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1
00:00:37,037 --> 00:00:39,273
( coughing )
2
00:00:52,320 --> 00:00:54,122
( groans )
3
00:01:53,647 --> 00:01:56,150
( heavy equipment rumbling )
4
00:02:18,239 --> 00:02:20,140
( clattering )
5
00:02:22,843 --> 00:02:24,845
( coughing )
6
00:02:32,520 --> 00:02:35,423
( hammering, stapling )
7
00:02:35,456 --> 00:02:37,591
( power saw running )
8
00:02:46,467 --> 00:02:49,169
( thudding )
9
00:03:02,616 --> 00:03:03,951
CHARLIE?
10
00:03:13,527 --> 00:03:16,430
Man:
ACTUALLY, TELL JEFF
TO COME HERE NOW...
11
00:03:18,366 --> 00:03:21,235
YEAH, UM,
HAVE YOU SEEN
MY ASSISTANT?
12
00:03:21,269 --> 00:03:24,338
HE'S ABOUT THIS TALL,
DARK HAIR.
13
00:03:24,372 --> 00:03:26,774
NO.
14
00:03:26,807 --> 00:03:29,943
HE CAN'T HIDE FROM ME,
NOT IN MY OWN HOUSE.
15
00:03:32,380 --> 00:03:34,582
( phone ringing )
16
00:03:34,615 --> 00:03:36,817
Woman:
HEY, THIS IS CHARLOTTE.
I CAN'T GET TO THE PHONE NOW.
17
00:03:36,850 --> 00:03:38,819
LEAVE A MESSAGE,
AND I'LL CALL YOU BACK.
18
00:03:38,852 --> 00:03:40,821
YEAH, WHERE THE HELL
ARE YOU?
19
00:03:40,854 --> 00:03:43,223
IT'S 1:00 ALREADY.
20
00:04:23,364 --> 00:04:25,733
( stapling,
saw whirring )
21
00:04:52,993 --> 00:04:55,028
GIRLS' NIGHT OUT?
22
00:04:55,062 --> 00:04:58,432
OR WERE THERE
BOYS TOO?
23
00:04:58,466 --> 00:05:00,534
SOME BOYS,
SOME GIRLS.
YEAH.
24
00:05:00,568 --> 00:05:02,302
FIGURES.
25
00:05:06,106 --> 00:05:07,975
DID YOU HAVE FUN?
26
00:05:08,008 --> 00:05:10,811
YEP.
27
00:05:10,844 --> 00:05:13,647
HOW IS IT THAT, UM,
28
00:05:13,681 --> 00:05:15,916
THAT YOU DON'T RETURN
A SINGLE CALL?
29
00:05:15,949 --> 00:05:18,919
I DON'T KNOW.
SERVICE?
30
00:05:18,952 --> 00:05:20,854
RIGHT.
31
00:05:22,122 --> 00:05:24,458
THERE'S NO FOOD IN THERE.
32
00:05:24,492 --> 00:05:26,927
FUCK THE FOOD.
WHERE'S THE FUCKIN' ICE?
33
00:05:26,960 --> 00:05:29,897
GODDAMN IT!
WHERE'S KARLA?
34
00:05:29,930 --> 00:05:32,400
IF I ASK HER TO DO
ONE FUCKING THING
FOR ME,
35
00:05:32,433 --> 00:05:34,402
IT'S JUST TO MAKE SURE
I'M WELL-STOCKED
WITH ICE.
36
00:05:34,435 --> 00:05:36,103
I MEAN, GOD!
37
00:05:36,136 --> 00:05:38,372
KARLA'S OFF.
WHY ARE YOU SO UPTIGHT?
38
00:05:38,406 --> 00:05:39,940
I'M NOT UPTIGHT,
JUST THIRSTY.
39
00:05:47,147 --> 00:05:48,949
WHAT?
40
00:05:48,982 --> 00:05:51,084
WHAT?
41
00:05:55,122 --> 00:05:57,925
YOU KNOW, I, UM...
42
00:05:57,958 --> 00:06:00,027
I DON'T MIND THAT YOU
GO OUT EVERY NIGHT.
43
00:06:00,060 --> 00:06:03,130
IT'D JUST BE NICE
IF YOU RETURNED A CALL
44
00:06:03,163 --> 00:06:05,032
NOW AND AGAIN.
45
00:06:06,133 --> 00:06:07,835
YOU KNOW?
46
00:06:07,868 --> 00:06:09,870
JUST SO I KNOW
YOU'RE ALL RIGHT.
47
00:06:13,741 --> 00:06:15,676
HERE. SHAKE IT.
48
00:06:20,781 --> 00:06:22,149
ENOUGH?
49
00:06:22,182 --> 00:06:24,652
FILL IT UP.
COME ON.
COME ON.
50
00:06:27,488 --> 00:06:29,623
OH, IT'S MAKING
ME SICK.
51
00:06:29,657 --> 00:06:31,625
WELL, HERE.
52
00:06:31,659 --> 00:06:33,627
COME ON. VITAMIN C.
IT'LL HELP YOU
WITH THE HANGOVER.
53
00:06:33,661 --> 00:06:35,663
ARE YOU FUCKING
KIDDING ME?
TRUST ME.
54
00:06:35,696 --> 00:06:37,998
I DON'T WANT IT.
55
00:06:38,031 --> 00:06:39,967
OKAY.
56
00:06:42,202 --> 00:06:44,472
AH, YOU'RE MISSING OUT.
57
00:06:44,505 --> 00:06:47,608
I MAKE ONE HELL
OF A MARTINI.
58
00:06:49,076 --> 00:06:51,078
BY THE WAY,
59
00:06:51,111 --> 00:06:54,548
WHO TOLD YOU
YOU COULD BORROW MY CAR
EVERY SINGLE NIGHT?
60
00:06:54,582 --> 00:06:56,917
WHAT IF I HAVE TO
GO SOMEWHERE?
WHERE ARE YOU GONNA GO?
61
00:06:56,950 --> 00:06:59,687
SOMEWHERE. ANYWHERE.
WHERE ARE YOU GONNA GO?
62
00:06:59,720 --> 00:07:00,988
YOU LOST
YOUR LICENSE.
63
00:07:01,021 --> 00:07:03,056
NO, I DIDN'T.
I HAVE MY LICENSE.
64
00:07:03,090 --> 00:07:04,858
OKAY, WHATEVER.
65
00:07:06,226 --> 00:07:08,028
DID YOU GET LAID
LAST NIGHT?
66
00:07:10,197 --> 00:07:13,433
THAT'S FUNNY, HUH?
FUNNY. WHY, DID YOU?
67
00:07:14,968 --> 00:07:17,070
WHAT, LADIES NEVER TELL?
68
00:07:17,104 --> 00:07:19,072
I HAVE TO SHOWER.
69
00:07:19,106 --> 00:07:21,609
YEAH, THAT'S
PROBABLY A GOOD IDEA.
YOU KNOW WHY?
70
00:07:21,642 --> 00:07:23,877
'CAUSE YOUR FACE
IS STARTING TO
RUN OFF YOUR FACE.
71
00:07:49,603 --> 00:07:52,005
WHO THE HELL ARE YOU?
72
00:08:03,016 --> 00:08:06,086
( hammer pounding,
saw whirring )
73
00:08:10,090 --> 00:08:12,626
( groans )
YOU KIDDING ME?
74
00:08:14,995 --> 00:08:16,730
SHIT!
75
00:08:20,300 --> 00:08:24,838
UH-HUH. UH-HUH.
I UNDERSTAND.
76
00:08:24,872 --> 00:08:28,676
HOW MANY OF THESE
DO I HAVE TO SIGN?
77
00:08:28,709 --> 00:08:30,844
THE WHOLE BOX?
78
00:08:30,878 --> 00:08:32,980
WHY?
79
00:08:33,013 --> 00:08:35,883
OH, GOD.
80
00:08:35,916 --> 00:08:38,586
I'M TRYING TO SWITCH
GENRES, PATTY.
81
00:08:38,619 --> 00:08:40,954
I NEED NEW MATERIAL.
THE FUCKING WATER'S OFF.
82
00:08:40,988 --> 00:08:43,924
PATTY, I NEED TO
CALL YOU BACK.
83
00:08:43,957 --> 00:08:46,827
YES, YES.
I'LL SIGN THEM.
I'LL SIGN THEM.
84
00:08:46,860 --> 00:08:48,596
ALL RIGHT, BYE.
85
00:08:48,629 --> 00:08:51,632
WHAT?
THE WATER IS OFF.
86
00:08:51,665 --> 00:08:53,834
WELL, GO USE
MY SHOWER THEN.
87
00:08:53,867 --> 00:08:56,269
AND AFTER THAT,
I NEED YOU TO HELP ME
SIGN THESE BOOKS.
88
00:08:56,303 --> 00:08:57,871
THE WATER
IS GOING TO BE
89
00:08:57,905 --> 00:09:00,307
OFF IN YOUR
BATHROOM TOO.
90
00:09:03,977 --> 00:09:06,747
WHAT IS THAT, ANOTHER
REX STEPHENS CLASSIC?
91
00:09:06,780 --> 00:09:09,216
I WROTE THIS
BEFORE YOU EVEN
HIT PUBERTY.
92
00:09:09,249 --> 00:09:12,252
AND, YES, SOME PEOPLE
CALL IT A CLASSIC.
93
00:09:12,285 --> 00:09:16,256
OKAY, NOW, HEMINGWAY
WAS A CLASSIC.
STEINBECK.
94
00:09:16,289 --> 00:09:18,325
NOT REX STEPHENS.
95
00:09:18,358 --> 00:09:20,894
I MEAN, EVEN BUKOWSKI,
IF YOU ASK ME.
96
00:09:20,928 --> 00:09:23,731
I LIKE THOSE PEOPLE TOO.
I'M SURE YOU DO.
97
00:09:27,034 --> 00:09:30,671
WHAT, DID YOU THINK I WAS
GONNA WALK ALL THE WAY
DOWN HERE NAKED?
98
00:09:30,704 --> 00:09:33,841
WHY'D YOU MAKE ME GET
OFF THE PHONE, CHARLOTTE?
THAT WAS BUSINESS.
99
00:09:33,874 --> 00:09:35,976
BECAUSE THE FUCKING
WATER IS OFF.
100
00:09:36,009 --> 00:09:38,211
WHO WAS THAT?
YOUR PUBLISHER?
101
00:09:38,245 --> 00:09:42,115
AGENT, PUBLISHER,
BLOODSUCKING BOTTOM-FEEDER.
WHICHEVER YOU PREFER.
102
00:09:42,149 --> 00:09:43,917
DID YOU READ
MY BOOK?
103
00:09:43,951 --> 00:09:47,120
I'M IN A PERIOD
OF TRANSITION.
104
00:09:47,154 --> 00:09:49,690
I'M LEAVING THEM.
THEY JUST DON'T
KNOW IT YET.
105
00:09:49,723 --> 00:09:51,158
RIGHT.
106
00:09:55,328 --> 00:09:56,830
SO...
107
00:09:56,864 --> 00:09:58,766
YOU DIDN'T READ
MY BOOK, DID YOU?
108
00:09:58,799 --> 00:10:02,269
COME ON. LET'S NOT
GO THROUGH ALL THIS AGAIN.
109
00:10:02,302 --> 00:10:05,639
YOU'RE NOT THE ONLY WRITER
IN TOWN, YOU KNOW.
110
00:10:05,673 --> 00:10:08,942
OKAY, LOOK.
WHY DON'T YOU GO
TAKE A SWIM,
111
00:10:08,976 --> 00:10:10,878
AND I'LL BE DOWN
IN A FEW MINUTES--
112
00:10:10,911 --> 00:10:13,714
GET ME AN AGENT.
113
00:10:13,747 --> 00:10:16,817
OKAY. I WILL.
114
00:10:19,019 --> 00:10:22,089
AND I AM THE ONLY
WRITER IN TOWN.
115
00:10:52,119 --> 00:10:54,121
( groaning )
116
00:11:11,471 --> 00:11:13,673
ALL RIGHT,
ALL RIGHT.
117
00:11:41,534 --> 00:11:43,270
GOT IT.
118
00:11:46,874 --> 00:11:48,008
CHARLOTTE.
119
00:11:50,077 --> 00:11:52,245
GOT IT.
120
00:11:52,279 --> 00:11:54,381
SEE?
THERE IT IS.
YEAH? YEAH?
121
00:11:54,414 --> 00:11:56,716
DID YOU WIPE
THE DUST OFF FIRST?
122
00:11:58,886 --> 00:12:00,520
ALL GONE.
123
00:12:00,553 --> 00:12:02,790
YOU DIDN'T READ
MY STORY.
124
00:12:02,823 --> 00:12:04,792
I'VE BEEN BUSY
WITH THE HOUSE
125
00:12:04,825 --> 00:12:06,960
AND ALL THIS BULLSHIT.
126
00:12:06,994 --> 00:12:09,296
I'M SPENDING MILLIONS
ON THIS PLACE.
127
00:12:09,329 --> 00:12:11,298
GOT THE PAINTERS
COMING NEXT WEEK.
128
00:12:11,331 --> 00:12:14,134
HAVE YOU ANY IDEA
HOW MUCH IT COSTS
TO PAINT A WHOLE HOUSE?
129
00:12:14,167 --> 00:12:16,169
PUT LOTION
ON MY BACK?
130
00:12:16,203 --> 00:12:18,271
A FUCKING SHITLOAD.
131
00:12:22,910 --> 00:12:25,145
WHICH REMINDS ME...
132
00:12:25,178 --> 00:12:29,316
I NEED YOU TO PICK
A COLOR FOR YOUR ROOM.
133
00:12:29,349 --> 00:12:31,251
WHATEVER YOU WANT.
134
00:12:31,284 --> 00:12:33,186
NO.
135
00:12:33,220 --> 00:12:35,188
IT'S WHATEVER
YOU WANT.
136
00:12:35,222 --> 00:12:37,357
I DON'T KNOW
WHAT COLORS
GIRLS LIKE.
137
00:12:37,390 --> 00:12:41,895
THAT'S WHY
I'M ASKING.
138
00:12:41,929 --> 00:12:44,564
IT'S YOUR ROOM.
HAVE SOME FUN
WITH IT.
139
00:12:44,597 --> 00:12:47,334
READ MY FUCKING
STORY, BRADY.
140
00:12:47,367 --> 00:12:50,270
OKAY, THAT IS ALL I ASK.
JUST READ IT.
141
00:12:50,303 --> 00:12:52,172
I WILL,
142
00:12:52,205 --> 00:12:54,908
AS SOON AS
YOU PICK A COLOR.
PLUM.
143
00:12:54,942 --> 00:12:57,878
PLUM. PAINT
MY ROOM PLUM.
144
00:12:57,911 --> 00:12:59,880
PLUM-- YOU MEAN,
UH, PURPLE?
145
00:12:59,913 --> 00:13:02,883
PURPLE, PLUM,
PINK, LAVENDER,
WHATEVER.
146
00:13:02,916 --> 00:13:04,885
WHAT DOES THAT MEAN,
"WHATEVER"?
147
00:13:04,918 --> 00:13:07,287
YOU KEEP USING THAT WORD.
I HATE THAT WORD!
148
00:13:07,320 --> 00:13:09,322
IT'S NOT EVEN
IN THE THESAURUS.
149
00:13:09,356 --> 00:13:11,391
IT'S IN THE DICTIONARY.
LOOK IT UP.
150
00:13:19,867 --> 00:13:22,069
YOU'RE NOT GONNA READ
MY STORY, ARE YOU, BRADY?
151
00:13:22,102 --> 00:13:26,439
IT'S NOT ABOUT
WHO READS IT, CHARLOTTE.
IT'S ABOUT THE WRITING.
152
00:13:26,473 --> 00:13:29,342
WHO CARES
WHAT I THINK?
153
00:13:29,376 --> 00:13:31,845
I DON'T EVEN LIKE
MY OWN STUFF.
154
00:13:33,346 --> 00:13:35,215
REX STEPHENS
IS A FAKE.
155
00:13:37,484 --> 00:13:39,486
PAINT MY ROOM PLUM.
156
00:13:41,488 --> 00:13:44,224
OKAY, FINE.
157
00:13:52,165 --> 00:13:54,868
I CAN'T WORK
OUT HERE EITHER.
IT'S TOO FUCKING HOT.
158
00:14:17,657 --> 00:14:20,260
HEY, DUDE,
THAT GIRL'S BACK OUT
IN THE POOL AGAIN.
