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Eߣ�B��B��B�B�B��matroskaB��B��S�gV�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS��UU�O�I�f@�*ױ�B@M��libebml v1.4.7 + libmatroska v1.7.2WA�mkvmerge v102.0 ('Little Houses') 64-bitD��AV��Da� O�����s���ZрT/ _l��e��ET�k���ׁsň+��1[�䃁������S_TEXT/UTF8"���en�DC�u�������(deep foreboding music)�� C�u��Ӡ����(slow tense music)�� eC�u��?Š����(dark mysterious music)�� C�u���������(lips smack softly)�� �C�u���堡���(dark mysterious music)��*�����T(sauce splatters)�� C�u���Ѡ����(footsteps crunch)�� eC�u��ޠ����(dark mysterious music)�� C�u��-������(wind whipping)�� kC�u��K�����(lighter clicks)�� �C�u��`������(dark mysterious music)�� C�u���������(mouth pops)�� q����� (elevator whirring)�� �C�u���������(dark mysterious music)�� C�u��ې�����(deep ominous music)�� C�u��0������(deep haunting music)�� _C�u��������(slow gentle dark music)�� YC�u��V������(dark uneasy music)�� �C�u���R�����(deep foreboding music)�� C�u���x�����(water rushing softly)�� C�u���E�����(waves crashing softly)�� C�u��Շ�����(Hondo rustles)�� >����� h(waves crashing softly)�� C�u��}$�����- Ew.��A����� �(water rushing) (footsteps crunching)��1C�u���$�����(soft mysterious music)�� C�u��:⠠���(paper rustles softly)�� �C�u��Om�����(gentle mysterious music)�� �C�u���������(wildlife buzzes and chirps)���C�u���B�����(static hissing) (muffled voice murmuring)���C�u���f�����- We can control worms, through water.�� _�����[Precious fluids.��5C�u���������This is why they mastered the aqueduct.�� "�¡�� LThis is why they were obsessed with transporting water.��;C�u�� H�����They were really transporting control.����¡���Control fluids, control the bodies that require fluids.��\C�u�� 7������Control the minds that occupy the bodies.��N�����xControl an empire.�� �C�u�� R,�����Rome never fell.�� 蠶��� They just got better at disguising themself.�� 2C�u�� k������Look for the symbols, the indicia.�� �� Control is hidden in those as well.�� uC�u@�� �V�¡��The parasitic spread has transcended somatic necessity.�� �����JIts profundity is such that the spread through images,�� pC�u�� �:�����technology, thoughts, sounds.���������(door squeaks)��-����� (door clatters)�� kC�u�� ������(door thuds)�� qC�u�� �Y�����(laughs) And what do we bring?��}������We must excise the internal forces�� UC�u@�� ������that have been enwrapped our minds�� �����with their filthy tentacles,���������and also shield against the sick external signals��^C�u@��
������that permeate the ether.��Ϡ�����If you are watching this broadcast,����š���you have already taken the first step to protect yourself.�� �C�u�� )6�����Embedded in these words is a sympathic signal warning.���������(cork pops)��,C�u�� =W�����(liquid sloshes)�� Ǡ���� �(liquid dribbles)��j������(glass bottle clinks and scrapes)���C�u�� `Ҡ����(packet crumples)�� ������(paper rips)��C�u�� v �����- Oh! (sniffs and gasps)��`������(egg plops)��������(sauces dribble)�� �C�u�� ������(cork pops)���������(liquids dribble)�� C�u�� �8�����(Hondo slurps)�� C�u�� �h�����(swallows) Eh. Ooh, ooh.�� Y������Oh.��AC�u�� ���(tense mysterious music)�� YC�u�� �T�����(sheets rustle)�� kC�u�� �������(footsteps patter)�� e�����(deep foreboding music)��C�u�� �I�����(stairs creak)�� C�u@�� .�����- [Nancy] Yeah, no. You just-��֠����- [Troy] Drive that way.�������C- We brought him here and we just put...�� �C�u@�� %������- Hondo, how you doing?��o������(Hondo grumbles)��Ƞ���� �- It looks like we woke him up, at least partially.�� JC�u@�� ?������- Yeah. - Yeah, yeah.��Ƞ�����You guys should be quieter during the hours��Ơ���� �when a man's likely to be asleep in is own boat.�� �C�u@�� [��ơ��- Kinda tough when you could be asleep at any given moment.�� �������You just gonna sit there like some lame waterfowl?�� �C�u�� �`�����There's what Hondo's best at, walking away.��fC�u@�� �������- I'd say I'm very sleepy, but...��ܠ���� - Be glad we woke you, Hondo.��W������Picked up a little something to get the night going.�� �C�u�� �x�����- Or keep the night going. Manny's already lit up.�� p����� �- Wow, is it actually already nighttime?��sC�u�� ���Oh shit. A little HKD, huh?�������� - [Nancy] The kids are calling it FMT these days.�� qC�u�� �^�����- [Hondo] Eh, fuck the kids. FTK.�� C������- Watch what you fuckin' say, man. Watch it.��tC�u@�� ܠ����They'll put you on one of those lists,���ġ��put you on those lists, and then what happens after that?��젣���.They fuckin' head bag ya.���C�u@�� �����- Eh, the kids can fuck themselves,��w������and the listener creeps can listen in.��1����� �How 'bout that?��Q�����w- No dude. No, no.���C�u@�� 7p�����I knew this guy once. All right.����š���I knew this guy, and he was saying some weird shit, right?�� b�����:And they were listening in, and they fucking���C�u@�� Pf�����checked off all the boxes and what happens?��젴���Suits came in, head bagged and dragged him�� �����Jto the psych ward.��JC�u@�� e$�����- There's no way that's true,���������or you'd have been head bagged a long time ago, Manny.�� 6�����- No, no. See, they know what I'm saying is the truth.�� C�u�� ~t�����So they don't, they don't care.����¡���- You know the solution to this, if it is getting worse?�� �C�u@�� �ؠ����We all have to carry around notepads and pens�� �š�� 0and we write messages to each other when we're in private.�� }C�u@�� �Ġ����- Yeah. Yeah, right.���������Then they'll just put cameras in all of our houses.�� �������- (sighs) Not if we sell the ruse.�� C�u@� �栵���We'll talk normal about all bullshit aloud,�� 6����� `and then we write out all of our actual conversations.�� �C�u�� �2�����- Say, Troy, did a fourth party come in with you all?�� Ѡ�����- Oh, shit. Yeah, uh, my bad.�� �C�u��������Um, Hondo, this is Allen. Allen, Hondo.�� ������Allen's promised to take us somewhere later���C�u�� �����where they've got something more potent than HKD.���������- More potent than HKD?��C�u@��:�����Man, the word potent always irks me.����š���Like, it sounds like there's potential to have a bad time.