All language subtitles for blue igo

[SIRENS BLARING]

[DIAL TONE]

[DIALING]

Woman: YES, I'LL HOLD.

UNCLE NEIL.

HI. IT'S JESSICA.

HOW ARE YOU?

REALLY?

YEAH. I'M IN HOLLYWOOD.

SO WHAT HAVE YOU
BEEN DOING

FOR THE PAST 5 YEARS?

YEAH?

I MISS YOU.

A LOT.

WHEN CAN I COME
AND VISIT YOU?

WELL, CAN YOU COME
AND VISIT ME?

I'D LOVE IT IF YOU CAME
AND VISITED ME.

I DON'T CARE ABOUT THAT.

IT DOESN'T MATTER ANYMORE.

I JUST WANT TO SEE YOU.

OK, I'LL TRY.

ARE YOU READY?

* AMAZING GRACE

* HOW SWEET THE SOUND

* THAT SAVED
A WRETCH LIKE ME *

* I ONCE WAS LOST

* BUT NOW AM FOUND

* WAS BLIND,
BUT NOW I SEE *

YES. OK.

BYE.

CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES

HEY, HEATHER,
CAN I GET A BEER?

YOU GOT MONEY?

I DO.

HOW YOU DOING?

HAVEN'T SEEN YOU AROUND
IN A WHILE.

AIN'T BEEN AROUND
IN A WHILE.

I'VE BEEN KEEPING
MY EYE ON THE COVER
OF ROLLING STONE.

AIN'T SEEN YOU
THERE EITHER.

KEEP WATCHING.

RIGHT.

EXCUSE ME.

MR. BLACK CLOUD.

HOW YOU DOING?

OK.

HOW ARE YOU?

I WANT TO TALK
TO YOU.

I WANT TO TALK
TO YOU, TOO.

HEY, BOBBY.

Bobby: YEAH?

LOOK AT THIS ONE
THAT PAULINA
SHOWED ME.

I DON'T KNOW HOW
TO GET INTO IT
VERY GRACEFULLY.

Bobby: YEAH, THAT'S--
THAT'S, UH, REAL SEXY.

I LIKE THAT.

YOU DO?
YEAH.

MAKE SURE THIS GUY
PAYS YOU

BEFORE YOU SHOW HIM
ANY TIT, THOUGH.

ARE WE OPEN?

YES, MA'AM,
WE ARE OPEN.

WE ARE?
YES.

FUCK, I GOT TO
GET DRESSED.

LOOK AT THE DIFFERENCE
BETWEEN THAT EYE
AND THAT EYE.

THAT'S LIKE A HALF
A CENTIMETER MORE.

AND YOU CAN'T
PUT THAT OUT.

Bobby:
ANYBODY SEEN JO?

NO. I THINK
SHE WENT OUTSIDE.

SHE'S PROBABLY
OUT SUCKING
SOME GUY'S COCK.

WHEN SHE SHOWS UP,
YOU TELL HER TO
COME IN THE OFFICE.

TELL HER YOURSELF.

Woman: BOBBY?
YEAH.

SIMONE'S GOING UP
FOR ME.

SIMONE'S GOING UP--

HEY. WHATEVER HAPPENS
OUTSIDE THIS CLUB'S
NONE OF MY BUSINESS,

BUT WHAT HAPPENS IN HERE
IS MY BUSINESS.

IF HE GIVES YOU
ANY SHIT,

YOU LET ME KNOW.

I'M IN CONTROL.
DON'T WORRY ABOUT IT.

YEAH, YEAH.
YOU'RE IN CONTROL.

I AM IN CONTROL.
I'M JUST TRYING
TO GET UNSTONED.

OK. HURRY UP.
YOU'RE UP.

Bobby: HURRY UP
AND GET DRESSED, PLEASE.

[COUGHING]

OH, FUCK.

[ROCK'N'ROLL PLAYING]

I'M GETTING SIGNED
RIGHT NOW, SO...

CONGRATULATIONS.

LIKE IT'S FINALLY
TURNING AROUND.

THAT'S SO GOOD
BECAUSE I NEED
SOME MONEY

BECAUSE I NEED
TO BE ABLE
TO GET THINGS

FOR THE LITTLE BOY THAT--
OR THE LITTLE GIRL--

SO, LISTEN.

I REALLY WANT
TO PARTY, YOU KNOW?

OK. COULD YOU JUST
NOT PARTY

FOR, LIKE,
A COUPLE OF DAYS

BECAUSE--AND IF WE
MEET WITH THIS LADY

AND YOU'RE NOT HIGH
FOR A LITTLE WHILE,

THEN SHE'LL THINK THAT
WE'RE BOTH STABLE,

AND YOU CAN TELL HER
THAT YOU'RE GONNA
GET A DEAL

AND YOU'RE JUST GONNA
MAKE A LOT OF MONEY--

AM I GONNA
SIGN SOMETHING?

UM, NO.
WELL, YOU MIGHT

HAVE TO SIGN SOMETHING,

BUT YOU COULD
PROBABLY USE
A FAKE NAME

IF YOU, UM, KNOW
THE SOCIAL SECURITY--

OK, WAIT.
SO I SIGN SOMETHING,

AND YOU'RE GONNA GET
A FULL-GROWN CHILD?

NO. HE WOULD BE,

LIKE, A 6- OR 7-YEAR-OLD
PROBABLY.

I'LL DO IT.

OH, THANK YOU,
CHARLIE.

CHECK THIS OUT, BOBBY.

NICO.

YEAH, CARRIE CRAWFORD?

EDDIE HAZELL
FROM THE BLUE IGUANA.

RIGHT. DOWN IN L.A.

RIGHT. WELL, WE'D LIKE
TO, UM, TO GET NICO IN

FOR A PARTY THAT WE'RE
HAVING DOWN HERE
NEXT WEEK,

AND SHE WOULD BE,
UH--SHE WOULD BE
A GREAT ADDITION

TO OUR PROGRAM,
HAVING HER AS
A FEATURED DANCER.

SHE HAS TIME
IN HER SCHEDULE?

YEAH. NO.
WE'RE REAL HAPPY.

WELL, LOOK.
WHY DON'T YOU
GIVE ME A CALL BACK?

MY NUMBER'S 937-4444.

EDDIE HAZELL.
BLUE IGUANA.

OK. I'LL TALK
TO YOU THEN.

* BABY

THIS AIN'T GONNA
BE CHEAP.

I AIN'T WORRIED
ABOUT CHEAP, BABY.

WE GONNA FILL
THIS CLUB.

SHE'S GETTING
300, 400 GUYS A NIGHT.

THERE'S
A REASON WHY.

Eddie: MY, OH, MY,
WE GOT US A FULL HOUSE.

HOW Y'ALL DOING?
GOOD, GOOD.

HEY, GIRL.
HOW YOU DOING?

OH, THANK YOU.

JUST BE SURE
Y'ALL MAKE MONEY.

I DON'T WANT YOU
GETTING USED TO THIS.

THAT ONE'S FOR YOU.
COME TO MY OFFICE LATER.

I GOT TO TALK TO YOU.

THAT'S FOR YOU,
SWEETIE.

THANKS FOR YOUR HELP.

WHERE'S JO?

I THINK SHE WENT
OUTSIDE.

HEY, BABY.

HEY, EDDIE.

WHERE THE FUCK
YOU BEEN?

WHAT DO YOU MEAN,
WHERE THE FUCK
HAVE I BEEN?

I'M RIGHT HERE.

MY SHIT IS HERE. WHAT?

PUT THAT OUT.

THANK YOU
FOR THE FLOWER.

Jo: WHERE'S MY FLOWER?

YOUR FLOWER?

THANK YOU, SWEETHEART!

JO, DON'T YOU THINK
IT'S EVER GONNA BE

THAT EASY.
UH-UH, UH-UH.

YOU COME
IN HERE LATE.

YOU COME IN HERE
ACTING UP, SMOKING--

FUCK YOU,
FUCK YOU, FUCK YOU.

Eddie: YEAH, OK.

YOU CAN COME GET IT
LATER ON IF YOU GOOD.

Jo: I WAS SICK, EDDIE.
I WAS SICK, OK?

SHUT UP, SHUT UP,
YOU FUCKING HYENA.

BY THE WAY,
I WOULD APPRECIATE IT
IF YOU DIDN'T, LIKE,

GET ALL OVER
THAT BLACK GUY.

HE'S ONE
OF MY REGULARS.

Jo: THE BLACK GUY
WITH THE JHERI CURL?

THAT'S ONE
OF YOUR REGULARS?

YES, IT IS.

OH, MY GOD!
HE'S SUCH
A FUCKING FREAK.

YOU KNOW, I WOULD
APPRECIATE IT

IF YOU TOOK
THAT GUY BACK

BECAUSE HE'S JUST
AN ASSHOLE.

LET ME GIVE YOU
A SUGGESTION, SWEETHEART--

SHE HAS TO GET
TO HER LOCKER.

YOU SHOULD GET
A TIT JOB.

OW! FUCK!

D.J.:
GIVE A BIG ROUND
OF APPLAUSE...

Jo: SHUT UP,
YOU FUCKING PSYCHO!

GET--GET UP.
COME HERE.

D.J.: ...IS JASMINE.

Jo: I THINK I THREW
MY VERTEBRAE OUT.

YOU KNOW WHAT.
JUST TAKE THAT
MONEY YOU--

SHUT UP.
SHUT THE FUCK UP!

I WILL SUSPEND
BOTH OF Y'ALL.

DON'T CALL MY BLUFF.

THANK YOU.
IT'S JUST JEALOUSLY.

Man: * I WISH I WAS A HUNTER

* IN SEARCH
OF DIFFERENT FOOD *

* I WISH I WAS THE ANIMAL

* WHICH FITS
INTO THAT MOOD *

* I WISH I WAS A PERSON

* WITH UNLIMITED BREATH

* I WISH I WAS
A HEARTBEAT *

* THAT NEVER COMES
TO REST *

* KOMM ZU MIR

* KOMM ZU MIR

HERE'S YOUR
DRINK.
OH, THANK YOU.

NO, NO, NO.
IT'S ON ME.

OH, THANK YOU.

* KOMM ZU MIR

* I WISH I WAS A STRANGER

* WHO WANDERS
DOWN THE SKY *

* I WISH I WAS
A STARSHIP... *

DUDE, DO YOU
BELIEVE THAT?

* IN SILENCE FLYING BY

* I WISH I WAS
A PRINCESS *

* WITH ARMIES
AT HER HAND *

* I WISH I WAS A RULER

* WHO'D MAKE THEM
UNDERSTAND *

Man: NO.
I GOT MY OWN.

HERE'S SOME.

DUDE, RIGHT NOW,
I'M GONNA SHOW YOU

HOW IT'S DONE,
ALL RIGHT, BOYS?

OOH, YEAH!

HERE YOU GO.

HA HA!

WHOO!
SEXY!

* WIR SPRENGTEN
JEDEN RAHMEN *

* ALS WIR ZUSAMMEN KAMEN

* WAR'S WIE EINE EXPLOSION,
UND ICH SCHWOR' *

* ICH SPUR'
DIE ERSCHUTTERUNG IMMER NOCH *

* ICH WEISS DU RENNST
UND DOCH *

* BIST DU ERST NAH
UND DA *

* WENN DU
IN MEINEN ARMEN LIEGST *

* ICH GEH' ZU BODEN
WENN DU NICHT *

* MIT MIR FLIEGST

* OH BABY,
BITTE BITTE LAUF LAUF *

* GIB NICHT AUF

* ICH HAB' DICH VERMISST

* ES FRESSEN MICH
DAMONEN AUF *

* WENN DU NICHT
BEI MIR BIST *

* ICH TU' WAS DU VERLANGST
HAB' KEINE ANGST *

* ICH LASS' DICH NICHT
ALLEIN DENN UNS *

Man on radio:
IT'S 10 MINUTES PAST 3:00...

[CELL PHONE RINGING]

AND YOU'RE LISTENING
TO L.A.'S CHOICE
FOR TODAY'S SOUND.

A MELLOW 78 DEGREES...

YEAH?

OH, FUCK.
WHAT TIME IS IT?

NO. I FORGOT.

OK, I FORGOT.
NO. I HAVE IT.

I HAVE IT.
I HAVE IT.

SO, UM--
NO. I'LL BE THERE.

I'LL BE THERE
IN, LIKE, 10 MINUTES.

ALL RIGHT.

OHH.

HEY, JOHNNY.

HEY, HOW YOU DOING?

YOU'VE GOT THE MONEY?

YEAH. HERE YOU GO.

WHAT THE FUCK
IS THIS?

I TOLD YOU 40.
I TOLD YOU 40.

NO, YOU DIDN'T
TELL ME 40.

OH!

[COUGHING]

YOU ALL RIGHT?

YOU ALL RIGHT?

YEAH, I'M FINE.

I'M FINE.
WHERE'S THE REST
OF MY FUCKING MONEY?

I'LL GIVE IT TO YOU
NEXT WEEK, OK?
SEE YOU LATER.

FUCK IT.

Man on radio:
* ECHOES THROUGH MY HEAD

* I JUST WANT YOU
HOME AGAIN *

* ...HAS COME AND GONE
AT LAST *

* I JUST WANT YOU
HOME AGAIN *

TWO.

OH, YOU GOT THEM
FROM IN THERE?

YEAH.

$2.00 EACH.

I KNOW YOU.

YOU DANCE
AT THE BLUE IGUANA,
RIGHT, RIGHT?

I JUST
SAW YOU THERE.

YEAH.

WORD, YO.
WHAT'S YOUR--

JASMINE, RIGHT,
JASMINE?
MM-HMM.

JORGE.
HI, JORGE.

NICE TO MEET YOU.

GOOD TO MEET YOU.

I REMEMBER
YOUR NAME.

YEAH. YOU GONNA
COME BY AGAIN?

YEAH. I SHOULD BE
THERE SOON. YEAH.

CAN I HAVE MY BOOKS?

YEAH.
THANKS.

BYE, HANDSOME.
SAY HI.

I WILL.

I KNOW THAT GIRL.

I DIDN'T KNOW YOU WENT
TO STRIP CLUBS, MAN.

WHAT ARE YOU
TALKING ABOUT?

SHE'S A STRIPPER.

SHE COMES
TO MY POETRY READINGS.

NO. SHE DANCES
AT THE BLUE IGUANA,
THOUGH, MAN.

SHE'S A STRIPPER.

WHY DON'T YOU GO
IN THE BACK AND STACK?

ALL RIGHT.

SHE SAID THAT
I WAS HANDSOME, MAN.

HEY, IT'S A BIG DAY.

