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1
00:00:05,000 --> 00:00:07,800
♪ ...FOREVER
YOU AND ME ♪
2
00:00:07,800 --> 00:00:12,000
♪ THERE'S NOTHING LEFT
FOR ME TO SHOW YOU ♪
3
00:00:12,000 --> 00:00:15,900
♪ OH, YOU KNOW
ALL THERE IS TO KNOW ♪
4
00:00:15,900 --> 00:00:18,700
♪ NOW IT'S YOU AND ME ♪
5
00:00:18,700 --> 00:00:22,300
♪ THAT'S THE WAY IT'S GONNA BE ♪
6
00:00:22,300 --> 00:00:24,800
♪ AND PRETTY SOON
YOU'LL SEE... ♪
7
00:00:24,900 --> 00:00:25,900
LOOK, A PUPPY...
8
00:00:25,900 --> 00:00:28,300
♪ ...THAT FOREVER YOU'RE MINE ♪
9
00:00:28,400 --> 00:00:30,800
♪ IT'S YOU AND ME... ♪
10
00:00:30,800 --> 00:00:32,300
HEY.
11
00:00:32,400 --> 00:00:33,600
♪ ...THERE IS NO OTHER WAY... ♪
12
00:00:33,600 --> 00:00:34,900
THANK YOU.
13
00:00:34,900 --> 00:00:37,300
♪ ...AND WE'RE
STARTING HERE TODAY... ♪
14
00:00:37,400 --> 00:00:38,600
GUYS, WE GO IT!
15
00:00:38,700 --> 00:00:39,700
HE'S BOOKING OUR TOUR!
16
00:00:39,700 --> 00:00:43,900
♪ ...IT'S JUST YOU AND ME ♪
17
00:00:43,900 --> 00:00:45,900
TOURING, HERE WE COME!
18
00:00:46,000 --> 00:00:47,600
♪ THAT'S THE WAY
IT'S GONNA BE... ♪
19
00:00:47,700 --> 00:00:49,900
'KAY, BYE.
I'LL BE BACK SOON.
20
00:00:49,900 --> 00:00:51,000
I'LL MISS YOU.
21
00:00:51,000 --> 00:00:51,900
♪ ...THAT FOREVER YOU'RE MINE ♪
22
00:00:51,900 --> 00:00:53,400
♪ FOREVER ♪
23
00:00:53,400 --> 00:00:55,600
♪ IT'S YOU AND ME... ♪
24
00:00:55,600 --> 00:00:56,700
BYE.
25
00:00:56,700 --> 00:00:59,300
♪ ...THERE IS NO OTHER WAY ♪
26
00:00:59,300 --> 00:01:01,900
♪ AND WE'RE
STARTING HERE TODAY ♪
27
00:01:02,100 --> 00:01:08,000
♪ 'CAUSE TODAY
IT'S JUST YOU AND ME... ♪
28
00:01:10,000 --> 00:01:14,400
♪ OOH, IT'S JUST YOU AND ME ♪
29
00:01:14,500 --> 00:01:16,700
♪ IT'S JUST YOU AND ME... ♪
30
00:01:25,900 --> 00:01:27,500
GOOD MORNING, SWEETIE.
31
00:01:27,500 --> 00:01:28,600
GOOD MORNING, MOM.
32
00:01:28,600 --> 00:01:29,600
EIGHT-FOOT PALMS?
33
00:01:29,600 --> 00:01:30,600
NINE FOOT.
34
00:01:30,600 --> 00:01:31,700
COFFEE?
35
00:01:31,800 --> 00:01:33,100
TRIPLE ESPRESSO.
GOOD MORNING, FREDDY.
36
00:01:33,100 --> 00:01:34,100
HEY, OLIVIA.
37
00:01:34,100 --> 00:01:35,600
CAN WE GET THIS PLACE
CURB-PERFECT BY 5:00?
38
00:01:35,600 --> 00:01:36,900
4:59, GUARANTEED.
39
00:01:36,900 --> 00:01:38,600
THANK YOU.
40
00:01:38,600 --> 00:01:40,800
YOU ARE GONNA BE GREAT AT THIS.
41
00:01:40,900 --> 00:01:42,800
GIVE IT SIX MONTHS,
AND YOU'LL BE THE NEW ME.
42
00:01:42,800 --> 00:01:44,100
THIS IS NOT
WHAT I HAD IN MIND
43
00:01:44,200 --> 00:01:45,900
WHEN I SAID I WANTED
TO FIND MYSELF.
44
00:01:45,900 --> 00:01:47,100
WELL, WE'LL SEE.
45
00:01:47,100 --> 00:01:48,100
DON'T SAY IT--
46
00:01:48,100 --> 00:01:49,100
"ALL THE WORLD'S--
47
00:01:49,200 --> 00:01:50,400
"--A STAGING."
48
00:01:54,900 --> 00:01:57,900
SO, ARE YOU GETTING EXCITED
ABOUT THIS WEEKEND?
49
00:01:57,900 --> 00:01:59,600
WHY? WHAT'S
THIS WEEKEND?
50
00:01:59,600 --> 00:02:00,600
JUST KIDDING.
51
00:02:00,700 --> 00:02:02,200
YES, I CAN'T WAIT.
52
00:02:02,200 --> 00:02:03,900
THERE'S A SLIGHT GLITCH
WITH THE MUSIC,
53
00:02:04,000 --> 00:02:05,000
BUT I'M ON IT.
54
00:02:05,000 --> 00:02:06,000
WE DON'T NEED MUSIC.
55
00:02:06,100 --> 00:02:07,000
IT'S YOUR WEDDING.
56
00:02:07,100 --> 00:02:07,900
SECOND WEDDING.
57
00:02:08,000 --> 00:02:10,000
EVEN A SECOND WEDDING
SHOULD BE MEMORABLE.
58
00:02:10,000 --> 00:02:12,700
AND TELL ME YOU AT LEAST
TRIED ON THE DRESS.
59
00:02:12,700 --> 00:02:13,900
I WILL.
60
00:02:14,000 --> 00:02:15,700
YOU ARE THE WORST BRIDE EVER.
61
00:02:15,800 --> 00:02:17,700
AND YOU ARE THE BEST DAUGHTER.
62
00:02:19,200 --> 00:02:20,600
OH, LET ME JUST...
63
00:02:21,800 --> 00:02:23,600
THOSE GO BYE-BYE.
64
00:02:23,600 --> 00:02:24,600
OKAY...
65
00:02:25,900 --> 00:02:27,600
THE GNOME, IT GOES.
66
00:02:28,700 --> 00:02:30,000
-BRUCE.
-GOOD MORNING.
67
00:02:30,100 --> 00:02:31,000
GOOD MORNING.
68
00:02:31,100 --> 00:02:32,300
OLIVIA PERSHING.
69
00:02:32,300 --> 00:02:33,200
AND THIS IS
MY ASSOCIATE,
70
00:02:33,300 --> 00:02:35,100
GRACE.
71
00:02:35,200 --> 00:02:37,000
WE ARE HERE TO STAGE
YOUR HOME FOR THE OPEN HOUSE.
72
00:02:37,000 --> 00:02:38,800
I KNOW JOSH SAID
THIS WAS NECESSARY,
73
00:02:38,800 --> 00:02:39,900
BUT IT JUST FEELS...
74
00:02:40,000 --> 00:02:41,200
-INTRUSIVE?
-A LITTLE.
75
00:02:41,300 --> 00:02:42,300
A LOT.
76
00:02:42,300 --> 00:02:43,900
I TOTALLY UNDERSTAND.
77
00:02:44,000 --> 00:02:45,500
THE THING IS,
A BUYER WANTS TO KNOW
78
00:02:45,600 --> 00:02:46,800
WHAT A HOME
COULD LOOK LIKE,
79
00:02:46,800 --> 00:02:48,800
NOT WHAT IT DOES LOOK LIKE.
80
00:02:48,800 --> 00:02:50,900
MEMORIES ARE WONDERFUL, BUT...
81
00:02:51,100 --> 00:02:53,000
THEY'RE YOURS.
82
00:02:53,000 --> 00:02:54,900
ALL RIGHT, GO TO IT.
83
00:02:55,000 --> 00:02:57,000
I'LL BE AT MY OFFICE.
84
00:02:57,000 --> 00:02:58,400
OKAY.
85
00:02:58,400 --> 00:03:00,300
DON'T WORRY,
WE'LL TAKE CARE OF EVERYTHING.
86
00:03:00,300 --> 00:03:01,900
THANK YOU.
87
00:03:01,900 --> 00:03:03,000
MM-HMM.
88
00:03:05,500 --> 00:03:07,000
OKAY...
89
00:03:07,000 --> 00:03:08,100
THAT GOES.
90
00:03:08,200 --> 00:03:09,400
LAMP CAN STAY.
91
00:03:09,400 --> 00:03:11,700
CURTAINS GO.
92
00:03:17,200 --> 00:03:19,100
QUOTES FROM
"THE WIZARD OF OZ"?
93
00:03:19,100 --> 00:03:20,300
BRINGS TO MIND TORNADOS,
WITCHES,
94
00:03:20,300 --> 00:03:21,900
AND DEPRESSED FARMLANDS.
95
00:03:21,900 --> 00:03:24,400
ALL OF THESE
KNICKKNACKS CAN GO.
96
00:03:24,400 --> 00:03:26,100
AW, "WORLD'S GREATEST DAD."
97
00:03:26,100 --> 00:03:27,100
THAT'S SWEET.
98
00:03:27,100 --> 00:03:28,100
YEAH, SWEET,
99
00:03:28,100 --> 00:03:29,500
BUT GUILT-INDUCING.
100
00:03:29,500 --> 00:03:30,500
DO WE WANT TO
TAKE THE CHANCE
101
00:03:30,500 --> 00:03:33,800
THAT AN ALL-CASH BUYER
MISSED HIS KID'S SCHOOL PLAY
102
00:03:33,800 --> 00:03:35,100
OR FIRST PITCH?
103
00:03:42,200 --> 00:03:43,900
IT'S WAY TOO CROWDED IN HERE.
104
00:03:43,900 --> 00:03:47,000
LET'S LOSE EVERYTHING,
MAKE IT MORE SIMPLE.
105
00:03:48,100 --> 00:03:49,300
OH!
106
00:03:50,500 --> 00:03:52,800
PURPLE.
107
00:03:54,900 --> 00:03:57,500
HAVE THAT PAINTED
RESALE-WHITE BY NOON.
108
00:04:02,100 --> 00:04:03,500
HI!
109
00:04:03,500 --> 00:04:05,400
WELCOME TO WILLOW LAKE INN.
110
00:04:12,000 --> 00:04:15,300
♪ I'VE BEEN THINKING
ABOUT SOMETHING ♪
111
00:04:15,300 --> 00:04:17,900
♪ NEVER KNEW JUST WHAT IT WAS ♪
112
00:04:18,000 --> 00:04:23,000
♪ TILL I MET YOU, BABY ♪
113
00:04:23,000 --> 00:04:27,200
♪ I'VE BEEN DREAMING
'BOUT SOMEONE ♪
114
00:04:27,300 --> 00:04:29,400
♪ NEVER COULD QUITE
PLACE THE FACE ♪
115
00:04:29,400 --> 00:04:33,300
♪ TILL I LAID MY EYES ON YOU ♪
116
00:04:37,300 --> 00:04:38,500
WHAT DO YOU THINK?
117
00:04:40,800 --> 00:04:43,300
REALLY?
118
00:04:43,300 --> 00:04:44,700
PLAYING FOR
THE DUCKS AGAIN?
119
00:04:44,800 --> 00:04:47,400
WELL, I GOTTA KEEP
MY FAN BASE HAPPY.
120
00:04:47,400 --> 00:04:48,700
YOU GOTTA KEEP
THE GUESTS HAPPY, TOO.
121
00:04:48,700 --> 00:04:51,600
NO, THE INTERNET'S OUT AGAIN?
122
00:04:51,600 --> 00:04:53,300
GARBAGE DISPOSAL.
123
00:04:53,300 --> 00:04:54,700
THIS PLACE IS FALLING APART.
124
00:04:54,800 --> 00:04:57,700
IT'S RUSTIC AND CHARMING.
125
00:04:57,800 --> 00:04:59,200
LIKE YOU.
126
00:04:59,200 --> 00:05:00,400
YEAH.
127
00:05:01,500 --> 00:05:02,400
COME ON, LUCKY.
128
00:05:02,500 --> 00:05:04,200
HERE WE GO. COME ON!
129
00:05:04,200 --> 00:05:07,300
WE'VE GOT ANOTHER WEDDING BOOKED
THIS WEEKEND.
130
00:05:07,300 --> 00:05:08,700
AS LONG AS
IT'S NOT YOURS.
131
00:05:08,800 --> 00:05:10,300
DAD...
132
00:05:10,300 --> 00:05:11,800
I JUST DON'T THINK
THAT MADSEN KID
133
00:05:11,800 --> 00:05:13,200
IS GOOD ENOUGH FOR YOU.
134
00:05:13,200 --> 00:05:15,700
YOU DON'T THINK ANYONE'S
GOOD ENOUGH FOR ME.
135
00:05:15,700 --> 00:05:18,700
ANYWAY, WE BROKE UP.
136
00:05:18,700 --> 00:05:20,700
OH, HONEY, I'M SORRY.
137
00:05:22,600 --> 00:05:25,800
WHAT ARE YOU GOING TO DO
WHEN I GO OFF TO COLLEGE?
138
00:05:25,800 --> 00:05:28,300
PROBABLY RENT AN APARTMENT
NEAR YOUR CAMPUS.
139
00:05:29,500 --> 00:05:31,300
HONEY, I KNOW IT'S JUST
BEEN THE TWO OF US
140
00:05:31,400 --> 00:05:32,300
FOR A WHILE NOW,
141
00:05:32,400 --> 00:05:34,200
BUT YOU'VE GOT THIS
BEAUTIFUL LIFE TO LIVE.
142
00:05:34,200 --> 00:05:36,200
DON'T WORRY ABOUT ME.
143
00:05:36,300 --> 00:05:37,300
BUT YOU'LL BE
ALL ALONE HERE,
144
00:05:37,300 --> 00:05:38,700
FOR THE FIRST TIME
SINCE MOM DIED.
145
00:05:38,800 --> 00:05:40,300
I'LL BE FINE.
146
00:05:40,300 --> 00:05:41,600
I'VE GOT MY GUITAR,
I'VE GOT MY DOG,
147
00:05:41,600 --> 00:05:42,400
AND I'VE GOT
A LOT OF STRANGERS
148
00:05:42,500 --> 00:05:44,700
WHO LIKE TO TIE THE KNOT
IN MY BACKYARD.
149
00:05:49,900 --> 00:05:52,200
I'LL HAVE THE PAPERWORK
SENT OVER FIRST THING.
150
00:05:52,200 --> 00:05:54,800
MAKE YOU SURE YOU GET
SOME SUSHI ON THE WAY OUT...
151
00:05:56,600 --> 00:05:58,400
GET BACK TO ME
ON THAT CONDO, BROTHER.
152
00:06:00,200 --> 00:06:02,200
DID YOU FINISH
ALL THE SUSHI AGAIN?
153
00:06:02,200 --> 00:06:03,900
SORRY, HONEY.
IT'S SO GOOD.
154
00:06:03,900 --> 00:06:04,900
HOW MANY OFFERS?
155
00:06:04,900 --> 00:06:06,600
THREE. ALL ABOVE-ASK.
156
00:06:06,600 --> 00:06:08,600
THAT'S FANTASTIC.
157
00:06:08,700 --> 00:06:10,400
PLUS TWO NEW CLIENTS
FROM THE OPEN HOUSE.
158
00:06:10,400 --> 00:06:12,200
OH, HONEY, THAT'S WONDERFUL.
159
00:06:12,200 --> 00:06:13,600
CHEERS.
160
00:06:13,700 --> 00:06:14,700
TO US.
161
00:06:14,700 --> 00:06:16,500
TO US.
162
00:06:18,800 --> 00:06:22,200
CAN YOU STAGE THE HOPE STREET
COLONIAL TOMORROW?
163
00:06:22,200 --> 00:06:24,500
NO, TOMORROW'S THURSDAY.
164
00:06:24,600 --> 00:06:26,700
HOW WOULD YOU FEEL
ABOUT GOING UP ALONE,
165
00:06:26,700 --> 00:06:27,600
AND THEN I COULD
MEET YOU THERE
166
00:06:27,700 --> 00:06:29,200
FRIDAY NIGHT?
167
00:06:29,300 --> 00:06:31,800
YEAH, OR YOU COULD SHOW
THE HOLLAND ESTATE
168
00:06:31,900 --> 00:06:33,000
FRIDAY NIGHT,
169
00:06:33,000 --> 00:06:34,500
AND JUST COME UP
SATURDAY MORNING.
170
00:06:34,500 --> 00:06:35,700
THAT'S AN EVEN
BETTER IDEA.
171
00:06:35,800 --> 00:06:37,300
PERFECT.
172
00:06:37,400 --> 00:06:39,600
OKAY, SO,
REHEARSAL DINNER IS AT 7:00.
173
00:06:39,700 --> 00:06:40,700
UH-HUH...
174
00:06:40,700 --> 00:06:42,600
AND I'M THINKING
AROUND NOON?
175
00:06:42,600 --> 00:06:44,400
THAT WAY, YOU CAN SHOW
THE COLONIAL ON YOUR WAY IN.
176
00:06:44,500 --> 00:06:45,600
THAT'S WHY I LOVE YOU.
177
00:06:45,700 --> 00:06:47,500
THAT'S WHY YOU LOVE ME?
178
00:06:47,500 --> 00:06:48,900
AMONG OTHER THINGS.
179
00:06:49,000 --> 00:06:50,600
YEAH.
180
00:06:50,600 --> 00:06:51,900
WHY DON'T WE GO
TO THE JUSTICE OF THE PEACE
181
00:06:51,900 --> 00:06:53,000
RIGHT NOW,
182
00:06:53,000 --> 00:06:54,800
AND GET THIS OVER WITH?
183
00:06:54,800 --> 00:06:57,100
BECAUSE MY DAUGHTER
THINKS WE ARE UNROMANTIC.
184
00:06:57,100 --> 00:06:58,900
WE'RE NOT UNROMANTIC, ARE WE?
185
00:06:59,000 --> 00:07:00,100
NO, LOOK AT US.
186
00:07:00,100 --> 00:07:02,800
CHAMPAGNE, SUSHI.
187
00:07:02,800 --> 00:07:03,800
OPEN HOUSE.
188
00:07:04,900 --> 00:07:07,000
THERE'S THE MAN
OF THE HOUR.
189
00:07:07,000 --> 00:07:08,900
WHAT HAVE YOU DONE?
190
00:07:08,900 --> 00:07:10,300
GREAT NEWS, BRUCE.
MULTIPLE OFFERS.
191
00:07:10,400 --> 00:07:11,800
I DON'T CARE,
I'M NOT SELLING.
192
00:07:11,800 --> 00:07:13,700
OLIVIA, THE PLACE
IS AMAZING.
193
00:07:13,700 --> 00:07:15,400
I'VE FALLEN BACK
IN LOVE WITH IT AGAIN.
194
00:07:15,500 --> 00:07:16,500
I'M STAYING,
195
00:07:16,600 --> 00:07:17,900
AND I'M BUYING
THE FURNITURE, TOO.
196
00:07:22,900 --> 00:07:24,100
REMEMBER WHAT HAPPENED
197
00:07:24,100 --> 00:07:25,900
THE LAST TIME
YOU TRIED TO FIX THAT.
198
00:07:27,600 --> 00:07:29,500
I'M TRYING NOT TO.
199
00:07:29,500 --> 00:07:31,700
WELL, I'VE COME
A LONG WAY, HAVEN'T I?
200
00:07:31,700 --> 00:07:32,700
FROM A SPOTLIGHT
ON THE STAGE
201
00:07:32,800 --> 00:07:34,800
TO A FLASHLIGHT
UNDER THE SINK.
202
00:07:34,800 --> 00:07:36,100
WEDDING CAKE.
203
00:07:38,000 --> 00:07:39,900
TELL ME WHAT YOU THINK.
204
00:07:41,200 --> 00:07:43,200
THEY'RE PROBABLY ALL GOOD.
205
00:07:43,200 --> 00:07:45,500
MM. GOOD, YEAH.
206
00:07:45,600 --> 00:07:46,900
I DON'T KNOW, SHOULDN'T
THE BRIDE BE DECIDING THIS?
207
00:07:48,000 --> 00:07:49,700
I LIKE THE LEMON.
208
00:07:49,700 --> 00:07:51,600
I JUST HEARD FROM
THE BRIDE'S DAUGHTER.
209
00:07:51,600 --> 00:07:52,800
DON'T TELL ME
THEY CANCELED.
210
00:07:52,800 --> 00:07:53,800
NO, THEIR BAND DID.
211
00:07:53,800 --> 00:07:55,000
OH. WELL, CALL LYNN.
212
00:07:55,000 --> 00:07:56,700
-OUT OF TOWN.
-WHAT ABOUT THE JENSONS?
213
00:07:56,700 --> 00:07:57,800
I ALREADY TRIED.
214
00:07:57,800 --> 00:07:58,800
WELL, I'M SURE
SOMEONE'S AROUND.
215
00:07:58,800 --> 00:08:00,400
SOMEONE IS.
216
00:08:02,500 --> 00:08:03,700
NO.
217
00:08:03,700 --> 00:08:05,200
THERE'S NO TIME
TO GET ANYONE ELSE.
218
00:08:05,200 --> 00:08:06,500
PLEASE?
219
00:08:06,500 --> 00:08:07,700
IT'LL BE GOOD FOR YOU
TO PLAY AGAIN.
220
00:08:07,700 --> 00:08:08,600
-I PLAY ALL THE TIME.
-TO THE DUCKS.
221
00:08:08,600 --> 00:08:10,000
THEY GET MY MUSIC.
222
00:08:11,200 --> 00:08:12,700
I ALREADY SAID YOU'D DO IT.
223
00:08:12,700 --> 00:08:14,100
-JULIE!
-IT'S SETTLED THEN.
224
00:08:14,100 --> 00:08:15,100
THANKS, DAD.
225
00:08:17,300 --> 00:08:18,500
MICK!
226
00:08:18,600 --> 00:08:20,500
ARE YOU IN HERE?
227
00:08:20,600 --> 00:08:21,800
NOWHERE TO HIDE
NOW, PAL.
228
00:08:21,800 --> 00:08:23,900
BE RIGHT OUT!
229
00:08:24,000 --> 00:08:25,700
GO WITH THE LEMON.
230
00:08:28,900 --> 00:08:30,700
HEY.
231
00:08:30,700 --> 00:08:32,100
HI.
232
00:08:32,100 --> 00:08:33,900
DID WE HAVE A GOLF
GAME I FORGOT ABOUT?
233
00:08:34,000 --> 00:08:36,100
WELL, IF YOU COULD TAKE
THE AFTERNOON OFF, WE DO.
234
00:08:36,100 --> 00:08:38,200
OH, I'D LOVE TO,
BUT I'M SWAMPED HERE.
235
00:08:38,200 --> 00:08:39,700
JULIE CAN HANDLE THINGS
FOR A FEW HOURS.
236
00:08:39,700 --> 00:08:40,900
RIGHT?
237
00:08:40,900 --> 00:08:43,300
YEAH, IT'S FINE, DAD.
238
00:08:43,300 --> 00:08:44,300
WELL, THE THING IS,
239
00:08:44,300 --> 00:08:45,200
I JUST FOUND OUT
240
00:08:45,200 --> 00:08:46,300
WE HAVE A WEDDING
COMING IN THIS WEEKEND--
241
00:08:46,300 --> 00:08:47,900
FINE.
242
00:08:47,900 --> 00:08:50,300
BUT TOMORROW NIGHT, DINNER.
243
00:08:50,400 --> 00:08:53,300
AND I AM NOT TAKING NO
FOR AN ANSWER.
244
00:08:55,200 --> 00:08:56,900
TOODLES.
245
00:08:58,100 --> 00:08:59,900
TOODLES.
246
00:09:03,100 --> 00:09:04,200
SOUNDS LIKE A DATE.
247
00:09:04,200 --> 00:09:05,400
SHE'S VERY FRIENDLY.
248
00:09:05,400 --> 00:09:06,700
SHE LIKES YOU.
249
00:09:06,700 --> 00:09:08,200
YEAH, I'M IRRESISTIBLE.
