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1
00:00:06,940 --> 00:00:07,808
[GIGGLES]
2
00:00:07,841 --> 00:00:08,976
LOOK AT THIS
GARFIELD.
3
00:00:09,009 --> 00:00:14,982
[SPEAKING
FRENCH]
4
00:00:15,015 --> 00:00:17,151
AH HA HA HA! HA HA!
AH HA HA!
5
00:00:17,185 --> 00:00:20,354
I DON'T CARE
WHAT LANGUAGE YOU SPEAK--
THAT CAT'S FUNNY.
6
00:00:20,388 --> 00:00:21,655
WHAT HAVE YOU GOT,
HARRY?
7
00:00:21,689 --> 00:00:23,824
YESTERDAY
I WAS EXPLORING
THE PARK,
8
00:00:23,857 --> 00:00:25,859
AND I FOUND
THIS STONE.
9
00:00:25,893 --> 00:00:26,927
LOOK AT IT.
10
00:00:26,960 --> 00:00:29,797
IT'S BEEN WORN
TO A PERFECT SPHERE
BY THE ELEMENTS
11
00:00:29,830 --> 00:00:31,399
AND DIMPLED BY TIME.
12
00:00:31,432 --> 00:00:34,235
HARRY,
THAT'S A GOLF BALL.
13
00:00:34,268 --> 00:00:38,005
HARRY, YOU'VE GOT
WAY TOO MUCH FREE
TIME ON YOUR HANDS.
14
00:00:38,038 --> 00:00:40,574
I'VE TRIED A LOT
OF DIFFERENT THINGS
SINCE WE GOT TO EARTH,
15
00:00:40,608 --> 00:00:42,176
AND I'VE MADE
A DISCOVERY...
16
00:00:42,210 --> 00:00:44,011
I'M NOT GOOD
AT ANYTHING.
17
00:00:44,044 --> 00:00:45,979
THERE'S
GOT TO BE SOMETHING
YOU CAN DO.
18
00:00:46,013 --> 00:00:49,583
LET ME LOOK THROUGH
THE WANT ADS.
19
00:00:49,617 --> 00:00:50,618
WHAT'S THAT SMELL?
20
00:00:50,651 --> 00:00:51,952
BLUEBERRY MUFFINS.
21
00:00:51,985 --> 00:00:52,920
SMELLS LIKE
THEY'RE DONE.
22
00:00:52,953 --> 00:00:54,288
THE TIMER
DIDN'T GO OFF.
23
00:00:54,322 --> 00:00:55,089
YES, BUT--
24
00:00:55,123 --> 00:00:56,757
DICK, I'VE INCINERATED
ENTIRE ARMIES.
25
00:00:56,790 --> 00:01:00,561
I THINK I CAN
HANDLE AN OVEN.
26
00:01:00,594 --> 00:01:01,529
I'M GLAD TO HEAR THAT,
27
00:01:01,562 --> 00:01:03,697
'CAUSE I SIGNED YOU UP
FOR A BAKE SALE.
28
00:01:03,731 --> 00:01:04,965
WHAT'S A BAKE SALE?
29
00:01:04,998 --> 00:01:07,901
OH, JUST AN ATTEMPT
TO REVIVE A FAILING
EDUCATIONAL SYSTEM
30
00:01:07,935 --> 00:01:10,504
THROUGH PARENTAL
INVOLVEMENT.
31
00:01:10,538 --> 00:01:13,040
A FINE CAUSE.
I'M THERE.
32
00:01:13,073 --> 00:01:14,208
YOU KNOW,
I REALLY THINK
33
00:01:14,242 --> 00:01:15,643
YOU SHOULD CHECK
ON THOSE MUFFINS.
34
00:01:15,676 --> 00:01:17,145
THE BOX SAID 15 MINUTES.
35
00:01:17,178 --> 00:01:19,079
YOU DON'T ARGUE
WITH THE BOX.
36
00:01:19,113 --> 00:01:20,448
HERE'S SOMETHING
YOU COULD DO,
HARRY--
37
00:01:20,481 --> 00:01:22,816
SWEEP UP
THE BURGER PALACE.
38
00:01:22,850 --> 00:01:24,185
OH, SURE.
39
00:01:24,218 --> 00:01:27,288
AFTER ABOUT FOUR YEARS
OF GRAD SCHOOL, MAYBE.
40
00:01:27,321 --> 00:01:28,122
[TIMER DINGS]
41
00:01:28,156 --> 00:01:29,957
NOW THEY'RE DONE!
42
00:01:29,990 --> 00:01:31,292
OOH!
43
00:01:31,325 --> 00:01:32,593
LOOK AT THIS!
44
00:01:32,626 --> 00:01:34,162
HERE'S A JOB I CAN DO.
45
00:01:34,195 --> 00:01:37,431
"POLICE SEEK
THIRD GUNMAN."
46
00:01:40,100 --> 00:01:41,135
WELL, TOMORROW,
47
00:01:41,169 --> 00:01:43,337
I'M GOING TO
MARCH RIGHT DOWN
TO THE POLICE STATION
48
00:01:43,371 --> 00:01:47,941
AND TELL THEM
I'M THE MAN
THEY'RE LOOKING FOR!
49
00:01:47,975 --> 00:01:49,009
O.K., THEY'RE READY.
50
00:01:49,042 --> 00:01:51,645
THEY'RE JUST GOING TO BE
A LITTLE BURNT.
51
00:02:31,419 --> 00:02:33,086
THIS IS THE BAKE SALE
COMMITTEE, RIGHT?
52
00:02:33,120 --> 00:02:35,389
YES. I DON'T BELIEVE
I'VE SEEN YOU BEFORE.
53
00:02:35,423 --> 00:02:37,425
I DON'T BELIEVE
YOU'RE BLONDE.
54
00:02:41,362 --> 00:02:42,896
O.K., EVERYBODY.
55
00:02:42,930 --> 00:02:45,499
LET'S TAKE OUR SEATS
AND GET STARTED.
56
00:02:45,533 --> 00:02:47,067
AS YOU KNOW,
57
00:02:47,100 --> 00:02:48,769
THIS IS MY SIXTH YEAR
58
00:02:48,802 --> 00:02:51,339
AS CHAIRMAN
OF THE BAKE SALE,
59
00:02:51,372 --> 00:02:53,441
AND, UM...
60
00:02:53,474 --> 00:02:56,610
I THINK WE'VE DONE
PRETTY DARN WELL!
61
00:02:56,644 --> 00:02:59,580
LAST YEAR
WE RAISED $500!
