Original subtitles

All the suicide and death. It was just a

gimmick. Something to get attention.

No one was supposed to take it

seriously.

You want you all but you can't be

anymore

to walk through the final door

and you know what you must do. You can

be free for all eternity.

You have made a difference. You're in

control. You're there only that you can

see. You got to be

You heard what they said to us.

Are we all fully committed to this?

>> We ought to be committed.

>> They've got it. They're killer.

>> Now, open your envelopes.

Let's all think about what we're going

to do.

Your sister, she must turn you on to all

kind of

I haven't seen her in person for 2

years,

but you know, it's like she's talking to

me inside my head.

She says it all in here. She says it

outright.

Life is a dog. A total bummer.

We have no choice in life except to get

out.

Death ends it all.

Peace forever.

A nice place to be.

Are we ready?

Then let's do it. Just like they told

us.

Oh no.

Oh.

Oh.

Okay, that'll do you.

Oh, look. Sleeping Beauty has awakened.

>> Okay, now this is Susie Striker. She's

Cynthia Slain. Ask her questions. She

used to be a magician. Anything you

want, you just ask. You just ask.

>> Uh, you do magic tricks? Not tricks.

They're real fun.

>> Of course, what I do on stage is a bit

more intense.

>> She dies every night. And her mentor,

the great Pristone, taught her how to do

that.

You know, she Well, she eviscerates

herself on stage.

Um, this

>> Oh, yeah.

>> Okay. Susie, Mark, Amy, let's go in the

other room quick. Let's go. We're

wasting time.

Hey, this is supposed to be a rehearsal,

not a photo session.

>> Where's the reporter from?

>> Hugo Slavia. Arty says it's important.

Arty wants us to tour there.

>> She looks like an idiot.

>> Honey, what's the matter? That dream

again.

>> Roxy in trouble killing herself.

This is the third time.

And this is Randy Rod, our drummer.

Trained at Giuliard. Nice looking ketta.

Photographs great from either side. I'll

let you in on a secret. Now, we're a big

family here, but in Ry's case, that

means something extra special because

he's really Mark Grant and he is the

brother of our lead singer, Lucy Lethal.

Okay. Now, you ask him questions. I'll

shut up here.

>> Uh, excuse me, my English. Uh, did he

say you were lover or a brother?

>> Uh, yeah, babe.

She was listening to our music and and

she killed herself and her friends, too.

>> That dream again. Don't you ever get

tired of it? You're a writer. You should

use it. You know, I saw my sister die.

It brought me off my high when she bid

the last goodbye. I woke up in a tall

and empty room. A man-made concrete tomb

of glass and metal and gloom.

What do you think?

>> I think it's time for you to go away

now.

>> You're probably right. We've already

done a suicide album anyway.

>> Those weapons you wear look so real,

Miss uh uh Nancy. Nancy Napal and my

past realities no longer matter. The

weapons are real.

>> Real? Would you know how to use them?

Aren't you afraid of them?

>> Afraid? Listen, people frighten me, and

these kill them, so they uh make me feel

good. I know how to use over 200

different militaryissued anti-personnel

devices. Do all our songs have to be so

down? Can't we do something different?

>> Come on, honey. Songs about death,

dying, and suicide. That's what we're

about. That's what we sell. Where the

dead girls, not the Cherels.

>> Hey, that's an idea. Our next album

could be the Dead Girls sing Montan.

>> Ignore her.

Look, honey, I know you're upset, but

don't go off the deep end. Hey, look at

me. I'm made up like a 5-day old stiff.

You go on stage looking like you do and

call yourself Bertha Beirut. Strangle

yourself with the American flag. I mean,

we're not going to break out in a chorus

to stand by your man.

>> Dana, sweetie, come on down. Let's make

nice to these Yugo fans. Come on. Come

on. Time's wasting. Tempest fugitive.

Hurry, hurry.

>> Yes, Daddy.

>> Hey,

>> I'm looking for a Gina Varelli. I was

told I might be able to find her here.

>> No, Gina Varelli. Do you know her? I

know, Bertha. I know all of them.

>> All of them? Who are they?

>> They're the dead girls.

>> Oh, well, I'm sorry to hear that, but I

think this Gina Verelli is alive.

>> Of course, she's alive. She is one of

the dead girls.

>> Oh, one of the dead girls, you know.

>> Yeah, I know them all. Well, except for

Cynthia. I don't know her so bad.

>> Cynthia Slay

>> along with the others.

>> Yeah, they're all inside together.

>> They're in there. Those gay girls are in

there. Does anybody know about this?

>> Only me and I'm not talking. The others

can find out if they can.

>> Is Gina Varlli in there, too?

>> Yeah, I told you.

>> Did she kill him?

>> Oh, wait a minute. Wait a minute. Stay

here.

Pay attention.

Dead girls. The group.

This is Nancy Napon. She wears this like

really intense army jacket. This is Lucy

Lethal. She is so cool. And the one you

want here. Okay. That is Bertha Beirut.

>> The Arab,

>> right?

>> And she's going to look like that

inside.

>> Yeah. They have outfits on. They're

doing this really intense photo session

tonight.

>> Can I help you?

>> Uh, I have a special delivery for a Gina

Varlli identification.

>> Uh, Jeff, he's okay. Hi.

>> If your royal highness says you're cool,

you must be an iceberg.

>> Royal Highness.

>> Yeah. Queen of the groupies. She's good.

She always knows where we're at. Come

on.

>> How do your parents feel about your

stage act, Bertha of Beirut?

>> My parents died when I was 8 years old

in a car accident. My sister and I were

raised by our aunt and uncle.

>> Hold on. She's in the middle of an

interview. You write the songs for the

group sometimes.

>> Usually.

>> Look, you handle the road schedules, the

publicity, the studio time. We'll make

the creative decisions. Okay, sweetie.

>> Look, D. Whatever you say is numero uno

in my booklet. But maybe this babushka

is right.

>> Maybe she's cracking up.

>> It's this death and destruction gimmick.

Now, you can write it for as far as

it'll take you. But when you're at the

height of your notoriety, and that's

where we currently are, you've got to

enlarge your audience base. You've got

to go mainstream. No way, Arty. We don't

have the talent to pull it off. You

hired us for our looks. Remember, none

of us has any musical training. Except

for Marky here. He's a musical genius.