250
00:09:08,200 --> 00:09:09,900
YOU'RE GOING TO HAVE TO
RE-ENTER THE DATING POOL
251
00:09:09,900 --> 00:09:10,900
SOMETIME.
252
00:09:32,200 --> 00:09:34,100
BE READY SOON, GRACE!
253
00:09:36,100 --> 00:09:37,100
HI!
254
00:09:37,100 --> 00:09:38,300
MOM...
255
00:09:38,300 --> 00:09:39,900
ARE YOU DRIVING UP WITH US?
256
00:09:39,900 --> 00:09:40,900
OH, NO, NO, NO, NO.
257
00:09:41,000 --> 00:09:41,900
JOHNNY HAS A GOLF TOURNAMENT.
258
00:09:41,900 --> 00:09:43,200
WE'RE DRIVING UP TOMORROW.
259
00:09:43,200 --> 00:09:44,800
WHO...
260
00:09:44,900 --> 00:09:46,000
WHO'S JOHNNY?
261
00:09:46,000 --> 00:09:47,800
OH, MY PLUS ONE.
262
00:09:47,800 --> 00:09:50,100
YOU ARE GOING TO
LOVE HIM.
263
00:09:50,100 --> 00:09:52,300
HE'S THE EXACT OPPOSITE
OF MY LAST PLUS ONE.
264
00:09:52,300 --> 00:09:54,000
OH.
265
00:09:54,000 --> 00:09:56,000
CAN'T WAIT TO MEET HIM.
266
00:09:56,000 --> 00:09:57,200
AND I CAN'T TELL YOU
HOW RELIEVED I AM
267
00:09:57,300 --> 00:09:59,300
THAT YOU DO NOT HAVE TO
BE ALONE ANYMORE.
268
00:09:59,400 --> 00:10:02,000
OH, MOM, I'M NOT ALONE.
269
00:10:02,100 --> 00:10:03,800
I HAVE GRACE, AND I HAVE WORK.
270
00:10:03,900 --> 00:10:05,900
THAT IS NOT THE SAME
AS HAVING A HUSBAND.
271
00:10:05,900 --> 00:10:08,000
I SHOULD KNOW, I'VE HAD A FEW.
272
00:10:08,000 --> 00:10:09,300
AND WHAT IS THIS I HEAR
273
00:10:09,400 --> 00:10:12,500
ABOUT YOU ORDERING
YOUR WEDDING DRESS ONLINE?
274
00:10:12,600 --> 00:10:14,300
YOU COULD HAVE BORROWED
ONE FROM ME.
275
00:10:14,400 --> 00:10:15,500
I'M NOT SURE WEARING
A WEDDING DRESS
276
00:10:15,600 --> 00:10:16,600
FROM A FAILED MARRIAGE
277
00:10:16,600 --> 00:10:18,100
IS A GOOD IDEA.
278
00:10:18,100 --> 00:10:19,500
JUST BECAUSE THEY ENDED
DOES NOT MEAN THEY FAILED.
279
00:10:20,900 --> 00:10:22,500
OH, THERE SHE IS.
280
00:10:22,500 --> 00:10:23,500
GRAM!
281
00:10:23,600 --> 00:10:25,000
I DIDN'T EXPECT
TO SEE YOU
282
00:10:25,000 --> 00:10:25,900
UNTIL TOMORROW.
283
00:10:26,000 --> 00:10:29,000
JUST DROPPING OFF GIFTS
FOR MY TWO GIRLS.
284
00:10:29,000 --> 00:10:30,000
OLIVIA...
285
00:10:30,000 --> 00:10:31,000
THANK YOU, MOM.
286
00:10:31,000 --> 00:10:32,300
NOW, GRACE,
287
00:10:32,400 --> 00:10:33,500
I KNOW THAT YOU PREFER
THE NATURAL LOOK,
288
00:10:33,500 --> 00:10:36,400
BUT YOUR MOTHER WILL ATTEST
TO THE POWER OF MAKEUP.
289
00:10:37,600 --> 00:10:39,500
YOU SHOULD TRY
THE WRINKLE CREAM, HONEY.
290
00:10:39,500 --> 00:10:40,500
IT'S NOT EVERY DAY
291
00:10:40,600 --> 00:10:41,900
SOMEONE LIKE JOSH
COMES ALONG.
292
00:10:43,500 --> 00:10:45,100
A DEMAIN.
293
00:10:50,400 --> 00:10:54,100
DID SHE JUST CRITICIZE US,
OR COMPLIMENT US?
294
00:10:54,200 --> 00:10:56,600
I THINK BOTH.
295
00:10:58,400 --> 00:10:59,600
WHEN WAS THE LAST TIME
296
00:10:59,600 --> 00:11:01,900
YOU AND JOSH
TOOK FOUR DAYS OFF?
297
00:11:02,000 --> 00:11:03,700
I'M PRETTY SURE... NEVER.
298
00:11:03,700 --> 00:11:05,400
THAT'S HORRIBLE.
299
00:11:05,500 --> 00:11:08,200
ACTUALLY, I THINK THIS
IS THE FIRST WEEKEND
300
00:11:08,200 --> 00:11:10,200
WITHOUT AN OPEN HOUSE.
301
00:11:10,300 --> 00:11:13,400
WELL, WE ARE LEAVING
THE CITY BEHIND NOW,
302
00:11:13,400 --> 00:11:15,300
SO YOU TWO
CAN'T DO ANY BUSINESS.
303
00:11:15,400 --> 00:11:17,700
I LIKE YOUR
THINKING, HONEY.
304
00:11:17,800 --> 00:11:19,300
REMEMBER THAT
305
00:11:19,300 --> 00:11:22,500
WHEN I TELL YOU HOW MANY PEOPLE
ARE ON THE GUEST LIST.
306
00:11:22,500 --> 00:11:23,500
48.
307
00:11:23,600 --> 00:11:25,200
48?
308
00:11:25,200 --> 00:11:28,700
GRACE, THIS WAS SUPPOSED
TO JUST BE A FEW FRIENDS.
309
00:11:28,700 --> 00:11:30,300
I KNOW,
I GOT CARRIED AWAY.
310
00:11:30,400 --> 00:11:32,300
WHY AM I
NOT SURPRISED?
311
00:11:32,300 --> 00:11:33,600
SOME OF THEM
312
00:11:33,700 --> 00:11:35,200
ARE COMING UP
ON SATURDAY...
313
00:11:35,200 --> 00:11:36,500
OKAY, WAIT, SATURDAY?
314
00:11:36,600 --> 00:11:38,200
BUT MOST OF THEM
ARE DRIVING UP ON SUNDAY
315
00:11:38,200 --> 00:11:39,700
FOR THE CEREMONY.
316
00:11:39,700 --> 00:11:40,700
AND THE DINNER,
317
00:11:40,800 --> 00:11:43,400
AND THE MUSIC,
318
00:11:43,400 --> 00:11:45,500
AND THE LANTERN
LIGHTING OVER THE LAKE.
319
00:11:45,600 --> 00:11:46,700
ARE YOU MAD?
320
00:11:46,800 --> 00:11:48,300
NO. NO.
321
00:11:48,400 --> 00:11:49,800
OF COURSE, I'M NOT MAD.
322
00:11:49,800 --> 00:11:51,700
THAT SOUNDS BEAUTIFUL.
323
00:12:15,400 --> 00:12:16,500
HI!
324
00:12:16,500 --> 00:12:17,500
WELCOME TO WILLOW LAKE.
325
00:12:17,500 --> 00:12:18,500
I'M JULIE TURNER.
326
00:12:18,500 --> 00:12:20,000
GRACE PERSHING.
327
00:12:20,000 --> 00:12:22,000
WE SPOKE ON THE PHONE,
LIKE, 15 TIMES.
328
00:12:22,000 --> 00:12:23,500
16.
329
00:12:23,500 --> 00:12:25,300
NICE SHOES.
330
00:12:26,500 --> 00:12:27,800
THIS IS MY MOM,
331
00:12:27,800 --> 00:12:29,800
A.K.A. THE WORST
BRIDE EVER.
332
00:12:29,800 --> 00:12:31,600
OH...
HI. I'M OLIVIA.
333
00:12:31,600 --> 00:12:32,700
NICE TO MEET YOU.
334
00:12:32,800 --> 00:12:33,600
NICE TO MEET
YOU, TOO.
335
00:12:33,600 --> 00:12:36,700
WOW, YOUR PLACE
IS REALLY BEAUTIFUL.
336
00:12:36,700 --> 00:12:37,800
THANK YOU.
337
00:12:37,900 --> 00:12:39,500
I MIGHT SUGGEST
YOU MOVE THIS PLANTER
338
00:12:39,600 --> 00:12:41,000
OVER TO THE OTHER SIDE
OF THE PORTICO--
339
00:12:41,000 --> 00:12:43,000
-MOM...
-SORRY.
340
00:12:43,000 --> 00:12:44,800
IT'S PERFECT THE WAY IT IS.
341
00:12:44,900 --> 00:12:45,800
WEDDING JITTERS?
342
00:12:45,800 --> 00:12:46,800
WORKAHOLIC.
343
00:12:46,800 --> 00:12:47,900
HMM.
344
00:12:47,900 --> 00:12:49,600
I PROMISE
THE NEXT FEW DAYS
345
00:12:49,600 --> 00:12:51,500
WILL BE AMAZING.
346
00:12:51,500 --> 00:12:52,500
SHALL I SHOW YOU AROUND,
347
00:12:52,600 --> 00:12:53,900
OR SHOULD WE WAIT
FOR THE GROOM?
348
00:12:54,100 --> 00:12:55,500
OH, NO, NO, IT'S JUST US.
349
00:12:55,500 --> 00:12:56,500
HE'LL BE HERE ON SATURDAY.
350
00:12:56,500 --> 00:12:57,600
HOPEFULLY.
351
00:12:57,600 --> 00:13:00,100
HE'S THE WORST GROOM EVER.
352
00:13:00,100 --> 00:13:02,000
THE PERFECT
COUPLE, THEN.
353
00:13:03,600 --> 00:13:04,600
WHO'S THIS?
354
00:13:04,600 --> 00:13:05,600
THAT'S LUCKY.
355
00:13:05,600 --> 00:13:06,600
LUCKY?
356
00:13:06,700 --> 00:13:09,000
HE DOESN'T USUALLY TAKE
TO STRANGERS LIKE THAT.
357
00:13:09,000 --> 00:13:11,600
GOLDEN RETRIEVERS AND I
GO WAY BACK.
358
00:13:11,600 --> 00:13:12,600
WE'VE HAD THREE.
359
00:13:12,600 --> 00:13:13,600
US TOO.
360
00:13:14,600 --> 00:13:15,800
SORRY, GIRLS,
I'LL GRAB THIS REAL QUICK.
361
00:13:15,800 --> 00:13:17,600
BRUCE, HI.
362
00:13:17,600 --> 00:13:19,500
COME ON,
I'LL SIGN YOU IN.
363
00:13:24,800 --> 00:13:25,900
I LOVE THOSE.
364
00:13:25,900 --> 00:13:27,600
WELL, THAT'S GOOD
365
00:13:27,600 --> 00:13:29,200
BECAUSE I'M
YOUR WEDDING PHOTOGRAPHER.
366
00:13:29,200 --> 00:13:30,600
YOU TOOK THOSE?
367
00:13:30,600 --> 00:13:31,600
THEY'RE AMAZING.
368
00:13:31,700 --> 00:13:32,800
THANKS.
369
00:13:37,900 --> 00:13:39,500
THIS PLACE IS BEAUTIFUL.
370
00:13:39,600 --> 00:13:41,100
IT'S EVEN BETTER
THAN I'D HOPED.
371
00:13:41,100 --> 00:13:43,200
WE CAN HAVE THE CEREMONY
EITHER INSIDE OR OUT.
372
00:13:43,200 --> 00:13:45,000
OUTSIDE.
DEFINITELY.
373
00:13:45,000 --> 00:13:46,700
SHOULD WE WAIT FOR
YOUR MOM TO WEIGH IN?
374
00:13:46,800 --> 00:13:47,800
SHE WON'T CARE.
375
00:13:47,800 --> 00:13:48,900
YOU'RE SURE?
376
00:13:49,000 --> 00:13:49,900
POSITIVE.
377
00:13:49,900 --> 00:13:51,900
SHE'D GET MARRIED
IN THE CAR IF SHE COULD.
378
00:13:53,100 --> 00:13:54,600
THAT COULD WORK.
WE DO HAVE A TRUCK.
379
00:13:54,600 --> 00:13:55,900
ONCE WE GET
YOU SIGNED IN,
380
00:13:56,000 --> 00:13:57,500
I'LL SHOW YOU THE GROUNDS,
381
00:13:57,600 --> 00:14:00,000
AND THE PERFECT OUTDOOR SPOT,
382
00:14:00,000 --> 00:14:02,000
UNLESS YOU WANT TO SEE
THE TRUCK.
383
00:14:02,000 --> 00:14:04,000
WE'LL KEEP THAT
AS A BACKUP PLAN.
384
00:14:04,100 --> 00:14:05,500
I'LL MAKE SURE IT'S WASHED.
385
00:14:05,600 --> 00:14:07,100
YOU REMIND ME OF SOMEONE.
386
00:14:07,100 --> 00:14:08,900
WHO'S THAT?
387
00:14:08,900 --> 00:14:10,600
ME.
388
00:14:10,600 --> 00:14:12,200
LET'S JUST GO
WITH THE SECTIONAL.
389
00:14:12,200 --> 00:14:14,800
WE CAN CHANGE OUT THE PILLOWS.
390
00:14:14,800 --> 00:14:15,600
A POP OF PINK WOULD BE GREAT--
YES, THANK YOU.
391
00:14:15,600 --> 00:14:16,600
OOH! OH!
392
00:14:16,700 --> 00:14:17,700
YOU OKAY?
393
00:14:17,700 --> 00:14:18,800
I'M SO SORRY.
394
00:14:18,800 --> 00:14:20,000
NO, NO, MY FAULT--
395
00:14:22,000 --> 00:14:23,100
MICK?
396
00:14:23,100 --> 00:14:24,100
LIVVY?
397
00:14:25,600 --> 00:14:26,900
YOU LOOK...
398
00:14:26,900 --> 00:14:28,800
OLDER?
399
00:14:28,800 --> 00:14:30,100
BEAUTIFUL.
400
00:14:32,000 --> 00:14:35,200
WHAT ARE YOU
DOING HERE?
401
00:14:35,200 --> 00:14:36,900
I'M GETTING MARRIED.
402
00:14:36,900 --> 00:14:39,000
YOU'RE THE
PERSHING-JOHNSON WEDDING?
403
00:14:39,100 --> 00:14:40,800
YEAH.
404
00:14:40,900 --> 00:14:42,300
HOW DO YOU KNOW ABOUT THAT?
405
00:14:42,400 --> 00:14:43,600
YOU CHANGED YOUR NAME?
406
00:14:43,600 --> 00:14:45,600
PERSHING WAS MY FIRST HUSBAND.
407
00:14:45,700 --> 00:14:47,000
HOW MANY HUSBANDS
HAVE YOU HAD?
408
00:14:47,000 --> 00:14:49,200
WHY ARE YOU STANDING HERE
WITH ALL THE TOWELS?
409
00:14:50,800 --> 00:14:52,800
I LIVE HERE.
410
00:14:52,900 --> 00:14:54,300
WHAT?
411
00:14:54,300 --> 00:14:55,900
I OWN THE PLACE.
412
00:14:58,400 --> 00:15:01,000
YEAH, IT GETS WORSE.
413
00:15:01,000 --> 00:15:02,800
I'M YOUR WEDDING SINGER.
414
00:15:10,800 --> 00:15:12,800
UH, MOM?
415
00:15:12,800 --> 00:15:14,000
OKAY, I'M DYING.
416
00:15:14,000 --> 00:15:15,100
DAD?
417
00:15:15,200 --> 00:15:16,100
I CAN'T FEEL MY LEGS.
418
00:15:16,100 --> 00:15:17,100
WHAT'S WRONG?
419
00:15:17,200 --> 00:15:18,900
-NOTHING.
-EVERYTHING.
420
00:15:18,900 --> 00:15:20,800
IT WAS A MILLION YEARS AGO,
BEFORE YOUR FATHER.
421
00:15:20,900 --> 00:15:22,100
BEFORE YOUR MOM.
WE WERE--
422
00:15:22,100 --> 00:15:23,900
---REALLY YOUNG.
---AND STUPID.
423
00:15:23,900 --> 00:15:26,200
--HE GOT A RECORD DEAL,
AND HE WENT OFF TOURING,
424
00:15:26,200 --> 00:15:28,100
--I CAME BACK, AND SHE WAS
ALREADY WITH SOMEONE ELSE.
425
00:15:28,200 --> 00:15:29,400
HE WAS MY FIRST LOVE.
426
00:15:29,400 --> 00:15:30,900
SHE BROKE MY HEART.
427
00:15:30,900 --> 00:15:32,800
HOW DID I NOT KNOW ABOUT THIS?
428
00:15:32,900 --> 00:15:34,500
I GUESS I JUST NEVER
WANTED TO THINK ABOUT HIM.
429
00:15:34,500 --> 00:15:36,000
--EVER AGAIN.
EVER.
430
00:15:36,000 --> 00:15:37,400
I'LL CANCEL.
431
00:15:37,400 --> 00:15:39,200
WE CAN DO
THE JUSTICE OF THE PEACE THING
432
00:15:39,300 --> 00:15:40,600
LIKE YOU WANTED.
433
00:15:40,600 --> 00:15:42,500
YOU WANTED TO GIVE ME
A MEMORABLE WEEKEND,
434
00:15:42,500 --> 00:15:44,100
AND IT WILL BE THAT.
435
00:15:44,100 --> 00:15:46,100
BESIDES, HONEY, WE HAVE
48 PEOPLE COMING THIS SUNDAY.
436
00:15:46,100 --> 00:15:48,300
57.
437
00:15:48,300 --> 00:15:49,400
I LIED.
438
00:15:51,900 --> 00:15:53,000
MAYBE SHE'LL CANCEL.
439
00:15:53,100 --> 00:15:54,400
YOU'D BETTER HOPE NOT.
440
00:15:54,400 --> 00:15:56,200
WE SPENT THEIR DEPOSIT
ON DORM FEES.
441
00:15:56,200 --> 00:15:58,000
ALL OF IT?
442
00:16:12,200 --> 00:16:13,300
HI. THIS IS JOSH JOHNSON.
443
00:16:13,400 --> 00:16:16,000
PLEASE LEAVE A MESSAGE
AT THE TONE.
444
00:16:16,000 --> 00:16:18,300
JOSH, HEY, IT'S ME.
445
00:16:18,300 --> 00:16:20,600
OKAY, SO, THIS IS KIND OF WEIRD.
446
00:16:20,700 --> 00:16:23,600
WELL, ACTUALLY, IT'S KIND OF
FUNNY...
447
00:16:23,700 --> 00:16:25,200
OR NOT.
448
00:16:25,300 --> 00:16:28,000
UM, JUST GIVE ME A CALL.
449
00:16:28,000 --> 00:16:29,500
I LOVE YOU.
450
00:16:34,500 --> 00:16:35,500
FOR YOU.
451
00:16:35,500 --> 00:16:37,500
OH.
452
00:16:37,600 --> 00:16:38,600
THANK YOU.
453
00:16:38,700 --> 00:16:40,200
WELL, THEY'RE NOT FROM ME.
454
00:16:40,300 --> 00:16:41,300
THEY'RE FROM A....
455
00:16:41,300 --> 00:16:44,300
"JOSH JOHNSON.
456
00:16:44,400 --> 00:16:46,400
NUMBER TWO REAL ESTATE AGENT
IN LONG ISLAND"
457
00:16:46,400 --> 00:16:47,800
GOOD-LOOKING GUY.
458
00:16:47,800 --> 00:16:49,200
A LITTLE
OFF YOUR TYPE.
459
00:16:49,200 --> 00:16:51,200
MY TYPE HAS CHANGED.
460
00:16:53,700 --> 00:16:56,600
LOOK, CLEARLY, THIS IS AWKWARD,
461
00:16:56,600 --> 00:16:58,200
SO IF YOU'D LIKE TO CANCEL,
I UNDERSTAND.
462
00:16:58,200 --> 00:16:59,300
I DO.
463
00:16:59,400 --> 00:17:02,400
BUT I CAN'T, I DON'T WANT TO
DISAPPOINT MY DAUGHTER.
464
00:17:02,400 --> 00:17:04,800
BESIDES, I BARELY REMEMBER
THE DAY YOU LEFT ME
465
00:17:04,800 --> 00:17:06,600
STANDING ON THE SIDEWALK.
466
00:17:06,600 --> 00:17:08,400
SO THAT'S HOW
IT'S GONNA BE, HUH?
467
00:17:08,400 --> 00:17:09,400
THAT'S HOW IT WAS.
468
00:17:09,400 --> 00:17:10,400
WELL, I BEG TO DIFFER.
469
00:17:11,500 --> 00:17:13,100
YOU STILL ALLERGIC TO ROSES?
470
00:17:13,200 --> 00:17:14,400
NO, I'M NOT.
471
00:17:15,500 --> 00:17:17,400
MAYBE YOU'RE ALLERGIC TO ME.
472
00:17:17,500 --> 00:17:18,600
MOM!
473
00:17:18,700 --> 00:17:20,600
WAIT UNTIL YOU SEE
THE HONEYMOON CABIN!
474
00:17:20,600 --> 00:17:22,500
AW, LET ME PUT THESE
IN YOUR ROOM.
475
00:17:22,500 --> 00:17:24,600
THANK YOU.
476
00:17:24,700 --> 00:17:26,300
PUT THEM BY THE WINDOW,
SHE'S ALLERGIC.
477
00:17:35,700 --> 00:17:37,200
DON'T YOU JUST LOVE IT?
478
00:17:37,300 --> 00:17:38,400
THE RIVER ROCK FIREPLACE?
479
00:17:38,400 --> 00:17:40,200
THE VIEW TO THE LAKE?
480
00:17:40,300 --> 00:17:41,200
HONEY, IT'S BEAUTIFUL.
481
00:17:42,600 --> 00:17:44,800
MY DAD PUT A LOT OF
TIME INTO THIS ONE.
482
00:17:44,800 --> 00:17:46,600
YOUR DAD DID THIS?
483
00:17:46,600 --> 00:17:50,200
YEAH, HE REBUILT
THE ENTIRE PLACE.
484
00:17:50,200 --> 00:17:53,300
IT TOOK HIS MIND OFF THINGS
WHEN MY MOM DIED.
485
00:17:54,800 --> 00:17:55,900
OH.
486
00:17:55,900 --> 00:17:57,500
I DIDN'T KNOW.
487
00:17:57,500 --> 00:17:58,600
I'M SORRY.
488
00:17:58,700 --> 00:18:00,400
I DIDN'T MEAN
TO BRING THAT UP.
489
00:18:00,400 --> 00:18:02,500
NO, NO, NO, I'M GLAD YOU DID.
490
00:18:02,500 --> 00:18:04,900
I'VE KNOWN YOUR DAD
FOR A LONG TIME.
491
00:18:06,500 --> 00:18:07,900
I FEEL AWFUL.
492
00:18:07,900 --> 00:18:10,500
IT'S BEEN FIVE YEARS NOW.
493
00:18:10,500 --> 00:18:12,200
HE'S KIND OF SHUT DOWN
SINCE THEN.
494
00:18:12,200 --> 00:18:14,800
WHICH IS WHY
I WAS SO GLAD
495
00:18:14,900 --> 00:18:17,500
HE AGREED TO SING
AT YOUR WEDDING.
496
00:18:17,500 --> 00:18:18,800
HE REALLY DOESN'T
PLAY MUCH ANYMORE.
497
00:18:18,900 --> 00:18:20,700
UNLESS YOU WANT ME
TO GET SOMEONE ELSE--
498
00:18:20,700 --> 00:18:22,700
-NO.
-YOU'RE SURE?
499
00:18:22,700 --> 00:18:23,800
ABSOLUTELY.
500
00:18:23,900 --> 00:18:25,900
I MEAN, WHERE ELSE
ARE WE GOING TO FIND A POP STAR
501
00:18:26,000 --> 00:18:26,900
IN VERMONT
502
00:18:27,000 --> 00:18:29,600
THAT'S AVAILABLE ON SUNDAY
FROM 2:00 TO 4:00?
