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These are the user uploaded subtitles that are being translated: 1 00:00:06,000 --> 00:00:12,074 2 00:01:30,500 --> 00:01:32,400 This is the mighty Pacific... 3 00:01:32,600 --> 00:01:37,500 ...its breakers coming to rest at last on the beaches of Southern California. 4 00:01:37,700 --> 00:01:41,700 To this unspoiled paradise came the great explorers. 5 00:01:41,800 --> 00:01:44,600 Kings and conquerors fought nature and themselves... 6 00:01:44,800 --> 00:01:47,600 ...for a share of the treasures of this earth. 7 00:01:47,700 --> 00:01:50,500 The great American empire moved steadily west... 8 00:01:50,700 --> 00:01:53,700 ...as man learned of the riches to be found here. 9 00:01:53,900 --> 00:01:58,800 A great city grew up as the land and sea gave up its riches to the newcomers. 10 00:01:59,000 --> 00:02:04,900 And when the earth could give no more. new kingdoms were carved out of air. 11 00:02:05,000 --> 00:02:07,700 Yes, friends, if you want krillfit that will frenistran... 12 00:02:07,900 --> 00:02:11,100 ...if you want copelic with neo-doliver. then try Hick shampoo. 13 00:02:11,300 --> 00:02:14,600 For hair that will grindle, for hair that will gladill and mond... 14 00:02:14,800 --> 00:02:18,300 ...and give beautiful fillestran, get the large economy si2e. 15 00:02:18,500 --> 00:02:21,300 Yes, only Humperdinick's magnetic shaving cream... 16 00:02:21,500 --> 00:02:25,300 ...contains atom francid muttletree. the muttletree that makes any... 17 00:02:25,500 --> 00:02:29,000 New heroes and new idols were established for the people to worship. 18 00:02:29,200 --> 00:02:35,400 Not soldiers, explorers or politicians. these were conquerors of a new variety. 19 00:02:35,600 --> 00:02:42,100 Why wear a frown All over town? 20 00:02:43,900 --> 00:02:50,300 Love finds a way To make your daydream smile at you 21 00:02:50,800 --> 00:02:57,300 And skies of gray Won't stay that way 22 00:02:58,900 --> 00:03:05,000 When you're in love, the skies above Seem clear and blue 23 00:03:06,100 --> 00:03:12,600 Do I love you? You hnow I do 24 00:03:14,000 --> 00:03:20,500 That's why I still desire to thrill you Through and through 25 00:03:21,700 --> 00:03:28,200 I always will I will until 26 00:03:29,000 --> 00:03:35,000 Love finds a way to make you say You love me too 27 00:03:36,200 --> 00:03:43,100 Why wear a frown All over town? 28 00:03:44,100 --> 00:03:46,200 - Hutch looks a little jumpy. - Aren't we all? 29 00:03:46,400 --> 00:03:49,100 Gary Mitchell doesn't sign. we _ose The Hour of Enchantment. 30 00:03:49,300 --> 00:03:51,900 Relax. I'll take care of it. Gary will do anything I say. 31 00:03:52,100 --> 00:03:53,800 Well, say "sign" for heaven's sakes. 32 00:03:54,000 --> 00:03:56,100 Hutch can't sleep. the agency's in an uproar... 33 00:03:56,200 --> 00:03:58,900 ...and you're acting like the leader of a suicide squadron. 34 00:03:59,100 --> 00:04:01,200 Get the contract to him and get him to sign. 35 00:04:01,400 --> 00:04:02,400 Right after the show. 36 00:04:02,700 --> 00:04:05,700 Seem clear and blue 37 00:04:06,000 --> 00:04:13,000 Do I love you? You hnow I do 38 00:04:14,600 --> 00:04:17,100 That's why I still desire to thrill you 39 00:04:17,300 --> 00:04:19,700 He's not in very good voice today. is he, Mr. Hofer? 40 00:04:19,900 --> 00:04:23,300 I like it. It's beautiful. Soft as an �ngel's voice. 41 00:04:23,500 --> 00:04:27,300 What's the matter with you, Mr. Hutchins? Are you perhaps tone-deaf? 42 00:04:27,400 --> 00:04:31,600 Don't you know an �ngel's voice when you hear one? 43 00:04:32,500 --> 00:04:40,300 To mahe you say You love me too 44 00:04:45,500 --> 00:04:54,300 Love finds a way 45 00:04:58,400 --> 00:05:00,300 Well, you know. his Hooper rating is down. 46 00:05:00,600 --> 00:05:04,700 Don't bother me with technicalities. Let Hooper worry about his own rating. 47 00:05:04,900 --> 00:05:07,600 Besides, all my products are selling like- 48 00:05:07,800 --> 00:05:09,000 Hotcakes. 49 00:05:09,500 --> 00:05:11,400 Hotcakes. That's right, hotcakes. 50 00:05:11,600 --> 00:05:14,000 Exactly like hotcakes. I will tell you why. 51 00:05:14,200 --> 00:05:16,100 Because the hotcakes... 52 00:05:16,300 --> 00:05:19,000 Why are you bothering me about hotcakes all of a sudden? 53 00:05:19,200 --> 00:05:22,200 - What has hotcakes got to do with-? - Now, don't get excited. 54 00:05:22,300 --> 00:05:24,600 - Don't get excited. - I am not excited. 55 00:05:24,800 --> 00:05:28,300 - Am I excited, Mama? - Yes, you are, Felix. 56 00:05:30,300 --> 00:05:31,900 All I want from you, Mr. Hutchins... 57 00:05:32,100 --> 00:05:35,600 ...is Gary Mitchell's contract for the next fall signed, sold and delivered. 58 00:05:35,800 --> 00:05:38,300 Well, here I go. 59 00:05:38,500 --> 00:05:41,500 Call me when he signs and we'll celebrate or something. 60 00:05:44,300 --> 00:05:46,800 All right, kids. Break it up, break it up, break it up. 61 00:05:47,000 --> 00:05:50,700 - After all, he's only a man. - How dare you? 62 00:05:50,900 --> 00:05:53,800 Excuse us, will you, for now? Thank you, thank you very much. 63 00:05:54,200 --> 00:05:57,100 - Those kids are murder, aren't they? - They're annoying at times. 64 00:05:57,300 --> 00:05:59,000 But don't forget, they made you. 65 00:05:59,200 --> 00:06:03,100 Of course. I did a pretty good job of building you up myself. 66 00:06:03,300 --> 00:06:05,900 Yes, sir, a lot of water's gone under the bridge, Gary. 67 00:06:06,100 --> 00:06:07,100 We've come a long way. 68 00:06:07,300 --> 00:06:11,000 When we started, the crowds we drew were bill collectors and process servers. 69 00:06:11,200 --> 00:06:12,700 That was a stopover on our way up. 70 00:06:12,900 --> 00:06:15,300 Sometimes it seemed like it was the end of the line. 71 00:06:15,500 --> 00:06:18,200 Remember the night we met? You were singing up the Hudson... 72 00:06:18,400 --> 00:06:21,500 ...with a five-piece outfit. getting paid off a meal ticket a week. 73 00:06:22,000 --> 00:06:24,200 Yes, sir, we've really come a long way together. 74 00:06:24,300 --> 00:06:27,600 - We'll put it in our memoirs. - Remember when we auditioned for Hofer? 75 00:06:27,800 --> 00:06:30,900 We tossed a coin to see if our last t5 went for dinner or a new tie. 76 00:06:31,100 --> 00:06:33,800 - I sat up all night settling the contract. - What a contract. 77 00:06:34,000 --> 00:06:37,500 It was a start, and now I've got a new deal with The Hour of Enchantment... 78 00:06:37,700 --> 00:06:39,800 ...that's as good as any contract ever written. 79 00:06:40,000 --> 00:06:41,900 - Congratulations. - Five straight years. 80 00:06:42,000 --> 00:06:44,900 Top money, choice of program. Five straight years. 81 00:06:45,100 --> 00:06:46,500 - Five years? - Yes, sir. 82 00:06:46,700 --> 00:06:50,500 Tied hand and foot to an illiterate old windbag like Hofer for five years? 83 00:06:51,000 --> 00:06:52,500 I'm surprised at you, Doug. 84 00:06:52,600 --> 00:06:55,700 Look, this is a great contract. I fought pretty hard to get this. 85 00:06:55,900 --> 00:06:58,300 Yeah, well, I imagine so. It's a great spot for you. 86 00:06:58,400 --> 00:07:01,400 You just sit back for five years and pick up big commissions. 87 00:07:01,600 --> 00:07:05,200 That's not my idea of a contract. But this is. 88 00:07:05,600 --> 00:07:07,400 - You mean you made a new deal? - Yep. 89 00:07:07,600 --> 00:07:10,900 - On your own, without me? - New sponsor, new agency, starting fresh. 90 00:07:11,100 --> 00:07:13,700 I don't need anybody to front for me. They come to me now. 91 00:07:13,900 --> 00:07:17,300 Now, but when you were broke. they didn't pay your bills and back rent... 92 00:07:17,400 --> 00:07:20,800 ...buy clothes for you, tell how to wear them, give you a place to live. 93 00:07:20,900 --> 00:07:23,500 Take it easy, I'll never forget what you've done for me. 94 00:07:23,700 --> 00:07:27,200 I'm taking you with me on my new job. You can be my secretary or something. 95 00:07:27,400 --> 00:07:30,400 - How's your shorthand? - It's in pretty good shape. 96 00:07:30,600 --> 00:07:32,800 Wait a minute. I'm just kidding about shorthand. 97 00:07:33,000 --> 00:07:36,100 - We can work out a deal. - I have a deal with Hutch, remember? 98 00:07:36,300 --> 00:07:38,500 Hutch? Well, he won't want you without me. 99 00:07:38,600 --> 00:07:41,900 The only reason you've been there as long as you have is because of me. 100 00:07:42,100 --> 00:07:45,000 Oh, really? Thanks. 101 00:07:46,200 --> 00:07:47,700 You know something? 102 00:07:47,900 --> 00:07:49,900 I'm gonna get myself a new Gary Mitchell. 103 00:07:50,100 --> 00:07:51,800 Yeah? Where? 104 00:07:51,900 --> 00:07:55,200 Oh, I'll look under a stone or down a sewer. 105 00:08:13,900 --> 00:08:15,800 This is what you need. This'll pick you up. 106 00:08:15,900 --> 00:08:18,200 - No, thanks, Vi. - Come on, now, drink it. 107 00:08:18,400 --> 00:08:21,000 - It's strong, hot and black. - Yeah, black like my future. 108 00:08:21,100 --> 00:08:24,300 You say that after every program. Drink it, you'll feel better. 109 00:08:24,500 --> 00:08:26,800 We've been through much worse than this. 110 00:08:27,000 --> 00:08:30,900 You're a good influence on me, Vi. I'd be lost without you. 111 00:08:31,200 --> 00:08:34,700 Why, Mr. Hutchins, you'll turn my girlish head with your flattery. 112 00:08:34,900 --> 00:08:36,200 Feeling better? 113 00:08:36,400 --> 00:08:39,300 Some. It's just that Hofer's riding me for Gary's contract. 114 00:08:39,400 --> 00:08:42,800 That crooner turns on me, the account gets shaky and the jitters move in. 115 00:08:43,000 --> 00:08:45,000 - Now, now. - You know something? 116 00:08:45,100 --> 00:08:46,700 I don't belong in radio. 117 00:08:46,900 --> 00:08:49,800 When I was in college. my ambition was to be a country doctor... 118 00:08:50,000 --> 00:08:52,200 - .., with a horse and buggy- - Little white house. 119 00:08:52,400 --> 00:08:53,600 - With green shutters. - Yeah. 120 00:08:53,800 --> 00:08:56,300 I wind up in this pressure cooker with my nerves shot! 121 00:08:56,400 --> 00:08:59,500 Slip into your cap and gown and we'll make believe you're at Yale. 122 00:08:59,700 --> 00:09:03,800 Don't joke about something sacred, Yale. You don't know what that means to me. 123 00:09:04,000 --> 00:09:05,800 Another touchdown for the home team. 124 00:09:06,000 --> 00:09:08,900 - Well, well? - Well, there's your contract. 125 00:09:09,100 --> 00:09:11,000 - My hero. - Unsigned. He walked out on us. 126 00:09:11,200 --> 00:09:12,900 - What? - He signed with another sponsor. 127 00:09:13,100 --> 00:09:16,400 No, you're kidding. That's it, you're kidding. 128 00:09:16,600 --> 00:09:20,500 - I like a joke, but not at a time like this. - It's true, but it doesn't mean a thing. 129 00:09:20,700 --> 00:09:22,800 I'll go to New York and be back with a new star. 130 00:09:23,000 --> 00:09:25,600 Hofer doesn't want a new star. He wants Gary Mitchell. 131 00:09:25,800 --> 00:09:30,000 And you let him get away. It's treason. high treason, you Benedict Arnold. 132 00:09:30,200 --> 00:09:34,600 What could I do? I didn't dream Gary could turn out to be a rat, but I can fix that. 133 00:09:34,800 --> 00:09:37,500 A trip east. I'll come back with somebody Hofer will like. 134 00:09:37,700 --> 00:09:40,500 Hofer likes Gary Mitchell. So does Mrs. Hofer. And so do I. 135 00:09:40,700 --> 00:09:43,700 - Well, I don't. That half-baked ham. - Now, look, look. 136 00:09:43,800 --> 00:09:46,800 Here's the scheme. Go back. Whatever he's getting, we'll top it. 137 00:09:46,900 --> 00:09:49,000 We'll package the show and give him ownership. 138 00:09:49,200 --> 00:09:51,200 You would bargain with that double-crosser? 139 00:09:51,300 --> 00:09:54,100 - I'd bargain with Jack the Ripper. - And get the best of him. 140 00:09:54,200 --> 00:09:57,100 I'm not just thinking about myself or my pride or my feelings. 141 00:09:57,200 --> 00:09:59,400 But look at this office. Think of the overhead! 142 00:09:59,600 --> 00:10:01,300 Let's face it. We've got to have Gary. 143 00:10:01,500 --> 00:10:04,200 Give me a chance to find somebody new. I'll take the plane. 144 00:10:04,400 --> 00:10:07,000 No. If you want to show up Gary. that's your business... 145 00:10:07,200 --> 00:10:09,700 ...but you'll not do it on my time. nor at my expense. 146 00:10:09,900 --> 00:10:11,900 - I'll do it on my own. I quit. - You're fired. 147 00:10:12,100 --> 00:10:14,500 - Don't be a hot-headed mule. - I know what I'm doing. 148 00:10:14,700 --> 00:10:17,100 Wait a minute. Here, lower your blood pressure. 149 00:10:17,200 --> 00:10:19,500 Think beautiful thoughts. I'll be right back. 150 00:10:20,300 --> 00:10:23,100 - Hey, Doug, wait a minute. - Oh, he sent you after me, huh? 151 00:10:23,300 --> 00:10:27,000 - To plead with me not to quit, eh? - Well, no, not exactly. 152 00:10:27,500 --> 00:10:30,400 - What are you gonna do now? - Just what I told lamebrain I'd do. 153 00:10:30,500 --> 00:10:32,200 I'm gonna hop on that plane and fly- 154 00:10:32,300 --> 00:10:34,800 What's the matter? Have a forced landing on the plane? 155 00:10:35,000 --> 00:10:36,500 I haven't got an expense account. 156 00:10:36,700 --> 00:10:39,600 When you go into business. it's customary to use your own money. 157 00:10:39,800 --> 00:10:43,300 Oh, I'll use my own dough, Vi. don't worry about that, it's- 158 00:10:43,500 --> 00:10:46,800 Vi, it's gonna be awful lonesome. being all alone in a big business. 159 00:10:47,000 --> 00:10:49,200 - No. - A man needs a partner for a thing like this. 160 00:10:49,400 --> 00:10:51,800 - A partner with how much money? - It's an investment. 161 00:10:52,000 --> 00:10:53,900 Get me a reservation. meet me at the plane. 162 00:10:54,100 --> 00:10:57,700 Besides, it won't be only my business now. it'll be your business too. 163 00:10:58,800 --> 00:11:02,400 Somehow, I always knew he'd be giving me the business. 164 00:11:24,500 --> 00:11:26,900 Are the stars out tonight? 165 00:11:27,100 --> 00:11:30,300 I don't know if it's cloudy or bright 166 00:11:30,500 --> 00:11:36,900 Cause I only have eyes for you, dear 167 00:11:37,500 --> 00:11:41,600 Jeepers, creepers Where'd ya get those peepers? 168 00:11:41,800 --> 00:11:46,100 Jeepers, creepers Where'd ya get those eyes? 169 00:12:01,000 --> 00:12:02,500 Hi, Blake, where you been hiding? 170 00:12:02,700 --> 00:12:04,100 - Hi, Hilliard. - Hello, Doug. 171 00:12:04,300 --> 00:12:07,800 - Lloyd, how are you? - What'll it be? 172 00:12:08,000 --> 00:12:09,900 - Bourbon over rocks. - Bourbon over rocks. 173 00:12:10,100 --> 00:12:12,300 Looking for something tot The Hour of Enchantment? 174 00:12:12,500 --> 00:12:14,500 - What have you got? - A great little singer. 175 00:12:14,600 --> 00:12:17,300 Dynamite on looks and talent. Polly Ann Sergeant. 176 00:12:17,500 --> 00:12:19,300 Why not Betsy Ross or Molly Pitcher? 177 00:12:19,500 --> 00:12:21,800 - Polly Ann's been around, all right. - Been around? 178 00:12:21,900 --> 00:12:23,500 She was in radio ahead of Marconi. 179 00:12:23,700 --> 00:12:26,100 No. I want a new star. Something fresh and exciting. 