Original subtitles

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>> She'll be quite safe with Matthew.

>> He could have come over and fetched her

himself.

>> Matthew said he had to go into Allendale

for an auction of carts.

>> I hate auctions.

What time is she coming back?

>> She'll have dinner with the Radlets.

And she'll be home before it's dark.

>> Where's Barbara?

>> Well, she borrowed my light and box she

went out.

>> Alone?

>> Mary Peel is with her. She went down

early to to meet the cart.

>> But alone.

It's the first time you've been alone

here.

>> I'm glad Constance has gone to Wolf

Bottom. Help her to make up her mind.

>> Damn it, Anna.

We're alone.

>> She's not

She's never been to a farm before.

>> Let her go.

>> Barbara's not far away.

>> You're the first woman that's

ever said no to me.

No, that's not [snorts] true.

You're the only one that's said no that

I've

taken notice of.

>> If I was only thinking of myself.

>> You're not thinking of me.

>> You make me feel guilty.

If we make love, I'm guilty. If we don't

make love, I'm guilty.

>> THERE'S NO ONE HERE TO JUDGE.

>> NO ONE, NO ONE, THOMAS. NO ONE.

>> WHAT CAN GOD DO TO US THAT WE DON'T DO

TO OURSELVES?

>> OR TO EACH OTHER.

>> [snorts]

>> WHEN BARBARA goes

>> When Barbara goes

Will she ever go?

>> [sighs]

>> What's that?

Was that thunder?

>> A day like this

As it could be.

Summer storm.

Down here they call it a

lion storm.

>> Are you tame?

>> For the moment.

I'd call it something else.

But the effect's the same.

You women

I thought

You all belong to me.

>> It's a blind storm.

No rain.

I'll give him a moment.

Then I'll go and show him who's master.

>> He's stronger than you.

>> Everything's stronger than me.

Constance.

>> Yes, Matthew?

>> Constance, I'm going to die.

>> I can't

kiss you upside down.

>> [music]

[music]

>> Connie.

Connie, I love you.

>> I love you, Matthew.

Love you and I want to give you life.

>> [music]

[music]

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>> Life, Matthew.

>> Life.

>> [music]

>> It's too late to go [music] on.

>> They'll be waiting for us.

>> Say I was ill and you had to take me

home.

>> What's Don going to say?

>> Oh, Matthew.

Look.

It doesn't matter what he says.

>> If he finds out what we've done, he'd

cut my throat. He wouldn't think more of

it than than seeing off a pig.

>> You don't have to be afraid of him.

>> My god, I do, though. And so do you if

he finds out.

>> He won't.

I'm going to marry you, not him.

Matty.

Matty.

>> Constance, I'm going to die.

>> Take me home.

>> You don't know Don.

He loves you, too.

And he needs you, God knows, more than

me.

He cannot understand if you're not

there. He'll think

You're not to let him make a difference.

Connie, you're not to say no to him.

>> Do you want me to marry him?

Do you want me now to live in the same

house as you and be his wife?

>> [music]

>> I WON'T. I WON'T.

>> Don't you see it's because I love the

pair of you?

>> It wouldn't be for long.

This was growing under the old tree in

the field.

>> Which field was that, my dear?

>> The one this side of the barn, where we

take the shortcut to the road.

>> No, that's a small white circle, and

fern, that's not a lichen at all.

>> I wish you collected something easier.

So far, all I've found are three mosses

and a fern.

>> Yes, lichens are elusive.

I must speak to Haggard.

I wonder where she gets the money.

>> Perhaps Donald gives it to her when he

comes here.

He used to bring whiskey for Uncle

Thomas.

>> Oh, that hadn't occurred to me.

I shall be glad when we're free of that

young man's attentions altogether.

>> Do you think Connie will marry him?

>> Would you mind?

>> No, I wouldn't mind.

There was a time when I would have

married him.

Miss Primrose.

Please forgive me.

>> You, Barbara, mind you.

I shall never forgive myself.

I think

it's time you began to think of me as

Anna.

Ah, now there's a liking. See, you can

find them when you want to.

Where was that growing?

I can't remember.

Now, you know that as soon as you find

one, you must write down where you find

them.

You find them AGAIN ENOUGH?

>> DAMN WEATHER.

CONNIE NOT BACK YET?

>> NO, I hardly expected her back. If the

Rabbits have any sense, they'll keep her

there tonight. They'll send her back

tomorrow.

>> I wouldn't mind a night out of myself.

Or a week in Newcastle.

Or a month in London.

Do you know there are a little more

people in one street in London than in

the whole of Northumberland?

>> I wouldn't say that.

>> [snorts]

>> There are no likings in London.

>> WHAT DO YOU SAY?

>> NOTHING.

I must see about the dinner.

>> You taking it up with that damn cabbage,

too?

All these women

and not one woman.

>> Constance, is that you?

>> Yes.

It's nobody there.

>> Did you come back alone?

I'm surprised that the rabbits sent you

back at all.

>> Please.

I waited until everybody had gone to

bed.

>> You waited?

>> I didn't go to Wolf's Burrow Farm.

I felt ill and Matthew brought me back.

>> Where were you?

Where have you been since he brought you

back? My dear.

>> I'm all right.

>> Constance, what happened?

Something happened between you and

Matthew.

Where is he now?

>> He's gone back.

He's going to say I was ill.

>> He's gone back.

Then why didn't you come in?

Why did you wait till everyone went to

bed?

Were you ashamed to see them? Were you

ashamed now? Because of what happened

between you and Matthew.

>> He loves me.

>> Oh, yes, I expect he does. And when is

he going to marry you?

Constance.

>> He can't.

He won't.

He says I shouldn't marry Donald.

He's so ill.

He doesn't think he's going to live much

longer.

>> And that's how much he loves you.

Oh, you child, you child.

Supposing he has you a child.

You must do what Matthew said and marry

Donald.

>> I won't.

I won't go and live in that house.

>> choice. Not now.

You're very lucky to have someone to

marry.

Now listen to me.

Can you trust Matthew?

>> He said Donald would kill him if he

knew.

>> You mustn't tell anyone.

>> Do you want me to marry a man who could

kill his own brother?

>> Yes.

>> [music]

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>> Right.

That's another this.

FOOD AND DRINK [music] ROUND THE CORNER.

COME ON.

>> [music]

[music]

>> COME ON, JOHNNY. Have a drink, buddy.

There's one for you, love. Huh?

Here [music] you go. Here you go,

Johnny.

>> [music]

>> Hey, Phil.

Want a drink?

>> [music]

[music]

[music]

[music]

>> I want to say it [music] to you here.

It'll not take a minute

before we go back

before we [music] look back and find

that we've been married 20 years and

have never said

it.

>> [music]

>> I love you, Constance.

I love you so completely. [music]

Because you're mine.

You're the only person in the world who

was completely mine.

>> [music]

>> You came to me from no one else.

You were alone.

You were perfect.

>> [music]

>> And that means the world to me.

Be still.

>> [music]

[music]

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>> Did you hear the horse win, sir?

Someone's bought Highbank's Hall at

last.

A gentleman from Manchester, I think.

>> Well, that's settled.

>> Surely, Mr. Mallard, isn't it to your

advantage financially?

I see.

But I dare say your nieces will be

pleased.

It'll make a great difference to your

social life.

I expect you're tired of living alone.

>> [music]

>> Yes.

Thank you, Vicar.

>> Where's his mom and dad? They're not

here.

He's own mom and dad.

He only half of them's his own. The

other half's over there, can't you see?

What's he wants now, I told [music] Mrs.

Arbuthnot.

What does more in a bed than ever was

wet.

>> [music]

>> She's bonny, isn't she?

>> Yes, she is.

>> It's very kind of

>> What you doing?

>> Sign me away.

Take care of the dog. Come on, come on.

>> [music]

>> Hiya.

Hiya.

Hiya.

>> [music]

>> Hiya.

>> [music]

>> Michael

How do I talk to her?

>> Well, like you talk to everyone else.

Don't make such a fuss.

>> It must have been a grand wedding.

>> Aye, it must have. It cost me enough.

>> I wish I could have been there.

>> Please, don't bring any trouble into the

house with this woman.

>> She's not like me, you know.

>> Oh, come on, MAGGIE.

THE CAR DROVE IN 10 MINUTES AGO.

>> OH, MAGGIE.

>> I told you not to go.

>> It was bad enough you didn't come

yourselves.

One of us had to be there.

Couldn't leave him by himself.

We've done him enough harm already.

>> Well,

what was it like?

>> You never mind about that.

>> I'll tell you what it was like.

It was a damn shame.

It was ridiculous.

There was all of them and poor old Don

on his own.

>> Your mom couldn't have gone there, you

know it.

>> Why not?

They all knew. Everybody knew.

It was years ago. What does it matter

anyway?

>> Maggie, please. Go upstairs now.

>> Decency matters. Appearances.

>> Oh, Dad.

They all looked decent enough.

There was Malan himself talking with the

vicar.

There were bad women there.

You couldn't tell them from the good

ones by the looking.

>> And what do you know of it?

>> Lucky.

Thomas is putting the horse away.

>> I He would be.

Come in now.

>> I Come in. Come in.

Here.

Thank you.

Thank you.

Mine.

You're so young, aren't you?

>> God bless you, child.

Come in now.

Constance.

That's a good name.

>> Thank you, Mr. Radlett.

>> Mind

You don't find it in the Bible.