Eddie: YEAH,
THIS IS EDDIE HAZELL
FROM THE BLUE IGUANA.

RIGHT. I JUST WANTED
TO INVITE YOU DOWN.

I GOT YOUR CARD
DOWN HERE,

AND I WANTED TO
INVITE YOU DOWN.

I'M JESSIE.
HEY, JESSIE.
I'M BOBBY.

I'M HERE
FOR THE AUDITION.
HI, BOBBY.

YEAH, YOU'RE LATE.

I'M SORRY.
I LIKE YOUR HAIR.

Eddie: DEFINITELY
WANT YOU HERE.

IT'S VERY SNAZZY.

COME ON BY
AND JUST ASK
FOR EDDIE HAZELL.

OK. THANKS.

HELLO, MR. HAZELL.

WHO ARE YOU?
MY NAME'S
JESSIE.

I'M HERE
FOR THE AUDITION.

ALL RIGHT. NICE.

I LIKE YOUR GLASSES.

THANK YOU.

FILL THIS OUT.

THANK YOU.

YOU DANCE BEFORE?

YEAH. I DANCED
AT CHEETAH'S
FOR 6 MONTHS.

DO YOU GOT A PEN?
OH, HERE WE GO.

YOU GOT I.D.?

UM, ACTUALLY,
I DON'T HAVE IT ON ME.

IT'S AT THE APARTMENT.

Eddie: WE'RE GONNA
NEED TO SEE SOME I.D.

WE GOT ALL KINDS
OF VICE PEOPLE, A.B.C.,
COMING IN,

AND, UH...

WERE YOU PLANNING ON
STABBING SOMEONE TONIGHT?

NO.
IT'S JUST
A JOKE.

THIS IS SOFT.

SO, UH...

WHERE'D YOU GET THIS?

YEAH.

JIMMY?
YEAH?

PUT IT ON.

Man: * YOU OR I
COULD TELL THE STORY... *

HI. I'M OK.
AND YOU? GOOD.

* BUT ATTENTION FELL

* BEFORE THE LIGHTS
CAME ON AGAIN *

* WITHOUT THE SENSE
OF HEARING *

* MY THOUGHTS
ARE DISAPPEARING *

* AND ALL TIME WILL TELL

* IS THAT ANYONE

* CAN DECIDE

* I LOST THE FIGHT...

Eddie: YEAH.

WE OPEN UP 7:00.

I'LL PUT YOU
IN THE LINEUP.

DON'T FORGET YOUR I.D.

THANK YOU, EDDIE.

I'LL SEE YOU
TONIGHT.

Bobby: WE RUN
A PRETTY TIGHT JOINT HERE.

NO DRUGS, NO HAND JOBS.
NO BLOW JOBS,
AND NO FUCKING.

YOU ARE
SO HANDSOME.

THANK YOU.
DID ANYONE EVER
TELL YOU THAT?

YEAH, I GET IT
ALL THE TIME.

BRAD PITT'S GOT
NOTHING ON ME.

I THINK YOU'RE A DOLL.

THAT'S FINE.

Man on tape:
THE WORD ANGLE

IS SPELLED A-N-G-L-E,

WHILST THE WORD ANGEL
IS SPELLED A-N-G-E-L.

ANGEL.

ANGLE.

ANGLE.

ANGEL.

ANGEL.

HOW MANY NIGHTS?

ONE.

IT'S 30 PLUS TAX.

THAT IS $34.20.

HELLO.

L.A. PAPER.
COMPLIMENTARY.

Man on tape:
LISTEN AND CHECK
YOUR ANSWERS.

PRACTICE SAYING THEM.

A: HE WEARS
A UNIFORM.

HE WEARS A UNIFORM.

Woman on tape:
SHE'S A PILOT.

SHE FLIES
ALL OVER THE WORLD.

SHE'S A PILOT.

PETER HAS
TWO CHILDREN.

Jo: ANGEL.

Woman: IN WINTER,
ALICE GOES SKIING,

AND IN SUMMER,
SHE PLAYS GOLF.

E: BERNADETTE LIVES
IN A FLAT IN PARIS.

D.J.:
LADIES AND GENTLEMEN,

SHE FELL FROM THE SKY,
THE CELESTIAL ANGEL.

[LES MISERY PLAYING]

[MAN WHISTLES]

WHOO-HOO!

Woman: PORTIA,
YOU GOT MY NEGLIGEE?

Jasmine:
UM, YOU KNOW, HI.
YOU KNOW, EXCUSE ME.

HI.
Jessie: HI.

UM, YOU'RE SITTING
IN SOMEONE'S SEAT.

IT'S ANGEL'S SEAT,
SO WHY DON'T YOU
SIT, UH--

YEAH, SIT
IN JO'S SEAT.

I'M JESSIE,
BY THE WAY.

HI, JESSIE.
I'M JASMINE.

YOU HAVE
BEAUTIFUL LIPS.

DO YOU USE COLLAGEN?

NO. THEY'RE NATURAL.

YOU KNOW, THERE'S
SOME FUCKING FREAK

HANGING OUTSIDE
IN A GREEN CADILLAC?

Jessie: I SAW HIM.

DID YOU SEE HIM?

OK, THAT'S
FUCKING FREAKY.

WE OUGHT TO TALK
TO BOBBY ABOUT THAT,
GET HIM TO--

I SAW HIM TWICE
LAST WEEK.

STORMY,
DID YOU SEE HIM?

DID YOU SEE HIM?
NO.

IS HE THERE NOW?

YEAH, I SAW HIM.

DON'T YOU REMEMBER
THAT GUY LAST WEEK

WHO FOLLOWED ME
HOME?

DON'T GO
OUT THERE THOUGH.

Stormy:
I'LL BE RIGHT BACK.

DON'T GO OUTSIDE.
JUST TELL BOBBY.

I WANT TO SEE
WHO IT IS.

JUST TALK TO HIM.
TELL HIM TO
FUCK OFF

IF HE'S THERE.

Man: YEAH!

[MAN WHISTLES]

Jo: I DON'T FUCKING
BELIEVE THIS.

EXCUSE ME, HONEY.

NEW GIRL, BARBIE,
YOU'RE SITTING
IN MY SEAT.

THIS IS MY SEAT.

YOU MIGHT NOTICE
THAT THERE'S, UH,

STUFF IN FRONT
OF IT,

THERE'S A JACKET
ON THE BACK OF IT.

JASMINE,
HOW COULD YOU
LET THIS GIRL

SIT IN MY SEAT?

Jasmine: OH,
DON'T TALK TO ME.

YOU HAVE TO FIND
YOUR OWN SPACE,
SWEETHEART.

IF YOUSE FIND
YOUR OWN SPACE,

WE'RE ALL GONNA
GET ALONG.

Woman: FUCKING GUY'S
BACK AGAIN.

JUST STAY OUT
OF THE WAY.

Second woman:
NO WAY. HE'S BACK?

I'M TELLING YOU.

[APPLAUSE AND CHEERING]

Angel: JASMINE,
YOU KNOW THAT GUY
WHO LOOKS LIKE,

UM--WHO LOOKS LIKE
COLONEL SANDERS?

WHICH ONE?

Jo: HEY, BITCH,
YOU'RE UP.

I JUST CAME
OFFSTAGE.

NO, NOT YOU,
CORNFLAKE.

I'M TALKING
TO JASMINE.

JASMINE, IT'S
YOUR TURN TO GO UP.

I'M NOT GOING UP.
I'M NOT EVEN READY.

I HAVE TO LET
MY RUBBER BREATHE.

Jasmine: IT'S JO.
THEY'RE SAYING JO.

WHAT? THEY'RE NOT
SAYING JO.

I CAN'T GO UP NOW.
I'M NOT READY.

Jessie: I'LL GO.

YOU WILL?
YEAH.

YOU'LL GO FOR ME?

YOU'LL DO THAT FOR ME?

I'D BE HAPPY TO.

HEY, YOU'RE
A REALLY SWEET GIRL,

YOU KNOW THAT?

Jo: SHE'S JESSIE.

SHE'S A NEW ADDITION
TO OUR DRESSING ROOM.

SHE GETS ALONG
WITH EVERYBODY.

WE LOVE LITTLE JESSIE
HERE AT THE BLUE IGUANA.

GO ON. GO ON UP.
YOU'RE GONNA MISS
YOUR--YEAH.

[TECHNO MUSIC PLAYING
AT BLUE IGUANA]

D.J.: AND NOW
MAKING HER STAGE DEBUT--

SHE'S YOUNG,
SHE'S BEAUTIFUL,
SHE'S PERFECTION.

LADIES AND GENTLEMEN,
PUT YOUR HANDS TOGETHER

FOR JESSIE.

[APPLAUSE]

[MAN WHISTLES]

Singers: * SO HERE WE ARE

* THIS IS THE TIME

* TAKE OFF YOUR CLOTHES

* JUST LIKE I'LL
TAKE OFF MINE *

* LIE DOWN WITH ME

* LOOK IN MY EYES...

JUST WONDERING.
DID YOU EVER GET
HER I.D.?

YEAH, I KNOW
WHO SHE IS.

TALKED TO BILLY.

* ANGEL

HEY, MAN, THAT CALL
COME FROM NICO YET, MAN?

IT'S ON THE MACHINE.

COME ON, BOBBY.
YOU SAID YOU WERE
GONNA TELL ME, RIGHT?

MM-HMM.
DAMN.

I'M TELLING YOU.

* I WAITED MANY MOONS
FOR NOW *

* I KNOW YOU WELL

* LET ME SHOW YOU HOW

* DON'T BE AFRAID

* IT'S ONLY ME

* JUST CLOSE OUR EYES

* AND BE WHAT
WE WILL BE *

Man: YEAH.

* ANGEL

HI, UH, EDDIE HAZELL,
THIS IS NICO.

SO IT LOOKS LIKE
WE'RE ON, BABY.

I'LL BE THERE.

UH, YOU HAVE
MY NUMBERS. BYE.

[BEEP]

[WOMAN CRYING]

Jo: OK?
Man: YEAH.

YOU DOING OK,
KID?
YEP.

OK.

YES. DON'T YOU WORRY.

MY GLASSES?
MY GLASSES.

YEAH. WHY DON'T YOU
TAKE THEM OFF?

WE'LL PUT THEM
RIGHT HERE.

YOU CAN FIND THEM
AFTERWARDS.

YOU CAN SEE OK
WITHOUT THEM.

ALL RIGHT, SWEETIE.
OK. HOW'S THAT?

EVERYTHING OK?
YEAH.

YOU WANT TO SEE
THE BAD SIDE?
YEAH.

ALL RIGHT.
YEAH.

HERE WE GO.

OH, GOD.

HI.

JESSIE.

GOT ANY PLANS
TONIGHT?

NO.
LET'S GO.

* I'M THE ONE
THAT CAN'T HIDE *

* GO STEP INSIDE

* TO MAKE A MESS

* I FOUND WINGS TIED
TO YOUR ARMS *

* NO ONE'S CHARMS...

I DON'T HAVE
ANY MONEY FOR THIS.

I'LL MAKE
AN EXCEPTION.

* MAKE ME OVERCOME

* ALL FEARS

Eddie: LISTEN TO THIS.

[BEEP]

[WOMAN CRYING
ON ANSWERING MACHINE]

THAT'S NOT
THE MESSAGE I SAVED.

[WOMAN CRYING]

[SPEAKING RUSSIAN]

Woman: "I REALIZE
OUR ANCESTRAL HUMOR

"GOES TO COMMON
LONGING AND RESISTANCE.

"I KNOW THE EFFORTS
YOU WILL NOT MAKE

"UNTIL YOU ARE READY
TO ACCEPT

I AM NOT A WAR."

OH, THAT WAS GREAT.

GREAT JOB.
THANK YOU, FIONA.

THANK YOU VERY MUCH.

YOU KNOW, I FORGOT
TO MENTION EARLIER.

WE PUT SOME FLIERS
ON THE CHAIRS

REFERRING TO THE UPCOMING
POETRY SLAM

IN SAN FRANCISCO.

UM, AS YOU KNOW,
IT IS THE MOST IMPORTANT
POETRY EVENT

ON THE WEST COAST,

SO BE SURE TO
CHECK IT OUT, ALL RIGHT?

NOW, WITHOUT FURTHER ADO,

I'D LIKE TO BRING UP
SOPHIE DELVAUX,

WHOSE LATEST COLLECTION,
UM, AUTUMN SOPRANOS,

WILL SOON BE PUBLISHED BY
THE HUBCAP POETS LIBRARY.

SOPHIE.

DREAM BOAT.

"SLEEP IS A BOAT MOORED
IN THIS ROOM AT NIGHT

"AND AGAIN AT DAWN.

"IN BETWEEN,
IT JOURNEYS
OVER THE WORLD,

"TRAVELS INSIDE THE SKIN
OF THINGS,

"MOVES OUT
OVER THE STARS,

"COMES SAILING
INTO PORT,

ITS CARGO IMAGES..."

YOU NEVER READ.

NO.

SO WHAT'S THAT
ON YOUR PAPER,

YOUR LAUNDRY LIST
OR SOMETHING?

MM-HMM.

WELL, MAYBE YOU
SHOULD COME AND READ
YOUR LAUNDRY LIST.

" ...AND PLACES,
PALACES, FACES."

MAYBE NOT.

Stormy: HEY.

Man: HEY, BABY.

HEY, STORMY.
YEAH?

DON'T KNOW
A MARIE HUGHES,
DO YOU?

MARIE HUGHES?
RING A BELL?

WHAT IS THAT?

I DON'T KNOW.
SOME ATTORNEY TYPE
DROPPED IT OFF--

UH, 10 MINUTES AGO.

SAID MAKE SURE
SHE GETS IT.

UH, I'LL GIVE IT
TO HER.

I'LL GIVE IT TO HER.
DO YOU KNOW WHO IT IS?

YEAH. IT'S, UH,
IT'S ME.

YOU?
YEAH.

FAN MAIL?

USE YOUR STAGE NAME,
NOT YOUR REAL NAME.

YOU HEAR ME?

[CRYING]

[WHISPERS]
Oh, my God.

OH, MY GOD.

[TOILET FLUSHES]

I THINK
I'M PREGNANT.

NO, YOU'RE NOT.

YEAH. LOOK AT THIS.

WHAT THE FUCK
IS THAT?

THAT'S A PLUS.

THAT MEANS THAT IT'S RIGHT
WHEN YOU'RE PREGNANT.

WHERE DID YOU
GET THIS?

UH, IN THE BATHROOM.

I WAS PEEING
IN THE BATHROOM,

AND I FOUND IT
BENEATH THE TOILET.

DID YOU PISS ON IT?

