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CAPTIONING MADE POSSIBLE BY
WARNER BROS.
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OO! OO! OO! BR-R-R-R-RR!
6
00:00:36,536 --> 00:00:37,537
OO! OO! OO! BR-R-R-R-RR!
7
00:00:38,038 --> 00:00:39,539
OO! OO!
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00:00:41,541 --> 00:00:42,542
OO! WA!
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00:00:43,043 --> 00:00:44,044
OO! WA!
10
00:00:44,544 --> 00:00:45,545
OO! WA!
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WOOoo! WOOoo!
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WOOoo! HOO hoo!
WOOoo!
13
00:00:51,551 --> 00:00:53,553
OO oo! OO HOO!
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BR-R-R-R-RR! EEoo!
15
00:00:55,555 --> 00:00:56,556
CAW! CAW!
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00:00:57,057 --> 00:00:59,059
CAW! CAW! CAW! CAW!
17
00:00:59,059 --> 00:01:01,061
CAW! CAW! CAW!
19
00:01:21,581 --> 00:01:24,084
THIS IS WHERE
THE TOWN BEGINS.
20
00:01:24,584 --> 00:01:27,087
THIS PART OF THE COUNTRY'S BEEN
THROUGH A LOT OF CHANGES.
21
00:01:27,087 --> 00:01:28,588
NOT ALL SMALL ONES, EITHER.
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00:01:29,089 --> 00:01:32,592
I THINK THEY'RE IN THE PROCESS
OF GOING THROUGH ANOTHER ONE.
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00:01:32,592 --> 00:01:35,095
YOU KNOW, THERE'S BOUND TO BE
AT LEAST ONE PERSON
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00:01:35,095 --> 00:01:37,597
WHO REMEMBERS WHEN EVERYTHING
WAS JUST OPEN LAND,
25
00:01:37,597 --> 00:01:39,599
LIKE IT IS RIGHT HERE,
26
00:01:39,599 --> 00:01:42,602
AND SOME PEOPLE CAN JUST LOOK
AT THE LAND--JUST LOOK AT IT--
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00:01:42,602 --> 00:01:44,554
AND TELL YOU
WHAT HAPPENED THERE.
28
00:01:44,854 --> 00:01:47,357
THIS WHOLE AREA WAS ONCE
UNDER WATER--
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00:01:47,357 --> 00:01:48,858
ALMOST STILL LOOKS LIKE IT.
30
00:01:49,359 --> 00:01:51,361
AFTER THAT,
THERE WAS A PERIOD
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00:01:51,361 --> 00:01:53,863
WHEN DINOSAURS ROAMED
ALL OVER THE PLACE.
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00:01:53,863 --> 00:01:56,366
I USED TO BE FASCINATED BY
DINOSAURS WHEN I WAS A KID.
33
00:01:56,866 --> 00:01:58,868
A LOT OF KIDS WERE.
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00:01:58,868 --> 00:02:02,872
RECENTLY, THE BONES OF A WOMAN
WHO LIVED 20,000 YEARS AGO
35
00:02:02,872 --> 00:02:04,374
WERE FOUND HERE.
36
00:02:04,874 --> 00:02:07,377
THEY NICKNAMED HER
MIDLAND MINNIE.
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00:02:07,877 --> 00:02:09,379
THE FIRST INHABITANTS HERE
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00:02:09,879 --> 00:02:11,881
REFERRED TO THEMSELVES
SIMPLY AS THE PEOPLE.
39
00:02:11,881 --> 00:02:15,385
OTHER GROUPS
THEY CAME IN CONTACT WITH
40
00:02:15,385 --> 00:02:17,387
WERE REFERRED
TO AS FRIENDS.
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00:02:17,387 --> 00:02:20,390
TEXAS COMES FROM
THE CADDOAN WORD FOR FRIEND.
42
00:02:20,390 --> 00:02:22,392
HOWEVER, THE CADDO
WERE AMONG THE FIRST
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00:02:22,392 --> 00:02:24,894
TO BE WIPED OUT BY
EARLY WHITE SETTLERS.
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00:02:25,395 --> 00:02:26,896
A GROUP OF SPANISH SETTLERS
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OFFERED THE INDIANS
A CHANCE TO BECOME SLAVES.
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00:02:28,898 --> 00:02:32,402
THE INDIANS THOUGHT ABOUT IT,
DECIDED IT WAS NOT A GOOD IDEA,
47
00:02:32,402 --> 00:02:33,903
AND KILLED THE SPANIARDS.
48
00:02:34,404 --> 00:02:37,407
THE SPANIARDS FOUGHT MEXICANS.
MEXICANS FOUGHT AMERICANS.
49
00:02:37,407 --> 00:02:41,411
AMERICANS FOUGHT THE WICHITAS.
THE WICHITAS FOUGHT TANKOWAS.
50
00:02:41,411 --> 00:02:45,415
TANKOWAS FOUGHT THE COMANCHES.
THE COMANCHES FOUGHT EVERYONE.
51
00:02:45,415 --> 00:02:48,918
MEANWHILE, MOST PEOPLE WHO
NOW LIVED HERE SPOKE SPANISH.
52
00:02:48,918 --> 00:02:50,920
COVERT MILITARY OPERATIONS
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00:02:50,920 --> 00:02:52,422
TO SEIZE TEXAS
FOR THE U.S. OF A.
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00:02:52,922 --> 00:02:54,424
WERE BEGUN IN 1835.
55
00:02:54,924 --> 00:02:57,927
EVENTUALLY,
THEY DID GET TEXAS.
56
00:02:57,927 --> 00:03:00,930
LAND GRABBERS,
RAILROAD COMPANIES MOVED IN.
57
00:03:00,930 --> 00:03:04,434
THE ECONOMY BOOMED.
SOME PEOPLE GOT RICH--
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00:03:04,934 --> 00:03:08,855
FIRST ON COTTON,
THEN CATTLE, THEN OIL,
59
00:03:08,855 --> 00:03:10,273
AND NOW, MICROELECTRONICS.
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00:03:10,773 --> 00:03:15,778
THE SILICON-BASED TRANSISTOR
WAS FIRST PROPOSED HERE IN 1949.
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00:03:15,778 --> 00:03:16,779
IN 1958,
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00:03:16,779 --> 00:03:19,782
MR. JACK KILBY INVENTED
THE INTEGRATED CIRCUIT.
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00:03:19,782 --> 00:03:22,285
HE WAS WORKING
AT TEXAS INSTRUMENTS THEN.
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00:03:22,285 --> 00:03:24,287
HE DOESN'T WORK THERE ANYMORE.
65
00:03:24,287 --> 00:03:28,791
THIS IS THE 150th ANNIVERSARY
OF THE STATE OF TEXAS.
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00:03:28,791 --> 00:03:33,796
PRINCE CHARLIE, DUKE OF WINDSOR,
PRINCE OF WALES EVEN CAME HERE
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00:03:33,796 --> 00:03:36,799
FOR THE SESQUICENTENNIAL
OPENING CEREMONIES.
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00:03:37,300 --> 00:03:39,802
THIS OUT HERE--
THIS IS VIRGIL, TEXAS.
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00:03:40,303 --> 00:03:42,805
THEIR CELEBRATION'S
GONNA HAPPEN THIS FRIDAY.
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00:03:43,306 --> 00:03:44,807
THEY'RE GONNA HAVE
A PARADE
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00:03:45,308 --> 00:03:47,810
THAT RUNS DOWN THE MAIN STREET
IN THE MORNING.
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00:03:48,311 --> 00:03:50,813
AND THEN OUTSIDE OF TOWN
THAT NIGHT,
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00:03:51,314 --> 00:03:53,816
THEY'RE GONNA HAVE
A TALENT SHOW.
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00:03:57,820 --> 00:04:00,823
YOU KNOW,
IN A COUPLE OF YEARS,
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00:04:00,823 --> 00:04:03,826
THIS'LL PROBABLY ALL
BE BUILT UP.
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00:04:05,828 --> 00:04:08,331
RADIO RECEPTION'S
GREAT HERE!
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00:04:18,841 --> 00:04:21,844
ALTHOUGH THE CENTER OF TOWN
IS PRETTY OLD,
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00:04:21,844 --> 00:04:24,847
AROUND THE OUTSIDE, THERE'S BEEN
A LOT OF PEOPLE MOVING IN,
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00:04:25,348 --> 00:04:27,350
A LOT OF CONSTRUCTION.
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PLUMMET
RIGHT.
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00:04:34,857 --> 00:04:35,858
STEADY!
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00:04:36,359 --> 00:04:37,860
5.32.
85
00:04:38,861 --> 00:04:39,862
MOVE ON.
86
00:04:39,862 --> 00:04:42,365
THIS IS WHERE THE STAGE
FOR THE PERFORMANCES
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00:04:42,365 --> 00:04:43,866
IS GONNA BE BUILT.
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00:04:43,866 --> 00:04:46,369
IT'LL ONLY TAKE
A COUPLE OF DAYS
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00:04:46,869 --> 00:04:48,871
BECAUSE IT'S ALL PREFAB.
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00:04:48,871 --> 00:04:52,375
THEY'LL GET IT DONE
JUST IN TIME, I HOPE.
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00:04:52,375 --> 00:04:55,378
DO YOU THINK THERE'LL
BE ENOUGH PARKING, HUH?
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00:04:59,882 --> 00:05:01,384
4.50.
93
00:05:01,384 --> 00:05:02,885
GOOD. MOVE ON.
94
00:05:11,894 --> 00:05:13,396
BE THERE SOON.
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00:05:26,042 --> 00:05:30,046
MANY OF VIRGIL'S FESTIVITIES
ARE SPONSORED BY VARICORP.
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00:05:30,046 --> 00:05:34,050
IT'S A MAJOR
PUBLIC RELATIONS EFFORT.
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00:05:34,050 --> 00:05:36,052
THEY'RE CALLING IT
A CELEBRATION OF SPECIALNESS.
99
00:05:36,052 --> 00:05:40,056
BUT THIS PLACE
IS COMPLETELY NORMAL.
100
00:05:40,056 --> 00:05:42,558
ANYWAY, THIS IS
THE VARICORP BUILDING
101
00:05:42,558 --> 00:05:45,561
JUST OUTSIDE VIRGIL.
IT'S COOL.
102
00:05:45,561 --> 00:05:48,564
IT'S A MULTIPURPOSE SHAPE--
A BOX.
103
00:05:48,564 --> 00:05:52,568
WE HAVE NO IDEA
WHAT'S INSIDE THERE.
104
00:05:54,570 --> 00:05:58,574
GOING TO THE KEG PARTY
AT DON'S TOMORROW?
105
00:05:58,574 --> 00:06:00,576
LOVE MAKES EVERYTHING BEAUTIFUL,
LIKE A LITTLE PUPPY--
106
00:06:00,576 --> 00:06:06,582
WARM AND FUZZY.
YOU KNOW, I LIKE A HAIRY MAN.
107
00:06:06,582 --> 00:06:10,086
JESUS WAS HAIRY.
108
00:06:10,086 --> 00:06:13,089
IT'S WORTH IT
TO FALL IN LOVE,
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00:06:13,089 --> 00:06:15,091
TO SEE
THE BEAUTIFUL WORLD.
110
00:06:15,591 --> 00:06:18,094
LOVE IS SOFT
AND LOVE IS PURE.
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00:06:18,094 --> 00:06:20,596
LOVE IS SOMETHING
THAT YOU MUST ENDURE.
112
00:06:20,596 --> 00:06:23,599
LOVE IS PEACEFUL
AND LOVE IS WILD.
113
00:06:23,599 --> 00:06:26,602
LOVE'S ALL RIGHT
IF IT LASTS A WHILE.
114
00:06:26,602 --> 00:06:29,605
I KNOW EVERYTHING THERE IS
TO KNOW ABOUT LOVE, HONEY.
115
00:06:29,605 --> 00:06:33,109
I HAVE SEEN IT ALL
AND DONE IT ALL.
116
00:06:33,109 --> 00:06:37,613
I LOVE MONEY,
AND MEN LIKE THAT.
117
00:06:37,613 --> 00:06:40,616
REMEMBER WHEN I WENT OUT
WITH BURT REYNOLDS?
118
00:06:40,616 --> 00:06:44,120
SHOOT, HE WAS GONNA QUIT
THE MOVIES AND LIVE WITH ME.
119
00:06:44,120 --> 00:06:48,124
I SAID, "BURT, DARLIN',
I NEED ALL YOUR MONEY."
120
00:06:48,124 --> 00:06:50,626
HE WOULD HAVE
GIVEN IT TO ME.
121
00:06:50,626 --> 00:06:53,629
DON'T BE AFRAID.
I'M GONNA TOUCH YOUR NOSE.
122
00:06:53,629 --> 00:06:55,631
WHAT'S THAT
SUPPOSED TO BE?
123
00:06:55,631 --> 00:06:58,634
UM, YOU SEE,
I CAN READ YOUR TONES.
124
00:06:58,634 --> 00:07:00,136
EVERYBODY HAS TONES.
125
00:07:00,636 --> 00:07:03,139
IT'S LIKE EVERYBODY
HAS THEIR OWN STATION,
126
00:07:03,639 --> 00:07:05,141
LIKE A TRANSMITTER.
127
00:07:05,141 --> 00:07:08,144
I GUESS YOU HAVE
YOUR DIAL SET.
128
00:07:08,144 --> 00:07:10,146
BABY, I'M THE ONLY ONE
THAT HAS A RADIO.
129
00:07:10,146 --> 00:07:11,147
I'M PICKING YOU UP.
130
00:07:11,647 --> 00:07:16,652
YOU'RE SORT OF COOL,
SORT OF...HHHOT!
131
00:07:16,652 --> 00:07:19,155
BABY, YOUR MIND
IS A RADIO
132
00:07:19,155 --> 00:07:22,158
THE RECEIVER
IS IN MY HEAD
133
00:07:22,658 --> 00:07:25,661
BABY, I'M TUNED
TO YOUR WAVELENGTH
134
00:07:25,661 --> 00:07:29,165
LET ME TELL YOU
WHAT IT SAYS
135
00:07:29,665 --> 00:07:31,167
IT'S A TRANSMITTER
136
00:07:31,167 --> 00:07:33,169
DA DA DA DOOM
137
00:07:33,169 --> 00:07:36,672
I'M PICKING UP
SOMETHING GOOD ??
138
00:07:36,672 --> 00:07:40,176
I LIKE IT.
I LIKE IT.
139
00:07:40,176 --> 00:07:43,679
SEEMS TO BE A DIFFERENT
KIND OF ATTITUDE.
140
00:07:43,679 --> 00:07:46,182
YEAH. SOMETHING'S
HAPPENING HERE, ALL RIGHT.
141
00:07:47,683 --> 00:07:49,602
THE WORLD IS CHANGING...
142
00:07:50,603 --> 00:07:53,606
AND THIS IS
THE CENTER OF IT RIGHT NOW.
143
00:07:53,606 --> 00:07:55,107
OR THE ONE OF MANY CENTERS.
144
00:07:55,107 --> 00:07:57,109
IT'S A LOT LIKE MUSIC.
145
00:07:57,109 --> 00:07:59,111
COMPUTERS ARE LIKE THAT.
146
00:07:59,111 --> 00:08:01,113
YOU CAN NEVER EXPLAIN
147
00:08:01,113 --> 00:08:05,618
THE FEELINGS OR CONNECTIONS
TO ANYONE ELSE.
148
00:08:05,618 --> 00:08:07,119
FIGURING SOMETHING OUT,
149
00:08:07,119 --> 00:08:12,124
SOMETHING THAT'S NEVER
BEEN UNDERSTOOD BEFORE,
150
00:08:12,124 --> 00:08:15,628
IS A RHYTHMIC EXPERIENCE.
151
00:08:15,628 --> 00:08:17,630
STEVE JOBS SAID THAT.
152
00:08:17,630 --> 00:08:20,633
HE USED TO BE
THE HEAD OF APPLE.
154
00:08:22,635 --> 00:08:24,136
THANKS.
155
00:08:24,136 --> 00:08:27,139
YOU KNOW, SOME PEOPLE
IN THE COMPUTER BUSINESS
156
00:08:27,139 --> 00:08:28,641
CAN BE PRETTY CREATIVE,
157
00:08:28,641 --> 00:08:32,144
UNLIKE THE TRADITIONAL
BUSINESSMAN.
158
00:08:32,144 --> 00:08:36,148
YOU KNOW, THE ASTRONAUTS
DIDN'T READ POETRY.
159
00:08:36,148 --> 00:08:38,150
BUT THAT'S CHANGING.
160
00:08:41,654 --> 00:08:42,655
HI, GARY.
161
00:08:42,655 --> 00:08:44,156
THIS IS AN EXCITING
PLACE TO WORK?
162
00:08:44,156 --> 00:08:46,659
YEAH, I GUESS I'D SAY SO.
163
00:08:47,159 --> 00:08:50,980
COMPUTERS ARE AS MUCH A MEANS
OF EXPRESSION AS LANGUAGE.
164
00:08:51,948 --> 00:08:53,449
HI!
165
00:08:55,451 --> 00:08:58,955
MY NAME IS LOUIS--
LOUIS FYNE.
166
00:08:58,955 --> 00:09:02,959
I'VE BEEN WORKING HERE
A NUMBER OF YEARS.
167
00:09:02,959 --> 00:09:05,962
NOW I'M IN THE CLEAN ROOM.
168
00:09:05,962 --> 00:09:07,964
IT'S PRETTY OK.
169
00:09:07,964 --> 00:09:10,967
I GO OUT AT NIGHT.
170
00:09:10,967 --> 00:09:13,469
I'M A DANCIN' FOOL!
171
00:09:13,469 --> 00:09:15,972
HA HA! HA HA!
172
00:09:15,972 --> 00:09:17,974
I'LL TELL YOU WHAT.
173
00:09:20,476 --> 00:09:21,978
WHEW!
174
00:09:21,978 --> 00:09:23,980
I LOVE THE WOMEN.
175
00:09:23,980 --> 00:09:26,983
HEY, THERE'S MORE TO LIFE
THAN THIS JOB.
176
00:09:26,983 --> 00:09:29,986
NO OFFENSE, YOU UNDERSTAND.
I'M NO SWINGER. NOT LOUIS.
177
00:09:30,486 --> 00:09:33,489
I WANT TO SETTLE DOWN.
IT WOULD BE BEAUTIFUL.
178
00:09:33,489 --> 00:09:36,492
HEY, THESE MACHINES ARE GREAT.
THEY'RE AMAZING.
179
00:09:36,492 --> 00:09:39,996
I TRIED A COMPUTER
DATING SERVICE ONCE.
180
00:09:39,996 --> 00:09:42,999
WOUND UP WITH A MIDGET.
181
00:09:42,999 --> 00:09:46,502
I MEAN, I'M NOT
A FUSSY MAN, BUT...WHEW!
182
00:09:46,502 --> 00:09:49,505
LOUIS, TELL ME,
DO YOU LIKE CHILDREN?
183
00:09:49,505 --> 00:09:51,007
THEY'RE LOVELY.
