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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:03:29,967 --> 00:03:32,200 - NOW, MR. GOLDEN, HOW CAN I HELP YOU? 2 00:03:32,200 --> 00:03:35,100 - "HUNK." CALL ME "HUNK" FOR NOW. 3 00:03:35,100 --> 00:03:36,533 - ALL RIGHT. 4 00:03:36,533 --> 00:03:38,467 - THANKS FOR SEEING ME ON SUCH SHORT NOTICE. 5 00:03:38,467 --> 00:03:40,033 NOBODY ELSE WOULD. 6 00:03:40,033 --> 00:03:42,500 - YOU MADE IT SOUND LIKE A MATTER OF LIFE OR DEATH. 7 00:03:42,500 --> 00:03:44,967 - YEAH, WELL, IT IS. 8 00:03:44,967 --> 00:03:46,233 FOR HIM. 9 00:03:46,233 --> 00:03:47,867 - WHO IS HE? 10 00:03:47,867 --> 00:03:51,200 - HIS--HIS NAME IS BRADLEY BRINKMAN. 11 00:03:51,200 --> 00:03:52,733 - WHERE IS HE? 12 00:03:55,500 --> 00:03:59,433 - RIGHT HERE. 13 00:03:59,433 --> 00:04:01,667 I'M BRADLEY BRINKMAN. 14 00:04:01,667 --> 00:04:03,367 ON THE INSIDE ANYWAY. 15 00:04:03,367 --> 00:04:05,133 - LOOK, PLAYING AT SCHIZOPHRENIA IS NOT MY-- 16 00:04:05,133 --> 00:04:06,467 - YAH, I KNOW, I KNOW, I KNOW. 17 00:04:06,467 --> 00:04:10,667 LOOK, DOC, DIDN'T YOU EVER WANT TO BECOME SOMEBODY ELSE? 18 00:04:10,667 --> 00:04:14,933 SOMEBODY EXCITING, SOMEBODY FANTASTIC? 19 00:04:14,933 --> 00:04:17,200 I JUST HAPPEN TO BE THAT SOMEBODY FANTASTIC BRADLEY 20 00:04:17,200 --> 00:04:18,967 BRINKMAN WANTED TO BECOME. 21 00:04:18,967 --> 00:04:20,800 AND THEN BECAME. 22 00:04:20,800 --> 00:04:23,467 - SOMEBODY WITH A FANTASTIC IMAGINATION, YOU MEAN. 23 00:04:23,467 --> 00:04:26,367 - I KNOW IT SOUNDS CRAZY, BUT YOU GOTTA HEAR MY STORY. 24 00:04:26,367 --> 00:04:28,567 TIME IS RUNNING OUT FOR BRADLEY. 25 00:04:28,567 --> 00:04:29,900 AND FOR ME. 26 00:04:29,900 --> 00:04:31,433 - ALL RIGHT. 27 00:04:31,433 --> 00:04:35,067 I'LL HEAR YOUR STORY, BUT TIME IS RUNNING OUT FOR US AS WELL. 28 00:04:35,067 --> 00:04:37,233 SO WHY DON'T YOU JUST BEGIN 29 00:04:37,233 --> 00:04:39,100 WITH THE FIRST TIME THAT YOU BEGAN-- 30 00:04:39,100 --> 00:04:41,567 - AND BRADLEY BRINKMAN. 31 00:04:41,567 --> 00:04:44,800 - THE FIRST TIME THAT YOU AND BRADLEY BRINKMAN BEGAN 32 00:04:44,800 --> 00:04:46,467 TO FEEL THIS WAY. 33 00:04:46,467 --> 00:04:49,567 - DOCTOR, IF I CONVINCE YOU, WILL YOU TAKE MY CASE? 34 00:04:51,567 --> 00:04:53,300 - I'M LISTENING, MR. GOLDEN. 35 00:04:55,033 --> 00:04:58,233 - UP UNTIL SIX WEEKS AGO, I REALLY WAS BRADLEY BRINKMAN. 36 00:04:58,233 --> 00:04:59,900 HACK, COMPUTER HACK. 37 00:04:59,900 --> 00:05:02,300 I SPENT THE FIVE YEARS SINCE COLLEGE CHAINED TO A 38 00:05:02,300 --> 00:05:04,000 COMPUTER KEYBOARD. 39 00:05:04,000 --> 00:05:05,967 EXCEPT FOR MY IMAGINATION, THAT IS. 40 00:05:10,033 --> 00:05:12,033 I ALWAYS DAYDREAMED ABOUT BEING ONE OF THOSE 41 00:05:12,033 --> 00:05:14,800 IMPOSSIBLY COOL GUYS YOU SEE IN THE MOVIES 42 00:05:14,800 --> 00:05:16,433 OR COMMERCIALS. 43 00:05:16,433 --> 00:05:19,567 YOU KNOW, THE GUY THAT DRIVE MASERATIS AND RUN 44 00:05:19,567 --> 00:05:21,933 MAJOR CORPORATIONS. 45 00:05:21,933 --> 00:05:26,100 THE KIND THAT DRIP WITH WOMEN AND SELF CONFIDENCE. 46 00:05:26,100 --> 00:05:28,500 YOU KNOW, THE GUY THAT LOOK GREAT IN THOSE BIKINI BRIEFS 47 00:05:28,500 --> 00:05:30,400 THAT RIDE UP THE CRACK IN YOUR BUNS. 48 00:05:32,933 --> 00:05:35,033 UNFORTUNATELY, PERPETUAL DAYDREAMING DIDN'T LOOK 49 00:05:35,033 --> 00:05:37,900 GREAT TO MY BOSS, CONSTANTINE CONSTAPOPOLIS 50 00:05:37,900 --> 00:05:39,767 OF CONSTAPOPOLIS COMPUTERS. 51 00:05:51,167 --> 00:05:53,567 - DAYDREAMS? 52 00:05:53,567 --> 00:05:56,400 I'M PAYING YOU TO WRITE FOR ME DAYDREAMS? 53 00:05:56,400 --> 00:05:58,100 - HI, MR. CONSTAPOPOLIS. 54 00:05:58,100 --> 00:06:00,333 I WAS-- I REALLY-- I JUST DRIFTED OFF. 55 00:06:00,333 --> 00:06:02,067 - YES, WAY OFF, BRINKMAN. 56 00:06:02,067 --> 00:06:03,000 WAY OFF. 57 00:06:04,067 --> 00:06:06,100 WAY OFF. 58 00:06:06,100 --> 00:06:07,900 YOUR PROGRAM PROPOSAL'S SO BAD, 59 00:06:07,900 --> 00:06:11,833 THE K-9000 SHUT DOWN WITH D.I. AGAIN. 60 00:06:11,833 --> 00:06:12,900 - "DIGITAL INDIGESTION"? 61 00:06:12,900 --> 00:06:15,567 - I'LL-- LOOK AT THIS. 62 00:06:15,567 --> 00:06:17,133 CAMELS 'R' US. 63 00:06:17,133 --> 00:06:19,133 THE BEDOUIN PROGRAM. 64 00:06:19,133 --> 00:06:21,700 WHO'S GOT A CAMEL WITH A FLOPPY HUMP? 65 00:06:21,700 --> 00:06:22,733 LOOK AT THIS ONE. 66 00:06:22,733 --> 00:06:24,633 CONVERSATIONAL ICELANDIC. 67 00:06:24,633 --> 00:06:26,133 WHO ARE YOU GONNA SELL IT TO? 68 00:06:26,133 --> 00:06:28,633 PENGUINS ON TOUR? 69 00:06:28,633 --> 00:06:29,800 LOOK AT THIS ONE. 70 00:06:29,800 --> 00:06:31,133 SUSHI TOWERS. 71 00:06:31,133 --> 00:06:33,667 EAT WHAT YOU BUILD. 72 00:06:33,667 --> 00:06:35,767 YOU KNOW YOUR WORK HASN'T BEEN THE SAME EVER SINCE-- 73 00:06:35,767 --> 00:06:39,867 - SUSIE ELOPED WITH HER AEROBICS INSTRUCTOR. I-- 74 00:06:39,867 --> 00:06:42,167 - YEAH? 75 00:06:42,167 --> 00:06:45,567 - I KNOW I KNOW-- HOW WOULD YOU FEEL IF YOUR GIRLFRIEND 76 00:06:45,567 --> 00:06:49,700 REJECTED YOU BECAUSE YOU DIDN'T WEAR A LEOTARD AND 77 00:06:49,700 --> 00:06:52,633 COUNT DURING SEX? 78 00:06:52,633 --> 00:06:55,267 - LOOK, I'M RUNNING A BUSINESS HERE. 79 00:06:55,267 --> 00:06:58,067 YOU HAVE TWO WEEKS--TWO WEEKS! 80 00:06:58,067 --> 00:07:00,300 --TO MAKE A MONEY-MAKING IDEA UP HERE, 81 00:07:00,300 --> 00:07:02,633 OR ELSE YOU'RE OFF STUFFING-- - THE GRAPE 82 00:07:02,633 --> 00:07:05,033 all: THE GRAPE LEAVES IN MY ONE-EYED FATHER'S 83 00:07:05,033 --> 00:07:06,433 GREEK RESTAURANT, 84 00:07:06,433 --> 00:07:08,167 CYCLOPS WEST. 85 00:07:08,167 --> 00:07:10,700 - THANK YOU, MR. CONSTAPOPOLIS FOR YOUR UNDERSTANDING 86 00:07:10,700 --> 00:07:12,000 AND GENEROSITY. 87 00:07:12,000 --> 00:07:13,800 - HAVE A GOOD DAY. 88 00:07:30,533 --> 00:07:32,833 - THE NEW PROGRAM WAS DUE AT 9:00 A.M. 89 00:07:32,833 --> 00:07:34,933 I WAS DESPERATE FOR A CONCEPT. 90 00:07:34,933 --> 00:07:37,867 ANY CONCEPT BUT EVERYTHING I WROTE READ LIKE A ONE-WAY 91 00:07:37,867 --> 00:07:41,333 TICKET TO THE SOUVLAKI LINE AT CYCLOPS WEST. 92 00:07:43,867 --> 00:07:48,867 IT ALL SEEMED BEYOND HOPE WHEN I PUNCHED A DESPERATE 93 00:07:48,867 --> 00:07:51,333 PLEA INTO THE MACHINE. 94 00:07:56,300 --> 00:07:57,767 AND THEN IT HAPPENED. 95 00:07:57,767 --> 00:07:59,100 - WHAT HAPPENED? 96 00:07:59,100 --> 00:08:02,367 - SOME KIND OF DIGITAL VULTURE APPEARED ON MY SCREEN, 97 00:08:02,367 --> 00:08:04,100 AND THEN THE COMPUTER BEGAN WRITING THE 98 00:08:04,100 --> 00:08:05,933 PROGRAM BY ITSELF. 99 00:08:11,967 --> 00:08:13,633 - WHAT PROGRAM? 100 00:08:13,633 --> 00:08:14,767 - THE YUPPIE PROGRAM. 101 00:08:14,767 --> 00:08:17,967 A MULTI-COMPATIBLE LIFESTYLE BUDGETING-- 102 00:08:17,967 --> 00:08:20,967 - YOU WROTE IT? I CAN'T LIVE WITHOUT MINE. 103 00:08:20,967 --> 00:08:24,567 WHY, I SAVED A FORTUNE STOCKING MY WINE CELLAR ALONE. 104 00:08:24,567 --> 00:08:27,300 NOT TO MENTION THE COMPLIMENTS I GET FROM YOUR 105 00:08:27,300 --> 00:08:31,333 RECIPE FOR MICROWAVE PATE. 106 00:08:31,333 --> 00:08:33,000 - LIKE I SAID, THE COMPUTER WROTE IT, 107 00:08:33,000 --> 00:08:34,633 BUT I GOT THE CREDIT. 108 00:08:34,633 --> 00:08:37,233 I DIDN'T KNOW ANYTHING ABOUT PATE OR PASTA MACHINES OR 109 00:08:37,233 --> 00:08:39,500 THE YUPPIE-ING OF SUBURBIA UNTIL I STAYED UP ALL NIGHT 110 00:08:39,500 --> 00:08:41,633 READING IT MYSELF. 111 00:08:41,633 --> 00:08:42,667 - NOW, WAIT A MINUTE. 112 00:08:42,667 --> 00:08:45,067 HOW CAN A COMPUTER WRITE BY ITSELF? 113 00:08:45,067 --> 00:08:46,133 - NOW, WAIT A MINUTE. 114 00:08:46,133 --> 00:08:47,367 YOU HAVEN'T HEARD ANYTHING YET. 115 00:08:53,133 --> 00:08:55,500 I WOKE UP A HERO AND BECAME AN EVEN BIGGER ONE WHEN 116 00:08:55,500 --> 00:08:58,300 LEGIONS OF BABY BOOMERS SNAPPED UP 50,000 COPIES 117 00:08:58,300 --> 00:09:00,500 IN THE FIRST SIX WEEKS. 118 00:09:00,500 --> 00:09:03,100 MOM WAS PROUD. DAD WAS PROUD. 119 00:09:03,100 --> 00:09:06,233 HECK, EVEN SUSIE CALLED TO SAY SHE WAS PROUD TOO. 120 00:09:06,233 --> 00:09:09,133 TO HAVE YOURS TRULY FOR A PHENOMENALLY SUCCESSFUL 121 00:09:09,133 --> 00:09:11,533 EX-BOYFRIEND. 122 00:09:11,533 --> 00:09:14,933 MR. CONSTAPOPOLIS PAID ME A GIANT ROYALTY AND GAVE ME 123 00:09:14,933 --> 00:09:18,333 THE SUMMER OFF WITH PAY TO WRITE ANY PROGRAM I WANTED. 124 00:09:22,000 --> 00:09:24,600 - SOUNDS WONDERFUL SO FAR. 125 00:09:26,100 --> 00:09:29,367 - ALL I KNEW ABOUT YUPPIES WAS THEY WEAR REEBOKS TO BED 126 00:09:29,367 --> 00:09:31,500 AND WOULD HOCK THEIR HEALTH CLUB CARDS FOR TEN MINUTES 127 00:09:31,500 --> 00:09:33,300 ALONE WITH A DOVE BAR. 128 00:09:36,133 --> 00:09:38,933 - HMM, WHERE DOES HUNK GOLDEN FIT IN? 129 00:09:38,933 --> 00:09:41,633 - AT THE BEACH HOUSE I RENTED IN SEA SPRAY. 130 00:09:41,633 --> 00:09:44,833 - SEA SPRAY? PRETTY SWANKY PLACE. 131 00:09:44,833 --> 00:09:46,100 - SWANKY? 132 00:09:46,100 --> 00:09:47,767 WELL, LET'S SAY SEA SPRAY IS SWANKY, 133 00:09:47,767 --> 00:09:50,200 IF YOU'VE GOT BIG BUCKS TO BURN. 134 00:09:50,200 --> 00:09:52,700 THE ONLY THING SWANKY ABOUT THE PLACE I COULD AFFORD WAS 135 00:09:52,700 --> 00:09:54,733 THE DRIVEWAY. 136 00:09:54,733 --> 00:09:57,933 THE HOUSE ITSELF WAS THE OLDEST AND GRUNGIEST PLACE 137 00:09:57,933 --> 00:10:00,633 ON SEA SPRAY BEACH. 138 00:10:00,633 --> 00:10:03,533 BYE-BYE, BONUS. 139 00:10:23,967 --> 00:10:27,133 IT WAS BUILT BY SOME OLD SEA CAPTAIN WHO RAN OUT OF MONEY 140 00:10:27,133 --> 00:10:29,200 AND RAN OUT OF TOWN BEFORE HE COULD COMPLETE HIS 141 00:10:29,200 --> 00:10:31,400 SAILING SHIP OF A HOUSE. 142 00:10:31,400 --> 00:10:33,367 IT WAS IDEAL FOR INVESTIGATING THE 143 00:10:33,367 --> 00:10:35,300 YUPPIES-AT-PLAY LIFESTYLE ON WHICH I WAS 144 00:10:35,300 --> 00:10:37,067 SUPPOSEDLY AN EXPERT. 145 00:10:46,133 --> 00:10:48,800 I'D LEISURELY CONCOCT MY NEXT PROGRAM AND SPEND THE 146 00:10:48,800 --> 00:10:52,633 REST OF MY TIME MAKING MY DAYDREAMS COME TRUE. 147 00:10:52,633 --> 00:10:54,200 - SO FAR, SO GOOD. 148 00:10:54,200 --> 00:10:56,867 - EXCEPT THAT I WENT A BIT TOO FAR. 149 00:10:56,867 --> 00:11:00,233 NOW, THERE'S HELL TO PAY. 150 00:11:11,333 --> 00:11:13,367 IN MY DAYDREAMS, ALL I HAD TO DO WAS WINK, 151 00:11:13,367 --> 00:11:14,700 AND THE WOMEN WOULD COME RUNNING, 152 00:11:14,700 --> 00:11:16,600 AND THERE WASN'T A BEACH FULL OF TANNED AND TONED 153 00:11:16,600 --> 00:11:18,667 COMPETITION EITHER. 154 00:11:18,667 --> 00:11:22,367 THE OLD BOD DEFINITELY COULD'VE USED A WORK-OUT. 155 00:11:26,033 --> 00:11:27,300 - OH, THESE ARE FABULOUS. 156 00:11:27,300 --> 00:11:29,100 LITTLE PIGGY SALT-AND-PEPPER SHAKERS. 157 00:11:29,100 --> 00:11:30,900 OH, I'VE GOTTA ADD THESE TO MY COLLECTION. 158 00:11:34,100 --> 00:11:38,533 OH, WELCOME TO SEA SPRAY, WHERE THE WELL-TO-DO DO WELL 159 00:11:38,533 --> 00:11:40,100 AT DOING WELL. 160 00:11:40,100 --> 00:11:47,533 I'M POLLY CLUTTER, BUT EVERYBODY CALLS ME "CHACHKA." 161 00:11:47,533 --> 00:11:50,967 - I'M BRADLEY BRINKMAN, BUT EVERYBODY CALLS ME 162 00:11:50,967 --> 00:11:52,100 "BRADLEY." 163 00:11:54,200 --> 00:11:55,567 YOU'RE IN MY LIVING ROOM. 164 00:11:55,567 --> 00:11:57,867 - THOUGHT SO. I SAW YOUR CAR OUT FRONT. 165 00:11:57,867 --> 00:12:01,300 IS THAT A LOANER WHILE THE B.M.W.'S IN THE SHOP? 166 00:12:01,300 --> 00:12:02,567 - NO, ACTUALLY. 167 00:12:02,567 --> 00:12:03,800 - OH, LOOK. 168 00:12:03,800 --> 00:12:07,733 SOMEBODY IS GONNA FINALLY GENTRIFY THIS OLD MESS. 169 00:12:07,733 --> 00:12:09,167 GOOD FOR YOU. 170 00:12:09,167 --> 00:12:12,100 - WELL, ACTUALLY, I'M JUST RENTING THIS OLD MESS FOR 171 00:12:12,100 --> 00:12:13,467 THE SUMMER. 172 00:12:13,467 --> 00:12:16,033 - WELL, YOU DON'T LOOK LIKE YOU COULD AFFORD TO BUY. 173 00:12:16,033 --> 00:12:19,233 HE STARTED THIS PLACE AND NEVER QUITE FINISHED IT. 174 00:12:19,233 --> 00:12:22,233 CAPTAIN CRABIT. 175 00:12:22,233 --> 00:12:24,733 - HOW DO YOU KNOW SO MUCH ABOUT CAPTAIN CRABIT? 176 00:12:24,733 --> 00:12:27,400 - WHEN I WAS A KID, I USED TO HIDE FIRECRACKERS IN HIS 177 00:12:27,400 --> 00:12:31,933 BARBECUE AND THEN LISTEN FOR HIS HOT DOGS TO EXPLODE. 178 00:12:31,933 --> 00:12:35,800 OH, HE ALWAYS HAD A FIRE GOING, THAT CAPTAIN CRABIT. 179 00:12:35,800 --> 00:12:37,100 - NO KIDDING. 180 00:12:37,100 --> 00:12:39,500 - HEY, WHY DON'T YOU GO PUT ON YOUR BATHING SUIT? 181 00:12:39,500 --> 00:12:42,967 CHACHKA'S GONNA TAKE YOU ON THE GABBY GUIDED TOUR. 182 00:12:42,967 --> 00:12:44,100 - THE GABBY GUIDED TOUR? 183 00:12:44,100 --> 00:12:45,100 - DON'T WORRY ABOUT IT. 184 00:12:45,100 --> 00:12:46,533 IT'S FREE. 185 00:12:46,533 --> 00:12:47,500 - SOUNDS GREAT. 186 00:12:49,833 --> 00:12:51,333 HOW COME THEY CALL YOU CHACHKA. 187 00:12:51,333 --> 00:12:54,767 - OH, 'CAUSE MY HOUSE IS FULL OF CHACHKAS. 188 00:12:54,767 --> 00:12:56,733 I COLLECT THINGS. 189 00:12:56,733 --> 00:12:58,600 KNICK-KNACKS. 190 00:12:58,600 --> 00:13:00,800 BRIC-A-BRAC. 191 00:13:00,800 --> 00:13:03,167 I'M AN INCURABLE COLLECTOR. 192 00:13:07,700 --> 00:13:10,067 WHEN I MOVED OUT HERE FROM NEW YORK IN THE '50s, 193 00:13:10,067 --> 00:13:11,633 THE ONLY BUILDING ON THE BEACH 194 00:13:11,633 --> 00:13:15,367 WAS MY DAD'S HOT DOG STAND, WEE WILLIE'S WEENIES. 