46:18,149 --> 00:46:22,779
WOMAN: Okay.
MAN: One more...Okay,
action.
725
00:46:59,856 --> 00:47:04,926
FEMALE VOICE: Everything is
just brand spanking new.
726
00:47:13,302 --> 00:47:16,372
(PASSIONATE GROANING)
727
00:47:16,371 --> 00:47:19,041
MAN: Yeah, yeah, yeah.
728
00:47:19,106 --> 00:47:20,436
LESTER: One more take.
729
00:47:20,440 --> 00:47:22,970
LESTER: Okay, action.
730
00:47:24,576 --> 00:47:27,136
MAN: Third one, this is
Jessica...
731
00:47:27,145 --> 00:47:30,575
MAN: She's reading for
the bitch's mother?
732
00:47:42,459 --> 00:47:46,189
FEMALE VOICE: It feels so good
to unburden myself.
733
00:47:51,167 --> 00:47:54,737
MALE VOICE: Keep it going.
FEMALE VOICE: oh yes.
734
00:47:54,737 --> 00:47:57,267
MALE VOICE: I want it, I...
735
00:47:57,272 --> 00:48:02,982
LESTER: It's supposed to be
the first take. This is the
second take.
736
00:48:12,619 --> 00:48:16,519
WOMAN'S VOICE: That's okay,
we can get an idea, Lester.
737
00:48:18,190 --> 00:48:22,490
MALE VOICE: It doesn't matter.
She's bad. She's a
bad actress.
738
00:48:34,405 --> 00:48:39,005
(MOANING)
739
00:48:52,322 --> 00:48:58,592
MALE VOICE: Amateur hour.
But, um, I thought I'd
give you a racial gamut.
740
00:48:58,594 --> 00:49:03,704
FEMALE VOICE: No.
Colorblind auditioning
is great.
741
00:49:03,699 --> 00:49:07,169
MALE VOICE: No? It's good
that it's colorblind.
It's, uh, it's tone deaf.
742
00:49:07,169 --> 00:49:09,669
It's all those things.
743
00:49:14,008 --> 00:49:18,578
(MOANING)
744
00:49:34,394 --> 00:49:39,004
ALEX: Hey.
WOMAN: I missed you.
745
00:49:43,936 --> 00:49:48,096
ALEX: I missed
you, too.
746
00:49:56,981 --> 00:50:01,051
O Rose thou art sick.
747
00:50:01,951 --> 00:50:05,791
The invisible worm,
That flies in the night
748
00:50:05,788 --> 00:50:08,318
In the howling storm:
749
00:50:08,323 --> 00:50:13,433
Has found out thy bed
Of crimson joy:
750
00:50:14,829 --> 00:50:18,929
And his dark secret love
751
00:50:19,266 --> 00:50:23,966
Does thy life destroy.
752
00:50:24,804 --> 00:50:30,214
WOMAN: That's beautiful.
Did you write that for
me?
753
00:50:31,210 --> 00:50:35,080
ALEX: Yeah.
WOMAN: Wow.
754
00:50:35,080 --> 00:50:39,420
ALEX: Well, I had some help
from a guy named Blake.
755
00:50:40,217 --> 00:50:46,287
WOMAN: It's okay. I made
you a cake.
ALEX: What?
756
00:50:46,289 --> 00:50:50,819
WOMAN: I made you a cake.
ALEX: Yes, you
did.
757
00:50:53,028 --> 00:50:55,088
WOMAN: I'm
serious.
ALEX: Oh,
758
00:50:55,096 --> 00:50:59,026
glamorous.
WOMAN: And it's fat free,
sugar free, too. I hope
759
00:50:59,033 --> 00:51:01,503
you like it there.
760
00:51:02,269 --> 00:51:06,069
I didn't realize that we
had a picnic.
761
00:51:13,279 --> 00:51:19,749
Here. It's vanilla.
762
00:51:21,487 --> 00:51:22,987
ALEX: Vanilla.
Okay.
763
00:51:22,988 --> 00:51:25,318
WOMAN: Come, come. We're
havin' a...
764
00:51:25,323 --> 00:51:27,663
picnic, darling.
765
00:51:33,864 --> 00:51:40,034
Don't want to forget to put my
underwear on. Really tragic.
766
00:51:41,504 --> 00:51:42,644
FEMALE VOICE: We should
find Alex. I don't wanna
767
00:51:42,638 --> 00:51:46,468
start this without Alex.
It's just gonna look bad
and I, and I don't want it to
768
00:51:46,475 --> 00:51:50,905
look bad. I want, I want
her to connect with us.
769
00:51:54,115 --> 00:51:59,115
MALE VOICE: Didn't say a word.
She hardly said a word.
770
00:52:03,390 --> 00:52:06,660
I mean, apart from the fact
that it looks bad that he's
not here. He's the only one
771
00:52:06,659 --> 00:52:09,689
that knows how to speak
that obtuse language. I
mean, I spoke to Bunny
772
00:52:09,695 --> 00:52:13,255
yesterday and he said
this girl is so smart,
she's so like speaks in
773
00:52:13,265 --> 00:52:16,265
another code.
FEMALE VOICE: The other
thing is she may refuse
774
00:52:16,268 --> 00:52:19,268
to actually meet with us.
MALE VOICE: Emma?
775
00:52:21,539 --> 00:52:25,309
Hi. How
are you?
776
00:52:26,510 --> 00:52:30,140
ALEX: Oh, this is
an amazing, They're
sugar free, fat free and
777
00:52:30,146 --> 00:52:33,146
everything free. I can't
believe it isn't cake.
778
00:52:33,215 --> 00:52:38,785
WOMAN: And you're telling the
truth, not just saying it.
MALE VOICE: Yeah, I am.
779
00:52:38,787 --> 00:52:42,117
FEMALE VOICE: No matter
what we agree with, with,
with Anna, we just
780
00:52:42,123 --> 00:52:43,423
support her, her
philosophy and
everything.
781
00:52:43,424 --> 00:52:46,964
FEMALE VOICE: What they
will do. We will do
whatever she wants to do.
782
00:52:46,960 --> 00:52:48,730
MALE VOICE:
Yeah.
FEMALE VOICE: She's
783
00:52:48,728 --> 00:52:50,488
fantastic.
MALE VOICE: Anna? Uh.
784
00:52:50,496 --> 00:52:52,256
FEMALE VOICE: I thought
it was beautiful.
785
00:52:52,264 --> 00:52:54,664
MALE VOICE: Yeah. That's
good. Save a lot of
786
00:52:54,666 --> 00:52:58,066
money, too. Which is, uh,
makes us all happy.