503
00:18:29,700 --> 00:18:31,000
WHATEVER YOU DO,
504
00:18:31,100 --> 00:18:32,700
DON'T LET HIM HEAR YOU SAY
"POP STAR".
505
00:18:32,700 --> 00:18:33,800
HE HATES THAT.
506
00:18:33,800 --> 00:18:35,800
OKAY, YEAH, I REMEMBER.
507
00:18:35,900 --> 00:18:37,300
I'LL LET YOU GET SETTLED IN.
508
00:18:37,400 --> 00:18:38,300
GRACE, I'LL SHOW YOU YOURS.
509
00:18:38,400 --> 00:18:39,300
IT'S JUST ALONG THE PATH.
510
00:18:39,300 --> 00:18:41,500
LEAD THE WAY.
511
00:18:41,600 --> 00:18:43,300
THANK YOU.
512
00:19:07,000 --> 00:19:08,600
CAN YOU BELIEVE THIS?
513
00:19:08,600 --> 00:19:09,800
I HAVE TO THROW
A WEDDING FOR HER?
514
00:19:09,800 --> 00:19:10,800
AND SING!
515
00:19:10,900 --> 00:19:11,800
WHILE SHE MARRIES
516
00:19:11,900 --> 00:19:14,000
THE NUMBER TWO REAL ESTATE
AGENT IN LONG ISLAND?
517
00:19:14,000 --> 00:19:15,900
WHAT'S THE BIG DEAL?
518
00:19:16,000 --> 00:19:17,600
UNLESS YOU STILL HAVE
FEELINGS FOR HER.
519
00:19:17,600 --> 00:19:19,400
FEELINGS?
I DON'T EVEN KNOW HER.
520
00:19:19,500 --> 00:19:21,400
SHE'S A COMPLETELY
DIFFERENT PERSON.
521
00:19:22,600 --> 00:19:23,600
HOW DOES SHE LOOK?
522
00:19:25,700 --> 00:19:27,400
THAT GOOD, HUH?
523
00:19:51,500 --> 00:19:53,700
POP STAR...
524
00:19:53,700 --> 00:19:56,200
STAGER...
525
00:19:58,900 --> 00:20:00,700
LUCKY, NO!
526
00:20:00,800 --> 00:20:02,500
SORRY.
527
00:20:02,600 --> 00:20:04,600
THAT'S OKAY.
528
00:20:06,800 --> 00:20:08,600
HE LOOKS
SO MUCH LIKE ROWDY.
529
00:20:08,600 --> 00:20:09,900
RIGHT?
YOU KNOW, I RESCUED HIM,
530
00:20:09,900 --> 00:20:12,000
AND I THINK IT TURNS OUT
HE ACTUALLY RESCUED ME.
531
00:20:14,700 --> 00:20:17,900
YOU REMEMBER
HOW WE FOUND ROWDY?
532
00:20:18,000 --> 00:20:19,200
YEAH.
533
00:20:19,200 --> 00:20:21,900
WASN'T HE EATING PIZZA
BEHIND THE DORM?
534
00:20:21,900 --> 00:20:23,100
THE DOG LOVED HIS PIZZA.
535
00:20:23,100 --> 00:20:25,300
HE DID.
536
00:20:27,200 --> 00:20:29,300
UM...
537
00:20:29,300 --> 00:20:32,000
JULIE TOLD ME ABOUT HER MOM.
538
00:20:32,000 --> 00:20:33,200
I'M SO SORRY.
539
00:20:33,200 --> 00:20:36,000
OH, THAT'S NICE OF YOU,
THANK YOU.
540
00:20:36,100 --> 00:20:37,400
YEAH, UM...
541
00:20:37,400 --> 00:20:39,900
IT TOOK ME A WHILE TO ADJUST.
542
00:20:40,000 --> 00:20:41,000
I THINK I'M STILL ADJUSTING.
543
00:20:41,000 --> 00:20:42,200
YEAH.
544
00:20:42,300 --> 00:20:43,300
WHAT ABOUT YOU
545
00:20:43,300 --> 00:20:44,300
AND YOUR HUSBAND?
546
00:20:44,300 --> 00:20:45,200
HUSBAND NUMBER ONE?
547
00:20:45,200 --> 00:20:48,100
OH, THAT DIDN'T TAKE
MUCH ADJUSTING.
548
00:20:48,100 --> 00:20:49,700
HE LEFT AFTER GRACE WAS BORN.
549
00:20:49,700 --> 00:20:51,000
I'M SORRY.
550
00:20:51,000 --> 00:20:52,900
IT ALL WORKED OUT.
551
00:20:56,900 --> 00:20:59,700
WELL, YOU SURE PICKED
A BEAUTIFUL PLACE
552
00:20:59,700 --> 00:21:00,900
TO SETTLE DOWN.
553
00:21:01,000 --> 00:21:02,300
OH. YEAH.
554
00:21:02,300 --> 00:21:05,000
IT WAS MY WIFE'S HOMETOWN.
555
00:21:05,000 --> 00:21:06,700
FIGURED IT'D BE A GOOD PLACE
TO RAISE A KID.
556
00:21:06,800 --> 00:21:08,000
JULIE'S A GREAT GIRL.
557
00:21:08,000 --> 00:21:09,000
SO IS GRACE.
558
00:21:09,100 --> 00:21:10,300
YEAH.
559
00:21:10,300 --> 00:21:11,900
I GUESS WE DID PRETTY GOOD THEN.
560
00:21:12,000 --> 00:21:14,100
YEAH.
561
00:21:16,900 --> 00:21:18,800
WELL, I'D BETTER
GET BACK TO MY... STUFF.
562
00:21:18,900 --> 00:21:20,100
OH, SURE.
563
00:21:20,100 --> 00:21:21,100
SEE YA.
564
00:21:21,100 --> 00:21:22,100
YEAH.
565
00:21:22,100 --> 00:21:23,200
OH, UM...
566
00:21:23,200 --> 00:21:24,200
HOW'S YOUR MOTHER?
567
00:21:24,200 --> 00:21:25,300
STILL HATES YOU.
568
00:21:33,900 --> 00:21:35,800
SO, THE GROOM.
569
00:21:35,800 --> 00:21:37,200
WILL HE WANT
TO GO OVER THE MENU?
570
00:21:37,300 --> 00:21:39,400
NO, HE AND MY MOM
HAVE THE SAME TASTE.
571
00:21:39,500 --> 00:21:40,800
THEY'RE EXACTLY ALIKE.
572
00:21:40,900 --> 00:21:42,200
THAT MAKES IT EASY.
573
00:21:42,300 --> 00:21:44,000
I GUESS IT DOES.
574
00:21:45,100 --> 00:21:46,100
HEY, GIRLS.
575
00:21:46,200 --> 00:21:47,500
-HELLO.
-HI.
576
00:21:50,300 --> 00:21:52,100
IT'S NICE THAT YOU GUYS
ARE SO CLOSE.
577
00:21:52,100 --> 00:21:54,100
ACTUALLY WE'RE
WORKING TOGETHER,
578
00:21:54,100 --> 00:21:55,200
TEMPORARILY.
579
00:21:55,200 --> 00:21:56,300
SHE'S "GROOMING" ME.
580
00:21:56,300 --> 00:21:59,000
MOTHER AND DAUGHTER
STAGERS.
581
00:21:59,100 --> 00:22:00,500
YIKES.
582
00:22:00,500 --> 00:22:02,500
SHE WANTS ME TO BE
JUST LIKE HER.
583
00:22:02,500 --> 00:22:03,800
YIKES AGAIN.
584
00:22:04,000 --> 00:22:05,600
NO KIDDING.
585
00:22:05,600 --> 00:22:07,200
DO YOU HAVE ANY
BROTHERS OR SISTERS?
586
00:22:07,200 --> 00:22:08,100
ONLY CHILD.
587
00:22:08,200 --> 00:22:09,400
ME TOO.
588
00:22:09,400 --> 00:22:12,400
YOU'VE DONE A GREAT JOB,
ORGANIZING THIS WEDDING.
589
00:22:12,400 --> 00:22:15,000
I SURE HOPE SO.
590
00:22:15,100 --> 00:22:17,100
DON'T WORRY
ABOUT ANYTHING HERE.
591
00:22:17,100 --> 00:22:18,400
WE'RE GONNA MAKE THIS
THE PERFECT WEDDING,
592
00:22:18,400 --> 00:22:20,500
ESPECIALLY SINCE
IT MIGHT BE...
593
00:22:20,500 --> 00:22:21,600
MIGHT BE WHAT?
594
00:22:24,200 --> 00:22:25,300
NOTHING.
595
00:22:25,300 --> 00:22:28,400
I DON'T KNOW WHY
I'M TALKING SO MUCH.
596
00:22:28,400 --> 00:22:30,300
BECAUSE OUR PARENTS
ARE EXES?
597
00:22:30,400 --> 00:22:32,200
AND WE HAVE
THE SAME SHOES.
598
00:22:34,200 --> 00:22:35,700
HE'S SELLING
THE PLACE.
599
00:22:35,700 --> 00:22:37,400
HE DOESN'T THINK
I KNOW,
600
00:22:37,400 --> 00:22:40,400
BUT HE LEFT THE INFO
ON THE OFFICE COMPUTER.
601
00:22:40,500 --> 00:22:43,700
HE'S NOT EXACTLY
A TECHIE.
602
00:22:49,700 --> 00:22:51,400
HE SAID YOU LOOKED
GREAT, BUT WOW.
603
00:22:51,400 --> 00:22:53,300
-DUKE!
-HI!
604
00:22:53,400 --> 00:22:56,700
AW, IT'S SO GOOD
TO SEE YOU.
605
00:22:56,800 --> 00:22:59,100
WHO IS OUR BOY GONNA GET
TO DO THE COOKING, HUH?
606
00:22:59,200 --> 00:23:00,400
YOU STILL, UH,
COOKING FRIED CHEESE STICKS
607
00:23:00,400 --> 00:23:01,500
WITH PEANUT BUTTER?
608
00:23:01,500 --> 00:23:02,600
YOU KIDDING?
609
00:23:02,600 --> 00:23:04,400
THAT'S WHAT YOU'RE GETTING
FOR YOUR REHEARSAL DINNER.
610
00:23:05,700 --> 00:23:06,600
AND I'M GONNA
BACK HIM UP ON DRUMS
611
00:23:06,700 --> 00:23:07,700
ON YOUR WEDDING SONG, TOO.
612
00:23:07,700 --> 00:23:09,300
♪ BA-DUM-BUM... ♪
613
00:23:09,400 --> 00:23:10,400
OH, YOU HAVEN'T MISSED A BEAT.
614
00:23:10,400 --> 00:23:12,100
OR LOST A POUND.
615
00:23:12,100 --> 00:23:13,700
-YOU LOOK GREAT.
-THANK YOU.
616
00:23:15,500 --> 00:23:16,600
DO YOU REMEMBER THAT CLUB
THAT WE PLAYED,
617
00:23:16,600 --> 00:23:17,400
THE ONE NEAR THE RIVER?
618
00:23:17,500 --> 00:23:19,600
IT WAS MORE OF
AN INDUSTRIAL RUN-OFF.
619
00:23:19,700 --> 00:23:20,600
WELL, YEAH,
620
00:23:20,600 --> 00:23:22,400
AND WE HAD
THE THREE AUDIENCE MEMBERS...
621
00:23:22,500 --> 00:23:24,300
YEAH, IT WAS THE BARTENDER,
THE WAITER AND THE DISHWASHER.
622
00:23:24,300 --> 00:23:25,500
THAT'S RIGHT, YEAH.
623
00:23:25,500 --> 00:23:27,400
I ALWAYS THOUGHT THAT
THE SONG YOU WROTE FOR THAT ONE
624
00:23:27,400 --> 00:23:29,100
WAS, UH... IT WAS BEAUTIFUL.
625
00:23:29,200 --> 00:23:30,100
YEAH.
626
00:23:30,200 --> 00:23:31,300
OH.
627
00:23:31,300 --> 00:23:32,500
ARE YOU STILL WRITING?
628
00:23:32,600 --> 00:23:36,300
UH, YEAH,
I MEAN, WELL, POST-ITS.
629
00:23:36,300 --> 00:23:37,700
AND WEDDING VOWS.
630
00:23:37,700 --> 00:23:39,200
CONGRATULATIONS ON THAT,
BY THE WAY.
631
00:23:39,200 --> 00:23:41,200
AW, THANK YOU.
632
00:23:41,300 --> 00:23:43,600
HOW LONG HAVE YOU
LIVED HERE?
633
00:23:43,600 --> 00:23:45,700
ALL MY LIFE.
634
00:23:47,100 --> 00:23:49,100
IT'S PROBABLY
FOR THE BEST.
635
00:23:49,100 --> 00:23:50,400
HE NEEDS A FRESH START,
636
00:23:50,400 --> 00:23:53,200
AND THERE'S TOO MANY
MEMORIES HERE.
637
00:23:53,300 --> 00:23:55,300
IT SOUNDS LIKE
GOOD MEMORIES.
638
00:23:55,300 --> 00:23:57,000
YEAH.
639
00:23:57,000 --> 00:24:01,500
HE GAVE UP A LOT
TO RAISE ME.
640
00:24:01,500 --> 00:24:02,500
HE SOUNDS LIKE
A GREAT DAD.
641
00:24:02,500 --> 00:24:04,000
HE REALLY IS.
642
00:24:04,000 --> 00:24:05,000
YOU'RE LUCKY.
643
00:24:05,000 --> 00:24:07,700
NOT EVERYONE HAS
ONE OF THOSE.
644
00:24:07,700 --> 00:24:08,700
HE WON'T SAY IT,
645
00:24:08,700 --> 00:24:11,500
BUT HE'S DREADING THE DAY
I LEAVE FOR COLLEGE.
646
00:24:11,500 --> 00:24:12,900
MY MOM WENT THROUGH
THAT PHASE.
647
00:24:12,900 --> 00:24:14,400
AND SHE SURVIVED?
648
00:24:14,400 --> 00:24:15,700
THEY ALL DO.
649
00:24:15,700 --> 00:24:17,300
AND HE'LL MAKE
YOUR ROOM REALLY NICE
650
00:24:17,300 --> 00:24:18,500
WHEN YOU COME HOME
FOR HOLIDAYS,
651
00:24:18,600 --> 00:24:20,000
SO YOU WON'T
WANT TO LEAVE.
652
00:24:20,000 --> 00:24:22,400
THAT DOESN'T
SOUND SO BAD.
653
00:24:22,500 --> 00:24:24,000
HE'LL PROBABLY BUY
HIMSELF A FEW THINGS,
654
00:24:24,000 --> 00:24:26,300
CLOTHES,
MAYBE A NEW CAR.
655
00:24:26,300 --> 00:24:27,300
OKAY...
656
00:24:27,400 --> 00:24:29,300
AND THEN THERE'S
THE HOBBIES.
657
00:24:29,300 --> 00:24:30,700
YOU KNOW, THE THINGS
THEY THOUGHT
658
00:24:30,700 --> 00:24:33,400
THEY ALWAYS WANTED TO DO
BUT REALLY DIDN'T?
659
00:24:33,400 --> 00:24:34,500
LIKE WHAT?
660
00:24:34,600 --> 00:24:37,300
IN MY MOM'S CASE,
IT WAS WEAVING.
661
00:24:37,300 --> 00:24:39,600
FOLLOWED BY
SYNCHRONIZED SWIMMING.
662
00:24:39,600 --> 00:24:40,700
SYNCHRONIZED SWIMMING?
663
00:24:40,700 --> 00:24:43,700
IT'S AN OLYMPIC EVENT.
664
00:24:43,700 --> 00:24:45,400
OH, AND
THE MANDARIN LESSONS.
665
00:24:45,500 --> 00:24:47,000
YOUR MOM
CAN SPEAK MANDARIN?
666
00:24:47,000 --> 00:24:48,800
"NI HAO.
667
00:24:48,900 --> 00:24:50,900
NI CHIFAN LE MA."
668
00:24:50,900 --> 00:24:52,700
WHAT DOES THAT MEAN?
669
00:24:52,700 --> 00:24:54,500
"HELLO, HAVE YOU EATEN?"
670
00:24:54,600 --> 00:24:55,600
WHICH IS PRETTY MUCH
WHAT SHE ASKS ME
671
00:24:55,600 --> 00:24:58,000
IN ENGLISH
FIVE TIMES A DAY.
672
00:24:59,600 --> 00:25:00,900
THANK YOU.
673
00:25:01,000 --> 00:25:02,500
'KAY. TALK
TO YOU SOON.
674
00:25:05,200 --> 00:25:07,100
JOSH, HI!
675
00:25:07,200 --> 00:25:08,100
SO, GUESS WHAT I JUST HEARD?
676
00:25:08,100 --> 00:25:09,200
DID GRACE CALL YOU?
677
00:25:09,300 --> 00:25:11,900
HONEY, I... I WANTED
TO TELL YOU MYSELF.
678
00:25:12,000 --> 00:25:13,800
IT'S REALLY NO BIG DEAL--
679
00:25:13,800 --> 00:25:15,100
ARE YOU KIDDING ME?
680
00:25:15,100 --> 00:25:17,000
IT'S A HUGE DEAL.
681
00:25:17,000 --> 00:25:19,000
PROPERTIES LIKE THAT
NEVER COME ON THE MARKET.
682
00:25:19,000 --> 00:25:21,500
WAIT, WHAT ARE YOU
TALKING ABOUT?
683
00:25:21,500 --> 00:25:22,800
THE LISTING WENT UP YESTERDAY.
684
00:25:22,800 --> 00:25:23,800
"FOR SALE BY OWNER.
685
00:25:23,800 --> 00:25:24,800
NO BROKER."
686
00:25:24,900 --> 00:25:26,600
APPARENTLY, THE OWNER
IS SOME SINGER
687
00:25:26,600 --> 00:25:28,200
WHO WAS FAMOUS IN THE '70s?
688
00:25:28,200 --> 00:25:30,200
IT WAS THE '80s.
689
00:25:30,200 --> 00:25:31,800
IS THERE ANY WAY THAT YOU COULD
PUT IN A GOOD WORD FOR ME
690
00:25:31,800 --> 00:25:32,800
BEFORE I GET UP THERE?
691
00:25:32,800 --> 00:25:35,100
ACTUALLY, NO, I CAN'T.
692
00:25:35,100 --> 00:25:36,700
IT WOULD BE A LITTLE WEIRD,
693
00:25:36,700 --> 00:25:38,500
BECAUSE AS IT TURNS OUT,
694
00:25:38,600 --> 00:25:40,200
HE'S MY COLLEGE BOYFRIEND.
695
00:25:43,600 --> 00:25:45,200
ARE YOU SERIOUS?
696
00:25:45,200 --> 00:25:46,800
I KNOW, IT'S TOTALLY AWKWARD.
697
00:25:46,800 --> 00:25:47,800
AWKWARD?
698
00:25:47,800 --> 00:25:49,200
IT'S GREAT.
699
00:25:49,200 --> 00:25:51,600
UNLESS HE HATES YOU
FOR BREAKING UP WITH HIM.
700
00:25:51,700 --> 00:25:53,000
NO.
701
00:25:53,000 --> 00:25:53,900
IF I GET THIS LISTING,
702
00:25:54,000 --> 00:25:55,900
IT COULD OPEN UP
THE HIGH-END VERMONT MARKET.
703
00:25:56,000 --> 00:25:57,900
THIS COULD BE BIG FOR US.
704
00:25:58,000 --> 00:26:00,700
I... I DIDN'T THINK ABOUT THAT.
705
00:26:00,700 --> 00:26:01,900
WELL, THAT'S NOT LIKE YOU.
706
00:26:03,100 --> 00:26:06,100
HONEY, WHAT DO YOU THINK ABOUT
COMING UP BEFORE SATURDAY?
707
00:26:06,100 --> 00:26:08,000
WHY, WHAT'S WRONG?
708
00:26:08,100 --> 00:26:09,900
I DON'T KNOW,
709
00:26:09,900 --> 00:26:11,100
I JUST MISS YOU.
710
00:26:11,100 --> 00:26:12,300
AW...
711
00:26:12,300 --> 00:26:13,600
I MISS YOU, TOO--
712
00:26:13,700 --> 00:26:14,600
OH, HANG ON,
713
00:26:14,600 --> 00:26:15,600
I GOT ANOTHER CALL.
714
00:26:15,600 --> 00:26:16,800
I GOTTA TAKE THIS ONE.
715
00:26:24,900 --> 00:26:26,700
JULIE SAID THIS IS
BEST FOOD IN TOWN.
716
00:26:26,700 --> 00:26:29,100
GREAT.
I AM STARVING.
717
00:26:41,700 --> 00:26:42,800
HI THERE, HANDSOME.
718
00:26:44,700 --> 00:26:46,600
YOU CLEANED UP
REAL GOOD.
719
00:26:51,500 --> 00:26:53,500
DID YOU TRY ON THE DRESS YET?
720
00:26:53,500 --> 00:26:54,500
MM.
721
00:26:54,500 --> 00:26:56,000
I WILL.
722
00:26:56,000 --> 00:26:57,000
I PROMISE.
723
00:26:57,100 --> 00:26:58,100
WEDDING VOWS?
724
00:26:58,200 --> 00:26:59,100
ALMOST.
725
00:26:59,200 --> 00:27:00,200
MOM...
726
00:27:00,200 --> 00:27:01,200
I STARTED.
727
00:27:01,200 --> 00:27:02,400
OKAY.
728
00:27:02,400 --> 00:27:03,300
LET'S HEAR WHAT YOU HAVE.
729
00:27:03,400 --> 00:27:04,400
OKAY.
730
00:27:06,300 --> 00:27:08,300
TELL ME YOU'RE NOT GOING TO
READ FROM YOUR PHONE
731
00:27:08,300 --> 00:27:09,700
AT THE CEREMONY.
732
00:27:12,300 --> 00:27:13,700
"JOSH...
733
00:27:13,800 --> 00:27:16,100
"WHEN I STAGED YOUR OPEN HOUSE
THREE YEARS AGO,
734
00:27:16,200 --> 00:27:18,400
"I HAD NO IDEA
WE'D END UP HERE.
735
00:27:18,400 --> 00:27:20,800
"REAL ESTATE
IS A SMART INVESTMENT,
736
00:27:20,800 --> 00:27:24,100
AND SO IS OUR RELATIONSHIP."
737
00:27:25,300 --> 00:27:27,000
WHAT? IS THAT BAD?
738
00:27:27,100 --> 00:27:28,400
AWFUL.
739
00:27:28,400 --> 00:27:30,900
ALL RIGHT, HOW'S THIS?
740
00:27:30,900 --> 00:27:32,000
"JOSH,
741
00:27:32,100 --> 00:27:36,100
YOU MOVE HOUSES,
AND YOU MOVE ME."
742
00:27:36,200 --> 00:27:37,100
WHAT WAS THAT?
743
00:27:38,600 --> 00:27:40,500
HER WEDDING VOWS.
744
00:27:40,500 --> 00:27:42,200
I'M STILL WORKING ON THEM.
745
00:27:42,300 --> 00:27:43,300
DO YOU HAVE A TABLE
746
00:27:43,300 --> 00:27:44,500
IN ANOTHER PART OF
THE RESTAURANT?
747
00:27:44,500 --> 00:27:47,000
SORRY, MICK.
IT'S AN HOUR WAIT.
748
00:27:48,100 --> 00:27:49,100
HOW ABOUT ONE
NEAR THE KITCHEN?
749
00:27:49,100 --> 00:27:50,400
OR MAYBE IN THE KITCHEN?
750
00:27:51,600 --> 00:27:52,900
IS THERE A PROBLEM?
751
00:27:52,900 --> 00:27:54,600
UH, NO.
752
00:27:54,700 --> 00:27:56,300
SO...
753
00:27:56,300 --> 00:27:57,500
YOU TWO
KNOW EACH OTHER?
754
00:27:57,500 --> 00:27:59,300
YES, WELL, WE USED TO.
755
00:27:59,300 --> 00:28:01,100
CAMILLE,
THIS IS LIVVY PHILLIPS.
756
00:28:01,200 --> 00:28:02,100
OR, UH, I'M SORRY,
757
00:28:02,100 --> 00:28:04,400
PERSHING...
758
00:28:04,500 --> 00:28:05,400
SLASH-HYPHEN-
JOHNSON-TO BE?
759
00:28:05,400 --> 00:28:07,000
HI.
