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And uh thank you for staying late to
help me with the inventory.
>> Always a pleasure, Mr. Calderon.
>> Shall we come in early tomorrow
afternoon to finish it?
>> No, just be here at the regular time.
And enjoy the day with your families.
>> Good night.
>> Good night, Mr. Calderon.
>> Good night.
>> Good night, sir.
>> Good night, Maria. And thanks for
staying to help us.
>> You're welcome, sir.
>> Maria,
I know it's a beautiful night, but I'm
responsible for all of you girls who
work here at the club.
I'd feel better if you stayed a few
minutes and let me drive you home.
>> You're very thoughtful, but I know this
section and
as you say, it's a beautiful night.
>> Very well, but please be careful.
>> I will.
>> Good night, Maria. I'll see you
tomorrow.
>> Good night, Mr. Calderon, and thank you.
>> [music]
[singing]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
>> Cuts on both of her arms.
Exactly like the others.
Get her down.
>> What will you do now, Inspector Ramos?
>> Do you know the name of Adam Rourke?
>> Every detective in the world has read
his book on sex crime motivation and
investigation.
>> And he is my personal friend.
I'm sending a cable to New York tonight.
>> I'm glad to see you, Adam. Welcome to
Manila.
>> Miguel, it's nice seeing you again.
You know, it's been 4 years. And from
the look of your face, I'd swear you
haven't aged more than 10.
>> [laughter]
>> What's up, Pari?
Let me take this.
>> No, no, come on. What's up?
>> You're American detectives. You don't
even permit me the courtesies of
greeting.
>> Listen, I know a chief inspector of
homicide doesn't send plane tickets to
their friends just so they can fly in
and sit by the ocean and watch colorful
bunkers drift by, right? Besides, I got
to know that particular look pretty well
on your last trip to New York. What's
up?
>> All right, my friend. I'll tell you on
the way home, and I'll tell you some
more when we get there.
My guy is there. Let's go.
>> Okay.
All exactly the same.
>> All neat, all deep.
All precisely 10 cm long.
Not a fraction more or less.
On the inside of both forearms of every
single victim.
>> Very calculated and very professional.
And every victim a young, attractive
girl.
No deviation.
None.
Are you absolutely sure each victim was
completely drained of blood?
>> Except for fractional amounts in the
hands and head.
No, Adam.
It could not have been done with
anything like that.
The incisions are too thin, too neat.
We have talked to every friend, every
family.
Anyone who could help us find any kind
of link, any kind of pattern that could
tie the victims together. Do you know
what we found?
>> No.
>> There's no connection.
And Adam,
it has to be only one man.
No two persons can kill so many people
exactly the same way each time.
>> Except for one thing.
>> What's that?
>> What if the killer were twins?
>> [laughter]
>> Since you're supposedly here to help my
brother, Mr. Rock,
it might be better if you remember the
pressures on him instead of making
jokes.
>> I'm glad you're here.
Adam, I want you to meet my sister,
Sylvia.
>> How do you do, Sylvia?
I'm sorry if that last remark created
the wrong impression.
>> No apologies necessary, Mr. Rock.
But it might help if you remember that
you're in a country whose customs and
attitudes are not your own.
>> Sylvia,
Adam is an experienced lieutenant of
homicide himself.
And he is also my friend. Do I make
myself clear?
>> Quite clear, Miguel.
>> Now, what is it you wanted?
>> To pour myself a drink.
But if I'm disturbing
>> No, no. You know all about this. Go
ahead.
>> Is there anything I can get for you,
Miguel?
>> A rum and calamansi, please.
>> And um
for our guest?
>> The same if you'd be so kind.
>> Late yesterday, one of my men raised the
fact that Maria Cortez
was working as a hostess at the Barrio
Club
here in the city.
>> Have you done a follow-up over there
yet?
>> No, frankly, I wanted to talk to you
first.
>> I'm glad you did. That gives me an idea,
Miguel.
You don't have any Americans working on
the force, right?
Therefore, the possibilities of somebody
spotting me for a cop are pretty thin.
Secondly,
I'm a stranger here.
So, there's no chance of running into
any previous acquaintances.
Miguel,
this is probably the best setup you've
ever had for putting in a plant. Now,
let me function as an undercover man.
I can pass for a tourist. I'll even wear
colorful sport shirts and can two
cameras if you like. What do you say?
>> No, Adam. No.
Thank you, Sylvia.
