Original subtitles

YEAH, YOU PICKED THE WRONG MAN TO MESS WITH.

HUH?! YOU'RE THREATENING TONY RAMOS?!

Man: THAT'S WHAT I'M DOING!

Ramos: LET ME TELL YOU SOMETHING.

NOTHING, PUNK!

NOBODY THREATENS TONY RAMOS!

[GASPS]

[GASPS]

BARBARA...

WHAT ARE YOU DOING BACK HERE?

NO, NO, NO, NO. THIS IS NOT WHAT IT LOOKS LIKE.

BABY, JUST GIVE ME A CHANCE TO EXPLAIN.

EVERYTHING'S GONNA BE FIN--

BARBARA!

BARBARA!

[TELEPHONE RINGS]

[RING]

JAKE! DON'T ANSWER THAT!

HELLO.

Ramos: BARBARA, BARBARA, BARBARA.

WHY DID YOU RUN AWAY?

I JUST WANTED TO TALK TO YOU AND EXPLAIN WHAT HAPPENED.

THERE'S NOTHING TO EXPLAIN, MR. RAMOS.

UM...I DIDN'T SEE ANYTHING.

GOOD. BARBARA, THAT'S GOOD.

THAT'S A REAL GOOD START.

NOW, I'LL TELL YOU WHAT.

I'M GONNA COME OVER THERE,

AND WE'RE GONNA TALK THIS OUT, JUST YOU AND ME, OK?

OK. EXCELLENT.

AND--AND, BARBARA, LISTEN, I WANT TO THANK YOU.

YOUR TRUST MEANS A LOT TO ME.

[GUN COCKS] DUMP THE BODY

AND THEN GET OVER TO HER PLACE AND KILL HER.

DON'T MESS IT UP.

NOW, LISTEN, BARBARA,

I WANT YOU TO KNOW EVERYTHING'S GONNA BE FINE.

EH? YOU'LL SEE.

FOR YOU, FOR ME...

AND FOR YOUR LITTLE BOY.

RIGHT.

WE'RE LEAVING, JAKE.

PACK YOUR CLOTHES AND HURRY.

Barbara: HERE'S THE NUMBER WHERE I'LL BE STAYING.

PUT IT IN YOUR POCKET, AND DON'T SHOW IT TO ANYBODY.

NOT EVEN YOUR FATHER.

OK.

AND DON'T CALL ME,

NOT UNLESS IT'S A REAL EMERGENCY, YOU UNDERSTAND?

BUT WHO'S GONNA LOOK OUT FOR YOU?

YOU ALWAYS SAY

YOU'RE NO GOOD WITHOUT ME AROUND.

I'M NOT, SON.

IT'LL JUST BE FOR A LITTLE WHILE.

BUT WHY DO I HAVE TO STAY WITH DAD?

YOU SAID HE DOESN'T LIKE HAVING US AROUND.

THAT'S NOT WHAT I SAID.

IT'S JUST...

HIS CAREER IS REAL IMPORTANT TO HIM,

THAT'S ALL. WHAT ABOUT US?

AREN'T WE IMPORTANT TO HIM?

YOU HAVE TO ASK YOUR FATHER THAT.

CRUSADE!

YEAH!

CODY! CODY!

[CHANTING CONTINUES]

DOUBLE REVERSE!

SO, UH, WHAT DO YOU THINK OF MY BOY NOW, HUH?

OH, HE'S GREAT. GREAT. YEAH, HE'S GREAT.

GREAT? UNBEATABLE IS WHAT HE IS.

UNBEATABLE, THAT'S WHAT HE IS.

LOOK AT HIM!

YOU'RE NOT GONNA SMOKE THAT, ARE YOU?

WHAT WOULD I SMOKE IT FOR?

I LIKE DOING THIS.

REALLY? YEAH.

THAT'S A FOUL!

THAT'S A FOUL!

HEY! NO! NO! NO! NO! NO! HE'S FOULING!

AAH!

AAH!

[BOOING]

HE'S FOULING HIM, REF!

[BOOING CONTINUES]

COME ON, CRUSADER!

[BOOING INTENSIFIES]

[CHEERING]

YEAH!

Crowd: CODY! CODY! CODY!

CODY!

Referee: 1...

2...

3...

4...

Crowd, chanting: CODY! CODY! CODY!

CODY! CODY! CODY! CODY!

[CHANTING CONTINUES]

CRUSADE!

CODY! CODY!

[HEARTBEAT POUNDING]

Referee: 1...

2...

3...4...

