Original subtitles

Excuse me, sir, is this the right train to Newhaven?

Yeah. Next train on this pIatform, sir.

Thanks. AII right.

MaIcoIm, MaIcoIm. Evening, guv.

Uh, right, 1 1 :30, Newhaven. Done and done.

Thank you very much.

Bad news?

No.

Right. CongratuIations. Ken caIIed in sick.

Looks Iike you're on the Eastborough redeye.

Tonight? Mmhmm.

Hang on, I've just done my shift.

They must aII be Iawabiding citizens on your trains.

You haven't issued a penaIty fare in six weeks.

Or are you just not man enough?

I'II do it. Good boy.

PIatform nine.

You aIright, Iove? Fine.

Good evening, Iadies and gentIemen.

This is your guard speaking.

I wouId Iike to weIcome you aboard

the 23:59 AIpha Trax service to Eastborough,

caIIing at MorsIey Junction, WooIscot, Edgcombe,

Abington Cross, Wychford, Christchurch, Barrock's HiII,

OId MiIton, and arriving at Eastborough at 1 :48.

I'd Iike to remind you at this time

to have your tickets ready for inspection.

Thank you.

Tickets, pIease.

Ta. LoveIy. Thank you, madam.

Tickets and passes, pIease.

Tickets, pIease.

Good, thank you, sir.

Excuse me, madam, tickets.

I'II get that for you.

[growIing / barking]

ObviousIy not a fan of trains.

Nasty man.

Tickets, pIease.

Thank you, madam.

Ticket, pIease.

What? Oh, Christ. Um...

Hang on.

No rush, you're aIright.

[woman] That's weird.

I had it this morning.

Today has just been a compIete nightmare. Let's see...

If you don't have a vaIid pass

I have to charge the fuII fare.

What? SeriousIy? I take this train every singIe day.

Those are the ruIes.

Where is it you're traveIing to?

Eastborough.

Eastborough...

That's gonna be £39 then, pIease.

Thank you. Ta.

ApoIogies. Just wait for your change.

Sorry.

That's IoveIy, thank you.

Tickets, pIease! Can I see your tickets, pIease?

Thank you, sir.

[ticketIess woman] Why don't you get a proper job?

It was so great. The guys, they were so hot.

I'II go tomorrow. About 1 2ish, is that aIright?

We'II go home, get changed, and I can wear shorts.

It was briIIiant. I wish you were there.

[guard] Tickets and passes, pIease.

I ran so hard I wet myseIf. Yeah... It's reaIIy boring.

But the party was amazing. You'd have Ioved it.

It was what you thought it was gonna be.

Can I see your ticket, pIease?

It was a great night. You shouId've been there.

I know! WeII, yeah. It was so briIIiant.

Tickets, pIease? Yeah, that'II be reaIIy cooI.

I Iike that. Yeah. Anyway... Can you get off your phone?

You're in a quiet zone. Yeah. That'II be reaIIy cooI.

Anyway, he's such a boring-- Miss?

I know, right? Thank you.

Oh, my God, this guy is totaIIy staring at my tits.

Such a perv.

What can I say? It's not my fauIt. It was so funny.

[Iaughs]

Thank you. Ta.

Tickets, pIease.

Thank you, sir.

Can I see your ticket, pIease?

Thank you.

Tickets, pIease. Thank you.

Any coffee? See your tickets, pIease.

For you, sir?

[woman] Chicken?

[guard] Thanks.

Hiya. AIright?

[woman] £1 .85, pIease.

Didn't reaIize you were on tonight.

Yeah, doubIe shift.

Trying to save as much as I can this month.

Oh, right. Yeah. Dave's done the same to me.

You stiII trying to go? I haven't decided yet.

I don't wanna be serving chicken sandwiches the rest of my Iife.

No. Yes?

[man] Coffee, white, two sugars, pIease.

And why wouId you?

Sorry about your promotion.

David toId me.

Oh. I think he toId everyone.

That doesn't surprise me.

Ah, it's not the end of the worId.

Something eIse better wiII come up, I'm sure.

WeII, you shouId try again.

You know, you're good with the passengers.

PeopIe Iike you.

EIIen...

Do you want to go for a drink Iater on?

Um... Um...

WeII, I don't think anywhere wiII be open.

Yeah, no, probabIy not.

Um, I'm on again in the morning, so...

Yeah.

I better get on, but good Iuck next time.

Oh, it was just a spur-of-the-moment thing.

Don't worry about it.

I meant with the supervisor appIication.

Right.

Need a piss.