>> He's very fond of his Bible. Oh, Miss

Brickmore made Barbara and me, that's my

sister, read the Bible every day.

How is your sister and all your

Very well.

They send you their best compliments and

regret that they have not yet had the

honor of your acquaintance.

Did you hear that, Michael?

>> A fine watch.

The kettle's boiling away. Give her some

tea.

I feel get used to us.

We're

simple people.

>> Want something a bit more fancy Nancy?

From the wedding party

to drink our health.

>> I will not have liquor in this house.

>> Will not.

>> Will not? You paid for it, you might as

well drink it.

>> Oh, Thomas.

>> Oh, man.

It's me wedding day.

There's me wife and all they can say is

will not.

Oh, all right.

Here, Dad. Have one of these.

>> What's this?

>> Hair dye.

We'll drink it after.

Where's Matty?

Is he well?

I have a little quarrel with

I'll do the rounds tonight.

>> Is there anything I can do?

>> You can in my love.

You'll not do anything at all.

I didn't bring you here to work.

To be my wife.

You're to remain as pure and perfect as

you are right now.

Cuz that's what it meant when you

married me.

Get these upstairs.

>> Timmy.

You must love Donald.

Because he loves you. Very much.

How long do the rounds take?

>> Oh, the bringing in of the beasts from

the fields.

And the closing up safe against the

night.

With the two of them sick, Donald will

have to manage it all himself.

>> Oh, oh no. No, no.

I will help.

Perhaps with the milking.

Will you teach me, please, Mrs. Radlett?

>> Oh, Donald will show you when he's

ready.

Yeah.

Let's see your hands.

Well, the cows will think their calves

have come again.

They like Matty's.

Can't the doctors do anything?

>> God can't do anything.

It's good for Donald that you're here.

He's going to lose Matty.

Come and sit yourself down and

and tell me all about your family.

>> Well,

there's Barbara, my sister.

She's older than me.

There's Miss Bricknell, the governess.

And Mary Peel, the maid.

Uncle Thomas.

That's all.

Except I think I have a cousin.

Richard.

And there's [snorts] Donald.

He's a sort of cousin, too.

>> The boy's bought tonight.

I couldn't write

Donald's name there.

Do you understand?

We couldn't come to your wedding

and meet that

that man.

One man sins

and all the innocent are punished.

One stain dyes the flock.

Constance is tired.

I will go to bed.

Good night, my child.

God bless you.

>> [music]

[music]

[music]

>> Who was it?

>> [music]

>> Tell me who it was.

>> [music]

[music]

>> Yes, dear. Yes, dear, the wedding.

That's never a year for zero to be

married.

Wait, that's just 8 months.

Didn't I say at the wedding she would

be?

And she is.

>> Damn birds.

>> See you next Friday.

>> Good night.

>> Hey, how did you go?

>> Thank you, Mary.

May I help

>> Thanks for the sugar.

>> Not at all.

>> See you Friday.

>> Uh-huh.

Oh, mate.

>> Here we go.

Mr. Thomas.

>> Hey.

>> You nearly frightened me to death.

Do you know what I just told?

>> What have you heard?

>> I'm not going to tell you.

>> Who's the girl in the cot?

>> Uh Aggie Moorhead.

And it's over at Stutton.

>> What's she doing here?

>> At the hard work and by the week.

Goes out on a Monday, comes back on a

Friday.

You! She's far too young for you. She

wouldn't have you.

>> No, but I might have her.

Oh!

Someone bought the whole

>> Your brains are gone in, man. Last year.

See? YOU KNOW WHAT I JUST HEARD?

Miss Constance is having a baby.

>> But that's impossible.

>> That's what I said. It's a lie.

>> Then why did you repeat it to us?

>> Thank you, Mary Peake.

>> I won't bother bringing you the news

anymore.

>> I ought to have gone to see Constance.

>> During all that snow?

Dear Anna, you've only just been able to

leave your bed.

>> I I will go and see her.

>> She's pregnant. I believe it's the

natural consequence of marriage.

We should have heard if anything were

wrong.

>> Something is wrong.

>> If this story is true, Constance will

need our help.

>> But as you say, it's impossible.

>> Unless the child was conceived before

her marriage.

>> Constance?

>> I prayed I'd never have to tell anyone.

Oh, it's been on my conscience.

I made her marry Donald Revell.

>> You have always done everything for the

best for Connie and me. We couldn't have

got on at all without you.

If Con-

If she went with Donald before they were

married, that's her fault and she is to

blame.

>> It wasn't Donald, it was Matthew.

>> Why did she marry him?

>> Matthew's ill.

He's also frightened of his brother.

>> This is Matthew's child.

>> I fear so.

>> Then it will have two fathers like

Donald. There's a sort of justice in it.

>> so

>> Why should I? She has two husbands to

think of her.

You don't want this.

>> When is she going?

How are you? Have you heard the news?

Little Connie.

A GRANDSON.

>> YES.

>> You could be more pleased about it.

Damn.

Damn.

>> What's the matter?

>> I didn't see it.

>> What have you been drinking?

Thomas,

I'm many things, but I'm not a fool.

Every Friday you go down to the

carrier's cart. You come back drunk, you

and Mary Peel. I don't know what you do.

>> What have I come to?

>> I quite agree with you. Drinking with A

SERVANT.

>> WHAT HAVE I COME TO? You're a woman and

a damn servant. Don't tell me what to

do. What? Because I slept with you once

or twice? I've slept WITH HUNDREDS OF

WOMEN.

Because I wanted to share what remains

of this damn life with you, you

preferred her? Have her.

Let me have what I want.

>> Thomas.

You see, I'm better.

We

managed so well through the winter.

I think we can afford

some small extravagances. Thomas, would

you

>> Kinney!

>> [laughter]

>> Kinney.

>> Woah!

>> Morning, Squire.

>> Morning, Taggett.

>> Morning, Miss Morehead.

>> Morning, sir.

>> Any letters for me from France?

>> I'm sorry, Squire.

>> Oh, never mind.

Uh, you better look at that horse.

There's a loose shoe on its foreleg.

>> I never noticed it.

>> I got a present for you.

>> You haven't.

>> You jump off here on your way home next

Friday and that's yours.

>> Looks all right to me, Squire.

>> The other horse.

I'll be waiting in the barn.

>> What have I got to do for it?

>> Nothing.

Just

take it.

>> Sound as a bell.

>> Go.

That's for my niece at Wolfbarrow farm.

>> There was nothing wrong with the horse,

man.

>> I saw it halting as you came up the

road.

>> You cannot see straight.

>> I've almost forgotten the winter.

>> The Lord has been good to us.

Over at Studden, a man lost three of his

beasts in the snow.

>> Poor man. And no fault of his, mind.

>> There's fault enough in all of us for

that and more.

Who knows what wickedness is done in

Studden? The devil's never far from the

door.

>> It's not a cold winter we've had, Dad.

>> All I see is we should be grateful and

fear traps.

>> We've come through better than I

expected.

>> You'll be able to go out again soon,

Daddy.

>> Why?

Don't tell Donny I'll put me to work.

I I wouldn't mind that.

>> She works over hard.

>> Bairn's not due for 2 months yet.

But must I do our share of the work?

I haven't heard her complain.

>> No.

Oh, no.

She doesn't complain.

>> Bring her down a bit, I expect.

>> There's no need for bringing down.

She's been as good a daughter as I could

wish.

Hasn't she cared for you as well?

I?

>> Oh, it's only Mr. Tagart.

Morning, Mr. Tagart.

>> Ah, good morning, Mrs. Tagart.

Uh

There's a letter here for the young lady

from the hall.

Morning, Mrs. Scarlett.

>> Morning, Target.

>> What?

>> Hello.

>> I

They here tell if sold the hall again.

>> Why?

>> The new man said me done up from top to

bottom.

He says a big millionaire from

Manchester.

And what in the devil would he want with

a big old place like that? He'll not

hear. You'll go that would be carrying

you won't.

Good day.

>> Manchester?

>> Uh-huh.

>> Back to me.

>> Yeah, I'll chuck it out the way.

>> Get out of the way, you slob.

>> Target, Charlie.

You got it all finished, Donald.

Tell him not to sell it on the top of

the pound.

>> You stay there, while I'm happy.

I'll go and see to it.

>> Where did this come from?

>> Target, Mr. Broderick.

>> Did he say who sent it?

>> I don't know.

Who's it for?

>> It's a mistake.

>> Show us.

>> This is Donald Redmayne.

>> That's how you write it. It's for her.

Who would write to her?

Sit down, Matty.

I want to ask you a question.

When you was going out with her,

did she ever mention another man?

No, not that I remember.

Why should she? Why do you ask? Yes,

sure.

Think hard now, Matty.

A man she could have come across last

summer.

Well, I'll tell you for new.

Why are you asking me?

You're my brother.

Oh, god.

I wouldn't tell this to a living soul.

There was a man

before me

with her.

How do you know?

I know.

Look at her.

You can't ever know for sure.

Did she say so?

Why, man?

You look as though you've lost as much

as I have.

I loved her.

You know that.

I

We've both lost what we loved.

Don,

she hasn't said anything. You could be

wrong.

Things can happen which

My god, I don't know anything about it,

but

but you could be wrong. I'm not wrong.

She told us.

My own saying, on the first night.

>> You'll see.

When the baby comes, you'll see.

>> What do you mean?

>> Me, Mark?

>> I remember a name.

William Hedley. She She said she'd

kissed William Hedley.

>> Kissed?

>> Mark, you know I never thought I'd envy

you.