�� �������Why can't you just say it'll trip you out���C�u��T�����or something Less clinical?�� `����� �- Do you care to join?�� DC�u@��k�����- If I'm awake, man, maybe.�� ������ �- Like, rumors are, you get real fuckin' zapped.��F�����HLike, like you're floating on another planet.�� QC�u���p�����- Oh, it does sound potent.�� �������- Shut the fuck up, Hondo.��8C�u���h�����So what's it really like, Allen?��@������- Every user's experience is completely unique.�� `C�u���Р����All I can say is that�� 6�á�� `experience is unlike anything this planet has too often.�� #C�u��������- I'll take whatever gets me outta this reality.�� �������- I think I'm gonna invest in notepads.���C�u�������- We could all learn sign language.��֠���� �(urine dribbles)�� �C�u��I������(door creaks)�� �C�u��_ �����b- It's, it's the illusion of choice, right?�� �C�u���������I mean, it's like we're on some kind of loop,�� ����� >just over and over and over again.���C�u@��� �����(can tab pops)���������Like the Roman empire. It, it, it never fell.�� g�����=It evolved. It fucking evolved.�� �C�u@��������We are still living in the Roman Empire, right?��z�ġ���And the Founding Fathers, they fucking took all that shit�� pC�u@�� \�����and they came over here, right?��t������I mean there's Roman shit all over this country.�� ������HThink of Cincinnati.��=C�u��$ �����(gasps) I mean, I implore you, think of Cincinnati.��p������(Manny chuckles)��C�u��:ߠ����(dark mysterious music)�� C�u@��V0�����- How's your water pressure, Troy?�� �����Last time I slept over it was pissy dribble.��젫��� There was no force in the stream.��CC�u@��k������- [Manny] All right, forget it then.��㠨��� I'm trying to educate you all,�������� �but if you don't wanna listen, fine.���������I bet at least one audience member tunes in.���C�u@��������- I bet they're shaking in their jack boots�������Dfrom the secret knowledge you've illicitly obtained.�� �����t- Yeah. Or, searching for an XL headbag.��vC�u���.�ġ��You've got a lot of hot air in that dome up there, Manuel.�� �����(deep foreboding music)�� C�u���J�����(soft mysterious music) (pop rock music in background)���C�u�� ������ �- Come on, Manny, there's no way.����ơ���The wires got crossed, the shit went awry. No, no big deal.��=C�u���*�����- No, they're after us, man. More than usual.�� Q������Maybe because of him.��C�u@���������- So? What do you think, we should bail?�� A����� k- No, no, no. We don't bail.��K������They're after the big fish, maybe.���C�u��3s�����(Hondo thuds)�������A(bottles clatter) - Shit, the glasses.�������� �(bottles clatter)�� C�u@��[�����- Manny, look what you did to him.�� y����� �- I didn't do it. They did it.��������It's easy to set him off anyway.��XC�u@��p�����- Yeah, it's true.��������&- Isn't it weird how when he's awake he's so twitchy,�� ꠱���:and then after he spasms, he's so calm.�� PC�u@���Ƞ����- It's called being asleep, Nancy.��v������- What are you doing?��������- I'm just looking for a joint or some loose change.�� �C�u���������- All right. Nothing above a 20 though.�� )����� S- Above a 20?������� ~(deep tense music)�� �C�u���������(lighter flicks)��$�����N(deep tense music)�� d������(man inhales and exhales heavily)���C�u��ܐ�����(tense techno music)�� C�u��e�����(man sighs)�� ����� +(tense techno music)�� C�u���ܠ����- All right.�������H(tense techno music)�� C�u���ڠ����(gunshot blasts)��p������(tense synth music)�� �C�u��;�����Get him in the back of the neck.�������+(tense synth music)�� �C�u��zi�����(mask clatters)��������'(tense synth music) (liquid bubbles)���C�u���:�����(intense synth music)�� _C�u��?@�����(tense synth music)�� �C�u��pm�����- I love the view.�������� �(Hondo rustles)�� kC�u���𠗡��(Hondo sighs)�� Ġ����"(footsteps thud)�� �C�u���������(Hondo groans)�� C�u��������(door creaks)�� �C�u�� �C�u@��=,�����- Uh, say, I know this thing.�� ������ �Oh well, I've seen one of these before.�� P�����NYeah, this Squid in Planet.�� �C�u@��b������- Yeah, that's where Allen took them last night.�� ������ �- You think they're still there?��������v- You don't think? What we saw on the TV?�� C�u���X�����Maybe Manny was right.��8�����b- Yeah. No, Manny doesn't know shit from Shinola.�� �C�u�����¡��And I think we all had a little too much HKD last night.��������- FMT. And yeah, you're probably right.�� C�u��� �����They probably passed out wherever it is.�� ����� @- Yeah. Say, I'm thinking about getting a super beef.���C�u��� �����You wanna grab one with me?��F�����p- Roast beef, Hondo, for breakfast?��)C�u��������- Well, I'll walk you out.���������Uh, walk out with you anyway.���C�u���������Anyway, think about it, will ya?�� 䠗��� (door clicks)�� �C�u��$��(footsteps click)�� e������(door thuds)��C�u��8������Hey, wait, wait. You hear that?��������>(static rumbles gently)�� C�u��`������- Listener. Those fuckers are getting quieter.�� ����� @- Yeah, they're not quiet enough.�� DC�u��vb�����- [Nancy] Still don't believe Manny?���������- That proves nothing.��IC�u���������Yeah. Where'd Allen say this stuff was anyway?�� ������ �- Allen didn't say a whole hell of a lot.��C�u@���������- Why didn't you go with him?��Ҡ�����Did Manny actually get you freaked out?�� c������- Nah, that stuff was a little too potent for me.��dC�u@���$�����Like it had the potential to ruin my night.�� b����� �Enjoy the beef, Hondo.��������i- Yeah. Yeah, I certainly will.�� C�u��蕠����(high-pitched ringing)�� ������ �(gentle music swells)�� _C�u��ԕ�����(gentle ethereal music)�� C�u�� ������(curious ambient music)�� C�u��������(door creaks)�� Ġ����x(keys clatter)�� C�u��D�����(high-pitched tone rings)�� �C�u��9֠����(door clicks)��ߠ���� Hey, man. What the hell you doin'?�� C�u��O������(footsteps patter)�� eC�u��v`�����(Hondo breathing heavily)�� ������!(static buzzes softly)�� �C�u��� �����(door creaks)�� Ġ����*(door clicks)�� �C�u��ⓠ����(door creaks)�� Ġ����w(door clicks)�� �C�u���ʠ����- Good to see you again, Howard. Have a seat.�� �C�u��:ߠ����(vinyl squishes)�� ������(food crunches)��
C�u@��X0�����- What the hell was that message about last night, man?�� ����� BYou trying to blow up my spot?��������,- Oh, that. Apologies.���C�u��qD�����Still working out the kinks on some new tech.�� ʠ���� �- And, technical difficulties.���C�u@��������Yeah, I've heard that excuse before.���������I have a few burns on my person��ޠ�����due to your technical difficulties.�� �C�u���蠰���- Don't blame the tech for user error.���������- What are you doing back here so soon, man?��dC�u@���f�����You said you wouldn't be bugging me for a while.�� B����� l- You know I can't pass up an opportunity��Р����ffor a job on the North Shore.���C�u@���z�����It's the only place on the planet��x������I can get a roast beef like this one.��:�����x(wrapper rustles)��C�u���3�����- Uh. I assume I'll be reimbursed for that, yes?���C�u@��������- We've got a job for you, Howard.���������A little different than usual.�� ������But before we get into that, I have a few questions�� �C�u��!ޠ����about what happened here last night.�� ̠���� �So, in attendance here were Troy Carpenter,���C�u��;������Nancy Bigelow, and Emmanuel Lynch.�� 砖���,Anyone else?���C�u��V"�����- Um, yeah, you guys, listening in.���C�u��k������- Also present was an Allen.�� ������ �His real name is Paul Altman.�� pC�u@���2�����He disappeared from a town that's about as far west���������as you can get in this state.����š��t- Uh, yeah, Allen. That dude was here, sitting right there.���C�u���������Case closed. Do you know where the door is?�� n����� �- Paul Altman went crazy before he disappeared.���C�u���(�����He believed an alien spaceship was orbiting the Earth�� ؠ���� and sending him images telepathically,�� �C�u��� �����strange cosmic images.�� ʠ���� �Then, he just disappeared.�� �C�u���$�����Nobody knows what happened to him, really.�� `����� �That was almost four years ago.�� EC�u��������What do you make of that, Howard?��UC�u��(������- Not much, man.��������D- Officially, Paul Altman is still missing.��"C�u��>*�����But we know that he has reemerged recently�� ������ �in the Boston area, known as Allen.���C�u@��X������He seems to be a completely different person,�� ̠¡�� �and he's peddling dangerous hallucinogenic experiences.���C�u��rM�����- Yeah, yeah, potent ones at that.�� C�u���N�����- Why didn't you and Nancy go with them���������to the Squid in Saturn?��������- The Squid in Saturn?�� C�u���������- Where Allen was taking them.���������- Uh, uh, uh, I, I was passed out.��hC�u@��������And uh, you know as well as anyone��V������I can react violently when awoken,���������due to no fault of my own.���C�u���ܠ����- And Nancy?��A�����/- Well I cannot speak for her, man.��/������- She is your girl though, right?��uC�u���$�����- Uh, Nancy? No, no, no.���������Her and Troy. I mean, she sleeps on the floor.�� ~C�u�� ������- That's not what she told us.������� �- She told you, who?�� qC�u�� 1��ơ��- Okay Howard, here's how things are going to go this time.�� ٠����xWe're beta testing a new model oriad,�� C�u�� KX�����or listener as you'd call them.�� ̠���� �This is more of a talker though.�� DC�u�� _������It beams a signal directly into a citizen's brain.��0�����ZNot long from now, we'll be able to influence���C�u�� v𠰡��all sorts of behavior in our citizens.�� T����� ~But for now, we're still in testing.��sC�u�� �p�¡��We are going to beam a signal directly into your brain.����- Whoa. This brain?�� RC�u�� ������- And, you'll use this to decode it.�� 9����� c(deep eerie music)�� eC�u�� �ޠ����- Oh. Decode, yes.��ܠ�����It seems complicated.���C�u�� �\�����- It's not. You'll be fine.�������� But in order for your brain to be open to the signal,�� RC�u�� �ܠ����to be able to receive it, you'll have to ingest that.�� ������(deep ominous music)�� C�u@��!#4�����- Any side effects?��;������- None that are fun, unfortunately.��젽����Nothing to be overly concerned about either though.�� `C�u��!?r�����Nausea, indigestion, somnambulism.�� ����� >- Eh, some what? Some ambulances?��ZC�u��!_4�á��- Sleepwalking, though that may be difficult to diagnose�� ؠ���� with your unique case of narcolepsy.��C�u��!wР����Oh, also in some extreme cases, stroke.�� A������But in all likelihood you'll experience nothing.�� `C�u��!�~�����- These uh, beta bugs,�� ʠ���� �how would they work without this shit?���C�u��!�j�����- They wouldn't.��࠲��� But we have ways of getting what we need�������� �into citizens' bodies.���C�u��!ϖ�����- How does this signal testing relate to Allen, uh,����VPaul, and the octopus from Venus?�� QC�u��!�T�����- It relates tangentially.��9C�u��"i�����- Did you headbag Troy and Manny?��r����� �- I've already told you far more than you need to know.�� RC�u��"ޠ����Just take the pill, Howard. You don't have a choice.�� #�����(deep mysterious music)�� C�u��"G ������|(Hondo gags and coughs)�� C�u��"�Ԡ����(Hondo gasps)�� �C�u��#f�����(feet shuffle)�� C�u��#2|�����(Hondo breaths heavily)���������(Hondo clatters)�� �C�u��#H�����(door clatters)�� kC�u��#_������- Next.��A������- How you doing?��)����� �Can I get a super beef, three way.��|C�u��#{������- Anything else?��Р�����- Yeah, let me get another super beef, three way,���C�u��#�������just to be safe.�������� �(fingers tap) (soft ominous music)��LC�u��#�������(bag rustles)�������A- [Female Voice] Hey, Hondo. (voice echos)���C�u��#˓�����Come by me.���C�u��#뀠����(footsteps click)�� �����T(doorknob rattles)�� eC�u��$0,�����(air swooshes loudly)�� _C�u��$h-�����(doorknob rattles)�� eC�u��$�蠗���(door creaks)�� Ġ���� [(Hondo gasps)�� �C�u��$�ߠ����(Hondo thuds)�� �C�u��$�������(static buzzes softly)�������:- How do you read these airport novels?�� `C�u��$�������- That's not about airports.�� k����� �- Hmm.�������� s- Say, how did I get up here? Did you carry me?�� IC�u��%y�����- You had a sleepwalking episode.��M�¡��wFigured I'd follow you in here, make sure you were okay.�� �C�u��%-������- Sleepwalking, some ambulance.���C�u��%Dx�����- Have you heard from Troy yet?���������- No. You haven't?�� �������(soft eerie music)�� eC�u��%e �����- We need to find the Squid in Saturn.