All language subtitles for Better.Late.Than.Never.S02E05.Barcelona.If.Terrys.Not.Naked.Who.Is.WEBRip.x264-ION10.en

.

male narrator: Europe...

birthplace
of Western civilization...

[Beethoven's "Symphony No. 5"]

And a world of unparalleled
culture and sophistication.

♪ ♪

[record scratch]

They're back.

‐ ♪ Holiday road ♪

narrator: Four living legends.

‐ We got to have a walk‐off,
a goat walk‐off.

narrator: Saddle up again...

‐ We're gonna get arrested.

narrator:
For a European adventure

they'll never forget.

‐ ♪ Holiday road ♪

‐ I'm outta here.

narrator:
Starring TV superstar

Henry Winkler...

‐ Oh, Bill.

narrator: Cultural icon...

‐ [speaks native language]

narrator: William Shatner,

NFL hall‐of‐famer...

‐ This is a good look for me.

‐ Yeah.
narrator: Terry Bradshaw.

‐ [ululating]

narrator: Former heavyweight
champion George Foreman.

‐ Oh!

‐ We're from America.

narrator:
Jeff Dye as the sidekick.

[farts]

‐ Oh, Jeff, you stinky [bleep].

‐ I'm above the birds.

narrator: Barcelona.

‐ His shorts fell off.
Oh, look at this.

‐ What's this?
‐ Monkfish.

‐ Monkfish?
‐ Oh.

‐ Is that fish raw?

Narrator: Just when you
thought it was safe

to go back on vacation.

[rip]

Better late‐‐

‐ This is really something
to see.

narrator: Than never.

‐ Oh, my God.

[pop music]

‐ Spain, here we come.
I got my red and yellow on.

‐ The plane's about
to take off.

Henry and Terry are missing.

The last thing I heard them
talking about was purses.

I'm confused.

‐ Why are we here?
You're looking for what?

‐ A man purse.

There comes a time in life

when you just have to finally

get past everything and say,

"I need a man purse."

I lost a $600 pair
of prescription glasses.

‐ Okay.
‐ Gone.

‐ Gone?
‐ I need something

to put my wallet and sunglasses
and key and stuff in.

Man purse sounded
like the right thing,

so I got a blue man purse,

you know, made my eyes
look good, and I like it.

♪ ♪

‐ Spain, here we come.

♪ ♪

‐ We're in Spain to have
an adventure in Barcelona.

‐ Welcome to Barcelona, boys!

[dramatic mariachi music]

‐ We are in Barcelona.

‐ I know, and what a city this
is for us.

It's artistic.
It's thriving.

Did you see the life
on the streets?

‐ I have.

‐ It's our kind of city, baby.

‐ Yeah.

[lively salsa music]

♪ ♪

‐ Hey, look at this.
‐ This is awesome.

We're walking down
the streets of Barcelona,

and we come upon this parade

and people in these wild,
gigantic heads.

We've got to be part of this.

‐ Man, you just can't take
that boy anywhere.

‐ There is a store
that sells these heads,

and we can go and get one.
Are you in?

‐ Yeah, I'm in. Let's go.
‐ Are you in?

‐ I didn't travel all the way
over here to be boring.

Let's go.

‐ It's‐‐to be part
of this parade,

we need the giant costumes.

‐ We want to be a part of this.
‐ So‐‐

‐ Last thing this ne‐‐group
needs is another big head.

‐ You know this to be the place?
‐ This is it.

‐ Look at this.

We want to be part
of that parade.

‐ Really?
‐ The one we saw?

‐ Are you sure?
‐ Oh, absolutely.

Can you help us?

‐ Yes, of course, but you have
to tend the consequences.

‐ What are the consequences?
‐ Ah, no, don't worry.

There's no consequences.

‐ Boy, this is a strange place,
strange place.

‐ I'm gonna show you the shop.

This was opened in 1838.
It's 179 years of history.

‐ This is great.
‐ Wow.

‐ The iconic U. S. president.
‐ Oh, my goodness.

It looks just like him.
What's the one in the middle?

‐ That's Terry Bradshaw.
‐ Oh, yeah.

Terry Bradshaw, got my own head
right here. That's me, Jack.

‐ Yeah, he lost a tooth,
remember?

‐ It's Terry Bradshaw
with a missing tooth.

Even in Barcelona
they're taking shots at me.

‐ Yeah, you're gonna stop
laughing when you get tackled.

‐ Yesiree, I call my own
plays and everything.

Uh‐oh.
[glass shatters]

I got a big head.

‐ Let's pick out
our favorite masks‐‐

‐ Yeah?

‐ And then get back
in that parade.

‐ I'm gonna choose this one.

‐ Do I look smart?
‐ That's an improvement.

