Original subtitles

(POUNDING ROCK MUSIC)

Subtitles by explosiveskull

(SIREN WAILS)

(POUNDING ROCK MUSIC)

(ENGINE GRUMBLES)

(DOORS SLAM)

(DOG BARKING)

(LOW ROCK MUSIC)

(SIREN WAILS) (DOG BARKS)

MAN WITH BAG: Man, stopping here was a bad idea.

We gotta get our shit and get outta here.

(GUN BOOMS)

Roger?

(PANTING)

He didn't give me a choice.

We talked about this.

I'm doing this for you.

What are you doing, Katie?

What the fuck do you think you're doing?

(KATIE PANTING)

KATIE: I'm not doing this with you.

(GUN POPS)

(CRICKETS CHIRP) (DISTANT ROCK MUSIC)

(BROODING, MELANCHOLIC INSTRUMENTAL MUSIC)

(KATIE PANTING)

(STOMPING COUNTRY MUSIC)

♪ I don't know the day ♪

♪ That I was born ♪

♪ But they say I didn't cry ♪

♪ Something told me ♪

♪ To be forewarned ♪

♪ And always have an alibi ♪

♪ I wasn't born an angel ♪

♪ And could be there ain't no such thing ♪

♪ I wasn't born an angel ♪

♪ Now it's too late to burn my wings ♪

♪ I wasn't born an angel ♪

♪ And could be there ain't no such thing ♪

♪ Though I wasn't born an angel ♪

♪ Maybe love ♪

♪ Can help me ♪

(GUN POPS)

BANK ROBBER VOICEOVER: What are you doing, Katie?

(KATIE SIGHS)

(BIRDS TWEET)

(WIND HISSES)

(HORN BLARES)

(KNOCKING)

(TV VOICE CHATTERS)

(TV DOG HOWLS)

Marge, you got groceries here.

Who's that man?

Your boyfriend?

(ROCKING CHAIR CREAKS)

When's the last time you got out of this place?

Looks like you could use some help around here.

Yeah, serious help.

(MICROWAVE BEEPS)

(TV DOG BARKS)

Why don't you eat something?

I, uh, I'm gonna stay

for a few days, if that's okay.

I figured you could use the help.

(EERIE, LONELY INSTRUMENTAL MUSIC)

(KNOCKING)

(TV VOICES CHATTER)

(KNOCKING)

(TV VOICES CHATTER)

(KNOCKING)

Katie Frederick,

- oh my goodness. - What?

You're a doctor now?

(LAUGHS) No, but I could easily fool people.

Uh, medical records at Trinity.

How are you, come here.

Really, it's good to see ya.

Gav, come here, bud.

This is Gavin.

KATIE: Hi, Gavin.

Is this your son?

Has it really been that long?

Sit over there, bud, thanks.

What are you doing back in Prescott?

I just thought I'd visit Marge.

How did you know I was back?

Well, uh, the car out front.

- Yeah. - No, I mean my parents

still live in a house off Watson Lake,

so we're driving by here all the time.

What are you guys doing tomorrow night?

I don't think anything.

Wanna grab a bite or something?

I could swing by, pick you up at, like, six?

Uh, why don't we do here?

I gotta keep close for Marge.

Do you still drink beer?

Or did you go all fancy on me?

Yeah, yeah, I still drink beer.

Man, okay, so I'll pick us something up.

- I'll see you tomorrow, okay? - Yeah.

With beers.

KATIE: It's great to see you.

MAN: Come on, bud.

(SHIMMERING INSTRUMENTAL MUSIC)

(CRICKETS CHIRP)

(HISSING)

(CRICKETS CHIRP)

(DOOR CREAKS)

(DRONING INSTRUMENTAL MUSIC)

(DOOR CREAKS)

(DRONING INSTRUMENTAL MUSIC)

(LOCK CLICKS)

(DRONING INSTRUMENTAL MUSIC)

MAN: I had the game in the back.

- The game, yes. - Yep.

KATIE: It was, don't tell me, it was...

- I'm not telling you. - Stratego.

Stratego.

MAN: No, not telling you.

KATIE: Shut up.

Gosh, Katie, you know nothing about me.

Whatever, you're like four years older than me.

That's, like, that's old.

How am I supposed to know what old guys like?