WELL, I WAS STANDING--
I WAS, YOU KNOW, HOVERING

BECAUSE THE TOILET
IS GROSS,

SO I WAS PEEING,
AND THEN I LOOKED DOWN,

AND I SAW THIS
RIGHT BENEATH
THE TOILET,

AND I--I THINK
I MIGHT HAVE, LIKE,

DRIBBLED ON IT
OR SOMETHING.

DO YOU, LIKE,
PISS ON THE THING?

THERE'S PISS ON IT,
AND I MIGHT HAVE BEEN--

THAT'S
FUCKING GROSS.

I MIGHT HAVE DRIBBLED
ON IT BECAUSE--

WHO YOU FUCKING?

WELL, NOBODY
RIGHT NOW, BUT I--

I HEARD ON
THE DISCOVERY CHANNEL

THAT SPERM CAN LIVE
A REALLY LONG TIME.

WHEN'S THE LAST TIME
YOU FUCKED ANYONE?

UM, LIKE
6 OR 7 MONTHS.
IT'S NOT YOURS.

CASTLE, THIS YOURS?

Castle: NO, HONEY.
THAT'S NOT MINE.

Woman: UH-UH.
IT'S NOT MINE.

SEE? IT'S MINE.
NO, IT'S NOT.
IT'S NOT.

GIRLS,
THIS ISN'T YOURS?

ANGE, HONEY,
YOU KNOW WHAT?

YOU KNOW, YOU
DIDN'T PISS ON IT.

YOU'RE NOT
FUCKING ANYONE.

WELL, I'VE BEEN WANTING
TO GET PREGNANT.

HEY, UM, JESSIE,
IS THIS YOURS?

Jo: GET YOUR HANDS
OFF OF MY SHIT

FOR ONE MINUTE, JESSIE.

I'D APPRECIATE IT.
THANKS.

SEE?
IT'S NOT YOURS.

JASMINE, IT MAY HAVE
PISS ON IT OR NOT
BECAUSE I--

WHOO!

Man: THAT'S THE THING!

OH!

ANGE, DON'T.

ANGE, DON'T.
WHY DO YOU WANT
TO KEEP IT

IF SOMEONE PISSED
ON THAT?
IT'S NOT YOURS.

WHOO!

OK, KIDS, GOING UPTOWN!

[MAN WHISTLING]

AAH! AAH! AAH! AAH!

AAH!

STORMY, WHAT DO YOU GET
FOR A BLOW JOB?

$100.

OK.

AAH!

WHY? JUST MAKE IT--
JUST GIVE IT TO ME.

JO, IS THIS YOURS?

WHAT IS IT? WHAT?

WHAT IS IT? LOOK.
HELLO? IT'S A--

WHAT DO YOU
THINK IT IS?

I DON'T KNOW WHAT
THE FUCK IT IS.

WHAT IS IT?
IT STINKS.

GET IT AWAY
FROM ME.

SIT DOWN.

SIT DOWN.
WHAT?

ARE YOU PREGNANT?

WHAT?

ARE YOU PREGNANT?

WHAT? AM I PREGNANT?

WHAT THE FUCK
IS THE MATTER WITH YOU?

DO I LOOK LIKE
I'M PREGNANT? NO.

I'M NOT
PREGNANT, OK?

I'M NOT PREGNANT.
WHAT'S GOING ON?

BECAUSE ANGEL
FOUND IT,

AND SHE THINKS
IT'S HERS,

BUT IT'S OBVIOUSLY
NOT HERS.

WELL, IF ANGEL
FOUND IT,

IT'S PROBABLY HERS.

ANGEL, HONEY,
ARE YOU PREGNANT?

JO.
CONGRATULATIONS!

JO! ANGEL!

AW, YOU'LL MAKE
SUCH A GOOD MOTHER.

JUST DON'T LEAVE
THE BABY IN THE PARK, OK?

Jasmine:
JO, SIT DOWN.

I'M NOT PREGNANT.

WILL YOU LOOK AT ME?
ARE YOU PREGNANT?

NO.

HOW LATE ARE YOU?

I'M NOT LATE.

I'M NOT LATE. I'M NOT LATE.

OK. SO SHE'S
NOT PREGNANT.

GIVE IT TO ME.

WILL YOU JUST LEAVE YOUR
HANDS OFF OF MY PILLS?

FUCK.

WHAT THE FUCK IS THE MATTER
WITH YOU PEOPLE?

HOW LATE
ARE YOU?

I'M NOT LATE, OK?

ALL RIGHT. I GOT--

CAN'T--GIVE ME THIS.

ALL RIGHT.
WHAT'S THAT MEAN?

IT MEANS
YOU'RE PREGNANT.

IT'S A--
IT'S A PLUS.

THAT IS A LITTLE
BLUE PLUS SIGN
RIGHT THERE.

ALL RIGHT, SWEETHEART.
I'M NOT A MORON.

I READ THE BOX, OK?

ALL RIGHT.
IT'S A PLUS SIGN, OK?

ARE YOU GONNA
KEEP IT?

ALL RIGHT. YOU KNOW--

NO, I'M NOT GONNA KEEP IT.
I'M GONNA THROW IT AWAY.

THAT'S DISGUSTING.
WHAT DO YOU THINK?

YOU WANT A DOCTOR?
I HAVE A DOCTOR.

NO. YOU KNOW I THINK,
WHAT HAPPENED IS I GOT
A DEFECTIVE E.P.T.

BECAUSE IT WAS IN MY--

OH, IT'S SO
BEAUTIFUL.

HONEY, THEY HAVE
A DOCTOR IN CULVER CITY

THAT CAN TAKE CARE
OF IT, ALL RIGHT?

OK. YEAH. ALL RIGHT.

CAN YOU MAKE
AN APPOINTMENT FOR ME?

BECAUSE I DON'T WANT
TO CARRY IT AROUND.

IT'S OK. IT'S OK.

HEY, BOBBY.

BOBBY, HAVE YOU
SEEN CHARLIE?

YEAH,
I'VE SEEN HIM.

HE GAVE ME A TIP.

FUCKING ASSHOLE.

OH, WELL,
WHERE IS HE?

I HAVE TO ARRANGE
SOMETHING WITH HIM.

YOU REALLY
WANT TO KNOW?

YEAH. WHY?
WHAT HAPPENED?

COME ON. LET'S GO
FOR A SMOKE.

WHY? WHAT HAPPENED?
WHAT--

ASSHOLE! GOD!
THE MOTHERFUCKER!

I MEAN,
WHAT AM I SUPPOSED
TO DO NOW, HUH?

YOU'RE GONNA
BE FINE.

WHAT DO YOU MEAN,
I'M GONNA BE FINE?

HE TOLD ME THAT
HE WAS GONNA COME TO
THE MEETING WITH ME.

I GET HIM SOMETHING,
AND THEN HE WAS GONNA
BE MY FIANCé,

AND HE MADE ME
A PROMISE.

HE TOLD ME TO MY FACE.

HE SAID, "I'M GONNA
COME WITH YOU,"

AND THEN HE GOES OFF
WITH THE FIRST
FUCKING LITTLE--

YOU KNOW?

WELL, YOU NEED
THE LEECH?

HERE. HERE.
CALM DOWN.

OH, FUCK, AND I NEED HIM
TO SHOW THAT I'M, LIKE,

YOU KNOW, A WHOLE PERSON
WHO'S GONNA GET MARRIED
AND STUFF SO THAT--

SIT DOWN.
SIT DOWN. SIT DOWN.

RELAX.

BOBBY--

YOU CAN DO A LOT BETTER
THAN CHARLIE.

YEAH. RIGHT.

SOME KID'S GONNA BE
REAL LUCKY TO HAVE YOU
AS A MOM.

THAT'S WHAT YOU GOT
TO REMEMBER.

SEE, HE WASN'T EVEN
GONNA BE THERE WITH ME.

HE WAS JUST GONNA GO
TO THE INTERVIEW.

NOW WHAT AM I GONNA DO?

GIVE ME THAT FUCKING TIP
HE GAVE YOU.

HMM?

WHAT THE FUCK YOU DOING?
THAT'S MY MONEY.

THAT'S MY MONEY!
THAT'S--

THAT'S
CHARLIE'S MONEY.

HERE.
YOU CAN HAVE THIS.

DICKHEAD.

TELL YOU WHAT.

I'M GONNA GO
CHECK WITH EDDIE,

AND I'LL GIVE YOU
A RIDE HOME, ALL RIGHT?

I'LL LOVE YOU
A LONG TIME, BOBBY.

OK.

Woman: MISS WILLOW?
YOU CAN COME IN NOW.

THANKS.

MISS WILLOW,

WHY DO YOU WANT
TO FOSTER A CHILD?

WELL, UM,

BECAUSE I REALLY
LOVE CHILDREN

AND I REALLY
FEEL THAT I COULD
GIVE THEM

A SAFE AND HAPPY
PLACE TO BE

WHILE THEY'RE WAITING
FOR THEIR PARENTS

TO GET OUT
OF REHAB OR JAIL.

SOMETIMES--YEAH.

THESE--SOMETIMES
THE KIDS DO COME

FROM VERY DISTURBED
BACKGROUNDS,

AND IT'S IMPORTANT
TO HAVE A SAFE
AND SECURE ENVIRONMENT

AND SOMEONE
WITH AN OPEN MIND.

YEAH. I HAVE
A VERY OPEN MIND.

YEAH?

YEAH.
LIKE, YOUR SIGN,

IT SAYS "THE HAND
OF FRIENDSHIP
HAS NO COLOR."

LIKE, I DON'T
LOOK DOWN ON
MICHAEL JACKSON

FOR CHANGING THE COLOR
OF HIS SKIN.

WE HAVE PEOPLE
IN MY BUILDING

THAT ARE--
THERE'S 3 LESBIANS

LIVING IN ONE APARTMENT,

AND ALL OF THEM SLEEP
IN THE SAME BED,

AND THEY'RE, LIKE,
THE MOST NORMAL PEOPLE

THAT YOU COULD
EVER MEET.

THEY'RE--EVEN THOUGH
THEY SLEEP TOGETHER,

THEY'RE SO NICE.

OH, I'M SURE THEY--

ACTUALLY, YOU LIVE
IN THE SAME BUILDING,

SO THIS IS
AN APARTMENT ON, UM...

WHITSET?

SPEC.

OH, UH, SPEC.
YOU MOVED.

NO. IT'S RIGHT
AROUND THE CORNER
FROM WHITSET.

THAT WAS
THE DIRECTION.

OK. SO...

OK. AND SO, HOW LONG
HAVE YOU LIVED
IN LOS ANGELES?

FOR 6 YEARS.

6 YEARS? AND WHERE
DID YOU GROW UP?

OKLAHOMA.

SO YOU MOVED HERE
FROM OKLAHOMA?

6 YEARS FROM OKLAHOMA?

WELL, NO, I--
I WAS IN LAS VEGAS.

OH, YEAH?

WHAT WERE YOU DOING
IN VEGAS?

OH, I WAS ENGAGED.

DID YOU GET
MARRIED?

NO. UM, WELL,

I WOULD HAVE,
BUT HE DIDN'T
WANT TO MARRY ME

BECAUSE I, UM--

HE WAS A VERY
WEALTHY MAN,

BUT HE HAD SOME
CHARACTER FLAWS.

SOME CHAR--WELL,
LIKE, WHAT KIND
OF CHARACTER FLAWS?

HE LIKED
REALLY YOUNG WOMEN.

YOU'RE A BEAUTIFUL
WOMAN YOURSELF.

I CAN'T IMAGINE HIM
FINDING SOMEONE
MORE YOUNGER

OR ATTRACTIVE
THAN YOU.

WELL, THANKS,
BUT WHEN I TURNED 25,

I WAS JUST
KIND OF KICKED OUT.

DO YOU HAVE
A SIGNIFICANT OTHER NOW?

MM-HMM.
THAT, UM, CHARLIE.

HE'S MY FIANCé,

AND HE WAS GONNA
COME WITH ME TODAY,

AND I KNOW YOU
MIGHT BE WORRIED
THAT HE'S NOT HERE,

BUT HE HAS
A BIG RECORD DEAL,

AND THEY NEEDED HIM
IN NEW YORK

BECAUSE HE MIGHT,
UM, BE DOING SOME
MUSIC WITH YANNI

OR SOME
OTHER PEOPLE.

THAT'S VERY--
THAT'S VERY SOULFUL.

MM-HMM.

OK.
IT'S VERY SOULFUL.

WHAT DO YOU--

WHAT DO YOU FEAR
MOST IN LIFE?

UM...

DEATH.

WHAT DOES THAT
BRING UP FOR YOU?

NOT BEING ABLE
TO LIVE.

AND WHAT ABOUT THE MOST
PLEASURABLE THING?

LOVE.

LOVE.
YEAH.

MISS WILLOW...

MM-HMM?

WHAT DO YOU THINK--

WHAT DO YOU THINK
YOU CAN GIVE A CHILD?

UM, WELL, UM,
I HAVE A TEDDY BEAR

THAT I HAD
WHEN I WAS A KID,

AND, UM, I--I--I--

I MAKE A REALLY GOOD
FLUFFERNUTTER SANDWICH.

YOU ARE--YOU'RE--
YOU'RE VERY CHARMING.

YOU'RE VERY CHARMING.

I WANT YOU TO
UNDERSTAND SOMETHING.

FOSTERING A CHILD
IS NOT A HOBBY,

AND IT'S NOT
LIKE AN ACTIVITY--

OH, NO. I KNOW.

IT'S VERY--
IT'S SERIOUS.

IT'S AN OCCUPATION,

A COMMITMENT THAT
YOU'RE GONNA MAKE.

I KNOW.
I UNDERSTAND THAT.

I--I HAVE TOO MANY
HOBBIES ALREADY.

HA HA HA HA! OK.

[SPEAKING RUSSIAN]

Jasmine:
JO, WOULD YOU
LOOK AT MY ASS?

THERE'S
SOMETHING IN IT.

IT STINKS. IS IT
WARTS OR SOMETHING?

NO, IT'S NOT.
NO, SWEETHEART.

YOU JUST CUT YOUR
ASSHOLE, THAT'S ALL.

YOU SHOULD JUST PUT
A LITTLE SOLVENT--WAIT.

Angel: YOU MIGHT
FEEL SORRY FOR ME

BECAUSE I ONLY MADE
ONE DOLLAR. HA!

Woman: OH, PLEASE.

Jessie: JESUS, ANGEL.

WAY TO GO.

Angel: HEY, JO...

PUT SOME ALOE VERA
ON THAT, JASMINE.

