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Janelle Mon�e?

Yeah, it's just something I do.

It frees me when I'm stuck.

Keep going.

You make me nervous.

Why is that?

- You can do it. - Yeah.

I know. I know.

I'm going to.

Are you almost there?

I'm trying.

Keep going. I can do this.

I can do this.

Can you?

Wellsy!

Hey, I'm on my way to you right now. Got my flash cards and everything.

Uh, actually, about that.

Uh, I know we're down to the wire,

and I promise I'll have you ready for Tolbert tomorrow.

- But� - But?

But I can't meet right now

because I have my first songwriting session with Justin.

I asked him for help with my showcase song, like you said.

And-- And he went for it.

Hello?

Did I-- Did I lose you?

- I'm here. - Okay, are you keeping up?

I'm calling to say you were right.

That's usually where you hit me with some arrogant reply.

What can I say? I know my pretentious douches.

There he is.

Okay, anyway, it's impossible to get a rehearsal space last minute,

but I got one.

So I have to push tutoring to later.

- Five-ish? - Sure.

Are you okay?

Yeah.

Yeah, why?

Because you're speaking in two- and three-word sentences.

No, I'm not.

Yes, you are.

Wellsy, I am thrilled beyond words

that we have accomplished this key step

in Project Lover Boy,

and you are on the road to getting laid.

Excuse me, that's not what this is about.

Justin is not just some random guy I want to hook up with.

He is a talented musician who I respect.

And also want to hook up with.

Well, yeah.

Oh, my God. Oh, my God. I'm so nervous.

You're overthinking.

Get out of your head.

You know your shit. Just do you.

Yeah, right. Me.

And by the way,

he may not know it yet, but you're the real catch.

So, act like it.

Thanks, coach.

Okay, gotta go.

dDon't worry 'bout the past�d

Point. One point. Come on.

Come on!

Bullshit.

- Yes! - No.

- No. - I win.

Dean Di Laurentis, everyone.

Losing to a girl.

- Sexist. - How is that sexist?

She is not a girl.

She's a person in a girl's body.

Aw, Dean.

Neanderthals can evolve.

- Sorry. - You're good.

G, this is Lexi's friend, Zoe.

Zoe? Ahem! Zoe.

Two out of three, okay? Let's go. Let's go.

Dean. Dean, chill. Garrett needs to study.

Oh, and I need to live, okay? This is a living room.

Hey, Dean, Garrett's benched if he doesn't pass this thing, and then he's fucked.

- Then your whole line is fucked. - And the season's fucked.

I can't be the number one fan of a shitty team.

That's so embarrassing.

- Right, guys, I'm trying here. - Brain fuel flying in, Cap.

We got you.

High in omega-3s, carb-forward, no keto bullshit.

- Thank you. - Yes, sir.

- What is that? - More liquid IV.

I thought you passed on the sponsorship.

Yeah, I did. They DM'ed my dad some happy family marketing angle.

They want me to do the whole thing with him.

Wait, sorry, that's it?

- How much money'd you leave on the table? - Does it matter? It's his business.

Y'all, he's trying to study.

Trust me, no amount of money is worth it.

Yeah, that's why Taco Shack is the ideal sponsorship.

No strings attached, just carne asada.

All I'm saying is cash is better than tacos.

- Unless you don't need the cash, I guess. - Jules!

What? He knows he's a nepo.

Okay, you know what? I need to focus. Jeez.

No.

Seriously, dude?

Think he's coming back for that?

I-I mean, it's-- It's just a start, what I have.

It's rough still.

Might totally suck.

It might suck. It might not.

It's a-- It's a process.

Yeah.

Yeah, I like this phrase here.

- You do? - Yeah.

These, are these lyrics?

No. Uh�

- Maybe. - Maybe?

They're my attempts.

Um, I haven't written lyrics since high school.

Okay. Can you sing it for me?

Oh, no, I'm-- I'm not a singer. Sorry.

Well, I, um�

I can't read your handwriting.

You know what? That-- That might be fine.

Okay. Uh�

Um�

Why don't you-- Why don't you tell me what you think the song's about?

