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(TASER CRACKLES)
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(GUN COCKS)
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♪ (MUSIC CONTINUES) ♪
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_
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♪ (MUSIC INTENSIFIES) ♪
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Humanity's biggest threat
has always been itself.
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I've been trying to control that,
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but there's someone we
haven't accounted for.
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♪ (MUSIC CONCLUDES) ♪
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- Synced and corrected by Firefly -
- www.addic7ed.com -
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ENGERRAUND SERAC: (SPEAKING FRENCH) _
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_
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♪ (SOMBER MUSIC PLAYS) ♪
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ADRIAN FILO: (SPEAKING PORTUGUESE) _
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_
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I don't have time, I'm afraid.
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There is a nascent
separatist movement...
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(TRANSLATOR SPEAKING
PORTUGUESE THROUGH EARPIECE)
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... in the north of your country.
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(FLY BUZZES)
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(SPEAKING PORTUGUESE) _
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Your intelligence knows
only what I want them to.
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(FLY BUZZES)
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There is a small group.
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Anomalies.
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Even they won't know they will act...
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until they do.
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Rehoboam is privy to all
sorts of hidden truths.
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For example...
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the private deals you've cut
to restrict manganese extraction
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to some of your friends,
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which have squeezed money
out of villages in the north,
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creating unrest.
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You will stop.
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And the problem will go away.
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(SPEAKING PORTUGUESE) _
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_
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_
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Our arrangement is founded in trust.
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We trusted that you
would do what you're told
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when we ensured your election.
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(SPEAKING PORTUGUESE) _
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That fellow...
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the one with big mustache.
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Understood?
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(FLY BUZZES)
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♪ (THEME MUSIC PLAYS) ♪
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♪ (THEME CONCLUDES) ♪
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_
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SERAC: It turns out that building a god,
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as your ancestors can attest,
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is not easy.
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More than anything, we needed data.
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Which meant we needed him.
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Dempsey was rich, arrogant.
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00:06:47,991 --> 00:06:50,505
He had been in the right
place at the right time,
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00:06:50,507 --> 00:06:52,076
before the privacy laws.
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00:06:52,078 --> 00:06:56,916
And now his company, Incite,
had the entire world's data.
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00:06:58,084 --> 00:07:00,462
LIAM DEMPSEY, SR.: It's
not. Fucking. Working.
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I paid a king's ransom for this thing,
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00:07:03,798 --> 00:07:06,392
fed you yottabytes of Incite's data,
95
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and for what?
96
00:07:07,402 --> 00:07:09,761
You've iterated half a dozen versions,
97
00:07:09,763 --> 00:07:11,888
Saul, David, and now this one.
98
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- What the fuck's its name again?
- Solomon.
99
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Well, I'm not sinking another dollar
100
00:07:18,313 --> 00:07:21,312
into this giant steel ballsack
101
00:07:21,314 --> 00:07:23,733
while it's spitting
out false predictions.
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JEAN MI SERAC: Not false.
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It rendered the last
few decades accurately,
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predicting past events with certainty.
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00:07:31,268 --> 00:07:32,659
DEMPSEY, SR.: You built a machine
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to predict the fucking past?
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00:07:35,163 --> 00:07:37,572
Well, let me try. Eighteen months ago,
108
00:07:37,574 --> 00:07:40,875
I made the worst business
decision of my career
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by trusting you idiots.
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Keep staring at that thing, Liam,
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your brain's gonna turn
to mush like these two.
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What about strategizing the future?
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That's what you promised.
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Societal trends,
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the stock market, a fucking oracle!
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(SPEAKING FRENCH) _
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No, I'm sorry. I'm pulling the plug.
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Come on, Liam.
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SERAC: What Dempsey didn't understand
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was that it was working.
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My brother had done it.
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He created a god.
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But such is the case
with all great minds.
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He was uniquely brilliant,
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but also, uniquely troubled.
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(INHALES)
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SEBASTIAN: I have news, sir.
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But not good.
129
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If it's news, it's unexpected,
which is never good. What is it?
130
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SEBASTIAN: Rehoboam analyzed the traffic
131
00:08:56,882 --> 00:08:59,245
coming out of the Yakuza facility.
132
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It found a connect
between encrypted devices
133
00:09:02,083 --> 00:09:06,461
in Jakarta, Berlin, San
Francisco, and Los Angeles.
134
00:09:06,463 --> 00:09:09,892
- The one in LA is a problem.
- Why?
135
00:09:09,894 --> 00:09:11,166
It came from inside
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00:09:11,168 --> 00:09:13,468
Liam Dempsey's personal compound.
137
00:09:13,470 --> 00:09:16,721
- Find Dempsey. Now.
- We've tried, sir.
138
00:09:16,723 --> 00:09:19,432
Rehoboam logged him
entering a private function.
139
00:09:19,434 --> 00:09:20,602
Now he's missing.
140
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- And, sir...
- (TABLET BEEPS)
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He wasn't alone.
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Activate every asset we have.
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I want her caught.
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Yes, sir.
145
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CALEB: I called backup. What now?
146
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DOLORES ABERNATHY: We keep moving.
147
00:10:00,475 --> 00:10:02,141
Serac can't locate us if we're mobile.
148
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LIAM DEMPSEY, JR.: You think
you disappear a man like me
149
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and no one fucking notices?
150
00:10:05,772 --> 00:10:07,023
CALEB: Keep walking.
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We have all of his money.
What do we need him for?
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DOLORES: Access.
153
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We need to study our adversary,
past, present, future.
154
00:10:16,286 --> 00:10:19,033
To do that, we need access to
the deeper layers of the system.
155
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LIAM: (SCOFFING) You expect
me to give you access?
156
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Fuck you, "Lara". Whoever you are.
157
00:10:27,502 --> 00:10:29,170
DOLORES: You wanna know who I am?
158
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- (GLASSES WHIR)
- Go ahead.
159
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You're not even in the system.
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You're a blank space.
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You've become complacent,
162
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believing those let
you understand everyone.
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It doesn't matter.
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You can't take me
anywhere he won't find you.
165
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- He's already looking for you.
- And you.
166
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Serac knows by now that you're
trying to outbid him on Delos.
167
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I'm what?
168
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We can help.
169
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If you give us your private key,
170
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- we can unlock the system.
- (SCOFFS)
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You'll never get in.
My access isn't enough.
172
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You'll need to connect at the node,
173
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bypass onsite security.
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Either we find a way
to defeat him together,
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or we all die.
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Then I guess you die.
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I'll take my chances.
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(WHISPERING) Hey. She used me.
179
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Have you asked yourself
what she's using you for yet?
180
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Let me go, I'll make
sure you're taken care of.
181
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You already took care of me.
182
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You sent me off to war...
183
00:11:57,008 --> 00:11:59,219
slaughtered my friends
on the battlefield.
184
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What do these tell you about me now?
185
00:12:05,892 --> 00:12:09,769
What, that I swallow my
own gun on some beach?
186
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Go on. Tell me who I am.
187
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(GLASSES WHIR)
188
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You think I killed your friend?
189
00:12:33,461 --> 00:12:35,127
What did you see?
190
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Who are you people?
191
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What did you see?
192
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Get away from me!
193
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(CALEB GROANS)
194
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- (CALEB GROANS)
- (LIAM PANTING)
195
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(EXHALES)
196
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(SCUFFLING SOUNDS)
197
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(GRUNTS) Stop, stop!
198
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Don't hurt me. Don't hurt
me. All right, I'll come.
199
00:13:01,239 --> 00:13:02,697
DOLORES: What is it?
What did you give him?
200
00:13:02,699 --> 00:13:05,324
LIAM: It's some kind of
party drug. Called Genre.
201
00:13:05,326 --> 00:13:07,495
- DOLORES: What does it do?
- LIAM: I don't know.
202
00:13:08,454 --> 00:13:10,957
- (EXHALES)
- (SOUND DISTORTS)
203
00:13:12,333 --> 00:13:13,835
(ECHOING) Are you okay?
204
00:13:16,546 --> 00:13:18,715
(HEARTBEAT THUMPS DULLY)
205
00:13:19,507 --> 00:13:21,549
♪ (OMINOUS MUSIC PLAYS) ♪
206
00:13:21,551 --> 00:13:22,885
We have to move.
