Original subtitles

Well, here they are, the fastest array of

super modified stock cars ever assembled.

They're gathered here to participate in this grueling

100 mile main event.

Local favorite Rod Tillman remains the driver to

beat.

His brand new super 119 broke the track

record during the time trials by better than

four seconds.

Cars are now ready for the start of

this 100 mile main event.

Well, the starter is ready and off they

go now on that warm up lap getting

into place.

He the way who gives a care, no

one has tamed us, that's why they named

us the wild, wild red.

Tough break Rod.

Man it's not the work for it.

There goes two years of saving.

Two years of hard work for nothing, nothing.

Come on Rod, you can build another super.

What, chewing gum and spit?

No thanks, I've had it.

I don't want to call it quits.

Hey Rod, it's all in the game.

All right, come

on over here quick.

Everybody, I got a deal for you.

Come on, come on over here, let's go.

Come on Freddy, you might get something you

want.

How are you attention?

Come on, quiet, this is an official auction.

I got a new trailer over there with

eight brand new tires and rims.

What am I bid for it?

Well, come on, don't be bashful.

What am I bid?

They're brand new.

Come on down from there Rod, you don't

want to sell out.

Yes, I do man, I've had it.

All right now, what do you give me

for it?

It's a thousand dollar rig, brand new.

A hundred dollars.

You sure you can afford it man?

Oh, it's all right, forget it.

All right, a hundred dollars.

200 bucks.

Oh, that's more like it.

250.

All right, 250.

Do I hear three?

400.

You don't have to go that high Walt.

It's worth more, 400.

425.

Bless your stingy little heart, 450.

All right, 475.

Do I hear five?

450.

Do I hear five?

475.

All right, 450 once.

That's it.

450 once.

450 twice.

All right, sold to my good friend Walt

Simpson for 450 United States dollars.

You bought it fair and square for 450

dollars and that's all I'm going to take.

450.

Count it.

I trust you man.

You got it.

What are your plans?

I haven't got any yet, I just shove

off man.

You're too good a driver to quit now.

Maybe.

Well buddy, take care of yourself.

I'll see you around, man.

Good luck, Roger.

Thanks.

Thanks for the ride, man.

Hey there,

how you doing?

All right.

Just coming to town?

Just passing through.

Some beautiful guitar you got.

Can you play blues?

A little bit.

What do you have?

Let me have a beer.

Okay.

What kind?

Cold.

Okay?

Jeter.

Jeter, take the cat at the bar.

The one with the git fiddle.

Hi, Hanson.

What's he got, leprosy or something?

No, no.

He looks familiar.

Real familiar.

Hey, fats, would you believe?

Angel's in love.

Let's try dancing first.

Can I do it?

I love it.

Do I love her?

Yes, I do.

But before she'll love me too.

There are rules I have to learn.

Bridges I must burn.

Can I do it?

My heart says try.

There are lips I've even kissed.

Impatience to resist.

Of the girls that I have met.

Of the girls I must forget.

Can I do it?

I'm warm and shy.

I'll go to any extreme.

To be the one in her dreams.

Whatever I have to do.

I know I'll do.

I know I'll do.

For the one soon I can see.

She'll be everything to me.

She has arms I must be in.

Love I have to win.

Can I do it?

I know I can.

Hey, you.

You with the guitar.

Yeah, you, man.

You play that thing or is it just

a decoration?

I play a little.

Well, don't be bashful.

Come on up and show us.

What are you looking for?

A little encouragement?

All right.

Let's give it to him, huh?

How you doin'?

You singin' out?

A little bit.

What'd you like to do?

You don't know You Don't Love Me?

Yeah, we can hank that out.

You'll know it.

Okay.

And, uh, see you.

See you.

