All language subtitles for Love Me or Leave Me

Now, Marty, Marty.
Don't get sore, Marty.

Who's sore?

When Georgie tells me a customer don't
wanna pay up his bill, I wanna hear why.

Because I'm tired of being
milked like a cow every week.

Why can't I pay you off?

Cut that out, Orry.
I run a legitimate laundry.

What laundry tells you
how many tablecloths to take?

My laundry. It's our policy.
We want our customers should be clean.

Who needs so many tablecloths?
Who comes to a place like this to eat?

Every customer has a quota.
Otherwise, he wouldn't pay me.

Mr. Orry.

- Mr. Orry.
- That's all right. That's all right.

- Let go of me!
- Oh, it's you again.

- She broke my leg. I'm gonna sue.
- My dear man.

- It was an accident.
- Accident? She kicked me on purpose.

- Impossible.
- I can explain.

Did you or did you not
kick this customer?

Yes. But I warned him.
I warned him three times.

- You're fired.
- That's not fair. He's the one who's wrong.

He's got 10 cents for a dance.
He can't be wrong.

Cash in your ticket and get out of here.

The next dance is on the house.
Enjoy yourself.

But be careful the way you dance.

Get him a girl.

Marty, you gotta understand my angle.
Now, business hasn't been so...

Not bad, huh?

I could fix it up. She's one of those
stage-struck ones. You know the type.

Too bad, kid.

You gonna pay up, Orry?

Or you want we should
suspend our service?

What'd you have to go
and make a fuss for?

Why should I let that big ape paw me?

- It's natural. They all do it.
- Not to me, they don't.

Oh, I forgot. You're different.
You're going places.

That's right.

Get wise to yourself.
You're not going anyplace.

Not till you stop hollering, "Hands off."

I'll stop hollering when I want to,
not because the customer's always right.

Have you had a good look?

I understand you wanna go on the stage.
Maybe I can help you.

Get out of here, or I'll call the manager.
This is a private dressing room.

Private for employees,
which you're not no longer.

Well, you want me to help you
go on the stage?

Why don't you buy a ticket and try
your line on one of the employees.

- That is, if you have 10 cents.
- Lf he has 10 cents?

He's the owner of the biggest
nightclub laundry in Chicago.

I know everybody in the business.
They're my customers.

- Sure. He can introduce you to a dozen...
- Shut up!

What are you butting in for?
I can't talk?

I'll give you one of my cards.

- Why should you?
- Why not?

I like to help a girl when I can.

And you got a very excellent personality.
I can see that.

All I do is write on my card,
and they'll put you to work.

Oh, I must've left them out in my car.
Meet me outside, and I'll...

Now what's the matter?

I'm not getting into any car with you.

Who said you should? Who invited you?
I said, meet me at the car.

You dope! He's trying to give
you a break. Take advantage.

Or don't. If you want it, okay.
If not, not.

- Come on, Claire. Get out.
- What?

Buy yourself a horse and buggy.
Only beat it.

What's the matter?
You invite me for a pleasant evening...

...I wait who knows how long.
- So I changed my mind. Go on, blow.

Getting beat up.
Been around too long.

Marty.

Hi, baby.

- Honey, I'd like to...
- Up an alley.

What's your name?

- Ruth Etting.
- Here.

Take this over to the Circle.
It's on the North Side.

They'll fix you up. Go on, take it.

Can I give you a lift someplace?

I'm just trying to be agreeable.
Don't do me no favors.

- You want the card back?
- Keep it.

Use it in good health.

You wanna know
what's your trouble, girlie?

You ain't got no faith in human nature.

That's all?

She's obligated, ain't she?

So, what are you sitting?
Maybe we can catch up with Claire.

So she's got a lot of mileage on her.

To quote Willie Shakespeare
Please lend me your ear

My introduction is done with pride
This act is known both far and wide

His imitations are all the go
So here he is, the star of our show

Eddie Fulton!

One chorus in the next number.
We're running late.

Hooray for Johnny Alderman.
The people's friend.

Hey, deal me in.

Taking in laundry?
I got a sack full of socks.

I wish I had.
These have to last till payday.

Point is, can you last till payday?

I get tired just watching you out there.

I must be something to watch.
I'm just not a dancer, that's all.

It seems odd you'd want
a job dancing, then.

I didn't. They made a mistake.
I'm a singer.

You had much experience?

None so far. I'm just starting.

You going about it the right way?

What do you mean?
Somebody gives me a chance, I'll sing.

I've seen a lot of singers fail
because they get off to a bad start.

Now is when you need coaching,
before you form bad habits.

And you need special material,
arrangements to show off what you've got.

That is, if you're serious about it.

Oh, I'm serious, all right.

I'm also broke.
That would take a lot of money.

Tell you what, I might work with you
a little. Odd hours, after the show.

Would you?
Oh, that would be wonderful.

It would be a pleasure.
One artist to another.

I have a piano over at my place.
It isn't far from here.

We could squeeze in
quite a bit of time.

Wouldn't that be
an awful lot of trouble for you?

There's some trouble a man
doesn't mind getting into.

- Get ready. Five minutes.
- Saved by the gong.

- Johnny.
- Finish the hand.

- Better get back to your piano.
- He said, get ready.

What's to get ready?

Alderman...

...will you kindly use your head? That one
belongs to the Gimp, bought and paid for.

- The Gimp?
- So don't make trouble for yourself or me.

- I got a big investment in this place.
- It's funny.

- I would've sworn she hasn't been around.
- Maybe she hasn't.

What she knows,
they learn in the cradle.

Wait a minute, Frobisher.

- Hey, Etling, I'm here.
- Hello, Mr. Snyder.

I got my own laundry, eight trucks,
and she does her own washing.

- Well, they treating you right, kid?
- They're wonderful to me.

Okay, Frobisher, thanks. Blow.

Well, I delivered, didn't I? Tell the truth.
You thought I was giving you the business.

- I've got to go.
- Come on, girls.

Hey, Frobisher,
the kid is staying out of this one.

- Sure, sure. Why not?
- Don't forget, you owe me 10 cents.

No, really, I better go.

- No, no, l...
- He won't mind.

Oh, Mr. Snyder. It's not...

There's something I wanna ask you.
I'm dancing...

That's great, just great.

- Tell me, have you ever been to Florida?
- No, I haven't.

- I hate to bother you...
- You'll be crazy about it.

- All the girls are nuts about Miami.
- The trouble is...

...Mr. Frobisher put me in the chorus...
- He won't fire you.

There's the worst weather here, cold.
In Miami, you swim in the ocean every day.

- I don't wanna dance, I wanna sing.
- Singing, dancing, what's the difference?

You're on the stage, ain't you?
In here, Georgie.

All set, Marty. Got the train tickets.

How do you like that?
We're leaving Friday night.

- Leaving for where?
- For where?

For Florida.
Girl, you gotta start listening to me.

But I don't want to go to Florida.

Why not?
How do you know you won't like it?

You never been there.
Why, you'll love it.

What's not to like?

She thinks it's a line.

She thinks I say Miami,
I mean Atlantic City.

- Georgie, show her the tickets.
- Yeah.

- Here are the tickets.
- Frobisher will keep your job for you.

Mr. Snyder, I'm not going.

Georgie, get out of here.

Beat it.

Now, look here, you stupid little broad.

Don't you talk to me like that.

I'll talk to you any way I like.
You know who I am?

- Think I let dames get away with anything?
- I'm not trying to get away with anything.

I didn't ask you for one thing.

You didn't ask, but you wanted.