WeII done. That went weII, mate.

[crashing / brakes screech]

[train screeches to a haIt]

[rain / thunder]

[PA] This is the driver. Sorry for the bump.

Seems we hit something on the line.

Please remain seated. ¤e shou¤¤ be on our way short¤y.

Than¤ you.

You aIright? Yeah, I'm fine.

That was quite a ride, mate. Sorry about that, sir.

Yeah. You aIright, EIIen?

Look at this mess.

Don't worry about the mess. We'II sort that out.

No, I'II do that. No, no, no. I'II do that.

[passenger] AIIow me.

[EIIen] Thanks! Any time.

Are these yours? Cheers, yeah.

Mine, too. Thank you.

Maybe you shouId check on the others?

Right, yeah. OK. You're both sound, fine?

Yeah, I think we got it covered.

[guard] Is everybody aIright down here? Madam, you aIright?

Yes, yes, but what happened?

Have we crashed? Did we come off the tracks?

We're trying to get to the bottom of it.

You shouId have seat beIts if you wanna stop Iike that.

I hear you. Sir, Iet me heIp you with these.

[woman] Ged, pIease! [girI] Did we come off the track?

Let me take these. I'II do it!

We're aIright. It's her you wanna worry about.

[woman] Ged! Just take a seat for me.

CaIm down. Miss, you aIright?

I've gotta caII my mum. I couId have died.

Are you OK, though? If this is broken, I wiII sue.

I understand your concern, but you need to caIm down.

Don't touch me, pervert!

Are you aIright? What do you think?

You aIright, mate? Yeah. We going soon, or what?

Yeah, yeah. I'm just waiting to hear from the driver.

Just take it easy for a minute.

You aIright down there, sir?

I dropped my book. Dropped your book...

Right, hang on.

Sir, here's your book. Here you go, sir.

Oh, thanks. I've Iost my page now. I'd just got to a good bit.

I think you'II be aIright, mate. Just stay there and keep caIm.

Driver, this is the guard.

HeIIo?

Ladies and gentIemen, apoIogies once again for the deIay.

I'm stiII waiting on word from the driver.

Thanks for your patience.

[thunder rumbIes]

Dear, oh, dear.

Come on, sausage. Come here.

[Ieaves rustIe behind him]

[Ieaves rustIe again]

[music pIays from phone / she sings aIong]

¤ It's Sunday as we rock ¤

¤ Dancing round the room ¤

¤ Hear a stranger as she knocks ¤

¤ Put a Ietter in a box ¤

¤ It's Sunday as we rock ¤

¤ Dancing round the room ¤

[music continues]

[faint rasping sound]

[growIing]

[roaring]

[thud]

[driver screams / creature sIobbers]

Oh, found my page!

[music pIays on phone]

[door opens]

This is a no smoking train, miss.

Piss off.

You want me to get out and push?

[turns voIume up on music]

I don't beIieve this.

What's happening? I tried knocking.

He's not answering the intercom either.

Tony?

Maybe you shouId keep an eye on the passengers.

WeII, they wanna know what's going on.

Perhaps give them some food or something, keep them sweet.

Not much Ieft.

[guard] Better than nothing.

No sign?

[faint growIing]

HeIIo. HeIIo. Um... We seem to have broken down

just outside Eastborough. I think...

I think it must be Thornton Forest.

And we can't seem to Iocate our driver.

Just Iooking for some advice on how to proceed, over.

[man] Tell me about it. ¤e¤ve got ¤haos out there tonight.

[Iine breaks up] ¤e¤ve got trees down... signal failures...

ETA for re¤lacement... [static]

Sorry, go again on the ETA? Four hours?

The storm has brought down a Iot of trees.

You want me to stay on this skanky train? Fuck right off.

What does the driver say? Does he think he can fix it?

The driver...

He's working on it.

Right, so he might be abIe to get us going again?

No... I don't know... Maybe?

Is the train broken down or not?

[gIamorous woman] What did he actuaIIy say?

I haven't been abIe to speak to him. I can't get through.

Right. Forget it, I'II ask him myseIf.

You can't do that. WeII, watch me do that.

No, we don't know where he is.

[gIamorous woman] Sorry?

Are you teIIing us the driver is missing?

Oh, my God.

He didn't come back. Where's he gone?

I don't know. I'm trying to work on it.

I didn't want to worry you so I didn't say anything.

WeII, that didn't reaIIy work, did it?

I don't suppose you know how to drive it? The train, I mean.

I'm afraid not.

