Original subtitles

[Zak] We are in Henderson, Nevada,

on a street that is historic.

Each house has its own thing about it.

[Zak] To hear that people are too terrified

to even enter these homes, that's where we get called in.

She had felt the dark energy inside, and she wanted

to get out. -[Zak] Do not like it in here!

Wait, wait, wait! Did you just hear that?

-What was that? -I feel you here with me.

-Oh! -[Zak] Do something right now!

-Do it! -[Billy] There's something

in this kitchen.

[theme music playing]

There are things in this world

that we will never fully understand.

[echoing] Understand.

We want answers.

[echoing] Answers.

We have worked years to build our credibility,

our reputation,

working alongside the most renowned professionals

in the field,

capturing groundbreaking proof of the paranormal.

-It's working! -[Zak] Whoa!

I can't give you an explanation.

This is our evidence.

Our Ghost Adventures.

We are in Henderson, Nevada,

and we are on a street that is historic.

On this street are several different homes,

and these homes have suddenly come

under a massive amount of paranormal events

that are both unexplained

and extremely dangerous.

But one of these homes here is very symbolic to us

because it comes from a place where we got our start

with "Ghost Adventures."

That house right there is from the town

of Goldfield, Nevada.

And I don't have to explain anything more

about our connection to the town of Goldfield

in the Goldfield Hotel.

That particular house, people can't even go inside.

They are actually running out of there.

These types of locations where they have multiple

historic houses and things like that,

they're teaching people, but to have the former curator

of this street and of these actual houses

come forward to talk to us about how dangerous

she believes the hauntings are here,

that's a very strange scenario when it comes

to places like this.

And to hear that people are too terrified

to even enter these homes,

that's where we get called in.

This 30-acre museum tells Nevada's story,

but its roots are buried in death.

Anna Robert Parks, one of the state's

first female morticians, roamed the region

preparing bodies and quietly collecting the past.

She died in a car crash in 1962.

Her daughter turned the collection into a museum.

Houses that lived independent lives across the US

were relocated here to be preserved,

but what came with those displaced houses

was every dark event, every sinister form of energy

that stains every displaced wall.

And to add to that, it was curated by a mortician

and built on the remains of the past.

Dawna Jolliff, the former curator

and passionate historian, has felt personally

the strange arms that reach from these confused homes.

-Dawna? -Hi.

Hi, how are you? I'm Zak.

-Nice to meet you. -These are my associates.

-Nice to meet all of you. -It's a pleasure.

-Welcome. -So, did you used to work here?

[Dawna] I was the curator of exhibits here for 35 years.

[Zak] Let's go in the gazebo, shall we?

-[Dawna] Sure. -[Zak] It's nice in here.

What's interesting about this is that we've done

places like this before.

We're trying to figure out why are they so active?

Does it have something to do with the buildings being moved

from location A to location B and all being grouped together?

Each house has its own little thing about it.

I mean, Beckley, Beckley was the first home structure

that was put on Heritage Street. -[Zak] Let's walk over there.

-[Dawna] Sure. -[Zak] This is the Beckley house.

[Dawna] Yes, it was the home of Will and Leva Beckley.

This house was built in 1912.

Mr. Beckley had a men's clothing store.

[Zak] Why are people afraid of this house?

Well, we have actually had people come to the house,

stick their hand on the door like this,

and go like that and won't go in.

And then they've come back to the main building and said,

"I don't wanna go in there." This is the one

that every morning when I would unlock,

there was a butt print on the bed.

-[Zak] A butt print on the bed? -Yes.

[Zak] Like somebody was sitting there?

-Sitting there. -All right, you ready?

[Dawna] This is the place where there would be,

there was a quilt here and there was a distinct...

-[Zak] Impression. -...impression right there.

This would be like down like that.

-[Zak] Really? -And the quilt

would definitely be, you know, ruffled like that.

OK.

Who do you think it is sitting here?