195 00:13:15,367 --> 00:13:18,900 - ♪ WEE WILLIE'S WEENIES, TOP OFF WITH CHEESE AND BEANIES ♪ 196 00:13:18,900 --> 00:13:22,967 both: ♪ WEE WILLIE'S WEENIES, BITE DOWN ON ONE TODAY, OLE ♪ 197 00:13:22,967 --> 00:13:24,433 THAT'S IT! 198 00:13:24,433 --> 00:13:28,967 OH, IN THE '60s THIS PLACE WAS BUFF BLUFF TOPLESS BEACH. 199 00:13:28,967 --> 00:13:31,200 ON A HOT DAY, THE BOOBS WERE PACKED TIGHTER THAN EGGS IN 200 00:13:31,200 --> 00:13:32,767 YOUR EASTER BASKET. 201 00:13:32,767 --> 00:13:35,300 - BORN TOO LATE. 202 00:13:35,300 --> 00:13:38,400 - IN THE '70s MAHATMA MAHARAJI WENT BANKRUPT 203 00:13:38,400 --> 00:13:42,367 BUILDING THE WORLD'S FIRST AND LAST CONDO COMMUNE. 204 00:13:42,367 --> 00:13:45,833 NOW, WE'VE GOT YUPPIES. WHO'S NEXT? 205 00:13:45,833 --> 00:13:47,700 - SHE IS. 206 00:13:47,700 --> 00:13:50,900 - WHO? 207 00:13:50,900 --> 00:13:52,300 - HER. 208 00:13:52,300 --> 00:13:56,367 SHE'S NOT REAL. 209 00:13:56,367 --> 00:13:57,533 - WHERE IS SHE? 210 00:13:57,533 --> 00:14:01,400 - RIGHT THERE. NEXT TO THOSE SURFERS. 211 00:14:01,400 --> 00:14:05,233 - THERE'S JUST A COUPLE OF SURFERS. 212 00:14:05,233 --> 00:14:07,900 - THE MOST GORGEOUS CREATURE IN THE GALAXY IS STEAMING 213 00:14:07,900 --> 00:14:09,933 RIGHT THIS WAY. 214 00:14:09,933 --> 00:14:12,100 - YOU'RE IMAGINING THIS. 215 00:14:22,867 --> 00:14:26,400 - HUH? WHERE'D SHE GO? 216 00:14:26,400 --> 00:14:28,200 WHERE'D SHE GO? 217 00:14:28,200 --> 00:14:30,267 - HEY, HEY, TAKE IT EASY. 218 00:14:30,267 --> 00:14:35,233 SHE DIDN'T GO ANYWHERE, BECAUSE SHE WAS NEVER HERE. 219 00:14:35,233 --> 00:14:37,133 HEY, HEY, COME ON. 220 00:14:37,133 --> 00:14:40,267 TIME TO MEET THE HEAVY HITTERS ON THE SOCIAL CIRCUIT. 221 00:14:40,267 --> 00:14:43,533 OH, YOU'RE IN LUCK. 222 00:14:43,533 --> 00:14:46,100 THEY'RE ALL HERE. 223 00:14:55,900 --> 00:14:57,433 - DON'T WORRY. 224 00:14:57,433 --> 00:14:59,233 WE'LL GET THIS ONE. 225 00:14:59,233 --> 00:15:02,133 - IN "THE ADVENTURES OF ROCKY AND BULLWINKLE, 226 00:15:02,133 --> 00:15:05,100 "ARCH-VILLAIN BORIS BADENOV WAS NAMED AFTER THE TITLE 227 00:15:05,100 --> 00:15:08,467 CHARACTER IN WHAT FAMOUS RUSSIAN OPERA?" 228 00:15:08,467 --> 00:15:09,733 - OPERA. 229 00:15:09,733 --> 00:15:11,600 GIVE ME A BREAK. 230 00:15:11,600 --> 00:15:14,867 - IGOR STRAVINSKY, RIGHT? 231 00:15:14,867 --> 00:15:17,367 - IGOR STRAVINSKY, WRONG. 232 00:15:17,367 --> 00:15:19,167 - OUR TURN? 233 00:15:19,167 --> 00:15:20,167 - YOU'RE THE BEST. 234 00:15:20,167 --> 00:15:21,433 - NO, YOU'RE THE BEST. 235 00:15:21,433 --> 00:15:23,300 - BUT YOU'RE THE CUTEST. - YOU'RE THE CUTEST. 236 00:15:23,300 --> 00:15:27,233 both: TIE. 237 00:15:27,233 --> 00:15:31,433 - BORIS GODUNOV, RIGHT? 238 00:15:31,433 --> 00:15:34,833 - SEA SPRAY BEACH RULES FOR TRIVIAL PURSUIT PROHIBIT 239 00:15:34,833 --> 00:15:38,300 SAYING THE CORRECT ANSWER TO THE LOSING TEAM. 240 00:15:38,300 --> 00:15:41,267 - THEY MIGHT ACTUALLY GET ONE RIGHT NEXT TIME. 241 00:15:41,267 --> 00:15:44,067 both: NO. 242 00:15:44,067 --> 00:15:45,933 - WHO IS THIS GUY, CHACHKA? 243 00:15:45,933 --> 00:15:47,433 - BARRY BRINKMAN. 244 00:15:47,433 --> 00:15:48,867 HE JUST MOVED IN. 245 00:15:48,867 --> 00:15:51,267 - IT'S BRADLEY BRINKMAN. 246 00:15:51,267 --> 00:15:52,633 SORRY. 247 00:15:52,633 --> 00:15:53,767 - BRADLEY. 248 00:15:53,767 --> 00:15:55,667 I WANT YOU TO MEET COASTER ROYCE, 249 00:15:55,667 --> 00:15:58,333 WALL STREET WIZ AND YOUNGEST VICE PRESIDENT IN THE 250 00:15:58,333 --> 00:16:00,867 HISTORY OF RATCHET, SLAMMER AND HOPS. 251 00:16:00,867 --> 00:16:03,200 - RATCHET, SLAMMER, HOPS AND ROYCE, 252 00:16:03,200 --> 00:16:04,700 IF I HAVE A SAY IN IT. 253 00:16:04,700 --> 00:16:06,433 AND I WILL. 254 00:16:06,433 --> 00:16:09,333 I ALWAYS DO. 255 00:16:09,333 --> 00:16:12,333 - AND THAT JET-SET ESCAPEE FROM EAST COAST OLD MONEY, 256 00:16:12,333 --> 00:16:13,567 ALEXIS CASH. 257 00:16:13,567 --> 00:16:15,633 - HA HA. 258 00:16:15,633 --> 00:16:17,933 WHERE YOU MOVING IN, BRINKMAN? 259 00:16:17,933 --> 00:16:19,933 - THE CRABIT HOUSE. 260 00:16:19,933 --> 00:16:21,633 - I'M GLAD SOMEONE IS GOING TO SPRUCE UP THAT 261 00:16:21,633 --> 00:16:23,367 DILAPIDATED OLD DUMP. 262 00:16:23,367 --> 00:16:25,867 THANK GOD. 263 00:16:25,867 --> 00:16:29,233 - WELL, ACTUALLY, I'M JUST RENTING IT FOR THE SUMMER. 264 00:16:29,233 --> 00:16:32,433 - YEAH, YOU DIDN'T LOOK LIKE YOU COULD AFFORD TO BUY. 265 00:16:32,433 --> 00:16:36,767 NEED ANY COCKROACH TRAPS? 266 00:16:36,767 --> 00:16:38,500 - WAIT A MINUTE. 267 00:16:38,500 --> 00:16:40,467 YOU'RE SKEET MECKLENBURGER, RIGHT? 268 00:16:40,467 --> 00:16:43,100 ALL-PRO DALLAS ANNIHILATOR LINEBACKER, RIGHT? 269 00:16:43,100 --> 00:16:45,600 - "ALL-THROUGH" LINEBACKER, YOU MEAN. 270 00:16:45,600 --> 00:16:49,700 CUT LIKE A ROOKIE ON UNCONDITIONAL WAIVERS. 271 00:16:49,700 --> 00:16:52,933 - YEAH, BUT I CAN STILL CUT IT WITH YOU, CAN'T I, 272 00:16:52,933 --> 00:16:54,233 PASSION PIE? 273 00:16:54,233 --> 00:16:57,967 - WITH AN ELECTRIC KNIFE, BABY. 274 00:16:57,967 --> 00:16:59,967 - YOU REMEMBER LAUREL SPRINGS, 275 00:16:59,967 --> 00:17:02,633 CHEERLEADER QUEEN OF WEDNESDAY NIGHT FOOTBALL. 276 00:17:02,633 --> 00:17:05,300 - YEAH, I LOVE THE LITE KNOCKWURST COMMERCIAL 277 00:17:05,300 --> 00:17:06,533 YOU GUYS DO TOGETHER. 278 00:17:06,533 --> 00:17:07,600 - OH, THANKS. - A FAN. 279 00:17:07,600 --> 00:17:09,300 HOW FLATTERING. 280 00:17:09,300 --> 00:17:11,500 YOU PLAY V-BALL, BRINSKY? 281 00:17:11,500 --> 00:17:12,600 - V-BALL? 282 00:17:12,600 --> 00:17:13,933 V-BALL. OH, YEAH. 283 00:17:13,933 --> 00:17:16,533 I'D LOVE TO, BUT I HAVEN'T PLAYED IT IN AGES. 284 00:17:16,533 --> 00:17:17,900 - DON'T WORRY. 285 00:17:17,900 --> 00:17:21,067 SKEET KNOWS ALL THE RULES. 286 00:17:23,733 --> 00:17:27,067 - THERE ARE A FEW DO'S AND DON'TS IN V-BALL, BRINSKY, 287 00:17:27,067 --> 00:17:31,367 SO LET'S START WITH THE DON'TS. 288 00:17:31,367 --> 00:17:35,833 YOU DON'T REACH UNDER THE NET. 289 00:17:35,833 --> 00:17:39,133 YOU DON'T RUN INTO THE NET. 290 00:17:39,133 --> 00:17:42,133 AND YOU DON'T KICK SAND ON AN OPPOSING PLAYER 291 00:17:42,133 --> 00:17:43,467 WHEN HE'S DOWN. 292 00:17:46,233 --> 00:17:49,700 GOT THE PICTURE, BRINSKY? 293 00:17:49,700 --> 00:17:52,667 - SO WHAT IF THEY ALL ACTED LIKE THEY HATED ME FROM BIRTH? 294 00:17:52,667 --> 00:17:54,867 THERE WAS AN AURA TO THEIR ARROGANCE. 295 00:17:54,867 --> 00:17:56,933 I HAD TO FIT IN. 296 00:17:56,933 --> 00:17:59,400 I YUPPIED OUT MY HOUSE WITH EVERY TRENDY APPLIANCE MY 297 00:17:59,400 --> 00:18:01,467 CREDIT LIMIT COULD BEAR. 298 00:18:01,467 --> 00:18:03,467 AH, SO WHAT IF THE STUFF WOULD NEVER FIT IN MY STUDIO 299 00:18:03,467 --> 00:18:05,067 APARTMENT AFTER THE SUMMER. 300 00:18:05,067 --> 00:18:06,633 I WAS LIVING IN THE MOMENT. 301 00:18:11,933 --> 00:18:15,900 I EVEN PERSONALLY STONEWASHED ALL MY CLOTHES. 302 00:18:15,900 --> 00:18:18,700 I STILL HAVEN'T FIGURED OUT WHY. 303 00:18:18,700 --> 00:18:21,600 SEA SPRAY BY NIGHT MEANS THE SAND CASTLE. 304 00:18:21,600 --> 00:18:24,500 THE MEN ARE LOW ON BODY FAT, THE WOMEN ARE HIGH ON 305 00:18:24,500 --> 00:18:28,533 THEMSELVES ... AND WHATEVER ELSE IS GOING AROUND. 306 00:18:28,533 --> 00:18:31,433 I WAS READY FOR STEP TWO, INVITING THE WHOLE BEACH TO 307 00:18:31,433 --> 00:18:33,800 AN OPEN HOUSE AT MY PLACE. 308 00:18:33,800 --> 00:18:35,733 I'D PARTY THEIR ASSES OFF. 309 00:18:35,733 --> 00:18:39,833 INCLUDE MYSELF IN WITH THE IN CROWD. 310 00:18:51,100 --> 00:18:54,000 THE SEA SPRAY CROWD ACCEPTS NO SUBSTITUTES, 311 00:18:54,000 --> 00:18:58,467 AND I FELT LIKE A SUBSTITUTE. 312 00:18:58,467 --> 00:19:00,033 - HEY, HI, COASTER. 313 00:19:00,033 --> 00:19:03,400 HOW'S IT GOING, GUY? 314 00:19:03,400 --> 00:19:05,400 - WHERE DID YOU GET THAT OUTFIT? 315 00:19:05,400 --> 00:19:08,767 - WELL, I GOT IT AT THE SEA SPRAY GALLERIA. 316 00:19:08,767 --> 00:19:12,300 - OH, ALEXIS, DARLING. 317 00:19:12,300 --> 00:19:14,800 BRINKMAN HERE WENT SHOPPING AT 318 00:19:14,800 --> 00:19:17,767 THE SEA SPRAY "SCHLOCKERIA." 319 00:19:19,100 --> 00:19:20,700 - WHAT'S SO FUNNY? 320 00:19:20,700 --> 00:19:22,367 WE'RE EXACTLY IDENTICAL. 321 00:19:22,367 --> 00:19:25,733 - OH, FAT CHANCE. 322 00:19:25,733 --> 00:19:27,633 - MIDNIGHT EXPRESS FOR MEN. 323 00:19:27,633 --> 00:19:29,833 MADE IN TURKEY. 324 00:19:29,833 --> 00:19:33,833 POLY-COTTON BLEND. both: OOH. 325 00:19:33,833 --> 00:19:38,233 OH, GIORGIO SPERMATUCCI STONEWASH. 326 00:19:38,233 --> 00:19:41,133 SPERMATUCCI, MY FAVORITE DESIGNER. 327 00:19:41,133 --> 00:19:43,400 - THEY'RE 100% COTTON. 328 00:19:43,400 --> 00:19:47,067 - THEY STONEWASH THEIR DENIM IN SYNTHETIC STONES. 329 00:19:47,067 --> 00:19:49,900 - BRINKMAN, A LITTLE ADVICE, THE ONLY THING THAT YOU'LL 330 00:19:49,900 --> 00:19:54,733 LAY TONIGHT IN THAT IS LINOLEUM. 331 00:19:56,167 --> 00:19:58,933 - OH, YEAH, YOU GUYS, HERE'S AN INVITATION. 332 00:19:58,933 --> 00:20:00,700 MY OPEN HOUSE. 333 00:20:00,700 --> 00:20:02,167 TRY AND DROP BY. 334 00:20:02,167 --> 00:20:05,900 - CATERED NO DOUBT BY CHARLES DE GRAVY DU POISSON. 335 00:20:05,900 --> 00:20:08,367 OH, WE WILL BE THERE WITH BELLS ON. 336 00:20:08,367 --> 00:20:09,800 BELLS. 337 00:20:09,800 --> 00:20:11,867 - DING AWAY. 338 00:20:17,833 --> 00:20:21,467 - AND THEN I SAW HER. AGAIN. 339 00:21:45,433 --> 00:21:47,133 - ARE WE PUMPED IN THERE, BRADLEY? 340 00:21:47,133 --> 00:21:49,167 - I WAS DANCING WITH THAT INCREDIBLY GORGEOUS WOMAN 341 00:21:49,167 --> 00:21:51,500 FROM THE BEACH, BUT SHE VANISHED. 342 00:21:51,500 --> 00:21:53,400 - OH, SURE. HOW COME I CAN'T SEE HER? 343 00:21:53,400 --> 00:21:54,567 WHERE'D SHE GO? 344 00:21:54,567 --> 00:21:58,233 - HELL, IF I KNOW. 345 00:22:03,567 --> 00:22:06,733 - THE FINAL SCORE FOR MY OPEN HOUSE WAS HOST-ONE, 346 00:22:06,733 --> 00:22:08,667 GUESTS-ZERO. 347 00:22:08,667 --> 00:22:12,133 TALK ABOUT WOUNDED PRIDE, MINE WAS DEAD ON ARRIVAL. 348 00:22:12,133 --> 00:22:16,733 A NIGHTMARE IN LEFTOVER ARTICHOKE HEARTS. 349 00:22:22,367 --> 00:22:24,533 - HELLO. 350 00:22:24,533 --> 00:22:30,167 CHACHKA, UH-- CHACHKA, BABY, HOW ARE YA? 351 00:22:30,167 --> 00:22:35,033 OH, FANTASTIC. FANTASTIC TURN-OUT, YEAH. 352 00:22:35,033 --> 00:22:36,900 YEAH! WHAT? 353 00:22:36,900 --> 00:22:38,167 OH, YOU CAN'T MAKE IT OVER. 354 00:22:38,167 --> 00:22:40,133 OH, BABE, WE'RE GONNA MISS YA, YEAH. 355 00:22:40,133 --> 00:22:42,133 GREAT PARTY, BRADLEY. 356 00:22:42,133 --> 00:22:43,500 YEAH, DUDE, GREAT PARTY. 357 00:22:43,500 --> 00:22:45,367 WHAT? 358 00:22:45,367 --> 00:22:46,367 LEFTOVERS? 359 00:22:46,367 --> 00:22:48,467 UH, NO, I DON'T THINK SO. 360 00:22:48,467 --> 00:22:51,133 THESE PARTY ANIMALS, THEY ARE PIGGING OUT. 361 00:22:51,133 --> 00:22:53,933 YEAH, PIGGING OUT, YEAH. 362 00:22:53,933 --> 00:22:56,600 WHAT? 363 00:22:56,600 --> 00:23:00,667 BABE, I CAN'T HEAR YOU. YOU GOTTA SPEAK UP FOR ME, OKAY? 364 00:23:00,667 --> 00:23:02,867 NO, NO, HONEY I CAN'T HEAR YOU. 365 00:23:02,867 --> 00:23:05,667 I'LL TALK TO YOU TOMORROW, OKAY? 366 00:23:05,667 --> 00:23:07,700 YEAH, YEAH. BYE! 367 00:23:14,733 --> 00:23:16,633 "ANY LEFTOVERS." 368 00:23:16,633 --> 00:23:19,567 SHE'LL PROBABLY BE RIGHT OVER WITH TUPPERWARE. 369 00:23:33,967 --> 00:23:38,367 - SUPPOSE YOU GAVE AN OPEN HOUSE, AND NOBODY CAME. 370 00:23:38,367 --> 00:23:41,400 WE CAN'T HAVE THAT NOW, CAN WE, COMPUTER CHAMP? 371 00:23:41,400 --> 00:23:43,467 - WAIT A MINUTE. DON'T DISAPPEAR. 372 00:23:43,467 --> 00:23:44,967 OKAY. 373 00:23:44,967 --> 00:23:48,833 WHO ARE YOU, AND HOW DO YOU KNOW SO MUCH ABOUT ME? 374 00:23:48,833 --> 00:23:51,533 AND AM I THE ONLY PERSON WHO CAN SEE YOU? 375 00:23:51,533 --> 00:23:53,900 - AROUSED? 376 00:23:53,900 --> 00:23:57,067 YOUR CURIOSITY, I MEAN. 377 00:23:57,067 --> 00:24:01,967 BRADLEY, A GIRL IN MY LINE WORKS UP A DEVILISH THIRST. 378 00:24:01,967 --> 00:24:05,867 AREN'T YOU GONNA INVITE ME TO STAY FOR A PERRIER? 379 00:24:07,567 --> 00:24:11,433 WOW, THE FOOD'S JUST TO DIE FOR, BRADLEY. 380 00:24:11,433 --> 00:24:15,200 YOU KNOW, YOU COULD BE ONE FABULOUS HOST. 381 00:24:15,200 --> 00:24:17,967 IT'S A SHAME YOU DON'T RECOGNIZE IT. 382 00:24:17,967 --> 00:24:20,367 - YOU'VE HAD THE FOOD, AND YOU'VE HAD YOUR FUN. 383 00:24:20,367 --> 00:24:23,033 NOW, WHO ARE YOU? 384 00:24:23,033 --> 00:24:25,833 - MY NAME'S O'BRIEN. 385 00:24:25,833 --> 00:24:27,333 - JUST O'BRIEN? 386 00:24:27,333 --> 00:24:29,000 - JUST O'BRIEN. 387 00:24:29,000 --> 00:24:32,267 - AND WHERE DO YOU LIVE, O'BRIEN? 388 00:24:32,267 --> 00:24:33,667 - HELL. 389 00:24:33,667 --> 00:24:36,867 I HAVE A LARGE STUDIO APARTMENT AT 1,700 DEGREES FAHRENHEIT. 390 00:24:36,867 --> 00:24:41,267 OF COURSE, I WANT A ONE-BEDROOM AT 2,500 DEGREES FAHRENHEIT. 391 00:24:41,267 --> 00:24:43,300 OR A LOFT IN THE CELSIUS NEIGHBORHOOD, 392 00:24:43,300 --> 00:24:47,000 BUT ANYTHING OVER 2,000 DEGREES IS A FORTUNE. 393 00:24:47,000 --> 00:24:51,267 IT'S HELL TO FIND A DECENT PLACE TO LIVE IN HELL. 394 00:24:51,267 --> 00:24:53,433 - WHO WRITES YOUR MATERIAL, DAVID LETTERMAN? 395 00:25:03,467 --> 00:25:05,700 CUTE. VERY CLEVER. 396 00:25:05,700 --> 00:25:09,200 WHAT DO YOU WANT FROM ME? 397 00:25:12,267 --> 00:25:14,667 - OKAY, LISTEN UP, BRADLEY, BECAUSE I'M ONLY GONNA READ 398 00:25:14,667 --> 00:25:16,667 YOUR BLACK MAGIC RIGHTS ONCE. 399 00:25:16,667 --> 00:25:19,533 - OH. 400 00:25:19,533 --> 00:25:22,333 - BE FOREWARNED-- 401 00:25:22,333 --> 00:25:23,767 - SORRY. 