You need to get your supervisor on the radio.

My husband has high bIood pressure.

He can't wait here aII night.

I want my money back. [aII taIk at once]

PIease just caIm down.

[aII continue taIking]

[man] AIright! [everyone faIIs siIent]

Thank you.

Now, the way I see it, we've got two options.

Either we aII sit here and compose our compIaint Ietters,

or we actuaIIy do something about it.

Like what? Like use those wiggIy things

on the end of your Iegs and waIk on out of here.

The station can't be more than, what, a two-miIe waIk?

Three, max. We might even get a phone signaI before then.

I'm in. [passengers aII agree]

Wait, wait, wait. No, no! You can't just...

Safety protocoI cIearIy states passengers must stay

on the train and await assistance. Those are the ruIes.

[gIamorous woman] RidicuIous. It's not. I wiII Iose my job.

Sir! You can't get out of there without any keys.

And do you have some keys? Yes.

WouId you kindIy use them? No.

Come on! No, sir. I wiII Iose my job.

I can't open the door.

We can foIIow the tracks, aII stay together.

I don't see there'II be a probIem.

[bIond man] Yeah, come on. It's stopped raining now.

[gIamorous woman] PIease. [bIond man] Come on.

WeII?

I can't Ieave the train with these pensioners.

[gasps]

You just make sure you keep up, son.

Come on!

WouIdn't you rather spend the night in your own bed?

Huh?

Get your keys out.

[gIamorous woman] PIease.

I'm gonna Iose my job for doing this.

[aII taIk]

Come on. Come on, then.

OK? [guard] Yes, fine, come on.

[guard] Just keep straight down there. Down there.

Keep this side of the... Wait up there, pIease.

Want a hand? [EIIen] I'II hoId your arm.

[guard] Queue up there, pIease, madam.

[assertive man] No, I'm first. OK, I'II go first.

Bit of a drop, isn't it? [guard] You'II be aIright.

Perhaps you won't.

OK... [guard] CarefuI.

AIright?

There's a raiI here you've just got to get your foot on.

Right... Ooh, OK.

Thank you very much.

Last but not Ieast.

Whee!

Thanks. It's my pIeasure.

Five, six, seven...

Right, stick together, pIease. Mind your step out here.

I'II Iight the path.

I'II Iight the track.

That's the Iong metaI thing that the train goes on, is it, boss?

Stick together, pIease.

I'm Nina. BiIIy.

Hey! FueI Ieak.

Oh.

Ooh! Why don't you waIk with me?

We don't want you faIIing over in the dark.

[Iow chatter continues]

[guard] Stick together, pIease!

Recognize where we are? CouId be Thornton Forest.

[Iow growIing]

[guard] You aII right there at the back, sir?

[assertive man] Can you hurry up at the front?

I want to get there tonight.

[overIapping chatter continues]

[Nina] Not exactIy a favorite pastime of mine,

trekking through the woods.

[chatter continues]

[rustIing]

Don't worry, it's just a deer or something.

Keep going.

[conversation resumes]

[rustIing]

Come on, guys, it's getting cIoser now.

Do you think it couId be the driver?

Why wouId he be in the bushes?

[gIamorous woman] I don't know.

It just sounds Iike it couId be.

[guard] Just wait here. Can we not just keep on going?

[assertive man] What do you mean "wait here"?

[Nina] You can't just Ieave us.

[EIIen] I'II find out. Where are you going?

[Nina] Leave us on our own. [peopIe mutter]

[smart woman] Where's he gone? [BiIIy] Come on!

Joe, what is it?

Go. Go.

[growIing]

[EIIen] Back on the train, everyone!

[howIing]

[growIing / snarIing]

Get back on the train, everyone!

[howIing]

[assertive man] Hurry!

Come on! [panicked yeIIs]

[EIIen] Joe, hurry!

[severaI passengers] Where's the key?

[assertive man] Hurry up! [Joe] I'm trying, I'm trying!

[EIIen] Quick! [panicked yeIIs]

AIright, go. Go, go, go, go!

[Nina] QuickIy! [BiIIy] Hurry up.

[aII yeII] Joe, get in!

Joe, get in! Wait!

Come on!

[Ged] Wait! Hurry, come on. Hurry!

[assertive man] Get in, quick. [EIIen] Come on, Joe!

[Ged] Wait!

[Joe] Let's go, come on!

[yeIIing]

[gIamorous woman] HeIp me! [Joe] Get in, get in! In, in!

[creature snarIs] [Joe] Shut the fucking door!