I always said it was Mrs. Beckley.

-[Zak] Really? -[Dawna] She's the one

that lived in the house the longest.

-Can you hold that? -Sure.

Can you aim it towards the bed?

If she was sitting there right now,

what would you ask her?

Well, Leva, usually when I came in in the morning,

I could tell that you had been sitting here.

So I would tell you good morning,

and I would always tell you good night.

There's a picture of her.

[Billy] This is her?

That's her and her husband and her two children.

[Zak] Will Beckley died in this house.

Whatever he left behind is still soaked into these walls

that surround us.

[sinister tones playing]

[recording playback] [Zak] Her sitting right there on that bed.

[Dawna] There's a picture of her.

[Billy] This is her?

[Dawna] That's her and her husband and her two children.

[indistinct]

[Zak] So, just imagine her sitting right there on that bed.

[Dawna] There's a picture of her.

[Billy] This is her?

[Dawna] That's her and her husband and her two children.

[indistinct]

[Dawna] There's a picture of her.

[Billy] This is her?

[Dawna] That's her and her husband and her two children.

[Zak] This strange male voice

will continue to communicate with us,

but because of the amount of houses we need intel on,

we keep things moving.

Dawna now takes us next door to a house that not only has

an intriguing history, but this house apparently

also has the darkest of energy hidden

within these relocated walls.

It's very interesting.

This was actually one of the most beautiful homes

in Las Vegas when it was built in 1931.

This belonged to a casino owner.

[Zak] So we're talking maybe mafia, mob stuff.

Why do you think that there's such a dark presence in here?

That is a mystery to me, but this is the house that has

had some of the strangest things happen to me.

-Really? -Really.

OK. Wanna walk in?

We will soon be shocked to discover that this house

could be the site of a demonic infestation.

[Dawna] The major things that happened were happening when I was

decorating the house.

It was not open to the public yet.

And if I was working in the living room...

Why are there so many flies in this house

but not the other house?

[Dawna] Um, that's a good question.

Sometimes this house has some odd smells in it, too.

[Zak] Sulfuric smells and black flies can be associated

with demonic forces.

There's a lot of flies in here.

-[Dawna] Yeah. -A lot.

And there was no flies in the other house.

And I must say that this house does have

a darker feeling to it. -[Dawna] You can feel it?

[Zak] Yes, you can.

[Dawna] When I'd be working in the living room,

it felt as though somebody was watching me from the hallway.

And when I turn around, there was a black mass

that would just go from this side

to that side and just --

-[Zak] That's not good. -[Dawna] And disappear.

-It's really heavy in here. -Yeah, what is this?

This is...

[Dawna] I don't know, but it's just a different feeling in here.

So what happened with the iron?

Is this the house where the iron was --

[Dawna] Well, I was ironing some linens,

and when I'd be working in here, the door between the bedroom

and the sewing room would just shut.

I mean, quietly, but it would just shut.

And I just thought, OK, fine, that's weird.

I would just open it back up. I'm back there ironing.

My coworker comes in, she's standing there,

and she made a joke about maybe we ought to put a doorstop

in the door. The door slammed shut.

-[bang] -Right after she said, "Maybe we should put

a door stop in."

And right then, and I had set the iron

on the ironing board, had moved my hand away,

and it was as though somebody just did this, boom.

And that iron went flying off the ironing board,

went to the floor.

We were looking at each other, and we said, "Whoa,

what just happened?" And she says,

"I guess we weren't supposed to talk about the door."

Was Mr. Goumond affiliated with the mob?

[Dawna] I really haven't read much about his background

other than him being one of the owners of the Boulder Club.

[Zak] Which turned into Binion's.

-[Dawna] Yeah. -We investigated that hotel.

-[Dawna] Yeah. -And there's a lot

of secrets in that hotel.

And there was a room there that was a hidden room.

[Dawna] Mm.