402 00:25:23,767 --> 00:25:27,133 - BE FOREWARNED, YOU'RE ABOUT TO BE SOLICITED FOR A 403 00:25:27,133 --> 00:25:28,933 SUPERNATURAL EXPERIENCE. 404 00:25:28,933 --> 00:25:31,100 YOU HAVE THE RIGHT TO CALL AN EXORCIST. 405 00:25:31,100 --> 00:25:32,633 IF YOU CANNOT AFFORD AN EXORCIST, 406 00:25:32,633 --> 00:25:34,733 ONE WILL BE APPOINTED TO YOU. 407 00:25:34,733 --> 00:25:37,967 ANY BLACK MAGIC COVENANTS HEREAFTER EXECUTED BY YOU 408 00:25:37,967 --> 00:25:40,833 CAN AND WILL BE USED TO ASSERT DARK DOMINION OVER 409 00:25:40,833 --> 00:25:42,167 YOUR SOUL. 410 00:25:42,167 --> 00:25:44,167 ANY QUESTIONS? 411 00:25:44,167 --> 00:25:47,133 - YEAH. WHY ME? 412 00:25:47,133 --> 00:25:51,200 - I'VE HAD MY EVIL ON YOU A LONG TIME. 413 00:25:51,200 --> 00:25:57,533 BRADLEY, YOU NEED A FRIEND RIGHT NOW. 414 00:25:57,533 --> 00:26:01,600 WHO DO YOU THINK INSPIRED THE YUPPIE PROGRAM? 415 00:26:01,600 --> 00:26:03,300 - WAIT A MINUTE. 416 00:26:03,300 --> 00:26:06,067 THIS WAS ON MY COMPUTER. 417 00:26:06,067 --> 00:26:09,433 YOU POSSESSED MY WORD PROCESSOR THAT NIGHT? 418 00:26:09,433 --> 00:26:15,000 - LET'S CALL IT "TEMPORARY OCCUPANCY." 419 00:26:15,000 --> 00:26:19,167 - THIS CONVERSATION IS INSANE, AND SO ARE YOU. 420 00:26:19,167 --> 00:26:23,500 - ONE QUESTION, BRADLEY. 421 00:26:23,500 --> 00:26:26,500 ARE YOU HAPPY YOU RENTED THIS FABULOUS HOUSE 422 00:26:26,500 --> 00:26:29,267 SO CLOSE TO ROYCE, COULD WIPE HIS TOPSIDERS ON YOUR FACE 423 00:26:29,267 --> 00:26:31,033 AT THE DROP OF A FRISBEE? 424 00:26:31,033 --> 00:26:32,533 HAPPY WOMEN AROUND HERE 425 00:26:32,533 --> 00:26:35,733 WON'T GIVE YOU THE CORRECT TIME OF DAY AT A ROLEX CONVENTION? 426 00:26:35,733 --> 00:26:39,833 - WELL-- - I CAN MAKE YOU OVER. 427 00:26:39,833 --> 00:26:41,833 MAKE YOU INTO THE KIND OF MAN YOU'VE ALWAYS 428 00:26:41,833 --> 00:26:44,000 DAYDREAMED ABOUT. 429 00:26:44,000 --> 00:26:47,233 THE KIND OF MAN WOMEN WANT MOST. 430 00:26:47,233 --> 00:26:49,633 AND MEN WANT MOST TO BE. 431 00:26:51,633 --> 00:26:53,467 A HUNK. 432 00:26:53,467 --> 00:26:58,133 HANDSOME, TANNED, TONED. 433 00:26:58,133 --> 00:26:59,733 RICH, BRADLEY. 434 00:26:59,733 --> 00:27:02,533 SUCCESSFUL. 435 00:27:02,533 --> 00:27:04,633 ADMIRED. 436 00:27:04,633 --> 00:27:06,467 - WHAT'S ALL THIS GONNA COST ME? 437 00:27:06,467 --> 00:27:09,700 - OH, YOUR SOUL, SILLY BOY. 438 00:27:09,700 --> 00:27:12,700 AND WOULD YOU BELIEVE, RIGHT NOW, 439 00:27:12,700 --> 00:27:16,900 WE HAVE A NO-OBLIGATION SELL-YOUR-SOUL-FOR-THE-SUMMER 440 00:27:16,900 --> 00:27:19,433 TRIAL OFFER? 441 00:27:19,433 --> 00:27:22,200 AND IF YOU ARE NOT 100% SATISFIED, 442 00:27:22,200 --> 00:27:25,333 YOUR OLD BODY AND OLD SOUL WILL BE REFUNDED. 443 00:27:25,333 --> 00:27:27,800 IT'S A PACKAGE DEAL. 444 00:27:27,800 --> 00:27:32,167 - ARE YOU PART OF THE PACKAGE DEAL? 445 00:27:32,167 --> 00:27:33,900 - OH, THE DEVIL HIMSELF, INCORPORATED, 446 00:27:33,900 --> 00:27:36,233 FORBIDS MY DATING CLIENTS WHILE THEIR SOUL IS IN 447 00:27:36,233 --> 00:27:38,600 SPIRITUAL ESCROW. 448 00:27:38,600 --> 00:27:42,700 - THE DEVIL HIMSELF, INCORPORATED? 449 00:27:42,700 --> 00:27:45,867 - THE BOSS NEEDS TAX WRITE-OFFS JUST LIKE YOU. 450 00:27:45,867 --> 00:27:48,067 - WE'LL STILL SEE EACH OTHER, WON'T WE? 451 00:27:48,067 --> 00:27:51,833 - OH, FOR ETERNITY, IF YOU WANT. 452 00:27:51,833 --> 00:27:53,900 SO GIVE IT A GO FOR THE SUMMER? 453 00:27:53,900 --> 00:27:58,900 - AND NOW I'M SUPPOSED TO SIGN SOMETHING IN BLOOD, RIGHT? 454 00:27:58,900 --> 00:28:00,267 - A HYPODERMIC PEN. 455 00:28:00,267 --> 00:28:02,333 NO MUSS, NO FUSS. 456 00:28:02,333 --> 00:28:03,733 IT'S MY LATEST INVENTION. 457 00:28:03,733 --> 00:28:05,667 - OW! 458 00:28:24,667 --> 00:28:27,567 - DONE. 459 00:28:27,567 --> 00:28:29,467 - NOW WHAT? 460 00:28:29,467 --> 00:28:31,733 - NOW, WAIT. 461 00:28:31,733 --> 00:28:36,400 A NEW LIFE AND A NEW BODY BEGIN TOMORROW AT SUNRISE. 462 00:28:36,400 --> 00:28:39,500 SWEET DREAMS, BRADLEY BRINKMAN. 463 00:28:39,500 --> 00:28:43,600 THIS MAY BE THE LAST WE SEE OF THE OLD YOU. 464 00:28:43,600 --> 00:28:44,967 BYE. 465 00:28:44,967 --> 00:28:49,300 - BYE. 466 00:28:49,300 --> 00:28:54,933 OH, WEIRD. REALLY WEIRD. 467 00:28:56,000 --> 00:28:58,533 - THAT NIGHT, I HAD A WILD DREAM. 468 00:28:58,533 --> 00:29:02,433 AT LEAST, I THOUGHT IT WAS A DREAM. 469 00:31:14,600 --> 00:31:16,333 - OH, MAN, WHAT A NIGHTMARE. 470 00:31:27,167 --> 00:31:28,300 WAIT A MINUTE. 471 00:31:28,300 --> 00:31:30,167 WHOSE ARM IS THIS? 472 00:31:30,167 --> 00:31:32,600 WAIT A MINUTE. 473 00:31:32,600 --> 00:31:37,467 WHOSE ROOM IS THIS? 474 00:31:37,467 --> 00:31:41,700 STILL DREAMING. 475 00:31:41,700 --> 00:31:44,267 I'M NOT DREAMING. 476 00:31:44,267 --> 00:31:47,733 THIS IS REAL. 477 00:31:47,733 --> 00:31:49,367 WHERE'D ALL THIS COME FROM? 478 00:31:52,833 --> 00:32:01,933 OH, MY GOD. 479 00:32:01,933 --> 00:32:04,500 O'BRIEN REALLY DID IT. 480 00:32:14,567 --> 00:32:22,567 SHE REALLY...REALLY DID IT. 481 00:32:22,567 --> 00:32:28,267 HEY, THAT'S NOT OSCAR. 482 00:32:28,267 --> 00:32:33,467 MY BEST FRIEND SINCE THE SEVENTH GRADE IS MISSING. 483 00:32:33,467 --> 00:32:34,633 O'BRIEN? 484 00:32:34,633 --> 00:32:38,700 O'BRIEN, WHAT THE HELL-- CHACHKA, HI. 485 00:32:38,700 --> 00:32:42,500 - YOU KNOW ME? I'D REMEMBER MEETING YOU. 486 00:32:42,500 --> 00:32:45,100 IF YOU'RE ONE OF THE LEFTOVERS FROM LAST NIGHT, 487 00:32:45,100 --> 00:32:47,600 I'M GONNA KILL MYSELF FOR MISSING YOU. 488 00:32:47,600 --> 00:32:49,933 I MEAN, IT. 489 00:32:49,933 --> 00:32:52,600 - YEAH, I'M WHAT'S LEFT OVER, ALL RIGHT. 490 00:32:52,600 --> 00:32:56,067 - OH, IS BODY--I MEAN, BRADLEY--HOME? 491 00:32:56,067 --> 00:32:58,067 - BRADLEY. 492 00:32:58,067 --> 00:33:00,967 NO, BRADLEY'S STILL DREAMING, I THINK. 493 00:33:00,967 --> 00:33:03,467 I MEAN, HE'S STILL HUNG OVER FROM THE PARTY. 494 00:33:03,467 --> 00:33:04,533 - OH, LOOK. 495 00:33:04,533 --> 00:33:07,200 HE REDECORATED THE WHOLE PLACE. 496 00:33:07,200 --> 00:33:08,533 - YEAH. 497 00:33:08,533 --> 00:33:09,533 WOW. 498 00:33:09,533 --> 00:33:10,667 SHE SURE DID. 499 00:33:10,667 --> 00:33:11,867 I MEAN, YES. 500 00:33:11,867 --> 00:33:17,533 YES, HE DID. 501 00:33:17,533 --> 00:33:19,600 WHAT ARE YOU STARING AT? 502 00:33:19,600 --> 00:33:22,433 - A REAL HUNK. 503 00:33:22,433 --> 00:33:26,500 I MEAN, IS THAT YOUR NEW CAR IN THE DRIVEWAY? 504 00:33:26,500 --> 00:33:27,667 - NEW CAR? 505 00:33:27,667 --> 00:33:28,600 WHAT NEW CAR? 506 00:33:34,300 --> 00:33:36,100 YOU MEAN, THIS CAR? 507 00:33:36,100 --> 00:33:37,133 - NO. 508 00:33:37,133 --> 00:33:41,167 THIS IS MY GASTROMOBILE. 509 00:33:41,167 --> 00:33:42,933 - AH, IT'S INTERESTING, YES. 510 00:33:42,933 --> 00:33:45,400 - THE NEW CAR IS OVER HERE. 511 00:33:45,400 --> 00:33:46,767 IS IT YOURS? 512 00:33:46,767 --> 00:33:48,733 - CAR OF MY DAYDREAMS. 513 00:33:48,733 --> 00:33:52,600 UH, I MEAN, I DON'T KNOW. 514 00:33:52,600 --> 00:33:55,433 - WHO ARE YOU ANYWAY? 515 00:33:55,433 --> 00:33:57,533 - I'M NOT SURE. 516 00:33:57,533 --> 00:34:00,267 I MEAN, BRADLEY AND I ARE VERY CLOSE. 517 00:34:00,267 --> 00:34:04,467 LISTEN, HAVE YOU SEEN A WOMAN ABOUT 5'9", DARK HAIR, 518 00:34:04,467 --> 00:34:05,733 REALLY GORGEOUS? 519 00:34:05,733 --> 00:34:07,633 - NOT YOU TOO. 520 00:34:07,633 --> 00:34:10,833 - NEVER MIND. SHE'LL TURN UP. 521 00:34:10,833 --> 00:34:12,567 I HOPE. 522 00:34:15,067 --> 00:34:18,500 LOOK AT THIS STUFF. 523 00:34:20,767 --> 00:34:24,200 H.G. WHO IS H.G.? 524 00:34:24,200 --> 00:34:26,533 NOT ONLY WAS I NEW TO CHACHKA, 525 00:34:26,533 --> 00:34:29,633 BUT EVERYTHING I NOW OWNED WAS NEW TO ME. 526 00:34:38,833 --> 00:34:42,867 HOW WE DOING, SUSIE? 527 00:34:55,667 --> 00:34:58,567 "THE WHOLE PACKAGE DEAL." 528 00:34:58,567 --> 00:34:59,767 O'BRIEN. 529 00:35:07,367 --> 00:35:10,033 "HUNK GOLDEN?" 530 00:35:10,033 --> 00:35:14,700 MY NAME IS "HUNK GOLDEN?" 531 00:35:22,033 --> 00:35:24,900 I'M RICH. 532 00:35:24,900 --> 00:35:27,633 WHATEVER HAPPENED TO BRADLEY BRINKMAN? 533 00:35:27,633 --> 00:35:36,500 O'BRIEN! 534 00:35:36,500 --> 00:35:38,933 O'BRIEN. 535 00:35:55,567 --> 00:35:58,100 - IT WAS ALL I COULD DO TO KEEP FROM RIPPING HIS TOWEL 536 00:35:58,100 --> 00:35:59,500 OFF WITH MY TEETH. 537 00:35:59,500 --> 00:36:01,233 WHAT'S HIS NAME? 538 00:36:01,233 --> 00:36:02,767 HE DIDN'T SAY. 539 00:36:02,767 --> 00:36:05,433 - ANOTHER RENTER ASSHOLE. 540 00:36:05,433 --> 00:36:07,767 - THERE HE IS NOW. 541 00:36:07,767 --> 00:36:09,200 YOO-HOO! 542 00:36:09,200 --> 00:36:12,767 BRADLEY'S FRIEND! 543 00:36:12,767 --> 00:36:16,667 OVER HERE. 544 00:36:16,667 --> 00:36:18,833 - OH, NOW, THAT'S A PERFECT SPECIMEN. 545 00:36:18,833 --> 00:36:22,133 - A MAN'S MAN-AND-A-HALF. 546 00:36:22,133 --> 00:36:24,600 - PUTS YOU TWO BOTH TO SHAME. 547 00:36:24,600 --> 00:36:26,267 - YEAH, WE'LL SEE ABOUT THAT. 548 00:36:26,267 --> 00:36:27,900 - HELLO AGAIN. 549 00:36:27,900 --> 00:36:29,567 I DIDN'T CATCH YOUR NAME. 550 00:36:29,567 --> 00:36:31,500 - BRADLEY-- HUNK. 551 00:36:31,500 --> 00:36:33,467 MY NAME IS HUNK GOLDEN. 552 00:36:33,467 --> 00:36:35,633 - HUNK. 553 00:36:35,633 --> 00:36:38,433 THAT SHORT FOR HAIRDRESSER OR SOMETHING? 554 00:36:38,433 --> 00:36:39,567 - UH, HUNK. 555 00:36:39,567 --> 00:36:43,900 THIS IS COASTER, ALEXIS, LAUREL AND SKEET. 556 00:36:43,900 --> 00:36:46,767 - WELL, I FEEL LIKE I KNOW YOU ALREADY. 557 00:36:46,767 --> 00:36:48,533 - ISN'T HE CHARMING. 558 00:36:48,533 --> 00:36:50,967 MOVING IN? 559 00:36:50,967 --> 00:36:53,967 - OR MOVING ALONG? 560 00:36:53,967 --> 00:36:56,867 - NO, ACTUALLY, I'M JUST VISITING BRADLEY BRINKMAN. 561 00:36:56,867 --> 00:36:58,567 - THAT SCRAWNY LITTLE WUSS? 562 00:36:58,567 --> 00:37:00,867 - WELL, ACTUALLY, I'M JUST LOOKING FOR SOMEBODY RIGHT NOW. 563 00:37:00,867 --> 00:37:02,700 - WELL, WHAT'S THE HURRY, MURRAY? 564 00:37:02,700 --> 00:37:05,900 JUST SO HAPPENS WE'RE LOOKING FOR A FOURTH FOR V-BALL. 565 00:37:05,900 --> 00:37:09,067 - YOU DO KNOW HOW TO PLAY V-BALL, DON'T YOU? 566 00:37:09,067 --> 00:37:10,967 - UH, YEAH. 567 00:37:10,967 --> 00:37:15,267 SOMEBODY GAVE ME A FEW LESSONS ... ONCE. 568 00:37:15,267 --> 00:37:16,567 - GO, HUNK! 569 00:37:16,567 --> 00:37:18,467 - OH, I HOPE THIS IS GONNA BE GOOD. 570 00:37:18,467 --> 00:37:21,133 - ALL RIGHT! GREAT. 571 00:37:21,133 --> 00:37:24,167 - GO, HUNK! GO! 572 00:37:24,167 --> 00:37:27,133 - YOU CAN SERVE, CAN'T YOU? 573 00:37:27,133 --> 00:37:28,433 - YEAH. MIND IF I PRACTICE FIRST? 574 00:37:28,433 --> 00:37:29,433 - HEY, GARDENER. 575 00:37:29,433 --> 00:37:32,700 YOU AND ME. ONE ON ONE. 576 00:37:32,700 --> 00:37:35,200 HOPE YOU CAN HANDLE A GOOD SPIKE. 577 00:37:35,200 --> 00:37:36,900 - GOOD LUCK. 578 00:37:36,900 --> 00:37:39,233 - YEAH. 579 00:37:39,233 --> 00:37:41,333 - COME ON. GET IT UP, GORGEOUS. 580 00:37:41,333 --> 00:37:42,633 - GO, HUNK. 581 00:37:52,867 --> 00:37:54,500 KILL HIM, HUNK. 582 00:37:54,500 --> 00:37:56,567 - I'M GONNA WRAP YOUR NUTS AROUND YOUR NECK, 583 00:37:56,567 --> 00:37:57,633 TWINKIE DICK. 584 00:37:57,633 --> 00:37:58,867 - NO, SKEET. 585 00:37:58,867 --> 00:38:04,633 NO! 586 00:38:04,633 --> 00:38:07,133 - SKEET, DON'T DAMAGE THE MERCHANDISE. 587 00:38:07,133 --> 00:38:18,133 - SKEET, ENOUGH'S ENOUGH. 588 00:38:18,133 --> 00:38:20,800 - GO, HUNK. 589 00:38:32,133 --> 00:38:34,633 - OUT COLD. 590 00:38:34,633 --> 00:38:36,033 - FAIR FIGHT. 591 00:38:36,033 --> 00:38:38,233 HE'S MY BEST FRIEND, BUT HE CAN REALLY ROAR LIKE AN 592 00:38:38,233 --> 00:38:40,167 ASSHOLE SOMETIMES. 593 00:38:40,167 --> 00:38:41,800 - WHERE'D YOU GET THAT WALLOP? 594 00:38:41,800 --> 00:38:44,633 - THAT'S WHAT I'D LIKE TO KNOW. 595 00:39:00,433 --> 00:39:02,133 - I CAN'T BELIEVE YOU THREW THIS TOGETHER 596 00:39:02,133 --> 00:39:04,100 IN FIVE MINUTES' NOTICE, HUNK. 597 00:39:04,100 --> 00:39:05,467 - WHAT A HOST. 598 00:39:05,467 --> 00:39:06,967 - ODDS AND ENDS FROM THE FRIDGE. 599 00:39:06,967 --> 00:39:08,967 - ODDS AND END FOR 40. 600 00:39:08,967 --> 00:39:11,000 IMPRESSIVE. 601 00:39:11,000 --> 00:39:12,233 - WHERE'S BRADLEY? 602 00:39:12,233 --> 00:39:14,633 - BRADLEY, HE'S DOWNTOWN. 603 00:39:14,633 --> 00:39:15,633 BIG FAMILY EMERGENCY. 604 00:39:15,633 --> 00:39:18,500 - FIGURES. 605 00:39:18,500 --> 00:39:23,367 - I WANT A WORD WITH YOU, MR. HUNK GOLDEN. 606 00:39:23,367 --> 00:39:25,767 - THE LAST TIME SHE HAD A WORD WITH SOMEBODY, 607 00:39:25,767 --> 00:39:27,467 HE COULDN'T TALK FOR A WEEK. 608 00:39:27,467 --> 00:39:29,267 WANT A CRACKER? 609 00:39:29,267 --> 00:39:30,300 - I'M NOT EATING. 610 00:39:30,300 --> 00:39:31,367 - WHY NOT, BUBBY? 611 00:39:31,367 --> 00:39:32,800 - I'M FAT. - YOU'RE NOT FAT. 612 00:39:32,800 --> 00:39:35,067 - OH, YOU ARE NOT FAT. YOU'RE A BEAUTIFUL GAZELLE. 613 00:39:35,067 --> 00:39:36,133 - I'M HUGE. 614 00:39:36,133 --> 00:39:37,467 - YOU'RE NOT HUGE. - YOU ARE NOT. 615 00:39:37,467 --> 00:39:39,300 - YOU'RE THE MOST BEAUTIFUL THING IN THE WORLD. 616 00:39:39,300 --> 00:39:44,700 - I'M A BEACHED WHALE. - YOU'RE NOT A BEACHED WHALE. 617 00:39:44,700 --> 00:39:46,633 - I'M REALLY SORRY ABOUT SKEET. 618 00:39:46,633 --> 00:39:49,300 I DON'T KNOW MY OWN STRENGTH. 