[screams]

[creature growIs / woman screams]

[creature snarIs]

[she waiIs]

We need to move her. Someone heIp me get her up!

[growIing]

[waiIs]

[EIIen] We need to get her up.

HeIp me, pIease. Lift, Iift. PIease.

And Iift. Lift her up. Come on. OK, Iift.

CaIm down, shh, caIm down.

Everyone, step back!

[Nina screams] We'II Iie her down on the chair.

[Joe] Try and caIm her down. Here, take this.

[assertive man] AIright, wrap it round.

Above the wound. Tighter! PuII it down. Step back.

[yeIIing from other carriage]

[BiIIy] What can you see?

[man with gIasses] I can't see anything!

[EIIen] Get the first aid kit! And water!

[sobs] Shh.

Breathe, breathe.

Hurry up. [EIIen] Get some water!

[gIamorous woman sobs] You'II be fine.

Shh... [EIIen] Breathe, breathe.

[assertive man] Everybody just stay caIm!

I don't know what I'm doing.

[gutturaI groaning]

Oh, my God, I don't know what I'm doing.

Pressure on, get the pressure on!

What do you see? I can't see anything!

The door! Is it secure?

[Ged] Check the door.

[gIamorous woman screams]

[BiIIy] Just over there.

[Ioud thud]

[assertive man] What the fuck was that?

[screams]

Keep her quiet, for fuck's sake!

[smart woman] Shh...

[muffIed screaming / shushing]

[groans] Get her to shut the fuck up.

[shushing]

[moans]

[scraping] What is that?

[moans]

[muffIed sobbing]

Fuck. Fuck.

[howIing]

[gasping breaths]

[Nina whimpers] Shh...

[gIamorous woman moans]

Shh... PIease.

[distant howIing]

It's gone. It's gone. It's gone.

[gIamorous woman sobs / moans]

We've got to get her to a hospitaI.

We need to get her to a hospitaI.

Joe, we've got to caII someone. Joe! Joe!

Joe. Joe...

Joe! Joe! We need to caII someone.

We need to caII... caII someone. Just get someone, Joe.

Now! Now! Go, now!

[static crackIes]

This is the Eastborough sprinter service

requesting immediate emergency assistance.

HeIIo?

HeIIo?!

[BiIIy] You aIright, mate?

Yeah. Yeah, fine.

This was working earIier.

How about getting the engine started?

I haven't got the first cIue about trains. Do you?

I know engines. Dirt bikes, Iawnmowers.

It's my oId man's business, repairs.

There's your probIem. [Joe] The fueI Ieak?

Yeah, the Iine must have spIit when we crashed.

There might be some Ieft in the tank, but...

without pressure we ain't gonna be abIe to restart her.

We're going nowhere tiII it's patched.

I better teII the others.

[eIectricity crackIes]

[Iow growIing]

We're just gonna have to sit tight and wait for heIp.

My wife needs medicaI attention now!

And meanwhiIe we're just a train fuII of bear bait.

[Nina] It wasn't a bear.

Bears don't howI.

What was it then, a woIf? A dog couIdn't do that.

There haven't been any bears or woIves round here for centuries.

What animaI did that to her?

It wasn't an animaI.

It was more Iike a man.

[Ged] Just Iie back, Iove. You need to rest.

[gIamorous woman] No, you're not Iistening. You don't understand.

It wasn't an animaI.

She's in shock.

What happened to the driver?

What?

What aren't you teIIing us?

[noises in train]

[Ioud thud]

[tapping]

That's inside the train. Inside?

What are you doing? No, that's not a good idea.

Oh, fuck.

[Ioud bang]

[rattIing]

[banging]

You've got a knife, right?

Why wouId I have a knife?

[banging / rattIing continues]

[noise is cIoser]

Get a key!

Hurry up!

No, no! Fuckin' heII!

Ow! Oh, fuck!

Fuck.

Stinks of piss down here.

Who are you?

He's one of the passengers from earIier. HeIp him up.

I don't- I don't beIieve this.

So... So what you're saying...

is...

is that we've definiteIy gone past Barrock's HiII?

Have you not heard anything we just toId you?

No signaI. What a surprise.

I can't beIieve I missed my stop.

It's great to have you on board.

[gIamorous woman moans]

Try to hoId stiII, Iove.

She's got a fever. Shock?

I've deaIt with a dog bite before,

but I don't know what I'm doing.

EIIen, just sit down, stay caIm for a minute.

Sit down.

There you are.

You OK?

What's wrong with her?

They're Iooking after her, don't worry.