And it might have had something to do with this guy's place.

This is the secret room.

[Michelle] When the hotel was built,

this area was not on the blueprints.

[Jamie] There was a Binion family member

that was possibly murdered in this room.

[Zak] It's amazing the synchronicity this street has harnessed

in reference to past investigations.

I mentioned Goldfield earlier.

Yet another ghost tethered to this strange street

of displaced homes.

I walked in. There was no one in here.

And the piano keys were playing.

And as soon as I heard that, I instantly walked out.

Just heard it being played with no one here.

My mother was in this house, and she had felt

the dark energy inside and she wanted to get out at that point.

[Zak] I think we can confidently assume that whatever was

in these homes when they stood where they were built

came along when their roots were severed.

There's something here.

The black flies and the heaviness prove that.

[Zak] As we continue our investigation,

we now try to communicate with Mr. Goumond.

I do not like it in here.

This is so, like...

-[Dawna] Yeah. -...heavy.

And nobody comes back here, right?

[Dawna] No.

-Here, you wanna come in? -[Aaron] Yeah.

-Can we do it right now? -[Zak] Sure.

[static crackling]

Do you know this lady's name?

You threw an iron at her.

Do you know her name?

There are so many flies in this house.

-Can I say something? -[device vocalizes indistinctly]

Whoa!

-It goes, "Yeah, yeah." -That was weird.

So when you guys said, "The flies left,"

I followed them in this room.

And I was like, "There's something weird

about this room." And then as soon as you guys

walked in the hallway over there, they came back out.

I think it's wherever he is.

That's what I was gonna say, is when we were in there,

they all disappeared. -Yeah, and I followed them

in here. -Is that when you came in here?

I followed them all the way in here.

So it's like the flies followed you in here?

No, no, I followed them.

And they're all in here now.

But as soon as you got in the hallway,

they disappeared. -[indistinct] [bleep]

And you were out there, and they were flying

around you there.

And now that we're all in here, I just went and got this.

There was no flies.

I got a headache all of a sudden, wow.

I'm not open to this.

I'm not very comfortable with the vibe in here.

[static continues crackling]

Can you speak to us, Mr. Goumond?

I can't stand in this room anymore.

The energy is unnerving, and I'm very uncomfortable.

Can we take some of your old perfume?

Can we take anything from the house?

I do not like it in here.

-Not at all. -[device speaks indistinctly]

-They're going. "Right." -[Billy] Right?

Like, "You're right."

Do you like being away from the strip?

[device speaks indistinctly]

-"I'll say yeah." -"I'll say yeah."

"I'll say yeah."

As soon as that started talking, Zak,

the battery just started -- -[device speaks indistinctly]

-[Aaron] "Wrap it up." -[Zak] Not yet.

Oh, my god, it just said, "Wrap it up."

-Did you hear, Dawna? -[Dawna] Uh-huh.

The battery just started --

-"Wrap it up." -Not yet.

-Oh, my god, it just said, "Wrap it up."

-Did you hear, Dawna? -[Dawna] Uh-huh.

It's the same guy.

[Zak] Jay's camera's battery drains the moment we capture

this male voice.

Then it says, "Wrap it up."

The battery just started --

"Wrap it up."

[Zak] Sounds to me like a voice

that belongs to someone in charge,

and Mr. Goumond was certainly in charge.

You're hearing this, right? There's no voices

coming through this. -Oh, no.

There's no interference.

-There's no voices. -No.

-[Zak] It's just the man. -It's the man.

-Thank you. -It's the man.

[Zak] It's the man.

And it seems we definitely have his attention now.

After wrapping our interview with Dawna,

I'm alerted to the fact that we have been granted two intriguing

additional interviews. But there's a catch.

Right now, we are we're going to speak with a couple people,

how can I say this, that work for the local government.

These individuals have agreed to share their stories with us

with the stipulation that their faces are not shown

on camera for their protection.

