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1
00:00:02,369 --> 00:00:05,005
-Previously on "NYPD BLUE".
- DO YOU SEE WHAT'S
UNDER MY BLOUSE?
2
00:00:05,005 --> 00:00:07,374
MY UNDERGARMENT IS RUBBER.
WHAT, ARE YOU CRAZY?
3
00:00:07,374 --> 00:00:11,177
IT'S HOLDING
ALL MY FLUIDS IN.
4
00:00:11,177 --> 00:00:14,180
PLASTIC SURGEON STITCHED ME UP.
I HOPE HE DID A GOOD JOB.
5
00:00:14,180 --> 00:00:19,119
I'M SURE HE DID.
I KNOW WE HAVEN'T REALLY GOT
CLOSE ENOUGH I CAN ASK YOU THIS,
6
00:00:19,119 --> 00:00:22,389
BUT... CAN YOU
NOT GO AWAY, JAMES?
YEAH.
7
00:00:22,389 --> 00:00:26,226
I MUST HAVE FLIRTED,
BUT I DON'T THINK I DID.
8
00:00:29,162 --> 00:00:31,164
OKAY.
9
00:00:31,164 --> 00:00:35,168
IT'S OUT NOW.
YOU KNOW, YOU GOT IT OUT.
10
00:00:35,168 --> 00:00:39,672
I HAD TO KEEP A SECRET.
DADDY'S PRETTY PET.
YOU GOT IT OUT.
11
00:01:10,336 --> 00:01:12,839
MORNIN'.
12
00:01:12,839 --> 00:01:14,841
HI, BOBBY.
13
00:01:21,347 --> 00:01:24,851
YOU GOT ME THROUGH.
14
00:01:24,851 --> 00:01:26,853
I'M GLAD YOU SHOWED UP.
15
00:01:31,858 --> 00:01:33,860
NOW I KNOW WHAT IT WAS.
16
00:01:36,863 --> 00:01:39,866
YOU'LL GET YOURSELF
SOME HELP.
17
00:01:39,866 --> 00:01:41,868
YEAH.
18
00:01:47,207 --> 00:01:49,709
NO ONE DESERVED WAITING
HOW YOU HAD TO, BOBBY.
19
00:01:49,709 --> 00:01:53,213
NO ONE DESERVES
A LOT THAT HAPPENS.
20
00:01:55,715 --> 00:01:58,218
WHEN MARY WAS SICK,
21
00:01:58,218 --> 00:02:00,220
I COULDN'T HELP HER.
22
00:02:02,722 --> 00:02:04,724
I'M GLAD ENOUGH
I WAS ABLE TO HELP YOU.
23
00:02:13,233 --> 00:02:15,235
HERE I AM.
24
00:03:45,258 --> 00:03:47,627
ANDY, I NEED
TO TALK WITH YOU.
YOU'LL GET OVER IT.
25
00:03:47,627 --> 00:03:49,696
PLEASE. I KNOW
ABOUT SOMETHING BAD.
26
00:03:49,696 --> 00:03:53,333
AND I'VE HEARD ALL I'M
LISTENING TO ABOUT BODY JUICES
AND RUBBER CORSETS.
27
00:03:53,700 --> 00:03:58,137
A DEATH. A DEAD MAN.
WHAT DO YOU
KNOW ABOUT THAT?
28
00:03:58,638 --> 00:04:01,140
HE'S A FRIEND,
AND I STOPPED BY HIS
APARTMENT THIS MORNING,
29
00:04:01,140 --> 00:04:03,643
AND HE WAS HANGING.
HANGING?
30
00:04:03,643 --> 00:04:07,146
HOW'D YOU COME
TO STOP BY?
HE'S A FRIEND.
31
00:04:07,146 --> 00:04:10,750
I'M WONDERING, WERE YOU
WORRIED ABOUT HIM, HOW YOU
HAPPENED TO STOP BY?
32
00:04:13,253 --> 00:04:17,156
ANDY, WE GOT A HOMICIDE
OVER AT A CONSTRUCTION SITE.
HEY, GERI.
33
00:04:19,692 --> 00:04:22,695
D.O.A. OFF A FIGHT AT
A CONSTRUCTION SITE, JAMES.
34
00:04:22,695 --> 00:04:24,764
- COUPLE OF COALITIONS
WERE INVOLVED.
-OKAY.
35
00:04:24,764 --> 00:04:27,166
HEY, BOSS.
GERI JUST TOLD ME,
36
00:04:27,400 --> 00:04:30,570
UH, A FRIEND OF HERS
IS DEAD AT HIS APARTMENT.
37
00:04:30,570 --> 00:04:34,807
SHE FOUND HIM HANGING.
I DON'T KNOW IF YOU WANT HER TO
RIDE OVER THERE WITH SOMEBODY.
38
00:04:35,074 --> 00:04:38,511
- NO, I'M NOT GOING BACK THERE.
- I'D LIKE YOU TO TALK TO
DET. KIRKENDALL AND RUSSELL.
39
00:04:38,945 --> 00:04:41,681
GIVE 'EM WHAT INFORMATION
YOU HAVE SO THEY CAN
TAKE A LOOK AT IT.
40
00:04:41,914 --> 00:04:43,483
I'D RATHER GIVE IT
TO DETECTIVE SIPOWICZ.
41
00:04:43,483 --> 00:04:47,153
NO. KIRKENDALL AND RUSSELL'S
HOW WE'RE GONNA DO IT.
42
00:04:50,023 --> 00:04:52,025
ALL RIGHT.
43
00:04:55,528 --> 00:04:58,031
CONSTRUCTION COALITION, HUH?
MM-HMM.
44
00:04:58,031 --> 00:05:00,533
THERE'S A SOLID BUNCH
OF CITIZENS.
45
00:05:03,269 --> 00:05:05,271
DIANE, JILL.
46
00:05:05,271 --> 00:05:08,274
UH, GERI FOUND A FRIEND OF
HERS DEAD IN HIS APARTMENT.
47
00:05:08,274 --> 00:05:11,277
UM, CAN YOU TALK
TO HER ABOUT IT?
SURE.
48
00:05:11,277 --> 00:05:14,714
DON'T PUT ME
THROUGH THIS LIKE A SUSPECT,
ALL RIGHT, LIEUTENANT?
49
00:05:14,714 --> 00:05:16,983
NO ONE IS TREATING YOU
LIKE A SUSPECT, GERI.
50
00:05:16,983 --> 00:05:19,919
ANTAGONIZE ME
LIKE YOU HAVE BEFORE,
AND I WON'T COOPERATE.
51
00:05:19,919 --> 00:05:23,089
I UNDERSTAND.
52
00:05:23,089 --> 00:05:25,858
GERI, IS YOUR FRIEND
THERE NOW?
53
00:05:25,858 --> 00:05:29,062
HIS NAME IS TOM KONIGSBERG,
AND THAT'S ALL I KNOW ABOUT IT.
54
00:05:29,295 --> 00:05:32,365
IF YOU GIVE US TOM'S ADDRESS,
DIANE AND I CAN GET OVER THERE.
55
00:05:32,365 --> 00:05:35,601
[ Chuckles ] YOU'RE GONNA
HAVE A REAL GOOD TIME
WITH ME, AREN'T YOU?
56
00:05:35,601 --> 00:05:38,338
FIND HIM HANGING.
57
00:05:38,338 --> 00:05:40,773
WHY DON'T YOU JUST WRITE
THE ADDRESS FOR US, GERI?
COME ON.
58
00:05:45,778 --> 00:05:47,780
GONNA HAVE A REAL
DAY AT THE BEACH.
59
00:06:19,112 --> 00:06:21,948
FREEZE A FURRY TIT,
I'M OUT WITH ONE GLOVE ON.
60
00:06:21,948 --> 00:06:24,684
THEO LIKES TO SLEEP ON IT.
HE THINKS IT'S LIKE
SOME TEDDY BEAR.
61
00:06:24,684 --> 00:06:26,686
HE WAS ON IT
THIS MORNING, HUH?
YEAH.
62
00:06:26,686 --> 00:06:29,956
LOOK, ANDY. I'M SORRY I DIDN'T
SPEND MORE TIME ON THE PHONE
WITH YOU LAST NIGHT.
63
00:06:30,456 --> 00:06:32,458
I WAS RELIEVED YOU CALLED.
DIANE, SHE WAS
ALL STIRRED UP.
64
00:06:32,959 --> 00:06:34,660
I DIDN'T WANT TO BE
AWAY FROM HER TOO LONG.
65
00:06:34,660 --> 00:06:38,164
SHE, UH, GOT THINGS
OFF HER CHEST.
SHE'S GOT THINGS, YOU KNOW.
66
00:06:38,164 --> 00:06:41,467
I'M JUST HOPING
SHE'LL FEEL BETTER NOW.
SHE LOOKS BETTER THIS MORNING.
67
00:06:41,734 --> 00:06:43,536
YEAH, I'M OPTIMISTIC.
68
00:06:44,537 --> 00:06:46,873
WHAT HAPPENED?
69
00:06:46,873 --> 00:06:48,808
TWO COALITIONS
WENT AT IT.
ONE D.O.A.,
70
00:06:49,208 --> 00:06:52,412
FOUR AT THE HOSPITAL,
THE REST ARE CUFFED.
YOU SEE ANY OF IT?
71
00:06:52,412 --> 00:06:54,646
BLACK COALITION SHOWS UP.
NAME'S NONE FORGOTTEN.
72
00:06:54,646 --> 00:06:56,931
START TWISTING ARMS
FOR JOBS.
73
00:06:56,931 --> 00:06:59,100
FEW MINUTES LATER,
HERE COMES BRONX UNITED.
74
00:06:59,100 --> 00:07:01,402
WHICH IS PUERTO RICAN.
RIGHT.
75
00:07:01,402 --> 00:07:04,322
CONSTRUCTION BOSS CALLS US
'CAUSE HE SEES WHAT'S COMING.
76
00:07:04,322 --> 00:07:07,358
BY THE TIME WE GET HERE,
THE SHAPE DIRECTORS ARE
ALREADY INTO IT.
77
00:07:07,859 --> 00:07:09,243
THERE'S SIX OR SEVEN
SET-TOS ALL AROUND THE YARD.
78
00:07:09,744 --> 00:07:12,947
ANYBODY SEE THIS GUY GET HIT?
TOO BUSY SWINGING HAMMERS,
TOSSING BRICKS.
79
00:07:14,415 --> 00:07:16,250
GOT A WALLET.
80
00:07:17,251 --> 00:07:21,122
EMILIO LOPEZ,
SHAPE DIRECTOR, BRONX UNITED.
81
00:07:21,122 --> 00:07:23,675
BULLETPROOF VEST.
LOOKS LIKE EMILIO FIGURED...
82
00:07:23,675 --> 00:07:25,593
THAT HE'D HAVE A PRETTY
BAD DAY IN FRONT OF HIM.
83
00:07:26,094 --> 00:07:29,597
WE GOT SIX GUNS.
YEAH, ASSORTED PIPES,
HAMMERS, BATS.
84
00:07:29,597 --> 00:07:31,849
DONNYBROOK'S LIKE
A DAILY THING WITH THESE GUYS.
85
00:07:31,849 --> 00:07:34,519
BUNCH OF PHONY HUSTLERS.
HOW'S IT
MAKE IT PHONIES,
86
00:07:34,802 --> 00:07:37,522
TRYING TO PERSUADE
THESE SITE BOSSES TO
GIVE JOBS TO MINORITIES?
87
00:07:37,522 --> 00:07:39,857
THEY'RE PHONIES
'CAUSE THEIR BIG
PERSUASION TECHNIQUES...
88
00:07:39,857 --> 00:07:41,859
IS KNOCKING PEOPLE
AROUND WITH BALL BATS,
89
00:07:41,859 --> 00:07:44,228
AND THEIR PREFERRED
JOB POSITION--
90
00:07:44,228 --> 00:07:46,230
THEY DON'T ACTUALLY HAVE TO
SHOW UP TO DO NO WORK.
