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Music
...
Runoff
...
Can I use your charger?
...
If it bothers you, I can do without it.
...
Go for it.
...
THANKS.
Larsan hums.
...
Enigmatic music
...
It's crazy what you're saying, Jo.
Larsan is on the investigation from the beginning.
And Roussel is dead.
Exactly, his body was found by Larsan.
He made sure that his hunt stops.
It made progress Larsan's career.
He pulls the strings from the beginning.
Now it can disappear.
Michel and Mathilde would have recognized him.
Not if he changed his face.
Roussel was known like the chameleon killer.
Heavy music
...
His specialty was changing identity after each murder.
...
To return to France,
his transformation had to be drastic.
He had hired a crooked surgeon in Los Angeles.
Surgeon the FBI found murdered by Roussel,
which means that no one doesn't know his true face.
It's like this that he became Larsan.
His stroke of genius, it was becoming a cop
to end himself
tracking Roussel.
In the police, he could find Mathilde.
...
You know Roussel well.
You are the number one expert.
No.
I am a Roussel expert.
Do you think that Darzac is his disciple or a copycat.
How do you know that?
You would have information that you would not have shared?
No. No, no.
I know you passed above my head.
I saw you running away from Darzac.
You know what? I'm not even sorry.
You treated Joséphine unacceptable way.
Without her, you wouldn't have gone this far.
You change your mind like a weather vane.
One day, she's your assistant.
There she is responsible of your mistakes.
...
It's science fiction.
Mom, Larsan joined the police in 99,
at the moment when Michel and Mathilde arrived at L'Artuby.
You think that I'm talking nonsense?
I hope so, yes.
I don't know, but I hope so.
You're right. I have to be sure of my move.
I'm calling Sainclair.
Intriguing music
...
Sainclair exclaims.
...
I have to show you something.
Yes, but that is to say...
Joséphine is waiting for me at L'Artuby.
It's over there.
Are you coming?
Well...
Okay, yes.
Ringtone
Vibrate
...
*You are on voicemail by Théodore Sainclair.
*I'll remind you. Beep
Calm music
...
This place is truly magnificent.
I understand better.
Oh yeah?
Better understand what?
Why would we come take refuge here.
What would be the link? between Victor Roussel and Mlle Fabre?
I ask myself the same question.
If I had understood sooner that he was involved...
I need to learn more on Mathilde.
I come back to the same idea.
Only one victim escaped Roussel. The last one.
Nobody knows what he did after this failure.
The victim placed it in the United States,
but he returned to France.
If Mathilde is this victim,
that means that Roussel stalked Mathilde for 28 years.
...
28 years of living in fear.
28 years haunted by this psychopath.
I found your show on Roussel incomplete.
Your reading prism is limited.
Precisely, around this term.
"Psychopath".
A psychopath is someone devoid of feelings.
I'm not sure that it applies to Roussel.
For my part, I think that he is a great romantic,
a distraught lover. - Absolutely not.
Roussel is a psychopath.
He is incapable of emotions like love.
He's a monomaniac.
He wants to own every woman which fascinates him.
He is terrified of the idea that she leaves him, like her mother.
That's why he kills them.
He kills them when they escape him.
...
28 years of wondering what she does, what she thinks about.
If she thinks of you.
28 years of sacrifices.
Stage your own death.
For a woman who doesn't recognize the beauty of the gesture.
A woman who didn't deserve it.
So many wasted years.
You really thought you were tall to put you in my way?
Oppressive music
Moans
No!
*-You are in the mailbox of the venerable Judge Marquet.
What the hell are they all doing?
Telephone It's Theo.
Listen to me. You're going to take me for a crazy woman, but...
Roussel is Larsan.
*-Well done, Joséphine.
*To see your sidekick again, go to the Chanier observatory.
If you tell anyone about it, he will suffer the same fate as Mathilde.
*Don't delay.
Dramatic music
...
Joe?
Is everything okay, Jo?
I need to get some fresh air.
- I'm coming with you. - No.
I need to be alone.
- Jo! - Leave me.
Don't get ahead of yourself to avenge Mathilde.
Please.
...
Jo!
Jo!
...
Jo! Jo, please don't do that.
I'm sorry.
...
Yes, Isabelle.
Jo knows everything about Roussel.
*She says he's alive and that it's Larsan.
*She wants revenge the death of Mathilde.
She went to find him.
If it's him, he'll kill her.
You stay at home. I'll take care of it, okay?
It's a disaster. - What's going on?
Is it Jo? - She knows about Roussel.
She will confront him. You have to tell him the truth.
We must warn Marquet.
...
Everything that will be said here must remain confidential.
Soft music
...
You trusted me.
It helps me become a...
a better person
and to understand that in life,
all alone, we...
we are nothing.
...
Suspense music
...
The mystery of the yellow room
is about to be resolved.