Never thought there was one thing in the

world that you had that I wanted.

But God, I envy you now.

You're not married to a woman who's

carrying another man's child.

Someone's bastard.

>> There's a letter for you.

You have not finished your work.

>> Is it from William Hedley?

>> It's from Miss Brignall, as you well

know.

You opened it.

She wants to come and see me.

>> When did they go with him?

Last summer, wasn't it?

>> I haven't seen him since we left the

hall.

>> You must have seen him after.

>> We didn't see anyone afterwards.

She writes that she's been ill.

Barbara's well. Uncle Thomas is showing

signs of age.

She asked if she can come here. She's

heard that I'm pregnant.

>> She's heard, has she?

Perhaps she knew it when you married me.

>> THOMAS.

I'VE TOLD YOU. I've sworn to you day

after day, night after night. There's

nothing more I can do. I don't know what

to do.

>> Tell me the truth.

Who took you first? Was it William

Hedley?

Or was it some other gentleman?

Cuz it's the gentleman that have the

bastards.

>> Why do you go on?

>> You were used. You were covered, plowed.

>> I DON'T UNDERSTAND.

>> NO, CONNIE, IT'S ME THAT DOESN'T

UNDERSTAND.

I THOUGHT you were perfect.

>> Didn't you know?

Were you so innocent that you didn't

know I could tell?

>> I believe you were innocent.

You didn't know what was happening to

you.

>> Then leave me alone.

>> You were like my mum.

I God, I'm not like him downstairs.

I wouldn't have minded had it been the

other way around. You were carrying my

bastard.

>> I'm carrying your child.

>> So soon?

>> It isn't

>> You know nothing at all, do you?

You're as innocent as hell.

Do you take us all for fools?

>> I know the child's yours, whatever you

say.

>> Take care you can prove it, Connie.

I shall know if it isn't.

>> Oh, you know everything, Donald.

You know I've done wrong, but you can't

prove it because it isn't true. You know

you're not the father of my child, and

you can't prove that either because you

are.

>> I nearly believe you.

You're the girl I love.

Is it true?

>> Yes.

Why does it have to be like this?

>> Because I love you.

>> God help me if you ever hate me.

Who shall I light a candle, Michael?

>> No.

>> What do you think?

>> Whilst you took that with you.

I was thinking of the injustice of it.

>> I

>> The farm will go to Donald's child.

His grandchild.

>> Oh, Michael.

The bairn is innocent.

>> If I'd let Matthew wed the girl,

it would have been his child, and that

wouldn't have been bad.

>> Well, let's not not hear any more about

it.

>> Marlon did evil.

Why should his grandchild have my farm,

I ASK YOU?

>> How's that feeling?

He's tired.

He'll be.

What's that you're reading?

>> Oh, it's a novel called Little Dorrit.

>> Looks like Big Dorrit to me.

>> Don't strain your eyes now, madam.

>> Oh, excuse me. Those were

>> Those are thinking too much.

>> all right, mum.

>> Now, you go and get yourself in and

rest.

>> I'm all right.

>> Connie.

What did he say?

>> What he always says.

Did you tell him about William Hedley?

>> No.

Mr. Taggart might have said something,

mum.

>> Yes.

>> How can you put up with it?

>> I don't know, Matty.

You will help me.

Later.

>> Oh, when I'm gone?

>> No.

When the baby's born.

If it's a boy and it hasn't got Oh, oh,

Donald. Donald, is that you?

>> Why is it so dark in here?

I'm not going to see anymore.

>> Who was that letter from today, Don?

>> Your old lover.

Miss Brigmore.

She wants to pay us a visit?

>> You don't have a little fear, Matty?

>> I wouldn't mind seeing her.

>> I would.

>> I think she should come and see

Constance.

>> Why?

>> She'll be having that baby very soon.

And she'll have to give up work.

>> How do you know?

>> There are signs.

>> Oh, God.

Where is she?

>> She's away upstairs.

>> CONSTANCE!

CONSTANCE, COME DOWN HERE!

>> LEAVE HER ALONE, TOM. ARE YOU MAD?

>> YOU KEEP YOURSELF OUT OF THIS. THIS IS

BETWEEN ME AND HER NOW.

MY MOTHER SAYS I WAS RIGHT, and you was

made PREGNANT BEFORE YOU EVER MARRIED

ME.

>> I WASN'T.

>> STOP.

>> COME DOWN, LION!

>> HELP ME, OH, HELP ME.

>> [screaming]

>> HELP ME.

>> You should have had the bedding and the

christening on the same day.

Saved yourself a journey.

Sit down, lad.

>> I had the child christened very quickly.

>> The doctor thought it mightn't live.

>> It was a premature birth.

>> So, he said.

>> Uh, miss, please, miss.

>> What is it, Mary Ann?

>> Why, it's Friday, and Mr. Taggart will

be away if I don't hurry.

>> You can't go to the village today. Miss

Barbara is going to Woolman's farm to

stay with Mr. Rabbit. She'll be away two

or three days.

What name did you give the child?

>> Can I go and see Miss Constance and the

new babe?

>> go myself. You must stay here.

>> You go and help Miss Barbara.

>> What did you call the boy?

>> Michael.

>> You could have called him Thomas.

>> No, I couldn't.

>> Why couldn't you?

>> What does it matter?

It's only a name.

>> I told you to go and help Miss Barbara.

>> I would like to see Miss Connie's baby,

miss. What color is her hair, Mr.

Donald?

>> He's got no hair at all that I could

see.

>> Oh, he'll have it.

Call him what you like. Everyone will

say he's a melon.

>> I've got work to do.

>> Go and call her.

Will you tell Constance that I will come

and visit her as soon as I'm better. If

there's anything she wants, she must

tell me.

>> everything that she wants.

>> And will you give our condolences to

your mother and to Matthew?

>> Yeah, well, your father was a good man

and

not many I can say that for.

Now, I'll drink to your son.

>> I put some things together for Connie

and the baby from all of us.

If she's well, I'll be back on Monday.

Give her my love.

>> Yes.

>> Give Connie a kiss for me

and the babe.

>> Please, miss.

Tell Miss Connie that Mary Poppins sends

her love over to her and the little one.

>> Yes.

Goodbye.

>> Goodbye.

>> Donald, would you tell me one thing?

Why did you ask Constance and not me to

marry you?

>> I don't know.

I was going to ask you.

>> I know.

I was going to say yes.

>> Something made me change.

Fit?

I don't know.

I'll never know why I do things.

>> I was lucky, wasn't I?

>> Come on.

Come on.

>> It's sad business.

>> What is?

>> Old Radlett.

I can't help thinking about him.

>> Never thought about him in your life.

>> What sort of man brings up another man's

son?

>> What must it feel like the proof always

in front of you

that someone else had your wife?

>> What must it be like for the wife?

>> Huh?

But it was her fault, wasn't it? She

didn't have to bear the child. They all

know what to do.

>> She didn't know.

>> There's always some old mother to tell

them.

>> Perhaps the old

mother advised her to get married

instead.

>> Having the fool of a husband.

Then the boy is born with someone else's

mark on him.

That's worse.

He'd never have forgiven her for that.

>> She never did.

Her whole life is one long penance

for an act of folly.

>> I was the fool. I should have recognized

the boy.

Brought him up as a gentleman.

He was far more my son than Dick ever

was.

>> Richard was a potential murderer.

Something potential about Donald.

Please.

Will you pass me my laudanum box?

>> Barbara's gone.

Never mind.

>> Um

Can I clear up now, miss?

>> There's nothing to clear up.

>> Mr. Donahue fetched in a bottle to drink

the baby's health in.

>> Oh, yes.

Of course, if you like.

>> We'll all drink.

>> Constance's child.

>> To another Malan.

>> Michael Radlett born April the 12th,

1862.

>> Shall I put any more, mum?

>> No, Maggie.

Don't put any more.

>> Right.

Go.

>> Is the storm setting in? Got to get the

beasts in.

>> This is Miss Stockington, mum.

>> I offer you my condolences on your

recent loss, Mrs. Radlett.

Of course, my uncle, Mr. Malan and Miss

Bridgmore, join with me.

>> Thank you, miss.

>> If you please, miss.

>> How are you, Matthew?

>> Very well, thank you.

Did you have a good journey?

>> Yes.

Thank you.

It's not as far as I thought, but the

road is very steep.

>> Oh, I. It's dangerous?

The only man will come down there at

night is Mr. Taggart.

Except for Donald, of course.

>> I'd like to see my sister now.

>> Yes.

I'm sorry the weather's been so bad.

>> Yes, as we were coming up the road by

the peak it changed. As if this were

another country.

>> Mom will show you.

You're to be sleeping in Mom's room

tonight. And she's having my room. And

I'm going to the other end of the house

because there's times when I I cough at

night.

>> Oh, please don't make any special

arrangements for me. Mrs. Radlett, I

insist that you remain in your own room.

I can sleep anywhere.

>> But it's all been done.

There's clean sheets and everything.

>> I don't want to be any trouble to you.

Please, may I see Constance now?

>> Mrs. Farrington.

Constance is better now.

But she had a bad time with it happening

all of a sudden.

When you first see her

and the baby

>> Is there anything the matter with the

baby?

Matthew.

>> Your sister's come to see you.

>> Connie.

Oh, Connie.

>> Barbara.

>> I should be crying, not you.

Everything's happened to me.

Look.

He makes up for everything.

Don't you, Michael?

Yes.

Michael, this is your aunt Barbara.