62
00:02:59,613 --> 00:03:00,348
OH! OH!
AH!
63
00:03:00,381 --> 00:03:02,082
HOW MUCH DID YOU
MAKE BEFORE THAT?
64
00:03:02,115 --> 00:03:03,417
WELL, I DON'T
WANT TO BRAG,
65
00:03:03,451 --> 00:03:05,719
BUT WE'VE MADE
ROUGHLY $500
66
00:03:05,753 --> 00:03:07,555
EACH OF THE LAST
SIX YEARS.
67
00:03:07,588 --> 00:03:09,257
UH-HUH.
SO WHAT YOU'RE SAYING
68
00:03:09,290 --> 00:03:12,260
IS THE GROUP IS STAGNATING
UNDER YOUR LEADERSHIP.
69
00:03:14,027 --> 00:03:16,029
YOU'RE NEW
AROUND HERE.
70
00:03:16,063 --> 00:03:18,732
LET'S START
THE MEETING,
SHALL WE?
71
00:03:18,766 --> 00:03:20,601
ANY THOUGHTS
ON THIS YEAR'S SALE?
72
00:03:20,634 --> 00:03:22,202
YEAH, I--I HAVE
A THOUGHT.
73
00:03:22,236 --> 00:03:24,505
THIS GROUP
ISN'T ADVANCING.
IT'S RETREATING.
74
00:03:24,538 --> 00:03:27,741
YOU DROPPED THE BALL,
SISTER.
75
00:03:27,775 --> 00:03:29,577
I AM A MASTER CHEF.
76
00:03:29,610 --> 00:03:32,613
I TRAINED AT THE
CULINARY INSTITUTE
OF PITTSBURGH.
77
00:03:32,646 --> 00:03:35,115
I THINK I KNOW
A LITTLE BIT
ABOUT BAKING!
78
00:03:35,148 --> 00:03:37,851
OK, WELL HERE'S
WHAT I KNOW ABOUT
BAKING...ZIP.
79
00:03:37,885 --> 00:03:39,887
BUT THESE TROOPS
NEED A LEADER,
80
00:03:39,920 --> 00:03:43,090
NOT SOME CHIRPY,
WEAK-CHINNED,
UNDERACHIEVING DRONE.
81
00:03:43,123 --> 00:03:45,359
NO OFFENSE.
82
00:03:45,393 --> 00:03:48,161
IF YOU AIM FOR 500 BUCKS,
YOU GET 500 BUCKS.
83
00:03:48,195 --> 00:03:50,163
BUT THERE'S A SAYING
WHERE I'M FROM--
84
00:03:50,197 --> 00:03:51,665
YOU WANT TO PUNCH
SOMEONE IN THE NOSE,
85
00:03:51,699 --> 00:03:53,767
AIM FOR
THE BACK OF THE HEAD--
86
00:03:53,801 --> 00:03:56,236
THAT IS,
IF THEY HAVE A HEAD.
87
00:03:56,270 --> 00:03:59,473
I SAY AIM FOR 10 GRAND,
AND DON'T SETTLE
FOR LESS THAN 5.
88
00:03:59,507 --> 00:04:04,512
UH, GRACE,
I THINK SHE
SHOULD BE IN CHARGE.
89
00:04:10,451 --> 00:04:11,785
OH, GOOD MORNING,
NINA.
90
00:04:11,819 --> 00:04:12,786
GOOD MORNING.
91
00:04:12,820 --> 00:04:17,057
NINA, MY BROTHER
HARRY IS TRYING
TO FIND A JOB.
92
00:04:17,090 --> 00:04:19,493
I WAS WONDERING,
HOW DID YOU GET
THIS JOB?
93
00:04:19,527 --> 00:04:21,128
I FOUND A MAGIC LAMP
ON THE BEACH,
94
00:04:21,161 --> 00:04:24,498
AND THIS WAS
MY FIRST WISH!
95
00:04:24,532 --> 00:04:28,502
WONDERFUL!
HOW CAN HARRY GET
HOLD OF A MAGIC LAMP?
96
00:04:31,271 --> 00:04:32,606
GOOD MORNING,
DR. SOLOMON.
97
00:04:32,640 --> 00:04:33,707
DR. ALBRIGHT,
98
00:04:33,741 --> 00:04:35,876
THERE'S SOMETHING
DIFFERENT ABOUT YOU
THIS MORNING.
99
00:04:35,909 --> 00:04:37,110
I HAVE A NEW BLOUSE.
100
00:04:37,144 --> 00:04:38,679
NO. THAT'S NOT IT.
101
00:04:38,712 --> 00:04:42,583
AND I HOPE YOU DIDN'T
PAY TOO MUCH FOR IT.
102
00:04:42,616 --> 00:04:44,952
IT'S THE BOX!
WHAT'S IN IT?
103
00:04:44,985 --> 00:04:47,120
OH, THIS?
PAINTING SUPPLIES.
104
00:04:47,154 --> 00:04:49,957
I'M TAKING
A PAINTING CLASS.
I'M NOT VERY GOOD.
105
00:04:49,990 --> 00:04:51,792
SO YOU'RE BAD.
106
00:04:51,825 --> 00:04:54,261
WELL, I WOULDN'T
SAY I WAS BAD
107
00:04:54,294 --> 00:04:57,264
YOU HAVE TO UNDERSTAND
I HAVE INCREDIBLY HIGH
STANDARDS
108
00:04:57,297 --> 00:04:59,733
AND I TEND TO BE VERY
CRITICAL OF MYSELF.
109
00:04:59,767 --> 00:05:02,703
BUT AS AN AMATEUR I
HAVE DEMONSTARTED
110
00:05:02,736 --> 00:05:04,137
QUITE A BIT OF
POTENTIAL.
111
00:05:04,171 --> 00:05:06,173
SO YOU'RE BAD.
112
00:05:07,207 --> 00:05:09,176
YEAH.
113
00:05:09,209 --> 00:05:11,345
BUT ART IS
ESSENTIALLY SUBJECTIVE.
114
00:05:11,379 --> 00:05:13,046
THERE IS NO GOOD
OR BAD.
115
00:05:13,080 --> 00:05:16,650
SO IF YOU STINK,
YOU'RE STILL
ALLOWED TO DO IT?
116
00:05:16,684 --> 00:05:17,885
THAT SOUNDS PERFECT!
117
00:05:17,918 --> 00:05:19,019
ARE YOU INTERESTED?
118
00:05:19,052 --> 00:05:21,088
ME? DON'T BE RIDICULOUS.
119
00:05:21,121 --> 00:05:23,056
I WAS TALKING
ABOUT HARRY.