91
00:07:46,230 --> 00:07:48,733
NOT ONE HONEST GUY
IN THE BUNCH, RIGHT, ANDY?
92
00:07:48,733 --> 00:07:51,319
MAYBE I'M WRONG, MARTINEZ.
MAYBE ONE OF
THESE GOOD FOLKS...
93
00:07:51,319 --> 00:07:54,155
IS GONNA LEAP UP
AND SAY HE SAW
A MURDER COMMITTED.
94
00:07:54,155 --> 00:07:56,457
LISTEN, WE'RE GONNA NEED
TRANSPO TO GET ALL THESE GUYS
BACK TO THE HOUSE.
95
00:07:56,958 --> 00:07:58,409
- THEY NEED TO BE
INTERVIEWED.
- SURE.
96
00:07:58,409 --> 00:08:01,162
ALL RIGHT.
97
00:08:03,297 --> 00:08:05,666
ANDY'S MISSING A GLOVE.
YEAH.
98
00:08:05,666 --> 00:08:08,669
THAT ACCOUNTS FOR HIS, UH,
PISS-POOR ATTITUDE, RIGHT?
99
00:08:08,669 --> 00:08:11,172
THAT, AND HE DON'T
LIKE MOST PEOPLE.
100
00:08:23,234 --> 00:08:25,236
MORNING.
HOW'S IT GOING?
101
00:08:25,236 --> 00:08:28,239
WELL, 911 TOOK
AN ANONYMOUS CALL, SAID
SOMEONE HUNG THEIRSELVES.
102
00:08:28,239 --> 00:08:31,409
M.E.'s ON THE WAY.
LANDLADY'S DOWNSTAIRS.
CAN YOU GET HER?
103
00:08:31,409 --> 00:08:33,244
YEAH, SURE.
THANKS.
104
00:08:51,596 --> 00:08:53,347
PLANNED ON
GOING TO WORK TODAY.
105
00:08:53,848 --> 00:08:55,349
THAT'S WHY THIS TOWEL'S
AROUND THE ROPE.
106
00:08:55,850 --> 00:08:58,186
HE DIDN'T WANT LIGATURE MARKS.
107
00:09:08,112 --> 00:09:10,898
OH, THIS IS
JUST FLABBERGASTING.
108
00:09:12,400 --> 00:09:15,736
I'M DIANE RUSSELL.
THIS IS DETECTIVE KIRKENDALL.
MILLIE HOLDEN.
109
00:09:15,736 --> 00:09:18,656
MILLIE, CAN YOU
I.D. THIS MAN?
110
00:09:18,656 --> 00:09:21,993
TOM KONIGSBERG.
HE'S LIVED HERE
A YEAR AND A HALF.
111
00:09:21,993 --> 00:09:24,912
WHAT CAN YOU
TELL US ABOUT HIM?
112
00:09:24,912 --> 00:09:28,416
WELL, I HAD NO INKLING
OF THIS CARRYING-ON.
113
00:09:28,416 --> 00:09:32,136
HE WORKED STEADY.
HE WAS A PUNCTUAL RENT-PAYER.
114
00:09:32,637 --> 00:09:37,258
BELIEVE ME, I NEVER SAW HIM
IN DRESSES OR ANY INKLING
OF THIS CONTRAPTION.
115
00:09:37,258 --> 00:09:39,010
HE NEVER EVEN
PLAYED LOUD MUSIC.
116
00:09:39,010 --> 00:09:41,729
DID ANYONE ELSE HAVE
A KEY TO HIS APARTMENT?
117
00:09:41,729 --> 00:09:45,850
A GIRLFRIEND, I THINK.
SHE STAYED HERE ONE OR TWO
TIMES A WEEK.
118
00:09:45,850 --> 00:09:50,271
UH, HER NAME WAS GERI.
UH, SHE'S, UH,
CHUNKY BUILD,
119
00:09:50,271 --> 00:09:52,857
UM, LOW TO MIDDLE
30 YEARS OF AGE.
120
00:09:52,857 --> 00:09:55,943
- UH, GERI TURNER.
-GOOD.
121
00:09:55,943 --> 00:09:57,778
SHE HAD BROWNISH-RED HAIR,
122
00:09:58,279 --> 00:10:02,033
AND SHE WAS
5'8" TO 5'10".
UH-HUH.
123
00:10:02,033 --> 00:10:03,868
DO YOU THINK
SHE DID THIS TO HIM?
124
00:10:03,868 --> 00:10:06,621
WE'RE GONNA HAVE TO
LOOK INTO THAT.
THANKS VERY MUCH FOR YOUR HELP.
125
00:10:06,621 --> 00:10:09,707
OH, LISTEN, I DON'T HAVE TO
TELL THE FAMILY, DO I?
NO. NO, WE'LL TAKE CARE OF THAT.
126
00:10:09,707 --> 00:10:13,377
IF IT WAS MY SON,
I'D WANT SOMEONE SHOULD
LIE TO ME HOW THEY FOUND HIM.
127
00:10:13,377 --> 00:10:15,213
THANK YOU.
128
00:10:17,215 --> 00:10:19,767
[ Sighs ]
MAYBE WE OUGHT TO CHECK
AT THE SEX STORE,
129
00:10:19,767 --> 00:10:22,436
SEE IF THEY REMEMBER
THIS GUY WITH ANYBODY BUT GERI.
130
00:10:22,937 --> 00:10:25,773
SO YOU'RE REALLY NOT LOOKING
FORWARD TO GOING BACK TO THE
HOUSE TO INTERVIEW GERI, HUH?
131
00:10:26,274 --> 00:10:28,643
YOU GOT THAT RIGHT.
132
00:10:35,199 --> 00:10:38,152
SLAP ME FOR SAYING
THOSE BOOTS LOOK KINDA COOL.
133
00:10:48,045 --> 00:10:51,032
[ Chattering ]
134
00:10:51,032 --> 00:10:53,951
YOU GUYS, SIT RIGHT THERE.
135
00:10:57,371 --> 00:11:01,042
D.O.A. TOOK ONE IN THE HEAD.
NAME'S EMILIO LOPEZ. HE'S THE
NUMBER TWO GUY FOR BRONX UNITED.
136
00:11:01,042 --> 00:11:02,743
COMES TO WORK WITH
A BULLETPROOF VEST.
137
00:11:02,743 --> 00:11:06,414
WE GOT SIX DITCHED WEAPONS,
BUT IT'S GONNA BE TOUGH
TO GET THE PRINTS.
138
00:11:06,414 --> 00:11:08,583
YEAH, THIS COLD,
EVERYBODY'S WEARING GLOVES.
139
00:11:08,583 --> 00:11:11,752
HALF THESE GUYS GOT SHEETS,
PLUS THEY'RE IN FACTIONS
AGAINST EACH OTHER.
140
00:11:12,253 --> 00:11:15,673
WHO GETS THE MOST SNOUTS
IN THE TROUGH FOR NO-SHOW JOBS.
141
00:11:15,673 --> 00:11:18,092
THAT'S THE CONTRACTOR
OVER THERE. WE'RE GONNA
START WITH HIM.
142
00:11:18,092 --> 00:11:20,311
YOU NOTIFY
THE D.O.A.'s FAMILY?
143
00:11:20,311 --> 00:11:23,598
SHE WAS TAKING THE KIDS
TO SCHOOL. WE LEFT A MESSAGE
WITH THE NEIGHBORS.
144
00:11:23,598 --> 00:11:25,650
- YEAH.
- YO, CAN I GET OUT OF HERE?
145
00:11:25,650 --> 00:11:27,818
KEEP ME POSTED.
WHAT'S YOUR NAME?
146
00:11:27,818 --> 00:11:31,322
- RAY HARVEY.
- WHERE WERE YOU STANDING WHEN
THE SHOOTIN' HAPPENED, RAY?
147
00:11:31,322 --> 00:11:33,324
I DON'T KNOW.
THAT'S WHY I WANT TO GET OUT.
148
00:11:33,324 --> 00:11:35,993
YOU DON'T KNOW WHERE
YOU WERE STANDING?
UH-UH.
149
00:11:35,993 --> 00:11:40,197
- DID YOU HEAR THE SHOTS?
- HAD MY WALKMAN ON. THAT'S WHAT
I'M TRYING TO TELL YOU ALL.
150
00:11:40,197 --> 00:11:42,867
WHERE IS IT YOU GOTTA BE?
GOTTA TAKE MY SISTER
TO THE DOCTOR.
151
00:11:42,867 --> 00:11:46,003
-WHAT IF YOU HAD A JOB TO GO TO?
-SHE WOULDN'T GET TO GO.
152
00:11:46,003 --> 00:11:48,839
- CAN YOU BE BACK HERE AT 4:00?
- YEAH, I CAN BE
BACK HERE BY THEN.
153
00:11:48,839 --> 00:11:51,292
ALL RIGHT. WRITE YOUR NAME,
ADDRESS AND HOME PHONES.
154
00:11:51,292 --> 00:11:54,011
GOT ANY PICTURE I.D.,
MR. HARVEY?
155
00:11:56,514 --> 00:11:59,016
SOME COFFEE, MR. DELUCA?
156
00:11:59,517 --> 00:12:01,519
I'M NERVOUS ENOUGH
AS IT IS.
157
00:12:01,519 --> 00:12:03,854
- DECAF?
- NO.
158
00:12:03,854 --> 00:12:05,556
REALLY SOMETHING
THAT WENT ON TODAY, HUH?
159
00:12:05,556 --> 00:12:09,560
I GO THROUGH CRAP WITH
THESE COALITIONS ALL THE TIME.
160
00:12:09,560 --> 00:12:12,563
THEY SHOW UP, NO TOOLS,
NO SKILLS WORTH A CRAP.
161
00:12:12,563 --> 00:12:15,066
I DON'T HIRE THEM,
THE SITE GOES UP FOR GRABS.
162
00:12:15,066 --> 00:12:18,869
I PUT UP WITH
THE B.S., THE BRAWLS.
163
00:12:20,738 --> 00:12:22,239
BUT A KILLING?
164
00:12:22,239 --> 00:12:24,542
YOU KNOW EMILIO LOPEZ?
165
00:12:24,542 --> 00:12:27,995
NO. I TALKED TO HIM
FOR, LIKE, TWO SECONDS
THIS MORNING.
166
00:12:27,995 --> 00:12:29,997
THEN BLUESTONE
GOT IN HIS FACE.
167
00:12:29,997 --> 00:12:32,333
BLUESTONE BEING FROM
THIS OTHER COALITION,
NONE FORGOTTEN?
168
00:12:32,333 --> 00:12:35,803
THE BLACK GROUP, RIGHT.
DID BLUESTONE HAVE
A WEAPON THAT YOU SAW...
169
00:12:35,803 --> 00:12:37,555
WHEN HE WAS
IN LOPEZ'S FACE?
170
00:12:37,922 --> 00:12:40,975
- I DON'T KNOW.
I WENT TO MY OFFICE.
- YOU WENT TO YOUR OFFICE.
171
00:12:42,393 --> 00:12:44,895
LOOK, ALL I WANTED WAS TO
PUT UP THIS SENIOR CENTER...
172
00:12:44,895 --> 00:12:47,348
WITHOUT
THE SKY FALLING IN.
173
00:12:47,348 --> 00:12:49,900
I PUT UP WITH EVERYTHING,
AND STILL SOMETHING
WORSE STILL HAPPENS.
174
00:12:57,992 --> 00:13:00,244
ALL RIGHT,I'MGONNA
SAY SOMETHING HERE.
175
00:13:00,244 --> 00:13:02,830
AND PROBABLY IT'S GONNA GET
MY HEAD BEAT OR SOMETHING ELSE.
176
00:13:02,830 --> 00:13:06,500
I'M GONNA SAY I HAVE
A TAPE HERE WHICH IS
A SURVEILLANCE TAPE OF THE SITE.
177
00:13:06,500 --> 00:13:09,754
MAYBE YOU PEOPLE WILL SEE
SOMETHING IN CONJUNCTION
WITH YOUR INVESTIGATION...