180 00:12:26,300 --> 00:12:29,500 Somebody with a sock personality that'll sweep people off their feet. 181 00:12:29,700 --> 00:12:31,200 Sorry. I can't fill that order. 182 00:12:31,300 --> 00:12:33,600 If I could. I wouldn't be hanging around in here. 183 00:12:33,800 --> 00:12:37,000 - Miracles, he wants. - Okay, Hilliard. I'll see you around. 184 00:12:37,200 --> 00:12:39,600 - In the radio racket? - I was. 185 00:12:39,700 --> 00:12:42,400 - Network or agency? - Both. 186 00:12:42,600 --> 00:12:43,700 And looking for talent? 187 00:12:44,300 --> 00:12:46,700 You sound like you're selling a quiz program. 188 00:12:46,900 --> 00:12:49,400 - He's a stranger in town. - I will be. 189 00:12:49,600 --> 00:12:50,900 Say, Blake, I've got an idea. 190 00:12:51,100 --> 00:12:53,200 How about Skinny Lambert? He's available now. 191 00:12:53,300 --> 00:12:55,300 When has he not been available? 192 00:12:58,900 --> 00:13:00,100 It's the Green Room. 193 00:13:00,300 --> 00:13:01,600 - The signal? - I've got a bite. 194 00:13:01,800 --> 00:13:03,800 - Oh, gee. - Number, please? 195 00:13:04,000 --> 00:13:06,900 Fonestran on the revelrun. copasetic you. 196 00:13:07,100 --> 00:13:09,000 I think "Canadian Capers" is just wonderful. 197 00:13:09,200 --> 00:13:12,000 How about it? Okay. Kick me if you see sourpuss coming. 198 00:13:12,200 --> 00:13:15,700 Now, be careful. You know he warned you the last time. 199 00:13:16,200 --> 00:13:17,400 Number, please? 200 00:13:23,300 --> 00:13:25,600 I heard you call for an all-star band 201 00:13:25,800 --> 00:13:28,000 It's something new for the music stand 202 00:13:28,200 --> 00:13:30,200 It's on the way, but before we start 203 00:13:30,700 --> 00:13:33,000 A- cuttin' capers around your heart 204 00:13:33,200 --> 00:13:35,400 You're gonna cheer When you hear this band 205 00:13:35,600 --> 00:13:37,800 There's never been a better crew 206 00:13:38,000 --> 00:13:40,800 - What a style. What freshness, huh? - Who? 207 00:13:41,100 --> 00:13:43,200 - Oh, the voice. - Terrific. 208 00:13:43,400 --> 00:13:44,800 - You betcha. - Great. 209 00:13:45,600 --> 00:13:48,000 With Mister Krupa or with Frankie Carle 210 00:13:48,200 --> 00:13:50,300 You'll never dig a list of bigger names 211 00:13:50,500 --> 00:13:52,800 A- cuttin' capers with Harry James 212 00:13:53,000 --> 00:13:55,200 With Benny Goodman and his clarinet 213 00:13:55,400 --> 00:13:57,700 And Tommy Dorsey in it too 214 00:13:57,900 --> 00:14:00,300 Alvino Rey will star A walkin', talkin' steel guitar 215 00:14:00,400 --> 00:14:03,000 A- cuttin' capers just for you 216 00:14:03,500 --> 00:14:05,700 I didn't know "Canadian Capers" had lyrics. 217 00:14:05,900 --> 00:14:07,200 It didn't, but it has now. 218 00:14:07,400 --> 00:14:10,000 Yeah, well, who did the singing? Who made the record? 219 00:14:10,200 --> 00:14:12,300 It isn't a record. It's me, listen. 220 00:14:12,500 --> 00:14:17,300 Listen to that tenor saxophone 221 00:14:17,400 --> 00:14:22,100 Mever heard it played with such a tone 222 00:14:22,500 --> 00:14:24,700 And when you get that lic'rish stick 223 00:14:24,900 --> 00:14:26,700 Out in the woodshed, son 224 00:14:26,900 --> 00:14:29,600 Why, it's Papa Benny Goodman And he's showin' you quich 225 00:14:29,800 --> 00:14:32,500 How the proper lic'rish stichin's done 226 00:14:32,700 --> 00:14:36,800 Listen to that fiddle player Slap, slap, slap 227 00:14:37,000 --> 00:14:42,100 Boy, he plays it He really lays it in your lap, lap, lap 228 00:14:42,300 --> 00:14:44,900 Say, I'll bet before they're through 229 00:14:45,100 --> 00:14:47,100 You'll be cuttin' capers too 230 00:14:52,900 --> 00:14:55,900 Bet you've never heard a better band 231 00:14:56,000 --> 00:14:59,100 Fresh, ain't it? Kind of new and exciting, ain't it? 232 00:14:59,300 --> 00:15:02,600 - Not this side of dear old Dixieland - Great. 233 00:15:03,100 --> 00:15:05,600 If you could hear them every day 234 00:15:05,800 --> 00:15:07,500 They'd send you to the shy 235 00:15:07,700 --> 00:15:10,000 No one's ever been the same That's heard them play 236 00:15:10,200 --> 00:15:12,800 'Cause they're iust a bunch Of real gone guys 237 00:15:13,000 --> 00:15:15,500 Listen to that boogie-woogie Style, style, style 238 00:15:15,700 --> 00:15:18,100 - What's the name of that-? - Metropolis Music Company. 239 00:15:18,300 --> 00:15:19,800 Circle 6-1010. 240 00:15:20,000 --> 00:15:22,500 - In the aisle, aisle, aisle 241 00:15:22,600 --> 00:15:25,100 Say, I'll bet before they're through 242 00:15:25,400 --> 00:15:27,800 You'll be cuttin', cuttin' Cuttin' capers too 243 00:15:31,500 --> 00:15:33,500 Metropolis Music. 244 00:15:33,700 --> 00:15:36,800 No, no, my friend. What you're listening to is a record. 245 00:15:37,000 --> 00:15:39,000 But I tell you, such a thing couldn't happen. 246 00:15:39,200 --> 00:15:42,700 It's absolutely against the rules. 247 00:15:43,500 --> 00:15:45,300 Oh, thank you for calling. 248 00:15:45,500 --> 00:15:47,900 Say, I'll bet before they're through 249 00:15:48,000 --> 00:15:50,400 You'll be cuttin' capers too 250 00:15:56,000 --> 00:15:58,400 Cuttin' capers 'cause I'm out with you 251 00:15:58,500 --> 00:16:00,800 Mothin' else that I'm about to do 252 00:16:01,000 --> 00:16:03,000 My heart begins to flutter like a dove 253 00:16:03,500 --> 00:16:06,200 I even stutter I guess it's love 254 00:16:06,400 --> 00:16:08,300 I'm cuttin' capers so you'll notice me 255 00:16:08,500 --> 00:16:11,000 - He's coming. - When we're together, can't you see 256 00:16:11,100 --> 00:16:13,400 I'm only blowin' off A- talkin' big, a-showin' off 257 00:16:13,600 --> 00:16:15,800 A- cuttin' capers 'cause it's true 258 00:16:16,000 --> 00:16:18,200 - Baby. I'm in love - He's coming. 259 00:16:18,400 --> 00:16:20,700 Baby. I'm in love with 260 00:16:20,900 --> 00:16:28,400 Baby, I'm in loye with you! 261 00:16:33,800 --> 00:16:35,600 Cab will get you there in five minutes. 262 00:16:35,800 --> 00:16:37,400 - Thanks. - No, it's on the house. 263 00:16:37,500 --> 00:16:41,000 - Why? - Oh, just from one music lover to another. 264 00:16:56,800 --> 00:16:58,400 Taxi! Hold him, please. 265 00:16:58,500 --> 00:17:00,800 - Okay, lady, he's free. - Thanks. 266 00:17:01,800 --> 00:17:04,700 115 East 52nd Street. 267 00:17:10,100 --> 00:17:12,000 - Yes? - Hello. 268 00:17:12,200 --> 00:17:14,300 Where's the girl I phoned about who was singing? 269 00:17:14,500 --> 00:17:17,100 Oh, thanks for calling. I'm sorry that happened. 270 00:17:17,300 --> 00:17:20,300 If you'll leave your name and address, your dime will be refunded. 271 00:17:20,500 --> 00:17:22,500 Who cares about the dime? Where's the girl? 272 00:17:22,600 --> 00:17:24,100 She been discharged. She's gone. 273 00:17:24,300 --> 00:17:27,300 She's gone? Where to? Could I have her name and address, please? 274 00:17:27,400 --> 00:17:29,100 We cannot give out that information. 275 00:17:29,500 --> 00:17:33,100 This is a music company. not a lonely hearts club. 276 00:17:33,500 --> 00:17:35,300 - All right, stool pigeon. - Just a minute. 277 00:17:35,500 --> 00:17:38,100 - Yeah? - What about your dime? 278 00:17:38,300 --> 00:17:43,000 You can take my dime and play yourself a record. 279 00:17:48,500 --> 00:17:51,200 It was him, getting himself a phosphate. 280 00:17:56,500 --> 00:17:59,300 - Hi. - Hi. 281 00:17:59,500 --> 00:18:01,200 Where's the man who asked me to sing? 282 00:18:01,400 --> 00:18:03,900 - Didn't he get there? - Not before sourpuss fired me. 283 00:18:04,100 --> 00:18:05,900 Fired you? 284 00:18:06,100 --> 00:18:08,000 Do you really think he was a talent scout? 285 00:18:08,100 --> 00:18:11,100 Well, he said he was. Otherwise. I wouldn't have tipped you off. 286 00:18:11,200 --> 00:18:14,300 - You think he went there looking for me? - He started for it, honey. 287 00:18:14,500 --> 00:18:16,700 Oh, great. What are we playing, hide and seek? 288 00:18:16,900 --> 00:18:19,700 Wait a minute, wait a minute. Hold on. He must still be there. 289 00:18:19,900 --> 00:18:23,200 - Well, wherever he is. I'm gonna find him. - Now, don't- 290 00:18:28,600 --> 00:18:30,200 Taxi! Hold it! 291 00:18:30,400 --> 00:18:32,000 - Okay, lady, he's free. - Thanks. 292 00:18:32,100 --> 00:18:35,100 Metropolis Music Company. West 49th Street, and please hurry. 293 00:18:35,300 --> 00:18:38,000 Okay, lady. 294 00:18:38,200 --> 00:18:42,200 Hey. Hey, you in the taxi! Wait, wait! 295 00:18:49,400 --> 00:18:51,700 Are you the girl who sang with the record? 296 00:18:51,900 --> 00:18:53,400 Yes. 297 00:18:53,600 --> 00:18:55,500 - Are you the party? - What kind of a party-? 298 00:18:55,800 --> 00:18:57,300 - Okay, baby, you're in. - In where? 299 00:18:57,500 --> 00:18:59,800 Back to the Green Room, and hurry. 300 00:19:01,200 --> 00:19:04,300 Baby, what I couldn't do 301 00:19:04,500 --> 00:19:06,700 - With plenty of money and you - Hello? 302 00:19:06,900 --> 00:19:08,500 Ready with your call to Hollywood. 303 00:19:08,700 --> 00:19:11,100 - In spite of the worry that money brings - Hello. Vi? 304 00:19:11,200 --> 00:19:14,200 I had to make the call collect. I haven't got any change. 305 00:19:14,400 --> 00:19:16,800 Are they putting floor shows in them now? 306 00:19:17,000 --> 00:19:19,100 Mo, no, that's our new star. Listen. 307 00:19:19,200 --> 00:19:22,900 - He sounds sort of girlish. - Well, he is a gi- I mean, she is a girl. 308 00:19:23,100 --> 00:19:26,600 - Well, I hope you'll be very happy together. - Now. Vi, this is business. 309 00:19:26,800 --> 00:19:30,200 Our business, remember? You gotta set up an audition with Hofer. 310 00:19:30,400 --> 00:19:32,800 Hutch wasn't too happy about your walking out on him. 311 00:19:32,900 --> 00:19:35,700 - I don't know. - Vi, please, don't let me down now. 312 00:19:36,500 --> 00:19:39,000 I'll be in Hollywood as soon as you send me the money. 313 00:19:39,200 --> 00:19:42,600 Listen, chum. that last touch just about broke me. 314 00:19:42,800 --> 00:19:44,700 Vi, you're making a gilt-edged investment. 315 00:19:44,900 --> 00:19:47,800 This is the answer to a sponsor's prayer. Hofer will snap at her. 316 00:19:48,000 --> 00:19:50,400 - Have you? - No, of course. I haven't snapped at her. 317 00:19:50,500 --> 00:19:51,900 This is business. 318 00:19:52,600 --> 00:19:56,200 It's the root of all evil Of strife and upheaval 319 00:19:56,400 --> 00:20:01,000 But I'm certain, honey That life could be sunny 320 00:20:01,200 --> 00:20:05,800 With plenty of money and you 321 00:20:16,000 --> 00:20:21,500 Flight 17 now loading at Gate 11. Flight 17 now loading at Gate 11. 322 00:20:22,700 --> 00:20:27,700 Mommy. Mommy. 323 00:20:31,500 --> 00:20:34,100 Mommy. Mommy. 324 00:20:34,500 --> 00:20:37,800 - What's the matter, junior? Lose your mom? - Yes, mister. 325 00:20:38,000 --> 00:20:40,000 - I'm looking for somebody myself. - Are you? 326 00:20:40,300 --> 00:20:41,500 Yeah. Let's hunt together. 327 00:20:41,700 --> 00:20:43,800 There's one thing you might learn about women. 328 00:20:44,000 --> 00:20:46,900 They don't show up on time or where they're supposed to be. 329 00:20:47,000 --> 00:20:50,100 Well, there's mine, anyway. Now all we gotta do is find yours. 330 00:20:50,300 --> 00:20:51,500 - Mommy. - No, that's mine. 331 00:20:51,700 --> 00:20:54,000 I mean, the girl I'm waiting for. 332 00:20:55,100 --> 00:20:59,300 Mommy. Mommy. 333 00:21:00,700 --> 00:21:02,900 Didn't I tell you to wait at the baggage counter? 334 00:21:03,100 --> 00:21:05,100 - I did. Mommy, but- - Why didn't you-? 335 00:21:05,300 --> 00:21:07,800 - You're Mommy? - Yes. Mr. Blake. 336 00:21:08,000 --> 00:21:11,600 - But you didn't tell me. - But you didn't ask me. 337 00:21:12,000 --> 00:21:13,800 Oh, not me. I'm her uncle. 338 00:21:16,100 --> 00:21:18,100 Wait a minute. You wanna take this kid along? 339 00:21:18,300 --> 00:21:22,500 Oh, he won't be in the way. Mr. Blake. He's a good little boy. Aren't you, darling? 340 00:21:22,800 --> 00:21:25,100 He even dresses himself in the morning, don't you? 341 00:21:25,300 --> 00:21:26,400 Yup. 342 00:21:26,800 --> 00:21:29,400 Even if he cooks and does the laundry. he can't come. 343 00:21:29,600 --> 00:21:33,300 There's nothing personal. He's a great kid. We struck up a lifelong friendship. 344 00:21:33,500 --> 00:21:36,200 It's just that he'll be better off here until I get you set. 345 00:21:36,400 --> 00:21:38,400 - Just what I told her. - That's unfair to him. 346 00:21:38,600 --> 00:21:40,900 Whole thing is for him. if you look at it that way. 347 00:21:41,100 --> 00:21:43,100 Leave him a couple of weeks. then bring him. 348 00:21:43,300 --> 00:21:46,200 Now you're a big success. He's got a French governess, toys. 349 00:21:46,400 --> 00:21:49,000 You can enroll him at Harvard. In a few years, of course. 350 00:21:49,200 --> 00:21:51,700 Don't you see this is the best thing to do? 351 00:21:51,800 --> 00:21:54,300 Charlie, you know all about show business. Tell her. 352 00:21:54,400 --> 00:21:57,200 I've been telling her since last night. but she won't listen. 353 00:21:57,400 --> 00:22:00,700 Passengers Gibson and Blahe, please board the plane immediately. 354 00:22:00,800 --> 00:22:02,600 Oh. Mommy, the airplane. 355 00:22:03,000 --> 00:22:05,200 We aren't going. Not this time, darling. 356 00:22:06,100 --> 00:22:08,600 Oh. Mommy. 357 00:22:10,100 --> 00:22:13,400 Well, that was nice while it lasted. Goodbye. Mr. Blake. 358 00:22:14,100 --> 00:22:17,000 Wait a minute. You're going on that plane. 359 00:22:17,200 --> 00:22:19,200 - No. I'm not. Uncle Charlie. - Yes, you are. 360 00:22:19,300 --> 00:22:23,100 I raised you and I can take care of him till you're ready to send for us. 361 00:22:23,400 --> 00:22:24,800 This is your big break. 362 00:22:24,900 --> 00:22:28,400 This is why I've framed talent scouts to listen to the jukebox. 363 00:22:30,200 --> 00:22:34,100 Look, darling, you've just gotta go. Don't you see? 364 00:22:34,200 --> 00:22:39,700 Yes. Bye, darling. Kiss me. 365 00:22:39,900 --> 00:22:45,200 - Mommy. I wanna go with you. - I know, sweetheart. I promised you. 366 00:22:45,400 --> 00:22:48,300 And you will get that airplane ride real soon. 367 00:22:48,400 --> 00:22:51,700 Kiss me again. Give me a hug. 368 00:22:53,700 --> 00:22:56,900 - Bye. - Get going, will you? 369 00:22:57,100 --> 00:22:59,900 If we don't, we'll stand on the running board to Hollywood. 370 00:23:00,100 --> 00:23:01,900 So long. Freddie. 371 00:23:03,600 --> 00:23:04,800 Mommy. 372 00:23:08,400 --> 00:23:09,600 Mommy. 373 00:23:11,400 --> 00:23:13,100 Come on, you big softie. 374 00:23:13,300 --> 00:23:17,900 Flight 22 leaving at Gate 4. This is the last call. 375 00:23:19,500 --> 00:23:20,500 Mommy. 376 00:23:30,700 --> 00:23:34,100 - Now, there's nothing to be nervous about. - Oh. I'm all fluttery inside. 377 00:23:34,200 --> 00:23:36,400 - How do I look on the outside? - You look great. 378 00:23:36,600 --> 00:23:39,000 - Are the seams of my stockings straight? - Yeah. 379 00:23:39,800 --> 00:23:42,900 Sorry we had to shop in such a hurry. 