120
00:05:23,090 --> 00:05:24,858
OH--YOU THOUGHT I
WAS WORRIED
121
00:05:24,892 --> 00:05:26,894
ABOUT BEING
LESS THAN PERFECT?
122
00:05:26,927 --> 00:05:28,596
HA HA! THAT'S RICH!
123
00:05:28,629 --> 00:05:30,864
HA HA HA HA HA HA!
124
00:05:33,401 --> 00:05:35,302
DOORS OPEN.
CROWD COMES IN.
125
00:05:35,335 --> 00:05:36,970
FIRST THING THEY SEE--
FINGER PASTRIES.
126
00:05:37,004 --> 00:05:38,539
THEY NOSH A LITTLE.
THEY'RE DELIGHTED.
127
00:05:38,572 --> 00:05:40,574
THEY CONTINUE ON
TO THE LAYER CAKES.
128
00:05:40,608 --> 00:05:43,343
THE SMELL HITS THEM--
THEY'RE DROOLING
LIKE RABID DOGS.
129
00:05:43,377 --> 00:05:44,978
THEN THE HEAVY ARTILLERY.
130
00:05:45,012 --> 00:05:48,048
THE WALNUT BREAD,
THE ALMOND BARS,
THE CASHEW SQUARES--BANG!
131
00:05:48,081 --> 00:05:51,118
WE GOT 'EM
BY THE ROASTED NUTS!
132
00:05:51,151 --> 00:05:52,319
CARRY ON, LIEUTENANT.
133
00:05:52,352 --> 00:05:54,187
THANK YOU, SIR.
134
00:05:54,221 --> 00:05:56,457
SALLY, THAT WAS
ANDY LARSON
ON THE PHONE.
135
00:05:56,490 --> 00:05:57,425
DID YOU REALLY
MAKE HIS MOM
136
00:05:57,458 --> 00:06:01,895
DO ONE-HANDED PUSHUPS
TILL SHE CRIED?
137
00:06:01,929 --> 00:06:03,564
YES. SHE HAD TO
BE BROKEN
138
00:06:03,597 --> 00:06:06,033
FOR THE SAKE
OF THE UNIT.
139
00:06:06,066 --> 00:06:07,968
THIS ART IS FASCINATING!
140
00:06:08,001 --> 00:06:10,370
EVERY ERA, EVERY CULTURE--
141
00:06:10,404 --> 00:06:11,672
THEY ALL HAVE
THEIR OWN ART.
142
00:06:11,705 --> 00:06:13,507
WHAT DRIVES THEM
TO CREATE THIS?
143
00:06:13,541 --> 00:06:15,709
NAKED WOMEN.
144
00:06:15,743 --> 00:06:17,578
TOMMY, THESE ARE NOT
NAKED WOMEN.
145
00:06:17,611 --> 00:06:19,146
THEY'RE NUDES.
146
00:06:19,179 --> 00:06:23,517
NUDITY IS THE ARTIST'S
PASSIONATE CELEBRATION
OF THE HUMAN FORM.
147
00:06:23,551 --> 00:06:25,919
WELL, PARTY ON.
148
00:06:26,954 --> 00:06:28,689
WHY DO YOU SEE
NUDE PEOPLE IN MUSEUMS,
149
00:06:28,722 --> 00:06:30,323
BUT THEY NEVER
SHOW THEM ON TV?
150
00:06:30,357 --> 00:06:33,427
SURE, THEY DO.
BUT NEVER IN COMEDIES,
ONLY IN DRAMAS.
151
00:06:33,461 --> 00:06:36,897
AND EVEN THEN,
ONLY WHEN
THE RATINGS SAG.
152
00:06:36,930 --> 00:06:40,768
HARRY!
HARRY, WHAT'S WRONG?
153
00:06:40,801 --> 00:06:44,204
I GOT FIRED FROM
MY JOB AT THE KID'S
PIZZA PLACE.
154
00:06:44,237 --> 00:06:45,138
OH, NO.
155
00:06:45,172 --> 00:06:46,507
YES! THEY DRESSED ME UP
LIKE A GIANT MOUSE,
156
00:06:46,540 --> 00:06:49,142
SO I FIGURE,
HEY, I'LL JUST GET
INTO CHARACTER.
157
00:06:49,176 --> 00:06:53,246
AND THEN THEY
COMPLAINED WHEN I ATE
OFF THE FLOOR.
158
00:06:53,280 --> 00:06:55,415
I FOUND SOMETHING ELSE.
159
00:06:55,449 --> 00:06:57,184
YOU'RE COMING WITH ME
TO AN ART CLASS!
160
00:06:57,217 --> 00:06:59,953
ART? I WASN'T
CREATIVE ENOUGH
TO BE A RODENT.
161
00:06:59,987 --> 00:07:02,656
YOU DON'T HAVE
TO BE CREATIVE.
162
00:07:02,690 --> 00:07:04,792
YOU JUST HAVE TO BE
A CERTAIN TYPE.
163
00:07:04,825 --> 00:07:06,927
YOU'VE BEEN OSTRACIZED,
SPIT UPON,
164
00:07:06,960 --> 00:07:09,129
AND STRANGERS
REPEATEDLY TELL YOU
THAT YOU'RE CRAZY.
165
00:07:09,162 --> 00:07:12,332
YOU'VE GOT EVERYTHING
IT TAKES!
166
00:07:12,365 --> 00:07:15,002
THE LAST SUPPER,
BY LEONARDO DA VINCI.
167
00:07:15,035 --> 00:07:16,036
BOY, THE GUY
IN THE MIDDLE
168
00:07:16,069 --> 00:07:19,072
REALLY KNOWS
HOW TO THROW
A PARTY, HUH?
169
00:07:19,106 --> 00:07:20,674
AND HE'S SITTING
IN FRONT OF THE ARCHWAY.
170
00:07:20,708 --> 00:07:21,509
SO WHAT?
171
00:07:21,542 --> 00:07:23,811
WELL, THE NEGATIVE SPACE
IN THE ARCHWAY
172
00:07:23,844 --> 00:07:25,212
DRAWS OUR FOCUS,
173
00:07:25,245 --> 00:07:27,715
AND THE HILLS
OUTSIDE THE ARCHWAY
174
00:07:27,748 --> 00:07:30,317
FADE INTO A BLUISH HAZE,
CREATING DISTANCE,
175
00:07:30,350 --> 00:07:33,587
SO IT'S SORT OF LIKE,
IT'S NOT JUST A PARTY...
176
00:07:33,621 --> 00:07:37,591
IT'S A GOING-AWAY PARTY.