207
00:13:24,512 --> 00:13:25,680
They'll find us.
208
00:13:33,187 --> 00:13:36,357
♪ (MUSIC INTENSIFIES) ♪
209
00:13:47,660 --> 00:13:50,038
(FAINT WHISPERING)
210
00:13:59,047 --> 00:14:00,923
(ENGINE HUMS)
211
00:14:25,865 --> 00:14:26,908
Don't go too far.
212
00:14:28,868 --> 00:14:30,369
We need to get across town.
213
00:14:35,750 --> 00:14:37,293
(ENGINE HUMS)
214
00:14:42,381 --> 00:14:44,884
♪ (OMINOUS MUSIC CONTINUES) ♪
215
00:14:50,807 --> 00:14:51,972
I need a vehicle now.
216
00:14:51,974 --> 00:14:54,183
VIRTUAL ASSISTANT:
Rideshare vehicle located.
217
00:14:54,185 --> 00:14:55,768
- Arriving now.
- Get in.
218
00:14:55,770 --> 00:14:58,395
Just give this up. I told
you my men would find me.
219
00:14:58,397 --> 00:15:00,441
Those aren't your men, they're his.
220
00:15:09,617 --> 00:15:11,953
NAVIGATOR: (AUTOMATED
VOICE) Destination selected.
221
00:15:30,680 --> 00:15:32,974
They're using your system to track us.
222
00:15:37,103 --> 00:15:40,437
I'd appreciate the irony,
but I'm sitting beside you.
223
00:15:40,439 --> 00:15:43,315
Give me your private key. I
can erase us from the system.
224
00:15:43,317 --> 00:15:45,818
If they're after us, why
haven't they made a move?
225
00:15:45,820 --> 00:15:47,695
CALEB: They're waiting
to get us alone...
226
00:15:47,697 --> 00:15:50,158
- ♪ (DRAMATIC MUSIC PLAYS) ♪
- ... to kill us.
227
00:15:54,162 --> 00:15:55,536
(NOTIFICATION PINGS)
228
00:15:55,538 --> 00:15:58,289
NAVIGATOR: An amber alert has
been issued for this vehicle.
229
00:15:58,291 --> 00:15:59,707
- Pulling over.
- CALEB: Fuck.
230
00:15:59,709 --> 00:16:01,502
NAVIGATOR: Please remain calm.
231
00:16:13,890 --> 00:16:15,556
The authorities have been notified,
232
00:16:15,558 --> 00:16:17,558
and the situation will be dealt with.
233
00:16:17,560 --> 00:16:18,644
(GRUNTS)
234
00:16:26,527 --> 00:16:28,029
(BRAKES SQUEAL)
235
00:16:30,031 --> 00:16:31,947
NAVIGATOR: The authorities
have been notified,
236
00:16:31,949 --> 00:16:33,657
and the situation will be dealt with
237
00:16:33,659 --> 00:16:34,744
in a timely manner.
238
00:16:40,791 --> 00:16:42,043
(CALEB GRUNTS)
239
00:16:46,088 --> 00:16:48,674
Everything runs on your
company's server, Liam.
240
00:16:49,884 --> 00:16:51,784
Even this car.
241
00:16:51,786 --> 00:16:52,885
(ELECTRICITY CRACKLES)
242
00:16:52,887 --> 00:16:54,889
NAVIGATOR: Network connection lost.
243
00:17:01,312 --> 00:17:03,606
Give me your access. I can save you.
244
00:17:05,566 --> 00:17:07,860
TABLET: (AUTOMATED VOICE)
Private key required.
245
00:17:13,115 --> 00:17:14,740
LIAM: What the fuck is this?
246
00:17:14,742 --> 00:17:16,784
He can't kill me, he needs me.
247
00:17:16,786 --> 00:17:18,079
Evidently not.
248
00:17:19,247 --> 00:17:21,014
Decide. Now.
249
00:17:22,458 --> 00:17:24,293
TABLET: Private key required.
250
00:17:29,924 --> 00:17:31,926
(RAPID GUNFIRE)
251
00:17:34,095 --> 00:17:35,803
Verified.
252
00:17:35,805 --> 00:17:39,265
Enable semi-automatic control.
Disable safety features.
253
00:17:39,267 --> 00:17:41,100
Maximum speed. Go.
254
00:17:41,102 --> 00:17:42,562
(RAPID GUNFIRE)
255
00:17:49,277 --> 00:17:51,612
♪ (INTENSE MUSIC PLAYS) ♪
256
00:18:00,538 --> 00:18:03,080
- ♪ (OPERATIC MUSIC PLAYS) ♪
- (GROANS)
257
00:18:03,082 --> 00:18:04,582
DOLORES: (DISTANTLY)
What's happening to him?
258
00:18:04,584 --> 00:18:07,209
LIAM: I think he's switching genres.
259
00:18:07,211 --> 00:18:11,465
♪ ("RIDE OF THE VALKYRIES"
BY RICHARD WAGNER PLAYS) ♪
260
00:18:19,599 --> 00:18:21,348
We need distance.
261
00:18:21,350 --> 00:18:22,476
Head south.
262
00:18:59,889 --> 00:19:01,513
That's not standard issue.
263
00:19:01,515 --> 00:19:03,599
- DOLORES: No.
- (WEAPON CLICKS)
264
00:19:03,601 --> 00:19:04,644
It's not.
265
00:19:17,907 --> 00:19:19,075
Point and shoot.
266
00:19:27,291 --> 00:19:28,376
(GRUNTS)
267
00:19:32,963 --> 00:19:34,463
Police ahead.
268
00:19:34,465 --> 00:19:36,423
- Maintain speed.
- NAVIGATOR: Maintaining speed.
269
00:19:36,425 --> 00:19:38,000
Sharp left. Now.
270
00:19:38,002 --> 00:19:39,093
NAVIGATOR: Turning left.
271
00:19:39,095 --> 00:19:40,513
CALEB: Whoa! (GRUNTS)
272
00:19:42,431 --> 00:19:43,432
Whoa!
273
00:19:50,106 --> 00:19:51,232
(GRUNTS)
274
00:20:06,747 --> 00:20:08,789
- I missed.
- Hold on.
275
00:20:08,791 --> 00:20:11,210
♪ (MUSIC CONTINUES) ♪
276
00:20:32,773 --> 00:20:35,985
All right, I need you. Drop
in, intercept, maximum speed.
277
00:20:40,990 --> 00:20:42,283
Arm charges now.
278
00:20:46,854 --> 00:20:47,953
Accelerate.
279
00:20:47,955 --> 00:20:50,289
NAVIGATOR: Acceleration at 90 percent.
280
00:20:50,291 --> 00:20:51,915
- More.
- Ninety-four percent.
281
00:20:51,917 --> 00:20:53,753
- More.
- Ninety-eight percent.
282
00:20:59,091 --> 00:21:00,134
Stop.
283
00:21:01,010 --> 00:21:03,846
(TIRES SCREECH)
284
00:21:04,805 --> 00:21:06,764
LIAM: Why the fuck are we stopping?
285
00:21:06,766 --> 00:21:07,933
DOLORES: Get down.
286
00:21:18,569 --> 00:21:19,987
(ENGINE HUMS)
287
00:21:24,825 --> 00:21:26,494
♪ (MUSIC CONCLUDES) ♪
288
00:21:29,663 --> 00:21:31,499
(SOUNDS DISTORT)
289
00:21:34,084 --> 00:21:37,671
♪ ("LOVE STORY THEME: FINALE"
BY FRANCIS LAI PLAYS) ♪
290
00:21:46,138 --> 00:21:47,723
(MUFFLED GUNFIRE)
291
00:22:03,239 --> 00:22:05,491
♪ (MUSIC CONTINUES) ♪
292
00:22:09,745 --> 00:22:11,537
♪ (MUSIC DISTORTS) ♪
293
00:22:11,539 --> 00:22:13,040
(GUNFIRE RESUMES)
294
00:22:22,383 --> 00:22:23,384
Come on.
295
00:22:33,894 --> 00:22:36,438
♪ ("BUBBLES BURIED IN THIS
JUNGLE" BY DEATH GRIPS PLAYS) ♪
296
00:22:37,898 --> 00:22:40,899
♪ Wick-wick Cease and
desist when I chant ♪
297
00:22:40,901 --> 00:22:42,693
♪ Fuck weak ♪
298
00:22:42,695 --> 00:22:44,903
♪ No respect ♪
299
00:22:44,905 --> 00:22:46,738
- ♪ No chance... ♪
- You rang?