He's very fair.

He's like his grandma, isn't he?

Yes.

Everyone's well at the cottage.

Of course, they send their love to you

and the baby.

I brought some presents. They're

downstairs.

I wish I'd never left.

Connie, I know.

What do you know?

There's nothing to know.

It isn't what I expected, that's all.

Donald?

The house is much smaller than I

expected.

And the farm, well, it almost seems to

be inside the house.

And it's so far away from everywhere. I

thought the cottage was far away, but

this is another world.

Don't you find it strange?

Have you been working?

Oh, Connie.

You have to do everything, don't you?

Matthews ill. He looks fearful.

Poor man dying.

And she's strange.

>> She's very kind.

>> She's given me her bed. I don't want to

sleep in her bed.

>> Barbara, they've spent day and night

arranging it.

>> I don't want to sleep in a bed where

someone's just died.

I don't think I can stay here.

>> It's a blind storm.

I don't mind the work.

We work together.

House is small.

We live together.

I expect we'll all die in the same bed.

I'm sorry, Barbara.

But we've changed.

I haven't changed. Miss Bringmore hasn't

changed. Neither is Uncle Thomas, nor

Mary Peel.

I'll tell them you and the baby are

well.

Please stay.

You've gone so far away from me. You

belong to these people now. It would

help me if you stay.

They're expecting you to stay.

Packet goes by here at 6:00. But Donald

Oh God, I wish you'd never married him.

Quiet.

Quiet.

I'll stay.

>> Sit yourself down, Barbara.

Not like the hall here, is it?

We've got no drawing room here.

>> I thought perhaps I ought to help your

mother.

>> Why, no.

You're a guest.

I wouldn't want you to dirty your hands.

You're a lady.

I know how to treat a lady.

Donald Kearney.

We'll sit yourself down there.

Well, what do you think of Wolfbau?

It's all Matty's now, you know. The old

man left it to Matty.

It's yours, Donald.

It's mine, is it, Matty?

A few pigs.

A couple of dozen cows.

And I do all the milking and the mucking

out and the slaughtering.

No, Matty. You're the master.

I'm the hired man.

Where are you off to?

Where's your manners?

Your sister's here.

>> I have to go upstairs.

>> What for?

>> To feed Michael.

>> Well, if you have to feed him, why don't

you bring him down here? Then we can all

see him.

What do you think of me, son?

They tell me he's mine.

They say they're all born fair.

>> Donald, I don't understand what you're

saying.

Is there anyone on the way?

Won't you sit down, Mrs. Raikin?

>> Not there, please, miss.

>> Are you going to sit down or not?

>> That'll be Heather.

She wants her calf.

>> Why don't you give her her calf?

>> It's gone to market.

>> I don't think I can stay.

>> Your will, the child's will. There's

nothing I can do, dear.

>> Please, Barbara.

>> Not good enough for you, are we?

Of course not. Why shouldn't we be?

A sick man, a bastard, and a prostitute.

>> Oh, God.

>> Yes, go.

It will be better for you if you go.

Taggart will be passing by in a moment.

Ma'am, look out for Taggart.

Matty,

you fetch Barbara's bag.

>> I'm sorry.

>> What are you going to do?

>> I have Michael.

>> Oh, quick, quick, miss. I can see him.

I'll go and see what he wants.

>> Don't say anything to them.

Tell them I'm well.

Give them my love.

I'm sorry, Connie.

I wish I could stay.

You can see what it's like.

>> Thank you, Mrs. Raggart.

>> Thank you, Matty.

>> I don't know what to say.

>> Go now.

>> Goodbye, Barbara.

>> Couldn't we stop a minute?

>> You must go.

Goodbye, Connie.

Goodbye.

>> No.

>> It's all right. He's waiting.

>> It's all right now, pet.

It's for the best.

>> You'd be better off inside, Miss

Vaughan.

We'll be stopping in a minute anyway.

Right, Miss Vaughan.

Come on, Aggie.

This is Miss Vaughan.

She's going with the car fell.

Aggie Moorehead, miss. She works at the

hall.

It'd be nice and snug in there, though.

>> Beautiful.

>> Best be taking this landaulet. It's

getting dark.

>> I beg your pardon, miss. Did I hear Mr.

Taggert say you were going in a car

fell?

>> Yes.

>> Thanks. You're lucky to be getting a

ride tonight.

Excuses, miss.

That's where Mary Peel's working, isn't

it? Car fell?

>> Yes.

>> Mhm.

Uh excuses, miss.

There's an old gentleman lives there,

doesn't he?

The one who used to live at the hall?

Squire Mellon?

Do you know him, miss? I'm his niece.

Oh.

Perfect.

>> Good night. Good night, miss.

>> Will you be all right now, miss Fanning?

>> Yes, I'll cut across the field.

>> There's your basket.

>> Thank you.

>> You'd better take a lamp.

>> Thank you. Good night.

>> Good night, miss.

>> No!

What was that?

No! No!

>> Aren't you worried, miss?

>> No.

>> Why aren't you worried, miss?

>> Because I know very well where he is.

And so do you.

>> Where is he, miss?

>> Mr. Mallon has gone down the road to

meet Taggart

to buy the fourpenny worth of spirits

that you were unable to buy this

morning.

>> He'll get soaked.

>> I expect so.

>> Unless he's in the barn.

>> Is that where he would be?

>> It's for the sake in me back, you see.

Rain stopped.

I've got this ache in me back, you see.

>> It's all right.

Oh my god,

he's come home drunk.

>> Ow!

Oh god.

>> Oh god.

>> [clears throat]

>> Oh dear.

Oh.

>> I probably have the wrong conclusion.

God, what am I going to do?

Miss, just look at her.

Oh miss, oh god.

Miss, what could have done this to her?

>> I don't know.

Look after her.

>> I can't BELIEVE IT. OH.

WHAT'S she doing here, miss?

What are you doing? You're not going

out.

>> The bathroom must have come from the

road.

That's where the master is.

>> Did this horse protect him?

>> He may be hurt

or dead.

>> Oh god.

OH.

OH. NO.

>> [screaming]

>> I COULDN'T SEE WHAT IT WAS.

I couldn't see.

I couldn't see.

>> Anna.

>> Mr. Taggett, may we eat?

I'm looking for work, Mr. Taggett.

I would need me anybody at the hall.

I hear the squire Malins died.

He's gone right enough.

Shot himself last year.

He said it was cuz he'd come down in the

world, but I know what's what.

Taken with the people of Horse Fair.

Shot himself?

>> What? Who's living up at the hall now

then?

>> Uh some new people.

Charles Bentham.

He's a Manchester man.

None of your gentry.

YOU'RE UP THERE.

>> [music]

>> OH WELL, VICAR.

YOU ALL HAD A GOOD LOOK AT US. NO DOUBT

you'll know us again.

We'll be going back to the [music] hall

now.

>> Ah, Mr. Bentham.

I trust you have settled into the hall

comfortably by now. And Mrs. Mrs.

Bentham and the children?

I hear you've brightened up the old

place considerably. That it's quite a

pleasure to visit. I hope I may have the

pleasure of calling on

>> Who's she, Mr. Whitfield?

>> Oh, she is the niece of the former owner

of High Banks, Thomas Mellon.

I allowed the family to

>> Oh, half in and half out.

>> [music]

>> Poor young lady.

>> She has an elder sister who lives up at

Carfell. But I haven't seen her since

the unfortunate man.

He lost everything, you know. It was too

much for him.

>> Yeah, when you gain everything it's not

enough. When you lose it, it's too much.

>> True. True.

>> Come on, Katie.

>> Shall we ask them to come and see us one

day, Mr. Bentham?

>> Why, I hardly think they'd appreciate an

invitation to the hall,

People who've come down don't like to be

reminded of it, my dear.

But, if you'd like a bit of company,

I expect Mr. and Mrs. Whitfield will

oblige us.

What an unexpected pleasure.

>> Matty,

let's go and see Barbara.

>> Huh?

I don't know when we'll be back.

>> It doesn't matter.

>> But what would Donald have to say about

that?

>> I haven't seen her since the winter.

Since poor Uncle Thomas. There's no

reason why I shouldn't see my sister.

Only Donald.

>> Come on, Captain. Come on now. Come on.

It's all my fault.

>> He doesn't know.

He wants to hurt me, won't you?

>> Hurting you hurts me.

>> You won't let them do a thing.

Come on, Matty. I want to surprise them.

See how they managed through the winter.

>> God knows how I've managed.

Seeing you and him together. You and

him.

You and him.

I don't know how you put up with it.

>> He married me, Matty.

He's Michael's father.

>> Come on.

Come on.

>> [music]

[music]

[music]

[music]

>> Barbara?

Miss Brickmore?

>> I tried to ring

>> Miss

>> She had to come one day.

>> Mary Peel.

>> It's me.

>> Oh, Mom, it's Connie.

>> It's me.

Don't cry.

Can you take my hat, please?

Miss Brickmore, it's me.

>> Constance, my dear, it's a surprise. I

brought Michael with me, and Marjorie's

here with his mother.

I shouldn't have surprised you, should

I?

Why are you in the dark?

>> Since your uncle died.

>> Shall I ask them to come in?

>> No, my dear, please don't. We're not fit

to receive visitors.

>> Miss Brickmore?

>> Peace.

>> Where's Barbara?

>> She is

>> Is that why you didn't want us to come

in?

Where is she?

>> She's upstairs. She's not ill.

>> What's the matter with her?