So in the strange little town of where we're at right now,

I've heard stuff here, I felt stuff here.

There's been times when I've walked into the museum

and you can feel like, static electricity on your body.

-Really? -Like, you walk and you're, like, you know,

just something just doesn't feel right.

That's crazy.

Within the last month or two, I've actually heard

feet shuffling.

I've heard knocks on the wall

when no one else is in the building.

Three distinct knocks, just knock, knock, knock,

like someone was pounding with their knuckles.

-Three? -Just three.

You all at home know what three knocks mean.

[three loud knocks]

[Zak] The sound of three knocks is frequently associated

with demonic entities, which do so as a mocking reference

to the Holy Trinity.

I got up and I got out of the building.

Really? And you could feel it, too?

I was sweating. I could feel it.

I was like, "Yeah, something's not right."

-So it was that strong? -Yeah.

Appreciate it. Thank you.

[sinister tones playing]

Um, OK, now you said something off-camera

about the Goumond House.

You have witnessed an apparition in that house.

[woman] Absolutely, more than once.

[Zak] More than once?

-[woman] Yes. -What is the apparition?

There's, like, a little girl that's about the age

of seven to nine, I would say,

and she's usually on the rocking chair.

And you have seen this little girl?

Yes.

And you can see the rocking chair move with her.

She wears a white lace dress and she has brown braids.

That's descriptive.

I immediately fill the guys in on what I've just learned.

Three knocks, the apparition of a little girl,

the black flies --

all can be associated with demonic forces.

Alarm bells are starting to go off.

On multiple occasions, they have seen a little girl

in the Goumond House. -[Jay] Really?

[Billy] Are you kidding me?

I just think it's very strange.

Out of all the buildings that we went in,

there was only a ton of black flies

in the Goumond House.

Before wrapping day one of our investigation,

we review the Polaroids that Aaron took.

We spot a light anomaly in one of the Polaroids.

What could be emitting light back there?

-I don't know. -Let's go look.

[Aaron] So I see the four lights right now.

-See it? -[Billy] You do?

[Zak] Oh, yeah.

We saw these lights back there in the doorway.

But as you can see, Aaron's pointing the lights

reflecting off the plexiglass there.

Well, you all at home know what that means.

-Debunked. -Ow, ow.

The logo got me.

-Ow. -Oh, the debunked logo.

-Yeah, it comes suddenly. -Hit me right in the face.

Yeah.

[Billy] Hey, do you notice something?

-[Zak] What? -No flies.

[Zak] Yeah, there are no flies.

[Billy] There was like 30 flies. It was a lot of flies.

It wasn't just two or three.

No, those can happen when the manifestation is

occurring of something very evil, dark, or demonic.

The dynamic and unpredictable energy in these houses is

extremely unsettling.

And if we are dealing with something demonic,

we are putting ourselves at risk.

I decide that additional observation before the lockdown

is necessary.

We set up two cameras in the Goumond House,

one rolling on the area where the apparition

of a little girl was seen, and the other shooting

towards the sewing room where Dawna had an iron thrown at her.

In the Beckley House, we train one X-cam on the bed

where Dawna said she saw impressions every morning.

In the Beckley House, we are granted access

behind the plexiglass, which allows Billy and Aaron

into the upstairs bedroom. We also place an X-cam here.

So of all four cameras in both houses,

did we capture any visual or audio evidence?

We didn't capture any visual evidence whatsoever,

not even so much as a fly. -Really?

Which is surprising. No bugs, no dust, no nothing. -Uh-huh.

So first I'm gonna start with the cameras that were

in the Beckley house.

This was in the bedroom where Mrs. Beckley is known

to possibly sit on the bed. Now listen to this.

Tell me if you've ever heard this.

This is pretty loud.

That's really defined on the camera itself.

-Somebody flicked it. -[Billy] Yeah, right?

Yeah.