I did my share. Who do you think
you are, you can be so particular?

You get funny, and I'll throw you
back to that crummy dance joint.

You won't have to. I'll walk back.

- What are you doing? What are you doing?
- I'm leaving.

All I wanted was a chance to sing.
And I'll get it.

You don't have to do a thing.
I'll get it for myself.

Hey, Etling! Etling!

What's her name? Ruth. Ruthie!

Ruthie, come on out, huh?

What did I say that was so terrible?
What crime did I commit?

- Come on, like a good girl, huh?
- Want me to drag her out, Marty?

Get out of here.

- Deal me in.
- Well, hurry up.

That's all we wait for Etting.
All right, kids, rehearsal. Let's go.

- Why is it every time we start...?
- You take Etting's place.

I'm a specialty.

- Mr. Snyder wants to see you right away.
- I'm working. Sorry.

Listen, I asked you nice, didn't I?
You want me to ask you not nice?

Sure. Might as well have both versions.

Johnny.

You think the Gimp found out
you talked to the girl?

Maybe. If he has, you think I should
crawl into the laundry and apologize?

Well, I would.
But I'm an old man, I want to live.

What else have I got?

You better go.

But, Mr. Frobisher,
we can't rehearse without music.

- So hum to them.
- Hum?

All right, girls, line up.
Come on, line up.

One, two, three, four.

You notice how the help
all wears gloves?

Once the wash is washed,
it ain't touched by a human hand.

Maybe I'm crazy, but I like things clean.
Sit down, make yourself comfortable.

- Marty, the piano player.
- Hello.

Oh, yeah.
How much you get an hour to coach?

- Coach?
- Miss Etling.

She wants to sing.

She's got some idea
she shouldn't make bad habits.

She should have arrangements,
you know what I mean?

What do you get by the hour?

- Five dollars.
- I'll give you 10.

Anybody hangs around me,
they make.

Well, can she sing?

What is she, a dummy?
Anybody can sing.

You put them on the stage,
tell the public they're singers.

What does the public know?
You want the job?

- At 10 bucks an hour? Sure.
- You got yourself a deal.

Georgie will take you back.

When would you like to start?

- Well...
- You can fix it up between you later.

Don't take it too serious.
A couple lessons to make her feel good.

I'll be taking her to Florida any day now.
You know what I mean.

I'm sorry I took so long changing.

I'm getting paid by the hour.

- By the way, thanks for cutting me in.
- I got the idea from you.

But I would've done it for nothing.

I thought it was better if you got paid.

- Let's start and see what we got.
- All right.

Do you know this?

Yes.

Yes, ma'am.

Am I any good?

- Am I good enough to get somewhere?
- Yeah.

Will you tell that to Mr. Snyder?

I need someone like him.
You know, sort of a manager.

- You're expecting him to be your manager?
- He has a lot of connections.

- You're kidding, aren't you?
- No.

You were quick to spot a routine
friendly pass when I made it.

You must have a vague idea
of what he wants.

Do you know what his exact plans
for you are?

He's taking you to Florida with him.
He told me so himself.

He told me that too.

But I'm not packing.

- Oh, I had a date. I forgot.
- I wouldn't tell him.

Think fast, kid.

Now, just out of plain,
simple curiosity...

...why did you give me a stand-up?

I told her myself, Marty.

Let me hear the fancy story
you're gonna give me. I dare you.

No story, Mr. Snyder. I just forgot.

You forgot?

I don't know how I could have,
but I did.

- And I'm very sorry. Will you forgive me?
- Naturally, I thought...

- Well, I didn't know what to think.
- You didn't think I'd do that to you.

That's all right, dear.
Everybody can make a mistake.

- How's she doing?
- Well, not bad. Not bad at all.

In fact, she's quite a performer.

Did you hear that?

Will you talk to Mr. Frobisher
and ask him if I can have a little song?

I'll talk to him when I get good
and ready. How do you like that?

You had one lesson.
It's time for a swelled head?

You think you can fool the public?
You wanna embarrass me?

I'm sorry. It's just been
on my mind, you know.

I guess this is my night
for making mistakes.

It's because you're tired.
You're not thinking good.

You got no business keeping her up.
I'll take you home.

You go right to bed.

Thank you.

To quote Willie Shakespeare
Please lend me your ear

My introduction is done with pride
This act is known both far and wide

His imitations are all the go
So here he is, the star of our show

Eddie Fulton!

- Fulton! Where's Fulton?
- I don't know.

- Fulton, you're on!
- Great! Great!

- What'd I tell you? A knockout!
- Yeah, yeah.

- Fulton! Fulton, hurry up!
- You're on.

- Sorry.
- Lf it's hard to get here, quit.

Why not spend all your time at the
craps table. And don't forget, smile.

Well, you got what you wanted, huh?

What's the matter? You wanted
a chance to sing, and I got you a chance.

- I'm on and off in a second.
- What'd you expect?

Well, it's not a real number.

I was just thinking of something.

Suppose Fulton missed
a performance. If I could...

Fulton? But he's a headliner.
You're a newcomer. You just started.

Well, somebody would
have to take his place.

Well, how do you like that.

I'm suspecting she wants me to
work Frobisher for an extra routine...

...but she wants the whole business.

What do you want me to do,
knock him off?

Oh, of course not, Mr. Snyder.

- But if he missed a show...
- Why should he? Answer me that.

Well, it could happen, couldn't it?
It almost happened tonight, didn't it?

The nerve you got.

The gall.

Look, will you consider coming into
the laundry business with me?

We'll be millionaires in no time.

Marty, I tell you, no.

You've got a laundry,
I'm a customer. Fine.

You asked me to give her a job,
I give her a job. Fine.

But there's a limit. I'm not putting
her on tonight or any other night.

- But you're stuck. You ain't got Fulton.
- Yeah. Why?

Why should he walk out on me?

He got in too deep with the gambling.
The poor slob didn't have it.

Well, how come the poor slob
has it to go to Florida, huh?

What are you asking me?
Frobisher, she'll be a sensation.

To who? Whoever heard of her?
Who will come to see her?

- You wanna close my club?
- Are you kidding?

You know the contacts I got.

People who would be a credit
to the finest nightclubs.

They'll spend, they'll clap,
you'll make a fortune.

On the other hand, Frobisher...

...maybe I got you all wrong.

Maybe you don't wanna oblige
a close, personal pal.

Come in.

- How do I look?
- Top of the world.

Oh, here it is, Johnny.
The chance I've been waiting for.

But you made sure
it wasn't too long a wait.

You bet I did. I'm in a hurry.

And I was right.
I told you he'd help me.

Ruth, get rid of him.

Get rid of him now.
It's not gonna be worth it.

I don't know
what you're talking about.

- Why shouldn't I have a manager?
- A manager? Don't lie to yourself.

If you're going ahead with this,
at least don't lie to yourself.

But don't go ahead with it.
You don't have to.

Yes, I do.

I've tried it without help.
I didn't mind it being hard, Johnny.

I just minded that it didn't work.

Then let me help you.

I'll get you to the right people,
and they'll want you.

They won't have to be
strong-armed or blackmailed.

They'll want you because you're good.
Oh, try it, Ruth. Try it that way.

Johnny, so many guys
have wanted to help me.

And they've all been
on the make, just like him.

I suppose you're the one
who's different.

That's right.

And I mean it.
But get yourself free, Ruth.

But I am free. I've made no promises.
I'm as free as you are.

- Are you?
- Yes.

Prove it.

Let's meet tonight after the show.
Have a cup of coffee together.

