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Many people mistakenly believe, my films installation.
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It has long been known that 1 frame, faced to install a different frame creates a movie.
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Mounting theory pay attention the ratio between adjacent frames.
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On the experience of his work, I was convinced, that I was interested in something else,
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that the main essence of the installation work is for me not gluing frames
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and putting them, is not in their "docking" and their "undocking".
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This installation is what I call the remote. ideological sense, I want to express,
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is best achieved in the interaction frames through many links.
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This is achieved much more powerful and profound expression of meaning.
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When I come to this country, I if absorbs the rest of Europe.
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To me always comes inspiration, when I looked at the city from above,
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and every time I wanted to find himself in its womb
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or on board the balloon, as a balloonist Dzhanotso,
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zapasshis horn and military binoculars,
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unprepared to fall to the ground.
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I lived in one of these huge mansions built on the ruins of the Arbat.
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Peleshyan lived not far from us, waiting for the right hour.
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Artavazd Peleshyan - silent warrior on their own.
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As a writer who knows the story, \ N he can imagine it, to dream,
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but he will never be able to someone tell it.
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In his films there is no place to dialogue,
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for the works he chose the most difficult way,
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Defying the time.
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And in this movie, he did not say a word.
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Peleshyan wanted to see their teachers in the cemeteries of the city.
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Leonid Christie
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Sergei Gerasimov,
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Elem Klimov.
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In 1963, he was a young man mountain of Armenia, arrived in Moscow.
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Peleshyan born in Leninakan, the Soviet Armenian town,
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but he arrived from Yerevan, where he worked industrial designer.
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Victor DeMille described it, as a very thin, slightly stooped
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and shy man with a calm and kind eyes.
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His eyes were so naive, that it seemed he was faking.
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He did not know what to do with his long arms,
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he hid them in his pockets, held their cigarettes
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or gesticulated,
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showing the word and leading hands like a blind man.
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Peleshyan took VGIK
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at the behest of Leonid Christie
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who was bewitched talent this strange entrant,
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He brought with him just one book - "textbook Cinematography" for bravery.
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Christie, irritated doubts Commission threatened
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What if they do not accept Peleshyan, and he will give up his seat.
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The answer was Peleshyan film "Home"
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The film was dedicated to the fiftieth anniversary of the October Revolution.
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Those who refused to advance him to obtain a diploma,
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We received in response to the film "Menk",
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which in Armenian means "We"
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on the return of Armenians to their lands,
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at the height of Mount Ararat.
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I first looked unpublished Artavazd
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in a small room, the Moscow Cinema House.
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It was interesting to see the his younger,
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a student of VGIK.
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It was the day of his exam,
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We sat in the examination committee
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Alexander Medvedkïn
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Vasily Shukshin,
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Leo Kulidzhanov
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and in the audience, Alexander Khokhlov.
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Among the older films were also shots
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training film with cosmonaut Leonov,
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the first man, walk in space,
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and finally, the return of Peleshyan to his hometown,
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meets his mother, standing in the crowd.
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Lonely thinker in the land of the people
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like a planet revolving around its axis.
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He expects a disaster, hanging over mankind.
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Telluric and cosmic vision, dark shadows
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delineating the space waiting for images and forms.
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Peleshyan always believed that to say word - to perform an act of violence,
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that the human word, invented for communication,
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unable to convey, that could or may contain film.
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Sometimes I felt helpless before rigor and silence.
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We chased him like in the movies about the war and filmed very little.
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2 or 5 minutes a day. Socially - a pair of rollers.
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It was enough to see him on his face, but not the words.
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There is always the authors, telling the story.
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Artavazd Peleshyan led us to wherever he wanted,
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and we were happy to follow him there, where he offered us to be or not to be.
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In "Journey to Armenia" Osip Mandelstam wrote:
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"There is nothing more instructive and joyful,
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than immersing themselves in the society completely different race of people,
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race that respect, that sympathize, which vchuzhe proud.
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Vital filling Armenians
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their rough tenderness, their noble labor bone
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their inexplicable aversion to any metaphysics
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and a great familiarity the world of real things. "
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His unreleased movies are awaiting assembly
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like spaceships.
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"Homo Sapiens" - one of them.
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The glorification of art and beauty,
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creativity and beauty.
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The film, which tells of paradise on earth,
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which broke out bloody battles,
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and the hardness of pride blind people.
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The dream faded, waiting for embodied in art,
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which sealed movement of all matter.
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Peleshyan wrote:
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"I am in constant \ N the conflict over time.
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It is not clear if you can beat him, decelerate or whether it will go faster.
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I know what I want, but I do not know what he wants time.
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Hence the conflict.
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Of course, I do not extortion time
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but I am convinced that the movie could convince the time.
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Maybe what I fighting with him, denigrating me. "
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Translation Lera Varpaevoy, editing Abris, Club translating materials about art.
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