COME ON, GET ME A DOCTOR.

WE GOT A PROBLEM. RIGHT NOW. COME ON.

GET UP, CODY! GET UP!

Man: YOU KNOW WHAT HACKS ME, LARSON?

Second man: WHAT'S THAT?

SHE THINKS WE'RE SO STUPID.

SHE BUYS A COUPLE OF BUS TICKETS,

ON HER CREDIT CARD, TO DALLAS.

AS IF WE'RE NOT GONNA TRACE THAT.

SO SUE HER.

I'M NOT GONNA SUE HER. I'M GONNA SHOOT HER.

First man: THERE SHE BE. THERE SHE BE.

Larson: LET'S GO.

[HORN HONKS, TIRES SCREECH]

HEY! HEY!

DROP THOSE WEAPONS AND--

COME ON. LET'S GET OUTTA HERE.

I WISH THERE WAS SOME WAY

TO SUGARCOAT THIS, MR. CONWAY.

JUST GIVE IT TO ME STRAIGHT, DOC.

LET ME SHOW YOU.

YOU SEE THIS?

THAT'S A WEAK SPOT

IN ONE OF THE MAIN BLOOD VESSELS TO YOUR BRAIN.

IT'S CALLED AN ANEURYSM.

IF YOU WRESTLE AGAIN, IT COULD RUPTURE.

AND IF IT RUPTURES...

IT COULD KILL YOU.

Walker: HEY, CODY.

HEY! HOW YA DOIN'? YOU WAITED FOR ME.

YEAH. WHAT DID THE DOCTOR SAY?

OH, I'M FINE.

IT'S SOMETHING ABOUT A LOW BLOOD SUGAR THING, THAT'S ALL.

YOU KNOW, I'M SO FAR BEHIND ON EVERYTHING I GOTTA DO.

I'VE GOTTA GO. I DON'T MEAN TO RUSH,

BUT THANKS FOR WAITIN' FOR ME, OK, THERE, WALKER?

I'LL SEE YA.

Crowd: CODY! CODY! CODY!

CODY! CODY! CODY!

Cody: CRUSADE!

AAH!

OK, LORD...

I HOPE YOU'RE LISTENING, 'CAUSE YOU AND ME,

WE GOT SOME SERIOUS GRAPPLIN' TO DO HERE.

THE BANK? THE BANK WANTS MY HOUSE BACK.

THAT'S FINE.

I CAN SLEEP IN A TENT.

YEAH. I'LL EAT MACARONI AND CHEESE.

BUT I'LL TELL YA SOMETHING, LORD.

YOU TAKE MY WRESTLING AWAY, HEH...

YOU TAKE DOWN THE CRUSADER, WELL...

YOU KNOW WHAT THAT IS?

THAT'S A--

THAT'S A LOW BLOW! THAT'S WHAT THAT IS!

THAT--

THAT'S A LOW BLOW.

BUT, HEY...

IT'S OK.

IT DON'T BOTHER ME.

'CAUSE I JUST GOT ONE QUESTION FOR YA, HUH?

LET'S SAY I PULL MYSELF UP OFF THE MAT.

HUH!

I JUST WANT TO KNOW ONE THING.

WHAT ELSE YOU GOT UP YOUR SLEEVE, HUH?

WHAT ELSE CAN GO WRONG?!

[DOORBELL RINGS]

HELLO, CODY.

HI, DAD.

[♪]

♪ IN THE EYES OF A RANGER ♪

♪ THE UNSUSPECTIN' STRANGER ♪

♪ HAD BETTER KNOW THE TRUTH OF WRONG FROM RIGHT ♪

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪

I HATE TO INVOLVE YOU IN THIS, BUT...

YOU'RE HIS FATHER.

AND I NEED YOU TO TAKE CARE OF HIM FOR A FEW DAYS.

INVOLVE ME IN WHAT? WHAT'S GOIN' ON?

I CAN'T TELL YOU.

BUT YOU KNOW I WOULDN'T DO THIS UNLESS IT WAS AN EMERGENCY.

UH, BARBARA! BARBARA, NO!

PLEASE!

JUST...TAKE CARE OF HIM.

DON'T LET HIM OUT OF YOUR SIGHT.

HANG ON! EXACTLY WHAT KIND OF TROUBLE ARE YOU IN?

NOTHING I CAN'T HANDLE.

BUT IF ANYBODY ASKS,

YOU HAVEN'T SEEN ME, YOU HAVEN'T HEARD FROM ME.

YOU DON'T KNOW ANYTHING ABOUT ME.