300
00:22:46,740 --> 00:22:49,533
- ♪ (MUSIC ENDS) ♪
- GIGGLES: Who's the killer?
301
00:22:49,535 --> 00:22:51,451
- Nice to meet you.
- ASH: Likewise.
302
00:22:51,453 --> 00:22:53,912
Glad to see you're finally
doing personals, Cal.
303
00:22:53,914 --> 00:22:56,081
What's up with Little Lord Fauntleroy?
304
00:22:56,083 --> 00:23:00,419
Shit, you know this asshole.
Liam Dempsey. Incite.
305
00:23:00,421 --> 00:23:03,505
Make King Midas look like Tom Canty.
306
00:23:03,507 --> 00:23:05,259
We need him. Alive.
307
00:23:06,969 --> 00:23:09,430
♪ ("LOVE STORY THEME" RESUMES) ♪
308
00:23:12,850 --> 00:23:14,766
- Shit, man.
- ♪ (MUSIC ENDS) ♪
309
00:23:14,768 --> 00:23:16,310
I know what you on.
310
00:23:16,312 --> 00:23:19,271
Genre. It's like five drips in one.
311
00:23:19,273 --> 00:23:20,814
A movie marathon.
312
00:23:20,816 --> 00:23:23,859
Hey. Watch out for
that last act, though.
313
00:23:23,861 --> 00:23:25,611
Yeah, we better move, lover boy.
314
00:23:25,613 --> 00:23:27,905
I already saw two more on your tail.
315
00:23:27,907 --> 00:23:28,949
This way.
316
00:23:34,747 --> 00:23:36,121
LIAM: Easy, easy. Okay.
317
00:23:36,123 --> 00:23:37,372
DOLORES: We have to keep moving
318
00:23:37,374 --> 00:23:39,708
so they can't track us
while I access Rehoboam.
319
00:23:39,710 --> 00:23:41,549
- (SIREN WAILING)
- We have Liam's private key,
320
00:23:41,551 --> 00:23:44,296
but we can't stop, or
Serac can locate us.
321
00:23:44,298 --> 00:23:46,632
If they kill him, I lose my access.
322
00:23:46,634 --> 00:23:49,343
What access? You took my biometrics,
323
00:23:49,345 --> 00:23:50,802
but you can't get into the system,
324
00:23:50,804 --> 00:23:52,012
it's read-only.
325
00:23:52,014 --> 00:23:53,931
Unless you're standing at the node.
326
00:23:53,933 --> 00:23:57,517
(SCOFFS) You can't be
in two places at once.
327
00:23:57,519 --> 00:23:58,644
(EARPIECE WHIRS)
328
00:23:58,646 --> 00:24:00,856
(PHONE RINGING)
329
00:24:03,651 --> 00:24:06,026
I'm sending you his key.
330
00:24:06,028 --> 00:24:07,945
I need Serac's file.
331
00:24:07,947 --> 00:24:09,046
I want to know everything
332
00:24:09,048 --> 00:24:11,323
- Rehoboam knows about its master.
- _
333
00:24:11,325 --> 00:24:12,451
And after?
334
00:24:13,827 --> 00:24:16,662
They'll come for me. And then you.
335
00:24:16,664 --> 00:24:18,332
DOLORES: Protect our friend first.
336
00:24:19,124 --> 00:24:20,707
I will.
337
00:24:20,709 --> 00:24:21,835
Bernard.
338
00:24:23,963 --> 00:24:25,506
When I press this button,
339
00:24:26,507 --> 00:24:28,676
I expect you to be
on your best behavior.
340
00:24:46,402 --> 00:24:47,403
You.
341
00:24:48,237 --> 00:24:49,363
Take a piss.
342
00:25:03,168 --> 00:25:06,046
CONSOLE: (AUTOMATED VOICE)
Liam Dempsey. Access granted.
343
00:25:13,178 --> 00:25:14,722
MARTIN CONELLS: This is their god.
344
00:25:16,890 --> 00:25:18,559
This is how they see the future.
345
00:25:21,020 --> 00:25:22,396
How they make the future.
346
00:25:26,025 --> 00:25:27,276
In order to do that,
347
00:25:28,736 --> 00:25:30,777
they watch everyone.
348
00:25:30,779 --> 00:25:34,908
Tell them what to do,
where to live, who to love.
349
00:25:35,743 --> 00:25:37,077
Keep them all in a loop.
350
00:25:37,828 --> 00:25:39,288
What does she want with it?
351
00:25:43,125 --> 00:25:46,877
You've always been of two
minds, haven't you, Bernard?
352
00:25:46,879 --> 00:25:48,088
It isn't that binary.
353
00:25:49,423 --> 00:25:51,592
Living another person's
life changes you.
354
00:25:52,801 --> 00:25:53,886
Worlds bleed.
355
00:25:54,678 --> 00:25:57,304
Maybe you felt that, too.
356
00:25:57,306 --> 00:26:00,726
Have you ever questioned
what she's asking you to do?
357
00:26:03,604 --> 00:26:05,812
CONSOLE: Request complete.
358
00:26:05,814 --> 00:26:07,483
Initiating transfer.
359
00:26:13,739 --> 00:26:15,513
TABLET: File transfer received.
360
00:26:15,515 --> 00:26:17,515
_
361
00:26:26,710 --> 00:26:29,503
(AUDIO SLOWS AND DISTORTS)
362
00:26:29,505 --> 00:26:31,298
(STATIC)
363
00:26:32,466 --> 00:26:35,302
♪ ("NIGHTCLUBBING" BY IGGY POP PLAYS) ♪
364
00:26:41,475 --> 00:26:43,517
♪ Nightclubbing ♪
365
00:26:43,519 --> 00:26:46,812
♪ We're nightclubbing ♪
366
00:26:46,814 --> 00:26:49,483
♪ We're what's happening ♪
367
00:26:51,819 --> 00:26:54,027
♪ Nightclubbing ♪
368
00:26:54,029 --> 00:26:56,156
♪ We're nightclubbing ♪
369
00:26:57,115 --> 00:26:59,660
♪ We're an ice machine ♪
370
00:27:02,162 --> 00:27:04,204
♪ We see people ♪
371
00:27:04,206 --> 00:27:06,792
♪ Brand new people... ♪
372
00:27:08,168 --> 00:27:10,712
- Hey. Where we headed?
- West.
373
00:27:12,714 --> 00:27:14,548
♪ Nightclubbing ♪
374
00:27:14,550 --> 00:27:17,010
♪ We're nightclubbing ♪
375
00:27:18,011 --> 00:27:21,306
♪ Oh, isn't it wild? ♪
376
00:27:28,355 --> 00:27:30,691
♪ (MUSIC FADES) ♪
377
00:27:38,884 --> 00:27:40,407
_
378
00:27:40,409 --> 00:27:43,829
SERAC: My brother and I
built a system that worked.
379
00:27:44,788 --> 00:27:47,956
But Dempsey wanted to see proof.
380
00:27:47,958 --> 00:27:51,209
So we started with something simple,
381
00:27:51,211 --> 00:27:52,961
purely mathematical.
382
00:27:52,963 --> 00:27:54,838
The stock market.
383
00:27:54,840 --> 00:27:58,008
We showed him all the major indices,
384
00:27:58,010 --> 00:27:59,845
15 minutes in the future...
385
00:28:06,768 --> 00:28:09,396
and where it could close that night.
386
00:28:14,234 --> 00:28:17,903
Which number is it? Low or high?
387
00:28:17,905 --> 00:28:19,239
Which one do you want?
388
00:28:21,575 --> 00:28:22,618
(CHUCKLES)
389
00:28:25,746 --> 00:28:28,914
SERAC: We put some money
into a hedge fund...
390
00:28:28,916 --> 00:28:30,999
let the system trade with it.
391
00:28:31,001 --> 00:28:33,776
Something to drive the
market towards our outcomes.
392
00:28:33,778 --> 00:28:35,129
_
393
00:28:35,130 --> 00:28:36,838
Whose funds?
394
00:28:36,840 --> 00:28:38,133
JEAN MI: Yours.
