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[music]
[music]
Specific gravity 3.62.
That looks good. If it remains stable,
we may have something.
>> Specific gravity 3.62.
>> All right, get ready to start test
series number one.
>> Hydrogen generator pressure,
>> it's normal.
All right,
start
>> number one.
>> Begin in 5 seconds.
5 4 3 2 1 start.
>> [music]
>> Great.
Frank, what's wrong with your mask?
>> It doesn't work. I
>> I'll start the exhaust fan.
>> No, not yet. Not till I get the fire
out. The oxygen will spread it and
everything might explode.
>> [music]
>> Drink.
Drink.
[music]
[music]
>> What happened?
>> Our flask exploded. He's in there. the
exhaust.
>> Oh, no, no, no. Wait till all the gas is
exhausted.
Doctor
Now post.
[music]
Such are the hazards of [music]
scientific research.
And strange as it may seem, this is not
the end, but only the beginning of the
ordeal of Dr. Cordell.
Our leading players are Mr. Robert
Vaughn,
Miss Kathleen Crowley,
Mr. Robert [music] Ellenstein,
and Mr. Russ Conway.
Speaking of chemistry, this thriller is
a mixture of one part scientific
possibility,
one part imaginative [music]
melodrama,
and two parts pure terror.
Oh dear. Well, [music]
these are the hazards of science.
[music]
[music]
>> [music]
>> Just lie quietly now.
I've just given you an injection of
adrenaline. No, no. Lie still.
>> Are you all right?
>> Mhm.
[sighs]
>> Your notes?
>> They're safe.
When is it, doctor?
>> 10 minutes ago, he had no discernable
heartbeat. Now it's normal. How do you
feel, Frank?
Other than a splitting headache, I feel
all right.
>> Can I get up?
>> Come on. Yep.
>> Well, you better phone Washington,
doctor, and tell them to run the rest of
these tests, because we've got a new
problem to solve now.
>> What's that?
This mask is supposed to protect against
any known gas
and it failed me completely in there.
Are
>> you sure it's working correctly?
>> Well, we both checked it before I went
in the cage. It's routine.
>> But it must be defective. If it isn't,
you know what you're suggesting.
>> Not suggesting.
I'm telling you.
Some new kind of gas was generated by
this fire.
Now, we've spent two years trying to
find an antidote for nerve gas.
And then, suddenly, we stumbled on even
a more frightening problem. A gas
against which our best equipment is
completely useless.
>> And you guess
there must be some other explanation for
what happened to you.
>> Well, you gave me a physical examination
less than a month ago. Was I a candidate
for a heart palpitation or a sudden
blackout?
>> No.
>> Let's face it, doctor. What we can
discover by accident, others can
discover, too, or possibly have already
discovered.
>> I can see tentatively that you've run on
to something unique. I'll report it to
Washington and send this gas mask along
to be checked. Do you have any idea what
combination of chemicals occurred during
the fire? Well, yes, but it would take
weeks, months even to check out all the
possibilities.
>> Frank,
>> I guess I bounced a little harder than I
thought I did.
>> You're going home now. And no work until
I say so. Now, no arguments. You're
going home. Lois, you'll drive him.
There may be more after effects.
>> I'm more likely to have after effects
from her driving.
>> Mind your madness, doctor. I'm a little
too fragile to be bounced again. Well,
>> she never got over being champ of her
judo team. H
>> you two go along. I'll see that
everything's secured here.
Here we are. Doctor, your bachelor digs.
I'll see you to the door like a proper
butcher.
>> [clears throat]
>> I say, "What did you put in those
drinks?"
>> Adrenaline and oxygen. A real gasser.
>> Well, I've uh certainly had a wonderful
evening, Miss Walker, but I really must
say good night.
>> Oh, well, it's a shame to break it up so
early. Um, couldn't I come in for just a
few minutes?
>> No, I I don't think so.
>> No, just for a cup of coffee.
>> No, no, no.
>> Or something.
>> Well, I hardly know you, Miss Walker.
Frank,
what? I've been acting like a selfish
little heel.
>> Frank, forgive me.
>> I'd be worried if you weren't
disappointed.
>> So am I. Believe me.
>> Well, that's all I wanted to hear. Good
night.