YOU GOT IT?

YEAH, OK.

I'LL CALL AS SOON AS I CAN.

[HORN HONKS]

NO, WAIT! WHAT AM I TALKIN' ABOUT?! NOT OK!

BARB, THIS IS A REAL BAD TIME FOR ME.

THIS IS NOT ABOUT YOU! THIS IS ABOUT YOUR SON!

KEEP HIM SAFE!

BARBARA, WAIT!

BARBARA!

WAIT!

MOM'S A LITTLE UPSET.

SOME MEN TRIED TO SHOOT US TODAY.

HUH?!

DO YOU KNOW WHERE YOUR MOM IS, JAKE?

SHE WOULDN'T TELL ME.

SHE SAID IT'D BE SAFER IF I DIDN'T KNOW.

WHAT'S GOING ON HERE? WHY WERE THOSE MEN TRYING TO KILL YOU,

AND WHAT DID YOUR MOTHER DO?

SHE DIDN'T DO ANYTHING.

IT WAS HER BOSS MR. RAMOS.

IT WAS HIS FAULT, NOT HERS.

WHAT'S THIS RAMOS' FIRST NAME?

DO YOU KNOW, JAKE?

TONY.

IT'S TONY RAMOS.

WAS HE ONE OF THE GUYS AT THE BUS DEPOT?

NO, BUT MOM SAID THEY WORKED FOR MR. RAMOS.

CODY, I'M GOING TO POST A GUARD OUT IN FRONT.

I'LL TELL YOU WHAT I NEED FROM YOU, THOUGH.

I NEED A LIST OF NAMES

OF FAMILY, FRIENDS,

BUSINESS ASSOCIATES, ANYONE YOU CAN THINK OF.

ALL RIGHT. I'LL DO MY BEST.

JAKE.

IS THERE ANYTHING YOU WANT TO TELL ME?

NO.

UH...

I TOLD YOU EVERYTHING I KNOW.

OK.

YOU WENT AFTER THIS BROAD

IN THE MIDDLE OF A BUS STATION?

WE HAD A CLEAR SHOT, MR. RAMOS, UNTIL, UM--

DON'T TELL HIM ABOUT THE COP.

Ramos: UNTIL WHAT?

TILL THIS TRANSIT COP DREW DOWN ON US.

SO WHAT...DID YOU DO?

I SHOT HIM.

YOU STILL THERE, MR. RAMOS?

I DON'T WANT YOU TO MOVE.

I DON'T WANT YOU TO BREATHE.

I DON'T WANT YOU TO DO ANYTHING...

UNTIL MY PLANE LANDS IN DALLAS.

RIGHT. YES, SIR.

IS HE MAD AT ME, TOO?

YOU GONNA TELL ME WHAT HE SAID?

HE SAID DON'T DO NOTHIN'.

THEN WHAT DO YOU WANT THIS FOR?

WHAT'S THIS BARBARA'S LAST NAME?

I DON'T KNOW. SOMETHING ITALIAN.

COR, UH...

CORTINO.

YEAH.

CORTINO'S PRODUCE.

COULD BE HER FATHER.

SHE GETS IN TROUBLE, MAYBE SHE RUNS TO DADDY.

WHAT ABOUT MR. RAMOS? HE'S GONNA BE MAD.

HE'S ALREADY MAD.

WE GET HER, MAYBE HE WON'T BE SO MAD.

USE YOUR NOODLE.

Trivette: YEAH, THANKS.

[HANGS UP TELEPHONE]

NO POPS ON BARBARA'S APB.

BUT IF SHE'S GOT TROUBLE WITH TONY RAMOS, SHE'S GOT TROUBLE.

WHY? WHO IS HE?

ANTONIO ERNESTO RAMOS,

ALIAS TONY RAMOS, ALIAS TONY THE TORCH.

HIS FATHER DID BUSINESS WITH MEYER LANSKY IN HAVANA.

LOOKS LIKE HIS SON'S CARRYING ON THE FAMILY TRADITION.

HMM.

DID YOU CONTACT MIAMI P.D.?

YEAH. THEY'RE ON THEIR WAY TO TALK TO HIM RIGHT NOW.

WHAT'S OUR NEXT MOVE?

WELL, CODY TOLD ME THAT BARBARA USED TO WORK FOR HER FATHER

AT A PRODUCE MART.

THINK I'LL GO TALK TO HIM.

RIGHT.

DAD.

HEY, BARBARA!

I'M, UH...

WHAT?

I'M IN TROUBLE.