177
00:07:37,625 --> 00:07:38,992
HARRY, I'M IMPRESSED!
178
00:07:39,026 --> 00:07:40,894
MMM. ME, TOO.
179
00:07:40,928 --> 00:07:41,995
CAN WE BUY IT?
180
00:07:42,029 --> 00:07:45,499
DON'T BE SILLY.
AFTER ONE WEEK,
WE'D BE SICK OF IT!
181
00:07:51,939 --> 00:07:54,207
OH, DICK,
THIS IS WONDERFUL!
182
00:07:54,241 --> 00:07:55,909
DO YOU HAVE ANY IDEA
HOW GOOD IT FEELS
183
00:07:55,943 --> 00:07:57,611
TO DO SOMETHING
FOR THE FIRST TIME
184
00:07:57,645 --> 00:08:00,714
AND NOT SUCK AT IT?
185
00:08:00,748 --> 00:08:02,182
WELL, HELLO!
186
00:08:02,215 --> 00:08:04,251
IT'S NICE TO SEE
FRESH FACES.
187
00:08:04,284 --> 00:08:06,987
SQUEEZE MY HEAD.
IT'S SOFT.
188
00:08:12,693 --> 00:08:15,062
OH, HARRY,
THAT'S REALLY
INTERESTING.
189
00:08:15,095 --> 00:08:16,997
I REMEMBER THAT.
190
00:08:17,030 --> 00:08:18,265
YEAH. THAT
WAS THAT THING
191
00:08:18,298 --> 00:08:20,333
THAT BURST OUT
OF THAT GUY'S THORAX.
192
00:08:20,367 --> 00:08:22,102
AND WE HIT IT
AND HIT IT
AND HIT IT,
193
00:08:22,135 --> 00:08:24,204
[TOGETHER]
AND IT JUST WOULDN'T DIE!
194
00:08:27,307 --> 00:08:30,343
IT'S A...FAMILY JOKE.
SORRY.
195
00:08:31,478 --> 00:08:32,512
ALL RIGHT, CLASS.
196
00:08:32,546 --> 00:08:34,882
LET'S SEE WHAT
WE'VE BEEN WORKING ON
FOR TWO WEEKS.
197
00:08:34,915 --> 00:08:36,917
WHO'S FIRST?
198
00:08:36,950 --> 00:08:37,651
MARY?
199
00:08:37,685 --> 00:08:39,620
[CLASS GROANS]
200
00:08:40,954 --> 00:08:42,522
I CALL THIS PAINTING
201
00:08:42,556 --> 00:08:44,424
SPIRITS OF SPRING.
202
00:08:44,457 --> 00:08:46,660
WHEN I WAS GROWING UP
IN INDIANA
203
00:08:46,694 --> 00:08:49,496
AND ALL THE KIDS
WOULD EXCLUDE ME
FROM THEIR PLAYING,
204
00:08:49,529 --> 00:08:51,031
I'D SIT IN MY YARD
205
00:08:51,064 --> 00:08:53,266
AND ANXIOUSLY AWAIT
THE TINY CROCUSES
206
00:08:53,300 --> 00:08:55,603
TO POP THEIR HAPPY HEADS
OUT FROM THEIR WINTER SLEEP.
207
00:08:55,636 --> 00:08:58,205
OH, THAT'S
A BEAUTIFUL STORY.
208
00:08:58,238 --> 00:08:59,272
OHH...
209
00:08:59,306 --> 00:09:00,340
IT'S A LOUSY PAINTING,
210
00:09:00,373 --> 00:09:03,376
BUT IT'S
A BEAUTIFUL STORY.
211
00:09:03,410 --> 00:09:05,512
IT'S VERY NICE,
DR. ALBRIGHT.
212
00:09:05,545 --> 00:09:07,214
ANYONE HAVE
ANY COMMENTS?
213
00:09:07,247 --> 00:09:08,515
WELL, I--
214
00:09:08,548 --> 00:09:11,084
OH, NEVER MIND.
IT'S STUPID.
215
00:09:11,118 --> 00:09:14,321
DON'T LET THAT
STOP YOU, HARRY.
GO AHEAD!
216
00:09:14,354 --> 00:09:15,823
WELL, I JUST FIND
217
00:09:15,856 --> 00:09:18,959
THAT MY FOCUS IS DRAWN
TO THE UPPER RIGHT CORNER,
218
00:09:18,992 --> 00:09:21,228
BUT WHEN IT GETS THERE,
THERE'S NOTHING TO SEE.
219
00:09:21,261 --> 00:09:23,063
YOU COULD ADD
A SPLASH OF YELLOW
220
00:09:23,096 --> 00:09:26,900
TO CARRY OUT THE MOTIF
YOU'VE ALREADY ESTABLISHED.
221
00:09:26,934 --> 00:09:28,168
BUT WHAT DO I KNOW?
222
00:09:28,201 --> 00:09:30,570
ACTUALLY,
THAT'S A VERY
GOOD SUGGESTION.
223
00:09:30,604 --> 00:09:32,172
REALLY?
REALLY?
224
00:09:32,205 --> 00:09:33,273
YES!
225
00:09:33,306 --> 00:09:36,043
HARRY, YOU'VE REALLY
OPENED SOMETHING UP
FOR ME.
226
00:09:36,076 --> 00:09:37,911
I KNOW EXACTLY
WHAT YOU'RE SAYING!
227
00:09:37,945 --> 00:09:39,512
THANK YOU!
228
00:09:39,546 --> 00:09:42,282
WOW! THANK YOU!
229
00:09:45,385 --> 00:09:48,555
YOU WORK WITH HER.
IS THIS SARCASM?
230
00:09:52,325 --> 00:09:53,661
LOW MASS BLACK HOLES
231
00:09:53,694 --> 00:09:56,396
FORM ONLY WHEN
MATTER IS COMPRESSED
232
00:09:56,429 --> 00:09:57,731
INTO ENORMOUS DENSITIES
233
00:09:57,765 --> 00:09:59,667
BY VERY LARGE
EXTERNAL PRESSURES,
234
00:09:59,700 --> 00:10:03,170
AND THIS DEMONSTRATES
WHICH PRINCIPLE OF
QUANTUM ASTROPHYSICS?
235
00:10:04,571 --> 00:10:06,006
[SIGHS]
236
00:10:07,440 --> 00:10:08,375
I'LL GIVE YOU A HINT.
237
00:10:08,408 --> 00:10:10,343
IT HAS NOTHING TO DO
WITH GEOMETRIC COSMOLOGY.