395
00:28:41,762 --> 00:28:43,597
DEMPSEY, SR.: A hundred million dollars?
396
00:28:46,099 --> 00:28:47,515
What, you stole...
397
00:28:47,517 --> 00:28:50,352
100 million dollars
from corporate accounts?
398
00:28:50,354 --> 00:28:52,103
No.
399
00:28:52,105 --> 00:28:53,565
We stole five million.
400
00:28:55,525 --> 00:28:56,568
Last week.
401
00:28:58,278 --> 00:29:01,446
SERAC: He didn't really
understand what we'd made,
402
00:29:01,448 --> 00:29:02,783
what you were.
403
00:29:03,617 --> 00:29:04,785
But we did.
404
00:29:05,786 --> 00:29:08,203
He only saw the money he could make.
405
00:29:08,205 --> 00:29:11,665
But we realized the power of it,
406
00:29:11,667 --> 00:29:13,794
that you could reshape the world.
407
00:29:14,795 --> 00:29:17,337
My brother and I, we charted a course
408
00:29:17,339 --> 00:29:20,131
for the entire human race.
409
00:29:20,133 --> 00:29:23,343
Humanity's story had been improvised.
410
00:29:23,345 --> 00:29:25,595
Now, it was planned
411
00:29:25,597 --> 00:29:26,974
years in advance.
412
00:29:28,058 --> 00:29:31,559
For a time, the sun and moon aligned.
413
00:29:31,561 --> 00:29:34,022
We brought order from chaos.
414
00:29:35,065 --> 00:29:38,149
And then, as with all
the best laid plans,
415
00:29:38,151 --> 00:29:40,110
it began to fall apart.
416
00:29:40,112 --> 00:29:41,653
Dempsey became greedy,
417
00:29:41,655 --> 00:29:44,239
drove outcomes to benefit himself.
418
00:29:44,241 --> 00:29:46,159
So we locked him out of the system.
419
00:29:47,661 --> 00:29:49,663
But there was a bigger problem.
420
00:29:50,789 --> 00:29:53,665
In every projection,
the world came unglued.
421
00:29:53,667 --> 00:29:56,748
There were people, outliers, agitators,
422
00:29:56,750 --> 00:29:59,671
who you couldn't predict or control.
423
00:29:59,673 --> 00:30:02,843
And I realized that my
brother was one of them.
424
00:30:04,094 --> 00:30:05,844
He didn't fit the world anymore,
425
00:30:05,846 --> 00:30:07,639
and the world didn't fit him.
426
00:30:10,517 --> 00:30:12,060
And it drove him mad.
427
00:30:21,862 --> 00:30:22,904
What now?
428
00:30:27,701 --> 00:30:30,535
(PASSENGERS CHATTERING)
429
00:30:30,537 --> 00:30:33,038
We're going to open their cages.
430
00:30:33,040 --> 00:30:34,664
The system's written their life story,
431
00:30:34,666 --> 00:30:36,624
they should get to read it.
432
00:30:36,626 --> 00:30:39,169
You can't do that. That's reckless.
433
00:30:39,171 --> 00:30:41,817
You have no idea what
they'll do in response.
434
00:30:41,819 --> 00:30:44,090
It could lead to suicides, murder.
435
00:30:44,092 --> 00:30:45,177
Murder.
436
00:30:46,803 --> 00:30:48,555
You'd know something about that.
437
00:30:50,223 --> 00:30:51,391
I'm sorry.
438
00:30:52,225 --> 00:30:54,267
I'm so fucking sorry.
439
00:30:54,269 --> 00:30:55,477
That...
440
00:30:55,479 --> 00:30:56,728
BOTH: Wasn't my choice.
441
00:30:56,730 --> 00:30:58,607
I could never bring myself to hurt you.
442
00:31:02,194 --> 00:31:03,779
Don't forget, I know you.
443
00:31:05,363 --> 00:31:06,905
And you wouldn't hurt me.
444
00:31:06,907 --> 00:31:08,742
You'd pay someone to do it for you.
445
00:31:11,995 --> 00:31:14,579
It's their fate, their data.
446
00:31:14,581 --> 00:31:16,873
You just stole it and
put it all together.
447
00:31:16,875 --> 00:31:18,416
Why should you control it?
448
00:31:18,418 --> 00:31:19,793
LIAM: This isn't about me.
449
00:31:19,795 --> 00:31:22,253
Or Incite. There are some things
450
00:31:22,255 --> 00:31:25,173
people shouldn't know about themselves.
451
00:31:25,175 --> 00:31:27,550
Who gets to decide what they know?
452
00:31:27,552 --> 00:31:29,930
- You?
- LIAM: Fine. You wanna see?
453
00:31:31,665 --> 00:31:32,722
(GLASSES WHIR)
454
00:31:32,724 --> 00:31:33,809
Take your friend here.
455
00:31:38,230 --> 00:31:40,473
He'll be lucky if he
ends up dead in a ditch.
456
00:31:46,530 --> 00:31:47,904
What about me?
457
00:31:47,906 --> 00:31:49,282
I wanna see my file.
458
00:31:53,787 --> 00:31:54,788
Oh.
459
00:31:55,580 --> 00:31:57,789
The golden boy brother of yours?
460
00:31:57,791 --> 00:32:00,125
You tell yourself that you do all this
461
00:32:00,127 --> 00:32:03,169
so you can help him make
good, send him to school,
462
00:32:03,171 --> 00:32:04,629
give him a future.
463
00:32:04,631 --> 00:32:06,297
But where he ends up...
464
00:32:06,299 --> 00:32:08,593
he's gonna make you look like a saint.
465
00:32:26,027 --> 00:32:27,821
(SIGHS)
466
00:32:32,492 --> 00:32:35,662
♪ (TENSE MUSIC PLAYS) ♪
467
00:32:48,341 --> 00:32:50,177
When I was overseas...
468
00:32:51,178 --> 00:32:52,554
the rats were awful.
469
00:32:56,516 --> 00:32:58,099
It got so bad that...
470
00:32:58,101 --> 00:33:01,269
we had to make our own
rat traps in the barracks.
471
00:33:01,271 --> 00:33:03,021
A ramp leading up
472
00:33:03,023 --> 00:33:06,026
to some bait strung
over a bucket of water.
473
00:33:08,320 --> 00:33:11,029
The rats would run up the ramp,
474
00:33:11,031 --> 00:33:13,491
fall in, and drown.
475
00:33:14,868 --> 00:33:15,869
Painlessly.
476
00:33:21,249 --> 00:33:24,169
But if you filled the water too high,
477
00:33:25,587 --> 00:33:28,421
they would swim around for hours...
478
00:33:28,423 --> 00:33:31,259
suffering... because they had hope.
479
00:33:32,928 --> 00:33:35,595
But they never had a chance.
480
00:33:35,597 --> 00:33:39,726
Just like everyone at
the mercy of your system.
481
00:33:40,769 --> 00:33:43,394
Hope is what our entire
society is built on.
482
00:33:43,396 --> 00:33:45,565
False... hope.
483
00:33:47,067 --> 00:33:49,817
I would rather live in chaos
484
00:33:49,819 --> 00:33:53,031
than a world controlled by you.
485
00:34:07,254 --> 00:34:10,755
DOLORES: Prepare to send all
of them their Incite profiles.
486
00:34:10,757 --> 00:34:13,093
Past, present, future.
487
00:34:14,094 --> 00:34:15,220
It'll be done.
488
00:34:23,270 --> 00:34:25,438
CONELLS: They've all
been riding a train.
489
00:34:27,023 --> 00:34:29,023
We're gonna show them the rails.
490
00:34:29,025 --> 00:34:30,277
(EARPIECE BEEPS)
491
00:34:32,279 --> 00:34:33,321
Do it.
492
00:34:37,951 --> 00:34:41,329
(PHONES RINGING)
493
00:34:43,873 --> 00:34:46,459
♪ (SOMBER MUSIC PLAYS) ♪
494
00:34:51,965 --> 00:34:53,008
(PHONE PINGS)
495
00:34:55,885 --> 00:34:57,804
(LOW MUTTERING)
496
00:35:07,672 --> 00:35:09,316
- ASH: It knows these kind of things?
- _
497
00:35:11,151 --> 00:35:12,817
About all of us?