>> Good night.
Heat.
Heat.
darling.
What happened?
>> I don't know.
Suddenly, the sound of that little bell
almost drove me out of my mind.
My heart begin to pound and every sound
was horribly amplified.
>> Oh, you're still a little shaky from
that accident at the lab.
>> Yeah, I guess that must be it.
>> Come on. Inside and into bed
and you stay there until I phone you
tomorrow. Huh?
All
right. Good night.
>> Good night, darling.
[music]
[music]
[music]
Heat. Heat.
[music]
Heat. Heat.
Heat. Heat.
Dr. Cordell.
Dr. Cordell.
Dr. Cordell, are you in there?
>> Doctor.
>> Yes, Mrs. Eid.
>> Didn't you hear your phone? It's been
ringing for the past 20 minutes. Miss
Walker's been trying to reach you.
>> All right. Thank you. I'll call her
right back.
>> [clears throat]
>> Hello.
>> Hello,
>> darling. Are you all right?
>> Yes.
>> Well, why didn't you answer the phone? I
had to call Mrs. Heath.
>> Well, I'm sorry. I guess I was dead to
the world.
>> How you feeling?
>> Fine.
In fact, great.
>> That's wonderful. I'll pick you up in 10
minutes. And don't bother with Mrs. He's
orange juice and that lumpy oatmeal.
>> You're buying me an expensive brunch
downtown.
>> A brunch?
>> Well, it's nearly noon, sluggard.
[screaming]
>> What's happened?
>> [music]
>> Good lord. [crying]
>> Do a thing like that to a helpless
little bird?
>> Those fiends. Those vicious fiends
that kill little Billy just to get even.
[clears throat]
To
>> get even. [music]
>> Because I reported them to the juvenile
authorities
roaming the streets after curfew.
the neighbor kids.
All right, you go on inside, Mrs.
[music]
I'll take care of Billy. [clears throat]
No, I'll do it. I'll put him where the
cats won't find him.
[music] He was always so afraid of cats.
[music]
>> [music]
>> That's priceless.
>> You mean that you actually were brewing
moonshine right beneath your chemistry
professor's nose?
>> Right under his red nose. I always felt
the old boy was wise to us. He was
probably sampling the stuff after class.
>> It's a wonder you weren't kicked out in
your freshman year.
>> It's a miracle car. I didn't poison the
entire undergraduate school.
Well, it started me reminiscing. Must be
something to do with his brunch
business. You know, that is a scandalous
deterioration of good, staunch orthodox
habits combining breakfast with lunch.
>> Well, whatever the reason, I'm glad.
Do you know I nearly lost you last
night? For today, you're wonderfully
alive and bright again. Well, you're
almost fun to be with.
>> Secret. I guess I have been a little
difficult to get along with lately, but
for some strange reason, despite the job
we're facing, I feel positively
stimulated.
[music]
>> Match [music] darling.
[music]
Come on. [music]
Got work to do.
[music]
[music]
[music]
Another
[music]
night session.
>> Well, I can take it if he can.
>> Any progress?
>> Oh, no.
Three weeks trying to recreate that gas
and I've got nothing but circles under
my eyes.
>> How is he feeling?
>> Well, I think he's overwork. It's like a
compulsion. It's almost frightening.
>> Maybe I better take another look at him.
Ask him to come around to my office
first thing in the morning.
>> Good.
>> Good night. Good night, doctor.
>> Lois.
>> Yes.
>> In the future, please don't shut off the
intercom.
>> I'm sorry.
I was afraid Dr. Bronner's chitchat
would bother you. It
>> bothers me a great deal more for me to
know you're talking about me behind my
back.
>> It wasn't anything sinister.
You just stopped in to see how you were
feeling.
>> I'm in perfect health.
>> You're not an MD, doctor, so stop
diagnosing yourself.
Incidentally, um Dr. Bronner wants to
check you over in the morning.
All right, Frank. That's all for
tonight. Come out of there now.
Frank.
[music]
>> Well, that was a stupid thing to do,
wasn't it?
>> You should take the hint. That was a
typical fatigue symptom.
I'm sorry if I frightened you.
>> No, forget it.
>> Seems that all I'm doing these days is
apologizing.