>> She's just having a bit of a rest.

>> Nothing at all. Constance, my dear, I

think it would be better if you left

now.

>> What's happened?

Please tell me.

She is ill.

I want to see

>> I swear she's not ill, but you mustn't

see her. Believe me. Listen to me, it

would do no good.

>> If she's upstairs, she can hear me. If

she's not ill, SHE CAN COME DOWN.

BARBARA!

BARBARA!

Why can't she COME DOWN?

>> WE'RE STILL in mourning.

>> We don't stare, Connie.

It's what Miss Brignall tells us, isn't

it?

We always do what Miss Brignall tells

us.

Barbara, yes, of course, Miss.

How is your child?

Donald.

Should I ask about Matthew first?

Barbara.

What happened?

You know what happened.

But

Don't tell her.

You can tell me.

Please tell me.

Please tell me.

Tell me.

You must tell me.

>> No, Miss, I CAN'T.

>> TELL ME WHAT YOU KNOW.

>> It was Uncle Thomas Mallon.

>> Oh

god.

Barbara, you shouldn't have said

anything. There was no need for anyone

to know.

I blame

I blame myself for all that's happened

to you, both of you.

>> I've given up the drink, miss. I never

touch a drop.

>> I brought him here. I knew what he was.

I loved him.

What will you do when

Let me help you.

>> You mustn't come here again.

But afterwards,

the baby.

You really must think about it.

>> I mustn't think about it. I mustn't.

>> I'll help you somehow. I promise.

Let's not talk about it now.

>> Yes.

>> I will do something.

I promise.

Goodbye.

Behave yourself.

Make some excuse.

Thank you.

Constance, please try to understand. I

couldn't see what you would do. I

couldn't see.

>> Goodbye, Mrs. Brinton.

>> Goodbye, Mary Peel.

>> I wish he'd killed me.

>> [music]

[music]

[music]

[music]

[music]

>> You were in church and church today.

>> The vicar never stopped preaching.

>> Well, it wasn't that much.

We went visiting.

>> Only for a drive, mum.

It's the first warm day we've had.

Last market and Hexham.

I'm at the old doctor.

Something that might concern you,

Matthew.

He said that your consumption could be

passed on just by touching Michael.

Have you?

>> No.

>> Mine.

You got it from your dad, as well.

>> Where did you go for your drive?

>> I only went over to see the people in

the cottage on Calf Fell, but they

weren't there.

They never asked us in, anyway.

Barbara was ill.

I had to see her.

>> I'm surprised you went over there when

the snow was away.

>> I thought you didn't want me to.

>> Why not?

She never said a word to me at me

father's funeral.

Well?

How are they managing now the old man's

gone?

What are they up to?

Your sister

and the governess woman.

No wonder he shot himself.

>> Who did that, Donald?

>> What do you mean, man?

>> Some old fool.

You know, I can't see you doing that,

man.

>> Might have been an accident.

>> I don't believe in accidents.

>> Why? What happened to your hand?

>> There's nothing happens by chance.

There's a reason in it somewhere.

Takes finding out, that's all.

>> Dad used to say there was a purpose in

everything.

>> He did?

You never found it?

I could do with some help tomorrow,

Matthew.

>> I I don't.

>> I'm feeling a bit better anyways.

>> [music]

>> I'll be up sharp.

I'm always awake before you.

>> [music]

[music]

>> Can I talk to you?

There's something I want to talk to you

about.

It's about Barbara.

>> What's about Barbara?

>> She's in great distress.

And we can help her.

In a strange way, it affects you as much

as me.

She's going to have a baby very soon.

>> When was she married?

>> I want us to adopt it, and to bring it

here, and

and treat it as our own.

>> My God.

You sisters

ONE IS BAD AS THE OTHER.

>> NO.

>> WHAT THEN?

>> SHE WAS ATTACKED. Don't you understand?

She was assaulted. She was hurt. That's

why we have to help her.

>> Bring some gypsy bastard into the house.

>> anyone like that.

>> WAS IT THEN?

>> IT WAS UNCLE THOMAS.

He did a terrible thing.

And he must

I don't know.

But nobody must ever know.

That's why we have to help her because

[music] she's my sister and your

the child will be your

Don't

tell your father.

Please.

>> That's my ticket.

>> [crying]

>> I wanted Barbara once.

But you, Connie,

you were a prize.

I took you cuz you are married.

>> No.

>> [music]

>> I have a hired cab waiting.

>> Let him in.

Come in, sir.

>> Thank you.

Ah.

Miss Farrington.

>> I'm afraid she's out.

My name is Anna Brigmore. I'm Miss

Farrington's companion.

>> How do you do?

I represent Messrs. Bolton and Pierce,

solicitors to the late Mr. Thomas

Mallon.

Mrs. Farrington is Mr. Mallon's niece.

>> That is so.

Uh will you sit down?

>> Thank you.

I won't be seeing you long.

Uh Mr. Mallon had a son, Richard Mallon.

He was charged with attempted murder and

escaped to France 2 years ago.

Richard Mallon died last month.

Under his will, Miss Farington is his

eldest surviving relative and legal

heir.

There's also a capital sum, which after

the deduction of charges amounts to

£2,500.

You live very secluded here.

>> Oh, forgive me. I

May I offer you a cup of

Richard Mallon.

So much money. How?

>> He was shot in a duel. There was some

talk of cheating at cards.

Forgive me, but if I leave now, I can

return to Newcastle today.

If you would be good enough to to sign

here.

Just there.

Thank you.

Please make my excuses to Miss Farington

and congratulate her on her good

fortune. Should she require legal

advice, we would be happy to oblige.

Good day, ma'am. Now, please don't

bother. I'll see myself out.

>> I wonder what's in here.

>> Oh, some of Mr. Richard's things, I

suppose.

>> Ooh,

it rattles.

>> Oh, I'm sorry. Miss it fell out.

God, Miss, look.

Miss, look.

Missed.

>> [gasps]

>> What is a fine thing for Miss Barbara

after all this happened?

>> Thank God, Mary Peel.

>> Why, yes, Miss.

Thank God.

>> [music]

>> I know that man, Donald.

He used to work at the hall.

>> Hi.

I'm checking them out and give me a bit

of hand about the farm. Mother can't get

out of the house anymore.

>> His name is Waite.

He knows me.

>> Besides,

he's got a wife and a young girl that

can help about the house

>> [music]

>> and a young lad that can look after the

beasts.

>> Where are they going to live?

>> We'll find room for them.

Don't you worry.

>> You'll take in that man's children, but

you won't help Barbara's child.

>> His children are legitimate.

>> [music]

>> I want nobody's bastards around here.

>> [music]

[music]

[music]

>> Who do you think was that man with

Michael and little Tom?

>> It's all right. Tom's with him. Don't

worry.

Who was he?

>> He was a footman at the hall. Thomas is

going to bring him here.

>> I know it's to hurt me, but Matty, it's

worse than that. He threatened Michael.

I know he did, the way he looked.

He said he didn't want any

any bastards here.

It's safe.

You make the firm with the beasts.

>> I need but a helper all I can.

Connie, I've done wrong.

I wanted to love you, but I let him have

you.

Well,

I've paid for it

time and time again till I've not lived.

>> We've both done that.

>> I but you have to carry on.

>> Oh, Matty.

Oh, Matty.

>> I hurt my dear.

But I only kissed you that once.

>> [cough]

[snorts]

>> If we'd be married,

you'd be left a widow.

It's better as it is.

>> Don't speak [music] of it.

>> It's all right.

Makes no sense, but it's all right.

Taking the trouble to be born,

grow up,

being weak,

and never doing the right thing,

and leaving.

You,

um,

I couldn't.

I think Donald knows now.

>> How can he?

>> Said I love you a hundreds of [music]

times a day.

You must take care of Michael.

>> Of you, Matty.

Of you.

I love you, Matty.

>> No.

>> No, don't you move.

>> I'm just out to show Matty the chickens.

She called him Matty.

Why did she call him Matty?

>> I think she's always known about us.

Tom's like that.

Donald's different.

Ever since the day he knew who his dad

was.

>> Matty.

When we went to the cottage,

I saw Barbara.

The reason why Uncle Tom has killed

himself.

>> [music]

>> Barbara's going to have a child very

soon.

He raped her.

>> [music]

>> When the baby's born,

I want you to bring it here.

Donald won't let [music] me.

Now, if you were to say that this was

your house, and that's what you wanted.

>> No, you can't, Connie.

>> But there's nothing else I can do for

Barbara.

>> I'm thinking of Mum.

She wasn't his girl yet for a shilling,

you know.

He did the same thing to her.

>> Just take great care how we tell her.

Good fortune can come with as much of a

shock as bad.

I must admit it does lift some of the

burden from my conscience.

And I believe from his.

Oh.

Go and see if she's coming.

Yes, she's coming, miss.

Where have you been, my dear? You

shouldn't have stayed out so late. Come

and have your tea.

I walked to the people, my dear.

I wish I could have.

>> No.

>> There.

First summer day we've had.

>> I don't like summer.

It's too green.

>> Even after such a winter?

>> Surely you don't want all that snow back

again, miss?

>> Yes, I do.

So, a horse and cart on the road to

Hexham?

>> We had a visitor.

Would you like another cup?

Then Mary Peel can clear away.

We don't often have visitors.

>> Was it one of the Headleys?

>> Of course not.

>> Why should you think that?

>> I I don't know.

I was thinking of the hall.

We used to have visitors at the hall.