760
00:28:07,100 --> 00:28:08,100
HI.
761
00:28:08,200 --> 00:28:09,200
-I'M OLIVIA.
-NICE TO MEET YOU.
762
00:28:09,300 --> 00:28:10,200
YEAH, NICE TO
MEET YOU, TOO.
763
00:28:10,300 --> 00:28:11,300
THIS IS MY DAUGHTER, GRACE.
764
00:28:11,300 --> 00:28:13,300
-HI.
-HI.
765
00:28:13,300 --> 00:28:14,400
OLIVIA'S GETTING MARRIED
ON SUNDAY.
766
00:28:14,400 --> 00:28:16,300
OH, CONGRATULATIONS.
767
00:28:16,400 --> 00:28:18,000
THANK YOU.
768
00:28:18,000 --> 00:28:19,200
SHE'S MARRYING THE NUMBER TWO
REAL ESTATE AGENT
769
00:28:19,300 --> 00:28:20,600
IN LONG ISLAND.
770
00:28:20,600 --> 00:28:22,000
OH.
771
00:28:22,100 --> 00:28:25,000
WELL, CONGRATULATIONS AGAIN.
772
00:28:25,000 --> 00:28:26,100
THANK YOU.
773
00:28:30,200 --> 00:28:32,200
SO, WHAT WERE WE TALKING ABOUT?
774
00:28:32,300 --> 00:28:34,200
OH, UM, I THINK
YOU WERE TELLING ME
775
00:28:34,300 --> 00:28:37,200
HOW THIS IS YOUR FIRST
ACTUAL DATE IN AGES.
776
00:28:40,100 --> 00:28:41,300
I THOUGHT WE WERE
TALKING ABOUT HOW WE MET.
777
00:28:41,300 --> 00:28:43,300
AT THE P.T.A. MEETING?
778
00:28:43,400 --> 00:28:44,600
RIGHT.
779
00:28:46,600 --> 00:28:47,600
MOM...
780
00:28:47,700 --> 00:28:49,700
OH, I'M SORRY, HONEY.
781
00:28:49,700 --> 00:28:51,400
WHAT WERE WE TALKING ABOUT?
782
00:28:51,400 --> 00:28:52,600
WEDDING VOWS.
783
00:28:52,700 --> 00:28:54,200
RIGHT. ALL RIGHT. OKAY.
784
00:28:58,600 --> 00:29:00,700
I KNOW IT'S
NONE OF MY BUSINESS,
785
00:29:00,700 --> 00:29:02,200
BUT HAVE YOU THOUGHT ABOUT
THE SONG WE WROTE
786
00:29:02,200 --> 00:29:03,200
IN CENTRAL PARK?
787
00:29:03,200 --> 00:29:06,500
I REALLY DON'T RECALL.
788
00:29:06,600 --> 00:29:08,300
-YOU WROTE A SONG?
-SEVERAL.
789
00:29:08,300 --> 00:29:10,500
JUST SOME WORDS,
THAT'S IT.
790
00:29:10,500 --> 00:29:12,300
I THINK WE USED TO
CALL THEM LYRICS.
791
00:29:12,400 --> 00:29:14,600
HOW AM I JUST HEARING
ABOUT THIS NOW?
792
00:29:14,700 --> 00:29:16,200
BECAUSE IT WAS
A MILLION YEARS AGO,
793
00:29:16,200 --> 00:29:17,800
AND I BARELY REMEMBER.
794
00:29:19,100 --> 00:29:20,800
WHAT WAS THE SONG?
795
00:29:20,800 --> 00:29:22,300
WHAT WAS IT...
796
00:29:22,400 --> 00:29:24,100
"WHERE DREAMS COME HOME."
797
00:29:24,200 --> 00:29:25,400
REALLY?
798
00:29:25,500 --> 00:29:27,600
NOW, WHERE HAVE I
HEARD THAT BEFORE?
799
00:29:27,600 --> 00:29:29,500
OH, MY.
800
00:29:29,500 --> 00:29:31,400
DO WE HAVE A COPYRIGHT
INFRINGEMENT HERE?
801
00:29:34,500 --> 00:29:37,400
OKAY...
802
00:29:38,400 --> 00:29:39,600
FINE.
803
00:29:43,400 --> 00:29:44,900
I'LL CHANGE IT.
804
00:29:44,900 --> 00:29:45,900
OH, NO.
805
00:29:45,900 --> 00:29:47,300
NO, DON'T.
806
00:29:47,300 --> 00:29:49,300
IT'S CATCHY.
807
00:29:58,500 --> 00:29:59,300
I'M STARVING...
808
00:30:20,500 --> 00:30:21,700
OH...
809
00:30:33,100 --> 00:30:34,100
OH!
810
00:30:34,100 --> 00:30:35,400
OH...
811
00:30:35,400 --> 00:30:36,400
IT'S BAD LUCK
TO SEE THE DRESS
812
00:30:36,400 --> 00:30:37,300
BEFORE THE WEDDING,
RIGHT?
813
00:30:37,400 --> 00:30:39,400
YOU'RE NOT THE GROOM.
814
00:30:39,500 --> 00:30:40,500
IF YOU'RE LOOKING
FOR GRACE,
815
00:30:40,500 --> 00:30:41,500
SHE'S WITH JULIE.
816
00:30:41,600 --> 00:30:43,400
THEY WENT
TO GET FLOWERS.
817
00:30:43,400 --> 00:30:44,500
OH.
818
00:30:44,500 --> 00:30:45,800
YOU FINISH
THOSE VOWS YET?
819
00:30:45,800 --> 00:30:47,500
BECAUSE I HAVE A WHOLE DRAWER
OF UNUSED LYRICS.
820
00:30:47,500 --> 00:30:49,300
OLD UNUSED LYRICS.
821
00:30:49,400 --> 00:30:50,600
OH, IT'S SO HARD TO TURN DOWN,
822
00:30:50,600 --> 00:30:51,600
BUT I'M GOING TO HAVE TO SAY NO.
823
00:30:51,600 --> 00:30:52,600
YOUR LOSS.
824
00:30:54,100 --> 00:30:56,500
HEY, HOW WAS YOUR DATE?
825
00:30:56,600 --> 00:30:57,700
YOU SHOULD KNOW,
826
00:30:57,700 --> 00:30:58,700
YOU WERE PRACTICALLY
ON IT WITH ME.
827
00:30:58,800 --> 00:31:01,800
WELL, IN THAT CASE,
I'D SAY YOU'RE A BIT RUSTY.
828
00:31:01,800 --> 00:31:02,800
I'M NOT RUSTY!
829
00:31:08,500 --> 00:31:10,300
I GUESS SEEING THE DRESS
BEFORE THE WEDDING
830
00:31:10,400 --> 00:31:11,500
IS BAD LUCK.
831
00:31:11,500 --> 00:31:13,500
I'M SORRY.
I'M SO SORRY.
832
00:31:15,100 --> 00:31:16,200
IT'S MY FAULT,
833
00:31:16,200 --> 00:31:17,500
I NEVER SHOULD HAVE
LEFT THE ROOM.
834
00:31:17,600 --> 00:31:18,900
TAKE IT OFF,
I'LL GET IT CLEANED.
835
00:31:18,900 --> 00:31:20,900
I WOULD
IF I COULD GET OUT OF IT.
836
00:31:21,000 --> 00:31:23,800
I'M PRETTY SURE
CLEANING IS NOT AN OPTION.
837
00:31:25,600 --> 00:31:26,800
IT'S JUST RIGHT HERE.
838
00:31:28,900 --> 00:31:31,200
DO YOU GET ALONG
WITH JOSH?
839
00:31:31,300 --> 00:31:32,900
YEAH.
840
00:31:32,900 --> 00:31:34,400
JOSH IS COOL.
841
00:31:35,500 --> 00:31:36,800
REALLY.
842
00:31:36,800 --> 00:31:38,600
YOU TRYING TO
CONVINCE ME OR YOU?
843
00:31:38,700 --> 00:31:40,500
NO, HE'S A GREAT GUY,
844
00:31:40,500 --> 00:31:42,800
AND MY MOM SEEMS HAPPY.
845
00:31:42,800 --> 00:31:44,100
MOSTLY.
846
00:31:44,200 --> 00:31:46,000
I DON'T KNOW.
847
00:31:46,000 --> 00:31:49,100
I'M JUST NOT SURE I'VE EVER
SEEN THEM ACTUALLY KISS.
848
00:31:49,200 --> 00:31:51,600
I MEAN, ON THE LIPS.
849
00:31:51,600 --> 00:31:53,200
THAT PASSION,
850
00:31:53,200 --> 00:31:55,900
LIKE IN THE MOVIES.
851
00:31:56,000 --> 00:31:57,300
BUT MAYBE THAT'S JUST
WHAT HAPPENS
852
00:31:57,300 --> 00:32:00,300
WHEN PEOPLE GET OLDER.
853
00:32:00,300 --> 00:32:01,900
WHAT ABOUT YOUR DAD?
854
00:32:02,000 --> 00:32:03,200
HAS HE BEEN SEEING ANYONE ELSE?
855
00:32:03,300 --> 00:32:04,900
NO.
856
00:32:04,900 --> 00:32:07,000
I TRY, BUT...
857
00:32:07,000 --> 00:32:10,100
HE DOESN'T PLAY WELL
WITH OTHERS.
858
00:32:10,300 --> 00:32:13,100
MY DAD'S A GREAT GUY,
HE JUST NEEDS A LITTLE--
859
00:32:13,100 --> 00:32:14,300
A LITTLE EXCITEMENT?
860
00:32:14,300 --> 00:32:15,900
EXACTLY.
861
00:32:15,900 --> 00:32:17,600
MY MOM'S THE OPPOSITE.
862
00:32:17,700 --> 00:32:19,200
SHE COULD USE A LITTLE...
863
00:32:19,300 --> 00:32:20,900
SMALL-TOWN-I-NESS?
864
00:32:22,400 --> 00:32:25,900
THERE'S GOT TO BE MORE TO LIFE
THAN JUST WORK, RIGHT?
865
00:32:25,900 --> 00:32:27,100
THERE BETTER BE.
866
00:32:33,100 --> 00:32:34,100
OH!
867
00:32:34,200 --> 00:32:35,400
OH, I'M SORRY.
868
00:32:35,400 --> 00:32:36,800
I'VE BEEN MEANING
TO GET THAT FIXED.
869
00:32:36,800 --> 00:32:37,800
LOOK-- I'M SORRY.
870
00:32:37,800 --> 00:32:39,000
IT'S FINE.
871
00:32:39,100 --> 00:32:40,100
IF I STAY HERE
LONG ENOUGH,
872
00:32:40,100 --> 00:32:41,900
I MIGHT NEED
A WHOLE NEW WARDROBE.
873
00:32:42,000 --> 00:32:43,900
WELL, THAT WOULDN'T
NECESSARILY BE A BAD THING.
874
00:32:45,000 --> 00:32:46,100
I'M JUST SAYING,
875
00:32:46,100 --> 00:32:48,300
I GUESS I'M USED TO SEEING YOU
IN JEANS AND STUFF.
876
00:32:48,400 --> 00:32:51,000
YOU'RE NOT USED
TO SEEING ME AT ALL.
877
00:32:52,000 --> 00:32:54,800
THAT'S TRUE.
878
00:32:54,800 --> 00:32:56,200
HI, JANEY!
879
00:32:56,200 --> 00:32:57,200
MICK, HOW ARE YOU?
880
00:32:57,200 --> 00:32:58,300
GOOD, GOOD.
881
00:32:58,300 --> 00:32:59,400
WE NEED A DRESS.
882
00:32:59,400 --> 00:33:01,200
YOU'RE GETTING MARRIED?
883
00:33:01,200 --> 00:33:03,200
YOU TOLD ME YOU WERE
NEVER GETTING MARRIED AGAIN.
884
00:33:03,400 --> 00:33:04,400
OH....
885
00:33:04,400 --> 00:33:05,400
I'M GETTING MARRIED.
886
00:33:05,400 --> 00:33:06,500
HE'S STILL
ON THE MARKET.
887
00:33:06,500 --> 00:33:08,300
GREAT.
888
00:33:08,300 --> 00:33:09,500
RIGHT THIS WAY.
889
00:33:32,200 --> 00:33:35,000
LOOKS A LITTLE MERMAID-Y.
890
00:33:40,900 --> 00:33:42,000
NO.
891
00:33:42,000 --> 00:33:43,100
NO.
892
00:33:43,200 --> 00:33:44,300
NO.
893
00:34:02,600 --> 00:34:05,100
THAT'S THE ONE.
894
00:34:07,300 --> 00:34:08,400
REALLY?
895
00:34:09,600 --> 00:34:11,500
DEFINITELY.
896
00:34:12,600 --> 00:34:14,200
OKAY.
897
00:34:22,100 --> 00:34:23,100
WE'LL TAKE THIS ONE.
898
00:34:23,200 --> 00:34:24,700
THERE'S NO "WE".
899
00:34:24,700 --> 00:34:26,000
THANK YOU,
900
00:34:26,000 --> 00:34:27,600
BUT YOU ARE NOT
BUYING MY WEDDING DRESS.
901
00:34:27,600 --> 00:34:28,600
I RUINED THE FIRST ONE.
902
00:34:28,600 --> 00:34:29,600
RING THIS UP.
903
00:34:29,600 --> 00:34:30,600
NO, ACTUALLY, HERE.
904
00:34:30,600 --> 00:34:32,000
PLEASE TAKE MINE.
905
00:34:32,000 --> 00:34:33,200
I APPRECIATE THE OFFER,
906
00:34:33,200 --> 00:34:34,600
BUT I DON'T WANT TO BE
THINKING ABOUT YOU
907
00:34:34,600 --> 00:34:35,800
EVERY TIME I WEAR THIS DRESS.
908
00:34:35,800 --> 00:34:38,000
WELL, HOW MANY TIMES ARE YOU
PLANNING ON WEARING IT?
909
00:34:38,100 --> 00:34:39,600
ONCE.
910
00:34:41,500 --> 00:34:43,200
WELL, AT LEAST LET ME BUY YOU
A CUP OF COFFEE.
911
00:34:58,600 --> 00:34:59,700
SO, YOU'RE A CHEF
912
00:34:59,800 --> 00:35:01,300
AND A DRUMMER?
913
00:35:01,300 --> 00:35:02,700
WELL, I USED TO BE.
914
00:35:02,700 --> 00:35:04,600
YOU QUIT
THE MUSIC BIZ LIKE MICK?
915
00:35:04,600 --> 00:35:06,700
NO, NO, I USED TO BE A CHEF.
916
00:35:06,700 --> 00:35:07,800
I'M STILL A DRUMMER.
917
00:35:07,900 --> 00:35:10,100
RECENT CUTBACKS
AROUND HERE
918
00:35:10,100 --> 00:35:12,100
DON'T REALLY ALLOW ME
TO DO MY BEST WORK, THOUGH.
919
00:35:12,200 --> 00:35:13,700
I DIDN'T SEE THAT
IN THE BROCHURE.
920
00:35:13,700 --> 00:35:14,800
OH, DON'T WORRY,
921
00:35:14,900 --> 00:35:16,200
MICK'S ORDERED
ALL THE TOP-SHELF STUFF
922
00:35:16,200 --> 00:35:18,300
FOR THE WEDDING.
923
00:35:18,300 --> 00:35:20,300
YOU PLAY WITH HIM
BACK IN THE DAY?
924
00:35:20,400 --> 00:35:21,500
YEAH.
925
00:35:21,500 --> 00:35:23,900
YEAH, I WAS THE HEARTBEAT
OF THAT BAND.
926
00:35:23,900 --> 00:35:25,600
WHY DID HE LEAVE?
927
00:35:25,600 --> 00:35:28,800
I THINK HE THOUGHT
HE WAS CHASING A DREAM,
928
00:35:28,800 --> 00:35:32,100
AND HE JUST DIDN'T REALIZE
HE'D LEFT THE REAL THING BEHIND.
929
00:35:32,100 --> 00:35:34,200
WHY DIDN'T MY MOM GO WITH HIM?
930
00:35:34,200 --> 00:35:35,300
THEY WERE A TEAM.
931
00:35:35,300 --> 00:35:37,600
YOU'D HAVE TO ASK
YOUR MOM THAT.
932
00:35:37,700 --> 00:35:40,200
THEY WERE REALLY
THAT GOOD TOGETHER?
933
00:35:40,200 --> 00:35:43,400
THEY WERE A PERFECT HARMONY,
THEY WERE LIKE ONE VOICE.
934
00:35:43,400 --> 00:35:44,500
IT WAS PURE MAGIC.
935
00:35:44,600 --> 00:35:47,800
I WISH I COULD'VE HEARD THEM.
936
00:35:47,900 --> 00:35:49,500
WHAT DID THEY WRITE ABOUT?
937
00:35:50,700 --> 00:35:53,300
I'VE GOT SOMETHING I THINK
YOU MIGHT WANNA HAVE A LOOK AT.
938
00:36:01,000 --> 00:36:03,700
THIS IS EVERY LYRIC
939
00:36:03,700 --> 00:36:06,000
THAT YOUR MOM
AND MICK WROTE.
940
00:36:08,700 --> 00:36:10,800
"I FOUND WARMTH
IN YOUR EMBRACE,
941
00:36:10,800 --> 00:36:12,200
"COMFORT
IN YOUR HEART,
942
00:36:12,300 --> 00:36:14,300
AND HOME
IN YOUR EYES."
943
00:36:14,300 --> 00:36:16,400
WOW.
944
00:36:16,400 --> 00:36:18,600
YEAH... YOU KNOW WHAT?
945
00:36:18,700 --> 00:36:20,500
THAT'S MICK'S HANDWRITING.
946
00:36:20,500 --> 00:36:22,800
THIS ONE.
947
00:36:22,900 --> 00:36:26,500
YEAH, THAT'S YOUR MOM.
948
00:36:26,500 --> 00:36:28,300
"LOVING YOU
IS LIKE BREATHING
949
00:36:28,400 --> 00:36:29,300
"I CAN'T STOP
950
00:36:29,400 --> 00:36:30,700
"BUT WHEN I DO
951
00:36:30,700 --> 00:36:32,000
"I WANT TO HAVE
MY LAST BREATH SPENT
952
00:36:32,000 --> 00:36:35,000
SHARING A KISS WITH YOU"
953
00:36:35,100 --> 00:36:36,600
IT'S A LITTLE UNSETTLING,
954
00:36:36,700 --> 00:36:37,800
'CAUSE IT'S MY MOM,
955
00:36:37,800 --> 00:36:40,300
BUT WOW.
956
00:36:40,300 --> 00:36:41,400
THEY WERE INTENSE.
957
00:36:41,400 --> 00:36:43,000
INTENSE IS AN UNDERSTATEMENT.
958
00:36:43,100 --> 00:36:45,500
I JUST CAN'T WRAP
MY HEAD AROUND THIS.
959
00:36:45,600 --> 00:36:48,400
MAYBE PEOPLE GET OLDER, AND...
960
00:36:48,500 --> 00:36:50,700
AND CHANGE.
961
00:36:52,000 --> 00:36:53,100
OR SOMETIMES,
962
00:36:53,100 --> 00:36:56,000
THEY JUST NEED TO BE REMINDED
OF THEIR BEST WORK.
963
00:36:57,100 --> 00:36:59,600
YOU MIND IF I TAKE THESE?
964
00:36:59,700 --> 00:37:00,900
THEY'RE ALL YOURS.
965
00:37:04,900 --> 00:37:06,500
THANKS.
966
00:37:15,800 --> 00:37:17,600
YOU KNOW, WE USUALLY
DON'T GET DAUGHTERS
967
00:37:17,600 --> 00:37:19,600
PLANNING THEIR
MOTHERS' WEDDINGS.
968
00:37:19,600 --> 00:37:20,800
OH, YEAH,
969
00:37:20,800 --> 00:37:22,900
GRACE JUST REALLY
WANTS IT TO BE SPECIAL.
970
00:37:22,900 --> 00:37:23,900
DON'T YOU?
971
00:37:24,000 --> 00:37:25,100
YEAH, I...
972
00:37:25,100 --> 00:37:26,500
HONESTLY, I WOULD HAVE
BEEN FINE
973
00:37:26,500 --> 00:37:28,200
WITH A CEREMONY
IN THE COURTHOUSE,
974
00:37:28,200 --> 00:37:31,400
BUT GRACE IS 20
AND STARRY-EYED.
975
00:37:31,500 --> 00:37:32,500
WELL, YOU WERE 20
AND STARRY-EYED.
976
00:37:33,600 --> 00:37:36,500
YEAH, IT'S WEIRD.
977
00:37:36,600 --> 00:37:39,900
OUR KIDS ARE THE SAME AGE
WE WERE WHEN WE MET.
978
00:37:40,100 --> 00:37:42,100
TO BE HONEST,
I'M FREAKING OUT
979
00:37:42,200 --> 00:37:44,500
THAT JULIE'S GOING
AWAY TO COLLEGE.
980
00:37:44,600 --> 00:37:46,600
YEAH, WHEN GRACE
MOVED OUT,
981
00:37:46,600 --> 00:37:49,200
I REDID HER ROOM
FOUR TIMES IN ONE WEEK.
982
00:37:49,200 --> 00:37:51,200
AND I SLEPT
IN HER CHILDHOOD BED,
983
00:37:51,200 --> 00:37:53,900
UNDER A POSTER
OF THE BACKSTREET BOYS.
984
00:37:54,000 --> 00:37:55,700
OKAY, I'M NOT
DOING THAT.
985
00:37:58,600 --> 00:38:02,700
IT'S FUNNY
HOW TIME FLIES.
986
00:38:02,700 --> 00:38:04,300
I STARTED DRINKING
HERBAL TEA
987
00:38:04,300 --> 00:38:05,800
AND POMEGRANATE JUICE.
988
00:38:05,800 --> 00:38:07,200
HMM, ANTIOXIDANTS.
989
00:38:07,300 --> 00:38:08,900
OMEGA 3'S, GLUTEN?
990
00:38:09,000 --> 00:38:11,200
OH, "GLUTEN,"
I HATE THAT WORD.
991
00:38:11,300 --> 00:38:12,700
HOW ABOUT THIS,
"V.I.B.B.A."
992
00:38:12,800 --> 00:38:13,800
"VERMONT INN
993
00:38:13,900 --> 00:38:15,200
BED & BREAKFAST
ASSOCIATION."
994
00:38:15,200 --> 00:38:16,200
I'M THE TREASURER.
995
00:38:16,300 --> 00:38:18,000
OH. I.P.S.A.
996
00:38:18,000 --> 00:38:19,700
HOME AND PROPERTY
ASSOCIATION,
997
00:38:19,700 --> 00:38:20,900
THIRD V.P.
998
00:38:20,900 --> 00:38:22,700
HMM, M.S.G.U.,
999
00:38:22,700 --> 00:38:23,800
MAPLE SYRUP
GROWERS UNITED.
1000
00:38:23,900 --> 00:38:25,300
AND YOU ALREADY
KNOW ABOUT THE P.T.A.
1001
00:38:25,300 --> 00:38:27,600
GIRLS WILDERNESS
GROUP LEADER,
1002
00:38:27,700 --> 00:38:29,800
NEW YORK BOARD
CO-OP DIRECTOR,
1003
00:38:29,800 --> 00:38:32,200
RULES COMMITTEE,
AND NEIGHBORHOOD WATCH.
1004
00:38:32,400 --> 00:38:35,200
HEY, I CANNED
MY OWN JAM LAST YEAR.
1005
00:38:36,300 --> 00:38:39,000
OH, EXCUSE ME.
1006
00:38:40,100 --> 00:38:41,200
JOSH!
1007
00:38:41,200 --> 00:38:42,100
HEY, SWEETIE.
1008
00:38:42,200 --> 00:38:43,200
HI.
1009
00:38:43,200 --> 00:38:44,200
HOW'S IT GOING UP THERE?
1010
00:38:44,200 --> 00:38:45,400
OH, IT'S GOOD.
1011
00:38:45,400 --> 00:38:47,300
NOT THAT GOOD.
1012
00:38:47,300 --> 00:38:48,800
REGULAR GOOD.
1013
00:38:48,800 --> 00:38:50,100
DID YOU GET A CHANCE
TO TALK TO HIM YET?
1014
00:38:50,100 --> 00:38:51,400
WE TALKED.
1015
00:38:51,400 --> 00:38:53,100
UM...