178
00:13:09,754 --> 00:13:12,256
TO SHOW
WHO DID WHAT.
179
00:13:12,256 --> 00:13:15,259
AND IF THAT HAPPENS,
ALL I'M ASKING IS...
180
00:13:15,259 --> 00:13:18,379
NOT TO BE QUOTED
THE SOURCE OF THAT TAPE.
181
00:13:18,379 --> 00:13:20,931
BUT I'M GOING THIS FAR
BECAUSE THIS IS MURDER.
182
00:13:23,884 --> 00:13:26,020
AND ENOUGH'S ENOUGH.
183
00:13:26,020 --> 00:13:29,557
[ Woman ]
OH, MY GOD! OH, NO!
[ Crying ]
184
00:13:29,557 --> 00:13:32,276
STICK RIGHT HERE.
185
00:13:32,276 --> 00:13:34,729
OH, MY GOD!
NO, EMILIO!
[ Speaking Spanish ]
186
00:13:35,229 --> 00:13:38,566
WHY DON'T YOU SIT HERE
WITH JAMES, MRS. LOPEZ.
I'LL GET YOU SOME WATER.
187
00:13:39,066 --> 00:13:41,235
OH, MY GOD!
SHH.
TAKE IT EASY, ALL RIGHT?
188
00:13:41,235 --> 00:13:44,205
WHO DID IT?
WHO KILLED EMILIO?
189
00:13:44,205 --> 00:13:46,207
WE'RE LOOKING INTO
HOW IT HAPPENED.
190
00:13:46,207 --> 00:13:48,743
HE WAS AN HONEST MAN.
191
00:13:48,743 --> 00:13:50,578
HE BELIEVED
WHAT HE WAS DOING.
HE WAS GOOD.
192
00:13:50,578 --> 00:13:52,580
SIR, YOU CAN'T
GO IN THERE.
193
00:13:52,580 --> 00:13:55,549
DINA! DINA! DINA.
[ Spanish ]
194
00:13:55,549 --> 00:13:58,302
NO! NO. NO.
WHO KILLED EMILIO?
195
00:13:58,302 --> 00:14:01,472
I SWEAR, WE'RE GONNA FIND
THAT OUT. I'M JOE FERNANDEZ,
HEAD OF BRONX UNITED.
196
00:14:01,472 --> 00:14:05,259
-YOU WEREN'T AT THE SITE?
-WE'VE BEEN TIED UP AT THE
OFFICE EVER SINCE THE SHOOTING.
197
00:14:05,726 --> 00:14:08,262
PHONE'S BEEN RINGING
LIKE THERE'S NO TOMORROW.
[ Man ] HEY, JOSE.
198
00:14:08,262 --> 00:14:10,931
HERMANOS.
[ Spanish ]
199
00:14:10,931 --> 00:14:15,152
MY HUSBAND WAS AN HONEST MAN,
AND HE'S DEAD FOR TRYING
TO DO GOOD.
200
00:14:15,152 --> 00:14:18,739
- THAT'S RIGHT, DINA.
- HE WAS HONEST. HE WAS
TRYING TO GET REAL JOBS.
201
00:14:18,739 --> 00:14:21,408
-YOU LET IT OUT,MIJITA.
YOU LET IT OUT.
- HEY, HEY. HEY.
202
00:14:21,408 --> 00:14:23,160
OVER HERE.
ABSOLUTELY.
203
00:14:23,661 --> 00:14:25,780
- YOU TAKE GOOD CARE
OF HER, YOU HEAR?
- TALK A WALK.
204
00:14:26,280 --> 00:14:28,365
- AND WE HAD
THREE LITTLE KIDS.
-TRY AND TAKE IT EASY.
205
00:14:28,365 --> 00:14:31,285
WHAT AM I GONNA DO?
MY GOD!
206
00:14:31,285 --> 00:14:35,790
SO, MAYBE A DECENT GUY
GOT THROUGH THE NET INTO ONE
OF THESE GROUPS, HUH, ANDY?
207
00:14:35,790 --> 00:14:37,675
YEAH, AND MAYBE IT
GOT HIM KILLED.
208
00:15:07,872 --> 00:15:10,624
- LADIES.
- DETECTIVES.
15th SQUAD.
209
00:15:10,624 --> 00:15:12,426
OH.
210
00:15:12,426 --> 00:15:15,346
WE'RE INVESTIGATING
AN INCIDENT INVOLVING
ONE OF YOUR CUSTOMERS.
211
00:15:15,846 --> 00:15:18,182
HE RECENTLY BOUGHT
A PAIR OF LEATHER CUFFS
HERE AT YOUR SHOP.
212
00:15:18,182 --> 00:15:22,186
WE SELL AN ARRAY OF RESTRAINTS.
YOU'LL HAVE TO BE MORE SPECIFIC.
213
00:15:22,186 --> 00:15:24,188
BLACK LEATHER
WRIST AND ANKLE RESTRAINTS.
214
00:15:24,188 --> 00:15:26,440
SILVER SPIKED COLLAR
CONNECTED BY CHAINS.
215
00:15:26,440 --> 00:15:28,442
- UH-HUH.
- RING A BELL?
216
00:15:28,442 --> 00:15:32,196
THOSE COULD BE OUR
BEAST-MASTER CUFFS.
217
00:15:41,972 --> 00:15:45,492
RIGHT.
THOSE ARE THE ONES.
218
00:15:46,777 --> 00:15:49,697
DO YOU RECOGNIZE HIM?
219
00:15:49,697 --> 00:15:52,433
DO I LEGALLY HAVE TO SAY?
WHAT'S YOUR NAME?
220
00:15:52,433 --> 00:15:55,736
LORI GITTMAN.
WE'RE INVESTIGATING
A FELONY, LORI.
221
00:15:55,736 --> 00:15:59,073
YOU WITHHOLD INFORMATION,
YOU'RE OBSTRUCTING,
WHICH IS A FELONY TOO.
222
00:16:01,041 --> 00:16:02,910
OKAY.
SO I RECOGNIZE HIM.
223
00:16:02,910 --> 00:16:05,663
WHAT ABOUT PEOPLE HE'D
FREQUENT THE SHOP WITH?
224
00:16:05,663 --> 00:16:08,349
GOT ANY PICTURES?
NO.
225
00:16:08,349 --> 00:16:12,186
THERE'S THIS HEAVY WOMAN,
UM, WITH DARK RED HAIR.
226
00:16:12,186 --> 00:16:15,656
USUALLY CAME IN WITH HIM.
BOUGHT A LOT OF
DOMINATRIX STUFF.
227
00:16:15,656 --> 00:16:19,577
AND SOME PRETTY BALLSY
LINGERIE FOR A WOMAN OF
HER PROPORTION.
228
00:16:20,878 --> 00:16:23,230
- DID SHE DIE?
-NO.
229
00:16:23,230 --> 00:16:25,950
HE'S NOT WITH US ANYMORE.
UH-OH.
230
00:16:25,950 --> 00:16:30,404
DO YOU REMEMBER ANYONE
OTHER THAN THE HEAVYSET
WOMAN BEING WITH HIM?
231
00:16:30,404 --> 00:16:32,806
HE'D COME IN BY HIMSELF
SOMETIMES, BUT WHEN
HE WAS WITH SOMEONE ELSE,
232
00:16:32,806 --> 00:16:35,042
IT WAS ALWAYS
WITH HER.
233
00:16:35,542 --> 00:16:36,877
OKAY.
THANKS A LOT.
OKAY.
234
00:16:36,877 --> 00:16:39,680
I THINK HER NAME WAS GERI.
235
00:16:41,682 --> 00:16:43,183
GREAT.
236
00:16:51,675 --> 00:16:54,461
HAVE A SEAT, MR. FERNANDEZ.
237
00:17:01,635 --> 00:17:05,589
THIS HERE'S A $1,200 SUIT.
YOU WANT ME TO SIT IN
SOMEONE'S COFFEE CAKE CRUMBS?
238
00:17:05,589 --> 00:17:07,341
MAID'S DAY OFF.
239
00:17:07,341 --> 00:17:10,644
HOLD MY MEN, KEEP US ALL
FROM A DAY'S PAY.
240
00:17:10,644 --> 00:17:12,980
LOOK AT IT
LIKE A MOURNING PERIOD
FOR EMILIO LOPEZ.
241
00:17:12,980 --> 00:17:15,933
EMILIO WAS SOLID
WITH THE COALITION.
242
00:17:15,933 --> 00:17:17,935
WOULD'VE WANTED US
WE KEPT KEEPING ON.
243
00:17:17,935 --> 00:17:20,237
BOTH COALITION OFFICERS,
YOU AND HIM
MUST'VE BEEN TIGHT?
244
00:17:20,237 --> 00:17:22,273
- SURE.
- OR NOT.
245
00:17:22,273 --> 00:17:24,942
DON'T SPEAK BAD OF THE DEAD.
246
00:17:25,442 --> 00:17:28,779
- SUPPOSE HE WAS STILL AROUND?
- THEN PROBABLY BE RUNNING
HIS MOUTH, PREACHING.
247
00:17:28,779 --> 00:17:31,949
AREN'T THE COALITIONS FOR
THE WORKERS TO SPEAK UP?
248
00:17:31,949 --> 00:17:35,536
THAT'S THE POLITICAL SIDE,
WHAT LOPEZ DID.
I DID THE BUSINESS PART--
249
00:17:36,036 --> 00:17:37,538
GETTING PEOPLE WORK,
FOOD ON THE TABLE.
250
00:17:37,538 --> 00:17:41,592
-YOU TELL ME WHAT'S BETTER.
- HOW ABOUT THE NO-SHOW JOBS
AND SHAKEDOWNS?
251
00:17:41,592 --> 00:17:43,761
HOW'D LOPEZ FEEL
ABOUT THOSE?
DON'T TAKE YOUR MEANING.
252
00:17:43,761 --> 00:17:46,463
SITE BOSSES TIGHTEN YOU UP
TO KEEP TROUBLE OUT.
253
00:17:46,463 --> 00:17:48,932
EMILIO WANT A PIECE
OF THAT MONEY, JOE?
254
00:17:49,433 --> 00:17:51,302
I WASN'T EVEN
AT THE SITE, ALL RIGHT?
255
00:17:51,302 --> 00:17:54,138
IS THAT A YES ON WANTING
SOME OF YOUR ACTION, JOE?
256
00:17:54,138 --> 00:17:58,108
EMILIO WASN'T DOWN
FOR LINING HIS POCKETS.
BIG MAN OF THE PEOPLE.
257
00:17:58,108 --> 00:18:00,311
LOPEZ MENTION TO YOU
HE WAS STARTING
HIS OWN COALITION?
258
00:18:00,311 --> 00:18:02,646
I HEARD SOME OF THAT TALK.
THEN FROM THERE...
259
00:18:02,646 --> 00:18:05,282
HE WAS GONNA STAND UP
FOR THE COMMUNITY,
THEN CITY POLITICS.
260
00:18:05,282 --> 00:18:07,818
THEN NEXT,
HERMAN BADILLO.
261
00:18:07,818 --> 00:18:10,371
NOTHING WORSE THAN A GUY
WITH DREAMS, HUH, JOE?
262
00:18:10,371 --> 00:18:13,374
DIDN'T LIKE HIM,
AND I DIDN'T KILL HIM.
263
00:18:13,374 --> 00:18:15,459
WASN'T AT THE SITE.
264
00:18:15,459 --> 00:18:18,545
[ Sighs ]
MAYBE YOU TWO GOT
A HARD-ON FOR ME...
265
00:18:19,046 --> 00:18:21,548
'CAUSE I MAKE SIX FIGURES
AND DON'T EVEN HAVE
A HIGH SCHOOL DIPLOMA.
266
00:18:21,548 --> 00:18:23,801
THAT IT?
267
00:18:23,801 --> 00:18:26,420
BYE, FERNANDEZ.
LET'S GO.
268
00:18:36,730 --> 00:18:39,516
THERE.