Yeah, yeah, sure. Um�

Uh, well, it's a love song, I think.

Um, kind of wanted to use the cello here like a guitar.

Kind of like a George Harrison vibe, right?

Um, like a counterpoint to the vocals.

Like they're having a conversation.

Uh, sorry, but the lyrics could be about

like, being in love with someone who doesn't see you.

And the cello's like, "Hey, I see you.

I'm into you," you know?

Yeah.

Yeah, um, I get where you're circling.

Really?

Mm.

Hey, can I-- Can I borrow this?

Mess around with it a bit?

Yes, please. Of course, take it.

- Sweet. - Sweet.

Your life is about to change.

- It is? - Yeah.

Well, I think my life's about to change,

hence, ergo, therefore.

- You ready for life changing? - Okay.

You remember that agent I told you about?

The one that reps Briar Youth Theater legend Joanna Maxwell?

Mm-hmm.

Well, he came to see Our Town a couple weeks ago,

and he wants to sign me.

Oh, wow, that's great.

It is! Like it really, really is.

His agency has offices all over the place,

so this could mean film and TV work in LA,

like stage work in New York.

Like, this is everything.

Everything.

What happened to Vermont?

I thought you'd join me there after you graduate.

My family, my dad's insurance company?

Vermont was summer.

Vermont was the plan.

Vermont was your plan.

Maybe I have different plans.

It's just�

what are the odds?

What do you mean?

I mean, what are the odds of you actually making it?

In Vermont, we can build a life together.

- Yeah. - A great life that's stable and secure.

Oh, yeah, and that is a great life.

- But I-- - And you can still act.

You can do all the summer stock you want.

You'll basically always get the lead, which I know you love.

Okay, and what about fall and winter?

Spring?

I guess I just thought you'd outgrow all this.

Wow.

I didn't mean it like that, Allie.

I meant�

Look, I'm-- I'm getting cold. Can we talk about this later?

Are you done?

No, I'm not.

Hey, you don't have to lock it. You can just leave it on the porch.

Or actually, you know what?

I can leave it on the porch.

Hi. Thanks.

All right.

What happened to your Subaru?

Oh, my Bluebaru.

How do you know about that?

I fixed it.

Freshman year, you brought it to my family's garage just off Route 6.

That was you?

That was me. Yeah.

I-I loved that car.

Tragically, she died.

Oh, shit. Sorry.

No, no, you gave my Bluebaru six more months of life.

I had her my whole freshman year. That was huge.

Well, if your bike ever needs a tune-up, I'm your guy.

Okay.

No, I'm-I'm serious.

I kind of made a little business out of fixing things,

doing handyman work, whatever I can get around campus.

I'm actually currently on my way

to hang Professor Walden's new widescreen TV for $25 an hour.

- Nice. - Yeah.

I'm rolling in it.

Well, I'm holding down three jobs at the moment for�

wait for it�

minimum wage.

Damn! Where's the Bentley?

I love riding my bike.

Keeps me grounded, you know?

Really? Good for you. I'm proud of you.

You're a hockey player.

I thought all you guys got free rides.

Yeah, well, scholarship money only goes so far.

Can't all be Garrett Graham, right?

Anyway, he is studying in his room.

It's the last door on--

On the left. I know.

Right.

All right. Bye.

dTastes so good Make a grown man cry d

dSweet cherry pie d

Garrett?

Garrett!

Not sure how "Cherry Pie" is gonna be--

Oh, my God!

dSweet cherry pie d

dSweet cherry pie d

Hannah, wait.

You know, locking the door is a thing that people do.

- I'm sorry. - Okay, you know,

I plan these sessions for you, and you're always distracted.

You're at the gym curling or pressing or whatever, or sexting, or�

Fuck! Actually having sex.

Which, by the way, kind of blows up our entire story.

- No, it doesn't. - Yeah, it does.

We're supposed to be a couple.

Yeah, but we're not exclusive. We talked about this.

Well, I know that nobody would believe that Mr. I Don't Do Girlfriends

would actually have a girlfriend.

That's not the point.

The point is that you're not taking us, this, seriously.

Yes, I am. I was studying.