159
00:14:20,293 --> 00:14:22,262
ARE YOU SERIOUS?
YEAH.
160
00:14:22,295 --> 00:14:25,165
OH, THIS IS GONNA BE
A GOOD DAY!
161
00:14:39,546 --> 00:14:42,249
WORKING HARD?
162
00:14:42,282 --> 00:14:44,451
SORT OF.
163
00:14:44,484 --> 00:14:47,254
HOW ABOUT YOU?
164
00:14:47,287 --> 00:14:49,022
SORT OF.
165
00:14:53,060 --> 00:14:55,929
DO I KNOW YOU?
166
00:14:55,963 --> 00:14:58,465
I'VE BEEN HERE
EVERY SINGLE DAY
FOR THE PAST MONTH.
167
00:15:01,001 --> 00:15:03,036
I WATCH YOU GUYS
FROM RIGHT HERE
ALL THE TIME.
168
00:15:04,371 --> 00:15:07,174
YOU SHOULD COME IN.
169
00:15:08,575 --> 00:15:10,110
I THOUGHT THE POOL
WAS OFF LIMITS.
170
00:15:10,143 --> 00:15:12,212
WHATEVER.
IT'S HOT.
171
00:15:12,245 --> 00:15:14,247
COME ON.
IT FEELS GOOD.
172
00:15:15,983 --> 00:15:18,952
YOU CAN BLAME IT ON ME.
173
00:15:18,986 --> 00:15:20,988
COME ON,
TAKE YOUR CLOTHES OFF.
174
00:15:27,995 --> 00:15:29,362
ALL RIGHT.
175
00:15:39,006 --> 00:15:41,208
( growling )
176
00:15:55,055 --> 00:15:57,324
THANK YOU.
GOOD, RIGHT?
177
00:16:00,660 --> 00:16:02,662
COME HERE.
178
00:16:04,431 --> 00:16:06,533
OKAY.
COME ON.
179
00:16:10,670 --> 00:16:12,472
THIS IS NICE.
THANK YOU.
180
00:16:12,505 --> 00:16:14,407
ARE YOU NERVOUS?
181
00:16:14,441 --> 00:16:17,144
NO, I'M NOT NERVOUS.
WHY WOULD I BE?
YOU SEEM NERVOUS.
182
00:16:24,384 --> 00:16:28,488
SO, HOW DO YOU KNOW
MR. OLINSON THERE?
183
00:16:28,521 --> 00:16:32,625
HE CAME IN AND SPOKE
AT ONE OF OUR CLASSES.
184
00:16:32,659 --> 00:16:34,494
YOU KNOW WHO
REX STEPHENS IS?
185
00:16:34,527 --> 00:16:37,164
NO.
ARE YOU SERIOUS?
186
00:16:37,197 --> 00:16:39,132
THE WRITER, REX...
187
00:16:39,166 --> 00:16:41,134
REX STEPHENS,
THE WRITER,
188
00:16:41,168 --> 00:16:43,636
REX STEPHENS,
THIS IS HIS HOUSE.
189
00:16:43,670 --> 00:16:46,706
OH!
THE FAMOUS...
190
00:16:46,739 --> 00:16:48,408
YEAH.
REX STEPHENS.
191
00:16:48,441 --> 00:16:50,210
"FAMOUS"--
MORE LIKE "INFAMOUS."
192
00:16:50,243 --> 00:16:52,011
RIGHT.
193
00:16:53,813 --> 00:16:55,615
CRAZY.
THAT'S COOL.
194
00:16:55,648 --> 00:16:58,351
SO YOU, LIKE,
"WORK" FOR HIM OR...
195
00:16:58,385 --> 00:17:01,421
I AM KIND OF LIKE
HIS EDITOR.
196
00:17:01,454 --> 00:17:04,091
HIS EDITOR?
MM-HMM.
197
00:17:04,124 --> 00:17:06,493
YOU'RE HIS EDITOR?
MM-HMM. I AM.
198
00:17:06,526 --> 00:17:08,495
REALLY?
199
00:17:08,528 --> 00:17:10,630
CAN I GO DIVING?
YEAH.
200
00:17:16,203 --> 00:17:19,572
( laughing )
SHUT UP! SHUT UP!
201
00:17:27,280 --> 00:17:28,648
Charlotte:
GO!
202
00:17:54,174 --> 00:17:56,143
HEY, WHERE ARE YOU GOING?
203
00:17:56,176 --> 00:17:57,810
YES?
WHAT THE HELL WAS
THAT ALL ABOUT?
204
00:17:57,844 --> 00:17:59,412
WHAT?
205
00:17:59,446 --> 00:18:02,149
THE POOL PARTY.
NOTHING.
206
00:18:02,182 --> 00:18:05,385
PLEASE.
DON'T PULL THAT
WITH ME.
207
00:18:05,418 --> 00:18:08,388
YOU THINK YOU CAN
DO THAT UNDER MY NOSE
AND GET AWAY WITH IT?
208
00:18:08,421 --> 00:18:09,556
DO WHAT?
209
00:18:09,589 --> 00:18:11,191
I SAW YOU
SCREWING AROUND
210
00:18:11,224 --> 00:18:13,226
WITH SOME KID
IN THE POOL.
211
00:18:13,260 --> 00:18:15,162
OKAY, WE WERE
JUST SWIMMING.
212
00:18:15,195 --> 00:18:19,399
I DON'T LIKE STRANGERS
IN MY POOL, CHARLOTTE.
213
00:18:19,432 --> 00:18:23,102
HE'S NOT A STRANGER,
HE'S WORKING FOR YOU,
YOU IDIOT.
214
00:18:26,839 --> 00:18:29,342
WELL, SWIMMING ISN'T
PART OF THE DEAL.
215
00:18:29,376 --> 00:18:32,379
HE WASN'T HIRED
TO SWIM!
216
00:18:37,317 --> 00:18:40,620
( indistinct conversation )
217
00:18:40,653 --> 00:18:42,489
GUYS? GUYS?
218
00:18:42,522 --> 00:18:45,692
I JUST WANT TO MAKE IT CLEAR,
THE POOL IS OFF LIMITS.
219
00:18:45,725 --> 00:18:48,261
OKAY? ALL RIGHT?
ARE WE CLEAR?
220
00:18:49,296 --> 00:18:51,564
ACTUALLY, YOU KNOW WHAT?
221
00:18:51,598 --> 00:18:54,167
I WOULD PREFER IT
IF YOU ALL JUST
LEFT FOR THE DAY.
222
00:18:54,201 --> 00:18:56,536
I'VE BEEN TRYING TO WORK
ALL MORNING, AND THE NOISE
IS FUCKING DISTRACTING.
223
00:18:59,439 --> 00:19:01,374
EARLY DAY FOR US.
224
00:19:20,460 --> 00:19:22,595
I'M-- I'M SORRY.
225
00:19:39,279 --> 00:19:40,580
WHATCHA READIN'?
226
00:19:40,613 --> 00:19:43,182
NOTHING SPECIAL.
227
00:19:52,024 --> 00:19:54,361
YOU KNOW,
I'VE BEEN THINKING.
228
00:19:54,394 --> 00:19:57,364
HAVE YOU EVER THOUGHT
ABOUT GRAD SCHOOL?
229
00:19:57,397 --> 00:19:59,399
YOU SAID IT WAS
A WASTE OF TIME.
230
00:19:59,432 --> 00:20:01,401
I NEVER SAID THAT.
YES, YOU DID.
231
00:20:01,434 --> 00:20:04,437
NO, NO, I SAID
THERE ARE OTHER OPTIONS.
232
00:20:04,471 --> 00:20:08,608
I REMEMBER EVERYTHING
YOU SAY, BRADY. I DON'T
FORGET THINGS EASILY.
233
00:20:08,641 --> 00:20:11,711
WELL, GRAD SCHOOL'S
NOT A WASTE OF TIME.
234
00:20:11,744 --> 00:20:13,980
NO, I'M SERIOUS.
235
00:20:14,013 --> 00:20:15,748
YOU MIGHT FIND
SOMETHING
236
00:20:15,782 --> 00:20:17,750
YOU MIGHT LIKE
TO DO, YOU KNOW?
237
00:20:17,784 --> 00:20:20,620
SOMETHING ELSE
YOU MIGHT LIKE TO DO.
OTHER THAN WRITING?
238
00:20:20,653 --> 00:20:23,356
NO, JUST SOMETHING
TO GIVE YOU
239
00:20:23,390 --> 00:20:25,725
ANOTHER OUTLOOK
ON LIFE.
240
00:20:25,758 --> 00:20:28,528
YOU KNOW?
241
00:20:28,561 --> 00:20:30,630
ARE YOU SICK OF ME?
242
00:20:30,663 --> 00:20:32,399
OF COURSE NOT.
243
00:20:32,432 --> 00:20:35,902
WHY WOULD I BE
SICK OF YOU?
244
00:20:35,935 --> 00:20:38,271
JUST, LIFE...
245
00:20:38,305 --> 00:20:41,974
LIFE OF A WRITER
CAN BE A REAL DRAG.
246
00:20:42,008 --> 00:20:45,578
I MEAN, LOOK AT ME.
I'M MISERABLE.
247
00:20:45,612 --> 00:20:47,780
OKAY, SO WHY DO YOU
KEEP ME AROUND, THEN,
248
00:20:47,814 --> 00:20:49,816
IF YOU'RE SO...
249
00:20:55,455 --> 00:20:58,458
WHEN I FIRST GOT HERE,
YOU SAID YOU WERE GONNA
START A NEW BOOK.
250
00:20:58,491 --> 00:21:00,527
YOU HAVEN'T.
YOU SAID YOU WERE
GONNA READ MY BOOK.
251
00:21:00,560 --> 00:21:03,863
YOU HAVEN'T.
WHAT DO YOU THINK
I'M DOING?
252
00:21:03,896 --> 00:21:05,865
YOU KEEP SAYING
YOU'RE SO MISERABLE.
253
00:21:05,898 --> 00:21:07,967
YOU DON'T EVER TALK
TO ME ABOUT ANYTHING.
254
00:21:08,000 --> 00:21:10,036
EVEN WHEN I ASK YOU,
YOU JUST AVOID IT.
255
00:21:13,973 --> 00:21:17,276
YOU MAKE ME HAPPY.
256
00:21:20,447 --> 00:21:23,316
YOU'RE SUCCESSFUL.
257
00:21:23,350 --> 00:21:26,553
PEOPLE KNOW WHO YOU ARE.
EVERYBODY WANTS WHAT YOU HAVE.
258
00:21:26,586 --> 00:21:28,621
WHAT,
YOU MEAN LIKE
259
00:21:28,655 --> 00:21:31,724
WRITING A FEW
CRAPPY NOVELS
THAT EVERYONE BUYS
260
00:21:31,758 --> 00:21:33,993
AND SPEAKING
AT UNIVERSITIES
261
00:21:34,026 --> 00:21:35,662
A COUPLE TIMES
A YEAR...
262
00:21:35,695 --> 00:21:38,498
YES. YES.
THAT IS WHAT I WANT.
263
00:21:38,531 --> 00:21:40,900
I WANT TO SLEEP
ALL DAY
264
00:21:40,933 --> 00:21:43,370
AND WORK ALL NIGHT
AND DRINK THE MOST
EXPENSIVE CHAMPAGNE
265
00:21:43,403 --> 00:21:46,873
AND HAVE A LEGACY.
266
00:21:46,906 --> 00:21:48,575
A LEGACY.
267
00:21:48,608 --> 00:21:50,377
YOU'VE ONLY WRITTEN
ONE STORY.
268
00:21:50,410 --> 00:21:52,845
"LEGACY."
IT'S A NOVELLA.
269
00:21:52,879 --> 00:21:55,515
WHATEVER IT IS,
IT'S STILL JUST
A STORY.
270
00:21:55,548 --> 00:21:59,051
DOESN'T MEAN ANYTHING.
ANYONE CAN WRITE A STORY.
271
00:21:59,952 --> 00:22:01,988
OH!
272
00:22:05,057 --> 00:22:07,093
YOU'RE SO FRUSTRATING.
273
00:22:08,728 --> 00:22:11,398
YOU'RE SUPPOSED
TO BE PASSIONATE
274
00:22:11,431 --> 00:22:13,500
AND ENCOURAGING.
275
00:22:13,533 --> 00:22:16,102
I THOUGHT YOU WERE
SUPPOSED TO INSPIRE ME.
276
00:22:16,135 --> 00:22:19,572
YOU'RE LOOKING
FOR VALIDATION?
277
00:22:19,606 --> 00:22:22,542
WELL, YOU'RE NEVER
GONNA BE SATISFIED.
278
00:22:22,575 --> 00:22:24,944
OKAY?
IT'S JUST A MYTH--
SATISFACTION.
279
00:22:24,977 --> 00:22:27,714
DOESN'T MEAN ANYTHING.
280
00:22:27,747 --> 00:22:30,817
EVEN MICK JAGGER
SAID SO HIMSELF.
IT'S ALL BULLSHIT.
281
00:22:40,893 --> 00:22:42,629
BESIDES,
282
00:22:42,662 --> 00:22:45,364
YOU KNOW HOW
PASSIONATE I AM.
283
00:22:48,034 --> 00:22:50,002
VERY PASSIONATE.
284
00:23:00,012 --> 00:23:01,881
WAIT. DO YOU THINK
I'M GOOD ENOUGH?
285
00:23:01,914 --> 00:23:03,483
HUH?
286
00:23:03,516 --> 00:23:05,685
AM I GOOD ENOUGH?
287
00:23:05,718 --> 00:23:09,589
I DON'T KNOW,
CHARLOTTE.
288
00:23:15,562 --> 00:23:18,531
GOD, YOU'RE GORGEOUS.
289
00:23:18,565 --> 00:23:20,500
GORGEOUS.
290
00:23:30,009 --> 00:23:31,711
I CAN'T.
WHAT?
291
00:23:31,744 --> 00:23:34,046
I CAN'T.
292
00:23:34,080 --> 00:23:36,516
WHAT'S THE MATTER?
WHERE ARE YOU GOING?
I CAN'T DO THIS.
293
00:23:36,549 --> 00:23:37,850
WELL, WHY?
294
00:23:39,919 --> 00:23:42,855
HIS NAME IS DUSTY REYNOLDS,
AND HE'S COMING OVER
FOR DINNER TONIGHT.
295
00:23:42,889 --> 00:23:46,759
( sputtering )
TONIGHT'S OUR DATE NIGHT.
YOU CAN'T INVITE ANYONE.
296
00:23:46,793 --> 00:23:48,561
THAT'S OUR RULE.
297
00:23:48,595 --> 00:23:51,030
WHATEVER.
298
00:23:51,063 --> 00:23:53,666
CHARLOTTE!
CHARLOTTE!
299
00:23:54,867 --> 00:23:56,836
SHIT!
300
00:23:56,869 --> 00:23:59,806
( classical piano plays )
301
00:25:20,853 --> 00:25:22,922
YOU LOOK BEAUTIFUL.
302
00:25:34,266 --> 00:25:36,235
YOU SURE YOU WANT TO
GO THROUGH WITH THIS?
303
00:25:36,268 --> 00:25:38,304
( doorbell rings )
304
00:25:46,679 --> 00:25:49,315
( door opens )
Man: HI.
305
00:25:49,348 --> 00:25:52,819
WOW, YOU LOOK
INCREDIBLY GORGEOUS.
306
00:25:52,852 --> 00:25:55,722
THANKS FOR
INVITING ME.
307
00:25:55,755 --> 00:25:57,223
HI.
HI.
308
00:25:57,256 --> 00:25:59,258
BRADY OLINSON.
DUSTY REYNOLDS.
309
00:25:59,291 --> 00:26:01,093
DUSTY, DUSTY.
310
00:26:01,127 --> 00:26:03,696
HOW DO YOU LIKE THE POOL?
REFRESHING, ISN'T IT?
311
00:26:03,730 --> 00:26:06,198
YEAH, I'M SORRY ABOUT THAT.
DON'T WORRY ABOUT IT.
312
00:26:06,232 --> 00:26:09,035
HOW OLD ARE YOU?
UH, 25.
313
00:26:09,068 --> 00:26:12,204
25.
IS THAT SO?
314
00:26:12,238 --> 00:26:13,973
REALLY?
315
00:26:14,006 --> 00:26:16,208
HE'S DRUNK.
DON'T WORRY ABOUT HIM.
316
00:26:16,242 --> 00:26:20,046
THANK YOU FOR
INVITING ME, SIR.