Well, I remember that you didn't like girly stuff.

Yeah.

Like, um, dressing up.

You didn't even go to your prom, did you?

I didn't, no.

(VIDEO GAME BLOOPS) (CREAKING)

WHISPERING VOICE: Gavin.

(TV CHATTERS) (CREAKING)

I remembered something about you.

You were into, um,

(CHUCKLES) you were into Gaelic football.

Whatever the hell that was.

I'm just more so can't believe

that that's all that you can come up with.

But wow.

All bullshit aside,

how is Reno?

It's like here, but with casinos.

WHISPERING VOICE: Gavin.

(TENSE INSTRUMENTAL MUSIC)

MAN ON TV: Something has gone wrong.

(TV CHATTERS) (CREAKING)

Did you ever find your real mom?

No, nothing ever came up.

Waste of money.

Dang, sorry.

It's okay, I hardly, I didn't even know her.

I never knew the woman.

I just, she gave me up when I was like four weeks old,

so, doesn't matter.

Not anymore.

What's up with Marge?

She's really deteriorated.

I hadn't seen her in years.

I know what happened to her.

Yeah, well, you're not missing out.

She was never the most likable person.

She made my life hell.

(TV CHATTERS)

WHISPERING VOICE: It's right over here.

MAN: No, no, and I'm offended by your question.

That was in high school.

(CREAKING)

WHISPERING VOICE: Come here.

Let me show you something.

(RINGING, EERIE INSTRUMENTAL MUSIC)

Let me show you something.

So why come back?

Just, um, say it's transition.

I'm not staying long.

Well, boyfriend?

Ex-husband?

What dark secrets do you have?

Wouldn't be a secret if I told you.

(MAN CHUCKLES)

But how 'bout you?

When's the last time Gavin's seen his mom?

Christmas.

She pops in now and again.

Things didn't go so well between us.

Worst part is she just takes it out on Gavin, you know?

(CRICKETS CHIRP) (DARK AMBIENT MUSIC)

WHISPERING VOICE: It's right over here.

(CRICKETS CHIRP) (DARK AMBIENT MUSIC)

What's it like being back in the old trailer house?

No offense, but this place really creeped me out

- as a kid. - I know, me, too.

It still does.

This place has never been right.

I really hated living here.

(TENSE, DISCORDANT INSTRUMENTAL MUSIC)

You know what I just thought of?

What?

Been out in the shed yet?

No.

(CHUCKLING)

You're an adult now.

It's still Marge's house, it's still her rules.

I don't have any reason to go in there.

Well, you know what?

It's probably where she buried

all the other foster kids she took in,

so you're the lucky one.

(EERIE INSTRUMENTAL MUSIC)

Well, this place has secrets for sure.

It's like something is always watching.

It was like that when I was a kid.

It's still like that now.

(EERIE, FOREBODING INSTRUMENTAL MUSIC)

As creepy as this place was,

Marge always scared me more.

No!

(JAGGED INSTRUMENTAL MUSIC)

(TV CHATTERS)

Gavin?

Gav?

Hi, what are you doing, bud, what is that?

It's a mask.

Someone made it.

Okay.

This isn't your house.

You can't just be going through people's stuff, okay?

It's all right, Gavin.

(TV CHATTERS)

Do you wanna try it on?

(TV CHATTERS)

Okay, well, it looks great, Gavin,

but let's go put it back where we got it.

You know, I made that when I was a kid, Gavin.

It was my way of hiding from the world.

I could put it on and disappear.

MAN: Go put it back, dude.

KATIE: He can have it.

Thanks, but no thanks.

We got enough crap at home to play with.

Then maybe you should wear it.

Come on, you need to eat something, dude.

Get some food in ya.

(TV CHATTERS)

(EERIE INSTRUMENTAL MUSIC)

Marge!

Marge, you locked the door again.

(KNOCKING)

Marge, open the door!

Marge!

(KNOCKING)

Marge, open the goddamn door.

(JAGGED INSTRUMENTAL MUSIC)

Marge.

(JAGGED, RINGING INSTRUMENTAL MUSIC)

I didn't mean to scare you.

I'm just dropping off some groceries for Margo.

My name's Walter.

You look familiar, though.

I think I've seen you come in and outta here

a few years ago.