380 00:23:43,100 --> 00:23:45,200 I only hope I have the chance to pay you back. 381 00:23:45,400 --> 00:23:47,900 Don't worry. There's plenty more where that came from. 382 00:23:48,100 --> 00:23:50,500 You just take it easy and let me handle this. 383 00:24:03,000 --> 00:24:07,900 My dream is yours 384 00:24:08,200 --> 00:24:11,800 My dream is yours alone 385 00:24:12,000 --> 00:24:14,300 It's all I own 386 00:24:14,500 --> 00:24:18,300 My dream is yours 387 00:24:18,500 --> 00:24:20,400 I'm through with spending... 388 00:24:20,600 --> 00:24:23,100 - Gary Mitchell. - He's just warming them up for you. 389 00:24:23,300 --> 00:24:25,100 - I go on after him? - Go on and stay on. 390 00:24:25,300 --> 00:24:28,200 You'll be a big star when Gary's just a town in Indiana. Come on. 391 00:24:28,400 --> 00:24:31,800 And when I dream it over 392 00:24:32,600 --> 00:24:36,800 I'm in clover 393 00:24:37,000 --> 00:24:44,500 And everything is fine 394 00:24:44,700 --> 00:24:48,600 My dream is yours 395 00:24:48,800 --> 00:24:52,300 It isn't much to give 396 00:24:52,500 --> 00:24:54,700 But while I live 397 00:24:54,900 --> 00:24:58,100 My dream is yours 398 00:24:58,300 --> 00:25:01,000 Hi, partner. You were swell. Vi. Thanks for everything. 399 00:25:01,200 --> 00:25:02,700 We can sit back and clip coupons. 400 00:25:02,900 --> 00:25:06,400 Yeah? I almost lost my job trying to persuade Hutch to set up this audition. 401 00:25:06,600 --> 00:25:09,900 He'll apologize on bended knee. Wait till he hears our gold mine sing. 402 00:25:10,000 --> 00:25:12,300 I hope she pans out, pardon the pun. 403 00:25:15,000 --> 00:25:21,900 My dream is yours Because it's yours and mine 404 00:25:23,600 --> 00:25:24,900 Get that guy out of here. 405 00:25:25,300 --> 00:25:27,700 You're just a pause for station identification to me. 406 00:25:27,900 --> 00:25:30,000 Stick around and you'll hear some real singing. 407 00:25:30,200 --> 00:25:34,100 My dream is yours 408 00:25:34,300 --> 00:25:38,100 My dream is yours alone 409 00:25:38,200 --> 00:25:40,400 It's all I own 410 00:25:40,600 --> 00:25:44,300 My dream is yours 411 00:25:44,500 --> 00:25:48,600 I'm through with spending time 412 00:25:48,800 --> 00:25:52,900 Pretending I'm a rover 413 00:25:53,200 --> 00:25:57,600 And when I dream it over 414 00:25:58,900 --> 00:26:03,200 I'm in clover 415 00:26:03,400 --> 00:26:10,900 And everything is fine 416 00:26:11,100 --> 00:26:15,100 My dream is yours 417 00:26:15,300 --> 00:26:19,200 It isn't much to give 418 00:26:19,400 --> 00:26:21,100 But while I live 419 00:26:21,300 --> 00:26:24,700 My dream is yours 420 00:26:24,900 --> 00:26:30,600 So, darling, may I say, "I love you" 421 00:26:30,800 --> 00:26:37,100 Till the theme of every dream begins to shine? 422 00:26:37,200 --> 00:26:39,000 You like him? 423 00:26:40,500 --> 00:26:43,000 You are like my wife, a regular hope-cat. 424 00:26:43,600 --> 00:26:46,900 A what? Oh, you mean hepcat. 425 00:26:47,100 --> 00:26:50,800 Hep, hip, hope. Who knows from such things? 426 00:26:59,300 --> 00:27:01,600 Miss Gibson. they're ready for you on-stage. 427 00:27:01,800 --> 00:27:04,900 That's me. I'm auditioning for Mr. Hofer's show. 428 00:27:05,100 --> 00:27:07,300 - Wish me luck. - I will cross for you my tiptoes. 429 00:27:07,500 --> 00:27:08,800 Thanks. 430 00:27:09,000 --> 00:27:11,000 You're on. Go out there and rock the joint. 431 00:27:11,100 --> 00:27:12,500 Oh, good morning. Mr. Hofer. 432 00:27:22,600 --> 00:27:24,600 How do you do. Ms. Gibson? I'm Gary Mitchell. 433 00:27:24,800 --> 00:27:27,900 - How do you do? Gee. I loved your song. - I know. I was watching you. 434 00:27:28,100 --> 00:27:30,600 - I didn't know it was showing. - On you, it looked good. 435 00:27:30,800 --> 00:27:33,500 - Let me handle this. Ada. - Yes? 436 00:27:33,700 --> 00:27:36,200 - Give her a good beat, all the help you can. - Of course. 437 00:27:36,500 --> 00:27:39,000 - Don't worry, we'll be with you. - That was nice of you. 438 00:27:39,200 --> 00:27:41,900 - Thanks a lot. - That's all right. Think nothing of it. 439 00:27:42,100 --> 00:27:43,400 - We're ready. - They're waiting. 440 00:27:43,600 --> 00:27:44,900 Good luck, and easy does it. 441 00:27:45,200 --> 00:27:46,400 - Thank you. - Be good. 442 00:27:46,600 --> 00:27:48,000 I'll try. 443 00:27:51,900 --> 00:27:55,400 Oh, give me your attention There's been a new invention 444 00:27:55,600 --> 00:27:59,400 It isn't any larger than an adding machine 445 00:27:59,500 --> 00:28:03,100 It's only fair to mention Though it's a new invention 446 00:28:03,300 --> 00:28:06,900 It's one that you have heard about But few have ever seen 447 00:28:07,100 --> 00:28:10,700 It doesn't do division And it doesn't multiply 448 00:28:10,900 --> 00:28:14,600 It doesn't want to be a bird It doesn't try to fly 449 00:28:14,800 --> 00:28:18,600 It came about because They made a big atomic bomb 450 00:28:18,800 --> 00:28:21,900 The new invention's cliching And because of all its ticking 451 00:28:22,100 --> 00:28:26,000 I know where the idea came from 452 00:28:26,200 --> 00:28:30,000 I tick, tick, tick Why do I tich, tich? 453 00:28:30,100 --> 00:28:33,700 What amazing trich Mahes me tich, tich, tich? 454 00:28:33,900 --> 00:28:37,900 I tick, tick, tick An electric tick 455 00:28:38,100 --> 00:28:41,900 When I feel a realistic tick 456 00:28:42,000 --> 00:28:45,800 You're such an attractive hich Give me a radioactive kick 457 00:28:46,000 --> 00:28:49,900 It's distractive the way you stick But love, love makes me tick 458 00:28:50,000 --> 00:28:53,400 I tick, tick, tick And my heart beats quick 459 00:28:53,500 --> 00:28:57,500 How can anything go wrong? 460 00:28:57,700 --> 00:29:01,000 When I'm listenin' To that Geiger counter song 461 00:29:01,200 --> 00:29:03,900 You'll tich, tich all day long 462 00:29:04,100 --> 00:29:07,400 Lihe the butcher and the baher tichs Lihe the candlestich maher tichs 463 00:29:07,600 --> 00:29:11,200 Lihe the doctor and the lawyer tichs Even though he's mixed up in his politics 464 00:29:11,400 --> 00:29:13,300 Like the merchant And the Indian chief ticks 465 00:29:13,500 --> 00:29:15,600 Lihe the poor, lihe the rich man Tich, tichs 466 00:29:15,800 --> 00:29:17,800 Diggin'- a-ditch man The butter-and-egg man 467 00:29:17,900 --> 00:29:20,000 The poor wooden-leg man The beggar and feett 468 00:29:20,300 --> 00:29:24,200 - Great little personality, eh. Mr. Hofer? - And so much of it. 469 00:29:24,400 --> 00:29:26,900 - You can't be wrong 470 00:29:27,400 --> 00:29:31,000 You better listen To that Geiger counter song 471 00:29:31,100 --> 00:29:33,900 And tich, tich all day long 472 00:29:34,100 --> 00:29:35,600 Tich, tich, tich, tich 473 00:29:35,800 --> 00:29:37,500 Tich, tich, tich, tich, tich, tich 474 00:29:37,700 --> 00:29:42,400 Tick, tick, tick, tick, tick, tick Tick 475 00:29:43,300 --> 00:29:44,500 Well. Mr. Hofer? 476 00:29:44,700 --> 00:29:48,200 - It's wonderful. Charming. - Yeah, really charming. 477 00:29:48,300 --> 00:29:49,300 But I don't like it. 478 00:29:51,300 --> 00:29:54,200 Don't be hasty. Don't say anything you might be sorry for. 479 00:29:54,400 --> 00:29:58,800 I will tell you. I want beauty and charms. You bring me boogie and woogie. 480 00:29:59,000 --> 00:30:02,300 Is it The Hour of Enchantment or is it The Hour of Hi-Dee-Ho? 481 00:30:02,500 --> 00:30:05,900 - Hour of Liverwurst? - Times change. Be up-to-date, modern. 482 00:30:06,100 --> 00:30:10,500 I like everything should be up-to-date. also modern. But it must be old-fashioned. 483 00:30:13,300 --> 00:30:18,300 Ticktock, ticktock. Do I advertise watches? 484 00:30:19,100 --> 00:30:20,100 How was it? 485 00:30:20,300 --> 00:30:22,700 Well, there's one thing. You were certainly different. 486 00:30:22,900 --> 00:30:27,100 - But Mr. Hofer- - Don't bother me. I can be very unpolite. 487 00:30:27,600 --> 00:30:29,600 - What do you think? - You were great, baby. 488 00:30:29,800 --> 00:30:32,600 - Did Mr. Hofer like it? - Tell you later. I gotta talk terms. 489 00:30:32,800 --> 00:30:37,500 I'm gonna fight for every nickel I can get. Take a cab to a hotel. I'll meet you there. 490 00:30:39,100 --> 00:30:43,100 - Mr. Mitchell, does it sound right to you? - Well. Blake fights every step of the way. 491 00:30:43,200 --> 00:30:45,900 - I guess I'm just on edge. - Let me take the edge off. 492 00:30:46,100 --> 00:30:50,200 Right now, your biggest problem is lunch. and I think I've got that solved. 493 00:30:55,500 --> 00:30:57,400 A little more of the same, please. 494 00:30:58,800 --> 00:31:00,200 Lost your appetite? 495 00:31:00,400 --> 00:31:04,300 No. I'm just looking at the view. It's like a picture postcard, isn't it? 496 00:31:05,800 --> 00:31:09,700 - I'll bet that's been said before. - Maybe it has. 497 00:31:09,900 --> 00:31:15,000 Just imagine. Here I am in Hollywood. having lunch with Gary Mitchell. 498 00:31:15,200 --> 00:31:19,600 - Oh. I wish sourpuss could see me now. - Sourpuss? Oh, you mean Blake. 499 00:31:19,900 --> 00:31:22,900 No. He's a man I used to work for a long, long time ago. 500 00:31:23,100 --> 00:31:25,100 Day before yesterday. 501 00:31:25,200 --> 00:31:29,400 You're a funny girl. Just where did Blake find you? 502 00:31:30,600 --> 00:31:35,400 Well, sometimes it's a choir. sometimes it's the Metropolitan Opera... 503 00:31:35,600 --> 00:31:38,400 ...sometimes it's a small Southern college. 504 00:31:38,600 --> 00:31:40,800 I don't think he's made up his mind about it yet. 505 00:31:40,900 --> 00:31:42,900 The old Blake buildup, huh? 506 00:31:43,300 --> 00:31:47,000 You know, he always says to me. "Now. Martha. I don't want you thinking... 507 00:31:47,200 --> 00:31:50,800 ...about your past too much until I have a chance to make one up for you. " 508 00:31:51,000 --> 00:31:53,400 The funny part is. I haven't given my past a thought. 509 00:31:53,600 --> 00:31:55,600 It's my future I'm worried about. 510 00:31:56,500 --> 00:31:59,000 Well, don't get your hopes up too high. Martha. 511 00:31:59,200 --> 00:32:02,000 It's a tough town. It's a tough business. 512 00:32:02,200 --> 00:32:05,400 - There are a lot of setbacks. - You think my audition was a flop? 513 00:32:05,600 --> 00:32:08,500 No. I liked it. I heard a lot of favorable comment, only- 514 00:32:08,700 --> 00:32:10,400 I better call Blake. He may need me. 515 00:32:10,600 --> 00:32:14,400 Oh, relax, honey. Blake always has a lot of things to attend to. 516 00:32:14,600 --> 00:32:16,800 Why don't we take a little spin down to the beach? 517 00:32:17,000 --> 00:32:20,000 I've got a shack down there. a lot of records. We can have a swim. 518 00:32:20,200 --> 00:32:23,200 - Sorry. I can't swim. - That's all the better. I can teach you. 519 00:32:23,400 --> 00:32:26,100 - Not only that. I can't learn. - You sure? 520 00:32:26,300 --> 00:32:29,200 Positive. Lots of fellows have tried to teach me. 521 00:32:29,400 --> 00:32:31,800 - I'm unusual. - Not that unusual. 522 00:32:32,000 --> 00:32:34,800 Well, then, you might as well call Blake. Check, please. 523 00:32:48,100 --> 00:32:49,600 - Who is it? - Me. 524 00:32:51,500 --> 00:32:53,700 How are you, partner? 525 00:32:54,300 --> 00:32:56,800 Well, it's about time. How'd you make out with Mr. Hofer? 526 00:32:57,000 --> 00:32:59,500 That old chromo. Talk about your old-fashioned ideas. 527 00:32:59,700 --> 00:33:03,400 - He ought to be in a museum under a glass. - Never knock a sponsor. What happened? 528 00:33:03,600 --> 00:33:05,400 You know Hofer only likes waltz time. 529 00:33:05,500 --> 00:33:07,700 Need Wiener schnitzel with tonsils to sell him. 530 00:33:07,900 --> 00:33:10,100 - You auditioned the belle of Basin Street. - Yeah. 531 00:33:10,300 --> 00:33:14,300 - Personally, I think the gal's got something. - I know she has, but she needs our help. 532 00:33:14,500 --> 00:33:18,200 We've gotta give it to her. I just told her the bad news. 533 00:33:18,300 --> 00:33:20,900 - She's pretty discouraged. - Yeah? Well, so am I. 534 00:33:21,100 --> 00:33:25,300 I'll make her a star if it's the last thing I do. Felix Hofer isn't the only sponsor. 535 00:33:25,500 --> 00:33:28,900 I'll make them listen to her. In three months, they'll be begging for her. 536 00:33:29,000 --> 00:33:31,600 I'll put her in a nightclub to show her off, or a band. 537 00:33:31,800 --> 00:33:34,100 - But I'll sell her. - Well, what fireworks. 538 00:33:34,300 --> 00:33:36,300 Are you selling her to me or yourself to her? 539 00:33:36,500 --> 00:33:38,700 Oh. Vi, this is only business. You know that. 540 00:33:38,900 --> 00:33:41,700 - What else could it be? - You asking me? 541 00:33:44,300 --> 00:33:48,000 Say, what have you done to this place? It looks so different. 542 00:33:48,200 --> 00:33:49,700 Oh, new slip covers. 543 00:33:49,900 --> 00:33:53,400 Doug, even if your scheme works. it takes money to develop a new singer. 544 00:33:53,500 --> 00:33:55,800 - Money for clothes- - Amazing what slip covers do. 545 00:33:56,000 --> 00:33:59,500 Changes the whole place. Makes it look so large, so roomy. 546 00:33:59,700 --> 00:34:02,300 Why this sudden interest in interior decoration? 547 00:34:03,300 --> 00:34:06,200 No reason. Just noticed. 548 00:34:07,100 --> 00:34:10,600 My, what a big bedroom you have. And twin beds. 549 00:34:10,800 --> 00:34:13,900 - Oh, now, wait a minute. - You can't say no at a time like this. 550 00:34:14,100 --> 00:34:17,300 It'll cut expenses. She's in a suite now at the Beverly Wilshire Hotel. 551 00:34:17,500 --> 00:34:20,100 - You know how much that costs? - I'm about to find out. 552 00:34:20,300 --> 00:34:24,300 - You said you believed she got something. - But I'd like to keep something, anything. 553 00:34:24,400 --> 00:34:27,800 If she's got a place to eat and sleep. it'll save the price of the hotel. 554 00:34:28,000 --> 00:34:29,300 - Your bedroom's big- - Hold on. 555 00:34:29,500 --> 00:34:33,500 I gotta think this over. You don't know what it's like, two giris living together. 556 00:34:33,800 --> 00:34:36,100 - But. Vi, this is money in the bank. - Whose money? 557 00:34:36,300 --> 00:34:38,800 - Look. I'll make you a deal. - That's what frightens me. 558 00:34:39,000 --> 00:34:43,100 - Anyway, you can't move her at this hour. - Well, it's not so late. 559 00:34:46,800 --> 00:34:48,500 - Come on in, honey. - Is it all right? 560 00:34:48,700 --> 00:34:51,500 - Sure, sure, sure. - Hello. 561 00:34:51,700 --> 00:34:54,100 Just like I told you. Vi's tickled to death. 562 00:34:54,300 --> 00:34:55,900 Oh. I'm sorry. Sorry. 563 00:34:56,000 --> 00:34:59,000 Well, good night, giris. 564 00:34:59,200 --> 00:35:02,100 You sure you wouldn't like to curl up on the couch? 565 00:35:02,300 --> 00:35:05,900 Vi, would I ask you that? 566 00:35:08,800 --> 00:35:12,200 I'm sorry to barge in on you this way. Vi. but he just insisted on it. 567 00:35:12,400 --> 00:35:15,300 Believe me. I know how you feel. getting a roommate so suddenly. 568 00:35:15,500 --> 00:35:19,600 Oh, that's perfectly all right. Just consider yourself an investment. 569 00:35:19,800 --> 00:35:23,100 You can stay here until you declare a dividend. 570 00:35:33,800 --> 00:35:37,300 - Gee, it's so nice of you, Vi, to let me stay. - Oh, it's nothing, really. 