George, keep it.

‐ [speaking Spanish]

‐ Guys, I picked mine.

Guys?

[roaring]

How much is this one?

‐ El stupido.

‐ Yesiree, I'm wearing me.

‐ [snoring]

‐ Now, that's‐‐that's him.
Professor George.

Oh, the malevolent George.

You're waking him up.

‐ I have the donkey.
‐ You're gonna be the donkey?

‐ I think it's appropriate.

‐ You are surely
a horse's ass now.

‐ It's a Jeff ass.

‐ And he's so much kinder
than a jackass.

‐ They're pretty even.
‐ Close.

‐ I chose myself a mask,

and the reason I did that was
I've already got a giant head.

‐ Try not to ruin the mask.

‐ I saw Popeye, and I thought,

"Once in my life
I'm gonna be strong."

‐ I chose the chicken
because the chicken goes great

with the George Foreman grill.

‐ All right, let's get
back to that parade.

‐ This way.

♪ ♪

‐ This is really something
to see, isn't it?

‐ Yeah, if I didn't
have this thing on,

I would be able to
say the same thing.

I can't see a thing.

‐ Do we need to turn?

♪ ♪

‐ Look at this,
all this dancing and pageantry

right here in
the streets of Barcelona.

‐ Yeah, yeah.
‐ Even George is dancing.

‐ That's an itch.

He's getting, like, an itch.

‐ Oh.

‐ We haven't been here
long in Barcelona,

and we've already been
part of the culture.

I can't wait to see what else
this city has in store for us.

♪ ♪

[duck quacks]

‐ If you guys want an authentic

European experience,

there's nothing more European
than staying in a hostel.

‐ It looks hostile.
‐ Can't we just stay

in one hotel,
one normal hotel just once?

‐ Well, no, this one is an
authentic European experience,

so to answer your question, no.

‐ Welcome to your room.
‐ Thank you.

‐ Please.
‐ Oh, this is great.

‐ Bunk bed?
‐ Yeah.

‐ Man.
‐ Whose room is this?

‐ It's a hostel,
so we share the room.

‐ Yeah, with each other.

‐ This is carrying togetherness
a little far, isn't it?

I want my own room.
I want my own bed.

‐ You're a snob.
‐ I want my own bathroom.

‐ Hey, Bill.
‐ What is it, Terry?

‐ Give me one
"Beam me up, Scotty."

‐ No.

‐ Just one. Come on.
‐ All right, here it comes.

You ready?

‐ Yeah.
‐ Whoa.

‐ That's Henry's thing.
‐ Captain Kirk never said,

"Beam me up, Scotty."

‐ Do you know that people
all over the world

in every language
who watch "Star Trek"

have said,
"Beam me up, Scotty"?

‐ I know, never said it.
"Scotty, beam me up,"

"Two to beam up,"
I mean, everything else

but, "Beam me up, Scotty."

Nobody ever said,
"Beam me up, Scotty."

‐ He's never actually said,
"Beam me up, Scotty."

Unbelievable.

‐ But there were other‐‐
other phrases.

‐ What was your catch phrase?
‐ Well, "We need more power."

‐ Ah!
‐ "Scotty, we need more power!"

"I'm trying. I'm trying,
Captain. I'm trying."

"Look at that. What's that?"

"I don't know."
[laughter]

Then there was always a guy in
red, in a red shirt beside me.

‐ Yeah.
‐ And every time a guy

in a red shirt was beside me,

you knew that guy
was gonna die.

"Oh, Jesus."
‐ He got blown up.

‐ Blasted 17 yards down there,

splattered on a boulder.

"Well, we lost Dick again,"
you know?

"Too bad about Dick."

‐ Ah, it's a shame "Beam me up,
Scotty's," not your‐‐

That's fun to say.

‐ I will say it now for
the first time on camera.

‐ [imitates drumroll]
‐ Beam me up, Scotty.

‐ Ladies and gentlemen,
for the first time.

‐ In your neighborhood
and in your house.

Having said it for
the first time, never again.

[rock music]

‐ Potato?

‐ No, that is its testicles.

‐ Yeah.
‐ Don't, Terry.

‐ Little squirt.

‐ Oh.
‐ Oh!

‐ Terry, look at that,
parasailing.

‐ Wow, that's a long way
down there.

I'm not doing that.

‐ Disco bus!
[laughs]

‐ It's time to party!

.

‐ ♪ Lost her ♪

♪ Downtown ♪

[rock music]

‐ Hello, Barcelona.
‐ What should we do?

‐ Do something artistic,
do something creative,

see something, do something.

‐ Well‐‐
‐ Like watercolor?

‐ Watercolor?
‐ Yeah.