Yeah, Marge is my foster mom, what does she owe you?

It's okay, it's what I do.

It's all right.

(JAGGED INSTRUMENTAL MUSIC)

Marge, you gotta stop locking the door.

I was right outside.

No one's gonna come in.

Do you hear me, Marge?

(JAGGED INSTRUMENTAL MUSIC)

(SHIMMERING INSTRUMENTAL MUSIC)

(TINKLING, DRONING AMBIENT MUSIC)

(ENGINE RUMBLES)

Hi.

KATIE: Hey.

Don't you have to work?

Well, I would, but I took the day off.

Gavin's with my mom.

What are you doing, Brian?

What do you mean?

Do you got any good tools in your truck?

(SCREWDRIVER WHIRS)

Good to go.

Hey, can I ask you something real quick?

Do you ever miss Gavin's mom?

Like, is it hard being a single parent?

You adjust.

I just,

I just wonder why my mom couldn't do it.

Not everyone's cut out to be a parent, you know?

All right, I'm gonna swing by tonight, pick you up.

We're gonna grab some food and get the hell outta here.

No, not tonight.

Still feeling antisocial and stubborn?

Bring something here.

All right.

Okay.

(TV CHATTERS)

(MELANCHOLIC, BITTERSWEET INSTRUMENTAL MUSIC)

(ELECTRIC BUZZING)

(JAGGED INSTRUMENTAL MUSIC)

(WHEEZING SOBS) (JAGGED INSTRUMENTAL MUSIC)

Marge.

Marge, come on, sit up.

Marge, come on, Marge, I have to get you up.

(DRAMATIC INSTRUMENTAL MUSIC)

Oh God, you have to get off!

(DRAMATIC, MYSTERIOUS INSTRUMENTAL MUSIC)

(WHEEZING AND BABBLING)

(KNOCKING)

Marge is choking.

(DEEP BREATH-LIKE THRUMMING) (DRAMATIC INSTRUMENTAL MUSIC)

(TV CHATTERS)

She's fine.

MAN ON TV: Where have you been all your lives?

(TV CHATTERS)

Okay.

What's going on, Katie?

(TV CHATTERS)

Can I call you tomorrow?

(TV CHATTERS)

Are you okay?

Yeah.

Call me tomorrow, okay.

(TV CHATTERS)

(KETTLE WHISTLES)

(MELANCHOLIC, FOREBODING INSTRUMENTAL MUSIC)

What are you doing, Katie?

(KATIE GASPS)

(KNOCKING)

Hey.

How long have you been doing this?

WALTER: A long time.

I lost count.

Why do you do this?

How she doing, anyway?

Look, how do you know Marge?

Well, Margie and me, we're old friends.

I don't remember you.

Well, see, I was away for a while.

And then I moved back about a year ago

after my wife passed.

Margaret and I are very close.

But her health just took a turn for the worse

and she won't leave this house.

Why?

Can I give you some advice?

Nothing good ever came out of this place.

I'd leave this house

and go as far away as you can.

(EERIE INSTRUMENTAL MUSIC)

(SHOWER HISSES AND SPLATTERS)

(TV CHATTERS) (CRICKETS CHIRP)

(WATER HISSES)

(TV CHATTERS) (CRICKETS CHIRP)

(BANGING)

(ELECTRONIC BUZZING)

(TENSE INSTRUMENTAL MUSIC)

Who's in here?

(TENSE INSTRUMENTAL MUSIC)

I know someone's in here.

(CRICKETS CHIRP) (KATIE BREATHING)

(DRAMATIC INSTRUMENTAL MUSIC)

(CRICKETS CHIRP) (KATIE BREATHING)

Shit.

(CRICKETS CHIRP)

(DRAMATIC INSTRUMENTAL MUSIC)

WHISPERING VOICE: What do you see?

(KATIE SCREAMS) (WHISPERING VOICES)

(EXCITING INSTRUMENTAL MUSIC)

(KATIE GASPING)

(BANGING)

(EXCITING INSTRUMENTAL MUSIC)

(BANGING)

(EXCITING INSTRUMENTAL MUSIC) (WHISPERING VOICES)

(BANGING)

(WHISPERING VOICES) (TENSE INSTRUMENTAL MUSIC)

(LIGHT CLICKS)

BRIAN: Must have been a coyote or something.