I NEED YOUR HELP. WHAT'S WRONG?

YOU'VE BEEN A LOT OF TROUBLE, BARBARA.

NOW YOU'RE DEAD.

DROP IT, OR YOU'RE DEAD.

DROP IT. MR. CORTINO, OVER HERE.

WHAT'S GOING ON, BARBARA?

STAY ON THE GROUND.

ON THE GROUND.

DAD, I GOTTA GET OUT OF HERE.

MS. CORTINO, WAIT.

GET DOWN. HANDS BEHIND YOUR NECK.

GET DOWN.

[ENGINE ROARING]

BARBARA'S DAD'S A TOUGH OLD BOY. HE'LL BE OK.

DOES HE HAVE ANY IDEA WHERE SHE IS?

SHE DIDN'T GET A CHANCE TO TELL HIM, CODY.

THEN YOU GUYS DO ME A FAVOR.

YOU FIND THESE PUNKS,

BUT DON'T YOU BRING 'EM IN RIGHT AWAY.

YOU BRING 'EM TO ME FIRST.

YOU GIVE ME JUST 5 MINUTES ALONE WITH THEM, AND LET ME--

Cody: AW, JEEZ...

I'M SORRY, JAKE.

I GET CARRIED AWAY SOMETIMES,

BUT WHEN SOMEONE TRIES TO HURT YOUR MOM,

IT MAKES ME FEEL LIKE HURTING THEM. YOU KNOW WHAT I MEAN?

ME, TOO.

YEAH.

WHY DOESN'T SOMEBODY THROW A NET OVER THIS RAMOS GUY,

BRING HIM IN AND SEE WHAT HE'S GOT TO SAY?

FBI's BEEN TRYING TO DO THAT FOR YEARS, CODY.

THEY WENT OVER THERE YESTERDAY TO TRY TO TALK TO HIM, BUT HE WAS GONE.

RAMOS COULD BE COMING HERE, CODY.

Trivette: CODY, SHE WENT TO HER FATHER.

CAN YOU THINK OF ANYBODY ELSE?

NO.

THERE'S NO OTHER FAMILY.

WHAT ABOUT A FRIEND?

NO.

SEE THAT CLOUD UP THERE?

LOOKS LIKE A BEAR, DOESN'T IT?

YEAH, IT DOES.

YOU KNOW, NATIVE AMERICANS BELIEVE THAT...

CLOUDS ARE WARRIORS,

AND WARRIORS PROTECT THEIR VILLAGES...

AND THE PEOPLE THEY LOVE.

I--I WISH...

I WISH I COULD PROTECT MY MOM.

MAYBE YOU CAN, JAKE.

WHAT DO YOU MEAN?

WELL, YOUR MOM'S IN A LOT OF DANGER,

AND I CAN'T HELP HER IF I CAN'T FIND HER.

CAN YOU HELP ME FIND YOUR MOM, JAKE?

SHE...

SHE MADE ME PROMISE.

PROMISE WHAT?

NOT UNLESS IT WAS A REAL EMERGENCY.

I PROMISE YOU, JAKE,

IT IS A REAL EMERGENCY.

RUN A TRACE ON THIS, WILL YOU?

JAKE, WE'RE GONNA FIND YOUR MOM,

AND EVERYTHING'S GONNA BE OK.

YOU TWO ARE COMPLETE IDIOTS.

WE HAD HER, MR. RAMOS.

DON'T TALK. DON'T SAY A WORD.

WE'RE SORRY, MR. RAMOS--

I SAID DON'T TALK.

JOEY PALMA'S PROBABLY TALKED TOO MUCH.

THAT'S WHAT KILLED HIM.

WHERE'S THE CAR?

IT'S OVER HERE, MR. RAMOS.

WHAT HAVE YOU GOT ON THE EX-HUSBAND?

HER EX-HUSBAND? HUH?

GIVE ME THE KEYS. GIVE ME THE KEYS!

WHY DON'T YOU ASK HIM IF HE'S MAD?

GET IN THE TRUCK.

SIT DOWN FOR A MINUTE.

I WANT TO TALK TO YOU MAN-TO-MAN, HUH?

NOW, LISTEN,

WE CAN STOMP AROUND THIS HOUSE

AND ARGUE AND FIGHT AND CARRY ON...

OR WE CAN, YOU KNOW...

TRY TO BE PALS, HUH?

WHY'D YOU LEAVE MOM?

WHY'D YOU LEAVE ME?

I WISH YOU'D ASKED ME THAT 3 DAYS AGO.