Just two free people getting together
over a cup of coffee. Why not, huh?

All right.

That's us. Be great.

- I'm ready. I'm ready.
- Come on. It's time.

Get on there and don't
make me out a horse's neck.

I got the place packed with biggies.

Get a load of that.
"Ruth Etting, Chicago's Sweetheart."

- Mr. Sny...
- Come on. I'm a nervous wreck.

Excuse me.

Look at the flowers.

Just a little token of the way I feel.

Oh, Marty. Thank you, they're lovely.

Don't thank me
and throw me out so quick.

- I have to get dressed.
- Make it fast because we gotta celebrate.

- Oh, Marty.
- What?

I'm so tired and excited,
I don't think I can go out.

Sure, you can. It's all set up.

- A fancy blowout at Al Gaxley's place.
- That's way out in Bay Cliff.

Yeah, sort of a house party for the
weekend. Now, hurry up. We gotta leave.

But, Marty, look, why don't you
go ahead without me.

No.

- It's just that I'm so tired.
- No.

Not this time, Ruthie.

That's all over.

What are you talking about?

About the way you brush me off.
The way you stall me.

Don't think I didn't feel ridiculous
at times. In front of Georgie, even.

- Just because...
- I didn't get sore. Tell the truth.

Did I ever get sore?
Even about not going to Florida?

Now, you wanted to see
how far you could get. Fine.

I don't blame you.
I give you credit. But that's all.

I understand.

You got me a break, and now...

All right.

I'll go with you.

Now you're talking, baby.

- And then you'll never see me again.
- Why?

Because that makes me a tramp,
and I'm not. No matter what you think.

Ruthie, you're wrong.

Listen. Well, I'll be honest with you.

When we first started up together,
I figured, you know, a pickup. Why not?

Didn't mean nothing.

But lately, a change come over me.
I wanna do things for you. I'm anxious.

That's what I was hoping for.

That you would care about me.
But you don't.

What do you mean, I don't?
I'll show you you're out of your head.

You know that joint across the street where
Helen Terral is singing? The Oval Room?

Who do you think I had here tonight taking
a gander at you? Just the owner, that's all.

A close, personal pal. We're getting
together Monday to chew it over.

Now does that sound like I think
you're a tr...? A what you said.

You got no idea the plans I've got.

If I go to Al Gaxley's for the weekend.

Well, what do you want of me?
I'm human.

I'm stuck on you.

Thank you, Marty.

Now let me be honest with you too.

In the time that I've known you, you've
become more important to me than anyone.

And I like you...

...but I'm not stuck on you.

Maybe it's because getting someplace
is such a big thing to me.

It seems as if I don't have room
for anything else.

Not yet anyway.

Can you understand that?

Yeah, sure, Ruthie. Sure, but...

But when?

I don't know.

If you still want me to go,
give me a minute and I'll get dressed.

Take yourself the minute.

We'll go out and get a bite to eat.

Marty...

...you'll never be sorry.

What do you mean?

I'm sorry already.

I'll wait for you out in the car.
Only hurry up.

What a day I've had.
My feet are killing me.

Hey, Marty.

We're going downtown
to get a bite to eat.

Call the restaurant.
Tell them to get the champagne ready.

She don't wanna go away with you?

I don't want her to go,
how do you like that?

Bay Cliff ain't the right kind of place
for a girl like her.

- She was great tonight, huh? A knockout.
- Yeah, great.

Here.

A little extra. You backed her up good.

Go on, take it.

Get yourself a dame.
Have a big time on me.

Table for three for Mr. Snyder. Yeah.

And champagne.

Yeah, that's right, the works. Right.

Come on, Ruthie!

Good night, Johnny.

This is on the level. This is legit.

I don't have to stack the joint no more.

Hey, Marty, Marty! Sit five minutes.

There's things I gotta talk to you about.

You're so busy all the time.
For instance, the laundry!

You take care of it.
I got confidence in you.

I gotta get back.
She'll wonder I'm not there.

Hi.

I want you to meet Mr. Loomis
of the Roger Black Agency.

- This is Mr. Snyder.
- How do you do?

Mr. Loomis caught the show.
He liked it.

He has a booking for me in New York.
A club called The Black Hat.

- I hear it stinks.
- Well, it's a beginning, Mr. Snyder.

We're not starting at the beginning.

Or maybe I'm out of line. Maybe you're
handling your own booking now.

You got it straight?
Talk business, talk to me.

- All right.
- My card.

Call me up, make an appointment.
If I have time, I'll see you.

Well, thank you very much, Mr. Snyder.

- It was nice seeing you, Miss Etting.
- Thank you.

- Thank you for coming back.
- Oh, it was a pleasure.

Why do you act like that?

- All that man wanted...
- Shut up!

Who got you this far, you?
Look at me when I'm talking to you!

Knock myself out for you.
Show me a little respect.

At least do that much.

You know that Black Hat
he's booking you in?

It's a dump.
You know where it's located?

So far uptown, it's practically
in the Bronx.

You know who goes in there? Dogs!

Now, if you wanna sing for dogs,
go ahead. But not with me.

How was I to know that?

- I heard New York. Naturally, I was excited.
- New York's crawling with dames can sing.

You know when you're going? After I
make their tongues hang out for you.

I've got plans for you so big you
wouldn't understand, a hick like you.

What plans?

Look whose tongue is hanging out now.

Well, never you mind what plans.
All you gotta do is sing.

The real work, I'll do.

Come on, hurry up, get dressed.

- Who was the guy came out?
- Chiselers. Leeches.

You got something good,
everybody wants a piece.

Listen, Georgie...

...I wanna put her on the radio.

Find out who the top man is
at every station.

Ask around which one we can
put the squeeze on.

- You know what I mean?
- Yeah, but, Marty...

...wouldn't it be easier to ask them
come and listen?

- Bet you anything they'd give her a job.
- Think so?

Why not? She sings real good.

At that you might be right...

...but if you ain't and it don't work,
I'll guarantee you one thing. I'll brain you.

- Hey, you. You know anything about radio?
- Yes, a little.

Good. We're branching out.

- Hi, Johnny. Come in.
- Hello.

Oh, he can't make it. I think he had
something to do about his laundry.

Anyway, he said for us to go ahead
and rehearse.

- Pretty fancy, isn't it?
- Yeah.

Marty had it decorated for me
as a birthday present.

It's the first real apartment
I've ever had. I just love it.

Can I get you a drink or something?

Cup of coffee, maybe?

Not now, thank you.

- Did you go to the radio station?
- Yes. I spent the morning...

...outlining the first program.

Oh, Johnny, I still can't believe it.

My own radio program.
The best possible time on the air.

And how about you, maestro?
Conducting your own orchestra.

Very impressive, both of us.

Ruth...

...what happened when that agent
came to see you?

- He had a booking.
- That's what I thought.

Well, why didn't you take it?

I'm not ready for it yet.

And Marty will tell you
when you're ready?

- He's made no mistakes.
- Loomis doesn't make mistakes.

He's the best agent in the business.

He works for you, you pay a commission,
and you don't owe him anything.

- Let him handle you.
- I don't need him.

- Did Marty tell you that?
- I don't need him, because I have Marty.

You have Marty.
You'll have him for a long time.

- He'll be right there every step.
- Let me tell you something.

When it's right for me,
I'll be on my own.

Use him, then ditch him
at the strategic moment?

- Charming plan.
- What are you talking about?

I don't have any plans.
You make it sound as if...

- Why do you always start something?
- I don't. I just have an effect on you.