Is the same spirit that sits on the bed

also messing with our camera?

That's it for the Beckley House.

Now, in the Goumond House,

sometime through the night, you can hear these

weird shuffling sounds from this camera.

This is the sewing room back here.

The floor creaking or something.

Something in there made a noise.

We are continuing to review the evidence

from the Goumond House on Heritage Street.

This is the crazy one.

In the front room, where we have our family playing Monopoly,

here's the sound of us leaving.

[door closes]

OK, we're gone.

That was around, what, 10:30, 11?

Something like that.

You go all the way until the camera almost ran out.

-Almost three hours from 10:30. -Probably around 1:00 AM.

1:00 am. There's nobody on property.

And then this happens.

[chuckling] What? That sounded just --

It sounds like someone going through the door.

OK, but it's not the front door,

because the front door sounds like this.

[door thuds]

This is around 1:30 in the morning?

[Billy] In the morning. There's nobody in there.

Sounds like someone locks the door at the end.

And that would be from inside.

I wanna, like, double-check and just

make sure -- -I think we should.

[Zak] To be absolute, we run out to the property's administrators.

We receive the same confirmation.

All right, so we just got, we just checked with somebody

here off-camera.

We have confirmed with the people that oversee this.

There was absolutely nobody here and nobody opening up

any doors inside the Goumond House.

That is creepy.

Now we need to go find out if Mr. Goumond is the one

responsible for this door and the one that we were

speaking with last night.

Is that him coming home at 1:00, 2:00 in the morning after being

at the casino all night? -Exactly.

All right, guys, that's awesome.

Let's get ready. Let's gear up.

[Billy] All right.

OK, it's nighttime, and we're gonna be

investigating two houses tonight.

Billy, Aaron, and myself are gonna be here

at the Goumond House, the darker house, possibly demonic.

And while we're investigating, Jay's gonna be over here

at the Beckley House.

And we also found out that Mr. Beckley did indeed die

inside that house.

So we just reviewed some audio

and that door slamming shut around 1:30 AM,

we confirmed with people that oversee the properties here

that nobody was on site. So who closed that door?

And it sounded like someone locked it or latched it.

Lot of activity already inside of there,

including absolutely incredible ITC communication

with who we believe to be Mr. Goumond.

As Aaron, Billy, and I enter the home, I quickly capture

a small unexplained figure on XLS, which could be

the little girl government employees saw

in the same area.

Whoa! Looks like there's a little girl

over there by that guy.

-[Billy] Are you serious? -[Aaron] What?

[Zak] Yeah. Sitting by the chair.

I know there's a mannequin over there,

but this would coincide with where they'd see

the little girl.

[Aaron] That was cool.

[Zak] I'm just showing you that there's nothing else there.

-Did you just breathe? -[Billy] No.

-[Zak] You didn't? -No.

I had a gust of wind on my arm.

No.

What did I say happened during the interviews to me?

It felt like something was breathing on me --

whew -- like that.

-You didn't breathe on my arm? -No, I swear to God I did not.

Let's go to that spot. It was over here.

[Aaron] It's right here, whatever it is.

[Zak] Yeah, it was right here.

What's crazy is that they saw a little girl right there

behind the plexiglass.

And that's what this looked like.

It was standing right over here in front of this table.

[Aaron] She looked like she wanted to eat,

'cause that's the dinner table. -[Zak] Yeah.

[eerie tones playing]

Over at the Beckley House, Jay sets up

a motion-activated light strip.

You can see down here, I set up a tracking system.

Basically, what this uses, it uses trackers.

Here, I'll see if I can show you how it works.

There's a line here, and there's a sensor.

So if anything moves through this doorway, this lights up.

See, as I walk.

See? Senses me moving

and where I'm at, and lights up.

So if anything walks through this pathway,

this will light up.

[Zak] As Jay leaves the room, the X-camera captures

this quick black shadow, which we debunk as not being

an insect, because this is what an insect looks like

on our infrared cameras.