1016
00:38:53,100 --> 00:38:55,200
LISTEN, HONEY, I'M NOT
FEELING THAT COMFORTABLE
1017
00:38:55,300 --> 00:38:56,500
BRINGING IT UP
IN THIS SITUATION.
1018
00:38:56,500 --> 00:38:58,000
IS THAT HIM?
1019
00:38:59,800 --> 00:39:02,100
UH...YEAH.
1020
00:39:02,100 --> 00:39:03,100
PUT HIM ON.
1021
00:39:03,100 --> 00:39:04,100
I'LL ASK HIM.
1022
00:39:04,100 --> 00:39:06,200
OKAY.
1023
00:39:08,400 --> 00:39:10,300
JOSH...
1024
00:39:14,400 --> 00:39:15,400
UH, HEY, JOSH.
1025
00:39:15,400 --> 00:39:16,400
CONGRATULATIONS.
1026
00:39:16,400 --> 00:39:17,500
WELL, THANKS.
1027
00:39:17,500 --> 00:39:18,400
I HEARD YOUR PLACE
IS FANTASTIC.
1028
00:39:18,500 --> 00:39:19,400
CAN'T WAIT TO SEE IT.
1029
00:39:19,500 --> 00:39:20,700
WELL, IT'S HERE WAITING.
1030
00:39:20,700 --> 00:39:23,500
SO OLIVIA TELLS ME
THAT YOU TWO HAVE A HISTORY.
1031
00:39:23,500 --> 00:39:25,300
ANCIENT HISTORY.
1032
00:39:25,300 --> 00:39:28,300
I BELIEVE IN BEING UPFRONT ABOUT
THINGS, DON'T YOU?
1033
00:39:28,400 --> 00:39:31,100
UH... SURE.
1034
00:39:31,100 --> 00:39:32,600
SO I'M JUST GOING TO COME
RIGHT OUT AND SAY IT.
1035
00:39:32,600 --> 00:39:34,300
OKAY.
1036
00:39:34,300 --> 00:39:36,900
I CAN GET YOU WAY ABOVE
ASKING PRICE.
1037
00:39:37,000 --> 00:39:38,500
WHAT?
1038
00:39:38,500 --> 00:39:39,700
I KNOW THAT'S A BIG STATEMENT.
1039
00:39:39,700 --> 00:39:42,000
BUT IF YOU GIVE ME
THE LISTING, I'LL GUARANTEE IT.
1040
00:39:42,000 --> 00:39:43,100
THE LISTING...
1041
00:39:43,200 --> 00:39:44,100
OH, RIGHT, RIGHT.
1042
00:39:44,100 --> 00:39:45,200
UM...
1043
00:39:45,200 --> 00:39:47,100
YOU SAID
ABOVE ASKING?
1044
00:39:47,100 --> 00:39:48,500
WAY ABOVE.
1045
00:39:48,500 --> 00:39:50,300
WELL... SURE, WHY NOT?
1046
00:39:51,300 --> 00:39:53,000
THIS IS GOING TO BE GREAT.
1047
00:39:53,000 --> 00:39:54,200
I GOTTA JUMP ON THIS CALL.
1048
00:39:54,200 --> 00:39:56,100
TELL OLIVIA I LOVE HER.
1049
00:40:04,200 --> 00:40:05,900
WHAT DID HE SAY?
1050
00:40:05,900 --> 00:40:07,300
UH...
1051
00:40:10,100 --> 00:40:11,500
I LOVE YOU.
1052
00:40:13,200 --> 00:40:15,300
HE LOVES YOU.
1053
00:40:24,300 --> 00:40:26,400
BRACE YOURSELF.
1054
00:40:26,400 --> 00:40:27,500
I'M BRACED.
1055
00:40:27,600 --> 00:40:29,400
WHAT'S SHE GOT
TO CRITICIZE?
1056
00:40:29,400 --> 00:40:30,500
SHE'LL FIND SOMETHING.
1057
00:40:32,600 --> 00:40:34,500
HI, MOM.
1058
00:40:34,600 --> 00:40:36,300
HI, GALS.
1059
00:40:36,300 --> 00:40:38,700
AND YOU MUST
BE JOHNNY.
1060
00:40:38,700 --> 00:40:41,100
JOHNNY, THIS IS
MY DAUGHTER, OLIVIA,
1061
00:40:41,200 --> 00:40:42,700
THE BRIDE-TO-BE.
1062
00:40:42,700 --> 00:40:43,700
AND THIS IS GRACE,
1063
00:40:43,700 --> 00:40:45,000
MY GRANDDAUGHTER,
1064
00:40:45,100 --> 00:40:46,500
WHO WILL ALSO
BE A BRIDE ONE DAY.
1065
00:40:46,600 --> 00:40:49,200
NOT ANYTIME SOON, THOUGH.
1066
00:40:49,300 --> 00:40:50,500
WELL, YOU NEVER KNOW.
1067
00:40:50,500 --> 00:40:52,200
MOM, ONE WEDDING
AT A TIME.
1068
00:40:52,200 --> 00:40:53,700
I'VE HEARD SO MUCH
ABOUT YOU GIRLS.
1069
00:40:53,800 --> 00:40:55,600
WHATEVER SHE SAID,
IT ISN'T TRUE.
1070
00:40:55,600 --> 00:40:57,800
HOW WAS
YOUR DRIVE UP?
1071
00:40:57,800 --> 00:41:00,500
OH, YOU KNOW,
UNEVENTFUL.
1072
00:41:00,500 --> 00:41:02,000
FARMS, TREES.
1073
00:41:02,100 --> 00:41:03,700
TREES, FARMS...
1074
00:41:03,800 --> 00:41:05,200
AND NORA,
WHO SPOKE NON-STOP.
1075
00:41:05,300 --> 00:41:06,300
HEY!
1076
00:41:07,300 --> 00:41:08,400
EXCUSE ME, LADIES.
1077
00:41:08,400 --> 00:41:10,500
I'M GONNA HAVE
A LOOK AT THIS LAKE.
1078
00:41:10,500 --> 00:41:12,300
AND MAYBE EVEN
JUMP IN.
1079
00:41:12,300 --> 00:41:13,300
YOU DO THAT.
1080
00:41:13,400 --> 00:41:14,400
MM...
1081
00:41:17,700 --> 00:41:18,900
MOM...
1082
00:41:19,000 --> 00:41:20,200
I LIKE HIM.
1083
00:41:20,300 --> 00:41:21,600
ME TOO.
1084
00:41:21,600 --> 00:41:23,600
YEAH, I THINK
HE MIGHT BE A KEEPER.
1085
00:41:23,700 --> 00:41:24,700
LET'S SEE THIS PLACE.
1086
00:41:30,300 --> 00:41:32,300
OH.
1087
00:41:32,300 --> 00:41:33,900
NICE...
1088
00:41:34,000 --> 00:41:35,700
VERY NICE.
1089
00:41:35,800 --> 00:41:37,200
ISN'T IT?
1090
00:41:37,200 --> 00:41:38,900
WOW.
1091
00:41:38,900 --> 00:41:40,500
I ASSUME YOU'VE PICKED OUT
ALL YOUR PLACE SETTINGS,
1092
00:41:40,600 --> 00:41:42,200
AND FLOWERS, AND CAKE?
1093
00:41:42,200 --> 00:41:43,500
PLACE SETTINGS, SILVER.
1094
00:41:43,500 --> 00:41:44,900
FLOWERS, LILIES.
1095
00:41:44,900 --> 00:41:45,900
CAKE, LEMON.
1096
00:41:46,900 --> 00:41:47,900
LEMON.
1097
00:41:48,000 --> 00:41:48,900
WHO CHOSE THAT?
1098
00:41:50,000 --> 00:41:50,800
I DID.
1099
00:41:50,900 --> 00:41:52,800
HONEY, NO ONE HAS LEMON
AT A WEDDING.
1100
00:41:52,800 --> 00:41:53,800
MOM...
1101
00:41:53,800 --> 00:41:54,800
I LIKE IT.
1102
00:41:54,800 --> 00:41:56,500
LEMONS ARE SOUR.
1103
00:41:56,600 --> 00:41:58,000
IS THAT HOW YOU WANT
TO START YOUR MARRIAGE?
1104
00:41:58,000 --> 00:41:59,300
IT'S A CAKE, MOM.
1105
00:41:59,300 --> 00:42:00,300
IT'S NOT LIFE.
1106
00:42:01,400 --> 00:42:02,600
WELCOME.
1107
00:42:02,600 --> 00:42:04,500
MOM, YOU REMEMBER
1108
00:42:04,500 --> 00:42:05,900
MICK TURNER.
1109
00:42:08,800 --> 00:42:10,500
YES, OF COURSE, I DO.
1110
00:42:12,000 --> 00:42:13,500
WAIT, YOU DIDN'T
INVITE HIM TO YOUR WEDDING?
1111
00:42:13,500 --> 00:42:15,400
HE OWNS THE INN.
1112
00:42:16,600 --> 00:42:17,900
YOU LOOK GREAT, MRS. PHILLIPS.
1113
00:42:17,900 --> 00:42:19,500
IT'S MS. WINTERS, ACTUALLY.
1114
00:42:19,500 --> 00:42:21,400
OH, CONGRATULATIONS,
YOU REMARRIED.
1115
00:42:21,500 --> 00:42:22,900
TWICE AND COUNTING.
1116
00:42:22,900 --> 00:42:23,900
ONE KEEPS
DOING SOMETHING
1117
00:42:23,900 --> 00:42:25,700
UNTIL THEY
GET IT RIGHT.
1118
00:42:25,700 --> 00:42:27,000
I SEE.
1119
00:42:27,100 --> 00:42:28,900
AND OBVIOUSLY,
YOU'VE GIVEN UP THE MUSIC.
1120
00:42:30,800 --> 00:42:32,600
MICK IS OUR WEDDING SINGER.
1121
00:42:32,700 --> 00:42:34,000
OH...
1122
00:42:34,100 --> 00:42:36,000
THAT MUST BE SUCH
A COMEDOWN FOR YOU.
1123
00:42:36,000 --> 00:42:38,300
NOT REALLY.
1124
00:42:39,400 --> 00:42:40,700
I'M GOING TO
MAKE SURE
1125
00:42:40,800 --> 00:42:41,800
YOUR LUGGAGE
GETS TO YOUR ROOM.
1126
00:42:41,900 --> 00:42:43,500
IT'S GOOD TO SEE YOU AGAIN.
1127
00:42:47,700 --> 00:42:49,600
MOM...
1128
00:42:49,600 --> 00:42:51,600
YOU COULD BE A LITTLE NICER.
1129
00:42:51,600 --> 00:42:53,500
I NEVER LIKED THAT BOY.
1130
00:42:53,600 --> 00:42:55,000
HE'S HARDLY A BOY.
1131
00:42:55,100 --> 00:42:56,400
HE'S JUST LIKE
YOUR FATHER WAS,
1132
00:42:56,400 --> 00:42:59,600
RUNNING AFTER...
SOME DREAM.
1133
00:42:59,700 --> 00:43:01,400
MOM, IT WAS
A LONG TIME AGO.
1134
00:43:01,500 --> 00:43:03,500
HE BROKE YOUR HEART.
1135
00:43:03,500 --> 00:43:05,000
A MOTHER NEVER GETS OVER THAT.
1136
00:43:05,000 --> 00:43:06,900
I GOT OVER IT.
1137
00:43:07,000 --> 00:43:08,100
WELL, WE'LL SEE
HOW YOU FEEL
1138
00:43:08,100 --> 00:43:10,800
WHEN SOME BOY WITH A GUITAR
BREAKS GRACE'S HEART.
1139
00:43:13,700 --> 00:43:15,900
NORA...
1140
00:43:17,200 --> 00:43:18,600
COME ON,
LET'S GO FOR A WALK.
1141
00:43:18,700 --> 00:43:20,100
OH. OKAY.
1142
00:43:21,600 --> 00:43:22,900
A LONG WALK.
1143
00:43:22,900 --> 00:43:24,800
THANK YOU.
1144
00:43:26,000 --> 00:43:26,900
DID YOU SWIM?
1145
00:43:26,900 --> 00:43:28,800
NO, NO.
1146
00:43:32,700 --> 00:43:34,600
WHAT'S THAT?
1147
00:43:34,700 --> 00:43:37,100
OH, IT'S JUST SOME JUNK MAIL.
1148
00:43:37,100 --> 00:43:39,000
DAD...
1149
00:43:39,100 --> 00:43:40,800
I KNOW YOU'RE
SELLING THE PLACE.
1150
00:43:44,200 --> 00:43:46,500
I'M SORRY, HONEY.
1151
00:43:46,500 --> 00:43:47,600
I WAS GOING TO TELL YOU.
1152
00:43:47,700 --> 00:43:48,700
I WAS JUST WAITING
FOR THE RIGHT TIME.
1153
00:43:48,700 --> 00:43:50,100
IT'S OKAY.
1154
00:43:50,200 --> 00:43:51,100
I'M FINE WITH IT.
1155
00:43:51,100 --> 00:43:52,800
YOU ARE?
1156
00:43:52,800 --> 00:43:54,600
THE PLACE IS TOO BIG,
AND IT'S TOO MUCH WORK.
1157
00:44:00,000 --> 00:44:02,300
I JUST KEEP THINKING ABOUT...
1158
00:44:02,400 --> 00:44:04,100
ALL OUR MEMORIES HERE.
1159
00:44:04,200 --> 00:44:06,000
WE'LL MAKE NEW ONES.
1160
00:44:07,300 --> 00:44:08,200
YOU SURE YOU'RE OKAY?
1161
00:44:08,300 --> 00:44:09,900
I'M SURE.
1162
00:44:13,800 --> 00:44:15,200
OH, YOUR STUDENTS ARE HERE.
1163
00:44:15,200 --> 00:44:16,900
THEY'RE SETTING UP
IN THE GARAGE.
1164
00:44:17,000 --> 00:44:19,200
I THINK WE'LL GO
A CAPPELLA TODAY.
1165
00:44:19,200 --> 00:44:20,800
THAT'S NOT
LIKE YOU.
1166
00:44:20,800 --> 00:44:22,300
YOU DON'T KNOW OLIVIA'S MOTHER.
1167
00:44:22,300 --> 00:44:24,300
SHE DOESN'T LIKE MUSIC?
1168
00:44:24,300 --> 00:44:26,800
SHE DOESN'T
LIKE MY MUSIC.
1169
00:44:34,200 --> 00:44:35,400
LET'S START WITH
"LONELY NIGHT," OKAY?
1170
00:44:35,400 --> 00:44:38,000
WE'LL JUST DO
THE CHORUS IN UNISON.
1171
00:44:38,100 --> 00:44:39,300
ON ONE,
1172
00:44:39,300 --> 00:44:41,200
TWO, THREE...
1173
00:44:41,300 --> 00:44:42,300
AND...
1174
00:44:43,400 --> 00:44:46,900
♪ LOOKIN' AT
ANOTHER LONELY NIGHT... ♪
1175
00:44:49,400 --> 00:44:53,800
♪ LOOKIN' AT
ANOTHER LONELY NIGHT... ♪
1176
00:44:53,800 --> 00:44:54,900
NICE.
1177
00:44:57,800 --> 00:45:03,800
♪ LOOKIN' AT
ANOTHER LONELY NIGHT... ♪
1178
00:45:03,900 --> 00:45:05,400
ALL RIGHT, READY TO
PUT IN THOSE ANSWERS?
1179
00:45:05,400 --> 00:45:07,000
SO, GROUP ONE, GROUP TWO,
1180
00:45:07,000 --> 00:45:08,100
REMEMBER YOUR PARTS.
1181
00:45:08,200 --> 00:45:09,100
FOCUS ON PITCH
AND TIMING,
1182
00:45:09,100 --> 00:45:10,500
OKAY?
1183
00:45:10,500 --> 00:45:11,500
WE'LL DO THE CHORUS
IN UNISON,
1184
00:45:11,500 --> 00:45:12,900
THEN WE'LL ADD THE ANSWERS.
1185
00:45:12,900 --> 00:45:14,000
HERE WE GO.
1186
00:45:14,100 --> 00:45:17,400
TWO, THREE, AND...
1187
00:45:17,400 --> 00:45:20,500
♪ LOOKIN' AT
ANOTHER LONELY NIGHT ♪
1188
00:45:20,600 --> 00:45:22,900
NICE. HERE WE GO.
1189
00:45:22,900 --> 00:45:24,200
♪ YOU KNOW I'M LOOKIN'... ♪
1190
00:45:24,200 --> 00:45:25,100
♪ LOOKIN'... ♪
1191
00:45:25,200 --> 00:45:29,400
♪ ...LOOKIN AT
ANOTHER LONELY NIGHT ♪
1192
00:45:29,400 --> 00:45:30,500
♪ YOU KNOW I'M... ♪
1193
00:45:30,600 --> 00:45:35,400
♪ LOOKIN' AT
ANOTHER LONELY NIGHT ♪
1194
00:45:35,400 --> 00:45:36,500
♪ YOU KNOW I'M... ♪
1195
00:45:36,600 --> 00:45:40,800
♪ LOOKIN' AT
ANOTHER LONELY NIGHT ♪
1196
00:45:43,200 --> 00:45:45,400
♪ YOU KNOW
I'M LOOKING AT ANOTHER... ♪
1197
00:45:45,400 --> 00:45:47,500
♪ ...LONELY NIGHT ♪
1198
00:45:49,000 --> 00:45:50,900
♪ YOU KNOW I'M... ♪
1199
00:45:51,000 --> 00:45:52,500
♪ LOOKING AT ANOTHER ♪
1200
00:45:52,700 --> 00:45:54,500
♪ LONELY NIGHT... ♪
1201
00:45:56,400 --> 00:45:58,700
I HAD NO IDEA
SHE COULD SING.
1202
00:45:58,700 --> 00:46:00,400
CLEARLY, SHE CAN.
1203
00:46:00,400 --> 00:46:01,300
AND SHE'S GOOD.
1204
00:46:03,700 --> 00:46:05,100
♪ LOOKIN'... ♪
1205
00:46:05,200 --> 00:46:07,200
♪ LOOKIN' AT
ANOTHER LONELY NIGHT ♪
1206
00:46:07,300 --> 00:46:09,700
♪ LOOKIN' AT A LONELY NIGHT... ♪
1207
00:46:09,700 --> 00:46:11,700
♪ YOU KNOW I'M... ♪
1208
00:46:11,700 --> 00:46:14,000
THEY LOOK SO...
1209
00:46:14,100 --> 00:46:15,300
GOOD TOGETHER.
1210
00:46:18,500 --> 00:46:20,300
HE HAS PICTURES
OF YOUR MOM.
1211
00:46:20,300 --> 00:46:22,300
I FOUND THEM
A LONG TIME AGO,
1212
00:46:22,300 --> 00:46:25,300
BUT I NEVER KNEW WHO
THEY WERE UNTIL NOW.
1213
00:46:25,400 --> 00:46:26,600
WHY DO YOU THINK
1214
00:46:26,600 --> 00:46:28,300
THEY NEVER TALKED
ABOUT EACH OTHER?
1215
00:46:28,400 --> 00:46:31,200
MAYBE THE MEMORIES
WERE TOO PAINFUL.
1216
00:46:31,300 --> 00:46:32,400
OR TOO GOOD.
1217
00:46:35,000 --> 00:46:38,700
AND NOW HE GETS
TO LOSE HER AGAIN.
1218
00:46:38,700 --> 00:46:40,200
AND VICE VERSA.
1219
00:46:40,200 --> 00:46:43,300
♪ ANOTHER LONELY NIGHT... ♪
1220
00:46:56,500 --> 00:46:57,700
JOSH...
1221
00:46:57,700 --> 00:46:59,500
HI.
1222
00:47:01,600 --> 00:47:03,800
THAT WAS... AMAZING.
1223
00:47:03,800 --> 00:47:05,300
YOU CAME EARLY.
1224
00:47:05,400 --> 00:47:06,800
I MISSED YOU.
1225
00:47:06,800 --> 00:47:09,600
THIS IS
STILL YOU, RIGHT?
1226
00:47:09,700 --> 00:47:10,800
YEAH, THAT WAS THE OLD ME.
1227
00:47:10,800 --> 00:47:11,900
YOU KNOW,
A ONE-TIME PERFORMANCE.
1228
00:47:11,900 --> 00:47:13,400
I HAD NO IDEA.
1229
00:47:13,400 --> 00:47:14,400
ME EITHER.
1230
00:47:15,500 --> 00:47:16,600
YOU MADE IT.
1231
00:47:18,200 --> 00:47:19,400
AND A DAY EARLY.
1232
00:47:19,500 --> 00:47:20,900
SURPRISES ALL THE WAY
AROUND HERE.
1233
00:47:22,200 --> 00:47:23,700
OH, UM, JOSH,
THIS IS JULIE...
1234
00:47:23,700 --> 00:47:24,800
IT'S SO NICE TO MEET YOU.
1235
00:47:24,800 --> 00:47:26,200
LIKEWISE.
1236
00:47:26,200 --> 00:47:27,500
AND, UM, MICK.
1237
00:47:27,500 --> 00:47:29,300
-WELCOME.
-THANK YOU.
1238
00:47:29,400 --> 00:47:32,400
SO YOU'RE "THE ONE
THAT GOT AWAY".
1239
00:47:33,700 --> 00:47:34,800
YEAH.
1240
00:47:34,900 --> 00:47:36,400
YOUR PLACE IS
INCREDIBLE, MAN.
1241
00:47:36,500 --> 00:47:37,300
I CAN'T WAIT TO SEE
THE REST OF IT.
1242
00:47:37,400 --> 00:47:38,400
OH, THANK YOU.
1243
00:47:38,400 --> 00:47:39,400
IT WON'T LAST
THE WEEKEND.
1244
00:47:39,400 --> 00:47:40,400
I MAY NOT EITHER.
1245
00:47:40,500 --> 00:47:42,800
HARD COPIES.
1246
00:47:43,000 --> 00:47:44,700
SIGNATURE PAGES
ARE MARKED.
1247
00:47:44,700 --> 00:47:45,800
GREAT.
1248
00:47:45,900 --> 00:47:47,300
RIGHT.
1249
00:47:47,400 --> 00:47:50,400
WELL, I'LL... GIVE YOU GUYS
SOME PRIVACY.
1250
00:47:50,400 --> 00:47:51,400
HEY, GUYS, THAT'S A WRAP
FOR TODAY, OKAY?
1251
00:47:51,500 --> 00:47:52,400
WE'LL PICK IT UP HERE
NEXT WEEK.
1252
00:47:52,400 --> 00:47:54,600
GREAT JOB.
1253
00:48:01,100 --> 00:48:03,800
FOR PUTTING UP WITH ME.
1254
00:48:03,900 --> 00:48:07,000
THEY'RE BEAUTIFUL, HONEY,
BUT YOU DIDN'T HAVE TO DO THIS.
1255
00:48:07,100 --> 00:48:08,600
YES. I DID.
1256
00:48:08,600 --> 00:48:11,000
I SHOULD HAVE
BEEN HERE YESTERDAY.
1257
00:48:11,100 --> 00:48:14,400
WELL, YOU'RE HERE NOW.
1258
00:48:18,700 --> 00:48:21,300
HEY.
1259
00:48:21,400 --> 00:48:22,700
IS THAT HIM?
1260
00:48:22,800 --> 00:48:24,600
YEAH.
1261
00:48:24,600 --> 00:48:25,800
HE LOOKS...
1262
00:48:25,800 --> 00:48:27,400
LIKE A DECENT GUY?
1263
00:48:29,000 --> 00:48:30,000
IF I DIDN'T
KNOW BETTER,
1264
00:48:30,000 --> 00:48:31,000
I WOULD THINK
THAT YOU WERE--
1265
00:48:31,000 --> 00:48:32,400
DON'T SAY "JEALOUS."
1266
00:48:32,500 --> 00:48:33,500
I WAS GOING TO SAY
1267
00:48:33,500 --> 00:48:34,500
"HAVING FEELINGS
FOR HER AGAIN."
1268
00:48:34,500 --> 00:48:36,000
DON'T SAY THAT
EITHER!
1269
00:48:39,100 --> 00:48:42,700
BUYERS LOVE
CELEBRITY PROPERTIES.
1270
00:48:42,800 --> 00:48:45,800
I THINK WE SHOULD PLAY UP
THE POP STAR ANGLE.
1271
00:48:45,900 --> 00:48:47,500
DO WE REALLY
HAVE TO DO THAT?