‐ Let's get started.

♪ ♪

‐ How is this to start a day?

A beautiful park.

Look at this.

Holy mackerel,
you know what that is?

Look at that.

‐ I've never seen
anything like that.

‐ Is that a church?

‐ That's a church.
‐ Gaudi went from being

a traditional architect
to being way out like this.

‐ You weren't kidding when
you said it was gaudy.

‐ He worked on it
for over 40 years.

He steps off a curb.
Bus hits him. He dies.

It remains unfinished
until recently

when the government hired
33 architects to get together

and finish it the way
Gaudi would have loved

to have finished it.

‐ You're a know‐it‐all.
‐ I am not a know‐it‐all.

‐ You're not?
‐ No.

I‐‐I know a lot.

I'm a know‐a‐lot‐it‐all‐‐
a lo‐‐

I'm a lotta‐‐a know‐a‐lotta.

‐ You're a know‐a‐lotta.

You know, the thing
that makes you different,

the thing that separates you is
the thing that makes you great,

and I have to say Gaudi
didn't listen to anybody else.

He did what
his imagination told him.

‐ I have the greatest respect
for anybody that will go away

from the mainstream.
‐ Right.

If we didn't dance
to our own drum,

every one of us right here,

we would not be standing
right here doing this.

‐ When you're young,
you're just trying to fit in,

but then when you become a man,
you're saying,

"No, what makes me
separate from the bunch?"

Gaudi was a weirdo,

and all four of these guys
were called weirdoes

and are considered
a little weird,

and that's what made them
great.

It's a good thing.
It's not an insult.

That means you could someday
be like a Terry Bradshaw

or a George Foreman or a William
Shatner or a Henry Winkler.

♪ ♪

‐ Right now we're going
to see the‐‐

[explosion pops]
‐ Ooh.

‐ The bonfire of St. John.
‐ San Juan.

‐ San Juan?

[lively music]

♪ ♪

People all over Barcelona
are going to a bonfire

somewhere in their neighborhood.

‐ This guy starts off
on a mountain

and runs down the mountain
and lights all the torches,

and all the torches
take it from that one‐‐

‐ No.
‐ Like the Olympic thing,

and then
the whole thing explodes.

‐ One torch?
‐ One torch starts it.

‐ They all write down
on a piece of paper

what they would like
to get rid of from their life.

‐ Guys, I got us paper and pens.

‐ What for?

‐ For the tradition you guys
were just telling me about.

‐ All righty.

A lot of guys and women write
the names of their loved ones.

‐ Is that true?
‐ Get rid of the‐‐

‐ Really?
‐ No, not really.

‐ No.
‐ Do we dare‐‐

‐ What?

‐ Trade secrets of
what we wrote down?

‐ I would sh‐‐

‐ No.
‐ I would share mine.

I want to listen more
to my instinct.

I want to not
second‐guess myself

'cause your instinct
knows everything.

Your mind only knows a little.
What is yours?

‐ I want to get rid of my bad
habits. What did you reveal?

‐ I'll reveal it too.
‐ Let me see.

‐ Hiding what
makes me different?

‐ What made Gaudi different is
what made him more successful.

He was set apart from
the group.

I've always been real
different,

but I've always
kind of been like,

"Ugh, why am I the kid
that's‐‐needs attention

or is silly or is playful
or different?"

But what made me different
is also

what's gonna make me great,

so I don't want
to be ashamed of it.

‐ And you're not.
‐ And I won't be.

‐ Wow. Champ?
‐ I got nothing to give up.

I've given it all up.

‐ When does the fire start?
Does anybody know?

‐ When the night comes out.

‐ When the night comes out.
What a great way to say that.

[dramatic mariachi music]

♪ ♪

‐ Now you go.

♪ ♪

‐ There's the torch.
They're starting.

‐ Here it goes. Here it goes.

♪ ♪

[lively pop music]

♪ ♪

‐ Now it's going.

♪ ♪

‐ That's amazing.

‐ Wow, that's hot.

♪ ♪

‐ I'm taking this moment
to embrace

what makes me truly unique,

and that's what makes me
who I am.

♪ ♪

‐ How lucky that we are here
in Barcelona,

and it was the Festival
of St. John.

It was beautiful.
It was exciting.

It was emotional,
and we got to be there,

and we got to participate.

I'll tell you, life is good.

♪ ♪

[eagle screeches]

.

[mariachi music]

‐ Wow, that's the tango, guys.

‐ Oh, provocative.

‐ I had no idea there was
this much dancing in Barcelona.

The tango, I've done
this once

with Mrs. C.

‐ Terry Bradshaw, all right.

‐ You know, 99% of dancing
is just attitude, baby.

‐ Oh.