YEAH. I HEARD THAT.
317
00:26:23,215 --> 00:26:24,917
Brady:
SO, DUSTY,
318
00:26:24,951 --> 00:26:27,086
IS THIS A SUMMER JOB,
319
00:26:27,119 --> 00:26:28,988
WORKING AT MY PLACE?
320
00:26:29,021 --> 00:26:32,258
I'VE SEEN YOU AROUND,
JUST NOT IN MY POOL.
321
00:26:34,260 --> 00:26:36,729
YEAH, I'M WORKING
FOR MY DAD.
322
00:26:36,763 --> 00:26:38,898
BUT I REALLY WANT TO
BE A LAWYER, ACTUALLY.
323
00:26:38,931 --> 00:26:40,232
OH?
324
00:26:40,266 --> 00:26:42,268
JUST HAVEN'T
MUSTERED THE GUTS
325
00:26:42,301 --> 00:26:44,804
TO GO TO
LAW SCHOOL YET.
I WOULDN'T BOTHER.
326
00:26:44,837 --> 00:26:46,305
OH, YEAH?
WHY'S THAT?
327
00:26:46,338 --> 00:26:49,709
ALL THE LAWYERS
I KNOW ARE
GOOD DRUNKS.
328
00:26:49,742 --> 00:26:51,744
( chuckles )
329
00:26:53,680 --> 00:26:56,683
THAT'S FUNNY.
MY GRANDFATHER
WAS A LAWYER,
330
00:26:56,716 --> 00:26:58,785
A WELL-RESPECTED ONE,
AND HE NEVER DRANK.
331
00:26:58,818 --> 00:27:02,088
SMART MEN, THOUGH.
GOOD WITH WOMEN.
332
00:27:02,121 --> 00:27:05,224
ARE YOU GOOD
WITH WOMEN, DUSTY?
333
00:27:05,257 --> 00:27:06,325
YES.
334
00:27:06,358 --> 00:27:08,194
EXCELLENT.
335
00:27:08,227 --> 00:27:10,396
YOU MAY FIT
RIGHT IN.
336
00:27:17,804 --> 00:27:20,673
SO WHAT TYPE OF LAW
IS IT THAT YOU'RE
TRYING TO STUDY?
337
00:27:20,707 --> 00:27:22,274
UH, FAMILY LAW.
338
00:27:22,308 --> 00:27:25,211
COOL. WHAT DOES
THAT ENTAIL?
339
00:27:25,244 --> 00:27:27,847
IT'S KIND OF BROAD.
BASICALLY...
340
00:27:27,880 --> 00:27:31,083
ANYTHING THAT DEALS
WITH MAINTAINING
341
00:27:31,117 --> 00:27:33,385
PEACE AND,
YOU KNOW, HAPPINESS
342
00:27:33,419 --> 00:27:35,855
IN DOMESTIC
RELATIONSHIPS.
343
00:27:35,888 --> 00:27:38,290
WOW.
344
00:27:38,324 --> 00:27:41,360
THAT'S COOL.
YOU HEAR THAT, BRADY?
345
00:27:41,393 --> 00:27:43,996
THIS GUY COULD
ACTUALLY HELP YOU.
346
00:27:45,798 --> 00:27:47,967
I DON'T REALLY
THINK THAT
347
00:27:48,000 --> 00:27:49,969
ALL LAWYERS
ARE DRUNKS.
348
00:27:50,002 --> 00:27:51,704
IT'S JUST...
NO.
349
00:27:51,738 --> 00:27:53,706
HE JUST GOT REALLY
SCREWED OVER BY ONE.
350
00:27:53,740 --> 00:27:55,808
OH. SORRY
TO HEAR THAT,
MR. OLINSON.
351
00:27:55,842 --> 00:27:57,476
THERE'S A LOT
OF SHARKS OUT THERE.
352
00:27:57,509 --> 00:27:59,311
YES.
353
00:28:01,313 --> 00:28:03,349
THAT IS SO INSPIRING,
WHAT YOU'RE DOING.
354
00:28:03,382 --> 00:28:05,484
I THINK THAT'S
REALLY, REALLY GREAT.
355
00:28:05,517 --> 00:28:07,253
REALLY?
356
00:28:07,286 --> 00:28:08,888
THANK YOU.
357
00:28:25,337 --> 00:28:27,173
UM...
358
00:28:27,206 --> 00:28:30,476
I'D LIKE TO
PROPOSE A TOAST.
359
00:28:30,509 --> 00:28:33,112
TO YOUR NEW BOOK,
MY DARLING.
360
00:28:33,145 --> 00:28:37,483
MAY IT BECOME
AN ACADEMIC PERENNIAL.
361
00:28:37,516 --> 00:28:39,786
YOU WROTE A BOOK?
THAT'S AWESOME.
THAT'S REALLY COOL.
362
00:28:39,819 --> 00:28:41,520
I DID.
THANK YOU.
363
00:28:41,553 --> 00:28:44,490
YES, I READ IT TODAY.
IT'S REALLY SOMETHING.
364
00:28:44,523 --> 00:28:47,059
WHAT'S IT ABOUT?
365
00:28:47,093 --> 00:28:48,494
YEAH, BRADY.
WHAT'S IT ABOUT?
366
00:28:48,527 --> 00:28:51,130
WELL, IT'S-IT'S, UH...
367
00:28:51,163 --> 00:28:53,065
IT'S VERY GOOD,
368
00:28:53,099 --> 00:28:55,434
FOR A FIRST DRAFT.
369
00:28:55,467 --> 00:28:58,137
THAT WAS MY THESIS.
370
00:28:58,170 --> 00:29:01,040
IT'S BEEN REWRITTEN
A THOUSAND TIMES.
371
00:29:02,909 --> 00:29:04,343
IT'S FINISHED.
372
00:29:04,376 --> 00:29:07,079
HE JUST HASN'T
CRACKED IT OPEN YET.
373
00:29:11,283 --> 00:29:13,185
SO, UH...
( clears throat )
374
00:29:13,219 --> 00:29:15,254
DO YOU READ, DUSTY?
375
00:29:15,287 --> 00:29:17,556
YEAH. I MEAN,
YOU KNOW.
376
00:29:17,589 --> 00:29:20,927
OH, GOOD.
WHAT'S YOUR
FAVORITE BOOK?
377
00:29:20,960 --> 00:29:23,062
LAUGHTER IN THE DARK.
378
00:29:23,095 --> 00:29:25,898
AH. NABOKOV?
379
00:29:25,932 --> 00:29:27,299
MM-HMM.
MM.
380
00:29:27,333 --> 00:29:29,168
OH.
381
00:29:32,338 --> 00:29:36,042
SO, CHARLOTTE,
WHAT IS YOUR BOOK ABOUT?
382
00:29:36,075 --> 00:29:38,177
UM, MY BOOK IS ABOUT
383
00:29:38,210 --> 00:29:40,980
A GIRL WHO'S
384
00:29:41,013 --> 00:29:43,249
LEFT ALONE WHILE
HER FATHER WORKS
THE NIGHT SHIFT
385
00:29:43,282 --> 00:29:46,352
AND HAS TO DEAL
WITH LIARS
386
00:29:46,385 --> 00:29:50,156
THAT MAKE
EMPTY PROMISES.
387
00:29:52,258 --> 00:29:55,094
MAY I ASK YOU
A QUESTION?
Brady: CERTAINLY.
388
00:29:55,127 --> 00:29:57,163
FIRE AWAY.
389
00:29:57,196 --> 00:29:59,065
WHY DO YOU WRITE
UNDER A DIFFERENT NAME?
390
00:29:59,098 --> 00:30:00,867
A PSEUDONYM?
YEAH.
391
00:30:00,900 --> 00:30:03,302
WELL, LET'S JUST SAY
I, UH...
392
00:30:03,335 --> 00:30:06,605
I SUFFERED A LOT OF REJECTION
EARLY ON IN MY CAREER.
393
00:30:06,638 --> 00:30:09,341
HE HAD TO
REINVENT HIMSELF.
394
00:30:09,375 --> 00:30:12,144
A LOT OF WRITERS DO IT,
ESPECIALLY WHEN THEY SUCK.
395
00:30:12,178 --> 00:30:16,348
THANK YOU FOR THAT
VERY KIND REVIEW,
MY DEAR.
396
00:30:16,382 --> 00:30:19,551
BUT EVERYONE KNOWS
IT'S YOU, RIGHT?
I MEAN...
397
00:30:19,585 --> 00:30:21,820
I CERTAINLY
HOPE NOT.
398
00:30:29,929 --> 00:30:32,398
ARE YOU
QUITE FINISHED,
MY DEAR?
399
00:30:32,431 --> 00:30:34,033
YES.
400
00:30:36,568 --> 00:30:38,604
SORRY.
WHY ARE
YOU SORRY?
401
00:30:38,637 --> 00:30:40,572
HE'S HILARIOUS.
ARE YOU KIDDING ME?
I LIKE HIM.
402
00:30:40,606 --> 00:30:42,841
NO, DON'T LIKE HIM.
403
00:30:43,943 --> 00:30:45,511
COME ON.
HMM?
404
00:30:45,544 --> 00:30:47,213
LET'S GO.
405
00:31:13,672 --> 00:31:16,175
FUCKING LIAR!
406
00:31:16,208 --> 00:31:18,310
OH! YOU KNOW,
HE HASN'T READ
MY BOOK, RIGHT?
407
00:31:18,344 --> 00:31:21,613
HE HAS NOT
READ MY BOOK.
408
00:31:21,647 --> 00:31:24,483
DO YOU KNOW HOW LONG
I'VE BEEN HERE?
409
00:31:24,516 --> 00:31:27,153
DO YOU KNOW HOW MUCH
TIME I'VE SPENT
I HAVE NO IDEA.
410
00:31:27,186 --> 00:31:29,521
IN THIS HOUSE
FOR HIM,
411
00:31:29,555 --> 00:31:32,491
WITH HIM, DOING...
412
00:31:32,524 --> 00:31:35,027
YOU KNOW THAT I'M NOT
STAYING HERE LONG
AND LEAVING SOON.
413
00:31:35,061 --> 00:31:37,096
THAT'S A GOOD IDEA.
YEAH, I'M GOING
TO NEW YORK.
414
00:31:37,129 --> 00:31:39,131
I AM NOT STAYING HERE.
YOU'RE GOING TO NEW YORK?
415
00:31:39,165 --> 00:31:41,133
YEAH, NEW YORK'S
THE PLACE TO BE.
YES, IT IS.
416
00:31:41,167 --> 00:31:44,103
PUT THE BOOK DOWN.
417
00:31:44,136 --> 00:31:46,305
THAT'S CRAZY.
SO WHY DON'T YOU
JUST LEAVE?
418
00:31:46,338 --> 00:31:48,340
WELL, BECAUSE
EVERY TIME I TALK
ABOUT LEAVING,
419
00:31:48,374 --> 00:31:50,642
BRADY MAKES IT SOUND
LIKE I SHOULD REALLY
420
00:31:50,676 --> 00:31:52,644
BROADEN MY HORIZONS
AND ALL,
421
00:31:52,678 --> 00:31:54,947
AND THEN IT'S LIKE
A FUCKING THREAT
IF I WANT TO TAKE OFF.
422
00:31:54,981 --> 00:31:57,616
I MEAN, I CAN'T.
IT'S NOT THAT SIMPLE
TO LEAVE HERE.
423
00:31:57,649 --> 00:31:59,585
REALLY?
NO.
424
00:31:59,618 --> 00:32:02,354
YOU GUYS CLEARLY
HAVE A PRETTY
INTERESTING RELATIONSHIP.
425
00:32:02,388 --> 00:32:04,957
YEAH, WHATEVER.
I...
426
00:32:04,991 --> 00:32:06,392
COME HERE.
IT'S YOUR, YOU KNOW.
427
00:32:06,425 --> 00:32:08,394
COME HERE, TOWNIE.
"TOWNIE"?
428
00:32:08,427 --> 00:32:11,463
YEAH, YOU LOOK
LIKE A TOWN BOY.
YOU WORK IN OUR POOL.
429
00:32:11,497 --> 00:32:14,300
OH, OKAY, CITY GIRL.
WHAT'S GOING ON?
430
00:32:14,333 --> 00:32:17,336
WHAT'S UP?
WHAT DO YOU WANT?
431
00:32:17,369 --> 00:32:19,038
KISS ME.
KISS YOU?
432
00:32:19,071 --> 00:32:20,306
MM-HMM.
433
00:32:20,339 --> 00:32:21,540
ALL RIGHT.
434
00:36:34,760 --> 00:36:36,995
THANK YOU.
435
00:36:37,028 --> 00:36:40,732
PEOPLE SAY
HE'S A CRAZY OLD
WASHED-UP WRITER.
436
00:36:40,766 --> 00:36:42,534
I BELIEVE
THE "CRAZY" PART.
437
00:36:42,568 --> 00:36:45,237
HOPEFULLY, I CAN
FIX EVERYTHING ELSE.
438
00:36:45,271 --> 00:36:47,639
HOW DO YOU MEAN?
I'M HERE TO HELP HIM.
439
00:36:47,673 --> 00:36:49,708
GET HIM BACK
ON HIS FEET.
440
00:36:49,741 --> 00:36:51,477
GOOD LUCK.
441
00:36:51,510 --> 00:36:52,978
THANKS FOR THE TIP.
442
00:36:53,011 --> 00:36:54,580
OKAY.
443
00:36:54,613 --> 00:36:56,548
IT'S A LONG DRIVE
OUT HERE.
444
00:36:56,582 --> 00:36:58,284
BYE, LADY.
445
00:37:16,468 --> 00:37:18,470
( doorbell rings )
446
00:37:33,419 --> 00:37:35,020
( rings )
447
00:37:39,725 --> 00:37:41,493
WHO ARE YOU?
448
00:37:41,527 --> 00:37:45,597
HELLO, I'M MARCY MARTIN.
I'M HERE FOR A MR. OLINSON.
449
00:37:48,334 --> 00:37:50,035
WAIT THERE.
450
00:38:31,142 --> 00:38:33,111
MR. OLINSON.
451
00:38:33,144 --> 00:38:36,715
MARCY MARTIN.
NICE TO FINALLY
MEET YOU.
452
00:38:36,748 --> 00:38:38,717
OH, RIGHT, RIGHT.
453
00:38:38,750 --> 00:38:41,553
WELCOME.
454
00:38:41,587 --> 00:38:43,755
WOW. THIS...
455
00:38:43,789 --> 00:38:45,891
IS SOME HOUSE.
456
00:38:45,924 --> 00:38:47,893
THANK YOU.
457
00:38:51,930 --> 00:38:53,832
WERE YOU
EXPECTING ME?
458
00:38:53,865 --> 00:38:56,735
PATTY SAID
YOU WERE COMING.
459
00:38:56,768 --> 00:39:00,038
I HAVE YOUR INFO
IN AN E-MAIL SOMEWHERE.
460
00:39:00,071 --> 00:39:02,040
I CAN GET
A ROOM IN TOWN
461
00:39:02,073 --> 00:39:04,643
IF IT'S NOT CONVENIENT
FOR ME TO STAY HERE.
462
00:39:04,676 --> 00:39:07,379
WHAT'S THE POINT
OF HAVING 14 BEDROOMS
463
00:39:07,413 --> 00:39:09,147
IF I CAN'T PUT MY
464
00:39:09,180 --> 00:39:11,750
NEW PUBLICIST UP
WHEN SHE COMES TO TOWN
465
00:39:11,783 --> 00:39:13,719
TO STRAIGHTEN ME OUT?
466
00:39:16,422 --> 00:39:17,789
OKAY.
467
00:39:17,823 --> 00:39:19,825
CAN I FIX YOU A DRINK,
468
00:39:19,858 --> 00:39:22,761
OR DO YOU WANT TO GO
STRAIGHT TO YOUR ROOM?
469
00:39:22,794 --> 00:39:25,063
UH, IT'S A LITTLE EARLY.
470
00:39:25,096 --> 00:39:27,132
NONSENSE.
DO YOU WANT
ONE OR NOT?
471
00:39:27,165 --> 00:39:30,001
I GUESS
I'LL HAVE A DRINK.
472
00:39:30,035 --> 00:39:32,971
SORRY IT TOOK ME A WHILE
TO GET TO THE FRONT DOOR.
473
00:39:33,004 --> 00:39:36,575
OH, THAT'S ALL RIGHT.