1272
00:48:47,500 --> 00:48:49,100
WELL, I ONCE SOLD A HOUSE
FOR DOUBLE THE COMPS,
1273
00:48:49,100 --> 00:48:50,400
JUST BECAUSE
A REAL HOUSEWIFE,
1274
00:48:50,400 --> 00:48:52,000
WHO SHALL
REMAIN NAMELESS,
1275
00:48:52,000 --> 00:48:53,900
USED TO LIVE THERE.
1276
00:48:55,100 --> 00:48:56,600
WOW...
1277
00:48:56,600 --> 00:48:58,500
WHAT A ROOM.
1278
00:48:58,500 --> 00:48:59,700
OH, THANK YOU.
1279
00:48:59,700 --> 00:49:02,500
I RESTORED IT TO
ITS ORIGINAL STATE.
1280
00:49:02,500 --> 00:49:05,600
I'D SAY WE STAGE IT,
AND WE'RE GOOD TO GO.
1281
00:49:05,600 --> 00:49:08,200
YOU KNOW, I ACTUALLY LIKE IT
THE WAY IT IS.
1282
00:49:08,200 --> 00:49:10,000
IT HAS CHARACTER.
1283
00:49:10,100 --> 00:49:11,100
IT FEELS RIGHT.
1284
00:49:11,100 --> 00:49:13,000
FOR A COUNTRY INN.
1285
00:49:14,500 --> 00:49:17,500
IT IS A COUNTRY INN.
1286
00:49:17,600 --> 00:49:18,900
NOW.
1287
00:49:18,900 --> 00:49:20,800
NOT THAT YOUR PLACE
ISN'T AMAZING,
1288
00:49:20,800 --> 00:49:22,500
BECAUSE IT IS.
1289
00:49:22,500 --> 00:49:23,400
BUT THE WALL STREETERS
AND THE TECHIES
1290
00:49:23,400 --> 00:49:26,000
REALLY GO FOR
THOSE CLEAN MODERN LINES,
1291
00:49:26,100 --> 00:49:27,700
AND THAT IS OUR TARGET MARKET.
1292
00:49:27,800 --> 00:49:29,600
DON'T WORRY,
1293
00:49:29,700 --> 00:49:31,500
OLIVIA IS THE BEST.
1294
00:49:32,900 --> 00:49:34,800
LUCKY, COME ON,
GET OUT OF HERE.
1295
00:49:34,800 --> 00:49:37,000
YOU'RE NOT SUPPOSED
GO ON, COME ON, COME ON.
1296
00:49:41,900 --> 00:49:43,600
UH, SORRY,
1297
00:49:43,600 --> 00:49:45,100
JOSH ISN'T REALLY
A DOG PERSON.
1298
00:49:45,100 --> 00:49:46,300
I WAS ATTACKED
1299
00:49:46,300 --> 00:49:48,000
AT AN OPEN HOUSE
BY A POODLE.
1300
00:49:48,000 --> 00:49:49,000
A TOY POODLE.
1301
00:49:56,300 --> 00:49:58,300
I THINK I HAVE IT
FIGURED OUT.
1302
00:49:58,300 --> 00:50:00,900
SHOULD I KNOW WHAT
YOU'RE TALKING ABOUT EXACTLY?
1303
00:50:00,900 --> 00:50:02,800
THAT WHOLE SOMETHING OLD,
SOMETHING NEW--
1304
00:50:02,800 --> 00:50:03,800
SOMETHING BORROWED--
1305
00:50:03,900 --> 00:50:05,900
SOMETHING BLUE.
1306
00:50:07,300 --> 00:50:08,900
HERE'S THE OLD.
1307
00:50:08,900 --> 00:50:10,200
WHAT'S THAT?
1308
00:50:10,200 --> 00:50:12,000
IT'S ONE OF
MY GRANDMOTHER'S VEILS.
1309
00:50:12,100 --> 00:50:13,700
SHE KNEW MY MOM
WOULDN'T WEAR IT,
1310
00:50:13,700 --> 00:50:15,800
BUT THOUGHT MAYBE WE COULD
SNEAK IT IN SOMEHOW.
1311
00:50:15,800 --> 00:50:17,200
SHE'S CRAFTY.
1312
00:50:17,200 --> 00:50:18,600
SO AM I,
1313
00:50:18,700 --> 00:50:20,100
AND DEVIOUS.
1314
00:50:20,200 --> 00:50:21,200
SO, WHAT'S THE "NEW"?
1315
00:50:21,300 --> 00:50:23,600
I BOUGHT HER AN ANKLET.
1316
00:50:23,700 --> 00:50:25,700
I'LL GIVE IT TO HER
THE DAY OF THE WEDDING.
1317
00:50:25,800 --> 00:50:27,000
THEN YOU JUST NEED
SOMETHING BORROWED.
1318
00:50:29,000 --> 00:50:30,100
GOT IT.
1319
00:50:30,100 --> 00:50:31,900
SHOULD I ASK?
1320
00:50:31,900 --> 00:50:33,700
MAYBE YOU SHOULD READ.
1321
00:50:38,400 --> 00:50:39,800
"YOU AND ME
1322
00:50:39,900 --> 00:50:41,400
"ON AN OPEN ROAD
1323
00:50:41,400 --> 00:50:43,400
"THE STARS ALIGN
AND THEY GUIDE US ON
1324
00:50:43,500 --> 00:50:44,700
"BUT WHEREVER WE GO
1325
00:50:44,800 --> 00:50:46,500
WE ARE HOME."
1326
00:50:46,500 --> 00:50:48,300
I LOVE IT,
WHERE'S IT FROM?
1327
00:50:48,400 --> 00:50:49,800
MY MOM WROTE IT.
1328
00:50:49,900 --> 00:50:51,200
SHE'S REALLY GOOD.
1329
00:50:51,200 --> 00:50:52,300
LIKE MY DAD.
1330
00:50:52,300 --> 00:50:54,700
SHE WROTE IT FOR YOUR DAD.
1331
00:50:54,800 --> 00:50:56,700
YOU'RE KIDDING ME.
1332
00:50:56,800 --> 00:50:57,700
AND THERE'S MORE.
1333
00:50:57,800 --> 00:50:58,800
HOW MUCH MORE?
1334
00:50:58,800 --> 00:51:00,100
AN ENTIRE BOX FULL.
1335
00:51:00,100 --> 00:51:01,300
DUKE SHOWED ME.
1336
00:51:01,300 --> 00:51:02,900
DON'T TELL HIM
I TOLD YOU.
1337
00:51:04,100 --> 00:51:07,300
I HAD NO CLUE.
1338
00:51:07,300 --> 00:51:09,700
BUT IT WAS A LONG TIME AGO.
1339
00:51:09,800 --> 00:51:12,400
YOU'VE SEEN
HOW THEY'VE BEEN ACTING.
1340
00:51:12,400 --> 00:51:14,500
I DON'T THINK
IT'S AS LONG AGO AS WE THINK.
1341
00:51:14,500 --> 00:51:17,200
AND SO YOU'RE PUTTING THIS
IN HER BOUQUET BECAUSE?
1342
00:51:17,200 --> 00:51:18,400
I'M CRAFTY.
1343
00:51:18,500 --> 00:51:19,800
AND DEVIOUS.
1344
00:51:19,900 --> 00:51:21,800
I KNOW YOU SEE IT.
1345
00:51:22,000 --> 00:51:22,900
RIGHT?
1346
00:51:24,000 --> 00:51:24,900
I DO.
1347
00:51:26,400 --> 00:51:28,300
SO, WHAT DO WE DO NOW?
1348
00:51:28,400 --> 00:51:30,900
WE WAIT.
1349
00:51:30,900 --> 00:51:33,400
AND HOPE
NATURE TAKES ITS COURSE.
1350
00:51:44,000 --> 00:51:45,400
WOW.
1351
00:51:45,400 --> 00:51:47,500
IT IS BEAUTIFUL
OUT HERE, ISN'T IT?
1352
00:51:47,600 --> 00:51:49,100
INCREDIBLE.
1353
00:51:49,100 --> 00:51:51,600
I WONDER WHAT
THE LAKEFRONT FOOTAGE IS?
1354
00:51:53,500 --> 00:51:54,400
JUST KIDDING.
1355
00:51:56,200 --> 00:51:57,100
NO REAL ESTATE TALK.
1356
00:51:57,200 --> 00:51:58,500
NO REAL ESTATE TALK.
1357
00:52:02,500 --> 00:52:04,900
MAYBE GRACE WAS RIGHT.
1358
00:52:05,000 --> 00:52:06,000
ABOUT WHAT?
1359
00:52:06,000 --> 00:52:07,000
WE'RE UNROMANTIC.
1360
00:52:07,100 --> 00:52:08,500
WE'RE NOT UNROMANTIC.
1361
00:52:08,600 --> 00:52:10,400
I MEAN, LOOK AT WHERE WE ARE.
1362
00:52:12,100 --> 00:52:15,300
AND WE'RE GETTING
MARRIED IN, UM...
1363
00:52:16,800 --> 00:52:19,400
WE'RE GETTING MARRIED
IN 46 HOURS AND 20 MINUTES.
1364
00:52:19,400 --> 00:52:22,200
YOU SET A REMINDER
FOR OUR WEDDING?
1365
00:52:22,300 --> 00:52:23,500
DIDN'T WANT TO MISS IT.
1366
00:52:25,400 --> 00:52:27,200
HEY...
1367
00:52:27,300 --> 00:52:29,300
THIS IS US.
1368
00:52:31,300 --> 00:52:33,300
YEAH.
1369
00:52:33,400 --> 00:52:35,700
THIS IS US.
1370
00:52:37,300 --> 00:52:39,500
I WONDER HOW FAR
THIS PATH GOES?
1371
00:52:41,100 --> 00:52:42,400
LET'S FIND OUT.
1372
00:52:43,500 --> 00:52:44,400
OH, HANG ON.
1373
00:52:45,600 --> 00:52:46,700
WHAT IS IT?
1374
00:52:48,300 --> 00:52:49,500
IT'S NOTHING.
1375
00:52:50,700 --> 00:52:52,400
I KNOW THAT LOOK.
1376
00:52:52,500 --> 00:52:53,800
LOCAL BROKERS.
1377
00:52:53,800 --> 00:52:55,200
AND?
1378
00:52:55,200 --> 00:52:57,500
WITH A TON
OF CLIENT ACCESS.
1379
00:52:57,600 --> 00:52:58,500
BUT IT CAN WAIT.
1380
00:52:58,600 --> 00:53:00,300
COME ON,
1381
00:53:00,300 --> 00:53:01,700
I'LL RACE YOU AROUND THE LAKE.
1382
00:53:02,700 --> 00:53:03,700
HEY...
1383
00:53:07,200 --> 00:53:09,200
GO AHEAD, GO MEET 'EM.
1384
00:53:12,900 --> 00:53:13,900
ARE YOU SERIOUS?
1385
00:53:13,900 --> 00:53:15,000
YEAH.
1386
00:53:15,100 --> 00:53:17,200
I MEAN, THE LAKE'S GOING TO
BE HERE WHEN YOU GET BACK,
1387
00:53:17,300 --> 00:53:18,500
AND SO WILL I.
1388
00:53:18,600 --> 00:53:20,400
WHY DON'T YOU COME WITH ME?
1389
00:53:20,500 --> 00:53:21,900
THEN WE CAN GRAB A BITE
IN TOWN AFTER.
1390
00:53:21,900 --> 00:53:23,500
YEAH, YOU KNOW WHAT,
1391
00:53:23,500 --> 00:53:24,600
I THINK I'D RATHER
JUST STAY HERE.
1392
00:53:24,700 --> 00:53:25,600
ARE YOU SURE?
1393
00:53:26,600 --> 00:53:27,700
YEAH.
1394
00:53:28,900 --> 00:53:29,900
LOVE YOU.
1395
00:53:31,200 --> 00:53:32,600
I LOVE YOU, TOO.
1396
00:53:34,300 --> 00:53:36,000
I'LL BE GONE,
LIKE, AN HOUR.
1397
00:53:36,000 --> 00:53:37,700
TWO, TOPS.
1398
00:53:39,600 --> 00:53:41,300
NO BIKING AND TEXTING.
1399
00:53:57,900 --> 00:53:59,400
I KNEW IT.
1400
00:53:59,400 --> 00:54:00,700
YOU OWE ME FIVE BUCKS.
1401
00:54:09,900 --> 00:54:12,300
SO, WHAT'S THE PLAN
AFTER YOU SELL THIS PLACE?
1402
00:54:12,400 --> 00:54:13,800
YOU'RE GOING TO OPEN
YOUR RESTAURANT.
1403
00:54:13,800 --> 00:54:15,500
AND WHAT, YOU'LL BE
MY MAITRE D'?
1404
00:54:15,600 --> 00:54:17,400
MAYBE.
1405
00:54:17,400 --> 00:54:18,600
SO, YOU HAVEN'T REALLY
THOUGHT THIS THOUGH A LOT,
1406
00:54:18,600 --> 00:54:19,500
HAVE YOU?
1407
00:54:20,600 --> 00:54:22,700
JUST PLAYING IT BY EAR.
1408
00:54:22,700 --> 00:54:24,100
LIKE IN THE OLD DAYS.
1409
00:54:24,100 --> 00:54:26,900
WHEN YOU USED TO
TAKE CHANCES.
1410
00:54:28,500 --> 00:54:29,400
I'M JUST SAYING,
1411
00:54:29,400 --> 00:54:31,900
YOU USED TO GO AFTER
THE THINGS YOU WANTED.
1412
00:54:41,900 --> 00:54:42,900
OH!
1413
00:54:44,600 --> 00:54:46,100
OH.
1414
00:54:53,600 --> 00:54:54,900
I THINK I LIKE THIS ONE.
1415
00:54:58,700 --> 00:55:00,000
HEY, MOM,
YOU'RE ON SPEAKER PHONE.
1416
00:55:00,000 --> 00:55:01,000
HI, HONEY, UM...
1417
00:55:01,200 --> 00:55:02,200
I'M ON THE LAKE PATH,
1418
00:55:02,200 --> 00:55:04,000
AND MY CHAIN SLIPPED OFF.
1419
00:55:04,000 --> 00:55:05,300
I'M NOT REALLY SURE
HOW TO FIX IT,
1420
00:55:05,300 --> 00:55:07,100
SO I'M GOING TO BE JUST
A LITTLE LATE GETTING BACK.
1421
00:55:07,100 --> 00:55:08,000
I'LL SEND SOMEONE.
1422
00:55:08,100 --> 00:55:10,500
NO, NO, NO, DON'T BE SILLY,
I CAN WALK.
1423
00:55:10,600 --> 00:55:12,000
WE GOT THIS.
1424
00:55:13,700 --> 00:55:15,700
HOW FAR DO YOU
THINK SHE GOT?
1425
00:55:15,700 --> 00:55:17,000
FAR ENOUGH.
1426
00:55:18,700 --> 00:55:20,500
DAD, WHAT ARE YOU
DOING RIGHT NOW?
1427
00:55:29,900 --> 00:55:30,900
HEY.
1428
00:55:32,000 --> 00:55:33,200
OH, HEY.
1429
00:55:33,300 --> 00:55:34,500
SORRY.
1430
00:55:34,600 --> 00:55:36,200
NO, IT HAPPENS
ALL THE TIME.
1431
00:55:36,300 --> 00:55:38,300
WELL, THANK YOU.
1432
00:55:38,300 --> 00:55:40,700
WELL, YOU CAN JUST
CONSIDER THIS
1433
00:55:40,800 --> 00:55:42,000
PART OF
THE CONCIERGE SERVICE.
1434
00:55:42,000 --> 00:55:43,200
THANKS.
1435
00:55:44,700 --> 00:55:46,300
OH, YEAH.
1436
00:55:46,300 --> 00:55:48,000
CHAINS ARE TRICKY.
1437
00:55:48,000 --> 00:55:49,100
YEAH.
1438
00:55:51,200 --> 00:55:52,600
OF ALL THE PLACES FOR YOU
TO PEDAL INTO,
1439
00:55:52,600 --> 00:55:54,000
YOU HAD TO PEDAL INTO MINE, HUH?
1440
00:55:54,000 --> 00:55:55,300
YEAH.
1441
00:55:55,400 --> 00:55:57,900
WELL, WE'LL ALWAYS HAVE
THAT THIRD-FLOOR DORM.
1442
00:55:59,100 --> 00:56:00,400
-YEAH.
-YEAH.
1443
00:56:01,400 --> 00:56:02,700
THERE YOU GO.
1444
00:56:02,700 --> 00:56:03,900
THANK YOU.
1445
00:56:03,900 --> 00:56:05,600
AS LONG AS
YOU'RE OUT HERE,
1446
00:56:05,700 --> 00:56:06,700
THERE'S A PLACE
A LITTLE FURTHER ALONG
1447
00:56:06,700 --> 00:56:07,800
THAT'S PRETTY SPECIAL,
1448
00:56:07,800 --> 00:56:09,000
IF YOU'D LIKE TO SEE IT.
1449
00:56:10,800 --> 00:56:12,000
SURE.
1450
00:56:12,000 --> 00:56:13,100
WHY NOT?
1451
00:56:16,000 --> 00:56:17,300
FOLLOW ME.
1452
00:56:29,100 --> 00:56:31,100
WOW.
1453
00:56:32,200 --> 00:56:34,400
TOLD YOU
IT WAS SPECIAL.
1454
00:56:34,400 --> 00:56:37,900
IT IS BEAUTIFUL.
1455
00:56:37,900 --> 00:56:39,200
YEAH.
1456
00:56:41,800 --> 00:56:45,700
I THINK THIS IS
OFFICIALLY MY FAVORITE PLACE.
1457
00:56:45,700 --> 00:56:48,000
MINE TOO.
1458
00:56:49,700 --> 00:56:51,900
WELL, IT LOOKS LIKE
I'M SAYING GOODBYE,
1459
00:56:52,000 --> 00:56:54,100
AND YOU'RE SAYING "I DO."
1460
00:56:55,500 --> 00:56:58,500
NOW, THAT
COULD BE A SONG.
1461
00:57:03,600 --> 00:57:08,300
ARE YOU SURE YOU WANT
TO LET GO OF ALL THIS?
1462
00:57:08,300 --> 00:57:11,100
I'M NOT SURE ABOUT
A LOT OF THINGS, LIVVY.
1463
00:57:12,400 --> 00:57:15,300
WE ARE TALKING ABOUT
THE INN, RIGHT?
1464
00:57:15,400 --> 00:57:17,300
I DON'T KNOW, ARE WE?
1465
00:57:19,400 --> 00:57:20,500
I'M NOT FALLING FOR THIS AGAIN.
1466
00:57:20,500 --> 00:57:21,500
FALLING FOR WHAT?
1467
00:57:21,500 --> 00:57:22,600
FOR YOU.
1468
00:57:22,600 --> 00:57:25,000
WELL, I REMEMBER YOU WERE
PRETTY HAPPY WITH ME ONCE.
1469
00:57:25,000 --> 00:57:26,300
I REMEMBER THE TAIL-LIGHTS
OF YOUR VAN
1470
00:57:26,400 --> 00:57:27,500
AS YOU DROVE AWAY.
1471
00:57:27,600 --> 00:57:29,400
OH, COME ON, I HAD A TOUR.
1472
00:57:29,400 --> 00:57:30,600
YOU PROMISED
YOU'D COME BACK FOR ME.
1473
00:57:30,600 --> 00:57:31,900
I DID.
1474
00:57:31,900 --> 00:57:34,200
OH, SORRY FOR NOT WAITING
TWO DECADES.
1475
00:57:34,200 --> 00:57:35,500
TWO DECADES?
1476
00:57:35,500 --> 00:57:36,900
IT WAS SIX MONTHS AT THE MOST.
1477
00:57:36,900 --> 00:57:38,100
AND YOU WERE ALREADY
WITH SOMEONE ELSE.
1478
00:57:38,100 --> 00:57:39,600
WHAT ARE YOU TALKING ABOUT?
1479
00:57:39,600 --> 00:57:41,300
YOU DIDN'T COME BACK FOR ME.
1480
00:57:41,400 --> 00:57:42,600
YEAH, I DID.
1481
00:57:42,600 --> 00:57:43,600
I WENT TO YOUR DORM.
1482
00:57:43,600 --> 00:57:45,300
YOUR ROOMMATE SAID
THAT YOU'D MET SOMEONE.
1483
00:57:45,400 --> 00:57:46,700
MY ROOMMATE?
1484
00:57:46,700 --> 00:57:48,500
MY-- WHY WOULD YOU
BELIEVE HER?
1485
00:57:48,500 --> 00:57:50,100
WELL, WHY WOULDN'T I?
1486
00:57:50,100 --> 00:57:51,500
BECAUSE SHE HAD A CRUSH ON YOU,
1487
00:57:51,600 --> 00:57:53,400
AND SHE WAS
A PATHOLOGICAL LIAR,
1488
00:57:53,400 --> 00:57:55,100
AND IF YOU HADN'T
GIVEN UP SO EASY,
1489
00:57:55,100 --> 00:57:57,600
YOU WOULD HAVE FOUND OUT
THAT I WAS HEARTBROKEN.
1490
00:58:01,300 --> 00:58:04,000
I DON'T KNOW
WHAT TO SAY TO THIS. I...
1491
00:58:07,200 --> 00:58:09,200
NOTHING.
1492
00:58:09,200 --> 00:58:11,000
I'M GOING BACK.
1493
00:58:15,400 --> 00:58:18,200
I CAN'T WAIT FOR THIS WEDDING
TO BE OVER.
1494
00:58:30,800 --> 00:58:32,200
WHAT DOES IT NEED?
1495
00:58:32,300 --> 00:58:33,300
NOTHING.
1496
00:58:33,300 --> 00:58:35,200
IT'S PERFECT.
1497
00:58:35,200 --> 00:58:36,400
WELL, THANK YOU,
1498
00:58:36,400 --> 00:58:38,400
BUT THAT'S NOT VERY HELPFUL.
1499
00:58:38,500 --> 00:58:41,400
EVERYTHING YOU'RE PREPARING
IS AMAZING.
1500
00:58:42,900 --> 00:58:45,200
IT CAN ALWAYS BE BETTER.
1501
00:58:45,200 --> 00:58:46,800
TRY THE SAUCE
THAT GOES WITH THIS.
1502
00:58:53,600 --> 00:58:56,200
AND?
1503
00:58:56,200 --> 00:58:58,400
ARE YOU GOING TO BE MAD
IF I SAY "AMAZING?"
1504
00:58:58,400 --> 00:59:01,500
-YEAH.
-THEN NO COMMENT.
1505
00:59:02,700 --> 00:59:04,700
YOU ARE LIKE YOUR MOM,
1506
00:59:04,700 --> 00:59:06,500
VERY SWEET.
1507
00:59:06,500 --> 00:59:08,400
TRY IT AGAIN.
1508
00:59:11,900 --> 00:59:13,500
IT'S BETTER, RIGHT?
1509
00:59:13,600 --> 00:59:14,800
I CAN'T BELIEVE IT.
1510
00:59:14,900 --> 00:59:16,100
WHAT'S YOUR SECRET?
1511
00:59:16,200 --> 00:59:18,700
DON'T EVER SETTLE.
1512
00:59:18,700 --> 00:59:20,700
LIFE'S TOO SHORT, GRACE.
1513
00:59:20,800 --> 00:59:23,600
WE'RE STILL TALKING
FOOD, YEAH?
1514
00:59:26,300 --> 00:59:29,700
YOU DON'T THINK SHE SHOULD
MARRY JOSH EITHER, DO YOU?
1515
00:59:29,800 --> 00:59:32,600
WHAT I THINK...
1516
00:59:32,600 --> 00:59:34,900
IS THAT IT CAN ALWAYS BE BETTER.
1517
00:59:37,000 --> 00:59:38,200
MM.
1518
00:59:40,900 --> 00:59:42,400
MM-HMM.
1519
00:59:44,700 --> 00:59:46,600
HEY...
1520
00:59:46,600 --> 00:59:48,300
OH, HI.
1521
00:59:48,300 --> 00:59:49,400
I'M SORRY,
1522
00:59:49,500 --> 00:59:50,800
I KNOW THIS WAS
SUPPOSED TO BE
1523
00:59:50,800 --> 00:59:51,900
A WEEKEND WITHOUT
AN OPEN HOUSE.