��l������- No. I need to go downstairs and eat my beefs.���C�u��%���š��- Aren't you concerned that we haven't heard from him yet?�� `����� �- Concerned? (scoffs) I suppose.�� RC�u��%�������We don't even know what or where this place is.�� ʠ���� �What are we supposed to do?���C�u��%�0�����(soft eerie music)�� eC�u��%�f�����- Hondo, I need to tell you something.�� )����� S(soft eerie music)�� eC�u��%�Ǡ����(Nancy thuds)�����(Hondo thuds)�� �C�u��&������(soft mysterious music)�� C�u@��&-c�����- [Officer] I know I'm not gonna get the truth now,��������'but I have to ask.�� ���� Did she ingest any illicit drugs recently?��4C�u��&[`�����- Uh, recently? Difficult to say.��0�����ZI was out getting a beef earlier.���C�u��&u������- Wasn't that for her?��L����� "- Oh, no, I got an extra one in case something happened��>C�u��&�H�����to the other one.���������- Who's the man the neighbor saw���C�u��&�4�����coming in and out of the house earlier?�� D����� n- Man? Uh, would kind of man?���C�u@�&�`�����- Neighbor said he was wearing a suit.��l�ơ�� �- Oh yeah, yeah, yeah. No, I don't know anything about that.�� yC�u��&�ޠ����Uh, see I was out earlier too.�� �C�u��&�Ԡ����- Where were you then?��L����� $- That was my um, my first trip to get a beef.���C�u��'������- First trip. I see.��u����� _- Say man, the EMTs know what happened to Nancy?��?C�u@��'0Ơ����- Can't tell for sure, but the toxicology report��ޠ����should shed some light on the subject,�������� 0but as of right now, it does look like a stroke.�� `C�u��'M���10-19 return to base. We'll keep in touch, Hondo.���C�u��'i���(footsteps thud)�������>(door clicks)�� 0������(door slams)��C�u��'�Π����(object clatters)�� C����� m(can top pops)���C�u��'�[�����(Hondo slurps)�� C�u��'�������(Hondo breathes heavily)�� YC�u��'�L�����- Beef.��A����� Z(deep tense music)�� eC�u��'簠����(wrapper rustles)�� z����� �(deep intense music)�� C�u��(6�����(Hondo clatters)���������(deep intense pulsating music)��MC�u��(P@�����(Hondo gasps)�� Ġ�����(Hondo clatters)��xC�u��(kҠ����(deep intense pulsating music)��MC�u��(�_�����(stick thuds)��"�����L(Hondo gasps and groans)�� YC�u��(�Ǡ����(deep intense pulsating music)��MC�u��(�p�����(stick thuds) (Hondo groans)��ޠ����(Hondo gasping)�� kC�u��)N�����(stick thuds) (Hondo gasps)�� ؠ���� (Hondo groans)�� C�u��)6������(deep intense pulsating music)��MC�u��)j頡���(rapid pulsating music)�� C�u��*ߠ����Kla rata.��A�����y(pulsating music slows)�� C�u��*G������Yourself go fuck.��g�����s- (laughs) So, the signal worked.���C�u��*g�����Though it appears to have gotten a bit jumbled.��(�����RI chalk that up to another user error though.�� C�u@��*z��š��- You tossed around my brain to tell me to go fuck myself?����ơ���- You'll be fine. Like I said, it was a test, and it worked.���C�u@��*�x�����- Yeah, your, your test worked on me,�� �����6but what about your other Guinea pig?�� ������- I have no idea what you're talking about.�� SC�u��*������(door clicks)�� |����� �(gun clicks)�� qC�u@��*њ�����And who might you be?�������- Agent DeLillo, communications operative.���������I came to check a rogue oriad signal�� C�u@��*ꮠ����sending unauthorized communications from this zone.�� ������ �- That so?��"�ơ��-Well I was in the middle of making a calm terrorist arrest.�� ]C�u@��+ b�����The source of your rogue oriad��v������was a clandestine dummy signal��*����� �sent by my friend over here, Howard.���C�u��+'&�����- Sir, put down your weapon.�� ������ �- You put down your weapon, ma'am.�� C�u��+;N�����We're on the same side here.��f������- Then it'd be all the same if you lowered yours.�� �C�u��+PԠ����(wrapper rustles)���ġ��A- Howard, stop sliding that beef and outflank her for me.�� bC�u��+f_�����(bottles and cans clattering)���C�u��+�`�����(screwdriver creaking)�� �C�u��+ж�����- Oh, shit.�������� OShit.��A������Oh, shit.��C�u��+肠����Melville, we lost another one.�� ʠ���� �Melville?��𠥡��- [Melville] Just a second.���C�u��+�������- Oh, shit. (gasping)�� �������Are you okay, Hondo?���C�u��,̠����- Eh, no.��W����� t(door creaks)�� �C�u@��,7Ԡ����(door thuds)�������A- [Melville] Oh, you're awake.��頩��� TA little worse for wear, I see.��������|- Uh, yeah, let me guess, more technical difficulties.���C�u@��,Vn�����I'd say you two sure made up while I was out of it.��Ҡ�����- DeLillo and I are working off the grid��2�����Xand cross departments on this one.��dC�u��,pT�ġ��Our mission couldn't survive the red tape of bureaucracy.�� ������ �We needed to be fast and lethal.�� C�u@��,�N�����You understand a bit of subterfuge��:�����dwas necessary above ground.�������� NDown here, we can speak freely and out of earshot�� C�u��,�Π����of the oriads.��w����� �- I'm very confused.���������(book thuds)��C�u@��,�������- There's a thick sheet of aluminum in the ceiling.�� L����� v- Yeah, I'm confused about everything you just said.�� zC�u��,�ڠ����- (chuckles) Untie him.�� ������DeLillo here designed the uh, new model oriad�� �C�u��,�������you've been interacting with.�������� �- Could you describe your experience since you started�� BC�u��,������receiving the signal?��ޠ����- Experience?��࠽��� Yeah, it's got me dripping my brain out of my nose.�� bC�u@��-������I'll tell you what, I feel better than Nancy though.�� r����� �Her brain is completely popped.��������She's kaput. And you two, kaputed her.�� `C�u��-1�š��- Nancy isn't dead. I don't know what you're talking about.�� `����� �- Ah! Bullshit.�� &C�u@��-G������- There's so much more to this��:�����dthan you could possibly comprehend, Hondo.�� B������It's not worth racking your brain�� TC�u@��-cB�����to try to piece it all together.��@����� �- Why don't you just give it to me straight then?���������What have you got me tangled up in this time, Melville?�� 4C�u@��-b�����- It wasn't me this time.��Р�����It was your buddies.��f����� �They really fucked things up��������fstumbling into this mess, Howard.���C�u@��-�������But you're going to help clean it up for them.