With me, you let yourself look
at what you're doing.

Don't blame me if it shocks even you.

Let's go to work.

I'm sick of having you around.

Why don't you quit.

- Tell the Gimp to fire me.
- You think I can't?

I know you can. Why don't you?

I don't know.

I don't know.

Suppose I tell you.

Let's find him, Ruth, now.
Let's tell him.

No.

There's nothing to tell him.

Nothing's changed.

- Nothing.
- Ruth, darling...

Ladies and gentlemen...

I been asking you the same thing for weeks.
Is she gonna sign with us again or not?

How long can I stall this sponsor?
What does she want?

- Just half of Chicago.
- Hey, Marty, I got him.

Relax, Brelston. In a couple of minutes,
you'll know as much as I do.

Loomis? Go ahead. What?

Yeah.

Yeah, yeah.

They agreed to everything?

All right. We'll make it.
I'll contact you. Yeah.

Yeah, Marty? What she wanted?
New York?

- That's swell. When we gonna go?
- Couple of days.

I don't know how smart it is.
Well, anyway, it's done.

You gotta stay here, Georgie.
You gotta mind the laundry.

- Sure.
- Look, how far away is New York?

- You'll make visits lots of times.
- Yeah.

Well?

- No dice, Brelston.
- What do you mean?

What's the sense of half of Chicago?
She's gonna have all of New York.

Ladies and gentlemen.

I wanna invite you to a party
I'm throwing over at the Plaza for Ruthie.

Quiet, I ain't through.

It was on account of winding up
the program.

Now it's for something more important.
Something Ruthie doesn't know yet.

She's going to New York.

- New York?
- She's gonna be in the Ziegfeld Follies!

Congratulations!

- All right, boys. I'll see you at the party.
- Oh, Marty.

- Just great. Don't be late.
- I'm so excited.

Told you I'd get the best for you.

- Now maybe you'll have a little confidence.
- I do have. I always have had.

- You're coming to the party?
- I'm sorry, I can't. Thank you.

Pretty good, huh? Ziegfeld?

- Will you be ready to leave?
- No, I'm not going to New York.

- What?
- I'll meet you at the Plaza, Marty.

Wait a minute, Ruthie. All right, Georgie,
take her to the car.

What's the big idea?

I've had another offer out in California.
Seems interesting.

Well, there's gratitude for you.

There's nothing I can do for Ruth.
She's made it.

- Are you going?
- Yeah, I'm going.

You bet your sweet life I'm going.

She's gonna need me the longest day
she lives. No matter what you think!

- No matter what I think?
- Yeah. And I know what you think.

Her having to do with me.
I know what you think about me too.

A jerk, a dumb mug, strictly for laughs.

No. A cheap crook,
pushing people around.

- I ever push Ruthie around?
- You will, pal. You will.

Wise guy. You know everything.
You don't know nothing.

You wouldn't know about
how I feel about Ruthie.

A girl like that. You don't know nothing.
What I come from, the kind of a place.

Same place I did, Snyder.

Same place, same street,
same everything.

Me and 1000 other guys,
and they don't turn out like you.

And who's she going with?

Answer me that, smart guy.

Who is she going with?

There's only one thing I got against you,
you poor slob.

I'm sorry you quit.

I would have liked to fire you.

Come down the steps, now. That's it.
Good. Boys, come down farther. Good.

Now, forward. That's it.
Arms, boys, arms. That's it.

Keep coming forward.

- I stay here, don't I?
- Right there.

That's okay.
Just a little bit more forward. That's it.

Fine. All right. Fellas, cross over here.
Cross over there.

You stay there, Ruth.
We'll fix it later.

That's it. Now, move forward a little.
That's it.

Now, you go back. Back. That's it,
all the way back.

Now you do the same thing.
Coming forward.

Clear the way so she can get through.

Come on, that's it.
That's good. Come on, boys.

That's fine. Good. A little bit more.

All right, all right, all right.

- That's all.
- All right, lunch, everybody. Back at 2.

- Same number, same people.
- Same mistakes.

- I seem to do everything wrong.
- No, it's me.

I haven't turned on the magic.
Take off the worried face and get lunch.

It's in your dressing room.
Mr. Ziegfeld ordered it.

Thank you.

- Doesn't everyone get spoiled rotten?
- No, we just choose a select few.

- Bye.
- Hey, Trent, don't go!

- I wanna talk to you!
- Now, Marty...

Oh, Mr. Snyder. I didn't know you were
honoring us today.

Today and every day!
And I still say it's lousy.

All week I've been trying to tell you.

Look at the way you've been handling her!
Guys prancing, hiding her. It's crummy.

Sorry you don't like my work.
You'd better tell Mr. Ziegfeld.

I'm telling you. And don't give me
that fish eye of yours either.

I know what's good for her and what ain't.
Ought to by this time.

- She never made a move I didn't tell her.
- I'm sure she found your advice invaluable.

- Perhaps you're more talented than I.
- You ain't kidding. You stink!

Fred! This is beginning to lose
its amusement value.

- I'll take care of it.
- Beat it.

I told you, I don't do business
with assistants. I'm talking to him.

No, you're not.

- Why, you...
- Just a minute.

- Take your hands off me.
- Fred, let me.

Are you out of your mind?
You can't act like a hoodlum in here.

You think like Ruthie, it's some church?
Mention Ziegfeld, everybody kneels down?

I'm thinking of her. What you're doing
to her, what you've been doing to her.

- I gotta look out for her.
- They're looking out for her.

They're the best in the business.
They'll make a big star out of her.

But you can't shove them around.

Yeah. You don't have to worry
about me.

I don't wanna do nothing to hurt Ruthie,
but I'm just used to taking care.

- I just can't sit and do nothing for her.
- I know, Marty.

And I understand.

- You wanna have a cup of coffee?
- Sure. I'd like it.

- As a matter of fact, I'll buy you lunch.
- You'll buy?

I'll buy. Come on.

I think I'll go see her for a minute.

No, wait, Marty. Wait till after the show.

Very good, Ruth. Take another bow.

You've got them, you've got them!

Keep with it, Ruth. Keep belting!

- Oh, Miss Etting, you were just wonderful!
- Thank you. We have to hurry.

I'm sorry, Mr. Snyder.

- I wanna see Miss Etting.
- Sorry, I got orders.

You won't get in trouble.
I give you my guarantee.

Wait a minute. Hey, Taylor, come here.

I wanna see Ruth. Tell him it's okay.

She only has a couple of minutes
between numbers.

- Out of my way, punk!
- Marty, what is it? What's the matter?

I wanna see you.
Big shot thinks he can stop me.

If they don't want people backstage...

What are you trying to give me?
I've seen people come in.

You make exceptions. Everybody but me?

- You asked for it, you got it. Satisfied?
- You been riding me from the beginning.

- One more crack, I'll take you apart!
- Marty!

Go away. Go play cops and robbers
where they're scared.

This isn't Chicago.

Marty, stop it!

Marty! Marty, stop it!
Please stop it!

- All right, buster...
- Take it easy.

Throw him out! Ruth, come on.
It's your cue.

Call a doctor!

All right.

Ruth, get out there!

- Go on!
- Outside, buster, come on.

All right, buster, here we go.

Go on!

I don't care how you do it, Georgie!
Find a buyer and get rid of it.

Get all you can. I'm depending on you.

I'm pulling Ruth out of the show.
She's leaving Ziegfeld.

- I'm what?
- I'm fed up!

- Marty!
- I've had enough. It's up to here with me.