>> We don't know why he drains the blood
from his victims.
We can only assume that there's some
peculiar twist in his sick mind.
>> Do you think there'll be other killings
at the club?
>> Not necessarily.
Of course, you don't have enough men to
warn, much less protect every attractive
girl in town. And if our killer even
suspected we were trying,
he'd pick up and move to a new area, a
new city.
>> Then it would be harder to look for him.
And in the meantime, there will be more
killings.
>> Right.
I'll do some digging on my own about
this last girl. Maybe it'll help speed
things up for you.
>> No heroics now. No foolish chances. Just
information. All right?
Then there should be no connection
between the two of us for a few days.
Anyway, I'll provide you with a contact
man.
>> Good.
>> Adam,
there is another possibility I would
like you to know.
There are many sophisticated people
among us,
but there are many more who are not.
There have been some rumors in the
villages about a strange blood cult,
voodoo and the like.
And since none of the victims' blood
had ever been found on the scenes of the
murders, people have begun to think and
suspect that it had been taken for some
fiendish purpose.
>> Really?
>> I know, I know. But anyway, I would like
you to think about it.
>> I'll do better than that. First thing
tomorrow morning, I'll go down to the
main library, and I'll read up on Count
Dracula and the medieval witches.
>> My brother is trying to help you.
>> And I'll remember what he said, Sylvia.
Don't move. There, at the base of your
neck, two small holes. Yes, fang marks.
Sylvia,
I think that
>> And I think that only a complete fool
would ignore all the possibilities that
might apply, even the occult.
>> Regardless, I would like you to bring
Adam into town.
>> No, thanks, Miguel. I'll call a cab.
>> If there is to be no connection between
us, there should be no connection at
all, not even a cab driver.
>> Miguel, I'd prefer that you
>> And I would prefer that you help us in
this matter. Since you have just
returned after 2 years of studies in
London,
no one would recognize you at this hour.
The Lusong Hotel is very clean. I'm sure
you'll get a room there. My man will
contact you tomorrow.
Adam,
here is additional material that I
prepared for you.
>> Thank you for your hospitality and the
spirited conversation.
>> My sister, Sylvia, is very headstrong,
but she means well. I hope you two get
along well together.
>> Miguel, I didn't know you had a sister.
>> In here, yes.
Her father was connected with an English
firm here in Manila before the war.
During the occupation, he joined as a
guerrilla.
He was very brave, but very unlucky.
>> And her mother?
>> Her mother died a few years back.
>> So, your family adopted her.
>> Ganyan lang ang buhay.
>> Say love you.
>> Así es la vida.
>> That's just the way the world works, eh?
>> I just ran out of languages.
>> [laughter]
>> Okay, Harvey boy, let's go.
>> Harvey?
>> Yes, Harvey. I always take him with me
whenever I'm working. Oh, by the way,
who runs the burial club?
>> His name is Calderon.
>> Uh-huh.
Thanks.
>> The hotel is two blocks back on the
other side of the street.
>> I hope you'll forgive me for that little
joke I made back at the house.
>> Oh,
was that a joke?
>> I see.
Well, I guess there isn't too much more
to say except good night.
>> Except one thing.
>> Yes.
>> Right now my brother needs the help of
people who can equal his dedication.
Not that of
>> Of wise cracking skeptics who ignore the
possibility of the occult.
All right, I'm just surprised that you
believe in such things.
>> Do you have all the answers to life, Mr.
Roark?
>> Not the last time I checked, no.
>> Well, then it might surprise you to find
out that there are still some mysteries
that science and policemen seem unable
to answer. Goodnight, Mr. Roark.
>> I came here to help Miguel. And I intend
to do it. Because you're his sister, it
make things a lot more pleasant if I had
your friendship, too. But I don't need
it. Now, in the interest of friendship,
I'll make a simple bargain with you.
I won't form any final opinions of this
case till all the facts are in. If you
do the same with me. Okay?
>> All right.
>> Now, if you promise not to tell a soul,
I'll let you in on one conclusion I've
made already.
>> Really? What?
>> Regardless of how it turns out, you must
admit that someone has come up with a
novel idea for a blood bank.
>> Why you crude.
>> [music]
[music]
[music]
[music]
[music and singing]
>> Do you have a cigarette?
Do you have a light?
>> [music]
>> Yeah.
>> I was just going to ask you something
very personal, but
you have that business before pleasure
look in your eyes.
>> Not really.