I'M SURE IT WAS A LONG WAY
FROM WHEREVER YOU WERE.
474
00:39:36,608 --> 00:39:38,944
EXACTLY.
MARTINI?
475
00:39:38,977 --> 00:39:41,580
WHATEVER YOU'RE
HAVING IS FINE.
MARTINI IT IS.
476
00:39:51,089 --> 00:39:52,824
CHEERS.
477
00:39:52,858 --> 00:39:57,195
CHEERS.
TO IMPENDING
SUCCESS.
478
00:39:57,228 --> 00:39:59,631
SURE.
479
00:39:59,665 --> 00:40:02,033
NO WORKMEN TODAY?
480
00:40:02,067 --> 00:40:05,136
I RAN OUT OF MONEY.
481
00:40:06,738 --> 00:40:08,540
IS THAT
THE MISSISSIPPI?
482
00:40:08,574 --> 00:40:10,442
IT IS.
483
00:40:10,476 --> 00:40:12,110
IT'S NOT HOW
I IMAGINED IT.
484
00:40:12,143 --> 00:40:13,779
OH?
485
00:40:16,114 --> 00:40:17,949
WHAT DID YOU EXPECT?
486
00:40:17,983 --> 00:40:20,619
TO SEE HUCK AND JIM
DOWN THERE?
487
00:40:20,652 --> 00:40:22,020
MAYBE.
488
00:40:22,053 --> 00:40:24,022
OR A RIVERBOAT.
489
00:40:24,055 --> 00:40:25,957
I GUESS THOSE ARE
DOWN BY NEW ORLEANS.
490
00:40:25,991 --> 00:40:28,594
THAT'S FAR SOUTH
OF HERE.
491
00:40:28,627 --> 00:40:31,062
HUCK AND JIM
STARTED OUT
492
00:40:31,096 --> 00:40:32,831
IN TWAIN'S HOMETOWN
OF HANNIBAL,
493
00:40:32,864 --> 00:40:36,234
WHICH IS A FEW HOURS
NORTH OF HERE.
494
00:40:36,267 --> 00:40:39,237
I THOUGHT MARK TWAIN
WAS FROM CONNECTICUT.
495
00:40:39,270 --> 00:40:42,040
MOST EAST-COASTERS DO.
496
00:40:45,276 --> 00:40:47,479
PLEASE,
HAVE A SEAT.
497
00:40:53,685 --> 00:40:55,954
( coughing )
498
00:40:59,024 --> 00:41:00,626
ARE YOU OKAY?
499
00:41:00,659 --> 00:41:03,128
FINE.
500
00:41:03,161 --> 00:41:05,497
LISTEN,
501
00:41:05,531 --> 00:41:08,534
THE NEW BOOK
IS GREAT.
502
00:41:08,567 --> 00:41:09,768
THANK YOU.
503
00:41:09,801 --> 00:41:11,637
IT'S NOT GONNA
SELL ITSELF.
504
00:41:11,670 --> 00:41:13,138
WE'RE GONNA NEED
TO PEDDLE IT.
505
00:41:13,171 --> 00:41:14,773
UH-HUH.
506
00:41:14,806 --> 00:41:17,275
WE HAVE TO
CLEAN UP OUR IMAGE.
507
00:41:17,308 --> 00:41:19,545
IF I'D KNOWN YOU WERE
THIS GOOD LOOKING,
508
00:41:19,578 --> 00:41:21,780
I WOULD'VE
SHOWERED AND SHAVED.
509
00:41:21,813 --> 00:41:25,551
I HAVE NO DOUBT
THAT YOU CAN LOOK
HANDSOME AND PRESENTABLE.
510
00:41:25,584 --> 00:41:27,686
I HAVE NO DOUBT EITHER.
511
00:41:30,589 --> 00:41:34,660
IT'S BARELY 5:00,
AND YOU'VE ALREADY
BEEN DRINKING.
512
00:41:34,693 --> 00:41:37,062
YOU CAN'T DO THAT
WHEN WE'RE ON
YOUR BOOK TOUR.
513
00:41:37,095 --> 00:41:40,265
FUCK THAT.
514
00:41:40,298 --> 00:41:43,635
WE'RE REBUILDING
YOUR BRAND.
515
00:41:43,669 --> 00:41:46,538
PEOPLE DON'T LIKE
ALCOHOLICS.
516
00:41:46,572 --> 00:41:49,307
WHAT ABOUT
F. SCOTT FITZGERALD
517
00:41:49,340 --> 00:41:51,777
OR WILLIAM FAULKNER
OR JOHN CHEEVER?
518
00:41:51,810 --> 00:41:53,612
NEED I GO ON?
519
00:41:53,645 --> 00:41:55,981
IF ANY OF THOSE GUYS
WERE SELLING A BOOK TODAY,
520
00:41:56,014 --> 00:41:58,717
IT WOULD HAVE TO
BE A BOOK ABOUT
THEIR RECOVERY.
521
00:41:58,750 --> 00:42:02,287
WHAT ABOUT CARRIE
WHAT'S-HER-NAME?
PRINCESS LEIA?
522
00:42:02,320 --> 00:42:04,289
ALL HER STUFF IS
ABOUT HER ADDICTIONS.
523
00:42:04,322 --> 00:42:06,291
YEAH,
UNDER THE AUSPICES
OF RECOVERY.
524
00:42:06,324 --> 00:42:08,794
THEY'RE ALL ABOUT
HOW SHE STRUGGLES
TO GET BETTER.
525
00:42:08,827 --> 00:42:12,764
EDGAR ALLAN POE
WAS LOADED FROM
SUNUP TO SUNDOWN.
526
00:42:12,798 --> 00:42:15,300
AND YOU'VE WRITTEN
A COMING-OF-AGE STORY
ABOUT A YOUNG GIRL.
527
00:42:15,333 --> 00:42:20,071
DOROTHY PARKER SPENT
MOST OF HER TIME
UNDER THE ROUND TABLE.
528
00:42:20,105 --> 00:42:22,674
WAIT, I SHOULDN'T
HAVE WRITTEN THAT.
529
00:42:22,708 --> 00:42:26,211
NO. IT'S BRILLIANT.
OH.
530
00:42:26,244 --> 00:42:29,014
80% OF THE FICTION
MARKET IS WOMEN,
531
00:42:29,047 --> 00:42:30,682
AND IT'S
A FATHER-DAUGHTER
STORY.
532
00:42:30,716 --> 00:42:33,852
THE FATHER RESISTING
HIS DAUGHTER'S MATURING.
533
00:42:33,885 --> 00:42:36,121
IT'S A BRILLIANT
COMMERCIAL CHOICE.
534
00:42:36,154 --> 00:42:38,657
I KEPT TELLING PATTY
I WANTED TO WRITE
A NEW GENRE.
535
00:42:38,690 --> 00:42:40,959
AND WHAT A GREAT
COMEBACK.
536
00:42:40,992 --> 00:42:42,694
"COMEBACK."
537
00:42:42,728 --> 00:42:45,931
I DO SO DETEST
THAT PHRASE.
538
00:42:45,964 --> 00:42:48,199
THE MAN WHO CALLED HIS WIFE
A MONEY-GRUBBING COW
539
00:42:48,233 --> 00:42:50,368
ON NATIONAL TELEVISION
HAS CHANGED
540
00:42:50,401 --> 00:42:52,771
AND WRITTEN
A COMING-OF-AGE NOVEL
541
00:42:52,804 --> 00:42:55,006
SHOWING THAT HE UNDERSTANDS
HOW WOMEN STRUGGLE.
542
00:42:55,040 --> 00:42:57,776
HE WAS DRUNK WHEN
HE SAID THOSE THINGS,
543
00:42:57,809 --> 00:43:00,345
BUT NOW HE'S CLEANED UP.
544
00:43:00,378 --> 00:43:01,913
CUTE.
545
00:43:04,716 --> 00:43:07,686
IT'S A TOTAL DEPARTURE
FROM ANYTHING ELSE
YOU'VE WRITTEN.
546
00:43:09,087 --> 00:43:11,056
YOU, UH...
547
00:43:11,089 --> 00:43:12,758
YOU THINK
IT'LL MAKE MONEY?
548
00:43:12,791 --> 00:43:16,828
PATTY DOESN'T
WANT ME TO TELL YOU,
549
00:43:16,862 --> 00:43:20,866
BUT THERE'S A BIDDING WAR
HAPPENING OVER THE FILM RIGHTS
RIGHT NOW.
550
00:43:20,899 --> 00:43:25,704
I... LOVE PATTY!
551
00:43:25,737 --> 00:43:28,006
SO, GET SOBER,
552
00:43:28,039 --> 00:43:30,141
GET A NEW SUIT,
KISS SOME BABIES.
553
00:43:30,175 --> 00:43:32,110
THIS'LL BE EASY.
554
00:43:32,143 --> 00:43:34,746
WE'LL SKIP OVER THE PART
WHERE I ADMIT I HAVE
A PROBLEM,
555
00:43:34,780 --> 00:43:36,381
BECAUSE, YOU KNOW...
556
00:43:36,414 --> 00:43:39,150
THEN WE JUST HAVE TO
TALK ABOUT ME.
557
00:43:39,184 --> 00:43:41,119
YOU NEED A REFILL?
558
00:43:42,788 --> 00:43:44,790
ONE IS MY LIMIT.
559
00:43:44,823 --> 00:43:47,192
THANKS.
560
00:43:47,225 --> 00:43:50,428
DID YOU SAY WE HAVE TO
TALK ABOUT YOU?
YES.
561
00:43:50,461 --> 00:43:52,864
MY FEE.
562
00:43:52,898 --> 00:43:55,400
I KNOW WHO WROTE
YOUR BOOK.
563
00:43:55,433 --> 00:43:57,903
ME. I WROTE IT.
564
00:43:57,936 --> 00:44:00,138
CHARLOTTE WROTE IT.
565
00:44:02,140 --> 00:44:05,176
( scoffs )
DON'T BE ABSURD.
566
00:44:05,210 --> 00:44:07,913
ARE YOU SURE
I CAN'T FIX YOU ANOTHER?
567
00:44:07,946 --> 00:44:11,449
I'VE READ EVERYTHING
YOU'VE EVER WRITTEN.
568
00:44:11,482 --> 00:44:12,884
I KNOW YOUR WORK,
569
00:44:12,918 --> 00:44:15,887
INSIDE AND OUT.
570
00:44:36,307 --> 00:44:38,476
HOW IS CHARLOTTE?
571
00:44:38,509 --> 00:44:40,812
SHE'S GREAT.
572
00:44:40,846 --> 00:44:43,849
SELLING HER BOOK
COULD'VE BEEN THE BIGGEST
MISTAKE IN HER LIFE.
573
00:44:43,882 --> 00:44:45,250
HOW SO?
574
00:44:45,283 --> 00:44:47,285
WHAT IF SHE'S
HARPER LEE?
575
00:44:47,318 --> 00:44:49,354
WHAT IF SHE'S ONLY
GOT ONE BOOK IN HER?
576
00:44:51,156 --> 00:44:54,225
HARPER LEE WAS A LESBIAN,
AND CHARLOTTE IS, WELL,
577
00:44:54,259 --> 00:44:56,361
SHE'S CERTAINLY
NO HARPER LEE.
578
00:45:02,300 --> 00:45:06,137
SO, DID YOU, UM...
579
00:45:06,171 --> 00:45:09,107
DID YOU SHARE
YOUR REVELATION
580
00:45:09,140 --> 00:45:11,877
WITH PATTY?
NO.
581
00:45:11,910 --> 00:45:15,113
CHARLOTTE'S BOOK
CAME IN
A WHILE AGO.
582
00:45:15,146 --> 00:45:17,749
THEY PASSED ON IT
WITHOUT EVEN
READING IT.
583
00:45:17,783 --> 00:45:19,217
BUT SOMEHOW
584
00:45:19,250 --> 00:45:21,419
IT ENDED UP
ON MY DESK.
585
00:45:23,021 --> 00:45:25,390
HER BOOK,
WITHOUT A NAME
BEHIND IT,
586
00:45:25,423 --> 00:45:27,292
WON'T MAKE ANY MONEY.
587
00:45:27,325 --> 00:45:30,528
BUT WITH YOUR NAME,
AND A COMEBACK...
588
00:45:30,561 --> 00:45:33,464
IT'LL MAKE ENOUGH DOUGH
TO MAKE ME WORTH BLACKMAILING.
589
00:45:33,498 --> 00:45:36,234
IT'S VERY CLEVER.
590
00:45:36,267 --> 00:45:38,503
LET'S SEE, NOW.
591
00:45:38,536 --> 00:45:41,873
I'M ALREADY
PAYING ALIMONY,
WHICH IS...
592
00:45:41,907 --> 00:45:45,176
BLACKMAIL, THE STUFF
EVERYBODY ALREADY
KNOWS ABOUT.
593
00:45:45,210 --> 00:45:47,412
TO ONE MONEY-GRUBBING COW.
594
00:45:47,445 --> 00:45:49,314
"COW" WAS NOT
THE "C" WORD
595
00:45:49,347 --> 00:45:52,383
I WAS THINKING OF
AT THE MOMENT.
596
00:45:52,417 --> 00:45:55,253
COULD I HAVE
SOME WATER?
597
00:45:56,587 --> 00:45:59,057
CERTAINLY.
598
00:46:02,260 --> 00:46:04,295
YOU KNOW, JUST BECAUSE
HARPER LEE NEVER GOT MARRIED
599
00:46:04,329 --> 00:46:06,331
DOESN'T MEAN
SHE WAS A LESBIAN.
600
00:47:49,634 --> 00:47:51,602
UH-HUH.
601
00:47:51,636 --> 00:47:53,438
( laughing )
602
00:47:54,639 --> 00:47:56,541
HERE HE IS NOW.
603
00:47:56,574 --> 00:48:00,311
I JUST WANTED
TO LET YOU KNOW
I GOT HERE SAFELY.
604
00:48:00,345 --> 00:48:02,347
YEAH.
605
00:48:02,380 --> 00:48:04,882
DO YOU WANT TO SAY
HI TO HIM?
606
00:48:07,652 --> 00:48:10,688
HI, PATTY.
THANKS FOR THE WATER.
607
00:48:10,721 --> 00:48:14,692
MARCY SAYS THERE'S
ALREADY A BIDDING WAR
FOR THE FILM RIGHTS.
608
00:48:14,725 --> 00:48:17,996
( mouths words )
WELL, THAT'S GREAT.
609
00:48:18,029 --> 00:48:21,199
THAT'LL BE GOOD
FOR EVERYBODY, RIGHT?
610
00:48:23,001 --> 00:48:27,072
YEAH.
SHE'S TERRIFIC.
611
00:48:27,105 --> 00:48:31,109
WE'RE GONNA
REALLY ENJOY
WORKING TOGETHER.
612
00:48:31,142 --> 00:48:33,111
I WILL.
ALL RIGHT.
613
00:48:33,144 --> 00:48:35,513
THANKS, PATTY.
BYE.
614
00:48:42,753 --> 00:48:45,456
BOURBON?
SCOTCH.
615
00:48:45,490 --> 00:48:47,392
NO MORE MARTINIS?
616
00:48:47,425 --> 00:48:50,161
THEY TAKE TOO LONG.
617
00:48:50,195 --> 00:48:53,431
SO, I'M THINKING
618
00:48:53,464 --> 00:48:55,666
25% OF WHATEVER
COMES IN
619
00:48:55,700 --> 00:48:57,668
FOR THE FIRST
FEW MONTHS,
620
00:48:57,702 --> 00:49:01,039
AND 20%
OF THE FILM DEAL.
621
00:49:02,473 --> 00:49:04,609
HOW DO YOU FIGURE
THOSE NUMBERS,
622
00:49:04,642 --> 00:49:06,644
IF YOU DON'T MIND
MY ASKING?
623
00:49:08,246 --> 00:49:10,681
SHE WROTE
A REALLY GREAT BOOK.
624
00:49:10,715 --> 00:49:13,284
I THINK IT'S GONNA
BE VERY BIG.
625
00:49:13,318 --> 00:49:15,320
BIG PIE,
BIG PIECES.
626
00:49:17,555 --> 00:49:19,724
AND IF I DISAGREE?
627
00:49:19,757 --> 00:49:22,760
I'M HANDLING
ALL YOUR PRESS.