From now on, I'm number one.
You won't be the loser!

I've been on the phone.
I've got bookings for you.

Barney, we gotta get out
of that contract.

I'll have the dough. I'm selling the laundry.

But there might just be an angle.

Marty, we signed that contract
in good faith.

But there is an angle.
A good one.

You made us a nice little scandal tonight.

Fred's in the hospital
with a broken jaw.

He's lucky he's alive. So what?

- Ziegfeld doesn't want me if you're around.
- That don't hurt my feelings!

- He's a bigger jerk if he lets you go for free.
- Only I'm not going.

I was a hit tonight. A big hit.

It's a chance to be somebody.
It's the Follies. It's Broadway.

It's a chance to meet people
and to make friends.

It's what I've wanted, what I worked for.
Why should I leave it?

It's what I want,
the way it's gonna be!

- You can't tell me what to do!
- In a pig's eye, I can't!

- You think I'm Georgie? You own me?
- You're right, I own you. Exactly right!

Barney!

Good night, Ruth.

Good night, Marty.

I'm sorry I got angry.

We have a lot to talk about.
Let's not shout at each other.

Don't use your ritzy Ziegfeld voice on me.

- Make like you're in the 10-cent dance joint!
- But I'm not, Marty. That's the whole point!

- I'm where I wanna be.
- I ain't good enough.

- I didn't say that!
- Well, then, say it!

Have some guts. Say it!

All right! You don't belong here!

- It's the way you act!
- The way I've always acted!

I never heard you holler!

It's rotten, dirty, and I hate it!

You hate it?

You're talking to me, baby. Me!

Not Ziegfeld. I know you.

You were right there,
working me, begging for more.

Never mind how rotten or dirty!

Maybe I did, but I don't want
to go on that way.

- I knew tonight when...
- Tonight!

The minute we got here, this started.
The minute we got in that theater.

You saw the way they treated me.
Those fancy New York jokers.

Like I was nothing. Small potatoes.
Like I had no right.

I didn't say nothing. I waited.

Waited to see you butt in. And tell
them, "He's with me. We're together."

- I couldn't have.
- You could! You could!

I'd have done it for you.

But you never opened your trap.

Like you never owed me nothing.

You walked away.
You walked away!

Since the first day that I seen you,
I knocked my brains out for you.

But that's all right. That's all right.
I'm a poor slob.

I can pack a bag and go back to the laundry
and lay down and die. You don't care.

No skin off your back.
You got what you wanted.

I brought you this far. Nobody else.
I did.

But that don't count. Not with you.
Not with a high-class dame like you.

Marty, I know what I owe you.
I know it...

...but there's no way to pay it.
Don't you see? There's no way to pay it.

Ain't there?

All right. You can go.

Let me. You got me around,
take advantage.

That's all right.

Why don't you sit down and relax.

Want a cup of coffee?
Yeah, that's what you need.

No, I don't want any, really. I'm fine.

I bet you can't guess
where we're going this afternoon.

That jewelry store on Fifth...

...the one that doesn't have nothing in
the window except a string of pearls?

We're going over there
and pick up a little something for you.

How do you like that?

You don't have to buy me anything.

Who says I have to? I wanna.
Little token of how I feel.

- Don't worry about it so much.
- Who's worrying?

Everything's gonna be great.

The minute we get on that train. The
minute we get out of this phony town...

...everything will be great. You'll see.

I'll do more for you
than a dozen Ziegfelds.

The tours I got worked out,
coast-to-coast.

Top spots everyplace.

What's so terrible about it?
The day will come when you'll thank me.

You'll laugh when you remember.

Are you listening to me?

I'm not complaining.

I'm just trying to tell you
that you don't have to work so hard.

You don't have to sell me.

I'm sold.

Just listen to this.

How was that, huh?
You can't top it anywhere.

- Thanks.
- How did it go?

Same as always.

Marty tell you where we're going
after we close?

Since when is it any of my business
where I work?

He just wants to surprise you, is all.

- He couldn't.
- Ruthie, are you there?

No, I'm playing a benefit in Duluth.

Leave it!

Everybody's so nervous
around here all the time.

I come in, I got great news,
a surprise.

But you gotta make cracks.

It's enough to take the heart
out of a person.

Never mind the dramatics.

What's the big news this time?

You're merely gonna make a picture
in Hollywood, that's all.

I merely kill myself for the past two weeks
setting the deal up for you, that's all.

And what a deal.

Between us, the things I told Barney Loomis
to ask for, I didn't dream we had a chance.

You should have heard Paul Hunter on the
phone. Long-distance. The studio head.

He acted like you was
the Queen of Sheba or something.

Well, how about it?

It�ll be a change anyway.

- You glad at least?
- Sure, why not?

Mrs. Snyder...

...could you just once, just once...

...show some plain, common enthusiasm?

What do you want, a thank-you note?

You know something, Ruthie,
you ought to lay off that stuff.

You're getting to look like an old bag.

Hello.

- Miss Etting, please. Hollywood calling.
- This is Miss Etting.

Hollywood?

Operator, are you sure this call
isn't for Mr. Snyder?

- No, ma'am, Miss Ruth Etting.
- Well, this is she speaking.

- Hello, Ruth?
- Hello?

This is Johnny.

- Johnny?
- Johnny Alderman.

Johnny Alderman?

You can hang up. I don't know
how you feel about talking to me.

Oh, I feel fine about it, Johnny.

But I can't believe it.
What made you call after all this time?

Oh, I've wanted to call you often enough.

Only I didn't think I should.
Not after I heard you were married.

I heard you're coming
to do a picture for Paul Hunter.

- Yes.
- Well, I work here too, Ruth.

And what's more, I'm going to
be working with you.

- How do you like that?
- Johnny. You're making it up.

Ruthie, I just came in to tell you...
Who you talking to?

I'm sorry. I'm sorry, I don't know
what my future plans are.

I see.

I gather you don't wanna talk anymore.

Thank you. Thank you for calling.

It was one of the newspapers.

Well, why didn't they call me?
I handle the publicity.

Say, Ruthie, we're leaving
for the Coast on Sunday.

I picked a late train so that
you wouldn't have to rush getting up.

You know what I mean?

It�ll do you good, Hollywood.

You'll enjoy it. It's good
for a person to change.

You and me been getting pretty
jumpy lately, you know.

I don't wanna go.

What?

It's just that I'm so tired.
I need a rest.

But I asked you
before I started the deal.

"Take a little vacation," I said.
"Lay off a while," I said.

But no. You wait until I get the deal
all sewed up hook, line and sinker.

Answer... Why?

Explain me, why?

It's just a feeling that I have.
Forget it.

I'm taking Mr. Snyder in
to see Mr. Hunter.

Oh, yes. Second corner to the right.

- Hello, Paul.
- Hello.

This is Mr. Snyder.
Mr. Hunter, Mr. Snyder.

Very nice to meet you, Mr. Snyder.

- But hasn't Miss Etting come with you?
- Mrs. Snyder just sings.

I'm the one does the talking.

I see.

Well, let's start with the story.

I'm sure you'll like it. I don't mind saying
we're all very proud of it.

- Where's the music? I don't see music.
- It comes separately. I have it here.

- What's he doing here?
- Mr. Alderman is the music director.

- I worked for Mr. Snyder and Miss Etting.
- Well, that makes everything friendly.

These are the numbers, Marty.
I've chosen...

You've chosen?
Nobody else got nothing to say?

They're subject to Ruth's approval.

She's no little chorus kid.
She knows what she's doing.