FEMALE VOICE: Yeah. How
787
00:52:58,069 --> 00:53:01,869
are you?
MALE VOICE: Oh, I'm good,
you know. Never stop.
788
00:53:01,872 --> 00:53:04,012
Work, work, work.
FEMALE VOICE: Yeah.
789
00:53:04,007 --> 00:53:08,737
WOMAN: But baby, It's dirty.
We just had sex there.
ALEX: Well, that's
790
00:53:08,745 --> 00:53:12,275
so much better now.
MALE VOICE: I'm callin'
you guys up. It seems
791
00:53:12,281 --> 00:53:15,721
like we hadn't seen you
in forever. But, uh, I, uh,
792
00:53:16,951 --> 00:53:22,051
FEMALE VOICE: Pig.
MALE VOICE: - and, uh, he
always hates,
793
00:53:22,389 --> 00:53:24,489
MALE VOICE: I'd like to
take a minute.
FEMALE VOICE: I like the
794
00:53:24,491 --> 00:53:27,631
things you do.
MALE VOICE: Uh, maybe I
should just lay it out
795
00:53:27,627 --> 00:53:29,957
there. I, I, I've heard
some talk, you know. I
mean, um-
796
00:53:29,962 --> 00:53:32,602
WOMAN: Do you remember
you told me you were
gonna give me that
797
00:53:32,597 --> 00:53:36,467
audition?
WOMAN: Did you get it?
798
00:53:36,867 --> 00:53:40,297
MALE VOICE: I guess when
Alex is on, you know,
there's nobody better.
799
00:53:40,303 --> 00:53:43,003
WOMAN: But you're the
boss.
ALEX: Yeah. I am
800
00:53:43,005 --> 00:53:46,665
the boss.
WOMAN: How is your tea?
But you're the boss. You
801
00:53:46,675 --> 00:53:48,535
should be able to get it.
ALEX: I am able to
get it.
802
00:53:48,543 --> 00:53:52,283
WOMAN: Because I saw
they're auditioning all
these girls. You know,
803
00:53:52,280 --> 00:53:54,880
I'm not asking you to
give me the part, I just
wanna know, would you
804
00:53:54,882 --> 00:53:58,352
please get me this
audition? You with me or
not?
805
00:53:58,352 --> 00:54:00,352
MALE VOICE: The, the
company is, is nothing
like,
806
00:54:00,354 --> 00:54:06,564
ALEX: I bought a
house in Tuscany and, uh,
I just moved there, you
807
00:54:06,560 --> 00:54:09,860
know?
MALE VOICE: That darn
lifestyle.
808
00:54:09,863 --> 00:54:12,533
ALEX: Would you
have babies with me?
FEMALE VOICE: Alex? Alex?
809
00:54:12,532 --> 00:54:18,702
MALE VOICE: I really think he
needs to get it under control.
WOMAN: Alex. Oh, Alex.
810
00:54:18,704 --> 00:54:24,844
You aren't really wanna
have babies. But I can't
have babies right now.
811
00:54:28,546 --> 00:54:30,806
FEMALE VOICE: I'd really
like to talk to you.
WOMAN: I, I'd love to do
812
00:54:30,814 --> 00:54:34,324
that, but I want to have
a career first, you know?
ALEX: Of course,
813
00:54:34,317 --> 00:54:39,017
of course. So, um,
FEMALE VOICE: But that
would be my dream, baby,
814
00:54:39,021 --> 00:54:44,891
if I could have this
career going and once
it's going we could go to
815
00:54:44,893 --> 00:54:49,263
Tuscany and have a baby,
MALE VOICE: Yeah. Uh, we
go back,
816
00:54:49,264 --> 00:54:53,534
WOMAN: Have you seen Alex?
GUARD: No.
817
00:54:53,534 --> 00:54:56,944
FEMALE VOICE: Yeah.
818
00:54:59,172 --> 00:55:01,212
MALE VOICE: You look
good. Are you workin' or
819
00:55:01,207 --> 00:55:03,007
you, You doing anything?
ALEX: I have a
820
00:55:03,008 --> 00:55:05,938
meeting. I gotta go,
darling. I'm sorry.
WOMAN: Alex, you just got
821
00:55:05,944 --> 00:55:09,054
here.
ALEX: I can't get
you an audition if I
822
00:55:09,047 --> 00:55:12,417
don't have a company to
run. I have a company.
I've got to go to
823
00:55:12,417 --> 00:55:16,687
meetings. Where's my
jacket?
824
00:55:17,821 --> 00:55:19,991
FEMALE VOICE: You know what?
825
00:55:19,989 --> 00:55:21,859
MALE VOICE: I know,
FEMALE VOICE: Okay.
826
00:55:21,857 --> 00:55:24,717
MALE VOICE: Okay.
MALE VOICE: Good to see
ya. Bye.
827
00:55:24,726 --> 00:55:27,426
WOMAN: I go through a lot
of trouble to spend some
time with you. Do you, I
828
00:55:27,428 --> 00:55:31,198
don't know if you realize
how much trouble I go
through and I bake you
829
00:55:31,198 --> 00:55:34,728
some cake and you can't
just come in here and
fuck me and just get out
830
00:55:34,734 --> 00:55:38,504
of it.
MALE VOICE: All right.
WOMAN: All right, what do
831
00:55:38,504 --> 00:55:40,774
you think you're,
ALEX: Uh, it's a
bit complicated right
832
00:55:40,772 --> 00:55:42,972
now.
WOMAN: What do you think
it feels like?
833
00:55:42,974 --> 00:55:47,184
ALEX: It's gonna
be okay soon. It's gonna
be okay soon.
834
00:55:50,047 --> 00:55:53,417
WOMAN: You're just, are you
playing with me?
835
00:55:57,821 --> 00:56:01,021
I'm not a whore you know? You
can't treat me like this.
836
00:56:01,025 --> 00:56:05,625
ALEX: I know. I
can't treat anybody like
that.
837
00:56:05,629 --> 00:56:11,299
WOMAN: Alex, your cake.
ALEX: Yeah.
838
00:56:11,301 --> 00:56:13,671
ALEX: I loved it. It was
a great cake.
WOMAN: What about my audition?
839
00:56:13,670 --> 00:56:20,540
ALEX: Tomorrow. I'll plug
ya. I'll call you this
afternoon, okay?
840
00:58:22,498 --> 00:58:26,598
FEMALE VOICE: Are you
here for the audition?
FEMALE VOICE: Yeah.
841
00:58:30,472 --> 00:58:33,712
FEMALE VOICE: Are you an
actress?