>> Yes, really.
>> You're very perceptive.
>> Well, I'm not very subtle, but
be sure to ask for me [music] when that
look changes.
My name's Teresa.
>> [music]
>> Good evening, sir.
What would you like?
>> Whatever you make best.
>> That is difficult. [singing and music]
>> [music]
>> Best rum, the best way.
And no charge for a new visitor's first
drink.
>> Your eyes are sharp as your drinks, huh?
>> It's part of my job, padre.
>> Oh, excuse me.
>> Yes.
>> Maybe you can help.
This club is run by Mr. Calderon, isn't
it?
>> Yes.
>> Where can I find him?
>> Why?
>> I want to talk to him.
>> You're a good man.
>> I'm a stranger, and right away you
spotted the fact that I did a wrong to
Mr. Calderon, and maybe even kill him.
>> [singing]
>> Maybe you are all right, padre.
But I still won't tell you until you
tell me.
>> I'm a writer.
Magazine articles in general, and
anything else I can get in particular.
Now, I read the newspaper [music] story
about the murder of Maria Cortez.
>> Yes.
I would like to put my hands on the one
who did that.
>> Then you can help.
And Calderon, too.
>> You'll find his office at the top of the
stairs back there.
>> Thanks.
>> But you must not.
He's very strict about that.
Now we shall have to wait until after
[clears throat] Serena's dance.
>> [music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[applause]
[music]
[music]
[music]
[music]
[applause]
>> You were wonderful.
>> Thank you.
>> [applause]
[music]
>> I can't let you go on doing this to
yourself time after time.
Dancing till you drop, overworking
yourself.
What about me? What about us?
Aren't we ever going to have any time
for us?
Is there never going to be any rest for
either
>> Awfully
>> Sorry, I thought that was a door to a
hallway.
>> Get out of here.
>> I'm looking for Mr. Calderon.
I have some very important business with
him.
>> I'm Calderon. I have nothing to discuss
with you. Now, outside.
>> Uh no offense. Uh I just made a clumsy
mistake. Please, accept my apology.
>> Get out.
>> You must be awfully tired after that
dance.
>> But it was wonderful. Like I said
before, ma'am.
>> Uh
no offense. I'm leaving.
Sorry.
Well.
>> When were you talking to him?
>> On the stairs a moment ago.
>> What did you tell him?
>> I believe I said, "Thank you."
>> For what?
>> For the compliment he paid me on my
dance.
>> I'm sorry.
It's just that just that everything
makes me nervous ever since Maria went
>> I know.
But don't you think you should go and
talk to him?
>> I'll be right back.
>> I think Maria had more spirit and more
laughter than anyone I ever knew.
>> You met her at the club, right?
>> Yes.
>> How long had you known her?
>> About 2 years.
>> Now that she's gone?
>> I don't know, except that I miss her
very much.
And sometimes when I think of the way
she was Oh, good evening, Mr. Calderon.
>> Good evening, Teresa.
>> Oop, now don't worry. I was just
leaving. Please.
>> Are you all right, Teresa?
>> Yes, Mr. Calderon.
>> Are you sure?
Would you like to go home early tonight?
>> No, I'm fine, really.
>> Good. Then would you excuse us, please?
I want to have a word with this
gentleman.
May we talk?
There are many problems to running a
business like this.
My nerves sometimes
well, I'm [music] afraid you startled me
at such a moment in the office.
>> It's my turn to apologize.
My pleasure, Mr. Calderon.
You know where I come from, folks don't
consider a man a man unless he knows how
to make an apology and accept one.
>> That's a very good philosophy, Mr.
Roark.
>> Adam Roark.
>> Moreno.
>> Yes, Mr. Calderon.
>> Whatever Mr. Roark would like.
>> Then have it brought down to us, please.
>> Another of your specials, Moreno.
>> And what would you like?
>> Nothing, thank you.
>> Well, since you said it was important
business,
I suggest a little more privacy.
>> There's nothing secret about it.
>> At least we can sit in more comfort.
>> Please.
>> Whatever you say.
>> [music]
[music]
[music]
>> You know, it was pretty rude of me to
just stand there blabbering away after I
busted in your office and I saw you and
that lady were having some kind of
personal argument, but I Whoop.
>> [clears throat]
>> There I go again, sticking my clumsy
nose in where it doesn't belong. You
know, that's the trouble with all
writers. They're just plain nosy.