>> Well, if at least you're not ignoring
me,
>> you quitting. No, you go on ahead. I
want to go over these notes some more.
There's still something wrong with our
procedure.
>> Go ahead, please.
>> All right. Good night.
>> Good night.
[music]
[music]
Excuse me. I'm lost, I think.
>> What are you doing in here?
>> I'm new on the campus. I thought the
library was in this building. I'm so
sorry,
>> All right. Just a minute.
>> How did you get in here?
>> What?
>> How did you get through that door?
>> I just walked through it. I said I was
sorry.
>> It was open.
>> Yes.
And you didn't see this sign, of course.
>> Oh, I didn't notice.
>> What's your name?
>> Susan Baker.
>> And you just walked through this door.
>> Well, yes. I saw a light down here and I
just
>> And it was open.
>> Yes.
>> Well, it couldn't have been opened. It's
always locked. It locks automatically.
>> Well, I don't know about that, but it
really was open.
I'm sorry, Miss Baker. It needs
adjusting. I'll point you to the
library.
>> Thank you.
Here's
[music]
[music]
[music]
that building
on the other side.
>> Thank you. [music]
Heat. Heat.
Stop.
[screaming]
Are you
That's a
[music]
Oh,
[music]
[music]
heat, heat. [music]
>> [music]
[music]
>> Heat. Heat.
[music]
Heat. Heat.
[music]
[music]
>> [music]
[music]
>> Heat. Heat.
>> [music]
[music]
[music]
[music]
[music]
>> I'm positive on the lieutenant. She's
the same girl I saw when I was leaving
last night.
>> What time was that, Miss Walker?
>> Oh, about 10:00.
>> And you say she was headed for this
building?
>> No. No. I said I saw her heading in this
general direction.
Oh, Frank.
>> Dr. Codell.
>> Frank, this is Lieutenant Bhutaric of
the Homicide Squad.
>> How do you do?
>> We were about to go looking for you.
>> What for?
>> Well, Mrs. He said you left about an
hour ago.
>> Oh, well, I was driving around. I wanted
to uh think.
>> Would you mind telling me what time you
quit work last night?
>> Well, I don't know. Oh, I would imagine
it was about an hour after Dr. Walker
left.
>> Did you hear about the murder? A co-ed
named Susan Baker?
>> Yes, I did on the um radio.
>> As near as we've been able to tell, the
last person to see Miss Baker alive was
your associate.
She was headed for this building. Did
you see her, Dr. Cordell?
>> Oh, no. I I don't think so.
>> She might have wandered into your lab.
>> No, that's impossible. Well, this car at
a door has a double lock. We three have
the only keys.
>> That's right, Lieutenant.
>> You haven't answered my question, Dr.
Cordell.
>> No, I didn't see her.
>> Where did you find her?
>> Just across the way in a shrub.
>> Poor thing. What he did to her?
>> You saw her? I asked Miss Walker to
identify the girl.
>> I see. I guess that's all for now. Thank
you. Goodbye, Lieutenant.
>> What a horrible thing to have happen.
>> Well, doctor, I believe you wanted to
examine me this morning.
>> Don't tell me you're actually submitting
without a fight.
>> Well, you two seem determined that
there's something wrong with my health.
>> I think if you have any after effects
from that gas, we ought to know it.
>> All right, come on then. Let's get it
over with.
>> Well,
You can get dressed now.
>> Well, how long [clears throat] do I have
to settle my temporal affairs? Doctor,
>> get dressed. I don't want you catching
pneumonia on my account.
>> Come in.
>> Excuse me, doctor. Oh, come in,
Lieutenant.
>> Before I leave, I'd like to get your
opinion on something that's bothering
me.
>> Yeah.
>> What's that, Lieutenant?
>> You remember those deep scratches on her
earlobes?
>> Mhm.
>> Well, you were right. She was wearing
earrings, and the killer did tear them
off. My men just found one about 30
yards from the scene. Apparently, the
killer dropped it.
What kind of a psycho would ignore her
wristwatch and the money in her purse
and just take a worthless little thing
like this?
>> That's very difficult to say,
Lieutenant. Possibly a trophy of the
kill.
>> Yes, but why not her scarf or something
more personal? Why earrings?