184
00:09:51,007 --> 00:09:55,511
WELL, DO YOU KNOW
ALL THE KIDS' NAMES BY NOW?
185
00:09:55,511 --> 00:09:58,514
UH...WHAT, ARE THEY
SITTING ALPHABETICALLY?
186
00:09:58,514 --> 00:10:01,517
I WANT SOMEONE
TO SHARE MY LIFE.
187
00:10:01,517 --> 00:10:06,522
MARRIAGE IS A NATURAL THING,
AND I'M A NATURAL MAN.
188
00:10:06,522 --> 00:10:08,524
LOUIS, I'D LIKE
TO TEACH YOU
189
00:10:08,524 --> 00:10:10,026
THE LOTUS POSITION.
190
00:10:10,026 --> 00:10:12,528
MOONSTONE,
I'D LIKE TO LEARN IT,
191
00:10:12,528 --> 00:10:16,949
BUT I SIT ALL DAY AT WORK,
SO I'M NOT FLEXIBLE.
192
00:10:17,450 --> 00:10:18,451
JUST TAKE ONE FOOT,
193
00:10:18,951 --> 00:10:20,953
PLACE IT ON
THE OPPOSITE THIGH.
194
00:10:21,454 --> 00:10:24,457
GENTLY. THIS IS THE MOST
AWESOME YOGA POSITION.
195
00:10:24,457 --> 00:10:26,425
WELL, IF IT'S AWESOME...
196
00:10:26,425 --> 00:10:28,928
TAKE THE OTHER FOOT.
197
00:10:29,929 --> 00:10:33,933
THIS ONE GOES HERE,
VERY GENTLY.
198
00:10:33,933 --> 00:10:36,435
NO, CAREFUL, CAREFUL.
199
00:10:36,435 --> 00:10:37,937
VERY GENTLY.
200
00:10:37,937 --> 00:10:40,439
HERE, LET ME HELP YOU.
201
00:10:40,439 --> 00:10:44,443
NO, NO. THAT'S
A DIFFERENT POSITION.
202
00:10:44,443 --> 00:10:47,446
BACK THIS WAY, LOUIS.
203
00:10:47,446 --> 00:10:49,949
THERE. OH, YOU'RE DOING
VERY WELL.
204
00:10:49,949 --> 00:10:51,450
GOT IT?
205
00:10:51,450 --> 00:10:54,103
IT'S CLOSE. VERY GOOD.
206
00:10:57,573 --> 00:11:00,576
WELL,
I SUPPOSE THESE FREEWAYS
207
00:11:00,576 --> 00:11:04,080
MADE THIS TOWN AND A LOT
OF OTHERS LIKE IT POSSIBLE.
208
00:11:04,080 --> 00:11:07,583
THEY'RE THE CATHEDRALS
OF OUR TIME, SOMEONE SAID.
209
00:11:07,583 --> 00:11:10,086
NOT ME.
210
00:11:11,587 --> 00:11:14,590
YOU KNOW, AROUND HERE
THEY HAVE NAMES
211
00:11:14,590 --> 00:11:17,593
FOR THE VARIOUS KINDS
OF FREEWAY DRIVERS.
212
00:11:17,593 --> 00:11:19,095
THE SLINGSHOTTER.
213
00:11:19,095 --> 00:11:21,097
THE ADVENTURER.
214
00:11:21,097 --> 00:11:23,099
THE MARSHMALLOW.
215
00:11:23,099 --> 00:11:25,601
THE NOMAD.
216
00:11:25,601 --> 00:11:27,603
AND THE WEAVER.
217
00:11:31,107 --> 00:11:34,110
YUP, IT'S FANCY DRIVING,
ALL RIGHT.
218
00:11:34,610 --> 00:11:38,114
YOU KNOW, THINGS THAT NEVER
HAD NAMES BEFORE
219
00:11:38,114 --> 00:11:40,616
ARE NOW EASILY DESCRIBED.
220
00:11:41,117 --> 00:11:42,618
IT MAKES CONVERSATION EASY.
221
00:11:56,132 --> 00:11:58,134
I HAVE SOMETHING TO SAY
222
00:11:58,134 --> 00:12:03,139
ABOUT THE DIFFERENCE BETWEEN
AMERICAN AND EUROPEAN CITIES...
223
00:12:03,139 --> 00:12:06,142
BUT I FORGOT
WHAT IT IS.
224
00:12:06,142 --> 00:12:09,645
I HAVE IT WRITTEN DOWN
AT HOME SOMEWHERE.
226
00:12:16,152 --> 00:12:18,154
YOU LIKE MUSIC?
227
00:12:18,154 --> 00:12:19,655
OH, I KNOW.
228
00:12:20,156 --> 00:12:22,658
EVERYBODY SAYS THEY DO.
229
00:12:23,159 --> 00:12:26,662
LOOK.
I PERSONALLY BELIEVE...
230
00:12:26,662 --> 00:12:29,665
I CAN SEE
FORT WORTH FROM HERE.
231
00:12:34,170 --> 00:12:38,174
MOST PEOPLE AROUND HERE
HAVE EATEN DINNER ALREADY.
232
00:12:38,174 --> 00:12:42,678
DON'T WANT TO BE LATE.
KNOW WHAT I MEAN?
233
00:12:42,678 --> 00:12:44,647
OR DO YOU?
234
00:12:48,651 --> 00:12:50,653
YOU'VE GOT TO SEE THIS.
235
00:12:50,653 --> 00:12:54,156
THIS MIGHT BE PART OF VIRGIL'S
CELEBRATION OF SPECIALNESS...
236
00:12:54,156 --> 00:12:56,158
OR IT MIGHT NOT BE.
237
00:12:56,158 --> 00:12:59,161
YOU MIGHT HAVE
SEEN IT ON TELEVISION...
238
00:12:59,662 --> 00:13:01,664
OR MAYBE YOU MISSED IT.
239
00:13:01,664 --> 00:13:04,667
HOPE YOU DON'T MIND
LOUD MUSIC.
240
00:13:07,169 --> 00:13:09,171
ALL RIGHT, FRIENDS. WELCOME.
241
00:13:09,672 --> 00:13:13,175
CRAZY CAJUN TALKING AT YOU
IN VIRGIL CITY TONIGHT
242
00:13:13,175 --> 00:13:16,178
WHERE EVERYBODY
ALWAYS HAS A GOOD TIME.
243
00:13:16,178 --> 00:13:17,680
WE'RE GONNA PASS YOU
SOME OF THAT GOOD TIME TONIGHT.
244
00:13:17,680 --> 00:13:21,684
IN THIS DRINK, THEY MIX
6 DIFFERENT KINDS OF LIQUOR,
245
00:13:21,684 --> 00:13:24,186
BUT IT DON'T TASTE
TOO STRONG.
246
00:13:24,186 --> 00:13:26,689
WOULD YOU LIKE
A RAFFLE TICKET?
247
00:13:26,689 --> 00:13:28,691
THEY'RE $2.50
FOR THE CAR.
248
00:13:28,691 --> 00:13:29,692
THANKS, OLA.
249
00:13:29,692 --> 00:13:31,694
D.J.: YOU,
YOU ARE THE VIDEO...
250
00:13:31,694 --> 00:13:33,696
I FEEL LIKE GETTING
DRUNK TONIGHT.
251
00:13:33,696 --> 00:13:35,698
HOW ABOUT YOU?
252
00:13:35,698 --> 00:13:38,701
WHEN I WAS A NURSE
IN VIETNAM,
253
00:13:38,701 --> 00:13:40,202
I WAS STUCK OUT IN
THE MIDDLE OF THE JUNGLE
254
00:13:40,703 --> 00:13:42,705
WITH THE REAL RAMBO.
255
00:13:42,705 --> 00:13:45,207
HE HAD THE HOTS FOR ME.
256
00:13:45,207 --> 00:13:47,626
I MEAN, HE WAS
DRIVING ME CRAZY.
257
00:13:47,626 --> 00:13:49,628
OF COURSE, IT WOULD BE
DIFFICULT FOR ANYBODY
258
00:13:49,628 --> 00:13:52,131
NOT TO FALL IN LOVE WITH
YOU IN THAT HUMIDITY.
259
00:13:52,631 --> 00:13:55,134
AND I SAVED HIS LIFE
ABOUT 50 TIMES.
260
00:13:55,634 --> 00:13:58,637
I BET YOU'VE SEEN ME
HERE BEFORE.
261
00:13:58,637 --> 00:14:01,140
RRROAR! HA HA!
262
00:14:01,140 --> 00:14:03,142
I'M THE DANCING BEAR.
263
00:14:03,142 --> 00:14:04,643
HI, LOUIS.
264
00:14:04,643 --> 00:14:07,563
YOU GONNA DANCE
IN THE SHOW ON FRIDAY?
265
00:14:07,563 --> 00:14:09,565
YEAH, BUT...
EXCUSE US.
266
00:14:09,565 --> 00:14:12,067
I'M STILL HAVING TROUBLE
WITH LADIES.
267
00:14:12,067 --> 00:14:14,069
BUDDY, I'LL TELL YOU.
268
00:14:14,069 --> 00:14:18,574
FACT--THERE ARE 1/2 MILLION
MORE SINGLE GUYS
269
00:14:18,574 --> 00:14:21,577
THAN THERE ARE GALS,
AND THE COMPETITION IS TOUGH.
270
00:14:21,577 --> 00:14:24,580
WE'RE GONNA HAVE A GOOD TIME.
DO IT TO IT.
271
00:14:25,080 --> 00:14:26,999
MOST OF THEM
JUST WANT TO SWING
272
00:14:26,999 --> 00:14:30,002
OR AREN'T
REALLY SERIOUS.
273
00:14:33,505 --> 00:14:37,009
SOME OF THESE GALS
ARE AS BAD AS THE GUYS.
274
00:14:37,509 --> 00:14:39,011
THAT'S MINE, THERE.
275
00:14:39,511 --> 00:14:41,513
I'LL TAKE
THE RED ONE.
276
00:14:41,513 --> 00:14:45,935
WE GOT A SONG COMING UP
CALLEDWILD, WILD LIFE.
277
00:14:45,935 --> 00:14:49,438
I WANT YOU TO LIP-SYNCH IT.
WAIT! NOT NOW.
278
00:14:49,438 --> 00:14:52,441
LET ME TELL YOU ABOUT MYSELF.
SEE, I'M CUTE.
279
00:14:52,441 --> 00:14:55,945
HEY, RAMON. HOW ARE YOU?
GOOD TO SEE YOU.
280
00:14:55,945 --> 00:14:56,946
PARTYING?
281
00:14:56,946 --> 00:14:58,447
YEAH, A LITTLE.
282
00:14:58,447 --> 00:15:01,450
WANT ME TO READ
YOUR TONES, MAN?
283
00:15:01,450 --> 00:15:02,952
YEAH. GO AHEAD.
284
00:15:02,952 --> 00:15:04,954
RELAX.
285
00:15:05,955 --> 00:15:07,957
CHIHUAHUA! WHEW!
286
00:15:07,957 --> 00:15:09,959
HEY, DON'T WORRY
ABOUT IT.
287
00:15:09,959 --> 00:15:12,461
YOU'RE GONNA
BE ALL RIGHT, MAN.
288
00:15:12,461 --> 00:15:15,965
TAKE IT EASY.
SEE YOU LATER, MAN.
289
00:15:15,965 --> 00:15:17,967
I GUARAN-DAMN-TEE YOU,
290
00:15:17,967 --> 00:15:20,469
YOU KNOW, TRAVELING
IS MY LIFE.
291
00:15:20,469 --> 00:15:23,872
I JUST WORK AT VARICORP
FOR A HOBBY.
292
00:15:24,006 --> 00:15:25,507
LET'S GO! HELLO!
293
00:15:33,515 --> 00:15:34,516
OOO!
294
00:15:39,521 --> 00:15:41,523
I'M WEARIN'
295
00:15:43,025 --> 00:15:44,526
FUR PAJAMAS
296
00:15:46,445 --> 00:15:47,947
I RIDE A
297
00:15:49,448 --> 00:15:51,951
HOT POTATO
298
00:15:53,452 --> 00:15:54,954
IT'S TICKLING
299
00:15:54,954 --> 00:15:56,956
MY FANCY
300
00:15:56,956 --> 00:15:58,457
SPEAK UP
301
00:15:58,457 --> 00:16:00,960
I CAN'T HEAR YOU
302
00:16:01,460 --> 00:16:04,964
HERE ON THIS MOUNTAINTOP,
OH HO HO
303
00:16:04,964 --> 00:16:08,467
I GOT SOME WILD, WILD LIFE
304
00:16:08,467 --> 00:16:11,971
I'VE GOT SOME NEWS
TO TELL YOU, WHOA HO
305
00:16:11,971 --> 00:16:14,473
ABOUT SOME WILD, WILD LIFE
306
00:16:14,473 --> 00:16:18,978
HERE COME THE DOCTOR
IN CHARGE, OH HO HO
307
00:16:18,978 --> 00:16:21,480
SHE'S GOT SOME
WILD, WILD LIFE
308
00:16:21,480 --> 00:16:25,985
AIN'T THAT THE WAY
YOU LIKE IT? OH HO
309
00:16:25,985 --> 00:16:29,488
LIVING WILD, WILD LIFE
310
00:16:34,994 --> 00:16:37,496
I WRESTLE
311
00:16:38,497 --> 00:16:41,000
WITH YOUR CONSCIENCE
312
00:16:42,501 --> 00:16:44,503
YOU WRESTLE
313
00:16:46,005 --> 00:16:48,007
WITH YOUR PARTNER
314
00:16:50,009 --> 00:16:52,011
SITTING ON A WINDOWSILL
315
00:16:52,511 --> 00:16:55,931
BUT HE SPENDS HIS TIME
BEHIND CLOSED DOORS
316
00:16:55,931 --> 00:16:59,935
CHECK OUT MR. BUSINESSMAN
OH HO HO
317
00:16:59,935 --> 00:17:02,938
HE BOUGHT
SOME WILD, WILD LIFE
318
00:17:02,938 --> 00:17:07,443
ON THE WAY TO
THE STOCK EXCHANGE, OH HO HO
319
00:17:07,443 --> 00:17:10,446
HE GOT
SOME WILD, WILD LIFE
320
00:17:10,446 --> 00:17:14,450
BREAK IT UP WHEN
HE OPENS THE DOOR, OH HO HO
321
00:17:14,450 --> 00:17:16,952
HE'S DOIN' WILD, WILD LIFE
322
00:17:16,952 --> 00:17:21,457
I KNOW THAT'S THE WAY
YOU LIKE IT, WHOA OH
323
00:17:21,457 --> 00:17:24,376
LIVING WILD, WILD LIFE
324
00:17:24,376 --> 00:17:26,879
PEACE OF MIND
325
00:17:26,879 --> 00:17:28,881
IT'S A PIECE O' CAKE
326
00:17:31,884 --> 00:17:33,886
THOUGHT CONTROL
327
00:17:33,886 --> 00:17:37,890
?? YOU GET ON BOARD
ANYTIME YOU LIKE
329
00:17:52,404 --> 00:17:53,405
LIKE SITTIN' ON
330
00:17:53,405 --> 00:17:54,907
PINS AND NEEDLES
331
00:17:54,907 --> 00:17:56,909
THINGS FALL APART
332
00:17:56,909 --> 00:17:59,411
IT'S SCIENTIFIC
333
00:17:59,411 --> 00:18:02,915
?SLEEPING ON THE INTERSTATE,
OH HO HO
334
00:18:02,915 --> 00:18:06,418
GETTIN' WILD, WILD LIFE
335
00:18:06,418 --> 00:18:07,419
CHECKIN' IN
336
00:18:07,419 --> 00:18:09,421
AND CHECKIN' OUT
UH-HUH
337
00:18:09,922 --> 00:18:12,925
I GOT A WILD, WILD LIFE
338
00:18:12,925 --> 00:18:16,929
SPENDING ALL OF MY MONEY
AND TIME, OH HO HO
339
00:18:16,929 --> 00:18:19,932
DONE TOO MUCH
WILD, WILD LIFE
340
00:18:19,932 --> 00:18:23,936
WE WANT TO GO WHERE WE GO
WHERE WE GO, OH HO HO
341
00:18:23,936 --> 00:18:26,438
I'M DOIN' WILD, WILD LIFE
342
00:18:26,438 --> 00:18:28,440
YOU'VE GROWN SO TALL
343
00:18:28,440 --> 00:18:31,443
YOU'VE GROWN SO FAST,
OH HO HO ??
344
00:18:31,944 --> 00:18:33,445
WILD, WILD LIFE
345
00:18:33,445 --> 00:18:37,449
AND I KNOW THAT'S THE WAY
YOU LIKE IT, OH HO
346
00:18:37,950 --> 00:18:41,453
LIVIN' WILD, WILD,
WILD, WILD
347
00:18:41,453 --> 00:18:44,957
WHOA OHH
348
00:18:45,958 --> 00:18:48,460
WOO! WOO!
349
00:19:30,419 --> 00:19:33,922
TV: THE EL PASO
BORDER PATROL...
350
00:19:38,427 --> 00:19:39,928
LOUIS TOLD ME
351
00:19:39,928 --> 00:19:43,932
HE HEARD ABOUT A WOMAN
WHO LIVES AROUND HERE
352
00:19:43,932 --> 00:19:46,435
AND NEVER GETS OUT OF BED.
353
00:19:46,435 --> 00:19:48,437
SHE'S NOT SICK.
354
00:19:48,437 --> 00:19:52,441
SHE'S GOT ENOUGH MONEY,
SHE DOESN'T HAVE TO.
355
00:19:52,441 --> 00:19:54,443
HEY, WOULDN'T YOU?
356
00:19:55,944 --> 00:20:00,949
IF I EVER WENT DOWNSTAIRS,
I MIGHT BE SURPRISED, HUH?
357
00:20:00,949 --> 00:20:04,953
IT'S CLEAN DOWN THERE,
ISN'T IT, ROBERTO?
358
00:20:04,953 --> 00:20:08,957
THAT GIRL DOES
A GOOD JOB, DOESN'T SHE?
359
00:20:10,459 --> 00:20:12,961
IT'S SO CLEAN,
IT SCARES ME.
360
00:20:12,961 --> 00:20:15,464
THE BEAUTY OPERATOR
IS COMING OVER.
361
00:20:15,464 --> 00:20:19,968
HEY, HOW SHOULD I HAVE HER
DO ME THIS TIME?
362
00:20:19,968 --> 00:20:22,471
SHOULD I GET IT MOUSSED?
363
00:20:23,972 --> 00:20:26,975
OOO, LOOK AT THAT.
THERE'S A LOOK.
364
00:20:26,975 --> 00:20:30,979
WHAT DO YOU THINK ABOUT
THE GALS ON THIS SHOW?
365
00:20:30,979 --> 00:20:35,484
THESE PEOPLE HAVE TOO MUCH METAL
ON THEM, MISS ROLLINGS.
366
00:20:35,484 --> 00:20:37,486
THEY ARE REFLECTING
KIND OF PEOPLE.
367
00:20:37,986 --> 00:20:41,490
YOU'RE RIGHT. HOW ARE THOSE
SHARES OF VARICORP DOING?