>> It was a solicitor from Newcastle.

Are you making some arrangements?

>> I'd like to make a will.

>> It was nothing like that.

>> I shall leave the cottage and the income

to you and something to Mary Peel.

>> Mary, you mustn't talk like that. You

mustn't even consider it. I want you to

think about yourself.

>> You can do for me.

>> Oh, yes, there is, my dear.

I can tell you why this man came to see

you.

>> Is it something to do with the past?

>> It's about your cousin, Richard.

>> Where is he?

Has he come back?

>> No, my dear. I'm afraid Richard was

killed a month ago in France.

It was a duel over some matter of cards.

I'm sorry.

>> I was thinking about Richard.

When we first went to the hall,

we just lost our parents. He was kind to

us.

Was he what?

He seemed much older,

but I don't suppose he was 2 or 3 years

more than I am.

>> You led a very different life.

>> Yes.

Our lives were just beginning.

>> The solicitor has brought you good news.

I can tell you this belongs.

>> I don't want Richard's things.

>> They're not his. They're not the

world's. We took them. We saved them.

They're yours.

>> No.

>> I understand, Barbara. These things are

associated with the unhappiness of the

past that you want to forget. We'll sell

them.

It is also a bank draft for a great deal

of money.

>> Don't sell them, miss. Look, you mind

this, Miss Barbara, don't you? You

remember this?

>> Very well. We'll sell them. With the

money, we'll provide for a safe

confinement for you and in a private

place. You must think about yourself and

your future and your child.

>> He's here.

Oh God, he's here.

He didn't kill himself. He's come BACK

HERE AGAIN.

>> THERE'S NO ONE HERE.

>> He raped me.

>> HE'S DEAD.

>> OH, NO. OH, NO, HE'S LIVING.

NO.

>> [music]

>> MISS BRINGLE, THE DOCTOR'S HERE, MISS.

>> Come along. Come along.

Where is she?

>> Up the stairs, doctor.

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> There's too much in here.

>> Oh well, you bought it [music] all.

>> It didn't look so much in the store.

>> Hey, leave it alone.

>> They were dirty, Harry.

>> I sent servants for that.

>> Well, they don't keep things as nice as

they might.

Every time I go in and out of the house,

I want to scrub the doorsteps.

>> Oh, damn the doorsteps.

>> There's 12 of them.

It's not like Hume Street, is it?

>> Well, I should hope not. We've come a

mile or two from Hume Street.

>> I'm still Hume Street, aren't I?

>> Well, what of your lass? So am I.

Haven't changed ever.

>> But that's your way, Harry. You're the

male. People respect that.

But you could change if you wanted. I

can't.

>> I wouldn't have had you if you could.

Now, look, Tilda. I wed cotton cuz I

wanted cotton. If I'd wanted silk and

lace, I would have wed silk and lace.

>> There weren't any silk and lace in Hume

Street.

>> Yeah, I know what's fretting you. I

know. It's this woman coming for

governess, isn't it? Well, Katie and the

boys need someone to teach them how to

behave proper, how to speak.

>> Better than us?

>> Well, I hope so.

Else I've done her a lot of work for

nothing.

>> She'll take them to look down on us.

>> Maybe.

>> They're all snotty-nosed like Palatine

Road.

>> Aye.

>> Then they'll go and live in London and

pretend they've never heard of Hume

Street.

>> Right enough.

>> They won't.

If she's anything like that, I shall I

shall take the broom to her and scalp

her backside for her.

>> Yeah, I'm sure you will. But don't tell

her that. Not straight out, anyway.

>> Hey.

Do you ever see such a damn lot of

countryside?

What the hell do you think they do with

it all, eh?

Hunting? Well, well, they won't get any

of that out of me.

What do they want to build a great big

place like this for? Do you know, I

could fit 100 looms in the hall out

there. And all for one man.

>> Well, I expect they had a lot of

friends.

>> Well, I expect he had none. Else he'd

still be here.

>> That poor girl died. And there's a baby.

>> Aye, aye, well, well, we'll see what

this Miss Sprigmore's like before we say

out.

>> I'd like to help.

>> Well, what do you want me to help with,

though, eh? Think on that.

They're proud.

People who have had a bit of money and

lost it. Educated people. Upper class

people hanging on by their bootstraps.

Oh, no, they're proud.

>> Aye, lad.

They're almost as proud as you.

>> Huh. Oh, well. We can't all be born in

your own street, can we?

>> No, Harry.

My God, you'll die there, either.

>> [music]

>> Sprigmore's here.

Oh, pleased to meet you, Miss Sprigmore.

>> Mr. Bentham.

>> Oh, this is my wife.

>> How do you do, Mrs. Bentham?

>> Nicely, thank you.

>> Come and sit down, Miss Sprigmore.

Oh, I beg your pardon.

>> Oh, no.

We haven't forgotten you used to live

here.

>> What do you think of the room now?

>> I like the modern style.

>> Oh,

I'm so glad.

We like new things, don't we, Harry?

>> I.

>> The house is in such a state. Mind you,

it had been empty for nearly 3 years,

but

some of the things we found.

>> There was no lady of the house of

Highbank Hall for several years.

>> Oh.

>> As to the post of governess, may I ask

how old are the children?

>> Johnny's eight, Daniel's seven, and

Katie's three.

>> I like to start with them young.

I expect you'd like the boys to learn

the manners required of a young

gentleman.

>> Oh, no, I don't make any mistakes, Miss

Brigmore. I bought Highbank Hall because

I wanted to live in the country,

not because I wanted to be a gentleman.

You just teach the boys how to keep

themselves clean and speak the truth,

and I'll be satisfied.

>> Those are the first requirements of

being a gentleman, Mr. Benjamin, as you

very well know.

>> Hey.

>> As far as the little girl is concerned,

I can teach her English, French,

geography, music, and drawing.

>> The poor little mites only three.

>> Not all at once, ma'am.

>> You you leave it to her, Tilda. I

daresay she'll be teaching us a thing or

two as well, eh?

>> I wouldn't presume to do any such thing.

As I wrote in my letter,

I can attend

on weekdays

during the morning.

>> Uh yes, well,

we were hoping to persuade you to come

and live here.

>> I'm afraid that's out of the question.

I have responsibilities of my own.

>> Yes, but you you live so far away, and

you can only come mornings.

>> I'm sorry to interrupt.

>> Now, ju- just a minute, woman. Now, we

may have come from Manchester, but we

haven't got clogs for heads.

We know your responsibilities.

Miss Howells been talked about round

here for the past 3 months.

We were going to ask you

to bring them here.

>> You could bring the little girl here.

>> Ah.

>> We are vague.

Thank you.

Thank you.

It would not be proper for my ward, Miss

Mallon,

to accept your hospitality. She has

security, independent means, and the

cottage belongs to her.

And in any case, I would never agree to

be parted from her.

>> Oh.

Oh, we'll have to send the carriage for

you then, won't we?

>> We used to have a pony and trap.

>> I'll buy a pony and trap. Right, now you

know why she's called a governess.

Well, will you have us?

>> Yes.

For 50 pounds a year.

>> [snorts]

>> Oh.

Connie,

Connie pets.

>> Is everything all right, pet?

>> No, it's not all right.

You must stop grieving for her.

Oh, rest in violence.

>> [snorts]

>> I keep seeing her.

I can't help it.

>> [snorts]

>> She lay there so calm.

She was always like that.

No, my dear.

She never wanted to be married.

If she'd lived, she'd never

She never wanted any children.

I keep seeing her. No.

No, Pat.

When I wanted to see her,

Donald wouldn't let me go.

Only when she was dead.

>> Oh, Donald.

Oh, Donald.

>> Oh, Mom.

Why is he so angry?

She looks so

so calm.

Just like when we were at the hall.

And she was dead.

>> Hey, Tony.

There was a chocolate beer left.

>> Are you

>> The sun is shining.

So, I thought I'd sit outside and read

my book.

>> Mhm.

I'll get you a chair.

>> No, it's all right, Mom.

>> Mr. Taggett.

>> Morning, Mrs. Hallett.

Thank you, Mom.

Thank you, Mom. I'll take the chalk

back, Mom.

Hi. It's a sad business about your

sister.

First the square,

then Mrs. Hallett,

and now having a child.

Everybody's talking about it.

>> You make damn sure of that, don't you?

You got paid for carrying gossip, you'd

have a fortune.

>> It's not me that's got the fortune.

>> Look, I heard the new squire reckons on

selling the West farm. Now, that's a

good piece of land, isn't it, Mr.

Robert?

>> I,

for anyone who has the money to buy it.

>> Who's got the fortune, then?

>> Well, I would say nothing about it.

>> I've got it off Mary Peel herself.

>> Huh?

>> The coming of a fortune up there.

>> Who has it?

>> Miss Swaggart's child.

>> Oh.

How much?

>> She said that she sold some things that

had left them.

Came to nearly 3,000 lb.

>> Aye, well, there were a lot of fine

things up at the hall that could have

taken, you know.

That wouldn't be right.

Who would it belong to, then?

>> Who would it belong to, then?

>> I started the war, I reckon you could

finish it.

Where's Molly?

>> She went out with the beasts.

>> And where's my good Tess? She can do all

that.

>> Leave it for the moment, Connie.

>> Taggart was saying they're managing

quite well at the cottage.

They seem to be getting over it.

We haven't there since.

You should go over one day see how

they're getting along.

See Mrs. Brigmore

and your niece.

I'm going in the Hexham on market day.