Then, watch as the motion tracking strip detects

something coming towards the camera.

[Aaron] Over there is the game room.

-Um, you know what, Aaron? -What was that?

-Hang on. -Wait, wait, wait.

-Did you just hear that? -What was that?

-[Billy] Clicking sound? -[Aaron] What was that?

I think on the other side of the plexi, Aaron.

I thought you were -- ooh, I got really -- ooh, ooh.

Oh, I got scared.

I got this weird, like, "I'm scared" feeling

that came over me.

Dude, that was, oh, it's bad.

It's coming up on me on this side.

It's getting cold, and I feel like an -- like, pressure on,

like, it's walking like that.

[Zak] Whoa!

Dude, I'm like -- literally feel like I'm getting,

like, getting pushed, like, pressured out.

Not pushed, but pressured. Like, you keep backing out.

[Zak] This is quite amazing.

As Aaron feels something around him, the XLS maps

a figure with its arm directly over his head.

There was a split-second there where a figure was,

like, hovering over Aaron. -Serious?

[Zak] 'Cause you can see right now it's not mapping him.

-Yeah. -[Zak] There was a moment there

where some figure was cowering over him

like it was gonna -- it was trying to intimidate him.

[Aaron] Yeah, that's what I felt like.

We just mapped in what I think is the little girl.

Is that who's causing all this activity in here?

Were you mimicking Mr. Goumond's voice to us

last night?

Were you the one who threw the iron?

Are you the one who slammed the door last night?

OK, Billy and I just went back to base camp.

I grabbed my full spectrum camera

and also a thermal imaging still camera.

While we were out there, Aaron has been doing

some ITC audio in the bedroom, and we're gonna go back

and check on him right now.

-Aaron? -[Billy] Aaron?

-[Aaron] What? -[Zak] You good?

-[Aaron] Yeah. -[Zak] Want me to hold it?

Yeah, just hold it, I'll give that back to you.

[static crackling on device]

Hey, we just saw you on our camera,

and then you went towards me over there.

Do you wanna talk to us?

Can you talk to us?

This part over here, they keep closed.

They keep it off-limits.

[Billy] Not supposed to be back there.

That's where we should go.

[Zak] Do something!

I can feel you right now around me!

I can feel you!

[bleep] -- do something right now!

Throw something at me!

It is so strong right now.

Throw something!

Do it!

I can't describe to you guys how strong this energy is

right here.

[Aaron] Dude, it's strong, isn't it?

[mumbles indistinct]

I don't like this feeling right here.

[Aaron] Mm-mm.

But I don't wanna leave.

It's right here.

I don't...

feel like talking.

[Aaron] Do you want me to ask the questions?

No, I feel like I didn't mean to say that.

-I felt like that... -[Aaron] Mm.

[Billy] He doesn't feel like talking.

[Aaron] Ooh.

"I don't feel like talking."

It's this threshold right here.

This is where it is.

This is where it is.

I feel you here with me right now.

And I know you're in this house.

I don't wanna be mean to you.

I don't wanna disrespect you. I don't know who you are.

I don't know what you are.

I just would like for you to somehow give us

an indication that you're here.

Was that you we captured on the camera out there?

Is it you who we heard talking on our device?

[knocking]

What was that? What the [bleep] was that?

[Billy] Dude, you heard that, right?

-[Zak] What was that? -[Billy] I don't know.

Did you just touch me?

-[Zak] That was two knocks. -[Billy] Did you just touch me?

No, I'm over here.

Something went like this on my -- as soon as I spoke.

That was two knocks in there.

[Billy] I heard it. Yes.

Is it you who we heard talking on our device?

What was that?

What was that?

What the [bleep] was that?

[Billy] Dude, you heard that, right?

-[Zak] What was that? -[Billy] I don't know.

Did you just touch me?