571 00:35:37,500 --> 00:35:40,700 I want you to look on this place as your home. 572 00:35:41,400 --> 00:35:43,800 It's really been very lonesome. living all alone... 573 00:35:43,900 --> 00:35:47,900 ...in this great, big, vast, roomy place. 574 00:35:48,000 --> 00:35:51,900 Just think, if it wasn't for Doug Blake. none of this would've happened. 575 00:35:54,700 --> 00:35:59,600 He'd do anything for you. no matter what it cost me. 576 00:36:02,700 --> 00:36:05,500 - I'm so sorry. - Oh, that's all right. 577 00:36:09,700 --> 00:36:12,400 - All set? - Okay. 578 00:36:18,500 --> 00:36:21,000 Isn't he a wonderful guy? 579 00:36:21,200 --> 00:36:24,000 He's been like a big brother to me. or an uncle. 580 00:36:24,100 --> 00:36:27,300 Well, some kind of dependent. Good night. Martha. 581 00:36:27,500 --> 00:36:29,300 Good night. Vi. 582 00:37:03,800 --> 00:37:08,600 Long distance. I'm calling New York City, please. 583 00:37:08,800 --> 00:37:11,100 Oh. I'm gonna reverse the charges. 584 00:37:11,600 --> 00:37:12,900 Who is it, your boyfriend? 585 00:37:13,100 --> 00:37:15,200 - No, my baby. - Baby? 586 00:37:15,400 --> 00:37:17,900 It's the first time I've been away from him. You mind? 587 00:37:18,000 --> 00:37:20,100 - No, go ahead. - Hello, operator? 588 00:37:20,500 --> 00:37:22,600 Well, what do you know? A baby. 589 00:37:24,400 --> 00:37:26,600 I'm only blowin' off A- talkin' big, a-showin' off 590 00:37:26,800 --> 00:37:29,100 A- cuttin' capers 'cause it's true 591 00:37:29,300 --> 00:37:31,500 Baby. I'm in love 592 00:37:31,700 --> 00:37:32,900 Baby. I'm in love with 593 00:37:33,100 --> 00:37:35,900 Give this kid a break, you make a star. She's fresh, original. 594 00:37:36,100 --> 00:37:40,300 - She's the hottest new singer in years. - I need a girl with a fan. 595 00:38:04,000 --> 00:38:07,200 The way I feel. I'd like to stay on this bus and go back to New York. 596 00:38:07,400 --> 00:38:12,400 - What, kid? You'd quit? You'd give up? - Looks like show business has given me up. 597 00:38:13,300 --> 00:38:15,300 We were turned down by tone-deaf producers... 598 00:38:15,500 --> 00:38:17,700 ...who couldn't tell Bing Crosby from Bugs Bunny. 599 00:38:17,900 --> 00:38:20,600 Am I discouraged? Am I licked? Do I give up? 600 00:38:20,800 --> 00:38:23,400 - Are you? Do you. Mr. Blake? - No. I don't. 601 00:38:23,600 --> 00:38:26,200 You're gonna be a star. You'll have your name in lights. 602 00:38:26,400 --> 00:38:30,500 - You'll have the whole worid at your feet. - Please don't mention my feet. 603 00:38:30,700 --> 00:38:32,900 Doug, believe me. I'm so grateful for your help- 604 00:38:33,100 --> 00:38:35,000 Now, now. don't you get chicken-hearted. 605 00:38:35,200 --> 00:38:38,400 No. I'm not. It's just that we've been to all the big radio programs... 606 00:38:38,600 --> 00:38:41,100 ...and all the nightclubs and all the name bands. 607 00:38:41,300 --> 00:38:43,300 What's my next stop. the dead-letter office? 608 00:38:43,500 --> 00:38:45,200 Let me handle this thing my own way. 609 00:38:45,400 --> 00:38:48,900 It's been discouraging you because I've been shooting for the best, you know. 610 00:38:49,100 --> 00:38:50,600 - I know. - This is important to me. 611 00:38:50,800 --> 00:38:53,300 I said I'd put you over. I'd stake my reputation on it. 612 00:38:53,500 --> 00:38:55,600 Martha, you've gotta trust me. 613 00:38:55,800 --> 00:38:58,900 - I'm on your side. Way over on your side. - You know I trust you. 614 00:38:59,100 --> 00:39:01,500 I'll tell you what. Maybe we should take a night off. 615 00:39:01,700 --> 00:39:05,900 Go to a show or one of the clubs or something and just have some fun, huh? 616 00:39:07,400 --> 00:39:10,300 Of course, it would still be just strictly business. 617 00:39:10,400 --> 00:39:12,500 - Oh, gee. I'd love to, but- - But what? 618 00:39:13,400 --> 00:39:14,400 I have a date tonight. 619 00:39:18,100 --> 00:39:21,600 - Joe Tonsils? - If you mean Gary, yes. 620 00:39:22,000 --> 00:39:24,500 - Anything wrong with that? - No, no, that's just lovely. 621 00:39:24,700 --> 00:39:27,200 There's a nice handpicked. sun-ripened date for you. 622 00:39:27,300 --> 00:39:29,800 - I know you and Gary had trouble, but- - It's not that. 623 00:39:30,000 --> 00:39:33,000 It's not anything personal, like jealousy. Nothing like that. 624 00:39:33,100 --> 00:39:36,200 Gary Mitchell ought to wear a skull and crossbones on his hat. 625 00:39:36,400 --> 00:39:38,500 - He's poison. - But there's nothing between us. 626 00:39:38,600 --> 00:39:41,500 It's just that I was lonely and he took me out a few times. 627 00:39:41,600 --> 00:39:45,100 And we had fun and we had laughs. but that's all. 628 00:39:45,200 --> 00:39:48,300 Okay, let's hope it stays that way. 629 00:39:48,600 --> 00:39:50,200 Well, you better get to bed early. 630 00:39:50,300 --> 00:39:53,600 - I got auditions for you in the morning. - I'll practice my road work... 631 00:39:53,800 --> 00:39:57,700 ...do my setting-up exercises and be in great shape for the main event. 632 00:39:58,100 --> 00:39:59,500 Night. 633 00:40:04,500 --> 00:40:06,500 - Have a good time. - Thank you. 634 00:40:27,800 --> 00:40:29,700 Well, there it is. 635 00:40:29,900 --> 00:40:33,000 - The Pacific Ocean. - Like it? 636 00:40:33,700 --> 00:40:35,200 - It's nice. - Okay. 637 00:40:36,200 --> 00:40:39,100 - Oh. Gary. I've had a wonderful time. - Have you? 638 00:40:39,200 --> 00:40:42,700 The dinner, the dancing and music... 639 00:40:42,900 --> 00:40:45,500 - What was the name of that drink again? - Rainbow fizz. 640 00:40:45,700 --> 00:40:49,600 It's just the way I feel. like a rainbow fizz. 641 00:40:50,200 --> 00:40:52,100 - With music. - Music? 642 00:40:53,000 --> 00:40:54,400 Coming up. 643 00:40:55,300 --> 00:40:59,200 Oh, it's so spacious, peaceful. 644 00:40:59,600 --> 00:41:02,500 No sponsors or agents pushing me around. 645 00:41:02,700 --> 00:41:05,700 You know something? I wish it could always be just like this. 646 00:41:05,900 --> 00:41:07,200 It can be, you know. 647 00:41:07,300 --> 00:41:09,600 Just hitch your wagon to me and you'll be a star. 648 00:41:09,700 --> 00:41:13,500 No. Thank you. Gary. but I have too much to do on my own. 649 00:41:13,700 --> 00:41:15,700 You'll never get anyplace with Doug Blake. 650 00:41:15,800 --> 00:41:19,200 He's been washed up in radio since I got rid of him. Why hang on to him? 651 00:41:19,400 --> 00:41:22,600 Is it personal with you two? 652 00:41:23,200 --> 00:41:24,400 Oh, what's so funny? 653 00:41:24,600 --> 00:41:27,500 Well, because he asked me the same thing about you. 654 00:41:30,200 --> 00:41:31,400 What'd you tell him? 655 00:41:31,700 --> 00:41:34,600 I told him it was just for fun and for laughs. 656 00:41:37,300 --> 00:41:40,000 - Is it? - Yes. 657 00:41:40,600 --> 00:41:45,000 - Isn't it? - You're right. 658 00:41:45,200 --> 00:41:48,300 We have to keep these things light. just for fun and for laughs. 659 00:41:48,500 --> 00:41:52,700 - I'm glad you're smart enough to see that. - No point in getting serious, is there? 660 00:41:52,800 --> 00:41:55,600 None at all. Keep it light, just for laughs. 661 00:41:56,300 --> 00:42:00,100 First thing. I'll be falling in love with you and forgetting all those other things. 662 00:42:00,300 --> 00:42:04,300 - We couldn't let that happen, could we? - Absolutely not. 663 00:42:05,900 --> 00:42:07,900 You must have been a beautiful baby 664 00:42:09,500 --> 00:42:12,500 You must have been a wonderful child 665 00:42:12,700 --> 00:42:15,900 When you were only starting To go to kindergarten 666 00:42:16,100 --> 00:42:19,000 I bet you drove the little giris wild 667 00:42:19,200 --> 00:42:22,500 And when it came To winning blue ribbons 668 00:42:22,900 --> 00:42:25,800 You must have shown the other hids how 669 00:42:26,000 --> 00:42:28,100 She's the hottest singing personality in town. 670 00:42:28,300 --> 00:42:31,000 Build your show around her and have the customers packed in. 671 00:42:31,200 --> 00:42:34,700 Not bad, but I need a big name. Sorry. Next! 672 00:42:36,200 --> 00:42:39,400 That's all, thanks. Romer twins, you're on! 673 00:42:49,100 --> 00:42:50,400 - Well? - Let's get out of here. 674 00:42:50,600 --> 00:42:53,600 - Get your things. I'll meet you outside. - Okay. 675 00:42:55,200 --> 00:42:56,400 And then what happened? 676 00:42:56,600 --> 00:42:59,600 I says. "How dare you address me in that tone of voice, you creep?" 677 00:42:59,800 --> 00:43:02,700 - And with that. I up and quit. - Ain't it the truth? 678 00:43:02,800 --> 00:43:05,100 If it was me. I would have belted him in the snoot. 679 00:43:05,300 --> 00:43:07,000 So he offers me 60 a week to stay... 680 00:43:07,200 --> 00:43:11,500 ...so I told him relations between me and Club Babita was definitely severed. 681 00:43:11,700 --> 00:43:14,400 "Get lost, you heel. " was how I worded it. 682 00:43:14,600 --> 00:43:17,800 That Club Babita. No wonder they're always looking for talent. 683 00:43:18,100 --> 00:43:21,500 - They have no respect for the artist. - You said it. 684 00:43:22,600 --> 00:43:24,800 - What'll you have? - Two hotdogs with everything. 685 00:43:24,900 --> 00:43:26,200 All right. 686 00:43:26,400 --> 00:43:29,600 - Doug, what kind of a place is Club Babita? - Oh, it's just a dive. 687 00:43:29,800 --> 00:43:32,700 Hey, what do you know about a place like that? 688 00:43:32,800 --> 00:43:36,800 Nothing. Heard a couple giris talking about it. They need singers and dancers. 689 00:43:36,900 --> 00:43:40,800 Look, you think I lugged you 3000 miles to work in a clip joint with neon lights? 690 00:43:40,900 --> 00:43:43,200 I don't operate that way. 691 00:43:45,800 --> 00:43:49,000 - Well. I have to do something. - You will, but not at Club Babita. 692 00:43:49,200 --> 00:43:51,400 - Well, shut my mouth. - Hey. Blake. 693 00:43:51,600 --> 00:43:54,100 - Doug. - Oh, hello. Jeff. Excuse me, babe. 694 00:43:54,300 --> 00:43:57,100 I hate to ask for that 100. but I need it. You said it was- 695 00:43:57,300 --> 00:43:59,300 I'm working on something big. Big expenses. 696 00:43:59,400 --> 00:44:02,600 I promise you, next week, for sure. Next week, at the very latest. 697 00:44:02,800 --> 00:44:06,800 - Okay, but I need the dough. - Nice to see you around, nice to see you. 698 00:44:12,900 --> 00:44:15,900 What were you saying about the Club Babita? 699 00:44:16,100 --> 00:44:18,700 Oh, it was nothing. Doug. Forget it. 700 00:44:33,900 --> 00:44:38,200 All right, all right. It's fair, just fair. You ain't exactly no ballerina. 701 00:44:38,400 --> 00:44:41,300 This ain't exactly no opera house. 702 00:44:41,400 --> 00:44:43,400 What do you want for 60 bucks. Pavlova? 703 00:44:43,500 --> 00:44:46,600 Come here. Take a look at this song. This ain't no dump, you know. 704 00:44:46,800 --> 00:44:49,700 Special music, special lyrics for all the numbers. 705 00:44:49,900 --> 00:44:51,400 Beat it up. 706 00:44:57,500 --> 00:44:59,300 Pick it up, pick it up. 707 00:45:01,500 --> 00:45:04,300 - Special, see? - Special is just what it is. 708 00:45:04,500 --> 00:45:07,500 - Okay, you got a deal. - Thanks. 709 00:45:07,600 --> 00:45:08,700 - Hey. Louie. - Yeah, boss? 710 00:45:08,900 --> 00:45:12,200 - Give her the costume. - Okay. One costume coming up. 711 00:45:12,700 --> 00:45:16,100 What do I do with this, put bananas and cream on it and eat it? 712 00:45:16,300 --> 00:45:17,500 You're killing me. 713 00:45:17,600 --> 00:45:18,900 - Hey. Louie. - Yeah, boss? 714 00:45:19,000 --> 00:45:20,800 - Give her the star dressing room. - Okay. 715 00:45:21,000 --> 00:45:25,400 What? Oh, the one without no lock on the door. Check. 716 00:45:25,500 --> 00:45:27,700 You know, baby. you got a lot on the ball. 717 00:45:27,900 --> 00:45:31,000 I'm just the guy can develop your latent talents. 718 00:45:31,100 --> 00:45:33,500 Look. Mr. Grimes, all I wanna do is work. 719 00:45:33,600 --> 00:45:36,000 If you wanna play patty-cake. get a different girl. 720 00:45:36,100 --> 00:45:39,200 No, you got me wrong. Little Red Riding Hood. I ain't no wolf. 721 00:45:39,400 --> 00:45:43,600 Okay, but I'd hate to meet you in a forest on a dark night. 722 00:45:45,000 --> 00:45:46,200 Next. 723 00:45:49,700 --> 00:45:51,800 - Say, who runs this place? - Fred Grimes. 724 00:45:52,000 --> 00:45:53,900 - Where is he? - He's right over at the bar. 725 00:45:54,100 --> 00:45:55,900 Oh, thank you. 726 00:46:00,100 --> 00:46:02,200 - You the boss here? - What do you want? 727 00:46:02,400 --> 00:46:06,000 I'm looking for a singer. Client of mine named Martha Gibson. Blond. 5'5" or 6"- 728 00:46:06,200 --> 00:46:08,400 Try the Lost and Found Department. 14th Floor- 729 00:46:08,600 --> 00:46:11,600 I'll catch your act some other time. I gotta locate this girl now. 730 00:46:11,800 --> 00:46:14,800 - You her agent? You send her here? - Send her to a dive like this? 731 00:46:15,000 --> 00:46:17,700 - Who books this joint, the parole board? - It's a dive, eh? 732 00:46:17,900 --> 00:46:23,200 Special lyrics, special music. high-class floor show, but it's a dive. 733 00:46:23,400 --> 00:46:24,800 Your girl ain't here. 734 00:46:26,300 --> 00:46:27,800 Thanks. 735 00:46:44,500 --> 00:46:49,400 Hello? Hello. Vi? Any word from Martha? 736 00:46:49,500 --> 00:46:53,400 I know it's late. Yeah. I'm down here at that Babita joint. 737 00:46:53,600 --> 00:46:56,800 Well, she mentioned it today. I thought maybe she came down here. 738 00:46:57,400 --> 00:47:01,000 Well, have her phone me when she comes in, huh? Okay. 739 00:47:04,100 --> 00:47:06,300 Oh. Fuiiyama You get a mama 740 00:47:06,500 --> 00:47:09,000 And then your troubles increase 741 00:47:09,200 --> 00:47:11,500 In some pagoda She orders soda 742 00:47:11,700 --> 00:47:14,500 The earth shakes, milkshakes Ten cents apiece 743 00:47:14,700 --> 00:47:19,100 They hissy and huggy nice By iingo, it's worth the price 744 00:47:19,300 --> 00:47:21,500 Bach in Magasahi Where the fellers chew tobaccy 745 00:47:21,700 --> 00:47:24,300 And the women wichy-wachy Woo 746 00:47:27,400 --> 00:47:29,300 Baby, you're cute. I go for you. 747 00:47:29,500 --> 00:47:31,600 Bach in Magasahi Where the fellers chew tobaccy 748 00:47:31,800 --> 00:47:34,800 - Lay off. - Okay, okay. 749 00:47:35,000 --> 00:47:39,900 - They hissy and huggy nice - Come on, babe, be nice to me. 750 00:47:40,100 --> 00:47:41,500 Why, you... 751 00:47:43,500 --> 00:47:45,500 What's the matter with you? 752 00:47:53,300 --> 00:47:55,900 I can't understand it. Just as I told you all my plans... 753 00:47:56,100 --> 00:47:57,800 ...why you'd work in a place like that. 754 00:47:58,000 --> 00:48:03,300 I had to do something. Doug. I couldn't ask you to do any more for me. 755 00:48:03,500 --> 00:48:08,000 I thought, if I'd work at something. I could make some money and get out of here. 756 00:48:08,100 --> 00:48:10,100 Hey, what do you mean, get out of here? 757 00:48:10,200 --> 00:48:14,300 - Here, use this. You look awful. - I'll bet. 758 00:48:15,800 --> 00:48:17,700 I'm all right now. 759 00:48:17,900 --> 00:48:20,700 It was just something I had to get out of my system. I guess. 