>> Who knows? Perhaps it has a hidden
psychological meaning for the killer. a
symbol which released some deeply
suppressed homicidal urge.
>> What do you mean?
>> I suppose that in his infancy, he had
been terrorized by an older child, a
sibling, terrorized with a toy bell.
Such a repressed nightmare could lie
dormant for years and then suddenly
explode in seemingly senseless violence.
It's all a matter of chemistry, brain
chemistry.
>> Well, how so, doctor?
Well, human behavior is a direct result
of the chemical balance of the cerebral
cortex. That portion of the brain which
controls our higher mental functions,
uh, particularly moral judgments, the
ability to choose between right and
wrong.
>> You mean a sudden change in brain
chemistry could turn a normal man into a
killer?
>> Yes, exactly.
>> Well, suppose your theory was correct.
Do you mean you could restore the moral
balance of a man by restoring the
chemical balance of his brain?
>> Possibly if one only knew what elements
were involved.
And otherwise
>> otherwise
you must go on killing [music]
[music]
[music]
>> [music]
[music]
>> supper is served. Master
Sammy Fun says there's actually chicken
in the chicken charine tonight.
Would you like me to send in the menu?
Oh, Frank, come on. Let's not let it get
cold again tonight, please.
>> Can't you see I'm trying to concentrate?
>> So am I. Oh my neglected feed box.
Is that all you can think about, food?
>> I have a vague remembrance of something
called sleep.
>> Listen, you don't have to put up with
it,
>> Frank.
>> I mean it. You can quit anytime you
like.
>> All right. I know you're bush, Frank,
but don't say anymore. Just don't say
anymore.
I haven't stuck my head out of that cage
for 2 weeks, and I'm no closer to the
answer than I ever was. Now, do you
think you're helping me by these
constant interruptions? This is supposed
to be a laboratory. We're here to work.
We have a job to do.
>> You're done right. A mansized job, and
there's no room for adolescence who
can't stand failure.
>> All right, that's enough, Lois.
>> Oh, no. No. I've held this in much too
long. Do you know, at first, well, I I
was even proud to share in your work.
Well, I even felt a little corny twinge
of of patriotism when I went without
food or worked into the we hours. But
this past week, Frank, I come to realize
that you're not killing yourself for the
same reason that I am.
>> And what's that supposed to mean?
>> It's become a personal thing with you.
Well, ever since that accident, you've
been on a one-man rampage. You act as if
the whole world would disintegrate if if
you couldn't find the antidote to that
gas tonight.
>> Lois, you don't know.
>> I know that science and ego make lousy
chemistry.
>> [music]
>> Lois.
[music]
Well, what did you do? Doctor slug the
lady?
Thought I saw tears.
I guess you scientists have your squalls
just like the common herd, huh?
>> What do you want, Lieutenant?
>> Now, look at this door.
>> Help yourself.
>> This it
gadget you had your maintenance man
fixed the day after the murder.
It's on his worksheet, doctor.
Adjusted pneumatic door closer for Dr.
Cordell.
>> So, your associate came through this
door shortly before the girl was killed.
If the door didn't close completely.
>> It did.
>> You seem very certain of that.
>> Well, of course I am. I checked
completely when I closed up for the
night. That girl couldn't have wandered
in here if that's the idea. You're still
belaboring.
>> Just closing out every possibility.
Doctor,
>> are you getting anywhere?
>> We figure the killer's hold up
somewhere.
But he'll go on the prowl again like
Type has to.
[music]
>> Type.
You didn't see what he did to the girl,
did you?
No, I wish I hadn't.
I'll be seeing you, doctor.
[music]
[music]
[music]
Got another glass.
Lois was just in to see me.
She tells me you haven't been out of
here in days.
Frank,
as a friend, not as your boss, but as a
friend. Go home. Take the rest of the
week off. Perhaps with a fresh mind,
you'll be able to see through to the
answer.
All right. Look,
suppose you never rediscover this
mysterious gas and its antidote. Don't
you imagine that the other side has
dozens of weapons that we don't know
about and vice versa.
Very well then.
I accept your resignation, Dr. Cordell.
This isn't a snap decision, Frank.
But the day that you became personally
involved in this problem, you ceased to
be a scientist. And this is work for a
scientist.