368
00:20:43,492 --> 00:20:44,993
ABOUT 30, 40.
369
00:20:44,993 --> 00:20:46,495
IS THAT ALL?
370
00:20:46,495 --> 00:20:47,996
THAT'S ABOUT IT.
371
00:20:47,996 --> 00:20:52,501
WELL, I'M NOT SURPRISED.
CHEAP LITTLE PIG SHITS.
372
00:20:52,501 --> 00:20:55,938
IT'S THE SAME ALL OVER.
373
00:20:55,938 --> 00:20:59,424
BUNCH OF MANIACS
OUT THERE. WOO!
374
00:20:59,424 --> 00:21:03,428
YOU KNOW HOW HOT DOGS COME
10 TO A PACK
375
00:21:03,428 --> 00:21:06,431
AND BUNS IN PACKS
OF 8 OR 12?
376
00:21:06,431 --> 00:21:11,436
YOU'VE GOT TO BUY 9 PACKS
TO MAKE THEM ALL MATCH UP.
377
00:21:11,436 --> 00:21:13,939
THAT'S WHAT
I'M TALKING ABOUT.
378
00:21:13,939 --> 00:21:17,359
[TV PLAYING]
379
00:21:19,995 --> 00:21:21,997
SINCE THIS MALL OPENED,
380
00:21:21,997 --> 00:21:25,500
C.R. ANTHONY, JCPENNEY,
AND EVEN DUKE AND AYERS
381
00:21:25,500 --> 00:21:28,003
ALL PULLED OUT
OF DOWNTOWN VIRGIL.
382
00:21:28,003 --> 00:21:31,006
SHOPPERS HERE GO WHEREVER
THE BARGAINS ARE,
383
00:21:31,006 --> 00:21:33,008
WHEREVER IT'S CONVENIENT
TO SHOP.
384
00:21:33,008 --> 00:21:37,012
THEY DON'T CARE IF THEY SHOP
IN A FUNKY OLD BUILDING DOWNTOWN
385
00:21:37,012 --> 00:21:40,015
OR IN A CLEAN, MODERN PLACE
LIKE THIS.
386
00:21:42,517 --> 00:21:46,021
SEE, THEY'RE WISE
TO ADVERTISERS' CLAIMS.
387
00:21:46,021 --> 00:21:50,025
IN A PLACE LIKE THIS,
THEY CAN COMPARISON SHOP.
388
00:21:50,025 --> 00:21:51,526
EVERYBODY COULD HARDLY WAIT
UNTIL THE MALL OPENED...
389
00:21:51,526 --> 00:21:53,028
EXCEPT MARGIE ORTIZ.
390
00:21:53,028 --> 00:21:58,533
I GO THERE ALMOST EVERY WEEKEND.
SO DO 2 OTHER GIRLS FROM WORK.
391
00:21:58,533 --> 00:22:00,035
SEE? I TOLD YOU.
392
00:22:08,043 --> 00:22:11,046
THE SHOPPING MALL
HAS REPLACED THE TOWN SQUARE
393
00:22:11,046 --> 00:22:14,049
AS THE CENTER
OF MANY AMERICAN CITIES.
394
00:22:14,049 --> 00:22:17,052
SHOPPING ITSELF HAS BECOME
395
00:22:17,052 --> 00:22:20,555
THE ACTIVITY
THAT BRINGS PEOPLE TOGETHER.
396
00:22:20,555 --> 00:22:24,559
AND HERE,
THE MUSIC'S ALWAYS PLAYING.
397
00:22:24,559 --> 00:22:27,062
WHAT TIME IS IT?
398
00:22:27,062 --> 00:22:29,064
NO TIME TO LOOK BACK.
399
00:22:29,064 --> 00:22:32,567
Men: HA HA HA!
400
00:22:32,567 --> 00:22:35,570
STARVING PEASANTS
SELL THEIR BODIES
401
00:22:35,570 --> 00:22:37,572
TO VAMPIRES
FOR BLOOD MONEY!
402
00:22:37,572 --> 00:22:39,074
HA HA HA!
403
00:22:50,585 --> 00:22:53,088
STORES HERE
ARE PRETTY CLEAN.
404
00:22:53,088 --> 00:22:55,090
THE AIR IS FRESH.
405
00:22:55,090 --> 00:22:59,094
THERE'S PLENTY OF PARKING,
PLENTY OF SPACE TO WALK AROUND.
406
00:22:59,094 --> 00:23:02,097
HI, HOW ARE YOU? HOW
COME YOU'RE NOT AT WORK?
407
00:23:02,597 --> 00:23:05,600
OH, I'M WORKING ON
A PROJECT AT HOME.
408
00:23:05,600 --> 00:23:07,602
I SEND SIGNALS UP.
409
00:23:07,602 --> 00:23:09,104
OH, TO SATELLITES
AND THINGS.
410
00:23:09,104 --> 00:23:11,606
FURTHER THAN THAT,
I HOPE.
411
00:23:11,606 --> 00:23:13,108
OH.
412
00:23:13,108 --> 00:23:16,111
HEY, I'VE GOT TO GET TO WORK
BEFORE ALL HELL BREAKS LOOSE.
413
00:23:16,111 --> 00:23:17,612
OH.
414
00:23:17,612 --> 00:23:18,613
SEE YOU.
415
00:23:22,617 --> 00:23:27,622
PEOPLE HERE ARE INVENTING
THEIR OWN SYSTEM OF BELIEFS.
416
00:23:27,622 --> 00:23:29,124
THEY'RE CREATING IT...
417
00:23:29,124 --> 00:23:31,126
DOING IT...
418
00:23:31,126 --> 00:23:33,628
SELLING IT...
419
00:23:33,628 --> 00:23:36,631
MAKING IT UP
AS THEY GO ALONG.
420
00:23:39,134 --> 00:23:41,136
DRIVING...
421
00:23:41,136 --> 00:23:44,639
NOT ONLY DRIVING,
BUT PARKING.
422
00:23:46,141 --> 00:23:48,143
HEY, THERE'S LOUIS!
423
00:23:48,143 --> 00:23:49,644
HI, HOW YOU DOING?
424
00:23:49,644 --> 00:23:50,645
PRETTY GOOD.
425
00:23:50,645 --> 00:23:53,648
DID YOU HAVE
ANY LUCK AT THE CLUB?
426
00:23:53,648 --> 00:23:55,650
THE WOMEN
ARE TOO WILD.
427
00:23:55,650 --> 00:23:58,153
I HAD A GOOD TIME
ANYWAY.
428
00:23:58,153 --> 00:24:00,155
LOOK AT THESE WOMEN.
429
00:24:00,155 --> 00:24:04,159
YEAH, A LITTLE
TOO OLD FOR ME.
430
00:24:04,159 --> 00:24:06,161
WHAT ARE YOU
DOING HERE?
431
00:24:06,161 --> 00:24:09,164
I THOUGHT I'D CHECK OUT
THAT FASHION SHOW.
432
00:24:09,164 --> 00:24:11,666
PART OF THE CELEBRATION.
433
00:24:11,666 --> 00:24:12,667
TWINS.
434
00:24:12,667 --> 00:24:14,169
CAROL AND DARYL.
435
00:24:14,169 --> 00:24:15,670
I KNEW THEIR MAMA
IN HIGH SCHOOL.
436
00:24:15,670 --> 00:24:18,173
SHE WAS A TWIN, TOO.
HI, TWINS.
437
00:24:19,174 --> 00:24:22,177
I JUST THOUGHT
I'D CHECK IT OUT.
438
00:24:22,177 --> 00:24:24,179
MAYBE I'D PICK UP
A FEW FASHION TIPS.
439
00:24:24,179 --> 00:24:28,183
YOU KNOW, I'M VERY AWARE
OF MY APPEARANCE.
440
00:24:28,183 --> 00:24:29,684
I'VE NOTICED.
441
00:24:29,684 --> 00:24:32,687
YEAH. WELL, JUST
CHECK THESE OUT HERE.
442
00:24:32,687 --> 00:24:34,189
THOSE ARE GREAT!
443
00:24:34,189 --> 00:24:35,190
YEAH.
445
00:24:39,194 --> 00:24:41,196
YEP.
446
00:24:43,198 --> 00:24:44,199
LIKE THE SONG SAYS,
447
00:24:44,699 --> 00:24:46,701
IT'S A SCIENTIFIC
LIFESTYLE.
448
00:24:47,202 --> 00:24:48,703
HMM. I DON'T KNOW
THAT ONE.
449
00:24:49,204 --> 00:24:50,705
P.A.: GOOD AFTERNOON,
LADIES AND GENTLEMEN,
450
00:24:50,705 --> 00:24:52,707
AND WELCOME TO
ANOTHER LOVELY EVENT
451
00:24:52,707 --> 00:24:54,910
FOR THE CELEBRATION
OF SPECIALNESS.
452
00:24:54,910 --> 00:24:56,411
TODAY WE HAVE
A FASHION SHOW,
453
00:24:56,912 --> 00:24:59,915
AND I THINK IT'S GONNA BE
SOMETHING YOU'LL JUST LOVE.
454
00:24:59,915 --> 00:25:02,417
IT'S VERY UNUSUAL.
SO COME ON!
455
00:25:02,417 --> 00:25:04,419
LET'S BRING ON THE SHOW!
456
00:25:04,419 --> 00:25:09,424
FROM THE DREAM FACTORY,
A BONANZA OF BEAUTY!
457
00:25:09,424 --> 00:25:11,927
THIS PLACE IS
FILLED WITH WOMEN.
458
00:25:11,927 --> 00:25:13,929
Kay: I'D LIKE
TO REMIND YOU
459
00:25:13,929 --> 00:25:15,931
THERE'S ANOTHER EVENT
THIS FRIDAY NIGHT....
460
00:25:15,931 --> 00:25:17,933
THAT'S KAY CULVER.
461
00:25:17,933 --> 00:25:20,435
FOR THE CELEBRATION
OF SPECIALNESS.
462
00:25:20,435 --> 00:25:22,437
SHE'S MARRIED TO EARL.
YOU'VE HEARD OF HIM.
463
00:25:22,437 --> 00:25:24,439
HE PRETTY MUCH
SINGLE-HANDEDLY
464
00:25:24,439 --> 00:25:26,441
BROUGHT VARICORP
TO VIRGIL.
465
00:25:26,441 --> 00:25:29,945
YOU KNOW, I BET
THIS MALL WOULDN'T BE HERE
466
00:25:29,945 --> 00:25:31,947
IF IT WASN'T FOR HIM.
467
00:25:31,947 --> 00:25:33,448
OH, YEAH?
468
00:25:33,448 --> 00:25:35,450
I'M HAVING DINNER
WITH HIM LATER.
469
00:25:35,450 --> 00:25:39,454
WELL, LISTEN.
I HEARD THAT EARL AND KAY
470
00:25:39,454 --> 00:25:41,957
HAVEN'T SPOKEN TO
ONE ANOTHER IN YEARS...
471
00:25:41,957 --> 00:25:44,459
AT LEAST, NOT DIRECTLY.
472
00:25:44,459 --> 00:25:46,461
DO YOU BELIEVE IT?
473
00:25:47,963 --> 00:25:49,464
OK.
474
00:25:49,965 --> 00:25:52,467
WHAT TIME IS IT?
475
00:25:52,467 --> 00:25:57,472
IF EVERYONE NOTICES,
MAYBE IT'S TOO MUCH.
476
00:25:57,472 --> 00:26:00,475
BUT WHERE WOULD WE BE?
477
00:26:00,475 --> 00:26:03,478
$29.95 IS
A PRETTY GOOD PRICE.
478
00:26:03,478 --> 00:26:06,481
WITH 6 OUTFITS
AND AS MANY COMBINATIONS,
479
00:26:06,481 --> 00:26:08,984
THE POSSIBILITIES ARE ENDLESS.
480
00:26:08,984 --> 00:26:10,986
SHOPPING IS A FEELING.
481
00:26:10,986 --> 00:26:13,488
SOMETIMES I GET
A WOBBLY FEELING.
482
00:26:13,488 --> 00:26:15,991
I HAVE A COMMERCIAL FEELING.
483
00:26:15,991 --> 00:26:18,994
BE SEXY IN BUSINESS.
484
00:26:18,994 --> 00:26:21,496
BE SUCCESSFUL AT NIGHT.
485
00:26:21,997 --> 00:26:25,500
I STOLE IT
OFF OF A SPACESHIP.
486
00:26:25,500 --> 00:26:29,004
...AND COORDINATE
YOUR OUTFIT TO MATCH.
487
00:26:29,004 --> 00:26:32,007
LET THE CHILDREN
DO THE SHOPPING.
488
00:26:32,007 --> 00:26:37,012
IF THE ROOM IS PINK,
YOU'RE IN THE PINK.
489
00:26:37,012 --> 00:26:41,016
YOU HAVE A RIGHT.
IT'S ALL YOU.
490
00:26:41,016 --> 00:26:44,019
THERE OUGHT TO BE A LAW.
491
00:26:45,020 --> 00:26:47,022
WHEN YOU WERE LITTLE
492
00:26:47,022 --> 00:26:50,025
YOU DREAMED YOU WERE BIG
493
00:26:50,025 --> 00:26:53,028
YOU MUST HAVE BEEN SOMETHING
494
00:26:53,028 --> 00:26:55,030
A REAL TINY KID
495
00:26:55,030 --> 00:26:57,532
YOU WISH YOU WERE ME
496
00:26:57,532 --> 00:27:00,535
I WISH I WAS YOU
497
00:27:01,036 --> 00:27:03,038
DON'T YOU WAKE UP
498
00:27:03,038 --> 00:27:08,043
THE DREAM WILL COME TRUE
499
00:27:08,043 --> 00:27:11,046
EVERY DREAM
500
00:27:11,546 --> 00:27:15,050
HAS A NAME
501
00:27:15,050 --> 00:27:19,471
AND NAMES TELL YOUR STORY
502
00:27:19,471 --> 00:27:24,976
THIS SONG IS YOUR DREAM
503
00:27:24,976 --> 00:27:30,982
YOU'RE THE DREAM OPERATOR ??
504
00:27:35,904 --> 00:27:38,907
OHH! AHH!
505
00:27:40,408 --> 00:27:42,911
IT'S BIGGER THAN LIFE
506
00:27:43,411 --> 00:27:44,913
YOU KNOW IT'S ALL ME
507
00:27:45,413 --> 00:27:48,416
MY FACE IS A BOOK
508
00:27:48,917 --> 00:27:50,919
BUT IT'S NOT WHAT IT SEEMS
509
00:27:51,419 --> 00:27:53,922
THREE ANGELS ABOVE
510
00:27:53,922 --> 00:27:55,924
THE WHOLE HUMAN RACE
511
00:27:56,424 --> 00:27:58,927
DREAMED US TO LIFE
512
00:27:58,927 --> 00:28:03,932
THEY DREAM ME A FACE
513
00:28:04,432 --> 00:28:06,935
AND EVERY DREAM
514
00:28:07,435 --> 00:28:09,938
TELLS IT ALL
515
00:28:09,938 --> 00:28:15,360
AND THIS IS YOUR STORY
516
00:28:15,360 --> 00:28:20,865
YOU DREAMED ME A HEART
517
00:28:20,865 --> 00:28:25,870
YOU'RE THE DREAM OPERATOR
518
00:28:29,374 --> 00:28:32,377
SHAKE-IT-UP DREAM
519
00:28:35,380 --> 00:28:38,383
HI-DE-HO DREAM
520
00:28:40,385 --> 00:28:42,887
FIX-IT-UP DREAM
521
00:28:42,887 --> 00:28:44,389
HMM.
522
00:28:45,390 --> 00:28:50,395
LOOK AT ME DREAM
523
00:28:50,395 --> 00:28:55,400
I'VE BEEN WAITING SO LONG
524
00:28:55,400 --> 00:29:00,905
NOW I AM YOUR DREAM
525
00:29:01,906 --> 00:29:04,409
HARD TO FORGET
526
00:29:04,909 --> 00:29:06,911
HARD TO GO ON
527
00:29:06,911 --> 00:29:08,913
WHEN YOU FALL ASLEEP
528
00:29:08,913 --> 00:29:11,916
YOU'RE OUT ON YOUR OWN
529
00:29:11,916 --> 00:29:14,419
LET GO OF YOUR LIFE
530
00:29:14,419 --> 00:29:17,422
GRAB ONTO MY HAND
531
00:29:17,922 --> 00:29:19,924
HERE IN THE CLOUDS
532
00:29:19,924 --> 00:29:23,928
THE WORLD UNDERSTANDS
533
00:29:26,431 --> 00:29:30,435
AND YOU DREAMED IT ALL
534
00:29:30,435 --> 00:29:35,440
AND THIS IS YOUR STORY
535
00:29:35,440 --> 00:29:38,943
DO YOU KNOW
536
00:29:38,943 --> 00:29:40,945
WHO YOU ARE?
537
00:29:41,446 --> 00:29:47,368
YOU'RE THE DREAM OPERATOR
538
00:29:47,869 --> 00:29:49,871
DARLING!
539
00:30:02,550 --> 00:30:06,554
YOU KNOW, I DON'T THINK
I'VE FELT THIS WAY BEFORE.
540
00:30:06,554 --> 00:30:08,056
I KNOW.
541
00:30:08,056 --> 00:30:09,557
ME NEITHER.
542
00:30:12,060 --> 00:30:14,562
MY STOMACH FEELS
ALL FLUTTERY.
543
00:30:14,562 --> 00:30:17,065
IT'S GREAT,
THOUGH, HUH?
544
00:30:17,065 --> 00:30:21,069
YEAH, I--I GUESS.
545
00:30:21,069 --> 00:30:25,573
PEOPLE AT WORK MUST THINK
I'M GOING NUTS, THOUGH.
546
00:30:26,074 --> 00:30:28,076
WELL, IF THIS IS
BEING NUTS,
547
00:30:28,076 --> 00:30:30,078
THEN I DON'T EVER
WANT TO BE SANE.
548
00:30:36,084 --> 00:30:38,086
AH.
549
00:30:38,086 --> 00:30:40,588
OH, DID YOU FART?
550
00:30:59,107 --> 00:31:01,109
I'M IN
CONSTRUCTION BUSINESS.
551
00:31:01,609 --> 00:31:03,611
GOT WORK GOING ON
AT 5 SITES NOW.
552
00:31:04,112 --> 00:31:07,615
BOUGHT ME A CONDO
LAST WEEK.
553
00:31:07,615 --> 00:31:10,118
SHOOT, REAL CLOSE TO HERE,
AS A MATTER OF FACT.
554
00:31:10,618 --> 00:31:13,121
NEXT WEEK, I MIGHT BUY ME
ANOTHER HOUSE.
555
00:31:13,621 --> 00:31:16,624
DARLIN', I'LL TELL YOU WHAT,
I JUST HAVE A FEEL FOR IT.
556
00:31:17,125 --> 00:31:18,543
YOU KNOW WHAT I MEAN?
557
00:31:18,543 --> 00:31:21,045
OF COURSE, BEIN' OVERLY PSYCHIC
SURE DIDN'T HURT ANYTHING.