-[Zak] That was two knocks! -Did you just touch me?

-[Zak] Billy. -It's -- Hey, Zak.

-It's effectively... -[Zak] Billy.

[Billy] Zak.

Zak, there's something in this kitchen next door.

I'm looking with my own eyes into the darkness,

and there's a darker darkness that's just standing

in the doorway. Like, it's just...

[Aaron] I don't see it.

It doesn't like us in this area at all.

And it's raising the hair on both of my arms.

[Zak] After Billy sees this black mass in the kitchen,

he starts to act a bit strange, and I do as well.

I feel as though I'm in a trance.

And when Aaron walks up to Billy and I,

he captures Billy making strange sounds

aimed in my direction.

[Billy making clicking noises]

Dude, that was creepy, bro, from a distance walking up.

Dude, that was creepy, bro, from a distance walking up.

[Zak] Billy then starts freaking out,

saying Aaron has the face of P.J. Goumond.

-What were we just doing? -Whoa! Oh, my God!

[Aaron] What?

[Billy] His [bleep] face just turned into a different person!

I swear to God, he looked like the guy in the picture.

P.J.!

[creepy tones playing]

I'm the -- scout's honor, dude.

I looked at you and you were him the one that --

that's in that picture. Looked exactly like him.

-What are we, [bleep] now? -[Billy] Bro!

What the [bleep], dude?

[unsettling tones playing]

-[Zak] Little girl! -[Aaron] I don't wanna be last.

[loud thud]

[Aaron] What was that?

-Oh, no. -[Billy] What is that?

[Aaron] I kicked the...

-[Zak] Little girl! -[Jay speaks indistinctly on radio]

-[Zak] Whoa! -Whoa, what was that?

-[Aaron] Jay. -[Billy] Jay?

Go for Aaron.

Yeah, I just wanted to let you guys know,

I was just doing a communication with the Ovilus,

and I got some really amazing information.

I started talking about the house next door.

They were saying that there's aggression over there.

They were saying there's a child over there.

And then they also said there's 40 spirits

and that we will learn why they're aggressive.

So I just wanted you guys to know that,

just as a heads up.

What is in the house next door?

Child.

Learn angry.

Aggression won't linger.

What happened in that house?

Every time I talk about the house next door

where Zak, Aaron, and Billy are investigating, I get weird,

aggressive, darker responses, which is unlike anything else

in this house, everything else has been more peaceful.

It kept bringing up "holy" a lot.

So I think whatever's going on next door, that the spirits

here that are peaceful are aware, which is wild,

that they're aware of the evil and the dark spirits

that are next door.

[Zak] Oh, little girl!

Are you looking for your mommy?

You wanna play a game with us?

[device vocalizes]

[Zak] Yeah?

[Zak] It stinks in here.

At the same time I start smelling a sulfuric-type scent,

I capture two voices of a little girl,

which we believe is the demonic entity

manifesting in our presence.

You wanna play a game with us?

[device vocalizes]

[Zak] Yeah?

[Zak] It stinks in here.

It is at this moment Aaron notices

I'm acting very strange.

Prosper, where are you?

He was waiting for us to leave.

-Hello! -[Billy] What did he say?

He said, "Hello."

Zak, I'm looking at Zak and he's just like --

-You feel weird in here? -[Billy] Yeah.

[indistinct] an old man is just happy to be alive.

[chuckling]

[Zak] Jay now makes his way into the attic

after hearing a loud, unexplained bang

come from up there.

[loud thud]

[whispering] What the [bleep]?

Whole other bedroom up here.

[Zak] OK, so right now, Billy and I came back out

to our base camp. We had to put some gear away.

We haven't heard from Aaron in a little while.

He's been in the house for quite some time

doing some Polaroids, extended exposure UV Polaroids.

I now go meet up with Jay to check in on his investigation

while Billy heads back into the Goumond house

to regroup with Aaron.