1524
00:59:51,900 --> 00:59:54,800
OH, HONEY, WHAT'S A WEEKEND
WITHOUT AN OPEN HOUSE?
1525
00:59:54,900 --> 00:59:57,000
AFTER THE WEDDING,
WE'LL TAKE SOME TIME OFF.
1526
00:59:57,000 --> 00:59:58,800
YOU MEAN A HONEYMOON?
1527
00:59:58,800 --> 00:59:59,700
NOT THAT MUCH TIME.
1528
01:00:00,800 --> 01:00:02,600
YES, A HONEYMOON.
1529
01:00:02,700 --> 01:00:04,700
NO CELL PHONES,
OR SINGLE-FAMILY DWELLINGS?
1530
01:00:04,800 --> 01:00:05,700
DONE.
1531
01:00:05,800 --> 01:00:07,600
I HAVE TO HEAD INTO TOWN
AND PICK UP THE SIGNS.
1532
01:00:07,600 --> 01:00:08,700
YOU GOT THIS?
1533
01:00:08,700 --> 01:00:09,900
OH, I GOT THIS.
1534
01:00:11,000 --> 01:00:12,500
SEE YOU SOON.
1535
01:00:12,500 --> 01:00:13,300
OKAY.
1536
01:00:16,300 --> 01:00:17,800
-MORNING, GRACE.
-GOOD MORNING, JOSH.
1537
01:00:17,900 --> 01:00:18,800
REHEARSAL DINNER
TONIGHT.
1538
01:00:18,800 --> 01:00:19,800
GOT IT.
1539
01:00:19,900 --> 01:00:20,800
DON'T GO TOO FAR!
1540
01:00:20,900 --> 01:00:21,700
WOULDN'T
DREAM OF IT!
1541
01:00:21,700 --> 01:00:23,700
WORST GROOM EVER.
1542
01:00:23,800 --> 01:00:25,600
SO, WHERE'S HE OFF TO?
1543
01:00:25,600 --> 01:00:26,700
OH, IT'S OKAY.
1544
01:00:26,700 --> 01:00:27,900
OPEN HOUSE.
HE'LL BE BACK.
1545
01:00:27,900 --> 01:00:30,100
SO, WHAT DO YOU THINK,
AREA RUG, YES OR NO?
1546
01:00:30,200 --> 01:00:31,400
I LIKE THE RUG.
1547
01:00:31,400 --> 01:00:32,500
YEAH, I DO, TOO.
1548
01:00:32,500 --> 01:00:33,600
I MEAN, IT DOESN'T
SAY "WALL STREET,"
1549
01:00:33,700 --> 01:00:35,000
BUT... IT STAYS.
1550
01:00:46,200 --> 01:00:47,800
GUILT-INDUCING?
1551
01:00:52,000 --> 01:00:54,000
LET'S LEAVE THIS
THE WAY IT IS.
1552
01:00:54,100 --> 01:00:54,900
YOU KNOW, UM...
1553
01:00:55,000 --> 01:00:57,900
MAYBE A LITTLE
SENTIMENTALITY IS GOOD.
1554
01:00:57,900 --> 01:01:00,800
BUYERS CAN SEE
THAT PEOPLE WERE HAPPY HERE.
1555
01:01:00,800 --> 01:01:02,500
I HAVE TO SAY,
1556
01:01:02,500 --> 01:01:04,500
I LIKE WHAT YOU'VE
DONE WITH THE PLACE.
1557
01:01:04,600 --> 01:01:06,200
I HAVEN'T DONE ANYTHING.
1558
01:01:06,200 --> 01:01:07,600
EXACTLY.
1559
01:01:10,900 --> 01:01:11,900
GOOD MORNING, MICK.
1560
01:01:12,000 --> 01:01:13,800
MORNING, LADIES.
1561
01:01:13,800 --> 01:01:16,500
MORNING.
1562
01:01:16,500 --> 01:01:19,600
YOU DON'T...
NEED ANYTHING FROM ME, RIGHT?
1563
01:01:19,700 --> 01:01:21,000
NO.
1564
01:01:21,100 --> 01:01:22,600
NOT A THING.
1565
01:01:29,200 --> 01:01:30,200
YOU READY?
1566
01:01:30,200 --> 01:01:32,000
YEAH.
1567
01:01:40,200 --> 01:01:42,700
OKAY, UH...
WHERE WERE WE?
1568
01:01:42,700 --> 01:01:44,000
AS I RECALL,
1569
01:01:44,000 --> 01:01:46,700
WE WERE LEAVING EVERYTHING
EXACTLY AS IT WAS.
1570
01:01:46,700 --> 01:01:49,100
YEAH, THAT'S RIGHT.
1571
01:01:51,900 --> 01:01:54,800
MOM...
1572
01:01:54,800 --> 01:01:56,200
ARE YOU SURE
YOU WANT TO GET MARRIED?
1573
01:01:56,200 --> 01:01:57,800
WHAT?
1574
01:01:57,800 --> 01:02:00,000
IT'S JUST...
1575
01:02:00,000 --> 01:02:01,600
YOU'RE DIFFERENT AROUND HIM.
1576
01:02:01,700 --> 01:02:03,600
HIM?
1577
01:02:06,100 --> 01:02:08,600
WELL, IF I AM,
1578
01:02:08,700 --> 01:02:11,700
IT'S JUST BECAUSE HE BRINGS OUT
THE WORST IN ME.
1579
01:02:11,700 --> 01:02:13,200
OR THE BEST.
1580
01:02:13,300 --> 01:02:14,200
HONEY, I'M JUST
1581
01:02:14,300 --> 01:02:16,800
TRYING TO GET THROUGH
AN AWKWARD SITUATION.
1582
01:02:16,800 --> 01:02:19,300
IT WOULDN'T BE AWKWARD
IF YOU DIDN'T HAVE FEELINGS.
1583
01:02:21,100 --> 01:02:23,200
NOW, THAT--
THAT IS RIDICULOUS.
1584
01:02:23,200 --> 01:02:24,200
YOU'RE SUPPOSED TO BE
1585
01:02:24,200 --> 01:02:25,200
MY WEDDING PLANNER.
1586
01:02:25,200 --> 01:02:27,200
I'M ALSO YOUR DAUGHTER.
1587
01:02:33,400 --> 01:02:35,800
AH!
1588
01:02:35,800 --> 01:02:37,100
WE SHOULD JOIN
THE WEEKEND TOURNAMENT
1589
01:02:37,100 --> 01:02:38,400
AT THE CLUB.
1590
01:02:38,500 --> 01:02:40,800
YEAH, MAYBE...
1591
01:02:40,800 --> 01:02:43,000
YOU SEEM DISTRACTED.
1592
01:02:43,000 --> 01:02:44,200
I'M HAVING
A LITTLE TROUBLE
1593
01:02:44,200 --> 01:02:46,000
MOVING ON, I GUESS.
1594
01:02:46,100 --> 01:02:48,800
FROM THE INN, OR HER?
1595
01:02:48,800 --> 01:02:51,300
THE INN.
1596
01:02:51,400 --> 01:02:53,200
WELL, SHE'S GETTING MARRIED
TOMORROW, RIGHT?
1597
01:02:53,200 --> 01:02:54,900
YEAH.
1598
01:02:54,900 --> 01:02:56,100
OKAY, WELL THEN,
PROBLEM SOLVED.
1599
01:02:56,200 --> 01:02:57,700
YOU'LL NEVER HAVE
TO SEE HER AGAIN.
1600
01:02:57,800 --> 01:03:00,800
OUT OF SIGHT,
OUT OF MIND.
1601
01:03:00,800 --> 01:03:02,100
YOU KNOW,
WHEN YOU SELL THE INN,
1602
01:03:02,100 --> 01:03:03,400
WE SHOULD DO
SOMETHING SPECIAL.
1603
01:03:03,400 --> 01:03:05,500
LIKE A WEEKEND AWAY SOMEWHERE?
1604
01:03:05,500 --> 01:03:07,000
A WEEKEND?
1605
01:03:07,100 --> 01:03:08,300
OR A WEEK.
1606
01:03:08,400 --> 01:03:11,000
I MEAN, WHEN IS THE LAST TIME
YOU JUST WENT TRAVELING AROUND?
1607
01:03:11,000 --> 01:03:12,800
A LONG TIME AGO,
1608
01:03:12,800 --> 01:03:14,400
AND IT WAS ON A TOUR BUS.
1609
01:03:14,400 --> 01:03:17,200
WELL, I'M THINKING MORE...
1610
01:03:17,400 --> 01:03:19,200
HOTEL, AIRPLANE,
1611
01:03:19,200 --> 01:03:21,400
SANDY BEACH.
1612
01:03:27,600 --> 01:03:30,000
THIS COULD BE A SWEET
CORPORATE RETREAT.
1613
01:03:30,000 --> 01:03:31,200
IF WE GUT IT, YEAH.
1614
01:03:31,200 --> 01:03:32,400
EXACTLY WHAT
I WAS THINKING.
1615
01:03:32,400 --> 01:03:33,200
WAIT TILL YOU SEE
THE OUTSIDE.
1616
01:03:33,300 --> 01:03:35,600
800 FEET
OF PRIMETIME LAKEFRONT.
1617
01:03:39,500 --> 01:03:41,500
I'VE NEVER BEEN
TO AN OPEN HOUSE.
1618
01:03:41,500 --> 01:03:43,700
I'VE BEEN TO TOO MANY.
1619
01:03:43,700 --> 01:03:46,000
LOOKS LIKE
A BIG TURNOUT.
1620
01:03:46,000 --> 01:03:47,000
AT LEAST
HALF OF THEM ARE HERE
1621
01:03:47,000 --> 01:03:48,100
JUST TO SEE THE PLACE,
1622
01:03:48,100 --> 01:03:50,500
AND MAYBE GRAB
SOME FREE FOOD.
1623
01:03:50,500 --> 01:03:51,900
IT'S THE OTHER HALF
I'M WORRIED ABOUT.
1624
01:03:54,000 --> 01:03:55,100
IT'S WEIRD
1625
01:03:55,100 --> 01:03:56,500
THINKING ABOUT THIS PLACE
BELONGING TO SOMEONE ELSE.
1626
01:03:56,500 --> 01:03:58,100
OR A CORPORATION.
1627
01:03:58,100 --> 01:04:00,200
THERE'S ALWAYS A CHANCE
IT WON'T SELL,
1628
01:04:00,300 --> 01:04:02,300
ALTHOUGH WITH
A PROPERTY LIKE THIS...
1629
01:04:02,300 --> 01:04:03,600
HOW GOOD A SALESMAN IS JOSH?
1630
01:04:03,700 --> 01:04:07,100
HE SOLD MY MOM ON MARRIAGE,
SO I'D SAY GOOD.
1631
01:04:08,500 --> 01:04:11,400
I'D BETTER START
GETTING USED TO THE IDEA.
1632
01:04:12,800 --> 01:04:14,200
THE THING IS,
1633
01:04:14,200 --> 01:04:16,200
I'VE SEEN A LOT OF PEOPLE MOVE,
1634
01:04:16,300 --> 01:04:17,400
AND IT'S HARD.
1635
01:04:17,400 --> 01:04:19,700
BUT YOUR DAD
WILL BE OKAY.
1636
01:04:19,700 --> 01:04:20,800
AND YOU WILL, TOO.
1637
01:04:20,800 --> 01:04:22,400
YOU HAVE EACH OTHER.
1638
01:04:22,400 --> 01:04:24,200
THANKS, GRACE.
1639
01:04:24,200 --> 01:04:27,400
COME ON,
LET'S GRAB SOME SUSHI.
1640
01:04:54,200 --> 01:04:55,300
REHEARSAL DINNER?
1641
01:04:55,300 --> 01:04:57,100
"OPEN HOUSE SUSHI."
1642
01:04:57,100 --> 01:04:59,100
YOU SEE ALL THOSE
PEOPLE OUT THERE?
1643
01:04:59,100 --> 01:05:00,200
TRYING NOT TO.
1644
01:05:00,200 --> 01:05:01,700
YEAH, ME TOO.
1645
01:05:03,700 --> 01:05:05,700
I REMEMBER
WHEN I BOUGHT THIS PLACE.
1646
01:05:05,800 --> 01:05:07,200
THERE WAS NO SUSHI,
1647
01:05:07,200 --> 01:05:10,600
JUST AN OLD HOUSE
AND A RUSTY DOCK.
1648
01:05:10,600 --> 01:05:11,800
AND AN EVEN
RUSTIER DRUMMER
1649
01:05:11,900 --> 01:05:13,800
WHO MADE GRILLED CHEESE
ON AN IRON.
1650
01:05:13,800 --> 01:05:15,500
WHY'D YOU TAKE THAT
OFF THE MENU?
1651
01:05:15,500 --> 01:05:16,600
I THOUGHT IT WAS
A HOUSE FAVORITE?
1652
01:05:16,600 --> 01:05:18,300
MORE LIKE A DUCK FAVORITE.
1653
01:05:23,600 --> 01:05:25,700
SO, WHAT ARE YOU
GOING TO DO?
1654
01:05:25,700 --> 01:05:27,400
ABOUT WHAT?
1655
01:05:47,600 --> 01:05:50,500
SORRY ABOUT WHAT HAPPENED
OUT ON THE BIKE TRAIL.
1656
01:05:51,700 --> 01:05:55,300
NAH, IT'S ALL RIGHT,
IT'S MY FAULT.
1657
01:05:55,300 --> 01:05:58,300
I DON'T KNOW
WHY I GOT SO UPSET.
1658
01:05:58,300 --> 01:05:59,900
PEOPLE GET NERVOUS
AROUND WEDDINGS.
1659
01:06:00,000 --> 01:06:01,000
YEAH.
1660
01:06:01,100 --> 01:06:02,800
I SEE IT ALL THE TIME.
1661
01:06:07,700 --> 01:06:10,600
DID YOU REALLY
COME BACK FOR ME?
1662
01:06:12,700 --> 01:06:14,700
YEAH, I DID.
1663
01:06:14,700 --> 01:06:16,000
THERE HE IS...
1664
01:06:16,100 --> 01:06:17,700
POP STAR IN THE FLESH.
1665
01:06:17,700 --> 01:06:18,800
WHOA-HO, HUGE FAN!
1666
01:06:18,900 --> 01:06:20,900
CAN I GET
A SELFIE?
1667
01:06:21,000 --> 01:06:21,900
SURE.
1668
01:06:23,600 --> 01:06:26,400
MY MOTHER
PLAYED YOU NON-STOP
1669
01:06:26,400 --> 01:06:27,500
WHEN I WAS
GROWING UP.
1670
01:06:27,600 --> 01:06:28,500
YOUR MOM, HUH?
1671
01:06:28,500 --> 01:06:29,700
AND MY GRANDMOTHER.
1672
01:06:29,700 --> 01:06:31,400
OH, YES...
1673
01:06:31,400 --> 01:06:33,000
I'VE ALWAYS BEEN BIG
WITH THE GRANDMOTHERS.
1674
01:06:33,000 --> 01:06:35,700
I CANNOT WAIT TO TELL THEM
WHOSE PROPERTY WE'RE BUYING.
1675
01:06:35,700 --> 01:06:37,100
I THINK I JUST
HEARD AN OFFER.
1676
01:06:39,700 --> 01:06:40,700
COME ON,
1677
01:06:40,700 --> 01:06:43,000
LET'S SHOW THEM WHERE
WE'RE GONNA TIE THE KNOT.
1678
01:06:43,000 --> 01:06:44,900
RIGHT UP HERE, GUYS.
1679
01:06:55,600 --> 01:06:56,600
SWEETIE?
1680
01:06:57,900 --> 01:07:00,700
WHAT'S THAT
YOU'RE READING THERE?
1681
01:07:00,700 --> 01:07:03,200
I WANTED TO DO
A TOAST AT THE WEDDING,
1682
01:07:03,200 --> 01:07:06,700
AND I NEEDED
SOME INSPIRATION.
1683
01:07:06,700 --> 01:07:08,600
BUT I'M NEVER GOING TO
BE ABLE TO WRITE
1684
01:07:08,700 --> 01:07:11,600
ANYTHING LIKE THIS.
1685
01:07:16,200 --> 01:07:17,600
THEY REALLY
LOVED EACH OTHER,
1686
01:07:17,700 --> 01:07:18,900
DIDN'T THEY, GRANDMA?
1687
01:07:18,900 --> 01:07:20,800
OH, IT WAS
SO LONG AGO,
1688
01:07:20,800 --> 01:07:21,800
THEY WERE WET
BEHIND THE EARS,
1689
01:07:21,800 --> 01:07:22,900
PUPPY LOVE.
1690
01:07:22,900 --> 01:07:25,800
IT WAS MORE THAN THAT.
1691
01:07:25,900 --> 01:07:27,000
MAYBE.
1692
01:07:27,100 --> 01:07:28,000
DEFINITELY.
1693
01:07:31,100 --> 01:07:33,600
EVEN BEFORE MICK LEFT,
YOU DIDN'T LIKE HIM.
1694
01:07:33,600 --> 01:07:34,600
WHY?
1695
01:07:36,700 --> 01:07:38,800
AS A MOTHER, UM,
1696
01:07:38,900 --> 01:07:41,800
YOU WANT THE BEST FOR YOUR KIDS.
1697
01:07:41,800 --> 01:07:44,000
SO, IF YOU SEE HEARTACHE COMING,
1698
01:07:44,000 --> 01:07:47,800
YOU DO EVERYTHING YOU CAN
TO JUMP IN AND DEFLECT IT.
1699
01:07:47,800 --> 01:07:50,000
READING THESE,
1700
01:07:50,100 --> 01:07:51,800
I'M GUESSING
SHE GOT HIT ANYWAY.
1701
01:07:51,900 --> 01:07:53,800
WHATEVER HAPPENED IN THE PAST
1702
01:07:53,800 --> 01:07:54,900
IS PASSED,
1703
01:07:54,900 --> 01:07:57,000
AND IT LOOKS LIKE EVERYTHING'S
TURNED OUT ALL RIGHT.
1704
01:07:57,000 --> 01:07:59,100
I MEAN, SHE'S GOT JOSH NOW.
1705
01:07:59,100 --> 01:08:01,700
BUT WHAT IF HE'S NOT
THE RIGHT ONE?
1706
01:08:01,700 --> 01:08:02,800
AND WHAT IF HE IS?
1707
01:08:06,300 --> 01:08:08,900
TELL YOU WHAT...
1708
01:08:10,900 --> 01:08:13,300
WHY DON'T YOU LET ME
MAKE THE TOAST, HMM?
1709
01:08:13,300 --> 01:08:16,100
IF YOU THINK OF SOMETHING,
YOU CAN ADD ON.
1710
01:08:16,100 --> 01:08:19,400
IT'S JUST ONE LESS THING
TO WORRY ABOUT.
1711
01:08:31,400 --> 01:08:32,900
FOLKS...
1712
01:08:33,000 --> 01:08:35,800
I'VE GOT A CHOIR GROUP
IN AN HOUR.
1713
01:08:35,800 --> 01:08:36,900
WHERE'S OUR GROOM?
1714
01:08:36,900 --> 01:08:38,400
HE'S...
HE'S ON A CALL.
1715
01:08:38,400 --> 01:08:40,100
HE WON'T BE LONG.
1716
01:08:40,100 --> 01:08:42,100
PERHAPS WE COULD USE
A STAND-IN UNTIL HE GETS HERE?
1717
01:08:42,100 --> 01:08:43,400
OH, YES,
JOHNNY WILL DO IT.
1718
01:08:43,400 --> 01:08:44,500
GO ON.
1719
01:08:44,600 --> 01:08:45,900
I KINDA MADE A VOW
1720
01:08:45,900 --> 01:08:46,800
NEVER TO WALK DOWN
ANOTHER AISLE, SO...
1721
01:08:48,900 --> 01:08:51,000
AND I'M JUST HEARING
ABOUT THIS NOW?
1722
01:08:51,100 --> 01:08:53,500
MICK, YOU DO IT.
1723
01:08:53,600 --> 01:08:56,300
UNFORTUNATELY
I'M A LITTLE BUSY.
1724
01:08:57,500 --> 01:08:59,000
DAD, GET UP THERE.
1725
01:08:59,100 --> 01:09:00,200
THE REVEREND HAS TO LEAVE.
1726
01:09:03,900 --> 01:09:05,300
COME ON.
1727
01:09:18,200 --> 01:09:20,000
AND... MUSIC.
1728
01:09:38,600 --> 01:09:41,100
WE ARE GATHERED TOGETHER
TO UNITE A COUPLE IN LOVE.
1729
01:09:41,300 --> 01:09:42,700
OBVIOUSLY,
THE BRIDE AND GROOM
1730
01:09:42,700 --> 01:09:44,700
WILL BE STANDING
A LITTLE CLOSER.
1731
01:09:44,700 --> 01:09:46,400
CLOSER.
1732
01:09:48,000 --> 01:09:49,600
CLOSER.
1733
01:09:53,600 --> 01:09:55,100
THAT'S GOOD,
THAT'S GOOD.
1734
01:09:55,100 --> 01:09:57,300
I BELIEVE
YOU'VE WRITTEN YOUR OWN VOWS.
1735
01:09:57,300 --> 01:09:59,600
UH, ACTUALLY, I HAVEN'T
QUITE FINISHED MINE.
1736
01:09:59,600 --> 01:10:00,700
YOU REALLY HAVEN'T FINISHED?
1737
01:10:00,800 --> 01:10:02,300
NO.
1738
01:10:02,300 --> 01:10:03,700
SORRY, IT'S JUST,
1739
01:10:03,700 --> 01:10:06,400
YOU USED TO WRITE
ENTIRE SONGS FASTER.
1740
01:10:06,400 --> 01:10:09,700
WELL, THAT'S BECAUSE
THOSE WORDS WERE MEANINGLESS.
1741
01:10:09,700 --> 01:10:11,600
OH, OUCH.
1742
01:10:11,700 --> 01:10:12,600
DOES THE STAND-IN
HAVE TO TALK?
1743
01:10:12,600 --> 01:10:14,600
PERHAPS WE'RE GETTING
A LITTLE OFF TRACK.
1744
01:10:14,600 --> 01:10:16,200
I BELIEVE WE HAVE A SONG?
1745
01:10:16,200 --> 01:10:17,200
YEAH, THAT'S ME AGAIN.
1746
01:10:17,200 --> 01:10:18,100
WE'LL SKIP OVER THAT.
1747
01:10:18,100 --> 01:10:19,300
RINGS?
1748
01:10:19,300 --> 01:10:21,000
THE GROOM
HAS THE RINGS.
1749
01:10:21,000 --> 01:10:22,400
AND THEN, OF COURSE,
1750
01:10:22,400 --> 01:10:24,200
DOES ANYONE OBJECT
TO THIS UNION...
1751
01:10:28,200 --> 01:10:29,700
JUST STRETCHING,
THAT'S ALL.
1752
01:10:29,800 --> 01:10:31,300
SIT DOWN.
1753
01:10:31,400 --> 01:10:32,400
MOVING ALONG,
1754
01:10:32,500 --> 01:10:33,400
I'LL PRONOUNCE YOU
MAN AND WIFE,
1755
01:10:33,400 --> 01:10:35,100
AND YOU MAY KISS THE BRIDE.
1756
01:10:37,200 --> 01:10:38,400
WHAT ARE YOU DOING?
1757
01:10:38,500 --> 01:10:39,500
WELL, YOU DON'T
WANT TO ARGUE
1758
01:10:39,500 --> 01:10:41,600
WITH A MAN OF GOD, DO YOU?
1759
01:10:41,600 --> 01:10:42,800
SORRY,
EVERYONE!
1760
01:10:47,500 --> 01:10:48,800
YOU MUST BE
THE GROOM.
1761
01:10:48,900 --> 01:10:50,200
I APOLOGIZE FOR
THE DELAY, REVEREND,
1762
01:10:50,200 --> 01:10:51,600
BUT I HAVE
SOME GREAT NEWS.
1763
01:10:51,600 --> 01:10:53,300
TWO OFFERS.
BOTH OVER ASK.
1764
01:10:53,300 --> 01:10:55,400
ALL CASH, 30-DAY ESCROW.
1765
01:10:55,500 --> 01:10:56,900
30 DAYS?
1766
01:10:56,900 --> 01:10:58,900
WELL, I COULD PUSH
FOR 15 DAYS IF YOU WANT.
1767
01:10:58,900 --> 01:11:02,700
NO, I WAS THINKING OF PUSHING
IN THE OTHER DIRECTION.