�� 6����� `There's really not much context I can provide you with��젽���vat this moment, but if you wanna fix the situation,�� RC�u��-�������you're going to have to do exactly what we tell you.�� (�����j- We need you to get in here.�� �C�u��-�𠚡��(paper crumples)�� ������ �- I don't know where it is.���C�u��-㲠����- That's not our problem. I'm sure you can find it.�� Ƞ���� �- (sighs) And what do I do when I get inside?�� �C�u@��-�`�����- You go through the ritual, like the rest of them.��ܠ���� That's it.�� ����� AC�u@��.;������- This sounds dangerous. Do I get a gun this time?�� ڠ���� - You don't get a gun.���������- 'Cause I've, I've got a gun.���C�u��.U^�����- A citizen with your mental history�� ������ "would not be approved for a firearm.��FC�u��.h𠦡��- Oh, well, it doesn't work.���������- Okay, Howard, take this,�� RC�u��.}�����in case we need to send further messages.������� 0- More of 'em? These things fuck me up, man.�� �C�u@��.������I don't suppose you two are holding my beefs, are you?��ɠ�����These are a lot on an empty stomach.�� �������Or let me guess, you two ate them���C�u��.�������as this sort of tax, as it were.�� ������ �- Your beefs are safe back in your living room.���C�u@��.�'�����- Oh, well that's somewhat good news.�� Ƞ���� �For once you couldn't be troubled to-��G�����c- [DeLillo] Down the hatch, Hondo.��}C�u@��.�1�����(hand pops)�������A- You'll be fine.��������Just may cause further hallucinations,�� ������like what you saw happen to Nancy, which didn't happen.��jC�u��.�|�����- (scoffs) Didn't happen.�� à���� �I know what happened and what doesn't happens.���C�u��/������(deep tense pulsating music)���C�u��/������(deep mysterious music)�� C�u��0�������(footsteps clomp)�� C�u��0�M�����(liquid gurgles)�� �C�u��0�������(knocking at door)�� ���� �(door creaks)�� 8C�u��1堘���(feet shuffle)�� C�u��1Uڠ����Hello?��A����� �(footsteps click)�� C�u��1t _C�u��1�Π����- Hondo, what the fuck are you talking about?��������#And what happened to you? Is that barbecue sauce?���C�u��1� �����- I, uh...���������- Jesus Christ. You're a mess.�� C�u��2.�����- Yeah, yeah. Hey, Troy and Manny?��$�����N- They're not here.���C�u@��2x�����Rebecca just left and she said Manny hasn't been here��(�����Rsince Thursday.��Y�����P- Since Thursday. Without, wait, back up.���C�u��2=������What happened to you at my place with the death,��d������the apparent death?�� �C�u��2W�����- Hondo, what the fuck are you talking about?�� E������- (stammers) I don't know. I'm a mess.��\C�u��2|j�����- Yeah, I said that.���C�u��2������- I don't know what's real or, or who to trust.�������E- Okay, calm down. What's going on?�� C�u��2�|�����- I have this signal in my head. It's fucking me up.��䠨���- You're not making any sense.���C�u��2������- I'm not making sense?��/C�u��2�������- No.��ˠ�����- Huh.��A�����-(Hondo breathes shakily)�� YC�u��3 ¡��I just want it to be over so I can get back to my beefs.��������8- We need to find Troy first.���C�u��35"�����- (sighs) You're right. And you were right before.��v������We need to find the Squid in Saturn.��dC�u��3OP�����- They're still there, aren't they?��������&- Yes.��K������Probably. Possibly.��FC�u@��3gV�����I'm actually not sure.��f������- Okay, well how do we find it?�� ����- Yeah, I don't know. I don't know.�� $C�u@��3�H�����Maybe we need to find this Allen dude.�� ����� @Where did you guys meet him?�� �����v- Well, he was with Troy and Manny���C�u@��3�|�����when I met up with 'em at Fox Trots.��젩���- Yeah. Did you meet him there?�� �����H- I think. I mean, they were bar hopping a bit before.�� �C�u��3�������- (sighs) Fuck.������� SEh, what's that smell?�� C�u��3�R�����- Oh, shit, I was making eggs. You hungry?�� a������- Yeah. Eh, seriously, eggs is eggs.�� C�u��3�d�����But I, I'm holding out for my beef.�� C�u��4|�����(slow mysterious music)�� C�u��4M⠜���(lighter flicking)��Ơ�����(water gurgling)�� �C�u��4j�����(cap clicks)�� kC�u��4�:�����(slow mysterious music)�� C�u��4�ڠ����(balloon hisses)�� �������(slow mysterious music)���C�u��4�I�����(cap clatters)�� }����� �(water gurgles) (Hondo inhales)���C�u��4�b�����(slow mysterious ambient music)���C�u��5r�����Nancy?��g������(slow mysterious ambient music)���C�u@��5������- [Radio Announcer] And now, what we all��!�����Khave been waiting for,������� �the reading of today's Citizens' Lottery.�� �C�u��5�ܠ����The numbers are 9-6, 9-3, 0-3-(door thuds)���C�u@��5�Ƞ����- Shut up, shut up, shut up, shut up,���������shut up, shut up, shut up. - 9-6, 9-3.�� ������t- What did I say? - 0-3, 6-7.��QC�u@��5�d�����(antennae snaps)�������� - Citizens' Lottery, my number wasn't called.�� �����P- Nah, you know that's bullshit, right?��FC�u@��5�$�����The only way for you to win is if you're connected���������to someone in the government.������� �It's a way for them to move around and hide money.�� �C�u@��5�Рơ��- That's a bad attitude you got there. Can I get you a beer?�� �¡�� - (sighs) No thanks, KG, I'm actually working right now,�� SC�u@��6`�����so yeah, one, one beer will be fine.�� ����� B- I got soup of the day too.��������Well, yesterday's soup of the day.���C�u@��6&:�����- Soup, KG? What are you trying to do, drown me?�� r����� �- Well, you know I'd look after you as you ate it.���������- No, thanks. Just a beer.���C�u��6=Ƞ����- All right.��A������(punk rock music in background)���C�u��6p������Here, try this on, draft of oblivion.�� +����� U(punk rock music in background)���C�u@��6�Р����What kind of work you been up to, Hondo?�� ����� B- Oh, you know, just some freelance stuff.�� �����xSay, you ever seen anything like this before?���C�u��6���(finger tapping)�� ������_- Nah, I can't say I have.��C�u@��6�"�����- Have Troy or Manny been in here recently?�� X����� �- Yeah, they weren't here Thursday night with Nancy.��t����� Met up with this strange fella, tall.�� pC�u@��6�ܠ����Hair looked like it was changing color�������Fdepending on the lighting.��𠿡�� `- Huh. This strange fella, has he been in here since?���C�u@��6� group, like he's one of them,�� RC�u@��7 T�����you know, what do you call 'em?��x������One of those-��Р���� �- Socialites?