That's why he's the only dead boy.

Right, Lover?

>> Is that it?

>> Uh, just some more photographs, please.

>> Okay. Uh, Miss Varelli, special

delivery.

Could you sign for this, please?

Heat.

Heat.

Ah,

shall

Heat. Heat.

What's the matter, Gina?

>> I have to go home. Brookie needs me. She

needed you three years ago when you

sacheted out of here. Miss High and

mighty rockar.

Roxy, you're not even trying.

Could her what she did have caused this?

She's recovering from shock due to a

massive blood loss, but the recovery is

unusually slow. We don't know why. She's

intermittently comeomaosse, which could

indicate an oxic brain damage, but it's

more likely psychological rather than

physical in origin.

You mean she wants to be like this?

It could be that she's trying to do

mentally what she failed to do

physically.

>> Brock, what were you thinking?

>> Don't ask her now. When she needed her

older sister, you were out playing the

fool. Too busy for anybody but yourself.

>> The others that they buried today died

right away.

>> Yes.

Six of them. Two lifted to county

general with Brooke, but they didn't

make it.

>> Who found them?

>> Neighbors heard them playing a song.

Your song on Brooksiey's tape machine.

>> She listen to your songs all the time. I

told her they weren't any good, but she

wouldn't listen. Oh, no. And look at her

now.

>> Oh, witch Hazel's on the war path again.

When are we going to get out of here?

When are we going to blow this pop

scene?

>> Look, we're here for moral support.

Okay, starting tomorrow morning, we're

all taking a twoe break to help Gina get

her head back together.

>> Hey, Marky, how do you like this look?

The fans sent this to me. Think we can

work it into the act?

>> Are you paying any attention to me at

all? Get rid of that stupid mask. It's

not going into the act.

>> A twoe break? Art's not going to like

that. Excuse

me. I'm looking for Gina Varelli.

>> What about her boyfriend? What was his

name?

>> Tony. Tony Valleti.

>> She mentioned him in all her letters.

>> Letters you never answered. Not once.

And she wrote you every week as if you

counted for something. Let me tell you.

>> Hello, Gina. I thought I'd come by and

see if you want to take a walk. Mike.

Mike, it's so good to see you.

Let's go.

>> Nothing like a nice friendly family

reunion, huh?

>> I don't know. I haven't met anyone

recently. I haven't seen your rant blow

up like that in

since you left.

>> But you were there in just the nick of

time. My night in shining armor like

always.

>> Like when I rescued your ball from

almost Friendley's backyard that one

time.

>> Like when you pulled Dave Manders off of

me when he was attacking me in the

driveway.

>> Oh, Dave still ticked off about that.

>> Miss Friendly and that dog of hers.

>> You did that to Brooke. Hold on there,

Tony.

>> Tony. Tony Galleti. You're the one

Brooke used to write about.

>> You almost killed her. I know who you

are. Your birth.

>> Knock it off, Tony.

You're going to pay.

>> I can't believe that.

>> I'm sorry, Dean. I know he's taking this

thing hard, but

>> it's all right. He was angry and he has

every right to be.

>> I see the kid every week at church. He

seems well behaved there.

Reverend Sarco will set him straight.

>> I can't believe you're back in town.

>> Well, it's me.

>> Want to take a seat?

>> Sure, why not?

It's really good to see you again.

>> Sometimes I do miss this town.

>> It's not so bad as some people would

have you think.

>> Gina. Gina Vareli.

>> Reverend, what are you doing up here?

Well,

>> as a matter of fact, I'm on my way to

your house to visit Brooke. She's one of

my lost sheep, just like you.

>> I heard it was a nice funeral.

>> Oh, I'm sorry, Gina. This is my

daughter, Rachel. Oh, Daddy. Gina and I

were always the best of friends in high

school, weren't we, Gina?

>> Was that uh Tony Galleti I saw running

off?

>> Yeah.

>> That boy's still in trouble again.

>> I'll tell you about it later, Re.

>> Okay, Gina, I'll see you at your house

later.

>> Bye, Reverend.

>> This singing business is no good, Jenny.

I mean, you've got to get out of it.

All the suicide and death, it was just a

gimmick. Something to get attention.

No one was supposed to take it

seriously. But now it's like we use this

stuff to get to the top somewhere.

>> Arty, what are you doing here?

>> Susie called me. She gave me this load

of crap about you guys taking off on a

twoe vacation. So I caught the first

chopper up here. Now you tell me, honey.

You may not care very much about your

reputation, but I sure as hell care

about mine.

>> Not a vacation, Arty. It's just that

with all these deaths and and Brooksie,

they need some time to get away and talk

things over.

>> Talk? Let me tell you about talk.

There's five concert dates, eight radio

spots, 50 hours of airtime bought and

paid for whether you use them or not.

And it's all down the drain.

>> This wasn't something I planned. Well,

you tell that to Sweeney, baby, because

if you go through with a sbatical,

you'll be shopping for a new manager.

Now, do I make myself clear?

Look, kid,

you're the heart of this band. Now, Dana

may be the soul, but you're the one that

keeps the blood pumping.

And I didn't pull you out of this dump

just to see you turn your back on

everything you ever believed in. Now,

you change your mind. I'll be conducting

business over in that old flea bag

office on Main Street. Now, you remember

that.

Ciao.

>> Your boss,

>> manager. Same thing. Has an office on

Maine.

>> Yeah. Next to Bill Larson's travel

agency. That's where I first met Arty.

Looking for a job with Mr. Larson. And

Arty was there with the door wide open.

He called me in and asked me if I'd ever

done any singing. I said, "Yeah, in the

church choir sometimes

>> and he hired you from that."

>> He laughed and said the band he would be

putting together wouldn't be singing any

hymns. Boy, was he right about that.

>> What's this?

>> Rest in peace, Gina Varlli. It should

have been you.

signed a fan.

Things are getting pretty bad. Gina,

>> that is why we're leaving here tomorrow

and I am taking Brooke.

>> Tomorrow,

where?

>> You remember a cabin up north?

>> Are you sure that's such a good idea?

>> We're going there for a couple of weeks.

Just the band and me and Brooksie.

>> That girl is not going anywhere.

Can she travel?

>> There's no physical reason she can't. As

long as proper medical equipment is

supplied.

>> What's going on? Where do you think

you're going to Shanghai that girl to?