558
00:31:21,045 --> 00:31:23,047
IT'S PAID OFF FOR ME.
559
00:31:23,047 --> 00:31:25,550
LISTEN, MR. FRYE,
I'LL TELL YOU--
560
00:31:25,550 --> 00:31:27,051
FYNE.
561
00:31:27,051 --> 00:31:28,553
LOUIS.
562
00:31:28,553 --> 00:31:30,555
LOUIS, DARLIN',
I'LL TELL YOU SOMETHIN'
563
00:31:30,555 --> 00:31:34,559
IF YOU PROMISE NOT TO TELL
ANOTHER LIVIN' SOUL.
564
00:31:34,559 --> 00:31:36,561
NOW, I'D NEVER TELL THIS
TO ANYBODY ELSE,
565
00:31:36,561 --> 00:31:40,064
BUT I BELIEVE THAT PART
OF MY EXTRAPSYCHIC ABILITY
566
00:31:40,064 --> 00:31:43,568
IS CONNECTED UP WITH THE FACT
THAT I WAS BORN WITH A TAIL,
567
00:31:43,568 --> 00:31:48,072
A LITTLE OLD BITTY HAIRY THING
ABOUT THAT LONG.
568
00:31:48,072 --> 00:31:51,075
HAD IT SURGICALLY REMOVED
WHEN I WAS JUST 5 YEARS OLD.
569
00:31:51,075 --> 00:31:55,580
MY MAMA KEPT IT IN A FRUIT JAR
UP IN THE MEDICINE CABINET
570
00:31:55,580 --> 00:31:58,583
BETWEEN THE COLD TABLETS
AND THE MONKEY BLOOD.
571
00:31:58,583 --> 00:32:00,585
I'D GET UP EVERY MORNIN'
FIRST THING
572
00:32:00,585 --> 00:32:03,087
AND GO IN THERE
AND BRUSH MY TEETH
573
00:32:03,087 --> 00:32:07,091
AND STARE AT MY OWN TAIL
AT THE SAME TIME.
574
00:32:07,091 --> 00:32:09,093
SOMETHIN' LIKE THAT
CAN GIVE YOU POWER,
575
00:32:09,093 --> 00:32:11,095
AND THAT'S THE TRUTH.
576
00:32:11,095 --> 00:32:12,597
THEN MAMA GOT
A WILD HAIR ONE SUNDAY
577
00:32:13,097 --> 00:32:15,600
AND SHE DECIDED TO GO MAKE
A LOT OF MONEY OFF OF IT.
578
00:32:15,600 --> 00:32:17,602
TOOK IT OUT TO THE SWAP MEET
579
00:32:17,602 --> 00:32:20,605
AND SOLD IT TO LYNDON JOHNSON'S
TOP SECRET SERVICE AGENT.
580
00:32:20,605 --> 00:32:23,107
AND HE TOLD A GOOD
PERSONAL FRIEND OF MINE
581
00:32:23,107 --> 00:32:25,109
THAT HE WAS GOING TO SELL IT
FOR EVEN MORE MONEY
582
00:32:25,109 --> 00:32:29,614
TO THE SMITHSONIAN INSTITUTE.
I SAID HE MIGHT AS WELL.
583
00:32:29,614 --> 00:32:33,117
IT WOULDN'T DO HIM ANY GOOD.
IT WASN'T HIS TAIL.
584
00:32:33,117 --> 00:32:35,620
GEE, I TELL YOU,
I COULD WRITE A BOOK.
585
00:32:35,620 --> 00:32:37,622
THAT THING WOULD BE
A BEST SELLER.
586
00:32:37,622 --> 00:32:39,624
YOU KNOW, THAT'S FUNNY
YOU MENTIONED WRITING.
587
00:32:39,624 --> 00:32:42,126
I'M...KIND
OF A WRITER MYSELF.
588
00:32:42,627 --> 00:32:43,628
IS THAT RIGHT?
589
00:32:43,628 --> 00:32:45,129
I WROTE ME A SONG
590
00:32:45,630 --> 00:32:47,632
I WANT TO DO
AT THE SHOW FRIDAY.
591
00:32:47,632 --> 00:32:50,635
I HOPE IT TURNS OUT
ALL RIGHT.
592
00:32:50,635 --> 00:32:52,637
I'M A LITTLE NERVOUS.
593
00:32:52,637 --> 00:32:55,139
DON'T BE NERVOUS.
SONGS ARE EASY.
594
00:32:55,139 --> 00:32:57,642
I WROTEBILLY JEAN
AND HALF OF ELVIS' SONGS.
595
00:32:57,642 --> 00:32:58,643
ELVIS?
596
00:32:59,143 --> 00:33:01,646
HELL, YES. THEY PAY ME,
AND I KEEP QUIET.
597
00:33:01,646 --> 00:33:04,148
YOU KNOW,
SOMEBODY'S GOT TO DO IT.
598
00:33:04,649 --> 00:33:06,150
EXCUSE ME JUST A MINUTE,
PUMPKIN.
599
00:33:06,651 --> 00:33:08,152
I'LL BE RIGHT BACK, OK?
600
00:33:08,653 --> 00:33:09,654
SURE.
601
00:33:09,654 --> 00:33:11,656
I'LL BE RIGHT HERE.
603
00:33:54,449 --> 00:33:56,951
Kay: SHALL WE TAKE A MOMENT
AND GIVE OUR THANKS?
604
00:33:57,452 --> 00:33:58,453
HMM?
605
00:34:09,964 --> 00:34:11,466
AMEN.
606
00:34:20,975 --> 00:34:23,978
LINDA, WILL YOU ASK
YOUR FATHER
607
00:34:23,978 --> 00:34:26,981
TO PASS THIS DOWN
TO OUR GUEST?
608
00:34:26,981 --> 00:34:28,983
THIS LOOKS GREAT,
MRS. CULVER.
609
00:34:28,983 --> 00:34:31,486
DAD, WILL YOU
PASS THIS DOWN?
610
00:34:31,486 --> 00:34:32,987
OH, YES.
611
00:34:32,987 --> 00:34:35,990
LARRY, WOULD YOU
PASS THIS DOWN, PLEASE?
612
00:34:35,990 --> 00:34:37,492
THANK YOU.
613
00:34:39,494 --> 00:34:41,996
LINDA, WOULD YOU ASK
YOUR MOTHER
614
00:34:41,996 --> 00:34:44,999
TO PASS THE MUSTARD
TO OUR GUEST, PLEASE?
615
00:34:44,999 --> 00:34:47,001
MOM, DAD WANTS THE MUSTARD.
616
00:34:51,506 --> 00:34:53,007
DEAR.
617
00:34:53,007 --> 00:34:54,509
THANK YOU.
618
00:34:56,010 --> 00:34:58,513
LOOK OUT FOR YOUR WATER, NOW.
619
00:34:58,513 --> 00:35:01,015
PASS IT DOWN TO OUR GUEST.
620
00:35:01,015 --> 00:35:03,518
LET ME GRAB ONE OF THESE.
THEY'RE COLORFUL.
621
00:35:03,518 --> 00:35:06,521
LINDA, WOULD YOU ASK
YOUR MOM
622
00:35:06,521 --> 00:35:08,523
HOW THE FASHION SHOW WENT?
623
00:35:08,523 --> 00:35:11,025
MOM, HOW DID IT GO
TODAY?
624
00:35:11,025 --> 00:35:13,528
OH, LINDA, TELL HIM
IT WAS JUST WONDERFUL,
625
00:35:13,528 --> 00:35:15,530
ALTHOUGH ONE WOMAN
DID HAVE A ACCIDENT,
626
00:35:16,030 --> 00:35:17,532
BUT IT WASN'T
ANYTHING SERIOUS.
627
00:35:17,532 --> 00:35:21,035
HE SHOULD HAVE COME.
HE WOULD HAVE BEEN PROUD.
628
00:35:21,035 --> 00:35:24,539
IT WENT GREAT, DAD.
YOU SHOULD HAVE BEEN THERE.
629
00:35:24,539 --> 00:35:25,540
MAYBE NEXT TIME.
630
00:35:25,540 --> 00:35:27,041
I WAS THERE.
631
00:35:27,041 --> 00:35:28,543
I LIKED IT.
632
00:35:28,543 --> 00:35:31,045
I'D NEVER SEEN
ANYTHING LIKE THAT.
633
00:35:31,045 --> 00:35:34,549
I'D NEVER BEEN TO ONE
OF THOSE THINGS BEFORE.
634
00:35:35,049 --> 00:35:36,551
YOU DO THAT
EVERY YEAR?
635
00:35:36,551 --> 00:35:39,554
OH, NO, THIS IS JUST FOR
THE SESQUICENTENNIAL.
636
00:35:39,554 --> 00:35:41,055
YOU'RE IN
THE PARADE?
637
00:35:41,055 --> 00:35:43,474
ANDERSON AUTO
IS LENDING US
638
00:35:43,474 --> 00:35:44,976
A RED
CONVERTIBLE.
639
00:35:44,976 --> 00:35:45,977
HMM.
640
00:35:45,977 --> 00:35:48,980
RIGHT. LARRY MAY HAVE
A FUTURE AT VARICORP.
641
00:35:48,980 --> 00:35:51,983
WITH HIS YOUNG DISCIPLINE
AND SYSTEMS CONSCIOUSNESS,
642
00:35:51,983 --> 00:35:54,485
HE COULD GO A LONG WAY,
AND VARICORP IS GROWING
643
00:35:54,485 --> 00:35:55,987
LIKE THERE'S NO TOMORROW.
644
00:35:55,987 --> 00:35:58,489
LET ME SHOW YOU WHAT
I THINK IS GOING ON.
645
00:35:58,489 --> 00:36:00,491
DO YOU HEAR MUSIC?
646
00:36:02,493 --> 00:36:04,996
IS SOMETHING WRONG
WITH YOUR SISTER?
647
00:36:04,996 --> 00:36:06,497
MAINFRAME.
648
00:36:07,999 --> 00:36:10,001
MICROPROCESSOR.
649
00:36:11,002 --> 00:36:12,503
SEMICONDUCTOR.
650
00:36:12,503 --> 00:36:14,005
ALL RIGHT, DAD!
651
00:36:14,005 --> 00:36:15,006
NOW...
652
00:36:15,506 --> 00:36:17,508
IF THIS IS THE TOWN
653
00:36:18,009 --> 00:36:20,511
AND HERE IS
THE WORKPLACE...
654
00:36:21,012 --> 00:36:23,014
WITH ITS GOODS...
655
00:36:28,519 --> 00:36:30,021
AND DISTRIBUTION NETWORK...
656
00:36:32,023 --> 00:36:34,025
VROOM!
657
00:36:34,025 --> 00:36:37,028
MOST MIDDLE-CLASS PEOPLE
658
00:36:37,028 --> 00:36:40,031
HAVE WORKED FOR LARGE
CORPORATIONS LIKE VARICORP
659
00:36:40,031 --> 00:36:43,034
OR FOR THE GOVERNMENT
ITSELF,
660
00:36:43,034 --> 00:36:46,537
BUT NOW ALL THAT'S
STARTED TO CHANGE.
661
00:36:46,537 --> 00:36:48,039
SCIENTISTS AND ENGINEERS
ARE MOVING OFF
662
00:36:48,539 --> 00:36:52,543
FROM THOSE LARGE CORPORATIONS
LIKE VARICORP.
663
00:36:53,044 --> 00:36:54,545
THEY'RE BEGINNING TO START
THEIR OWN COMPANIES,
664
00:36:55,046 --> 00:36:56,547
MARKETING NEW INVENTIONS.
665
00:36:56,547 --> 00:36:58,549
EXCUSE ME,
MR. CULVER.
666
00:36:58,549 --> 00:37:01,052
I FORGOT WHAT
THESE PEPPERS REPRESENT.
667
00:37:01,052 --> 00:37:04,055
AH-HA! IT ALL SPINS BACK
TO THE MIDDLE.
668
00:37:04,055 --> 00:37:06,557
HERE WE ARE RIGHT HERE,
IN VIRGIL.
669
00:37:06,557 --> 00:37:11,062
OUR WAY OF DOING BUSINESS
HAS BEEN BASED ON THE PAST.
670
00:37:11,062 --> 00:37:15,066
THAT'S WHY WE HAVE TO
KEEP THESE GUYS IN VIRGIL
671
00:37:15,066 --> 00:37:17,068
EVEN THOUGH THEY
LEAVE VARICORP.
672
00:37:17,068 --> 00:37:19,070
FOR THE TIME BEING,
673
00:37:19,070 --> 00:37:21,572
IT'S CREATED
CONFUSION AND CHAOS!
674
00:37:21,572 --> 00:37:24,075
THEY DON'T WORK
FOR MONEY ANYMORE
675
00:37:24,075 --> 00:37:26,077
OR TO EARN
A PLACE IN HEAVEN,
676
00:37:26,077 --> 00:37:28,079
WHICH WAS
A BIG MOTIVATING FACTOR
677
00:37:28,079 --> 00:37:30,081
ONCE UPON A TIME,
BELIEVE YOU ME.
678
00:37:30,581 --> 00:37:35,586
THEY'RE WORKING AND INVENTING
BECAUSE THEY LIKE IT.
679
00:37:35,586 --> 00:37:38,589
ECONOMICS HAS BECOME
A SPIRITUAL THING.
680
00:37:38,589 --> 00:37:40,591
I MUST ADMIT,
IT FRIGHTENS ME A BIT.
681
00:37:40,591 --> 00:37:42,593
THEY DON'T SEE
THE DIFFERENCE
682
00:37:42,593 --> 00:37:44,595
BETWEEN WORKING
AND NOT WORKING.
683
00:37:44,595 --> 00:37:48,099
IT'S ALL BECOME
A PART OF ONE'S LIFE.
684
00:37:48,099 --> 00:37:49,600
LINDA! LARRY!
685
00:37:49,600 --> 00:37:52,603
THERE'S NO CONCEPT
OF WEEKENDS ANYMORE.
686
00:38:27,555 --> 00:38:30,057
Preacher: IT THRILLS ME.
687
00:38:30,057 --> 00:38:32,560
IT THRILLS ME!
688
00:38:32,560 --> 00:38:37,565
WE CAN BUILD A NATION
INSIDE A NATION
689
00:38:37,565 --> 00:38:40,067
RIGHT WHERE WE ARE.
690
00:38:40,067 --> 00:38:41,569
THE CHOICE IS YOURS.
691
00:38:43,070 --> 00:38:46,073
I'M NOT A JOINER.
692
00:38:46,073 --> 00:38:49,577
I'M NOT A MEMBER
OF THE JOHN BIRCH SOCIETY
693
00:38:49,577 --> 00:38:51,579
OR THE COMMUNIST PARTY,
694
00:38:51,579 --> 00:38:55,583
BUT LET'S LOOK
AT WHAT'S HAPPENED
695
00:38:55,583 --> 00:38:59,587
TO THE NATIONAL MORALS
SINCE WORLD WAR II.
696
00:38:59,587 --> 00:39:02,089
WE LOST THE VIETNAM WAR.
697
00:39:02,089 --> 00:39:04,592
?? ?? ??
698
00:39:04,592 --> 00:39:08,596
THE MOVIES AND THE TELEVISION
ARE FILLED WITH CHARACTERS
699
00:39:08,596 --> 00:39:13,100
I DON'T EVEN WANT TO KNOW,
NOT IN THIS LIFE.
700
00:39:13,100 --> 00:39:15,603
THE FARMER'S IN TROUBLE.
701
00:39:15,603 --> 00:39:18,606
THE SMALL BUSINESSMAN
IS IN TROUBLE.
702
00:39:18,606 --> 00:39:21,108
UNEMPLOYMENT
IS SKYROCKETING.
703
00:39:23,110 --> 00:39:27,114
TEXAS IS STILL PAYING
FOR JOHN KENNEDY'S DEATH,
704
00:39:27,114 --> 00:39:28,616
MY FRIENDS.
705
00:39:28,616 --> 00:39:32,119
Woman: IT WAS LOVE THAT
KILLED JOHN F. KENNEDY.
706
00:39:32,119 --> 00:39:33,621
HE SHOULD HAVE NEVER
MESSED WITH ME.
707
00:39:33,621 --> 00:39:37,124
OH, NO, I KNOW NOTHING,
YOUR HONOR.
708
00:39:37,124 --> 00:39:40,628
THEY WANT ME TO SPEAK
ON60 MINUTES.
709
00:39:40,628 --> 00:39:43,130
MIKE WALLACE WANTS MY BODY.
710
00:39:43,130 --> 00:39:45,633
I DON'T TELL A SOUL.
711
00:39:45,633 --> 00:39:48,636
WELL, THEY GAVE ME
SO MUCH MONEY,
712
00:39:48,636 --> 00:39:50,638
WHAT COULD I DO?
713
00:39:51,138 --> 00:39:52,640
UMM...THANK YOU.
714
00:39:52,640 --> 00:39:55,643
THAT'S EXACTLY
WHAT I'M TALKING ABOUT.
715
00:39:55,643 --> 00:40:00,147
NOW, LET'S LOOK AT WHO'S BEEN
RUNNING THIS COUNTRY
716
00:40:00,147 --> 00:40:02,149
SINCE WORLD WAR II.
718
00:40:07,655 --> 00:40:15,162
AND THEY HAVE SOME
INVOLVEMENT IN ALL OF THESE.
719
00:40:15,162 --> 00:40:16,664
WHAT IS THE LINK?
720
00:40:17,665 --> 00:40:20,668
WHAT DO CARS
HAVE TO DO WITH BOOKS,
721
00:40:20,668 --> 00:40:22,670
YOU MIGHT ASK.
722
00:40:22,670 --> 00:40:23,671
THE TRILATERAL COMMISSION
723
00:40:24,171 --> 00:40:25,673
WITH THE COUNCIL
ON FOREIGN RELATIONS,
724
00:40:25,673 --> 00:40:28,175
DID YOU EVER HEAR OF THEM?
725
00:40:28,175 --> 00:40:30,177
WELL, NEITHER DID I,
726
00:40:30,177 --> 00:40:35,182
UNTIL I NOTICED
THE CHAIN OF COINCIDENCE.
727
00:40:35,182 --> 00:40:40,688
THEY HAVE MEMBERS ON THE BOARDS
OF ALL THE LARGEST CORPORATIONS.
728
00:40:40,688 --> 00:40:43,691
NOT ONE DETAIL
HAS BEEN LEFT OUT.
729
00:40:43,691 --> 00:40:45,192
AM I RIGHT?
DO YOU FEEL IT?
730
00:40:45,693 --> 00:40:48,195
DO YOU KNOW WHAT
BOBBY RAY INMAN WAS DOING
731
00:40:48,195 --> 00:40:50,698
BEFORE HE WAS RUNNING
THE MICROELECTRONICS
732
00:40:50,698 --> 00:40:52,700
AND THE COMPUTER TECH
CORPORATION?
733
00:40:52,700 --> 00:40:53,701
WELL, GUESS!
734
00:40:53,701 --> 00:40:58,205
A CIA DIRECTOR.
IT'S PUBLIC KNOWLEDGE.