Like he's fighting a bull.

‐ Oh!

‐ Terry's got dance moves
nobody's even thought of,

like this one.

It's white Shrek.

‐ Oh, look at this.

Tango, the dance of romance,
passion.

‐ Wow.
‐ Doesn't look as good.

[fabric rips]

‐ And stylizing.

‐ I got you this.
‐ With kicks and turns.

It's a dance of passion,
quite passionate,

but you get the point.

‐ All right, Bill, you're up.
‐ The greatest.

♪ ♪

‐ Oh, no.

‐ How many 5'6" overweight
guys can tango?

♪ ♪

‐ Look, look, look.

Oh, Bill.
‐ Oh, yeah.

Bill, how do you know
how to do all this?

‐ I really hate to admit
that Bill's good at anything.

He's pretty doggone good.

‐ He's married.

‐ Bill, Bill.
‐ Whoa!

‐ Yes, bravo, bravo!

♪ ♪

‐ That's the real thing there.
‐ I know.

Part of establishing the culture
of the place is the cuisine.

That's how you know the people,

so I've set up this place
for us to eat.

I hope the guys appreciate it.

‐ Look at all this.
Thank you, my friend.

‐ What is this?

‐ I suspect he
doesn't speak English.

‐ All right, so this looks
like food I can eat.

I th‐‐that, what is that?

They've already just put down
a pig's leg on the table.

‐ And what is this?
‐ Tripe, callos.

‐ Tripe.
What's this?

‐ Monkfish?

‐ [gags]

‐ [coughs]

[solemn trumpet music]

‐ Oh, my God, something smells.
Is that fish raw?

It smelled
like an entire village

all wearing smelly gym socks,

and then a skunk sprayed them.

‐ Monkfish, monkfish.
‐ That's a monkfish?

‐ Yeah, and it's good too.
It's delicious.

‐ It's very religious.

‐ This is just wrong.
[laughter]

[dramatic musical flourish]

‐ [gags]

[mariachi music]

‐ Potato?

‐ No, that is its testicles.

‐ Yeah.
‐ Yeah.

[stirring orchestral music]

[both groan]

‐ So gross.

‐ Well, isn't this wonderful?

I don't understand these guys,

squeamish
at a couple of testicles?

It's nothing.

‐ Don't, Terry.
‐ A little squirt.

‐ Oh.
‐ Oh!

‐ Terry, what are you doing?
‐ Terry, put it back.

Don't eat it. Now, usually
I'll eat anything, but this?

That's too much for me.

‐ It's strawberry balls.
Come on.

‐ Put the balls back
where they came from.

‐ See if you can throw
a spiral.

‐ Hey, feel that.
‐ No.

‐ It feels good.
‐ That is so gross.

We'd die if we ate
all this food.

It's not even cooked.

It's just‐‐the whole thing's
making me nauseous.

‐ Just put it
over there, George.

‐ I think I'm gonna barf.
I've lost my appetite.

‐ Come on, guys.
Soak up the culture.

Sample the balls.

‐ Has anybody seen my wallet?

‐ No.
‐ You're kidding.

‐ You lost your wallet?

You see what happens
when you don't have a man bag?

You need a man bag.

‐ ID, credit cards,
everything, all gone,

a little love note
from Stacy, gone.

‐ What was in your wallet?
‐ A punch card?

‐ No.
‐ Oh, thank God.

‐ 'Cause I had used that
already before I left.

‐ Smart man.

‐ My grandfather taught me
a saying, and he says,

"All you have to do"‐‐
‐ Is?

‐ "Is close your eyes
and count to ten.

Open your eyes, and you'll know
where your wallet is."

‐ Really?
‐ Really.

‐ Is he nuts? There is no way
this is gonna work.

One, two, three, four,

five, six...

You know,
this is bull, literally.

Nine, ten.

‐ Oh, dah!
[groans]

‐ What's wrong, Bill?

‐ Are you okay?
‐ Oh, my God.

‐ Don't ask me how I did it.
‐ There it is.

‐ You guys.
‐ Works.

‐ Oh, look at that,
my wallet has a new leather.

I am now complete,
and I will pay the bill.

♪ ♪

‐ We're here in Barcelona.
We should go to the beach.

‐ Huh?
‐ Oh, the beach.

‐ It's voted one of the best
beaches in Europe.

‐ No kidding?
‐ Right here in Barcelona.

‐ Imagine cleansing yourself
in the Mediterranean Ocean.

‐ I don't know that
I'm actually beach ready,

if you know what I mean.

‐ Yeah, but we should go though.

‐ You guys worried about
your rogue hairs?

'Cause we got to wear Speedos.

‐ You're gonna get waxed?

‐ Jeff, why didn't you tell us
this before we came on the trip?