238
00:10:10,377 --> 00:10:12,980
ANYONE?
239
00:10:13,013 --> 00:10:14,381
IF NO ONE ANSWERS,
240
00:10:14,414 --> 00:10:15,916
I'LL HAVE TO PICK
SOMEONE.
241
00:10:15,949 --> 00:10:20,387
SOMEONE PLEASE ANSWER,
PLEASE RAISE YOUR HAND,
PLEASE SOMEONE ANSWER
242
00:10:20,420 --> 00:10:21,154
PLEASE...
243
00:10:21,188 --> 00:10:22,022
LEON!
244
00:10:22,055 --> 00:10:23,423
SINCE YOU'RE TALKING,
I'LL ASK YOU.
245
00:10:23,456 --> 00:10:25,425
WHAT'S THE PRINCIPLE?
246
00:10:25,458 --> 00:10:26,326
WETNESS?
247
00:10:26,359 --> 00:10:27,460
NO. TRY AGAIN.
248
00:10:27,494 --> 00:10:30,030
DR. SOLOMON,
WHY DO YOU KEEP
CALLING ON LEON?
249
00:10:30,063 --> 00:10:33,300
IT'S JUST NOT
FUNNY ANYMORE.
250
00:10:33,333 --> 00:10:34,668
THAT'S NONSENSE!
251
00:10:34,702 --> 00:10:37,170
LEON, THE ONLY WAY
OF UNDERSTANDING
THE UNIVERSE
252
00:10:37,204 --> 00:10:39,406
IS TO FIND THE LIMITS
OF YOUR OWN INTELLIGENCE.
253
00:10:39,439 --> 00:10:43,576
I--I THINK
I'VE REACHED MY LIMIT.
254
00:10:43,610 --> 00:10:44,845
BUG!
255
00:10:44,878 --> 00:10:45,612
YES, DR. SOLOMON?
256
00:10:45,645 --> 00:10:46,747
YOU'RE HIDING SOMETHING.
257
00:10:46,780 --> 00:10:47,547
IT'S JUST A DOODLE.
258
00:10:47,580 --> 00:10:49,516
A DOODLE?
259
00:10:49,549 --> 00:10:51,752
WHY, THIS IS
A PICTURE OF ME...
260
00:10:51,785 --> 00:10:56,724
WITH ANTLERS AND SOMETHING
COMING OUT OF MY BUTTOCKS!
261
00:10:56,757 --> 00:10:58,692
IT'S A TAIL.
262
00:10:58,726 --> 00:11:00,861
WELL, IT IS.
263
00:11:00,894 --> 00:11:03,596
IT'S BRILLIANT!
THE LINES, THE CONTOURS,
264
00:11:03,630 --> 00:11:04,798
THE WAY YOU'VE PICKED UP
THE ESSENCE
265
00:11:04,832 --> 00:11:06,900
OF MY RUGGED GOOD LOOKS!
266
00:11:06,934 --> 00:11:07,500
IT'S JUST A DOODLE.
267
00:11:07,534 --> 00:11:08,902
JUST A DOODLE.
268
00:11:08,936 --> 00:11:11,138
AND ALAN THICKE
IS J AN ACTOR!
269
00:11:11,171 --> 00:11:14,341
[BELL RINGS]
270
00:11:14,374 --> 00:11:16,944
TOMORROW I WANT
EVERYONE TO BRING IN
THREE SHARPENED PENCILS,
271
00:11:16,977 --> 00:11:19,446
AND BUG WILL TEACH US
ALL HOW TO DOODLE!
272
00:11:19,479 --> 00:11:21,715
ALL RIGHT!
GREAT!
273
00:11:39,599 --> 00:11:42,069
DAMN!
274
00:11:46,974 --> 00:11:49,009
I TASTED YOUR
BUTTER COOKIES,
MRS. STEVENSON,
275
00:11:49,042 --> 00:11:53,213
AND, YES, I CAN BELIEVE
IT'S NOT BUTTER.
276
00:11:53,246 --> 00:11:54,647
USE A BUTTER SUBSTITUTE
277
00:11:54,681 --> 00:11:55,749
AND YOU'LL
FIND YOURSELF SAYING,
278
00:11:55,783 --> 00:11:57,717
"I CAN'T BELIEVE
I WAS BOUNCED OUT
OF THIS BAKE SALE
279
00:11:57,751 --> 00:12:00,053
RIGHT ONTO MY ASS!"
280
00:12:00,087 --> 00:12:01,989
GET WITH THE PROGRAM!
281
00:12:07,828 --> 00:12:09,529
TOMMY,
282
00:12:09,562 --> 00:12:11,498
DO YOU EVER DOODLE?
283
00:12:18,872 --> 00:12:21,909
WHY, WAS I
IN THE BATHROOM
TOO LONG?
284
00:12:25,478 --> 00:12:28,381
I--I CAN'T DOODLE!
285
00:12:28,415 --> 00:12:31,284
WELL, DICK,
YOU'RE KIND OF OLD.
286
00:12:31,318 --> 00:12:34,121
OLD? PICASSO DOODLED
ON TABLECLOTHS
287
00:12:34,154 --> 00:12:36,223
LATE INTO HIS 60s.
288
00:12:36,256 --> 00:12:37,424
THAT'S DISGUSTING!
289
00:12:37,457 --> 00:12:40,828
I KNOW.
I JUST CAN'T DRAW!
290
00:12:40,861 --> 00:12:42,662
OH! DOODLING!
291
00:12:42,695 --> 00:12:44,197
OH.
292
00:12:44,231 --> 00:12:46,934
IT'S INEXPLICABLE!
293
00:12:46,967 --> 00:12:48,335
I, WHO BESTRIDE THIS WORLD
294
00:12:48,368 --> 00:12:50,670
LIKE AN INTELLECTUAL
COLOSSUS!
295
00:12:50,703 --> 00:12:52,705
I, WHO MAKE LESSER MEN
QUIVER IN AWE
296
00:12:52,739 --> 00:12:53,974
OF MY CRANIAL PROWESS!
297
00:12:54,007 --> 00:12:55,843
I, WHO--
298
00:12:55,876 --> 00:12:58,411
I'VE FORGOTTEN MY POINT.
299
00:12:58,445 --> 00:12:59,546
DICK?
300
00:12:59,579 --> 00:13:01,214
I INVENTED
A NEW COLOR--
301
00:13:01,248 --> 00:13:03,250
I COMBINED
RED AND YELLOW.
302
00:13:03,283 --> 00:13:06,586
I CALL IT
RED-YELLOW.