>> To the cabin.

Jeff, our security liaison has arranged

for a van large enough to accommodate

all her equipment. Make a list of

whatever other supplies she needs.

>> As your sister's guardian, I forbid it.

You and your disgusting friends get out

of my house right now.

Whose house?

>> That's right. Throw it in my face. I've

lived in this house for 12 years. Since

your parents died, I raised you kids. I

took care of this place. And now that

you're of age, and Aunt Annie is no

longer trustee of your fund, so I'm out

on my ear. Is that it?

>> No, that isn't it at all. It is just

that I administer Brook's inheritance

now. and I need to get away and be with

her alone just for a little while. But

you are welcome to stay here quietly for

as long as you would like.

Is there anything else she'll need?

>> She'll need regular checkups at a full

care facility.

>> There's one in the town. Uh now, please

go make that list.

Aunt Annie,

please don't hate me.

I have to understand what happened.

>> Annie, could I have a few minutes alone

with Gina?

>> Okay. Thank you.

Gina,

I feel moved by the spirit to ask you to

reconsider what you're doing.

Do you feel at this point in time that

it's prudent to remove your sister from

the bosom of her loving family?

>> I am her family.

>> So, you are. But you haven't been around

much, have you?

No, I mean her extended family. The

family of God.

>> You think that we, the whole band, were

were pi pipers leading these children to

suicide and sickness, don't you?

>> I think that you love Brooke very much.

But that doesn't mean what you're

planning is right or good. You heard her

once. Please don't do it again.

>> If Brooke did what she did because of my

music, then she doesn't understand it.

She doesn't even know me.

Maybe it was your fault. Maybe she's

messed up by what you think is right or

wrong. Everyone else in this town is.

Reverend says this. Reverend says that.

You twist people. Maybe that's what

drove her to it. I know that Annie has

diverted funds from the trust to the

church to you. If Brooke were to stay

here and die, then Annie would get a lot

of money and so would you. Maybe that is

what you want. Maybe

I am so sorry.

I

>> That was your anger speaking, not you.

>> I didn't mean it.

>> I've had worse things said about

>> At least you didn't say my sermons were

dull.

I do have one request.

Your cabin is next to the church camp.

May I have permission to visit the

little lamb?

>> Whoa, that reverend guy is intense.

>> Hey, that's my father you're talking

about.

All I'm saying is that's right. I want

to reschedu now. I know you've done it

for plenty of other groups.

Hey, this is standard industry courtesy,

man.

Look, read my lips. Gina Varlli is sick.

Female thing, you know. Now, she's part

of Beirut. Yes, I know you can't tell

the difference. That's why I'm on the

payroll.

Hey, I don't care. You can check all the

care units in town. She's sick. I'm

telling you.

Look, I didn't want this to turn into

some big legal thing. I wanted to keep

it friendly. But we've got our right.

Now, you read the fine print in that

contract. Joseph, there's a little plug

in there that says that in the event of

an accident or illness,

I want that rescheduled now. You call me

when you know the date. Ciao, pal.

Sheila.

Sheila.

Crap.

Just got to do it all yourself, Arty.

Just like always.

What a night.

What a night.

These girls are going to be the death of

me yet.

Another

jerk that made this crap sure made a

bundle.

And look at me.

Yamaha memo. Get the girls a movie

contract.

Hey pal, what's your problem? Can't you

see this is a private party?

Leave your card. Want an audition? Come

back during normal business hours, which

this ain't. Well, come on. Scram. Hello.

Spread out of here. Some heavy duty

drink is about to commence and it's

going to be solo.

Huh? Honey,

>> it's wrong. I heard you screaming in the

store. The bathrooms again.

Do you know what is the matter with me?

>> You're asking the wrong person. Just ask

any one of my three exes or any one of

my four shrinks.

>> Am I going outside? I can't take much

more of this,

>> honey. Nobody could. Well, that's what

this little trip tomorrow is all about,

right? So that you and the rest of this

cockami band can get a better grip on

reality. Look here. Just lie back,

think about the woods,

kicking back on the porch, a skinny

dipping in the lake, all that good

stuff. And before you know it, we'll be

there.

Okay.

A good night. Good night.

Heat.

Heat.

Honey, what's wrong? I heard you

screaming next door. Oh, bathroom.

What's going on?

>> You going to stay in here all night?

>> As long as she needs me. Yeah.

>> You're not her mother, you know.

>> Just a friend.

I can't wait. At last, the time to

ourselves. What are you planning on

doing up there? You got enough junk here

to restock First Castle. I'm just

planning on a good time, and I need the

stuff to help me. What's in your bag,

Amy?

Sorry, Nancy.

Oh, look. Look, the travel assortment.

>> Oh, jeez. You know, we're not going to

perform up there. You don't need the

props. These are not claws.

>> I thought we were heading for a nice,

quiet, relaxing two weeks. Not World War

II.

>> Hey, maybe she wants to get some

hunting. You know, you might run into

some wild animals up there. I know. Uh,

I'm packing a rod for the trip.

>> Oh, yeah. And I got a holster. This

could work out.

>> I hope you burn in hell for this. Ignore

us. That's right. Take your sister off

to do the devil's work to finish the

job. That's right. Load up your things.

Don't leave a single thing behind. I

don't want anything of yours left in

this house to contaminate my home.

>> Shut up, Annie.

This You're over. You don't know what

you're doing. This sort of thing can't

help Princy. Annie, now go to the house.

>> Gina, I'm sorry. This whole thing's

has been a strain on your aunt Annie.

>> We're going away, auntie.

>> You know, she really loves you both.

It's like daughters.

>> I know, Uncle Jim. I really think she

needs you now.

>> I'm going. But first, I thought I'

better give you these. Kind of hard to

open a cabin without them. Thanks.

>> Come on, Brooke. Let's show him what we

can do. Little exercise. Okay.

>> Yeah. To the car on my own two feet.

>> Come on.

Good girl.

>> Wait, Gina, we're going on vacation or

are you coming with us?

>> Are you kidding? Miss a vacation with my

sis? Wild horses couldn't keep me away.

Now get in there.

>> The change of environment will be good

for Brooke, but she needs absolute peace

and quiet and rest. We can have no

repeats of the scene we just witnessed.

I want you to understand that we are all

interested in her welfare.