WHAT?

NOTHING.

[SIGHS]

I'M GONNA HAVE TO TELL YOU THE TRUTH, JAKE,

AND THAT'S SOMETHING THAT I HAVEN'T BEEN VERY GOOD AT

OVER THE YEARS.

UH...

YOU SEE, EVERYTHING'S ALWAYS BEEN ABOUT ME.

ABOUT THE CRUSADER.

ABOUT MY FANS, MY FAME, MY CAREER...

YOU KNOW, MY EGO.

THERE JUST WASN'T ANY ROOM IN THERE FOR ANYBODY ELSE, JAKE.

I'M NOT PROUD OF THAT.

I MIGHT NOT BE ABLE TO, BUDDY,

BUT I'D LIKE THE CHANCE TO MAKE IT UP TO YOU IF I COULD, YOU KNOW.

[SIGHS]

YOU SURE YOU DON'T WANT ME TO CALL JAKE?

NO, NO. CODY'S PHONE MIGHT BE TAPPED.

I CAN'T TAKE THE RISK.

I'LL BE BACK.

I'LL BE BACK WHEN IT'S SAFE.

OH, YOU TAKE CARE. YOU HEAR ME?

MISS CORTINO, WE'RE HERE TO HELP YOU.

NO ONE CAN HELP ME.

PLEASE JUST LEAVE ME ALONE.

TONY RAMOS WON'T QUIT UNTIL HE FINDS YOU.

HE'S RIGHT, MISS CORTINO.

WHAT HAPPENED IN MIAMI?

HE KILLED SOMEONE.

I SAW HIM KILL SOMEONE.

OK. COME ON.

LET US TAKE YOU TO YOUR SON.

YOU CAN TELL US ABOUT IT ON THE WAY.

COME ON.

♪ ♪ ♪ ♪

WOW!

CAN YOU TEACH ME TO DO THAT?

YOU REALLY WANNA LEARN HOW TO PLAY THESE?

SURE.

COME HERE.

PUT THE DRONES OVER THERE,

GET THE CHANTER DOWN HERE,

PUT YOUR FINGERS ON THERE,

AND YOU JUST HUFF AND PUFF

AND BLOW IN THERE AS HARD AS YOU CAN.

[BLOWING]

SQUEEZE WITH YOUR ELBOW.

[HITS SOUR NOTE]

THERE YOU GO.

OH, THAT'S OK. YOU'LL GET THE HANG OF IT.

YOU KNOW, THE FIRST TIME I PLAYED THOSE,

SOUNDED LIKE SOMEONE WAS CHOKIN' A CANARY.

YEAH.

[TELEPHONE RINGS]

♪ ♪ YEAH?

CODY! CODY! CODY!

GIVE 'EM HELL!

WHY DON'T YOU PRACTICE INSIDE?

I'LL BE IN IN A SECOND.

SURE THING, DAD.

OK.

CODY, CODY, CODY,

SWEETHEART, HOW YA DOING?

I'VE BEEN BETTER. WHY?

I GOT SOMETHING THAT'S GONNA FIX THAT RIGHT UP, OK?

TRUMPETS, DRUMROLL...

REMATCH. HA HA HA HA.

THE CRUSADER VS. THE WARLOCK, HUH?

AND PAY-PER-VIEW.

CODY, YOU KNOW WHAT PAY-PER-VIEW MEANS?

THAT'S A HALF A MILLION GUACAMOLES

JUST FOR WALKING THROUGH THE DOOR. HOW ABOUT THAT, HUH?

WHOA, MURRAY, SLOW DOWN.

I'M SLOWIN'. WHAT?

LISTEN, YOU CAUGHT ME AT A BAD TIME.

HOW BAD COULD IT BE?

I'M OFFERING YOU THE BEST DEAL OF YOUR LIFETIME,

A HALF A MILLION DOLLARS, WIN OR LOSE, HUH?

MURRAY, STOP! LISTEN TO ME.

MY KID'S IN TOWN,

AND HIS MOM AND ME, WE'RE HAVING A FEW PROBLEMS.

NO, NO. YOU GOT ONE PROBLEM. YOU GOT ONE MAJOR PROBLEM.

YOU'RE BROKE, CODY, BROKE.

YOU KNOW WHAT THAT MEANS? YOU GOT NOTHING IN THE BANK.

OH, BY THE WAY, I FORGOT TO TELL YOU,

THAT WAS A MASTERFUL STUNT YOU PULLED THE OTHER DAY, PASSING OUT LIKE THAT.