Loving you the way I do You don't

love me yet in my world There is

no one else but you You don't love

me You don't love me You don't need

me and it tells me Cause I need

you all the time You don't love me

and I suffer What a pity and a

crime You don't love me You don't love

me Ain't no use in bringing pretty presents

like I do They don't even bring the

kiss that I expect them to Every time

I try to get a little love from

you You're cold as ice and it's cold

Baby, there's no way you don't love me

And it hurts me cause I love you

till I die It's no wonder every evening

I could break right down and cry You

don't love me You don't love me Ain't

no use in bringing pretty presents like I

do They don't even bring the kiss that

I expect them to Every time I try

to get a little love from you You're

cold as ice and it's cold Baby, there's

no way you don't love me And it

hurts me cause I love you till I

die It's no wonder every evening I could

break right down and cry You don't love

me You don't love me

Ain't no use in bringing pretty presents like

I do Every time I try to get

a little love from you You're cold as

ice and it's cold You

don't love me You don't love me And

it hurts me cause I love you till

I die You don't love me You don't

love me Ain't no use in bringing pretty

presents like I do They don't even bring

pretty presents like I do They don't even

bring pretty presents like I do Great art.

Crawl back into the woodwork where the rest

of you are.

I don't want to have to mess up

that pretty little face.

Mr. Tillman, I presume.

That's the name.

Oh, uh, we are avid fans of yours.

You know, we never miss a race.

Thanks.

It was fun while it lasted.

Oh?

Do I detect a note of resentment in

that statement?

Yeah, I guess you do.

You were hot, baby.

What happened?

Chicken beginning to cackle?

No, man.

The bread ran out.

Mr. Tillman, Mr. Tillman.

Banjo meant no offense.

Didn't sound that way to me.

Mr. Tillman.

The name is Rod.

Oh, of course, of course, Rod.

I'm Jeter.

Your friend over here is Banjo.

And my gregarious follower over here is Fats.

And this is...

Or I should say, that is Linda.

Cool it.

Cool it, man.

Cool it.

Now, where was I?

Oh, yes.

What are you doing around here?

Why is it concerned?

I'm just passing through.

Where are you staying?

Nowhere is enough.

Well, then, may I give you an invitation

to share our humble chateau?

It's not very much, but it's what we

call home.

I don't think so.

My invitation was by no means extended without

reason.

You see, I have a business proposition to

offer you, which could mean a lot of

bread, and an unlimited expense account could be

yours.

Well, that sounds pretty wild.

Go ahead.

I'm listening.

This is not the place nor the time.

Please accept my invitation to share our humble

pad.

Then I will go over the details there.

Okay.

Fine, Rod.

Fine.

Linda, baby, come here.

Baby, I want you to meet Rod Tillman.

Rod, say hello to Linda.

Hi.

Hi.

Listen, baby, take my bike and ride right

out to our chateau.

He's going to be spending a little time

with us.

Sure, Jeter.

Well, aren't you going with us?

We have a little unfinished business to attend

to.

We'll be out shortly.

Come up on, baby.

Sweet little girl.

Wango!

I think we ought to

teach those college creeps a lesson.

Agreed?

Agreed, baby.

Hey, creep.

You talking to me?

You and your friends are the only creeps

in this joint.

Hey, what's going on?

You enjoy your dance with our little mama?

Oh, so that's it.

Look, I just dance with her.

There's no harm done.

Hey, you know, Dave, our little mama's like

a virgin goddess.

And no creeps, no creeps are allowed to

touch her.

Hey, these cats are really way out, aren't

they?

Look, fellas, why don't you just forget it

and blow?

Like I said, there's no harm done.

Oh, baby, there's no harm done.

None physically.

Until now.

Are you gentlemen ready for the road?

Yeah, baby, yeah, anything you say.

Excellent.

Shall we depart?

Yeah.

Benjamin, lead the way.

Look at him.

Oh, it's a shame.

Oh, my God, look at him.

It's a shame.

Somebody go get him.

I want my mama.

Good night.

Man, did you see how I copped him?

All this red blood on my chain, I

gotta get it off.

You wiped him up, baby, you wiped him

up.

I heard him bad.

Did you see that kid, did you hit

in the face with a bottle?

Oh, baby, I saw him.

Bright lights bug me.

This makes everything much more cozy.

Hey, wait a minute.

If those three bosom buddies of yours do

here any minute, I want this place lit

up like Broadway.

Fantastic.

Three on one is not much fun.

A poet, yes.

Ah.

Nothing like a little vino to soothe the

palate after a dusty world view.