The culprit is none other as Victor Roussel.
Hubbub I know,
Victor Roussel is supposed to be dead 10 years ago.
But Victor Roussel is none other than...
Inspector Larsan.
...
We have to stop it
before he changes his identity and it disappears.
Chief Warrant Officer?
He's going to escape by helicopter.
We have men at the port, at train stations and the airport.
We follow
its geolocation.
You will be in different places. We need
constant communication. Is that understood correctly?
THANKS.
In 10 minutes, situation point.
- We don't have tracking. - Madam Judge.
- Now's not the time. - It's Miss Fabre.
- What ? - An emergency at the hospital.
...
Horn blasts
...
...
It doesn't change anything in our plans.
Yes, that changes everything.
I know that Miss Belisaire tends to put himself in danger,
but we're tracking his phone. - I took a risk by speaking.
I pretended to be dead.
You assured me that this nightmare would end.
Jo is in danger.
What if she finds Roussel?
We are ahead of Roussel.
The GIGN is on its way. He has no way out.
He's a serial killer who staged his death
and who infiltrated the police.
Are you sure you're ahead?
Everything is under control.
I'll prove it to you.
*-Hello ? - Chief Warrant Officer,
*locate Miss Belisaire.
Yes, she is on the D952
towards... What's going on?
*We no longer have a signal.
What's going on? - Signal lost.
*-Isn't there another satellite? - What's going on?
She must be in a white area.
*She is next to...
What is this? The Sublime Point.
Trace Sainclair's phone.
We have permission for geolocation
from Sainclair's phone. We hurry.
Where is she?
Tension music
...
- You don't know where she is! - I have to join my teams.
No one should know that you are still alive.
Your disappearance was essential
to push Larsan to make a mistake.
We are reaching the goal.
You don't move from here.
...
You watch her.
She's not coming out of here. - Heard.
...
You have to think like him.
Where could he make an appointment with him?
They lost track of Jo at Point Sublime.
There.
I know where they are.
What are you doing ?
I can't stay here.
The room is guarded by the police.
I have to find Jo.
Call Isabelle.
For what ?
She's going to help me get out.
Gloomy music
...
It's no use.
You got what you wanted.
Why aren't you on the run?
Before disappearing, I need to talk to Joséphine.
No !
With this floor rising, in a few moments,
this counterweight will crush you.
...
We'll wait for Joséphine for that.
Sainclair groaned.
- Okay, then? - We're waiting.
- Is this Larsan's tracking? - Yeah. He didn't move.
Where is he?
In an observatory with helipad. The GIGN is going there.
Scary music
...
- Where are you going? - To the toilet.
Isn't that forbidden by the judge?
It's good. You can go there.
...
*-We are in visual of the observatory.
We have the videos GIGN bodycams.
*-Okay, guys. Teams 1 and 2 in position.
We have eye contact with you.
*-Well received.
Quiet music
...
Thank you.
- She's at the end. - Saves time.
Yes of course.
*-Alpha separation.
Zone in two minutes. Delta, go, go!
*-Delta, received.
Roussel!
Roussel! I'm alone.
Breathtaking music
...
Josephine!
Don't stay there!
Leave her alone.
Indistinct words
...
Sainclair groaned.
...
*-Main entrance in sight.
*No movement. *-We arrive at position.
*-We get into position at the back.
*-We are going to intervene.
I don't believe in God, but I'm not against a miracle.
Scream
...
Don't stay there! Go away, damn it!
It's a trap!
*-Top intervention!
*Great intervention!
*-Delta 2 inside.
*We are making progress.
Leave her alone. Don't do that.
Josephine!
Josephine.
...
*-We set up in the area.
*We are looking.
Delta, we have a door.
*-Top intervention!
Intervention!
*-Go, go, go!
...
Theo!
...
Theo, where are you? Theo!
Josephine!
Don't stay there.
Indistinct radio call
Delta, we're coming into the room.
*-Alpha, ready.
Look for the suspect.
So? *-I have a phone.
The “target” is not there. There's his phone.
Shit ! That's not true.
It was a trap to send us in the wrong place.
He got us.
And now, Joséphine is alone with Roussel.
Tragic music
You took a long time.
- Joséphine! - To save your fiancé,
we'll have to move quickly.
Stressful music
...
Where does it stop?
Over there ! Come on !
Over there.
...
How do I do it?
...
Roussel!
Jo screams.
...
I'm coming.
Well done, Josephine.
She hums “On My Way.”
...
This air that you love to hum so much,
That was your mistake.
Me too, I was looking for the culprit.
- Eh ? - At the start of the investigation,
I thought someone had tried to kill her.
You were right.
If this is impossible, It's because it never happened.
You attacked Mathilde in the afternoon, not at night.
But why?
Because Mathilde is mine.
No one else can touch her.