It wasn't, it wasn't a coyote.

Yeah, well, whatever it was,

you're lucky I had the day off.

KATIE: Sure.

(TV CHATTERS)

You know, maybe you dropped your phone outside

or something.

I didn't drop it outside.

There was someone in there.

Katie, come on.

I'm not gonna keep trying to convince you, Brian.

(TV CHATTERS)

What's the real reason you came back?

I've been asking myself that for days now.

Don't you have Dad duties you should be doing?

(TV CHATTERS)

The old mask, huh?

KATIE: What?

You're hiding.

This time, you're not wearing your mask.

Yeah, I really appreciate you coming by.

MAN ON TV: But it is not dead.

Maybe you should try something different, huh?

Hiding doesn't seem to be helping you out.

Yeah, well I don't need your advice or help or whatever.

Okay, you sure about that?

(TV CHATTERS)

I just remember trying to leave the apartment

and he hit me from behind

hard, to like the back of neck, I think.

I don't know.

But I blacked out.

I guess when I,

when I fell, my coat hooked on to the railing of the steps

or something, luckily, cause it saved me

from falling down the steps.

Neighbor girl found me hanging there

and woke me up.

Must've been out like an hour or something.

How long this go on for?

About a year after we started dating.

I had to get out.

I'm pretty sure he would've killed me.

I wish you would've reached out sooner.

Does he know where you are?

No.

He won't be bothering me again.

I made sure of it.

Right.

Yeah.

No more secrets.

Sure.

(GENTLE INSTRUMENTAL MUSIC)

(DOG BARKS)

(TV CHATTERS)

We need to get out of the house.

You need to get out of the house.

Okay.

Look, look, there's a farmer's market in town.

It might be good for you to get out

for an hour or so, get some fresh air.

(TV CHATTERS)

How is this healthy?

Just sitting around here.

It is,

it's her fault.

It's her fault, it is.

Okay, I'm getting you out of...

Save yourself.

You need to leave this house right now.

(ELECTRIC BUZZING)

(WHISPERING VOICES)

You need to leave this house.

You need to leave this house now.

(DRONING INSTRUMENTAL MUSIC) (PHONE BUZZING)

Hello.

VOICE ON PHONE: Katie?

Who is this?

DISTORTED VOICE: Katie.

Hello?

Who's calling me?

- Katie? - Yes, who is this?

VOICE ON PHONE: It's Gavin.

Gavin,

what's going on, how did you get this number?

Where's your dad?

GAVIN: Katie.

Gavin, what is it?

What's wrong?

GAVIN: She wants you to see it.

She's coming for you, Katie.

(DRAMATIC INSTRUMENTAL MUSIC) (KATIE GASPS)

(WHISPERING VOICES) (KATIE WHIMPERING)

(DRONING AMBIENT MUSIC) (WHISPERING VOICE)

(TRAIN HORN BLARES)

KATIE: I swear, it was him, Brian.

Why would he call you?

He's been with my mom all weekend.

KATIE: Okay, forget it then.

- Forget it. - Look, okay, I'll call him

and ask him, but you gotta get outta this house, okay?

You're going crazy.

KATIE: No, I'm not up for it.

BRIAN: Well, I don't care,

I'm not taking no for an answer.

Get your shit, let's go.

(THUNDER RUMBLES) (RAIN PATTERS)

What's up, Hank?

(SOFT POP MUSIC)

What's up?

This is a bad idea.

You need some whisky.

What can I get ya, huh?

Something harder.

(SOFT POP MUSIC)

BRIAN: What's up, boys?

(SOFT POP MUSIC)

I should've asked before I drank that.

(SOFT POP MUSIC)

(WATER SPLATTERS)

(DOOR CREAKS)

(WATER HISSES)

(DRONING, FOREBODING AMBIENT MUSIC)

(CREAKING)

(EERIE INSTRUMENTAL MUSIC)

(DOORKNOB JANGLES)

(BANGING)

(KATIE PANTING)

(ELECTRICAL BUZZING)

(DRAMATIC INSTRUMENTAL MUSIC)

(WHEEZING GASPS)

(RETCHING)

(DRAMATIC INSTRUMENTAL MUSIC)

You know, I made that

when I was a kid, Gavin.

It was my way of hiding from the world.