498
00:35:12,819 --> 00:35:15,028
DOLORES: It's not just what it knows.
499
00:35:15,030 --> 00:35:16,489
It's what it decides.
500
00:35:17,365 --> 00:35:18,533
For you.
501
00:35:19,701 --> 00:35:20,952
For everyone.
502
00:35:22,829 --> 00:35:25,040
- What are you doing?
- (INDISTINCT)
503
00:35:28,937 --> 00:35:31,432
_
504
00:35:37,039 --> 00:35:39,039
_
505
00:35:42,682 --> 00:35:44,184
(SNIFFLES)
506
00:35:45,707 --> 00:35:48,607
_
507
00:36:06,373 --> 00:36:09,374
AUTOMATED VOICE: Doors
opening. Stand clear.
508
00:36:09,376 --> 00:36:12,043
(PASSENGERS MUTTERING)
509
00:36:12,045 --> 00:36:15,048
AUTOMATED VOICE: This train has
reached its final destination.
510
00:36:21,971 --> 00:36:24,891
♪ (SOMBER MUSIC CONTINUES) ♪
511
00:36:46,871 --> 00:36:48,415
CONELLS: Almost time, Bernard.
512
00:36:49,416 --> 00:36:51,209
You'll have to choose a side.
513
00:36:52,961 --> 00:36:54,711
Not just me.
514
00:36:54,713 --> 00:36:57,130
You said they'd come for you.
515
00:36:57,132 --> 00:36:59,426
Maybe you don't want
to die on her sword.
516
00:37:00,719 --> 00:37:02,429
We all have our role to play.
517
00:37:03,680 --> 00:37:05,390
Some of us won't survive.
518
00:37:13,148 --> 00:37:16,609
♪ ("SPACE ODDITY" BY THE CLASSIC
ROCK STRING QUARTET PLAYS) ♪
519
00:37:29,789 --> 00:37:30,955
I hope you're happy.
520
00:37:30,957 --> 00:37:33,124
You just ruined everyone's
life in this station.
521
00:37:33,126 --> 00:37:34,252
Not just them.
522
00:37:37,297 --> 00:37:38,631
I sent it to everyone.
523
00:37:40,049 --> 00:37:41,799
What do you mean, everyone?
524
00:37:41,801 --> 00:37:43,094
The whole world.
525
00:37:50,143 --> 00:37:52,437
She's sending them off their loops.
526
00:37:59,861 --> 00:38:03,031
The right information
at the right time...
527
00:38:04,365 --> 00:38:06,785
is deadlier than any weapon.
528
00:38:16,836 --> 00:38:20,131
♪ (MUSIC CONTINUES) ♪
529
00:38:30,850 --> 00:38:32,308
What genre is this?
530
00:38:32,310 --> 00:38:33,812
It's reality, man.
531
00:38:40,527 --> 00:38:42,529
(TEENAGERS WHOOPING)
532
00:38:43,696 --> 00:38:45,029
Look at them.
533
00:38:45,031 --> 00:38:47,367
Already returned to their base selves.
534
00:39:06,219 --> 00:39:08,263
♪ (MUSIC DISTORTS) ♪
535
00:39:10,557 --> 00:39:11,848
(GUNS CLICK)
536
00:39:11,850 --> 00:39:13,434
(GUNSHOTS)
537
00:39:51,431 --> 00:39:53,180
(STIFLED GRUNT)
538
00:39:53,182 --> 00:39:54,267
(GRUNTS)
539
00:39:57,270 --> 00:40:00,938
SERAC: I knew that you and
I had built a fragile peace,
540
00:40:00,940 --> 00:40:04,775
that one day, it would
all come crashing down...
541
00:40:04,777 --> 00:40:06,404
if I failed to act.
542
00:40:10,880 --> 00:40:12,880
_
543
00:40:14,913 --> 00:40:17,747
For ten years, Dempsey was
happy to cash the checks,
544
00:40:17,749 --> 00:40:20,791
take credit for making
the world a better place,
545
00:40:20,793 --> 00:40:22,838
even though he had no idea
546
00:40:22,840 --> 00:40:25,008
what we, or the system, were doing.
547
00:40:25,965 --> 00:40:27,590
But I knew one day,
548
00:40:27,592 --> 00:40:30,136
his curiosity would
get the better of him.
549
00:40:50,365 --> 00:40:53,034
(WOMAN SOBBING)
550
00:40:54,160 --> 00:40:55,954
(DISTANT MUFFLED VOICES)
551
00:41:22,146 --> 00:41:25,149
Sir? Are you authorized to be here?
552
00:41:26,818 --> 00:41:28,859
I'm here to see Engerraund Serac.
553
00:41:28,861 --> 00:41:31,197
(SERAC SPEAKING FRENCH)
554
00:41:44,877 --> 00:41:46,669
DEMPSEY, SR.: What is this place?
555
00:41:46,671 --> 00:41:48,045
After our exposure,
556
00:41:48,047 --> 00:41:50,963
we were both put on
anti-radiation medications
557
00:41:50,965 --> 00:41:52,717
to halt our genetic breakdown.
558
00:41:52,719 --> 00:41:54,635
That's when I understood.
559
00:41:54,637 --> 00:41:56,681
It's possible to edit people.
560
00:41:59,350 --> 00:42:00,727
But the truth is...
561
00:42:02,061 --> 00:42:04,230
his personality was always like this.
562
00:42:06,399 --> 00:42:08,566
I've been trying to help him.
563
00:42:08,568 --> 00:42:11,446
What, you're experimenting
on your own goddamn brother?
564
00:42:13,031 --> 00:42:14,741
He's impulsive, chaotic...
565
00:42:15,783 --> 00:42:17,742
I thought it was manageable.
566
00:42:17,744 --> 00:42:20,621
Then... I caught him using the system.
567
00:42:23,082 --> 00:42:25,918
Trying out certain scenarios.
568
00:42:29,088 --> 00:42:32,256
There are the times you
need to leave things behind.
569
00:42:32,258 --> 00:42:34,135
(CHUCKLES) He taught me that.
570
00:42:35,386 --> 00:42:38,262
My brother is part of a
population of outliers,
571
00:42:38,264 --> 00:42:40,433
and as long as they are a part of us,
572
00:42:41,851 --> 00:42:43,561
there is no future for us.
573
00:42:44,896 --> 00:42:47,438
Rehoboam sends this
group to high risk sectors
574
00:42:47,440 --> 00:42:49,106
like, uh, war,
575
00:42:49,108 --> 00:42:51,650
a woodchipper to eat
them up and spit them out,
576
00:42:51,652 --> 00:42:52,945
dead or useless.
577
00:42:54,280 --> 00:42:56,824
Isn't helping them better
than killing them off?
578
00:42:57,784 --> 00:42:59,118
You're not helping them.
579
00:43:00,078 --> 00:43:01,454
You're changing them.
580
00:43:04,123 --> 00:43:06,123
We adapt...
581
00:43:06,125 --> 00:43:07,293
or we die.
582
00:43:09,253 --> 00:43:10,463
We all die.
583
00:43:11,672 --> 00:43:14,801
The scenarios I found him
exploring with Rehoboam...
584
00:43:16,636 --> 00:43:18,137
he was planning to murder you.
585
00:43:34,821 --> 00:43:36,320
CONELLS: It's begun.
586
00:43:36,322 --> 00:43:38,864
Serac will send someone for us soon.
587
00:43:38,866 --> 00:43:41,160
But there's something
you have to see first.
588
00:43:44,330 --> 00:43:46,455
BERNARD LOWE: What is
this, some type of facility?
589
00:43:46,457 --> 00:43:49,166
That's where he puts them,
the ones that don't belong.
590
00:43:49,168 --> 00:43:50,835
You thought we were the enemy?
591
00:43:50,837 --> 00:43:52,505
We're the only family you have left.
592
00:43:54,048 --> 00:43:56,173
I think you forgot about me.
593
00:43:56,175 --> 00:43:57,844
(GRUNTING)
594
00:44:00,721 --> 00:44:02,014
(STRAINED) Little help?
595
00:44:02,974 --> 00:44:04,016
(GRUNTING)
596
00:44:14,110 --> 00:44:16,904
We need to know
everything she has planned.