303
00:13:06,619 --> 00:13:08,388
CAN'T WAIT
TO SHOW IT
IN ART CLASS.
304
00:13:08,421 --> 00:13:10,490
GREAT! MIX UP
A WHOLE VAT OF IT!
305
00:13:10,523 --> 00:13:13,226
GO! HOP TO IT!
306
00:13:13,260 --> 00:13:17,931
YOU IRONICALLY GIFTED
CHOWDERHEAD.
307
00:13:17,965 --> 00:13:18,598
WHY DID I SAY THAT?
308
00:13:18,631 --> 00:13:19,632
WHAT'S WRONG WITH ME?
309
00:13:19,666 --> 00:13:21,534
COULD IT BE--
AND THIS IS
A WILD GUESS--
310
00:13:21,568 --> 00:13:24,872
THAT HARRY IS WAY BETTER
AT SOMETHING THAN YOU?
311
00:13:24,905 --> 00:13:28,175
I'M THE HIGH COMMANDER!
I DON'T ENGAGE
IN PETTY RIVALRY.
312
00:13:28,208 --> 00:13:31,611
LOOK, YOU'RE ACTUALLY
YOUNGER THAN ME.
313
00:13:31,644 --> 00:13:33,580
BUT ON THIS MISSION,
YOU GOT TO BE TALLER.
314
00:13:33,613 --> 00:13:38,151
NOW, DON'T YOU THINK
THAT EATS MY LUNCH
JUST A LITTLE?
315
00:13:38,185 --> 00:13:39,752
YOU DON'T
SEE ME WHINING.
316
00:13:39,786 --> 00:13:40,820
HOW CAN YOU BE
SO COOL?
317
00:13:40,854 --> 00:13:43,857
'CAUSE I'M OLDER
THAN YOU, LITTLE BUDDY.
318
00:13:47,394 --> 00:13:49,429
I GOT A RECONNAISSANCE
REPORT FROM MRS. NAGEL
319
00:13:49,462 --> 00:13:51,831
OUR ONLY REAL COMPETITION
IS THE KISSING BOOTH.
320
00:13:51,865 --> 00:13:55,235
THIS YEAR,
THEY HAVE HOOKERS.
321
00:13:55,268 --> 00:13:57,137
SALLY, THOSE ARE
CHEERLEADERS.
322
00:13:57,170 --> 00:13:59,439
NOT IF THEY'RE
CHARGING.
323
00:14:01,508 --> 00:14:02,876
BANANA-NUT MUFFIN HEADS.
324
00:14:02,910 --> 00:14:05,678
ARE THERE 2 PARTS BANANA
TO EVERY 1 PART WALNUT,
MRS. HARTZINGER?
325
00:14:05,712 --> 00:14:06,379
YES, MA'AM.
326
00:14:06,413 --> 00:14:08,248
YES, MA'AM!
I CAN'T HEAR YOU!
327
00:14:13,320 --> 00:14:15,355
MIGHTY TASTY RUGALA,
MRS. GREENSTEIN.
328
00:14:15,388 --> 00:14:16,924
THANK YOU,
MA'AM.
329
00:14:20,327 --> 00:14:21,294
BEFORE WE OPEN
THE DOORS,
330
00:14:21,328 --> 00:14:23,563
I JUST HAVE ONE MORE
THING TO SAY.
331
00:14:23,596 --> 00:14:25,698
YOU ARE BY FAR THE SADDEST,
SORRIEST,
332
00:14:25,732 --> 00:14:29,302
MOST PATHETIC
GROUP OF MOTHERS...
333
00:14:29,336 --> 00:14:31,871
I HAVE EVER HAD
THE HONOR OF COMMANDING,
334
00:14:31,905 --> 00:14:34,041
AND I'LL NEVER
FORGET YOU.
335
00:14:34,074 --> 00:14:35,108
MUSIC!
336
00:14:35,142 --> 00:14:35,943
[RIDE OF THE
VALKYRIE PLAYS]
337
00:14:35,976 --> 00:14:37,810
DOORS!
338
00:14:39,212 --> 00:14:40,247
ALL RIGHT, LADIES.
339
00:14:40,280 --> 00:14:41,448
TAKE NO PRISONERS...
340
00:14:41,481 --> 00:14:43,683
OR PERSONAL CHECKS.
341
00:14:50,290 --> 00:14:52,225
DICK, ARE YOU
MAD AT ME?
342
00:14:54,694 --> 00:14:55,996
NO!
343
00:14:56,029 --> 00:14:57,931
LATELY YOU GET
THIS WEIRD GRIN
344
00:14:57,965 --> 00:15:00,200
LIKE YOU'RE HIDING
SOMETHING.
345
00:15:00,233 --> 00:15:01,668
THAT'S NOT ABOUT
ART CLASS, IS IT?
346
00:15:01,701 --> 00:15:04,471
ART CLASS? WHY, NO.
I DON'T CARE ABOUT ART.
347
00:15:04,504 --> 00:15:05,638
LET'S NOT FORGET
348
00:15:05,672 --> 00:15:07,807
WHAT ONE OF
THE GREAT THINKERS
OF THE 20th CENTURY SAID--
349
00:15:07,840 --> 00:15:10,677
ART IS NO DAMN GOOD.
350
00:15:10,710 --> 00:15:12,279
WHAT GREAT THINKER
SAID THAT?
351
00:15:12,312 --> 00:15:14,247
JESSE HELMS.
352
00:15:15,115 --> 00:15:16,449
BESIDES, I'VE MADE
A COMMAND DECISION.
353
00:15:16,483 --> 00:15:18,151
WE'RE NOT GOING
TO ART CLASS ANYMORE.
354
00:15:18,185 --> 00:15:22,189
IT'S NOT PRODUCTIVE.
WE'VE EXPERIENCED IT.
LET'S MOVE ON!
355
00:15:22,222 --> 00:15:24,924
ALL RIGHTY.
356
00:15:28,861 --> 00:15:30,630
PERMISSION TO SPEAK,
HIGH COMMANDER.
357
00:15:31,631 --> 00:15:33,566
WHAT DID YOU SAY?
358
00:15:33,600 --> 00:15:35,168
PERMISSION TO SPEAK,
DICK.
359
00:15:35,202 --> 00:15:38,038
YOU NEVER ASKED PERMISSION
TO SPEAK BEFORE.
360
00:15:38,071 --> 00:15:40,640
DICK, THIS ART THING
MEANS A LOT TO ME
361
00:15:40,673 --> 00:15:42,809
AND I HAVE NO IDEA WHY.
362
00:15:42,842 --> 00:15:45,178
ALL I KNOW IS
THAT I LIKE DOING IT.