760 00:48:20,900 --> 00:48:23,400 Just when I'm working something big. sure-fire stuff. 761 00:48:23,600 --> 00:48:27,000 A big new account needs somebody just like you. 762 00:48:27,700 --> 00:48:30,500 You'd better blow your nose. They'll never hire you. 763 00:48:34,300 --> 00:48:36,300 How are things? 764 00:48:36,800 --> 00:48:41,000 Looking for a job is really murder. How long does one go before you get a break? 765 00:48:41,200 --> 00:48:45,700 There's no book of rules, kid. The break'll come when you least expect it. 766 00:48:46,300 --> 00:48:52,300 Excuse me. Martha. Martha. I'm sorry I had to stand you up. 767 00:48:52,500 --> 00:48:54,000 - The plane was late. - What plane? 768 00:48:54,100 --> 00:48:56,700 I set up an audition for you with a fella from New York. 769 00:48:56,900 --> 00:48:59,000 - He's in the cab. - I'm not dressed or made up- 770 00:48:59,200 --> 00:49:01,300 Didn't wanna give you a chance to get nervous. 771 00:49:01,500 --> 00:49:03,700 If I didn't tell you. you'd be calm and relaxed. 772 00:49:03,800 --> 00:49:08,800 I think that's the best way to sell yourself. Just don't press, you know? Let yourself go. 773 00:49:19,000 --> 00:49:25,200 - Hi, Mommy. - Freddie. Freddie. 774 00:49:25,600 --> 00:49:29,800 - Darling, how'd you get here? - On a airplane. 775 00:49:30,000 --> 00:49:32,200 - All by yourself? - Yup. 776 00:49:32,300 --> 00:49:35,400 Uncle Charlie put him on at LaGuardia and the stewardess took over. 777 00:49:35,600 --> 00:49:40,000 You double-crosser. You cheat. You two-timer. 778 00:49:40,200 --> 00:49:42,000 Oh, you no-good, wonderful guy. 779 00:49:42,200 --> 00:49:45,800 Oh, now, wait a minute. What is this. a big thing or something? 780 00:49:46,000 --> 00:49:47,700 64 Terrace Drive. 781 00:49:48,800 --> 00:49:52,400 Now, empty the mind of care and concern. 782 00:49:52,600 --> 00:49:55,900 Put business and household worries from you. 783 00:49:56,100 --> 00:49:59,700 Think of blue skies and green fields. 784 00:49:59,900 --> 00:50:03,300 The cool calm of a mountain lake. 785 00:50:03,800 --> 00:50:07,700 Relax. Just relax. 786 00:50:07,900 --> 00:50:09,800 The cares of day are done. 787 00:50:10,000 --> 00:50:14,800 The time has come for the worker's well-earned repose. 788 00:50:15,100 --> 00:50:17,900 It is a time to be alone with your thoughts. 789 00:50:18,100 --> 00:50:20,600 You ought to try it in my apartment sometime, wise guy. 790 00:50:20,800 --> 00:50:25,100 And now, music for your dreams. 791 00:50:28,500 --> 00:50:31,700 - I might have known it was you. - How are you? 792 00:50:34,200 --> 00:50:35,700 Where'd you find him? 793 00:50:35,900 --> 00:50:38,900 Oh. I was just out at the airport. and there he was. 794 00:50:39,100 --> 00:50:41,800 - Doug Blake, are you crazy? - Sometimes I wonder. 795 00:50:42,000 --> 00:50:45,100 You can't go around picking up lost kids like that. 796 00:50:45,300 --> 00:50:47,700 I wasn't lost. Not this time. 797 00:50:47,900 --> 00:50:52,000 - What do you mean, not this time? - Yeah, well, go ahead. Freddie, tell her. 798 00:50:52,200 --> 00:50:53,500 - Freddie? - Yeah. 799 00:50:53,700 --> 00:50:59,000 - Oh, no, not that Freddie. - Yeah, yeah. Vi, isn't he wonderful? 800 00:51:00,700 --> 00:51:04,800 Yeah, cutest little lease-breaker I ever saw. Where's his mother? 801 00:51:05,000 --> 00:51:07,800 She's downstairs. She wasn't sure how you'd take this. 802 00:51:07,900 --> 00:51:10,800 I bet. Pardon me. 803 00:51:14,400 --> 00:51:17,600 - Can I come up now? - Don't you dare. 804 00:51:22,700 --> 00:51:24,600 Unless you bring a quart of milk with you. 805 00:51:37,100 --> 00:51:42,000 - It's all right, he's housebroken. - How does he feel about an apartment? 806 00:51:42,200 --> 00:51:44,400 Well, look. Vi- 807 00:51:48,100 --> 00:51:53,700 - Now, isn't it easy to relax? - Oh, shut up. 808 00:52:02,500 --> 00:52:04,600 - Hi. - Hi. 809 00:52:04,800 --> 00:52:05,800 Smells so good. 810 00:52:06,000 --> 00:52:08,200 - What'd you expect? - Well... 811 00:52:08,400 --> 00:52:09,800 - Freddie in bed? - Sound asleep. 812 00:52:09,900 --> 00:52:12,900 - You're wonderful. - Just a born father. 813 00:52:13,000 --> 00:52:14,900 Not in that apron. 814 00:52:17,700 --> 00:52:19,000 What's up, doc? 815 00:52:19,200 --> 00:52:21,200 Listen here, my fine little disc jockey... 816 00:52:21,300 --> 00:52:23,800 ...you're gonna have us thrown out one of these nights. 817 00:52:24,000 --> 00:52:27,400 You shouldn't have to have music to sleep. You're getting to be a big boy. 818 00:52:27,600 --> 00:52:31,000 - Oh. Mommy, no song? - No song. 819 00:52:31,100 --> 00:52:33,500 Good night, sweetheart. Come on. 820 00:52:33,900 --> 00:52:37,000 - Oh, my Bugs Bunny book. - Oh. I'm so sorry. 821 00:52:37,200 --> 00:52:40,200 - Okay? All set now? - Yup. 822 00:52:40,300 --> 00:52:44,000 Good night, sweetheart. Sleep tight. 823 00:52:51,800 --> 00:52:53,000 What's the matter with you? 824 00:52:53,200 --> 00:52:56,300 - What's wrong, honey? - I don't know. Mommy. I just coughed. 825 00:52:56,400 --> 00:52:59,600 Let me see your throat. Stick out your tongue. 826 00:53:02,500 --> 00:53:05,500 - Hey, are you spoofing me? - Yup. 827 00:53:05,700 --> 00:53:08,800 You faker. Come on, now, quiet down. 828 00:53:10,100 --> 00:53:13,100 - I shouldn't spoil you. - Nope. 829 00:53:16,500 --> 00:53:20,500 Well, late again. Here I stand over a hot stove all day long... 830 00:53:20,600 --> 00:53:23,100 ...and you can't even come home in time for dinner. 831 00:53:23,300 --> 00:53:25,900 - You don't love me. - Oh, of course I love you, honey. 832 00:53:26,100 --> 00:53:28,100 When I get my raise. I'll get you a maid. 833 00:53:28,300 --> 00:53:32,200 Then you'll have time to listen to the radio with the rest of the housewives. 834 00:53:32,800 --> 00:53:36,200 Spaghetti again? Well, that ought to take about five minutes more. 835 00:53:36,400 --> 00:53:38,500 Now, don't you go messing around with my dinner. 836 00:53:38,700 --> 00:53:41,900 Go in the living room, read a paper. smoke a pipe till dinner's ready. 837 00:53:42,100 --> 00:53:45,400 Nag, nag, nag. Never a minute's peace. 838 00:53:45,800 --> 00:53:49,700 All my life I've waited for an �ngel 839 00:53:50,100 --> 00:53:54,000 But no �ngel ever came in view 840 00:53:54,600 --> 00:53:59,700 Then one happy day I found an �ngel 841 00:54:00,300 --> 00:54:06,800 I'm so glad it turned out to be you 842 00:54:09,500 --> 00:54:12,900 I hnow that you're an �ngel 843 00:54:13,600 --> 00:54:17,900 'Cause angels looh lihe you 844 00:54:18,700 --> 00:54:23,700 That is why my heart is singing a song 845 00:54:24,400 --> 00:54:28,700 I'll string along with you 846 00:54:29,900 --> 00:54:33,400 I hnow I found an �ngel 847 00:54:34,400 --> 00:54:38,500 The day that I found you 848 00:54:39,800 --> 00:54:44,000 Ever since the day that you came along 849 00:54:45,000 --> 00:54:48,700 I've sung my songs to you 850 00:54:48,900 --> 00:54:51,300 Ain't that sweet? She's singing her kid to sleep. 851 00:54:51,500 --> 00:54:52,500 He's a lucky kid. 852 00:54:52,700 --> 00:54:56,000 Between Martha and me and you with that apron, he's got three mothers. 853 00:54:56,200 --> 00:54:59,000 Oh. Vi. That kid could stand a break. 854 00:54:59,100 --> 00:55:02,700 Losing his father in the war made it pretty tough for him, and for Martha too. 855 00:55:02,900 --> 00:55:07,800 I'm grateful for the things we do share 856 00:55:09,000 --> 00:55:14,800 I couldn't love them more 857 00:55:16,500 --> 00:55:19,300 Hey, what's the matter with you? 858 00:55:21,800 --> 00:55:25,200 - Do you hear that? - Yeah, still a great song, isn't it? 859 00:55:25,500 --> 00:55:28,100 I don't mean the song. I mean the way she's singing. 860 00:55:28,200 --> 00:55:31,900 That's where I've missed. I've been selling the right girl the wrong way. 861 00:55:32,100 --> 00:55:34,800 Be careful. You'll knock your brains out. 862 00:55:35,000 --> 00:55:39,000 I know iust what I'll do 863 00:55:41,500 --> 00:55:47,700 I'll string along with you 864 00:56:02,300 --> 00:56:05,200 Why didn't you tell me you could sing like that? It's terrific. 865 00:56:05,400 --> 00:56:08,300 It sure is. Puts my audience right to sleep. 866 00:56:09,500 --> 00:56:12,700 Vi, we'll start all over again. change her style completely. 867 00:56:12,900 --> 00:56:14,800 No more comedy songs. no more hot songs. 868 00:56:15,000 --> 00:56:17,600 - It isn't fair to raise her hopes again. - Raise her hopes? 869 00:56:17,800 --> 00:56:20,000 You'll sing like you did just now. from the heart. 870 00:56:20,200 --> 00:56:23,900 Ballads, love songs, torch tunes. One shot on the air with that style, we're in. 871 00:56:24,100 --> 00:56:26,100 How do we put her on the air. open a window? 872 00:56:26,200 --> 00:56:29,000 I'll get her on some station if I have to pay for it myself. 873 00:56:29,200 --> 00:56:31,600 A fate worse than death. What do we use for money? 874 00:56:31,700 --> 00:56:32,800 Well... 875 00:56:34,800 --> 00:56:37,800 Oh, no, you don't! Took me two years to pay for that. 876 00:56:38,000 --> 00:56:41,000 I'll get it back in two weeks. I'll buy another coat for interest. 877 00:56:41,200 --> 00:56:42,700 - No. - She's done too much already. 878 00:56:42,900 --> 00:56:46,000 - This is the chance of a lifetime. - This is the mink of my lifetime. 879 00:56:46,200 --> 00:56:48,800 You've put money in. This is your chance to get it back. 880 00:56:49,000 --> 00:56:49,900 Don't listen to him. 881 00:56:50,100 --> 00:56:52,500 - In two weeks. I'll get you a coat. - Don't do it. Vi. 882 00:56:52,700 --> 00:56:53,800 - Don't rush me. - But. Vi- 883 00:56:54,000 --> 00:56:56,200 - I wanna think about my mink. - It's now or never! 884 00:56:56,400 --> 00:56:58,900 - Let me think. - What's a mink when opportunity knocks? 885 00:57:00,000 --> 00:57:03,500 If there's t50 left over from this deal. I'd like to have my head examined. 886 00:57:03,700 --> 00:57:06,500 Oh. Vi, you're just being a smart businesswoman. 887 00:57:06,600 --> 00:57:09,600 No smart businesswoman ever put her mink in the clink. 888 00:57:09,900 --> 00:57:11,900 I just made the last payment on it yesterday. 889 00:57:12,100 --> 00:57:14,700 Well, look. maybe there's some other way. 890 00:57:17,000 --> 00:57:18,500 There is. 891 00:57:22,200 --> 00:57:25,400 Are you trying to bump me off of my insurance? What's wrong with you? 892 00:57:25,600 --> 00:57:29,000 Just occurred to me that your car is worth more than your coat. 893 00:57:31,100 --> 00:57:34,100 - Doug, have you no mercy? - But I'm just doing it for you. 894 00:57:34,300 --> 00:57:36,800 - Please, don't do me any more favors. - May I help you? 895 00:57:37,000 --> 00:57:39,100 No, but I can help you get the buy of your life. 896 00:57:39,300 --> 00:57:41,300 This beautiful little job for only t2000. 897 00:57:41,400 --> 00:57:43,000 Doug, you can't do this to me. 898 00:57:43,200 --> 00:57:44,700 - Sixteen hundred. - Nineteen-fifty. 899 00:57:44,800 --> 00:57:47,200 - Sixteen-fifty. - You gotta, it's too small anyway. 900 00:57:47,300 --> 00:57:49,800 - It's not. I love this little car. - Seventeen hundred. 901 00:57:50,000 --> 00:57:53,900 - Nineteen hundred. I'll get you a Lincoln. - I don't want a Lincoln. The answer is no. 902 00:57:54,100 --> 00:57:55,600 - Seventeen-fifty. - Eighteen-fifty. 903 00:57:55,800 --> 00:57:58,400 - We're friends, it's only a loan. - Seventeen-seventy-five. 904 00:57:58,600 --> 00:58:00,300 - What? - Eighteen hundred. 905 00:58:00,500 --> 00:58:03,500 How dare you offer t1800 for this beautiful little car? 906 00:58:03,700 --> 00:58:06,000 I wouldn't accept a cent less than 2000. 907 00:58:06,200 --> 00:58:08,400 - Sold. - Okay. 908 00:58:08,700 --> 00:58:11,800 Oh, what have I done? 909 00:58:14,100 --> 00:58:17,900 Hold still, honey. Auntie Vi wouldn't get soap in your eyes. 910 00:58:18,100 --> 00:58:21,100 You wouldn't get soap in Auntie Vi's eyes, would you? 911 00:58:23,000 --> 00:58:26,200 Another move like that and I'll drown you. 912 00:58:29,700 --> 00:58:33,000 Saved by the bell. Hello? 913 00:58:33,200 --> 00:58:36,100 Vi. I got the time, the musicians. the arrangements, everything. 914 00:58:36,300 --> 00:58:38,000 - Are you all set? - Yeah, all set. 915 00:58:38,200 --> 00:58:42,900 Hofer's secretary told me he leaves for his walk at 4:OO every afternoon. 916 00:58:43,100 --> 00:58:46,800 Junior will be ready to do his part as soon as I give him his lemon rinse. 917 00:58:59,500 --> 00:59:01,700 - Hi. - Mr. Hofer. 918 00:59:01,900 --> 00:59:05,900 - I didn't know you were a dog fancier. - It is not such a fancy dog. 919 00:59:06,100 --> 00:59:07,600 He's a fine little fella, though. 920 00:59:07,800 --> 00:59:12,800 He's not a little fellow. He's a little girl. Her name is Sally. 921 00:59:13,000 --> 00:59:16,900 - What's your dog's name? - His name? Archibald. 922 00:59:17,100 --> 00:59:19,200 Archibald, meet Sally. Sally Hofer. Archibald. 923 00:59:19,400 --> 00:59:23,200 Nice to meet you. Now, now, now, children. 924 00:59:24,000 --> 00:59:27,700 I say you can tell a man's true nature when he's with a dog. Don't you think so? 925 00:59:27,800 --> 00:59:30,300 Why should you blame it on a dog? 926 00:59:30,400 --> 00:59:32,100 Well. I'm very happy for Archibald. 927 00:59:32,300 --> 00:59:35,300 He's been lonely. He doesn't have many friends. 928 00:59:35,800 --> 00:59:39,900 But why is he pulling away? Doesn't he like Sally? 929 00:59:40,100 --> 00:59:43,600 Oh, he's just being coy. He loves Sally. She's such a sweet little girl. 930 00:59:43,800 --> 00:59:45,800 Speaking of sweet little giris. Mr. Hofer... 931 00:59:46,000 --> 00:59:50,200 ...I discovered a new singer I'd like you to hear. She's gonna be on the air at 9 tonight. 932 00:59:50,300 --> 00:59:52,500 - Will you be at home? - No. I can't make it. 933 00:59:52,700 --> 00:59:55,700 Tonight is my night to stay home and listen to the radio. 934 00:59:55,900 --> 00:59:57,300 But that's what I want! 935 00:59:57,500 --> 01:00:01,400 I want you to listen to a radio program. Nine o'clock. 936 01:00:04,100 --> 01:00:06,400 Mr. Hofer, are you saying. "Yes. I will be home"... 937 01:00:06,600 --> 01:00:09,500 ...or is your hat just bouncing on your head? 938 01:00:12,000 --> 01:00:14,500 - How about it, we organized? - Right. Get ready, boys. 939 01:00:14,700 --> 01:00:18,100 You all set, baby? Now, remember. keep it soft, mellow and dreamy. 940 01:00:18,300 --> 01:00:20,600 I'll call Hofer on the phone. make sure he listens. 941 01:00:20,800 --> 01:00:23,700 It's a slow four, so keep it in strict tempo all the way through. 942 01:00:23,900 --> 01:00:25,800 - Good luck, baby. - Thanks. 943 01:00:28,000 --> 01:00:29,200 Get ready, fellas. 944 01:00:29,400 --> 01:00:31,200 Well, here we go. Vi. We're on our way. 945 01:00:31,400 --> 01:00:35,000 Wherever we're going. if we still had my car, we could ride. 946 01:00:35,200 --> 01:00:36,800 Quiet. 947 01:00:39,200 --> 01:00:43,200 - Mama, is it the phone? - Yes, it is. Felix. 948 01:00:43,400 --> 01:00:48,000 - Why is it ringing? - I wouldn't know. 949 01:00:48,200 --> 01:00:50,300 Maybe somebody's calling me. 950 01:00:50,500 --> 01:00:53,000 - Yes, maybe. - It might be why it is ringing. 