I could have got
some clippers out,

maybe a blowtorch
or a candle, you know?

‐ It's like eating
wiggly fish in Asia.

We got to dive in
and be part of the culture.

‐ There is no way
I'm allowing Jeffrey to wax me.

‐ You don't want to show up
to the beach all hairy

and all gross.

We got to blend in.
You'll love it.

‐ Okay, whatever.

‐ Let's get this hair
off our bodies, boys.

‐ Oh, I am not sure.

‐ Jeff thought that part
of the culture in Spain

is that you got to have
beach bodies, and he said,

"We got to get the hair
off your chest, you know,

and your shoulders and your
back and everywhere else."

For once I'm gonna embrace
the culture more than Bill.

How do you like that?
‐ All right, you ready?

‐ Now, I know
this is gonna hurt.

‐ You don't know how much
it's gonna hurt.

‐ Shut up, Bill.
‐ Don't do it, Terry.

You've been tortured enough
in life.

Why should you do this?

‐ Do it, Terry.

‐ This is‐‐

‐ Jeff, do you know
what you're doing?

‐ Yeah, I think.
‐ No, you're doing wrong.

‐ I'm not sure that waxing is
part of the culture of Barcelona

but I'm not telling Jeff that.

‐ This is just, like,
so frigging wrong.

‐ It's real simple,
just wax on, wax off.

‐ Yeah, don't forget,
you hurt me, you die.

‐ That's not fair.
You guys ready?

‐ Embrace it, now.

‐ All right, on three.

One, two, three.

Wait, I want to add‐‐

‐ Oh, J‐‐Jeff!

‐ What? I want to add more.

‐ Jeff, it's gonna
stick forever!

‐ All right, ready?

‐ Go!
‐ One, two‐‐

‐ Jeff!
‐ You going the wrong way.

‐ God!
[shouts]

[squealing]
‐ Oh, my God.

‐ How bad did it hurt?

Have someone slap you
with a boat paddle.

That's close.
Oh!

‐ Oh, that was great.

‐ I got kicked by a horse,
run over by a truck.

That is a warm‐up

compared to having your hair
ripped off your chest.

Whoa, whoa, whoa, whoa, whoa,
whoa, what are you doing?

‐ You got to get
the rest of you, man. You‐‐

‐ I don't‐‐no, no.
‐ What do you mean?

‐ Terry, you can't go like
that. That looks terrible.

‐ Am I bleeding?

‐ You're a football player,
mate.

Children look up to you.

‐ One, two‐‐
‐ Terry, just say no.

‐ Three!
‐ Ahh!

‐ Oh, my God!

Get out of here
with that camera!

‐ My football hero's screaming
in pain. How is that possible?

They're supposed to be,
like, men of iron.

They don't scream in pain.

They're football players,
for God's sake!

‐ I am through!
I am‐‐I am so through!

I'd rather drag my [bleep]
through 40 miles of broken glass

than to have that
ever happen again.

I gotta have help!

[laughter]

[eagle screeches]

.

♪ ♪

‐ On the beach in Spain.

‐ Wow.
‐ This is great, right?

Did you guys
put suntan lotion on?

Terry, look at that.

‐ That's something
one of us should do.

‐ What's that?
‐ Parasailing.

‐ Hang from a parachute several
hundred feet in the air.

‐ Wow, that's a long way
down there. I'm not doing that.

Come on, those things
fall and crash.

For me to get on that,
ain't gonna happen.

‐ Like a matador
facing a maddened bull.

‐ I don't want to be up
high strapped

to some kite pulling me
around with some guy

that doesn't speak English.

You want me‐‐
‐ Yes.

‐ To go and get rid
of some more fears?

‐ That's right.
‐ I'm 68.

I don't want to be
scared, all right?

I got a heart condition.

‐ The parachute ride will help
straighten all those fibers.

‐ Okay.

‐ Okay?
‐ All right.

I'm not gonna be a wimp
like I was in Munich.

I do not want
to get on a gondola.

‐ We're going all the way
up there.

‐ Oh, boy.

Not one of my favorite
things here.

‐ Do you get nervous
when I do this?

‐ Hey, don't do that,
seriously, now.

Seriously.

‐ Hey, guys.
‐ Hi.

‐ Hola, amigos.
‐ Game on!

‐ How are you?

‐ America, I'm about to show
you how it's done.

‐ Oh, boy.
That chest wax looks good,

but you could have done
the whole chest.

This is a beautiful moment.

Terry's super afraid
of heights.

Talk about fighting your fears.

All right, out on the open sea.

‐ Oh, boy. Hey, are there
sharks around here?

I'm petrified of sharks.

‐ If he gets seasick,
it's barf‐celona.