The nearest suitable treatment facility

for your sister is 150 mi from the

cabins. I'll bring her there every other

day for treatment. And depending on her

response, I'll bring her back the same

day or I'll stay overnight.

>> The van is at your disposal. We don't

need it.

>> She'll be there to welcome us when we

arrive.

>> No way. I don't even know where we're

going.

>> Her she's got the homing instincts of a

carrier pigeon.

>> Yeah, she's a nice looking birdie. All

right.

>> Yeah. And just as full as

>> Alone with you at last.

>> Whatever it is you got to say, you

better make it quick cuz we're out of

here, pal.

>> What's on your windshield?

What is it? Fan mail from some flounder.

>> Lyrics to nail gun murders.

>> Nail gun murders.

>> One of our finest syncopated efforts

about a psycho with a nail gun.

Maybe some crazy fan left it there. Oh,

probably Karen. I just saw her leave.

>> She's a super group you told me about,

right? Forget her. Forget her. Let's

talk about you. The fact that you're

going away and I want to see you again

for a while.

Want to give you something?

My phone number in case you need

something. And you know, you don't want

to disturb your rant. You do have a

phone up there, don't you?

>> One.

>> Your phone number? Are you kidding?

5557028.

How could I ever forget that?

>> Bye, Gina.

>> See you later.

>> They're going to throw us out.

Don't worry. There are ways of

interfering with plans like that.

This is bitching.

I can stand two weeks here.

Peace, quiet, tranquility, sun, sand,

woods,

Frankenstein. Oh no, that's Elmo. He's

the handyman around here for all the

cabins. Has been for as long as I can

remember. He is or something.

Or at least a little weird.

>> Hey, Elmo. How you doing?

>> Hello, M. Gina.

>> I'm surprised you recognize me. It's

been over a century.

>> Oh, no. Miss Gina, I've seen you in the

papers, on TV, and I think think I got

all your albums. I I play them all the

time over and over.

>> That's nice, Elmo. Uh, my friends and I

are going to be staying here for a

couple of weeks.

I I know, ma'am. Your uncle told me

everything. I I cleaned the the cabin

this morning. I got it clean as a

whistle. Let me show you.

>> Uh that'll be all right, Elmo. Um my

uncle called you.

>> I I'm happy to see Miss Brooke up and

about. No, no, no, no, ma'am. He He told

me in person. I I heard about the

accident. I I was at the funeral

yesterday, and he told me to double time

it back up here.

>> Okay. Um, Susie, uh, let me take you up

there and show you where we're going to

stay. I

>> I'll help you. I clean the cabin real

special just for you, Miss Gina.

>> Elmo, that will be fine. I'm sure you

have plenty of other things to do. I'll

take care of our guests myself.

I knew this was my kind of place.

Hey guys,

Susie, you and Amy will be up ahead and

to your left. Okay, Rambo, I get the

bed. Dana, you're straight ahead in the

room next to Brooks. And you guys are

out in the garage.

>> Congratulations, Jeffy. You just got the

room to yourself.

Come on, Brook. You need to stretch

those legs after all that driving. Let's

take a look see around here. Huh? How's

that sound to you? Yeah, it's very

pretty here. Come on.

>> You've got the right idea. How about a

little tour for yours truly? I like to

get to know the lay of the land just in

case anybody tries to bug your girls

appear.

>> Well, there's not much to see around

here. There's not much here. I guess

that's the whole point. A house, a lake,

a barn, and a lot of woods everywhere.

That's about it. The barn?

>> Yeah.

>> Anything of interest about it I should

know?

>> It's just a rotting old barn.

>> So, do you want to go in the barn?

Oh, this is a bad place. Can we go,

please?

>> Come on. What's the matter, honey? It's

just an empty old barn.

>> No. I bet you played in here when you

were a little girl, huh?

>> No. No. It's a bad place. Let me out.

What was that all about?

>> I felt it's not good in there.

>> Your medallion. You must have dropped it

in the barn. I can go get it for you.

>> No. No. Please don't go in there. I just

want to I just want to go home.

>> Perhaps you're right. We've had enough

excitement for one day. Besides, it's

getting late. Okay, let's go.

And this is the way back home. I'm not

really quite sure what you're looking

for.

Who knows? There's weirdos everywhere

these days.

>> What's that over there?

>> That's Elmo's shack. He stays there when

he works here. I think he has a little

place in town, too. Uh, he stays there

on the off seasons during weekends.

>> He lives in that shack.

I don't see any phone lines or TV

antennas.

There's not even a car there.

>> I think he goes into town for supplies

during the peak season. He thumbs. A lot

of locals will give him a ride.

>> Oh my god.

>> I knew she'd beat us here. I just knew

it.

>> Looks like fun, you guys. But if Dana

catches you,

>> Dana has caught him. You get back to our

cabin and you get this out of here.

>> What?

>> It's late. What am I supposed to do with

her?

>> That's not my problem. Just do what we

pay you to do. You You remember when

mommy used to tan your hide for coming

in late? I ought to do that to you right

now.

>> Really? You're going to spank me? Hey,

what are we waiting for?

>> Hold on, wild man. You get that

out of here permanently.

Okay. Where'd you park?

>> Nowhere, Benson. Car checked it

about 40 miles back. Thumbed it the rest

of the way.

And hiked. I got what it takes to get

where I want to be.

>> It's 10 miles from the nearest paved

road. You hiked 10 miles to here.

Come on.

>> Further. I can figure your property.

Follow your nose. Another half mile to

the retreat. It's empty right now.

the headline, but I'm sure you think so.

>> Well, thank you, Jeffy, but I've been in

good situations.

Someone

thanks

through this

All right.

Jeff Jack.

Jeff,

is that you?

Jeff, I wasn't going to head back to

cabin or anything. I uh I'm not an

outdoor person. I was, you know, the

woods all kind of look alike.

I guess I just got kind of turned

around.

Jeff,

Jack,

Heat. Heat.

Heat.

Heat.

You son

of a

She saw this girl.

E, she was so awful

neck. She is not going to

help.

Where are you?

Heat. Heat.

Oh,

back.

So come on, be a sport.

>> Forget it.

>> Oh, please. You're not going to let me

go in there all by myself, are you?

>> You're wasting your breath. I'm not

going swimming in this final.

>> I'm only wasting my breath.

Don't you like me?