I'VE BEEN THINKING
ABOUT LITTLE JO

BECAUSE I THINK
IT WOULD BE REALLY
EASY TO REMEMBER

BECAUSE IT'S LIKE
YOUR NAME.

Jo: MM-HMM.

AND IT WOULD BE GOOD
FOR A GIRL OR A BOY.

[WHISTLING]

Man: * DON'T TAKE MY SOUL

* NOT FROM ME NOW

* DON'T SEND NO ROSES

* MY PENANCE IS DUE

HEY. CAN I JUST
GET YOUR ATTENTION?

DON'T FORGET--

HELLO, TIFFANY.
PARTY AT MY HOUSE.

BIG PARTY AT MY HOUSE
DAY AFTER TOMORROW

FOR THE FOSTER KID.

IT TAKES A WHILE TO FIND
THE RIGHT GUY,

AND SOMETIMES PEOPLE
CAN PISS OFF PEOPLE,

AND THE THING IS--

HELLO?
WHAT?

WE'RE GETTING
MY APARTMENT READY

FOR MY FOSTER KID
THE DAY AFTER
TOMORROW.

I'M GONNA MAKE
A MAP FOR EVERYBODY
SO EVERYONE KNOWS

HOW TO GET TO
MY APARTMENT, OK?

Man: REMEMBER
THESE GLASSES?

I WAS WONDERING
IF, UH,

MAYBE YOU COULD,
UH, HOLD THEM

WHILE I, UH...

I STRAIGHTEN IT OUT
WITH THE LANDLORD.

STRAIGHT IT OUT?

THOSE ARE--THOSE
WERE MY WIFE'S.

SHE LOVED THEM,
AND, UH,

IT'S THE ONLY MEMENTO
I GOT OF HER.

D.J.: THAT'S STORMY.

[APPLAUSE]

EDDIE, HARRY LEFT
HIS BINOCULARS
HERE FOR YOU.

HARRY LEFT THESE?

YEAH.

THANKS.

HEY, DESIREE.

YEAH?

YOU OK?

YEAH, I'M FINE.

UH, HI. IT'S ROOM 208.

YES. NO, I AM NOT GOING.

YES. I STAY
ONE MORE NIGHT.

Man: * LIFT ME
LIKE AN OLIVE BRANCH *

* BE MY HOMEWARD DOVE

* AND DANCE ME

* TO THE END OF LOVE

OH. NO PROBLEM.

HEY THERE.

YOU WANT ME TO GET OUT
OF YOUR WAY?

HMM?
YOU WANT ME TO GO?

NO. I AIN'T GOT
NOWHERE TO GO.

LIGHT ME ONE,
WILL YOU?

YEAH. SURE.

HE'S HERE, BOBBY.

WHO?

SULLIVAN.

YOUR BROTHER?

YES.

HE WANTS ME
TO GO SEE HIM.

GONNA?

HE'S STAYING
AT THE SUNSET HILTON.

YOU KNOW
WHERE THAT IS?

YEAH. YEAH.

HE'S GETTING
MARRIED.

HE'S GONNA BE A DADDY.

YOU'RE GONNA BE
AN AUNT.

FUCK YOU.

FUCK, NO. I DON'T
WANT TO SEE HIM.

HOW'D WE DO TONIGHT?

DID ALL RIGHT.

WANT SOME ADVICE?

WAIT TILL CHRISTMAS.

YOU BUY THEM ALL
NICE LITTLE GIFTS.

YOU GO HOME.
YOU HUG THEM.

YOU TAKE A PICTURE.
YOU GO HOME.

I DON'T WANT
ANY ADVICE.

I WANT TO SEE HIM.

Bobby:
'74 FLEETWOOD.

Stormy: WE DROVE
ACROSS THE COUNTRY
IN THAT CAR.

I ALWAYS WANTED
TO DO THAT.

BEST MEMORIES
OF MY LIFE.

HE'S RIGHT THERE.
WHERE?

RIGHT THERE.
MY BROTHER.

HOW DO YOU KNOW?

I KNOW.

I KNOW HE'S ON, UH,

ON THE LEFT SIDE
OF THE BED,

AND HE'S SMOKING
A CIGARETTE,

AND HE'S THINKING.

I'M NOT GOING UP.

I DON'T WANT
TO GO UP THERE.

YOU WANT TO GO BACK
TO MY PLACE?

NO. JUST, YOU KNOW,
TAKE ME BACK

TO MY CAR, ALL RIGHT?

ALL RIGHT.

[STARTS ENGINE]

Man: OK. THIS IS
AN EXCELLENT GUITAR,
SO...

THANK YOU.

WHOA.

BABY, COME HERE.

Charlie: HERE. HERE.
LET ME TELL YOU.

YOU HEAR
THAT SOUND?

YEAH. THIS IS A '59
GIBSON LES PAUL.

THIS--THERE IS MORE
HISTORY BEHIND
THIS INSTRUMENT.

YOU GOT TO HOLD IT
LIKE A PRECIOUS BABY.

Jessie: OH, BABY.

THINK
BABY JESUS CHRIST.

GOT THE GOODS.

I AM SO PROUD
OF YOU.

Man: CASH OR--

OH, CASH.

IT'S CASH.
TAKE THAT.

OK. EXCELLENT.

ARE YOU HAPPY?

THANK YOU,
HONEY.

Man: * DANCE ME
TO YOUR BEAUTY *

* WITH A BURNING VIOLIN

* DANCE ME
THROUGH THE PANIC *

* TILL I'M GATHERED
SAFELY IN *

* LIFT ME
LIKE AN OLIVE BRANCH *

* AND BE MY HOMEWARD DOVE

* AND DANCE ME

* TO THE END OF LOVE

* YEAH, DANCE ME

* TO THE END OF LOVE

* LET ME SEE YOUR BEAUTY

* WHEN THE WITNESSES
ARE GONE... *

Jasmine: ANGE, I GOT
ALL THIS REALLY,
REALLY GREAT STUFF

AT THE 99 CENT STORE,
AND I THOUGHT--WAKE UP--

AND I GOT THIS REALLY,
REALLY GREAT SNORKEL.

THE KID CAN USE IT
AS A SNORKEL
IN THIS POOL.

OH, THAT'S
SO CUTE!

WHERE'S JO?
WHERE IS EVERYBODY?

I THINK
THAT EVERYBODY

HAD AN APPOINTMENT
OR SOMETHING.

I HAVEN'T HEARD
FROM ANYBODY.

OK. YOU KNOW
THAT GUY

WHO THROWS THAT
SHIT UP ONSTAGE?

YEAH.

PRESENTS!

OH, YAY. I NEED
TO WAKE UP.

SO I THINK THAT
WE SHOULD SMOKE IT
RIGHT NOW.

YEAH. BECAUSE
WE NEED TO ORGANIZE.

WE NEED
TO CONCENTRATE.

SMELL THAT.

Jasmine: OH, MY GOD.
DID YOU MOVE THE COUCH?

YEAH. BECAUSE
I'M WORKING

ON THE FENG SHUI.
WHOA.

WHAT THE FUCK
IS FENG SHUI?

IT'S--AREN'T YOU
FROM, LIKE, ASIA?

NO. I'M FROM
SEATTLE, HONEY.

LIGHT ME.

WELL, FENG SHUI IS LIKE
THE ANCIENT OREAL--

ORIENTAL RITUAL OF
DECORATING YOUR HOUSE

WHERE YOU MOVE ALL
OF YOUR FURNITURE

SO THAT THE CHI--

OH, MY GOD.

ENERGY CAN GO
THROUGH THE HOUSE.

IT BLOWS FROM ONE END
TO THE OTHER.

OK. WE CAN WORK
WITH THAT.

[COUGHING]

ANGE...
Angel: WHAT?

IT'S A FUCKING STY
IN HERE.

OH, I KNOW.
I'M GONNA--

WELL, YOU GOT
TO CLEAN IT.

I'M GONNA--
I'M DOING IT
RIGHT NOW.

I WAS JUST WAITING
FOR EVERYONE
TO GET HERE.

YEAH. WELL, WHERE'S
THE KID GONNA SLEEP?

HE'S GONNA SLEEP
IN HERE,

AND I'M GONNA SLEEP
OUT ON THE COUCH.

HE'S GONNA SLEEP
ON A FUCKING
HEART-SHAPED BED?

NO. I'M GONNA--

I WAS THINKING
I WOULD TURN IT
UPSIDE DOWN,

AND IT WOULD LOOK
LIKE A SPACESHIP.

OK. THAT'S
A GOOD IDEA,

AND YOU GOT TO GET RID
OF THIS SHEET.

GET HIM
SPACESHIP SHEETS.

GOOD IDEA.
THAT'S
A GOOD IDEA.

THAT'S
A GOOD IDEA.

OH, MY GOD. AND YOU
HAVE TO FIX THIS HOLE.

I'LL TELL BOBBY TO FIX
THIS FUCKING HOLE.

WE SHOULD
MAKE A LIST.

OK. DICTATE.

FIX THE HOLE.

UM, BUY WALLPAPER.

BOBBY WILL KNOW
WHERE TO BUY
WALLPAPER.

HE WILL?
MM-HMM.

OK.

FIX THE
AIR CONDITIONING.

IT'S SO FUCKING HOT
IN HERE.

WELL, I CAN'T FIX
THE AIR CONDITIONING THING

BECAUSE THERE'S SOME
RATS LIVING IN IT.

ANGEL, YOU CAN'T
LIVE WITH RATS!

WELL, I LIKE RATS.

NO. WE GOT TO GET
RID OF THEM!

JASMINE!
JASMINE, DON'T.

WHAT AM I GONNA DO?
I'M NOT GONNA KILL THEM.

YEAH. YOU HAVE
TO KILL THE RATS.

JASMINE, NO!

WE'LL GET BOBBY
TO KILL THE RATS.

SHE'S NOT GONNA
LET YOU KEEP THE KID

IF YOU HAVE RATS.

I'M NOT--I WON'T
KEEP THE RATS.

I'LL PUT THEM
AT YOUR HOUSE.

I AM NOT
KEEPING RATS!

JUST TEMPORARILY.

WE CAN JUST TAKE
THE WHOLE UNIT OUT,

AND WE CAN JUST
PUT IT AT YOUR HOUSE
FOR THE TIME BEING.

NO, NO! THE KID NEEDS
AIR CONDITIONING,

AND HE CAN'T
LIVE WITH RATS.

SHE'S NOT GONNA
LET YOU KEEP THE KID
IF YOU HAVE RATS.

WELL, I'M AGAINST
KILLING THEM.

SACRIFICE
THE FUCKING RATS.

I'M HUNGRY.

MAYBE WE SHOULD WORK
ON THE LIST OUTSIDE,

AND WE'LL WORK
ON OUR TANS.

OK. I WANT
SOME PIZZA.

DO YOU WANT
SOME PIZZA?

YEAH.

WHAT KIND
DO YOU WANT?

ANY KIND.

YOU CAN'T TAKE YOUR
TOP OFF OUT THERE

BECAUSE MR. SHERMAN--
THAT, LIKE,

100-YEAR-OLD MAN
ALWAYS LOOKS--
WHO'S THAT?

THAT'S MY--
MY DAD.

YOUR DAD
IS ADAM WEST?

WELL, HE'S WHO
I LIKE TO THINK OF
AS MY DAD.

BUT DON'T YOU THINK
HE KIND OF LOOKS
LIKE ME?

LIKE, LOOK AT HIS
JAW AND HIS MOUTH--
IT'S JUST--

EVEN HIS WHOLE NOSE
AND EVERYTHING.
IT LOOKS--

NO.
LOOK.

LOOK AT THE--LOOK.
IF I STOOD THIS WAY?

MM-HMM.

YOU DON'T
LOOK LIKE HIM.

REALLY?

IT'S OK. YOU DON'T
HAVE TO LOOK LIKE HIM.

LET'S GET PEPPERONI.

DON'T TELL THE LADY
THAT YOUR DAD IS BATMAN.

WHY?

ELLEN. ELLEN TAYLOR.

Woman: OK.
HAVE A SEAT,

AND WE'LL CALL YOU
WHEN WE'RE READY.

OK.

Woman:
YOUR NAME'S ELLEN?

YEAH.

THAT'S WHAT WE WANT
TO NAME THE BABY

IF IT'S A GIRL--

AFTER MY HUSBAND'S
GRANDMA.

IT'S KIND OF
AN OLD-FASHIONED NAME,

BUT IT'S SO PRETTY.

UM, EXCUSE ME, ELLEN,

YOU CAN'T SMOKE
IN HERE.

THERE'S NO SMOKING
IN HERE.

OH, I'M SORRY.

BECAUSE IT'S
A DOCTOR'S OFFICE.

YOU KNOW, YOU SHOULD
PROBABLY REALLY
SERIOUSLY CONSIDER

STOPPING SMOKING
AT THIS POINT, YOU KNOW?

WHY?

WELL, I MEAN,
IT'S REALLY BAD
FOR THE BABY.

I'M SORRY. ELLEN...
MM-HMM?

YOU MIGHT BE ABLE
TO SMOKE OUTSIDE,

BUT YOU CAN'T SMOKE
IN HERE, AND IT'S--

LIKE I SAID,
IT'S REALLY BAD
FOR THE BABY.

YOU KNOW,
A GIRLFRIEND OF MINE--

SHE WENT
FOR ACUPUNCTURE--

YOU KNOW WHAT?
I DON'T GIVE A FUCK

ABOUT THE GIRLFRIEND
OF YOURS, OK?

ALL RIGHT?

EVERYBODY DOESN'T
HAVE A HAPPY, CHEERFUL,

CHIRPY LIFE LIKE
YOU DO, ALL RIGHT?

OK? EVERYBODY'S NOT HERE
TO HAVE A BABY.

SOME OF US--FUCK YOU!

FUCK YOU, BITCH!

SOME OF US ARE HERE
TO HAVE ABORTIONS!

DID YOU EVER
THINK OF THAT?

DID YOU EVER
THINK OF THAT?

DID YOU EVER
THINK OF THAT?

DID YOU EVER
THINK OF THAT?

NO. BECAUSE
YOU DON'T THINK.

YOU JUST RATTLE
ON AND ON

ABOUT YOUR HAPPY
LITTLE HUSBAND

AND YOUR HAPPY
LITTLE GRANDMOTHER
NAMED ELLEN,

AND YOU DON'T
GIVE A FUCK

ABOUT OTHER PEOPLE!

YOU HAVE
A PROBLEM, LADY.

YOU THINK YOU'RE
THE ONLY PERSON

WITH REPRODUCTIVE
ORGANS?

I'M GONNA HAVE
THIS FUCKING BABY.