>> You must be a good writer because you're
very perceptive. We were having an
argument.
>> I hope you got it all worked out.
>> Just one of the usual conflicts between
a headstrong performer and practical
businessman.
But what a woman.
>> Well, those people out there were
reacting to her like a bunch of slaves
all hopped up on berry juice coming to
worship the high priestess.
>> I know I'd buy a ticket just to walk
down the street with her.
>> Excuse me. Was this for you, Mr.
Calderon?
>> For Mr. Roark, Elena.
>> Here you are, sir.
>> Thank you. How are your parents, Elena?
>> Fine, thank you. They're visiting
relatives in Zamboanga right now.
>> Please give them my regards when they
return.
>> Thank you, I will.
Nice meeting you, Mr. Roark.
>> Boy, you sure got good taste in the
women you hire.
>> Mr. Rourke,
it's very pleasant talking with you,
but well,
I hope you appreciate that as owner of
the club, I have many things to do. Just
what was it you wanted to talk to me
about?
>> Well, like I told you, I'm a writer. Oh,
not a famous writer, but I've always
been able to spot an interesting story
and make a pretty good living at it.
>> Do I understand that you want to do a
story about the club?
>> What I really had in mind was the girl,
Maria Cortez.
>> [music]
>> Mr. Rourke, I don't think I'd want to
exploit
>> Now, I know how you feel, and I admire
you for it. But I'm not talking about a
piece of cheap sensationalism. Human
interest is what I'm after. Of course,
I'm going to need some background
details to make the story ring true,
from yourself and other people who knew
her.
>> Mr. Calderon, this story can make the
Barrio Club famous around the world.
>> And you'll have full approval of
everything I write before I send it in
for publication.
>> [music]
>> Now, what do you say?
>> Are you from the police?
That's very funny.
I don't think so.
>> Oh, you would if you knew how I reacted
to the sight of blood.
>> But I'm sure they'll be around sooner or
later.
>> [music]
>> Aren't you?
Probably.
Yet, it seems strange that a tourist
should interrupt his vacation for such
an unpleasant matter.
>> Mr. Calderon, a writer is a writer. He's
always looking for an interesting story.
>> I see.
>> Now, if you agree, I can guarantee that
the results will be very profitable for
both of us.
What do you say?
>> Let me think about it. I'll try to
contact you in the morning and give you
my decision.
>> Fine. Where are you staying?
>> Luzon Hotel, room 12.
I do admit it's an interesting idea.
It's just that I have to reconcile my
previous affections for Maria with such
a concept.
Good night, Mr. Rourke.
>> Good night, sir.
>> [music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
>> No.
>> [sighs]
>> Nope, there couldn't be that much of a
room shortage.
Can I assume he worked alone?
Sorry about that.
Poor Harvey, the things you go through
for me.
>> [music]
>> Well, however you are man, you've done
it again.
You don't know what this means to me.
And one of these days, I promise you,
I'm going to get you a complete paint
job
and an overhaul.
>> Wait, buddy. Wait. Wait, please. Be good
to the less fortunate. I'm hungry,
buddy. I'm hungry.
I hope you have a truly most kind May
you be happy.
Are you all right?
Fine. Fine. I'm sorry. I'm very sorry.
I'm nothing but the clothes I wore.
Please forgive me. And I won't even
blame you if you hit me.
>> Look, I said it's fine. Don't worry
about it. Guy isn't safe anyway.
>> And I wouldn't take that knife to the
police if I were you.
It's a knife, isn't it? A Chris Reeve
baton.
Yes. Our favorite attack weapon in this
part of the world.
Uh will you help me up and
walk me to that bench on there?
>> Why should I?
>> Because Miguel said that you not only
had a sense of humor, but you're kind
and generous.
Thank you.
And that bundle, if you don't mind.
I had a feeling you won't be able to
last till morning to take this to
Miguel.
>> You're quite an actor.
>> So are you.
While you were talking to Calderon last
night.
>> I don't remember seeing you.
>> I didn't want you to.
My job is not only to relay information,
but also to stay as close as possible to
you without arousing suspicion.
Oh, yes. I know I don't present a very
capable picture at the moment.
Well,
the bundle you're carrying,
it's a
modern science's contribution to my lack
of parts.
You'd be surprised how well I can move
when I'm wearing it. Like half an hour
ago when I pulled your victim across the
street.
>> Obviously a suicide.
>> Suicide?
Three bullet holes in him.