THEY'LL BE TUNING IN DROVES JUST TO SEE IF YOU CROAK.

IF YOU WRESTLE AGAIN, IT COULD RUPTURE,

AND IF IT RUPTURES... IT COULD KILL YOU.

YOU SAID HALF A MILLION?

I'M TELLING YOU GUARANTEED. THAT'S WHAT IT SAYS HERE.

YOU PUT THAT IN MY SON'S NAME.

SURE, CODY. YEAH, YEAH. WE CAN...

PUT IT IN YOUR SON'S NAME.

THEN BOOK IT. I'LL BE THERE.

SON'S NAME.

WELL, THANKS, LORD. HA.

THANKS FOR GIVING ME A CHANCE TO...

TO LEAVE HIM A LITTLE SOMETHING, HUH?

AND LET ME HANG AROUND WITH HIM A BIT.

I MEAN, WE'RE COMMUNICATING.

WAIT A SECOND.

WAIT A SECOND.

I CAN'T DO THAT TO HIM.

[SNIFFS] WE CAN'T BE PALS,

NOT WITH ME DYING AND ALL.

WHAT ARE YOU DOING TO ME, MAN?

IT'D BE TOO HARD ON HIM! HE'S JUST A LITTLE KID!

IT WOULD RIP HIS HEART OUT!

IT'D BE EASIER ON HIM IF I JUST LEFT HIM ALONE

AND LEAVE THINGS JUST THE WAY THEY'VE BEEN.

IT'D BE BETTER THAT WAY FOR HIM ANYWAY.

AT LEAST IN THE END.

Crowd chanting: CODY! CODY! CODY!

CODY! CODY! CODY!

HEY, DAD. WHAT ARE YOU DOING?

IT'S NONE OF YOUR BUSINESS, MAN.

AND I'M NOT YOUR DAD. I'M CODY THE CRUSADER,

SO WHY DON'T YOU GET OUT OF HERE? YOU'RE STARTING TO BUG ME.

I SAID, GET OUT OF HERE!

THERE'S NO SIGN OF HER.

I DON'T THINK SHE'S THERE.

BUT I SPOTTED THE KID IN ONE OF THE ROOMS,

AND HE'S GOT A HELL OF A BIG BODYGUARD.

THAT'S HIS FATHER, YOU IDIOT,

CODY THE CRUSADER.

WOW. WHAT ARE WE GONNA DO NOW?

GRAB THE KID AND MAKE THE MOTHER COME TO US.

HEY.

CODY THE CRUSADER?

HE AIN'T GONNA TAKE THIS LYING DOWN.

HE GETS IN THE WAY, WE KILL HIM.

JAKE, COME ON DOWN.

AH, HELP ME WITH THIS ONE, WILL YOU, LORD?

I DONT' WANT THIS KID THINKING HE'S RESPONSIBLE

FOR ANY OF THIS.

[SIGHS]

JAKE.

OPEN UP.

OPEN UP, WILL YA?

OH, COME ON, JAKE. YOU'RE A SMART KID.

YOU'RE SMART ENOUGH TO KNOW I CAN'T BE ANY KIND OF DAD TO YOU.

WHEN YOUR MOTHER COULDN'T PUT UP WITH ME ANYMORE,

I WASN'T--WELL, I DIDN'T BEG HER TO STAY.

I DIDN'T HAVE WHAT IT TOOK

TO BE A HUSBAND AND A DAD.

I COULDN'T KEEP A...

I COULDN'T KEEP A FAMILY TOGETHER. YOU KNOW THAT?

AND NOW IT'S JUST TOO LATE.

I LOVE YOU, JAKE, BUT IT'S TOO LATE.

NOW COME ON AND OPEN UP.

JAKE. JAKE!

OH, GOOD MOVE, CODY.

GOOD MOVE.

JOE!

JOE, MY KID! MY KID'S GONE! DID YOU SEE HIM?!

NO, SIR. HOW LONG'S HE BEEN MISSING?

I DON'T KNOW. 5 MINUTES MAYBE. WE GOTTA FIND HIM NOW!

I'LL PHONE IT IN.

WALKER!

CODY, WHERE'S JAKE?

HE'S--HE'S GONE. JAKE'S GONE.

GONE? GONE WHERE?

I DON'T KNOW.

OH, MY GOD.

OH, HE'S GOT HIM.

WE'LL GO LOOK FOR HIM. YOU STAY HERE WITH THEM.

BARBARA.

BARBARA, LISTEN TO ME.