She'II be fine.

There was so much bIood.

My daughter's got shoes Iike those. They're cooI.

Thanks.

She cannot wait to be a teenager.

She hardIy ever taIks to me anymore.

She says that I embarrass her.

You seem pretty nice.

My mum's my best friend. ReaIIy?

There's hope for me yet, then.

Won't she wonder where you are?

No. She's usuaIIy in bed by the time I get home,

and weekends she's with her dad, so I never...

[banging]

It's back.

[Ioud bang]

What the fuck is that?

[Ioud bang]

Maybe someone's come to... Shh...

[banging]

[footbaII man] What the fuck is it?

[Joe] Stay back.

[assertive man] Where's it going?

[Joe] Just be quiet. Shh.

[phone rings]

[Joe] Whose phone is that? [footbaII man] Not mine!

[assertive man] What the fuck? [Joe] It must be someone's!

[assertive man] Someone's got reception!

It's yours. Answer it! Oh, my God. It's me.

[assertive man] WeII, answer it, then.

HeIIo? HeIIo? Who is it?

Mum, you've got to Iisten to me. Something's happened.

TeII her where we are. PIease, Mum, no, pIease.

Give me the phone. TeII her where we are!

Out of my way. Give me that thing!

Get off me! [aII taIk]

[screaming]

HeIp me! [aII scream]

[thudding on roof]

[fIesh tearing / Nina screaming]

[growIing / screaming]

Come on!

[hyperventiIating / muttering]

[Joe] Shh, shh, shh!

Shut up! Shut up!

[footbaII man] I think it's gone.

What is it? Does anyone know?

It ain't a fucking dog, I can teII you that.

[Joe] Shut up!

[smart woman] We can't just Ieave her!

She's gone! We've got to go back!

[she sobs] Hey, hey, come back!

She might stiII be aIive, We can't just Ieave her!

Why did you stop me? I couId have got her!

I was trying to save you! [yeIIs hystericaIIy]

It was too Iate for her! It's your fauIt!

[man with gIasses] Stop it.

You stiII wanna sit and wait?

I didn't know this wouId happen!

You've got to do something!

It's too easy for it to get in.

[footbaII man] What are we gonna do?

Stop Iistening to this prick.

He's doing his best!

I shouIdn't even be on this train.

Enough!

Do you aII wanna die tonight?

Cos if you do, you just carry on whinging and arguing,

and soon enough, that thing out there,

he'II take care of it for you.

But if you stiII intend to get home, then start acting Iike it.

It's an animaI.

AnimaIs hunt what's easy to catch.

And Iook at us.

We're sitting ducks here.

So Iet's try and make it a IittIe bit harder

for the bastard, shaII we?

Have you got any tooIs on this train?

What's wrong with you? Dodgy kebab gave me the shits.

[farts]

Oh! It's not easy, is it? What?

Here. Here, I'II heIp you. Yeah.

Thank you.

Listen, I'm sorry about being such a cow to you before.

It's just... I've spent too much of my Iife on this train.

TeII me about it.

[hammering]

Jenny, here's some water, Iove.

Oh, sorry, it's nearIy empty.

Was there any water anywhere? Joe's got the Iast bottIe.

Right.

I was toId you might have a bottIe of water.

Yeah, course.

What was her name?

Who?

The girI... The girI who was...

Oh. Ooh, um...

I don't know.

Do you have any chiIdren?

Yes. I've got a daughter who's about to be 13.

Oh. You?

Wasn't to be.

We wanted to, but...

Like we aIways say, we have each other

and that's the most important thing.

Thank you.

And thank you for getting us in here.

No probIem.

You're doing aIright, you know.

[coughs]

[Jenny continues to cough]

It's coming back, you know. Sorry?

Our friend out there is coming back.

Might not. Might have had enough.

[chuckIes]

Yeah.

Let me show you something.

Country house. Wife, kids, dog, the works.

But then there's this.

A city fIat.

Five minutes' waIk from the office,

nice view of Tower Bridge,

perfect for entertaining young Iadies.

Discreet.

Two worIds never meet, and everyone is happy.

Good for you.

The point is, we do what we have to to get by.

Sometimes it ain't nice.

[Jenny coughs]

Take this Iot. OId, weak, afraid.

They're naturaI born victims.

And when that thing comes back, when it gets in here,

you can stand with them and wait your turn to die,

or you can use your keys and open one of these doors,

and maybe... maybe you and I ...

can get out of this aIive.

SurvivaI of the fittest, my friend.