UH, THE SHOOTING
WAS AT 7:20, RIGHT?
269
00:18:39,516 --> 00:18:41,235
YEAH.
270
00:18:41,235 --> 00:18:44,355
YOU NEED SOME BATTERIES
IN HERE, LIEU.
271
00:18:51,829 --> 00:18:55,783
UH-HUH. THAT'S THE TUBE STEAK'S
HEAD OF THE NONE FORGOTTEN.
272
00:18:55,783 --> 00:18:59,920
- BLUESTONE.
- YEAH. PUTS A BAT
IN HIS HAND, BUT NO GUN.
273
00:18:59,920 --> 00:19:04,291
MAIN FIGHTING'S ON THE RIGHT.
THIS GUY'S COMING FROM
THE OPPOSITE DIRECTION.
274
00:19:04,291 --> 00:19:07,594
ISN'T THAT THAT RAY HARVEY GUY
THAT GREG AND JAMES WERE
TALKING TO HERE IN THE SQUAD?
275
00:19:08,796 --> 00:19:11,465
READY TO MAKE ARRESTS?
276
00:19:13,600 --> 00:19:16,854
MAYBE BEHIND BLUESTONE
SHOWING NO PIECE,
YOU RULE HIM OUT AS A SUSPECT.
277
00:19:16,854 --> 00:19:19,640
LOOK TO HIM FOR A PUSH
WHO HE THINKS DID IT.
278
00:19:19,640 --> 00:19:23,026
SISTER SUN RAY--
SAYS SHE'S GOT SOMETHING
FOR YOU ON THIS.
279
00:19:23,026 --> 00:19:25,028
YEAH. WHAT KIND OF
TROUBLE IS SHE IN?
280
00:19:25,028 --> 00:19:27,898
TOOK A POLICY COLLAR.
YEAH, LET'S CHAT
WITH HER FIRST.
281
00:19:27,898 --> 00:19:30,701
I ALWAYS PREFER GETTING
LIED TO BY PROFESSIONALS.
282
00:19:37,040 --> 00:19:38,792
BOSS.
WHAT'D YOU GET?
283
00:19:38,792 --> 00:19:41,545
GERI'S WAY INTO THIS
BLEECKER STREET HANGING.
284
00:19:41,545 --> 00:19:45,716
- SHE TOOK THE GUY OUT?
- GUY CROAKED BEHIND SOME KIND
OF AUTOEROTIC ASPHYXIA,
285
00:19:45,716 --> 00:19:48,001
BUT SHE WAS
DEFINITELY INVOLVED.
286
00:19:48,001 --> 00:19:50,421
HE'S, UH--
HE'S HANGING FROM A HOOK,
287
00:19:50,421 --> 00:19:52,923
CROSS-DRESSED IN WOMEN'S
UNDERWEAR, BOUND AT
THE ANKLES AND WRIST.
288
00:19:52,923 --> 00:19:57,478
MINIMUM, HE HAD TO HAVE
A WARDROBE ASSISTANT, PROBABLY
A SPOTTER TO HANG HIM UP.
289
00:19:57,478 --> 00:19:59,513
GERI'S GOT
A KEY TO HIS PLACE.
LANDLADY SAYS, UH,
290
00:20:00,013 --> 00:20:02,399
SHE STAYS THERE
A COUPLE TIMES A WEEK.
SALESGIRL AT THE SEX STORE...
291
00:20:02,399 --> 00:20:05,853
THIS GUYS SCORES HIS TOYS AT
PUTS HIM SHOPPING WITH
GERI THREE OR FOUR TIMES.
292
00:20:05,853 --> 00:20:08,405
OH, BROTHER.
SHE GIVE ANYTHING UP
AFTER WE LEFT?
293
00:20:08,405 --> 00:20:11,191
SHE WENT UPSTAIRS TO WORK.
294
00:20:11,992 --> 00:20:14,995
ALL RIGHT, I'LL CALL HER
TO COME DOWN.
295
00:20:16,497 --> 00:20:18,949
GREAT.
296
00:20:25,456 --> 00:20:28,125
SO HOW'D YOU WIND UP WITH
THIS POLICY COLLAR, SISTER?
297
00:20:28,125 --> 00:20:32,513
YOUNG MAN GOING PAST
A SPEED LIMIT,
'LEGEDLY HOLDING SOME SLIPS.
298
00:20:32,513 --> 00:20:34,965
AND HE SAID THEY
BELONGED TO YOU?
THERE'S A NUMBERS RUNNER...
299
00:20:34,965 --> 00:20:37,768
- WITH AN ENORMOUS FUTURE.
- HOW ABOUT HE'S MY GRANDNEPHEW.
300
00:20:37,768 --> 00:20:40,354
DROP HIM FROM THE WILL.
301
00:20:40,354 --> 00:20:44,358
SO, OUR BOSS SAYS YOU MAY BE
ABLE TO HELP US ON THIS
CONSTRUCTION SITE HOMICIDE.
302
00:20:44,358 --> 00:20:47,361
I'LL TELL YOU WHAT
I BELIEVE, WHICH IS...
303
00:20:47,361 --> 00:20:50,364
RAY HARVEY PUT OUT
A HIGH-RISK INVESTMENT,
304
00:20:50,364 --> 00:20:52,866
THEN LOST HIS PATIENCE
AND JUDGMENT,
305
00:20:52,866 --> 00:20:54,735
WOUND UP SHOOTING
THIS SPANISH LOPEZ
TO DEATH.
306
00:20:54,735 --> 00:20:56,703
WHAT KIND OF INVESTMENTS
WE TALKING ABOUT HERE?
307
00:20:56,703 --> 00:20:59,072
RAY LOANED MONEY TO
JOE FERNANDEZ.
308
00:20:59,072 --> 00:21:03,877
JOE ABOUT TO GET HIS
ASS KICKED OUT OF BOSSING
THAT WORKINGMAN'S COALITION...
309
00:21:03,877 --> 00:21:06,880
OR THIS SPANISH LOPEZ
WAS GONNA SPLIT IT UP.
310
00:21:06,880 --> 00:21:10,717
SO, RAY GOT WORRIED
HE WASN'T GONNA GET
HIS MONEY BACK.
311
00:21:11,218 --> 00:21:13,637
WHICH YOU COME TO KNOW
ALL ABOUT, HOW?
312
00:21:14,137 --> 00:21:17,891
RAY MADE A SCORE OFF ME.
HE HIT $18 ON
THE BROOKLYN NUMBER.
313
00:21:17,891 --> 00:21:20,844
THEN HE COME TO ASK,
HOW SHOULD HE INVEST THAT MONEY.
314
00:21:20,844 --> 00:21:25,265
'CAUSE THE SISTER,
SHE DON'T JUST BOOK POLICY,
SHE'S AN INVESTMENT ADVISER TOO.
315
00:21:25,265 --> 00:21:28,685
COME FOR GUIDANCE.
"WHO'S WORTH CREDIT, SISTER?"
316
00:21:28,685 --> 00:21:30,354
"WHAT JUICE
THEY GONNA STAND?"
317
00:21:30,354 --> 00:21:33,106
AND YOU GAVE HIM JOE FERNANDEZ
TO LOAN MONEY TO?
318
00:21:33,106 --> 00:21:35,492
NO. I GIVE HIM
SAM BLUESTONE,
319
00:21:35,492 --> 00:21:40,030
WHICH IS CREDITWORTHY,
STEADY PLAY AND PAY.
320
00:21:40,030 --> 00:21:42,449
BUT SAM GIVE RAY
JOE,
321
00:21:42,449 --> 00:21:45,202
WHICH BEHIND ALL THAT
TROUBLE JOE HAD,
322
00:21:45,202 --> 00:21:47,621
SPANISH LOPEZ RAISING
THAT REBELLION.
323
00:21:47,621 --> 00:21:51,425
- THAT'S HOW THIS
ALL COME OFF.
- RAY KILLS LOPEZ.
324
00:21:51,425 --> 00:21:56,179
- NOW YOU ON IT, BABY.
-NO. WE'RE NOT SO SURE
WE'RE ON IT YET.
325
00:21:56,179 --> 00:21:59,349
LAST NIGHT, SAM BLUESTONE
COME TO HEAR...
326
00:21:59,850 --> 00:22:02,970
THAT SPANISH LOPEZ
IS COMING DOWN TO
A NONE FORGOTTEN SITE.
327
00:22:03,470 --> 00:22:06,356
SAM BLUESTONE HEARD
THAT BRONX UNITED WAS COMING
TO A NONE FORGOTTEN SITE,
328
00:22:06,356 --> 00:22:10,561
- AND HE TOLD
THIS TO RAY HARVEY.
- AT MY HOUSE.
329
00:22:10,561 --> 00:22:14,064
AND BLUESTONE, HE HEARD
THIS FROM JOE FERNANDEZ,
THAT BRONX UNITED WAS COMING?
330
00:22:14,064 --> 00:22:16,283
I GUESS YOU'D BE RIGHT.
331
00:22:16,283 --> 00:22:18,652
SO EVEN THOUGH THEIR BOSSIN'
FROM RIVAL COALITIONS,
332
00:22:18,652 --> 00:22:20,654
THESE TWO GUYS,
THEY'RE TIGHT, SAM AND JOE?
333
00:22:20,654 --> 00:22:23,073
BEHIND SAM VOUCHING
FOR JOE'S CREDIT,
334
00:22:23,574 --> 00:22:25,292
ONLIEST WAY I'D TAKE
A STAND ON THAT.
335
00:22:25,792 --> 00:22:27,294
WHICH YOUR STAND WOULD BE
THEY ARE TIGHT.
336
00:22:27,294 --> 00:22:30,297
SO, RAY IS AT YOUR PLACE
WHEN BLUESTONE TELLS HIM...
337
00:22:30,297 --> 00:22:34,001
THAT BRONX UNITED IS COMING
ON A BUS AND EMILIO LOPEZ
IS THE ONE THAT'S IN CHARGE?
338
00:22:34,001 --> 00:22:37,504
RAY COMES UP IN ARMS,
TALKING ABOUT,
339
00:22:37,504 --> 00:22:40,173
"DON'T PAY HIS DEBT,
NOW HE GONNA TAKE
JOBS AWAY TOO?"
340
00:22:40,674 --> 00:22:43,427
BUT W-W-WAIT.
IT'S JOE FERNANDEZ
THAT OWES RAY MONEY.
341
00:22:43,427 --> 00:22:48,148
BUT IN RAY'S MIND,
IT'S SPANISH LOPEZ
KEEPS HIM FROM PAYING.
342
00:22:48,148 --> 00:22:51,852
RAY SAID HE GOT SOMETHING
IN HIS CAR FOR LOPEZ.
343
00:22:51,852 --> 00:22:55,656
HE GONNA
TAKE HIM DOWN. .38.
344
00:22:55,656 --> 00:22:58,408
I GUESS HE
TOLD THE TRUTH.
345
00:22:58,408 --> 00:23:00,694
YOU SEE RAY AFTERWARDS?
HE TELL YOU WHAT HAPPENED?
346
00:23:00,694 --> 00:23:04,831
NO. I SEE SAM
IN THE HALL THOUGH
JUST NOW.
347
00:23:04,831 --> 00:23:08,585
HE TOOK ME ASIDE,
SAID RAY DID WHAT HE SAID.
348
00:23:08,585 --> 00:23:13,206
SAM BLUESTONE SAYS THAT
RAY KILLED EMILIO LOPEZ?
349
00:23:13,206 --> 00:23:16,043
SAID HE SAW HIM DO IT.
350
00:23:17,544 --> 00:23:19,379
SO--
351
00:23:19,379 --> 00:23:23,350
THIS BEEF MY GRANDNEPHEW
PUT ME IN,
352
00:23:23,350 --> 00:23:25,185
WHO'S GONNA
MAKE THAT GO AWAY?
353
00:23:27,137 --> 00:23:29,222
YOU STOOD A POLICY COLLAR
BEFORE, HAVEN'T YOU, SISTER?