I'M GONNA
HAVE THIS BABY,

AND MY BABY
IS GONNA SELL DRUGS

TO YOUR BABY
ON THE PLAYGROUND!

YOU KNOW THAT?
YOU FUCKING BITCH!

OH, MY GOD.

WHAT THE FUCK IS THAT?

Angel:
OH, MY GOD.

Jasmine:
WHO ARE THESE FOR?

Jimmy:
THESE ARE FOR ANGEL.

HA HA HA HA!

STACY'S FLOWER COMPANY.

Jasmine: WHO ARE THEY FROM?
IS THERE A CARD?

WELL, THE DRIVER SAID
HE WASN'T ALLOWED

TO TELL ME
WHO PAID FOR THEM.

Angel:
WHAT ARE YOU--

WHAT ARE YOU
TALKING ABOUT?

THEY'RE FROM
A FUNERAL PARLOR.

THEY'RE FOR--
I'M NOT DEAD.

BUT THEY LOOK LIKE
THEY'RE BIG.

THESE ARE
SO BEAUTIFUL.

NICE, ANGEL.
YOU SCORED.

OH, MY GOD.

WELL, WHO
ARE THEY FROM?

Jimmy: DRIVER SAID
HE WASN'T ALLOWED TO TELL ME.

DID THEY GIVE
A CARD?

JIMMY, DID THEY
GIVE A CARD?

NO, NO, NO. I DON'T
KNOW NOTHING ELSE.

THEY'RE--I BET
THEY'RE FROM DALE.

YOU KNOW, THE GUY
WITH THE BALD HEAD.

THE BIG GUY.

THE REALLY SWEET
BIG MAN.

HE'S, LIKE,
KIND OF NERDY.

THE GUY
DRIVES A BUS.

YEAH. BUT SOMETIMES
THOSE NERDY GUYS--

YOU DON'T KNOW,
THEY'RE, LIKE,
FROM SILICON VALLEY.

HE'S A POOR NERD.

NO, NO, NO.
HE'S JUST POOR.

Jimmy: WELL,
I'LL SEE YOU LATER.

ANGEL, IT'S, LIKE,
200 BUCKS.

LIKE, 300 BUCKS.

I KNOW IT'S KIND OF
UGLY, BUT--

SO I HAVE, LIKE,
AN INDEPENDENTLY WEALTHY
SECRET ADMIRER.

I'M GONNA
TAKE ONE, OK?

MAYBE THEY'RE FROM CHARLIE.
YOU NEVER KNOW.

HIS RECORD DEAL
MIGHT HAVE COME THROUGH.

JUST KIDDING.

JUST KIDDING, SWEETIE.

OH, MY GOD,
I CAN'T BELIEVE IT.

YOU LUCKY GIRL.

I KNOW. IT'S, LIKE--
I'M, LIKE, SO LUCKY.

[JAZZ MUSIC PLAYING]

D.J.: OK. HERE WE GO.

WE'RE GONNA KICK IT
INTO THE NEXT GEAR RIGHT NOW

BECAUSE COMING TO THE STAGE
IS OUR RESIDENT WILD CHILD.

IT'S JO!

[WHISTLING AND CHEERING]

Man: COME ON, GIRL!

Different man:
YEAH, DO IT!

GET ON THAT POLE!

[MEN SHOUTING]

YEAH!
YEAH!

WHOO!

RIGHT HERE!

GET ON THAT POLE!

[SHOUTING]

JO, IT'S ENOUGH.

DAVE, DAVE,
GET OVER HERE.

GET HER OFF THE STAGE!

JO!

WHAT THE FUCK
IS THE MATTER WITH YOU?

WHAT THE FUCK
IS THE MATTER WITH YOU?

WHAT THE FUCK
IS THE MATTER WITH YOU?

GET HER OFF THE STAGE!

JO! JO, GET OFF THE STAGE!

GET HER OFF THE STAGE NOW!

[INDISTINCT SCREAMING]

GET HER OUT!

GET HER OFF THE STAGE!

[JO SCREAMING]

ANGEL, GET ON THE STAGE.

ANGEL, GET OUT ONSTAGE!
GET ONSTAGE!

I THINK YOU NEED
TO CALM DOWN, ALL RIGHT?

D.J.: ANGEL TO THE STAGE.
ANGEL TO THE STAGE.

GET ON NOW!

ALL RIGHT.
OK. HERE WE GO.

JO!

OH, FUCK!

[MUSIC PLAYING]

Jo: WHAT THE FUCK?!
GET OFF ME!

TAKE YOUR HANDS OFF ME!

[MUSIC PLAYING]

GET BACK!

WHAT THE FUCK
IS THE MATTER WITH YOU?

[GLASS BREAKING]

FUCKING ASSHOLE!

IS THIS HER SHIT?
IS THIS HER SHIT?

YES.
IS THIS HER SHIT?

[JO SCREAMING]

GET THE FUCK OUT!

GET OUT OF HERE!

Jo: YOU'RE A BIG MAN,
AREN'T YOU?

Jo: YOU'RE A BIG MAN!

Jasmine: JO, COME ON.

GET YOUR HANDS OFF ME,
YOU SHIT!

YOU SHIT!
LET HER GO!

LET HER GO!

ALL RIGHT, DAVE.
KEEP HER OUT OF HERE.

KEEP HER OUT OF HERE!

Jo: MY STUFF!
I WANT MY STUFF, JESSIE!

I WANT MY STUFF!
GIVE ME MY STUFF!

HERE'S YOUR BAG.

OK. THIS ONE'S FROM ME.

"PALE SHADES OF GRAY

"LEFT THE CLOUDS
ABOVE THE BED HAVE FILLED.

"THERE IS NO SMILE
IN THIS ROOM,

"NO LAUGH DURING LOVE.

"A PALL GENTLY DESCENDS
OVER THE SPACE

"ONCE A SANCTUM,
NOW A HOLLOW SHAPE

"AS THE SUN RISES

AND MY EYES
FILL WITH BLACK."

[APPLAUSE]

THANK YOU.

ALL RIGHT.

I'VE GOT A VERY SPECIAL
SURPRISE FOR US TODAY.

I DECIDED TO BRING UP
A SPECIAL MYSTERY GUEST,

AND IT'S SOMEONE WHO'S
ACTUALLY NEVER READ BEFORE,

SO WHEN SHE COMES UP,

I WANT YOU TO GIVE
A REALLY BIG ENCOURAGEMENT.

LET'S HEAR IT FOR JASMINE.

JASMINE...

COME ON UP.

YOU DON'T WANT TO READ?

COME ON UP.
GIVE IT A TRY.

LET'S GIVE HER
ENCOURAGEMENT, GUYS.

Woman: YEAH!

Dennis:
WE'VE ALL BEEN THERE.

MY NAME IS CATHY.

"IF, IN THE SKYLARK TONGUING
AFTERNOON A DRIFT OF HAIR,

"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.

"IF, IN THE MORNING
OF YOUR SOUL

"A BRUSH OF TENDERLY
IMAGINED LIPS,

"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.

"IF, IN THE MESSY COCKTAIL DREGS
OF A MIDNIGHT GLASS

"A TEARDROP FALLS,

"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.

"IF, IN THE SINGING
TWILIGHT OF THE DAWN,

"YOU GIVE YOUR HEART
UNWANTED,

"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.

"THEN WHAT IN THE HOURS
OF YOUR LIFE IS LOVE?

"IT'S HERE AND GONE...

AND GIVES ITS NAME
TO EVERYTHING."

[APPLAUSE]

Dennis: ALL RIGHT.

WELL, THAT'S IT FOR TODAY,

SO WE'LL SEE EVERYBODY
NEXT TIME,

AND THANKS A LOT.

WHY DID YOU
CALL MY NAME?

I DIDN'T ASK YOU
TO CALL MY NAME.

I DON'T EVEN KNOW YOU.

THAT POEM
WAS REALLY GREAT.

CATHY, I--

IT WAS REALLY GREAT.

I DON'T KNOW
WHAT TO SAY.

YEAH, WELL, THANKS.

LOOK, HAVE YOU GOT
ANY MORE?

YEAH.

YOU GOT TO
GET UP AND READ.

I MEAN, THAT'S ALL.

YOU GOT TO
GET UP AND READ.

WHY?
BECAUSE YOU'RE GOOD.

I HATE
TO DISAPPOINT YOU,

BUT YOU'RE
REALLY GOOD.

WHO IS IT?

IT'S, UH--

IT'S ME.

IT'S YOU?

YEAH, IT WAS SITTING
AROUND MY APARTMENT.

THAT'S ME.

THIS WOMAN I USED TO
BE WITH--MARIA--

SHE'S BEAUTIFUL.

SHE WAS A PAINTER.

SHE PAINTED THAT THING.

SHE WAS NORTH AFRICAN.

SHE HAD THIS PRETTY
HEAVY ACCENT, MAN,

AND LIVED IN PARIS,
NEW YORK--

ALL OVER THE PLACE,

AND SHE HAD ME
SIT 5 WEEKS--

5 WEEKS
TO DO THAT THING.

YOU SIT STILL
FOR 5 WEEKS, HUH?

YOU CAN'T SIT STILL
FOR 5 MINUTES.

YEAH...

AND SHE WOULD
TALK TO ME.

SHE WOULD TALK
ABOUT, UH...

SHAPES AND COLORS...

LIGHT, SHADOW--

ALL THE STUFF, YOU KNOW--
PAINTER SHIT, YOU KNOW?

AND THEN SHE WOULD
USE ALL OF THAT,

AND THAT'S WHAT
POPPED THIS THING TO LIFE.

LIKE, SHE COULD
LOOK AT YOUR BODY,

AND SHE WOULD PAINT YOU,

BUT SHE WOULD BRING OUT
SHIT THAT YOU
NEVER, EVER SEE,

YOU KNOW WHAT I MEAN?

SHE WAS A WILD GIRL,
TOO, MAN.

WHEN SHE GOT TIRED
IN THE AFTERNOON,

SHE'D SAY,
"EDDIE, WANT TO EAT?"

I WAS ALONE
IN THIS ROOM,

AND, UH...
THIS APARTMENT

WITH THIS GUY I USED TO
LIVE WITH IN SEATTLE--

HE HAD A LOT OF BOOKS,

SO I WOULD JUST,
YOU KNOW, SIT
AND READ ALL DAY,

AND ONE DAY, I JUST
COULDN'T STAND IT
ANY LONGER,

AND I, YOU KNOW,
SHUT ALL THE BLINDS,

AND...

[SIGH]

KNEELED ON THE FLOOR,

AND I WAS, LIKE,
BAWLING MY EYES OUT,

AND I WROTE IT.

I TORE IT UP.

I CAN'T BELIEVE
YOU WANT TO HEAR
THIS STUFF.

WERE YOU STRIPPING THEN?

UH, YEAH.

YEAH, I WAS WORKING
UP IN SEATTLE.

HOW DO YOU KNOW
I WAS A STRIPPER?

OH, THIS KID
WHO WORKS FOR ME
SAID HE SAW YOU DANCE.

OH, YEAH?
YEAH.

TELL HIM I SAY HI.

IN THIS DREAM
I HAD LAST NIGHT--

REMEMBER THAT CAT
JOHNNY WASHINGTON

THAT I GOT IN A FIGHT WITH
DOWN IN SAN DIEGO?

I DON'T REMEMBER HIM
ON PURPOSE.

I JUST SAW MY KNIFE,
MAN,

MY HAND JUST CUTTING HIM,
CUTTING HIM, CUTTING HIS FACE,

MAN, BLOOD JUST
GETTING ON EVERYTHING,

BLOOD GETTING ALL OVER.

STRANGE, MAN.

THEN I COULDN'T
WASH MY HANDS.

REMEMBER THAT PHONE CALL?

THE GIRL CRYING I PLAYED
FOR YOU THE OTHER DAY?

ERASE IT.

NO, I WOULD HAVE
ERASED IT LAST WEEK.

I WOULD HAVE SAID
"FUCK THE BITCH," MAN,

BUT...I DON'T KNOW.

THIS WEEK,
I CAN'T SAY
FUCK THE BITCH,

YOU KNOW WHAT I MEAN?

YOU GOT SOME HERB
WITH YOU?

YEAH.

WHY DON'T YOU
ROLL US A JOINT?

SO DO YOU--DO YOU
GO TO STRIP CLUBS?

NO.

YEAH, YOU DON'T
SEEM LIKE THE TYPE.

YEAH?

WHAT'S THE TYPE?

YOU KNOW,
MARRIED, LONELY.

UH-HUH. YEAH,
THERE'S THIS KID
WHO WORKS FOR ME--

JORGE--HE--

OH, YEAH. HE'S THE KIND
OF KID THAT GOES.

YEAH, HE SAID YOU
WERE ON A BILLBOARD.

YEAH, THE BLUE IGUANA
HAS A COUPLE.

I'M ONLY ON ONE OF THEM
SINCE MY TITS ARE SMALL,

BUT I'M GOING
TO GET THEM DONE.

SO ARE YOU THE KIND OF
GUY WHO LIKES BIG TITS?

UH...HA HA!

ACTUALLY, YOU KNOW WHAT?
I GOT TO TELL YOU.

I'M NOT REALLY USED TO
THAT LINE OF QUESTIONING,

UH, TO TELL YOU
THE TRUTH.

ALL RIGHT.

DO YOU HAVE ANY OTHER
WRITERS AT YOUR CLUB?

YOU KNOW, MAYBE WE COULD
CHANGE THE WHOLE VENUE.

I DON'T KNOW WHAT
YOU'RE DOING WITH ME.

WHAT?

YOU SHOULD BE WITH,
LIKE, THAT FRENCH GIRL.

SHE'S A GOOD POET.

I REALLY
WANT TO KISS YOU.

OK.

NO. I REALLY
WANT TO KISS YOU.

I WANT TO KISS THE POET.

DO YOU HAVE A PROBLEM
WITH ME DANCING?

NO.

[MUSIC PLAYING
IN THE DISTANCE]

Woman: ANGEL...

YEAH?

I HAVE SOMETHING
FOR YOU.

AGAIN?

OH, MY GOD!

WHAT IS IT?

OPEN IT UP.

WHA--

OH, MY GOSH!

THAT IS LOVELY.

LOOK AT THAT.
LOOK AT THAT.

OH, MY GOD.

JEWELS.
YES, IT'S JEWELS.

OH, AND LOOK...

CHARLIE?

CHARLIE?

HEY, BABY! AAH!

WHAT A MINUTE! AHH!

GUESS WHAT!
CHARLIE!

CHARLIE!

THEY DON'T WANT ME.

CHARLIE! AAH!

WANT TO KNOW WHY?

AAH!

BECAUSE I HANG OUT
WITH SKANKS LIKE YOU!