Cris
Jo groaned.
...
Heavy breathing Tension music
... ...
...
Farewell, Sainclair.
Go away!
No !
Go away!
No !
Terrifying music
...
She screams.
...
Do you think you are innocent?
Let me go!
Without you, Max Bret would be alive.
Fabien Laugier would not be a murderer.
You weren't even able to to save Mathilde.
You are a psychopath!
Stop with this word,
“psychopath”.
I'm not the only bad guy
of your story.
You who love to carry out investigations,
you have never tried
to discover
the identity of your father?
Dramatic music
Or is it because deep down,
did you know the truth?
...
It's this blood that runs through your veins.
No. No.
It's impossible.
What did it give, Sainclair tracking?
Give me the card.
Okay.
Miss Belisaire is still
in a white area.
Mr. Sainclair disappears at the same place an hour earlier.
They have to play the heroes...
No.
I think they are part of the Larsan plan.
It's a diversion.
He needs from a high point to escape
by helicopter and see us arrive.
Sainclair and Belisaire have disappeared on the D952.
That's it.
Can we enlarge?
The Chanier observatory.
To all units, we must go at the Chanier observatory.
...
You were born on August 23, 1999
in Digne-les-Bains.
Daughter of Isabelle Belisaire and unknown father.
In Isabelle's medical file, no trace of pregnancy.
Nothing. No ultrasound, no blood test.
- It doesn't mean anything. - Yes.
Isabelle is not your mother.
I found another medical record.
A woman gave birth of a stillborn daughter
the day you were born.
You want me to tell you the name of this woman?
- No. - Mathilde Fabre.
Mathilde is not the victim that she claims to be.
...
It was Isabelle who signed this stillborn child document.
They lie to you since you were born.
- Mathilde is my mother? - Yeah.
And she abandoned you.
She didn't allow you to go far. She wanted to control you.
And above all,
she wanted to deprive you of me.
From your father.
You are lying.
Don't listen to him.
Don't listen to him.
...
No.
No.
Don't touch her. Let her go.
Let her go!
Josephine,
you have a choice.
You can stay with these people who lied to you or leave with me.
You see how much do we look alike?
You are intelligent, obsessive,
often selfish.
And then, your superpower, hypermnesia...
Come with me.
We're going to make up for lost time.
Epic music
...
I will never be like you.
Jo!
Mathilde!
...
Are you alive?
What a beautiful moment of emotion.
Here is the family reunited.
It took you a long time.
Did you know she was alive?
Jo questions him.
Make you look dead...
Little laugh
Tetrodoxin injection?
I knew you wouldn't give up.
Dark music
Course.
No.
- Jo, run! - No.
No !
Moans
Suspense music
...
Theo!
...
- Leave! - Come on!
... ...
Go for it !
No ! Theo groaned.
Joe!
Joe!
Come, please.
Come on. Please.
Come on.
Come on !
Come on!
Stop!
If you leave them, I'll come.
What ?
Do you want to know your daughter?
Do you still want to save her?
You were right.
Max died because of me.
I don't want to have more deaths on consciousness.
You won.
No, Joe. I forbid you from doing that.
Poignant music
Josephine!
...
Jo, don't go!
...
You shouldn't lie to me.
It was to protect you.
It's too late.
Jo, no!
Exclamations
Heavy music
...
I will never leave with you.
...
You are incapable of a sacrifice like his.
Me ?
I sacrificed my life to find her.
To track her down.
Look at you.
You're pathetic.
You never loved her.
And no one will ever love you.
You will always be alone.
...
It's over, Roussel.
*-The "target" is on the ground, to the right.
*I confirm. It's Victor Roussel.
*The suspect is apprehended. I repeat. He is apprehended.
*Théodore Sainclair, injured in the leg.
Send the medical team.
Mr. Victor Roussel, it’s 6 p.m., you are in police custody.
Are you going to be okay?
I'm going to make a tourniquet. We call the ambulance.
It's ok for me.
Roussel groaned.
*-We evacuate.
See you soon.
Calm music
...
I wasn't going to miss the climax of our show.
We make a good team.
I find it. - Yeah.
Jo!
You have to believe me.
That was the decision the most difficult of my entire life.
You could have told me the truth.
So that you discover that your father is a monster?
It wasn't up to you to decide.
I'm sorry.
I'm really sorry.
Tragic music
...
She exclaims.
I was so scared. I didn't sleep a wink all night.
My darling.
...
I know everything, mom.
Mathilde and I, we did this for your own good.
For love.
I...
I... - I love you.
You have been an incredible mother.
And you, the girl I dreamed of.
I just need time.
All right ?
She nods.
I'm going to get my things.
Sad music
...
Sobbing
... ...
...
Are you sure you don't want to say goodbye to them?
...
That's how we stopped the biggest psychopath in France.
