Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
It's a bargain, I must say.
The second floor of a former rest home. A real jewel.
Solid old walls.
Seven rooms, kitchen, and bath for a million. It's a steal.
You're a young lawyer You know the purchase terms.
Loan, escrow, under-the-table payment,
and 10% to secure the deal.
Let me find the big key.
I sold this very place to a young doctor 20 years ago.
A thorough fellow. A bit stuffy.
He inspected everything, asked terse questions.
The place was empty and dirty and going for a song.
It took some imagination, but she had plenty.
His wife was gorgeous.
A dreamer.
I remember her white satin dress.
A dream of a woman.
Twenty years later she was unrecognizable.
Even her eyes had turned pale.
Then the tragedy happened. Poor thing.
The doctor and children left town a week later.
He abandoned his thriving practice.
He was a highly regarded gerontologist.
The house had nothing to do with the tragedy,
but it's why the price is so low.
To sell quickly and forget.
It was a rest home,
but it could make a grand residence.
A doctor should think big.
Some people decide everything on the spot:
our bed there, the sofa here, your desk, my dresser...
They have no furniture or children,
but in these empty rooms lies their future.
A future conditional, of course.
We realtors do the same thing.
I already picture your family, your clientele...
your bedroom, waiting room, game room...
I'm glad you're not a gynecologist.
Fewer temptations.
Jealousy is a nasty trait.
I don't want you cheating on me.
Don't talk nonsense.
I'm pregnant all the time.
Yet you slim down immediately! You're a marvel of nature.
Children, respect your food and those who provide it.
Yes, Dad.
Pacôme, sit up straight.
Louise, elbows off the table.
Sophie, hands off the plate.
It's a huge, old-fashioned kitchen.
You can prepare memorable dishes for your children here.
You'll have it in working order in no time.
- Michèle. - What do you want?
A hug.
You want one too?
Your shirt's inside out.
Don't cry, sweetie. Mommy will be back soon.
Is the lady of the house in?
Need some cotton thread? Very cheap.
We don't need a thing, thanks.
No, nothing.
Shall I read your palm?
Hypertension... stroke...
degeneration... temporal lobe...
blood clots...
arteriosclerosis...
I just put Louise to bed. I think it's measles.
I hope the others don't get it.
I don't know what to do.
Would you come see her?
Give her an aspirin. I'll come later.
Tonight is Professor Lambert's party.
It's very important for my career.
Cerebral hemorrhage... aneurysm...
Dear Michèle, what would I do without you?
It's ready. Shall I serve now?
Nicolas, sit down.
Give me that ball!
Are you kidding?
Come here.
Go take your seat.
I'm not hungry.
Sit down. In this house you'll learn good manners.
I'll have an apple in my room.
What?
I've graduated.
I'm an adult now.
I won't obey you like a soldier.
Louise! What's gotten into you?
You boys can do as Dad says if you want.
Not me. I'm leaving home. I want to be free.
“Any cry for freedom challenges us in some way.
But the study of the history of civilizations,
and our future in society as outlined by our father,
oblige me to ignore my sister.
Her cry is a vain protuberance,
a wrong note, the cackling of hens.”
Are you done?
There's a good auction house nearby
for furniture, pictures, and antiques.
The nuns and old folks left nothing behind.
But these walls have a soul. That's something.
I didn't want to leave this place.
I was happy in this rest home.
I didn't want to leave.
I must show you the bathroom.
A bathroom in a rest home is a large family's dream.
A washbasin for each person.
DREAM
I remember Gaston and Angèle.
Such impeccable servants. So devoted.
I look at you and wonder how I ever fell in love.
I can't even remember being in love with you
or how you ever attracted me.
That Yolanda left cigarette butts in the hall again.
She's a good cook, and she's frugal,
but I hate her clothes and cigarettes.
All that smoke! Thank God the children don't smoke.
At least we taught them that.
Not only have you gained 45 pounds,
but your face has changed.
Your eyes are paler. Your lips are pursed.
Your face has definitely changed. Your eyes are paler.
Your lips are pursed.
I remember Gaston and Angèle.
So helpful, devoted, and impeccable.
Pity they caught that awful disease.
True, you're a presentable wife,
and I do trust you.
And big fat Michèle.
When the kids were babies, she did everything.
I was sure sorry when she died.
Some colleagues my age have charming wives.
Dr. Mercier. A charming wife.
Mrs. Mercier... what a charming woman.
One can't find good servants nowadays.
That Yolande!
She works hard, but she smokes too much.
And she doesn't clean in the corners.
A guy said to me “Take a drag on this!”
I don't understand that.
The High Council of the Institute
of Paranatural Research is satisfied.
Today I'm the happiest of zoosystemicians.
I now hope to play a major role
in the theatrical realm of knowledge.
I'm writing a zoologistical text
that combines fabricatory,
declamatory, symbolic,
phantasmatic, and testiculatory acts
with logical, rational, axiomatizable acts.