354
00:23:29,222 --> 00:23:31,058
I DID WHEN I HAD TO.
355
00:23:31,058 --> 00:23:35,779
'CAUSE GIVING UP RAY HARVEY,
THAT'S A LOT OF COOPERATION
TO BEAT A MISDEMEANOR.
356
00:23:36,113 --> 00:23:37,948
WHAT MAKES THE COUNTRY GO?
357
00:23:47,457 --> 00:23:50,460
BELIEVE A WORD SHE SAID,
THE PASSING OF EMILIO LOPEZ...
358
00:23:50,460 --> 00:23:52,963
GOT NOTHING TO DO
WITH COALITIONS FIGHTING
OVER JOBS...
359
00:23:52,963 --> 00:23:56,466
OR BLACKS VERSUS
PUERTO RICANS OR NONE OF
THE OTHER GREAT ISSUES.
360
00:23:56,466 --> 00:23:59,002
A HALF-ASSED SHYLOCK
WORRIED OVER HIS LOAN...
361
00:23:59,002 --> 00:24:02,089
MURDERS THE POOR SLOB
WHO ISN'T EVEN THE ONE
WHO OWES HIM THE MONEY?
362
00:24:02,089 --> 00:24:06,009
RETURNS US TO THE LARGE
UNCERTAINTY, DID THAT
BIG BLIMP TELL US THE TRUTH?
363
00:24:06,009 --> 00:24:09,479
YOU THINK BLUESTONE'S
GONNA BE OF ANY HELP,
BEING THAT HE KNOWS THE SISTER?
364
00:24:09,479 --> 00:24:12,983
HE'S GOT CREDIBILITY
WITH ME FITTING IN
THE SAME ROOM WITH HER.
365
00:24:15,485 --> 00:24:17,988
YEAH, WE MIGHT AS WELL
REACH OUT TO BLUESTONE,
366
00:24:17,988 --> 00:24:19,823
SEE HOW HE'S GONNA
TRY TO MOVE US AROUND.
367
00:24:23,159 --> 00:24:26,162
LET'S... TAKE ANOTHER
MINUTE QUIET TIME.
368
00:24:28,031 --> 00:24:30,750
[ Knocking ]
YEAH?
369
00:24:30,750 --> 00:24:34,003
- CAN I ASK A FAVOR, BOSS?
- YEAH, SURE.
370
00:24:34,003 --> 00:24:36,506
GINA'S GETTING HER STITCHES
OUT AT 2:00. SHE ASKED
IF I'D GO WITH HER.
371
00:24:36,506 --> 00:24:40,126
ALL RIGHT,
UM, GIVE ME A 28,
TAKE A FEW HOURS LOST TIME.
372
00:24:40,126 --> 00:24:44,881
- HEY, I REALLY APPRECIATE IT.
- SO, UM, HOW'S GINA DOING?
373
00:24:44,881 --> 00:24:48,217
OH, SHE HAS SOME
EMOTIONAL CONCERNS.
374
00:24:48,217 --> 00:24:50,970
SHE'S CONCERNED NO ONE'S
GONNA WANT TO LOOK AT HER.
375
00:24:50,970 --> 00:24:53,056
WELL, HER ASKING YOU
TO BE WITH HER...
376
00:24:53,056 --> 00:24:55,608
GIVES YOU A GOOD OPPORTUNITY
TO BE SUPPORTIVE ABOUT THAT.
377
00:24:55,608 --> 00:24:58,611
ABSOLUTELY. UH, I'M WORRIED
IF I DON'T REACT WELL--
378
00:24:58,611 --> 00:25:00,813
I DON'T WANNA
WINCE OR PULL BACK.
YEAH.
379
00:25:01,314 --> 00:25:03,316
I'M SURE YOUR BEING THERE
IS GONNA BE A HELP.
380
00:25:03,316 --> 00:25:06,202
YEAH, JUST CONCENTRATE
ON HER. UH, THAT'S HOW
I'M THINKING ABOUT IT.
381
00:25:06,202 --> 00:25:09,038
YEAH. SO, YOU'LL BE
LEAVING AROUND 1:00?
382
00:25:09,038 --> 00:25:11,991
YEAH.
YEAH. OKAY,
THAT'S FINE.
383
00:25:11,991 --> 00:25:14,744
OKAY. THANKS.
HEY, UM,
384
00:25:16,546 --> 00:25:18,381
TELL GINA WE'RE ALL
THINKING ABOUT HER.
ALL RIGHT.
385
00:25:25,471 --> 00:25:27,256
GOTTA GO.
386
00:25:30,927 --> 00:25:33,179
HI, GERI.
HI.
387
00:25:33,679 --> 00:25:35,181
LET'S GO INTO
THE COFFEE ROOM.
388
00:25:35,681 --> 00:25:38,434
ALL RIGHT, IF YOU THINK
THAT'S APPROPRIATE.
389
00:25:43,156 --> 00:25:45,942
[ Clears Throat ]
WE FOUND TOM.
390
00:25:45,942 --> 00:25:49,028
- WAS HE HANGING THE WAY
I DESCRIBED HIM?
- YEAH. UH-HUH.
391
00:25:49,028 --> 00:25:54,117
GERI, UH, TOM WAS BOUND BY
HIS WRISTS AND ANKLES.
392
00:25:54,117 --> 00:25:56,536
WAS IT YOU TIED HIM UP?
393
00:25:56,536 --> 00:25:59,622
WHY ARE YOU ASKING ME THAT?
BECAUSE WE WANNA
KNOW THE ANSWER.
394
00:25:59,622 --> 00:26:03,042
-WELL, I'M NOT SURE
I WANT TO GIVE IT.
-HAVE WE GIVEN YOU ANY REASON...
395
00:26:03,042 --> 00:26:05,044
TO FEEL THIS HAS TO BE
US AGAINST YOU, GERI?
396
00:26:05,044 --> 00:26:08,598
WE'RE TRYING TO ESTABLISH
AS MUCH INFORMATION AS WE CAN.
397
00:26:08,598 --> 00:26:10,633
OH, PLEASE.
OH, SURE.
398
00:26:13,052 --> 00:26:16,055
GERI, SINCE WE FOUND
TOM DEAD, HANGING THE WAY
YOU DESCRIBED,
399
00:26:16,055 --> 00:26:19,058
AND I THINK DIANE
MENTIONED BOUND AT
THE WRIST AND ANKLES--
400
00:26:19,058 --> 00:26:21,978
YOU'RE REALLY HAVING
A GOOD TIME, AREN'T YOU?
401
00:26:22,478 --> 00:26:25,815
AND I MENTIONED
THE LANDLADY TELLING US ABOUT
YOUR FRIENDSHIP WITH TOM,
402
00:26:25,815 --> 00:26:28,618
AND THAT YOU HAD
YOUR OWN KEY.
403
00:26:28,618 --> 00:26:31,988
ALSO, WE TRACED SOME OF
THE SEXUAL PARAPHERNALIA
FROM THAT ROOM,
404
00:26:31,988 --> 00:26:33,539
AND THE CLERK AT MOTHER'S
IDENTIFIED YOU...
405
00:26:34,040 --> 00:26:36,042
AS HAVING BOUGHT
THE LEATHER CUFFS
WE FOUND ON TOM.
406
00:26:36,042 --> 00:26:38,995
I'M TELLING YOU ALL
THAT BECAUSE I THINK YOU
SHOULD BE MORE CANDID.
407
00:26:38,995 --> 00:26:41,881
NO.
GERI.
408
00:26:41,881 --> 00:26:44,333
GERI, YOU DON'T WANT
EMBARRASSMENT OR CONFUSION...
409
00:26:44,333 --> 00:26:46,135
TO WIND UP CREATING
AN APPEARANCE OF GUILT.
410
00:26:46,135 --> 00:26:48,387
SHUT YOUR HOLE.
411
00:26:48,387 --> 00:26:50,306
SHUT YOUR
PRETTY-GIRL HOLE UP.
412
00:26:54,760 --> 00:26:56,512
I WANT ANDY SIPOWICZ.
413
00:26:56,512 --> 00:26:58,764
WE'RE REALLY NOT
TRYING TO HURT YOU.
414
00:26:58,764 --> 00:27:01,567
SHUT YOUR PRETTY-GIRL HOLE.
415
00:27:05,571 --> 00:27:08,524
I WANT ANDY SIPOWICZ,
OR I'M GONNA LAWYER UP.
416
00:27:23,739 --> 00:27:26,309
SO HARD FOR YOU ALL
TO THINK THAT A BLACK MAN
WOULD TELL THE TRUTH.
417
00:27:26,809 --> 00:27:28,311
OH, GOD.
YEAH, THAT'S IT, SAMMY.
418
00:27:28,311 --> 00:27:30,279
THAT'S WHAT WE KEEP
BANGING UP AGAINST.
419
00:27:30,279 --> 00:27:32,648
I DIDN'T SEE WHAT HAPPENED.
I TALKED TO LOPEZ,
420
00:27:32,648 --> 00:27:34,534
TURNED TO
CALM DOWN MY MEN,
421
00:27:34,534 --> 00:27:37,320
HERE COME A SHOT FROM
I DON'T KNOW WHERE,
DOWN GOES LOPEZ.
422
00:27:37,320 --> 00:27:39,622
AND WE'RE TELLING YOU
THAT THAT STORY
IS BOGUS, BLUESTONE.
423
00:27:39,622 --> 00:27:41,490
WELL, THAT'S
THE STORY I'M TELLING.
424
00:27:41,490 --> 00:27:43,793
ARE YOU FRIENDS
WITH RAY HARVEY?
425
00:27:43,793 --> 00:27:45,578
YEAH, HE'S SECOND DEPUTY.
426
00:27:45,578 --> 00:27:49,415
- FRIENDS WITH JOE FERNANDEZ?
- JOE FERNANDEZ WASN'T THERE.
427
00:27:49,415 --> 00:27:53,219
BUT YOU'RE TIGHT WITH HIM,
RIGHT? STOOD UP WITH RAY HARVEY
TO GET JOE A LOAN?
428
00:27:54,720 --> 00:27:57,723
OH. OH, I CAN'T BELIEVE
SHE TALKED TO YOU.
429
00:27:57,723 --> 00:27:59,592
SAY WHAT, SAMUEL?
NOTHING.
430
00:27:59,592 --> 00:28:03,012
YEAH. YOU CAN'T BELIEVE
SISTER SUN RAY
TALKED TO US, RIGHT?
431
00:28:03,012 --> 00:28:06,515
WHAT SHE TOLD US IS RAY HARVEY
WHACKED EMILIO LOPEZ...
432
00:28:06,515 --> 00:28:08,484
SO YOUR FRIEND JOE
COULD KEEP HIS JOB...
433
00:28:08,484 --> 00:28:12,772
RUNNING THE PUERTO RICAN
VERSION OF THE CON GAME THAT
YOU PULL WITH FOREVER YOUNG.
434
00:28:12,772 --> 00:28:14,774
- NONE FORGOTTEN.
- MY MISTAKE.
435
00:28:17,109 --> 00:28:19,612
LOOK, THIS KID LOST HIS TEMPER,
AND THAT'S ALL THAT HAPPENED.
436
00:28:19,612 --> 00:28:21,831
HE LOST HIS TEMPER.
THAT SHOULDN'T CLOUD UP
HIS WHOLE LIFE.
437
00:28:21,831 --> 00:28:25,334
YOU'RE SAYING RAY HARVEY
LOST HIS TEMPER? THAT'S HOW
HE CAME TO SHOOT EMILIO LOPEZ?
438
00:28:25,334 --> 00:28:29,422
THAT'S RIGHT. HE LOST
HIS TEMPER AND TOOK IT OUT
ON THIS LOPEZ,
439
00:28:29,422 --> 00:28:33,092
WHICH WE HAD
SOME DISAGREEMENTS, BUT I HAD
RESPECT FOR LOPEZ'S GOALS.