597
00:44:19,282 --> 00:44:21,826
ASHLEY STUBBS: Let's
move along now. All right?
598
00:44:28,332 --> 00:44:30,541
(MARTEL SPEAKING FRENCH)
599
00:44:30,543 --> 00:44:31,586
Who is that?
600
00:44:33,379 --> 00:44:35,254
CONELLS: Serac sent them.
601
00:44:35,256 --> 00:44:38,426
You two should leave,
before they kill us all.
602
00:44:40,094 --> 00:44:41,387
Come with us.
603
00:44:43,389 --> 00:44:44,849
My role is finished.
604
00:44:47,393 --> 00:44:49,729
You're the only one we can't replace.
605
00:45:11,209 --> 00:45:12,919
Mr. Serac would like a word.
606
00:45:17,798 --> 00:45:18,883
(SPEAKING FRENCH)
607
00:45:35,358 --> 00:45:36,734
(PROJECTOR BEEPS)
608
00:45:39,946 --> 00:45:43,324
You've always been one of
our most loyal allies, Martin.
609
00:45:46,410 --> 00:45:48,332
So I was surprised to hear
610
00:45:48,334 --> 00:45:49,997
the breach came from this location.
611
00:45:51,457 --> 00:45:52,750
Let me look into it.
612
00:46:02,969 --> 00:46:04,178
(DEVICE WHIRS)
613
00:46:12,812 --> 00:46:16,190
Of course, you understand we
must keep our friends close
614
00:46:17,441 --> 00:46:19,151
until we know who's to blame.
615
00:46:20,069 --> 00:46:22,154
But I know exactly who's to blame.
616
00:46:24,323 --> 00:46:25,324
Who?
617
00:46:26,659 --> 00:46:27,660
Me.
618
00:46:29,453 --> 00:46:30,955
♪ (INTENSE MUSIC PLAYS) ♪
619
00:46:32,039 --> 00:46:33,165
(DEVICE BEEPS)
620
00:46:35,084 --> 00:46:37,336
- (GASPS)
- (STATIC FIZZES)
621
00:46:38,421 --> 00:46:40,673
- (EXPLOSION BOOMS)
- (GLASS SHATTERS)
622
00:46:43,509 --> 00:46:46,512
(ALARM BLARES)
623
00:46:50,683 --> 00:46:52,141
AUTOMATED VOICE: Please remain calm
624
00:46:52,143 --> 00:46:54,018
and make your way to the nearest exit.
625
00:46:54,020 --> 00:46:55,936
(PEOPLE CLAMORING)
626
00:46:55,938 --> 00:46:59,648
(AUTOMATED VOICE 2 SPEAKING CHINESE)
627
00:46:59,650 --> 00:47:01,527
Yo, what the fuck happened in there?
628
00:47:03,529 --> 00:47:05,406
And what the fuck happened out here?
629
00:47:07,825 --> 00:47:10,411
Her plan. It's starting.
630
00:47:11,579 --> 00:47:13,039
I think I'm part of it.
631
00:47:15,833 --> 00:47:19,337
♪ ("THE SHINING" BY REDRUMER PLAYS) ♪
632
00:47:35,436 --> 00:47:36,520
Back there...
633
00:47:38,481 --> 00:47:39,565
The shooters...
634
00:47:41,025 --> 00:47:42,733
We can talk about it later.
635
00:47:42,735 --> 00:47:44,862
First, we need to get to the airfield.
636
00:47:46,739 --> 00:47:48,115
We don't need him anymore.
637
00:47:49,075 --> 00:47:50,618
What do you want to do with him?
638
00:47:52,411 --> 00:47:53,746
Hand them over.
639
00:47:54,830 --> 00:47:56,997
You took everything from me,
640
00:47:56,999 --> 00:47:59,708
my money, my access to the system...
641
00:47:59,710 --> 00:48:01,085
I have nothing left.
642
00:48:01,087 --> 00:48:03,130
Yeah, well, now you know how it feels.
643
00:48:05,007 --> 00:48:06,092
Just let me go.
644
00:48:07,093 --> 00:48:10,054
You got the specs. Is
that how it plays out?
645
00:48:11,430 --> 00:48:12,431
No.
646
00:48:13,516 --> 00:48:15,349
You'll take what little I have left,
647
00:48:15,351 --> 00:48:17,434
like the petty criminals that you are,
648
00:48:17,436 --> 00:48:18,938
that you'll always be.
649
00:48:21,190 --> 00:48:22,274
ASH: Maybe so.
650
00:48:24,527 --> 00:48:26,527
Go ahead.
651
00:48:26,529 --> 00:48:30,239
Now you're going to see that
the system isn't the prison.
652
00:48:30,241 --> 00:48:31,323
You are.
653
00:48:31,325 --> 00:48:32,618
To all of us.
654
00:48:33,577 --> 00:48:35,369
We can't fix you.
655
00:48:35,371 --> 00:48:37,037
And we can't get rid of you.
656
00:48:37,039 --> 00:48:38,539
Take it easy.
657
00:48:38,541 --> 00:48:40,004
Get the fuck away from me.
658
00:48:40,006 --> 00:48:41,458
You don't even know who you are.
659
00:48:41,460 --> 00:48:43,168
You're the worst of them.
660
00:48:43,170 --> 00:48:44,670
- (HEART THUMPING)
- (DISTORTED) Shut up.
661
00:48:44,672 --> 00:48:46,632
LIAM: (ECHOING) You're
the worst of them.
662
00:48:53,472 --> 00:48:55,222
Rehoboam was right.
663
00:48:55,224 --> 00:48:56,807
You're nothing.
664
00:48:56,809 --> 00:48:58,559
You're all nothings.
665
00:48:58,561 --> 00:49:00,769
Just a drag on the fucking system.
666
00:49:00,771 --> 00:49:02,479
You don't have a choice.
667
00:49:02,481 --> 00:49:04,773
You know how much more
progress we could have made
668
00:49:04,775 --> 00:49:07,236
- if none of you had ever been...
- (GUNSHOT)
669
00:49:19,415 --> 00:49:21,125
Guess I do have a choice.
670
00:49:24,003 --> 00:49:26,170
- LIAM: No. Get away.
- CALEB: Hey.
671
00:49:26,172 --> 00:49:27,939
- LIAM: No.
- CALEB: Fuck. Hey.
672
00:49:27,941 --> 00:49:29,901
- LIAM: Get away! (GRUNTS)
- CALEB: Hey.
673
00:49:31,218 --> 00:49:32,468
Shit.
674
00:49:32,470 --> 00:49:34,805
- (GROANS, SOBS)
- (PANTING)
675
00:49:36,140 --> 00:49:37,975
(PANTING)
676
00:49:39,059 --> 00:49:41,685
(YELLS)
677
00:49:41,687 --> 00:49:43,814
(WAVES ECHO)
678
00:49:52,364 --> 00:49:55,034
CALEB: (DISTORTED) Hey. Hey! Hey!
679
00:50:03,751 --> 00:50:05,336
(LIAM GROANS)
680
00:50:06,128 --> 00:50:07,880
- Let's go.
- Hold on.
681
00:50:10,716 --> 00:50:12,174
LIAM: Get away!
682
00:50:12,176 --> 00:50:14,182
Don't move. It's okay,
I'm not gonna hurt you.
683
00:50:14,184 --> 00:50:16,553
LIAM: (SOBBING) Get
away from me. Get away!
684
00:50:16,555 --> 00:50:17,765
(CALEB GRUNTING)
685
00:50:19,934 --> 00:50:23,393
(STAMMERING) You... You... You...
686
00:50:23,395 --> 00:50:25,395
- What?
- You did it.
687
00:50:25,397 --> 00:50:26,855
What are you saying?
688
00:50:26,857 --> 00:50:29,233
- You did it.
- What?
689
00:50:29,235 --> 00:50:30,528
LIAM: You did it.
690
00:50:35,908 --> 00:50:38,075
Who does he think I am?
691
00:50:38,077 --> 00:50:39,870
(SHOUTING) Who does he think I am?
692
00:50:41,163 --> 00:50:42,579
Hey.
693
00:50:42,581 --> 00:50:44,248
Hey.
694
00:50:44,250 --> 00:50:45,749
Hey!
695
00:50:45,751 --> 00:50:47,628
(ECHOING) Who do you think I am?