Yeah, studying what exactly?

Okay, no. Actually, don't.

Don't answer that.

Zoe offered to help, you know, take my mind off of things.

- Loosen up a little bit. - Oh, my God.

- Please stop. - You changed the study time.

Yeah, I changed it to now.

And you agreed.

Okay, hold on. Wait.

Okay, I'm sorry.

I want to learn this.

I do. I�

I don't get how there can be two truths.

Like, shit's either true or it's not.

Subjective, objective.

I mean, what the fuck, Kierkegaard?

Okay, he believed that people needed to define truths for themselves.

Like, believing in God.

See, this is why I need you. That actually makes sense.

Yeah, what can I say? I know my pretentious philosophers.

Okay, look.

I messed up.

Can you please come back inside?

Tucker made salmon.

We can eat, study�

Okay, you have a naked woman in your room.

Oh.

Shit, I do.

Uh, that's okay. Just give me five minutes.

- What? - Uh�

Justin has some thoughts

about the song.

All right, well, what about studying?

I'll send you a video on Kierkegaard that explains everything, okay?

And I'll meet you tomorrow before class.

With your clothes on!

dSilent as the eagle strikes d

dIn a cold and lonely world d

dAlone enough for me to ask this d

dAlone enough to fear the hurt d

And then the cello part you wrote for the pre

actually worked great as a vocal melody.

Then I added another section before the call and response.

Like, um.

dWhat was it all for?d

dHello, hello, pain d

dSinking into your d

dYellow, yellow haze d

dYellow, yellow d

And then your cello part.

dYellow, yellow d

dYellow, yellow d

Something like that.

You-- You just came up with that?

That's your melody. I just, um�

Just gave it words.

Do-- Do you like it?

Yeah. Yeah, I-I do. I-I really, really do.

I mean, I thought you would. I'm just� Yeah, I'm really glad you like it.

Shit, sorry. Damn.

Do you always record yourself?

Well, you never know when inspiration might strike.

Like, if you see me around campus with my phone in the air,

it's because I'm recording.

Like, the sound of the wind or trees rustling.

Or the ceramic clinking at Malone's.

Such a specific sound.

Such a specific sound, yeah.

And then you use it?

Yeah, sometimes.

Usually, like, really deep in the mix when I'm trying to change things up.

Ben Folds does it too, and Sharon Van Etten.

- Like Billie Eilish and Finneas. - Yeah, yeah, exactly.

Yeah.

Uh�

Let me, um, send you this file, and we can riff on it.

Are you a Pro Tools or a Logic girl?

Logic. All the way.

Okay.

Sick.

Uh�

Uh, let me actually just�

Shit, it's, um, it's 7.30.

I've gotta�

I gotta go.

- Okay, yeah. Yeah, no problem. - Yeah.

I'll see you later.

- Yeah. Yeah. - Cool.

Ciao.

Fuck.

dDun, dun-dun, dun, dun-dun d

dAll right, got a lot of friends That I can't escape d

dSleeping in my head like a Motel 6d

dHold it all together With a little duct tape d

dIt bends, it breaks d

dGot a lot of dreams But I let them die d

dPing-pong, drip-drop, oh my, my d

dThe TV's on, but the noise is white d

dWhat am I doing now?d

dGod, can I catch my breath d

dNot even for a second?d

dChasing Santa Ana winds d

dAnd I obsess d

dI slow-dance with the tension d

dCan you taste it on my lips?d

dI'm so scatterbrained d

dFor a second, I don't feel the same d

dCome medicate me d

dI don't sleep at all, yeah d

dI've been counting sheep d

dI look perfect on the surface But a nightmare underneath d

dI've got anger problems I say things that I don't mean d

dSome people pay for therapy d

dI find it in the sheets d

Here, let me send you this file and we can riff on it.

Uh, we could.