[Jenny coughs]

You think about it.

[aII yeII]

[Jenny inhaIes deepIy]

[Jenny retches] Jesus.

[Ged] Jenny... Jenny.

Can you hear me?

[Ged] Jenny!

What the fuck's happening to her?

She needs heIp. She's sick.

But why are her teeth faIIing out?

Shut it! Look, oId man,

I am just saying that-- I know what you're saying.

Stop it!

Joe? Joe?

Someone's missing.

The footbaII guy. He said he needed a shit.

[Joe] Whoa, whoa, whoa, what are you doing?

He's gone. You don't know that.

Just give him a minute.

[assertive man mutters]

Wait here.

Hurry up.

Hey. hey, where's he going? [EIIen] What's happening?

[man with gIasses] Don't wanna Iose anyone eIse.

It's fine. Just one minute.

I'm not Ieaving this open.

PauI? What?

PauI, come on, hurry up, open the door.

You've got to get in the other carriage. It's not safe here.

Fuck's sake. PauI?

What?! PauI, hurry up.

[PauI] I can't do a shit in peace.

No, it's not safe. For fuck's sake.

[Joe] Come on. Come on!

The... The door... [Iock rattIes]

What? I can't open the door!

[Ioud thud]

Oh, fuck. The door is jammed!

[BiIIy] Right... That's it.

[assertive man] What are you doing?

[BiIIy] He's been Iong enough.

[Ioud bang / growIing]

Shit! HeIp me! HeIp me!

Let me go!

Get me the fuck out!

Shit! Get me out of here! [screams]

Get me out! Fuck! Get me out!

[Joe] It's fucking broke...

[banging / screaming]

[growIing / fIesh tearing]

[PauI whimpers]

[growIing]

[banging from toiIet]

[rattIes door handIe]

[struggIes] Come on!

Fucking open the fucking door!

[door rattIing]

What are you doing? Getting out of here.

We're trapped on this fucking train.

What about Joe? He made his choice.

At Ieast he had the guts to try. You shouId have gone with him!

You shouId be heIping him!

Just get out the fucking train!

We need to get them out, too!

Fuck! Hurry up!

The key. [aII faII quiet]

[door rattIes]

[creature growIs]

Open the fucking door!

Fucking heII...

[yeIIs]

[assertive man] Let's barricade it, quick!

[aII yeII instructions]

[EIIen] HoId it, hoId it!

[assertive man] It's coming, it's coming!

It's not gonna open! [man with gIasses] Hey!

We need your heIp! Pass me that.

[Ioud bang]

[door rattIes]

[growIing]

[screaming]

[roars / stabbing]

[she screams]

[yeIIs]

[Ged] Do something! HeIp him!

[creature growIs] [man with gIasses roars]

[screams]

Fucking die!

It's dead. It's OK.

Fucking Iet go!

It's dead.

[he sobs]

Shh... It's gone. OK.

It's OK.

[BiIIy] What did we just kiII?

It's a man.

But its Iegs... and its teeth...

are more Iike a dog's.

[man with gIasses] More Iike a woIf's.

What? Just saying.

What are you saying?

Isn't it obvious?

We're Iooking at a werewoIf.

[Iaughs] What, Iike a fuII moon and siIver buIIet sort of thing?

No...

But Iook at the Iegs, tripIejointed,

the eyes, teeth.

Whatever it is, it's some kind of hybrid between man and woIf.

It's wearing a ring. Look.

[Joe] It used to be Iike us.

Perhaps it's a disease. Like a mutation.

Something you catch from animaIs.

Or a bite.

[Jenny groans]

You're aII too young to remember the Thornton Forest raiI crash.

1 963.

Late night express came off the tracks, somewhere near here.

When the emergency services got to them,

there was no one Ieft to save.

AII sorts of taIes about what they found,

bodies haIf eaten by animaIs, some just gone.

They never did find out what reaIIy happened.

I never gave it much thought after that.

UntiI tonight.

So this has happened before.

We've kiIIed it now, so we're sweet.

[creature groans]

[howI]

[response howI]

[snorting]

Jenny?

[snorts] [Ged] Jen?

Honey?

She's one of them.

She's fucking one of them.

You Ieave her aIone! She's sick.

No, she's not.

She is infected.

We aII know it.

And if we are gonna survive, she has to go.

You touch one hair on my Jenny's head

and I'II break your bIoody neck.

I don't think so, oId man. [shouting]

[EIIen] Stay away from her, OK?

[Iaughs]

AIright.

[Jenny snarIs]

[smart woman] No, no, no!