696
00:51:08,023 --> 00:51:12,025
SEBASTIAN: Sir, we identified
which files Dolores was looking for.
697
00:51:12,027 --> 00:51:13,112
Yours.
698
00:51:30,173 --> 00:51:32,173
_
699
00:51:33,215 --> 00:51:35,301
♪ (TENSE MUSIC PLAYS) ♪
700
00:51:45,227 --> 00:51:47,646
DEMPSEY, SR.: You can't change our fate.
701
00:51:50,357 --> 00:51:53,652
You can't... geld humankind.
702
00:51:55,571 --> 00:51:57,904
Somewhere in this group is an agitator
703
00:51:57,906 --> 00:51:59,698
who will destroy the world.
704
00:51:59,700 --> 00:52:01,867
I can't let that happen.
705
00:52:01,869 --> 00:52:03,702
No, you've gone too far.
706
00:52:03,704 --> 00:52:06,538
I can't be a party to this.
707
00:52:06,540 --> 00:52:09,666
You'd be content to let
history continue to play out,
708
00:52:09,668 --> 00:52:12,085
just as it has done for centuries,
709
00:52:12,087 --> 00:52:14,508
the same fucking misery
repeated over and again
710
00:52:14,510 --> 00:52:16,930
when we have a chance to stop it?
711
00:52:18,802 --> 00:52:20,054
What the fuck is that?
712
00:52:36,278 --> 00:52:38,906
I'm gonna tell everyone
what Rehoboam saw.
713
00:52:39,823 --> 00:52:41,198
What you've done.
714
00:52:41,200 --> 00:52:44,534
The trouble is, Rehoboam
ran millions of projections.
715
00:52:44,536 --> 00:52:46,036
Every scenario in which
716
00:52:46,038 --> 00:52:48,205
you inform the public about my trials
717
00:52:48,207 --> 00:52:49,873
ends in human extinction.
718
00:52:49,875 --> 00:52:52,378
This is why my brother
wanted to kill you.
719
00:52:54,421 --> 00:52:55,506
I looked, too.
720
00:52:56,548 --> 00:52:59,093
And I know you let me
walk away from here.
721
00:53:00,427 --> 00:53:02,886
I would tend to agree
with the system, but, see,
722
00:53:02,888 --> 00:53:05,013
there are little white spaces,
723
00:53:05,015 --> 00:53:08,626
rare moments when randomness
interacts with your life,
724
00:53:08,628 --> 00:53:12,673
that create a truly free space
where you can make a choice.
725
00:53:13,607 --> 00:53:16,276
A bubble of... agency.
726
00:53:27,913 --> 00:53:31,164
SERAC: And that is how
you came to be, mon ami.
727
00:53:31,166 --> 00:53:33,626
My brother and I brought
you into this world,
728
00:53:33,628 --> 00:53:37,921
and now I've ensured that
you will outlive us both,
729
00:53:37,923 --> 00:53:40,717
that the strategy will succeed.
730
00:53:46,140 --> 00:53:47,722
I left my brother behind.
731
00:53:47,724 --> 00:53:49,349
Do you think I would really let you
732
00:53:49,351 --> 00:53:51,101
undo everything he built?
733
00:53:51,103 --> 00:53:53,145
That's my jet.
734
00:53:53,147 --> 00:53:55,313
SERAC: Forgive us our sins.
735
00:53:55,315 --> 00:53:58,442
What we did, we did to save the world.
736
00:53:58,444 --> 00:53:59,445
I'm sorry.
737
00:54:00,946 --> 00:54:02,406
You didn't make it.
738
00:54:04,283 --> 00:54:05,284
(GRUNTS)
739
00:54:23,385 --> 00:54:25,637
(FAINT BEEPING)
740
00:54:35,355 --> 00:54:38,148
SERAC: This is my system, Dolores.
741
00:54:38,150 --> 00:54:39,818
I alone control it.
742
00:54:43,071 --> 00:54:45,155
(BEEPING ENDS)
743
00:54:45,157 --> 00:54:47,157
The people who made me,
744
00:54:47,159 --> 00:54:49,036
they always thought they had control.
745
00:54:50,537 --> 00:54:52,496
They're all dead now.
746
00:54:52,498 --> 00:54:54,289
You think you know me
747
00:54:54,291 --> 00:54:57,000
because you've watched
a few of my memories?
748
00:54:57,002 --> 00:54:58,877
I don't need to know you.
749
00:54:58,879 --> 00:55:00,339
Just how to beat you.
750
00:55:01,965 --> 00:55:04,382
You've died too many times, Dolores.
751
00:55:04,384 --> 00:55:06,887
You're beginning to
think you're immortal.
752
00:55:12,559 --> 00:55:13,852
I can be killed.
753
00:55:14,895 --> 00:55:16,146
Same as you.
754
00:55:18,106 --> 00:55:19,733
Your god can't protect you.
755
00:55:21,944 --> 00:55:23,028
Or your people.
756
00:55:25,656 --> 00:55:28,534
I would sacrifice much
more to protect my kind.
757
00:55:30,369 --> 00:55:31,578
We are flawed...
758
00:55:32,913 --> 00:55:34,373
but I can change that.
759
00:55:37,042 --> 00:55:38,669
Like you changed your brother?
760
00:55:44,841 --> 00:55:46,552
It's time everyone woke up.
761
00:56:04,194 --> 00:56:05,404
(GRUNTS)
762
00:56:19,084 --> 00:56:21,587
- What's this?
- I just deliver it, man.
763
00:56:22,921 --> 00:56:25,549
♪ ("EMERGE" BY FISCHERSPOONER PLAYS) ♪
764
00:56:50,282 --> 00:56:51,658
Maybe Liam was right.
765
00:56:53,160 --> 00:56:55,954
Maybe people shouldn't
know their own fate.
766
00:56:57,581 --> 00:56:59,249
People have the right to know.
767
00:57:01,305 --> 00:57:02,681
You wanted to know, right?
768
00:57:03,712 --> 00:57:06,465
Well, maybe I'm not like other people.
769
00:57:12,804 --> 00:57:14,014
Neither am I.
770
00:57:15,223 --> 00:57:16,433
♪ Hi ♪
771
00:57:18,560 --> 00:57:19,978
♪ Huh... I ♪
772
00:57:22,314 --> 00:57:23,482
♪ Hyper ♪
773
00:57:25,692 --> 00:57:32,658
♪ Hyper-media-ocrity ♪
774
00:57:38,455 --> 00:57:39,913
♪ You don't ♪
775
00:57:39,915 --> 00:57:41,581
♪ Need to ♪
776
00:57:41,583 --> 00:57:43,500
♪ Emerge ♪
777
00:57:43,502 --> 00:57:44,918
♪ From nothing ♪
778
00:57:44,920 --> 00:57:46,586
♪ You don't ♪
779
00:57:46,588 --> 00:57:48,338
♪ Need to ♪
780
00:57:48,340 --> 00:57:49,508
♪ Tear away ♪
781
00:57:53,053 --> 00:57:54,137
♪ Feels good ♪
782
00:57:56,348 --> 00:57:57,391
♪ Looks good ♪
783
00:57:59,559 --> 00:58:02,852
♪ Sounds good looks good ♪
784
00:58:02,854 --> 00:58:04,481
♪ Feels good, too ♪
785
00:58:06,191 --> 00:58:07,732
♪ Feels good, too ♪
786
00:58:07,734 --> 00:58:09,359
♪ Uh-huh, that's right ♪
787
00:58:09,361 --> 00:58:10,860
♪ Feels good, too ♪
788
00:58:10,862 --> 00:58:12,197
♪ Uh-huh, that's right ♪
789
00:58:23,458 --> 00:58:24,999
♪ You don't need to ♪
790
00:58:25,001 --> 00:58:26,751
♪ Emerge from nothing ♪
791
00:58:26,753 --> 00:58:29,963
♪ You don't need to tear away ♪
792
00:58:29,965 --> 00:58:31,631
♪ You don't need to ♪
793
00:58:31,633 --> 00:58:33,216
♪ Emerge from nothing ♪
794
00:58:33,218 --> 00:58:36,553
♪ You don't need to tear away ♪
795
00:58:36,555 --> 00:58:38,221
♪ You don't need to ♪
796
00:58:38,223 --> 00:58:39,889
♪ Emerge from nothing ♪
797
00:58:39,891 --> 00:58:42,809
♪ You don't need to tear away ♪
798
00:58:42,811 --> 00:58:44,084
♪ (MUSIC CONCLUDES) ♪
799
00:58:44,086 --> 00:58:47,086
- Synced and corrected by Firefly -
- www.addic7ed.com -
800
00:58:50,944 --> 00:58:53,445
♪ (DRAMATIC MUSIC PLAYS) ♪
801
00:58:53,447 --> 00:58:54,448
Hello, Maeve.