842
00:59:00,101 --> 00:59:03,271
FEMALE VOICE: Did you
find the lead? Did you
find the lead to your
843
00:59:03,270 --> 00:59:06,170
movie? Did you find her?
MALE VOICE: Out of this
fucking,
844
00:59:06,172 --> 00:59:08,672
FEMALE VOICE: Come on.
845
00:59:39,304 --> 00:59:44,974
MALE VOICE: Wow. You are
something else. Hi. I'm,
846
00:59:44,976 --> 00:59:48,876
Lester Moore, film director.
847
00:59:49,679 --> 00:59:53,709
WOMAN: Lester Moore. The
Lester Moore?
848
00:59:53,716 --> 00:59:55,416
MALE VOICE: Yeah. Yeah.
WOMAN: Oh, my God. Are
849
00:59:55,417 --> 00:59:58,177
you really Lester Moore?
MALE VOICE: Yeah. Oh,
yeah, of course.
850
00:59:58,186 --> 01:00:05,756
WOMAN: I am a huge fan. I
am no, not. No shit now.
I am a huge fan.
851
01:00:05,760 --> 01:00:10,830
You know, uh, I'm Mexican and
your films are like
really big in Mexico. Uh,
852
01:00:10,831 --> 01:00:15,731
Uh, Yo Grandpa ? It's like one
of my favorite films. I've
seen it a thousan...
853
01:00:15,735 --> 01:00:20,665
Yeah, Yo Grandpa !
Yo Grandpa !
854
01:00:21,240 --> 01:00:24,610
LESTER: Yo Grandpa .
FEMALE VOICE: Yeah Yo Grandpa !
855
01:00:24,610 --> 01:00:26,010
MALE VOICE: And, and,
and, Who are you?
856
01:00:26,011 --> 01:00:29,511
WOMAN: I am Rose and I'm
an actress.
MALE VOICE: Rose. Uh, I
857
01:00:29,514 --> 01:00:35,184
have, one of these once in a
lifetime feelings that, you,
858
01:00:36,086 --> 01:00:37,016
MALE VOICE: I'm at Sally's.
859
01:00:37,020 --> 01:00:43,290
LESTER: I am casting a movie
right now for Louisiana, and
I'm...looking for a star.
860
01:00:43,292 --> 01:00:44,422
FEMALE VOICE: Get outta
here.
861
01:00:44,426 --> 01:00:46,826
MALE VOICE: No. I swear
to God. I swear to God. I
swear.
862
01:00:46,828 --> 01:00:48,688
WOMAN: Are you pulling my
leg?
MALE VOICE: No, I'm not
863
01:00:48,696 --> 01:00:51,196
pulling your leg.
WOMAN: It would be very
cruel if you were, you
864
01:00:51,198 --> 01:00:56,168
know. Because I am an
actress and I'm a huge
fan. I couldn't take it
865
01:00:56,169 --> 01:00:57,499
if you were kidding about
that.
MALE VOICE: I would like
866
01:00:57,503 --> 01:01:03,513
you to read for me right
now. Could you do that for me?
FEMALE VOICE: I'd love to!
867
01:01:03,509 --> 01:01:05,209
MALE VOICE: Would you?
Come on.
868
01:01:05,210 --> 01:01:08,410
FEMALE VOICE: Oh, Lester.
MALE VOICE: Come on.
869
01:01:08,813 --> 01:01:13,183
FEMALE VOICE: I'd love to.
WOMAN: No, you, No, you
870
01:01:13,184 --> 01:01:15,854
don't know, You don't
know what means to,
MALE VOICE: No, no, you
871
01:01:15,853 --> 01:01:18,753
don't know what this
means to me. I've been
lookin' for somebody for
872
01:01:18,755 --> 01:01:20,885
five weeks and I saw you,
the second I saw you,
WOMAN: Oh, no. I've been
873
01:01:20,890 --> 01:01:22,860
looking for somebody all
my life -
MALE VOICE: - I knew you
874
01:01:22,858 --> 01:01:26,258
would be it.
WOMAN: - that would
discover me, you know,
875
01:01:26,261 --> 01:01:29,401
because, uh, I always,
MALE VOICE: Well, I, I
am it and you are it and
876
01:01:29,397 --> 01:01:34,897
we will be it together.
And let's go right now.
WOMAN: Oh Lester!
877
01:01:34,902 --> 01:01:38,972
Are you shitting me? Are, are
you for real?
MALE VOICE: I am Lester
878
01:01:38,972 --> 01:01:43,272
Moore. I am working at
the Red Mullet Production
Office and we're gonna go
879
01:01:43,276 --> 01:01:46,476
right now and we're
gonna read you.
WOMAN: Okay.
880
01:01:46,479 --> 01:01:51,249
LESTER: Okay? Come on.
WOMAN: Right. Um, can you
give me one second?
881
01:01:51,250 --> 01:01:55,190
Please don't go anywhere.
FEMALE VOICE: Oh, my God.
FEMALE VOICE: I, I just
882
01:01:55,187 --> 01:01:59,887
need to do something,
FEMALE VOICE: Oh, my God.
Joey.
883
01:01:59,891 --> 01:02:02,791
FEMALE VOICE: Don't you
go anywhere.
884
01:02:11,168 --> 01:02:17,338
JOEY: Uh-oh, uh-oh. We got we
got friends. We got
friends. (SHUTTERS CLICKING)
885
01:02:17,406 --> 01:02:22,036
No, this isn't my...I'm
with...here, sorry.
886
01:02:28,516 --> 01:02:30,046
MALE VOICE: Anna, I want
you to meet a friend of
mine.
887
01:02:30,050 --> 01:02:32,450
MALE VOICE: Wait, wait,
wait. Get back here for a
second.
888
01:02:32,452 --> 01:02:33,852
MALE VOICE: Emma Greene.
FEMALE VOICE: Oh.
889
01:02:33,853 --> 01:02:35,523
FEMALE VOICE: Hello.
MALE VOICE: - wife. We're
gonna go in and meet Alex
890
01:02:35,521 --> 01:02:37,591
in just a moment. You
know, Anna,
WOMAN: I have to stay
891
01:02:37,589 --> 01:02:42,389
longer because now I'm
gonna be reading for the
director. So it's gonna
892
01:02:42,393 --> 01:02:46,733
take me a little longer,
baby. Maybe you wanna go
home?
893
01:02:46,730 --> 01:02:50,300
LAUREN: Who's the
director?
WOMAN: The director is
894
01:02:50,300 --> 01:02:52,300
Lester Moore.
LAUREN: Oh, my
God.
895
01:02:52,302 --> 01:02:54,872
WOMAN: He's big in Mexico.