628
00:49:22,793 --> 00:49:25,763
I'LL GIVE AN EXCLUSIVE
ON HOW BETRAYED I FEEL
629
00:49:25,796 --> 00:49:28,299
THAT YOU LIED
ABOUT THE AUTHORSHIP
630
00:49:28,333 --> 00:49:30,301
OF YOUR LATEST
BLOCKBUSTER.
631
00:49:30,335 --> 00:49:32,670
THAT YOU BOUGHT IT
FROM YOUR PROTEGE.
632
00:49:32,703 --> 00:49:35,106
IT WILL CALL
INTO QUESTION
633
00:49:35,140 --> 00:49:37,375
EVERYTHING
YOU'VE EVER WRITTEN.
634
00:49:39,110 --> 00:49:41,246
I SEE.
AND AS A BONUS,
635
00:49:41,279 --> 00:49:44,515
I'LL HANDLE CHARLOTTE
IF SHE BECOMES A PROBLEM.
636
00:49:44,549 --> 00:49:47,385
DON'T WORRY ABOUT CHARLOTTE.
WE ALREADY HAVE AN AGREEMENT.
637
00:49:47,418 --> 00:49:49,220
SHE WON'T BE A PROBLEM.
638
00:49:49,254 --> 00:49:51,656
WHAT'D SHE GET?
639
00:49:51,689 --> 00:49:55,193
MONEY TO MOVE
TO NEW YORK
640
00:49:55,226 --> 00:49:57,195
AND A PROMISE FROM ME
TO WRITE A GLOWING REVIEW
641
00:49:57,228 --> 00:49:59,597
OF HER NEXT BOOK,
642
00:49:59,630 --> 00:50:02,567
WHATEVER IT IS.
643
00:50:02,600 --> 00:50:04,602
THAT'S REASONABLE.
644
00:50:04,635 --> 00:50:06,337
IS IT?
645
00:50:07,705 --> 00:50:11,742
WOULD YOU EVEN KNOW
WHAT "REASONABLE" IS?
646
00:50:11,776 --> 00:50:14,812
BRADY, THIS IS
GOING TO BE GOOD
FOR EVERYBODY.
647
00:50:14,845 --> 00:50:16,447
YEAH...
648
00:50:16,481 --> 00:50:18,416
IT'S BUSINESS.
MM.
649
00:50:19,817 --> 00:50:21,519
OF COURSE,
I COULD TAKE
650
00:50:21,552 --> 00:50:24,522
THE WHISTLE-BLOWER
OUT MYSELF.
651
00:50:24,555 --> 00:50:26,791
WHO, ME?
MM-HMM.
652
00:50:26,824 --> 00:50:29,794
YOU'RE ATTRACTIVE,
BUT THAT DOESN'T MEAN
I WOULDN'T KILL YOU.
653
00:50:31,829 --> 00:50:33,664
YOU'VE WRITTEN
SO MANY MYSTERIES.
654
00:50:33,698 --> 00:50:35,700
YOU THINK YOU CAN
GET AWAY WITH MURDER?
655
00:50:35,733 --> 00:50:38,669
YOU KNOW HOW FUNNY
PEOPLE GET ABOUT MONEY.
656
00:50:38,703 --> 00:50:43,174
IT'S THE LEADING CAUSE
OF MURDER AND DIVORCE.
657
00:50:43,208 --> 00:50:45,310
IT'S NOT IN YOUR NATURE.
658
00:50:45,343 --> 00:50:48,279
AND IT WOULD RUIN
YOUR CAREER,
659
00:50:48,313 --> 00:50:50,281
OR AT LEAST ANY CHANCE
AT A COMEBACK.
660
00:50:50,315 --> 00:50:52,317
I WISH YOU'D
STOP SAYING THAT.
661
00:50:52,350 --> 00:50:54,419
GOD!
662
00:50:54,452 --> 00:50:57,588
YOU'RE EVERYTHING
A MIDWESTERNER FEARS
A NEW YORKER WILL BE.
663
00:50:57,622 --> 00:51:00,591
( chuckling )
THANKS.
664
00:51:02,860 --> 00:51:04,662
I'M GONNA...
665
00:51:04,695 --> 00:51:07,465
I'M GONNA GO
GET CLEANED UP.
666
00:51:07,498 --> 00:51:10,701
IT'LL GIVE ME SOME TIME
TO START WORKING ON AN ALIBI.
667
00:51:10,735 --> 00:51:13,371
THAT'S THE SPIRIT.
I KNEW YOU'D AGREE.
668
00:51:13,404 --> 00:51:15,473
AND... I'LL DRIVE.
669
00:51:15,506 --> 00:51:18,109
YOU'RE IN NO SHAPE
TO GET BEHIND THE WHEEL.
670
00:51:18,143 --> 00:51:20,345
I'LL BE DOWN IN 20.
671
00:51:20,378 --> 00:51:22,413
DON'T WORRY
ABOUT ME.
672
00:51:22,447 --> 00:51:25,250
TOO LATE FOR THAT.
673
00:52:21,839 --> 00:52:23,374
HELLO?
674
00:52:24,809 --> 00:52:26,711
BRADY?
675
00:52:31,916 --> 00:52:33,784
HELLO?
676
00:53:20,998 --> 00:53:24,269
EXCUSE ME?
AH! SHIT!
677
00:53:24,302 --> 00:53:27,472
THAT WAS A '97 BRUNELLO.
678
00:53:29,774 --> 00:53:31,509
I'M SORRY.
679
00:53:31,542 --> 00:53:33,544
IT WAS AN ACCIDENT.
680
00:53:33,578 --> 00:53:35,880
I DIDN'T KNOW
ANYONE WAS HERE.
681
00:53:38,583 --> 00:53:39,884
YOU SCARED ME.
682
00:53:39,917 --> 00:53:42,520
YOU HIS DATE
FOR THE EVENING?
683
00:53:44,522 --> 00:53:47,292
HE SAID WE WERE
GOING OUT FOR DINNER.
684
00:53:50,595 --> 00:53:52,497
YOU'RE NOT HIS DATE.
685
00:53:52,530 --> 00:53:54,265
I'M HIS PUBLICIST.
686
00:53:55,766 --> 00:53:59,704
WELL, LOOKS LIKE
MY EFFORTS HAVE BEEN WASTED.
687
00:53:59,737 --> 00:54:04,442
NAH, YOU'RE NOT
WEARING ENOUGH MAKEUP
TO BE ONE OF HIS DATES.
688
00:54:09,414 --> 00:54:10,981
HAVE YOU READ
HIS NEW BOOK?
689
00:54:11,015 --> 00:54:13,484
I'M NOT MUCH
OF A READER.
690
00:54:13,518 --> 00:54:16,287
I READ THE PAPER
SOMETIMES.
691
00:54:16,321 --> 00:54:18,789
OH.
692
00:54:20,858 --> 00:54:23,661
I HELP BRADY
KEEP THIS PLACE CLEAN.
693
00:54:25,095 --> 00:54:27,064
MUST BE A BIG JOB.
694
00:54:27,097 --> 00:54:29,700
HA! YOU GOT
THAT RIGHT.
( chuckles )
695
00:54:32,437 --> 00:54:33,771
CAN I HELP?
696
00:54:33,804 --> 00:54:35,573
NO.
697
00:54:40,110 --> 00:54:41,912
ANYTHING ELSE?
698
00:54:41,946 --> 00:54:44,081
I'M SORRY?
699
00:54:44,114 --> 00:54:47,818
BRADY?
YOU SEE HIM?
700
00:54:47,852 --> 00:54:51,489
YEAH, HE WENT
UPSTAIRS TO SHOWER.
701
00:54:51,522 --> 00:54:52,990
WE'RE GOING OUT
FOR DINNER.
702
00:54:53,023 --> 00:54:55,493
WELL, THAT'S GOOD NEWS.
703
00:54:55,526 --> 00:54:57,528
YOU KNOW,
I HAVE SEEN HIM
704
00:54:57,562 --> 00:55:00,465
GO WITHOUT A SHOWER
FOR A WEEK.
705
00:55:02,967 --> 00:55:05,570
HAS HE BEEN
DEPRESSED?
706
00:55:05,603 --> 00:55:07,572
PROBABLY.
707
00:55:10,408 --> 00:55:13,344
I'M JUST WAITING.
IT'S BEEN A WHILE.
708
00:55:13,378 --> 00:55:15,746
OVER AN HOUR.
709
00:55:15,780 --> 00:55:19,316
PROBABLY...
HE PASSED OUT.
710
00:55:21,552 --> 00:55:23,654
WOULD YOU GO
CHECK ON HIM?
711
00:55:23,688 --> 00:55:26,691
AND DO WHAT?
712
00:55:26,724 --> 00:55:28,626
WAKE HIM.
713
00:55:28,659 --> 00:55:30,027
NO!
714
00:55:35,900 --> 00:55:38,703
MY SUITCASE
IS IN THE HALL.
715
00:55:38,736 --> 00:55:41,406
WOULD YOU MIND SHOWING ME
WHICH ROOM I'M STAYING IN?
716
00:55:41,439 --> 00:55:44,575
IF MR. OLINSON
SAYS SO, THEN YES.
OTHERWISE,
717
00:55:44,609 --> 00:55:46,143
YOU'RE ON YOUR OWN.
718
00:55:46,176 --> 00:55:48,579
YOU'RE JOKING.
719
00:55:48,613 --> 00:55:52,483
LADY, MY JOB
WAS TO BRING DINNER.
720
00:55:52,517 --> 00:55:54,585
HERE IT IS.
721
00:55:54,619 --> 00:55:56,353
THAT'S IT.
722
00:55:58,155 --> 00:56:00,525
MR. OLINSON
DIDN'T TELL YOU
WE WERE
723
00:56:00,558 --> 00:56:02,627
GOING OUT TO DINNER,
724
00:56:02,660 --> 00:56:04,795
I DID.
725
00:56:37,962 --> 00:56:39,630
THERE.
726
00:56:39,664 --> 00:56:41,131
I'M DONE.
727
00:56:49,940 --> 00:56:51,476
THERE.
728
00:56:51,509 --> 00:56:53,143
I'M DONE.
729
00:56:55,580 --> 00:56:57,047
THANK YOU.
730
00:56:58,649 --> 00:57:01,919
ENJOY YOUR
FUCKING WEEKEND.
731
00:57:43,794 --> 00:57:45,796
( screams )
732
00:58:38,983 --> 00:58:41,952
( humming tune )
733
00:58:41,986 --> 00:58:45,556
* HUSH, LITTLE BABY
DON'T SAY A WORD *
734
00:58:45,590 --> 00:58:48,759
* PAPA'S GONNA BUY YOU
A MOCKINGBIRD *
735
00:58:48,793 --> 00:58:51,662
* AND IF THAT
MOCKINGBIRD DON'T SING *
736
00:58:51,696 --> 00:58:54,632
* PAPA'S GONNA BUY YOU
A DIAMOND RING *
737
00:58:54,665 --> 00:58:57,635
* AND IF THAT
DIAMOND RING IS BRASS *
738
00:58:57,668 --> 00:58:59,937
* PAPA'S GONNA BUY YOU
A LOOKING GLASS *
739
00:58:59,970 --> 00:59:03,340
( singing continues )
MARCY! MARCY!
740
00:59:03,373 --> 00:59:06,043
MY GOD,
WHAT HAPPENED?
OH, GOD!
741
00:59:06,076 --> 00:59:08,045
KARLA? KARLA!
742
00:59:08,078 --> 00:59:09,914
OH, JESUS.
743
00:59:11,015 --> 00:59:12,683
OH. GOD.
744
00:59:15,352 --> 00:59:18,789
KARLA!
KARLA, WHAT HAPPENED?
745
00:59:18,823 --> 00:59:20,825
I WAS JUST
CLEANING THIS UP.
746
00:59:20,858 --> 00:59:23,928
I'M MAKING
SOME TEA FOR US.
747
00:59:23,961 --> 00:59:25,996
CALL 9-1-1!
( laughing )
748
00:59:26,030 --> 00:59:29,366
BRADY, SHE'S DEAD.
749
00:59:29,399 --> 00:59:32,202
I KNEW SOMETHING
LIKE THIS WOULD HAPPEN
750
00:59:32,236 --> 00:59:34,038
TO ONE OF YOUR DATES.
751
00:59:34,071 --> 00:59:35,706
YOU DID THIS?
752
00:59:35,740 --> 00:59:37,875
YOU DID THIS!
753
00:59:37,908 --> 00:59:40,377
CALL 9-1-1!
YOU SAID IT YOURSELF:
754
00:59:40,410 --> 00:59:42,913
FOR YEARS THESE PEOPLE
HAVE BEEN SUCKING YOU DRY.
755
00:59:42,947 --> 00:59:45,783
ALL THESE BIG-CITY FOLKS
LIKE HER IN TOWN.
756
00:59:45,816 --> 00:59:49,053
JUST STEALING YOUR WEALTH
AND YOU PROSPERITY.
WHAT?
757
00:59:49,086 --> 00:59:52,022
OH, I WAS NOT
GONNA LET HER
758
00:59:52,056 --> 00:59:54,959
BLACKMAIL YOU.
759
00:59:54,992 --> 00:59:57,594
IT'S OKAY, OKAY?
760
00:59:58,929 --> 01:00:01,165
I WAS HELPING YOU.
761
01:00:02,967 --> 01:00:06,804
BUT... YOU DON'T CARE.
I DO CARE.
762
01:00:06,837 --> 01:00:09,373
I CARE VERY MUCH.
OKAY?
763
01:00:09,406 --> 01:00:11,375
DON'T YOU LIE TO ME!
764
01:00:19,416 --> 01:00:21,652
( screaming )
765
01:00:30,394 --> 01:00:32,196
CRAZY BITCH!
766
01:00:36,366 --> 01:00:39,770
FUCK! FUCK!
767
01:00:59,757 --> 01:01:01,325
( screams )
768
01:01:11,501 --> 01:01:14,905
( screaming )
769
01:01:17,407 --> 01:01:19,910
( screaming continues )
770
01:01:41,031 --> 01:01:43,233
HAILEY, LUKE,
771
01:01:43,267 --> 01:01:45,302
HEY. HEY.
LOOK AT ME.
772
01:01:45,335 --> 01:01:48,205
YES, BETH?
WHAT, BETH?
773
01:01:48,238 --> 01:01:50,474
FUNNY.
VERY FUNNY.
774
01:01:50,507 --> 01:01:52,877
YOU CALL ME "MOM."
775
01:01:52,910 --> 01:01:55,780
I DON'T KNOW HOW LONG
I'LL BE, BUT NOBODY
GETS OUT OF THE CAR.
776
01:01:55,813 --> 01:01:58,282
CAN'T YOU PARK UP FRONT?
THERE'S NO SIGNAL HERE.
777
01:01:58,315 --> 01:02:01,118
NO. THE HOUSE LOOKS BETTER
WITHOUT A CAR IN FRONT OF IT.
778
01:02:01,151 --> 01:02:03,453
LUKE. LUKE!
WHAT?
779
01:02:03,487 --> 01:02:05,522
STAY IN THE CAR.
UH-HUH.
780
01:02:05,555 --> 01:02:08,492
IF I MAKE THIS SALE,
ONE OF YOU MIGHT GET
TO GO TO COLLEGE.
781
01:02:08,525 --> 01:02:11,228
IF YOU DON'T,
I'LL JUST GET
A JOB AS A STRIPPER.
782
01:02:11,261 --> 01:02:13,864
NOBODY'D PAY TO SEE THAT.
783
01:02:13,898 --> 01:02:16,801
STOP.
784
01:02:16,834 --> 01:02:17,968
WHAT IS THIS?
785
01:02:18,002 --> 01:02:19,403
Both:
THE HAND OF GOD.
786
01:02:19,436 --> 01:02:22,106
DON'T MAKE ME
BRING IT DOWN ON YOU.
787
01:02:22,139 --> 01:02:23,841
LOVE YOU.
788
01:02:44,361 --> 01:02:46,931
BRADY, WHAT ARE
YOU DOING HERE?
789
01:02:46,964 --> 01:02:50,100
YOU KNOW I HAVE A SHOWING
THIS MORNING, RIGHT?
790
01:02:50,134 --> 01:02:52,036
GOOD MORNING.
791
01:02:52,069 --> 01:02:54,038
I'VE TOLD YOU
A MILLION TIMES,
792
01:02:54,071 --> 01:02:56,807
IF THE BUYER SEES
THE OWNER HANGING
AROUND THE HOUSE,
793
01:02:56,841 --> 01:03:00,210
IT MAKES IT HARDER
FOR THEM TO IMAGINE
IT AS THEIRS.