363
00:15:45,212 --> 00:15:47,314
SO I WANT TO GO
TOMORROW,
364
00:15:47,347 --> 00:15:50,117
WHETHER YOU GO OR NOT.
365
00:15:50,150 --> 00:15:52,152
I'm sorry.
366
00:15:54,988 --> 00:15:55,888
THERE'S NO NEED
TO BE SORRY
367
00:15:55,922 --> 00:15:59,392
FOR SOMETHING
YOU'RE GOOD AT.
GO TO CLASS!
368
00:15:59,426 --> 00:16:00,093
REALLY?
369
00:16:00,127 --> 00:16:01,928
YES!
370
00:16:04,497 --> 00:16:05,565
IF THAT'S WHAT
MAKES YOU HAPPY,
371
00:16:05,598 --> 00:16:07,634
THEN I'M HAPPY.
372
00:16:07,667 --> 00:16:09,736
OHH...
373
00:16:09,769 --> 00:16:11,104
THANKS, DICK.
374
00:16:11,138 --> 00:16:14,741
MMM. NOW THERE'S
THE SMILE I LIKE.
375
00:16:25,452 --> 00:16:27,087
YOU'RE SOAKING WET.
376
00:16:27,120 --> 00:16:29,422
AM I?
377
00:16:29,456 --> 00:16:30,557
YOU'VE BEEN ACTING
STRANGELY.
378
00:16:30,590 --> 00:16:31,524
WHAT'S WRONG?
379
00:16:31,558 --> 00:16:32,892
IT'S KIND OF HARD
TO TALK ABOUT.
380
00:16:32,925 --> 00:16:35,028
I HAVE THIS...
FRIEND,
381
00:16:35,062 --> 00:16:38,698
WHOSE BROTHER HARRY
IS A MUCH BETTER
ARTIST THAN HE IS.
382
00:16:38,731 --> 00:16:41,134
OH, SO THIS IS
ABOUT YOU AND HARRY.
383
00:16:41,168 --> 00:16:43,436
AM I
THAT TRANSPARENT?
384
00:16:43,470 --> 00:16:46,339
I'M GOING TO TELL YOU
A LITTLE STORY.
385
00:16:48,308 --> 00:16:51,178
MY PARTNER
IN DANCE CLASS IN COLLEGE
386
00:16:51,211 --> 00:16:52,979
WAS A GIRL NAMED NADIA.
387
00:16:53,012 --> 00:16:54,914
SHE GOT ALL THE LEADS,
ALL THE ATTENTION.
388
00:16:54,947 --> 00:16:59,586
PEOPLE WOULD CALL HER
LITHE, WILLOWY...
389
00:16:59,619 --> 00:17:01,488
LEGGY.
390
00:17:02,489 --> 00:17:04,191
I REHEARSED WITH HER.
391
00:17:04,224 --> 00:17:06,393
I SHOWED A TREMENDOUS
AMOUNT OF SUPPORT.
392
00:17:06,426 --> 00:17:08,395
I WENT TO
ALL THE RECITALS.
393
00:17:08,428 --> 00:17:10,463
SHE'D LEAP AND TWIRL
ON THE STAGE,
394
00:17:10,497 --> 00:17:13,466
EXUDING THIS INCREDIBLE
SENSUAL GRACE...
395
00:17:13,500 --> 00:17:15,368
WHILE I SAT THERE...
396
00:17:15,402 --> 00:17:17,003
A FROZEN SMILE ON MY FACE,
397
00:17:17,036 --> 00:17:19,872
LOATHING HER
FOR MY OWN INADEQUACIES.
398
00:17:19,906 --> 00:17:23,643
WOW. YOU HAVE
ANY PICTURES OF HER?
399
00:17:23,676 --> 00:17:25,178
THAT'S NOT THE POINT.
400
00:17:25,212 --> 00:17:26,613
THE THING I CAME
TO REALIZE
401
00:17:26,646 --> 00:17:29,649
WAS THAT SHE
NEEDED ME THERE.
402
00:17:29,682 --> 00:17:32,585
MY SUPPORT
INSPIRED HER TO DANCE.
403
00:17:32,619 --> 00:17:33,653
THAT WAS ENOUGH
FOR YOU?
404
00:17:33,686 --> 00:17:35,021
YES! LOOK AT
THE MONA LISA.
405
00:17:35,054 --> 00:17:36,589
SHE NEVER PICKED UP
A PAINTBRUSH,
406
00:17:36,623 --> 00:17:40,059
AND YET SHE INSPIRED
THE MOST FAMOUS
PAINTING IN THE WORLD.
407
00:17:40,093 --> 00:17:41,861
SO IT'S LIKE WHISTLER
AND HIS MOTHER.
408
00:17:41,894 --> 00:17:42,729
EXACTLY.
409
00:17:42,762 --> 00:17:44,864
VAN GOGH AND HIS
POTATO EATERS.
410
00:17:44,897 --> 00:17:47,767
MICHELANGELO
AND HIS CEILING
FULL OF NAKED GUYS
411
00:17:47,800 --> 00:17:50,370
TRYING TO TOUCH
FINGERS.
412
00:17:50,403 --> 00:17:50,903
MORE OR LESS.
413
00:17:50,937 --> 00:17:52,605
INSPIRATION!
414
00:17:52,639 --> 00:17:54,307
YES!
415
00:17:54,341 --> 00:17:55,442
THANK YOU!
416
00:17:55,475 --> 00:17:56,809
THANK YOU!
417
00:17:56,843 --> 00:17:59,312
THAT STORY REALLY
HELPED ME!
418
00:17:59,346 --> 00:18:00,480
THANK YOU!
419
00:18:00,513 --> 00:18:01,548
SURE.
420
00:18:01,581 --> 00:18:03,015
OH, AND BY THE WAY,
421
00:18:03,049 --> 00:18:04,984
I LOVE YOUR
STUBBY LITTLE LEGS.
422
00:18:12,559 --> 00:18:13,826
HARRY...
423
00:18:13,860 --> 00:18:15,228
WERE YOUR PARENTS
ARTISTIC?
424
00:18:15,262 --> 00:18:16,696
MMM. NOT REALLY.
425
00:18:16,729 --> 00:18:18,765
MY MOTHER WAS
A COLD RECEPTACLE,
426
00:18:18,798 --> 00:18:22,702
AND MY FATHER
WAS JUST A MACHINE.
427
00:18:22,735 --> 00:18:25,672
WELL, WE ALL HAVE
OUR BAGGAGE.