896
01:02:55,538 --> 01:02:56,768
MALE VOICE: Alex. We're
going to meet Alex.
897
01:02:56,772 --> 01:03:01,912
WOMAN: Yeah, that's him.
That's him. I'm reading
for him right now. Baby,
898
01:03:04,712 --> 01:03:07,382
I'm so excited. Oh, my
God. I'm really nervous.
What if I fuckin' blow
899
01:03:07,381 --> 01:03:14,291
it? What if I fuckin' blow it?
Tell me that I'm good.
WOMAN: You're good.
900
01:03:14,287 --> 01:03:21,857
WOMAN: Tell me that you
love me.
WOMAN: I love you.
901
01:03:21,861 --> 01:03:27,161
WOMAN: Tell me I can do it.
WOMAN: You can do it.
902
01:03:34,106 --> 01:03:40,436
ALEX: Over there alone. I
wanna get outta here.
FEMALE VOICE: Let me
903
01:04:02,967 --> 01:04:08,767
FEMALE VOICE: Want me to
call you a cab? I'd love
to do that for you.
904
01:04:14,210 --> 01:04:18,480
FEMALE VOICE: Bitch. Yes,
honey, I'm the bitch.
905
01:04:20,515 --> 01:04:23,675
FEMALE VOICE: Okay.
MALE VOICE: Yeah.
906
01:04:42,669 --> 01:04:44,369
MALE VOICE: Yeah, you
know, it's a little
unprofessional, but okay,
907
01:04:44,370 --> 01:04:50,970
I'll read, Now, this,
this is a scene we're
gonna do. And in the...
908
01:04:50,976 --> 01:04:54,036
MALE VOICE: Valerie
Falcon, daughter of
909
01:04:54,045 --> 01:04:56,745
Vincent, the alligator
skinner.
MALE VOICE: Exactly. And
910
01:04:56,747 --> 01:05:01,117
you have been Amanda, who
was her best friend.
MALE VOICE: Who tragically
911
01:05:01,118 --> 01:05:03,418
died in a boating
accident.
FEMALE VOICE: And you are
912
01:05:03,420 --> 01:05:07,960
WOMAN: And you are Jason P.
Wilson from Home, Louisiana.
MALE VOICE: I'm afraid so.
913
01:05:07,957 --> 01:05:09,157
FEMALE VOICE: He's
retiring.
914
01:05:09,158 --> 01:05:10,858
FEMALE VOICE: And do you
know who I really am?
MALE VOICE: You're
915
01:05:10,859 --> 01:05:14,889
Valerie. Valerie Falcon,
daughter of Vincent, the
alligator skinner.
916
01:05:14,896 --> 01:05:17,096
MALE VOICE: Rene, where'd
we find,
FEMALE VOICE: His office.
917
01:05:17,098 --> 01:05:20,928
MALE VOICE: He's in his
office.
MALE VOICE: Gimme a minute.
918
01:05:27,541 --> 01:05:29,441
MALE VOICE: Because the
truth will set you free.
919
01:05:29,442 --> 01:05:33,912
FEMALE VOICE: Oh, yes,
yes, I think I'm falling
in love. Yes.
920
01:05:33,913 --> 01:05:37,553
MALE VOICE: After all
your lies, how do you
even know who you are
921
01:05:37,549 --> 01:05:39,979
anymore?
FEMALE VOICE: Well, now
that I found you, I do.
922
01:05:39,984 --> 01:05:41,724
MALE VOICE: Tell me
somebody, what's goin'
on?
923
01:05:41,719 --> 01:05:45,019
FEMALE VOICE: Oh, Jason,
I'm just so,
MALE VOICE: What's this?
924
01:05:45,022 --> 01:05:46,692
ALEX: Oh, it's, uh...
MALE VOICE: Dusting the
925
01:05:46,690 --> 01:05:48,820
crayons?
MALE VOICE: We're in a
meeting, man. We gotta be
926
01:05:48,825 --> 01:05:51,625
in a meeting in like
two minutes. Everybody's here.
927
01:05:51,627 --> 01:05:54,027
FEMALE VOICE: - and now
that you're here,
MALE VOICE: Well, just
928
01:05:54,029 --> 01:05:56,899
get in the office. Get in
the office.
MALE VOICE: You weren't
929
01:05:56,898 --> 01:05:58,758
there this morning. You
weren't at the screening
for Lester, you
930
01:05:58,766 --> 01:06:03,836
know, I need you to do one
thing, for us, all of us, and
just get in the meeting.
931
01:06:03,837 --> 01:06:09,967
MALE VOICE: Okay.
MALE VOICE: Come on, what's
the matter? Can you do that?
932
01:06:09,976 --> 01:06:11,036
ALEX: Can you
please do this?
933
01:06:11,043 --> 01:06:13,043
MALE VOICE: No, no, no,
no. I'm doing for you all
the time, man. I'm
934
01:06:13,045 --> 01:06:15,175
covering your ass and
doing for you. You just
do this for me. Do this
935
01:06:15,180 --> 01:06:21,920
for us. Just do it, what's the
big fucking deal?
I don't care!
936
01:06:21,920 --> 01:06:26,820
You're gonna get fired. I just
want you in the meeting!
937
01:06:26,890 --> 01:06:30,320
MALE VOICE: Would you,
Hey, gimme my gun.
938
01:06:30,492 --> 01:06:34,162
(STRUGGLING)
939
01:06:34,996 --> 01:06:36,626
MALE VOICE: I just want
you in the meeting. I
940
01:06:36,630 --> 01:06:40,000
just want you in the
fucking meeting. Is that
asking too much? It's the
941
01:06:40,000 --> 01:06:44,740
one fuckin' thing I want
from you. Don't kill us.
Don't destroy us all.
942
01:06:44,738 --> 01:06:50,108
Don't kill yourself
either, man. Just, just
get it together. You can
943
01:06:50,110 --> 01:06:54,750
do that. You can get it
together. We'll put you
in a little clinic, you can
944
01:06:54,747 --> 01:06:57,647
get all cleaned up for a
little while. You'll be
good as new. But do it
945
01:06:57,649 --> 01:06:59,649
after the day, okay?
ALEX: Yeah, I'm
fine.
946
01:06:59,651 --> 01:07:04,051
MALE VOICE: We'll get you
cleaned up. We'll get you
feeling as good as new.
947
01:07:04,822 --> 01:07:07,762
Come here. Just go
upstairs. Come on.
948
01:07:09,760 --> 01:07:14,430
WOMAN: Do you know who I am?