Hey, baby.

You remember that little college banana you were

dancing with?

Well, he's missing part of his body.

He's missing his face.

He's missing his face.

Now, Ben, such talk might upset our guests.

We want nothing but pleasantries.

Look, Gina, let's cut out all these formalities

and lay the chips on the table.

What's happening?

I like this guy, I really like him.

He's too square, baby, real square.

Look, you just keep trying to put that

square peg in a round hole and everything

will be fine.

Gentlemen, peace, peace.

If we're to be one big happy family,

we must live in tranquility.

Okay, Gina, what do you want from me?

Sit down, Rod.

Relax.

You too, Banjo.

As you might have surmised, my happy little

group here is from California.

We're strangers to this southern countryside.

We need a guide, a chauffeur, if you

will, to drive us around this countryside ever

so swiftly.

It smells.

I told you it's bad news, it's bad

news.

Let Jeter finish his epilogue.

You're right, Rod.

We're bad.

Bad, bad people.

We steal.

We do all sorts of evil things.

We have kicks, man, real kicks.

And most of the time, they're very lucrative.

Thanks, but, uh, no thanks.

See, let the man finish.

We need you, man.

We need you real bad.

Oh, we're good on bikes, but, uh, cars

are a different tale.

Look, man, the newspapers told a story how

you got wiped out.

Now if you drive stocks for someone else,

you get peanuts.

And if you scrimp and save, bang, one

flame out, and that's it.

But with us, a couple of drives, and

it's Moneysville for a lifetime.

Okay, what do you got in mind?

An armored car, a bank.

Just like the roaring 20s.

None of that fancy James Bond stuff.

No secret agent jazz.

Just plain old-fashioned guts.

You know, like Dillinger, Pretty Boy Floyd, Babyface

Nelson.

Now what if I refuse?

Banjo.

Five kicks, baby.

More kicks than I've ever dreamed of.

One question, what's with that boy?

He used to be, uh, the big kahuna

of the surfing pad.

And then, uh, one day he got wiped

out.

The board caught him in back of the

head.

He ain't never talked since.

We love him just the same.

Don't we, fads?

So, man, you gonna join us?

Sorry, friends.

But I like these clothes, and I'm not

about to exchange them for a suit of

stripes.

Easy, Banjo.

Easy, baby.

Look, Rod, if the answer was no, why

all the picking of the brains?

Let's just say I wanted to find out

if your offer was legit or not.

You gonna let him get away with this?

For now, yes.

I'm a very patient man.

Well, if, uh, if that's all, I guess

I'll be going.

Banjo, baby, where's your manners?

The man wants to go.

Let him.

Please, baby.

Let me open him up one time.

He can go.

Why'd you let this guy get away?

You let him in on all our plans.

You know what he's gonna do?

Our intentions, not our plans.

Why'd you let him go?

He'll be back.

Just give him a month.

No, two weeks.

When he gets hungry, he'll be back.

Just hold it right there.

Put that guitar down.

Put it down real slow.

Now raise your hands.

What's going on here?

He's clean, lieutenant.

What's your name, kid?

Tillman.

Rod Tillman.

What are you doing up in that cabin?

I met some characters at a dance, and

they asked me to come up, so I

went.

Why'd you leave?

We didn't see eye to eye on a

few things.

What'd they want?

Do you mind if I put my hands

down?

No, that's all right.

Put them down.

Come on over to the car.

How about some coffee?

Yeah, that sounds good.

So, continue.

What'd they want you for?

Well, I'm a stock...

I should say an ex-stock car driver.

It seems that they needed a wheel man.

They're smart.

Real smart.

They know we can spot those motorcycles before

a robbery, so now they're gonna switch to

a car.

If you know they're stealing, why don't you

arrest them?

We have no witnesses, no evidence.

Can't hold them.

How come?

Well, as I say, they're smart.

They get rid of their guns after each

job.

They must hide the money somewhere.

They certainly don't live big.

It's almost as though they're robbing just for

the thrill of it.

Kicks.

Only for kicks.

What'd you say?

You've hit it, Lieutenant.

They're only in it for kicks.