735
00:40:58,205 --> 00:41:01,208
DO YOU RUN OUT OF KLEENEX,
PAPER TOWELS, AND TOILET PAPER
736
00:41:01,208 --> 00:41:04,712
AT THE SAME TIME?
YOU KNOW IT'S TRUE!
737
00:41:04,712 --> 00:41:06,213
IT'S ALL TRUE!
738
00:41:06,213 --> 00:41:08,215
YOU REMEMBER HOW
GOVERNOR WHITE
739
00:41:08,215 --> 00:41:11,218
CAMPAIGNED TO
GET THE MCC HERE?
740
00:41:11,218 --> 00:41:13,721
DO YOU KNOW
WHAT THEIR GOAL IS, HUH?
741
00:41:13,721 --> 00:41:15,222
WELL, ELVIS DID!
742
00:41:15,222 --> 00:41:18,225
ARTIFICIAL INTELLIGENCE!
HUH?
743
00:41:18,225 --> 00:41:21,228
ROBOTS! THEY'D LIKE THAT,
WOULDN'T THEY?
744
00:41:21,228 --> 00:41:23,731
YES, SIR!
SLEEP! SLEEP!
745
00:41:23,731 --> 00:41:26,734
ONE AND ONE
DOES NOT EQUAL TWO!
746
00:41:26,734 --> 00:41:27,735
NO, SIR!
747
00:41:27,735 --> 00:41:29,737
SILICON GULCH!
SILICON PRAIRIE!
748
00:41:29,737 --> 00:41:32,239
SILICON HILL!
SILICON VALLEY!
749
00:41:32,239 --> 00:41:34,742
YOU'D BETTER WAKE UP.
750
00:41:36,744 --> 00:41:38,245
IT'S LATE
751
00:41:40,247 --> 00:41:41,749
IT'S LATE
752
00:41:43,250 --> 00:41:44,251
IT'S LATE
753
00:41:49,256 --> 00:41:50,758
YOU GOT THE CBS
754
00:41:52,259 --> 00:41:53,761
AND THE ABC
755
00:41:55,763 --> 00:41:58,265
YOU GOT
TIMEANDNEWSWEEK
756
00:41:58,766 --> 00:42:00,267
THEY'RE THE SAME TO ME
757
00:42:02,269 --> 00:42:05,272
NOW, DON'T YOU WANT TO
GET RIGHT WITH ME?
758
00:42:05,773 --> 00:42:07,775
PUZZLIN' EVIDENCE
759
00:42:07,775 --> 00:42:11,779
I HOPE YOU GET
EVERYTHING YOU NEED
760
00:42:11,779 --> 00:42:13,781
PUZZLIN' EVIDENCE
761
00:42:14,281 --> 00:42:17,785
WELL, IT'S-A
PUZZLIN' EVIDENCE
762
00:42:17,785 --> 00:42:20,788
PUZZLIN' EVIDENCE
763
00:42:21,288 --> 00:42:23,791
PUZZLIN' EVIDENCE
764
00:42:23,791 --> 00:42:28,295
DONE HARDENED IN YOUR HEART
765
00:42:28,796 --> 00:42:32,800
OHH, HARDENED
IN YOUR HEART
766
00:42:33,300 --> 00:42:34,802
Y'ALL LISTEN.
767
00:42:40,808 --> 00:42:42,309
NOW, I AM THE GUN
768
00:42:43,811 --> 00:42:45,312
AND YOU ARE THE BULLET ??
769
00:42:46,814 --> 00:42:48,816
I GOT THE POWER AND GLORY
770
00:42:48,816 --> 00:42:50,317
PUZZLIN'
771
00:42:50,317 --> 00:42:51,819
AND THE MONEY TO BUY IT
772
00:42:52,319 --> 00:42:53,320
PUZZLIN'
773
00:42:53,821 --> 00:42:56,824
YOU GOT YOUR GULF AND WESTERN
AND YOUR MASTERCARD
774
00:42:56,824 --> 00:43:00,327
PUZZLIN' EVIDENCE
775
00:43:00,327 --> 00:43:03,330
GOT WHAT YOU WANTED,
LOST WHAT YOU'VE HAD
776
00:43:03,330 --> 00:43:05,833
PUZZLIN' EVIDENCE
777
00:43:05,833 --> 00:43:09,336
I'M SEEIN' PUZZLIN' EVIDENCE
778
00:43:09,336 --> 00:43:11,839
PUZZLIN' EVIDENCE
779
00:43:11,839 --> 00:43:15,342
PUZZLIN' EVIDENCE
780
00:43:15,342 --> 00:43:19,346
DONE HARDENED
IN YOUR HEART
781
00:43:19,346 --> 00:43:22,850
?? IT'S HARDENED UP
YOUR HEART
782
00:43:22,850 --> 00:43:25,352
ALL RIGHT
783
00:43:25,352 --> 00:43:27,354
ARE YOU LISTENIN'?
784
00:43:27,354 --> 00:43:30,357
WHAT I'M SAYIN' IS REAL.
785
00:43:30,357 --> 00:43:31,859
HUH
786
00:43:31,859 --> 00:43:32,860
HUH
787
00:43:32,860 --> 00:43:34,862
HUH
788
00:43:34,862 --> 00:43:36,363
HUH
789
00:43:36,363 --> 00:43:37,364
HUH
790
00:43:37,364 --> 00:43:38,866
HUH
791
00:43:38,866 --> 00:43:40,868
HUH
792
00:43:40,868 --> 00:43:42,870
ISN'T THAT PUZZLIN'
793
00:43:42,870 --> 00:43:44,371
HUH
794
00:43:44,371 --> 00:43:45,873
I'M PUZZLIN'
795
00:43:45,873 --> 00:43:47,374
HUH
796
00:43:47,374 --> 00:43:48,876
I'M PUZZLIN'
797
00:43:48,876 --> 00:43:50,377
HUH
798
00:43:50,377 --> 00:43:52,379
I'M PUZZLIN'
799
00:43:52,379 --> 00:43:53,881
HUH
800
00:43:54,381 --> 00:43:57,885
WELL, I HOPE THAT YOU'RE HAPP
Y WITH WHAT YOU'VE MADE
801
PUZZLIN' EVIDENCE
802
00:44:00,387 --> 00:44:03,891
IN THE LAND OF THE FREE
AND THE HOME OF THE BRAVE
803
00:44:03,891 --> 00:44:06,393
PUZZLIN' EVIDENCE
804
00:44:06,393 --> 00:44:09,897
I'M SEEIN'
PUZZLIN' EVIDENCE
805
00:44:09,897 --> 00:44:13,400
PUZZLIN' EVIDENCE
806
00:44:13,400 --> 00:44:15,903
PUZZLIN' EVIDENCE
807
00:44:16,403 --> 00:44:19,406
DONE HARDENED
IN YOUR HEART
808
00:44:19,406 --> 00:44:21,909
IT'S TRUE.
HA HA HA!
809
00:44:22,409 --> 00:44:23,911
NOW, Y'ALL LISTEN
810
00:44:24,411 --> 00:44:27,915
TO WHAT I'VE BEEN
TELLIN' YOU TODAY, YOU HEAR?
811
00:44:30,884 --> 00:44:32,753
HUH
812
00:44:32,753 --> 00:44:34,254
HUH
813
00:44:34,755 --> 00:44:35,756
HUH
814
00:44:36,256 --> 00:44:37,257
HUH
816
00:45:06,286 --> 00:45:08,288
LOOK AT THIS.
817
00:45:10,290 --> 00:45:13,210
WHO CAN SAY IT ISN'T BEAUTIFUL?
818
00:45:13,210 --> 00:45:15,212
THE SKY...
819
00:45:15,212 --> 00:45:17,214
BRICKS...
820
00:45:22,219 --> 00:45:25,222
WHO DO YOU THINK LIVES THERE?
821
00:45:27,224 --> 00:45:29,226
FOUR-CAR GARAGE.
822
00:45:32,229 --> 00:45:34,231
HOPE...
823
00:45:34,231 --> 00:45:36,233
FEAR...
824
00:45:36,233 --> 00:45:38,235
EXCITEMENT...
825
00:45:39,737 --> 00:45:41,739
SATISFACTION.
826
00:45:41,739 --> 00:45:44,742
I'M GOING TO GIVE YOU
A CLEAR VISTA
827
00:45:44,742 --> 00:45:47,745
OF THE EDGE
OF THE CIVILIZED WORLD.
828
00:45:47,745 --> 00:45:50,748
IT'S LIKE A GAME
OF LEAPFROG.
829
00:45:50,748 --> 00:45:52,750
THESE HOUSES, THEY KEEP
EXTENDING THE TOWN OUT
830
00:45:52,750 --> 00:45:54,251
FURTHER AND FURTHER
EVERY YEAR.
831
00:45:54,752 --> 00:45:56,754
IT'S KIND OF WEIRD
FOR THE FIRST PERSON
832
00:45:56,754 --> 00:45:59,757
THAT MOVES INTO
A COMMUNITY LIKE THIS.
833
00:45:59,757 --> 00:46:01,759
I'LL BET IT IS.
834
00:46:01,759 --> 00:46:05,262
IT'S AN IMAGINARY LANDSCAPE,
A PLACE TO RAISE KIDS.
835
00:46:05,262 --> 00:46:07,264
OF COURSE, NOWADAYS
NOT EVERYONE'S HAVING KIDS,
836
00:46:07,264 --> 00:46:09,266
WITH THE END OF THE WORLD
COMING UP AND ALL.
837
00:46:09,266 --> 00:46:10,768
I MEAN, WOULD YOU?
838
00:46:10,768 --> 00:46:12,269
NO, NOT AT ALL.
839
00:46:12,269 --> 00:46:17,274
NOT UNTIL AFTER TOMORROW,
AFTER THE SHOW, HUH?
840
00:46:17,274 --> 00:46:20,277
GOOD MORNING, BOYS.
WORKING HARD, I SEE.
841
00:46:20,277 --> 00:46:22,279
A LITTLE COFFEE BREAK?
842
00:46:22,279 --> 00:46:25,282
IT'S STRANGE
WHEN YOU LOOK AT A FIELD
843
00:46:25,282 --> 00:46:26,784
AND YOU SAY, NOW,
I WANT A BATHROOM THERE
844
00:46:26,784 --> 00:46:28,786
AND A KITCHEN OVER HERE.
845
00:46:28,786 --> 00:46:30,287
NOW, IMAGINE THAT.
846
00:46:30,287 --> 00:46:33,290
HERE'S A FIELD.
TAKE A LOOK OUT.
847
00:46:33,290 --> 00:46:36,293
PICTURE A HOUSE.
PICTURE A LOT OF HOUSES.
848
00:46:36,293 --> 00:46:39,596
WHAT ELSE IS A FIELD GOOD FOR
BUT BUILDING HOUSES?
849
00:46:43,100 --> 00:46:44,601
HEY, NOW
850
00:46:44,601 --> 00:46:47,104
HEY, NOW, NOW
851
00:46:48,605 --> 00:46:51,108
I WANT A VIDEO
852
00:46:52,109 --> 00:46:54,611
I WANNA ROCK 'N' ROLL
853
00:46:54,611 --> 00:46:59,116
TAKE ME
TO THE SHOPPING MALL
854
00:46:59,116 --> 00:47:00,617
BUY ME A
855
00:47:00,617 --> 00:47:02,619
A RUBBER BALL, NOW
856
00:47:02,619 --> 00:47:05,122
HEY, NOW
857
00:47:05,122 --> 00:47:06,623
HEY, NOW
858
00:47:06,623 --> 00:47:08,625
HEY, NOW, NOW
859
00:47:10,127 --> 00:47:12,129
HEY, NOW
860
00:47:12,629 --> 00:47:13,630
HEY, NOW
861
00:47:14,131 --> 00:47:16,633
HEY, NOW, NOW
862
00:47:32,149 --> 00:47:35,652
I AM
THE KING OF THE WORLD
863
00:47:36,153 --> 00:47:39,656
THE BOSS
OF THE BOYS AND GIRLS
864
00:47:39,656 --> 00:47:43,160
YOU CAN LIVE TO 110
865
00:47:43,160 --> 00:47:47,164
?? IF YOU LISTEN
TO WHAT I'M SAYIN'
866
00:47:47,164 --> 00:47:49,166
HEY, NOW
867
00:47:49,166 --> 00:47:50,667
HEY, NOW
868
00:47:51,168 --> 00:47:54,171
HEY, NOW, NOW
869
00:47:54,171 --> 00:47:56,673
HEY, NOW
870
00:47:56,673 --> 00:47:58,175
HEY, NOW
871
00:47:58,175 --> 00:48:01,678
HEY, NOW, NOW
872
00:48:01,678 --> 00:48:04,181
HEY, NOW
873
00:48:04,181 --> 00:48:05,682
HEY, NOW
874
00:48:05,682 --> 00:48:07,684
HEY, NOW, NOW
875
00:48:16,977 --> 00:48:20,480
TEXAS IS THE LARGEST PRODUCER
OF METAL BUILDINGS.
876
00:48:20,981 --> 00:48:23,483
METAL BUILDINGS ARE THE DREAM
THAT MODERN ARCHITECTS HAD
877
00:48:23,483 --> 00:48:26,486
AT THE BEGINNING OF THIS CENTURY
FINALLY COME TRUE,
878
00:48:26,987 --> 00:48:28,488
BUT THEY THEMSELVES
DON'T REALIZE IT.
879
00:48:28,989 --> 00:48:30,991
THAT'S BECAUSE
IT DOESN'T TAKE AN ARCHITECT
880
00:48:30,991 --> 00:48:32,993
TO BUILD A METAL BUILDING.
881
00:48:32,993 --> 00:48:34,494
YOU JUST ORDER THEM
OUT OF A CATALOGUE.
882
00:48:34,494 --> 00:48:36,997
JUST PICK OUT YOUR COLOR,
THE SIZE YOU WANT,
883
00:48:36,997 --> 00:48:40,500
NUMBER OF SQUARE FEET, STYLE,
WHAT YOU NEED IT FOR.
884
00:48:40,500 --> 00:48:42,502
IT COMES WITH A BUNCH OF GUYS.
885
00:48:42,502 --> 00:48:44,504
THEY PUT IT TOGETHER IN
A COUPLE OF DAYS. MAYBE A WEEK.
886
00:48:44,504 --> 00:48:46,506
THERE YOU GO. YOU'RE ALL SET
TO GO INTO BUSINESS.
887
00:48:46,506 --> 00:48:49,009
JUST SLAP A SIGN IN FRONT.
888
00:48:53,513 --> 00:48:55,015
DRIVE ON OVER.
889
00:48:55,015 --> 00:48:57,517
OH. HE'S GONNA GET KILLED!
890
00:48:57,517 --> 00:48:59,019
WATCH OUT!
891
00:48:59,519 --> 00:49:02,522
TV: BLACK AND DECKER'S
AUTOMATIC SHUT-OFF IRON...
892
00:49:03,023 --> 00:49:05,525
BECAUSE EVEN THOSE
WITH THE BEST MEMORIES
893
00:49:06,026 --> 00:49:09,029
CAN FORGET
TO TURN THEIR IRONS OFF.
895
00:49:10,530 --> 00:49:13,033
WHOA!
OH, LOOK AT HIM!
896
00:49:13,033 --> 00:49:15,035
LOOK AT THAT BALD SPOT!
898
00:49:19,039 --> 00:49:21,041
I WAS SO IMPRESSED,
I BOUGHT THE COMPANY.
899
00:49:21,541 --> 00:49:23,543
OH! LUCY!
900
00:49:23,543 --> 00:49:26,046
I LOVE YOU, LUCY!
901
00:49:26,046 --> 00:49:27,547
OH!
902
00:49:27,547 --> 00:49:28,548
OOH!
903
00:49:28,548 --> 00:49:30,550
THAT'S A BIG ONE.
904
00:49:30,550 --> 00:49:35,555
LIVE AT 5:00.
905
00:49:35,555 --> 00:49:38,058
NEWS AT 10:00.
NEWS AT 7:00.
906
00:49:38,558 --> 00:49:40,560
NEWS AT 9:00.
NEWS AT 8:00.
907
00:49:41,061 --> 00:49:42,562
NEWS AT 11:30.
908
00:49:44,564 --> 00:49:46,566
SUITS AND TIES!
909
00:49:46,566 --> 00:49:49,069
HEY, ROBERT, SEEN THIS ONE?
910
00:49:52,572 --> 00:49:54,574
OR YOUR MONEY BACK.
912
00:50:00,080 --> 00:50:01,581
HUH
913
00:50:05,585 --> 00:50:07,087
HUH HUH HUH
915
00:50:09,089 --> 00:50:14,094
I WAS BORN IN A HOUSE
WITH THE TELEVISION ALWAYS ON
916
00:50:15,095 --> 00:50:19,099
GUESS I GREW UP
TOO FAST...
917
00:50:19,099 --> 00:50:20,600
OH, BABY!
918
00:50:20,600 --> 00:50:22,602
OH, BABY!
WORK THAT THING.
919
00:50:22,602 --> 00:50:23,603
WORK IT!
920
00:50:24,104 --> 00:50:25,105
GO.
921
00:50:25,105 --> 00:50:27,107
WE GOT TIME ON OUR HANDS
922
00:50:27,107 --> 00:50:29,109
THEY LOOK LIKE STICKS.
923
00:50:29,109 --> 00:50:32,612
SO LEAVE THE DRIVING
TO US
924
00:50:33,113 --> 00:50:36,033
AND IT'S
THE REAL THING...
925
00:50:36,033 --> 00:50:39,536
GOD, THEY'RE BOTH
IN A STRAITJACKET!
926
00:50:39,536 --> 00:50:41,538
THEY MUST'VE DONE
SOMETHIN' BAD.
927
00:50:43,457 --> 00:50:45,959
AND I CAN LOVE YOU
928
00:50:45,959 --> 00:50:47,461
LIKE A COLOR
929
00:50:47,461 --> 00:50:49,963
TV
930
00:50:49,963 --> 00:50:50,964
OOH OOH OOH
931
00:50:50,964 --> 00:50:53,967
AND NOW LOVE IS HERE
932
00:50:53,967 --> 00:50:55,469
COME ON AND TRY IT...
933
00:50:55,969 --> 00:50:57,971
OHH!
934
00:50:57,971 --> 00:50:59,473
I LIKE THAT!
935
00:50:59,473 --> 00:51:01,975
I'VE GOT LOVE FOR SALE
936
00:51:01,975 --> 00:51:03,477
I'VE GOT LOVE FOR SALE...
937
00:51:03,477 --> 00:51:05,979
I THINK THEY'RE AEROBICIZING.
938
00:51:05,979 --> 00:51:07,981
LOVE IS HERE
939
00:51:08,482 --> 00:51:09,983
COME ON AND TRY IT
940
00:51:09,983 --> 00:51:11,985
DUT DUT DUT DUT
DUT DUT DUT DUT
941
00:51:11,985 --> 00:51:12,986
GOT LOVE FOR SALE
942
00:51:13,487 --> 00:51:14,988
A KISSING COOKIE.