>> Marks.
Tell me.
You carry a gun?
>> Uh-huh.
>> Then why didn't you use it when our
friend paid me a visit?
>> I regret that I didn't see him until he
was on your balcony.
>> Well, fortunately you were better
prepared than I.
But I promise to be more alert next
time.
>> Thank you. That's very consoling.
>> Leave the bottom with me.
However, I doubt if
we'll find more than a few smudged
fingerprints on it.
What I'm more interested in is finding
out if if your visitor had connection
with Calderon.
>> That's right.
>> You'll hear from me. By the way, my name
is Herrera.
Now give me some more money and pat me
on the shoulder sympathetically.
>> I still think you're an expensive
proposition. You know that, don't you?
>> How's that, huh?
>> Thank you. Thank you. I've never seen
such generosity. Bless you.
>> Aren't you forgetting something?
>> Oh.
Thanks. I think you'd look more peculiar
with three than I do with one.
>> Good evening.
Please get in.
Yes, you.
>> Doesn't anybody sleep around here?
>> [screaming]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
[music]
>> She's kidding.
She's got to be kidding.
>> [music]
>> She's not kidding.
Gloria, wait.
She set you up for that one and
you fell for it.
How?
What made you think she could change
that fast?
Your ego, that's what.
You overanxious schoolboy.
Noddy.
Clod.
>> [music]
[music]
[music]
[music]
>> I don't believe it.
I still don't believe it.
But there you are.
>> [sighs]
[laughter]
[music]
[music]
[music]
[music]
>> Are you positive she used to work in the
club?
>> I was even talking to her the night
before last.
>> Was she there last night?
>> I imagine so.
>> Why you didn't see her?
>> I didn't make it to the club.
>> Why not?
>> I uh
I was busy. I was out in the country,
just on the other side of the city.
>> Adam, is something
the matter?
There's something you're not telling me.
>> No, there's nothing the matter. It's
just that I'm nervous about coming here.
It's still too soon to start taking
chances.
>> It's not too soon for her.
>> Yes, I'm sorry.
I wish I had followed my instincts last
night.
>> What do you mean?
>> I was there.
She came home drunk. I thought about
seeing if I could help,
but I didn't.
>> You were there?
>> Yes.
>> Then you are onto something.
>> Not about last night. That was pure
coincidence.
>> Oh, I I'm sorry, Miguel. I I didn't
realize you had company.
>> Well, what is it you wanted?
>> Oh, uh nothing. I I'll talk to you
later.
>> Well, I was not expecting another
killing so soon.
>> I know how you feel, but give me two or
three more days. As regrettable as this
is, we still don't have anything solid
to go on, Miguel.
>> I know.
But I'm going back to the morgue to look
for some more clues.
Anything that we have missed, any clues.
Adam,
two or three more days, that's all I can
afford.
>> [music]
[music]
>> Oh.
Oh, I I am
I'm just coming out.
There's something I want to say to you
about yesterday.
>> There's something I want to say to you.
>> Oh, uh
yes?
>> [music]
[screaming]
[music]
[music]
[music]
>> Good evening, Mr. Calderon.
Fascinating woman, isn't she?
>> Yes, she is, Mr. Roy. [music]
>> [music]
>> Just thought I'd check in since I hadn't
heard from you.
Although, I've got the impression you
tried to get in touch with me the other
night.
>> No, I
I've been busy the last few days.
>> [music]
>> Make a decision yet?
>> Decision?
>> On that story I want to write.
>> Oh, yes, the story.
No, I haven't. But, I'm sure it'll be
all right after we discuss the few
details. [music]
>> Good. I'm glad to hear it.
Maybe we can start tonight. [music]
>> No, not tonight.
>> [music]
[music]
[music]
>> Come on. Come on.
>> Run to the locker. You mustn't. There
can be lots of trouble.
>> I'll take my chances, Elena. Thank you.
>> [music]
>> Get out of here.
>> I told you once before, it is not
permitted.
>> I was only trying to help, Solon.
>> You made me trouble the last time.
Now you mind your business.
>> Well, if that's the way you feel about
it, okay.
>> [music]
>> I think I don't like you as MUCH AS
BEFORE.
>> SYLVIA,
I'M GLAD YOU TOLD ME ABOUT the trick you
pulled on Adam.
It was a silly thing to do,
but a very feminine one.
However, no matter what you feel about
Adam,
I ask you not to do anything
that can interfere.