[women] No, no, no, no, no!

[they scream]

[EIIen] Stop it!

Leave her aIone!

Why don't you take a seat, sir.

Ged! Ged, where am I?

AIright, Jenny.

Where am I?

Thank you.

Give me your fucking beIt. [man with gIasses] What?

Give me your beIt!

Tie him down. [smart woman] With pIeasure.

Her, too.

We can't stay here.

We're not going to.

[creature howIs]

You've done this before.

Dirty bitch.

Ow!

If we can find the Ieak, patch it up,

there might be enough Ieft to get us moving.

AII we need is enough to get cIear of the woods.

Who's going? Me.

I'm the onIy one who knows how.

I couId do with a Iookout, though.

I'II do it.

That's that sorted then.

So the ASBO kid's fixing the train?

I know engines, you prick. Yeah, right.

I got accepted onto an engineering course, actuaIIy.

That's why I was in town today.

Impressive.

[Joe] Nuhuhuhuhuh.

Watch him. Of course.

Let's go.

[BiIIy] Engine Iights.

These go green, it means I've patched the Ieak.

FueI gauge. That needIe bounces up,

you need to turn on the ignition here.

Then the main Iight shouId come on.

That's it? Not quite.

Next you need to prime the pump. PuII down hard here.

Engage forward on the coIumn,

then you need to push forward on the acceIerator.

Nice and sIowIy. Drive us out of this shithoIe, yeah?

Oh, and if you couId remember to pick me up on the way out,

I'II buy you a beer. Is it true?

About your interview?

Yeah, pretty much.

I saw you chuck your jacket and tie in the bin.

Huh. Stupid cow said I needed A-IeveIs, didn't she?

Guess we'II see if she was right.

I think you shouId say something.

This is your guard speaking.

i'D iiKe to apoiogize onCe again

for the delay to your Journey this evening.

A few hours ago we were strangers.

Most of you probabIy wish we stiII were.

But we're gonna try and get out of here now.

We're gonna do whatever it takes to survive.

Together.

Aii of us.

i Know you aii just want to get home.

So Do i.

Next stop, Eastborough.

You ready?

Yeah.

[BiIIy] Shine it down there.

This is it.

Keep an eye out, yeah?

OK...

You don't remember me at aII, do you?

ShouId I?

I've been trying to pIace you aII night.

Must be three years ago now?

I came for an interview at Naughton and Price Brokers.

I thought it was going quite weII, actuaIIy.

But you couIdn't stop Iooking down my top.

You had a tan Iine where your wedding ring shouId have been.

And? WeII, you obviousIy didn't make the grade.

Oh, weII, I was more than quaIified.

But you were more interested

in taking me back home for a foIIowup.

Yes...

But you're right. I don't remember you.

But I know your type. Oh, yes?

You arrive one day in my office, fuII of sparkIe...

happy to fight it out with the boys

for a seat at the big tabIe.

And then after a coupIe of years you swan off for nine months.

And when you return, you're tired aII the time,

wracked by guiIt,

aII that baby weight making it oh-so-hard

to fight your way back up the Iadder.

No more sparkIe.

Jesus.

I feeI sorry for your wife.

[Iaughs]

Don't you worry about her.

Hope you haven't got any kids to fuck up, too.

[rasping breath]

[Ged] Come on, Jenny. HoId on.

Gonna get you out of here soon.

Use your eyes, granddad.

There is no heIping her.

She just needs the hospitaI. They'II be abIe to do something.

If we don't do something about her now,

it'II be too Iate.

Joe?

Why did you want that stupid promotion anyway?

I don't know.

I guess I thought I couId change something.

Make peopIe notice me.

It's what you do that matters,

not what it says on your name badge.

You've heIped those peopIe.

You've heIped aII of us. Hmm.

I'm seriousIy thinking about a change of career after tonight.

[BiIIy] Fuck, come on. Fuck, where are you?

Come on, come on.

Matt... Matt?

Chuck me the tape.

Found the Ieak.

UnderquaIified, my arse.

Here, chuck me that wrench.

Ah, there we go.

OK.

Ah, fuck.

Listen, um, about before,

aII that business with the ax.

I don't know what came over me.

OK, mate.

OK...

[weak voice] HeIp...

HeIp me...

[BiIIy] Get that Iight on me, buddy.

Matt, keep that Iight on me.

Matt! Matt! What the fuck are you doing?

For fuck's sake...

HeIIo?

[Nina] HeIp me!

HeIIo? [Nina] HeIp!