‐ Maybe he said no, no, no,
I'm not gonna do it.

Maybe he backed out.

‐ This is gonna
change everything.

‐ This thing won't top over?

‐ No.

[electronic music]

You can't be scared with that.
Look how happy it is.

‐ I don't know.
‐ Once you get up there

and you've gone to the bathroom
for a minute,

you're gonna realize how happy
you are that you did this.

‐ I'm having a little
adrenaline rush right now.

‐ You think they're trying
to talk him into it?

‐ Or maybe he's crying, and
they're trying to comfort him.

‐ You know what? That's‐‐I me‐‐
I have the same thought.

‐ If I die being strapped to
a big old happy face balloon,

you tell Shatner
it's his fault.

‐ Well, wait a minute.

There's activity
on the back of the boat.

‐ Are you ready, man?
‐ I'm ready.

‐ Give me five. See you later.

[mellow guitar melody]

‐ See you later.

Hasta la weggy.

Oh!

♪ ♪

‐ Yes! You're doing good!

‐ Oh, he's going.

‐ He's airborne.
‐ He's airborne.

‐ Oh.
‐ Oh, look at him. He's scared.

‐ He's in the air. He did it.

‐ That is fabulous.

‐ Holy cow.

‐ ♪ There's nothing
holding me back ♪

‐ He's probably
loving it up there.

‐ Oh, gee.

[bird squawking]
Oh, this is crazy.

Holy [bleep].
Whoo!

Floating in the air,
I'm kind of digging it.

What a wonderful experience.

‐ Higher and higher.

‐ I have to say my hat
is off to Terry.

‐ If you're afraid and face
danger, that's real courage.

‐ Oh, my God,
I'm above the birds.

Whoo.

This whole trip's about
grabbing life by the horns,

getting out there,
and just let it happen,

and at our age
to be able to do this‐‐

‐ He'll be a changed man
after that one.

‐ Well, he'll change
his underwear, that's for sure.

‐ Well, he's got cojones,
I'll say that,

and that's the extent
of my Spanish.

‐ Hey, Jeff, I'm gonna show you
what beach ready in Barcelona

is Terry Bradshaw style.

[music winds down]

‐ Did he just drop something?
‐ I think he did.

‐ Oh, his shorts fell off.
‐ He dropped his drawers.

‐ Oh, Terry, no.
‐ Oh, my God.

Terry Bradshaw
in all his glory.

[laughter]

‐ Whoa.

‐ Is the world ready for that?
‐ I'm not.

You know, my eyes are burning
from the glare.

‐ There I go again being funny!
[laughter]

‐ Is this allowed?
‐ It's not normal.

‐ Isn't that amazing?

Wow, in the middle of the day,
a full moon.

‐ Two of them.
‐ Over‐‐

‐ I am fired up, whoo!

Hello, Barcelona.
What do you think?

[laughs]

‐ Oh, look at this.
‐ Oh, stand up.

Oh, oh.

‐ Oh, boy, I am so glad
to be with you guys.

‐ That is the whitest kite
in creation.

‐ Oh, bro.
‐ Oh.

You did it, dude.

‐ Oh.
‐ Good work, bub.

You made it.
You know what?

I don't want to see
Terry's balls anymore,

not even a little.

Happy to be alive, aren't you?

♪ ♪

‐ Cut!
[laughs]

‐ George.
‐ George has fainted.

‐ I just knocked
George Foreman out.

‐ Down goes Foreman!

‐ Wow, what a thing
to be part of.

[rock music]

‐ Oh, yeah.
[siren wailing]

‐ Apparently it's against
the law

to just roam
the streets in swimwear.

‐ [inaudible] name, name.
‐ Name? Terry.

‐ Terry?
‐ I'm very embarrassed.

[eagle screeches]

.

[pulsing club music]

♪ ♪

‐ What are we doing here?

‐ Are we going to embrace

the artistic side of
Barcelona‐‐

‐ Mm‐hmm.

‐ With this clay
and our imagination?

We need a naked form, yeah?

[electronic music]

Barcelona's an artistic city.

It's renowned for its
sculpture,

so that's what I
chose to do.

I've taken the guys
to a sculpture class

where we'll have clay

that we'll mold into
the most beautiful of forms,

the human form.

‐ If Terry walks in here nude‐‐

‐ I'll have to throw
this clay at his head.

‐ I can't see
Terry Bradshaw naked again.

‐ Oh, thank goodness
you have clothes on.

‐ Oh.
‐ See?

Look, he's wearing clothes.

‐ We were‐
‐ All right.

‐ Just imagining what it would
be like to see you naked.

‐ Well, you've seen me
nekkid in Asia.

You've seen me nekkid
everywhere we've been.