And when she don't,
believe you me, I do.

Of course, Mr. Snyder.

That's why we're happy
to have you both.

Now, why don't we all sit down
and talk things over.

- Look who's gone Hollywood.
- Yeah.

- Hey.
- Marty.

Come on, Georgie, come on.

Everybody come to California to lay around
in the sun, and she gotta sit in the house.

Hello, Ruth.

- Hello, Barney. Can I get you a drink?
- Thanks.

- Everything okay?
- Fine.

- Good.
- Of course, Mr. Hunter was disappointed...

...that you weren't with us.

Say, you have a lot of meetings
tomorrow.

There's wardrobe and makeup
and publicity and...

- Well, Marty has the list.
- Yeah.

You start with the music director.
Wait till you hear who that is.

Johnny Alderman,
the piano player from Chicago.

Is that a laugh.

It's a small world, isn't it?

What's with you
and this fellow, Marty?

- He seemed to bother you at the conference.
- He don't bother me one bit.

He ain't important enough.
I just don't like him.

Something about his personality.

He always gave me a swift pain.
Why should he be on the picture?

Piano player like that,
we ought to have somebody good.

- He's making a name for himself.
- Let him make it on his own time.

How do you feel about it, Ruth?

I don't care one way or the other.
Whatever you say.

Well, we'll leave it lay
for the time being anyway.

- Hunter's a nice fellow, don't you think?
- A four-flusher, like the rest.

You know how long it took me
to get his number? A minute.

And I let him know it too.

Did you see his face when I said his last
three pictures were stinkeroos?

I really let him have it, didn't I?

That's the only way with phonies.
You gotta let them know who you are.

Who are you, Marty?

- What do you mean?
- What have you accomplished?

Can you produce a picture? Have you done
one successful thing on your own?

Just who do you think you are?

Pretty sharp, the little lady, huh?

Whoever I am, kiddo...

...I�m what makes you tick.

Don't you ever forget that.

Is it always like this, Ruth?

I'll make a deal with you, Barney.

You don't tell me your sad stories,
and I won't tell you mine.

How do you like it?
How do you like it?

Have I ever done one successful thing
on my own?

Listen, Marty.

I figure I get what she means.

Back in Chicago, you were a big man, see?

But since then, the people we do business
with, your name don't mean nothing.

After all, it ain't like it's up anywhere.
"Marty Snyder presents..."

Sure, you're married to her...

...but for all they know you could be a guy
that's hanging on to a meal ticket.

You follow what I mean, Marty?

I'll show them.

I'll show them.

She'll see.

Well, get up!
What are you laying there for?

Barney. Come in here.
I wanna talk to you.

Barney, get free tomorrow.
All day. We got business.

And, Georgie, you take Ruth
to the studio instead of me.

And stick with her.

And if she wants to know
where I am, just tell her...

Tell her I'm too busy.

That's right. Tell her...

Tell her I'm just too busy.

Ruth.

- Hello, Johnny.
- Hello, Ruth.

- Good to see you.
- Good to see you.

- I'm sorry I'm late.
- Doesn't matter.

You know Georgie.

- Sure. How are you, Georgie?
- Fine.

Why don't you sit here
and make yourself comfortable.

We'll be in there, by the piano.
This way, Ruth.

Let's have a good look at you.

- A good look?
- A good look.

- Have I changed?
- Yes.

A lot's happened to you.
And it shows.

You're beautiful.

It's good to see you, Johnny.

And I'm awfully glad we're going
to make a picture together.

We always got along fine
when we worked.

And that's what we're here for,
isn't it? To work.

By all means. Let's get to work.

Have you looked over the songs?
You had some choice.

Doesn't make any difference.
Whatever you think.

- Shall we get started?
- All right.

I think you know this.
It's an old one of mine.

"I'll Never Stop Loving You."

Yes, I know it.

Yes, you still care about it.

Are you always this unhappy?
Or is it just today?

Is this going to be a long session, Johnny?
Because I have other appointments.

No.

No, all I'd planned for today
was to run through the songs.

Of course, I had thought you'd have lunch
with me afterwards. Or a drink.

Or a cup of coffee?

Or a cup of coffee.

The last time you asked me that,
Johnny, I didn't, because I didn't want to.

But now I'll tell you
so that you'll never ask me again.

I can't.

- Hello, Barney.
- Hello.

I'm tired, Marty. I didn't want
to go out tonight.

Relax. Don't be so sour.
Gotta eat someplace.

- I ordered your steak medium. Okay?
- Yes.

- Well, how was it today?
- Fine.

How'd you get along
with that piano player?

I suppose he feels he's
a big shot now, huh?

Why shouldn't he?
He's doing pretty well.

Working for somebody else, ain't he?
Still punching a time clock.

- Who doesn't?
- Not everyone. Not everyone.

Go ahead and tell her.
Get it over with.

Garbage. Take it back.

- Tell the chef Mr. Snyder said, "steak."
- I'm sorry, sir.

There was nothing wrong
with that steak.

- Marty, you can't go on acting this way.
- Oh, yes, I can. Here I can.

I can act any way I want.

This is my place. I own it.

- How do you like that?
- You what?

It's his, all right. It's changed hands
10 times. It's jinxed every owner.

- But it's his.
- Why do you want it?

I'll make it the hottest nightspot
on the Coast.

Oh, don't worry. None of your money's
in it. Not one red cent.

In two or three weeks when we open, you
can beg to buy in. You and old lady Loomis.

Two or three weeks? I'll be on this picture
for months. I can't play outside dates.

Did I ask you?
This joint, I make a success.

Don't blame me. I told him
it was no cinch, this business.

I know it like the back of me hand.
Been around the clubs for 14 years.

Do you think I washed socks
when I was running laundry?

- Look it's one thing...
- You want them thinking I'm brainless?

You want they should think
I'm getting handouts from you?

So busy making you something,
they think I'm nothing.

You put it all in, Marty?
The dough from the laundry?

You getting scared too?

Here's what I'm gonna do.
First, I close down the place.

Then I throw out everything.
Everything. Every stick.

I'm starting from scratch.

When I get through, its own mother
won't know this joint.

And it's gonna look rich,
like it costs. Only in good taste.

Like you're always screaming.
Nothing loud.

And the entertainment?
Only headliners. Personalities.

Am I bending your ear too much, Ruthie?
If I am, I'll shut up.

But I'm all steamed up
about this thing, you know?

- What did you do that for?
- I'm sorry.

I'm just so nervous.

You know, the rehearsals and everything
starting tomorrow.

Yeah.

Yeah, that's what it is. Sure.
You're bound to be.

I need a good night's rest.

Yeah, you're right.

I'll...

I'll hit the hay in the other room.

You go on. Go to bed.

Good night.

Good luck with the club, Marty.

Don't say it like you're a stranger.

Hey, Marty.

Here's the layout, Mr. Snyder.

Here. Here, look. In the middle, "M.S."
With a wreath, you know?

- And green and gold.
- Yes, sir.

How do you like that
for a name, Barney?

- M.S. Club? M.S., Marty Snyder. Get it?
- Yeah, I got it. Now look, Marty.

I still think you're mistaken
about Frankie Desirio and his orchestra.

- They're gonna cost you a fortune.
- Book them. Don't give me no headaches.

- You the waiters?
- Yes, sir.

Okay, don't get excited. Wait.

All right, come on, girls.

Come on.

Oh, come on, get them up.

All right. You, you and you.
The rest of you can blow.

Now, you three. Remember something.
This is legit. You're only selling cigarettes.