943
00:51:15,489 --> 00:51:19,993
GOT LOVE FOR SALE
944
00:51:20,994 --> 00:51:23,997
I HATE THAT STUFF.
IT DOESN'T WORK.
945
00:51:30,504 --> 00:51:31,505
HUH
946
00:51:31,505 --> 00:51:33,006
HUH
947
00:51:33,006 --> 00:51:35,008
YOU CAN PUT YOUR LIPSTICK
948
00:51:35,008 --> 00:51:38,011
ALL OVER MY DESIGNER JEANS
949
00:51:39,513 --> 00:51:41,515
LOVE CHOCOLATE.
950
00:51:41,515 --> 00:51:42,516
I'LL BE A VIDEO FOR YOU
951
00:51:43,016 --> 00:51:46,520
IT'S GREAT! THEY GOT
THAT COMMERCIAL ATTITUDE.
952
00:51:46,520 --> 00:51:49,022
YOU CAN CASH MY CHECK
953
00:51:49,022 --> 00:51:51,441
IF YOU GO DOWN
TO THE BANK
954
00:51:51,942 --> 00:51:53,944
DOWN AT THE BANK
955
00:51:53,944 --> 00:51:56,947
YOU GET TWO FOR ONE
956
00:51:56,947 --> 00:52:00,450
FOR A LIMITED TIME
957
00:52:00,450 --> 00:52:01,952
A LIMITED TIME
958
00:52:01,952 --> 00:52:03,453
PUSH MY BUTTON
959
00:52:03,954 --> 00:52:05,956
THE TOAST POPS UP
960
00:52:06,456 --> 00:52:07,457
OH HO HO HO HO
961
00:52:07,457 --> 00:52:08,959
OH HO HO HO HO
962
00:52:09,459 --> 00:52:10,961
LOVE AND MONEY
963
00:52:10,961 --> 00:52:12,963
GETTING ALL MIXED UP
964
00:52:13,463 --> 00:52:14,464
OH HO HO HO HO
965
00:52:14,464 --> 00:52:15,966
WHOOOOA
966
00:52:15,966 --> 00:52:18,969
NOW LOVE IS HERE
967
00:52:18,969 --> 00:52:20,470
COME ON AND TRY IT
968
00:52:20,470 --> 00:52:22,973
?? DUT DUT DUT DUT
DUT DUT DUT DUT
969
00:52:22,973 --> 00:52:25,475
I GOT LOVE FOR SALE
970
00:52:25,475 --> 00:52:27,477
I THINK THEY'RE SELLIN'
SOMETHIN'.
971
00:52:27,477 --> 00:52:29,980
DUT DUT DUT DUT
972
00:52:29,980 --> 00:52:32,482
AND NOW LOVE IS HERE
973
00:52:32,482 --> 00:52:36,987
COME ON AND TRY IT
974
00:52:36,987 --> 00:52:39,990
I GOT LOVE FOR SALE
975
00:52:39,990 --> 00:52:42,993
I GOT LOVE LOVE
LOVE LOVE
976
00:52:42,993 --> 00:52:44,494
LOVE LOVE LOVE LOVE
978
00:52:49,316 --> 00:52:51,918
TV: TODAY, DOESN'T SOMEONE
BESIDES YOU
979
00:52:51,918 --> 00:52:53,920
DESERVE MON CHERI?
980
00:52:53,920 --> 00:52:55,422
MON CHERI,
981
00:52:55,422 --> 00:52:58,925
THE BRAND OF FINE CHOCOLATES
EUROPEANS TREASURE MOST.
982
00:52:58,925 --> 00:53:01,928
HELLO, I'M LOUIS FYNE.
983
00:53:01,928 --> 00:53:04,931
I'M LOOKIN' FOR MATRIMONY
WITH A CAPITAL "M".
984
00:53:04,931 --> 00:53:07,934
I BELIEVE IN THE JOYS AND
CONTENTMENT OF MATRIMONY.
985
00:53:07,934 --> 00:53:09,936
NOW,
MY CHANCES IN THIS WORLD
986
00:53:09,936 --> 00:53:11,438
THAT PRINTS A NEW DIET BOOK
EVERY MONTH
987
00:53:11,438 --> 00:53:13,440
MAY NOT BE THAT GOOD.
988
00:53:13,440 --> 00:53:15,442
I'M LOOKIN' FOR SOMEONE
WHO CAN ACCEPT ME
989
00:53:15,442 --> 00:53:16,443
FOR WHAT I AM.
990
00:53:16,443 --> 00:53:22,449
I'M 6'3" AND MAINTAIN
A CONSISTENT PANDA BEAR SHAPE.
991
00:53:22,449 --> 00:53:26,953
I'M PLEASED WITH THE WAY
GOD MADE ME.
992
00:53:26,953 --> 00:53:28,455
I WOULDN'T CHANGE A THING.
993
00:53:28,455 --> 00:53:30,457
I'M WILLIN' TO SHARE.
994
00:53:30,457 --> 00:53:32,459
WON'T YOU PLEASE
CALL THIS NUMBER?
995
00:53:32,959 --> 00:53:35,462
8-4-4-W-I-F-E.
996
00:53:35,462 --> 00:53:38,465
THAT'S 844-WIFE.
997
00:53:38,465 --> 00:53:40,467
PLEASE CALL.
998
00:53:40,467 --> 00:53:42,469
SERIOUS INQUIRIES ONLY.
999
00:53:44,971 --> 00:53:46,473
MMM.
1000
00:53:46,473 --> 00:53:49,442
CAN YOU BELIEVE THAT?
1001
00:53:49,442 --> 00:53:54,314
Woman:
SO, UMM, LOUIS...
1002
00:53:54,814 --> 00:53:57,317
WHAT KIND OF HOBBIES
DO YOU HAVE?
1003
00:53:57,317 --> 00:53:59,819
DO YOU HAVE ANY PETS?
1004
00:53:59,819 --> 00:54:01,821
NO, I DON'T HAVE
ANY PETS.
1005
00:54:01,821 --> 00:54:02,822
I, UH...
1006
00:54:02,822 --> 00:54:06,826
I HAD A DOG
WHEN I WAS A BOY.
1007
00:54:06,826 --> 00:54:07,827
BUSTER.
1008
00:54:07,827 --> 00:54:08,828
WHAT KIND?
1009
00:54:08,828 --> 00:54:10,830
OH, HE'S EVERY WHICH WAY.
1010
00:54:10,830 --> 00:54:12,832
HE'S A HEINZ 57,
I THINK THEY CALL THEM.
1011
00:54:12,832 --> 00:54:14,834
WELL, THEY CAN BE
AWFUL CUTE.
1012
00:54:14,834 --> 00:54:16,336
THE LITTLE
FLUFFY KIND.
1013
00:54:16,336 --> 00:54:19,339
YOU KNOW HOW THEY GIVE THEM
TO YOU IN A BASKET?
1014
00:54:19,339 --> 00:54:21,841
THEY'RE CUTE LIKE THAT.
1015
00:54:21,841 --> 00:54:24,344
I LIKE MUSIC
A WHOLE LOT.
1016
00:54:24,344 --> 00:54:26,346
WHAT KIND OF MUSIC?
1017
00:54:26,346 --> 00:54:27,847
OH, COUNTRY MUSIC.
1018
00:54:27,847 --> 00:54:29,349
YOU LIKE COUNTRY MUSIC?
1019
00:54:29,349 --> 00:54:30,850
OH, YOU KNOW I DO!
1020
00:54:31,351 --> 00:54:32,852
WELL, NOT
THAT HOLLYWOOD COUNTRY.
1021
00:54:33,353 --> 00:54:36,356
OH, HANK WILLIAMS
AND MERLE HAGGARD
1022
00:54:36,356 --> 00:54:38,858
AND...TAMMY
1023
00:54:38,858 --> 00:54:40,860
AND LEFTY AND PATSY...
1024
00:54:40,860 --> 00:54:41,861
YEAH.
1025
00:54:41,861 --> 00:54:42,862
MM-HMM.
1026
00:54:42,862 --> 00:54:46,366
I THINK MUSIC IS ONE
OF THE SWEETEST THINGS,
1027
00:54:46,866 --> 00:54:49,369
AND IF IT'S SWEET,
IT'S PROBABLY CUTE.
1028
00:54:49,869 --> 00:54:52,872
YOU CAN'T HAVE ENOUGH
SWEETNESS IN THIS WORLD.
1029
00:54:52,872 --> 00:54:54,874
NO, MA'AM,
YOU CAN'T.
1030
00:54:54,874 --> 00:54:58,378
AS A MATTER OF FACT,
I'VE WRITTEN A LITTLE SONG
1031
00:54:58,378 --> 00:55:01,381
I'M GONNA SING AT THE SHOW
TOMORROW NIGHT.
1032
00:55:01,381 --> 00:55:04,884
IT'S ABOUT MY LIFE.
WHAT ELSE DO I KNOW, HUH?
1033
00:55:04,884 --> 00:55:06,886
I'LL GIVE YOU
A LITTLE SNEAK PREVIEW.
1034
00:55:06,886 --> 00:55:08,388
WOULD YOU?
1035
00:55:08,388 --> 00:55:10,390
YOU HOLD ON RIGHT THERE.
I HOPE YOU LIKE IT.
1036
00:55:10,390 --> 00:55:13,893
IT'D MEAN A LOT TO LOUIS.
1037
00:55:13,893 --> 00:55:15,895
AHEM!
1038
00:55:15,895 --> 00:55:17,897
HMM!
1039
00:55:20,317 --> 00:55:26,323
IN 195O, WHEN I WAS BORN
1040
00:55:26,823 --> 00:55:30,827
PAPA--I HAVEN'T
WRITTEN THIS VERSE QUITE YET
1041
00:55:30,827 --> 00:55:33,330
6 FEET TALL
1042
00:55:33,330 --> 00:55:37,834
AND SIZE 12 SHOES
1043
00:55:37,834 --> 00:55:39,336
NA NA NA NA
NA NA NA
1044
00:55:39,336 --> 00:55:41,338
PEOPLE LIKE US
1045
00:55:41,838 --> 00:55:43,840
WE DON'T WANT FREEDOM
1046
00:55:43,840 --> 00:55:46,343
WE, UH,
MEOW MEOW MEOW MEOW
1047
00:55:46,343 --> 00:55:52,349
WE JUST WANT
1048
00:55:52,349 --> 00:55:59,356
SOMEONE TO LOVE
1049
00:56:02,859 --> 00:56:04,361
TA-DA!
1050
00:56:04,361 --> 00:56:06,363
WELL, WHAT DID YOU THINK?
1051
00:56:06,863 --> 00:56:08,365
WHEN YOU'RE SINGING,
1052
00:56:08,365 --> 00:56:11,868
YOUR EYE SOCKETS
GO BACK IN YOUR HEAD
1053
00:56:11,868 --> 00:56:12,869
AND YOUR EYES
GET BEADY.
1054
00:56:12,869 --> 00:56:14,871
WHAT ABOUT MY MUSIC?
1055
00:56:15,872 --> 00:56:18,375
IT'S AWFUL SAD.
1056
00:56:20,377 --> 00:56:24,381
I COULDN'T HAVE THAT KIND
OF SADNESS IN MY LIFE.
1057
00:56:24,381 --> 00:56:26,883
DO YOU REALLY
FEEL THAT WAY?
1058
00:56:26,883 --> 00:56:30,887
I'M--I NEVER
THOUGHT ABOUT IT.
1059
00:56:32,889 --> 00:56:35,392
MAYBE I AM KIND OF SAD.
1060
00:56:35,392 --> 00:56:37,394
I LIKE SAD SONGS.
1061
00:56:37,394 --> 00:56:41,398
THEY MAKE ME WANT
TO LIE ON THE FLOOR.
1062
00:56:41,398 --> 00:56:44,901
OLD LOUIS THE BEAR
ON THE FLOOR.
1063
00:56:58,915 --> 00:57:01,418
I GUESS I'LL GO NOW.
1064
00:57:04,421 --> 00:57:05,922
SORRY.
1065
00:57:05,922 --> 00:57:08,925
ITWASNICE TALKIN' TO YOU.
1066
00:57:11,928 --> 00:57:14,431
LOUIS THE BEAR...
1067
00:57:15,432 --> 00:57:17,434
OUT THE DOOR.
1068
00:57:17,434 --> 00:57:19,436
GOOD-BYE.
1069
00:57:25,442 --> 00:57:27,444
CHEER UP.
1070
00:57:29,696 --> 00:57:31,197
A LITTLE MORE BOTTOM.
1071
00:57:31,197 --> 00:57:32,699
A LITTLE MORE?
1072
00:57:32,699 --> 00:57:34,701
ALWAYS A LITTLE MORE BOTTOM.
1073
00:57:34,701 --> 00:57:37,704
GREAT. OK, LET'S GO
TO NUMBER 2.
1074
00:57:51,718 --> 00:57:53,720
RAMON!
1075
00:57:55,221 --> 00:57:57,724
YOU CAN'T COME IN
WITHOUT PAYING.
1076
00:57:57,724 --> 00:57:59,726
I DON'T WANT TO DANCE.
1077
00:57:59,726 --> 00:58:03,229
I JUST WANT TO
TALK TO MY FRIEND RAMON
1078
00:58:03,229 --> 00:58:04,731
ON THE LITTLE ORGAN.
1079
00:58:04,731 --> 00:58:07,650
...SER CHICANO
1080
00:58:07,650 --> 00:58:14,157
EN LOS BARRIOS
ME PUEDEN ENCONTRAR
1081
00:58:14,157 --> 00:58:20,663
PORQUE AHI
TODITITOS ME CONOCEN ??
1082
00:58:20,663 --> 00:58:22,165
Y YA SABEN...
1083
00:58:22,665 --> 00:58:23,166
$3.00?
1084
00:58:23,666 --> 00:58:26,169
I'M JUST GOING TO
COME RIGHT BACK OUT.
1085
00:58:26,169 --> 00:58:27,670
FINE.
1086
00:58:27,670 --> 00:58:33,176
SAN ANTONIO,
CORPUS CHRISTI Y MCALLEN
1087
00:58:33,176 --> 00:58:40,183
UNA TERCIA QUE NUNCA
PODRE OLVIDAR
1088
00:58:40,183 --> 00:58:44,187
Y SI ACASO VAS ALLA
POR ESOS BARRIOS
1089
00:58:44,187 --> 00:58:48,691
MIS CARNALES
TE PODRAN ALIVIANAR
1090
00:58:57,200 --> 00:59:03,706
DE REPENTE VOY
Y CRUZO LA FRONTERA
1091
00:59:03,706 --> 00:59:07,710
PARA IR A DIVERTIRME
A TODO DAR...
1092
00:59:07,710 --> 00:59:08,711
RAMON!
1093
00:59:09,212 --> 00:59:11,714
HEY, LOUIS! CAN YOU
WAIT 5 MINUTES, MAN?
1094
00:59:11,714 --> 00:59:12,715
I GOT A BREAK.
1095
00:59:13,216 --> 00:59:13,716
NO.
1096
00:59:14,217 --> 00:59:16,219
DID YOU
TALK TO HIM?
1097
00:59:16,219 --> 00:59:18,721
YEAH, MAN.
YOU GOT THE PHOTOGRAPH?
1098
00:59:18,721 --> 00:59:21,724
YOU GOT THE BUCKA?
THE CASH?
1099
00:59:21,724 --> 00:59:23,226
THANKS.
1100
00:59:23,726 --> 00:59:29,232
?? ...MATAMOROS
POR REYNOSA ??
1101
00:59:29,232 --> 00:59:37,023
?? DA LO MISMO PORQUE
ALLA SABEN GOZAR... ??
1104
01:00:35,965 --> 01:00:37,967
TV: HOLD IT RIGHT THERE.
1105
01:00:37,967 --> 01:00:40,970
HEY, OFFICER,
WHAT'S GOING ON HERE?
1106
01:00:40,970 --> 01:00:43,973
COME ON. LET'S
GET OUT OF HERE.
1107
01:00:43,973 --> 01:00:45,475
I SAID FREEZE!
1108
01:00:45,475 --> 01:00:47,477
WHAT'S GOING ON HERE?
1109
01:01:01,407 --> 01:01:03,910
UH...AHEM!
1110
01:01:03,910 --> 01:01:06,412
RAMON GAVE ME
THIS ADDRESS.
1111
01:01:06,412 --> 01:01:07,914
WELL, HI.
1112
01:01:07,914 --> 01:01:09,916
COME ON IN.
1113
01:01:11,417 --> 01:01:13,419
DID YOU BRING
A PHOTOGRAPH?
1114
01:01:16,422 --> 01:01:17,840
THANK YOU.
1115
01:01:19,842 --> 01:01:22,345
YOU KNOW, I'M NEW AT THIS.
1116
01:01:23,846 --> 01:01:26,849
DON'T MATTER.
YOU DON'T HAVE TO BELIEVE.
1117
01:01:26,849 --> 01:01:29,852
IF YOU FOLLOW DIRECTIONS,
YOU CAN'T GO WRONG.
1118
01:01:32,855 --> 01:01:34,857
MM-HMM.
1119
01:01:34,857 --> 01:01:37,360
YOU WANT TO
ATTRACT LOVE.
1120
01:01:37,360 --> 01:01:40,363
HA HA!
HOW DID YOU KNOW?
1121
01:01:40,363 --> 01:01:43,282
YOUR HEART IS TOO LARGE.
1122
01:01:45,785 --> 01:01:48,287
YOU'RE AN HONEST MAN.
1123
01:01:50,790 --> 01:01:54,794
MATRIMONY...
IT'S MY LIFE,
1124
01:01:55,294 --> 01:01:56,295
AND I WANT TO
SHARE MY LIFE.
1126
01:02:00,299 --> 01:02:02,802
I'VE TRIED
EVERYTHING.
1127
01:02:03,302 --> 01:02:06,305
OFTEN OUR TRUE NATURE
IS NOT WHAT WE HOPE IT IS,
1128
01:02:06,305 --> 01:02:11,811
BUT YOU, IN YOUR CASE,
YOU'RE DRAWN TO LOVE.
1129
01:02:11,811 --> 01:02:14,814
WHATEVER YOU THINK
IS WHAT YOU GET.
1130
01:02:14,814 --> 01:02:17,316
LOVE MUST BE DRAWN TO YOU.
1131
01:02:18,818 --> 01:02:22,321
COME ON AND LET ME
TAKE CARE OF THIS HERE.
1132
01:02:23,322 --> 01:02:25,324
DISCHARGE
THE NEGATIVE FORCES
1133
01:02:25,324 --> 01:02:27,827
YOU HAVE INVOLUNTARILY
RECEIVED.
1135
01:02:30,329 --> 01:02:32,331
REMOVE ANYTHING
THAT'S METALLIC.
1136
01:02:37,837 --> 01:02:40,339
NOW, THIS WILL
TAKE SOME TIME.
1137
01:02:46,846 --> 01:02:48,848
UM...
1138
01:02:48,848 --> 01:02:51,350
I'M GOING TO SING
TOMORROW NIGHT.
1139
01:02:52,852 --> 01:02:54,353
WILL THIS HELP?