MALE VOICE: You're
Valerie. Valerie Falcon,
949
01:07:14,431 --> 01:07:19,631
daughter of Vincent, the
alligator skinner.
FEMALE VOICE: Hate me,
950
01:07:19,636 --> 01:07:21,866
MALE VOICE: Come on.
FEMALE VOICE: - after all
that's happened?
951
01:07:21,871 --> 01:07:24,171
MALE VOICE: No. Because I
still see you for the
innocent girl you were
952
01:07:24,173 --> 01:07:27,943
before that tragic
boating accident.
FEMALE VOICE: Oh, my God,
953
01:07:27,943 --> 01:07:33,783
Jason. It - It feels so good
to unburden myself.
954
01:07:33,782 --> 01:07:36,722
MALE VOICE: The truth
will set you free.
955
01:07:36,718 --> 01:07:38,518
FEMALE VOICE: Mmm, yes,
dear.
MALE VOICE: - a minute
956
01:07:38,519 --> 01:07:42,119
ago. They're
in the lobby.
957
01:07:43,356 --> 01:07:48,126
MALE VOICE: I think I'm
falling in love with you all
over again.
958
01:07:56,335 --> 01:07:59,935
MALE VOICE: - me all the
time, Valerie. And after
all your lies, do you
959
01:07:59,938 --> 01:08:04,108
even know who you are
anymore?
FEMALE VOICE: Listen to
960
01:08:04,108 --> 01:08:11,908
me. Listen to me. Now
that I found you, I don't...
961
01:08:11,915 --> 01:08:18,415
MALE VOICE: I've never
stopped loving you.
MALE VOICE: Is that
962
01:08:18,421 --> 01:08:24,061
right?
FEMALE VOICE: Oh, Jason.
Oh, Jason.
963
01:08:24,059 --> 01:08:28,259
MALE VOICE: And here
she is.
MALE VOICE: Anna Powells.
964
01:08:33,935 --> 01:08:36,235
ANNA: Joey Zee, my partner.
965
01:08:36,237 --> 01:08:38,337
MALE VOICE: And, uh,
Alex, did you -
966
01:08:38,339 --> 01:08:41,209
MALE VOICE: Well, if you
haven't heard it, Joey
Zee, Walk Don't Run,
967
01:08:41,208 --> 01:08:43,468
you've been livin' under
a rock.
MALE VOICE: Walk Don't
968
01:08:43,476 --> 01:08:46,676
Run, they're, they're
gonna play together and,
uh, he's gonna, he's
969
01:08:46,679 --> 01:08:48,249
gonna help her out with
the pitch.
MALE VOICE: Yeah.
970
01:08:48,247 --> 01:08:53,077
MALE VOICE: Joey's here
to accompany Anna's pitch
and, uh, we're lucky to
971
01:08:53,085 --> 01:08:55,015
have 'em both, so happy
to be here.
FEMALE VOICE: Wow.
972
01:08:55,020 --> 01:08:58,450
MALE VOICE: Welcome to
the Red Mullet.
ANNA: Thank you.
973
01:08:58,456 --> 01:09:01,256
FEMALE VOICE: He told me
to...
MALE VOICE: Yeah. Joe,
974
01:09:01,258 --> 01:09:03,218
why don't you set up
here?
FEMALE VOICE: All right.
975
01:09:03,226 --> 01:09:05,056
Cool.
MALE VOICE: Do you think
that's fine?
976
01:09:05,061 --> 01:09:07,831
FEMALE VOICE: Sit here.
FEMALE VOICE: -
waitressing, cocktail
977
01:09:07,830 --> 01:09:13,300
waitressing. Such bad
calluses on my feet.
MALE VOICE: You need help
978
01:09:13,302 --> 01:09:16,772
with something there?
MALE VOICE: No. I think
we,
979
01:09:27,516 --> 01:09:29,916
FEMALE VOICE: I'm gonna
paraphrase a little bit,
all right?
980
01:09:29,918 --> 01:09:32,018
MALE VOICE: I love what
you're doing,
FEMALE VOICE: Because I
981
01:09:32,020 --> 01:09:37,960
need, Okay. Listen.
Okay. Here we go.
982
01:09:47,902 --> 01:09:56,542
MALE VOICE: Can we introduce
ourselves? Rene. Tell a little
about yourself.
983
01:09:56,876 --> 01:10:01,846
FEMALE VOICE: I'm Rene.
I'm Rene Fishbein. I'm -
I'm one of the
984
01:10:01,847 --> 01:10:05,077
co-founders of the
company.
985
01:10:06,818 --> 01:10:11,918
MALE VOICE: Hi I'm Dan Fetcher
I'm, uh, executive in charge
of comedy acquisition and
986
01:10:11,923 --> 01:10:16,363
development and, uh, and
company morale. Welcome.
987
01:10:16,360 --> 01:10:24,770
MALE VOICE: And Adam Wand,
once again, another one of the
co-founders, and Alex Greene.
988
01:10:26,402 --> 01:10:28,072
ALEX: Hi.
989
01:10:29,304 --> 01:10:35,114
FEMALE VOICE: Hi. I'm,
uh, Frank Connie, um,
Connie Lane, and, uh,
990
01:10:35,109 --> 01:10:40,209
MALE VOICE: What?
FEMALE VOICE: Connie.
Connie Lane. And I'm, uh
991
01:10:40,214 --> 01:10:43,754
MALE VOICE: Oh, I'm
sorry.
992
01:10:44,183 --> 01:10:48,453
FEMALE VOICE: Uh, I'm the
V.P. of professional
development.
993
01:10:48,453 --> 01:10:50,353
Thanks for coming.
994
01:10:51,955 --> 01:10:56,285
FEMALE VOICE: I'm - I'm,
uh, I'm Alex Richardson
995
01:10:56,292 --> 01:11:00,462
and, um, also an
executive producer. I'm
in charge of the urban
996
01:11:00,462 --> 01:11:06,272
hip-hop movie sort of bringing
in a sort of black film
noire. Cultural awareness.
997
01:11:06,267 --> 01:11:10,497
FEMALE VOICE: Good for you.
FEMALE VOICE: Thank you for
being here.
998
01:11:16,576 --> 01:11:19,236
MALE VOICE: We're having
auditions for another
film, so it's a little,
999
01:11:19,245 --> 01:11:20,675
it's a little,
MALE VOICE: You done out
there?
1000
01:11:20,679 --> 01:11:23,409
MALE VOICE: It's a little
goofy.
1001
01:11:23,415 --> 01:11:28,575
MALE VOICE: Off to the set.
Gotta see it. Gotta see it.
FEMALE VOICE: Oh, Jason.