794
01:03:00,244 --> 01:03:01,578
EXCUSE ME.
795
01:03:01,611 --> 01:03:04,281
THEY'LL NEVER KNOW
I'M HERE.
796
01:03:04,314 --> 01:03:07,017
LIKE THE TIME YOU WERE
PASSED OUR IN THE BUSHES
797
01:03:07,051 --> 01:03:08,819
OR THE TIME YOU WERE
NAKED IN THE POOL?
798
01:03:08,853 --> 01:03:11,421
I WASN'T NAKED.
I HAD A SHIRT ON.
799
01:03:12,857 --> 01:03:16,126
YOU STILL DOING
THE COOKIE THING?
800
01:03:16,160 --> 01:03:19,329
COOKIES SMELL
LIKE HOME.
801
01:03:19,363 --> 01:03:21,165
FIRES SMELL HOMEY.
802
01:03:21,198 --> 01:03:23,000
WHY DON'T WE
BURN THE HOUSE DOWN,
COLLECT THE INSURANCE?
803
01:03:23,033 --> 01:03:24,401
YOU DON'T MEAN THAT.
804
01:03:24,434 --> 01:03:27,504
THIS HOUSE IS TOO BIG
FOR ONE PERSON.
805
01:03:27,537 --> 01:03:29,273
NEEDS A FAMILY.
806
01:03:29,306 --> 01:03:31,241
THEN WHY DID
YOU BUY IT?
807
01:03:31,275 --> 01:03:34,344
I THOUGHT MY FAMILY
WOULD BE WITH ME FOREVER.
808
01:03:34,378 --> 01:03:36,847
( doorbell rings )
CRAP, SHE'S EARLY.
809
01:03:36,881 --> 01:03:38,382
MOVE, MOVE.
810
01:03:41,118 --> 01:03:43,587
YOU CLEANED
YOUR ROOM, RIGHT?
YEAH.
811
01:03:43,620 --> 01:03:45,890
STAY OUT OF SIGHT.
812
01:03:53,197 --> 01:03:55,032
HI. AMY?
HI, YES.
813
01:03:55,065 --> 01:03:57,001
HI, I'M BETH LESCOVITZ.
NICE TO SEE YOU.
814
01:03:57,034 --> 01:04:01,105
NICE TO MEET YOU.
WOW. THIS PLACE IS HUGE.
815
01:04:02,406 --> 01:04:04,274
IT'S REALLY LOVELY.
816
01:04:04,308 --> 01:04:07,044
ALL THIS WOOD.
THE PICTURES DON'T
EVEN COME CLOSE.
817
01:04:07,077 --> 01:04:09,213
ALL THE WOOD PANELING
IS ORIGINAL.
818
01:04:09,246 --> 01:04:11,448
IT'S BEAUTIFUL,
ISN'T IT?
YES.
819
01:04:11,481 --> 01:04:13,383
IT'S AMAZING.
820
01:04:13,417 --> 01:04:15,986
THE OWNER
STILL LIVE HERE?
YES, I DO.
821
01:04:17,387 --> 01:04:18,989
AMY, THIS IS
BRADY OLINSON.
822
01:04:19,023 --> 01:04:20,490
HE WAS JUST
ABOUT TO LEAVE.
823
01:04:20,524 --> 01:04:21,959
NICE TO MEET YOU.
I'M AMY.
824
01:04:21,992 --> 01:04:24,328
HI.
YOU MAY KNOW HIM
AS REX STEPHENS.
825
01:04:24,361 --> 01:04:26,596
OH, THE RIVER GAMBLER.
I READ THAT. IS THAT YOU?
826
01:04:26,630 --> 01:04:29,199
MM-HMM. DON'T TELL
ANYBODY, THOUGH.
827
01:04:29,233 --> 01:04:31,468
THE THRONGS WOULD
RUIN MY AZALEAS.
828
01:04:31,501 --> 01:04:33,470
IT WAS VERY POPULAR
WHEN IT CAME OUT.
829
01:04:33,503 --> 01:04:35,973
YEARS AGO.
BUT YOU KNOW
WHAT THEY SAY--
830
01:04:36,006 --> 01:04:37,975
IT ONLY TAKES ONE HIT
TO MAKE A NAME.
831
01:04:38,008 --> 01:04:40,510
BUT IT TAKES A FEW HITS
TO MAKE A CAREER, RIGHT?
832
01:04:40,544 --> 01:04:43,413
BINGO. I LIKE
THIS ONE ALREADY.
833
01:04:43,447 --> 01:04:46,917
I LOVE MYSTERIES,
ALL THAT SORT OF
PROBLEM-SOLVING STUFF.
834
01:04:46,951 --> 01:04:48,652
PEOPLE LIKE
A GOOD PUZZLE.
835
01:04:48,685 --> 01:04:51,555
AMY, DID YOU SEE THE GARDENS
WHEN YOU DROVE UP?
836
01:04:51,588 --> 01:04:54,391
YES, I DID,
AND THERE IS
A LOT OF LAND.
837
01:04:54,424 --> 01:04:57,094
THAT IS SOMETHING
TO CONSIDER.
IS THERE A GROUNDSKEEPER?
838
01:04:57,127 --> 01:04:58,495
I COULD ALWAYS
COME BACK.
839
01:04:58,528 --> 01:05:00,597
YOU'D THANK ME
WHEN THE MUMS BLOOM.
840
01:05:00,630 --> 01:05:04,601
I KNOW SOME
EXCELLENT GARDENERS.
THANK YOU.
841
01:05:04,634 --> 01:05:07,271
I WAS JUST ABOUT
TO GIVE AMY
THE GRAND TOUR,
842
01:05:07,304 --> 01:05:09,406
SO...
AH, OKAY, GREAT.
843
01:05:09,439 --> 01:05:12,442
WELL, DON'T TELL HER
ANY REAL-ESTATE
LIES, BETH.
844
01:05:12,476 --> 01:05:14,244
THE HOUSE SPEAKS
FOR ITSELF.
845
01:05:14,278 --> 01:05:17,014
I WANT TO MAKE SURE
SHE KNOWS WHAT
SHE'S GETTING.
846
01:05:17,047 --> 01:05:19,149
NICE TO MEET YOU.
ENJOY THE TOUR.
847
01:05:19,183 --> 01:05:20,584
I'LL CALL YOU.
OKAY.
848
01:05:20,617 --> 01:05:22,719
HE SEEMS NICE.
849
01:05:22,752 --> 01:05:24,955
HE USED TO BE
REALLY GRUMPY.
850
01:05:24,989 --> 01:05:28,625
HOW LONG HAS THIS PLACE
BEEN ON THE MARKET?
ABOUT A YEAR.
851
01:05:28,658 --> 01:05:30,627
PUT THINGS
IN PERSPECTIVE,
852
01:05:30,660 --> 01:05:34,298
THE ESTATE
ACROSS THE STREET--
FIVE YEARS.
853
01:05:57,087 --> 01:05:58,522
WHY IS HE
SELLING IT?
854
01:06:03,093 --> 01:06:06,196
HE HAD A REALLY HARD TIME
AFTER HIS DIVORCE.
855
01:06:06,230 --> 01:06:09,733
APPARENTLY,
THE EX-WIFE WAS
JUST REALLY AWFUL.
856
01:06:09,766 --> 01:06:12,669
AND SO AFTER THAT,
HE TRIED TO START
WRITING AGAIN.
857
01:06:12,702 --> 01:06:15,405
THE POOR THING
HAD 10 YEARS
OF WRITERS' BLOCK.
858
01:06:15,439 --> 01:06:18,008
AND NOW THE NEW
BOOK'S NOT SELLING.
859
01:06:18,042 --> 01:06:21,011
I JUST THINK HE WANTS
TO START A NEW LIFE.
860
01:06:21,045 --> 01:06:24,148
RIGHT. THERE WAS
A MURDER HERE.
861
01:06:25,415 --> 01:06:27,484
THINK I CAN
GET A DEAL?
862
01:06:27,517 --> 01:06:30,754
EVERYTHING YOU SEE
COULD BE INCLUDED.
863
01:06:30,787 --> 01:06:32,656
I LIKE THE CHANDELIER.
864
01:06:32,689 --> 01:06:35,492
NEEDS A LITTLE WORK.
IT'S VENETIAN.
865
01:06:35,525 --> 01:06:38,028
FROM VENICE.
866
01:06:42,399 --> 01:06:44,401
HERE'S THE MASTER
BEDROOM.
867
01:06:48,805 --> 01:06:50,274
IS THERE CENTRAL AIR?
868
01:06:50,307 --> 01:06:52,176
YEAH, OF COURSE.
869
01:06:53,610 --> 01:06:55,745
IS THAT ROOSEVELT?
870
01:06:55,779 --> 01:06:58,248
OH, YEAH. HE'S ONE
OF THREE PRESIDENTS
TO STAY IN THIS ROOM.
871
01:06:58,282 --> 01:06:59,483
WHO ELSE DID?
872
01:06:59,516 --> 01:07:01,351
UM, "W."
BUSH?
873
01:07:01,385 --> 01:07:03,787
AND THAT'S
THE LAST NAME...
WASHINGTON?
874
01:07:03,820 --> 01:07:05,755
UM... WILSON.
WOODROW WILSON.
875
01:07:05,789 --> 01:07:10,160
YEAH, YEAH.
AND THE BUILDER,
JOHN CONWAY, WAS...
876
01:07:10,194 --> 01:07:12,629
A WORLD WAR I
PROFITEER.
I LOOKED THAT UP.
877
01:07:12,662 --> 01:07:14,564
GUN MANUFACTURER.
878
01:07:14,598 --> 01:07:16,566
DO THEY STILL HAVE
A SHOOTING RANGE
IN THE BASEMENT?
879
01:07:16,600 --> 01:07:18,535
OH, NO.
IT'S A THEATER
880
01:07:18,568 --> 01:07:21,138
AND A GAME ROOM
AND AN EXERCISE ROOM.
881
01:07:29,779 --> 01:07:32,216
THE PLACE IS SO BIG,
EACH DIFFERENT OWNER
882
01:07:32,249 --> 01:07:34,451
HAS EITHER ENDED UP
REDECORATING ROOMS
883
01:07:34,484 --> 01:07:36,486
OR THEY JUST
LEAVE THEM ALONE.
884
01:07:36,520 --> 01:07:38,322
REALLY?
885
01:07:38,355 --> 01:07:40,724
AND MR. CONWAY WAS
QUITE THE HUNTER.
886
01:07:40,757 --> 01:07:43,360
OH, MY GOD.
887
01:07:43,393 --> 01:07:44,828
Beth:
TROPHY ROOM.
888
01:07:44,861 --> 01:07:47,364
Amy:
THIS IS A 1920s
MAN CAVE.
889
01:07:47,397 --> 01:07:49,366
1927, TO BE EXACT.
890
01:07:49,399 --> 01:07:51,101
WOW.
891
01:07:58,475 --> 01:08:01,845
DON'T GET ANY IDEAS.
ALL THESE HEADS
ARE GOING WITH ME.
892
01:08:01,878 --> 01:08:04,581
MR. OLINSON,
THAT IS GOOD NEWS.
893
01:08:04,614 --> 01:08:06,516
CALL ME BRADY, PLEASE.
894
01:08:06,550 --> 01:08:09,653
SOME OF THESE WERE HERE
WHEN I BOUGHT THE PLACE,
895
01:08:09,686 --> 01:08:13,657
BUT THESE TWO
I BAGGED MYSELF.
896
01:08:13,690 --> 01:08:16,493
I LIKE THE OLD FURNITURE.
897
01:08:16,526 --> 01:08:19,163
YOU DO?
898
01:08:19,196 --> 01:08:20,897
WELL...
899
01:08:20,930 --> 01:08:23,433
THAT IS A WILD COW
THAT YOU'RE SITTING ON.
900
01:08:23,467 --> 01:08:27,237
THIS IS A COMFY COW.
BETH SAID ALL YOUR
FURNITURE WAS AVAILABLE.
901
01:08:27,271 --> 01:08:28,872
SHE DID?
902
01:08:28,905 --> 01:08:32,909
NOT MY RED ANGUS.
NO, NO, NO.
903
01:08:32,942 --> 01:08:35,779
THIS ONE I HAD
MADE SPECIAL MYSELF.
904
01:08:35,812 --> 01:08:38,182
GO AHEAD, FEEL IT.
905
01:08:38,215 --> 01:08:41,385
OH, YES, IT'S NICE.
NICE, HUH? YEAH.
906
01:08:41,418 --> 01:08:45,322
ONCE I WRESTLED HER
TO THE GROUND, I KNEW.
907
01:08:45,355 --> 01:08:47,624
I WAS SPLAYED OUT
ACROSS HER,
THINKING TO MYSELF,
908
01:08:47,657 --> 01:08:49,859
"THIS IS MORE COMFORTABLE
THAN MY EX-WIFE.
909
01:08:49,893 --> 01:08:52,262
I'M GONNA MAKE
A SOFA OUT OF YOU."
910
01:08:52,296 --> 01:08:55,332
DID YOU HOGTIE HER?
MY WIFE OR THE ANGUS?
911
01:08:55,365 --> 01:08:58,535
BRADY!
YOU CAN'T HOGTIE A COW.
THAT'S RIDICULOUS.
912
01:08:58,568 --> 01:09:01,438
YES, OF COURSE.
SORRY.
913
01:09:04,474 --> 01:09:07,644
THIS ROOM WAS
MY OFFICE FOR A WHILE.
914
01:09:07,677 --> 01:09:10,280
I WROTE MOST
OF THE RIVER GAMBLER
HERE AT THIS DESK.
915
01:09:10,314 --> 01:09:14,150
FUN.
YEAH.
916
01:09:18,322 --> 01:09:20,724
AMY, WE STILL HAVE
THE KITCHEN TO SEE
917
01:09:20,757 --> 01:09:24,594
AND THE BACKYARD
AND THE POOL, SO...
LET'S GET GOING.
918
01:09:24,628 --> 01:09:27,731
YOU'RE JUST GONNA LOVE
THE UPSTAIRS GUEST SUITE.
919
01:09:27,764 --> 01:09:30,667
I WILL LOVE IT.
( mouths words )
920
01:09:30,700 --> 01:09:32,636
WHAT?
921
01:09:35,972 --> 01:09:38,608
SHE'S CUTE.
922
01:09:38,642 --> 01:09:40,610
HE'S VERY CHARMING.
923
01:09:40,644 --> 01:09:43,713
ARE YOU MARRIED?
924
01:09:43,747 --> 01:09:45,915
( women talking faintly )
925
01:09:51,988 --> 01:09:53,957
OH, THERE'S
BRADY AGAIN.
926
01:09:53,990 --> 01:09:56,360
DID YOU ENJOY
THE TOUR?
YES.
927
01:09:56,393 --> 01:09:58,762
YOUR HOUSE IS
REALLY BEAUTIFUL,
REALLY SOMETHING.
928
01:09:58,795 --> 01:10:00,630
THANK YOU.
929
01:10:00,664 --> 01:10:02,866
I HOPE WE CAN
WORK SOMETHING OUT.
930
01:10:02,899 --> 01:10:04,801
STILL HAVE A LOT
TO THINK ABOUT.
931
01:10:04,834 --> 01:10:07,237
I'LL WALK YOU OUT.
GREAT.
932
01:10:09,339 --> 01:10:11,375
IT WAS SO NICE
MEETING YOU.
THANKS, YOU TOO.
933
01:10:23,720 --> 01:10:27,357
BOY, WHEN IT COMES TO
BEING A THIRD WHEEL,
YOU'RE REALLY A FLAT.
934
01:10:27,391 --> 01:10:30,026
I'M SURE I WOULD
FIND THAT FUNNY IF
I KNEW WHAT YOU MEANT.
935
01:10:30,059 --> 01:10:31,995
( car alarm blaring )
936
01:10:32,028 --> 01:10:33,997
( stops )
937
01:10:34,030 --> 01:10:35,732
BRADY, YOU ARE
GOING TO RUIN
938
01:10:35,765 --> 01:10:38,302
ANY POTENTIAL OF
FINDING A GOOD BUYER.
939
01:10:38,335 --> 01:10:41,738
SOME SELLERS
DON'T WANT TO SELL.
DON'T BE ONE OF THOSE.
940
01:10:41,771 --> 01:10:45,575
( car alarm blaring )
GUESS THE KIDS
ARE RESTLESS.
941
01:10:45,609 --> 01:10:49,413
FORGET IT.