1140
01:02:54,353 --> 01:02:56,856
I'LL WORK ON YOU
TONIGHT AND TOMORROW.
1141
01:02:59,859 --> 01:03:01,360
TAKE THIS.
1142
01:03:03,863 --> 01:03:06,365
CLOSE THIS.
LIKE THAT.
1143
01:03:06,365 --> 01:03:10,870
NOW, DRINK
3 SODA WATERS A DAY.
1144
01:03:10,870 --> 01:03:12,371
DRINK HALF
AND THROW HALF AWAY.
1145
01:03:12,872 --> 01:03:15,875
DRINK HALF
AND THROW HALF AWAY.
1146
01:03:15,875 --> 01:03:17,376
YEAH. THINK POSITIVE.
1147
01:03:17,376 --> 01:03:20,880
DON'T LET NOTHIN' ENTER INTO
YOUR MIND THAT'S NEGATIVE.
1148
01:03:20,880 --> 01:03:24,383
IF YOU DO THAT AND
HAVE FAITH AND BELIEVE,
1149
01:03:24,383 --> 01:03:25,384
YOU GOT IT.
1150
01:03:25,384 --> 01:03:27,887
IT'S DONE.
1151
01:03:27,887 --> 01:03:30,807
GO...AND ENJOY
YOUR LOVE LIFE.
1152
01:03:31,307 --> 01:03:32,809
SAYONARA.
1153
01:04:01,137 --> 01:04:02,638
Man on P.A.:
TODAY, LADIES AND GENTLEMEN,
1154
01:04:03,139 --> 01:04:06,142
ALL OF OUR FRIENDS AND
NEIGHBORS FROM VIRGIL, TEXAS,
1155
01:04:06,142 --> 01:04:08,144
A VERY SPECIAL WELCOME.
1156
01:04:08,144 --> 01:04:10,646
THIS IS THE CELEBRATION
OF SPECIALNESS.
1157
01:04:10,646 --> 01:04:14,650
WHEN THE FLAG GOES BY
IN A FEW MOMENTS,
1158
01:04:14,650 --> 01:04:17,653
WE WANT ALL YOU KIDS
TO SHOW MOM AND DAD
1159
01:04:17,653 --> 01:04:21,157
THAT WE CAN BE RESPECTFUL
TO OUR NATIONAL FLAG.
1160
01:04:21,157 --> 01:04:23,659
INTRODUCING THE FAMOUS
SOUL POMPOM GIRLS,
1161
01:04:23,659 --> 01:04:27,163
CEDAR CREST COMETS,
1162
01:04:27,163 --> 01:04:29,165
AND LADIES AND GENTLEMEN,
1163
01:04:29,165 --> 01:04:31,167
JUST LOOK AT THE YOUTH
AND VIVACIOUS EXPERIENCE
1164
01:04:31,667 --> 01:04:33,169
OF THOSE YOUNG POMPOM GIRLS.
1165
01:04:33,669 --> 01:04:35,671
TEENAGERS WITH A PURPOSE
IN MIND.
1166
01:04:36,172 --> 01:04:37,673
THE LOW-RIDERS.
1167
01:04:37,673 --> 01:04:39,175
YAY!
YAY!
1168
01:04:39,175 --> 01:04:41,677
[APPLAUSE]
1169
01:04:41,677 --> 01:04:43,679
THE LAWN-MOWER BRIGADE.
1170
01:04:43,679 --> 01:04:47,183
THIS IS SPONSORED BY
WHITEHEAD HARDWARE STORE.
1171
01:04:47,183 --> 01:04:49,685
ENTRY NUMBER 9,
1172
01:04:49,685 --> 01:04:52,688
A VERY, VERY FAMOUS GROUP
HERE IN THIS PART OF TEXAS,
1173
01:04:52,688 --> 01:04:54,690
THE PLEASANT OAKS
MAJORETTES.
1174
01:04:54,690 --> 01:04:56,692
AND NOTICE THAT BEAUTIFUL
PURPLE AND SILVER
1175
01:04:56,692 --> 01:04:58,194
THAT THEY'RE WEARING.
1176
01:04:58,194 --> 01:05:01,697
THEY'RE SPONSORED BY OUR
VERY OWN MISSES FASHION DEPOT,
1177
01:05:01,697 --> 01:05:04,700
AND THEY'VE GOT PLENTY
OF SPECIAL TALENT.
1178
01:05:04,700 --> 01:05:09,205
LADIES AND GENTLEMEN,
THE PLEASANT OAKS MAJORETTES.
1179
01:05:11,207 --> 01:05:12,208
HEY!
1180
01:05:12,208 --> 01:05:13,209
WELL, HEY!
1181
01:05:13,209 --> 01:05:14,710
THE BEAR.
1182
01:05:14,710 --> 01:05:16,712
HOW YOU DOIN'?
LOOK AT THAT HAT.
1183
01:05:16,712 --> 01:05:18,214
GREAT OUTFIT.
1184
01:05:18,214 --> 01:05:20,216
THANK YOU.
FEELIN' GOOD.
1185
01:05:20,216 --> 01:05:22,218
INTRODUCING
EARL AND KAY CULVER
1186
01:05:22,218 --> 01:05:25,221
AND THEIR 2 LOVELY CHILDREN,
LINDA AND LARRY.
1187
01:05:25,221 --> 01:05:27,223
I USUALLY
DON'T LIKE PARADES.
1188
01:05:27,223 --> 01:05:28,224
NO.
1189
01:05:28,708 --> 01:05:30,142
BUT THIS ONE'S
DIFFERENT.
1190
01:05:30,142 --> 01:05:33,145
IN FACT, IT'S THE FIRST TIME
IN 30 YEARS.
1191
01:05:33,145 --> 01:05:35,648
EARL, WE WANT TO THANK YOU
FOR ALL THE WORK YOU'VE DONE,
1192
01:05:35,648 --> 01:05:37,149
ALL THE COMMITTEES.
1193
01:05:37,149 --> 01:05:39,652
YOU'VE BEEN GREAT.
WE WANT TO SALUTE YOU.
1194
01:05:39,652 --> 01:05:44,156
FEW PEOPLE KNOW HE'S GOT A BULL
TATTOOED ON HIS STOMACH.
1195
01:05:44,156 --> 01:05:45,658
EARL CULVER?
1196
01:05:45,658 --> 01:05:48,160
COMING ALL THE WAY
FROM SUNSET HIGH SCHOOL
1197
01:05:48,160 --> 01:05:50,663
TO BE IN VIRGIL'S
SPECIAL PARADE,
1198
01:05:50,663 --> 01:05:53,666
THE IVORY AND GOLD
OF SUNSET HIGH SCHOOL.
1199
01:05:53,666 --> 01:05:55,668
SEE YOU MONDAY.
1200
01:05:55,668 --> 01:05:57,169
...THIS BEAUTIFUL MUSIC.
1201
01:05:57,169 --> 01:05:58,671
ZE PEREIRA!
1202
01:06:00,673 --> 01:06:02,174
ZE PEREIRA!
1203
01:06:02,174 --> 01:06:04,677
NOW, I'LL GUARANTEE YOU,
LADIES AND GENTLEMEN,
1204
01:06:05,177 --> 01:06:08,681
HERE'S SOMETHING YOU WILL NOT
SEE IN MANY PARADES.
1205
01:06:10,683 --> 01:06:14,186
OUR VERY FAMOUS VISITORS,
1206
01:06:14,186 --> 01:06:16,188
THE RED MUSTANG SHRINERS!
1207
01:06:16,188 --> 01:06:18,691
A BIG HAND OF APPLAUSE.
1208
01:06:18,691 --> 01:06:21,193
NOW, I WANT YOU TO NOTICE
1209
01:06:21,193 --> 01:06:23,696
THAT THEY'RE DRIVING
WITH ONE HAND!
1210
01:06:24,697 --> 01:06:28,200
WE'VE GOT
A VERY SPECIAL SURPRISE.
1211
01:06:28,200 --> 01:06:30,703
I'LL BET THERE'S NOT ANOTHER
PARADE THAT'S GOT BABIES.
1212
01:06:30,703 --> 01:06:34,206
HERE THEY COME.
HERE THEY COME!
1213
01:06:34,206 --> 01:06:35,708
ISN'T THAT ADORABLE?
1214
01:06:35,708 --> 01:06:38,210
THE FUTURE SECRETARIES,
THE FUTURE FARMERS...
1215
01:06:38,210 --> 01:06:39,712
THEY'RE SO CUTE!
1216
01:06:39,712 --> 01:06:41,714
NO! LOOK AT THOSE TWO!
1217
01:06:41,714 --> 01:06:44,717
WOULD YOU LOOK AT
THOSE TWO BABIES? OH!
1219
01:06:46,218 --> 01:06:47,720
I'M MELTING!
1220
01:06:47,720 --> 01:06:49,722
DON'T SELL THEM SHORT.
1221
01:06:49,722 --> 01:06:52,224
OH! HOW ITSY-BITSY!
1222
01:06:52,224 --> 01:06:54,226
HI. HI THERE.
1223
01:06:54,226 --> 01:06:58,230
DO YOU KNOW WHAT
A LITTLE DOLL YOU ARE?
1224
01:07:04,737 --> 01:07:09,742
LET'S GIVE A BIG, BIG HAND TO
THE ACCORDION BAND OF VIRGIL.
1226
01:07:29,261 --> 01:07:32,264
AND FANS,
DON'T FORGET THE SHOW TONIGHT.
1227
01:07:32,264 --> 01:07:36,268
IT'S SPONSORED BY VARICORP.
IT'S ALL LOCAL TALENT.
1228
01:07:36,268 --> 01:07:39,772
AND DON'T FORGET.
THAT'S TONIGHT. THE BIG SHOW.
1229
01:07:40,272 --> 01:07:42,775
THERE'LL BE CHAIRS
FOR YOUR CONVENIENCE,
1230
01:07:42,775 --> 01:07:46,278
SO YOU DON'T HAVE TO
SIT ON YOUR COOLERS.
1231
01:07:51,383 --> 01:07:56,372
LET'S SEE.
TAKE, UH, 157 TO 287
1232
01:07:56,872 --> 01:07:59,875
AND THEN A LEFT
AT THE K-MART
1233
01:07:59,875 --> 01:08:02,878
AND THEN GO 2 MILES.
1234
01:08:06,382 --> 01:08:08,384
I'M GETTING USED TO
THESE OUTFITS.
1235
01:08:08,884 --> 01:08:10,386
THEY SELL A LOT OF THEM,
1236
01:08:10,886 --> 01:08:12,888
BUT I DON'T SEE
ANYBODY ELSE WEARING THEM.
1237
01:08:55,931 --> 01:08:58,934
HI OUT THERE
AND GOOD EVENING AND WELCOME.
1238
01:08:58,934 --> 01:09:01,937
WELCOME TO OUR TALENT SHOW
UNDER THE STARS.
1239
01:09:01,937 --> 01:09:06,942
FIRST I WANT TO TELL YOU
A STORY I HEARD ABOUT TEXAS
1240
01:09:06,942 --> 01:09:08,944
RECENTLY IN A LOCAL TAVERN.
1241
01:09:08,944 --> 01:09:10,946
IT SEEMS GOD
WAS WORKING AROUND HERE,
1242
01:09:10,946 --> 01:09:13,949
TRYING TO MAKE IT BEAUTIFUL
LIKE THE REST OF THE WORLD.
1243
01:09:13,949 --> 01:09:16,452
HE HAD TO KNOCK OFF
BECAUSE IT WAS NIGHTTIME.
1244
01:09:16,452 --> 01:09:18,454
HE SAID,
I'LL COME BACK TOMORROW
1245
01:09:18,454 --> 01:09:19,955
AND MAKE IT AS PRETTY
AS THE REST OF THE WORLD
1246
01:09:19,955 --> 01:09:22,958
WITH LAKES AND STREAMS
AND MOUNTAINS AND TREES.
1247
01:09:22,958 --> 01:09:25,461
HE GOT BACK THE NEXT DAY,
1248
01:09:25,461 --> 01:09:28,464
AND HE SAW THE GROUND HAD
HARDENED LIKE CONCRETE.
1249
01:09:28,464 --> 01:09:30,966
AND HE DIDN'T WANT TO
BEGIN ALL OVER AGAIN. NO.
1250
01:09:31,467 --> 01:09:34,386
IN HIS INFINITE WISDOM,
HE HAD AN IDEA.
1251
01:09:34,386 --> 01:09:37,389
HE SAID,
I KNOW WHAT I'LL DO.
1252
01:09:37,389 --> 01:09:41,861
I'LL MAKE SOME PEOPLE
THAT LIKE IT THIS WAY.
1254
01:09:44,263 --> 01:09:46,765
I WANT YOU TO WELCOME
THIS FIRST ACT HERE.
1255
01:09:46,765 --> 01:09:48,767
THEY'LL TELL YOU MORE
ABOUT TEXAS IN 5 SECONDS
1256
01:09:48,767 --> 01:09:50,186
THAN YOU'D EVER
WANT TO KNOW.
1257
01:09:50,186 --> 01:09:52,188
I WANT YOU TO WELCOME,
PLEASE,
1258
01:09:52,188 --> 01:09:58,194
CHARLES CONNOUR, NORM SEATON,
AND RANDY ERWIN.
1259
01:09:58,694 --> 01:09:59,695
ALL RIGHT!
1261
01:10:02,698 --> 01:10:04,200
ALL RIGHT,
LADIES AND GENTLEMEN,
1262
01:10:04,200 --> 01:10:07,203
I BID 10 AND 50, 20,
20 AND 50, 30.
1263
01:10:07,203 --> 01:10:10,206
20. MAKE IT 30.
30 MAKE IT 40.
1264
01:10:10,206 --> 01:10:11,707
YODEL-AY-EE-HEE...
1265
01:10:11,707 --> 01:10:13,209
MAKE IT 60.
1266
01:10:13,209 --> 01:10:15,211
I CAN TALK THAT FAST.
1267
01:10:15,211 --> 01:10:16,212
NO!
1268
01:10:16,212 --> 01:10:18,214
80. WILL YOU BID 90?
1269
01:10:18,214 --> 01:10:19,715
YODEL-AY-EE-O...
1270
01:10:19,715 --> 01:10:24,720
5-10. 5-20. PUT UP A 20.
GIVE ME 25. 30.
1271
01:10:24,720 --> 01:10:26,639
30. PUT UP A 40.
1272
01:10:26,639 --> 01:10:29,642
5 AND A HALF.
6 AND A 5.
1273
01:10:29,642 --> 01:10:32,144
YODEL-AY-EE ODEL-AY-EE
ODEL-AY-EE...
1274
01:10:32,645 --> 01:10:33,646
600. NOW 10.
1275
01:10:34,146 --> 01:10:37,149
NOW BID 6-20.
PUT IT WITH 6-30.
1276
01:10:37,149 --> 01:10:40,152
BID 40. 6-40.
PUT IT WITH 50.
1277
01:10:40,152 --> 01:10:44,156
6-50. 6, 7, 8.
PUT IT 6-80. 700.
1278
01:10:44,156 --> 01:10:45,658
YODEL-AY-EE...
1279
01:10:45,658 --> 01:10:47,660
7-10. GO TO 15.
1280
01:10:47,660 --> 01:10:49,662
YODEL-AY-EEE...
1281
01:10:49,662 --> 01:10:54,166
20. 15. PUT UP A 2O.
15. PUT UP A 20.
1282
01:10:54,166 --> 01:10:57,670
7-10 MAKES 7-20.
STUCK ON 7-10.
1283
01:10:57,670 --> 01:11:00,673
7-10. NOW 20.
PUT UP A 30.
1284
01:11:00,673 --> 01:11:03,175
PUT UP A 40 TO 50.
1285
01:11:03,175 --> 01:11:06,178
600. 6-10.
MAKE IT 20. 6-30.
1286
01:11:06,178 --> 01:11:10,182
DOO DOO DOO DOO
DOO DOO
1287
01:11:10,182 --> 01:11:14,186
DOO
1290
01:12:18,250 --> 01:12:20,719
WOO! WOO!
1293
01:12:30,095 --> 01:12:32,097
DIVINE ORDER,
TAKE CHARGE OF MY LIFE
1294
01:12:32,097 --> 01:12:35,100
TODAY AND EVERY DAY.
1295
01:12:35,100 --> 01:12:38,604
ALL THINGS WORK TOGETHER
FOR GOOD FOR ME TODAY.
1296
01:12:38,604 --> 01:12:42,107
THIS IS A NEW AND WONDERFUL
DAY FOR ME.
1297
01:12:42,107 --> 01:12:45,611
THERE WILL NEVER BE
ANOTHER ONE LIKE THIS ONE.
1298
01:12:45,611 --> 01:12:48,113
I'M DIVINELY GUIDED
ALL DAY LONG,
1299
01:12:48,113 --> 01:12:50,616
AND WHATEVER I DO
WILL PROSPER.
1300
01:12:53,118 --> 01:12:55,621
PFFTT!
1301
01:12:55,621 --> 01:12:57,623
DIVINE LOVE, ENFOLD ME.
1302
01:12:58,123 --> 01:13:02,127
SURROUND ME AND ENRAPT ME,
AND I'LL GO FORTH IN PEACE.
1303
01:13:02,127 --> 01:13:04,630
I AM GOING TO BE
A WONDERFUL SUCCESS
1304
01:13:04,630 --> 01:13:07,132
IN ALL OF MY
UNDERTAKINGS TODAY,
1305
01:13:07,132 --> 01:13:12,137
AND YOU ARE GOING TO BE HAPPY
FROM NOW ON.
1307
01:13:13,639 --> 01:13:16,141
SHOOT.
THEY'VE BEEN BEGGING ME
1308
01:13:16,141 --> 01:13:18,644
TO BE THE LEAD SINGER
FOR THIS BAND,
1309
01:13:18,644 --> 01:13:21,146
BUT MY MANAGERS WON'T LET ME
1310
01:13:21,146 --> 01:13:23,148
DO ANYTHING
AMATEUR OR LOCAL.
1311
01:13:23,649 --> 01:13:26,652
THEN THEY DECIDED I WAS
TOO MUCH LIKE PAT BENATAR.
1312
01:13:26,652 --> 01:13:29,655
TRANSMITTER
1313
01:13:31,156 --> 01:13:35,160
I'M PICKING UP
SOMETHING GOOD
1314
01:13:35,160 --> 01:13:37,663
HEY, RADIO HEAD
1315
01:13:39,164 --> 01:13:41,083
IT'S THE SOUND
1316
01:13:41,083 --> 01:13:45,087
OF A BRAND-NEW WORLD
1317
01:13:45,087 --> 01:13:46,088
OW!