440
00:28:33,593 --> 00:28:36,596
YEAH. YOU RESPECTED
LOPEZ'S GOALS,
441
00:28:36,596 --> 00:28:39,348
AND YOU WERE STAND-UP
FOR YOUR GOOD FRIEND RAY.
442
00:28:39,348 --> 00:28:43,936
ALL RIGHT, SAM, WE'RE GONNA
SIT HERE AND LISTEN TO YOU
WALK US ANOTHER TIME...
443
00:28:44,437 --> 00:28:48,190
THROUGH THE FRAME JOB
YOU AND SISTER SUN RAY
ARE DOING ON RAY HARVEY.
444
00:29:04,824 --> 00:29:06,909
HEY, DOC.
HI.
445
00:29:06,909 --> 00:29:08,911
I'M GOING TO TAKE YOU IN
TO SEE GINA NOW.
446
00:29:08,911 --> 00:29:10,913
YOU GOT ALL THE BANDAGES OFF
AND SO FORTH?
UH-HUH.
447
00:29:10,913 --> 00:29:13,916
AND THE SUTURES ARE OUT,
SO SHE MAY MAKE A LITTLE BIT
OF A DRAMATIC APPEARANCE.
448
00:29:13,916 --> 00:29:16,302
RIGHT.
ACT NATURAL, JAMES.
449
00:29:16,302 --> 00:29:19,588
DON'T PRETEND YOU DON'T NOTICE,
BUT TRY TO BE SUPPORTIVE.
OKAY.
450
00:29:22,842 --> 00:29:26,312
HI, JAMES.
HEY.
451
00:29:26,312 --> 00:29:28,314
I'VE EXPLAINED TO GINA
THAT HER FACIAL
AND OTHER SCARS...
452
00:29:28,314 --> 00:29:31,317
WILL BE LESS AND LESS
VISIBLE OVER TIME.
453
00:29:31,317 --> 00:29:33,269
SURE.
THAT'S GREAT.
454
00:29:33,769 --> 00:29:36,772
SHE ALSO WANTED ME TO BE
AVAILABLE FOR ANY QUESTIONS
YOU MIGHT LIKE TO ASK.
455
00:29:36,772 --> 00:29:40,776
NO, I DON'T HAVE ANY.
I'M JUST SO GLAD EVERYTHING'S
GONNA BE FINE.
456
00:29:40,776 --> 00:29:44,196
- I'M GONNA HAVE SCARS.
- OH, I UNDERSTAND. SURE.
457
00:29:44,196 --> 00:29:47,116
THEY'RE GONNA BE LESS,
BUT I'M GONNA BE SCARRED.
458
00:29:49,585 --> 00:29:52,288
- ANYWAYS, ARE WE DONE?
- YES.
459
00:29:53,706 --> 00:29:55,708
- THANK YOU, DOCTOR.
- SEE YOU SOON.
460
00:29:55,708 --> 00:29:57,877
THANKS, DOC.
461
00:30:04,016 --> 00:30:06,435
LIEU?
YEAH. COME ON IN.
462
00:30:07,303 --> 00:30:09,105
WHAT'S IT LOOK LIKE?
463
00:30:09,105 --> 00:30:12,358
GOT TO A REAL BAD PLACE
ABOUT DIANE AND ME.
464
00:30:12,358 --> 00:30:15,027
I THOUGHT SHE'D FEEL
MORE COMFORTABLE
TALKING TO YOU.
465
00:30:15,027 --> 00:30:17,396
FEELS LIKE WE THINK
SHE'S A GEEK.
466
00:30:17,396 --> 00:30:19,732
WE'RE LORDING OVER
BEING PRETTIER THEN HER.
467
00:30:19,732 --> 00:30:23,069
SAYS SHE GETS
ANDY TO TALK TO
OR SHE LAWYERS UP.
468
00:30:23,069 --> 00:30:25,071
SHE THINK ANDY FIGURES HER
FOR MICHELLE PFEIFFER?
469
00:30:26,539 --> 00:30:28,541
SHE'S MAKING HERSELF
WRONG IN THIS.
470
00:30:28,541 --> 00:30:32,628
AND I DON'T KNOW IF SHE'S
SUPPOSED TO BE. I'D HATE TO SEE
HER GET JAMMED UP.
471
00:30:32,628 --> 00:30:36,082
ALL RIGHT,
I'LL TALK TO ANDY.
472
00:30:40,001 --> 00:30:42,003
NOW I KNOW HOW
HOWDY DOODY FELT.
473
00:30:42,003 --> 00:30:44,005
IF IT'S A FRAME,
THEY'RE DOING THIS GUY
RAY UP PRETTY GOOD.
474
00:30:44,505 --> 00:30:46,507
HEY, GUYS.
WHAT'S UP, BOSS?
475
00:30:46,507 --> 00:30:48,893
UH, THIS ISN'T GOING TO BE
A PLEASANT CONVERSATION, ANDY,
476
00:30:48,893 --> 00:30:51,646
SO I'M JUST GONNA
SAY IT TO YOU.
477
00:30:51,646 --> 00:30:53,481
- I GOTTA TAKE A LEAK.
- NO, DON'T DO THAT.
478
00:30:53,481 --> 00:30:56,234
WHAT'S GOING ON?
WELL, ON THAT
AUTO-ASPHYXIA CASE,
479
00:30:56,234 --> 00:30:59,987
UM, GERI HAS DEMONSTRATED
REAL RELUCTANCE TO TALK
WITH DIANE AND JILL.
480
00:30:59,987 --> 00:31:02,323
YEAH, AND?
AND, UH,
481
00:31:02,323 --> 00:31:06,827
THE FLY IN THE OINTMENT
ON THIS IS, UM, SPECIFICALLY,
SHE WANTS TO SPEAK WITH YOU.
482
00:31:06,827 --> 00:31:09,580
- I'M NOT GONNA DO THAT.
-WELL, THE DIFFICULTY HERE,
ANDY, IS, UM,
483
00:31:09,580 --> 00:31:12,533
EITHER SHE SPEAKS WITH YOU,
OR SHE SAYS SHE WANTS
A LAWYER.
484
00:31:12,533 --> 00:31:14,919
GET HER A LAWYER THEN.
WE DON'T DO THAT OFTEN ENOUGH.
485
00:31:14,919 --> 00:31:18,172
ANDY, DIANE AND JILL BOTH
GET THE IMPRESSION THAT
GERI'S PAINTED HERSELF...
486
00:31:18,172 --> 00:31:21,842
INTO A CORNER ON
A MANSLAUGHTER CHARGE,
WHICH REALLY ISN'T APPROPRIATE.
487
00:31:21,842 --> 00:31:25,296
SHE'S GONNA WIND UP THROWING
A RUBBER GARDEN ANIMAL AT ME,
488
00:31:25,796 --> 00:31:29,350
OR, UH, WANT US BOTH
PERCHED UPSIDE DOWN
BESIDE EACH OTHER LIKE BATS.
489
00:31:29,350 --> 00:31:31,852
WELL, I WOULDN'T DO THAT.
YEAH, YOU SEE,
THIS AMUSES YOU...
490
00:31:32,353 --> 00:31:34,855
- 'CAUSE YOU DON'T
ATTRACT PSYCHOTICS.
- IT DOESN'T AMUSE ME.
491
00:31:34,855 --> 00:31:38,776
I MEAN, IT DOES, BUT I--
I REALIZE IT'S AN AWKWARD
SITUATION FOR YOU.
492
00:31:38,776 --> 00:31:40,611
AWKWARD?
YEAH.
493
00:31:43,281 --> 00:31:46,784
[ Clears Throat ]
THIS CONSTRUCTION HOMICIDE,
494
00:31:46,784 --> 00:31:49,287
WE'RE GETTING A PERP
ON A PLATTER.
YEAH.
495
00:31:49,287 --> 00:31:53,207
MIGHT NOT BE A FRAME. THEY
MIGHT'VE JUST PLAYED THIS GUY
PERFECT TO PULL THE JOB HIMSELF.
496
00:31:57,328 --> 00:32:00,715
[ Sighs ]
HAS SHE BEEN
STRIP-SEARCHED?
497
00:32:00,715 --> 00:32:02,667
YEAH, YEAH.
SHE DON'T GOT ANY WEAPONS.
498
00:32:03,167 --> 00:32:07,555
I'M NOT CONCERNED
ABOUT WEAPONS. I'M TALKING
ABOUT, LIKE, RUBBER TOADS AND--
499
00:32:07,555 --> 00:32:09,674
[ Sighs ]
I DON'T EVEN KNOW WHAT
I'M TALKING ABOUT.
500
00:32:16,147 --> 00:32:18,149
[ Chuckles ]
501
00:32:22,186 --> 00:32:24,772
HI, ANDY.
502
00:32:24,772 --> 00:32:26,907
YEAH.
503
00:32:26,907 --> 00:32:30,578
I HAD A CRUSH ON YOU
BECAUSE I THOUGHT YOU
WERE A FAIR PERSON,
504
00:32:30,578 --> 00:32:33,247
THAT YOU TOOK PEOPLE
AS YOU FOUND THEM.
505
00:32:33,247 --> 00:32:36,250
SO WHAT'S THE SITUATION WITH
THIS SITUATION HERE, GERI?
506
00:32:36,250 --> 00:32:38,869
THE SITUATION IS
TOM'S DEAD.
507
00:32:38,869 --> 00:32:41,205
IF YOU HUNG HIM,
THAT'S A LEGAL NO-NO.
508
00:32:41,205 --> 00:32:43,591
- THAT'S NOT HOW IT HAPPENS.
- HE HAVE TO SAY PLEASE?
509
00:32:43,591 --> 00:32:46,043
THAT'S NOT HOW IT HAPPENS.
510
00:32:46,043 --> 00:32:50,131
HIS BEING ON THE HOOK
EXCITES HIM.
IT HELPS HIM GET OFF.
511
00:32:50,131 --> 00:32:52,967
HAD A REAL LAUNCH TODAY,
DIDN'T HE?
512
00:32:52,967 --> 00:32:55,303
IT HELPS WITH HIS
EXCITEMENT AND ORGASMS.
513
00:32:55,303 --> 00:32:58,472
YOU WANT TO TELL ME WHAT, UH--
WHAT YOU DID IN THAT ROOM?
514
00:33:06,447 --> 00:33:08,282
BOUND HIM AND PUT ON
HIS BLINDFOLD.
515
00:33:08,282 --> 00:33:11,202
DID YOU PUT HIM ON
THAT HOOK?
NO.
516
00:33:11,202 --> 00:33:13,120
HE'S BOUND AND BLINDFOLDED.
517
00:33:13,621 --> 00:33:16,991
WHAT, DOES HE TOSS HIMSELF
ACROSS THE ROOM LIKE A HORSESHOE
TILL HE GETS HOOKED ON?
518
00:33:16,991 --> 00:33:19,994
YOU CAN LEAN IN
AND HOOK YOURSELF UP
IF YOU KNOW WHERE IT IS.
519
00:33:20,494 --> 00:33:22,797
GERI, DON'T PISS IN MY EAR
AND TELL ME IT'S RAINING.
520
00:33:22,797 --> 00:33:26,634
NOW, YOU'RE IN THAT ROOM.
YOU BOUND AND BLINDFOLDED HIM,
521
00:33:26,634 --> 00:33:30,254
- BUT YOU DIDN'T
PUT HIM ON THAT HOOK?
- BECAUSE I WAS IN THE BATHROOM.
522
00:33:30,254 --> 00:33:34,592
DID YOU HAVE YOUR RUBBER
JUMPSUIT ON? MUST TAKE YOU
A WHILE TO DO YOUR BUSINESS.
523
00:33:40,981 --> 00:33:42,983
[ Sighs ]
524
00:33:43,484 --> 00:33:46,821
SO HE GETS ON THE HOOK WHILE
YOU'RE GOING TO THE BATHROOM,
IS YOUR VERSION WHAT HAPPENED?
525
00:33:46,821 --> 00:33:49,190
I WAS CRYING, AND I GUESS
I WAS IN THERE A LONG TIME.