951 01:00:53,200 --> 01:00:56,000 Wait a minute. Somebody's calling me. Hello. 952 01:00:56,200 --> 01:00:58,700 Hello. Mr. Hofer? This is Doug Blake, remember? 953 01:00:59,600 --> 01:01:02,500 Do I know somebody named Blake? 954 01:01:02,700 --> 01:01:05,100 Sure, you do. I met you at the park today with Sally. 955 01:01:05,300 --> 01:01:08,600 - Cute little Sally. - Yeah, yeah, yeah. Now I remember Sally. 956 01:01:08,800 --> 01:01:13,000 You can't talk to Sally now. She's asleep. And anyway, she's a dog. 957 01:01:13,200 --> 01:01:15,100 Well. I know she's a dog. I just wanna- 958 01:01:15,300 --> 01:01:17,400 - Somebody wants to talk to Sally. - Who? 959 01:01:17,600 --> 01:01:20,200 I don't know. It might be some other dog. 960 01:01:21,900 --> 01:01:24,300 We're on the air in one minute. Mr. Blake. 961 01:01:35,200 --> 01:01:37,900 I'm coming! I'm coming! 962 01:01:43,300 --> 01:01:46,100 Hello. Hello! 963 01:01:46,900 --> 01:01:48,200 Mr. Hofer, please. 964 01:01:48,400 --> 01:01:50,800 You remember me. Doug Blake. I used to worh for Hutch. 965 01:01:51,000 --> 01:01:53,500 You promised to listen to the radio and hear my girl. 966 01:01:53,700 --> 01:01:56,800 She's wonderful. I know you need her to take Gary Mitchell's place. 967 01:01:57,000 --> 01:02:00,400 Thank you very much, but I still have a headache from Gary Mitchell. 968 01:02:00,500 --> 01:02:04,900 I will listen early in the morning. By then. I will feel good. 969 01:02:05,900 --> 01:02:07,600 But you can't listen to her in the morning. 970 01:02:07,900 --> 01:02:09,800 She's on the air now, in 30 seconds. 971 01:02:10,000 --> 01:02:13,400 Two other sponsors want this girl. but I've saved her especially for you. 972 01:02:13,500 --> 01:02:17,700 You got a great product to advertise. You got great air time, great money. 973 01:02:17,900 --> 01:02:21,200 Someone lihe you 974 01:02:22,100 --> 01:02:24,200 Mr. Hofer, are you listening? Do you hear me? 975 01:02:27,100 --> 01:02:30,600 Turns wrong into right 976 01:02:30,800 --> 01:02:32,500 Brightens the night 977 01:02:36,500 --> 01:02:38,300 Mr. Hofer! Mr. Hofer! Please. Mr. Ho- 978 01:02:38,500 --> 01:02:40,900 Makes me luckier than throwin' a seven 979 01:02:41,000 --> 01:02:45,800 Takes me nearer to heaven Than anyone's allowed to do 980 01:02:46,600 --> 01:02:50,600 When your heart is talkin' I feel like I'm walkin' 981 01:02:50,800 --> 01:02:53,000 On a cloud with someone lihe you 982 01:02:53,200 --> 01:02:55,400 Someday I'll find 983 01:02:57,200 --> 01:03:00,700 Someone I can boast to 984 01:03:00,900 --> 01:03:03,300 Somebody to hug 985 01:03:03,500 --> 01:03:08,300 A bug in a rug To snuggle up close to 986 01:03:08,500 --> 01:03:10,200 And whenever I do 987 01:03:10,400 --> 01:03:12,000 Do you hnow the who 988 01:03:12,200 --> 01:03:16,200 Who I'll give the most to? 989 01:03:16,400 --> 01:03:18,200 You prey on my mind 990 01:03:18,400 --> 01:03:24,300 Stay till I find Someone lihe you for me 991 01:03:24,500 --> 01:03:30,200 Until I find someone lihe you 992 01:03:34,800 --> 01:03:36,300 Well, what next, mastermind? 993 01:03:36,500 --> 01:03:39,800 Oh. I'm not licked yet. I got things to fall back on. I got resources. 994 01:03:40,000 --> 01:03:42,500 - For instance? - Well. I... 995 01:03:43,400 --> 01:03:45,900 Just my unemployment insurance. 996 01:03:47,100 --> 01:03:49,300 Take it easy. Danny. 997 01:03:50,000 --> 01:03:52,200 Hey. Gary, there goes a filly from your stable. 998 01:03:52,400 --> 01:03:54,000 - What? - And one of the nicer ones. 999 01:03:54,200 --> 01:03:55,900 What kind of talk is that? 1000 01:03:56,100 --> 01:03:57,500 - Good evening. - Good evening. 1001 01:03:57,700 --> 01:03:59,400 - What'll you have? - Something light. 1002 01:03:59,600 --> 01:04:01,200 - Scrambled eggs? Two of them. - Fine. 1003 01:04:01,400 --> 01:04:02,600 - Coffee? - Please. 1004 01:04:02,800 --> 01:04:04,100 Thank you. 1005 01:04:06,800 --> 01:04:11,600 Well, that was our last chance. and I muffed it. 1006 01:04:11,900 --> 01:04:13,300 I'm sorry, it wasn't your fault. 1007 01:04:13,500 --> 01:04:15,700 It's just that you picked a lemon for a manager. 1008 01:04:15,900 --> 01:04:18,600 - You did everything you could. - Yeah, the wrong way. 1009 01:04:22,600 --> 01:04:25,400 - Hello. Martha. - Hello. Gary. 1010 01:04:26,100 --> 01:04:30,200 Well. I hear your manager, that ball of fire. finally got you on the air tonight. 1011 01:04:30,400 --> 01:04:32,400 On some two-bit station, wasn't it? 1012 01:04:32,600 --> 01:04:34,700 Well, it's a way of getting started. isn't it? 1013 01:04:34,900 --> 01:04:38,100 The hard way. I'd like to get you off to a real start. 1014 01:04:38,700 --> 01:04:41,500 I'm having a party up at my place tomorrow afternoon. 1015 01:04:41,600 --> 01:04:44,800 I'm having my sponsors, the press. a lot of important people in radio. 1016 01:04:45,000 --> 01:04:48,900 It'd be a good idea for you to meet them. But the party's only for my friends. 1017 01:04:49,800 --> 01:04:51,100 That's fine with me. 1018 01:04:51,200 --> 01:04:54,700 But not with me. I don't like that kind of invitation. 1019 01:04:55,600 --> 01:04:58,100 All right. I'm sorry. but if you change your mind... 1020 01:04:58,200 --> 01:05:01,300 ...you know you're welcome anytime. alone. 1021 01:05:10,900 --> 01:05:13,600 I think I got a very funny idea. 1022 01:05:14,600 --> 01:05:17,100 Gary doesn't know it. but he is gonna give you a start. 1023 01:05:17,200 --> 01:05:20,200 - What do you mean? - Boy, if this works out... 1024 01:05:20,400 --> 01:05:22,200 - You're gonna go to that party. - What? 1025 01:05:22,400 --> 01:05:24,200 - After the way he talked? - Why do I care? 1026 01:05:24,400 --> 01:05:26,600 You'll go to that party and really get started. 1027 01:05:26,800 --> 01:05:31,100 I got this thing all worked out. Why, if it works, it'll murder him. 1028 01:05:35,500 --> 01:05:36,600 I hate cocktail parties. 1029 01:05:36,800 --> 01:05:40,300 The only thing I hate worse than a cocktail party is a press cocktail party. 1030 01:05:40,500 --> 01:05:42,000 It completely spoils my dinner. 1031 01:05:42,100 --> 01:05:44,200 - That's it. Gary, hold it. - Wait a minute. Hal. 1032 01:05:44,400 --> 01:05:47,700 - Martha, get in this with me. - Gary, they don't want me in the picture. 1033 01:05:47,900 --> 01:05:49,300 - This is your party. - I want you. 1034 01:05:49,500 --> 01:05:52,700 - Stand a little closer to Gary, miss. - Okay, boys, make it a good one. 1035 01:05:53,700 --> 01:05:57,000 - Hold it! Wait a minute, boys. - Hold it, boys. Vi, what's the idea? 1036 01:05:57,200 --> 01:05:59,900 You still work for the House of Beauty. so no more drinking. 1037 01:06:00,100 --> 01:06:02,700 At least not in front of the cameras. Take it easy. Gary. 1038 01:06:02,900 --> 01:06:05,800 Don't forget you've got a program to do. Don't get too fuzzy. 1039 01:06:06,000 --> 01:06:07,400 - Don't worry. - Okay, carry on. 1040 01:06:07,600 --> 01:06:10,100 - Thanks, Vi. - Looks like a very serious project for Gary. 1041 01:06:10,300 --> 01:06:13,800 - What's her name? - Gibson. G-I-B-S-O-N. Martha Gibson. 1042 01:06:14,000 --> 01:06:16,500 Come along, darling. My boss's wife wants to meet you. 1043 01:06:16,700 --> 01:06:21,100 - She's one of your most ardent fans. - Don't move. I'll be right back. 1044 01:06:21,800 --> 01:06:23,000 She's so anxious to meet... 1045 01:06:23,200 --> 01:06:25,800 - Have you seen Blake? - He slipped in a few minutes ago. 1046 01:06:26,000 --> 01:06:29,100 - What will Gary do when he sees Doug? - Let's not think about that now. 1047 01:06:29,300 --> 01:06:34,100 Well. Mr. Hofer! And Mrs. Hofer! What a delightful surprise, meeting you here. 1048 01:06:34,300 --> 01:06:36,000 And how is dear little Sally? 1049 01:06:36,200 --> 01:06:37,400 - Who? - Sally. 1050 01:06:37,600 --> 01:06:39,600 He knows our Sa- Thank you, thank you, fine. 1051 01:06:39,700 --> 01:06:41,900 Good. Can I get you two a cocktail or something? 1052 01:06:42,100 --> 01:06:44,200 Thank you. but Mr. Hofer doesn't like cocktails. 1053 01:06:44,400 --> 01:06:45,900 - Oh, really? - No. I am a too-tee- 1054 01:06:46,100 --> 01:06:47,700 - Teetotaler. - Teeto- Teeto- 1055 01:06:47,900 --> 01:06:52,000 - Anyway, it's like Alcoholic Unanimous. - Hold it. Mr. Hofer! 1056 01:06:52,200 --> 01:06:54,500 - Thank you. - Let me make you two comfortable here. 1057 01:06:54,700 --> 01:06:57,800 Here's a nice sofa. Sit down. I'll get some ginger ale or something. 1058 01:06:58,000 --> 01:06:59,900 - No, no, no- - Please. 1059 01:07:00,100 --> 01:07:02,100 - Oh, you're so charming. - Thank you so much. 1060 01:07:02,300 --> 01:07:05,800 Honey, would you play a couple of Mr. Hofer's favorite songs for him, please? 1061 01:07:06,000 --> 01:07:08,400 - A Strauss medley. Mr. Hofer? - Oh, thank you. 1062 01:07:08,600 --> 01:07:11,300 By all means, a Strauss medley. Music from old Vienna. 1063 01:07:11,500 --> 01:07:14,800 I know you've been worried about a replacement for Gary Mitchell... 1064 01:07:15,000 --> 01:07:17,500 ...and I've given your problem a great deal of thought. 1065 01:07:17,700 --> 01:07:19,000 - Thank you. - Don't mention- 1066 01:07:19,200 --> 01:07:21,700 I mean, don't mention it, sir. It's a pleasure. I'll- 1067 01:07:21,900 --> 01:07:23,300 Excuse me. I'll be back. 1068 01:07:23,700 --> 01:07:27,700 The way I'm set up now. I don't need any managers, no agents. 1069 01:07:29,100 --> 01:07:31,100 Excuse me, will you? 1070 01:07:31,300 --> 01:07:34,800 We're all set. Ada has your music. and she'll go into it when you tell her. 1071 01:07:35,000 --> 01:07:38,100 The Hofers are by the piano. We're squared away for your big chance. 1072 01:07:38,300 --> 01:07:42,500 - All right, only- - Leave everything to me. You just si- Oh, hi. 1073 01:07:42,700 --> 01:07:45,500 What is this? Is he managing your personal life too? 1074 01:07:45,700 --> 01:07:47,200 - Who invited you? - Me? 1075 01:07:47,300 --> 01:07:50,600 - I wasn't invited. I crashed the gate. - Well, crash back out again. 1076 01:07:50,800 --> 01:07:53,200 You remind me of everything I wanna forget. Get lost. 1077 01:07:53,400 --> 01:07:55,000 Don't chase your blood pressure up. 1078 01:07:55,200 --> 01:07:57,300 - I'll do business, then I'm leaving. - Please- 1079 01:07:57,500 --> 01:08:00,600 You make up your mind who you wanna be with, me or this guy. 1080 01:08:00,800 --> 01:08:02,900 Go on. Martha, go ahead. 1081 01:08:07,100 --> 01:08:09,500 - How do you do. Mr. Hofer? Mrs. Hofer. - How do you do? 1082 01:08:09,700 --> 01:08:11,700 Give you a four-bar intro. take the pickup. 1083 01:08:11,800 --> 01:08:13,400 You are going to sing, young lady? 1084 01:08:13,600 --> 01:08:15,600 - Yes, is it all right? - It's delightful. 1085 01:08:15,800 --> 01:08:18,600 You'd like to have Martha at your beck and call, wouldn't you? 1086 01:08:18,800 --> 01:08:21,500 As long as I have anything to say. that'll never happen. 1087 01:08:21,600 --> 01:08:24,100 - Oh, boy, there's a fight! - It's Gary and Doug Blake! 1088 01:08:24,200 --> 01:08:26,000 - Oh. Felix. I'm gonna faint. - Not here. 1089 01:08:26,200 --> 01:08:29,200 - When we get home, you can faint. - There's nothing to worry about. 1090 01:08:29,400 --> 01:08:31,900 These things happen at cocktail parties all the time. 1091 01:08:32,000 --> 01:08:33,200 - Gary, stop! - What a story! 1092 01:08:33,400 --> 01:08:35,100 - What a scoop! - You stay out of this. 1093 01:08:35,300 --> 01:08:38,200 Those vultures find out you're in this. they'll tear you apart. 1094 01:08:38,300 --> 01:08:42,000 - I don't care. Doug, let's go. - All right. 1095 01:08:42,200 --> 01:08:45,200 It was a wonderful party. I had a lovely time. 1096 01:08:45,400 --> 01:08:47,300 - You going with him? - Yes. 1097 01:08:47,800 --> 01:08:48,800 Fine. 1098 01:08:57,100 --> 01:09:00,600 - Are you with somebody? - Well. I'm with you. Don't you remember? 1099 01:09:00,800 --> 01:09:02,900 I'm the national president of your fan club. 1100 01:09:03,100 --> 01:09:07,500 Oh, that's fine, fine. Stick around, honey. You might be international president. 1101 01:09:07,700 --> 01:09:10,400 - Richards, two of the same. - The same. Yes, sir. 1102 01:09:10,600 --> 01:09:13,600 Yeah. And after I have this. I'm gonna have a few more... 1103 01:09:13,700 --> 01:09:16,900 - .., then I'll take you to the broadcast. - Oh, you're sweet. 1104 01:09:17,100 --> 01:09:20,200 Yeah. You can help me find it. 1105 01:09:20,900 --> 01:09:23,700 I know it's 10 minutes to showtime. but there's no news yet. 1106 01:09:23,900 --> 01:09:26,100 I'll call you as soon as anything happens. 1107 01:09:26,200 --> 01:09:27,700 Hour of Enchantment. 1108 01:09:27,900 --> 01:09:30,300 There must be a nicer way of getting ulcers. 1109 01:09:30,600 --> 01:09:34,600 - But they can't cancel the program. - Honey. Mr. Hofer can do anything. 1110 01:09:35,200 --> 01:09:37,800 Don't tell me if it's a secret. but are we doing a show? 1111 01:09:38,000 --> 01:09:40,500 They're still in a huddle. Stand by to man the lifeboat. 1112 01:09:40,700 --> 01:09:43,400 I saw Gary Mitchell. He was drunk enough for a quartet. 1113 01:09:43,500 --> 01:09:46,600 Never mind the cream. We'll give it to him black. Here, drink this. 1114 01:09:46,800 --> 01:09:48,000 Give him some tomato juice. 1115 01:09:48,200 --> 01:09:50,700 Lash him to the microphone. The audience won't notice. 1116 01:09:50,900 --> 01:09:53,200 Eighteen years already. I'm a sponsor of the radio! 1117 01:09:53,400 --> 01:09:56,300 - I can sing better drunk. - Such a thing has not happened to me. 1118 01:09:56,500 --> 01:10:00,300 - Stop being so righteous. I'm in great shape. - You disgrace The Hour of Enchantment! 1119 01:10:00,500 --> 01:10:02,300 Hour of Nonsense! 1120 01:10:05,500 --> 01:10:08,200 - What do you want. Vi? - We're on the air in eight minutes. 1121 01:10:08,400 --> 01:10:13,500 Maybe we are, maybe we are not. Be so kind and don't disturb me again. 1122 01:10:16,400 --> 01:10:19,000 Excuse me for slamming the door. 1123 01:10:20,000 --> 01:10:22,000 What's going on. a rehearsal for Gangbusters_ 1124 01:10:22,200 --> 01:10:25,100 - Well, it's not Life Can Be Beautiful. - Wait a minute. Vi. 1125 01:10:25,200 --> 01:10:28,400 - I'm gonna put Martha on the show tonight. - Are you crazy? An unknown? 1126 01:10:28,600 --> 01:10:32,100 Hofer didn't like her. Put a cold compress on your head, you'll feel better. 1127 01:10:32,300 --> 01:10:34,800 Of course, that is an idea. But how would you swing it? 1128 01:10:35,000 --> 01:10:38,400 - I'm not sure yet. I- Where is Martha? - I parked her in the audience. 1129 01:10:38,600 --> 01:10:42,500 Young man, you read Section 10. Article 4 of your contract. 1130 01:10:42,700 --> 01:10:44,800 It says "no drinking. " 1131 01:10:45,000 --> 01:10:48,900 Furthermore, in Section 4. Article 1 O. it says "positively no drinking. " 1132 01:10:49,000 --> 01:10:51,600 - You are fired. - Mr. Hofer, stop, please. Think. 