Come with me if you like. Get yourself a

new dress.

Well, that one won't last forever.

It's time we got about.

Visited a few people.

I'm not going to be like old Radlett

winter all the time.

I'm going to get me some a break.

And a horse.

I'll ride me so when I want to.

I'm going to spend some money.

>> It's Matty's money.

>> I

I Well, that's what I'm going to talk to

him about.

Matty.

Matty.

John.

Matty.

Where are you, John?

I'm going in the Hexham.

I'm going to buy Connie a new dress.

We owe money.

It's fine.

Wish I could come with you.

I reckon the new squire is going to sell

off West Farm.

It's bloody land.

I could buy a black bull.

I could breed pedigree stock on that

land.

If you had the money.

If I had that, I'd be master of

Highbanks.

I'm going to money.

I want you to have the farm, done.

Not after I've gone.

But now.

It's all yours.

Do what you like with it.

Raise a mortgage if you fancy and buy

West Farm.

I'm not his son.

You're my brother.

>> [music]

[music]

[music]

[music]

[music]

>> [ __ ]

[ __ ]

Come on.

COME ON.

RUN.

>> [laughter]

>> COME ON.

COME ON.

COME ON.

COME ON.

WHAT?

>> OH, PIT.

>> Come on.

Come on.

>> Oh, pit.

>> Stop it.

>> That is your dad.

>> Stop it.

>> Don't.

I don't want to get a ban. I'll put that

in his hair.

Don't want

not for nothing.

>> Come on then, Aggie.

I've no time to argue with you.

>> Look at the view, John.

>> Who are you off to?

>> She's the governess of the hall.

>> Don't know why.

>> Mary Pearson says she's got thousands of

pounds put away.

>> Some people are lucky.

>> What is it, Mom?

What are you laughing at?

>> Donald's gone to Hexham.

>> He's trying out his new horse.

>> Hey.

>> He wants to try and buy West Farm.

>> Where ever did he get the money?

>> I don't know.

Mom,

if we could move down to the valley

before winter,

it would be good for

Come on.

Who wants to see the cows?

>> Harley wants to see the cows.

>> Come on. Come on.

>> I've not been down there.

Not since I was young.

>> Donald wants West Farm.

Cuz it once belonged to Uncle Thomas.

But he can have it.

So long as you keep Wuthering Heights

for Michael.

This belongs to him.

If he gets it,

we might have a bit of peace.

Look at Michael.

What time HAVE I GONE, DAISY?

>> [laughter]

>> MATTY!

OH, MATTY!

THIS IS MY SISTER.

OH MY GOD.

GONE.

COME HERE.

I MUST TELL YOU

SHH. DON'T TALK. It's all right.

Whatever happens to me now,

you and Michael will be all right.

Don's going to see a lawyer.

I've given him the farm

until Michael is of age.

Then it will be his by law.

Don agrees.

He has forgiven me.

Mary?

Mary?

Shh. Daisy. I just cut her off. Oh,

good. What's that?

It's just a mutton bone, miss. You've

been giving that to the child?

She wouldn't eat it. She's only 3 months

old.

It's only for sucking. All the babies

round here have a mutton bone for

sucking. Not the ones I'm responsible

for.

I'm afraid of her mouth.

Will you tell me how I'm going to keep

her quiet? The little devil. You weren't

here and she kept on and on.

>> Well, Mary, you could have boiled some

milk for her.

>> I did that as well, miss.

>> Didn't give her warm

milk.

>> Don't go up, miss. You'll disturb her.

Did you want some tea now, miss?

>> No, thank you.

I'll wait for supper.

You keep it all very nicely, Mary.

>> And I keep it nicely for us, miss.

>> It's not our home, Mary.

We're servants. We have no home.

It's hers. Our child, our Barbara's. We

must keep it for her.

>> You are not a servant, miss.

You never could be with your ways.

Would you like to take a peek at her,

miss?

>> Yes.

I think I will.

She must have heard you coming.

What?

She has us.

She must never know.

Dear God.

>> Rick, put the horse away. GIVE HER SOME

FEED, NO WATER.

>> CONNIE.

>> I'm going to get West Farm, Connie.

Ben Shephard checked 2,000 pounds.

>> How can you?

>> I got you some new material for your

dress.

Got some books for Maddie and some

patterns for mom.

>> Did you see the lawyer?

>> Who told you that?

Matty.

I saw him.

I never reckon much on the law.

It's what a legitimate means, doesn't

it?

Not in the law.

Well, I am now.

I'm a landowner.

I've got Wolfbarrow to me name. Me

name's written down on a piece of paper.

He never wrote me name down in his

Bible.

What's it, man?

Donald Radlett. It's not me name,

anyway.

Me name's Mallon.

I shall call myself Donald Mallon.

>> You can't.

Michael's name is Radlett.

>> it that I can't?

And you'll be Mrs. Mallon.

>> He can be what he likes.

>> Matty says that when Michael comes of

age, he will have Wolfbarrow Farm.

>> I

I met a man in Hexham.

Asked me if I knew the Mallon girl.

>> [snorts]

>> If I knew me own half sister.

Barbara Mallon.

Why did the old girl call her that?

>> Was it her father's name?

>> He didn't marry her. He raped her.

>> It's the name you want.

>> Me name's bastard.

Here's me name.

>> Donald.

>> Give a dog a bad name.

That should be a bastard the rest of her

life.

>> No.

When she grows up, it will be forgotten.

>> They don't forget, Con.

It's too good.

It's too good a joke.

That a bean should be born from that.

Be ashamed of it the rest of its life.

>> Not to shame

>> To be?

Because me dad took the first lass he

ever saw and never wanted to see her

again.

Me, I [snorts] come from that.

>> bastard

It

doesn't matter.

You said so yourself.

You have your farm and your land.

And Barbara's child must have

I don't know what.

>> I

She'll have everything.

Connie

>> Ah.

You got the eyes there.

>> All right.

>> All right.

What are they?

Let them settle, sir. Let them settle.

They'll They'll do well.

>> Hey, hey, hey.

Listen to that.

Will they make any money?

If they don't, you can suck me.

>> Come on.

>> Glad to hear you're laughing.

>> Isn't that rather dangerous, Mr. Bantry?

>> Hey, no. I can only set fire to myself.

And will you walk with me for a bit?

Perhaps you can answer a question for

me.

They're out for a lark, they?

What can you tell me about a man called

Donald Radlett?

>> There is a local farmer of that name.

He married Miss Constance Farrington.

She was one of my charges when I was

governess here before.

They live at Loomber Farm.

>> Yes, yes,

I know that and much more.

What's your real opinion of him?

>> To answer that,

I need to know your interest.

>> Well,

he's offered me £2,000 to buy West Farm.

I'd expect a man like that to raise 500,

1,000 at the most.

>> All I know is father was Thomas Mallon.

>> That was common knowledge. He makes no

secret of it.

>> Do you think he could have inherited any

money from him?

>> No.

If he says he has, he's lying.

He's an unworthy man.

As was his father.

>> I'm very sorry. I didn't mean to

distress you.

>> There were two

innocent girls.

One's now dead.

And the other's

married to that man. God forgive me.

Oh, God.

I need your help.

>> YOU POOR WOMAN.

MATILDA! MATILDA! COME OUT HERE!

>> OH, NO. NO, THANK YOU.

I'm I'm sorry. I'm I'm so sorry.

>> That's quite all right, Miss Bigmore.

Quite all right.

Well then, um

well, how can we help?

>> Three years ago

we were all here.

There was Squire Mallon. There was

his son, Richard. There was

my Barbara.

And Constance.

And now there's only Barbara's child.

>> I I That I know.

>> But what you don't know

is

that she has inherited considerable sum

of money, nearly £3,000.

>> I'm sorry to say that you're wrong, Miss

Brickmore.

>> I beg your pardon?

>> We know.

One of the maids told me only the other

day.

>> God, you see,

the wagging tongues. You see.

>> That is the money that Donald Radlett

wants to offer you for West Farm.

>> Come in.

>> Thank you, Mr.

>> All right.

£8,000, eh? It's a tidy sum of money.

But you say it was left to your ward.

>> I only call her my ward, Mr. Bentham.

God knows her poor mother left her in my

charge. I swore to keep her.

I have no proof.

>> Well, got a will of any sort?

Witnesses?

>> I have no legal right.

>> Ah, and as the uncle he has, of course.

You think he means to take the child

away from you and use the money himself?

>> Yes.

Oh.

No.

>> But uh

why don't you tell him it was a mother's

wish that you should look after the

child?

>> All right.

He is his father's son.

They do not concern themselves with

other people's wishes.

>> Well, can't you do anything, Harry?

>> Well, I I can I can refuse to sell him

West Farm, but I don't see that will

make much difference, not if he's a

notion in his head.

>> [snorts]

>> I'm

I'm very sorry.

Please

excuse me.

These are not your problems.

I'm just going to tend to the children.

Please, will you excuse me?

>> Mhm. She's right, Dilys.

We can't help her.

>> He wouldn't take the little girl off,

oh, would he?

>> Look, miss.

A letter. Mr. Tucker fetched it.

>> What are you doing waiting for Mr.

Tucker?

>> Oh, no, miss. Never since that night.

I only go over for a bit of a chin wag.

I know, Miss Periwinkle.

There.

Look, good girl.

Look, Mr. Tucker fetched it.

Yes.

Thank you.

Come on.

>> What is it, miss?

>> It's Miss Constance.