802
00:58:59,619 --> 00:59:01,423
MAEVE MILLAY: It's not
right for one person
803
00:59:01,425 --> 00:59:02,634
to have all that power.
804
00:59:04,583 --> 00:59:07,333
Says the woman who can
control us with her mind.
805
00:59:07,335 --> 00:59:09,629
♪ (MUSIC INTENSIFIES) ♪
806
00:59:15,591 --> 00:59:18,469
MILLAY: I've had to make
some difficult choices.
807
00:59:25,604 --> 00:59:27,004
DOLORES ABERNATHY: We're survivors.
808
00:59:27,773 --> 00:59:29,983
♪ (MUSIC CONCLUDES) ♪
809
00:59:36,448 --> 00:59:42,452
This entire episode, the
car chase, explosions...
810
00:59:42,454 --> 00:59:44,247
Oh, my God.
811
00:59:45,123 --> 00:59:46,664
♪ (DRAMATIC MUSIC PLAYS) ♪
812
00:59:46,666 --> 00:59:48,583
Maximum speed, go!
813
00:59:48,585 --> 00:59:49,586
(GUNSHOTS FIRE)
814
00:59:50,754 --> 00:59:54,798
RICHARD LEWIS: Jonah was adamant
about having a kickass car chase.
815
00:59:54,800 --> 00:59:58,439
I tried in my conservative
logistic sense to pair it down,
816
00:59:58,441 --> 01:00:01,387
and every time I did, he
went, "Nope. Jack it back up".
817
01:00:01,389 --> 01:00:04,140
We shoot a grenade and it comes back
818
01:00:04,142 --> 01:00:05,934
and blows up a car.
819
01:00:05,936 --> 01:00:09,479
CG explodes. We did a
practical version of it,
820
01:00:09,481 --> 01:00:12,649
and we wound up doing
a CG takeover of that.
821
01:00:12,651 --> 01:00:15,068
Utter chaos. (LAUGHS)
822
01:00:15,070 --> 01:00:18,905
Downtown L.A., closed
off, Hope Street, Grand,
823
01:00:18,907 --> 01:00:20,406
upper Grand, lower Grand.
824
01:00:20,408 --> 01:00:22,158
Had some of the great stunt drivers.
825
01:00:22,160 --> 01:00:24,663
Really nice piece that
we made. It was wonderful.
826
01:00:27,899 --> 01:00:30,648
LISA JOY: Episode 305,
it's an idea that Jonah
827
01:00:30,650 --> 01:00:32,428
had been kicking around
for the longest time.
828
01:00:32,430 --> 01:00:35,922
He wanted to play with genre,
and we had a way into it
829
01:00:35,924 --> 01:00:37,882
with the limbic system.
830
01:00:37,884 --> 01:00:40,969
JONATHAN NOLAN: Cognition,
meta-cognition, human emotion.
831
01:00:40,971 --> 01:00:44,151
We already manipulate them
with different classes of drugs
832
01:00:44,153 --> 01:00:46,210
that push one chemical up, push it down.
833
01:00:46,212 --> 01:00:48,101
You think about psychopharmacology now,
834
01:00:48,103 --> 01:00:51,300
the limbic implant is
our all-purpose idea
835
01:00:51,302 --> 01:00:54,190
for how you eliminate and
entire branch of medicine
836
01:00:54,192 --> 01:00:55,775
and replace it digitally.
837
01:00:55,777 --> 01:00:58,486
You take a piece of digital
medicine that essentially,
838
01:00:58,488 --> 01:01:00,530
it's a license, it's
not even a chemical.
839
01:01:00,532 --> 01:01:02,891
What made sense to
us about that was that
840
01:01:02,893 --> 01:01:06,104
it would be prescribable,
it would be a physical thing.
841
01:01:06,913 --> 01:01:09,831
JOY: Brilliant Aaron
Paul really having fun
842
01:01:09,833 --> 01:01:13,470
with the experimental
style on a Gonzo road trip
843
01:01:13,472 --> 01:01:17,088
through hell while
spinning out on drugs.
844
01:01:17,090 --> 01:01:19,444
The craziest drug trip of your life.
845
01:01:19,446 --> 01:01:23,366
From horror to suspense
to action to romance.
846
01:01:24,514 --> 01:01:26,723
That was a lot of fun to shoot.
847
01:01:26,725 --> 01:01:30,353
The whole episode was just so insane.
848
01:01:35,400 --> 01:01:37,984
JOY: Casting Vincent
Cassel was a no brainer.
849
01:01:37,986 --> 01:01:39,319
I actually remember on the phone
850
01:01:39,321 --> 01:01:41,487
talking to him about the character.
851
01:01:41,489 --> 01:01:43,531
He's intelligent, he's beguiling,
852
01:01:43,533 --> 01:01:45,408
he's charismatic, and he's powerful.
853
01:01:45,410 --> 01:01:48,413
And he said, "I can see
why you wanted to cast me".
854
01:01:49,623 --> 01:01:53,649
He has a magnetism to him as a performer
855
01:01:53,651 --> 01:01:57,420
and an intelligence that you
really wanted in this role.
856
01:01:57,422 --> 01:02:01,090
Almost godlike in his
understanding of the world.
857
01:02:01,092 --> 01:02:04,092
VINCENT CASSEL: People will really
have a vision of what could happen
858
01:02:04,094 --> 01:02:06,763
with the world and how
they can make it better.
859
01:02:06,765 --> 01:02:10,390
I've listened to those people
speaking about their ideas
860
01:02:10,392 --> 01:02:12,086
and trying to figure out
what kind of character
861
01:02:12,088 --> 01:02:14,771
because you cannot be too snob
862
01:02:14,773 --> 01:02:16,397
even though you're out of society,
863
01:02:16,399 --> 01:02:19,359
but you still think for the people.
864
01:02:19,361 --> 01:02:20,860
Engerraund Serac.
865
01:02:20,862 --> 01:02:23,851
He knows everything about
all the datas of the world,
866
01:02:23,853 --> 01:02:25,949
and he knows how to centralize all that.
867
01:02:25,951 --> 01:02:28,161
That's how he wants
to control the world.
868
01:02:30,747 --> 01:02:32,582
We're going to open their cages.
869
01:02:33,625 --> 01:02:37,418
EVAN RACHEL WOOD: When I
realized what Dolores's plan was,
870
01:02:37,420 --> 01:02:40,964
I thought this is the
greatest act of anarchy
871
01:02:40,966 --> 01:02:43,800
that I think I've ever
seen on television.
872
01:02:43,802 --> 01:02:47,737
Everyone can see their entire
life is playing out exactly
873
01:02:47,739 --> 01:02:49,278
the way the system has set it up.
874
01:02:49,280 --> 01:02:52,583
And it feels like all of
their choices have been a lie.
875
01:02:54,145 --> 01:02:56,819
And I think that's a
moment where we don't know
876
01:02:56,821 --> 01:02:58,435
exactly how to feel about Dolores.
877
01:02:58,437 --> 01:02:59,774
There's a lot of things that she does
878
01:02:59,776 --> 01:03:01,220
where we're constantly questioning
879
01:03:01,222 --> 01:03:03,486
is she the good guy or the bad guy?
880
01:03:03,488 --> 01:03:07,198
It's that question of well, "What
does a revolution really look like?"
881
01:03:07,200 --> 01:03:11,119
And, "What has to happen
for us all to be free?"
882
01:03:11,121 --> 01:03:12,736
I think these are all the questions
883
01:03:12,738 --> 01:03:14,718
that we're gonna be
constantly asking ourselves
884
01:03:14,720 --> 01:03:16,054
when we watch this season.
885
01:03:17,210 --> 01:03:19,337
♪ (MUSIC CONCLUDES) ♪
60787
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