619 00:39:49,300 --> 00:39:50,433 HOW IS HE? 620 00:39:50,433 --> 00:39:55,700 - UNCONSCIOUS UNDER A 20-POUND ICE PACK. 621 00:39:55,700 --> 00:39:57,767 YOU ANIMAL. 622 00:39:57,767 --> 00:39:59,600 - I'M AN ANIMAL? 623 00:39:59,600 --> 00:40:03,667 - I'VE NEVER SEEN ANYTHING SO SAVAGE IN MY ENTIRE LIFE. 624 00:40:03,667 --> 00:40:06,067 WHO DO YOU THINK YOU ARE? 625 00:40:06,067 --> 00:40:07,267 - DO I KNOW? 626 00:40:07,267 --> 00:40:10,567 I JUST MET MYSELF FOR THE FIRST TIME TODAY. 627 00:40:10,567 --> 00:40:13,200 - YOU KNOW WHAT SOMEBODY OUGHT TO DO TO A BRUTAL 628 00:40:13,200 --> 00:40:14,833 BASTARD LIKE YOU? 629 00:40:14,833 --> 00:40:17,833 - UH, NO. 630 00:40:17,833 --> 00:40:21,767 - SOMEBODY SHOULD THANK YOU FOR PUTTING THAT BIG LUMMOX 631 00:40:21,767 --> 00:40:24,433 IN HIS PLACE. 632 00:40:24,433 --> 00:40:26,800 YOU'RE A WALKING A CHUCK NORRIS MOVIE, 633 00:40:26,800 --> 00:40:30,067 AND I'M NOT WAITING TILL YOU'RE OUT ON VIDEOCASSETTE! 634 00:40:30,067 --> 00:40:32,933 - UH, IN CASE YOU HAVEN'T NOTICED, 635 00:40:32,933 --> 00:40:34,467 THIS HOUSE IS FULL OF GUESTS. 636 00:40:34,467 --> 00:40:37,500 - AND ALL THE WOMEN WANNA TAKE YOU SOUTH OF THE 637 00:40:37,500 --> 00:40:41,800 MASON-DIXON LINE. 638 00:40:41,800 --> 00:40:44,167 - THINGS LIKE THIS NEVER HAPPEN TO BRADLEY BRINKMAN. 639 00:40:44,167 --> 00:40:47,567 - WELL, WHY WORRY ABOUT THAT LITTLE OLD TADPOLE WHEN WE 640 00:40:47,567 --> 00:40:50,800 GOT A BIGGER FISH TO FRY? 641 00:40:53,200 --> 00:40:55,867 - WHERE'D YOU LEARN TO JOCKEY THIS BED? 642 00:40:55,867 --> 00:40:58,500 - DALLAS GENERAL HOSPITAL. 643 00:40:58,500 --> 00:41:01,500 BEFORE BECOMING AN ANNIHILATOR CHEERLEADER, 644 00:41:01,500 --> 00:41:05,800 I WAS STRIPPED OF MY CANDY STRIPES. 645 00:41:05,800 --> 00:41:07,933 - WELL, ONCE A CANDY-STRIPER, ALWAYS A CANDY-STRIPER. 646 00:41:07,933 --> 00:41:09,167 THAT'S WHAT I SAY. 647 00:41:09,167 --> 00:41:13,133 - YOU WANNA SEE MY STRIPES? 648 00:41:13,133 --> 00:41:16,800 OKAY! 649 00:41:16,800 --> 00:41:18,300 THEY'RE INVISIBLE. 650 00:41:18,300 --> 00:41:20,900 - OH, I CAN SEE 'EM JUST FINE. 651 00:41:20,900 --> 00:41:24,200 - WHOO! 652 00:41:32,600 --> 00:41:34,700 OH-OH-OH! - OH-OH-OH-OH-OH-OH-OH-OH! 653 00:41:34,700 --> 00:41:36,033 - WHOO! 654 00:41:37,133 --> 00:41:39,000 WHOO! 655 00:41:39,000 --> 00:41:40,633 AH! AH! AH! AH! AH! 656 00:41:45,300 --> 00:41:46,333 WHOO! 657 00:41:46,333 --> 00:41:48,100 - OH! OH! OH! 658 00:41:49,233 --> 00:41:50,300 - WHOO! 659 00:41:50,300 --> 00:41:52,400 - AH AH AH! - WHOO! 660 00:42:10,733 --> 00:42:12,333 - WHAT A DIFFERENCE A DAY MAKES. 661 00:42:12,333 --> 00:42:13,933 - IT'S ABOUT TIME. 662 00:42:13,933 --> 00:42:16,633 WHERE IS BRADLEY BRINKMAN? 663 00:42:16,633 --> 00:42:20,200 - YOU'RE STILL BRADLEY INSIDE. 664 00:42:20,200 --> 00:42:22,967 ONLY NOW, YOU'RE GETTING RESULTS. 665 00:42:22,967 --> 00:42:27,267 - I THOUGHT YOU WERE SOME GORGEOUS KOOK, NOT SATANA, 666 00:42:27,267 --> 00:42:28,767 QUEEN OF DARKNESS. 667 00:42:28,767 --> 00:42:30,300 - WILL YOU RELAX? 668 00:42:30,300 --> 00:42:34,733 ENJOY LIVING IN THIS GORGEOUS NEW CHASSIS FOR A WHILE. 669 00:42:34,733 --> 00:42:36,333 - YOU KNOW, I DRANK EIGHT MARTINIS. 670 00:42:36,333 --> 00:42:37,767 I'M NOT EVEN HUNG OVER. 671 00:42:37,767 --> 00:42:39,333 - THAT'S NOTHING. 672 00:42:39,333 --> 00:42:42,933 TOMORROW, WE BEGIN NEW BODY ORIENTATION. 673 00:42:42,933 --> 00:42:44,900 ARE YOU GONNA BE SURPRISED. 674 00:42:44,900 --> 00:42:48,200 - WHAT ABOUT MY OLD BODY? 675 00:42:48,200 --> 00:42:53,900 - THE TRIAL OFFER EXPIRES THE MIDNIGHT AFTER LABOR DAY, 676 00:42:53,900 --> 00:42:55,733 BUT YOU'LL NEVER GO BACK. 677 00:42:55,733 --> 00:42:57,400 NOBODY DOES. 678 00:42:57,400 --> 00:42:59,467 TRUST ME. 679 00:42:59,467 --> 00:43:01,700 I DESIGNED YOU MYSELF. 680 00:43:06,133 --> 00:43:09,167 YOU'VE GOT THE THIGHS OF SYLVESTER STALLONE, 681 00:43:09,167 --> 00:43:11,633 THE PELVIS OF ELVIS PRESLEY, 682 00:43:11,633 --> 00:43:14,267 THE NAVEL OF ARNOLD SCHWARZENEGGER, 683 00:43:14,267 --> 00:43:16,300 THE NIPPLES OF ROBERT REDFORD, 684 00:43:16,300 --> 00:43:20,700 THE EYES OF PAUL NEWMAN, AND THE SCHLONG OF KING KONG. 685 00:43:20,700 --> 00:43:25,133 I GAVE YOU PERMA-FIRM FLESH, WRINKLE-PROOF PERMA-TAN SKIN, 686 00:43:25,133 --> 00:43:29,667 UNFRIZZABLE HAIR, UNBREAKABLE BONES, 687 00:43:29,667 --> 00:43:34,400 SELF-CLEANING CAVITY-PROOF TEETH, ODORLESS SWEAT. 688 00:43:34,400 --> 00:43:37,333 WHEN YOU DIE, YOUR SOUL LIVES ON IN HELL IN HUNK FORM 689 00:43:37,333 --> 00:43:39,833 FOR ETERNITY. 690 00:43:48,933 --> 00:43:51,100 GORGE YOURSELF ON THE MOST FATTENING FOOD 691 00:43:51,100 --> 00:43:54,100 IN ALL CREATION AND NEVER GAIN WEIGHT. 692 00:44:02,967 --> 00:44:06,233 CHUG 12 TIMES THE ALCOHOL CAPACITY OF A PERSON 693 00:44:06,233 --> 00:44:08,067 TWICE YOUR SIZE. 694 00:44:08,067 --> 00:44:10,467 YOUR LIVER WAS DESIGNED BY DEAN MARTIN. 695 00:44:11,800 --> 00:44:13,867 AND TO PROTECT OUR EVIL INVESTMENT, 696 00:44:13,867 --> 00:44:16,300 YOU'RE A NATURAL MARTIAL ARTS MASTER. 697 00:44:16,300 --> 00:44:18,267 JUST ASK SKEET. 698 00:44:28,900 --> 00:44:32,600 LET'S NOT FORGET WHY WE PACKAGED YOU SO STUNNINGLY-- 699 00:44:32,600 --> 00:44:34,333 WOMEN. 700 00:44:36,133 --> 00:44:40,200 YOU'LL BE A MOVING TARGET FROM NOW ON FOR ANYONE WHO 701 00:44:40,200 --> 00:44:42,467 LOVES LUSCIOUS-LOOKING MEN. 702 00:44:51,300 --> 00:44:54,200 YOU'RE BOUND TO OVERDO THE SUPER-STUD BIT AT FIRST, 703 00:44:54,200 --> 00:44:57,567 BUT YOU'LL KNOW WHEN ENOUGH IS ENOUGH. 704 00:45:01,500 --> 00:45:03,200 WORSHIP THY WHEELS. 705 00:45:03,200 --> 00:45:06,067 A HUNK IS NAKED WITHOUT HIS CAR. 706 00:45:09,733 --> 00:45:11,267 AND DO EVERYTHING FIRST. 707 00:45:11,267 --> 00:45:13,867 A HUNK SETS TRENDS. 708 00:45:25,067 --> 00:45:27,133 UNDERDRESS TO IMPRESS. 709 00:45:27,133 --> 00:45:29,700 A HUNK LOOKS HIS BEST WHEN HE LOOKS LIKE HE DOESN'T 710 00:45:29,700 --> 00:45:31,600 CARE HOW HE LOOKS. 711 00:45:35,267 --> 00:45:39,433 - THAT IS THE MOST INCREDIBLE, RIDICULOUS, 712 00:45:39,433 --> 00:45:43,800 PREPOSTEROUS STORY I HAVE EVER HEARD. 713 00:45:43,800 --> 00:45:46,267 - BUT IT'S TRUE. 714 00:45:46,267 --> 00:45:49,667 - YOU REALIZE I JUST TAPED YOUR ENTIRE SESSION, 715 00:45:49,667 --> 00:45:51,867 AND ON THE BASIS OF THAT ALONE, 716 00:45:51,867 --> 00:45:54,367 I COULD HAVE YOU HELD FOR OBSERVATION AT ANY MENTAL 717 00:45:54,367 --> 00:45:57,067 WARD IN LOS ANGELES COUNTY, 718 00:45:57,067 --> 00:46:00,067 BUT THAT'S WHAT FASCINATES ME. 719 00:46:00,067 --> 00:46:04,000 YOU SOUND DELUDED, BUT SOMETHING INSIDE ME TELLS ME 720 00:46:04,000 --> 00:46:05,500 YOU'RE NOT. 721 00:46:05,500 --> 00:46:08,700 - YEAH, WELL THE ME INSIDE ME KNOWS I'M NOT. 722 00:46:08,700 --> 00:46:11,533 I MEAN, WHAT IF SHE HAS A DEMONIC WHIM AND TURNS ME 723 00:46:11,533 --> 00:46:12,700 INTO A HAMSTER? 724 00:46:12,700 --> 00:46:14,433 OR A HIGH SCHOOL DRIVER'S ED INSTRUCTOR? 725 00:46:14,433 --> 00:46:16,633 - DON'T PANIC, HUNK. 726 00:46:16,633 --> 00:46:18,133 DO I BELIEVE YOU? 727 00:46:18,133 --> 00:46:19,167 NO. 728 00:46:19,167 --> 00:46:23,367 CAN I HELP YOU TO HELP YOURSELF? MAYBE. 729 00:46:23,367 --> 00:46:24,367 - ALL RIGHT. 730 00:46:24,367 --> 00:46:25,933 WHERE DO I START? 731 00:46:25,933 --> 00:46:28,300 - WELL, YOU SAY YOU'RE BRADLEY BRINKMAN, 732 00:46:28,300 --> 00:46:31,700 AND THAT BRADLEY BRINKMAN'S DREAM IS TO BECOME A HUNK, 733 00:46:31,700 --> 00:46:34,000 RIGHT? - RIGHT. 734 00:46:34,000 --> 00:46:35,900 - SO BE A HUNK. 735 00:46:35,900 --> 00:46:38,067 I MEAN, THERE'S NOTHING WRONG WITH THAT WHILE WE'RE 736 00:46:38,067 --> 00:46:41,767 GETTING TO THE REAL ROOT OF YOUR PROBLEM. 737 00:46:41,767 --> 00:46:43,433 - YOU KNOW, MAYBE IF YOU COULD MEET O'BRIEN 738 00:46:43,433 --> 00:46:45,333 THAT WOULD PROVE EVERYTHING. 739 00:46:45,333 --> 00:46:49,633 - I DOUBT WHETHER O'BRIEN OR BRADLEY BRINKMAN EXIST 740 00:46:49,633 --> 00:46:52,467 OUTSIDE OF YOUR IMAGINATION. 741 00:46:52,467 --> 00:46:56,133 SO UNTIL OUR NEXT SESSION, JUST LIGHTEN UP. 742 00:46:56,133 --> 00:46:58,967 THERE ARE WORSE FATES THAN BEING A DROP DEAD GORGEOUS GUY 743 00:46:58,967 --> 00:47:04,333 WITH A PAD AT THE BEACH, YOU KNOW. 744 00:47:04,333 --> 00:47:07,800 - YOU KNOW SOMETHING, DOCTOR? YOU'RE RIGHT. 745 00:47:07,800 --> 00:47:10,933 - MY CLIENTS AND MY FRIENDS CALL ME SUNNY. 746 00:47:57,800 --> 00:48:00,367 - I'LL BE RIGHT BACK AFTER I POWDER MY NOSE. 747 00:48:00,367 --> 00:48:01,667 - YOU PROMISE. - MM-HMM. 748 00:48:08,300 --> 00:48:10,900 - WHOA. 749 00:48:10,900 --> 00:48:13,167 CHICKY, CHICKY, CHICKY DEAR OF THE SEA, 750 00:48:13,167 --> 00:48:16,100 WON'T YOU TALK TO ME? 751 00:48:16,100 --> 00:48:17,400 AWW, COME ON, BABE. 752 00:48:17,400 --> 00:48:20,233 SAVE THAT COLD FISH STUFF FOR ALL THESE NERDS AND 753 00:48:20,233 --> 00:48:23,233 "TUNA" IN TO ME, SUSHI TAIL. 754 00:48:24,367 --> 00:48:25,567 WHAT'S WRONG? 755 00:48:25,567 --> 00:48:28,300 HAS CATFISH GOT YOUR TONGUE, HUH? 756 00:48:28,300 --> 00:48:29,300 - BABE! 757 00:48:29,300 --> 00:48:31,433 - OOPS. GOTTA GO. 758 00:48:31,433 --> 00:48:34,033 BUT I JUST LOVE RAW FISH. 759 00:48:36,967 --> 00:48:40,333 - WAS BIGGSY-WIGGSY A GOOD WITTLE BOY WHILE MOMMY 760 00:48:40,333 --> 00:48:42,667 POWDERED HER NOSY-WOSY? 761 00:48:42,667 --> 00:48:44,033 - THE GOODEST. 762 00:48:44,033 --> 00:48:46,200 - I'LL BET. 763 00:48:49,267 --> 00:48:51,333 - EXCUSE ME. 764 00:49:04,400 --> 00:49:07,467 HEY, MARTY, HOW ABOUT A CAMPARI WITH A SPLASH OF ORANGE? 765 00:49:15,000 --> 00:49:15,933 - SINCE SHE TOLD ME-- 766 00:49:32,667 --> 00:49:36,867 - SO HOW WAS THE CATCH OF THE DAY? 767 00:49:36,867 --> 00:49:39,267 - AH, PRETTY FRESH. 768 00:49:39,267 --> 00:49:40,533 - "PRETTY FRESH"? 769 00:49:40,533 --> 00:49:42,900 HEY, I PROMISED YOU PARADISE, AND I DELIVERED. 770 00:49:42,900 --> 00:49:44,300 - I KNOW, I KNOW. 771 00:49:44,300 --> 00:49:47,600 A LIFE OF EARTHLY PLEASURE IN EXCHANGE FOR AN AFTERLIFE 772 00:49:47,600 --> 00:49:50,967 OF THE INTERNAL INFERNAL GOD OF HELLFIRE AND STAPH, RIGHT? 773 00:49:53,033 --> 00:49:54,700 - SOMEBODY MENTION ME? 774 00:49:56,700 --> 00:49:59,500 - HUNK, MEET THE CHAIRMAN OF THE BOARD 775 00:49:59,500 --> 00:50:03,467 OF THE DEVIL HIMSELF, INCORPORATED--DR. D., 776 00:50:03,467 --> 00:50:05,267 THE DEVIL HIMSELF. 777 00:50:05,267 --> 00:50:06,900 - THE DEVIL IS A DOCTOR? 778 00:50:06,900 --> 00:50:11,233 - A DOCTOR OF DEATH, SWORN TO THE HYPOCRITIC OATH-- 779 00:50:11,233 --> 00:50:14,567 TO TAKE LIFE WHENEVER POSSIBLE. 780 00:50:14,567 --> 00:50:15,933 - WAIT A MINUTE. 781 00:50:15,933 --> 00:50:18,000 YOU LOOK JUST LIKE THE GUY THAT USED TO OWN THIS HOUSE. 782 00:50:18,000 --> 00:50:20,600 THAT CAPTAIN CRABIT GUY. 783 00:50:20,600 --> 00:50:24,133 - OH, I LOOK LIKE MANY DIFFERENT PEOPLE THROUGHOUT HISTORY. 784 00:50:24,133 --> 00:50:26,400 ALL OF THEM ROTTEN. 785 00:50:26,400 --> 00:50:28,333 - WELL, YOU DRESS LIKE GENGHIS KHAN. 786 00:50:28,333 --> 00:50:30,367 - ATTILA THE HUN. 787 00:50:30,367 --> 00:50:33,933 WE'RE SACKING ROME IN 451 A.D. 788 00:50:33,933 --> 00:50:39,067 ACTUALLY, I JUST POPPED IN FOR A COKE CLASSIC. 789 00:50:39,067 --> 00:50:41,233 - WHO'S SHE? 790 00:50:41,233 --> 00:50:43,033 - CHINCHILLIA. 791 00:50:43,033 --> 00:50:46,967 A LITTLE ROMAN SLAVE GIRL I RESCUED 792 00:50:46,967 --> 00:50:49,200 TO KEEP ME WARM AT NIGHT. 793 00:50:49,200 --> 00:50:51,733 SHE ONLY SPEAKS LATIN, I'M AFRAID. 794 00:50:51,733 --> 00:50:55,567 "E PLURIBUS UNUM," MY DEAR. 795 00:50:55,567 --> 00:50:57,333 - WAIT A MINUTE, WAIT A MINUTE, WAIT A MINUTE. 796 00:50:57,333 --> 00:51:00,033 451 A.D.? THAT'S 15 CENTURIES AGO. 797 00:51:00,033 --> 00:51:01,933 - WELL, IF HISTORY'S GONNA REPEAT ITSELF, 798 00:51:01,933 --> 00:51:04,500 I HAVE TO KEEP EVIL GOING IN THE PAST AS WELL AS THE 799 00:51:04,500 --> 00:51:06,433 PRESENT AND FUTURE. 800 00:51:06,433 --> 00:51:09,000 THIS IS THE WORST DEMON POWER SHORTAGE WE'VE HAD 801 00:51:09,000 --> 00:51:13,967 SINCE EVERYONE WENT HOLY FOR THOSE BLASTED CRUSADES. 802 00:51:13,967 --> 00:51:19,533 THAT'S WHY I WANT YOU. 803 00:51:22,567 --> 00:51:25,067 - ME? 804 00:51:25,067 --> 00:51:27,400 - YES. YOU. 805 00:51:27,400 --> 00:51:31,233 IN ANOTHER 50 YEARS, YOU'LL BE ASSISTING ALL THE BIGGIES 806 00:51:31,233 --> 00:51:36,067 OF BADNESS--IVAN THE TERRIBLE, JACK THE RIPPER, 807 00:51:36,067 --> 00:51:40,533 BENITO MUSSOLINI, AND FIRST DIBS ON DELECTABLE FRINGE 808 00:51:40,533 --> 00:51:42,400 BENEFITS TOO, MY BOY. 809 00:51:45,067 --> 00:51:50,133 NOW, O'BRIEN, IF YOU NEED ME ON MONDAY, 810 00:51:50,133 --> 00:51:53,033 I WILL BE AT THE FRENCH REVOLUTION, 811 00:51:53,033 --> 00:51:55,567 BEHEADING AMBASSADORS. 812 00:51:55,567 --> 00:52:00,100 TUESDAY, CHAMPAGNE WITH CAIN FOR KILLING ABEL. 813 00:52:00,100 --> 00:52:05,000 WEDNESDAY NIGHT, POLO WITH THE FOUR HORSEMEN OF THE APOCALYPSE. 814 00:52:05,000 --> 00:52:09,967 THURSDAY, THE 1906 SAN FRANCISCO EARTHQUAKE. 815 00:52:09,967 --> 00:52:11,933 WHAT A BLAST THAT WAS. 816 00:52:11,933 --> 00:52:17,600 FRI--OH, FRIDAY, I SINK ATLANTIS FOR THE WEEKEND. 