1133 01:10:51,700 --> 01:10:54,200 - I don't need you. I don't need anyone. - That does it. 1134 01:10:54,400 --> 01:10:57,500 - I am not anxious if you need me or don't. - If you'll only listen- 1135 01:10:57,700 --> 01:10:59,400 Leave me alone. Please, please. 1136 01:10:59,600 --> 01:11:01,300 - You've gotta have faith in me. - What? 1137 01:11:01,500 --> 01:11:04,800 Complete faith. Absolute faith. The kind of faith that moves mountains. 1138 01:11:05,100 --> 01:11:06,400 Who wants to move a mountain? 1139 01:11:06,600 --> 01:11:10,000 No. Your show is built around a singer. You can't put it on without one. 1140 01:11:10,100 --> 01:11:13,100 You'll disgrace the House of Beauty an8 The Hour of Enchantment. 1141 01:11:13,200 --> 01:11:15,200 People will say that Felix Hofer is slipping. 1142 01:11:15,400 --> 01:11:18,100 He's no longer the genius of advertising and exploitation. 1143 01:11:18,300 --> 01:11:20,000 Mr. Hofer, we don't want that, do we? 1144 01:11:20,100 --> 01:11:23,200 So you've gotta get a singer. It so happens that I have a singer. 1145 01:11:23,300 --> 01:11:25,400 As charming a personality as you'll ever see. 1146 01:11:25,600 --> 01:11:29,200 With a style as fresh as April showers and a voice like the song of the lark. 1147 01:11:29,400 --> 01:11:33,600 - Don't pay attention to Blake. He's crazy. - I will tell you. I don't need a singer. 1148 01:11:33,800 --> 01:11:37,900 The orchestra will play tonight just music. Viennese music, that's all. Please, that's all. 1149 01:11:38,100 --> 01:11:40,700 Mr. Hofer, this girl is the heart and soul of old Vienna. 1150 01:11:40,900 --> 01:11:43,000 She comes form a long line of archduchesses. 1151 01:11:43,200 --> 01:11:46,300 When she sings, her voice is like the last breath of a dying gypsy. 1152 01:11:46,500 --> 01:11:50,800 You owe it to Vienna to give her a chance. If the old emperor were alive, he'd insist. 1153 01:11:51,000 --> 01:11:55,400 - Some other time. I'm sick. I want a doctor. - It's idiotic. You can't put this girl on cold. 1154 01:11:55,600 --> 01:11:58,700 You better get out the stand-by arrangements, just in case. 1155 01:11:58,900 --> 01:12:00,100 Only two minutes remain. 1156 01:12:00,300 --> 01:12:04,500 A fresh and vital talent is calling out to you, pleading. "Please, give me a chance. " 1157 01:12:04,700 --> 01:12:08,400 You put Martha Gibson on your show tonight and you'll be hailed as a genius. 1158 01:12:08,600 --> 01:12:11,500 I appeal to you. you. Felix Hofer, the great showman! 1159 01:12:11,700 --> 01:12:13,700 You. Felix Hofer, the daring impresario! 1160 01:12:13,800 --> 01:12:16,100 All right, all right. Put on who you please! 1161 01:12:16,300 --> 01:12:19,700 - I am sick! Bring the doctor. - Thank you. You'll never regret it. 1162 01:12:20,000 --> 01:12:22,600 This is the wisest decisi�n you ever made. Here, sit down. 1163 01:12:22,800 --> 01:12:25,700 - Give the okay to the control room. Hutch. - Okay. 1164 01:12:26,500 --> 01:12:29,000 - Vi, put her on. She's on. - Here you go, coast to coast. 1165 01:12:29,200 --> 01:12:32,000 - A hundred and fifty-three stations. - No, don't make me do it. 1166 01:12:32,200 --> 01:12:35,700 - This is the break we've been praying for. - I can't do it. What about Gary? 1167 01:12:35,800 --> 01:12:39,300 Gary? What about me? What about Vi? What about Freddie and Uncle Charlie? 1168 01:12:39,500 --> 01:12:42,200 Gary's got four weeks and he's taking over another program. 1169 01:12:42,300 --> 01:12:44,900 What difference does it make how he quits? Get out there. 1170 01:12:45,100 --> 01:12:46,700 You don't understand. Gary and I- 1171 01:12:46,900 --> 01:12:50,400 I don't care if you're brother and sister or aunt and uncle. Music all set? 1172 01:12:50,700 --> 01:12:55,000 - We'll play the songs in your key. - Swell. Come on, baby, you get on there. 1173 01:12:56,000 --> 01:12:57,200 Good luck. 1174 01:13:02,600 --> 01:13:04,300 Ten seconds. 1175 01:13:10,200 --> 01:13:14,900 The House of Beauty presents The Hour of Enchantment. 1176 01:13:17,400 --> 01:13:20,200 Ladies and gentlemen, we regret that. due to sudden illness... 1177 01:13:20,400 --> 01:13:24,000 ...Gary Mitchell is unable to appear on The Hour of Enchantment this evening. 1178 01:13:24,600 --> 01:13:30,800 In his place, we are fortunate to have that distinctive new songstress. Martha Gibson. 1179 01:13:44,700 --> 01:13:49,600 My dream is yours 1180 01:13:50,100 --> 01:13:55,000 My dream is yours alone 1181 01:13:55,200 --> 01:13:58,100 It's all I own 1182 01:13:58,200 --> 01:14:01,200 My dream is yours 1183 01:14:01,900 --> 01:14:06,800 I'm through with spending time 1184 01:14:07,000 --> 01:14:11,500 Pretending I'm a rover 1185 01:14:11,700 --> 01:14:14,600 - Get out of the way. - Gary, you can't go on, you're drunk. 1186 01:14:14,700 --> 01:14:17,700 What's the matter with you? You're leaving. 1187 01:14:18,900 --> 01:14:23,700 I'm in clover 1188 01:14:24,200 --> 01:14:30,700 And everything is fine 1189 01:14:32,700 --> 01:14:36,200 My dream is yours 1190 01:14:37,800 --> 01:14:41,100 It isn't much to give 1191 01:14:42,000 --> 01:14:45,000 But while I live 1192 01:14:45,100 --> 01:14:48,400 My dream is yours 1193 01:14:49,100 --> 01:14:55,500 So, darling, may I say, "I love you" 1194 01:14:56,200 --> 01:15:01,700 Lovely girl. Lovely singer. Handy with a knife too. 1195 01:15:01,800 --> 01:15:07,300 Begins to shine? 1196 01:15:08,300 --> 01:15:12,400 My dream is yours 1197 01:15:12,500 --> 01:15:21,500 Because it's yours and mine 1198 01:15:33,200 --> 01:15:36,300 Well. Mr. Hofer? What'd I tell you about her. Mr. Hofer? 1199 01:15:36,500 --> 01:15:39,600 - You were right. - Do you still want that doctor? 1200 01:15:39,800 --> 01:15:43,700 Doctor? Me? I never felt better in my whole life. 1201 01:15:43,900 --> 01:15:48,000 I would like to have a lawyer. I will sign her up tonight. 1202 01:15:55,900 --> 01:16:00,000 Hello. Tony? This is Martha Gibson. Has Gary Mitchell been there? 1203 01:16:00,200 --> 01:16:06,400 He has? How long ago? Oh. I see. All right. Thanks, Tony. 1204 01:16:06,500 --> 01:16:08,500 Radio. What a business. 1205 01:16:08,600 --> 01:16:12,400 You don't get a break, that's bad. You do get a break, that's worse. 1206 01:16:12,500 --> 01:16:14,700 - Java? - No, thanks. Vi. I don't have time. 1207 01:16:14,900 --> 01:16:16,500 Where are you going? It's raining. 1208 01:16:16,700 --> 01:16:18,900 Martha, come back here. You can't help Gary. 1209 01:16:19,200 --> 01:16:22,800 He's on a binge. He's gotta drink himself out of it. 1210 01:16:23,000 --> 01:16:24,900 Fifty bucks for talking to myself. 1211 01:16:33,000 --> 01:16:36,700 Waiter, if you see Mr. Mitchell. will you please have him call Miss Gibson? 1212 01:16:36,900 --> 01:16:40,100 - Miss Gibson? Very well. - Thank you. 1213 01:16:48,700 --> 01:16:52,900 Hello? Oh, no, honey, he didn't call yet. 1214 01:16:53,100 --> 01:16:56,300 Freddie? Freddie's asleep. And you should be too. 1215 01:16:56,400 --> 01:17:01,500 Now, get in a cab and come home, will you? Women. 1216 01:17:08,200 --> 01:17:13,600 Oh, not at this hour. It's raining outside. 1217 01:17:14,600 --> 01:17:17,600 Okay, come on. 1218 01:17:27,900 --> 01:17:30,800 - Hello. - I have Mr. Mitchell's apartment on the line. 1219 01:17:31,000 --> 01:17:33,800 Gary, where have you been? Oh, is that you. Richards? 1220 01:17:34,100 --> 01:17:37,500 - Where's Mr. Mitchell? - In an airplane. He just flew away. 1221 01:17:37,700 --> 01:17:38,700 Where'd he go? 1222 01:17:38,900 --> 01:17:41,700 He just wanted to get away and stay away and see nobody. 1223 01:17:43,100 --> 01:17:45,000 Thank you. Richards. 1224 01:18:04,100 --> 01:18:07,000 Makes me luckier than throwin' a seven 1225 01:18:07,200 --> 01:18:12,600 Takes me nearer to heaven Than anyone's allowed to do 1226 01:18:16,900 --> 01:18:21,200 'Cause angels looh lihe you 1227 01:18:23,700 --> 01:18:29,200 That is why my heart is singing a song 1228 01:18:30,100 --> 01:18:33,300 My dream is yours 1229 01:18:34,000 --> 01:18:37,300 I'm through with spending time 1230 01:18:40,200 --> 01:18:43,500 Hold it. Miss Gibson. Thank you. 1231 01:18:51,000 --> 01:18:54,000 - Good evening, ma'am. - Good evening. Helen. 1232 01:18:54,500 --> 01:18:57,300 - Would you please unwrap it? - Yes, ma'am. 1233 01:19:23,300 --> 01:19:27,500 - Is that you. Martha? - Hello. Uncle Charlie. 1234 01:19:28,900 --> 01:19:31,900 Just from one girl to another. aren't you wearing too much makeup? 1235 01:19:32,000 --> 01:19:35,700 I'm dyeing Easter eggs for Freddie. I've got six baskets of them. 1236 01:19:35,900 --> 01:19:38,000 We'll hide them as soon as he gets to sleep. 1237 01:19:38,200 --> 01:19:41,400 I'll be in to help you when I tuck him in. He's still awake, isn't he? 1238 01:19:41,500 --> 01:19:45,000 Ever see the night he didn't wait up for you? By the way, he's got a guest. 1239 01:19:45,200 --> 01:19:47,200 - Guest? - Yeah. 1240 01:19:52,800 --> 01:19:55,600 "It looks pretty bad for Bugs Bunny right now. 1241 01:19:55,800 --> 01:20:00,900 The rabbit hunters have his private carrot patch surrounded, and they're closing in. 1242 01:20:01,300 --> 01:20:03,400 And what's that sticking up over that bush? 1243 01:20:03,600 --> 01:20:06,100 - Are you my daddy? - It's-" 1244 01:20:07,300 --> 01:20:13,200 No. I'm just your Uncle Doug. Yeah. Yeah. 1245 01:20:14,300 --> 01:20:16,300 "A nice, empty hole in the ground. 1246 01:20:17,300 --> 01:20:23,300 Safe at last. Bugs Bunny curis up contentedly, munching on his favorite fruit. " 1247 01:20:27,500 --> 01:20:29,800 Hey, fellas, can I come in? 1248 01:20:30,000 --> 01:20:31,400 - Hi. Martha. - Hi. Mommy! 1249 01:20:31,600 --> 01:20:35,400 - Happy Easter, darling. - Oh. Mommy, thank you. Thank you. 1250 01:20:35,500 --> 01:20:39,100 It's the one you saw in the store window. remember? The one you liked best? 1251 01:20:39,300 --> 01:20:42,200 You put him under the blankets and he can sleep with you tonight. 1252 01:20:42,400 --> 01:20:45,700 Oh, no. He's got to sleep with his family. 1253 01:20:45,900 --> 01:20:49,100 You weren't the only one who was taken for a walk past that toy window. 1254 01:20:49,300 --> 01:20:53,200 That's from Auntie Vi. And this one's from Uncle Charlie. 1255 01:20:53,300 --> 01:20:55,800 - And he's from Mr. Hoofer. - Hofer. 1256 01:20:56,000 --> 01:20:59,300 - Hofer. And this one's from- - Uncle Doug. 1257 01:20:59,500 --> 01:21:02,400 - How'd you know? - Oh, because he always has the topper. 1258 01:21:03,300 --> 01:21:04,800 Come on. You have to go sleep. 1259 01:21:05,000 --> 01:21:07,800 Don't forget, we have to get up real early in the morning... 1260 01:21:08,000 --> 01:21:09,700 ...and hunt for all those Easter eggs. 1261 01:21:09,900 --> 01:21:13,900 And the Easter bunny doesn't come around till little children are all sound asleep. 1262 01:21:14,100 --> 01:21:17,700 But what about the story? What happened to Bugs Bunny? 1263 01:21:20,900 --> 01:21:25,000 He was trapped, just like I am right now. Okay. I'll finish it for you. 1264 01:21:25,200 --> 01:21:27,500 - I'll fix you a sandwich and some coffee. - Thanks. 1265 01:21:27,600 --> 01:21:30,900 - Good night, darling. - Good night. Mommy. 1266 01:21:31,300 --> 01:21:34,900 - Don't you stay too long. - No, no. I won't. 1267 01:21:35,200 --> 01:21:36,500 Now, where was I? 1268 01:21:36,700 --> 01:21:41,500 Well. Bugs Bunny was all curled up. eating a carrot. 1269 01:21:41,700 --> 01:21:45,200 Oh, sure. I remember. Here we go, now. 1270 01:21:45,400 --> 01:21:48,900 "Naturally. Bugs Bunny doesn't know that he's eating the magic carrot. 1271 01:21:49,100 --> 01:21:51,500 All of a sudden, he starts to grow. 1272 01:21:51,700 --> 01:21:56,600 - And he gets bigger and bigger and big-" - How bigger. Uncle Doug? 1273 01:21:56,700 --> 01:21:58,800 Oh, pretty big. 1274 01:21:59,000 --> 01:22:03,200 - Bigger than you? - Oh, much bigger than that. Yes, sir. 1275 01:22:03,400 --> 01:22:09,800 "He grows and he grows and he grows... 1276 01:22:10,000 --> 01:22:14,100 ...and he grows and he grows... " 1277 01:23:14,800 --> 01:23:18,900 Freddie. Time to get up. 1278 01:23:20,900 --> 01:23:24,900 It's Easter. Time to get up. 1279 01:23:25,500 --> 01:23:28,700 Did you hear what I said? 1280 01:23:29,400 --> 01:23:34,900 Freddie. I said, time to get ready. 1281 01:23:35,800 --> 01:23:38,700 Fred! 1282 01:23:41,900 --> 01:23:49,500 Is there no way of getting that kid Out of bed? 1283 01:23:55,700 --> 01:24:00,800 Freddie. I gotta get you up and dressed Up and dressed 1284 01:24:01,000 --> 01:24:05,500 Freddie, you gotta look your Sunday best Your Sunday best 1285 01:24:05,700 --> 01:24:11,100 Oh. Freddie, look in the Easter bunny's nest The bunny's nest 1286 01:24:11,300 --> 01:24:16,500 Get ready I've got to get you up and dressed 1287 01:24:17,000 --> 01:24:21,200 But he doesn't hear a word I say 1288 01:24:21,300 --> 01:24:26,400 There doesn't seem to be a way To get him up and dressed today 1289 01:24:26,600 --> 01:24:31,700 He heard the coch-a-doodle-doo Of ev'ry rooster on the cloch-a-doodle-doo 1290 01:24:31,800 --> 01:24:34,400 They're always wakin' up The stoch-a-doodle-doo 1291 01:24:34,600 --> 01:24:36,100 But freddie doesn't bat an eye 1292 01:24:36,300 --> 01:24:39,800 - Wakin' up is such a terrible shock - A-doodle-doo 1293 01:24:40,000 --> 01:24:42,400 He must be sleepin' Lihe a roch-a-doodle-doo 1294 01:24:42,600 --> 01:24:45,100 I'm gonna give another Knoch-a-doodle-doo 1295 01:24:45,300 --> 01:24:46,800 And try to mahe the feathers fly 1296 01:24:49,000 --> 01:24:51,400 Put on your shirt, put on your pants 1297 01:24:51,600 --> 01:24:54,100 You better get dressed I'll give you one more chance 1298 01:24:54,300 --> 01:24:56,400 Put on your shoes, put on your hat 1299 01:24:56,600 --> 01:24:59,600 I tawt I taw a putty tat! 1300 01:24:59,900 --> 01:25:02,500 - Come on. Fred - Get out of bed 1301 01:25:02,700 --> 01:25:05,000 I know you heard what they said 1302 01:25:05,200 --> 01:25:07,800 Hurry on, hurry on, hurry on, do 1303 01:25:08,000 --> 01:25:10,200 Mister Trouble hasn't got a thing on you 1304 01:25:10,400 --> 01:25:13,100 Wash your hands and wash your face And part your hair the proper place 1305 01:25:13,300 --> 01:25:15,900 Wash wherever dirt appears And don't forget behind your ears 1306 01:25:16,100 --> 01:25:18,500 Get your shirt and get your pants You haven't got another chance 1307 01:25:18,700 --> 01:25:21,200 Get your coat and get your hat And get your blue-and-white cravat 1308 01:25:21,300 --> 01:25:23,800 Brush your teeth and shine your shoes And hurry, there's no time to lose 1309 01:25:23,900 --> 01:25:26,300 If you dawdle, I'm afraid You're gonna miss the big parade 1310 01:25:26,400 --> 01:25:29,000 Hurry, hurry, hurry, hurry Hurry, hurry, hurry, hurry 1311 01:25:29,100 --> 01:25:31,600 Hurry, hurry, hurry, hurry, hurry 1312 01:25:31,800 --> 01:25:40,500 Freddie, get ready right nowt 1313 01:26:08,800 --> 01:26:10,700 Honey, what are you doing out of bed? 1314 01:26:10,900 --> 01:26:13,800 - Hey, what's going on here? - Oh, sweetie. 1315 01:26:13,900 --> 01:26:16,100 Darling. the Easter bunny hasn't come yet. 1316 01:26:16,300 --> 01:26:17,800 That's what you think. 1317 01:26:18,100 --> 01:26:19,900 Oh, honey, go to sleep. 