Sylvia,
>> Yes.
>> Could it be possible that you no longer
feel the same way about Adam as when he
first arrived?
>> It's possible.
>> I see.
In a way, I'm glad.
Adam is a fine man.
In another way,
I hope you would consider your emotions
more carefully before giving them to men
who are in our kind of work. That is one
reason why I never got married.
I wouldn't like the woman that I love to
ever feel the loneliness
if I were to be killed suddenly.
>> That's very good advice, Mikhail.
It's a pity you didn't give it to me
before I realized I was in love with
him.
>> That's another reason why I never got
married.
>> What is?
>> That I still don't understand women.
>> No, Miguel, no. It's still too soon.
>> But it is my responsibility to protect
your life, too.
>> Miguel,
you know as well as I do, they'd simply
claim that I was trespassing and legally
speaking, they'd be right.
Actually, they didn't hurt me that much.
If the truth were known, I'm more
embarrassed than anything else.
>> I won't wait much longer, Adam.
>> You won't have to. Now, I'm sure we're
all on the right track. But all we have
right now is strong suspicions. Unless,
of course, you found proof to tie
Calderon in with the hotel room attack
and Teresa's murder.
Have you?
>> No.
>> Okay, then let's stick with the original
plan.
Now, what have you found out about
Calderon and the woman Serena?
>> All we know here is that they arrived
about 2 years ago with Peruvian
passports
and have taken out citizenship papers.
They had enough money to buy the club
and made it a success.
We have no idea where either the money
or where they came from before that.
But I have sent a wire to the police at
Lima for more details.
>> [music]
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>> That's enough, Rado.
Get back to the bar. Go on.
Go on.
Go on.
I see that our easy-going writer also
has a temper.
>> Not really.
>> What's the trouble?
>> I'm afraid Moreno's getting a bit
overzealous again.
>> Uh
ladies and gentlemen,
I'm sorry for the interruption.
The dance will resume in just a moment.
>> Perhaps there's something we can do over
there.
>> Excuse me.
I'm sorry about interrupting your dance,
ma'am.
>> Please accept our apologies.
It's just that Moreno was loyal and Mr.
Calderon was angry with him for letting
you up to the office that first time.
>> [music]
>> Believe me, we'll be more than happy to
help you with your story.
>> Oh, he told you about it?
>> Yes, it sounds very interesting.
>> I'm glad to hear that from you.
>> Is he watching us?
No.
Calderon.
>> No, he's talking to some men over there.
>> Please.
>> [music]
[music]
>> No matter what he may have told you,
please believe nothing until I've had a
chance to talk to you privately.
>> [music]
>> Be here tomorrow night at 9:00.
I'll find you.
He used to be out of the club on
business.
Will you do it?
>> Gladly. [music]
>> I warn you, for your own sake as well as
my own, please say nothing of this to
him.
>> [music]
>> He's charming.
But he could also be strange and
violent.
Will you trust me?
>> [music]
>> Yes, I'll trust you.
>> I need a friend very badly now.
And I don't think fate could have
brought me a better one than you.
>> Thank you.
I won't let you down.
>> No one must see you.
Good night.
>> [music]
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>> Sorry, but you were very impulsive.
Besides, it's not nice to hit a [ __ ]
>> Herrera,
would you mind telling me how you did
that?
>> Oh, just an old-fashioned hip throw.
>> Oh.
Well, what's up? Or did you just drop by
to give me a judo lesson?
>> I was coming to your hotel.
This afternoon the parents of a young
woman named Elena Muñoz reported her
missing. They returned from a trip late
last night and found her room had been
torn apart.
As in a violent fight. But there was no
blood.
Elena Muñoz. She works in the Via Club.
Of course, that was the girl who tried
to keep me from going into Calderon's
room. Was she in the club tonight? I
didn't see her.
Well, Miguel called me and said to tell
you right away.
He also said that if the body is found,
he's going to move in on Calderon no
matter where we stand.
I don't blame him. But tell him this.
I spoke to the dancer Serena tonight.
She seemed a little upset about
something.
She wants to talk to me tomorrow night
after Calderon leaves the club.
Now, I don't know what she's up to, but
I think it's worthwhile looking into.
We can't afford to jump the gun. We
don't have enough evidence.
But I want to give this guy enough rope
to hang himself. Then you're convinced
he's the one. In the meantime, have him
wait for a telephone call tomorrow
night. And when it comes to move, then
move fast. All right.