CHARLIE!

PLEASE STOP IT!

YOU'RE HURTING ME!
CHARLIE!

AREN'T YOU PRETTY?
JUST FUCK MORALS!

CHARLIE, I'M SORRY!

COME HERE!

I'M SORRY, CHARLIE.

AAH! I'M SORRY,
CHARLIE.

I MET SOMEONE.

OK. WHAT'S HIS NAME?

DENNIS.

DENNIS, AND...

AND...

AND I THINK--
I DON'T KNOW.

HE'S A POET.

HE RUNS THAT THING
AT THE COFFEE GROUND,

AND...

HE LIKES MY POETRY,
SO...

SO YOU'RE GONNA GO
TO SAN FRANCISCO
WITH DENNIS?

YEAH, HE INVITED ME
UP THERE.

THERE'S THIS BIG SLAM,
AND...

YEAH.

AND YOU'RE GONNA
SUPPORT HIM STRIPPING?

NO.

I DON'T KNOW. NO.

I THOUGHT WE'D JUST
KIND OF WRITE TOGETHER,

AND...

DOES HE KNOW
WHAT YOU DO?

YEAH.

HE'S, LIKE, TOTALLY
FINE WITH IT.

YEAH.

HE REALLY FUCKING
LOVES MY POETRY.

SO HE THINKS
THAT I CAN, YOU KNOW...

I DON'T KNOW,
GET PUBLISHED OR
SOMETHING, YOU KNOW?

DOES HE LOVE YOU?

I DON'T KNOW.

I JUST MET HIM,
LIKE, 3 DAYS AGO.

THAT'S A REALLY
SMART THING TO DO THEN.

I THINK THAT YOU SHOULD
GO TO SAN FRANCISCO
WITH DENNIS THE POET,

WHO YOU MET 3 DAYS AGO

AND WRITE POETRY
AND SUPPORT HIM.

I NEED SOME MORE
FUCKING CIGARETTES.

Jo: BAD! YOU ARE BAD!

I AM VERY BAD!

YOU ARE VERY, VERY,
VERY, VERY, VERY BAD!

VERY BAD! VERY BAD!

I'VE HAD A BAD WEEK
AND BEEN TERRIBLE.

I DON'T CARE ABOUT
YOUR WEEK.

DO I GIVE A FUCK
ABOUT YOUR WEEK?

I DON'T CARE ABOUT
YOUR WEEK.

ARE YOU HUNGRY?

YES, MISTRESS, STARVING.

ALL RIGHT, THERE YOU GO.

EAT! EAT!

BLESS YOU, MISTRESS.
THANK YOU.

ALL RIGHT,
ENOUGH OF THIS SHIT.

IT'S TIME TO TAKE
THE LITTLE WORMY
FOR A WALK.

YES, MISTRESS.
OK?

GET DOWN ON THE GROUND.
GET DOWN ON THE GROUND.

GET DOWN ON THE GROUND
AND CRAWL! CRAWL!
CRAWL! CRAWL!

CRAWL LIKE THE SUBHUMAN
CREATURE THAT YOU ARE!

[KNOCK ON DOOR]

YOU'RE A FUCK--

WHO THE FUCK IS THAT?

ALL RIGHT, YOU JUST
STAY RIGHT HERE, OK?

I'M FINE.

JESSIE, WHAT ARE YOU
DOING HERE?

I JUST THOUGHT--
IT'S 3:00
IN THE MORNING.

WHAT THE FUCK
ARE YOU DOING?

I JUST THOUGHT THAT
MAYBE YOU NEEDED
A LITTLE COMPANY.

WELL, SWEETHEART,
YOU THOUGHT WRONG.

I HAVE COMPANY.
GOOD-BYE.

WHO IS THAT?
JESSIE!

JESSIE, I'M RIGHT IN
THE MIDDLE OF SOMETHING.

CAN'T YOU TELL?
I HAVE A LIFE.
CAN YOU GO, PLEASE?

ANGEL SAID YOU MIGHT
NEED SOME COMPANY

ON ACCOUNT OF
THE BABY AND ALL.

WELL, ANGEL THOUGHT WRONG.

COMPANY IS THE LAST
FUCKING THING I NEED.

YOU'VE GOT TO GO.
GOOD-BYE.

NO.

HI.
HI.

Jo: ALL RIGHT.
DON'T TALK TO HIM.
HE'S BEING PUNISHED, OK?

ANYWAY,
HE DOESN'T EXIST.

HE'S JUST A LITTLE,
PATHETIC WORM.

GET DOWN ON THE FLOOR!

DID I TELL YOU
TO SIT UP?

GET DOWN ON THE FLOOR!

I DON'T NEED ANY
CONVERSATION FROM YOU.

JESSIE, COME ON.
GET UP OFF THE FLOOR.

YOU HAVE BEEN
A VERY, VERY--

I HAVE, MISTRESS.
I'VE BEEN TERRIBLE.

VERY BAD BOY!

ALL RIGHT. STOP!
STOP, ALL RIGHT?
STOP!

YOU, DON'T TALK TO HER.
DON'T TALK TO HER, OK?

I JUST FIGURED--
WHY NOT?

CAN'T YOU SEE WE'RE IN
THE MIDDLE OF SOMETHING?

JESSIE, COME ON. HERE.
SIT DOWN. SIT DOWN.

BUT I WANT TO PLAY.

I'M NOT PLAYING.
THIS IS BUSINESS.

DOES THIS PATHETIC THING
LOOK LIKE SOMETHING
I WOULD HAVE FUN WITH?

IT'S BUSINESS.

THIS IS NOT
A FRIEND OF MINE.
THIS IS A CLIENT.

DO YOU MIND
IF I STAY?

LOOK, DON'T TALK TO--

SHUT UP!
GET DOWN ON THE GROUND!

RIGHT AWAY,
MISTRESS.

ARE YOU HUNGRY, WORM?

OH, YES.

ARE YOU THIRSTY?

DRINK! DRINK
THE FUCKING VODKA!

KEEP YOUR HEAD ON THE--

JESSIE!

YOU'VE BEEN BAD.

DON'T DRINK THAT.
THAT'S DISGUSTING.

DON'T YOU DRINK THAT.
IT'S DIRTY. GET UP.

MAY I HAVE TWO MISTRESSES
THIS EVENING?

NO, YOU ARE NOT HAVING
TWO MISTRESSES THIS EVENING.

JESSIE, THAT DOES IT.
YOU'VE GOT TO GET
OUT OF HERE.

GO ON, GO ON.
GET OUT OF HERE. GO ON.

NO. NO, JO.
PLEASE LET ME STAY.

JO, I HAVE
NOWHERE TO GO.

ALL RIGHT.

LET'S NOT GET
ALL MELODRAMATIC.

ALL RIGHT. COME HERE.
GET UP. STAND UP.

WHAT ARE YOU LOOKING AT?

DO YOU MIND
IF I STAY
TONIGHT?

NO, YOU CAN STAY.

SEE, HE DOESN'T
MIND IF I STAY.

YOUR OPINION
DOES NOT COUNT.

JESSIE...

WHAT HAPPENED TO YOU?

WHAT THE FUCK IS THIS?
WHO DID THAT TO YOU?

DID CHARLIE HIT YOU?

NO, I JUST WANT TO
HAVE A SLUMBER PARTY.

YOU SHOULD
PUT ICE ON--

DO YOU WANT TO HAVE
A SLUMBER PARTY?

CAN YOU STAY
OUT OF THIS, OK?

BECAUSE WE'RE IN THE--

I WANT TO HAVE
A SLUMBER PARTY.

JESSIE, GET UP.

DON'T. YOU DON'T KNOW
WHERE HE'S BEEN.

COME ON, SWEETHEART.

YOU NEED TO LIE DOWN
AND SLEEP IT OFF.

THIS IS NOT
A PLACE FOR KIDS.

COME ON, JO.
I WANT TO PLAY.

ALL RIGHT. YOU WIN.

YOU CAN STAY HERE,
BUT YOU CAN'T STAY HERE

FOR MORE THAN ONE NIGHT,

BECAUSE I HAVE,
FRANKLY, A LIFE.

BUT I WANT TO PLAY,
JO.

NO. NO. YOU LIE HERE
AND BE REALLY QUIET

AND JUST SLEEP IT OFF

AND DON'T BOTHER ME
WHEN I'M DOING MY BUSINESS
WITH THE NICE MAN, OK?

JUST WHEN
YOU GET BACK...

[MUSIC PLAYING]

Man: * THERE'S
THIS GIRL CECILIA *

* WHO WAS A SWEETHEART

* AS A CHILD

[WHISTLES]

OFFICER?

OFFICER, COULD--

COULD YOU HELP ME WITH--

COULD YOU HELP ME
TAKE A PICTURE OF MY--

I WANT TO TAKE
A PICTURE OF MYSELF

IN FRONT OF
THIS BILLBOARD.

IS THAT YOU?

YEAH.
REALLY?

I'M A LOT SMALLER
IN PERSON,

BUT, UM...

SEE, I CAN--

I THINK I'M
ONLY GETTING MY HAT.

[RADIO BEEPING]

YOU REALIZE YOU'RE
NOT SUPPOSED TO
BE DOWN HERE?

UM...SORRY.

I'M GONNA LEAVE
AS SOON AS I--

I JUST WANTED TO
GET A GOOD SHOT OF MY--

ALL RIGHT.
MY PICTURE.

THANKS.

IS IT READY TO GO?

YEAH. THERE.

THANKS.

A LITTLE WIDER.

COULD YOU JUST TAKE IT
A LITTLE WIDER?

YOU MEAN BACK?
YEAH.

HOW'S THAT?

I GOT IT ALL.

READY? CHEESE.

CHEESE.
CHEESE.

[CLICK]

HA! THANK YOU.

YOU'RE WELCOME.

DID ANYONE EVERY TELL
YOU YOU LOOK A LOT
LIKE FRED GWYNNE?

YOU KNOW, THE GUY
WHO WAS HERMAN MUNSTER.

NO. NO ONE'S EVER
TOLD ME THAT BEFORE.

YOU DO.

I REALLY LIKED HIM.

HE WAS, LIKE,
THE GREAT--FUCK!

SHIT!

OH, NO!

I FUCKING LOCKED
MY KEYS IN MY CAR,

AND I'VE GOT TO
BE AT WORK.

OH, NO.

DAMN IT.

DO YOU HAVE A HANGER?

THIS SIDE'S OPEN.

WILL YOU UNLOCK
THIS DOOR FOR ME?

SURE.
THANKS.

YEAH.

THIS RIGHT HERE.

THIS IS THE LOCK
RIGHT--

MA'AM, IS THIS MARIJUANA?

UM...

I THINK IT'S, UM--

IT'S JUST--IT'S
AN HERBAL CIGARETTE.

YOU WANT TO STEP
AROUND THE SIDE
OF THE CAR, PLEASE?

I--I DID NOT INHALE.

I--

STEP AROUND
THE SIDE OF THE CAR.

THIS WILL
ONLY TAKE A MINUTE.

WELL, IT--

IT'S PROBABLY
JUST OREGANO.

YOU SHOULD PROBABLY
HAVE IT EXAMINED

BECAUSE I DON'T
EVEN FEEL STONED.

I WILL HAVE IT EXAMINED.

IT'LL JUST TAKE
A SECOND, OK?

DON'T BE ALARMED.

DO--DO YOU HAVE TO
HANDCUFF ME?

I'M AFRAID I DO.

THIS WILL ONLY
TAKE A MINUTE.

BUT YOU CAN FIND ME
AT THE BLUE IGUANA,
LIKE, EVERY DAY.

I'M REALLY
A GOOD PERSON,

AND I HAVE--

MA'AM, I'M JUST GONNA
ASK YOU TO STAND STILL

JUST FOR
A FEW MINUTES, OK?
OK.

I'M JUST GONNA
TAKE A LOOK IN THE CAR

FOR YOUR LICENSE
AND REGISTRATION.

OK, BUT IT'S JUST THAT
I HAVE RESPONSIBILITIES

AND CHILDREN THAT
I MIGHT NEED TO BE
A ROLE MODEL FOR,

AND IF I GET A RECORD,
IT WOULD BE REALLY BAD.

I UNDERSTAND.

WHERE--
IS THIS YOUR PURSE?

YEAH, THAT FUZZY--
THE PINK--

THIS?
YEAH.

OFFICER, IS THERE
ANY WAY YOU COULD
MAYBE--

I'M GONNA PAY THAT.

I GOT AN EXTENSION
ON IT, AND I'M
GONNA--

WHICH ONE IS YOUR WALLET?

IT'S THE ONE THAT SAYS
"BAD MOTHERFUCKER"
ON IT.

HA! DID YOU EVER
SEE PULP FICTION?

NO, I NEVER
SAW THAT ONE.

WELL, YOU KNOW,
JOHN TRAVOLTA'S CAREER
CAME BACK AFTER THAT.

I WAS SICK WHEN
THEY TOOK THAT PICTURE.

OFFICER...

A LOT OF BILLS, MA'AM.

YEAH, THEY'RE ALL ONES,
BUT, UM...

YOU CAN HAVE SOME.

WHAT ARE THESE?

THEY'RE MY FRIEND
JO'S VITAMINS

FOR HER PREGNANCY,
I THINK.

IS THERE ANY WAY
THAT, UM, OFFICER,

THAT MAYBE YOU COULD
FORGET ABOUT THIS,

BECAUSE I'M REALLY
A GOOD PERSON.

YOU KNOW, YOU
COULD COME DOWN
TO THE BLUE IGUANA,

AND THEY LET
L.A.P.D. IN THERE
ALL THE TIME FOR FREE

BECAUSE WE'RE
A REALLY CLEAN CLUB.

THAT RIGHT?

AND EDDIE GETS MAD--
OUR MANAGER--

SOMETIMES HE CAN'T EVEN
GET THEM OUT OF THE CLUB

BECAUSE THEY
LIKE IT SO MUCH,

AND MY FRIEND JO,
SHE WORKS WITH A LOT
OF L.A.P.D. GUYS, AND--

OK.

SHE'S REALLY BEAUTIFUL.
I'M SURE SHE'D--

I'M GONNA ASK--

LIKE YOU.

WELL, I'M HAPPY
TO HEAR THAT.

I'M GONNA ASK YOU
TO STAY BY THE CAR

JUST FOR A COUPLE
OF MINUTES

WHILE I GO RUN THE LICENSE
AND REGISTRATION, ALL RIGHT?

OK. IS THAT NECESSARY?

IT REALLY IS.
I'LL BE RIGHT BACK.

BUT, OFFICER, UM,
IS THIS GONNA BE, LIKE,
ON THE NEWS OR ANYTHING?