‐ And all of us were
repulsed by the idea

of seeing you naked
in Barcelona.

‐ I'm repulsed.

That's why I turn the lights
out before I get nekkid.

‐ Uh‐huh.
[laughter]

Terry, if you're here,
who's naked?

[bell dings]

Oh.

♪ ♪

‐ Oh.

‐ Henry!
[laughter]

What are you doing?

Turns out all
your hair turns gray.

I didn't want to learn that
from my uncle Henry.

You're the model?

‐ I thought it was gonna
be you.

Oh, my God.

[laughter]

‐ Barcelona invites you in
as a city in order

to push you out
of your comfort zone.

‐ Uh‐huh.

‐ I'm out of my comfort zone
right now.

‐ I don't believe it.

‐ Go put your clothes on.

Who knew? Henry has the body
of a god:

Buddha.
[laughs]

‐ George? George has fainted.

‐ I just knocked
George Foreman out?

‐ Down goes Foreman!

It took a nekkid Henry
to put him out.

‐ Just think of me as Ali.

‐ George Foreman just got
knocked out by Henry's Winkler.

‐ [snoring]

‐ Hello.
‐ Hello.

‐ Hello.
‐ Welcome to art class.

So you're going to use clay
in order to do a masterpiece.

‐ Maybe.
‐ I hope so.

‐ A masterpiece?
‐ Of course.

‐ A masterpiece.

That is right,
a masterpiece.

‐ So use the clay
in front of you

to sculpt and create
your vision.

Good luck.

‐ Henry?
‐ Yeah?

‐ You really have a good shape.
‐ Thank you.

‐ Yeah, you look good.
‐ I'll tell you,

you're gonna be easy
to put on clay.

‐ No, no, no, no, straight on
is really much better.

‐ Oh, my God,
I dropped something.

‐ Oh.
‐ Oh, my God.

‐ You could sure tell they had
the air conditioner on,

couldn't you?

‐ You know, before the doors
opened, I thought to myself,

"This could very well be
the end of my career."

‐ It could be the beginning too.
‐ As a model.

‐ As a model?
‐ Yeah.

‐ All of our greatest
accomplishments

lie on the other side
of our comfort zones.

‐ You want to assume
other poses?

‐ ♪ Despacito ♪

‐ Now, there's a pose.

What about reaching
for the sky pose?

What about fear
of hell pose?

There.

‐ After we were in the middle
of the art class‐‐

‐ Yeah, got that.

‐ I completely forgot
that I was naked.

‐ Right, the opposite
is not true.

♪ ♪

There you‐‐
[laughs]

Oh, now, that's better.

Angel and goodness.

Okay.
Complete, utter despair.

[laughter]

I couldn't forget
that you were naked.

‐ I am so glad
that I don't have pimples.

‐ Pimples?
‐ Yeah, on my tush.

‐ So now we'll show
the final works.

How about this?

‐ Okay, here's
the explanation of my work.

It was a statue
of my impression of Henry,

and then Henry folded
in to himself.

I present it to you, Henry,
the best of my ability.

‐ You made a weird
Henry Winkler baby.

‐ Jeff, what have we got?

That is such a likeness.

‐ This is you, and you're
just like, "Hey,

guys, sculpt me,
and here's my privates."

‐ Very nice.

‐ Thank you.

‐ I, um‐‐
‐ Now let's sculpt George.

‐ I haven't quite gotten
used to you pushing on me.

Are you okay?

‐ I'm using you for support.
‐ Oh, really?

‐ Mm‐hmm.
‐ Well, how about backing up?

When I woke up this morning,
I never thought

that I'd ever experience
the moment

where Henry would put
his Winkler on my leg.

All right, this was
gonna be your hair,

but we run out of time,

so I just did the best I could,
gave you some eyes,

tried to give you a chest

with a six‐pack and your arms
with no fingers.

If I'd have had another
two or three hours,

this would have looked
exactly like you.

‐ Give me a kiss.
I'm not kidding.

‐ No, that's all right.
That's all right.

That's all right.
That's all right.

I love you,
but that's all right.

‐ All right.
‐ Was it a good idea

for you to come and be naked?

‐ I did something
I've never done before.

I have been approached
to do nude scenes in my career.

I have always turned them down,

but here in Barcelona,

there I am.

‐ Would you do it again?
‐ It would not be something

I'd run to do, no.

‐ Let's do it again
tonight at dinner.

‐ I don't think so.
‐ Courage, baby.

‐ Very courageous.

‐ Let's go get something to
eat.

‐ Let's go.
‐ Who could eat after this?

‐ We could use a drink.
‐ I could use some clothes.

‐ Come on, George.
‐ Is he gone?