1318 01:26:20,300 --> 01:26:21,800 Well, you know something? 1319 01:26:22,000 --> 01:26:26,500 Last year, all I could afford for the baby was a 29-cent duck from the corner drug store. 1320 01:26:26,600 --> 01:26:28,700 - Now look at us. - This is how it should be. 1321 01:26:28,900 --> 01:26:31,700 I know. I always hoped it would be this way. 1322 01:26:31,900 --> 01:26:34,200 But I only get worried. I think we're spoiling him. 1323 01:26:34,400 --> 01:26:36,000 - Oh. Martha. - Yes. 1324 01:26:36,100 --> 01:26:38,000 I try to give him everything he needs... 1325 01:26:38,200 --> 01:26:41,400 ...and you come along with Uncle Charlie and Vi and you give him more. 1326 01:26:41,600 --> 01:26:43,200 He hasn't got everything. Martha. 1327 01:26:43,400 --> 01:26:49,600 Well, he's got toys and books and stuff like that, but, well, he needs something more. 1328 01:26:49,900 --> 01:26:52,400 - What, for instance? - Well, you know what I mean. 1329 01:26:54,000 --> 01:26:56,000 Well. I think he needs a father. 1330 01:26:58,500 --> 01:27:03,300 Oh, why, he isn't too badly off. Doug. He has his Uncle Charlie. 1331 01:27:03,500 --> 01:27:06,000 Not what I mean. Uncle Charlie's fine, he's swell. 1332 01:27:06,200 --> 01:27:08,600 But Freddie needs somebody he can hunt and fish with. 1333 01:27:08,700 --> 01:27:10,300 Somebody to teach him how to swim. 1334 01:27:10,500 --> 01:27:13,600 You know, all those things that kids learn from their dads. 1335 01:27:15,500 --> 01:27:21,000 And I'm nuts about the boy. Martha. and about you too. 1336 01:27:22,100 --> 01:27:26,600 I'd like this to be the best sales talk I ever made, but I need your help. 1337 01:27:27,500 --> 01:27:29,000 I don't know what to say. 1338 01:27:29,500 --> 01:27:32,100 Why don't you just say yes and put me out of my misery? 1339 01:27:32,300 --> 01:27:34,400 I can't. Doug. 1340 01:27:35,200 --> 01:27:37,200 I know you've been wonderful... 1341 01:27:37,400 --> 01:27:41,900 ...and I owe you so much. but I can't say yes. 1342 01:27:43,400 --> 01:27:45,400 Still Gary, huh? 1343 01:27:47,000 --> 01:27:49,000 How does he feel about it? 1344 01:27:50,700 --> 01:27:53,100 He doesn't even answer my letters. 1345 01:27:55,800 --> 01:28:01,900 This was returned unopened. and a dozen more like it. 1346 01:28:03,400 --> 01:28:07,700 But I'll write again tonight and again tomorrow night. 1347 01:28:08,500 --> 01:28:12,500 - I'm sorry. Doug. - Well. I can't fight that. 1348 01:28:12,900 --> 01:28:15,400 Neither can I, because I've tried. 1349 01:28:15,800 --> 01:28:22,400 I know it isn't practical or wise or good for me, but that's the way it is. 1350 01:28:22,500 --> 01:28:27,000 It's just one of those things. You can't help it. Well, good night. 1351 01:28:27,700 --> 01:28:30,700 I wish I had a laugh line for an exit here, but... 1352 01:28:31,700 --> 01:28:36,400 - Good night. - Doug? 1353 01:28:41,700 --> 01:28:48,600 - I'm so sorry. - Yeah, so am I. Good night, baby. 1354 01:28:59,300 --> 01:29:04,600 Hutch. Gary Mitchell is still waiting. Okay. I'll tell him. 1355 01:29:05,200 --> 01:29:07,300 - He'll see you in a minute. - Thanks. Vi. 1356 01:29:07,500 --> 01:29:09,400 You've been away, haven't you? 1357 01:29:09,600 --> 01:29:13,300 Yes, just got back a couple of days ago. I thought I'd- 1358 01:29:13,500 --> 01:29:15,700 That's for you. Go on in. 1359 01:29:26,500 --> 01:29:30,700 Hello, is Doug Blake there? Let me speak to him, will you? 1360 01:29:31,700 --> 01:29:33,700 You know how it is. the way we're situated... 1361 01:29:33,900 --> 01:29:36,500 ...with Felix Hofer as our most important client... 1362 01:29:36,700 --> 01:29:38,800 ...I'm afraid we wouldn't have anything for you. 1363 01:29:39,000 --> 01:29:41,600 Yeah, but a lot of sponsors. and old man Hofer too... 1364 01:29:41,800 --> 01:29:45,000 ...were hungry to get my signature on a contract a few months ago. 1365 01:29:45,100 --> 01:29:46,400 That was a few months ago. 1366 01:29:46,600 --> 01:29:49,800 Since then, you've signed with somebody else. Why don't you go to them? 1367 01:29:50,000 --> 01:29:52,400 - I've been to them. - And they don't want you? 1368 01:29:52,600 --> 01:29:53,800 Guess. 1369 01:29:54,000 --> 01:29:56,800 Well. I'm sorry. Gary. but there's nothing I can do. 1370 01:29:57,300 --> 01:30:00,400 Look. Hutch. I've been getting the freeze from everybody. 1371 01:30:00,600 --> 01:30:03,300 From people who were licking my boots a few months ago. 1372 01:30:03,500 --> 01:30:06,100 Am I blackballed in radio just because I blew one program? 1373 01:30:06,300 --> 01:30:07,900 What do you think? 1374 01:30:08,500 --> 01:30:13,700 Well. I had a bad spell there, but I'm over it now. I haven't had a drink for weeks. 1375 01:30:14,400 --> 01:30:17,900 Well, next season, maybe. when we're lining up our new shows. 1376 01:30:18,200 --> 01:30:20,400 - Right now. I don't- - I get it. Thanks. 1377 01:30:20,600 --> 01:30:22,200 You're welcome. 1378 01:30:31,200 --> 01:30:34,100 - Double Scotch, straight. - Yes, sir. 1379 01:30:41,500 --> 01:30:45,200 - Hi. Gary. How you been? - What do you want? 1380 01:30:45,400 --> 01:30:48,500 - I just wanna talk to you. - I'm busy. 1381 01:30:48,700 --> 01:30:52,500 Look. I'll make it short and to the point. Just a few minutes. 1382 01:30:53,500 --> 01:30:57,400 - All right, let's have it. - Gary, this is business. 1383 01:30:57,700 --> 01:30:59,700 Business? What's your cut? 1384 01:30:59,800 --> 01:31:03,300 Look, this time, it's not for me. it's for you, believe me. 1385 01:31:04,900 --> 01:31:06,900 Let's go up to my office, huh? 1386 01:31:08,200 --> 01:31:10,000 - Okay. - Put it on my tab. 1387 01:31:10,200 --> 01:31:13,000 - Very well. Mr. Blake. - Say. Gary... 1388 01:31:29,000 --> 01:31:33,000 "We are holding first Yale class of 1923 reunion... " 1389 01:31:34,700 --> 01:31:39,200 Ms. Randall, if I have any engagement for Saturday night, please cancel it. 1390 01:32:22,500 --> 01:32:24,100 - Good evening, sir. - Good evening. 1391 01:32:24,300 --> 01:32:26,300 Thomas Hutchins. Yale class of '23 reunion. 1392 01:32:26,400 --> 01:32:28,400 - Yes. Right this way, please. - Thank you. 1393 01:32:28,500 --> 01:32:30,200 This is it, sir. Class of '23. 1394 01:32:30,400 --> 01:32:32,900 - Well, they've done the table beautifully. - Thank you. 1395 01:32:33,000 --> 01:32:35,400 It brings back many fond memories. 1396 01:32:37,800 --> 01:32:39,800 - I seem to be the first one. - Yes, sir. 1397 01:32:40,000 --> 01:32:42,500 Thank you. Thank you. 1398 01:32:42,700 --> 01:32:44,900 - Well, well. Mr. Hofer. - Oh. Mr. Hutch. 1399 01:32:45,000 --> 01:32:46,400 How do you do. Mrs. Hofer? 1400 01:32:46,500 --> 01:32:48,900 - You came also for the Strauss? - Strauss? 1401 01:32:49,100 --> 01:32:51,800 Oh, no, no, no. Yale class reunion of '23. 1402 01:32:53,300 --> 01:32:55,200 Twenty-three. Where are the other 22? 1403 01:32:56,600 --> 01:32:58,400 Excuse me. 1404 01:33:08,700 --> 01:33:12,600 I saved this table special for you. and I trust that you'll enjoy yourself. 1405 01:33:16,100 --> 01:33:17,400 - Good evening. - Good evening. 1406 01:33:17,600 --> 01:33:20,400 - Have you our table? - Of course. Will you follow me, please? 1407 01:33:20,800 --> 01:33:23,300 There you are, gentlemen, over there. Have a nice time. 1408 01:33:23,500 --> 01:33:24,900 Thank you. 1409 01:33:37,800 --> 01:33:40,800 Well, everything's all set. There's nothing to be nervous about. 1410 01:33:41,100 --> 01:33:42,900 This is just another audience. remember? 1411 01:33:43,100 --> 01:33:46,300 - Get me a drink, will you. Blake? - You're through with that stuff. 1412 01:33:46,500 --> 01:33:48,300 Yeah, that's right. Starting tomorrow. 1413 01:33:48,400 --> 01:33:50,600 A lot of strings were pulled to set this up. 1414 01:33:50,800 --> 01:33:53,600 I've stuck my neck out a mile. You'll go out there and sing. 1415 01:33:53,800 --> 01:33:57,800 - There's a lot of important people waiting. - Let them wait. They waited for me before. 1416 01:34:05,100 --> 01:34:08,400 Ladies and gentlemen. welcome to the Cocoanut Grove tonight. 1417 01:34:08,600 --> 01:34:10,400 And for your entertainment... 1418 01:34:10,600 --> 01:34:13,100 ...we're very happy to present an old friend of yours... 1419 01:34:13,300 --> 01:34:16,400 ...someone that needs no introduction. 1420 01:34:19,400 --> 01:34:22,400 - Mama. - Why, that's Gary Mitchell. 1421 01:34:23,100 --> 01:34:26,100 Keep it down, will you. Frankie? They want to hear the singer. 1422 01:34:35,900 --> 01:34:40,300 My dream is yours 1423 01:34:40,500 --> 01:34:44,000 My dream is yours alone 1424 01:34:44,200 --> 01:34:46,400 It's all I own 1425 01:34:46,600 --> 01:34:49,300 My dream is yours 1426 01:34:50,300 --> 01:34:53,900 I'm through with spending time 1427 01:34:54,100 --> 01:34:58,800 Pretending I'm a rover 1428 01:34:58,900 --> 01:35:02,800 And when I dream it over 1429 01:35:05,100 --> 01:35:08,600 I'm in clover 1430 01:35:08,800 --> 01:35:13,600 And everything is fi- fine 1431 01:35:15,300 --> 01:35:20,200 My- My dream is yours 1432 01:35:29,400 --> 01:35:35,700 So, darling, may I say, "I love you" 1433 01:35:35,900 --> 01:35:44,700 Till the theme of every dream begins to shine? 1434 01:35:45,400 --> 01:35:48,400 My dream is yours 1435 01:35:48,500 --> 01:35:53,700 Because it's yours and mine 1436 01:35:54,500 --> 01:35:58,200 My dream is yours 1437 01:35:59,200 --> 01:36:02,200 It isn't much to give 1438 01:36:02,300 --> 01:36:04,500 But while I live 1439 01:36:04,700 --> 01:36:08,300 My dream is yours 1440 01:36:08,500 --> 01:36:14,000 So, darling, may I say, "I love you" 1441 01:36:14,200 --> 01:36:22,100 Till the theme of every dream begins to shine? 1442 01:36:24,000 --> 01:36:27,300 My dream is yours 1443 01:36:27,500 --> 01:36:35,400 Because it's yours and mine 1444 01:36:44,200 --> 01:36:47,700 Thank you, ladies and gentlemen. I'll be back again to sing for you later. 1445 01:36:47,800 --> 01:36:49,900 Frankie, it's all yours. 1446 01:36:51,200 --> 01:36:54,700 Now. I can still kill them. with a little rest. 1447 01:37:02,900 --> 01:37:05,400 We can thank Doug for arranging this whole thing tonight. 1448 01:37:05,600 --> 01:37:08,600 He's got some kind of an angle on it. But then, it's his business. 1449 01:37:08,800 --> 01:37:11,600 How can you say that. Gary? You're wrong. He did it for you. 1450 01:37:11,800 --> 01:37:15,300 Use your head. He wouldn't do that unless there was something in it for him. 1451 01:37:15,500 --> 01:37:17,400 Well. I think it was pretty swell of him. 1452 01:37:17,600 --> 01:37:21,400 All right, so he's sensational. a true-blue Boy Scout. 1453 01:37:21,600 --> 01:37:24,600 But let's talk about something more important. Let's talk about us. 1454 01:37:25,500 --> 01:37:27,700 Look, honey. let's have an understanding. 1455 01:37:27,900 --> 01:37:30,700 Two careers in one family is one too many. 1456 01:37:31,100 --> 01:37:33,300 We'll concentrate on mine, huh? 1457 01:37:34,100 --> 01:37:37,700 Come on, here he is. You were great. Gary. The old champ. 1458 01:37:37,800 --> 01:37:39,100 Thanks. 1459 01:37:39,300 --> 01:37:41,900 Gary. I want you to meet Hank Wilson. Come on, step up. 1460 01:37:42,100 --> 01:37:45,000 Gary, you've got some fans here. There's Dolly. Polly and Katie. 1461 01:37:45,200 --> 01:37:47,800 - I think you're wonderful. - It was wonderful. Come on- 1462 01:37:48,000 --> 01:37:50,000 Just like old times. 1463 01:37:50,100 --> 01:37:54,100 Oh. Miss Gibson, it's always a pleasure to meet a grand singer like you. 1464 01:37:54,300 --> 01:37:57,900 You know, we play all of your records out of our station up at Grand Forks. 1465 01:37:58,100 --> 01:37:59,600 Everybody's just crazy about you. 1466 01:37:59,800 --> 01:38:02,500 You giris wanna celebrate? You haven't changed a bit. 1467 01:38:02,600 --> 01:38:04,900 Yes, my kid's got every record you ever made. 1468 01:38:05,100 --> 01:38:07,800 What, no etchings? Oh, we missed you. 1469 01:38:08,000 --> 01:38:11,800 Come on. Katie, tell us too, will you? Come on. 1470 01:38:12,000 --> 01:38:14,000 I'll look around and find that photographer. 1471 01:38:14,200 --> 01:38:16,300 Come on, drink up. Here's to a big evening. 1472 01:38:16,500 --> 01:38:19,600 - There's one here someplace. I- - Excuse me a moment, please. 1473 01:38:19,800 --> 01:38:21,800 - Hutch, how about it? - Sounds tired to me. 1474 01:38:22,000 --> 01:38:24,900 We give him a chance, handle him right. he'll be back on top. 1475 01:38:25,100 --> 01:38:27,600 Well, maybe. I'm afraid to say no to you anymore. 1476 01:38:27,800 --> 01:38:30,800 I don't want to talk shop tonight. Vi, you're looking very pretty. 1477 01:38:31,000 --> 01:38:32,400 - Thank you. - I'm a little slow... 1478 01:38:32,600 --> 01:38:36,800 ...but I'm getting around to saying something I should have a long time ago. 1479 01:38:37,000 --> 01:38:40,700 - Really? - How about this dance? 1480 01:38:40,900 --> 01:38:45,700 Well, that's a start, anyway. Excuse us. 1481 01:38:46,300 --> 01:38:48,500 You know. Vi we should do this moie often. 1482 01:38:48,700 --> 01:38:50,700 Well, we will. 1483 01:39:04,900 --> 01:39:10,400 - I thought we might have this dance. - Well, yeah, sure. Sure. 1484 01:39:11,400 --> 01:39:14,400 Doug. I wanna thank you for what you did tonight for Gary and me. 1485 01:39:14,600 --> 01:39:18,100 Oh, that's all right. Any friend of Gary's is a friend of mine. 1486 01:39:23,900 --> 01:39:26,700 I'm glad everything worked out right for you, kid. 1487 01:39:26,900 --> 01:39:28,500 I feel like I'm walkin' 1488 01:39:28,700 --> 01:39:30,300 On a cloud with someone lihe you 1489 01:39:30,500 --> 01:39:33,600 Someday I'll find 1490 01:39:33,700 --> 01:39:35,200 Someone I can boast to 1491 01:39:35,400 --> 01:39:37,200 Pete's sake, what do you do... 1492 01:39:37,400 --> 01:39:39,900 ...propose to a girl once and get discouraged and quit? 1493 01:39:40,100 --> 01:39:41,400 - What? - How about that promise? 1494 01:39:41,600 --> 01:39:43,900 Yeah. I told- I promised Frank. 1495 01:39:44,100 --> 01:39:46,800 - Come on. Martha, please. - Go ahead. They want you. Go on. 1496 01:39:46,900 --> 01:39:49,200 Who I'll give the most to? 1497 01:39:49,400 --> 01:39:50,900 You prey on my mind 1498 01:39:51,100 --> 01:39:55,600 Stay till I find Someone lihe you 1499 01:39:55,800 --> 01:39:58,600 Someday I'll find 1500 01:39:58,900 --> 01:40:01,400 Someone I can boast to 1501 01:40:01,800 --> 01:40:03,500 Somebody to hug 1502 01:40:03,900 --> 01:40:07,800 A bug in a rug To snuggle up close to 1503 01:40:07,900 --> 01:40:10,000 And whenever I do 1504 01:40:10,200 --> 01:40:11,300 Do you hnow the who 1505 01:40:11,500 --> 01:40:14,100 Who I'll give the most to? 1506 01:40:14,300 --> 01:40:16,100 You prey on my mind 1507 01:40:16,200 --> 01:40:19,300 Stay till I find Someone lihe you 1508 01:40:19,500 --> 01:40:21,300 Baby, no one else will do 1509 01:40:21,500 --> 01:40:30,200 Oh, stay till I find Someone lihe you 1510 01:40:38,500 --> 01:40:41,100 Well, shut my mouth. 1511 01:40:42,305 --> 01:40:48,843 Support us and become VIP member to remove all ads from www.OpenSubtitles.org130094