I could put it on

and disappear.

(EERIE INSTRUMENTAL MUSIC)

Help me!

Help me!

(EERIE INSTRUMENTAL MUSIC)

No, please, please.

(EERIE INSTRUMENTAL MUSIC)

What do you want from me?

What do you want?

What do you want?

(EERIE INSTRUMENTAL MUSIC)

(SCREAMING)

(KATIE PANTING)

She was in here.

She was in here, I saw her.

Brian, she was in her.

What are you talking about?

Who was in here?

It was her. (CRIES)

She was in her with me!

MAN: Is everything cool here, man?

Give us a sec.

MAN: Let me know if you need anything.

Yeah.

(KATIE PANTING)

She was in here with me, goddamn it!

I know what I fucking saw!

Brian, I'm not making it up! (CRIES)

Come on.

(ENGINE RUMBLES)

Katie.

Go home, Brian.

(TV CHATTERS)

Did you see her?

(TV CHATTERS)

What did you say?

Marge.

You said something.

(DRONING INSTRUMENTAL MUSIC)

You go into my room?

(DRONING INSTRUMENTAL MUSIC)

Marge?

I know you took it.

I know you've been in my room.

(DOOR SLAMS)

(SUSPENSEFUL INSTRUMENTAL MUSIC)

(DELICATE INSTRUMENTAL MUSIC)

(KNOCKING)

(DELICATE INSTRUMENTAL MUSIC)

I left you something in the bag.

I think you should have it.

The other day, you said something to me.

You warned me to leave.

What do you know about this house?

Marge?

Just look in the bag.

(TREMBLING INSTRUMENTAL MUSIC)

(LIGHT ORCHESTRAL MUSIC)

(TV CHATTERS)

What are these for?

You get these in the mail?

How old was she?

Who's Abigail?

Who is she?

Is she another kid that you fucked up in the head?

(TV CHATTERS) (DRONING AMBIENT MUSIC)

Marge, Marge,

what happened to her?

What happened to her?

Marge!

Answer me!

What happened in the shed?

(TV CHATTERS) (DRONING AMBIENT MUSIC)

She's back.

You have what you wanted.

Now leave me alone.

She blames me now.

I did what I had to do.

She blames me now.

That goddamned child.

Why can't you forgive me?

I said I was sorry.

Why?

(MYSTERIOUS, TENSE INSTRUMENTAL MUSIC)

(BANGING)

(CHILD WHIMPERING) (DRONING INSTRUMENTAL MUSIC)

(GROWLING, WHISPERING VOICES) (DRONING INSTRUMENTAL MUSIC)

(SCREAMING) (DRAMATIC INSTRUMENTAL MUSIC)

(CREAKING) (KATIE PANTING)

(TENSE INSTRUMENTAL MUSIC)

(PHONE BUZZES)

(EERIE INSTRUMENTAL MUSIC) (KATIE PANTING)

(TRAFFIC HUMS)

KATIE: What is this?

I'm sorry about the other night.

Brian, why are you doing this?

I was gonna try to prove you wrong, that's why.

Whatever you saw, whatever it was,

a lot of people in this town have stories

about that family.

Brian, it doesn't matter.

Just look at it, please.

Marge had another foster kid before you.

She went missing, they think she ran away.

Do you know anything about that?

I asked my dad if he knew anything.

He said not many people in town

remember much about the girl.

When she went missing, people blamed Marge

for the whole thing.

She's been carrying that around with her ever since.

I hate to ask,

but do you think that's why Marge fostered you?

It's like maybe she felt some kind of guilt

or, like, obligation to make it right.

(PHONE BUZZES)

(PULSING AMBIENT MUSIC)

I have to get out of here.

(FLUTTERING INSTRUMENTAL MUSIC)

(EERIE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

Marge?

Marge!

Marge.

(DRAMATIC INSTRUMENTAL MUSIC)

I know what you did.

(PULSING AMBIENT MUSIC)

What's up, dude, how was the weekend?

Gav, can I ask you something?

Hey, excuse me.

I'm talking to you.

I know what you did.

She didn't run away.

She killed herself, and you said nothing.

You stuffed her in that fucking shed

like a piece of trash.

Gavin, did you call Katie's cellphone

this past weekend?

Why did you hide this?