817 00:52:17,600 --> 00:52:19,867 I CAN'T WAIT FOR THAT. 818 00:52:19,867 --> 00:52:22,633 - WHAT, WHAT, WHAT HAPPENS TO HER? 819 00:52:22,633 --> 00:52:25,033 - OH, I'LL PROBABLY KILL HER IN THE TROJAN WAR 820 00:52:25,033 --> 00:52:28,233 OR TURN HER INTO A HULA-HOOP IN THE 1950s. 821 00:52:28,233 --> 00:52:29,700 I HAVEN'T DECIDED WHICH YET. 822 00:52:29,700 --> 00:52:30,833 - KILL HER? 823 00:52:30,833 --> 00:52:32,833 - YOU'RE RIGHT, I'LL KILL HER. 824 00:52:32,833 --> 00:52:34,500 A HULA-HOOP IS TOO CRUEL. 825 00:52:34,500 --> 00:52:36,567 EVEN FOR ME. 826 00:52:36,567 --> 00:52:39,733 - NO, NO, I DIDN'T MEAN "TO KILL HER." NO. 827 00:52:39,733 --> 00:52:42,033 - DON'T BE SO SQUEAMISH, MY BOY. 828 00:52:42,033 --> 00:52:44,367 THERE ARE VICTIMS ALL THROUGH HISTORY. 829 00:52:44,367 --> 00:52:46,200 MY VICTIMS. 830 00:52:46,200 --> 00:52:47,700 O'BRIEN'S VICTIMS. 831 00:52:47,700 --> 00:52:50,667 AND SOON, YOUR VICTIMS. 832 00:52:50,667 --> 00:52:53,067 - BODY COUNT IS THE BOTTOM LINE IN OUR BUSINESS. 833 00:52:53,067 --> 00:52:54,133 - THIS IS BEGINNING TO SOUND 834 00:52:54,133 --> 00:52:56,400 LIKE A HORROR FILM HERE, O'BRIEN. 835 00:52:56,400 --> 00:53:01,433 - OH, I ALWAYS SAY, "ART IMITATES DEATH." 836 00:53:08,300 --> 00:53:11,367 BYE-BYE, HAPPY HUNK GOLDEN. 837 00:53:11,367 --> 00:53:14,100 I'LL MEET YOU BACK HERE MIDNIGHT AFTER LABOR DAY 838 00:53:14,100 --> 00:53:15,800 TO CLOSE THE DEAL. 839 00:53:15,800 --> 00:53:19,300 WE'LL BE EXPECTING APPALLING, HORRIFYING, 840 00:53:19,300 --> 00:53:23,033 HORRIBLE, GHASTLY THINGS FROM YOU. 841 00:53:23,033 --> 00:53:25,633 CIAO, BABY. 842 00:53:31,067 --> 00:53:33,567 - I ASSIST IVAN THE TERRIBLE? 843 00:53:33,567 --> 00:53:35,000 - IT'S NO BIGGIE. 844 00:53:35,000 --> 00:53:37,367 SO EVERY FEW CENTURIES YOU RE-PERPETUATE EVIL 845 00:53:37,367 --> 00:53:39,167 SOMEWHERE IN HISTORY. 846 00:53:39,167 --> 00:53:43,467 - OH, A TIME-TRAVELLING SATANIC SALESPERSON, LIKE YOU. 847 00:53:43,467 --> 00:53:44,500 - RIGHT. 848 00:53:44,500 --> 00:53:46,133 THEN WE CAN BE TOGETHER FOREVER. 849 00:53:46,133 --> 00:53:47,433 THINK OF IT. 850 00:53:47,433 --> 00:53:49,733 DECEMBER 6, 1941. 851 00:53:49,733 --> 00:53:53,233 WE HIT TOKYO TO SCARF SOME SAKE AND SUSHI IN TIME TO 852 00:53:53,233 --> 00:53:56,233 BOMB PEARL HARBOR ON DECEMBER 7. 853 00:53:56,233 --> 00:53:59,033 TALK ABOUT ROMANTIC. 854 00:53:59,033 --> 00:54:01,567 - YEAH. 855 00:54:01,567 --> 00:54:03,233 FINALLY MEET A BEAUTIFUL WOMAN, 856 00:54:03,233 --> 00:54:06,367 AND SHE WANTS ME TO BOMB PEARL HARBOR. 857 00:54:06,367 --> 00:54:08,367 "TALK ABOUT ROMANTIC." 858 00:54:12,200 --> 00:54:15,000 - YOU MET THE DEVIL? 859 00:54:15,000 --> 00:54:16,967 - EVERYTHING WAS GOING LIKE A CHARM TOO. 860 00:54:16,967 --> 00:54:19,767 JUST LIKE O'BRIEN SAID IT WOULD. 861 00:54:19,767 --> 00:54:23,167 - AND WHAT DID THE DEVIL LOOK LIKE? 862 00:54:23,167 --> 00:54:24,400 - HIS NAME IS DR. D. 863 00:54:24,400 --> 00:54:26,533 HE WAS DRESSED LIKE ATTILA THE HUN. 864 00:54:26,533 --> 00:54:28,133 - ATTILA THE HUN? 865 00:54:28,133 --> 00:54:29,867 - AND HIS CAPTIVE ROMAN SLAVE GIRL WITH HIM, 866 00:54:29,867 --> 00:54:32,100 NAMED CHINCHILLA OR SOMETHING. 867 00:54:32,100 --> 00:54:34,833 - WELL, SHE'LL NEVER BE COLD WITH A NAME LIKE THAT. 868 00:54:34,833 --> 00:54:36,900 - HE'S GONNA KILL HER DURING THE TROJAN WAR OR TURN HER 869 00:54:36,900 --> 00:54:38,733 INTO A HULA-HOOP IN THE 1950s. 870 00:54:38,733 --> 00:54:40,767 HE'LL DO IT TOO. 871 00:54:40,767 --> 00:54:43,267 - I'M SURE HE WILL. 872 00:54:43,267 --> 00:54:47,867 - GONNA TRAVEL THROUGH TIME TOO. 873 00:54:47,867 --> 00:54:49,067 - HUNK? 874 00:54:49,067 --> 00:54:51,300 - YEAH. 875 00:54:51,300 --> 00:54:53,167 - HAVE YOU BEEN TAKING DRUGS? 876 00:54:53,167 --> 00:54:55,367 - FOR WHAT? 877 00:54:55,367 --> 00:55:00,033 I WAS FLYING HIGH ON MY OWN TILL DR. D. SHOWED UP. 878 00:55:00,033 --> 00:55:04,333 - MAYBE WE SHOULD HAVE OUR NEXT SESSION AT YOUR HOUSE. 879 00:55:04,333 --> 00:55:06,167 - OH, YOU MAKE HOUSE CALLS? 880 00:55:06,167 --> 00:55:07,467 - NO. 881 00:55:07,467 --> 00:55:08,967 NOT NORMALLY. 882 00:55:08,967 --> 00:55:11,267 BUT I THINK MAYBE SOMETHING AT THE SEA SPRAY SETTING 883 00:55:11,267 --> 00:55:13,967 MIGHT REVEAL CLUES THAT I JUST CAN'T DISCOVER HERE. 884 00:55:13,967 --> 00:55:16,067 - STILL THINK I'M JOKING, DON'T YOU? 885 00:55:16,067 --> 00:55:20,433 - NO. I THINK YOUR PANIC IS GENUINE. 886 00:55:20,433 --> 00:55:22,367 JUST NOT SO SURE ABOUT THE SOURCE. 887 00:55:22,367 --> 00:55:24,600 - IF I COULD ONLY GET YOU AND O'BRIEN IN THE SAME ROOM. 888 00:55:24,600 --> 00:55:26,800 SHE'S EXHIBIT A-PLUS. 889 00:55:26,800 --> 00:55:30,600 - HOW'S TUESDAY AT TEN? 890 00:55:32,500 --> 00:55:33,833 - GOOD. 891 00:55:41,333 --> 00:55:42,633 DOC! 892 00:55:42,633 --> 00:55:43,767 I MEAN, SUNNY. 893 00:55:43,767 --> 00:55:46,233 UH, COME IN. 894 00:55:46,233 --> 00:55:47,600 I HAD A LATE NIGHT. 895 00:55:47,600 --> 00:55:48,733 - SO IT SEEMS. 896 00:55:51,500 --> 00:55:52,567 - AIR DEUTSCHLAND. 897 00:55:52,567 --> 00:55:55,433 THE MESSERSCHMITT SISTERS. 898 00:55:55,433 --> 00:55:59,400 URSULA... 899 00:55:59,400 --> 00:56:01,167 UND UMLAUT. 900 00:56:05,167 --> 00:56:08,300 ICH BIN EIN BERLINER! 901 00:56:08,300 --> 00:56:11,533 THEY FOLLOWED ME HOME FROM THE 7-11 AND SANG BEATLES SONGS 902 00:56:11,533 --> 00:56:14,033 AT THE DOOR TO ME IN GERMAN TILL I LET THEM IN. 903 00:56:16,300 --> 00:56:19,233 - IT'S ALL PART OF OBSERVING YOU IN YOUR 904 00:56:19,233 --> 00:56:21,933 SUPERNATURAL HABITAT. 905 00:56:21,933 --> 00:56:23,467 - TOUCHE. 906 00:56:39,867 --> 00:56:44,400 WELL, NOW, WHERE WERE WE, DOC? 907 00:56:44,400 --> 00:56:45,733 - LET'S GET YOU OUT IN PUBLIC. 908 00:56:45,733 --> 00:56:48,100 I WANNA SEE YOUR HUNK MAGNETISM AT WORK. 909 00:56:48,100 --> 00:56:49,133 - THE BEACH. 910 00:56:49,133 --> 00:56:50,433 PERFECT. 911 00:56:50,433 --> 00:56:52,767 HANG ON. HELLO? 912 00:56:52,767 --> 00:56:54,767 - BRADLEY. 913 00:56:54,767 --> 00:56:56,633 IT'S CONSTAPOPOLIS CALLING. 914 00:56:56,633 --> 00:56:59,400 AND HOW IS DOING OUR LITTLE GENIUS, EH? 915 00:56:59,400 --> 00:57:00,800 - IT'S MY BOSS. 916 00:57:00,800 --> 00:57:04,600 BRADLEY'S BOSS, CONSTANTINE CONSTAPOPOLIS. 917 00:57:04,600 --> 00:57:08,267 HELLO, MR. CONSTAPOPOLIS, HOW ARE DEMETRA, 918 00:57:08,267 --> 00:57:11,733 DEMETRIUS AND CONSTANTINE, JR.? 919 00:57:11,733 --> 00:57:13,667 - IS THIS BRADLEY BRINKMAN? 920 00:57:13,667 --> 00:57:15,000 - OF COURSE. 921 00:57:15,000 --> 00:57:17,067 - IT DON'T SOUND LIKE YOU, BRADLEY. 922 00:57:17,067 --> 00:57:18,900 - HE DOESN'T BELIEVE I'M BRADLEY. 923 00:57:18,900 --> 00:57:20,967 - THAT MAKES TWO OF US. 924 00:57:20,967 --> 00:57:22,800 YEAH, I'M GONNA HAVE TO TRY TO DO MY OLD VOICE. 925 00:57:22,800 --> 00:57:24,300 ONE MINUTE, MR. C. DOORBELL. 926 00:57:25,867 --> 00:57:31,100 UH ... HELLO, MR. CONSTAPOPOLIS. 927 00:57:31,100 --> 00:57:33,467 YES, MR. CONSTAPOPOLIS? 928 00:57:35,533 --> 00:57:39,400 YOU'RE RIGHT, MR. CONSTAPOPOLIS. GOT IT. 929 00:57:39,400 --> 00:57:40,933 [as Bradley] THANKS FOR THE BAKLAVA. 930 00:57:40,933 --> 00:57:42,067 EVERYTHING WAS FANTASTIC. 931 00:57:42,067 --> 00:57:45,067 - THAT'S MY BRADLEY. 932 00:57:45,067 --> 00:57:47,633 SO HAVE YOU WRITTEN PROGRAM X YET? 933 00:57:47,633 --> 00:57:49,200 NO, DON'T TELL ME. DON'T TELL ME. 934 00:57:49,200 --> 00:57:52,000 I'LL WAIT TILL YOU COME BACK AFTER LABOR DAY, HUH? 935 00:57:52,000 --> 00:57:53,233 HUH? 936 00:57:53,233 --> 00:57:54,367 - PROGRAM X. 937 00:57:54,367 --> 00:57:55,367 LABOR DAY. 938 00:57:55,367 --> 00:57:56,367 UH, RIGHT. 939 00:57:56,367 --> 00:57:58,700 EVERYTHING IS COMING ALONG JUST FINE. 940 00:57:58,700 --> 00:58:01,267 - OH, LISTEN, THE DISTRIBUTORS NEED IT BY 941 00:58:01,267 --> 00:58:04,733 NOVEMBER, SO YOU MUST DELIVER IT AFTER LABOR DAY. 942 00:58:04,733 --> 00:58:06,600 NO PRESSURE, OF COURSE. 943 00:58:06,600 --> 00:58:08,000 - NO SWEAT. 944 00:58:08,000 --> 00:58:10,567 NO PRESSURE AT ALL. RIGHT. COMING UP RIGHT AFTER LABOR DAY. 945 00:58:10,567 --> 00:58:16,633 - GOOD, GOOD. TELL ME, BRADLEY-- WHAT IS IT? HMM? 946 00:58:16,633 --> 00:58:18,500 GIVE ME A HINT. JUST A LITTLE HINT. 947 00:58:18,500 --> 00:58:20,000 JUST A TINY, LITTLE HINT. 948 00:58:20,000 --> 00:58:21,500 JUST A--NO, NO, DON'T TELL ME. 949 00:58:21,500 --> 00:58:25,367 NO. JUST A LITTLE. COME ON. 950 00:58:25,367 --> 00:58:27,333 - AND RUIN THE SURPRISE? 951 00:58:27,333 --> 00:58:31,467 - "AND RUIN THE SURPRISE." 952 00:58:31,467 --> 00:58:32,667 YOU'RE A GENIUS. 953 00:58:32,667 --> 00:58:35,000 A GENIUS, YOU HEAR ME? 954 00:58:35,000 --> 00:58:36,933 BRADLEY, I KISS YOU. MWAH! 955 00:58:45,833 --> 00:58:50,467 "AND RUIN THE SURPRISE." 956 00:58:50,467 --> 00:58:54,267 - HI, GARRISON GAYLORD HERE. 957 00:58:54,267 --> 00:58:59,500 THIS WEEK ON "FILTHY RICH," WE SCAMPER ALONG THE SLEEK, 958 00:58:59,500 --> 00:59:05,100 CHIC, SUNNY SHORES OF THE GREEK ISLAND OF IMPHAL, 959 00:59:05,100 --> 00:59:07,667 A MILLIONAIRE'S PARADISE. 960 00:59:07,667 --> 00:59:09,033 - CUT! 961 00:59:09,033 --> 00:59:10,333 - WHAT? 962 00:59:10,333 --> 00:59:14,233 - NUMBER ONE, GARRISON, YOUR FLY IS OPEN. 963 00:59:14,233 --> 00:59:17,700 - OH. 964 00:59:18,800 --> 00:59:20,900 - AND TWO, LAST WEEK WAS IPINO. 965 00:59:20,900 --> 00:59:22,500 THIS WEEK WE'RE IN SEA SPRAY, 966 00:59:22,500 --> 00:59:25,533 HOME OF THE POLAR ICE CAP YOU'RE DRINKING. 967 00:59:25,533 --> 00:59:27,000 - ALL RIGHT, ALL RIGHT, ALL RIGHT. 968 00:59:27,000 --> 00:59:28,433 - OKAY. 969 00:59:28,433 --> 00:59:30,333 - I'VE GOT IT NOW. - YOU'VE GOT IT NOW. 970 00:59:30,333 --> 00:59:31,567 - YES. - YES. 971 00:59:31,567 --> 00:59:32,600 - I'VE GOT IT. 972 00:59:32,600 --> 00:59:33,733 - OKAY, LET'S TAKE TWO. 973 00:59:37,100 --> 00:59:41,000 - I CAN'T BELIEVE I FORGOT ALL ABOUT THAT NEW PROGRAM I WAS-- 974 00:59:41,000 --> 00:59:44,000 I MEAN, BRADLEY WAS SUPPOSED TO WRITE. 975 00:59:44,000 --> 00:59:45,333 - DO YOU SEE HOW THIS OBSESSION 976 00:59:45,333 --> 00:59:48,833 WITH AN IMAGINARY PERSONALITY TORMENTS YOU? 977 00:59:48,833 --> 00:59:49,867 LET IT GO. 978 00:59:49,867 --> 00:59:52,367 - SUNNY, BRADLEY IS NOT IMAGINARY. 979 00:59:55,867 --> 00:59:57,667 - I'M READY. 980 00:59:57,667 --> 01:00:02,267 - ROLL TAPE. 981 01:00:02,267 --> 01:00:03,333 - "FILTHY RICH." TAKE 12. 982 01:00:03,333 --> 01:00:05,767 - AH. HI, GARRISON GAYLORD HERE. 983 01:00:05,767 --> 01:00:09,200 THIS WEEK ON "FILTHY RICH," WE SCAMPER ALONG THE SLEEK, 984 01:00:09,200 --> 01:00:13,300 CHIC, SUNNY SHORES OF SEA SPRAY, 985 01:00:13,300 --> 01:00:19,233 HOME OF THE POLAR ICE CAP I AM DRINKING. 986 01:00:19,233 --> 01:00:20,233 OH... 987 01:00:20,233 --> 01:00:23,767 - OH, NO. NOT AGAIN, GARRISON. 988 01:00:23,767 --> 01:00:27,700 - IT WAS THE SAME BLINKING THING I DID IN MONACO. 989 01:00:27,700 --> 01:00:30,167 - NO, IN MONACO, YOU SET THE DUCHESS OF DUNGLEMORE'S WIG 990 01:00:30,167 --> 01:00:31,167 ON FIRE. 991 01:00:31,167 --> 01:00:32,333 DO YOU REMEMBER? 992 01:00:32,333 --> 01:00:33,400 - NYET. 993 01:00:33,400 --> 01:00:34,633 - I DO. 994 01:00:34,633 --> 01:00:36,000 THAT'S OUR BREAK, EVERYBODY. 995 01:00:36,000 --> 01:00:37,033 CUT! 996 01:00:37,033 --> 01:00:38,867 GET HIM INTO WARDROBE. 997 01:00:38,867 --> 01:00:41,567 - ALL MY WARDROBE IS BACK IN MY MOTEL ROOM, 998 01:00:41,567 --> 01:00:46,933 SO THAT YOUR WARDROBE PERSON WON'T STARCH MY COLLARS 999 01:00:46,933 --> 01:00:50,167 INTO CARDBOARD. 1000 01:00:50,167 --> 01:00:52,867 - OH, NOW HE'S WALKING-- WHERE'S HE GOING? 1001 01:00:57,033 --> 01:01:01,567 - ALL RIGHT. THE NEXT SHOT IS AT THE END OF THE PIER. 1002 01:01:03,367 --> 01:01:05,400 - WE HAVE NO PROOF THAT ANY AFTERLIFE 1003 01:01:05,400 --> 01:01:07,233 OR AFTER-DEATH EXISTS. 1004 01:01:07,233 --> 01:01:08,900 - I'M PROOF, SUNNY. 1005 01:01:08,900 --> 01:01:11,333 - MORTALITY MEANS LIVING WHO YOU ARE AND LOVING WHO YOU ARE 1006 01:01:11,333 --> 01:01:13,200 RIGHT NOW. 1007 01:01:13,200 --> 01:01:16,167 HOW ELSE CAN ANYONE LOVE YOU? 1008 01:01:16,167 --> 01:01:17,900 - I'M SORRY. 1009 01:01:17,900 --> 01:01:20,033 - HEY, WASN'T THAT GARRISON GAYLORD? 1010 01:01:20,033 --> 01:01:21,033 - I DON'T KNOW. 1011 01:01:21,033 --> 01:01:23,033 - HUH. 1012 01:01:23,033 --> 01:01:25,600 - ANYWAY, WHAT I WAS GOING TO SAY-- 1013 01:01:25,600 --> 01:01:29,800 - OH, MY BLEEDING DRIVER'S NEVER HERE. 1014 01:01:29,800 --> 01:01:31,033 I'LL DO IT MYSELF. 1015 01:01:31,033 --> 01:01:34,000 OW! 1016 01:01:35,800 --> 01:01:37,967 OH! 1017 01:01:37,967 --> 01:01:39,500 - OH! 1018 01:01:39,500 --> 01:01:43,400 HERE COMES GARRISON. HE'S IN REVERSE AND OUT OF CONTROL. 1019 01:01:43,400 --> 01:01:45,000 - IF HE KILLS HIMSELF ON CAMERA, 1020 01:01:45,000 --> 01:01:46,533 THE RATINGS ARE GOING TO SOAR. 1021 01:01:50,167 --> 01:01:53,167 - YOU WANT IT? YOU SHOOT IT. 1022 01:02:00,367 --> 01:02:01,600 - WATCH OUT! 1023 01:02:01,600 --> 01:02:03,967 - THERE IS A DARK POWER, SUNNY. 1024 01:02:03,967 --> 01:02:05,400 I'LL PROVE IT TO YOU SOMEHOW. 