Finishing an illustrious career on such success,
I'm not a little proud.
You did not hesitate to be accused.
To make me believe that she was dead.
I didn't do it of cheerfulness of heart.
Larsan's behavior started to look suspicious to me
the day he took over as assistant an unknown journalist.
You are not from here, you need me.
It's okay.
So, when Mathilde Fabre
declared to me that Larsan was Roussel
and that Joséphine was their daughter, everything became clearer.
What does that mean, “it’s more Roussel”?
It's Inspector Larsan.
Mathilde Fabre had given meet in Roussel at the abbey.
That's when she understood that Roussel was Larsan.
Darzac had followed her to protect her,
but he arrived too late.
What are you doing here?
The attachment that the inspector wore to Joséphine...
At your command, Inspector.
...and the fake Darzac video
the evening of the attack
finally gave me a logical explanation.
I took the risk
to pass Mathilde for dead.
I'm sorry.
You are safe and sound, that's all that matters.
It's beautiful,
the romantic comedy,
but that doesn't solve the mystery of the yellow room.
How he vanished, Roussel?
Where is Rouletabille?
She's gone, Jo. She left.
Without saying goodbye.
I told you so. Paris,
it changed her. - Anything.
Best placed to tell the story is Mathilde.
- You don't have to. - Yes, yes.
I met Antoine in Los Angeles.
It was before we knew that his real name,
it was Victor Roussel. - He tried to kill me.
We came to take refuge here. - I didn't feel safe.
After being told that he was dead, I felt...
a threat.
I felt watched.
Particularly when the video engagement leaked.
I said to myself that it was the Fabre curse
which drove me crazy.
Until the day...
He was there,
in my room,
behind me.
I felt his hands around my neck.
His hands were red.
You are mine.
I was paralyzed.
He squeezed stronger and stronger and...
Broken glass
- Mathilde? - If you speak, I'll kill her.
Mathilde, is everything okay?
I heard a...
Oh my! - Isabelle, you have arrived.
And he disappeared.
Why didn't you say anything?
But I...
I was in such a state of astonishment...
It was as if it hadn't existed.
I returned to the party, as if nothing had happened.
Until I see...
Jo!
Exclamations - Have you come back?
Until you see Maya.
What does she have to do with in this story?
I told you, It’s the gentleman with the flowers.
We should have listened to you.
She laughs.
Look, Mathilde.
Where did you find this?
It's the gentleman with the flowers who gave it to me.
Antoine offered me chrysanthemums.
Where is he? - He left.
When I saw the flower in the hands of Maya,
I panicked.
It's only then
that I understood that he was alive and that he was going to come back.
You passed to a state of hypervigilance.
I was terrified, I ran.
The victims speak of a confusion between the feeling
and reality.
But I was... I don't know anymore.
I was like an automaton.
I came back up in the yellow room.
He was there.
He had come back to attack you.
No. In fact, he didn't come back.
Heavy breathing Intriguing music
... ...
...
Howl
...
No!
Mathilde! Knocks on the door
Open up for me.
Who is there?
Mathilde! ...
Open! - Leave me!
Leave me!
She screams.
...
Smash
...
- Are you okay? - Yes, now it's okay.
And the big village
of L'Artuby comes out stronger of this ordeal.
- Madam Judge? - THANKS.
You didn't say that we were crazy people?
- No. - Yes.
I am a witness to it.
We can't blame him.
We are a village of enlightened people.
I wouldn't change it for anything.
Door beep
Radio call
...
Door beep
He hums.
...
Stop! Stop, I said!
...
Soft music
...
I said things under the influence of emotion.
It actually changes that you have always been there for me.
Especially in moments the most difficult.
I'm stubborn.
I want to forgive you.
Peaceful music
...
Here.
...
Come on.
...
I love you.
...
When you experience trauma,
there are three kinds possible reactions.
First, the attack,
where the victim tries to combat danger.
Either physically or verbally.
Then there is the escape,
where the victim tries to escape as far away from danger as possible.
In these moments, its survival depends on allies
or threats that she will meet.
I don't know what to do anymore. I'm afraid to go home.
Don't worry. He won't do anything to you anymore.
Quiet music
...
And finally, there is astonishment.
Like Mathilde Fabre, in the evening of the yellow room.
When attacking or fleeing,
it's easier to recover from the trauma,
because at least we acted.
- Hold. - THANKS.
While with astonishment,
in addition to the trauma Added to this is guilt.
That of having let it happen.
She sings "On My Way".
...
Laughter
...
Disturbing music
...
Until the day when everything comes back,
like the evening of the mystery of the yellow room.
...
So we can begin the reconstruction work.
It was great.
- Oh yes ? - Yeah !
It was great.
It was clear, just,
sincere.
Like you.
Romantic music
...
Calm music
...
Subtitles: TransPerfect Media France
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