>> Oh god. I think I'm going to puke. I

swear that little is worse than

than

>> than you.

Hey, what's this? Ro delivery. Read it.

Oh, yeah. That hang thing we did. What

about it?

>> Oh, yeah. You know, like it's got a

really good beat, but I can't dance to

it, man. You know, I give it like a 63.

>> Did you leave that in my room last

night?

>> Why would I leave this in your room?

>> Somebody did. I found one yesterday on

the van, too. Nail gun murder.

Somebody's doing this,

>> Gina. It's like somebody's idea of a

joke.

>> Yeah. Well, I don't know what's supposed

to be funny about it.

This is your last chance. There's other

fish to fry around here, you know.

>> Good. I'll get the Crisco.

I'm glad to see Brooke is feeling so

much better. Yeah, Susie insisted

everyone go swimming. Brooke wanted to

come and watch. She used to be a swimmer

in high school, wasn't she? State finals

two years in a row. Well, could be

stimulating for her. Speed up her desire

for recovery.

But you didn't call me over here for an

update on Brooke now, did you?

Looks like the sort of trash you people

turn out.

>> So, you've never seen those papers

before?

Even if I did, do you think I'd leave

that kind of stuff lying around where

Brooke could see it? It's what caused

her present condition. Remember?

Hi Marky.

Hi Suz.

What's uh happening?

>> Nothing much. That's the problem. Nobody

wants to go swimming with me. And I

think you should always swim on the

buddy system. Don't you?

>> You like to be my buddy?

>> Um uh I don't think so. No, not this

time.

>> A come on. Things are always more

friendly.

Well, I'll uh I'll take a rain check.

Okay.

>> Come on. Don't be so

>> Hey, he said no. Now beat it.

>> What are you his mother? Does he need

your permission to come out and play?

>> No, he doesn't need permission. He needs

to know how to swim. Got it. He never

learned. Now, would you please stop

embarrassing him and yourself and anyone

else forced to watch this revolting

spectacle?

>> All right. Stay here. Take root for all

I care. You're all a bunch of freaking

losers anyway.

At least I know how to have a good time.

I'm going to the other part of the lake.

I'm going in by myself. Susie, hold it.

Hold it. I'll go change. You can't go in

there by yourself. It could be

dangerous.

>> Don't do me any favors, but if you need

to wash the mold off from these fossils,

I'll be down there enjoying myself.

>> Susie, it could be dangerous. Could be

dangerous.

>> What are you doing? Huh? How'd you do?

>> What the hell do you think you're doing?

>> What's going on here? What are you

doing?

>> What?

What were you screaming about? He

attacked me. Came out of nowhere and he

grabbed me. Over there?

>> Yeah, I don't know. Somewhere over

there. Well, lucky for you, since you

were about to trapes half naked through

a patch of poison oak.

Would you like to hit him some more now?

>> I didn't hit him.

>> Elmo, you knew she was headed for that

poison oak, didn't you?

>> Bad stuff. The lady would have been hurt

bad.

>> We all appreciate your concern, Elmo.

Some of us just didn't know what you

were trying to do. They thought maybe

you were trying to hurt Susie.

>> No, no, no. Elmo did don't hurt no one.

>> They know that now, Elmo. So, why don't

you go on back to work and we'll take

care of things here

>> in the future. Try to figure out what's

going on before pulverizing the nearest

good Samaritan.

>> I don't care what she says. I'm going to

keep an eye on that fruitcake. He's big.

This is your idea of peace and quiet for

your sister. Come on, honey. It's been

real exciting, but it's just about time

for your medicine now.

Heat. Heat.

Heat. Heat.

Heat. Heat.

Heat. Heat. N.

Heat.

Heat.

Heat. Heat.

Heat.

Heat.

Heat.

Heat.

Heat. Heat.

What was that? Soul will remain closed

for the next 48 hours. After that, it's

lost to us.

What are you doing? Nancy,

>> I'm trying to commune with Suz's soul.

Her soul.

>> You kids are lucky. I lived around here

for a long time. I'd have never found

this place. Walgreens wagons on the way.

If Doc Groover doesn't get lost. Now,

what's the story?

>> She's right over there. Jeff pulled her

out of the water.

>> You found the body in the lake. What's

the victim's name? Susie Striker. She

was a member of our band.

>> I know. The dead girls.

>> Hey, a fan way out here.

>> I have a teenage daughter. I burned her

collection of your albums.

>> I don't understand it. She was right

here.

>> Is this your idea of a joke?

>> I left her right here wrapped in a

blanket. You could see something heavy

was lying here.

>> Something. A sack of potatoes, maybe. A

couple of kids making out. a a so-called

prankster rolling around on the ground,

but not a dead girl. Because dead girls

don't just get up and walk away.

Are you certain she was dead?

>> Sheriff, she was dead. She was turning

blue.

>> Does anybody here have a medical degree?

Any medical training at all? Nursing,

physical therapy, pharmaceuticals.

But you know she was dead and you called

me in immediately, right? And now maybe

she's dead, maybe she isn't, but she's

definitely missing, right?

So I'm supposed to call out the troops

and launch a major search effort.

Correct.

I don't know what kind of town you think

this is, but our police force consists

of me and a deputy.

Our town paper is a four-page bi-weekly,

and there's no local TV.

So what do you expect to get out of

this? Nothing you do up here is going to

make the network news. Even if some hot

shot reporter did happen by the only

thing they'll find is me following this

whole mess away in our crank call

folder. You'll get no publicity at our

expense.

>> Sheriff, this is not a publicity

gimmick. Susie is dead and and someone's

taken her body.

>> Who? Why? When? Who had the opportunity?

And why on earth would anybody want to

hide this? What are you saying?

>> Look, we didn't exactly keep tabs on

each other, Dick Tracy. We stayed in our

rooms till we heard you pull up.

>> But now you can go back to your own

rooms and listen to me pull out.

Don't worry, honey. It'll all be over

soon.

Soon they'll all be out of your lives.

Forever.

>> Roger, Dorothy. Chance out.

You're lucky the dock hadn't started out

yet. A lot of charges expenses back to

you.

>> I'd love to bust you right now for

raising a false alarm.

>> But the law said you got to do it more

than once for it to count as a

violation.

>> Do it again, please.

>> Sheriff, something is going on out

there.

>> Then leave.