Whoa, it happened again! Oh, my God!

Come here! Come here!

See the door?

[Billy] Yeah?

-See the door? -Yeah.

I went in there, set the lights, came back out,

started taking pictures. The door was almost shut.

Now, here's the thing. I came back,

and I put the garbage can like that

so it wouldn't [bleep] move.

[Billy] And then where'd you go?

I went and took pictures for 10 minutes.

[Billy] So you're saying it moved the garbage can?

I came in here to get the light...

The -- the door was like this.

-[Billy] Well, you know that... -I know.

-[indistinct] camera right there. -I know.

[Zak] I want you all to pay very close attention.

As you can see here, the door is open

with the trash can holding it.

And as Aaron walks by the door, he does not touch it,

but it slowly starts to shut. Then it mysteriously stops.

Now watch as Aaron walks through the doorway again,

notice that he does not touch the door,

and the door starts shutting completely by itself,

while Aaron remains focused on taking Polaroids

and is totally unaware.

And I want to note, the door does not shut

by itself, even if the trash can is not holding it,

as you can see here.

And look, dude, I even put this against it

so it wouldn't go -- look, look.

You really need force.

-I'm just saying -- -[loud noise]

[Billy] Whoa, whoa, whoa!

-Did -- Aaron! -[Aaron] What?

-[Billy] Something just fell. -[Aaron] What?

[Billy] Something just fell over there.

Did you hear it?

[Zak] Now watch this chilling footage.

-[Aaron] I'm just saying. -[Billy] Whoa, whoa, whoa.

[Zak] When Billy aims back towards the X-cameras

to see what the sound was, he captures

this unexplained dark shadow moving back beyond the doorway.

And there are no light sources behind Billy and Aaron

that could create this shadow.

Is this the same black mass that the former caretaker

told us she saw in the house?

[Dawna] I'd be working in the living room,

and when I'd turn around, there was a black mass

that would just go from this side to that side...

-[Zak] That's not good. -[Dawna]...and disappear.

[Zak] Aaron and Billy rejoin me back outside

to review Aaron's Polaroids. -Did we get anything?

I don't know. They're developing right now.

Bedroom, bed.

So Aaron's reviewing Polaroids that he took in the bedroom

where we experienced everything.

So over here, on this photo to the right,

that looks like a normal picture.

[Aaron] That's what they all look like.

[Zak] Yeah, that's what they all look like.

But if you look at this area on the floor here,

you see this, Billy? -[Billy] Yes.

[Zak] You get over here, looks like there's something on the floor.

Then you go in behind this door here, there's a big

white streak of anomaly. -Yeah, I see that.

But you can see the streak goes, like, doesn't go back.

-It goes -- the door frame... -[Zak] I know.

-[Aaron]...blocks it. -It blocks the window there.

[Aaron] So it means it goes in the door or out the door.

[Zak] But it blocks this window.

Showing that it's not coming from the side

of the room. It's coming out of that room.

[Zak] And what is this little light?

[Aaron] I don't know.

[Zak] It looks like there's something on the bed

right there. -[Aaron] It does.

[Zak] Look at this.

[Billy] Whoa, what is that?

[Zak] Look at that anomaly there.

-[Billy] Dude, that's -- -Looks like it has, like, a hair on it.

-[Billy] That's crazy. -[Zak] You see that?

[Billy] Looks like a swirling, like, comet or something.

What's crazier is that you said that right after that the door

unwedged itself it started to shut.

Yeah, it would be on that -- exactly!

Exactly.

[Zak] It is amazing to capture these photos

and see these anomalies near the same door

that just shut by itself and where Aaron and Billy

unknowingly just captured this black mass.

It's incredible for all of us to see this type of magnitude

of activity in a home located in a museum park that has left

a life-altering imprint on the former caretaker,

government employees, and now us.

Hello!

Whatever Mr. Goumond was involved with is still

reverberating on an unheard-of level.