��������J- Nah, nothing political.��8C�u@��7#�����Like he's peddling his tush or something.��ܠ���� - His tush?�� á�� �- Anyway, first time I saw him in here a few months back,�� bC�u@��7;~�ġ��he was by himself, but uh, he left with Willie and Lawyer�� ������ �and that crew.��������And then more recently I saw him in here���C�u��7Oj�����with one of them beach house boys.����š���- Ah, beach house boys. Heard some things about them boys.���C�u@��7h�����- I don't know nothing about that.��*�����TI know you can go down there��x����� �if you're looking to have a good time��J�����jon any given afternoon,���C�u��7|j�����depending on what your idea of a good time is.�� ������ �- Afternoon?�������- Oh well, come nightfall��ZC�u��7� �����they're more sleepy than you, Hondo.������� - How does one get invited to said gathering?�� CC�u@��7�������- No invite necessary. Anybody's free to show up.�� ��� - I don't exactly look inconspicuous?���������- Nah, they're fried out on more HKD than you.�� 6C�u��7�Ơ����Doubt they'd even notice you were there.�������DSpeaking of.���C�u@��7�Ƞ����Any interest?��H�����r- Oh, yeah, definitely. I'll take one pod.�� #������Uh, you can put it on Troy's tab.��LC�u��7�������You, you know he's good for it.�����- One beer, one HKD pod, you got it.��eC�u@��8�����(glass thuds)�������/- FMT.��*����� �- Oh, well pardon you, Hondo.��𠫡���Just trying to be helpful is all.��HC�u��8/ �����You have a good day, sir.��⠗����(glass thuds)���C�u��8J������(pod clicks)�� q�����5(Hondo inhales)�� �C�u��8d砩���(punk rock music in background)���C�u��8�*�����(water rushes)�� �����g(gentle ambient music)�� �C�u��9�H�����(soft ethereal music)�� _C�u��:�堯���- (gasps) What are you doing in here?���C�u��:�������- Uh, snooping?��⠮����- The bathroom's the next door down.���C�u��:�A�����- Oh.��x������(soft ethereal music)�� _C�u��:�������(people chattering)�� �C�u��;U������- Oh hey, Pierce man.�� 'C�u��;k砘���How you doing?��⠞����Eh, Earth to Pierce.���C�u��;������- She is hungry.��G������Hungry for our thoughts.���C�u��;�X�����- Um, all right.���ơ��L- You have the kind of mind that she craves. It craves her.���C�u��;�%�����- What kind of coke cocktails you been sipping on, man?�� ������ #Get it together.���C�u��;�젢���- She's shown me things.�� �C�u�� n�����And she's seen you. The Squid in Saturn.���C�u�� n�����tI think that Troy and Manny are stuck there.���C�u�� �C�u�� ڠ���� - Very recently. He has seen.�� �C�u�� k������(paper crumbles)�� �C�u��=_6�����- [Pierce] Wait at the fence by the water.��蠨��� �- Wait, the, the fence by the-�� �C�u��={=�����- She's wounded, has been for a long part��;�����eof her strange odyssey.��WC�u��=�:�����We must help her regain her strength.���������(people chattering)�� �C�u��=�{�����(footsteps click)�� C�u��=�1�����(deep ominous music)�� C�u��>�Z�����(footsteps thud)�� �C�u��>�!�����- Manny. Hey man, what are you doing in the hallway?���C�u��>�𠧡��- I, I lost, I, it's my keys.���C�u��?젶���- Yeah. Did you leave 'em at that uh, party?�� �������- Party?��:C�u��?)L�����- Pierce said that you were at the, nevermind.�� ٠����Where the fuck have you been? Where's Troy?�� �C�u��?H𠥡��- I just got here, I think.�� ������- Yeah uh, uh, is Troy still at the Squid in Saturn?�� C�u��?s������- The what?���������- The Squid in...�������- We have to save her.��頶��� ������ �Come on.��AC�u��@ ̠����- You don't know what I've seen.��@����� ^I could only describe it to you, but I can't.���C�u��@D䠦���Cities of gold, melted down.��[C�u��@\�����Thousands of beautiful creatures, gone.��C�u��@s������The memory's preserved in her, in me, in us.���C�u��@�������Will you go?��������- Fuck no. Listen to yourself, Manny.�� �C�u��@�V�����You gotta get some rest, dude.��G������- I'm locked out.��RC�u��@������(door creaks)��V������(slow gentle mysterious music)��MC�u��A������(door creaks)�������H(door bangs)��^����� �(slow mysterious music)�� C�u��A?������(papers rustle)�� }����� �(slow mysterious music)�� C�u��A���(bag rustles)�� ֠���� (bottles clatter)�� C�u��A�𠚡��(glass shatters)�� �C�u��A�o�����(can clatters)�� C�u��A�.�����(bag rustles)��7�����a(voice speaks distorted)�� Š����P- Where do you think you are going, Howard?��fC�u@��B������- I, I was just going someplace to eat my beefs�� ������ �in a bit of peace.��X�����-This place has become compromised, clearly.��1C�u��B@2�����- You have not completed your mission, Hondo.�� ����� 2You must still visit the Squid in Saturn.�� �C�u��BZT�����- I, I don't think I'm up for it.�� p����� �The stuff that Melville had me do before,��>C�u��BnV�����introducing new drugs, flipping on such and such,��8�����bthat was one thing.��hC�u��B�J�����Or like, a series of similar things�� b����� �under one thing umbrella.�� RC�u@��B�R�����But this one thing, it's a little much for me.�� R����� |I mean, Jesus fuckin' Christ, G-man,��������AI think I just killed a guy.�� /C�u��B�정���- What guy?��i����� �- This guy. What the fuck?���C�u��B�V�����- I don't think you killed anyone, Howard.��������J- But he, he, he.��)C�u��B�������Eh, it doesn't matter. I'm out.�� Y����� �Find someone else to be your lackey.��FC�u@��C�ǡ��- What about your friends, Hondo? Don't you wanna save them?�� $����� N- Yeah, my friends.��������I saw two of them that went to the Squid in Saturn.�� RC�u@��C������If that's what I have to look forward to,��H�����rthen definitely count me out.�������� \- You can end it.��*C�u��C20�����If you go to the ceremony and participate,�� ꠸��� the stupor your friends are in will be lifted.�� �C�u��CK������- Fine. Give me a gun and let's get it fuckin' done.�� ������ �I got some fuckin' beef to eat.�� C�u@��C_۠����(gun clatters)��E�����o- You don't need a gun.����ġ�� YWe've already armed you with the only weapon you'll need.�� C�u@��Cvi�����- Uh, yeah, and what's that, crippling paranoia?�� ?����� i- The test signal.��젮���The message was only sent to confirm��HC�u@��C�Z�����that we successfully embedded the weaponized signal�� 6����� `in your head.