Even if that were true, I couldn't have

any patrols out here with any

regularity. You wanted isolation. You

got it. Now I'm going back to the

office. Don't let me see any of you

again or I'll put you in a cage.

>> Just what exactly did we do to deserve

such wrath? Sherah,

>> I heard about those kids in LA killing

themselves because of some secret

messages in the lyrics of your songs. I

don't want your kind in my town. Oh, so

now we're guilty of intentionally

murdering those innocent children,

right? Couldn't have been a mistake. No,

couldn't have been a misunderstanding.

You know, no judge, no jury, no trial,

just you.

>> That's right. Just me.

>> Gee, sounds like what those crackers

down in Alabama used to say about your

people when they were burning crosses on

their lawns in the 60s.

>> So much for the forces of law and order.

Now, what do we do?

>> Maybe the sheriff was right. Maybe Susie

wasn't dead. Maybe she woke up and

wandered off.

>> No way.

>> I pulled her out of the water myself.

She wasn't breathing. She was cold.

Dead. Oh, yeah. Well, what are you all

of a sudden? You're a doctor. I mean,

you didn't exactly examine her or

anything. There could have been a faint

pulse, shallow breathing. I mean, she

may have uh spontaneously recuperated

and wandered off. That could happen, you

know, couldn't it? Uh, Nursey,

>> it could. No, that wasn't it.

There was something going on out there.

Something evil.

Susie didn't drown accidentally. And she

didn't get up and drag herself away

either. Someone else did. And

>> maybe it was that big friend of yours in

the overalls. Could it be him? He

certainly does seem to like us ladies.

>> No way. That guy is big, but he's a

pussycat.

I followed him yesterday after he left

Susie headed for the highway. Last time

I seen him, he was thumbming a ride into

town.

>> Oh, well, gee, darn it. I guess it must

be some other big hulking slobbering

psychopath.

>> God, I wonder what they do in between

insane rampages. I mean, do they stay at

the motor lodge? No. Maybe they're all

vegetarians. Oh, no. Wait. I know.

They're getting manic.

>> Stop it. Now Susie is dead. Your sister

is alive in that room listening to every

word you say. She's not deaf and she's

not mentally incompetent.

She understands what you say. She feels

what you feel,

your hatred,

your fears,

your jealousy,

and your useless, worthless, bickering

lives.

This so-called vacation was supposed to

help Brooke. Instead, you're just

hammering nails into her coffin.

You know what Brooke really needs?

Brooke really needs a permanent vacation

from all of you.

We'll be driving into town tomorrow for

a checkup.

We may stay overnight.

It's a long drive and we'll need plenty

of rest. Good day.

>> Bravo. Well, I guess Florence

Nightingale really put us in our place.

>> Maybe she's right.

>> Maybe. Or

maybe we can put an end to this whole

farce right now. Susie was dead. Well,

as close as you can get without actually

crossing over. Have you idiots forgotten

that she worked with that magician for

years? He taught her everything. How to

hold her breath, how to control her

pulse, the whole deal.

She was just setting us up.

>> I don't get it.

>> Why would Susie want to do something

like that?

>> Revenge.

Susie was history with this group. Art's

been auditioning replacements for the

last two weeks. I guess she just wanted

to beat us to it.

>> I didn't know anything about that.

>> Well, you weren't supposed to. Neither

was she, but she obviously found out and

tried to beat us to the punch.

Look, I promise you that she is out

there somewhere laughing her ass off

about this whole thing. If she actually

succeeds in ruining our little trip,

that's just going to be the icing on her

cake.

>> I don't get it. Why did Arty want to

fire her?

>> Why? She was a load. She was a

She was a troublemaking little

That's why. Look, just sit on this for a

while, okay? I swear as soon as she sees

that her little stunt isn't going to

affect this, she'll go running right

back to Arty with her tail tucked

between her legs, asking for a severance

pay. What's this?

>> It's the lyrics from Drawing Your

Sorrows. It's just like the other ones I

found.

>> Oh, another part of the Susie Striker

spook show. She always was a bit

melodramatic.

>> I don't know. Maybe we should call the

sheriff. He should know about this.

>> The sheriff? You heard when you said

last time you was out here. Call him out

here with only that piece of paper and

we'll cheerfully haul all our butts to

pokey.

Look, everyone just relax and I'll

patrol the grounds tonight. Okay.

Come on. We got to have a little talk.

Ah,

I'm so sorry. I'm sorry.

>> I'll make you think you're sorry. You

can't lay off the brides, can you? Maybe

you want to do more than just look.

Maybe you want to touch. Huh?

>> No. No. No. M. Miss Tina, I was worried

about the man. I don't want the man to

hurt her.

>> The man? What man? What the hell are you

talking about?

>> The man in the mask. The the the ugly

ugly mask. Miss Gina's so pretty.

>> The ugly mask. You've been looking at

too many mirrors, pal.

>> Please don't tell Miss Gina. She should

be mad with me.

>> Okay, I'll let this slip. But the next

time I catch you hanging around here

looking through windows and watching

people and I'll I'll tell Miss Gene on

you.

>> No. No. Now get out of here.

No,

heat. Heat.

Heat.

You're up early. Your breakfast is on

the stove. Couldn't sleep. Have you seen

Jeff anywhere?

>> More nightmares.

This has been going on too long. It's

beginning to take its toll.

I can give you something. No, that's

okay. Uh, what I need is to find Jeff.

Maybe he's outside.

>> Remember, Brooke and I will be off in a

few minutes. If you need us, the number

is on the fridge.

And remember, we're staying overnight.

Jeff.

Jeff.

I don't want to hear about it anymore.

Your obsession with that little sled is

unnatural, disgusting. So, I just don't

want to hear about it.

Look,

I'm going to go for a walk, get some

fresh air.

>> Good morning.

>> Hi. Have you seen Jeff anywhere?

>> No.

What are you doing now?

Where did you find this?

>> Few yards back.

Something heavy has been dragged along

here.

Not something,

someone

barn.

Gina, come here.

Oh my god, they're killing us.

Get me out of here.

the man. They're taking the van.

You sit right up here.

>> Okay. You ready to go, honey?

>> Do you need a hand with something?

>> No, we're fine.

Well, then I guess we'll see you later

tomorrow morning.

>> We have a good old trip now, Brookie.