I WANT TO SELL THE HOUSE.
942
01:10:49,446 --> 01:10:52,649
HEY! I WAS
EATING THOSE!
I KNOW!
943
01:10:52,682 --> 01:10:55,685
AMY LIKES THE HOUSE,
944
01:10:55,719 --> 01:10:58,322
BUT IT CERTAINLY
DOESN'T HELP TO
HAVE YOU LURKING
945
01:10:58,355 --> 01:10:59,989
WHILE I'M TRYING
TO SHOW IT.
946
01:11:00,023 --> 01:11:02,025
I WASN'T LURKING.
I WAS WANDERING AROUND.
947
01:11:02,058 --> 01:11:04,361
HEY, DOES SHE
HAVE A HUSBAND?
948
01:11:04,394 --> 01:11:07,597
NO. YES.
I DON'T KNOW.
949
01:11:07,631 --> 01:11:09,699
WHICH IS IT?
IT DOESN'T MATTER.
950
01:11:09,733 --> 01:11:11,801
WHY ARE YOU UPSET?
I'M NOT UPSET.
951
01:11:11,835 --> 01:11:14,404
YOU JUST--
Hailey: HEY.
952
01:11:14,438 --> 01:11:16,373
WHAT ARE YOU
DOING HERE?
953
01:11:16,406 --> 01:11:18,074
I'M NOT THE ONE
WHO SET OFF THE ALARM.
954
01:11:18,107 --> 01:11:20,644
NO, YOU'RE THE TATTLER.
AT LEAST I DIDN'T DO IT.
955
01:11:20,677 --> 01:11:23,380
HEY, HAILEY.
HEY, MR. OLINSON.
956
01:11:23,413 --> 01:11:25,549
I TOLD YOU,
CALL ME BRADY.
957
01:11:25,582 --> 01:11:27,751
IT'S OKAY.
958
01:11:30,687 --> 01:11:33,623
MOVE, MOVE,
MOVE, MOVE.
OKAY, OKAY.
959
01:11:42,999 --> 01:11:45,735
STOP MESSING UP
MY LIFE.
960
01:11:53,142 --> 01:11:55,479
DID YOU
ASK HIM OUT?
961
01:11:55,512 --> 01:11:57,614
I CAN'T BELIEVE
YOU JUST ASKED
ME THAT.
962
01:11:57,647 --> 01:11:59,916
HE'S A CLIENT.
SO? HE'S A HOTTIE.
963
01:11:59,949 --> 01:12:01,751
I MEAN, FOR HIS AGE.
964
01:12:01,785 --> 01:12:04,454
I AM MORTIFIED.
GET IN THE CAR.
965
01:12:09,058 --> 01:12:10,794
GIVE ME THAT KEY.
966
01:12:13,630 --> 01:12:15,365
ARE WE GOING
TO COLLEGE?
967
01:12:15,399 --> 01:12:17,401
YOU'LL BE LUCKY
IF I LET YOU
LIVE TO 16.
968
01:12:17,434 --> 01:12:19,536
I'M 14.
IT'LL BE A SLOW DEATH.
969
01:12:19,569 --> 01:12:22,639
THERE'S NO DEAL.
PAY UP.
970
01:12:22,672 --> 01:12:25,575
THIS PLACE IS PROBABLY
HAUNTED BY CREEPY KARLA,
THE KILLER MAID.
971
01:12:25,609 --> 01:12:27,944
WHAT DO THE STRIPPER
AND GAMBLER WANT TO EAT?
972
01:12:27,977 --> 01:12:29,913
I DON'T CARE.
WHATEVER.
973
01:12:38,455 --> 01:12:40,957
( scribbling )
974
01:12:40,990 --> 01:12:43,059
( Brady sighs )
975
01:12:57,441 --> 01:12:59,476
( phone ringing )
976
01:13:03,680 --> 01:13:04,848
HELLO?
977
01:13:04,881 --> 01:13:07,183
AMY, IT'S BRADY.
978
01:13:07,216 --> 01:13:09,118
FROM TODAY?
979
01:13:09,152 --> 01:13:11,054
UH, YEAH,
I REMEMBER.
980
01:13:11,087 --> 01:13:12,989
I WAS JUST CALLING
TO THANK YOU
981
01:13:13,022 --> 01:13:15,659
FOR PUTTING UP
WITH ME TODAY,
AND, UH,
982
01:13:15,692 --> 01:13:18,628
I WANTED TO SEE
IF YOU WERE FREE
FOR DINNER TONIGHT.
983
01:13:18,662 --> 01:13:21,531
BRADY, I'M ENGAGED.
984
01:13:22,799 --> 01:13:25,101
OH. REALLY?
985
01:13:25,134 --> 01:13:29,873
BETH SAID
YOU WEREN'T ATTACHED.
986
01:13:29,906 --> 01:13:32,509
WELL, SHE MISUNDERSTOOD.
987
01:13:32,542 --> 01:13:36,580
WELL, I-I-I DIDN'T
SEE A RING.
988
01:13:36,613 --> 01:13:39,816
OH, WELL, I'M
A CARDIAC SURGEON,
SO I DON'T WANT TO RISK
989
01:13:39,849 --> 01:13:42,686
LOSING ANYTHING
NEXT TO A MAJOR ARTERY.
990
01:13:42,719 --> 01:13:44,053
DON'T YOU WEAR GLOVES?
991
01:13:44,087 --> 01:13:46,923
OF COURSE I DO.
992
01:13:46,956 --> 01:13:50,860
I JUST DON'T WEAR
A LOT OF JEWELRY.
THAT'S ALL I'M SAYING.
993
01:13:50,894 --> 01:13:53,029
WELL, THE ONLY
REASON I ASK
994
01:13:53,062 --> 01:13:56,833
IS THAT YOU WERE
KIND OF GIVING ME
THE "SINGLE" VIBE TODAY.
995
01:13:56,866 --> 01:14:00,570
THE "SINGLE" VIBE?
WHAT IS THE "SINGLE" VIBE?
996
01:14:00,604 --> 01:14:02,572
YOU KNOW--
FREEWHEELING, OPEN.
997
01:14:02,606 --> 01:14:05,909
OH, GOD.
NO, NO, NO, NO.
998
01:14:05,942 --> 01:14:09,145
IT'S NOT A BAD THING.
999
01:14:10,847 --> 01:14:13,216
LOOK, YOU'RE
VERY FUNNY,
1000
01:14:13,249 --> 01:14:17,020
AND I LOVE YOUR HOUSE,
AND I'M THINKING ABOUT
MAKING AN OFFER.
1001
01:14:17,053 --> 01:14:19,889
WELL, THEN, DO YOU WANT
TO DISCUSS IT OVER LUNCH?
1002
01:14:19,923 --> 01:14:21,791
SAY, TOMORROW, 1:00?
1003
01:14:23,192 --> 01:14:25,228
SURE.
1004
01:14:25,261 --> 01:14:27,597
GREAT. OKAY.
1005
01:14:27,631 --> 01:14:29,098
HOW ABOUT THAT
1006
01:14:29,132 --> 01:14:30,800
LOCHLAVEN
COUNTRY CLUB PLACE?
1007
01:14:30,834 --> 01:14:32,936
YEAH, I LOVE THAT PLACE.
1008
01:14:32,969 --> 01:14:34,738
OKAY.
1009
01:14:34,771 --> 01:14:38,241
YOU'RE NOT GONNA INVITE
YOUR FIANCE, ARE YOU?
1010
01:14:38,274 --> 01:14:40,544
NO, HE'S IN EUROPE
FOR THREE WEEKS.
1011
01:14:40,577 --> 01:14:42,546
SEE, THAT'S WHAT
I'M TALKING ABOUT.
1012
01:14:42,579 --> 01:14:44,247
THE "SINGLE" VIBE AGAIN.
1013
01:14:44,280 --> 01:14:47,884
IT'S JUST LUNCH, BRADY,
AND I'LL SEE YOU TOMORROW.
1014
01:14:47,917 --> 01:14:50,654
OKAY.
1015
01:14:50,687 --> 01:14:52,656
BYE.
BYE.
1016
01:15:19,749 --> 01:15:22,518
BRADY.
SORRY I'M LATE.
1017
01:15:24,688 --> 01:15:27,190
HAD A LITTLE TROUBLE
GETTING THE TOP DOWN
ON MY CAR.
1018
01:15:27,223 --> 01:15:29,158
PORSCHE. I SAW THAT
IN YOUR DRIVEWAY.
1019
01:15:29,192 --> 01:15:31,628
YOU LIKE IT?
I PREFER MY OLD MIATA.
1020
01:15:31,661 --> 01:15:36,032
SO, I'M LOSING MY HOUSE
TO A BEAUTIFUL HEART SURGEON.
1021
01:15:36,065 --> 01:15:37,701
SELLING, SELLING.
1022
01:15:37,734 --> 01:15:40,136
SELLING.
RIGHT, SELLING.
1023
01:15:40,169 --> 01:15:42,005
CAN I GET YOU
SOME DRINKS TO START?
1024
01:15:42,038 --> 01:15:44,307
AN ICED TEA.
JUST WATER
FOR ME, PLEASE.
1025
01:15:44,340 --> 01:15:45,942
BE RIGHT BACK.
1026
01:15:45,975 --> 01:15:47,811
NOT A DRINKER?
1027
01:15:47,844 --> 01:15:49,846
WELL, IT'S 1:00
IN THE AFTERNOON,
AND I QUIT.
1028
01:15:49,879 --> 01:15:51,815
I'M A FRIEND OF BILL'S.
1029
01:15:51,848 --> 01:15:55,018
A SOBER WRITER.
HOW DOES THAT WORK?
1030
01:15:55,051 --> 01:15:59,255
WELL, I SPEND MORE TIME
CORRECTING MY STUDENTS'
PAPERS THAN WRITING.
1031
01:15:59,288 --> 01:16:01,057
WELL, I DON'T
DRINK EITHER.
1032
01:16:01,090 --> 01:16:04,027
TRYING TO DO
A TRIPLE BYPASS
WITH A HANGOVER--
1033
01:16:04,060 --> 01:16:05,629
NOT MY BEST DAY.
1034
01:16:06,830 --> 01:16:08,832
DEATH CAN BE
A LITTLE SOBERING.
1035
01:16:08,865 --> 01:16:11,100
YES.
1036
01:16:13,737 --> 01:16:15,739
THANK YOU VERY MUCH.
1037
01:16:15,772 --> 01:16:17,340
THANK YOU.
READY?
1038
01:16:17,373 --> 01:16:20,610
YES, I WILL HAVE
THE GRILLED
VEGETABLE SALAD.
1039
01:16:20,644 --> 01:16:22,211
NO CHEESE.
THANKS.
1040
01:16:22,245 --> 01:16:25,314
AND I'LL HAVE
THE STEAK SANDWICH
ON RYE
1041
01:16:25,348 --> 01:16:27,316
WITH A HALF CAESAR'S
PLEASE. THANK YOU.
1042
01:16:27,350 --> 01:16:29,152
THANK YOU.
1043
01:16:29,185 --> 01:16:31,020
VEGETARIAN?
1044
01:16:31,054 --> 01:16:34,724
IF YOU'D SEEN
AS MANY HEARTS
AS I'VE SEEN,
1045
01:16:34,758 --> 01:16:36,860
YOU'D EAT
MORE PLANTS TOO.
1046
01:16:36,893 --> 01:16:39,663
I'VE NEVER SEEN
A REAL HEART UP CLOSE.
WHAT DOES IT LOOK LIKE?
1047
01:16:39,696 --> 01:16:43,833
LIKE A FIST OF MEAT,
SOMETIMES WITH GRISTLE.
1048
01:16:43,867 --> 01:16:45,001
REALLY?
MM-HMM.
1049
01:16:45,034 --> 01:16:47,336
WOW.
YEAH.
1050
01:16:47,370 --> 01:16:51,641
THAT DOESN'T SOUND
VERY APPETIZING.
NO.
1051
01:16:51,675 --> 01:16:53,843
MISS?
1052
01:16:53,877 --> 01:16:55,979
YES?
I'M GOING TO
CHANGE MY ORDER.
1053
01:16:56,012 --> 01:16:58,715
I WANT TO GET
THE GRILLED VEGETABLE
SALAD AS WELL.
1054
01:16:58,748 --> 01:17:01,350
THANK YOU.
1055
01:17:01,384 --> 01:17:03,653
YOU HAVE A BEAUTIFUL SMILE.
YOU KNOW THAT?
1056
01:17:03,687 --> 01:17:05,655
WELL, THANK YOU.
1057
01:17:05,689 --> 01:17:07,757
I'M SORRY THAT YOU
HAVE TO SELL YOUR HOUSE.
1058
01:17:07,791 --> 01:17:09,693
AH, DON'T BE.
1059
01:17:09,726 --> 01:17:12,028
HAVE TO, WANT TO,
DON'T NEED IT ANYMORE.
1060
01:17:12,061 --> 01:17:13,897
IT HAS BAD MEMORIES?
1061
01:17:13,930 --> 01:17:16,199
THAT, AND...
1062
01:17:16,232 --> 01:17:18,234
I HAD THIS STUPID THING
OF THINKING THAT
1063
01:17:18,267 --> 01:17:20,236
WHEN THIS THING HAPPENS,
I'LL BE HAPPY, RIGHT?
1064
01:17:20,269 --> 01:17:23,840
AND THAT THING WOULD HAPPEN,
AND I STILL WOULDN'T BE HAPPY.
1065
01:17:23,873 --> 01:17:27,343
I SOLD MY FIRST BOOK,
GOT MARRIED.
1066
01:17:27,376 --> 01:17:31,314
SOLD MY SECOND BOOK,
BOUGHT EVERYTHING
I EVER WANTED.
1067
01:17:31,347 --> 01:17:33,382
AND THEN GOT DIVORCED.
( chuckles )
1068
01:17:33,416 --> 01:17:35,819
CHILDREN?
ONE. A SON.
1069
01:17:35,852 --> 01:17:37,987
HE MADE ME HAPPY,
1070
01:17:38,021 --> 01:17:41,357
UNTIL HE BECAME
A DRUMMER
IN A GOTH BAND.
1071
01:17:41,390 --> 01:17:43,359
THEN THERE WAS
THE TATTOOS,
1072
01:17:43,392 --> 01:17:45,962
THE PIERCINGS,
THE WHOLE THING,
YOU KNOW.
1073
01:17:45,995 --> 01:17:47,764
AND YOU?
1074
01:17:47,797 --> 01:17:50,199
UH, I HAVE A DAUGHTER.
1075
01:17:50,233 --> 01:17:53,302
SHE'S FINISHING COLLEGE.
AND JULIAN HAS TWO SONS.
1076
01:17:53,336 --> 01:17:56,239
AND JULIAN IS
YOUR FIANCE?
YES.
1077
01:17:56,272 --> 01:17:58,007
RIGHT, RIGHT.
YES.
1078
01:17:58,041 --> 01:18:00,043
MY SON MADE ME
REALLY HAPPY.
1079
01:18:00,076 --> 01:18:02,846
THAT AND MY FIRST BOOK.
1080
01:18:02,879 --> 01:18:05,148
I THINK HAPPINESS IS
A MADISON AVENUE MYTH.
1081
01:18:05,181 --> 01:18:07,917
YOU'RE NOT HAPPY?
1082
01:18:07,951 --> 01:18:10,453
I'M HAPPY.
I LOVE MY DAUGHTER,
1083
01:18:10,486 --> 01:18:13,056
I LOVE MAKING
MY PATIENTS FEEL BETTER,
1084
01:18:13,089 --> 01:18:15,992
I LOVE MY FIANCE.
AND YOU LOVE YOUR MIATA.
1085
01:18:16,025 --> 01:18:18,227
I ENJOY MY MIATA.
I LOVE MY FIANCE.
1086
01:18:18,261 --> 01:18:20,229
RIGHT.
PEOPLE VERSUS THINGS.
1087
01:18:20,263 --> 01:18:21,898
I GET IT.
1088
01:18:21,931 --> 01:18:24,400
WILL YOU EXCUSE ME
JUST A MOMENT?
1089
01:18:24,433 --> 01:18:26,002
SURE.
1090
01:18:33,843 --> 01:18:35,979
( Brady chuckling )
1091
01:18:40,850 --> 01:18:42,819
ARE WE GONNA CLOSE
THE DEAL HERE OR WHAT?
1092
01:18:42,852 --> 01:18:44,353
MAYBE.