And remember to be careful.
How can I ever thank you for that
advice?
Oh, uh
Did you say there was a hip throw?
Uh-huh.
Uh
>> [music]
>> Oh, no, Weiss.
Not this time.
>> [music]
>> Are you all right?
I think so.
>> [sighs]
[gasps]
>> Just just a little embarrassed.
You're embarrassed?
Are you sure you're all right? I didn't
hurt you.
No.
And it's reassuring to know that you can
take care of yourself.
>> I'm great with women, but you should see
me with one-legged men.
What are you doing here anyway? I
thought I told you I didn't want you
getting into any dangerous situations,
and you never know what can come flying
through that window.
>> Well, I'm sorry.
It's just that I was so worried about
you. I I had to make sure you were all
right.
>> Okay. You see I'm all right. Now get
going.
>> No, I I had another reason for coming.
Miguel just received word from his
office.
The report from the police at Lima
stated that Calderon fled the country
after he was implicated in the death of
a plantation owner from whose factory
some young women had disappeared over a
period of 2 years.
>> What about the woman?
>> Her name is Serena Brioso. She's been
known to have lived with him for 2 or 3
years.
>> Anything else?
>> No, that's all.
Oh, yes. Um Miguel tried to contact
Herrera right away, but he couldn't find
him.
>> That's probably because he was with me.
By the way, does Miguel know you're here
tonight?
>> Well, uh I didn't have a chance to tell
him.
>> Great. Okay. Out.
>> Wait.
Uh since you're so worried about what
can come in through
that door,
well, the only thing that can come in
now
is moonlight.
>> [music]
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>> I say, old man, could I interest you in
a team sweater with the number of your
local mafia chapter embroidered on the
front?
>> [music]
>> No.
Well, then how about a slightly used but
official Sherlock Holmes decoding ring?
No, I guess not.
>> [music]
>> Well,
happy hunting.
>> [music]
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>> Glad you came.
>> I'm always interested in a good story,
ma'am.
>> My life is in danger and so is yours.
>> Isn't that a bit dramatic?
>> You don't know.
Calderon is a maniac and he'll kill to
protect his secret.
>> Look, all I wanted was a simple story.
>> I know.
But you can still help me and now you
must help yourself, too, whether you
want to or not.
>> What do you mean by that?
>> I can't tell you anymore now.
Calderon has all his men watching and
recording everything.
He stays tonight in his usual way, but
his plans have been changed and he's to
be out of the club until tomorrow.
Can you meet me tonight an hour after
closing?
Luisa, come here.
While you're having a drink, one of the
hostesses can make your evening more
pleasant.
But don't stay too long.
That will create suspicion, too.
Luisa, this is Mr. Rourke.
>> Good evening, Mr. Rourke.
>> Uh good evening.
>> Well,
I can see Mr. Rourke is impressed with
you already.
>> [music]
>> That should make the evening
enjoyable for you both. Please remember
what we said.
>> Goodnight.
What are you doing here?
>> I told you I wanted to help.
>> And I told you that if you didn't
>> what you told me.
>> [music]
>> Sir,
but the extra pair of eyes isn't going
to hurt.
Besides, [music] there are two of my
girls and men who are also here watching
me. So, please don't worry.
>> Where are they?
>> They're out there.
And they're being a great deal more
subtle about it than you are right now.
Sir,
>> I don't want you here after tonight. Do
you understand that?
>> Yes, sir.
>> Now that you're here,
you didn't happen to notice anything
peculiar about Calderon, did you?
>> Well, I only met him for a few minutes
this afternoon.
>> [singing]
>> He hasn't been around at all tonight.
>> [music]
>> Maybe it's just my feminine curiosity,
but have you taken a look at those
armbands Serena wears?
>> Not really.
>> I've never seen anything like it before,
[music]
except once in a London museum when I
was studying design there.
>> [music]
>> I think they're
Aztec or perhaps Inca,
and very old.
>> Well, she's from South America. She
could have bought them down there.
>> Yes, [music]
but if they're genuine, they would have
cost a great deal of money.
It might be worth looking into.
>> [music]
>> Good idea.
>> And now, sir, I'll get you a drink.
Would something with rum please you?
>> Yes, something with rum.
>> Thank you, sir.
>> [screaming]
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>> You see, there is nothing to fear.
>> [music]
>> Don't worry.
We won't be caught.
We were stupid to leave the other bodies
where they could be found.