1002
01:11:28,586 --> 01:11:33,086
Oh, Jason. Oh, Jason.
1003
01:11:35,292 --> 01:11:37,892
MALE VOICE: Speaking with
Anna earlier today, she
1004
01:11:37,894 --> 01:11:43,904
said if she could make
her film here at Red
Mullet, nothing would
1005
01:11:43,900 --> 01:11:48,970
make her happier and I
know that's the same way
that you feel.
1006
01:11:48,971 --> 01:11:52,741
MALE VOICE: The feeling is
collectively mutual.
MALE VOICE: Yeah.
1007
01:11:52,742 --> 01:11:56,042
MALE VOICE: Very good. Um, a
number of clients I've had,
FEMALE VOICE: Uh, you
1008
01:11:56,045 --> 01:12:01,245
want some coffee?
MALE VOICE: - all have had
had terrific experiences.
1009
01:12:01,250 --> 01:12:05,550
So armed with nothing
more than a digital
camera and an incredible
1010
01:12:05,554 --> 01:12:11,764
vision and the sounds of
Joey, Joey Zee, I think,
uh, Anna's prepared to
1011
01:12:11,760 --> 01:12:17,160
drag us all kicking and
screaming into the next,
FEMALE VOICE: Watch out!
1012
01:12:18,699 --> 01:12:23,769
Watch out! Everybody hang
on! Hang on!
MALE VOICE: Take it easy.
1013
01:12:24,804 --> 01:12:30,044
MALE VOICE: What's going on?
FEMALE VOICE: Fucking
earthquakes!
1014
01:12:30,976 --> 01:12:35,176
LAUREN: Whoa.
FEMALE VOICE: It's okay.
1015
01:12:35,380 --> 01:12:40,080
WOMAN: You all right?
MALE VOICE: Oh.
1016
01:12:43,320 --> 01:12:47,690
MALE VOICE: It's okay.
FEMALE VOICE: - care
about right now.
1017
01:12:47,691 --> 01:12:50,961
MALE VOICE: Is he all
right?
FEMALE VOICE: Yes.
1018
01:12:50,960 --> 01:12:53,630
FEMALE VOICE: All right.
Everything's okay.
FEMALE VOICE: I don't
1019
01:12:53,629 --> 01:12:59,329
think, I'm, I'm gonna
go outside.
FEMALE VOICE: Oh. Let's
1020
01:13:01,869 --> 01:13:04,569
Let's go.
1021
01:13:09,175 --> 01:13:14,035
(DRONEY OPERATIC MUSIC)
1022
01:13:14,046 --> 01:13:18,246
MALE VOICE: Yeah, go - go
get Alex.
FEMALE VOICE: I was gonna,
1023
01:13:18,250 --> 01:13:20,820
MALE VOICE: Go get Alex.
1024
01:13:44,309 --> 01:13:48,039
JOE (RAPPING): Twenty million Russians, not enough for bread. How's that gonna help
1025
01:13:48,046 --> 01:13:51,546
you with a bullet in your head? I don't mean to preach, but I know that
1026
01:13:51,549 --> 01:13:56,819
I'm right, when I say to you that you're way too uptight. Diggy-diggy.
1027
01:13:56,820 --> 01:14:01,760
Trotsky in the house. Diggy-diggy. I let him in my house.
1028
01:14:01,758 --> 01:14:04,328
Diggy-diggy.
1029
01:14:05,928 --> 01:14:09,198
That's how I make my life, staying out too late, lying in his
1030
01:14:09,197 --> 01:14:12,567
bed he was so full of hate. I don't mean to preach, but I know that
1031
01:14:12,567 --> 01:14:17,437
I'm right. The world changed forever on that weird, crazy night.
1032
01:14:17,438 --> 01:14:23,308
A diggy-diggy. Trotsky in the house, diggy-diggy. I let him in the house,
1033
01:14:23,310 --> 01:14:31,220
Diggy-diggy. Diggy-diggy, make love, not war, diggy-diggy.
1034
01:14:32,451 --> 01:14:34,681
Peace.
1035
01:14:57,742 --> 01:15:00,482
FEMALE VOICE: My film has
the necessity. The
1036
01:15:00,478 --> 01:15:07,218
urge to go beyond the
paradigm of collage.
1037
01:15:07,484 --> 01:15:14,194
Montage has created a fake
reality.
1038
01:15:14,690 --> 01:15:21,260
Technology has
arrived. Digital video has
arrived. And is
1039
01:15:21,263 --> 01:15:26,373
demanding new
expressions, new
sensations.
1040
01:15:26,368 --> 01:15:32,968
As Martin Gropius once said
that in the first Bauhaus
exhibition:
1041
01:15:32,974 --> 01:15:36,444
art, technology - a new unity.
1042
01:15:36,444 --> 01:15:41,554
We are in nineteen
ninety-nine, so it's time
to say again, art,
1043
01:15:41,549 --> 01:15:47,419
technology, a new, new
unity.
1044
01:15:47,421 --> 01:15:51,361
Eisenstein and Bertrand...
1045
01:16:01,000 --> 01:16:02,670
Being
influenced by the Russian
1046
01:16:02,668 --> 01:16:08,808
formalism, with its theory of
the strangeness,
the isolation of a word
1047
01:16:08,807 --> 01:16:12,067
within a poem. Of
course, we are talking
about cinema, so it would
1048
01:16:12,076 --> 01:16:18,776
be the isolation of an image.
The isolation of a take.
They create it. The soul
1049
01:16:18,782 --> 01:16:25,492
can't. Soviet Montage. The
discontinuity in editing.
1050
01:16:25,488 --> 01:16:30,558
At that time, that was a
vanguard.
It's not that anymore.
1051
01:16:30,559 --> 01:16:35,129
The capitalistic
system that we are living
in has absorbed all the
1052
01:16:35,130 --> 01:16:37,930
innovations, all the
vanguards.
1053
01:16:38,866 --> 01:16:43,196
It's time to
move forward, to move
1054
01:16:43,203 --> 01:16:49,443
beyond. It's time to
think in terms of
matter.
1055
01:16:49,442 --> 01:16:55,952
Matter to send, to
receive, to organize.
1056
01:16:56,014 --> 01:17:02,524
Everything that exists is
matter.
MALE VOICE: M, matter.
1057
01:17:03,053 --> 01:17:06,593
FEMALE VOICE: Oh.
MALE VOICE: Right, right.
1058
01:17:08,591 --> 01:17:14,701
ANNA: It's time
to go back to Leibniz
and his modern ideology.
1059
01:17:14,897 --> 01:17:17,827
It's time to update that.