1025 01:02:05,400 --> 01:02:07,167 - HEY, YOU TWO, WATCH OUT! 1026 01:02:12,800 --> 01:02:16,133 - WHOO-HA-HA! 1027 01:02:16,133 --> 01:02:19,200 OH, I GOT THE WHOLE THING ON TAPE! 1028 01:02:19,200 --> 01:02:21,933 BABY! 1029 01:02:21,933 --> 01:02:24,633 - THAT WAS ONE OF THE MOST ASTONISHING FEATS I HAVE 1030 01:02:24,633 --> 01:02:25,867 EVER SEEN. 1031 01:02:25,867 --> 01:02:27,267 - HEY, CONGRATULATIONS, GUY. 1032 01:02:27,267 --> 01:02:28,567 YOU KNOW WHAT? YOU'RE A HERO. 1033 01:02:28,567 --> 01:02:31,100 - A SUPERHERO. YOU SAVED US ALL. 1034 01:02:31,100 --> 01:02:32,467 - NEED ANY MORE PROOF, SUNNY? 1035 01:02:32,467 --> 01:02:33,667 - WHAT'S YOUR NAME? 1036 01:02:33,667 --> 01:02:34,933 - HUNK. 1037 01:02:34,933 --> 01:02:36,167 HUNK GOLDEN. 1038 01:02:36,167 --> 01:02:38,767 - OH, "THE INCREDIBLE HUNK." I CAN'T BEAR IT. 1039 01:02:38,767 --> 01:02:40,300 YOU TWO MARRIED? 1040 01:02:40,300 --> 01:02:42,833 - UH, NO. I'M HIS PSYCHOLOGIST, ACTUALLY. 1041 01:02:42,833 --> 01:02:44,200 - OH, EVEN BETTER. 1042 01:02:44,200 --> 01:02:47,300 - WHAT AN EXCLUSIVE. 1043 01:02:54,900 --> 01:02:56,500 - PUMPING THAT MUCH ADRENALINE MAKES 1044 01:02:56,500 --> 01:02:58,600 ANY MAN A SUPERMAN. 1045 01:02:58,600 --> 01:03:01,600 - ADRENALINE WON'T STOP A JEEP. 1046 01:03:01,600 --> 01:03:03,400 - YOU JUST SAVED MY LIFE. 1047 01:03:03,400 --> 01:03:05,200 LOOK FOR YOUR ANSWERS IN THAT. 1048 01:03:05,200 --> 01:03:10,100 HUNK GOLDEN IS A HERO FOR A VERY GOOD REASON. 1049 01:03:10,100 --> 01:03:14,367 LOOK, THE MESSAGE IS SIMPLE-- THE WORLD NEEDS YOU. 1050 01:03:14,367 --> 01:03:16,000 THE WORLD NEEDS TO BELIEVE IN SOMEONE 1051 01:03:16,000 --> 01:03:18,733 WHO RISES ABOVE THE ORDINARY. 1052 01:03:18,733 --> 01:03:23,033 AND THAT SOMEONE IS YOU. 1053 01:03:23,033 --> 01:03:26,333 - I'D REALLY GO MAD WITHOUT YOU, SUNNY. 1054 01:03:30,400 --> 01:03:33,800 I'D BETTER GO. U.C.L.A. IS RUNNING SOME MORE TESTS. 1055 01:03:33,800 --> 01:03:39,300 - YEAH. THANK YOU FOR SAVING MY LIFE. 1056 01:03:45,167 --> 01:03:46,633 SAME TIME TUESDAY? 1057 01:03:46,633 --> 01:03:48,233 - YEAH. 1058 01:03:48,233 --> 01:03:50,700 MAKE ME FEEL LIKE YOUR ONLY CLIENT. 1059 01:03:50,700 --> 01:03:55,267 - I TRY TO MAKE THEM ALL FEEL LIKE THAT. 1060 01:03:55,267 --> 01:03:58,833 - YOU SURE ABOUT THAT? 1061 01:03:58,833 --> 01:04:00,700 - NO. 1062 01:04:21,033 --> 01:04:23,367 WE CAN'T. 1063 01:04:23,367 --> 01:04:28,367 I CAN'T HELP YOU LIKE THIS. 1064 01:04:28,367 --> 01:04:31,167 YOU'RE A VERY ATTRACTIVE MAN. 1065 01:04:31,167 --> 01:04:33,167 INSIDE. 1066 01:04:33,167 --> 01:04:38,400 NOT JUST OUTSIDE. 1067 01:04:38,400 --> 01:04:39,833 WE BETTER-- 1068 01:04:39,833 --> 01:04:42,833 - WAIT AND SEE. 1069 01:04:42,833 --> 01:04:46,567 - YEAH. 1070 01:04:48,200 --> 01:04:50,733 - SEE YOU TUESDAY. 1071 01:05:00,767 --> 01:05:04,467 - THINK YOU HOOKED HIM? 1072 01:05:04,467 --> 01:05:07,167 - THE CHEAP STUNT WAS THE CLINCHER. 1073 01:05:10,400 --> 01:05:13,767 - HE'S A BRIGHT BOY. 1074 01:05:13,767 --> 01:05:17,767 THE KIND I NEED TO START WORLD WAR III. 1075 01:05:17,767 --> 01:05:20,300 THERE'S JUST ONE TEENSY LITTLE PROBLEM. 1076 01:05:20,300 --> 01:05:22,033 - AND WHAT'S THAT? 1077 01:05:22,033 --> 01:05:26,633 - YOU'RE IN LOVE WITH ANOTHER ONE, O'BRIEN. 1078 01:05:26,633 --> 01:05:29,367 - I AM NOT IN LOVE WITH HUNK. 1079 01:05:29,367 --> 01:05:31,667 - PROMISES, PROMISES. 1080 01:05:31,667 --> 01:05:33,500 YOU ALWAYS COME ON LIKE GANGBUSTERS, 1081 01:05:33,500 --> 01:05:35,833 THEN YOU FALL IN LOVE WITH THE POOR SLOB, 1082 01:05:35,833 --> 01:05:38,867 AND THEN YOU END UP TALKING HIM OUT OF WHAT YOU COST ME 1083 01:05:38,867 --> 01:05:42,900 A FORTUNE IN SPECIAL EFFECTS TO WOO HIM INTO. 1084 01:05:42,900 --> 01:05:45,233 - CAN A SORCERESS HELP IT, IF SHE GETS EMOTIONALLY 1085 01:05:45,233 --> 01:05:47,000 INVOLVED WITH HER WORK? 1086 01:05:47,000 --> 01:05:49,833 SOUL SEDUCTION IS DRAINING. 1087 01:05:49,833 --> 01:05:51,133 - OH. 1088 01:05:51,133 --> 01:05:54,867 WHATEVER HAPPENED TO THE BAD OLD DAYS? 1089 01:05:54,867 --> 01:05:59,100 LIKE WHEN YOU HAD THAT IDEA ABOUT THE BERMUDA TRIANGLE. 1090 01:05:59,100 --> 01:06:02,800 A BIODEGRADABLE DEATH ZONE. 1091 01:06:02,800 --> 01:06:06,167 WITH GREAT FISHING. 1092 01:06:06,167 --> 01:06:07,933 I WAS SO PROUD OF YOU. 1093 01:06:07,933 --> 01:06:10,233 - I HID AL CAPONE'S SECRET VAULTS 1094 01:06:10,233 --> 01:06:13,600 FROM GERALDO RIVERA, DIDN'T I? 1095 01:06:13,600 --> 01:06:14,933 - THAT'S RIGHT. YOU DID. 1096 01:06:14,933 --> 01:06:16,233 POOR GERALDO. 1097 01:06:16,233 --> 01:06:18,333 I JUST LOVED THAT. 1098 01:06:18,333 --> 01:06:21,600 - BESIDES, HUNK IS FALLING RIGHT INTO LINE. 1099 01:06:21,600 --> 01:06:23,300 - WELL, THAT'S TRUE. 1100 01:06:23,300 --> 01:06:25,600 HE'S RICH. HE'S FAMOUS. 1101 01:06:25,600 --> 01:06:27,833 HE'S FALLING IN LOVE. 1102 01:06:27,833 --> 01:06:30,000 HE'LL NEVER WANT TO CHANGE BACK AGAIN NOW. 1103 01:06:30,000 --> 01:06:32,233 NOW, THAT HE FELL IN LOVE WITH YOU, DOCTOR. 1104 01:06:32,233 --> 01:06:34,867 - HUNK'S OURS. 1105 01:06:34,867 --> 01:06:37,133 I THINK. 1106 01:06:37,133 --> 01:06:39,467 - YOU THINK? 1107 01:06:39,467 --> 01:06:41,633 YOU THINK? 1108 01:06:41,633 --> 01:06:45,500 I WARNED YOU ABOUT THESE TRIAL OFFERS. 1109 01:06:45,500 --> 01:06:48,800 YOUR DEAL EXPIRES THE DAY AFTER LABOR DAY TOO, 1110 01:06:48,800 --> 01:06:50,567 YOU KNOW, O'BRIEN. 1111 01:06:50,567 --> 01:06:52,400 DON'T FORGET THAT. 1112 01:06:52,400 --> 01:06:54,567 ANOTHER FAILURE, AND I'LL HAVE TO TURN YOU BACK INTO-- 1113 01:06:54,567 --> 01:06:55,900 - NO. NOT THAT. 1114 01:06:55,900 --> 01:06:58,500 LOOK, JUST GIVE ME ANOTHER YEAR. ANOTHER SIX MONTHS. 1115 01:06:58,500 --> 01:07:02,333 - OH, LOOK AT YOU. LOVE. YOU REEK OF IT. 1116 01:07:02,333 --> 01:07:04,567 - YOU OWE ME A SOUL A CENTURY. 1117 01:07:04,567 --> 01:07:07,667 YOU ARE 0 FOR 99 YEARS. 1118 01:07:07,667 --> 01:07:09,733 NO SOUL, NO DEAL. 1119 01:07:09,733 --> 01:07:12,367 NO DEAL, NO O'BRIEN. 1120 01:07:12,367 --> 01:07:13,567 - OKAY. 1121 01:07:13,567 --> 01:07:16,400 LOOK, I MAKE HUNK FALL IN LOVE WITH SUNNY-- 1122 01:07:16,400 --> 01:07:19,133 - AND NOT VICE VERSA. - NOT VICE VERSA. 1123 01:07:19,133 --> 01:07:23,700 AND SUNNY CONVINCES HIM TO KEEP THE DEAL, 1124 01:07:23,700 --> 01:07:26,533 AND THEN WHAT HAPPENS TO SUNNY? 1125 01:07:26,533 --> 01:07:28,300 - SUNNY? WHY SUNNY? 1126 01:07:28,300 --> 01:07:30,267 SUNNY? 1127 01:07:30,267 --> 01:07:32,367 THE TUESDAY AFTER LABOR DAY, SUNNY DISAPPEARS. 1128 01:07:32,367 --> 01:07:34,167 HE NEVER SEES HER AGAIN. 1129 01:07:34,167 --> 01:07:36,300 - OH, HUNK WILL BE HEARTBROKEN. 1130 01:07:36,300 --> 01:07:38,700 - OH, IF YOU'RE NOT IN LOVE WITH HIM, IT WON'T MATTER, 1131 01:07:38,700 --> 01:07:41,767 WILL IT? 1132 01:07:41,767 --> 01:07:45,100 - IF HE EVER FINDS OUT, HE'S GONNA HATE ME FOREVER. 1133 01:07:45,100 --> 01:07:48,000 - WELL, THAT CAN BE ARRANGED. 1134 01:07:48,000 --> 01:07:50,767 I'LL BE WATCHING YOU, O'BRIEN. 1135 01:07:50,767 --> 01:07:53,533 HEIL HITLER. 1136 01:07:53,533 --> 01:07:58,167 I WISH I NEVER INVENTED THAT CLICKING BUSINESS. 1137 01:07:58,167 --> 01:08:00,200 CIAO, SWEETHEART. 1138 01:08:10,900 --> 01:08:12,633 - GARRISON GAYLORD HERE. 1139 01:08:12,633 --> 01:08:14,600 TWO WEEKS AGO ON "FILTHY RICH," 1140 01:08:14,600 --> 01:08:17,833 WE SHOWED YOU A REAL LIVE ACT OF SUPERHEROISM. 1141 01:08:17,833 --> 01:08:20,967 AS IT UNFOLDED RIGHT BEFORE OUR CAMERAS. 1142 01:08:22,500 --> 01:08:25,467 IN THE TWO WEEKS SINCE, HUNK GOLDEN, 1143 01:08:25,467 --> 01:08:28,700 THE SUPERMAN WHO SAVED MY LIFE, 1144 01:08:28,700 --> 01:08:32,367 HAS BECOME THE STUFF OF AMERICAN LEGEND. 1145 01:08:32,367 --> 01:08:36,867 A "FILTHY RICH" CAMERA CREW AND I SHARED IT WITH HIM. 1146 01:08:42,767 --> 01:08:45,467 "HUNKMANIA" IS SWEEPING SEA SPRAY 1147 01:08:45,467 --> 01:08:47,433 AND THE REST OF THE COUNTRY. 1148 01:08:47,433 --> 01:08:50,267 HUNK WANNABES CAMP AROUND HIS HOME 24 HOURS, 1149 01:08:50,267 --> 01:08:54,467 DESPERATE FOR JUST A LOOK AT THE HUNK HIMSELF. 1150 01:08:54,467 --> 01:08:56,900 HUNK'S SPORT COAT IS THE BRAND-NEW LOOK, 1151 01:08:56,900 --> 01:08:59,667 THE FASHION LOOK OF THE 1980s. 1152 01:09:03,833 --> 01:09:08,667 PROMOTIONAL OFFERS HAVE BEEN FLOODING IN SINCE DAY ONE. 1153 01:09:08,667 --> 01:09:10,933 FROM DESIGNER JEANS TO DOG FOOD, 1154 01:09:10,933 --> 01:09:13,000 FROM HEALTH CLUBS TO HEMORRHOIDS, 1155 01:09:13,000 --> 01:09:15,767 HUNK'S NAME IS INDEED GOLDEN. 1156 01:09:15,767 --> 01:09:18,767 THREE MILLION TO BE THE NEW JAMES BOND. 1157 01:09:18,767 --> 01:09:23,433 FOUR MILLION TO LOSE TO STALLONE IN ROCKY V. 1158 01:09:23,433 --> 01:09:25,167 PLAYBOY WANTS HIM. 1159 01:09:25,167 --> 01:09:27,700 PLAYGIRL WANTS HIM. 1160 01:09:27,700 --> 01:09:30,667 METEORIC FAME HAS ALREADY FORCED HUNK INTO 1161 01:09:30,667 --> 01:09:33,633 SELF-IMPOSED SECLUSION. 1162 01:09:33,633 --> 01:09:36,367 CONSTANTLY AT HIS SIDE THROUGHOUT THE DIZZYING SIEGE 1163 01:09:36,367 --> 01:09:40,500 IS LOS ANGELES PSYCHOLOGIST SUSAN "SUNNY" GRAVES 1164 01:09:40,500 --> 01:09:42,633 WHO HE RESCUED. 1165 01:09:42,633 --> 01:09:45,467 ARE THEY IN ROMANTIC CAHOOTS? 1166 01:09:45,467 --> 01:09:48,300 WILL SUCCESS SPOIL HUNK GOLDEN? 1167 01:09:48,300 --> 01:09:52,200 CLOSE FRIENDS SAY HE'S CHANGED ALREADY. 1168 01:09:52,200 --> 01:09:53,367 - U.P.I., SHMOO-P.I., 1169 01:09:53,367 --> 01:09:56,467 I THINK I HEAR A.P. CALLING. HUNK GOLDEN. 1170 01:09:56,467 --> 01:09:58,733 YEAH, YEAH, HUNK-BURGER FRANCHISES. NO, I'M SORRY. 1171 01:09:58,733 --> 01:10:00,833 I'M SOLD OUT TILL 1992. 1172 01:10:02,233 --> 01:10:03,167 UGH. 1173 01:10:06,433 --> 01:10:08,033 HUNK GOLDEN. 1174 01:10:08,033 --> 01:10:11,533 YEAH. YES, SENATOR. 1175 01:10:11,533 --> 01:10:13,067 NO, I'VE ALREADY BEEN ASKED TO BE PUT ON 1176 01:10:13,067 --> 01:10:14,933 THE STATE FLAG OF HAWAII, BUT-- 1177 01:10:14,933 --> 01:10:15,933 - HUNH! HUH! 1178 01:10:15,933 --> 01:10:18,133 - CAN YOU HANG A SECOND, SENATOR? 1179 01:10:18,133 --> 01:10:22,500 HI. AGGRESSIVE LITTLE THING, AREN'T YOU? 1180 01:10:31,800 --> 01:10:33,167 THERE YOU GO. 1181 01:10:37,700 --> 01:10:41,100 PEOPLE ARE ALWAYS DROPPING IN. 1182 01:10:41,100 --> 01:10:44,700 NO, SENATOR, I COULDN'T PICK A FAVORITE STATE. 1183 01:10:44,700 --> 01:10:46,833 OF COURSE, IF YOU'D LIKE TO SPONSOR A BILL PUTTING ME ON 1184 01:10:46,833 --> 01:10:49,567 THE AMERICAN FLAG, I'D HAVE NO OBJECTIONS. 1185 01:10:54,733 --> 01:10:57,133 GOD DAMN IT, SUNNY! 1186 01:10:57,133 --> 01:10:59,300 THESE PEOPLE ARE JUST LIKE A BUNCH OF PIRANHA! 1187 01:10:59,300 --> 01:11:01,533 BITE, BITE, BITE. 1188 01:11:06,900 --> 01:11:07,900 - HUNK, COME ON. JUST-- 1189 01:11:07,900 --> 01:11:11,567 - SUNNY, I'VE HAD IT OKAY. 1190 01:11:13,100 --> 01:11:15,333 WATCH THIS. 1191 01:11:15,333 --> 01:11:17,833 WAITING FOR SOMETHING MORE GOLDEN? 1192 01:11:17,833 --> 01:11:21,500 WELL, HERE IT IS--A PERSON-TO-PERSON MESSAGE. 1193 01:11:21,500 --> 01:11:23,233 STAY THE HELL AWAY FROM HERE! 1194 01:11:31,467 --> 01:11:33,867 TAKE THAT, FAT BOY. 1195 01:11:36,933 --> 01:11:39,867 - STOP IT, HUNK. THAT'S NOT FUNNY. HUNK, STOP IT. 1196 01:11:39,867 --> 01:11:42,067 HUNK, DO YOU WANT TO BE ON THE SIX O'CLOCK NEWS DOING THIS? 1197 01:11:42,067 --> 01:11:43,667 - SURE, I DO. I LOVE THE PUBLICITY, HONEY. 1198 01:11:43,667 --> 01:11:45,033 - GIVE ME THIS. GIVE IT TO ME. 1199 01:11:45,033 --> 01:11:47,333 - FINE. JUST FINE. 1200 01:12:17,367 --> 01:12:19,500 - YOU CAN'T LET IT GET TO YOU LIKE THIS. 1201 01:12:19,500 --> 01:12:22,633 - I'M STARTING TO FEEL DIFFERENT INSIDE. 1202 01:12:22,633 --> 01:12:24,700 ALMOST LIKE A DEMON. 1203 01:12:24,700 --> 01:12:27,567 - DEMONS DON'T EXIST. 1204 01:12:27,567 --> 01:12:31,400 JUST PEOPLE AND PRESSURES. 1205 01:12:31,400 --> 01:12:34,633 - YOU KNOW YOU'VE MADE IT WHEN YOUR GARBAGE IS FRONT PAGE NEWS. 1206 01:12:34,633 --> 01:12:38,233 EXTRA! HUNK TOSSES LEAN CUISINE, CAPPUCCINO GROUNDS 1207 01:12:38,233 --> 01:12:39,833 AND A PINT OF PRALINE TOFUTTI. 1208 01:12:39,833 --> 01:12:41,733 READ ALL ABOUT IT! 1209 01:12:41,733 --> 01:12:43,767 - IT WON'T ALWAYS BE LIKE THIS. 1210 01:12:43,767 --> 01:12:46,767 YOU WON'T ALWAYS LIVE UNDER THE MEDIA MICROSCOPE. 1211 01:12:46,767 --> 01:12:50,933 YOU'LL COOL OFF, AND THEN WE'LL HAVE-- 1212 01:12:50,933 --> 01:12:53,667 AND THEN YOU'LL HAVE YOUR PRIVACY AGAIN. 1213 01:12:53,667 --> 01:12:55,067 - YOU CAN SAY "WE." 1214 01:12:55,067 --> 01:12:57,267 WE'RE IN THIS TOGETHER. 1215 01:12:57,267 --> 01:12:58,867 - AND AFTER LABOR DAY TOMORROW, 1216 01:12:58,867 --> 01:13:00,733 WE'LL BE OUT OF IT TOGETHER. 1217 01:13:00,733 --> 01:13:04,733 YOU'LL FINALLY BE HUNK GOLDEN IN YOUR OWN MIND. 1218 01:13:04,733 --> 01:13:06,400 - KINDA LIKE BEING IN IT TOGETHER 1219 01:13:06,400 --> 01:13:07,967 WITH SOMEONE LIKE YOU. 1220 01:13:07,967 --> 01:13:12,133 - SO DO I. BUT THERE ARE BETTER THINGS 1221 01:13:12,133 --> 01:13:14,000 TO BE IN TOGETHER THAN THIS, YOU KNOW. 1222 01:13:35,033 --> 01:13:37,167 - THAT'S MORE LIKE IT. 1223 01:13:59,833 --> 01:14:02,533 - HUNK, WAKE UP, IT'S ME. 1224 01:14:02,533 --> 01:14:03,733 YOUR OLD BODY? 1225 01:14:03,733 --> 01:14:05,833 THE BODY YOU'RE ON VACATION FROM, REMEMBER? 1226 01:14:05,833 --> 01:14:07,033 - WHERE THE HELL HAVE YOU BEEN? 1227 01:14:07,033 --> 01:14:08,467 - EXACTLY. HELL. 1228 01:14:08,467 --> 01:14:09,900 I ESCAPED WHILE THEY WERE WATCHING 1229 01:14:09,900 --> 01:14:11,433 "THE POSSESSED" AND "THE WRESTLERS." 