NO, NO, NO, NO, NO.

IT'S GONNA BE OK.

BECAUSE I DON'T--
I REALLY CAN'T--

I DON'T--
I'VE ALWAYS WANTED
TO BE IN THE ENQUIRER

BUT NOT FOR, LIKE,
GETTING ARRESTED.

I THOUGHT MAYBE
IF I HAD, LIKE,
A HANDSOME HUNK

OR A NICE DRESS
OR SOMETHING--

IS THERE--
IS--

SHIT!
IT WON'T TAKE A MINUTE.

OK.

SHIT!

HI, EDDIE.

WHERE'S JASMINE?

UM, SHE WASN'T
FEELING TOO WELL.

Eddie: ARE YOU OK?

YEAH.

[LEONARD COHEN'S DANCE ME
TO THE END OF LOVE PLAYING]

Cohen: * DANCE ME
TO THE WEDDING NOW *

* DANCE ME ON AND ON

* DANCE ME VERY TENDERLY

* AND DANCE ME VERY LONG

* WE'RE BOTH OF US
BENEATH OUR LOVE... *

OH, FUCK!

WHAT'S THE MATTER?

FUCK! FUCK!

YOU HAVE TO GO TO WORK?

NO. NO.

YOU WANT ME
TO CALL YOUR BOSS?
NO, NO, NO.

NO.
I'LL CALL HIM.
NO. FUCK OFF!

NO. DON'T CALL HIM.

FUCK OFF?
WHAT'S HIS NAME?

NOTHING.

OK. I'D LIKE TO TALK
TO MR. NOTHING, PLEASE.

NO! STOP IT!
NO, NO, NO.

OK.

DON'T.
I WANT TO STAY HERE.

OK.

BUT I WANT TO SMOKE.

YOU HAVE A GREAT ASS.

YOU CAN HIT IT.

I DON'T WANT TO HIT IT.
I WANT TO KISS IT.

YOU WANT TO KISS MY ASS?

[KISS]

THANK YOU.

Susan Tedeschi: * LORD,
I LOVE YOU IN SO MANY WAYS *

* LORD, I LOVE YOU
EACH AND EVERY DAY *

* BUT NOW IS THE TIME
WHEN I MUST ASK YOU WHY *

* WHY MUST YOU LIVE
AND WHY MUST YOU DIE? *

* WELL, I'M
LOOKING FOR ANSWERS *

* LOOKING FOR ANSWERS
THAT NOBODY KNOWS... *

HI, EDDIE.

SORRY I'M LATE.

BETTER MAKE IT GOOD,
GIRL.

I KNOW. I HAD
REALLY BAD CRAMPS.

OH. YOU HAD
REALLY BAD CRAMPS?

SORRY.
I'M HERE!

THAT'S A GODDAMN
PRIZE WINNER.

WHAT THE FUCK, YOU'RE HERE?
YOU'RE HERE LATE,
GODDAMN IT.

WHERE THE FUCK WERE YOU?

YOU COULDN'T CALL?

I NEED V.I.P. NIGHT OFF.

GODDAMN,
YOU'RE PRICELESS.
EDDIE--

I SWEAR TO GOD,
YOU DON'T--

I CAN'T WORK ANYWAYS.
MY FUCKING CRAMPS
ARE SO BAD.

OH, YOUR CRAMPS
ARE KILLING YOU?

HOW LONG YOU WORKED HERE,
JASMINE?

IT DOESN'T MATTER.
I WAS TALKING
TO JO AND ANGEL--

HOW LONG YOU WORKED HERE?
A YEAR, RIGHT?
YEAH.

WHEN WAS THE LAST TIME
YOU GOT OFF FOR CRAMPS?
NEVER!

WHAT THE FUCK
IS YOUR PROBLEM?

WHAT THE FUCK
IS MY PROBLEM?

MY PROBLEM IS I WANT
YOU TO JUST DON'T
TELL ME A GODDAMN LIE!

I'M JUST SAYING,
JO AND ANGEL HAVE,
LIKE, 3 OTHER PEOPLE--

FUCK JO AND ANGEL!

THIS AIN'T ABOUT
JO AND ANGEL!

I RUN THIS MOTHERFUCKER.

I'M ASKING YOU
WHAT THE GODDAMN DEAL
REALLY IS.

I DIDN'T ASK YOU
ABOUT NO GODDAMN PERIOD,

SO DON'T TELL ME ABOUT
NO FATHERFUCKING PERIOD!

I CAN'T.
I CAN'T. I CAN'T.

I'LL COME BACK
ON MONDAY.

I'LL WORK
ALL THE REST
OF THE WEEK.

I NEED
THE WEEKEND OFF.

TOMORROW NIGHT,
YOU'RE DANCING.

YOU'RE ONE
OF MY STAR GIRLS.

I NEED YOU IN HERE,
SO DON'T FUCK WITH ME, OK?

YOU COME IN HERE LATE
AND GONNA ASK
FOR TOMORROW OFF?

WHAT IS
THE BIG FUCKING DEAL?

THE BIG FUCKING DEAL
IS I NEED TO KNOW.

WHAT?

THE TRUTH.

THE GODDAMN TRUTH!

DON'T FUCK WITH ME,
JASMINE.

YOU TELL ME WHAT'S UP.

I CAN'T. I CAN'T.

WHAT THE FUCK
DO YOU CARE?

WHAT THE FUCK DO YOU
CARE ABOUT ANYWAYS?

WHAT THE FUCK--

YOU CAN GET
ANYONE ELSE IN HERE.

IT DOESN'T MATTER
TO YOU.

I CARE BECAUSE I CARE,
GODDAMN IT!

DON'T TREAT ME
LIKE NO TRASH!

I AM NOT. I AM NOT
TREATING YOU LIKE--

I WAS TELLING YOU THAT
I HAVE A FUCKING LIFE

AND I NEED
THE WEEKEND OFF--

YOU AIN'T GOT
NO FUCKING LIFE!
THIS IS YOUR LIFE!

YOU GOT THAT?

YOU AIN'T GOT NO FRIENDS,

BECAUSE TWO MINUTES
AFTER YOU WALK OUT OF HERE,

ONE OF YOUR
DOUBLE-CROSSING FRIENDS

IS GONNA COME IN HERE
AND SNITCH ON YOUR ASS!

DON'T FUCK WITH ME.

I FUCKING QUIT!

GODDAMN YOU!
I'M SORRY!

I WAS--

DON'T WALK IN HERE
AND FUCK MY SHIT UP!

EDDIE, YOU KNOW,
YOU HAVE YOUR LIFE,
AND I'LL HAVE MINE, OK?

YOU AIN'T GOT A LIFE!

[DOOR CLOSES]

MISS WILLOW?

IT'S SARAH.

[KNOCK ON DOOR]

MISS WILLOW?

[KNOCK ON DOOR]

BECKY?

HELLO?

[KNOCK ON DOOR]

[ANSWERING MACHINE
CLICKS ON AND BEEPS]

Dennis, on machine:
HEY, IT'S ME.

UM, OK, UH, LET'S SEE.

I'VE TAKEN CARE
OF THE REGISTRATION.

WE'RE BOTH SIGNED UP,

AND I GOT OUR NAMES,
YOU KNOW, SIGNED UP,

SO I PUT YOUR NAME UP THERE
FOR THE OPEN READ.

DON'T BE SCARED.

THERE'S A LOT OF PEOPLE
IN IT,

AND THERE'S
STRENGTH IN NUMBERS.

IT'S GONNA BE REALLY GOOD,

SO, UH, CALL ME BACK

SO I KNOW WHAT TIME
TO GET TOGETHER WITH YOU.

OK. BYE.

[BEEP]

Bobby: JIMMY,
WHAT'S YOUR FAVORITE?

Jimmy:
AND GOD SPOKE.

IS THAT
A FUCKING MOVIE?

YOU GOT THIS PLACE
LOOKING A LITTLE
DIFFERENT, JIMMY.

HEY, EDDIE.
WHAT IT IS?

ALL RIGHT.

OK, UH,
RUN OUT TO MY CAR

AND GET A COUPLE BOXES
I LEFT IN THERE.

SURE. NO PROBLEM.

HEY, BOBBY, UM...

Bobby: WHAT?

START THINGS UP
WITH THIS.

Bobby: YEAH.

OH, YEAH, UM...

YEAH, CALL JO.

I'M NOT
CALLING HER, MAN.

IF YOU WANT TO CALL HER,
YOU CALL HER.

ALL RIGHT.
I'LL CALL HER.

YOU'RE BRINGING HER
BACK IN HERE TO WORK?

WE NEED EVERYBODY.

SO ANYWAY, YOU GOT TO RENT
BEHIND THE GREEN DOOR

BECAUSE THE TRAPEZE SCENE
IS SO FUCKING HOT.

HEY, BOBBY!
YEAH?

YOU SEEN THEM GLASSES
THAT WERE ON MY DESK?

I SAW THEM LAST NIGHT.
THEY WERE SITTING THERE.

THEY AIN'T HERE NOW,
MAN.

WELL, I DON'T HAVE THEM!

MOTHERFUCKING BROADS!

HEY, MAYBE THE GIRLS
WENT TO THE OPERA

AND HAD TO BORROW THEM.

[FAINT MUSIC IN BACKGROUND]

[LOUD MUSIC PLAYING]

[MAN WHISTLES]

[MAN WHISTLES]

[MAN WHISTLES]

[MAN WHISTLES]

HELLO. HA HA!

HEY. HOW ARE YOU?

WELL, BABY--

OH!
WHOOP!

THAT'S OK.
DON'T WORRY ABOUT IT.

MMM.

Jo:
NO. I CAN PICK IT UP
UNTIL NEXT WEEK

BECAUSE THEY'RE--
HEY, EDDIE.

Eddie: THIS IS NICO.

Bobby: HERE.
LET ME HELP YOU.

NICO, WHY DON'T YOU
SIT RIGHT THERE?

LET ME GET YOU
A PLACE HERE.

Jasmine: EDDIE,
THAT'S ANGEL'S SEAT.

Bobby: THAT USED TO BE
ANGEL'S SEAT.

BOBBY, THAT'S
ANGEL'S STUFF!

YOU NEED ANYTHING,
YOU JUST LET ME KNOW.

Jo: YOU HAD
TOO MUCH TO DRINK.

NO. JUST LIE DOWN
AND SLEEP IT OFF.

Angel:
I'M JUST GONNA--

OK. THERE WE GO.
CAREFUL. CAREFUL. CAREFUL.

WHOOPSIE. HA HA!

EXCUSE ME.

YEAH?
THAT'S ANGEL'S SEAT.

Jasmine: EDDIE
GAVE IT TO HER.

HELLO? PORN STAR?

THIS IS ANGEL'S SEAT.

Bobby: JO,
MIND YOUR OWN BUSINESS.

GET BACK TO WORK.
DON'T START WITH ME.

SHE'S SITTING
IN ANGEL'S SEAT.

THIS HAS ALWAYS BEEN
ANGEL'S SEAT.

ANGEL HAS SENIORITY.

GET YOUR ASS
OUT ON THE FLOOR!

FUCK YOU, BOBBY.
YOU SHOULD
TAKE CARE OF THIS.

EVERYBODY TAKES
ADVANTAGE OF ANGEL.

THANK YOU.

AW, THAT'S SO SWEET.

THANKS.

Dave: $15, PLEASE.

Dennis: ALL RIGHT.
UM, I'D LIKE
TO SEE JASMINE, PLEASE.

WHAT?

I'D LIKE TO SEE
JASMINE, PLEASE.

IS IT IMPORTANT?
WE'RE A BIT BUSY
TONIGHT.

OH. YEAH.

I'M A FRIEND OF HERS.

HOLD ON A SECOND.

D.J.: NOW, THAT'S
WHAT I CALL PERFECTION.

GIVE IT UP, EVERYBODY.
THAT WAS JESSIE!

Woman: HEY, SHAMA LAMA,
YOU UP NEXT, GIRL?

Shama Lama:
YEAH. I CAN'T WAIT.

D.J.: IF YOU WANT A CHANCE
TO GET YOUR PICTURE TAKEN

WITH THE ADULT FILM STAR NICO,
IT'S ONLY $10...

HEY, JASMINE.
WHAT?

I GOT A DENNIS
OUT FRONT.

WANT ME TO TOSS HIM?

NO. I'M UP NEXT,
AREN'T I?
YEAH.

GIVE HIM A GOOD SEAT.
HE CAN WATCH ME.

ALL RIGHT.

I'LL THROW
THE LITTLE BOY
TO THE LIONS.

D.J.: ALL RIGHT,
LADIES AND GENTLEMEN,

LET'S KEEP GOING
RIGHT NOW.

LET'S PLEASE WELCOME
TO THE STAGE JASMINE.

[CLAPPING]

[MOBY'S PORCELAIN PLAYING]

[MAN WHISTLES]

* IN MY DREAMS,
I'M DYING ALL THE TIME *

* AS I WAKE
ITS KALEIDOSCOPIC MIND *

* I NEVER MEANT TO HURT YOU

* I NEVER MEANT TO LIE

* SO THIS IS GOOD-BYE

* THIS IS GOOD-BYE

[MAN WHISTLES]

* TELL THE TRUTH

* YOU NEVER WANTED ME

* TELL ME

[MAN WHISTLES]

[MAN WHISTLES]

* IN MY DREAMS,
I'M JEALOUS ALL THE TIME *

* AS I WAKE,
I'M GOING OUT OF MY MIND *

THERE SOMETHING I CAN
DO FOR YOU TONIGHT?

HOW MUCH FOR A BLOW?

HUNDRED BUCKS.

YEAH.
I CAN HANDLE THAT.

LOOK AT--
LOOK AT ME.

LOOK IN MY EYES.

YEAH.

HEY.

HI.

DO YOU WANT
TO SIT DOWN?

SURE.

HEY, UH...

OHH...

I'M SO SORRY.

NO. THERE'S NOTHING
TO BE SORRY ABOUT.

NO.

THERE'S NOTHING
TO BE SORRY ABOUT.

I'M LOOKING AT THIS ROOM
WITH YOU IN IT.

[CRYING]

I FEEL SAFE.

I FEEL SAFE NOW.

MMM.

MAKE LOVE TO ME.

I CAN'T. I CAN'T.

OK.

I'M GETTING MARRIED.

SHH, SHH, SHH, SHH.

NO, NO, NO,
NO, NO ,NO, NO.

[BOTH CRYING SOFTLY]

D.J.: NICO!