In short, I taxidermatize concepts.
Leave behind superficial living
to dive into mucilaginous artifice,
or better yet, into the Hypoficial.
What's for dinner tonight?
Speak nicely to your father. You're always quarreling.
Have you seen my toothpaste?
He adores his children.
But he's a pain in the ass.
Your boyfriends gone to your head.
- Have you ever loved a man? - Your father!
Louis was very handsome and very charming.
“Louise” makes me a daddy's girl. I'm changing my name.
I don't like you smoking while you cook.
And button up your apron.
Shall I hand it in for good?
Not that! What would I do without you, Yolande?
Everyone there? Can I serve?
Then all my troubles began.
I stayed for 11 years.
And all along the hallway...
there were windows.
We'd open them.
Crack them open.
Some wider than others.
You know what time it is?
That won't make me obey you.
Go on to bed!
The smell of grass after it rains...
that's life.
When I was a kid in the country,
Mom would send us outside to clean her knives.
We'd stick the blades in the dirt
to scour them from top to bottom.
I didn't want to leave this place.
I have to get out of this house.
I want to go to Mexico and play the sax.
Real life lies out beyond those trees, not here.
I don't know what I want, but I know what I don't want.
I often watch Dad's mouth when he talks.
I see a pink slit amid his facial hair.
Dad's beard, Dad's mustache.
I don't even hear what he says. I'm not even interested.
I want everything except what's here.
Morn doesn't understand anything.
At least you have no kids. You don't talk about labor.
Mom went into detail again earlier about all our births.
One of them died.
The other is Pitou. He does as he pleases.
Anyway, I want none of it.
I want a career, not a family.
You're right! Leave! You're 18.
You can always leave at 18.
What can they say?
They can't tie you up.
As for money...
swipe the silver and sell it.
No, don't. They'd accuse me.
I'll figure out how to get their credit card number.
Or ask for your inheritance.
You have it coming. No need to kill them.
Demand what's rightfully yours.
Children, what a misfortune!
Such a fine man!
- He loved you very much. - We barely knew him.
Poor Mireille.
Aunt Simone looks so upset.
This is a terrible trial for you.
Be brave.
You still have your family.
We respected him very much.
We'll help you.
Do you know what “making love” means?
I know some words
like ass, cunt, iron prick,
droopy dick, hairy nuts,
silver balls, red oysters,
cock-shaped umbilical cord,
blossoming boner, pussy, sex, fuck,
knocked up,
ejaculating cock, super cock,
titty titty bang bang,
bottle cock.
I'm all sex, sex, sex.
The wind makes my heart pound.
You make my heart pound.
It's true.
We speak in clichés.
I'm so impatient to see you.
I think of you constantly. I can't stand it.
I love you so much.
I want everything. I'm swept away.
Me too.
I want to be with you always.
You fill my heart.
- Impatient... - It's true...
With you always...
I can't wait...
My heart's pounding...
I'm breaking eggs.
Breaking eggs...
I love breaking eggs.
I could spend my life breaking eggs.
I like to stare at the whites... of their eyes.
Any that miss the dish
are up for grabs.
Can't make an omelet without breaking eggs!
Monsieur likes 'em real runny.
I'm troubled by their vertigo
that dissociates live flesh from artificial flesh...
I don't even hear what he says.
I'm not even interested.
Eighteen lost years.
I can't wait.
I want everything except what's here.
Everything I imagined that day suddenly came back to me.
That was a long time ago.
Here's the key.
Shall we have a look?
I'm sure you'll like it.
This film was shot at the St. Louis Rest Home in Avignon,
during the Alive and Artificial exhibition,
created by Louis Bec in 1984.
Our thanks to D. Sanchez and H. Mangani for the kitchen,
C. Tobas and J. Tartaroli for the bathroom.
Cast: Father: H. Mangani, then L. Bec
Mother: S. Cohen-Tanugi, then C. Bonnet
Eldest Son: P. Esposito
Eldest Daughter: C. de Barbeyrac
Boyfriend: F. Chevalier
The good maid: M. Nespoulet
The Belgian maid: Y. Moreau
Crew:
Cinematography: Nurith Aviv
Assistant: P. Gordower
Sound: D. Olivier
Editing: S. Mamou
Mixing: P. Bertault
Gaffer: D. Testud
Grip: B. Largemains
Unit Manager: F. Noël
Assistant: D. Treillou
Interns: A. Knees and M. Henrio
Music: P. Barbaud
Soloist: J. C. Bernède, Hortensia Publishers.
Clouseau Publishers for Petite Roquette by E. Tabuchi,
sung by the Tokow Boys.
Lab: G. T. C. Recording Studio: Auditel
Film: Fuji
A Ciné-Tamaris Production
with the C.N.A.P. and F.I.A.C.R.E. of the Ministry of Culture
Seven Rooms, Kitchen, and Bath
Written and directed by Agnès Varda
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.