1768
01:11:02,700 --> 01:11:04,200
IF YOU LET THEM
SLEEP ON IT,
1769
01:11:04,200 --> 01:11:06,700
THEY MIGHT NOT SLEEP IN IT.
1770
01:11:06,800 --> 01:11:07,700
AND WITH THE PROFIT
THAT YOU'RE GOING TO MAKE,
1771
01:11:07,800 --> 01:11:09,800
I'M GOING TO FIND YOU
THE PLACE OF YOUR DREAMS.
1772
01:11:11,200 --> 01:11:13,400
BUT THIS WAS
THE PLACE OF MY DREAMS.
1773
01:11:13,400 --> 01:11:15,600
THERE ARE ALWAYS
BIGGER DREAMS.
1774
01:11:15,600 --> 01:11:16,700
CONGRATULATIONS.
1775
01:11:19,300 --> 01:11:21,800
WELL, I GUESS CONGRATULATIONS
IS IN ORDER FOR BOTH OF US.
1776
01:11:29,000 --> 01:11:30,700
OKAY, YOU TWO.
1777
01:11:32,500 --> 01:11:33,500
MAYBE A BRIDE AND GROOM KISS?
1778
01:11:33,500 --> 01:11:34,500
OH, YES.
1779
01:11:34,500 --> 01:11:35,500
SURE. GOOD IDEA.
1780
01:11:35,500 --> 01:11:36,500
GREAT.
1781
01:11:37,600 --> 01:11:38,600
OH, HANG ON, MY PHONE.
1782
01:11:38,600 --> 01:11:40,900
SORRY, I FORGOT
TO SHUT OFF MY PHONE.
1783
01:11:40,900 --> 01:11:42,600
YEAH, I'LL TURN IT OFF.
1784
01:11:42,600 --> 01:11:43,600
GOOD, ALL RIGHT.
1785
01:11:43,700 --> 01:11:45,400
OKAY.
1786
01:11:49,800 --> 01:11:51,600
WOW, THAT'S WHAT I CALL
A REHEARSAL DINNER.
1787
01:11:51,600 --> 01:11:52,600
LET'S EAT!
1788
01:11:52,600 --> 01:11:54,400
OH, HEY, MICK.
1789
01:11:54,400 --> 01:11:55,800
I'LL HAVE THOSE PAPERS
DRAWN UP AFTER THE WEDDING.
1790
01:11:55,900 --> 01:11:58,400
YOU KNOW, I THINK
OUR BEING HERE WAS FATE.
1791
01:11:59,900 --> 01:12:00,900
MAYBE.
1792
01:12:01,000 --> 01:12:04,000
IT'S LOOKING LIKE OURS
WILL BE THE LAST WEDDING HERE.
1793
01:12:06,000 --> 01:12:07,000
TO MARRIAGES AND MORTGAGES.
1794
01:12:07,000 --> 01:12:08,600
AND YOU'RE GONNA BE
PAYING FOR BOTH OF THEM
1795
01:12:08,700 --> 01:12:10,800
FOR THE REST
OF YOUR LIFE.
1796
01:12:13,700 --> 01:12:16,000
I'D LIKE TO MAKE A TOAST.
1797
01:12:16,100 --> 01:12:17,800
OLIVIA...
1798
01:12:17,800 --> 01:12:20,700
I KNOW I'VE BEEN
CRITICAL OF YOU.
1799
01:12:20,700 --> 01:12:23,300
AND A LOT OF PEOPLE
IN THIS ROOM.
1800
01:12:23,400 --> 01:12:25,400
WE'VE BEEN THROUGH A LOT
TOGETHER, SWEETHEART.
1801
01:12:25,500 --> 01:12:28,500
MOM, WHERE ARE YOU
GOING WITH THIS?
1802
01:12:28,500 --> 01:12:30,500
I'M APOLOGIZING.
1803
01:12:32,700 --> 01:12:33,700
I'VE BEEN MARRIED A FEW TIMES,
1804
01:12:33,700 --> 01:12:36,000
AS A LOT OF YOU KNOW,
1805
01:12:36,100 --> 01:12:39,600
BUT THAT WAS BECAUSE
I DIDN'T WAIT FOR THE RIGHT ONE.
1806
01:12:39,700 --> 01:12:42,100
YOU ARE A WONDERFUL,
BEAUTIFUL,
1807
01:12:42,100 --> 01:12:43,500
SMART WOMAN,
OLIVIA,
1808
01:12:43,500 --> 01:12:46,500
AND I'M
SO PROUD OF YOU.
1809
01:12:46,500 --> 01:12:50,500
AND IN THE END,
YOU ALWAYS DO THE RIGHT THING.
1810
01:12:51,900 --> 01:12:52,800
HEAR, HEAR.
1811
01:12:52,900 --> 01:12:54,700
TO OLIVIA.
1812
01:12:54,800 --> 01:12:55,900
TO OLIVIA.
1813
01:12:56,000 --> 01:12:57,500
THANK YOU, MOM.
1814
01:13:03,600 --> 01:13:06,800
I KNOW YOU GUYS WANTED
TO DO THIS AT THE COURTHOUSE,
1815
01:13:06,800 --> 01:13:08,600
BUT I'M REALLY HAPPY
1816
01:13:08,600 --> 01:13:09,900
THAT WE'RE ALL
HERE TOGETHER
1817
01:13:10,000 --> 01:13:11,800
IN THIS AMAZING PLACE,
1818
01:13:11,800 --> 01:13:13,500
EVEN IF YOU DID MANAGE
1819
01:13:13,500 --> 01:13:15,600
TO SQUEEZE IN AN OPEN HOUSE.
1820
01:13:17,000 --> 01:13:18,200
MOM, YOU
ALWAYS TOLD ME
1821
01:13:18,300 --> 01:13:20,800
TO FOLLOW MY HEART.
1822
01:13:22,700 --> 01:13:24,100
TO FOLLOWING YOURS.
1823
01:13:25,700 --> 01:13:27,100
THANK YOU, HONEY.
1824
01:13:28,400 --> 01:13:30,600
I KNOW
1825
01:13:30,600 --> 01:13:32,100
I'M NOT PART OF THE FAMILY,
1826
01:13:32,100 --> 01:13:34,800
BUT I FEEL LIKE
I AM TONIGHT.
1827
01:13:34,800 --> 01:13:37,000
WE'VE HAD A LOT OF
WEDDINGS HERE,
1828
01:13:37,000 --> 01:13:39,800
BUT THIS ONE IS SPECIAL
FOR A LOT OF REASONS.
1829
01:13:39,800 --> 01:13:42,600
I WISH YOU BOTH THE VERY BEST.
1830
01:13:42,600 --> 01:13:44,700
THANK YOU SO MUCH.
1831
01:13:44,700 --> 01:13:46,100
THANK YOU.
1832
01:13:48,800 --> 01:13:50,300
DAD, YOU SHOULD
MAKE A TOAST.
1833
01:13:50,400 --> 01:13:51,900
ME? NO!
1834
01:13:53,800 --> 01:13:55,700
DAD...
1835
01:13:55,800 --> 01:13:57,100
MICK, PLEASE.
1836
01:13:57,200 --> 01:13:59,600
IT WOULD MEAN A LOT
TO ALL OF US.
1837
01:14:03,200 --> 01:14:05,600
UM...
1838
01:14:07,300 --> 01:14:09,000
WELL, AS PART OF OLIVIA'S PAST,
1839
01:14:09,000 --> 01:14:10,100
IT'S...
1840
01:14:10,100 --> 01:14:12,700
IT'S AN HONOR
TO MEET HER FUTURE.
1841
01:14:14,400 --> 01:14:15,500
JOSH, YOU'RE A LUCKY MAN.
1842
01:14:18,200 --> 01:14:20,700
WHEN I THINK OF
THE TWO OF YOU TOGETHER...
1843
01:14:24,800 --> 01:14:26,000
...I FEEL SICK.
1844
01:14:27,800 --> 01:14:29,100
BECAUSE YOU NEVER THINK,
1845
01:14:29,100 --> 01:14:30,000
AT 19,
1846
01:14:30,100 --> 01:14:31,500
YOU'RE GOING TO MEET
THE LOVE OF YOUR LIFE.
1847
01:14:31,500 --> 01:14:33,000
I SHOULD HAVE
FOUGHT FOR YOU THEN, LIVVY,
1848
01:14:33,000 --> 01:14:34,300
BUT I MESSED UP,
1849
01:14:34,300 --> 01:14:36,300
AND I CAN'T STAND TO WATCH YOU
SLIP AWAY AGAIN.
1850
01:14:36,300 --> 01:14:38,200
WE BELONG TOGETHER.
DON'T MARRY HIM!
1851
01:14:38,200 --> 01:14:39,200
THAT'S ENOUGH.
1852
01:14:39,200 --> 01:14:40,300
I'M SORRY.
1853
01:14:40,300 --> 01:14:41,800
BUT I LOVE HER.
I ALWAYS HAVE--
1854
01:14:41,900 --> 01:14:43,000
JOSH!
1855
01:14:51,200 --> 01:14:52,400
IT'S ALL RIGHT, HONEY.
1856
01:14:52,500 --> 01:14:54,500
HE PROBABLY SHOULD HAVE
HIT ME HARDER.
1857
01:14:56,100 --> 01:14:58,200
I WAS WRONG
ABOUT YOU, MICK.
1858
01:14:58,200 --> 01:15:00,900
I'M SO SORRY.
1859
01:15:12,400 --> 01:15:14,200
HERE YOU GO, SWEETHEART.
1860
01:15:14,200 --> 01:15:16,400
THANKS.
1861
01:15:20,000 --> 01:15:23,100
I JUST CAME
TO SAY GOODBYE.
1862
01:15:23,100 --> 01:15:24,100
HOW'S YOUR DAD?
1863
01:15:24,200 --> 01:15:25,300
HE'LL BOUNCE BACK.
1864
01:15:25,300 --> 01:15:26,500
ALWAYS DOES.
1865
01:15:26,500 --> 01:15:28,300
I'M SURE THE DUCKS
WILL HELP HIM THROUGH IT.
1866
01:15:28,300 --> 01:15:29,600
HOW'S YOUR MOM?
1867
01:15:29,600 --> 01:15:31,300
SHE'LL SURVIVE.
1868
01:15:31,300 --> 01:15:33,400
WE'RE JUST HEADING OUT,
1869
01:15:33,400 --> 01:15:35,100
I'M GUESSING A WEDDING
WOULD BE A HARD SELL
1870
01:15:35,200 --> 01:15:36,300
AT THIS POINT.
1871
01:15:36,300 --> 01:15:37,900
I'D IT'S ON HOLD AT LEAST.
1872
01:15:37,900 --> 01:15:40,500
MOST LIKELY A VENUE CHANGE
IF ANYTHING.
1873
01:15:40,600 --> 01:15:42,000
UNDERSTANDABLE.
1874
01:15:44,500 --> 01:15:45,900
I WISH THINGS
ENDED DIFFERENTLY.
1875
01:15:46,000 --> 01:15:47,100
ME TOO.
1876
01:15:47,100 --> 01:15:48,900
GROUP HUG.
1877
01:15:50,200 --> 01:15:51,600
YOU HAVE MY EMAIL
AND MY NUMBER.
1878
01:15:51,600 --> 01:15:52,600
FRIEND ME.
1879
01:16:45,600 --> 01:16:48,300
I'M SO SORRY, MOM.
1880
01:16:53,300 --> 01:16:54,800
I JUST WANTED THINGS
TO BE ROMANTIC FOR YOU.
1881
01:16:54,900 --> 01:16:56,800
I KNOW, HONEY.
1882
01:16:56,800 --> 01:16:58,300
IT'S OKAY.
1883
01:16:58,300 --> 01:17:00,600
IT WAS AWFUL.
1884
01:17:05,800 --> 01:17:08,700
YOU KNOW, HONEY...
1885
01:17:08,700 --> 01:17:09,600
IT WASN'T.
1886
01:17:12,800 --> 01:17:15,800
I'VE BEEN THINKING A LOT
THE PAST FEW DAYS,
1887
01:17:15,900 --> 01:17:20,600
AND, YOU KNOW, I'VE REALIZED
THAT I'VE BEEN STAGING MY LIFE,
1888
01:17:20,600 --> 01:17:22,400
AND NOT LIVING IT.
1889
01:17:22,400 --> 01:17:24,600
AND I'VE BEEN TRYING
TO STAGE YOURS, TOO.
1890
01:17:24,700 --> 01:17:27,500
YOU DON'T NEED
TO BE THE NEW ME.
1891
01:17:28,800 --> 01:17:32,400
I DON'T EVEN KNOW
IF I WANT TO BE THAT PERSON.
1892
01:17:32,400 --> 01:17:34,800
GO FIND YOURSELF,
SWEETHEART.
1893
01:17:34,800 --> 01:17:37,200
WHO KNOWS, MAYBE YOU'LL EVEN
WANT TO BE A WEDDING PLANNER.
1894
01:17:37,300 --> 01:17:38,700
AFTER THIS WEEKEND?
1895
01:17:38,700 --> 01:17:39,800
I DOUBT IT.
1896
01:17:40,900 --> 01:17:42,400
COME HERE.
1897
01:17:44,400 --> 01:17:45,500
I LOVE YOU.
1898
01:17:45,500 --> 01:17:48,200
I LOVE YOU.
1899
01:17:49,800 --> 01:17:51,900
WELL...
1900
01:17:51,900 --> 01:17:55,500
IT'S STILL OFFICIALLY
MY WEDDING DAY, AND...
1901
01:17:55,600 --> 01:17:57,900
I HAVE NOTHING TO DO.
1902
01:17:59,100 --> 01:18:00,800
DINNER AND A SAPPY MOVIE?
1903
01:18:00,800 --> 01:18:03,700
I WOULD LOVE TO.
1904
01:18:13,000 --> 01:18:14,700
IT'S JOSH.
1905
01:18:19,500 --> 01:18:20,500
HEY.
1906
01:18:20,600 --> 01:18:22,100
LEMON CAKE?
1907
01:18:22,100 --> 01:18:23,900
WHY NOT?
1908
01:18:25,700 --> 01:18:26,900
YOU OKAY?
1909
01:18:26,900 --> 01:18:28,900
I'M HANGING IN THERE.
1910
01:18:28,900 --> 01:18:30,700
I'M PROUD OF YOU, DAD.
1911
01:18:30,800 --> 01:18:33,100
I RUINED A WEDDING,
AND I LOST THE GIRL.
1912
01:18:33,200 --> 01:18:34,600
YOU TOOK A RISK.
1913
01:18:34,600 --> 01:18:36,500
AND FAILED EPICALLY.
1914
01:18:36,500 --> 01:18:39,000
NOT IN MY EYES.
1915
01:18:41,100 --> 01:18:43,900
YOU KNOW, MY COLLEGE
ISN'T THAT FAR AWAY.
1916
01:18:43,900 --> 01:18:45,600
YOU CAN VISIT ME ANYTIME.
1917
01:18:45,600 --> 01:18:47,800
AND YOU CAN
VISIT HOME ANYTIME.
1918
01:18:47,800 --> 01:18:50,400
THANKSGIVING
AT YOUR NEW PLACE?
1919
01:18:50,500 --> 01:18:52,800
THANKSGIVING HERE.
1920
01:18:52,900 --> 01:18:54,100
I'M NOT SELLING.
1921
01:18:55,300 --> 01:18:56,400
REALLY?
1922
01:18:56,400 --> 01:18:59,800
WHERE AM I GOING TO FIND
A PLACE ANY BETTER THAN THIS?
1923
01:18:59,900 --> 01:19:02,100
I LOVE YOU.
1924
01:19:03,900 --> 01:19:05,500
YOU'RE THE WORLD'S
GREATEST DAD.
1925
01:19:05,600 --> 01:19:08,200
AND I'VE GOT A TROPHY
TO PROVE IT.
1926
01:19:35,600 --> 01:19:36,900
ARE YOU OKAY?
1927
01:19:39,100 --> 01:19:41,100
I'VE BEEN BETTER.
1928
01:19:43,500 --> 01:19:45,100
I'M REALLY SORRY.
1929
01:19:45,200 --> 01:19:46,200
I GUESS IT'S SAFE TO SAY
1930
01:19:46,200 --> 01:19:48,000
THAT WE'RE NOT GOING
TO THE JUSTICE OF THE PEACE
1931
01:19:48,000 --> 01:19:49,300
ANYTIME SOON.
1932
01:19:49,300 --> 01:19:51,900
PROBABLY NOT.
1933
01:19:51,900 --> 01:19:53,800
UNLESS YOU HAVE A LISTING
NEAR THE COURTHOUSE?
1934
01:19:53,800 --> 01:19:55,000
IS THERE ONE?
1935
01:19:59,700 --> 01:20:01,400
WE ARE GOOD TOGETHER, OLIVIA.
1936
01:20:01,500 --> 01:20:03,700
WE ARE.
1937
01:20:03,800 --> 01:20:05,100
AT WORK.
1938
01:20:05,100 --> 01:20:07,000
I THOUGHT THAT WAS ENOUGH.
1939
01:20:07,000 --> 01:20:10,300
SO DID I.
1940
01:20:10,300 --> 01:20:11,900
BUT IT'S NOT,
1941
01:20:11,900 --> 01:20:13,800
FOR EITHER OF US.
1942
01:20:14,900 --> 01:20:16,300
HEY, YOU TWO.
1943
01:20:16,300 --> 01:20:17,400
SO...
1944
01:20:17,500 --> 01:20:19,400
I GUESS CONGRATULATIONS
ARE IN ORDER?
1945
01:20:19,500 --> 01:20:21,100
NO, THAT...
1946
01:20:21,100 --> 01:20:22,500
RECENTLY
FELL OUT OF ESCROW.
1947
01:20:22,500 --> 01:20:24,300
OH, I'M SORRY
TO HEAR THAT.
1948
01:20:24,300 --> 01:20:26,400
IT'S ALL GOOD.
1949
01:20:26,400 --> 01:20:28,400
WELL, THE REASON
I CALLED YOU BOTH
1950
01:20:28,400 --> 01:20:31,100
IS THAT I'VE DECIDED
TO LIST AFTER ALL.
1951
01:20:31,100 --> 01:20:33,200
REALLY?
1952
01:20:33,200 --> 01:20:34,900
I MEAN, THE PLACE IS AMAZING,
1953
01:20:34,900 --> 01:20:36,200
AND OLIVIA,
IT'S NEVER LOOKED BETTER,
1954
01:20:36,200 --> 01:20:37,700
BUT...
1955
01:20:37,700 --> 01:20:39,800
IT JUST DOESN'T
FEEL LIKE ME ANYMORE.
1956
01:20:41,000 --> 01:20:42,400
I THINK I KNOW WHAT YOU MEAN.
1957
01:20:42,400 --> 01:20:44,300
BRUCE, I HAVE
A GREAT LISTING
1958
01:20:44,400 --> 01:20:45,500
THAT JUST CAME ON THE MARKET.
1959
01:20:45,500 --> 01:20:47,300
KILLER VIEWS,
3,200 SQUARE FEET.
1960
01:20:47,300 --> 01:20:48,400
WHEN YOU SEE IT,
1961
01:20:48,400 --> 01:20:51,900
YOU'RE GONNA FORGET
THAT YOU LIVED ANYWHERE ELSE.
1962
01:20:52,900 --> 01:20:55,900
AND HE'S BACK.
1963
01:20:57,600 --> 01:20:58,500
...IT'S GONNA BE FANTASTIC.
1964
01:20:58,500 --> 01:20:59,500
HEY!
1965
01:20:59,500 --> 01:21:01,200
DRINK UP.
1966
01:21:01,200 --> 01:21:02,900
WE GOT A GIG.
1967
01:21:02,900 --> 01:21:05,000
DON'T TELL ME YOU BOOKED
ANOTHER WEDDING?
1968
01:21:05,100 --> 01:21:06,100
NO, A CLUB.
1969
01:21:06,200 --> 01:21:07,200
TWO NIGHTS.
1970
01:21:07,200 --> 01:21:08,900
AND BEFORE YOU SAY NO,
THINK OF ALL THE PERKS.
1971
01:21:09,000 --> 01:21:09,900
POOR PAY,
1972
01:21:10,000 --> 01:21:11,200
POOR HOURS,
1973
01:21:11,200 --> 01:21:12,900
ALL WE CAN DRINK.
1974
01:21:12,900 --> 01:21:14,100
I'M IN.
1975
01:21:14,200 --> 01:21:15,400
YEAH.
1976
01:21:15,400 --> 01:21:16,300
IT'S BEEN A LONG
TIME, BUDDY.
1977
01:21:22,600 --> 01:21:25,000
MOM, YOU READY?
1978
01:21:25,000 --> 01:21:26,100
COMING!
1979
01:21:32,100 --> 01:21:33,200
YOU LOOK AMAZING.
1980
01:21:33,300 --> 01:21:35,300
THANK YOU.
1981
01:21:35,400 --> 01:21:37,400
AND BY THE WAY,
WE'RE NOT GOING TO DINNER,
1982
01:21:37,400 --> 01:21:38,500
OR A MOVIE.
1983
01:21:39,800 --> 01:21:40,700
WE'RE NOT?
1984
01:21:40,800 --> 01:21:42,500
NOPE. COME ON.
1985
01:21:52,500 --> 01:21:54,300
YOU MADE IT!
1986
01:21:54,300 --> 01:21:56,100
WE DID.
1987
01:21:56,100 --> 01:21:57,100
OLIVIA, YOU LOOK...
1988
01:21:57,200 --> 01:21:58,500
LIKE HER OLD SELF.
1989
01:21:58,500 --> 01:22:00,500
"OLD?"
1990
01:22:00,500 --> 01:22:01,700
NEW "OLD."
1991
01:22:01,800 --> 01:22:03,400
COME ON,
1992
01:22:03,400 --> 01:22:04,700
I SAVED YOU SOME SEATS UP FRONT.
1993
01:22:09,100 --> 01:22:10,100
WEDDING'S OFF.
1994
01:22:10,100 --> 01:22:11,600
GIG'S ON.
1995
01:22:13,400 --> 01:22:16,000
♪ IT'S YOU AND ME ♪
1996
01:22:16,100 --> 01:22:18,700
♪ THERE IS NO OTHER WAY ♪
1997
01:22:18,800 --> 01:22:21,200
♪ AND WE'RE
STARTING HERE TODAY ♪
1998
01:22:21,200 --> 01:22:24,100
♪ 'CAUSE TODAY ♪
1999
01:22:24,200 --> 01:22:29,300
♪ IT'S JUST YOU AND ME ♪
2000
01:22:29,400 --> 01:22:32,800
♪ I FEEL YOU DEEP IN MY HEART ♪
2001
01:22:32,800 --> 01:22:35,200
♪ OOH... ♪
2002
01:22:35,200 --> 01:22:40,900
♪ OH, IT BREAKS
WHEN WE'RE APART ♪
2003
01:22:40,900 --> 01:22:44,600
♪ AND THERE'S NOTHING LEFT
FOR ME TO SHOW YOU ♪
2004
01:22:44,600 --> 01:22:50,400
♪ OOH, YOU KNOW
ALL THERE IS TO KNOW ♪
2005
01:22:50,400 --> 01:22:52,800
♪ NOW IT'S YOU AND ME ♪
2006
01:22:52,800 --> 01:22:55,800
♪ THAT'S THE WAY
IT'S GONNA BE ♪
2007
01:22:55,800 --> 01:22:59,700
♪ AND PRETTY SOON
YOU'LL SEE ♪
2008
01:22:59,700 --> 01:23:02,300
♪ THAT FOREVER YOU'RE MINE ♪
2009
01:23:02,400 --> 01:23:05,300
♪ IT'S YOU AND ME ♪
2010
01:23:05,300 --> 01:23:08,900
♪ THERE IS NO OTHER WAY ♪
2011
01:23:08,900 --> 01:23:11,200
♪ AND WE'RE
STARTING HERE TODAY ♪
2012
01:23:11,300 --> 01:23:13,400
♪ 'CAUSE TODAY ♪
2013
01:23:13,400 --> 01:23:17,200
♪ IT'S JUST AND ME... ♪
2014
01:23:20,200 --> 01:23:22,900
♪ OOH, IT'S JUST YOU AND ME ♪
2015
01:23:23,000 --> 01:23:25,500
♪ IT'S JUST YOU AND ME ♪
129434
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