1093
01:18:44,387 --> 01:18:46,823
AT THIS MOMENT,
I FEEL LIKE I COULD
1094
01:18:46,856 --> 01:18:49,826
OFFER YOU ANY
AMOUNT OF MONEY
AND YOU'D ACCEPT IT.
1095
01:18:49,859 --> 01:18:51,795
THEN BETH
WOULD KILL YOU.
1096
01:18:51,828 --> 01:18:53,997
I FEEL CONFUSED
1097
01:18:54,030 --> 01:18:56,299
AND RELIEVED,
ALL AT THE SAME TIME.
1098
01:18:56,332 --> 01:18:59,235
I CAN UNDERSTAND THAT.
1099
01:18:59,268 --> 01:19:02,005
WANT TO GO FOR A RIDE?
1100
01:19:02,038 --> 01:19:03,807
EXCUSE ME?
1101
01:19:05,208 --> 01:19:07,877
I WANT TO SHOW YOU
WHY MY PORSCHE
1102
01:19:07,911 --> 01:19:10,013
IS MORE FUN
THAN YOUR MIATA.
1103
01:19:12,381 --> 01:19:14,017
OKAY, LET'S GO.
1104
01:19:14,050 --> 01:19:15,819
OKAY.
1105
01:19:20,123 --> 01:19:23,226
YOU'RE RIGHT.
THIS IS BETTER
THAN MY MIATA.
1106
01:19:23,259 --> 01:19:24,527
WHAT?
1107
01:19:24,560 --> 01:19:26,462
I LOVE IT!
1108
01:20:04,600 --> 01:20:07,003
DO I GET
THE PRIVATE TOUR NOW?
ABSOLUTELY.
1109
01:20:07,036 --> 01:20:08,504
WHERE DO WE START?
1110
01:20:08,537 --> 01:20:10,606
DO YOU LIKE SUNSETS?
1111
01:20:10,639 --> 01:20:12,308
OF COURSE.
1112
01:20:24,053 --> 01:20:25,922
YOU LIKE MOVIES?
1113
01:20:32,228 --> 01:20:34,063
Man:
SHALL WE
TAKE A WALK?
1114
01:20:34,097 --> 01:20:36,299
YES, LET'S.
1115
01:20:39,402 --> 01:20:40,904
Man:
WHERE IS HE NOW?
1116
01:20:40,937 --> 01:20:43,539
THIS IS
A GREAT MOVIE.
1117
01:20:43,572 --> 01:20:48,111
EASILY THE BEST
ADAPTATION OF
HEMINGWAY'S WORK.
1118
01:20:48,144 --> 01:20:50,179
YOU SEE,
1119
01:20:50,213 --> 01:20:52,548
THE WORLD IS FALLING
APART AROUND THEM.
1120
01:20:52,581 --> 01:20:54,984
AND THEY'RE STILL
FALLING IN LOVE.
1121
01:20:55,018 --> 01:20:56,385
YEAH.
1122
01:21:15,138 --> 01:21:18,441
YOU DO REALIZE...
1123
01:21:18,474 --> 01:21:21,277
YOU'VE COMPLETELY LOST
YOUR NEGOTIATING POWER.
1124
01:21:24,613 --> 01:21:26,482
SHUT UP
AND KISS ME.
1125
01:21:38,561 --> 01:21:40,563
SO...
1126
01:21:41,564 --> 01:21:43,566
THIS IS THE BED.
1127
01:21:45,634 --> 01:21:48,271
ALSO AVAILABLE.
OH, IT'S NOT INCLUDED?
1128
01:21:48,304 --> 01:21:49,939
HMM-MM.
1129
01:21:52,075 --> 01:21:55,578
BUT I'LL FLIP YOU
FOR IT.
1130
01:21:55,611 --> 01:21:57,680
ME, OR A COIN?
1131
01:22:03,052 --> 01:22:05,488
IS THIS A MISTAKE?
1132
01:22:07,390 --> 01:22:08,624
PROBABLY.
1133
01:22:11,027 --> 01:22:13,429
YOU WERE REALLY GOOD
AT THIS MISTAKE.
1134
01:22:14,530 --> 01:22:16,365
REALLY.
1135
01:22:29,012 --> 01:22:31,981
BRADY...
1136
01:22:32,015 --> 01:22:34,717
I ENJOY YOU, AMY,
1137
01:22:37,520 --> 01:22:39,955
BUT I'M NOT
IN LOVE WITH YOU.
1138
01:22:45,261 --> 01:22:46,629
BRADY...
1139
01:22:46,662 --> 01:22:49,098
BRADY?
1140
01:22:54,703 --> 01:22:57,373
BRADY?
HUH?
1141
01:22:57,406 --> 01:23:00,309
BRADY!
HMM?
1142
01:23:00,343 --> 01:23:03,346
WHY DO I FEEL LIKE
I'M THE ONLY PERSON
INTERESTED IN THIS HOUSE?
1143
01:23:03,379 --> 01:23:06,415
UH, I DON'T KNOW.
YOU TELL ME.
1144
01:23:06,449 --> 01:23:08,784
WELL, THE ESTATE
ACROSS THE STREET
HAS BEEN FOR SALE
1145
01:23:08,817 --> 01:23:10,719
FOR OVER FIVE YEARS.
1146
01:23:10,753 --> 01:23:13,156
YEAH, BUT THEIR GARDEN
NEEDS WORK, AND, UH,
1147
01:23:13,189 --> 01:23:15,591
THEY DON'T HAVE
ALL THE GOOD STORIES.
1148
01:23:15,624 --> 01:23:17,326
NO TROPHIES,
1149
01:23:17,360 --> 01:23:20,029
NO FIRING RANGE,
NO DEAD BODIES.
1150
01:23:20,063 --> 01:23:22,065
SEE? THAT DOES
SOUND BETTER,
DOESN'T IT?
1151
01:23:25,301 --> 01:23:28,771
YOU KNOW, I'D GIVE UP
MY HOUSE IN A SECOND
FOR A WOMAN LIKE YOU.
1152
01:23:28,804 --> 01:23:31,774
ME? I'M--
I'M TAKEN.
1153
01:23:31,807 --> 01:23:33,376
I KNOW.
1154
01:23:33,409 --> 01:23:37,146
YOU JUST WANT TO
TALK ABOUT MONEY.
1155
01:23:37,180 --> 01:23:39,148
"MONEY."
1156
01:23:41,184 --> 01:23:43,819
YOU KNOW BETH
WOULD DO ANYTHING
FOR YOU, RIGHT?
1157
01:23:43,852 --> 01:23:45,721
YOU MEAN FOR THE SALE
OF THE HOUSE?
1158
01:23:45,754 --> 01:23:47,823
NO, DUMMY.
FOR YOU.
1159
01:23:47,856 --> 01:23:49,625
YOU DON'T GET IT,
DO YOU?
1160
01:23:49,658 --> 01:23:51,660
I'M-I'M NOT SURE.
1161
01:23:51,694 --> 01:23:53,496
IT'S AMAZING.
WHAT IS?
1162
01:23:53,529 --> 01:23:55,698
NOTHING.
FORGET IT.
1163
01:23:55,731 --> 01:23:58,734
LOOK, IT'S A TOUGH
MARKET FOR SELLERS.
1164
01:23:58,767 --> 01:24:01,137
WELL, IN THE PRICE RANGE
WE'RE TALKING,
1165
01:24:01,170 --> 01:24:04,307
THINGS TEND TO BE
CONSTANT, YOU KNOW?
1166
01:24:04,340 --> 01:24:07,110
YOU'RE CUTE.
SO ARE YOU.
1167
01:24:07,143 --> 01:24:09,812
NO, PLEASE, PLEASE.
I GOT IT.
1168
01:24:09,845 --> 01:24:11,114
THANK YOU.
1169
01:24:11,147 --> 01:24:12,515
YOU'RE WELCOME.
1170
01:24:21,624 --> 01:24:24,627
YOU REALLY ARE
A HEARTBREAKER,
YOU KNOW THAT?
1171
01:24:24,660 --> 01:24:27,096
I'VE NEVER HEARD
THAT ONE BEFORE.
1172
01:24:27,130 --> 01:24:29,165
GOOD LUCK, BRADY.
1173
01:24:36,905 --> 01:24:39,708
NO. NO, DON'T.
1174
01:24:39,742 --> 01:24:41,777
YES.
NO, PLEASE.
1175
01:24:46,482 --> 01:24:49,352
( music swells )
1176
01:24:57,460 --> 01:24:59,462
( explosion )
1177
01:25:29,258 --> 01:25:31,394
BRADY!
1178
01:25:31,427 --> 01:25:34,330
BRADY OLINSON,
GET YOUR ASS UP!
1179
01:25:35,598 --> 01:25:37,400
BRADY!
1180
01:25:40,936 --> 01:25:43,672
( snoring )
1181
01:25:45,941 --> 01:25:48,244
OW!
1182
01:25:50,679 --> 01:25:52,581
MORNING TO YOU TOO.
1183
01:25:52,615 --> 01:25:54,750
WHAT DID YOU SAY TO HER?
1184
01:25:54,783 --> 01:25:57,420
WHO?
WE LOST AMY.
1185
01:25:57,453 --> 01:26:00,223
SHE'S MAKING
AN OFFER ON THE HOUSE
ACROSS THE STREET.
1186
01:26:00,256 --> 01:26:02,458
OKAY.
AND SHE'S GONNA
GET A STEAL.
1187
01:26:02,491 --> 01:26:04,760
SHE'S GETTING THE DEAL
OF THE CENTURY ON THAT
1188
01:26:04,793 --> 01:26:06,729
SLAB OF STONE!
1189
01:26:06,762 --> 01:26:08,631
SO YOU'LL GET
THAT COMMISSION.
1190
01:26:08,664 --> 01:26:10,633
WHAT ARE YOU GETTING
ON MY CASE FOR?
1191
01:26:10,666 --> 01:26:12,768
EXCUSE ME?
1192
01:26:12,801 --> 01:26:14,970
GETTING ON YOUR CASE?
1193
01:26:15,003 --> 01:26:16,805
IS THAT ALL
YOU HAVE TO SAY?
1194
01:26:18,774 --> 01:26:20,776
IT'S NOT EVEN YOUR HOUSE.
WHY DO YOU EVEN CARE?
1195
01:26:20,809 --> 01:26:22,911
BECAUSE!
OW! STOP THAT!
1196
01:26:22,945 --> 01:26:25,381
BECAUSE I CARE
ABOUT YOU!
1197
01:26:31,354 --> 01:26:34,323
I'VE GOT SOME GRASS
I NEED TO GO CUT.
1198
01:26:36,625 --> 01:26:38,494
YOU'RE GONNA GO
CUT SOME GRASS?
1199
01:26:40,863 --> 01:26:44,467
THAT'S WHAT YOU'RE
GONNA DO RIGHT NOW,
GO CUT SOME GRASS?
1200
01:26:44,500 --> 01:26:46,502
I LIKE CUTTING GRASS.
1201
01:26:46,535 --> 01:26:48,771
I HAPPEN TO
LIKE IT A LOT.
1202
01:26:48,804 --> 01:26:52,007
LOOK,
IT'LL BE FINE.
1203
01:26:52,040 --> 01:26:54,910
EVERYTHING HAS A WAY
OF WORKING ITSELF OUT,
YOU KNOW?
1204
01:26:56,579 --> 01:26:58,847
WE NEED TO RE-THINK
OUR RELATIONSHIP.
1205
01:26:58,881 --> 01:27:02,285
WHAT, YOU DON'T WANT TO
BE MY REALTOR ANYMORE?
1206
01:27:02,318 --> 01:27:04,987
I CAN'T DEAL
WITH YOU ANYMORE.
1207
01:27:09,292 --> 01:27:10,826
I DON'T UNDERSTAND.
1208
01:27:14,363 --> 01:27:16,231
HEY.
1209
01:27:17,633 --> 01:27:19,768
HEY...
1210
01:27:19,802 --> 01:27:21,704
COME ON.
1211
01:27:23,406 --> 01:27:25,608
COME ON, COME ON,
COME ON.
1212
01:27:25,641 --> 01:27:27,610
IT'S NOT AS BAD
AS ALL THAT.
1213
01:27:27,643 --> 01:27:30,313
I MEAN,
IT'S JUST A HOUSE.
WHO CARES?
1214
01:27:31,980 --> 01:27:34,783
IT'S NOT ABOUT
THE HOUSE.
1215
01:27:45,994 --> 01:27:48,263
IT'S ABOUT ME?
1216
01:27:52,635 --> 01:27:54,770
I THOUGHT
YOU HATED ME.
1217
01:27:54,803 --> 01:27:56,905
NO.
1218
01:27:58,374 --> 01:27:59,942
YOU HATED YOU.
1219
01:28:01,677 --> 01:28:04,313
BETH, BETH, BETH.
1220
01:28:06,749 --> 01:28:09,852
LOOK AT ME.
1221
01:28:09,885 --> 01:28:12,621
I'M DAMAGED GOODS.
1222
01:28:12,655 --> 01:28:14,623
YOU KNOW?
1223
01:28:14,657 --> 01:28:17,326
I'M BARELY GETTING BY
ON TEACHING.
1224
01:28:18,394 --> 01:28:19,862
BEEN A DRUNK,
1225
01:28:19,895 --> 01:28:22,865
A WOMANIZER...
BAD WOMANIZER.
1226
01:28:22,898 --> 01:28:25,067
AND AN ASSHOLE,
AND YOU'RE A SLOB,
RIGHT. RIGHT.
1227
01:28:25,100 --> 01:28:26,602
AND YOU'RE
IRRESPONSIBLE.
1228
01:28:26,635 --> 01:28:28,437
OKAY. OKAY.
ALL RIGHT.
1229
01:28:35,077 --> 01:28:37,446
CLEARLY,
I'M NOT SOMEONE
1230
01:28:37,480 --> 01:28:39,748
YOU WANT TO TIE
YOUR LIFE TO.
1231
01:28:41,850 --> 01:28:43,852
BUT I DO.
1232
01:28:51,093 --> 01:28:53,429
THEN YOU'RE CRAZIER
THAN I AM,
1233
01:28:53,462 --> 01:28:55,330
BETH LESCOVITZ.
1234
01:29:09,077 --> 01:29:10,979
YOU'RE A JERK.
1235
01:29:21,457 --> 01:29:25,761
( guitar strumming )
1236
01:29:25,794 --> 01:29:27,930
Woman:
* I'M THINKING I LOVE YOU
1237
01:29:27,963 --> 01:29:29,965
* BUT I'M NOT SURE
1238
01:29:29,998 --> 01:29:33,502
* YOU SEEM TO HAVE
SHOWN UP AT MY DOOR *
1239
01:29:33,536 --> 01:29:38,073
* AND IT'S WIDE OPEN
IN FRONT OF ME *
1240
01:29:40,476 --> 01:29:42,745
* OUTSIDE
1241
01:29:42,778 --> 01:29:44,847
* THE GRASS IS GREENER
1242
01:29:44,880 --> 01:29:47,149
* THAN IT'S BEEN IN YEARS
1243
01:29:47,182 --> 01:29:50,686
* OR SO IT SEEMS
THAT THIS COULD BE *
1244
01:29:50,719 --> 01:29:54,457
* A PERFECT, BEAUTIFUL DAY
1245
01:29:55,891 --> 01:29:58,193
* BEAUTIFUL DAY
1246
01:29:58,226 --> 01:30:02,097
* OH, I WONDER
1247
01:30:02,130 --> 01:30:05,167
* HOW THE CLOUDS
MADE THOSE DESIGNS *
1248
01:30:05,200 --> 01:30:07,202
* AND LOOK,
THAT ONE IS YOU *
1249
01:30:07,235 --> 01:30:09,204
* AND OVER THERE,
THAT ONE IS ME *
1250
01:30:09,237 --> 01:30:13,742
* THAT'S WHAT I SEE
ON THIS BEAUTIFUL DAY *
1251
01:30:14,977 --> 01:30:19,414
* ON THIS BEAUTIFUL DAY
1252
01:30:28,156 --> 01:30:32,194
* IN THE AFTERNOON,
LOVE IS IN FULL BLOOM *
1253
01:30:32,227 --> 01:30:35,931
* THE SUN FEELS GOOD
ON MY SKIN *
1254
01:30:35,964 --> 01:30:39,902
* WITH THE PERFECT SKY
SUNLIGHT IN OUR EYES *
1255
01:30:39,935 --> 01:30:44,840
* RUNNING INTO THE WIND
86341
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