1230 01:14:11,433 --> 01:14:12,467 - HANG ON JUST A MINUTE. 1231 01:14:12,467 --> 01:14:14,233 HEY, SUNNY. SUNNY, WAKE UP. 1232 01:14:14,233 --> 01:14:17,167 BRADLEY'S HERE. WAKE UP. 1233 01:14:17,167 --> 01:14:19,067 - HUNK, I DON'T HAVE MUCH TIME. 1234 01:14:21,900 --> 01:14:23,267 - WHY WERE YOU IN HELL? 1235 01:14:23,267 --> 01:14:25,600 - WHERE ELSE ARE THEY GONNA HOLD THIS BODY IN ESCROW 1236 01:14:25,600 --> 01:14:27,467 WHILE YOU DECIDE WHO TO BOFF NEXT? 1237 01:14:27,467 --> 01:14:28,867 - THAT'S NOT FAIR. 1238 01:14:28,867 --> 01:14:30,933 - WHAT A SLEAZEBAG YOU'VE BECOME. 1239 01:14:30,933 --> 01:14:33,067 HOSING DOWN INNOCENT FANS. 1240 01:14:33,067 --> 01:14:34,100 - HOW'D YOU KNOW THAT? 1241 01:14:34,100 --> 01:14:35,833 - HOW'D I KNOW THAT? 1242 01:14:35,833 --> 01:14:38,100 YOU'RE RUNNING AS A MINI-SERIES ON DEMON TV. 1243 01:14:38,100 --> 01:14:39,833 KILLER RATINGS. 1244 01:14:39,833 --> 01:14:41,967 AND EVERYONE DOWN THERE'S RIPPING OFF THEIR COATCOAT SLEEVESSLEEVES. 1245 01:14:44,367 --> 01:14:46,500 - I DON'T KNOW WHAT'S HAPPENING TO ME? 1246 01:14:46,500 --> 01:14:48,367 - THE HELL YOU DON'T. 1247 01:14:48,367 --> 01:14:51,567 EVIL HAS TAKEN ROOT IN YOUR SOUL. 1248 01:14:51,567 --> 01:14:54,400 AND IT USED TO BE SUCH A NICE SOUL. 1249 01:14:54,400 --> 01:14:56,367 LONELY, BUT NICE. 1250 01:14:59,133 --> 01:15:02,567 - IT'S THEM. IT'S THEM! 1251 01:15:02,567 --> 01:15:03,733 I CAME TO WARN YOU. 1252 01:15:03,733 --> 01:15:05,967 DR. D. IS FOR REAL AND SO IS HELL. 1253 01:15:05,967 --> 01:15:08,833 HUNK, I KNOW YOU CAN FEEL IT ALREADY. 1254 01:15:08,833 --> 01:15:12,300 - HEY, SUNNY. SUNNY. YOU'RE MISSING IT. WAKE UP. WAKE UP. 1255 01:15:12,300 --> 01:15:15,167 - FORGET ABOUT HER AND THINK ABOUT OUR FUTURE. 1256 01:15:15,167 --> 01:15:17,233 IT IS SLIME TIME DOWN THERE. 1257 01:15:17,233 --> 01:15:21,333 EX-GAME SHOW HOSTS, USED-CAR SALESMEN, TV SPOKESMODELS. 1258 01:15:21,333 --> 01:15:22,433 EVEN MRS. KREPPEL. 1259 01:15:22,433 --> 01:15:23,567 - NO. - YES! 1260 01:15:23,567 --> 01:15:26,033 MRS. KREPPEL, THAT NINTH GRADE BIOLOGY BITCH THAT 1261 01:15:26,033 --> 01:15:27,467 FLUNKED US. TWICE. 1262 01:15:27,467 --> 01:15:28,833 - WHAT SHOULD I DO? 1263 01:15:28,833 --> 01:15:31,133 - THINK. THINK IF IT'S WORTH IT. - WHAT ABOUT SUNNY? 1264 01:15:31,133 --> 01:15:33,267 I'M IN LOVE WITH HER, AND IT'S WHAT WE'VE ALWAYS WANTED. 1265 01:15:33,267 --> 01:15:35,667 - DON'T YOU THINK I CAN FEEL THAT? 1266 01:15:35,667 --> 01:15:38,467 BUT A LIFETIME WITH HER IS A ONE-NIGHT STAND COMPARED TO 1267 01:15:38,467 --> 01:15:41,567 AN ETERNITY OF EVIL. 1268 01:15:41,567 --> 01:15:43,000 HUNK! 1269 01:15:43,000 --> 01:15:46,200 I KNOW YOU. I KNOW YOU'LL MAKE THE RIGHT DECISION. 1270 01:15:53,333 --> 01:15:55,733 - BRADLEY! 1271 01:15:59,100 --> 01:16:01,167 SUNNY'S GOTTA SEE THIS. 1272 01:16:01,167 --> 01:16:02,700 SUNNY, SUNNY, WAKE UP. - WHAT IS IT? 1273 01:16:02,700 --> 01:16:04,633 - BRADLEY WAS JUST HERE. THEY CAME AND CARRIED HIM 1274 01:16:04,633 --> 01:16:06,533 BACK TO HELL. COME ON. COME ON. SEE FOR YOURSELF. 1275 01:16:06,533 --> 01:16:08,467 - I WAS IN SUCH A DEEP SLEEP. - I KNOW, I KNOW, I KNOW. 1276 01:16:08,467 --> 01:16:10,300 LOOK, SUNNY. 1277 01:16:10,300 --> 01:16:11,967 - YOU WOKE ME UP TO SHOW ME THE BEDROOM DOOR. 1278 01:16:11,967 --> 01:16:13,767 - NO, NO, NO. JUST A MINUTE AGO, THESE ARMS CAME 1279 01:16:13,767 --> 01:16:16,067 AND PUNCHED HOLES RIGHT THROUGH THE DOOR AND PULLED BRADLEY 1280 01:16:16,067 --> 01:16:17,233 RIGHT BACK THROUGH THE WOOD. 1281 01:16:17,233 --> 01:16:19,033 - HONEY, HONEY, YOU WERE JUST DREAMING, OKAY? 1282 01:16:19,033 --> 01:16:20,767 - NO. 1283 01:16:20,767 --> 01:16:24,300 THEN HOW DID I GET THIS SPLINTER IN MY FINGER, HUH? 1284 01:16:24,300 --> 01:16:26,167 - I DON'T KNOW. I-I-I DON'T KNOW, HOW? 1285 01:16:26,167 --> 01:16:28,333 - FROM THE HOLE IN THE DOOR. 1286 01:16:28,333 --> 01:16:31,733 - HUNK, THE ONLY IN THIS ROOM IS IN YOUR HEAD. 1287 01:16:31,733 --> 01:16:33,800 LOOK, YOU'RE JUST UPSET, BECAUSE YOUR WHOLE BRADLEY 1288 01:16:33,800 --> 01:16:35,867 FANTASY SHATTERS TO BITS TOMORROW. 1289 01:16:35,867 --> 01:16:40,000 - SUNNY, DON'T BE MAD AT ME, OKAY? 1290 01:16:40,000 --> 01:16:42,067 - HONEY, I'M NOT MAD AT YOU. 1291 01:16:42,067 --> 01:16:45,167 I JUST WANT US TO GET PAST THIS. 1292 01:16:45,167 --> 01:16:49,667 I WANT IT TO BE THE TWO OF US, NOT THE THREE OF US. 1293 01:16:49,667 --> 01:16:52,200 - LOOK, YOU KNOW THAT YOU'RE THE BEST THING THAT 1294 01:16:52,200 --> 01:16:56,333 EVER HAPPENED TO ME, RIGHT? 1295 01:16:58,100 --> 01:17:00,167 - WHY DON'T WE SHOWER AND GO HAVE SOME BREAKFAST, HUH? 1296 01:17:00,167 --> 01:17:03,567 - YEAH. YEAH. I'LL JOIN YOU IN A SECOND. 1297 01:17:03,567 --> 01:17:05,833 - GOOD. 1298 01:17:33,433 --> 01:17:36,467 - GET IN. 1299 01:17:36,467 --> 01:17:38,200 - WHAT ARE YOU DOING HERE? 1300 01:17:38,200 --> 01:17:42,967 - I WAS SWIMMING KOSHER HOT DOGS FROM MIAMI TO HAVANA FOR FIDEL 1301 01:17:42,967 --> 01:17:46,967 DURING THE CUBAN MISSILE CRISIS WHEN BRINKMAN ESCAPED. 1302 01:17:46,967 --> 01:17:51,400 - SPIRITUAL SEPARATION ANXIETY. 1303 01:17:51,400 --> 01:17:53,767 HIS GOOD HALF IS SO STRONG. 1304 01:17:53,767 --> 01:17:56,133 - YES, SO DON'T WIMP OUT. 1305 01:17:56,133 --> 01:17:58,733 GOOD MOVE SUGGESTING BREAKFAST. 1306 01:17:58,733 --> 01:18:02,900 BUT LISTEN, DON'T LET HIM SLEEP BEFORE MIDNIGHT. 1307 01:18:02,900 --> 01:18:04,900 - HE'S STILL TIPPED IN OUR DIRECTION. 1308 01:18:04,900 --> 01:18:07,700 - YES, BUT ONE MORE SILLY, SAPPY, SENTIMENTAL DREAM, 1309 01:18:07,700 --> 01:18:09,700 AND HE'LL BACK OUT AT THE LAST SECOND. 1310 01:18:10,767 --> 01:18:12,600 - TALKING TO ME, HONEY? 1311 01:18:12,600 --> 01:18:16,400 - [as Sonny] I'M SINGING IN THE SHOWER, DEAR! 1312 01:18:16,400 --> 01:18:20,800 NOW LISTEN, KEEP HIM AWAKE, AND HE'S OURS. 1313 01:18:20,800 --> 01:18:21,733 - RIGHT. 1314 01:18:30,367 --> 01:18:32,833 - WELL, THAT DIDN'T SOUND LIKE SINGING TO ME. 1315 01:18:32,833 --> 01:18:35,867 - THEN YOU WEREN'T LISTENING. 1316 01:18:52,800 --> 01:18:54,233 I LOVE YOU. 1317 01:18:58,233 --> 01:18:59,267 - GREAT BREAKFAST. 1318 01:18:59,267 --> 01:19:01,700 - MM-HMM. 1319 01:19:01,700 --> 01:19:04,133 - SWEETHEART, I'M STILL A LITTLE JANGLED 1320 01:19:04,133 --> 01:19:07,333 FROM BRADLEY LAST NIGHT. MIND IF I TAKE A NAP. 1321 01:19:07,333 --> 01:19:10,400 - MM-MM. I THINK A NAP'S A GOOD IDEA. 1322 01:19:10,400 --> 01:19:14,367 YOU WANT TO BE IN TIP-TOP SHAPE WHEN THEY PRESENT YOU 1323 01:19:14,367 --> 01:19:16,167 WITH THE KEY TO SEA SPRAY AT THE CLUB TONIGHT. 1324 01:19:16,167 --> 01:19:17,633 - RIGHT. 1325 01:19:18,700 --> 01:19:20,233 - SWEET DREAMS. 1326 01:19:23,067 --> 01:19:25,167 BYE, HUNK! 1327 01:20:15,867 --> 01:20:17,133 - HELLO? 1328 01:20:17,133 --> 01:20:19,533 HELLO? HELLO? 1329 01:20:19,533 --> 01:20:21,633 HELLO? 1330 01:20:53,833 --> 01:20:57,067 - HI. - HI. 1331 01:20:57,067 --> 01:20:58,133 - WHAT HAPPENED TO YOUR NAP? 1332 01:20:58,133 --> 01:20:59,367 - SABOTAGED. 1333 01:20:59,367 --> 01:21:01,267 AFTER YOU LEFT, EVERY APPLIANCE IN THE HOUSE 1334 01:21:01,267 --> 01:21:04,167 TURNED ITSELF ON. I COULDN'T TURN 'EM OFF. 1335 01:21:04,167 --> 01:21:06,933 I MEAN, DON'T YOU HEAR IT? 1336 01:21:06,933 --> 01:21:09,600 - HEAR WHAT? 1337 01:21:09,600 --> 01:21:11,833 - IT STOPPED. 1338 01:21:11,833 --> 01:21:13,333 - HUNK, ARE YOU HAVING ANOTHER DREAM? 1339 01:21:13,333 --> 01:21:15,167 - NO, NO, NOW, SUNNY, SUNNY, I--I--NEVER, 1340 01:21:15,167 --> 01:21:16,900 NEVER, NEVER WENT TO SLEEP. 1341 01:21:20,133 --> 01:21:23,600 TEN MINUTES AGO, THEY WERE ALL RUNNING WITHOUT ELECTRICITY. 1342 01:21:23,600 --> 01:21:26,567 - HUNK, NOTHING RUNS WITHOUT ELECTRICITY. 1343 01:21:26,567 --> 01:21:28,067 - YEAH. 1344 01:21:28,067 --> 01:21:30,233 - YOU STILL HAVEN'T WRITTEN YOUR ACCEPTANCE SPEECH FOR 1345 01:21:30,233 --> 01:21:31,667 THE BANQUET TONIGHT, SO WHY DON'T-- 1346 01:21:31,667 --> 01:21:33,300 - SUNNY, SUNNY, FORGET ABOUT THE BANQUET. 1347 01:21:33,300 --> 01:21:35,367 YOU'RE MEETING THE DEVIL TONIGHT AT MIDNIGHT. 1348 01:21:35,367 --> 01:21:36,367 - SETTLE DOWN. 1349 01:21:36,367 --> 01:21:39,667 - MAYBE O'BRIEN TOO. 1350 01:21:39,667 --> 01:21:41,100 - ALL RIGHT. 1351 01:21:41,100 --> 01:21:46,467 SUPPOSE I DO MEET THE DEVIL, WHO YOU GONNA CHOOSE? 1352 01:21:46,467 --> 01:21:50,067 ME OR BRADLEY? 1353 01:21:53,100 --> 01:21:56,833 - I LOVE YOU SO MUCH, SUNNY. 1354 01:21:56,833 --> 01:21:59,800 I STILL DON'T KNOW. 1355 01:22:05,533 --> 01:22:07,467 - LET'S GET A SHOT OF US SHAKING HANDS. 1356 01:22:07,467 --> 01:22:08,533 - WHY NOT? 1357 01:22:27,967 --> 01:22:29,933 - WHAT TIME IS IT? 1358 01:22:29,933 --> 01:22:32,967 - IT'S TWO MINUTES LATER THAN THE LAST TIME YOU ASKED ME. 1359 01:22:32,967 --> 01:22:34,700 IT'S 10:32. 1360 01:22:34,700 --> 01:22:37,667 - WE HAVE TO MEET DR. D. AT MIDNIGHT. 1361 01:22:37,667 --> 01:22:41,167 I'M GONNA SLEEP TOMORROW, NO MATTER WHO I AM. 1362 01:22:41,167 --> 01:22:44,067 - AND I'LL BE WITH YOU. 1363 01:22:44,067 --> 01:22:45,967 - NO MATTER WHO I AM? 1364 01:22:45,967 --> 01:22:49,300 - YOU'LL BE HUNK. YOU'LL SEE. 1365 01:22:49,300 --> 01:22:50,667 - I SURE WISH O'BRIEN COULD SEE ME 1366 01:22:50,667 --> 01:22:53,167 GETTING THE KEY TO THE CITY. 1367 01:22:53,167 --> 01:22:55,233 - I'M SURE SHE'S WATCHING. 1368 01:23:02,567 --> 01:23:05,267 - LOOK AT THAT [indistinct]. 1369 01:23:05,267 --> 01:23:09,533 REMINDS ME OF THE COCKTAIL LOUNGE ON THE LUSITANIA. 1370 01:23:09,533 --> 01:23:11,867 HAPPY MEMORIES. 1371 01:23:11,867 --> 01:23:13,233 BON APPETIT. 1372 01:23:19,667 --> 01:23:22,200 - ATTENTION, EVERYBODY. 1373 01:23:22,200 --> 01:23:24,600 IT'S AWARD TIME. 1374 01:23:24,600 --> 01:23:28,733 AS PRESIDENT OF THE SEA SPRAY HOMEOWNERS ASSOCIATION, 1375 01:23:28,733 --> 01:23:33,900 IT IS MY HONOR TO HONOR ONE OF OUR OWN. 1376 01:23:33,900 --> 01:23:38,300 A MAN I AM PROUD TO CALL MY FRIEND. 1377 01:23:38,300 --> 01:23:40,433 WHEN HE FIRST APPEARED HERE AT SEA SPRAY, 1378 01:23:40,433 --> 01:23:45,400 I REALIZED HE WAS SOMEONE VERY SPECIAL. 1379 01:23:45,400 --> 01:23:48,667 AND NOW THE WORLD KNOWS IT TOO. 1380 01:23:48,667 --> 01:23:50,000 - WHAT A PHONY. 1381 01:23:54,067 --> 01:23:57,167 - HUNK, WE'RE PRESENTING YOU WITH THE KEY TO SEA SPRAY 1382 01:23:57,167 --> 01:24:00,433 TONIGHT, BUT YOU'LL NEVER HAVE TO USE IT. WHY? 1383 01:24:00,433 --> 01:24:08,633 BECAUSE OUR HOMES AND HEARTS ARE OPEN TO YOU FOREVER. 1384 01:24:14,100 --> 01:24:18,767 - A LITTLE BIT CORNY, BUT THE CROWD'S WITH HIM. 1385 01:24:18,767 --> 01:24:22,200 WHAT DO THEY KNOW? 1386 01:24:29,067 --> 01:24:32,100 - HUNK GOLDEN, PLEASE STEP FORWARD FOR THE PRESENTATION. 1387 01:24:34,567 --> 01:24:38,333 AND IF I MAY SAY SO, THIS KEY IS NOTHING COMPARED TO THE LADY 1388 01:24:38,333 --> 01:24:42,400 WHO IS THE SUNNY SIDE IN HUNK'S LIFE--DR. SUNNY GRAVES. 1389 01:24:52,433 --> 01:24:58,333 AND HERE TO PRESENT THE KEY IS THE HONORARY MAYOR OF SEA SPRAY, 1390 01:24:58,333 --> 01:25:02,367 THE STAR OF AMERICA'S FAVORITE LITE KNOCKWURST COMMERCIALS, 1391 01:25:02,367 --> 01:25:05,233 SKEET MECKLENBURG! 1392 01:25:09,167 --> 01:25:10,133 - THANK YOU. 1393 01:25:19,367 --> 01:25:22,500 HUNK, EVERYBODY HERE KNOWS THAT I HATED YOU ON SIGHT, 1394 01:25:22,500 --> 01:25:25,900 AND WELL, I'VE GOT TO HAND IT TO YOU, 1395 01:25:25,900 --> 01:25:28,667 YOU DID PUT ME IN MY PLACE. 1396 01:25:34,833 --> 01:25:39,267 THEY CALLED YOU A SUPERMAN FOR DOING IT AND SOMEHOW IT 1397 01:25:39,267 --> 01:25:44,767 SEEMS LIKE A SUPERGUY DESERVES MORE THAN A KEY, 1398 01:25:44,767 --> 01:25:45,767 DESERVES A CROWN. 1399 01:25:50,567 --> 01:25:51,733 - SKEET, WHAT HAVE YOU DONE! 1400 01:25:51,733 --> 01:25:53,600 WE HAD T-SHIRT RIGHTS. HUNK! 1401 01:25:56,933 --> 01:25:57,900 HUNK! 1402 01:25:59,700 --> 01:26:00,967 - HELL OF A SUPERMAN. 1403 01:26:02,067 --> 01:26:03,933 - IF THAT SKEET SCREWS UP MY PLANS, 1404 01:26:03,933 --> 01:26:06,367 I'LL BRING HIM BACK AS A WHOOPEE CUSHION. 1405 01:26:07,467 --> 01:26:08,667 - HUNK? 1406 01:26:08,667 --> 01:26:11,467 - HUNK, WAKE UP. HUNK, YOU'VE GOT TO WAKE UP. 1407 01:26:11,467 --> 01:26:14,967 - WILL SOMEBODY WAKE THAT SUCKER UP? I NEED HIM. 1408 01:26:14,967 --> 01:26:17,233 - HUNK, PLEASE, WAKE UP. 1409 01:26:17,233 --> 01:26:19,767 COME ON. YOU'VE GOTTA WAKE UP. 1410 01:26:37,900 --> 01:26:40,433 - BRILLIANT STROKE, HUNK. 1411 01:26:40,433 --> 01:26:43,600 MAKING OUR DEVILS BRIGADE RAID ON SEA SPRAY LOOK LIKE 1412 01:26:43,600 --> 01:26:45,200 AN ENEMY SNEAK ATTACK. 1413 01:26:45,200 --> 01:26:48,567 - I PROMISED YOU WORLD WAR III BY DINNER TIME. 1414 01:26:48,567 --> 01:26:55,200 - LOOK, ALL THOSE YUPPIE SNOBS YOU HATED ARE DEAD MEAT NOW. 1415 01:26:55,200 --> 01:26:56,800 - DEAD MEAT NOW. 1416 01:26:56,800 --> 01:26:58,800 - DID YOU KILL THEM ALL YOURSELF? 1417 01:26:58,800 --> 01:27:00,067 - SHUCKS, DR. D. 1418 01:27:00,067 --> 01:27:01,967 - OH, DON'T BE MODEST. 1419 01:27:01,967 --> 01:27:09,800 - MAYBE JUST A LITTLE BIT. MAYBE JUST A LITTLE BIT. 1420 01:27:09,800 --> 01:27:15,333 - CALM DOWN. CALM DOWN. GOOD BOY. 1421 01:27:22,300 --> 01:27:25,900 THERE'S JUST ONE LITTLE FORMALITY. 