Do you think you could gain their confidence?

Let's say that we didn't leave the best

of friends.

Did they seem disappointed when you wouldn't drive

for them?

Yeah, I think they needed me real bad.

Look, Rod, I got a plan.

Now, if it works out, would you be

willing to work for us, work for the

police?

Maybe.

Tell me more.

What the

hell is going on here?

Oh, what is it?

Pretty boy Rod's gonna drive again.

How interesting.

If I were you, I'd get your tenny

chickens out.

You just lost ten.

Are we going to the races?

We're going to the races.

I wouldn't miss that for anything.

19th spin in the eastern has triggered a

series of spins.

The cars attempt to weave their way through

the pack.

All one car lost a wheel in what

appears to be a survival of the fittest.

Buck Sheverton over the east wall.

Looks like Buck is pinned in his car.

It appears it will take a torch to

free Buck Sheverton.

Everything okay?

Everything's ready, lieutenant.

Good.

Rod's been briefed.

Make it look good, Dutch.

Will do, lieutenant.

Good luck.

Thanks.

After a brief retirement, Rod Tillman returns here

to the speedway in a new number 57.

It'll be interesting to see if he can

regain that old form.

Many racing fans will remember how Rod nearly

escaped death with that Super 119 that crashed

and burned just a few months ago.

The cars are now ready for the start

of this 100-mile main event.

Well, the starter is ready, and off they

go now on that warm-up lap getting

into place.

And off they go.

All speed records should be shattered today.

Off to

the side.

57 seems to be out.

No, he's all right.

Yes, he's back on the track.

Rod Tillman appears to be all right.

Backstretch.

Let's hope that he's all right.

Yes, he's out of the car.

He appears to be okay.

A tough break for a real-season performer.

Tough luck, baby.

Yeah, tough luck.

What are you guys doing here, anyway?

We thought maybe you'd like to, uh, reconsider.

You win, Jeter.

Look, I've had racing up to here.

I'm sick and tired of every grease monkey

who can climb behind a wheel running me

over.

Is your, uh, offer still open?

I think something can be worked out.

Like, uh, that split, man.

Okay, I'm with you.

Looks like they fell for it.

For Rod's sake, I hope so.

Remember, baby, don't signal us until he's very

by.

Don't sweat it.

I know what to do.

Good morning.

May I help you?

Why, yes, you may.

We've been bothered by prowlers lately.

And with my husband out of town, I

feel I should have a gun in the

house.

You're very wise.

With all the unsavory people in the world

today, you need protection.

What kind of a gun did you have

in mind?

Oh, I'm going to leave that 100%

up to you.

Well, let me see.

Here's one.

This is a very popular model, Miss Laney.

Oh, if you recommend it, I'm sure it

will suit my purpose.

Can you show me how it works?

Surely.

First, you insert the clip like this.

Then you pull back the slide like this.

See, this puts a bullet up in the

chamber.

Then all you have to do is pull

the trigger.

Here, you try it.

And remember, this is the safety.

Oh, well, let's see now.

You put on the safety, then pull the

trigger.

No, first you put on the clip.

Oh, first the clip.

Oh, you're putting it in backwards.

Let me help you.

Oh, I see.

There you go.

You're picking out very nicely.

I'll take it.

That'll be $79.95, plus tax.

I'll need some bullets.

Here we are.

I'll throw these in as a gift from

the house.

Oh, how nice of you.

Would you mind loading the gun for me?

I...

How stupid of me.

What's keeping that girl alive?

What's keeping her alive?

Relax.

She's a born actress.

She's performing.

There we are.

Always remember to keep the safety on.

Let me get you a nice box to

wrap that in.

First rule of gun safety.

You never point a gun at anyone.

Not even if you're going to rob them.

I beg your pardon?

Just do what I tell you, and you'll

live to tell your wife this shocking experience.

Now, just a minute.

My mother told me to stay in my

business.

Look at it.

This place is going to make us righteous,

man.

Look at it.

Take this home to your mother.

It's your mama's baby.

Man, we're going to go crazy with these.

Boy, we're going to go home to Mother

tonight.

Oh, look at it.

Take it.