1060
01:17:17,833 --> 01:17:23,443
My film will be an unmade
film. Not just mobile.
1061
01:17:23,438 --> 01:17:28,738
A film with not
one single cut, but one
continuous moment.
1062
01:17:28,743 --> 01:17:35,253
FEMALE VOICE: Your
boyfriend freaked me out
a bit. I didn't know
1063
01:17:35,249 --> 01:17:36,779
whether,
ANNA: Joey?
1064
01:17:36,783 --> 01:17:44,123
He was suggesting we all sleep
together because he was
high and felt like it.
1065
01:17:44,356 --> 01:17:45,386
ANNA: As I was saying,
a film with
1066
01:17:45,390 --> 01:17:51,890
not one single cut, no
ending. Real time. The
music of the film will be
1067
01:17:51,896 --> 01:17:59,936
the pulsations. A film with
contractions, with
dilations, rhythms, rap songs.
1068
01:17:59,937 --> 01:18:03,737
As Kant once said,
repetition is
drama. Repetition is
1069
01:18:03,740 --> 01:18:11,750
rhythm.
Rhythm is music.
Therefore, music is drama.
1070
01:18:11,748 --> 01:18:13,978
(DRUM MACHINE PLAYS)
1071
01:18:13,983 --> 01:18:17,323
FEMALE VOICE: I remember
thinking that I really
liked him, but I didn't
1072
01:18:17,319 --> 01:18:25,659
want to go to bed with
your boyfriend,
FEMALE VOICE: Hm. Really.
1073
01:18:30,631 --> 01:18:36,271
ANNA: Imagine
four cameras. Imagine
four cameras displayed in
1074
01:18:36,269 --> 01:18:42,539
the city. Imagine a
situationistic type of
play.
1075
01:18:42,541 --> 01:18:45,441
A Guy Debord type of play.
1076
01:18:45,443 --> 01:18:50,753
A city as a jungle. Each
of these four cameras,
1077
01:18:56,353 --> 01:18:58,423
FEMALE VOICE: Each of these
four cameras will
1078
01:18:58,421 --> 01:19:03,791
follow a character. And
the characters are going
to meet with each other,
1079
01:19:03,793 --> 01:19:10,003
creating the plot of the
story, creating the plot of
the film.
1080
01:19:09,999 --> 01:19:15,139
I was thinking that a
beautiful idea could be to use
one of Borgez' plays.
1081
01:19:15,137 --> 01:19:22,407
One of Borgez's tales - The
Other. A tale where a young
man meets an old man.
1082
01:19:22,410 --> 01:19:28,880
They have a conversation and
then they realize that they
are the same person. It
1083
01:19:28,883 --> 01:19:33,293
will be beautiful if
these four characters are
exactly the same person
1084
01:19:33,287 --> 01:19:39,157
in different stages of
his or their lives.
We're thinkin' about
1085
01:19:39,159 --> 01:19:45,259
Russia. I was there with
Joey filming his Walk
Don't Run tour and we
1086
01:19:45,265 --> 01:19:50,025
fell in love with the
city. We fell in love
with Russian music. We
1087
01:19:50,036 --> 01:19:56,136
fell in love with Russian
souls. That's why I want
to have a subject, a
1088
01:19:56,142 --> 01:20:03,252
Russian subject in this
film. Also, as you might
have heard before, we are
1089
01:20:03,249 --> 01:20:09,619
approaching the music of
the film in a dialect
type of a way. Having a
1090
01:20:09,622 --> 01:20:14,692
modern melody. I was
thinking Hanns Eisler
1091
01:20:14,693 --> 01:20:20,003
but with a contemporary
arrangement. The audience
would do the symbols.
1092
01:20:23,868 --> 01:20:29,168
(ALEX LAUGHS)
1093
01:20:31,942 --> 01:20:38,912
I'm sorry?
ALEX: Go on.
(LAUGHS)
1094
01:20:42,151 --> 01:20:48,891
MALE VOICE: Alex. Alex.
ALEX: I'm sorry.
1095
01:20:48,891 --> 01:20:52,091
The most pretentious crap
I've ever heard.
1096
01:20:52,094 --> 01:20:55,504
ANNA: What?
ALEX: I'm sorry.
1097
01:20:55,497 --> 01:20:59,727
ANNA: I'm sorry. Could you
speak louder, please?
1098
01:20:59,900 --> 01:21:06,440
ALEX: Well, you think anybody
around this table has a clue
about what you're talking
1099
01:21:06,439 --> 01:21:09,909
about?
FEMALE VOICE: No. But
it's time to educate people.
1100
01:21:09,909 --> 01:21:14,109
ALEX: You know, we
think this is crap, but
1101
01:21:14,113 --> 01:21:19,623
we'll do it for you and
then you do our crap and
that will be the tale.
1102
01:21:19,618 --> 01:21:23,648
MALE VOICE: Alex, you're
way out of line. I
brought Anna here and I
1103
01:21:23,655 --> 01:21:26,385
brought Joey here and I
respect,
LAUREN: Look at you.
1104
01:21:26,391 --> 01:21:28,121
MALE VOICE: I expect some
respect.
ALEX: Come on,
1105
01:21:28,126 --> 01:21:32,426
Bunny.
MALE VOICE: You're
way out of line.
1106
01:21:35,099 --> 01:21:39,769
FEMALE VOICE: I want to know
what you really think about my
project.
1107
01:21:39,770 --> 01:21:40,870
LAUREN: What'd you do?
WOMAN: I did it.
1108
01:21:40,871 --> 01:21:43,611
ALEX: I think that
there's no fucking way to say
anything about your project.
1109
01:21:43,607 --> 01:21:45,137
WOMAN: I think I've got
this movie.
1110
01:21:45,141 --> 01:21:47,571
since
it's wrapped up in all
those phases, from all
1111
01:21:47,576 --> 01:21:51,576
those books that you've
read. But obviously,
you're very intelligent
1112
01:21:51,580 --> 01:21:56,250
and, um, probably very
talented.
LAUREN: What?
1113
01:21:56,251 --> 01:22:01,151
WOMAN: I earned it.
MALE VOICE: But
definitely very young.
1114
01:22:06,927 --> 01:22:08,057
ANNA: Thank you.
1115
01:22:08,061 --> 01:22:11,631
Thank you very much.
WOMAN: And the, and the
director noticed me,
1116
01:22:11,631 --> 01:22:15,001
FEMALE VOICE: So
difficult to find an
honest person in this
1117
01:22:15,001 --> 01:22:20,301
town, but I really
appreciate what you are
saying to me.
1118
01:22:22,441 --> 01:22:25,811
LAUREN: Right.