Why didn't you just go to the police?

What, you afraid you'd lose all your money?

BRIAN: What is it?

The girl in the shed told me to.

You know what, go back inside of your grandma's, okay?

I'll be back in a little bit.

They wouldn't let you be a foster mom, would they,

if they knew you let a kid kill herself on your watch?

She wouldn't let me.

It's all my fault.

It's too young to be a mother.

Why not me?

Why was she so special?

It wasn't fair.

I deserved that baby.

Why didn't the baby want my body?

Why not me?

Oh my God.

Abigail was pregnant.

(CREAKING)

What did you do with the baby?

What did you do with Abigail's baby?

Walter.

Walter?

What?

Walter what?

What did you do with Abigail's baby?

Marge!

This was a mistake.

This was a mistake.

You deserve this, you deserve to be trapped

in this fucking, miserable house.

(TENSE INSTRUMENTAL MUSIC)

So do you.

Here, with your mother Abigail.

(DRAMATIC INSTRUMENTAL MUSIC)

(GAGGING)

(POUNDING INSTRUMENTAL MUSIC)

(SCREAMING)

(POUNDING INSTRUMENTAL MUSIC)

(TRUCK RUMBLES)

(DRONING AMBIENT MUSIC)

(KNOCKING)

(DRONING AMBIENT MUSIC)

(DOOR SLAMS)

(DOOR RATTLES)

MARGE: She's back.

(BABY CRIES)

You have a child.

Now leave me alone.

(BABY CRIES)

KATIE: Marge.

(BABY CRIES) (EERIE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

(KATIE PANTING)

(EERIE INSTRUMENTAL MUSIC)

(THUMPING)

(EERIE INSTRUMENTAL MUSIC)

Katie!

(KNOCKING)

Katie!

(TENSE INSTRUMENTAL MUSIC)

(KATIE GRUNTS)

WHISPERING VOICE: He'll let you go.

I can't let you go.

(BANGING)

Katie!

(KATIE GASPING)

(EERIE INSTRUMENTAL MUSIC)

(WHISPERING VOICES) (EERIE INSTRUMENTAL MUSIC)

(JAGGED, DARK INSTRUMENTAL MUSIC)

(KATIE SHOUTING)

(TENSE INSTRUMENTAL MUSIC)

Katie!

Katie!

Are you in here?

Katie, open up!

Are you okay?

I'll be right back!

(TENSE INSTRUMENTAL MUSIC)

Help me.

(TENSE INSTRUMENTAL MUSIC)

Katie, I'm coming!

I'm coming!

(KATIE GRUNTING)

(TENSE INSTRUMENTAL MUSIC)

Katie, hang on!

Hang on, Katie!

(TENSE INSTRUMENTAL MUSIC)

KATIE: Brian, help me!

Please, help me, she made me do it.

(TENSE INSTRUMENTAL MUSIC)

All right, come on, come on.

(EXCITING INSTRUMENTAL MUSIC)

(CRASHING)

(EXCITING INSTRUMENTAL MUSIC)

(KATIE PANTING)

(ENGINE REVS)

(DRAMATIC INSTRUMENTAL MUSIC)

Hey, what, what's going on?

ROGER: Where is she?

BRIAN: Who are you?

Where the fuck is she, man?

No, no, no, listen, we gotta move, man.

- You better move your ass... - Or what?

What are you gonna do?

Katie, get out of the truck.

Okay.

What do you want?

ROGER: Katie.

BRIAN: What the hell do you want from us, huh?

Stop talking.

Stay outta this.

Look, look, we gotta move.

I promise you, the cops are on their way.

Okay, we'll settle this later.

(TENSE INSTRUMENTAL MUSIC)

Where is it?

(TENSE INSTRUMENTAL MUSIC)

Get out of the truck.

BRIAN: Stay in the truck, Katie.

Are you for real, man?

You that stupid?

You don't understand...

No!

You don't understand!

I'll shoot you in your fucking face.

(TENSE INSTRUMENTAL MUSIC)

Where is the money?

I don't have it, Roger.

(TENSE INSTRUMENTAL MUSIC)

See, yeah, see, she's lying.

That's what she's best at.

Well, if you don't have it,

I guess there's no reason for any of us

to make it out of this, is there, huh?

It's in there, it's in there.