Um, you better stop by my office
tomorrow. We'll have to think up some
face saving excuse for your resignation.
>> Wait,
what do you want me to do?
>> I want you to get out of this hole and
rediscover how good it is just to be
alive in the world. They've got two
choices. Either resign or go fishing.
>> I hate fishing.
Well, they could go on a honeymoon.
[music]
[music]
[music]
[music]
Heat. Heat.
Okay, kids. Now, I want to hear this
one. Ready? Hit it. B E A D S T A D E.
[cheering]
>> One last time. Are we going to beat
state? [cheering]
are
ooh. Hey
Heat. Heat.
Heat. Heat.
>> [music]
[music]
>> Heat.
[music]
[music]
[music]
Heat.
[music]
>> [music]
>> We figure the killer's hold up
somewhere, but he'll go on a prowl
again. That type has to [music] he'll go
on a prowl again. That type
[music]
>> [bell]
[music]
>> Yes, Mr. Jones.
>> What?
>> This is the night clerk. Mr. Jones, you
uh want me to send you up another
bottle?
>> Oh,
what day is it? It's Wednesday the 21st.
>> Wednesday.
[music]
[music]
>> [music]
[music]
[music]
[music]
[music]
[music]
>> to the police.
I, Dr. Frank Cordell, am the murderer of
the two co-eds. [music]
When you read this, I will be already
dead.
I must destroy myself before I kill
again.
Once the terrible sickness takes
possession of me, I am unable to stop
myself from killing.
It started after I was exposed to an
unknown gas which my associate, Dr. Lois
Walker, and I have been trying to
recreate. [music]
Lois,
got to warn her about that gas.
Night cl
>> get me Pendleton College extension 93
please.
[bell]
>> Hello
>> Frank.
Well, where are you? Are you home? And
why didn't you call me before you left?
>> Never mind that. Just get out of that
lab now. Do you hear me? Don't go on
with those experiments.
>> Darling, listen to me. I found it. I've
isolated the element from the
>> Lois. Don't go on with it.
>> Why?
>> You don't know what you're fooling with.
>> Franco, are you ill?
>> Someone just came in.
>> It's Dr. Bronner and that uh police
lieutenant.
>> Look, I'll put Dr. Bronner on.
>> No, don't tell them you heard from me.
Do you understand?
>> Don't tell them.
>> But why?
>> Lois, I've got to talk to you first.
You're in great personal danger. That
gas, it's more hideous than we dream.
There are effects.
>> I can't explain on the phone, but I've
got to talk to you.
>> Frank, you are ill.
>> I've got to talk to you somewhere alone.
Now, where can I meet you?
>> Well,
um, the chapel. No one will be there
now.
>> All right. Meet me there. And don't say
anything to anyone.
I um I'd rather she didn't know what you
suspect. After all, it's only
circumstantial.
>> It's quite a coincidence, doctor. The
very day you brought up the idea that a
simple little bell could trigger the
killer. Cordell, hold up in this lab. He
ate here. He slept here. But
>> you can't suspect a man for being
dedicated to his work.
>> She's leaving.
>> Lieutenant,
>> good evening, Miss Walker.
>> Can I help you with anything, doctor?
>> No. I was just showing the lieutenant
your lab setup.
>> Oh, I see. Well, uh, in that case,
>> uh, Loris,
>> yes.
>> If you should happen to hear from Dr.
Cordell, let me know right away, would
you please?
Yes, of course I will, doctor.
>> Good night.
>> Good night.
>> Good night.
>> Just because he stayed here working,
that's no reason for him to be a
suspect.
>> Was he afraid of what he might do if he
went out? Doctor,
>> no. That's impossible. If he was afraid
to go out, why would he allow me to send
him on a vacation?
>> I don't know anything about that. But if
you need proof,
[music]
I found it hidden in his room.
>> [music]
[music]
[music]
[music]
[music]
>> Heat. Heat.
[music]
Heat. Heat.
Heat. Heat. [music]
[music]
Stop it. Stop it.
Stop it. Stop it.
Stop it.
Stop
today.
[music]
I [music]
don't know.
[music]
Dino
[cheering]
heat.
[screaming] A
[music]
great
[music]
[music]
>> [music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
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