ANNA: Thanks.
1119
01:22:25,811 --> 01:22:31,311
FEMALE VOICE: I really
want to work with this one.
It's...
1120
01:22:31,449 --> 01:22:34,219
as a director, very time
consuming.
1121
01:22:34,218 --> 01:22:37,748
MALE VOICE: That's why
they call him the king.
MALE VOICE: Well, when
1122
01:22:37,754 --> 01:22:40,764
Alex is on there's nobody
better.
WOMAN: - director and
1123
01:22:40,757 --> 01:22:45,327
then the director saw me
and he immediately, me.
He, He knew I had it and
1124
01:22:45,328 --> 01:22:50,498
he told me that he wanted
to read something and I
read for him and
1125
01:22:50,499 --> 01:22:56,469
apparently, I,
apparently, I did great.
I'm not just saying this.
1126
01:22:56,471 --> 01:22:58,771
You, you don't believe
me. You don't believe me.
FEMALE VOICE: How's it
1127
01:22:58,773 --> 01:23:03,943
feel to be married to a rich
successful man?
LAUREN: No. No, no, no.
1128
01:23:03,944 --> 01:23:07,354
WOMAN: I'm going to surprise
you. Baby, you're gonna
be so proud.
1129
01:23:07,347 --> 01:23:08,807
LAUREN: No, I believe
you.
1130
01:23:08,815 --> 01:23:10,915
WOMAN: - going to be so
proud of me.
LAUREN: No, I am proud of
1131
01:23:10,917 --> 01:23:12,177
you.
WOMAN: I think I've got
it. I mean, I have to go
1132
01:23:12,184 --> 01:23:15,024
back again and read for
the producer, but,
LAUREN: And, and
1133
01:23:15,020 --> 01:23:17,350
who's the producer?
WOMAN: I can do this.
1134
01:23:17,355 --> 01:23:18,485
WOMAN: I, I don't, I
don't know.
1135
01:23:18,489 --> 01:23:20,489
LAUREN: You don't know
who the producer is?
WOMAN: No. I'm just gonna
1136
01:23:20,491 --> 01:23:24,131
go back in there and,
and, and do it now
again.
1137
01:23:25,328 --> 01:23:29,898
LAUREN: So who's Alex?
1138
01:23:31,834 --> 01:23:36,474
WOMAN: Who?
LAUREN: Alex.
1139
01:23:46,147 --> 01:23:50,177
LAUREN: Are you sure you
don't know who Alex is?
WOMAN: No, there was,
1140
01:23:50,184 --> 01:23:53,224
there were a lot of
people in there, you
know? It was there for a
1141
01:23:53,220 --> 01:23:56,960
long time. But I don't
remember any Alex, no.
LAUREN: What about the
1142
01:23:56,957 --> 01:24:02,187
Bitch from Louisiana?
WOMAN: Well, what about
it?
1143
01:24:02,428 --> 01:24:07,328
LAUREN: Listen, bitch. I
listened to everything
that you said.
1144
01:24:07,332 --> 01:24:09,402
WOMAN: What?
LAUREN: You have a lot of...
1145
01:24:09,400 --> 01:24:11,100
WOMAN: Oh, my God. What?
LAUREN: I had a
1146
01:24:11,101 --> 01:24:15,101
microphone. I listened
everything you said,
bitch!
1147
01:24:15,105 --> 01:24:19,205
WOMAN: Don't you hit me.
LAUREN: I listened to
everything you said!
1148
01:24:19,209 --> 01:24:22,439
WOMAN: Oh, my God!
LAUREN: Listened to
everything you said! He's
1149
01:24:22,445 --> 01:24:27,075
just using you! He's just
using you! He's just
using you!
1150
01:24:28,783 --> 01:24:34,753
(JOEY AND ANNA PLAYING
MUSIC)
1151
01:25:17,330 --> 01:25:23,100
(HEART BEATING)
1152
01:26:25,097 --> 01:26:28,597
LAUREN: Alex. Alex.
1153
01:26:33,404 --> 01:26:40,914
ALEX: Um, I'm
Alex. I'm Alex.
1154
01:26:45,315 --> 01:26:49,075
LAUREN: I'm Lauren.
1155
01:26:53,222 --> 01:26:57,362
ALEX: Um. Lauren.
LAUREN: I need everybody
to leave the room right
1156
01:26:57,359 --> 01:27:02,199
now.
MALE VOICE: She said to
leave 'em. Leave 'em.
1157
01:27:14,642 --> 01:27:19,752
FEMALE VOICE: Come on,
come on, come on, come
on, come on.
1158
01:27:19,747 --> 01:27:23,947
MALE VOICE: Come on, come
on, come on. Come on,
let's do this. Go.
1159
01:27:26,753 --> 01:27:33,263
ALEX: Hey, Rose.
What's happening here?
1160
01:27:37,830 --> 01:27:45,200
WOMAN: Lauren. I'm sorry. I,
I, I'm truly,
ALEX: Lauren.
1161
01:27:45,971 --> 01:27:48,871
(GUNSHOT)
1162
01:28:30,047 --> 01:28:36,147
ALEX: Oh. Come here, Rose.
WOMAN: Lauren.
1163
01:28:36,153 --> 01:28:43,263
ALEX: This is not so bad.
WOMAN: I'm gonna get some...
1164
01:29:35,045 --> 01:29:39,945
MALE VOICE: Alex. Alex.
That's a lot of blood.
1165
01:29:43,052 --> 01:29:46,422
A lot of blood.
1166
01:30:40,042 --> 01:30:46,212
ALEX: Don't be
afraid. Don't be afraid.
1167
01:30:50,451 --> 01:30:57,221
FEMALE VOICE: What has
happened?
ALEX: I'm bleeding.
1168
01:30:57,224 --> 01:31:05,804
(PHONE RINGS) Can you,
can you help me out
with my phone, please?
1169
01:31:12,305 --> 01:31:19,575
WOMAN: It's my,
ALEX: Hello?
1170
01:31:19,578 --> 01:31:25,318
FEMALE VOICE: Hello,
darling.
ALEX: Hello, Emma.
1171
01:31:25,317 --> 01:31:33,757
FEMALE VOICE: Hello. I love
you.
ALEX: Hello.
1172
01:31:35,793 --> 01:31:42,503
ALEX: Oh. I love
you, too, Emma.
1173
01:31:42,799 --> 01:31:46,629
I love you, too.
1174
01:31:49,605 --> 01:31:52,165
Can I see you tonight?
1175
01:31:52,174 --> 01:31:57,914
Um, couldn't you
- couldn't you order a
table at a nice restaurant?
102309
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