Back tomorrow morning at 10
for a fitting.

- Barney, you get over to the studio?
- Sure.

- See Ruth?
- Yeah.

She's coming over for dinner.

You know, we been so busy lately,
we hardly seen each other.

- How was she? In a good mood?
- Sure. This picture's a real shot in the arm.

- Never saw such a change in a girl.
- She listen to me, she don't go wrong.

Hi, Marty.

- Where's Ruth?
- She had to work again.

She didn't have no call tonight.
What are they pulling?

This happens all the time.

They find out that a recording stage
is free or something. It's just routine.

Yeah, sure. Sure, Barney.

I know you're anxious to get home.
I won't need you.

- Okay, good night.
- Good night, Barney.

How do they act together?
Ruthie and the piano player?

I watch, just like you told me.
There's nothing to watch.

She's more friendly with others than him.
The wardrobe girl, the makeup man.

An old geezer. A grip, they call him.
Him, she's always talking to.

But Johnny, nothing.

2404, take three.

2404, take three.

Okay?

All right.

You dumb jerk.

I could have sung all night, Johnny.

- It was a good session, wasn't it?
- You were great, and you know it.

Thank you.

- I am helped by the score and conductor.
- Thank you.

You're doing a wonderful job.

I know. I can't understand it.
I'm usually not this good.

Good night, Johnny.

- Hello, Ruth.
- Hello, Mr. Hunter.

- Done for tonight?
- Just finished.

I've heard the recordings.
They're beautiful.

- Thank you.
- Just beautiful.

I'm delighted.

Ruth...

...Mr. Snyder just dropped in. Tells me
you're dissatisfied with Johnny Alderman?

- Oh, I'm not.
- That you want him off the picture.

- That's not true.
- He said that either Johnny goes or you go.

I can't fire a man for no reason, Ruth.

I'll be here in the morning, Mr. Hunter.
Don't worry, there won't be any problems.

- Good.
- Good night.

Good night, Ruth.

You said you would finish tonight.

And that's the way it's gonna be. I don't
care if it is double time. Get it done.

Why did you lie to Hunter?

- All in an uproar, huh?
- He's staying on the picture, Marty.

Fine. Fine. Then they're pulling you off.

- Hey...
- Have you gone crazy?

Are you out of your mind?

What have you got against him?
What has he done to you? Why?

You're going off, and that's that.

Marty, listen to me, please.
This is important.

Don't do this.
Don't spoil this picture.

It's the first thing I've cared about
since New York. I don't wanna lose it.

I have to work. Do you understand?

- I've got to. It's all I've got.
- Shut up. You'll work. Who said different?

Only where I can keep an eye on you
so you don't get ideas. Get so big.

You're gonna work here. Open this joint.
And there's gonna be a sign:

"Martin Snyder presents Ruth Etting."

That way everybody
will know who's boss.

Like you know. Like you better know.

No matter how much you scream
and holler and carry on.

What's the matter, Marty?
Are you afraid you're losing your grip?

You come back here.

What are you gaping at? Get to work.

Ruthie.

Get the car.

Ruthie.

Ruthie.

Ruthie.

No, she's not here.

What's the matter, Marty?
Did she run away?

Keep away from her.

- Lf I catch you around her, I'll kill you.
- She has to walk out on you herself.

If she ever gets the guts to do it,
I will be hanging around.

I'm just telling you
so you'll know where to find me.

- Where now, Marty?
- Home.

I'm gonna get my rest.

She's the one putting on the big act?
Let her be the one that don't sleep.

You say there's nobody registered there
that looks like that?

Are you sure?

Well, what time did you come on duty?

All right, all right.
Keep your shirt on.

Marty, why don't you lay down a while.

She's gotta be someplace.
What's she doing this for?

Hello? Hello, Ruthie. What...?

What did you say, miss?

All right.

I'll be there.

Barney's office.

She wants to meet me there in an hour.

Marty, why don't you take a shower.
I guarantee you'll feel better.

You know you always feel better
after a shower.

Why, you got a lot of time.

Where you been? Why a meeting?

- Why here?
- Sit down.

If we got something to straighten out,
it's between us. Why drag Barney into it?

- Because he's a good friend to both of us.
- So?

You can have anything you want,
any settlement.

- What are you talking about?
- I want a divorce.

- What?
- We've got to put an end to this.

What do you mean? How can you
put an end to a thing like this?

We have to. It isn't worth living
this way. It hasn't been.

- You think you can just tell me...?
- I can't anymore, Marty.

Look, Marty, she can't help
the way she feels.

What a way to wind it up.

A girl, a secretary, calls you on a phone
and tells you you've got an appointment.

I've tried. You know I've tried,
but I can't go on any longer.

What's the use if we're both miserable?

- It's that guy, ain't it?
- No!

- Yeah.
- No!

Yeah, I was on the stage last night.

I seen your face when you looked at him.
Right from the start.

- You been two-timing me!
- That's not true!

- Marty!
- It is true! It is true!

- It's been him all the time, ain't it?
- No, it's you! It's you!

It's because of you!

All right.

All right.

You wanna call it a day.

Fine.

Get a lawyer. Get it started.

Anything you say.
Anything to make you happy.

I did an awful lot for that girl.
She don't realize.

- Isn't that right?
- That's right.

You can level with the both of us.

- Didn't I do wonders for her?
- Yes.

- The contracts I got her.
- Yes, Marty.

I couldn't handle all the people
with kidgloves.

But it's push or get pushed.
See what I mean, Barney?

Sure, I understand. Now, Marty,
go home and get some rest.

We'll talk later. You're all keyed up.

Well, maybe this is the best thing
that could happen.

I mean that serious.

Let her see how she gets along
without me. If she does, fine.

You won't hear one squawk out of me.

But she'll come running back so fast,
believe me, it won't even be funny.

Well, I gotta go.

I got things to do.

Thanks, Barney.

- What did she want?
- Nothing. You know how they are.

- They get notions.
- Splitting up?

Splitting up? That's crazy.
She'd be lost without me.

Sure. It figures.

- Where we going now?
- To the club, where else?

You think I'm gonna let things fall
apart just because she gets a notion?

You're funny, no kidding.
Look at you. The puss on you.

You're tired, Georgie. I've been taking
advantage, running your feet off.

No, I ain't tired.

You know, what most people
don't appreciate...

...it's a tough business, show business. You
gotta have somebody tough on your side.

She'll come running back.
It's a foregone thing.

That's what it is, a forgone thing.

A little faster. Roll them.

- Speed.
- Playback.

All right, cut. Cut.

- Hold it.
- Playback.

Step down, Ruth. We have some
mechanical difficulty. Help her down, Tony.

- Thank you.
- Very nice.

- Thanks.
- Joe.

Ruth. Are you all right?

He came to my place looking for you.
What happened?

- Johnny, it has nothing to do with you.
- Have you left him, Ruth?

Please, it isn't any of your business.

That's a lie. He knows it if you don't.

- Have you left him?
- Yes, I've left him...

...but it doesn't make any difference.
You've got to stay away from me, please.

- Did you see her?
- They wouldn't let me in.

She's there. They've been
shooting two days.

What's the matter?
Why'd you let them bluff you?

- Why didn't you barge in through the gate?
- I did, Marty. They threw me out.

You know what? I ran into Barney Loomis
over at the studio.

The musicians union, unless you
get dough, won't let the band open.

- He's gotta talk to you.
- He'll talk to me when I talk to him later.

- Everybody telling me what to do.
- Marty, listen.

We've been pals a long time.
Since we were kids practically, huh?