Is it safe to get up?
[sighs]

♪ ♪

‐ What are you doing?

‐ Whoo‐hoo‐hoo!

That's incredible.

‐ Wow, here they come.

‐ Oh, boy.
‐ I'm gonna push.

‐ Rapido!
‐ Yeah, yeah, rapido.

‐ I have them stepping
on my head.

[rock music]

♪ ♪

[eagle screeches]

.

[lively pop music]

♪ ♪

‐ So we're walking
through the park,

and the first thing we hear
is horns and a drum,

and all of a sudden
we come upon

this tower of human beings.

‐ [laughs]

‐ If they will let us,
we have got to participate.

This is‐‐this is amazing.

‐ Hi.
‐ Hi.

‐ What are you doing?
‐ This castellers,

it's human towers we make.

‐ Human?
‐ Human towers.

‐ Oh, human towers.

‐ Yes.
‐ Yeah.

‐ You need a faixa.
You start rolling.

‐ And turn.
‐ Yeah, like this.

‐ Oh, roll into it?
‐ Yeah.

‐ I've just lost
20 pounds, guys.

‐ Yeah, it looks good.
You look trim.

‐ I want to wear one of
these sashes all the time.

It's very slimming.

‐ Got it. Got it. Got it.

‐ Keep it tight.

‐ I'm wearing my basha.
Is this a basha?

Faixa.

‐ You're the star.
You're the top. You're the top.

‐ I'm new.
[laughter]

‐ Are you afraid up there?

‐ No? Not a‐‐nada?

‐ We're gonna do this.

They practice three times
a week. We just walked up here.

[men speaking Spanish]

‐ ♪ Just a young gun
with a quick fuse ♪

♪ I was uptight,
wanna let loose ♪

‐ Wow, here they come.

‐ I'm going to push.
‐ Rapido!

‐ Yeah, yeah, rapido.
‐ Look at this.

Unbelievable.
Even my voice is changed.

‐ Nice.
‐ That's good. That's good.

‐ He is embracing the culture.

‐ Yeah.
‐ Am I right?

‐ Yeah.
‐ Am I right?

‐ Yeah, you're right.

‐ You want to embrace
the culture.

You talk about it
all the time.

‐ I know, but that‐‐
embracing that guy is‐‐

‐ I don't know, somebody's got
their hands on their ass.

Hey, watch yourself, Jeffrey.

This is actually a really
touching moment,

like, actually, there's, like,
a lot of touching going on.

‐ Here they come.
‐ Oh, boy.

‐ I'm crucial to this process.

‐ ♪ Thunder,
feel the thunder ♪

‐ It's exciting to get
to the top.

Look at this.

‐ Whoo‐hoo‐hoo!

That's incredible,

little toes and little
fingers all over.

Look at her go.

‐ A group of them form
the outer wall.

‐ Yeah.

‐ Then they form this tower.
‐ Yeah.

‐ Then this six‐year‐old
little girl

climbs fearlessly to the top.

‐ She's just‐‐
‐ And she's, like, the‐‐

‐ The diadem.
‐ She‐‐yeah, or the‐‐

‐ The crown.
‐ The‐‐the‐‐

‐ The glory.
‐ The star.

‐ There she is. She's up top.

Yeah‐ha!

♪ ♪

‐ Whoa!

‐ This is deeply touching.

As the traveler, it's not
just seeing the sights.

It's the interaction
with the people

and their customs
and their way of life.

Bravo, you little
cutie pie, bravo.

‐ Come here.
There we go.

‐ Bravo, bravo! Hey!
‐ Bravo!

Here we are in a foreign city.
We don't speak the language.

‐ Wow.
‐ Oh, my goodness.

This was something to witness.

‐ They're brave, incredible.

‐ But what happens
person to person,

it never ceases to amaze me.

‐ I had them
stepping on my head.

‐ Great, really.

‐ Good job.
‐ Thank you.

You know, as you get older,
you've got a choice.

You can either
push your boundaries

or close yourself off.

‐ Henry, I don't believe it.

‐ You're the model?

‐ That's what our time here
in Barcelona

has pointed out to us.

‐ [screams]

No, my God!

‐ No matter how old you get,

go outside your comfort zone.

‐ Oh, my God.
‐ He did it.

‐ If you're afraid and face
danger, that's real courage.

‐ And see what
the world has to offer.

Wonderful, wonderful,
wonderful, wonderful.

I am so happy.
I'm taking my vashy home.

I think it slims me right out.

It makes me‐‐I walk
differently with my vaix.

‐ It's coming loose.
‐ Oh, my‐‐my‐‐it's coming‐‐

Okay, here we go.
I'm going.

[playful salsa music]

♪ ♪

[eagle screeches]