428
00:18:25,705 --> 00:18:26,973
BUT DON'T FORGET,
429
00:18:27,006 --> 00:18:29,942
OUT OF SUFFERING
COMES CREATIVITY.
430
00:18:29,976 --> 00:18:32,279
YOU CAN'T SPELL PAINTING
WITHOUT "PAIN."
431
00:18:32,312 --> 00:18:33,480
MMM.
432
00:18:33,513 --> 00:18:35,648
OR "TING."
433
00:18:39,619 --> 00:18:40,887
OH, DICK!
434
00:18:40,920 --> 00:18:42,155
YOU CAME.
435
00:18:42,189 --> 00:18:42,622
YOU GOING TO PAINT?
436
00:18:42,655 --> 00:18:44,056
EVEN BETTER.
437
00:18:44,090 --> 00:18:45,558
I NOW
ACCEPT THE FACT
438
00:18:45,592 --> 00:18:48,094
THAT I DO NOT HAVE
ARTISTIC TALENT
439
00:18:48,127 --> 00:18:50,062
LIKE YOU,
LIKE HARRY.
440
00:18:50,096 --> 00:18:52,799
I KNOW NOW
THAT I WILL
NEVER BE ABLE
441
00:18:52,832 --> 00:18:55,034
TO BE PART OF
A CLASS LIKE THIS.
442
00:18:55,067 --> 00:18:55,902
BUT DR. ALBRIGHT
443
00:18:55,935 --> 00:18:58,238
HAS MADE ME SEE THE JOY
THAT I CAN TAKE
444
00:18:58,271 --> 00:19:00,507
IN INSPIRING OTHER PEOPLE!
445
00:19:00,540 --> 00:19:03,243
NO, I WILL NEVER
BE AN ARTIST.
446
00:19:03,276 --> 00:19:05,512
BUT I CAN MAKE
A GREAT SUBJECT!
447
00:19:05,545 --> 00:19:07,680
PREPARE TO MEET...
448
00:19:07,714 --> 00:19:10,617
YOUR MUSE!
449
00:19:28,268 --> 00:19:29,402
OH, GREAT.
450
00:19:29,436 --> 00:19:32,505
I'M GOING TO NEED
MORE PINK.
451
00:19:35,275 --> 00:19:36,943
YOU'RE TELLING ME...
452
00:19:36,976 --> 00:19:39,879
DR. SOLOMON
POSED FOR THIS?
453
00:19:41,248 --> 00:19:41,948
YES.
454
00:19:41,981 --> 00:19:43,316
MM-HMM.
455
00:19:43,350 --> 00:19:46,519
MMM! WELL, HELLO,
DR. SOLOMON!
456
00:19:46,553 --> 00:19:49,155
WELL, HELLO,
NINA!
457
00:19:50,857 --> 00:19:52,191
WELL...
458
00:19:52,225 --> 00:19:54,494
I'LL LEAVE
YOU THREE ALONE.
459
00:19:56,496 --> 00:19:57,330
OH!
460
00:19:57,364 --> 00:19:59,332
THIS IS WONDERFUL!
461
00:19:59,366 --> 00:20:01,301
I REALLY DID
INSPIRE YOU,
DIDN'T I?
462
00:20:01,334 --> 00:20:02,935
YES.
463
00:20:02,969 --> 00:20:04,304
YOU KNOW,
THE WHOLE TIME
I WAS STANDING THERE,
464
00:20:04,337 --> 00:20:07,974
I KEPT THINKING
ABOUT HOW YOU
INSPIRED NADIA.
465
00:20:08,007 --> 00:20:09,342
WHATEVER
HAPPENED TO HER?
466
00:20:09,376 --> 00:20:11,344
ALCOHOLIC,
TRAILER PARK
467
00:20:11,378 --> 00:20:13,713
SEVEN KIDS.
HA HA HA HA HA!
468
00:20:13,746 --> 00:20:15,214
OH, NO.
IT REALLY IS A SHAME.
469
00:20:18,485 --> 00:20:20,086
WHAT DO YOU CALL IT?
470
00:20:20,119 --> 00:20:23,290
MIDDLE-AGED NAKED GUY
WHO CAN'T PAINT.
471
00:20:27,860 --> 00:20:30,062
LEADING
THAT BAKE SALE
WAS EXHILARATING.
472
00:20:30,096 --> 00:20:32,565
THOSE WOMEN
WERE CRYING OUT
FOR LEADERSHIP.
473
00:20:32,599 --> 00:20:34,734
OVER HALF
THIS PLANET'S
POPULATION
474
00:20:34,767 --> 00:20:36,102
IS FEMALE.
475
00:20:36,135 --> 00:20:38,371
IF I COULD JUST
HARNESS THEIR POWER,
476
00:20:38,405 --> 00:20:41,374
WE COULD EASILY
TURN MEN INTO
A SLAVE RACE.
477
00:20:44,711 --> 00:20:48,214
OR MAYBE JUST
TALK HAIR.
478
00:20:48,247 --> 00:20:49,181
YOU KNOW...
479
00:20:49,215 --> 00:20:50,517
I'VE DISCOVERED
THAT HERE ON EARTH,
480
00:20:50,550 --> 00:20:52,785
EVERY HUMAN
HAS HIS OWN TALENTS
481
00:20:52,819 --> 00:20:54,421
AND HIS OWN FLAWS.
482
00:20:54,454 --> 00:20:56,122
THE SMART ONES HAVE LEARNED
TO USE THEIR TALENTS,
483
00:20:56,155 --> 00:21:00,760
BUT THE HAPPY ONES
HAVE LEARNED TO
ACCEPT THEIR FLAWS.
484
00:21:00,793 --> 00:21:03,095
I KNOW I'VE
ACCEPTED MINE.
485
00:21:03,129 --> 00:21:05,798
PERMISSION TO MENTION
YOUR RECEDING HAIRLINE, SIR.
486
00:21:06,766 --> 00:21:08,335
PERMISSION DENIED.
487
00:21:09,402 --> 00:21:11,504
WELL, HERE'S MY
LATEST PAINTING.
488
00:21:11,538 --> 00:21:12,972
IT'S A STILL LIFE.
489
00:21:13,005 --> 00:21:14,040
IT'S VERY INTERESTING,
HARRY.
490
00:21:14,073 --> 00:21:15,107
AND VERY DARK.
491
00:21:15,141 --> 00:21:16,676
IT'S A BUNCH
OF ROTTEN FRUIT.
492
00:21:16,709 --> 00:21:20,513
YEAH, I REALLY
GOT TO LEARN
TO PAINT FASTER.
33788
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