Take it.

Hey, what do you got there, Joe?

Come on, let's go.

Okay, come on, let's get out of here.

Come on, we can't play here all day,

baby.

Get out of here.

Come on, let's go.

Come on, let's go.

Come on, baby, let's go.

Banjo, Fats, get some ammunition.

Just relax, baby.

It'll only be a minute.

How are we going to kill anybody without

them, huh?

Dynamite, dynamite.

Bullets, bullets, bullets.

Bullets, bullets.

Two, four, six.

We got the machine gun bullets from my

Tommy.

Hey, from my Tommy Hawk.

Yeah, yeah, yeah, yeah.

Hey, look, look.

Sleeping Beauty's waking up.

Do me a favor.

Go hold his head for me so I

can kick me a field goal.

I've been dying to do it.

Oh.

Turn him over, turn him over.

Turn him over.

Isn't he pretty?

Look at the pretty paint.

Look, look, he got lipstick on now.

Huh, pretty, that blood is pretty lipstick.

Dot the nose, we dot the nose.

Two.

How was that, Fats?

For a two-pointer, how was that?

For a two-pointer, how was that?

Hey, three, beautiful.

Let's get out of here, let's get out

of here.

Come on, come on.

Way to go, baby.

Helm banjo, baby.

Let's move it.

I think it's best if you both cooled

it.

He's making me nervous with that kid Phil.

Sit down.

Sit down.

Can the music?

I got a few things I want to

go over with everyone.

Thank you.

Look, Hats.

You know how we got our arsenal?

It's going to be kicks, Phil, from here

on out.

Linda, baby.

Go give me those layouts you drew up.

When you guys have been taking in all

that sack time any afternoon...

I've had our little actress here outperforming.

She cased some pads that are filled with

more bread than you ever dreamed existed.

You're out of sight, baby.

Real, real righteous.

Now, if my little flock will gather round...

I'll show you the scene for tomorrow.

You flip your wig.

Don't give us a scene with that square

around here.

He's out of sight, baby.

He's okay.

Why take a chance?

You could brief him on the way tomorrow.

He's only the driver.

Rod, why don't you...

take a walk or something?

Go out and serenade the moon, okay?

What's the matter?

Don't you trust me?

Let's just say...

security precautions.

Okay, it's your race.

But if I'm going to be the driver...

you're going to have to tell me what's

happening.

That square bugs me.

He really bugs me.

Don't let him bug you, baby.

Because we need him...

for a while.

Fats, go outside and keep your eye on

him.

Go, Fats.

On second thought...

Linda, you go out and watch him.

It won't be so obvious, baby.

Just let me comb my hair...

and I'll be on him like a bloodhound.

There's the signal now.

Run up and get the message, will you,

Bob?

Yes, sir.

Hold it.

Hold it, Bob.

Looks like Rod's got company.

You're quite the troubadour, aren't you?

Just the roving minstrel at your service, milady.

Well, play on.

What would you like to hear?

Whatever strikes your fancy.

Well, let me see.

I know...

what you like.

And I like...

because I like...

what I know...

about you.

I know...

you see, so...

Oh, I like...

what I know...

about you.

But I...

still know nothing...

about your secret charms.

Because I've never kissed you...

or him.

One night I will...

while we're sharing...

every...

then I'll know...

of...

you.

You're out of sight, baby.

Real righteous.

Thank you.

I'm flattered.

Tell me something, Linda.

Sure.

What do you want to know?

What's your game?

Why do you hang around with guys like

Jeter and Banjo for?

They're the greatest.

With them, everything's cool.

Never a dull moment.

Well, what do you expect to get out

of this robbery game...

except maybe 20 years?

What are you looking for?

The high living?

The sports car?

You're not a very good judge of character,

are you?

You're square, baby.

So square you look like a box.

You think junk like diamonds and sports cars

are my scene?

Well, then why?

The kicks, baby.

The kicks.

Just like riding a bike 100 miles an

hour.

You're flirting with death.

You feel alive.

You feel like...

like it's great to be young, to be

free.

No ring on your finger, no home, no

snotty-nosed brats.

Just you, alive.