���������As long as you go along with the ceremony,�� rC�u@��C�~�ơ��you'll take down the Squid in Saturn just by participating.��䠷���The signal in your head will do all the work,���C�u��C�������and your friends will return to normal.�� ������.- What exactly goes down at this ceremony?��C�u��C�젯���I'm not typically one for ceremonies.���C�u@��C�ؠǡ��- What happens there can affect the entire world negatively.��x�ǡ���We'll all be zombified within a year if you don't stop them.���C�u��D������- The lives of all citizens lie in your hands, Howard.�� #C�u@��D/n�����- Uh, no one should feel good about that.��(�����RTrusting me to do this is a serious lapse of judgment�� ������*from the federal government, which is par for course.���C�u��DT���Fuck it, you know what? Why the fuck not?�� ������ �Let me just stroll into the mind warp factory,�� �C�u@��Dip�����shut it all down with my brainwaves,���������save my friends and the population,�� b�����:then come back here and eat my fuckin' beefs.�� C�u��D�������Like a real American hero. What do you make of that?�� \�����z(screen swooshes quietly)��(C�u��D�v�����(sighs) Fuck.���������Well, I'm actually eating my beefs on the way there.���C�u��D�^�����(door clatters)�� kC�u��D�ߠ����(object thuds)�� ����� J(birds chirp)�� �C�u��E �����(door clicks shut)��������(cans clatter)�� bC�u��EǠ����(Hondo breathing heavily)�������;Deja vu.��AC�u��EC�����Uh, if you had just followed me around for a while,���C�u��E\|�����I would've fallen asleep.��������=(net thuds)�� C�u��E������- They may be listening. Keep responses vague.��?C�u��E�ؠ����What are you up to, Hondo?��ߠ���� �- Eh, not too much at the moment, man.�� C�u��E�4�����- I've been watching you.�� ����� "- Yeah well, then you should know what I've been up to.�� C�u@��F V�����- I know you're working in league with federal agents�� ������ �to assassinate the creature.�� T�����V- What? (stammers)�� C�u��F/0�����Creature?��A������- You don't know?��Ѡ�����- I know the bare minimum.�� C�u@��FJB�����- I need your help to get inside the Squid in Saturn.�� ʠ���� �- Squid in Saturn, creature, that makes sense.���C�u@��Fe���What the hell do you have to do with that place, man?��ڠ���� - (chuckles) I need your help to free the creature.���C�u��F� �����It's being milked of its life force��F�����pand pedaled as a psychedelic experience.�� �C�u@��F�^�����- I thought you said to keep this conversation vague.�� ������ "- There's no time for that.��v������The creature will be depleted soon.���C�u��F�������- But, you're the one who told me,�� r����� �look, man, even if I wanted to help you,�� QC�u@��F������I don't have a choice.��ᠳ��� I'm beholden to some heavy factions here.�� p������- Mm-hmm. I'm sorry, Hondo.�� C�u��F����I'm not giving you a choice either.���C�u@��F�N�á��All that matters to me is that we stop the assassination�� ������ �and exploitation of an innocent living being.��^C�u��G������Your role is easy.��H�����rAll you have to do is lead me to the Squid in Saturn.�� nC�u@��G"��š��They've moved somewhere underground in the past few months�� 6����� `that I've been unable to trace.��堿���o- (scoffs) It seems pretty easy to get an invitation.�� �C�u��GA�����You couldn't have been trying that hard, man.�� ����� B- Easy for people like you.�� C�u��GU������For more decent members of society,�� ������ �an invitation is harder to come by.�� �C�u��Gj0�����It's no matter, I have you to lead me there.�� �C�u��G� �����- I will not stand for this, man��f������The people I work for, work with, for,���C�u@��G�o�����they will not stand for this.���������- Hmm. They won't know of your involvement.�� �������Simply go about your business and get inside.��C�u��G� �����This will be tracking you all the way.�� B����� lSo once you're inside, press down on the button�� �C�u@��G�^�ġ��and I'll know that you've arrived at the Squid in Saturn.�� .����� X(buzzer clatters)��Ƞ����J- What? What the fuck?�� �C�u��G�B�����This looks complicated.�������� B- It's not, just press the button all the way down.�� �C�u��H~�����(button clicks)��ʠ�����Your next stop is to the Squid in Saturn, directly.��lC�u��H(�����Go nowhere else. You got it?��G����� �- That's where I was going anyway, man.�� DC�u��H?�����- Hmm, then I'll meet you there. Any questions?��kC�u��HX株���- Yeah. Where's my bag of beefs?�� 蠙��� (laughs loudly)�� kC�u��H�������- Beef is murder.�������� ?(bag thuds)��������(foot stomps)��C�u��H�u�����(bag crumples)�� ������(deep ominous music)�� C�u��I������(feet shuffle)�� C�u��I������(deep ominous music)�� C�u��I�r�����(fence clicks)�� G����� q(deep ominous music)�� C�u��Iˍ�����- Let's fuckin' get to it, man, before I fall asleep.�� ������ �(soft tense music)�� eC�u��I�?�����(door whirs)�� qC�u��J������(gate clangs)���������- You must take this,��l�����Rso that your mind may be open to experience.��SC�u��J?�����- Naturally.��蠡����(slow mysterious music)�� C�u��J\�����(gate clicks and whirs)�� C�u��Jp�����(slow mysterious music)�� C�u��J�Ǡ����(gate whirs and bangs)�� �C�u��J�P�����(gentle mysterious music)�� �C�u��J�������(soft ominous music)�� B����� l- You may feel a little out of it�� �C�u��J� �����when the pod starts to take effect,�� ������ �which should be presently.�� C�u��K=�����(soft ominous music)�� C�u��K)ؠ����(footsteps shuffle)�� �C�u@��KY������Take off your clothes, Hondo,��V������you'll be getting into the larger tub.�� ���(soft ominous music)�� C�u��K�������(button clicks)�� k�����All the way down, at least to your skivvies.�� 3C�u��K�=�����(clothes rustle)�� �C�u��K�=�����(screwdriver clicking)��/�����Y(water lapping)�� kC�u��L 6�����(soft haunting music)�� _C�u��L3������(water splashes) (Hondo groans quietly)���C�u@��LOܠ����It's too late to back out now, Hondo.�� ������ �If you don't go through with it,��X�����,the pod you've consumed will kill you.���C�u��Lkנ����(tense suspenseful music) (mask clicking)���C�u��L�������(gentle haunting music)�� C�u��L�������(mask whirring)�� kC�u��M�����- Eh, I wonder who that could be?