[ECHO AND THE BUNNYMEN'S
LIPS LIKE SUGAR PLAYING]

* SHE FLOATS LIKE A SWAN

* GRACE ON THE WATER

* LIPS LIKE SUGAR

* LIPS LIKE SUGAR

* JUST WHEN YOU THINK
YOU'VE CAUGHT HER *

* SHE GLIDES ACROSS THE WATER

* SHE CALLS FOR YOU TONIGHT

* TO SHARE THIS MOONLIGHT

* YOU'LL FLOW DOWN HER RIVER

* SHE'LL ASK,
AND YOU'LL GIVE HER *

* LIPS LIKE SUGAR

* SUGAR KISSES

* LIPS LIKE SUGAR

* SUGAR KISSES

YEAH!
ALL RIGHT!

YEAAAAH!

YEAH. IS, UH,
HARRY GOLDBERG IN?

IT'S ED HAZELL.

I'M A FRIEND.

WELL, HAS HE GONE AWAY?

NO?

YEAH.

YEAH. THANKS A LOT.

D.J.: LADIES AND GENTLEMEN,
THE FABULOUS NICO!

THE ONE AND ONLY!

[CHEERING]

LADIES AND GENTLEMEN,

THE HEAVENLY...

ANGEL.

Nico: ARE YOU ANGEL?

WHAT?

I THINK YOU'RE UP.

OH, FUCK.

OH, SHIT.

OH, FUCK.
NEVER MIND.

OK. NEVER MIND.
FUCK IT.

[BUBBLE'S SPARKLESTAR PLAYING]

* ...CRASHIN' ON YOUR DOORSTEP

* YOUR SMILE IN MY HEAD

* YOU ALWAYS WALK AWAY

* EVERY TIME I LOOK AT YOU

* I CAN'T BELIEVE
I'LL EVER LOVE AGAIN *

[MAN WHISTLES]

* DIDN'T MEAN TO MAKE YOU CRY

* OR MAKE YOU LOVE SO HARD

* DIDN'T MEAN
TO MAKE YOU SAY GOOD-BYE *

* OR FALL APART TRYIN'

* SHAKIN' ON THE FLOOR

* COME ON AND STEAL MY SOUL

HEH HEH.
THANK YOU.

HA HA!

ALL RIGHT.

* I'M WISHIN' I COULD
MAKE YOU UNDERSTAND *

HEY, FELLAS.
HOW'S IT GOING?

EXCUSE MY BREASTS.
I'M LACTATING.

* YOU ALWAYS WALK AWAY

I CAN'T GET
TOO EXCITED

BECAUSE THEN
MY RUBBER ROLLS UP.

HA HA!

* I'LL NEVER LOVE AGAIN

* NO

* YOU KNOW
YOU'VE GOT TO TRUST ME *

* EVEN WHEN I'M GOIN' WRONG

* YOU KNOW YOU GOTTA LOVE ME

* OVER AND OVER AGAIN

* TILL IT'S GONE

* OOH HOO

Man: YEAH, BABY!

* OOH HOO HOO

* I'M CRASHIN'
ON YOUR DOORSTEP *

* YOUR SMILE AND KISSES
ON MY HEAD *

* OH, DON'T YOU WALK AWAY

OH, GOD.

DAVE?

DON'T MOVE.

IT'S YOU, ISN'T IT?

DAVE? DON'T MOVE.

DON'T MOVE.

DAVE, CAN YOU HELP ME
WITH MY MONEY, PLEASE?

COULD YOU...
PICK UP--

DON'T MOVE.

D.J.:
THAT'S ANGEL, EVERYBODY.

SHOW HER YOUR LOVE.
ANGEL, EVERYBODY.

COME ON.
WHAT DO YOU SAY?

IT'S THE ONE,
THE FLOWER--

JASMINE?

JASMINE, IT'S THE--

THE GUY--
THE FLOWER GUY
IS OUT THERE.

OH, MY GOD, JASMINE,

HE'S THE MOST DREAMY
THING YOU EVER--

YOU KNOW, THE GUY WITH
THE RED DRESS, JASMINE?

I'M GONNA--

DO YOU HAVE ANYTHING
TO STRAIGHTEN ME OUT?

HUH?

OH, FUCK.

[ERIC CLAPTON'S
RIVER OF TEARS PLAYING]

WOO WOO!

[MAN WHISTLES]

* IT'S 3 MILES TO THE RIVER

* THAT WOULD CARRY ME AWAY

* AND TWO MILES
TO THE DUSTY STREET *

* THAT I SAW YOU ON TODAY

* IT'S 4 MILES
TO MY LONELY ROOM *

* WHERE I WILL HIDE MY FACE

* AND ABOUT HALF A MILE
TO THE DOWNTOWN BAR *

* THAT I RAN FROM IN DISGRACE

* LORD, HOW LONG
HAVE I GOT TO KEEP ON RUNNING? *

* 7 HOURS, 7 DAYS, OR 7 YEARS?

* ALL I KNOW IS,
SINCE YOU'VE BEEN GONE *

* FEEL LIKE I'M DROWNING

* IN A RIVER

* DROWNING

* IN A RIVER OF TEARS

* DROWNING IN A RIVER

* FEEL LIKE I'M DROWNING

* DROWNING IN A RIVER

* IN 3 MORE DAYS

* I'LL LEAVE THIS TOWN

* AND DISAPPEAR
WITHOUT A TRACE... *

WHAT? WHAT?

WAIT A MINUTE.

WHAT ARE YOU
GOING AWAY FOR?

WAIT A MINUTE!

* WHERE NO ONE KNOWS MY FACE

* I WISH THAT I COULD HOLD YOU

* ONE MORE TIME

* TO EASE THE PAIN

OH, MY GOD.

OH, MY GOD.

OH, MY--

OH, MY GOD.

OH, MY GOD.

OH, MY GOD. HA!

[DOOR CLOSES]

Jo: JESSIE?

YEAH?

I CAN'T SLEEP.

ARE YOU OK?

DO YOU WANT
TO COME JOIN ME?

SURE.

SING SOMETHING.

* RIVER RUNNING DEEP

* CARRY ME IN MY SLEEP

* I WANT TO ESCAPE
THIS NIGHT *

* AND WAIT TILL
THE CALM DAYLIGHT *

* 'CAUSE TOMORROW

* WILL BE

* A GOOD THING

OHH.

DO YOU HAVE A LIGHT?

YEAH, I HAVE.

THANK YOU.

YOU CAN GO HOME NOW,
YOU KNOW.

YEAH.

CAN I?

YEAH.

WHAT TIME IS IT?

I DON'T KNOW. 3:30.

WHY ARE YOU STILL HERE?

WHY ARE YOU
STILL HERE?

GOOD FUCKING QUESTION.

WHO KNOWS?

I GUESS I FELL ASLEEP.

IS THAT WHAT HAPPENED?

YEAH.
YOU WERE ASLEEP
FOR A LONG TIME.

COULD BE WORSE.

YOU HAVE PRETTY HAIR.

THANKS.

YOU KNOW, I'M SORRY.

I FOR--I FORGOT
YOUR NAME.

SO DO I.

IT'S, UH...NICO.

NICO.

YEAH.

WHAT ARE YOU WRITING?

WHAT?

I'M JUST TRYING
TO KEEP YOU HERE.

I HATE THIS PART.

GOING HOME?

NO.

IT'S AN AWKWARD
FUCKING TRANSITION,
YOU KNOW.

IT'S LIKE...

IT'S JUST 3 MORE HOURS
TILL SUNSET--SUNRISE.

WHERE'S YOUR NEXT GIG?

TRAVEL AROUND
A LOT, RIGHT?

YEAH. YEAH.

SO, WHERE DO YOU,
LIKE, LIVE?

HOTEL. HOTELS.

WHERE DO YOU--
WHERE DO YOU LIVE?

I LOST MY HOUSE.

OH.

NO BIG DEAL.

WHAT ARE YOU WRITING?

WHAT?

YOU WRITE, RIGHT?

THAT'S WHAT YOU DO.
YOU WRITE.

YEAH. YOU'RE A WRITER.

IT'S SO FUCKING FUNNY.

I MEAN, IT'S, LIKE,
WRITERS, YOU KNOW,

YOU ALL WRITE, AND THEN
YOU NEVER WANT TO READ
WHAT YOU WROTE.

SO, YOU STRIP
ALL NIGHT HERE,

AND THEN YOU SIT
BACK HERE AND WRITE.

YEAH, I'M SAFE.

I WON'T REMEMBER IT
TOMORROW.

IS IT, UM...

IS IT A SONG?

NO. I DON'T
WRITE SONGS.

IS IT, UM...
IS IT A STORY?

NO.

I WRITE POEMS.

AH.

OH, POETRY.

I HAVE A FRIEND--
UH, I HAD A FRIEND

WHO USED TO WRITE POETRY.

HE USED TO CALL ME,
AND HE'D READ THEM TO ME.

HUH.

YEAH.

HE WROTE
REALLY GOOD POEMS.

YEAH?

YEAH, HE DID.

YEAH. IT'S HARD
TO WRITE GOOD POEMS.

YEAH.

IT WOULD REALLY, UM...

BE NICE TO HEAR
A POEM AGAIN.

PLEASE?

"WHEN LIGHT SHATTERED
ACROSS THE FLOOR

"AND BRIEFLY THERE WAS
A THUNDER BETWEEN US,

"IF YOUR EYES
HAD HELD WATER,

"IT WOULD HAVE
NOT SPILLED,

"AND WHEN WE PEELED
ASIDE THE DREAMS,

"THE SKIN UNDERNEATH
WAS STILL YOUNG.

"WHEN ALL WAS BLACK,

"YOU SMOOTHED ASIDE
THE WORDS AND SAID,

"IT'S THERE,
THE LIGHT.

WHEN YOU WANT IT,
IT'LL BE WAITING
FOR YOU."

"A CERTAIN PEACE
CAME INTO YOUR EYES...

"THAT THIS WAS
NO DIFFERENT,

"THAT THIS WAS
SO DIFFERENT,

"YET EVERY BIT THE SAME.

"AND YOUR HANDS STILLED
WITH SATISFACTION.

"YOU DID THIS
WITHOUT TOUCH...

"SO THAT ALL AROUND ME,

"YOUR HANDS STOOD,
SHAPED LIKE SHELTERS.

"ALL AROUND ME,
THERE WAS ROOM,

"AND AFTER EACH HOUR,

"THE HALLWAYS OUTSIDE
WERE LIKE CAVERNS.

"AND AROUND THE CORNER
AND DOWN THE STAIRS,

"THERE LURKED,
AS ALWAYS, LIGHT...

AS EVER, LIGHT."

IS IT ABOUT A GUY?

NO.

IS IT ABOUT YOU?

NO.

MAYBE.

I'M SORRY. I JUST
HAD A BAD DAY.

DO YOU HAVE A LIGHT?

YEAH.

WHAT'S IT ABOUT?

IT'S ABOUT...

IT'S ABOUT...

YOU KNOW HOW--
YOU KNOW HOW, LIKE,

WHEN YOU'RE IN HERE,

AND IT'S
ALWAYS DARK.

IT'S ALWAYS, LIKE,
1:00 IN THE MORNING.

IT'S ABOUT,
YOU KNOW, MORNING...

STUFF INSIDE YOU.

STUFF INSIDE YOU.

ME, TOO.

IT'S A NICE POEM.

THANK YOU.

YOU KNOW WHAT
A CRYPTOGRAPHER IS?

I NEVER PAID ATTENTION
IN SCHOOL.

IT'S A CODE BREAKER.

AHH.

DURING THE WAR...

THAT'S WHAT HARRY WAS.

THERE ARE ONLY
TWO OR THREE OF THEM
IN THE WHOLE WORLD,

AND HARRY WAS ONE OF THEM.

HE WAS THE BEST, MAN.

THAT SHIT'S GONNA
KILL YOU, BOY.

HOPE SO.

WANT TO GET
SOMETHING TO EAT?

SURE.

YOU KNOW, I'LL GIVE
THAT OLD JEW ONE THING.

HOPE TO GOD
WHEN I'M THAT OLD,

I STILL LOVE PUSSY
LIKE HE DOES,

EVEN IF I'VE GOT
TO USE BINOCULARS
TO SEE IT.

Bobby: HAVE YOU
EVER SANG?

Eddie: SANG?

YEAH, LIKE IN PUBLIC,
IN FRONT OF PEOPLE?

YEAH, A LONG TIME AGO.

YOU DID?

DID YOU
GET NERVOUS?

YEAH.

YEAH,
BECAUSE, UH,

JESSIE'S GOING
OVER TO DIMPLES
THIS AFTERNOON.

YOU KNOW, THE PLACE
OVER IN BURBANK--
KARAOKE--

AND, UH, A BUNCH
OF THE GIRLS
ARE GOING,

SO, UM--

WHAT, OUR GIRLS?

YEAH.

JESSIE SAID
EVERYBODY CAN SING,

SO I THOUGHT,
YOU KNOW,

WHAT THE FUCK?

OUR GIRLS CAN SING?

YEAH.

GODDAMN.

THIS RUSSIAN
MOTHERFUCKER GOT SHOT...

AND SOME SHOT.

RIGHT THROUGH THE HEART,

IN THE WINDOW OF HIS HOUSE
OVER IN WOODLAND HILLS.

DAMN!

QUICK WAY TO GO.

PHEW.

SO, I THOUGHT,
IF YOU WEREN'T
DOING ANYTHING,

MAYBE, YOU KNOW,

IF YOU DROP BY,
WE COULD, LIKE,

DO IT TOGETHER,
LIKE A DUET,

A FRANK AND SAMMY
KIND OF THING.

WHAT TIME IS THAT?

3:00.

NO, MAN.

I'LL BE ASLEEP.

CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES

CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--

* WITH EYES OF FIRE

* NO ONE CAN SEE

* THE SMOKE
FROM THE SWEET GRASS *

* COVERS ME

* I AM DRAWN

* I AM DRAWN

* TO HER

* LIKE A MOTH TO THE FLAME

* SHE LEADS ME DOWN

* UNBOUND

* UNBOUND

* UNBOUND

* I AM LOST

* I AM LOST

* HAS ANYBODY SEEN ME?

* I AM LOST

* OH, NOTHING IS FORGOTTEN

* ONLY LEFT BEHIND

* WHEREVER I AM

* SHE LEADS ME DOWN

* UNBOUND

* NO BORDERS

* NO FENCES

* NO WALLS

* NO BORDERS

* NO FENCES

* LIKE A MOTH TO THE FLAME

* SHE LEADS ME DOWN

* UNBOUND

* UNBOUND

* NO BORDERS

* NO FENCES

* UNBOUND

* NO BORDERS

* NO FENCES

* UNBOUND

* UNBOUND

* UNBOUND