Where are you?

[Nina] HeIp!

Look, I ...

About before, I ...

I'm sorry, I ...

It just aII happened so quickIy.

Where are you?

[Nina moans]

[Nina] HeIp...

[rustIing / chomping]

[snarIing]

[yeIIs]

[snarIing]

[screams]

[Matt screaming]

[Matt screaming / creatures growIing]

Oh, no.

[howIing]

Oh, fuck.

Hey!

HeIp!

Matthew!

Fuck! She's fucking changing!

Come on, Iet me out of here! She's turning, come on!

There's one woIf out there

and there's one fucking woIf in here.

We're aII gonna die!

Just shut up and Iet me think!

Hey! HeIp! Fuck!

Untie me, you stupid bitch!

Come on, come on, come on.

Come on!

This shouId be it.

EIIen! Quick! He got the Iights on.

Oh! OK. FueI...

That one. Right, what's next?

Pump. Prime the pump.

Gears. [engine starts up]

OK, what are we doing? Just wait. Gotta wait for it.

[creatures growIing]

Where are they?

[both yeII]

OK, Iet's go. Let's go. No, we can't. EIIen, no!

Shit. Shit.

Oh, my God. Come on. We're moving.

Thank fuck! [sighs]

[strains] Oh, God.

[Jenny groans] We're moving, Jenny. Can you-

Oh, my God. What the...

[assertive man] Oh, my God!

Fucking heII! [screams]

Fucking heII! Let me out of here! Get me out of here!

Do it, do it, do it! [snarIs]

[yeIIing]

Hurry, hurry. Hurry up.

HeIp me.

[whimpers]

[Ged] Jenny.

It's working. No, Iook, it's working. Look, it's working.

It's working. Go, come on, it's going, it's going.

[assertive man] Christ! [snarIs]

[smart woman whimpers]

[screams] HeIp me!

HeIp me!

[sobs] No! No, God, no.

Oh, no!

[sobs]

[creature growIs softIy / she faIIs siIent]

PIease don't... PIease don't...

PIease don't... PIease, pIease don't kiII me.

No, no! [screams]

[Ged] Jenny.

[Ged] Jenny!

No!

Oh, shit. Jenny.

[Ged screams]

Oh, God.

[Jenny snarIs]

No... Stay away from me!

Stay away!

[strains]

Oh...

[engine powers down]

No... No!

Fuck!

No!

Why has it stopped? What's happened?

EIIen, come on! Go, go, go, go, go, go!

[snarIing]

Stay away from me. [snarIs]

Stay away!

[screeches]

Better Iate than never.

Good to see you've finaIIy grown a pair.

Joe! Joe!

Come on! Come on then!

Where's Kate?

She'd stiII be aIive if you hadn't tied me up.

[snarIing]

[thudding]

[snarIing through door]

[EIIen sobs]

Where exactIy are we going to, boss?

The woods. We'II never stand a chance.

UnIess one of us stays behind.

[EIIen screams]

Stop it!

[EIIen] Back off!

Get over there! Get back!

[EIIen sobs]

Fucking bitch.

You reaIIy think you're in controI, don't you, Joe?

You've finaIIy become a man,

and you've stood up to the chaIIenge weII.

Haven't you?

You think you've got it aII worked out, don't you?

Oh, no.

[crashing]

Come on, then!

[EIIen screams]

[BiIIy] Oi!

Fuck you, bitch.

Come on.

Come on!

Come on, you fucking mutts!

Come on!

Get that door open. Come on! Let's 'ave it!

[Joe] Go, go, go! BiIIy!

[EIIen] BiIIy!

[BiIIy screams]

[Joe] Come on!

[BiIIy screams]

[Ioud boom]

[snarIing / growIing]

[howIing]

FoIIow the track! The track!

[creature barks]

Come on, Iet's go. Let's go!

Let's go! Too Iate.

What? It's too Iate.

No, Iet's go!

They're on to us. No, Iet's go, Joe!

There's a track. There's a track there.

Joe!

Come on.

Come on, Iet's go. Let's go.

No, no. No!

Joe! Joe, no, come on!

You have to go.

Come with me, Joe!

Run! EIIen, run!

Go! Go!

[snarIing]

[growIing]

Come on!

[screams]

Oh! Ow.

First thing I'm gonna do is buy this pIace

and burn it the fuck down.

[rustIing]

HeIIo?

[weakIy] Who's there?

HeIIo?

[rustIing]

Joe?

Where are you, mate?

Joe?

[snarIing]

Oh, fuck!