1422 01:27:27,633 --> 01:27:33,067 BEFORE YOU CAN TRULY COMMIT YOUR SOUL TO MY WICKED WORK, 1423 01:27:33,067 --> 01:27:35,533 YOU MUST GET RID OF YOUR BETTER HALF. 1424 01:27:35,533 --> 01:27:37,833 WE'VE ALL THE FIXINGS RIGHT HERE. 1425 01:27:37,833 --> 01:27:41,867 THAT SAPPY, SENTIMENTAL SIDE OF YOUR SOUL 1426 01:27:41,867 --> 01:27:45,133 MUST BE DESTROYED. 1427 01:27:45,133 --> 01:27:47,333 YOU READY TO SAVE YOURSELF, BRINKMAN? 1428 01:27:47,333 --> 01:27:50,000 - HUNK, DON'T DO THIS TO US! 1429 01:27:50,000 --> 01:27:53,333 ALL EVIL AND NO PLAY MAKES HUNK A DULL DEMON! 1430 01:27:53,333 --> 01:27:56,767 - READY. 1431 01:27:56,767 --> 01:27:59,267 - YOU'RE GONNA MISS ME! 1432 01:27:59,267 --> 01:28:01,700 THE GOOD THINGS ARE WHAT LIFE'S ALL ABOUT. 1433 01:28:01,700 --> 01:28:05,300 YOU CAN'T WANNA BE THE GUY WHO STARTED WORLD WAR III. 1434 01:28:05,300 --> 01:28:08,533 - AIM. 1435 01:28:08,533 --> 01:28:10,800 - ALL THIS JUST TO GET LAID MORE AND A GUEST HOST 1436 01:28:10,800 --> 01:28:12,567 ON THE CARSON SHOW? 1437 01:28:12,567 --> 01:28:16,300 PLEASE, GIVE AN INNOCENT BETTER HALF A BREAK. HUH? 1438 01:28:16,300 --> 01:28:20,000 - MY FAVORITE WORD--FIRE. 1439 01:28:21,200 --> 01:28:24,867 - HUNK! PLEASE! NO! DON'T! 1440 01:28:29,633 --> 01:28:32,400 - FIRE, FIRE, FI-- 1441 01:28:32,400 --> 01:28:36,800 - WAIT. OH HE'S ALL RIGHT. WAIT. 1442 01:28:36,800 --> 01:28:39,067 - YOU'RE ALL STILL ALIVE. 1443 01:28:39,067 --> 01:28:41,100 - OF COURSE, WE'RE STILL ALIVE. 1444 01:28:41,100 --> 01:28:43,767 EXCEPT FOR THE PEOPLE THAT ATE THE ROAST BEEF. 1445 01:28:43,767 --> 01:28:46,867 - FOR A SECOND THERE, I WAS KILLING ALL MY-- --YOUR 1446 01:28:46,867 --> 01:28:48,767 INVESTMENTS GOODBYE. 1447 01:28:48,767 --> 01:28:50,033 - WHAT HAPPENED? 1448 01:28:50,033 --> 01:28:52,333 - SKEET CROWNED YOU WITH THE KEY TO SEA SPRAY. 1449 01:28:52,333 --> 01:28:53,333 - YOU ALL RIGHT? 1450 01:28:53,333 --> 01:28:55,467 - YEAH. 1451 01:28:55,467 --> 01:28:57,700 WHAT TIME IS IT? 1452 01:28:57,700 --> 01:28:58,800 - MY WATCH STOPPED. 1453 01:28:58,800 --> 01:29:01,067 - IT'S TEN MINUTES TO MIDNIGHT. 1454 01:29:01,067 --> 01:29:02,100 - HUNK! 1455 01:29:02,100 --> 01:29:03,800 - HUNK, COME ON. ENOUGH FOR ONE DAY. 1456 01:29:03,800 --> 01:29:05,700 - YOU AND I HAVE AN APPOINTMENT WITH DR. D. 1457 01:29:05,700 --> 01:29:07,933 - HUNK, YOU CAN HAVE A CONCUSSION. NOW, COME ON. 1458 01:29:07,933 --> 01:29:09,200 - COME ON. BEFORE IT'S TOO LATE. 1459 01:29:09,200 --> 01:29:11,100 - NOW, WAIT A MINUTE. THE KEY, THE PRESENTATION-- 1460 01:29:11,100 --> 01:29:12,133 WHERE ARE YOU GOING? 1461 01:29:12,133 --> 01:29:13,167 - TO THE DEVIL! 1462 01:29:14,833 --> 01:29:17,500 - both: OUR INVESTMENTS. 1463 01:29:19,800 --> 01:29:22,367 - NO WAY I'M GONNA BE THE GUY WHO STARTED WORLD WAR III. 1464 01:29:22,367 --> 01:29:24,800 - HOW CAN YOU HAVE STARTED A WAR THAT HASN'T EVEN BEGUN? 1465 01:29:24,800 --> 01:29:25,967 - IN THE FUTURE, IT HAS, SUNNY. 1466 01:29:25,967 --> 01:29:27,900 IT STARTS RIGHT HERE IN SEA SPRAY. 1467 01:29:30,600 --> 01:29:33,733 - WELL, IT'S ALMOST MIDNIGHT. 1468 01:29:33,733 --> 01:29:37,067 WHO ARE YOU GONNA BE ONE MINUTE FROM NOW? 1469 01:29:37,067 --> 01:29:40,367 - BRADLEY BRINKMAN. 1470 01:29:40,367 --> 01:29:41,867 - WHAT? - SUNNY. 1471 01:29:41,867 --> 01:29:45,067 SUNNY, I KNOW IF YOU TRULY LOVE ME--THE ME INSIDE-- 1472 01:29:45,067 --> 01:29:46,967 IT'S NOT GONNA MATTER TO YOU IF I COME BACK JUST IN 1473 01:29:46,967 --> 01:29:48,167 A DIFFERENT KIND OF BODY. 1474 01:29:48,167 --> 01:29:49,800 - I DO LOVE YOU. 1475 01:29:49,800 --> 01:29:51,133 I LOVE WHAT'S INSIDE. 1476 01:29:51,133 --> 01:29:55,333 BUT HUNK YOU HAVE TO ACCEPT WHO YOU ARE. 1477 01:29:55,333 --> 01:29:58,700 - YOU KNOW, SOMETIMES YOU SOUND JUST LIKE O'BRIEN. 1478 01:29:58,700 --> 01:30:00,867 THE ONLY LIMITATION IN OUR RELATIONSHIP IS THAT YOU 1479 01:30:00,867 --> 01:30:05,500 CAN'T UNDERSTAND WHAT I'VE BEEN THROUGH. 1480 01:30:05,500 --> 01:30:07,167 WHEN YOU MEET DR. D. A FEW SECONDS FROM NOW, 1481 01:30:07,167 --> 01:30:08,200 YOU WILL, THOUGH. COME ON. 1482 01:30:21,000 --> 01:30:22,233 TOLD YOU HE'D BE HERE, SUNNY. 1483 01:30:22,233 --> 01:30:23,733 - IS THIS SOME KIND OF TRICK? 1484 01:30:23,733 --> 01:30:25,233 - WISH IT WERE. COME ON. 1485 01:30:38,933 --> 01:30:40,800 - OH, THERE YOU ARE. 1486 01:30:40,800 --> 01:30:44,500 WHILE YOU WERE AWAY, I WHIPPED UP A FEW LITTLE 1487 01:30:44,500 --> 01:30:46,767 GOODIES TO CELEBRATE OUR CLOSING OUR DEAL. 1488 01:30:46,767 --> 01:30:48,300 - DR. D., AT YOUR SERVICE, SUNNY. 1489 01:30:48,300 --> 01:30:50,533 - AND IMPECCABLE SERVICE IT IS TOO. 1490 01:30:50,533 --> 01:30:54,067 SEE? CANNIBAL CANAPES, 1491 01:30:54,067 --> 01:30:57,667 ALL-WHITE MEAT MISSIONARY (NO AGNOSTIC FILLERS), 1492 01:30:57,667 --> 01:31:00,567 FANTASTIC TITANIC ICEBERG LETTUCE SALAD, 1493 01:31:00,567 --> 01:31:03,800 KILLER TOMATOES, AND DEVILED EGGS A LA MOI. 1494 01:31:03,800 --> 01:31:07,333 - THERE'S NO DEAL, DR. D. 1495 01:31:07,333 --> 01:31:09,600 - WHAT? 1496 01:31:09,600 --> 01:31:13,100 - A LIFE OF SELFISH PLEASURE AND AN ETERNAL AFTERLIFE 1497 01:31:13,100 --> 01:31:16,500 AS ONE OF YOUR HENCHMEN IS A ROTTEN EXCHANGE. 1498 01:31:16,500 --> 01:31:19,367 I WANT SUNNY TO MEET O'BRIEN RIGHT NOW. 1499 01:31:19,367 --> 01:31:20,900 - O'BRIEN WILL BE AROUND, ALL RIGHT, 1500 01:31:20,900 --> 01:31:23,067 BUT LET'S NOT TALK ABOUT O'BRIEN. 1501 01:31:23,067 --> 01:31:25,067 WHY LET A FEW DREAMS SCARE YOU, 1502 01:31:25,067 --> 01:31:27,767 WHEN YOU CAN BE A LIVING NIGHTMARE YOURSELF? 1503 01:31:27,767 --> 01:31:30,200 - I WANNA BE BRADLEY BRINKMAN AGAIN. 1504 01:31:30,200 --> 01:31:32,067 WHY CAN'T O'BRIEN BE HERE TO SEE THIS? 1505 01:31:32,067 --> 01:31:34,800 - OH, SHE'LL SEE IT, ALL RIGHT. 1506 01:31:34,800 --> 01:31:36,933 SO BE IT. 1507 01:31:36,933 --> 01:31:40,267 EXIT, HUNK GOLDEN. 1508 01:31:40,267 --> 01:31:42,667 ENTER, BRADLEY BRINKMAN. 1509 01:31:52,867 --> 01:31:55,267 - THIS IS BRADLEY BRINKMAN. 1510 01:31:55,267 --> 01:31:57,267 THIS IS ME. 1511 01:31:57,267 --> 01:32:00,833 IT HAD TO BE THIS WAY, SUNNY. 1512 01:32:00,833 --> 01:32:02,233 - I KNOW. 1513 01:32:02,233 --> 01:32:06,000 - THE GAME IS UP FOR HER TOO, BRADLEY BRINKMAN. 1514 01:32:06,000 --> 01:32:10,600 COME OUT, COME OUT, WHEREVER YOU ARE. 1515 01:32:13,300 --> 01:32:15,100 - WHAT? 1516 01:32:15,100 --> 01:32:17,533 - OH, THE DEVIL MADE HER DO IT. 1517 01:32:17,533 --> 01:32:20,600 - AND I THOUGHT THAT YOU LOVED ME. 1518 01:32:20,600 --> 01:32:22,200 - I DID. 1519 01:32:22,200 --> 01:32:24,767 I MEAN, I DO. 1520 01:32:24,767 --> 01:32:27,533 BRADLEY, YOU MADE THE RIGHT DECISION. 1521 01:32:27,533 --> 01:32:30,267 ALL THE DREAMS WERE TRUE. 1522 01:32:30,267 --> 01:32:34,033 I HAD TO LIE TO GET YOU TO CLOSE THE DEAL. 1523 01:32:34,033 --> 01:32:36,033 YOU BELIEVED IN YOUR OLD SELF MORE. 1524 01:32:36,033 --> 01:32:37,533 - AND I BELIEVED IN YOU. 1525 01:32:37,533 --> 01:32:38,567 NOW WHAT? 1526 01:32:38,567 --> 01:32:41,133 - DISMISSAL. 1527 01:32:41,133 --> 01:32:42,833 - MY DEAL'S UP TOO. 1528 01:32:42,833 --> 01:32:44,133 - YOUR DEAL? 1529 01:32:44,133 --> 01:32:48,567 - FABULOUS DEAL TILL SHE GOT SENTIMENTAL AND SLOPPY. 1530 01:32:48,567 --> 01:32:53,267 - I HAD TO LAND A SOUL A CENTURY FOR DR. D. OR LOSE MY DEAL. 1531 01:32:53,267 --> 01:32:55,367 - SHE HASN'T MADE A SCORE SINCE 1532 01:32:55,367 --> 01:32:59,233 OTTO VON BISMARCK IN 1887. 1533 01:32:59,233 --> 01:33:02,367 - I'M TOO MUCH A ROMANTIC TO KEEP RECRUITING NICE GUYS 1534 01:33:02,367 --> 01:33:05,000 FOR THE DEVIL'S WORK. 1535 01:33:05,000 --> 01:33:06,600 NICE GUYS LIKE YOU. 1536 01:33:06,600 --> 01:33:10,933 - THEN WHY DO YOU KEEP DOING IT? 1537 01:33:10,933 --> 01:33:13,333 - I WAS AFRAID. 1538 01:33:13,333 --> 01:33:15,667 I AM AFRAID. 1539 01:33:15,667 --> 01:33:18,200 TO BE THE REAL ME. 1540 01:33:18,200 --> 01:33:22,167 THE ONE THAT SOLD THEIR SOUL TO DR. D. IN THE FIRST PLACE. 1541 01:33:22,167 --> 01:33:24,533 - WAIT A MINUTE. YOU'RE SUNNY. OR YOU WERE. 1542 01:33:24,533 --> 01:33:26,567 YOU'RE THE ONE WHO TAUGHT ME THAT PEOPLE EXIST ON THE 1543 01:33:26,567 --> 01:33:29,300 INSIDE, NOT ON THE OUTSIDE. 1544 01:33:29,300 --> 01:33:32,900 EVEN IF IT WAS TO DECEIVE ME, THE LOVE I FELT FROM YOU 1545 01:33:32,900 --> 01:33:38,667 CAME FROM SOME WONDERFUL PERSON. I THINK-- 1546 01:33:38,667 --> 01:33:42,633 - I'M REALLY TOUCHED. I -- VERY TOUCHING. 1547 01:33:42,633 --> 01:33:46,567 BUT IF YOU'LL EXCUSE ME, I HAVE TO CATCH AN ILL WIND TO BEIRUT. 1548 01:33:50,467 --> 01:33:55,467 LOOK. SINCE IT'S HITLER'S BIRTHDAY, 1549 01:33:55,467 --> 01:33:58,667 I'LL MAKE YOU ONE LAST OFFER--SIX MONTHS' EXTENSION 1550 01:33:58,667 --> 01:34:00,267 TO MAKE GOOD ON BEING BAD. 1551 01:34:00,267 --> 01:34:02,000 - NO WAY. 1552 01:34:02,000 --> 01:34:03,033 - SIX MONTHS? 1553 01:34:03,033 --> 01:34:04,333 - NO, DON'T. 1554 01:34:04,333 --> 01:34:07,233 WHOEVER YOU ARE OR WERE. 1555 01:34:07,233 --> 01:34:09,200 DON'T BE AFRAID. 1556 01:34:09,200 --> 01:34:11,867 THERE IS A PERSON INSIDE OF YOU WHO IS WARM AND LOVING. 1557 01:34:11,867 --> 01:34:13,967 I KNOW. I'VE FELT IT. 1558 01:34:13,967 --> 01:34:15,567 - O'BRIEN. 1559 01:34:17,800 --> 01:34:20,133 REMEMBER HOW LONELY YOU WERE? 1560 01:34:20,133 --> 01:34:22,167 - CAN'T BE LONELIER THAN RUNNING A TIME-TRAVELLING 1561 01:34:22,167 --> 01:34:25,367 SELL-YOUR-SOUL-TO-SATAN SERVICE. 1562 01:34:25,367 --> 01:34:27,000 - WELL-- 1563 01:34:27,000 --> 01:34:32,033 - DON'T BE AFRAID TO BE THE PERSON WHO YOU ARE INSIDE. 1564 01:34:32,033 --> 01:34:34,100 - STRONG ENOUGH TO COME BACK TO EARTH 1565 01:34:34,100 --> 01:34:36,967 AS YOURSELF USED TO BE? 1566 01:34:36,967 --> 01:34:40,267 - I WAS. 1567 01:34:40,267 --> 01:34:41,833 - I'M STAYING WITH-- 1568 01:34:41,833 --> 01:34:45,300 - UNLIMITED CREDIT ON "INFERNOCARD?" 1569 01:34:50,033 --> 01:34:51,200 - I'M STAYING WITH BRADLEY. 1570 01:34:51,200 --> 01:34:52,367 - YES! 1571 01:34:52,367 --> 01:34:55,733 - OH, TO HEAVEN WITH BOTH OF YOU. 1572 01:34:57,833 --> 01:35:00,600 THERE ARE PLENTY OF TAKERS ACROSS THE CENTURIES TO 1573 01:35:00,600 --> 01:35:03,000 CARRY OUT MY MASTER PLAN 1574 01:35:03,000 --> 01:35:06,000 TO MAKE ALL THE HAPPY ENDINGS IN HISTORY 1575 01:35:06,000 --> 01:35:08,300 EVIL ONES. 1576 01:35:08,300 --> 01:35:12,033 LIKE ALL THOSE LASSIE MOVIES. 1577 01:35:12,033 --> 01:35:13,500 SO BE IT. 1578 01:35:16,967 --> 01:35:18,367 THERE SHE IS. 1579 01:35:18,367 --> 01:35:21,200 PRINCESS LUCILLA OF LENINSHIRE, JUST AS I FOUND HER IN THE 1580 01:35:21,200 --> 01:35:26,467 TENTH CENTURY, AFTER HER FATHER SOLD HER TO THE VIKINGS. 1581 01:35:26,467 --> 01:35:30,500 NINE CENTURIES OF VICIOUS, VILE TRAINING DOWN 1582 01:35:30,500 --> 01:35:34,833 THE TUBES OF TIME. 1583 01:35:34,833 --> 01:35:37,800 - LUCILLA. 1584 01:35:37,800 --> 01:35:41,333 WHY DID YOUR FATHER SELL YOU? 1585 01:35:41,333 --> 01:35:44,167 - BECAUSE I WASN'T AS BEAUTIFUL AS MY SISTER, PRINCESS KASAVA, 1586 01:35:44,167 --> 01:35:48,267 SO I SOLD MY SOUL TO DR. D. 1587 01:35:48,267 --> 01:35:52,067 TO ESCAPE AND BECOME BEAUTIFUL ... LIKE YOU. 1588 01:35:54,967 --> 01:35:56,133 - YOU'RE A PRINCESS. 1589 01:35:57,433 --> 01:36:01,700 - A PRINCESS WITHOUT A CASTLE, WITHOUT A JOB. 1590 01:36:01,700 --> 01:36:04,367 WELL, I'LL BE GOING. 1591 01:36:04,367 --> 01:36:06,400 - WHOSE SIDE ARE YOU ON THIS TIME? 1592 01:36:06,400 --> 01:36:08,000 - WHAT DOES IT MATTER? 1593 01:36:08,000 --> 01:36:12,300 AS LONG AS MANKIND IS MISERABLE. 1594 01:36:12,300 --> 01:36:13,500 CIAO. 1595 01:36:23,267 --> 01:36:25,600 - SO YOU'VE BEEN-- 1596 01:36:25,600 --> 01:36:29,667 - RETURNED TO EARTH TO LIVE OUT THE REST OF MY MORTAL LIFE. 1597 01:36:29,667 --> 01:36:31,800 LIKE YOU. 1598 01:36:31,800 --> 01:36:34,067 - LIKE ME. 1599 01:36:34,067 --> 01:36:37,667 WHO WOULD EVER BELIEVE THIS? 1600 01:36:37,667 --> 01:36:39,767 - YOU WOULD, BRADLEY. 1601 01:36:48,300 --> 01:36:50,367 OH, MY GOODNESS BRADLEY, WHAT ABOUT YOUR PROGRAM? 1602 01:36:50,367 --> 01:36:51,633 IT'S DUE TODAY. 1603 01:36:51,633 --> 01:36:55,033 - IT CAME TO ME LAST NIGHT WHEN I MET THE REAL YOU. 1604 01:36:55,033 --> 01:36:56,167 - WHAT IS IT? 1605 01:36:56,167 --> 01:36:58,267 - "THE PRINCESS PROGRAM"-- 1606 01:36:58,267 --> 01:37:01,633 HOW TO LIVE ROYALLY ON A REGULAR WEEK'S PAY. 1607 01:37:01,633 --> 01:37:03,267 WHAT DO YOU THINK? 1608 01:37:03,267 --> 01:37:06,233 - WHAT DO I THINK? 1609 01:37:11,800 --> 01:37:13,767 BRADLEY? - HM? 1610 01:37:13,767 --> 01:37:15,633 - ARE YOU DISAPPOINTED? 1611 01:37:15,633 --> 01:37:18,633 - DISAPPOINTED IN WHAT? 1612 01:37:18,633 --> 01:37:21,300 - THAT YOU GAVE UP THE NEW YOU, 1613 01:37:21,300 --> 01:37:24,333 ENDED UP WITH THE OLD ME. 1614 01:37:24,333 --> 01:37:26,167 WHO'S ALWAYS SECOND BEST. 1615 01:37:26,167 --> 01:37:28,833 - YOU'RE SECOND BEST? NEVER. 1616 01:37:28,833 --> 01:37:34,033 NOT 900 YEARS AGO, NOT NOW, NOT EVER. 1617 01:37:52,067 --> 01:37:56,767 - FUNNY. HUNK DISAPPEARS, AND BRADLEY BRINKMAN RETURNS. 1618 01:37:56,767 --> 01:38:00,233 THEY BOTH WERE ALWAYS LOOKING FOR THE SAME WOMAN TOO. 1619 01:38:00,233 --> 01:38:04,333 - AND IT LOOKS LIKE BRINKMAN FINALLY GOT HIMSELF A GIRL. 1620 01:38:05,800 --> 01:38:07,867 - WHAT'D YOU EXPECT? 1621 01:38:07,867 --> 01:38:10,433 HUNK MUST'VE RUBBED OFF ON HIM.114978