�� �C�u��M,9�����(slow haunting music)�� _C�u��MJ������(metal scrapes)�� Y����� �(deep tense music)�� >C�u��M`������(footsteps patter) (deep mysterious music)���C�u��M�������- Looking comfortable, Hondo.�� ������ %(gunshot pops)��k������(water splashes) (tense ambient music)���C�u��M� �����(deep ominous music)�� C�u��N6�����(door creaks)�� ����� =(door clicks)�� �C�u��N G�����(door thuds)�� q����� - Who? What's going on here?�� @C�u��N6������(soft tense music)�� eC�u��NRB�����- (laughs) Just strategizing the war of drugs.�����- It's the war on drugs. Like, against them.���C�u��N�������- Oh, no, no. You can't beat drugs.�� E�����Z- Eh, Troy, what the fuck? What, when did you?��zC�u@��N�������And Manny, I thought you guys would still be out�� ������ �zapped around the Squid in Saturn.��;�����KBut, you're acting normal.���C�u��N�Ġ����- Can't say the same about you.�������H- What, what's that?��xC�u��N鮠����- Oh that? That's just some beef.�� `����� �- Some beef. How much exactly is some?�� -C�u��O������- Just like, you know, like one junior beef.��@�����jWe're, we're trying to watch our figures.��C�u��O(j�����- Junior?��A����� �- (laughs) I'm just fuckin' with you.�� MC�u��O>̠����It's three super beefs. Like, three way, eh?�� ������ �Yeah, like one for each of us. (clicks tongue)���C�u��Oc�����- Well, fuck me three ways.���������Let's get this beef in gear, motherfuckers.�� �C�u��O������(vinyl stretches)�� C�u��O�Ƞ����(metal tapping)�� kC�u��O�̠����What the fuck's up with this guy, Manny?�� EC�u��O������Fuck you guys.���������He's had me running all over town,�������� �worried about you, not eating beefs,�� `C�u@��O�,�á��and now you're back here and you're just fuckin' with me.�� ������vI'm just gonna eat these beefs by myself then.���C�u��P̠����(bag rustles)�� �C�u��P`������(tense techno music)�� C�u��P�g�����(Manny yells and groans)�� YC�u��P�������(Troy yells in pain)�� C�u��P�Ӡ����(tense techno music)�� C�u��Qj�����(Troy cries out)�� �C�u��Q3������(Troy grunting)���������(blood spurting)��[����� G(Troy yells in pain)�� _C�u��QHʠ����(blood spurting)�� ������ "(tense techno music)�� �C�u��Q_�����(Troy yells in pain)�� ������(tense techno music)�� C�u��Q�Š����(music intensifies)�� �C�u��R ꠗ���(mask creaks)�� �C�u��R?̠����(water splashes)�� �C�u��RT,�����- All she wanted was to live here, hidden,�� 3������so she could share her memories and eat our own.�� �C�u��RvZ�����- Uh, what?����¡���- Her race subsists on memories and excretes their own,��,C�u��R�2�����exchanging them psionically with a partner.�� ������H- Yeah, and wipes people's minds out in the process.�� �C�u��R�0�ġ��- It was only a temporary, mutualistic, symbiotic stupor.���C�u��RҀ�����One that would last no more than a week.�� ������ �She was no parasite. She was the last of her kind.���C�u��R�T�����And now, like your friends, she's dead.�� �C�u@��S.�����- No.�� �����- Whatever was in your head killed her,�� �������and anyone else who was involved in the symbiosis,��OC�u��S)������including your friends Troy and Manny.�� ������*- No, it was the militant animal rights guy's gun.��ZC�u��SN^�����- No, it wasn't the bullet.�� ������JIt was your brain that killed the beef.�� 5C�u��Sx������- I, I tried to stop it.��ˠ���� �- You came here though, didn't you?���C�u��S�ʠ����- I didn't know. It was all so confusing.��mC�u��S�������- She was so close to being able to feed on her own,�� 5����� zwithout machines,���C�u��S�̠����to share freely with our world, make everyone see,��Ġ�����make our world beautiful.�� C�u��S�Z�����Leave us.��A������(soft tense ambient music)�� �C�u��TR��(gentle ambient music)�� �C�u��T~y�����(door clicks)�� 6����� `(gentle ambient music)�� �C�u��T������(door squeaks)�� �����.(door clicks)�� �C�u��T�נ����- There's our hero.��/����� �You did it, Howard. You saved the world.�� 'C�u@��T�f�á��- I'm having trouble keeping things straight in my head.�� 𠼡��tI can't tell what happened and what didn't happen.�� C�u��U������I'm a little more confused than normal.�� ��� - Their intention was to take over every human mind�� $C�u��UV�����on planet Earth.�����Don't believe their justifications. You saved us all.���C�u��U0 �����- What about Troy?���ǡ��D- There were always going to be some casualties in this war.�� QC�u@��UI�����- Where is he?��������- We picked him up wandering the beach.�� b�����5We were with him when you completed your mission.�� 5C�u@��Uh�����He experienced no pain.��f������- No one will ever know the sacrifice you made,�� ڠ�����or how close you were to failing.�� C�u��U�Π����But all that matters is a victory for the human race,�� P����� zand we owe that to you.���C�u��U�a�����- All I ever wanted is to eat my beefs.��������_(can top pops)��PC�u��U�:�����(beer dribbles)�� k����� (can thuds)��eC�u��U�Ӡ����(can top pops)��i������(beer dribbles)�� kC�u��U�������(can bangs)�� #����� M(somber ambient music)�� �C�u��V(蠣���(heavy melancholic music)�� �C�u��Vjꠘ���(cans clatter)�� P����� z(bag rips)���C�u��V�Y�����(heavy melancholic music)�� �C�u��XK������(heavy melancholic music)�� �C�u��X�蠝���(slow somber music)�� �C�u��Y�;�����(wistful acoustic guitar music)���C�u��Z�������(wistful acoustic guitar music)���S�k g��������������� ����ӷ�������� e����?ŷ����,���� �����������Y���� ������巎��������*�����9��������(�� �����ѷ��������� e������������� ����-������!���� k����K�����F���� �����`������l���� ���������������� q���������������� ����������������� ����ې��������� ����0������1���� _����������\���� Y����V����������� ������R���������� �����x���������� �����E����� ���� ����Շ�����9���� >��������9�� �� ����}$����������A�����ɷ���������1�����$���������� ����:ⷎ�������� �����Om�����&���� ������������U����������B����������������f���������� _��������������7��5��������������� "���� 㷎�����8��;���� H��������������� ' ��������7��\���� 7������ ����N���� G ����� ��:�� ����� R,�����}���� 軕�� ^>�����}��!�� 2���� k����������� � w���������3�� u���� �V�����B���� ���� �������B��I�� p���� �:��������������� ����������.��-���� �D��������H�� k���� ������
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