1318
01:13:46,588 --> 01:13:49,591
NOW, YOU AND I
HAVE NO SECRETS
1319
01:13:50,092 --> 01:13:55,097
NOW, BABY,
LET ME READ YOUR MIND
1320
01:13:56,098 --> 01:13:59,601
I HEAR EVERYTHING
YOU'RE THINKING
1321
01:14:00,102 --> 01:14:03,605
YOU CAN'T HELP
THE WAY YOU SOUND
1322
01:14:05,107 --> 01:14:07,609
TRANSMITTER
1323
01:14:09,111 --> 01:14:13,615
OH, PICKING UP
SOMETHING GOOD
1324
01:14:13,615 --> 01:14:15,617
HEY, RADIO HEAD
1325
01:14:17,119 --> 01:14:19,121
IT'S THE SOUND
1326
01:14:19,121 --> 01:14:24,126
OF A BRAND-NEW WORLD
1327
01:14:24,126 --> 01:14:26,128
RADIO HEAD
1328
01:14:27,129 --> 01:14:30,132
OH, OH, RADIO HEAD
1329
01:14:31,133 --> 01:14:34,136
OOO OOO OOO,
RADIO HEAD
1330
01:14:35,137 --> 01:14:37,639
YEAH, RADIO HEAD
1331
01:14:38,640 --> 01:14:42,144
OH, RADIO HEAD
1332
01:14:42,144 --> 01:14:46,648
YEAH, RADIO HEAD
1333
01:14:46,648 --> 01:14:51,153
OOO OOO, RADIO HEAD
1334
01:14:51,153 --> 01:14:59,661
RADIO HEAD
1336
01:15:07,152 --> 01:15:12,558
YOAMBE. YOAMBE. CIMALO.
GUEDE NIMBO.
1337
01:15:14,059 --> 01:15:15,060
OH.
1338
01:15:26,572 --> 01:15:29,074
YOU'LL BE
1339
01:15:29,074 --> 01:15:31,577
MMM MMM MMM MMM
1340
01:15:32,077 --> 01:15:33,579
MAGNET FOR MONEY
1341
01:15:35,080 --> 01:15:37,082
YOU'LL BE
1342
01:15:37,082 --> 01:15:40,085
MMM MMM MMM MMM
1343
01:15:40,586 --> 01:15:42,588
MAGNET FOR LOVE
1344
01:15:44,089 --> 01:15:45,591
YOU'LL FEEL
1345
01:15:45,591 --> 01:15:48,093
MMM
1346
01:15:48,594 --> 01:15:51,096
LIGHT IN YOUR BODY
1347
01:15:52,598 --> 01:15:55,100
NOW, I'M GONNA SAY
1348
01:15:56,602 --> 01:16:00,105
GONNA SAY THESE WORDS
1349
01:16:00,105 --> 01:16:02,608
ROMPIENDO
1350
01:16:02,608 --> 01:16:08,113
LA MONOTONIA DEL TIEMPO
1351
01:16:08,614 --> 01:16:11,116
ROMPIENDO
1352
01:16:11,617 --> 01:16:13,118
LA MONOTONIA DEL TIEMPO...
1353
01:16:13,118 --> 01:16:15,621
I CAME
TO WISH YOU LUCK.
1354
01:16:15,621 --> 01:16:17,122
BLESS YOUR HEART!
1355
01:16:22,127 --> 01:16:24,129
IT MIGHT
1356
01:16:24,129 --> 01:16:27,132
MMM MMM MMM MMM
1357
01:16:27,132 --> 01:16:28,634
IT MIGHT RAIN MONEY
1358
01:16:30,636 --> 01:16:32,137
IT MIGHT
1359
01:16:32,638 --> 01:16:35,641
MMM MMM MMM MMM
1360
01:16:35,641 --> 01:16:37,643
MIGHT RAIN FIRE...
1361
01:16:37,643 --> 01:16:39,645
YOU TELL HIM THAT I NEVER
WANT TO SEE HIM AGAIN.
1362
01:16:39,645 --> 01:16:42,147
THAT GOES FOR HIS
COON SKIN CAP AS WELL.
1363
01:16:42,147 --> 01:16:44,650
HOW OFTEN HAVE
I TOLD YOU
1364
01:16:44,650 --> 01:16:45,651
NOT TO MIX WITH
THAT OIL-FIELD TRASH?
1365
01:16:46,151 --> 01:16:48,654
Dummy: WHAT I DO
IS BETWEEN ME AND RICK.
1366
01:16:49,154 --> 01:16:51,657
GET YOURSELF A SIGN
1367
01:16:51,657 --> 01:16:55,160
GET YOUR LOVE AND DESIRE
1368
01:16:55,160 --> 01:16:57,663
ROMPIENDO
1369
01:16:57,663 --> 01:17:03,669
LA MONOTONIA DEL TIEMPO
1370
01:17:03,669 --> 01:17:06,171
ROMPIENDO
1371
01:17:06,672 --> 01:17:11,677
LA MONOTONIA DEL TIEMPO
1372
01:17:11,677 --> 01:17:16,682
PAPA LEGBA
1373
01:17:16,682 --> 01:17:20,185
COME AND OPEN THE GATE ??
1374
01:17:20,185 --> 01:17:21,687
HEY, PAPA LEGBA...
1375
01:17:21,687 --> 01:17:24,690
HOW ABOUT THEM OLD
LINE DANCERS?
1376
01:17:24,690 --> 01:17:27,192
I DON'T THINK
THEY'D FIT IN MY HOUSE.
1377
01:17:27,192 --> 01:17:29,695
TO THE CITY OF CAMPS
1378
01:17:29,695 --> 01:17:33,198
WE ARE YOUR CHILDREN
1379
01:17:33,699 --> 01:17:37,703
COME AND RIDE YOUR HORSE
1380
01:17:37,703 --> 01:17:40,205
IN THE NIGHT
1381
01:17:40,205 --> 01:17:41,707
IN THE NIGHT
1382
01:17:41,707 --> 01:17:46,211
COME AND RIDE YOUR HORSE
1383
01:17:46,712 --> 01:17:49,214
THERE IS A QUEEN
1384
01:17:50,716 --> 01:17:53,218
6, 7, AND 9
1385
01:17:55,220 --> 01:17:59,224
DUST IN YOUR GARDEN
1386
01:17:59,224 --> 01:18:02,728
AND POISON IN YOUR MIND
1387
01:18:02,728 --> 01:18:06,231
THERE IS A KING
1388
01:18:07,733 --> 01:18:12,237
THAT WILL STEAL YOUR SOUL
1389
01:18:12,237 --> 01:18:16,241
DON'T LET HIM CATCH YOU
1390
01:18:16,241 --> 01:18:19,244
DON'T LET HIM GET CONTROL
1391
01:18:20,245 --> 01:18:24,249
PAPA LEGBA
1392
01:18:24,249 --> 01:18:28,754
COME AND OPEN THE GATE
1393
01:18:28,754 --> 01:18:33,258
PAPA LEGBA
1394
01:18:33,759 --> 01:18:36,261
TO THE CITY OF CAMPS
1395
01:18:37,763 --> 01:18:40,766
WE ARE YOUR CHILDREN
1396
01:18:41,266 --> 01:18:45,771
COME AND RIDE YOUR HORSE
1397
01:18:45,771 --> 01:18:48,273
IN THE NIGHT
1398
01:18:48,273 --> 01:18:50,275
IN THE NIGHT
1399
01:18:50,275 --> 01:18:54,279
COME AND RIDE YOUR HORSE
1400
01:18:54,780 --> 01:18:56,281
IN THE NIGHT
1401
01:18:56,281 --> 01:18:58,784
IN THE NIGHT
1402
01:18:58,784 --> 01:19:01,787
COME AND RIDE YOUR HORSE
1404
01:19:03,722 --> 01:19:05,207
OH, YES.
WASN'T THAT NICE?
1405
01:19:05,707 --> 01:19:07,709
NOW, LADIES AND GENTLEMEN,
1406
01:19:07,709 --> 01:19:10,712
I WANT YOU TO WELCOME
THE COUNTRY BACHELORS.
1408
01:19:17,219 --> 01:19:20,222
RRR!
1409
01:19:20,222 --> 01:19:24,726
IN 1950,
WHEN I WAS BORN
1410
01:19:28,230 --> 01:19:33,235
PAPA COULDN'T AFFORD
TO BUY US MUCH
1411
01:19:35,737 --> 01:19:42,244
HE SAID BE PROUD
OF WHAT YOU ARE
1412
01:19:43,745 --> 01:19:50,752
THERE'S SOMETHIN' SPECIAL
'BOUT PEOPLE LIKE US
1413
01:19:50,752 --> 01:19:55,257
PEOPLE LIKE US
1414
01:19:55,757 --> 01:19:58,760
WHO WILL ANSWER
THE TELEPHONE
1415
01:19:59,261 --> 01:20:03,265
PEOPLE LIKE US
1416
01:20:03,265 --> 01:20:06,768
GROWIN' BIG AS A HOUSE
1417
01:20:06,768 --> 01:20:11,273
PEOPLE LIKE US
1418
01:20:11,273 --> 01:20:14,776
WE'RE GONNA MAKE IT
BECAU-WA-WAUSE
1419
01:20:14,776 --> 01:20:17,279
WE DON'T WANT FREEDOM
1420
01:20:18,780 --> 01:20:21,283
WE DON'T WANT JUSTICE
1421
01:20:22,784 --> 01:20:25,787
WE JUST WANT
1422
01:20:25,787 --> 01:20:27,789
SOMEONE TO LOVE
1423
01:20:29,791 --> 01:20:33,295
SOMEONE TO LOVE
1424
01:20:33,295 --> 01:20:35,797
WELL, NOW
1425
01:20:35,797 --> 01:20:38,800
WHAT GOOD IS FREEDOM?
1426
01:20:38,800 --> 01:20:42,804
GOD LAUGHS
AT PEOPLE LIKE US
1427
01:20:43,305 --> 01:20:47,309
I SEE IT COMIN'
1428
01:20:47,309 --> 01:20:51,813
LIKE A LIGHT
COMIN' DOWN FROM ABOVE
1429
01:20:52,314 --> 01:20:56,818
THE CLOUDS ROLL BY,
AND THE MOON COMES UP
1430
01:20:59,821 --> 01:21:04,826
HOW LONG MUST WE LIVE
IN THE HEAT OF THE SUN?
1431
01:21:08,330 --> 01:21:15,837
MILLIONS OF PEOPLE
ARE WAITIN' ON LOVE
1432
01:21:15,837 --> 01:21:20,842
AND THIS IS A SONG
ABOUT PEOPLE LIKE US
1433
01:21:23,345 --> 01:21:27,349
PEOPLE LIKE US
1434
01:21:27,349 --> 01:21:31,353
WHO WILL ANSWER
THE TELEPHONE
1435
01:21:31,353 --> 01:21:35,357
PEOPLE LIKE US
1436
01:21:35,357 --> 01:21:38,860
GROWIN' BIG AS A HOUSE
1437
01:21:38,860 --> 01:21:43,365
PEOPLE LIKE US
1438
01:21:43,365 --> 01:21:46,868
WE'RE GONNA MAKE IT
BECAUSE
1439
01:21:46,868 --> 01:21:49,371
WE DON'T WANT FREEDOM
1440
01:21:49,371 --> 01:21:53,375
WE DON'T WANT JUSTICE
1441
01:21:54,876 --> 01:21:57,879
WE JUST WANT
1442
01:21:57,879 --> 01:22:01,883
SOMEONE TO LOVE
1443
01:22:01,883 --> 01:22:05,887
SOMEONE TO LOVE
1444
01:22:05,887 --> 01:22:09,391
SOMEONE TO LOVE
1445
01:22:09,391 --> 01:22:15,897
SOMEONE TO LOVE
1446
01:22:15,897 --> 01:22:19,401
YAY! YAY!
1449
01:22:44,759 --> 01:22:46,761
MORE!
MORE!
1450
01:22:48,263 --> 01:22:49,764
HELLO?
1451
01:22:56,271 --> 01:22:57,272
YES.
1454
01:23:03,278 --> 01:23:06,281
Louis: THIS PLACE
IS A DREAM PALACE.
1455
01:23:06,281 --> 01:23:07,782
DID YOU SEE
THE CATALOGUE?
1456
01:23:07,782 --> 01:23:09,784
OH, NO.
I DIDN'T.
1457
01:23:09,784 --> 01:23:12,287
IT'S GORGEOUS!
YOU'LL HAVE TO LOOK.
1458
01:23:12,287 --> 01:23:13,788
WELL,
YOU'RE GORGEOUS.
1459
01:23:13,788 --> 01:23:15,790
HE'S AWFUL CUTE,
TOO.
1460
01:23:15,790 --> 01:23:17,792
DO YOU LIKE
THE COLORS?
1461
01:23:17,792 --> 01:23:19,294
Man: SHE'S
PRETTY, TOO.
1462
01:23:19,294 --> 01:23:21,296
I THINK YOU CAN SEE
VARICORP FROM HERE.
1463
01:23:21,796 --> 01:23:24,799
WHERE ARE YOU GOING
ON YOUR HONEYMOON?
1464
01:23:24,799 --> 01:23:27,268
THE BEAR IS
STAYING WITH ME!
1465
01:23:27,268 --> 01:23:31,222
I THINK
HE'S FROM PLUTO,
1466
01:23:31,222 --> 01:23:33,224
OR HE MIGHT EVEN BE
FROM VENUS.
1467
01:23:33,224 --> 01:23:35,226
YOU KNOW, HE IS
REAL GOOD-LOOKING.
1468
01:23:37,729 --> 01:23:41,733
THIS IS NOT A RENTAL CAR.
THIS IS PRIVATELY OWNED.
1469
01:23:42,734 --> 01:23:47,238
WELL...I REALLY ENJOYED
FORGETTING.
1470
01:23:47,238 --> 01:23:53,745
WHEN I FIRST COME TO A PLACE,
I NOTICE ALL THE LITTLE DETAILS.
1471
01:23:54,245 --> 01:23:57,248
I NOTICE THE WAY THE SKY LOOKS,
THE COLOR OF WHITE PAPER,
1472
01:23:57,749 --> 01:24:01,252
THE WAY PEOPLE WALK,
DOORKNOBS, EVERYTHING.
1473
01:24:01,252 --> 01:24:03,254
THEN I GET USED
TO THE PLACE,
1474
01:24:03,254 --> 01:24:06,257
AND I DON'T
NOTICE THOSE THINGS ANYMORE.
1475
01:24:06,257 --> 01:24:08,259
SO ONLY BY FORGETTING
1476
01:24:08,760 --> 01:24:11,696
CAN I SEE THE PLACE AGAIN
AS IT REALLY IS.
1477
01:24:11,696 --> 01:24:16,968
NA NA NA NA NA
NA NA NA NA NA
1478
01:24:16,968 --> 01:24:21,973
NA NA NNN NNN
NA NA NNN NNN
1479
01:24:21,973 --> 01:24:26,478
NA NNN NNN
NA NA NA NA
1480
01:24:26,478 --> 01:24:30,982
NA NA NA NA NA
NNN NNN
1481
01:24:30,982 --> 01:24:35,987
NNN NNN NNN NNN
NA NA NA NA
1482
01:24:35,987 --> 01:24:39,991
NA NNN NA NNN
NA NNN...
1483
01:24:46,498 --> 01:24:51,503
HERE WHERE YOU ARE STANDING
1484
01:24:51,503 --> 01:24:54,506
DINOSAURS DID A DANCE
1485
01:24:56,508 --> 01:25:01,012
THE INDIANS TOLD A STORY
1486
01:25:01,012 --> 01:25:05,016
NOW IT HAS COME TO PASS
1487
01:25:06,518 --> 01:25:11,022
INDIANS HAD A LEGEND
1488
01:25:11,022 --> 01:25:14,526
THE SPANIARDS LIVED FOR GOLD
1489
01:25:16,528 --> 01:25:20,031
WHITE MAN CAME
AND KILLED THEM
1490
01:25:20,031 --> 01:25:24,536
BUT THEY HAVEN'T REALLY GONE
1491
01:25:26,538 --> 01:25:29,040
WE LIVE
1492
01:25:29,040 --> 01:25:32,544
IN THE CITY OF DREAMS
1493
01:25:36,548 --> 01:25:39,050
WE DRIVE
1494
01:25:39,050 --> 01:25:42,554
ON THIS HIGHWAY OF FIRE
1495
01:25:46,057 --> 01:25:48,560
SHOULD WE AWAKE
1496
01:25:48,560 --> 01:25:51,062
AND FIND IT GONE
1497
01:25:51,062 --> 01:25:56,067
REMEMBER THIS,
OUR FAVORITE TOWN
1498
01:26:06,077 --> 01:26:11,082
FROM GERMANY AND EUROPE
1499
01:26:11,082 --> 01:26:14,085
AND SOUTHERN USA
1500
01:26:16,087 --> 01:26:20,091
THEY MADE
THIS LITTLE TOWN HERE
1501
01:26:20,091 --> 01:26:24,095
THAT WE LIVE IN
TO THIS DAY
1502
01:26:26,097 --> 01:26:30,602
THE CHILDREN
OF THE WHITE MAN
1503
01:26:30,602 --> 01:26:34,105
SAW INDIANS ON TV
1504
01:26:35,607 --> 01:26:40,111
AND HEARD ABOUT THE LEGEND
1505
01:26:40,111 --> 01:26:44,616
HOW THEIR CITY WAS A DREAM
1506
01:26:46,117 --> 01:26:48,620
WE LIVE
1507
01:26:48,620 --> 01:26:52,123
IN THE CITY OF DREAMS
1508
01:26:55,627 --> 01:26:58,129
WE DRIVE
1509
01:26:58,129 --> 01:27:02,133
ON THIS HIGHWAY OF FIRE
1510
01:27:05,637 --> 01:27:08,139
SHOULD WE AWAKE
1511
01:27:08,139 --> 01:27:10,141
AND FIND IT GONE
1512
01:27:10,141 --> 01:27:15,146
REMEMBER THIS,
OUR FAVORITE TOWN
1513
01:27:35,166 --> 01:27:39,671
THE CIVIL WAR IS OVER
1514
01:27:39,671 --> 01:27:43,174
AND WORLD WAR I AND II
1515
01:27:44,676 --> 01:27:49,180
IF WE CAN LIVE TOGETHER
1516
01:27:49,180 --> 01:27:52,684
?? THE DREAM,
IT MIGHT COME TRUE
1517
01:27:54,686 --> 01:27:59,190
UNDERNEATH THE CONCRETE
1518
01:27:59,190 --> 01:28:02,694
THE DREAM IS STILL ALIVE
1519
01:28:04,195 --> 01:28:08,700
100 MILLION LIFETIMES
1520
01:28:08,700 --> 01:28:12,704
A WORLD THAT NEVER DIES
1521
01:28:14,205 --> 01:28:16,708
WE LIVE ??
1522
01:28:16,708 --> 01:28:20,211
IN THE CITY OF DREAMS
1523
01:28:23,715 --> 01:28:26,217
WE DRIVE
1524
01:28:26,217 --> 01:28:30,221
ON THIS HIGHWAY OF FIRE
1525
01:28:33,224 --> 01:28:35,727
SHOULD WE AWAKE
1526
01:28:35,727 --> 01:28:38,229
AND FIND IT GONE
1527
01:28:38,229 --> 01:28:43,735
REMEMBER THIS,
OUR FAVORITE TOWN
1528
01:28:43,735 --> 01:28:46,738
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
1529
01:28:46,738 --> 01:28:50,241
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
101185
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