NO, LISTEN TO ME. LISTEN.

[TALKING INDISTINCTLY]

WHERE YOU GOING?

AIN'T GOING NOWHERE, KID.

OH!

GET THE SQUIRT! HELP!

TOUGH GUY, HUH?

WE'LL SEE HOW TOUGH YOU ARE. LEAVE ME ALONE!

YOU TWO ARE PATHETIC TO ME.

YOU KNOW THAT? PATHETIC.

HOW COULD YOU LET THIS HAPPEN?

I DON'T KNOW.

DID YOU--DID YOU SAY SOMETHING TO HIM?

DID YOU DO SOMETHING TO HIM?

I MIGHT HAVE BEEN A LITTLE HARD ON HIM.

YOU WERE HARD ON HIM?

OH, THAT'S... PERFECT.

I DIDN'T BRING HIM HERE FOR YOU TO PLAY INSTANT DAD, CODY.

I BROUGHT HIM HERE FOR YOU TO PROTECT HIM!

[CRYING]

THAT'S WHAT I WAS TRYING TO DO.

HOW? BY SCARING HIM INTO RUNNING AWAY.

SEE, YOU DON'T UNDERSTAND.

YOU KNOW WHAT? YOU NEVER HAVE.

YOU'RE WRONG, CODY. I UNDERSTAND.

I UNDERSTAND PERFECTLY!

ME! ME! ME! ME!

THAT'S ALL IT'S EVER BEEN.

THE BIG HOUSE, THE...

THE CARS, THE TROPHIES,

THAT'S ALL THAT'S EVER IMPORTANT TO YOU, CODY.

WELL, THIS ISN'T ABOUT YOU!

IT'S ABOUT YOUR FAMILY.

IT'S ABOUT JAKE. UHH!

[WAILING]

I LOVE YOU!

I'VE ALWAYS LOVED YOU.

WHY CAN'T YOU SEE THAT?

I LOVE JAKE, TOO.

HE MEANS MORE THAN ANYTHING IN THE WORLD TO ME.

AND YOU KNOW WHAT? YOU'RE RIGHT.

YOU'RE RIGHT. IT ALWAYS HAS BEEN ABOUT ME.

I CAN SEE THAT NOW,

AND I WANT TO CHANGE.

I WANT TO GET BACK TO WHAT'S REALLY IMPORTANT.

BUT, MORE THAN ANYTHING ELSE,

I WANT YOU TO KNOW I'M SORRY.

I'M REAL SORRY, BARBARA.

[TELEPHONE RINGS]

[RING]

HELLO. CODY CONWAY?

YEAH, IT'S ME.

WE GOT YOUR BOY.

LOOK, THE DEAL IS SIMPLE.

I GIVE YOU THE BOY,

YOU GIVE ME YOUR EX-WIFE.

I'LL MEET YOU ON THE ROOF

OF THE PARKING STRUCTURE

ON 5th AND MAIN, ONE HOUR,

ALONE. NO COPS, NO GAMES...

OR YOUR SON DIES.

[DIAL TONE]

WHAT IS IT, CODY?

HERE THEY COME.

HOLD ONTO HIM!

I'LL TAKE CARE OF IT.

DON'T LEAVE.

DAD! SHUT UP!

YOU KNOW THE DEAL, CODY.

YOU GIVE ME THE KID.

NOT UNTIL I GET BARBARA.

WHAT THE HELL ARE YOU DOING?

I WANT MY SON.

IS HE NUTS?

ALL RIGHT, THAT'S CLOSE ENOUGH.

YOU LET THE KID GO...

THEN WE'LL DEAL, HUH?

DEAL THIS.

TAKE ONE MORE STEP,

AND YOU'RE DEAD, CODY.

LET THE KID GO, OR SHE DRIVES.

GET HER OUT OF THE CAR,

OR I'LL KILL YOU BOTH!

YOU KILL US...

SHE GOES STRAIGHT TO THE COPS...

YOU KNOW SOMETHIN'?

YOU'RE THE DEAD MAN.

BARBARA, GET OUT OF THE CAR! NOW!

SHE'S NOT MOVING!

HEY, JAKE, YOU OK?

I LOVE YOU, JAKE.

OH, NO. THIS IS TOO TOUCHING.

I WANT THE WOMAN!

RUN, JAKE! [GUNSHOT]

I'M A POLICE WOMAN. GET IN THE CAR.

AAH!

AAH! AAH! UHH!

UHH!

WELL, YOU GOT YOUR WISH, CODY.