From now on, we will bury them here.
I will take care of the American writer
tonight.
Afterward, there will be no question, no
trace.
>> [music]
>> Thank you for waiting.
>> My pleasure, Serena.
>> May I offer you a drink?
>> Let me do that. What would you like?
>> The same as you, my cautious detective.
Of course I knew.
But knowing just [music] makes me feel
more relaxed, safe in your presence,
away from the city and Calderone.
>> Well, here's to a very beautiful and a
very perceptive lady. Now, perhaps if
you told me what was on your mind, we
could make you even more secure and
relaxed and do something about it.
>> Yes, but it's such a beautiful night
out. Couldn't we enjoy some of it while
we talk?
I don't suppose you've ever lived with a
maniac, have you?
>> No, not lately.
>> You must help me and it must be done
quickly.
>> That's why I'm here, Serena.
>> I met Calderone in South America, where
he was a wealthy plantation owner.
He courted me,
bought me expensive presents.
He took me on weekend trips to
beautiful, romantic places.
After I'd been living with him for a few
months, I found he was married.
He said he would kill me if I ever left
him.
When his wife found out about us and
threatened to divorce him, he killed
her.
Oh, he did it very cleverly.
And they never found the body, just
evidence of suicide. [music]
After playing the role of bereaved
husband for a while,
he sold the plantation and brought me
here, where he forces me to dance in his
club.
>> And what about Maria Cortez?
>> Yes, he did it.
>> That wasn't very clever, was it? The way
he left her body.
>> He was having an affair with her and
when she told him she was going to be
married,
he became some kind of fiend.
>> And I suppose you know about
Teresa's murder?
>> Yes, I know.
>> Why couldn't you have gone to the police
as easily as you came to me?
>> Because they have been more stupid than
you.
>> [music]
>> And that new girl at the club,
the one you obviously know very [music]
well,
wouldn't you be interested to know what
could happen to her?
In all your cleverness,
you forgot to consider the possibility
that I have an immunity to the drug I
put in all the bottles.
>> [music]
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>> So, that's how you did it.
>> Not me, but a loyal servant.
In the ancient culture of my people,
not my ancestors, my people,
a form of human sacrifice was made to
appease the sun god.
But, your historians have been
inaccurate in recording the reason why.
One was for a form of criminal
punishment, similar to the method used
in your present society.
But, the other?
That had to do with the true meaning of
prolonged life.
And what could be more simple than
effective
than life's blood taken in one woman to
sustain the beauty of another.
A combination [clears throat] of that
blood,
electrical energy from the sun harnessed
in a small container,
and a powder ground from the roots of
trees that live to be hundreds of years
old. That is what gives continually
renewed life to those of us that were
chosen as golden goddesses.
But to ensure that we would never be
subject to the damaging effects of a
normal life, short-span blood was first
drained from our bodies.
And any person that dared interfere
was deemed to be a criminal. And you
have dared.
>> [music]
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>> I'm Antonio Muñoz, Lina's father.
I wanted to help the policeman in my own
way, but I'm not very good at following
people.
>> You did all right. Let's go.
>> [music]
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>> Hey, in there.
Open up.
Anybody home?
Wash, can I use your phone?
Why? There's a killer loose. A homicidal
maniac with delusions of ancient
history. Now, can I use your phone?
No. You're right in there. Thanks.
Thanks, son.
He breaks in and runs a man's
Better he should steal my blood.
>> [music]
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>> No, BREAK IT IN.
>> [music]
>> YOU, INSIDE. THE REST OF YOU, SURROUND
THE BUILDING, QUICKLY.
>> [music]
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>> Wait a minute.
>> Why?
>> This way.
>> [music]
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[screaming]
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>> Well, Adam,
there are no more words except that you
will always be welcome.
>> Thank you, Miguel.
>> Before you leave,
I have a gift for you.
>> I wonder where he is.
Ah.
>> Sorry I'm late.
>> Here he is. I hope you like it.
>> Hardy?
But I thought I had him in here.
>> Adam, our last piece of undercover work.
>> Since you took so much punishment while
you were here, we thought that one of
you should return in good shape
>> so that you would not think of us as
being inhospitable.
>> Oh, never inhospitable, but sometimes
slightly unco.
>> Well, I'll buy you a pack of cigarettes.
>> But I smoke cigars.
>> Today you smoke cigarettes.
>> [music]
>> Will you be back soon?
>> [music]
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