You forget about us monkeys for a while.

Okay.

>> Oh my god.

Oh, tiger. What gives?

>> It's gone. I got to call the sheriff.

>> Wow.

>> Well, hold on. That friendly guy. I

don't know what gives here.

>> The bar. They're all dead. Susie, Jeff,

covered in blood. I got to call the

sheriff.

Who did this?

>> I don't know.

>> What are you doing?

>> Tripwire with a potassium nitratebased

explosive. Simple, but it'll work.

>> You really do know that military

don't you?

>> If the enemy makes another kill, his MMO

indicates that he'll drag the body here.

And there are three avenues of entry in

this sector of the barn. I've secured

one.

The other two are going to take some

time, but I've got the goods and the

materials. Now, we can expect

defysicalization.

>> No, stop right now. Gina's calling the

police. They're going to want to see um

the evidence and examine it. Unless you

don't want the police here for some

reason.

>> The police

aren't coming.

The phone is dead and the van is gone.

>> Look, we we all know who's doing this.

It's one of us. Tanny, you don't mean

that.

>> Figure it out. Nancy Drew. Karen's dead.

Susie's dead. Jeff's dead. Your big

friend, the gardener, out of town

somewhere. That only leaves you, me,

Marky, and her.

>> But whoever did this is crazy. Insane.

>> Insane. A nut. A basket case. We got

plenty of those around here, don't we?

She's mad as a hatter and arm to the

teeth. Does she fill the bill? And you,

sweetie, with your dreams, your letters,

your I don't want to do this anymore

attitude, maybe you want to knock off

the competition and do it all by

yourself.

>> If you believe that, then logic dictates

that we all remain together until a van

returns tomorrow.

>> Good idea.

We'll wait alone,

Marky and me, together in our room.

Look, I don't know if you're the one or

you are. Maybe you're in cahoots

together. Maybe you're just going to

wait till I turn my back, knock me off,

and it's two to one against Marky. Oh,

no. I think we'll take our chances

alone.

>> Dana, don't don't touch me. Don't you

ever come near me again or I'll kill you

myself. Do you understand?

Unless that one gets to you first.

What's wrong with the phone? It's not

the cord. You're sure of that?

I'm not sure of anything anymore.

It's

all in one piece. I I followed it until

it went into the wall there. And then I

went outside and I couldn't find any

wires. Underground. Unlikely to be

disturbed. God, if anybody's going to

mess with the cord, it would be in here.

What is it? Oh, it's a J12 clip.

Somebody messed with it and they

reinserted it into the phone. Why would

somebody do that? I mean, just smash it

or pull the cord out. They would do it

in that way to disable the phone without

it appearing to be neutralized. It's

also a lot harder to fix. Can you fix

it? If I jam it in just right, we might

make the connection. And then we'll get

a dial tone and maybe a few seconds to

make a call if we're lucky. Did you get

something? Yeah. Okay. Make it quick. I

don't know how long the connection's

going to hold and when it goes it's

fried and we won't be able to make

another call.

>> You want me to make the call?

>> I don't know anyone.

>> The sheriff. I I don't know if you have

any time to call information. Just call

a number that you already know.

Come on. Answer. Answer.

>> Hi, this is Mike.

Oh, Mike. Thank God I can't.

>> I'm not in right now, but leave a

message at the sound of the tone and

I'll get back to you just as soon as I'm

able to.

>> Mike, this is Gina. We're in trouble up

here. Mike, we need help.

Someone is trying to kill us off and and

we can't reach the sheriff or track him

down or or anything. Jeff is dead and

and Susie and Karen and we Oh, please

please come up here. We need you. We

Dad,

I don't know how much got through.

You better hope a lot. That's the last

call on this machine. I hope I hope it

was enough. I maybe he'll come home and

hear it and understand it.

We're all going to die here, aren't we?

So, don't be afraid.

Death is nothing to be frightened of.

It's a mystery that we all must explore.

But be angry. I mean, angry that

somebody could determine the time and

the manner in which you die.

You can fight back. So, take my jacket.

Maybe it'll help you. I used to wear it

cuz it reminded me of the soldiers who

were so close to the void. But that's

why I wanted it. But it'll keep you from

the void. That's why you want it.

>> Amy, I can't. You need it more than I

do. There's some trinkets in here

that'll help you get through the night

in one piece. And this is a big part of

that.

Amy, I I don't know how to use this.

Listen, you'll use it when you need to.

And these I need to go back to the barn

and finish what I started. Amy, I mean

Nancy.

>> Amy's fine. Listen, you stay here and

work on your karma. It doesn't look

good. Okay, I'm going to go work on

something a little bit more concrete.

Mark, come back.

Don't do it. Don't go out there,

Mark.

Gina, I know who the killer is.

It's Mark.

Heat. Heat.

Heat.

Heat.

Heat. Heat.

Yeah.

Heat.

Heat. Heat.

Heat.

Heat.

Before this moment, I was never certain

about the afterlife. But now I know

there's a hell, so bastards like you can

burn forever.

Help me.

I found these in his room. Dana, this is

weird. But but it doesn't prove that he

killed anybody. Look at this. Look at

this.

He's already marked off the people that

he's already done. And he knows how he's

going to kill the rest of us.

And my name's on that list. Me. He wants

to kill me.

Oh, it's all right.

Where? Where did he go? Just

>> trying to begged him not to go, but he

wouldn't listen to me. He said we needed

firewood.

>> The woods? No. Amy's in the woods.

>> Firewood is promised.

Well, I'll put it in the back. Then uh

you and I go back to the room.

>> Find her. Find Amy. Wait 10 minutes,

then come back to the cabin, to our

room. He doesn't know. We know. If we

take him by surprise, maybe we can

overpower him.

>> No, it's too dangerous for you. We don't

know what he has in mind.

>> We don't have any time to wait. Go. Go.

Heat up

here.

Yeah.

Heat.

Where are you?

You know,

look, Dana.

Dana,

he's out there.

>> Hi, Gina. Mark,

>> nice to see you.

Sorry you have to go so soon.

You know it's so bad.

Here,

have some more.

Dina,

Dane,

I'm so sorry. I'm so sorry, Dane. But he

would have killed us both. He killed

Amy. I found her out in the woods.

I had to do it. I had no choice.

I'm sorry, Dad.

Not half as sorry as you're going to be.