A bike and a robbery aren't the same

thing.

Look, you get your kicks from that guitar,

from singing.

You used to get them from having 400

horses in front of you...

and death staring you in the face.

What changed you?

It's still not the same thing.

Oh, yes, it is.

It's the same.

When you look death in the face...

whether it's from behind the wheel or looking

at a policeman's gun...

it's all the same.

I don't dig you.

Do you dig this?

Are you looking for trouble?

Kicks, baby.

Just for kicks.

Banjo!

Man, you're messing with Private Star.

No!

Banjo!

I'm gonna bust your face!

You gotta stop him!

He's gonna kill him!

Get him!

Dirty

mother...

Look out!

Come a little closer, baby.

I'm gonna open your belly.

There.

I ought to cut your throat.

Hey!

Cut!

That pain in my blood.

Kill him, baby.

Kill him.

Kill him, Rob.

He's a loser, baby.

It's not worth killing.

I assume we're getting up...

early tomorrow.

I think I'll call it a night.

What was that all about?

He was making out with Linda.

Well, baby...

did you enjoy it?

So you want me to vomit every time

another man comes around?

Not vomit.

Just don't mix business with pleasure.

I thought you were supposed to be tough.

Next time, act it.

Okay, children.

We got a busy day tomorrow.

Let's get some sleep.

3-12 to 5-0-7.

3-12 to 5-0-7.

3-12 to 5-0-7.

Do you read?

5-0-7 to 3-12.

I read you.

Go ahead, Kay.

Suspects just drove off from House and Grey

Wagon.

Do us all thanks, Ben.

We'll take it from here.

Okay, Charlie.

Let's go.

Now, Rob, baby, here's the scene.

As you can see, we're surrounded by...

orange groves to the right...

grapefruit groves to the left.

Now, what does that spell?

You're the riddler.

What?

Money, baby.

Lots of bread.

So what are we gonna do?

Stop a pickin' orange?

You're really righteous, baby.

Really righteous.

I really dig him.

So I crack the funny.

What's the plan?

Well, Citrusville is this little pick town...

about 20 miles down the road.

It has this little old bank that's just

loaded with bread.

All the bread that the growers have deposited

from their big cellar.

And it's just waiting for the five of

us to slice it up.

Sounds easy.

How do we work it?

Well, Linda, baby, being the best little actress

I know...

will make everything easy for us.

You wait in the car.

Be ready to move.

We'll just go in and help ourselves to

all of that wonderful wheat.

There's somethin' comin' up behind us, really.

Better play it cool, Rod, and slow down

and see if they pass us.

Looks like they're slowing up, Lieutenant.

Yeah, they must have us spotted.

Go ahead and pass them.

Yes, sir.

507 to all units.

507 to all units.

Plan R, that is Plan Robert, is now

in effect.

Proceed with Plan R for Robert.

Okay, all units.

Smell ain't fuzzy.

For the first time in your life, Banjo,

I think you're right.

Cheater, if it is the men, what do

we do?

We'll just play it cool, baby.

We'll just play it cool.

We'll follow them for a while and see

what happens.

What do we do now, Lieutenant?

The other cars will radio in their position.

Go ahead and turn off into that side

road.

Okay, now what?

My guess is that the fuzz is staked

out all along the main highway between here

and Citrusville.

They report our position as we pass them.

Look, aren't you jumpin' to conclusions?

Because two men passed us in a car,

that doesn't mean we're being followed.

You'd like for us to walk into a

trap, wouldn't you?

For all we know, you may be working

with the fuzz.

Cool it, Banjo, cool it.

LaGuarde's been with us every minute of the

time.

How could he contact the cops by carrier

pigeon?

Forget it.

What now, Daddy?

Well, the main roads are out.

We can't go cross country.

And if we use the secondary roads, we

can only get to about maybe two miles

of Citrusville.

Then we'd be spotted.

Hey, why don't you forget the bank?

Forget everything, man.

Just go home.

You forgot the name of the game, Rod.

It's kicks.

The more kicks, the better.

You didn't learn a thing last night, did

you?

I tell you, the first time we met

this square, he was chicken.

Through and through.