She invites us to her son's first

birthday party.

>> Oh.

Oh, which of us, please, miss?

>> All of us.

>> Ah.

>> We can't possibly have a party now.

Don.

>> It's nearly 3:00.

They'll be on their way.

>> Don.

>> It's Michael's birthday. Now, go inside

and get him.

>> But Don, Maddie's dying.

>> I know, Maddie.

Maddie is the last person in the world

that would want to spoil his party.

>> Don.

Don.

>> Quick.

Quick.

>> Huh?

>> I thought IT GOT THE FIRE.

>> NO, I'M SEEING THEM.

>> DON. DON.

I'll go and meet them. I'll tell them

that Matty is very ill.

They can go back with Taggart.

Don,

we can't possibly have a party now.

>> Connie,

now which do you love the most?

Matty

or Michael?

If it's Michael,

don't you ever tell him what Matty was

to him,

or you'll break his life in half.

And if it's Matty,

the time is past saying.

Let him die in peace.

>> You all right, Mum?

>> Thank you.

>> Uh we're all right here.

>> Thank you very much.

What time will you be coming back?

>> Oh, probably about 6:00, Mum.

>> for you.

This won't do it, too.

This won't do it, too.

Miss Brickmore,

my dear,

my dear,

I should never have made you live here.

You did what you thought was best.

Miss Brickmore,

Matty was taken very ill this morning.

The doctor said it would happen, and

there's nothing more he could do.

I'm glad you didn't bring Barbara.

>> Miss Brickmore!

>> Where's the child?

>> I'm off to the mill, Mr. Porth.

>> Let's go into the house.

>> Why didn't you fetch the child?

>> I wanted to talk to you.

We can talk inside.

>> Wait.

Leave the cart out.

I'm going to need it.

I want the child.

>> I know.

Why, Tom?

I knew when you sent the invitation. I

knew before that.

When you offered Mr. Bencham that money

for West Farm.

>> That was it, was it?

>> If yes, Tom.

He won't sell you the farm.

>> There's other farms.

>> If I thought you were concerned about

Barbara, things might be done.

Her poor mother died months ago.

I wanted to adopt her, but we

>> We were talking about it, see?

Uh but we had to be sure of the law.

>> It's nothing to do with the law.

You're the last person to talk about the

law.

>> I never broke it.

>> There's another law. The moral law, the

Christian law, which still counts for

something.

>> I never broke that, neither.

>> I'm going to tell you this, Constance.

I'm going to tell you this.

When Barbara was carrying her child, she

hated her.

You mustn't whine.

She wanted to destroy it. She went for

long walks,

punishing herself,

punishing herself. Yes, punishing

herself.

Because a woman who's been raped is

guilty.

She bears the shame. She's defiled and

reviled, an object of contempt.

My

Barbara

killed herself.

When her baby was born,

she loved her. She asked to see her.

She kissed her.

She gave her to me.

Barbara Farrington entrusted her child

to me and to me alone.

>> You have her.

>> So you say.

>> She has her.

No one's going to take her away from

you.

>> Were there any witnesses?

Was there anything written down?

>> Don, what's it about?

>> When I went into Hexham,

I saw the solicitors.

I told them about Barbara's child.

And I asked them who was its legal

guardian.

Her?

Or me?

And they said it was me.

And I asked them

if the child had any money.

Was it hers?

Or was it mine?

And they said it was mine.

>> The money ISN'T MINE. EVERY PENNY OF IT

IS IN THE BANK UNDER BARBARA'S NAME.

>> WHAT MONEY ARE you talking about?

>> Why don't you tell her?

Mr. Richard Mallon

left your sister £2,500

and valuables worth another £500.

And that's from a solicitor in

Newcastle.

>> [bell]

>> This declares that I am the legal

guardian of the child of Miss Barbara

Farrington deceased.

And this orders you to hand over the

child and her money to me,

to get out of the cottage where you're

living, and to pay me the 3 months

income that you've received.

Don't you talk to me about the law.

You [ __ ]

>> Miss Figmore.

Adam.

>> Mum.

>> Don't don't do it.

I heard what you were saying.

And it's not right, Adam Adam.

>> Mum.

It's our money.

It's been owed to us for a long time.

>> I'm sorry.

I didn't know.

>> You just killed him, Francis.

I should have told you.

>> I didn't know he would do this.

I won't let him hurt my Barbara.

I can't.

He can have the money.

You come and take her.

As his father.

Oh gosh.

Oh.

Oh.

Oh, god.

Oh.

Please stop. Oh.

If he

I'll be here.

>> Will you be here?

>> Will you be here to see?

Oh, god.

>> She crawled all the way from the barn,

don't you understand?

Destroy her with a smile.

>> Well,

have you come to the party?

You get upstairs and bring Michael down.

Miss Brickmore and me will fetch his

little cousin.

They've both got something in common.

>> Donald,

I know you have the legal right to

Barbara, to Barbara's money.

Take it.

Leave the child with me.

>> Leave you the cottage and the income,

too, I expect.

>> Yes.

We must have somewhere to live.

She's my whole life,

Barbara.

This is the only chance I have

to make up for what I did Mother.

I beg you.

I beg you don't take her from me. I beg

you.

Think of how I think of how much better

it'll be for her. I can bring her up

properly. I can teach her how to be a

lady.

>> You!

You can TEACH HER TO BE A [ __ ]

>> [laughter]

>> LIKE YOU TAUGHT HER!

LIKE YOU TAUGHT HER SISTER, LIKE YOU ARE

YOURSELF!

THIS [snorts] IS ALL ON ACCOUNT OF THREE

PROSTITUTES.

>> I

>> [crying]

>> Well, you're all women.

And what else are you?

Are you coming?

Or do I go by myself?

I'll come with you, darling.

>> Oh, no. No, Matty. No, get yourself back

to bed.

>> It's all right, Mom.

>> All right, Mom.

What are you after coming down here?

>> I heard most of it.

>> Nothing to do with you.

This is Marlon business.

Come on, I'll take you.

Come on.

How come we get a car fell?

>> Like we did, huh?

It's all right, Connie.

>> Matty, what is it?

Tell me what it is. What are you up to?

>> Please don't go, Matty. Please.

>> Why should I take you there?

You'll never make it.

>> Cuz it's my wish.

And you're my brother.

>> Come on then, Mom.

>> You're back to the party.

Tell my father.

>> I'll go with them, Lieutenant.

>> It would be better if you don't.

>> Oh my god.

What did they say to you, Mom?

>> He just said goodbye, Mom.

>> Come on.

Come on.

>> [music]

[music]

>> Come on.

Go.

Go.

Come on.

Stop.

Well?

What do you want to come along for?

You won't stop me if that's what you're

thinking.

What do you want to know, man?

What do you want that's worth so much to

you to come out here?

Why are you worried about Michael?

If it'd been anyone else I'd have cut

his throat.

Is it Connie?

Oh, man.

Don't kill yourself for the sake of a

woman.

That's what me dad went and did.

But he was finished.

And I'm just starting.

Don't be like him, Don.

I got no say in that, man. One way or

the other.

No more than I had been born in the

first place.

>> Come on.

Come on. Get up.

COME ON.

WHAT ARE YOU DOING?

>> COME ON.

>> FOOL.

>> DO YOU WANT ME TO GO BACK, MONEY?

>> DO YOU WANT TO go back?

>> Do you?

>> Get up there.

>> Man.

Don't fight with me, man.

I love you.

You won't let me give up what's mine.

MONEY.

MONEY.

>> [music]

>> I'VE BEEN KNITTING OUT THE HENS, doing

the milking.

Have they come back yet?

>> No.

>> They must have stayed the night at the

cottage.

Matty was so ill.

>> You'll bring Barbara's child back here.

What have I done? What have I done?

>> It's not your fault.

>> He'll do what he likes.

I won't leave without you.

>> It's all right.

They're back.

>> [music]

>> Woah.

>> Where's the child?

>> Hold on, woah.

There's been an accident.

>> Oh gosh, is she all right?

>> There was no child, ma'am. Just there

now.

Go inside, ma'am.

>> Mr. Taggart, come here.

Is there a life?

>> You're going to be safe. I'll go down

and deal and fetch your doctor. I

>> Tell me what happened.

>> I don't know, miss. But for God's sake,

go didn't say to warn them.

>> What should I say?

>> Wait, he's alive.

>> He's in an accident.

>> No, don't go out. Let me ring Dr. Enid.

>> Ask me.

I've seen him up close.

He's dead.

Now, clear the table. CLEAR THE TABLE.

>> I'LL GO DOWN TO THE ISLAND THERE, MRS.

REDLIN, fetch the doctor.

>> I'll get the filly out for a moment.

It'll be quicker.

>> What happened?

>> I don't know, Mom. We found them down

below the peak.

>> [laughter]

>> It's all right now. He's gone.

>> [music]

>> Take unto himself the souls of our

[music] dear brothers here departed.

We therefore commit their bodies to the

ground. [music]

Earth to earth,

ashes to ashes,

>> [music]

>> dust

to dust.

>> [music]

>> Sure and certain hope of the

resurrection to eternal life

through our Lord Jesus [music] Christ,

who shall change our vile body that it

may be like unto his glorious body

[music]

according to the mighty working

whereby he is able to subdue all things

to himself.

>> [music]

[music]

[music]

>> Ah!

>> I'll come and get the car.

>> MAKE IT QUICK THEN.

>> [crying]

>> THIS IS GOOD FOOD.

>> [music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

>> HEY.