CAN'T TELL YOU, WALKER,

I NEEDED THAT, MAN. HA!

[HORN HONKS]

JAKE. OH, JAKE!

ARE YOU HURT? OH!

OH. HA!

[KNOCK ON DOOR]

YEAH?

COOL. YOU WANTED TO SEE ME, DAD?

YEAH, YEAH, I DID.

COME ON IN.

COME SIT DOWN.

HEY.

YOU'RE LOOKING HANDSOME TODAY, MAN. HA HA.

HOW YOU DOING?

I'M GONNA JUST PULL ON THAT.

THANKS.

YOU KNOW, JAKE, UH...

SOMETIMES LIFE, UH...

DEALS SOME PRETTY STRANGE HANDS, HUH?

YOU'RE GONNA WIN THE FIGHT, AREN'T YOU, DAD?

WHY, SURE. I'M IN THE PINK, MAN.

I'M KIDDING.

AW, I, UH...

I JUST WANT TO TELL YOU THAT, UH...

THAT YOU'RE A REAL GOOD KID,

AND SOMEDAY, YOU KNOW SOMETHING?

YOU'RE GONNA GROW UP TO BE A REAL GOOD MAN,

AND I JUST WANT YOU TO KNOW THAT I LOVE YOU.

I--I KNOW THAT, UH...

I AIN'T SHOWN IT MUCH, BUT I DO.

AND YOU KNOW SOMETHING?

I LOVE YOUR MOM, TOO.

SHE'S A GOOD WOMAN.

I JUST WANT YOU TO...

JUST KEEP WATCHING OUT FOR HER, WOULD YOU?

YOU GONNA LEAVE US AGAIN, DAD?

HA!

THEY'D HAVE TO...

DRAG ME OUT OF HERE, NOT OF MY OWN FREE WILL.

I'D BE KICKING AND SCREAMING

AND SHOUTING, AND YOU KNOW WHY?

HA! HA!

'CAUSE I'M CODY THE CRUSADER,

AND YOU, YOU'RE CODY THE CRUSADER'S SON.

ALL RIGHT, DAD.

YEAH.

NOW, YOU GO TAKE YOUR SEAT WITH YOUR MOM

AND RANGER WALKER AND RANGER TRIVETTE, HUH?

HEY.

LET'S HEAR SOME CHEERS FOR THE CRUSADER, HUH?

I LOVE YOU, TOO,

AND YOU ARE THE CRUSADER.

YOU'RE NOT A FAKE.

I GOTTA GO WARM UP NOW, HUH?

I'LL SEE YOU.

GOOD LUCK, DAD.

GOD...

THANKS FOR BRINGING HIM BACK, AND, UH...

IF YOU LET HIM WIN...

THAT'S OK, TOO.

Announcer: LADIES AND GENTLEMEN, NOW ENTERING THE ARENA...

[INTENSE MUSIC PLAYS]

...CODY THE CRUSADER!

OOH-AAH!

OOH-AAH!

YEAH!

[BELL DINGS]

YEAH!

WHOA!

[HEARTBEAT POUNDING]

[BOOING]

[GRUNTS]

[GRUNTS]

1...2...

3...

YES!

[HEARTBEAT POUNDING CONTINUES]

YEAH!

DAD!

DAD!

[CHAOTIC YELLING AND CHATTER]

Jake: DAD!

HOW IS HE, DOCTOR?

WE DID ALL WE COULD.

NOW IT'S UP TO CODY. AND GOD.

THE OPERATION WENT WELL.

SORRY, BARBARA.

IT'S LIKE HE KNEW.

IT'S LIKE HE KNEW HE WASN'T COMING BACK.

HE'S GOTTA COME BACK.

HE'S GOT TO.

I LOVE YOU, DAD.

[CRYING] DAD, I LOVE YOU.

BARBARA.

I LOVE YOU, TOO, SON.

HOW DID I DO?

YOU WON, DAD.

YOU WON.

Cody: AH, BOY, DID I EVER.

[BELL DINGS] Crowd chanting: CODY! CODY!

CODY! CODY! [SHOUTS INDISTINCTLY]

[AUDIENCE CHEERING]

[♪]

♪ 'CAUSE THE EYES OF THE RANGER ♪

♪ ARE UPON YOU ♪

♪ ANY WRONG YOU DO HE'S GONNA SEE ♪

♪ WHEN YOU'RE IN TEXAS, LOOK BEHIND YOU ♪

♪ 'CAUSE THAT'S WHERE THE RANGER'S GONNA BE ♪