526
00:33:49,190 --> 00:33:51,492
YOU'RE IN THE BATHROOM CRYING
WHILE HE GETS ON THE HOOK?
527
00:33:51,492 --> 00:33:55,329
WAS HE A SELF-STARTER LIKE THAT?
HE'D DONE THAT BEFORE?
528
00:33:57,748 --> 00:34:00,751
HAVE YOUR EYES COVERED UP
EVERY TIME, SOME PEOPLE CAN
TAKE THAT AS AN INSULT.
529
00:34:00,751 --> 00:34:04,422
PEOPLE CAN GET
THEIR FEELINGS HURT.
530
00:34:09,293 --> 00:34:11,178
WE KNEW EACH OTHER
SINCE HIGH SCHOOL.
531
00:34:11,178 --> 00:34:13,013
YOU AND TOM?
MM-HMM.
532
00:34:13,013 --> 00:34:15,766
WE MET IN NEW YORK AGAIN
LAST EASTER.
533
00:34:15,766 --> 00:34:17,802
ONE OF THE CRUCIFIXION PAGEANTS?
534
00:34:19,603 --> 00:34:22,106
I WAS AT ROCKEFELLER CENTER
IN LINE TO SKATE...
535
00:34:22,606 --> 00:34:24,108
WHEN WE SAW
EACH OTHER.
536
00:34:25,609 --> 00:34:29,113
WE'D BEEN IN HIGH SCHOOL
IN SAGINAW AND--
537
00:34:29,113 --> 00:34:33,117
I'D ALWAYS THOUGHT MAYBE
WE'D HAD CRUSHES ON EACH OTHER.
538
00:34:33,117 --> 00:34:35,453
BUT HE HAD A STAMMER,
AND HE WAS REALLY SHY.
539
00:34:38,406 --> 00:34:41,709
TURNED OUT WE DID HAVE CRUSHES.
HE SAID SO WHEN WE STARTED
TALKING.
540
00:34:41,709 --> 00:34:45,579
AND WE GOT TO BE
FRIENDS HERE,
541
00:34:46,080 --> 00:34:47,581
AND HE WAS NICE TO ME.
542
00:34:47,581 --> 00:34:49,834
HE TURNED YOU OUT?
543
00:34:51,135 --> 00:34:53,137
WE READ THE FREE WEEKLIES,
AND, UH,
544
00:34:55,139 --> 00:34:57,641
I WAS INTERESTED IN GETTING
PAST SEX RESTRAINTS...
545
00:34:57,641 --> 00:35:01,429
TO BE AS GOOD FOR HIM
AS I COULD, 'CAUSE
I'M NOT PRETTY.
546
00:35:01,429 --> 00:35:05,766
AND HE SEEMED TO LIKE THAT
'CAUSE HE WAS REALLY SHY.
547
00:35:07,768 --> 00:35:11,772
BUT THEN HE GOT
INTO IT SO MUCH THAT HE
DIDN'T EVEN LOOK AT ME.
548
00:35:11,772 --> 00:35:16,277
HE WANTED TO BE
BLINDFOLDED AND HAVE,
LIKE, PRIVATE ORGASMS.
549
00:35:17,778 --> 00:35:19,780
AND IT BROKE MY HEART.
550
00:35:34,678 --> 00:35:36,680
DID YOU KILL HIM, GERI?
551
00:35:37,965 --> 00:35:42,353
I WAS JUST IN THERE CRYING,
AND HE STARTED WITHOUT ME,
552
00:35:44,355 --> 00:35:46,690
WHICH HE WAS DOING
MORE AND MORE.
553
00:35:50,728 --> 00:35:52,730
HE DIDN'T
LIKE ME ANYMORE.
554
00:35:55,232 --> 00:35:57,234
HE TOLD ME
SIX WEEKS AGO...
555
00:35:57,234 --> 00:35:59,987
THAT HE WAS
HAVING OTHER PEOPLE IN
TO DOMINATE HIM TOO.
556
00:36:03,290 --> 00:36:06,794
I STARTED
TRYING TO BE FRIENDLY
TO YOU AFTER THAT...
557
00:36:06,794 --> 00:36:08,796
BECAUSE YOU'RE BLUSTERY,
558
00:36:08,796 --> 00:36:11,632
BUT IN YOUR HEART,
I THINK YOU TAKE PEOPLE
AS YOU FIND THEM.
559
00:36:15,586 --> 00:36:18,088
AND I THOUGHT MAYBE...
560
00:36:18,088 --> 00:36:20,424
YOU COULD HAVE
A CRUSH ON ME.
561
00:36:22,760 --> 00:36:25,262
THE WAY YOU WANT TO PUT
YOUR STATEMENT, GERI,
562
00:36:25,262 --> 00:36:27,264
SO THEY REALIZE
YOU WERE INNOCENT...
563
00:36:27,264 --> 00:36:30,484
IS NO TEARS OR "HE BEGUN
SEEING OTHER PEOPLE,"
564
00:36:30,484 --> 00:36:34,605
LET THE D.A. START
LOOKING AT JEALOUSY
OR SO FORTH.
565
00:36:34,605 --> 00:36:37,441
YOU BOTH LIKED
PLAYING THESE GAMES.
566
00:36:37,441 --> 00:36:40,744
YOU WERE HIS SPOTTER.
WHILE YOU WERE IN THE CRAPPER,
567
00:36:40,744 --> 00:36:43,614
HE JUMPS THE GUN,
YOU COME OUT,
YOU FIND TOM DEAD.
568
00:36:43,614 --> 00:36:46,116
END OF STORY.
569
00:36:49,119 --> 00:36:52,122
SORRY FOR YOUR LOSS.
570
00:37:20,868 --> 00:37:22,369
COME BACK
LIKE I SAID, RIGHT?
571
00:37:22,369 --> 00:37:25,623
YEAH, YOU KEPT
YOUR WORD GOOD, RAY.
572
00:37:25,623 --> 00:37:28,676
THAT'S DETECTIVES SIMONE
AND SIPOWICZ. GUYS,
THIS IS RAY HARVEY.
573
00:37:28,676 --> 00:37:31,512
- HOW'S IT GOING?
- O-- OKAY.
574
00:37:35,015 --> 00:37:39,470
SO, UH-- SO, I TOLD YOU,
UH, THIS MORNING...
575
00:37:39,470 --> 00:37:42,890
I WAS PRESENT AT THAT
INCIDENT, BUT I WASN'T,
LIKE, NO WITNESS.
576
00:37:42,890 --> 00:37:45,392
THEY JUST WANT TO GO OVER
THE SEQUENCE WITH YOU.
577
00:37:45,392 --> 00:37:47,728
I DON'T KNOW
NO SEQUENCE 'CAUSE I DIDN'T
SEE WHAT WENT DOWN.
578
00:37:47,728 --> 00:37:50,364
SO, WE GOT THAT
ESTABLISHED NOW.
OKAY, RAY?
579
00:37:50,864 --> 00:37:53,200
- YOUR POSITION IS
YOU DON'T KNOW NOTHING?
- EXACTLY.
580
00:37:53,200 --> 00:37:56,870
SO HOW 'BOUT YOU LISTENING TO
WHAT WE KNOW, SO WE CAN ALL STOP
RUNNING THROUGH THE GREASE HERE.
581
00:37:56,870 --> 00:38:00,791
WHAT'S HE TALKING ABOUT?
I SHOWED BACK UP HERE
ON MY OWN CAUSE.
582
00:38:00,791 --> 00:38:03,744
YOU SHOWED BACK UP, RAY,
'CAUSE YOU DIDN'T FIGURE
YOUR FRIENDS...
583
00:38:03,744 --> 00:38:07,247
SAM AND MADAM SUNFLOWER SEED
TO PUT YOU IN THE MIDDLE
OF THIS, RIGHT?
584
00:38:07,247 --> 00:38:10,134
BUT THAT SHOWS YOU
THAT LIFE CAN BE
FULL OF SURPRISES.
585
00:38:10,634 --> 00:38:12,886
I THINK THAT'S SISTER SUN RAY.
586
00:38:13,387 --> 00:38:17,341
THE FAT, BLACK BROAD YOU HIT
THE NUMBER WITH, RAY, THEN YOU
ASK HER ADVICE LIKE DEAN WITTER?
587
00:38:17,341 --> 00:38:19,760
HIT THE NUMBER
TURNED INTO A CRIME NOW?
588
00:38:19,760 --> 00:38:21,645
HUH? FOUR DETECTIVES?
589
00:38:21,645 --> 00:38:25,399
SISTER SUN RAY GAVE YOU UP FOR
KILLING EMILIO LOPEZ, RAY.
590
00:38:25,399 --> 00:38:28,152
SHE SAID YOU KILLED HIM
PROTECTING YOUR LOAN
TO HIS BOSS.
591
00:38:28,652 --> 00:38:30,020
HEY. HEY. WHAT YOU
COMING AT ME WITH?
592
00:38:30,020 --> 00:38:32,990
AND SAM BLUESTONE,
YOUR OTHER BOSOM PAL?
593
00:38:32,990 --> 00:38:34,775
HE BACKS THE SISTER TOO.
594
00:38:34,775 --> 00:38:38,195
THE BOTH OF 'EM PUT YOU
WHACKING THIS GUY.
HEY, HEY, HEY. THIS IS SICK.
595
00:38:38,195 --> 00:38:41,415
SEE, NOW THE QUESTION THAT
OCCURS TO US HERE, RAY,
596
00:38:41,415 --> 00:38:44,952
IS BEING HOW THIS STORY
MORE OR LESS GOT LAID TO US
ALL NICE AND NEAT--
597
00:38:44,952 --> 00:38:47,671
MAYBE YOU GOT A COMPETING
VERSION ON HOW THIS MAN DIED.
598
00:38:53,177 --> 00:38:55,429
I GOT NOTHING TO SAY.
599
00:38:55,429 --> 00:38:58,215
NOTHING TO SAY?
PRESENT CIRCUMSTANCES, RAY,
600
00:38:58,215 --> 00:39:01,935
THAT TRANSLATES,
"LET ME BEND OVER
AND SPREAD 'EM REAL WIDE."
601
00:39:01,935 --> 00:39:04,438
ARE THOSE PEOPLE
FRAMING YOU,
SISTER SUN RAY AND SAM?
602
00:39:04,438 --> 00:39:07,107
- I'M NOT GUILTY!
- SO THEY ARE FRAMING YOU.
603
00:39:07,107 --> 00:39:09,360
TELL 'EM I NEVER
FIGURED 'EM TO DO ME
LIKE THIS.
604
00:39:09,360 --> 00:39:11,779
THAT'S WHAT YOU WANT US
TO TELL 'EM, RAY?
HOW 'BOUT WE TELL THEM,
605
00:39:12,279 --> 00:39:15,282
"I AIN'T BEING YOUR PATSY
NO MORE. I'M SAYING WHAT
REALLY WENT DOWN HERE."
606
00:39:15,282 --> 00:39:18,569
YOU SHOULD PUT THEM IN THERE
WITH ME. THEY SHOULD
GET JACKED UP TOO.
607
00:39:18,569 --> 00:39:20,871
HOW WOULD THAT WORK?
WERE THEY IN ON THIS
WITH YOU, RAY?
608
00:39:21,372 --> 00:39:25,826
SET ME UP FROM THE JUMP.
SISTER AND SAM OKAY THIS GUY
FOR ME MAKING THE LOAN.
609
00:39:25,826 --> 00:39:28,462
NEXT THING I KNOW,
HE AIN'T PAYING DICK.
THIS IS JOE FERNANDEZ.
610
00:39:28,462 --> 00:39:31,799
NOW THEY ALL AGITATED.
JOE FERNANDEZ SHORT...
611
00:39:31,799 --> 00:39:35,803
'CAUSE LOPEZ TAKING
HIS ACTION AWAY
BEHIND THAT COALITION.
612
00:39:35,803 --> 00:39:37,971
I WANNA LOOK OUT
FOR MY MONEY I LOANED.
613
00:39:38,472 --> 00:39:40,808
LOPEZ KEEP FERNANDEZ
FROM PAYING.