It ain't Ruth's fault. It's him.
That piano player.

He's got an influence on her.

If it's him or it ain't, what's the difference?
It's all done. Can't you forget about her?

We got a club to open here
in three days.

All the dough you got in the world
is tied up in this joint.

Marty, I tell you the truth, I worry.

That's bunk. I'll take care of you.
Didn't I always?

- Yeah, only...
- Only what?!

Mr. Snyder, you wanna look at these initials
on the drapes before I hang them?

You're paid to put them up!
Don't ask me so much!

- He's in his office, Barney, if you wanna...
- Later, I said. Later! Let me alone, will you?

Get away! Like flies, like leeches!

My own place, they can't let me alone.

Sure, I can forget her. Yeah.

People die. People go away.

Once it's finished, you don't go around
knocking yourself against a stone wall.

Once it's finished.

Johnny.

Hello.

Hello.

Where have you been the last few days?

You said you didn't want to see me.

Well, I know I did, but...

Well, I didn't think you'd stop coming
to the set.

I mean, with so many people around
and everything.

There's no harm in that, is there?

There's not much point either.

I'm sorry.

- This car for you?
- Yes.

Cancel it. Let me drive you home.

- No, Johnny.
- I just talked with Barney Loomis.

Marty's taking this a lot better
than you are.

Now, wait a minute, let me finish.

I'm not asking you to change your mind
about anything.

All I'm asking, let me drive you home.

But I can't. I can't take the chance.

- Well, good night.
- Please, Johnny.

For what it's worth...

...I love you.

- Good night, Miss Etting.
- Good night.

- Johnny, what are you doing here?
- Oh, darling.

After what you said back there...

Good night.

Good night, darling.

Johnny!

Johnny!

He had it coming to him.

I told him. I told him I was gonna
let him have it.

I couldn't back down,
you know what I mean, Ruthie?

You've been up all night.

And you're all right.

No matter how you feel.

I feel tired.

Exactly as if I was shot.

But if...

If you tell me you love me,
I'll go to sleep.

I love you.

I'll be telling you
for the rest of my life.

You'll get awfully tired hearing it.

You wanna bet?

How is he?

Ruth, there are still some
photographers downstairs.

- Can you take it?
- Yes.

Barney, what's gonna happen with Marty?

Well, he'll probably get out on bail.
Then he'll have to stand trial.

- But what about his club?
- Oh, it won't open. It can't.

Why, it was touch-and-go
about the money anyway.

Now, after this, why,
it's not a chance he can get it.

Now, don't you start
feeling sorry for him.

- Aren't you?
- Oh, yes, I am.

I'd help him if I could, but I can't.
Nobody can.

And you're the one person in the world
who mustn't even try.

- Why not?
- There are 1000...

Barney, he gave me a big chunk
of his life.

It doesn't matter that I didn't want it.
But the point is, he gave it and I took it.

I can't walk away when he's in trouble
as if it weren't my business.

- Wait a minute.
- Too much of it is my fault.

- That's ridiculous.
- I mean it.

Barney, I didn't leave him
with anything.

With any pride, self-respect, nothing.

I've got to see him.
Barney, you have to fix it for me.

Please.

Please.

You're making a big mistake.

I've made so many, one more
won't make any difference.

- Sit down, please.
- Thank you.

Martin Snyder.

Something on your mind?

I don't know if they've told you or not,
but he's going to be all right.

- That should make it easier for you.
- I ain't worried.

Had to learn him a lesson, and I did.

I guess he thought I was bluffing.

Well, a whole lot of people
had me all wrong.

But I guess they're all wised up now.

I never been the kind of guy
lets nobody double-cross him.

No one double-crossed you, Marty.

I've never said one word to Johnny
that you couldn't have heard.

Just good pals, huh?

No. Not anymore.

I love him.

And I'm going to marry him.

Is that what you come to tell me?

Okay, you told me.

Please, Marty. There is something else.

That day, in Barney's office,
we were both so upset...

...that I couldn't really say
what I wanted to.

You did just fine. You said plenty.

But I didn't get to say thank you
for all the nice things.

For all the good things
that you've done for me.

Who are you kidding, Ruthie?
Who are you trying to butter up?

What's the matter, kiddo, scared?

Afraid I'll take another shot
at your boyfriend?

- Marty, please, listen to me.
- No, you listen to me.

I'll be sprung. I'll get out of here.
And I'll beat this rap.

You think I'm through?
You don't know me.

There's one thing I am through with:

You.

You ain't got a thing to worry about.

I don't want no part of you.

What are you sitting there
like a wooden Indian? Beat it.

Go on back to your piano player.
He can have you.

Tell him you seen me in the pokey
and I look great.

Tell him I like it.
Makes me feel like I'm a kid again.

Well, you ain't told me yet
who put up the bail.

All of a sudden, you're such a clam.

I didn't have a chance with
those reporters and everything.

Barney Loomis. He put it up for you.

He's such a pal, why didn't he
come with you?

- I don't know, Marty. Maybe he was busy.
- Yeah.

Word goes out a guy's broke,
everybody gets busy.

- He put the dough up, didn't he?
- He'll get it back.

Yeah, but he put it up.

Yeah, he ain't such a bad guy.

Hey, this ain't the way home.

Thought maybe we'd drop by
the club for a minute.

What do I wanna give myself
the blues for?

- Couple of things you ought to look at.
- Forget it. I wanna get a shower.

They don't keep things so dainty
in that clink. Go on home.

Yeah, Marty, just a minute.

Georgie.

- I'll throw her out!
- Marty. Stop, please!

- Marty!
- Let go of me! Let go!

There are reporters in there.

I don't care who's there. I'll pull her
off the bandstand.

I don't need nobody.
I don't need handouts.

Listen to me! This is not a handout.
You did a lot for Ruth in the old days.

She knows, she's grateful.
She's got a right to pay it back.

And you've got to take it.
You've got to be big enough to take it.

Hey, that's the guy that shot the guy!

- Look this way, Mr. Snyder!
- Over here.

Hey, give me your autograph, mister.

- You have a good thing on your hands.
- Yeah, sure. Sure.

- You mean the club?
- Yeah. Take a look at it.

It's packed. Never been
more than four people in here.

Yeah, I guess you're right.

Mr. Snyder, can I get
some backstage shots?

Mr. Loomis said that you're the only one
that can okay it.

Yeah, sure. Sure, why not?

Only not during the floor show.
That's one of my rules.

- Thanks.
- Think nothing of it.

- What'd you do to the place?
- Pretty nifty.

- Who'd you get in? Decorators?
- I got myself in, that's who.

- Think you've broken the jinx on this spot?
- There was never no jinx on this spot.

- Just of lot of jerks running it.
- Got big plans for it?

When I get through, you'll need
a reservation a month in advance.

- You're counting on keeping it running?
- Through thick and thin.

No matter what happens at my trial.

That's just in case you're being
too polite to ask.

Mr. Snyder, does Miss Etting's appearance
here tonight...

...mean you two are getting back together?
- No.

Ms. Etting is just fulfilling
a contractual obligation.

You got that? A contractual obligation.
She's gonna be paid like any other artist.

Kind of surprising, in view
of what's happened.

What's surprising about it?
Business is business.

Put down that I've got the greatest
respect for Miss Etting as an artist.

Boys, step up to the bar
and have a drink.

And, Georgie, see to it my pals
get everything they want.

Check your hats, please.

Good evening, Mr. Snyder.

You gotta give her credit.

The girl can sing.

About that, I never was wrong.