Katie, no, no!

Shut up.

Get it.

Hurry.

Look, if you, if you come inside that house,

I'll shoot her.

If you call the cops,

- I'll shoot her. - I'm not, I'm not.

Move!

Leave her, leave her alone!

No.

No.

No.

(DRONING AMBIENT MUSIC)

(BANGING)

Shit!

- Get it, hurry. - It's in here.

(TENSE INSTRUMENTAL MUSIC)

I'm not sure where it is.

I think I might've put it in here.

Stop fucking around.

KATIE: Okay.

(TENSE INSTRUMENTAL MUSIC)

It's in here.

(TENSE INSTRUMENTAL MUSIC)

ROGER: That the new boyfriend?

KATIE: You just leave him alone.

ROGER: He's a little outta your league.

He has nothing to do with this.

If he's still out front, I'm gonna have to kill him.

That, I promise you.

(TENSE INSTRUMENTAL MUSIC)

(CHUCKLING)

I'm shocked you didn't spend it all.

You got what you want, now leave.

I don't know, Katie.

Do I kill you or make you come with me?

I'm not going anywhere with you.

You really fucked everything up.

I'm glad I never taught you how to shoot.

(TENSE INSTRUMENTAL MUSIC)

Wait, wait.

Wait, don't do it.

(ROGER CHUCKLES)

I'm pregnant, Roger.

What?

Dude, what the fuck are you talking about? (LAUGHS)

Jesus, with my kid?

(DRONING INSTRUMENTAL MUSIC)

You're lying.

(TENSE INSTRUMENTAL MUSIC)

You would, you would keep this from me?

My own kid.

Don't make me drag you from this house.

I told you before,

I'm not doing this with you.

We're leaving.

I'm not leaving.

(TENSE INSTRUMENTAL MUSIC)

(TREMBLING INSTRUMENTAL MUSIC)

None of us are.

(EERIE INSTRUMENTAL MUSIC)

(GAGGING)

(EERIE INSTRUMENTAL MUSIC)

(GAGGING) (EERIE INSTRUMENTAL MUSIC)

(DRAMATIC INSTRUMENTAL MUSIC)

(WHISPERING VOICES) (DRAMATIC INSTRUMENTAL MUSIC)

No!

(SOFT INSTRUMENTAL MUSIC)

Take it easy, young man.

It's too late.

She belongs to the house now.

(SOFT INSTRUMENTAL MUSIC)

(TWANGY ROCK MUSIC)

♪ I said we're out of gas now, Amelia ♪

♪ And she smiled and said ♪

♪ We'll I'll just put us down ♪

♪ So we pulled off the doors ♪

♪ And we sailed in the sea ♪

♪ And we watched as the walls closed around us ♪

♪ I never saw a legend as something to be ♪

♪ I'm just glad that no one's ever found us ♪

♪ Cause my bones haven't dried ♪

♪ And your versions are all lies ♪

♪ Everyone wants us to be on some island ♪

♪ Everyone's hoping that we're still alive ♪

♪ Nobody knows we got just what we wanted ♪

♪ We all died ♪

♪ There's 100 good stories ♪

♪ About a man and his boat ♪

♪ And the one he just couldn't let go ♪

♪ And the unspoken reason he's so far at sea ♪

♪ Is there's no one else he'd rather know ♪

♪ And for me and Amelia ♪

♪ That's just about how we feel ♪

♪ Everyone wants us to be on some island ♪

♪ Everyone's hoping that we're still alive ♪

♪ Nobody knows we got just what we wanted ♪

♪ We all died ♪

♪ We all died ♪

♪ We all died ♪

Subtitles by explosiveskull

♪ The only souls ever lost ♪

♪ Are from the lives lived at no cost ♪

♪ You've got to burn to be free ♪

♪ Just ask Amelia and me ♪

♪ Everyone wants us to be on some island ♪

♪ Everyone's hoping that we're still alive ♪

♪ Nobody knows we got just what we wanted ♪

♪ We all died ♪

♪ We all died ♪

♪ We all died ♪

♪ We all died ♪

♪ I said we're out of gas now, Amelia ♪

♪ And she smiled and said ♪

♪ Well, I'll just put us down ♪

(DELICATE, FUNEREAL INSTRUMENTAL MUSIC)