614
00:39:40,808 --> 00:39:42,593
DID THEY TELL YOU
TO KILL THIS GUY?
615
00:39:42,593 --> 00:39:44,395
I WAS AT THE SISTER'S
LAST NIGHT.
616
00:39:44,395 --> 00:39:48,565
SAM COME BY SAYING LOPEZ
BE AT THE SITE TOMORROW
SHAPING FOR JOBS.
617
00:39:48,565 --> 00:39:50,601
- DID THEY TELL YOU TO KILL HIM?
- I WAS DRUNK!
618
00:39:50,601 --> 00:39:53,654
THEY HAD ME HALF-CRAZY.
619
00:39:53,654 --> 00:39:56,657
WOUND HIM UP LIKE
THE ENERGIZER BUNNY.
620
00:39:58,158 --> 00:40:02,996
RAY, DID BLUESTONE
GIVE YOU THE GUN?
OR THE SISTER?
621
00:40:02,996 --> 00:40:06,867
'CAUSE THEY TIED YOU
LIKE A CHRISTMAS PACKAGE.
622
00:40:06,867 --> 00:40:08,869
YOU OUGHT TO
RETURN THE FAVOR.
623
00:40:12,372 --> 00:40:15,092
- MY GUN.
- YOU SURE YOU DON'T
WANNA LIE ABOUT THAT?
624
00:40:15,092 --> 00:40:18,545
I SWEAR TO GOD I WISH
I'D NEVER WON THAT MONEY.
625
00:40:18,545 --> 00:40:23,050
BROUGHT ME NOTHING
BUT WORRY AND MISERY.
626
00:40:31,859 --> 00:40:35,529
THE PERFECT FRAME.
MAKES ME SICK.
627
00:40:35,529 --> 00:40:39,366
YOU THINK THERE WAS
SOME OTHER REASON THEY
WANTED THIS LOPEZ DEAD...
628
00:40:39,366 --> 00:40:41,485
PAST HIM QUEERING
THEIR UNION HUSTLES?
629
00:40:41,985 --> 00:40:45,539
WHO KNOWS? MAYBE THEY
BREAK OUT IN HIVES BEING
AROUND AN HONEST MAN.
630
00:40:45,539 --> 00:40:49,376
SUCH AN EASY PATSY, THOUGH,
THIS POOR DOPE HARVEY.
631
00:40:49,376 --> 00:40:53,297
I KNEW THIS BOOKMAKER,
JOHN RILEY.
632
00:40:53,297 --> 00:40:55,883
WHEN SOMEBODY WON BIG,
JOHN'D MAKE A BIG FUSS
PAYING 'EM OFF.
633
00:40:55,883 --> 00:40:59,503
GIVE HIM A GOOD CIGAR,
NEXT DAY'S RACING FORM.
HE'D SAY TO ME AFTERWARDS,
634
00:40:59,503 --> 00:41:02,089
"I'M JUST LETTING 'EM
HOLD THE MONEY A WHILE."
635
00:41:02,089 --> 00:41:04,057
YEAH, THAT'S
THE SISTER AND RAY.
636
00:41:04,558 --> 00:41:06,477
IT REALLY USED TO
PISS ME OFF. IT'S LIKE
IT WASN'T A FAIR FIGHT.
637
00:41:06,477 --> 00:41:08,479
NOT LIKE HOW IT
IS USUALLY, HUH?
638
00:41:08,979 --> 00:41:10,347
YEAH.
639
00:41:10,347 --> 00:41:13,016
I'LL TELL YOU,
I'M IN FOR JUSTICE HERE.
SO, YOU JUST TRUST ME.
640
00:41:13,517 --> 00:41:15,903
IT'S ONE OF THEM.
WELL, LOOK WHO'S A LITTLE
MORE SPEECHIFYIN'.
641
00:41:15,903 --> 00:41:17,855
YOU GOT A NONE FORGOTTEN
IN CUSTODY?
642
00:41:17,855 --> 00:41:20,774
WHO TOLD YOU, JOE?
YOUR BED PALS,
SAM AND THE SISTER?
643
00:41:20,774 --> 00:41:23,610
PEOPLE GONNA KNOW HOW EMILIO
DIED AT A BLACK MAN'S HAND.
644
00:41:23,610 --> 00:41:26,914
THERE'S GONNA BE EMPLOYMENT
FORBORICUASOR BLOOD
WILL RUN AT THE SITES.
645
00:41:26,914 --> 00:41:29,166
JOE'S GONNA GO TO
THE PAPERS WITH THIS
PHONY RACE HOMICIDE,
646
00:41:29,166 --> 00:41:32,202
TRY TO SCARE UP
SOME MORE NO-SHOW JOBS.
647
00:41:32,202 --> 00:41:34,788
HYPOCRITE BASTARD.
YOU'RE LIKE
MONDAY NIGHT WRESTLING.
648
00:41:34,788 --> 00:41:39,042
LET ME TELL YOU SOMETHING. WHEN
YOU TAKE THIS TO THE PAPERS,
YOU KNOW WHAT YOU'RE GONNA DO?
649
00:41:39,042 --> 00:41:42,513
YOU'RE GONNA BE PLEDGING
SOME MONEY TO LOPEZ'S WIDOW.
THAT'S ALREADY IN THE WORKS.
650
00:41:42,513 --> 00:41:46,433
WELL, THAT'S GOOD 'CAUSE
YOU'RE GONNA DRAW A CONTRACT UP
WITH ONE OF OUR D.A.'s HERE,
651
00:41:46,433 --> 00:41:49,520
A TRUST FOR HIS
WIDOW AND CHILDREN.
ALREADY IN THE WORKS.
652
00:41:49,520 --> 00:41:53,273
YOU'RE GONNA WRITE IT
HERE, JOE. SO IT'S ALL NICE
AND LEGAL AND BINDING...
653
00:41:53,774 --> 00:41:55,776
BEFORE YOU WALK OUT,
OR THIS WHOLE THING
IS GOING...
654
00:41:55,776 --> 00:41:57,561
TO THE D.A.'s OFFICE
ON A CONSPIRACY CHARGE.
655
00:42:01,865 --> 00:42:03,700
I'M HAPPY TO MAKE
THAT COMMITMENT.
656
00:42:03,700 --> 00:42:07,788
- GREAT.
- LET ME HUNT UP A WONDERFUL
ATTORNEY ACQUAINTANCE OF OURS.
657
00:42:07,788 --> 00:42:12,626
A LEO COHEN. WHY DON'T YOU
SIT DOWN THERE, JOE.
GO ON. HAVE A SEAT.
658
00:42:18,048 --> 00:42:20,050
HOW'S IT GOING WITH YOU?
659
00:42:22,419 --> 00:42:26,173
I WAS, UM--
I WAS WONDERING ABOUT
YOUR AFTER WORK PLANS.
660
00:42:26,173 --> 00:42:28,392
THERE'S NOTHING ON MY CALENDAR.
661
00:42:28,392 --> 00:42:34,398
HMM. AND, UH,
WOULD THAT BE FOR
THE FORESEEABLE FUTURE?
662
00:42:34,398 --> 00:42:39,436
HOW IS THAT
THEY SAY IN YOUR PROGRAM?
ONE DAY AT A TIME.
663
00:42:39,436 --> 00:42:41,905
I CAN DO IT THAT WAY.
664
00:42:41,905 --> 00:42:44,992
LEO?
ANDY SIPOWICZ. YEAH.
665
00:42:44,992 --> 00:42:48,412
COULD YOU, UH, JUST TROT ON
UPSTAIRS HERE FOR A MOMENT?
666
00:42:48,412 --> 00:42:51,281
YEAH. THANK YOU.
[ Handset Settles In Cradle ]
667
00:42:51,281 --> 00:42:54,001
HE'S ON HIS WAY UP.
668
00:43:06,797 --> 00:43:09,299
BOY, THAT WAS
JUST GREAT.
THANKS, JAMES.
669
00:43:09,299 --> 00:43:12,302
REALLY. YEAH. YOUR MOM
TEACH YOU YOUR COOKING?
670
00:43:12,302 --> 00:43:14,304
MY MOM AND MY AUNT.
671
00:43:14,304 --> 00:43:16,807
I REALLY ENJOY SPENDING
THIS TIME WITH YOU, GINA.
672
00:43:16,807 --> 00:43:18,692
I COULD GET INTO BEING
A MAN OF LEISURE.
673
00:43:23,530 --> 00:43:27,534
I REALLY APPRECIATED IT.
JUST AS FAR AS, UM--
674
00:43:29,536 --> 00:43:32,406
YOU KNOW, SHE CHANGED
HER COMMITMENT.
SHE'S NOT COMING BACK.
675
00:43:32,406 --> 00:43:34,992
THIS IS YOUR ROOMMATE?
676
00:43:35,442 --> 00:43:38,445
SAID SHE MADE
ANOTHER ARRANGEMENT
FOR THE NEW SEMESTER.
677
00:43:39,780 --> 00:43:42,249
SHE'S GONNA BE
PICKING UP HER STUFF.
678
00:43:42,749 --> 00:43:45,752
I'VE BEEN UPSET ON THAT.
FINANCIALLY?
679
00:43:45,752 --> 00:43:48,555
FINANCIALLY AND--
680
00:43:48,555 --> 00:43:52,392
I KNOW SHE WAS UPSET
ABOUT MY APPEARANCE.
IT DISTURBED HER.
681
00:43:52,392 --> 00:43:56,313
THAT'S BALONEY.
NO, SHE SAID SO, JAMES.
682
00:43:56,313 --> 00:43:58,565
WELL, THE HECK WITH HER!
THAT'S NONSENSE.
683
00:43:58,565 --> 00:44:00,851
AND FINANCIALLY,
YOU'RE COMING BACK
TO WORK.
684
00:44:01,351 --> 00:44:03,353
IF YOU NEED SOME TIDING OVER,
THAT'S NO PROBLEM AT ALL.
685
00:44:03,353 --> 00:44:07,574
THAT'S NOT NECESSARY.
I GOT MY CONFIRMATION SAVINGS.
686
00:44:07,574 --> 00:44:09,860
IT'S MOSTLY YOU BEING HERE.
IT'S HELPED ME A LOT.
687
00:44:09,860 --> 00:44:12,162
IT'S MY PLEASURE.
688
00:44:15,916 --> 00:44:18,919
ANYWAYS, I KNOW YOU GOT
AN 8:00-TO-4:00.
689
00:44:23,340 --> 00:44:25,342
DON'T TAKE THIS
AS BEING FORWARD,
690
00:44:25,342 --> 00:44:28,712
BUT IF YOU WANTED SOME
COMPANY TONIGHT, I COULD STAY UP
IN YOUR ROOMMATE'S LOFT THERE.
691
00:44:29,212 --> 00:44:31,715
IF YOU'D LIKE TO STAY,
I'D BE HAPPY FOR YOU TO.
692
00:44:31,715 --> 00:44:33,600
I'D LIKE TO.
SURE.
693
00:44:34,101 --> 00:44:37,104
BUT IF YOU
SLEEP UP IN HER LOFT,
I'D WORRY ALL NIGHT...
694
00:44:37,104 --> 00:44:39,940
THAT YOU'D SIT UP
IN A STRANGE PLACE
AND SMASH YOUR HEAD.
695
00:44:39,940 --> 00:44:43,143
YEAH. I SUPPOSE THAT
COULD OCCUR. SURE.
696
00:44:46,063 --> 00:44:48,565
AND AS FAR AS ME
SLEEPING UP THERE,
697
00:44:48,565 --> 00:44:51,284
I COULD ALWAYS FIB AND SAY
I'M AFRAID OF HEIGHTS.
698
00:44:51,284 --> 00:44:54,121
YOU DON'T GOTTA FIB.
699
00:44:54,121 --> 00:44:56,123
WE COULD BOTH STAY IN THERE.
700
00:44:58,542 --> 00:45:00,544
THAT'S WHERE I WAS
HOPING WE'D COME OUT.
60924
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