>> Let go of the gun, Gina.

>> What's happening? What's happening?

What's happening is you just killed my

brother.

>> But he was the killer. He He killed Amy.

And what did he do to you?

>> What he did to me? He never did anything

but love me.

These bruises aren't real. Remember, I

am the one in charge of makeup around

here. It was all just a part of the act.

act. What act was for?

>> To kill you and Amy.

Both of you was supposed to come back

here. Marky hides in the closet. I

provide a little diversion.

I didn't know which one of you was

knocking us off trying to take over the

group. I did not care.

We had to get the drop on Amy. She's a

walking military arsenal. The plan would

have worked,

but you killed Marky.

The lyrics, the photographs,

>> cops. Jeez,

it would have been perfect.

We would have gone back to town

tomorrow, told our story to the papers,

wrote a wave of sympathy and love, and

the new edition of The Dead Girls,

starring Dana and Mark Grant. Would have

been the biggest thing to hit the

recording industry. It would have

worked.

But you,

you ruined it all.

Dana, Amy wasn't the killer, and neither

am I. And if it wasn't us and it wasn't

you, you're lying to

>> What's the matter? You two dyes have a

falling out amongst killers, huh?

No, this time I'm going to shoot you

right between the eyes or that silly

bitch's fancy jacket can't help you.

Oh,

hey.

Heat. Hey, heat. Hey, heat.

Heat. Heat. Heat.

Hey,

hey, hey.

Heat. Heat.

Heat. Heat.

Mother,

mother.

Miss Tina, I saw that man in the mask

chasing you. I I had to save you from

protect you.

>> Elmo, that man is dangerous. We got to

get out of here. Get us out of here. I

>> I'll help you, Miss Tina. Where will we

go where he can't go? Where you'll be

safe.

>> You know these woods better than

anybody. Get us to a phone.

>> Get me to a phone.

>> No, no, no. phones. Miss Gina, I watched

that man kill them all. They deserved

it. Made fun of Elmo. Kept you away from

me.

Now they're all dead. And we'll be

together for always. We love each other,

Miss Gina. I'll straighten you out, Miss

Gina. This is how they straight me out

at the institution.

They done a real good job. They

straighten them out real good.

Get out of here, Elmo. This isn't right.

>> Okay,

>> Mike, where did you find me?

>> I heard your message this morning on my

machine. I ran out here as soon as I

could.

Do you know what's happened here?

>> They're all dead. He killed them.

Everyone. He put them in the barn. Have

you seen the barn?

>> When I first got here, I found Mark and

Dana

and Amy. I went looking for you. I knew

you had to be somewhere alive. I checked

the barn and then I heard you scream and

I ran down here as fast as I could.

Mike, stop. Stop him.

>> Is he?

>> Yeah.

He's dead.

>> Elmo,

I've known him ever since I was a little

kid.

I can't believe he do all those things.

>> He didn't.

>> I did.

This is the last of them. I'm cleaned up

behind myself like I always do.

You know what Reverend Sarraco says?

Cleanliness is next to godliness.

You were out a long time.

But you've come back to us in just the

right moment.

How did you know I did all this? Nobody

else would understand.

You were one of us once. You were

brought up the way you ought to go.

Reverend Sorco,

your friends, your family, and you party

you were going to marry me. Remember,

did all the money from the drugs and the

sex make you forget, huh?

You walked away from us with that

manager. Yes.

Took care of him, too. He left us. I

wrote those songs about death and

killing yourself.

You shouldn't do that.

I wanted you to know to see what was

coming and to understand why.

You know who told me that you and your

friends deserve to die for what you had

done.

God,

you speaks to me sometimes

in my head. Not always. only when it's

really important. And you know what? He

sounds just like Reco.

He's talking to me now.

He wants you to die,

not the others.

He wants me to do it, but I can't.

Forgive me, Lord. I am a sinner.

>> I don't have a strength.

I'm just going to leave you here.

>> You can take care of your wishes.

>> Why? Gina,

I hope you understand

forgive me.

Really?

Gina.

Oh my gosh. What's happened to you?

Is this your barn?

The cabins?

I remember you said you were going to go

up there.

Is that where we are?

I can't remember anything since the day

you came home to see Brooke.

I I have these blackouts, you know. I

I do bad things sometimes. I think

God, did I do that to you?

Oh, no.

No.

These are your friends, aren't they?

From the van.

What have I done?

Oh, God.

Not again. I pray.

Do I kill

your mom?

I'm so sorry, Gina.

I don't know. Looks like they did decide

to vacate the premises.

If they left and we drove all the way up

here and all they had to do was call,

I'm going to kill them.

No, you stay here. I'm going to go take

a look around. See if they took your

stuff with them.

You scared the life out of me.

I thought I told you to stay in the car.

I've been in the car all day. I wanted

to get out. I can help.

All right, there's not much left. Come

on over.

Okay, kid. That's it.

Can you think of anything else before we

go? Cuz we ain't coming back. Honey pot,

do you have to go?

All right, then.

Alfredo. Wait, my necklace. Oh, that

medallion.

The barn.

I said I'd get that for you, didn't I?

>> You sure did.

>> All right. All right. I'll go snoop

around for it, but this time you stay

right here.

>> Gina, are you all right?

These didn't look too bad.

They could become infected.

You people really did it this time.

Like sharks and a feeding frenzy, you

just tore each other apart.

Look what you've done.

You forced me to make a difficult

decision,

a professional decision

to release you, treat your wounds,

and allow you to continue to pollute

your sister's world,

or

to give Roxy a fighting chance for

recovery by keeping you out of her life

forever.

I'm sorry for my patient and my primary

consultant.

If it's any comfort, you should be

gone from exposure

less than 48 hours.

I'm sure your sister will be just fine

now that the dead girls are out of her

life

forever.

>> Here you go, kiddo.

>> Thank you. I'm going to be all right

now, aren't I?

>> You sure are.

Starting right now.

Heat Heat.

Heat.

Heat

up here.

You

love me all

anymore.

Let go

time to walk through my door

and you tell what you must do

for eternity.

You're in control. You're the only one

that you see.

Heat.

Heat.

No one understand

you do.

Yeah.

Heat.

Heat

up

here.

Heat.

Heat.

Heat. Heat.

Heat.

Heat.

Heat.

Heat.

Baby.