No physical violence, please.

Let's just be one big happy family.

Okay.

Fuzz, baby, I love you.

You're absolutely brilliant.

Simply brilliant.

What's he saying?

The railroad tracks.

Of course, the railroad tracks.

We just simply follow the railroad tracks into

Citrusville.

Come on, baby, move it!

Okay, baby, move once around the block.

That'll give you time to look things over.

Thank you.

Okay, see you tomorrow.

486.

Thank you.

Good morning.

Good morning.

May I help you?

Yes, I'd like $500 in traveler's checks, please.

How would you like them, 10s, 20s, or

50s?

50s would be fine.

Fill in your name and address.

Be sure to sign every check and bring

them back to me.

Okay, thank you.

Thank you.

This is for you, honey.

Thank you.

Thank you very much.

You're welcome.

Okay, baby, everything's set.

Let's move it.

The guard's out of the way.

Get out of there, fast!

Move it, fast!

You, Bobby, over here!

Hey, back there, move in!

All of you, move in, fast!

Fast!

You, Libby, go get the money!

There you go!

That's the door!

Turn!

Turn!

Okay.

Come on, that's it.

Let's go to the next one.

Hey, what's

with the lights?

Looks like he's trying to signal us.

Well, son, what's the light for?

Look, I've got no time to explain it.

There's three men and a girl robbing that

bank.

Gina, it's the Gestapo.

They're talking to Rob.

Let's split!

Linda, Fats, grab that boot.

Let's go.

This better not be a joke.

Believe me, I'm not kidding.

You stay put, kid.

Linda, Fats, hurry it up.

Panto just did a couple of the fuzz.

Hold it, creep, or I'll blow your brains

out.

Come on, move!

Linda, hurry up!

Fats, move it!

Panto, what's he seen?

Creep double-crosses.

He's signaling the men.

Panto, get a car.

Panto, get a car!

Now, that wasn't a very nice thing to

do.

If Panto's telling the truth, why don't we

just dump him now?

Of course, this creep is gonna get us

away from little men.

He's gonna drive the rest of his life.

Put your foot to the floorboard, man.

Move it!

I said move it!

I'll scatter your face all over that wood,

Jill!

Come on, man, earn your money.

Faster, faster!

Help me to my car, radio.

Mayday, mayday.

This is Sergeant Samson.

Four men and a girl just robbed the

Citrusville bank.

507 to all units.

507 to all units.

Whatever your location, proceed to roadblock stations around

Citrusville.

I repeat, proceed to roadblock stations around Citrusville.

You're doing great, baby.

Hey, that looks like the car.

Get ready.

Here they come.

You've got another man, Banjo.

Yeah, man.

I love it.

Another one for me.

Let's go.

Attention all units.

This is 312.

Gang headed east on Old Citrus Road.

Just kill my partner.

I'm in pursuit.

Here comes the fuzz!

Another roadblock.

Drive through it, man.

Drive through it.

Down to Yellow Brick Road, man.

Go around.

Go, baby.

Slow them down, Banjo.

Two barrels for Banjo coming up.

He's heading in on us, 500.

Whee!

Man, we were rollin'.

Off the road, Rod.

First country, man.

Earn your money.

Drive, baby.

Drive.

Hey, what's wrong with the car?

They must've hit the gas tank.

See the lighthouse?

Stop there.

Come on, baby.

Let's move it.

Move it.

Stay put.

You're our ace in the hole.

It's just like shooting ducks in an alley.

Damn!

The lousy men got him.

They got Banjo.

Max, grab the rifle.

Go upstairs as fast as you can.

See if you can pick any of them

off from upstairs.

Hurry up, Max.

Move!

Max, he's coming your way.

Kill him!

Hand me the shotgun.

Hand me the shotgun!

Linda, you hold off the neck.

Bang!

Bang!

Well, if it isn't Rod.

See you later, creep.

Thanks, baby.

Kicks, baby.

Kicks.

It was the wildest.

Charlie, go on up.

Check it out.

Check Fats.

Take her away from there.

About your secret charms Because I've never

kissed you Or held you in one

night, I will While we shake every grip

Then I'll love what I know About you