Or�

Or?

dBaby, don't make me Spell it out for you d

dAll of the feelings That I've got for you d

dCan't be explained But I can try for you d

dBaby, don't make me Spell it out for you d

dYou keep on asking me The same questions d

dWhy?d

dAnd second-guessing All my intentions d

dShould know by the way I use my compression d

dThat you got the answers To my confessions d

dIt's like I'm powerful With a little bit of tender d

dAn emotional sexual bender d

dMess me up, yeah But no one does it better d

dThere's nothing better d

dThat's just the way you make me feel d

dJust the way you make me feel d

dThat's just the way you make me feel d

dThe way you make me feel d

dSo good, so good, so fucking real d

dUh-huh d

dThat's just the way you make me feel d

Please.

dThe way you make me feel d

dOh, oh, oh d

dThat's just the way you make me feel d

What do you want, Wellsy?

Wellsy. Wellsy?

S-Sorry, yes? What?

What if she picks Kierkegaard?

I still don't get the two truths thing.

- I'm so screwed if I get him. - No, you're not.

You know everything on these cards. I promise.

What if I forget or something, you know?

I mean, Tolbert kind of intimidates the fuck out of me.

Okay, well, pretend she's a defenseman from Eastwood coming at you, okay?

What would you do?

Skate away.

Hockey's easy.

Okay, well, if you forget,

just look at me.

Okay? Convince me.

Isn't this fun?

Huh?

Kierkegaard.

- Shit. - Shit.

Okay, Mr. Graham.

Your topic is ghosting.

Would Kierkegaard argue ghosting is moral or immoral, and why?

Uh, Kierkegaard would argue

that ghosting someone is immoral

uh, because it is, like, um�

you know, really wrong to do to somebody morally.

You've got this.

You know, ghosting might sound like no big deal,

but Kierkegaard would say,

not only is it harmful to the victim,

it is an absolute abdication of selfhood.

Ahem.

While an objective truth is supported by facts,

Kierkegaard believed that, as individuals,

we have a shared moral responsibility

to be honest

based on our own subjective definition of truth.

To suddenly disappear from someone's life

without an explanation is basically like discarding their humanity.

Ghosting is choosing comfort over courage, despair over strength.

It is labeling another human being as unworthy.

And as Kierkegaard himself said,

"Once you label me, you fucking negate me."

Uh, I'm paraphrasing.

Ah!

- We did it! A fucking B! - Plus!

- Don't forget the plus. - B-plus?

Yeah, you are officially a professional bullshitter.

- Thanks to you. - Oh!

Um�

What do you want, Wellsy?

Um�

You can put me down now. We know how much you can bench.

Shit.

I think Justin saw me.

Uh, yeah, he just waved at you, crazy.

He's walking away now.

What's going on?

So embarrassing.

I think he saw my Justin Kohl playlist.

You have a Justin Kohl playlist?

Okay, don't make it worse.

Are we talking, like, songs that remind you of him,

or his band stuff?

His band stuff.

And some solo stuff from high school.

Wow, you went down the fangirl rabbit hole.

Hard.

That is the exact opposite of everything we've been working on.

Yeah, I know.

Oh, my God.

He wants to know if I'm good.

What should I say? Am I good?

- Nope. - What are you doing?

You're not gonna respond. Say nothing.

What?

Hey, fangirl.

Start thinking like a fuckboy.

- Ghost his ass. - Wait.

Didn't you just give a whole impassioned argument about how ghosting is immoral?

That it's an abdication of selfhood?

That was to get me the grade. This is to get you the guy.

You want that, right?

- Yeah, I do. - All right.

Then you're stuck with me because we've only finished half the deal.

And, uh, oh, shit.

Haven't I been completely right about everything so far?

You are intolerable.

So, you are not going to text Justin.

You are going to put your phone away

and come to Malone's with me and the guys tonight.

- Tonight? - You're not working, are you?

- No. - Okay, so you're coming.

- To Malone's? - Yes.

- With all the guys? - We've established this.

- Garrett. - Hannah.

- Do you know what tonight is? - Hell yeah, I do.

So, you're going to karaoke night with Garrett Graham?

And the rest of the team. And you.

If you're free.

Maybe.

Oh.

Oh! My slut top.

Take it. From my boobs to yours.

What do you mean maybe?

I might stay in.

Stay in?

Allie, you didn't even stay in last year when you sprained your ankle.

- You bedazzled your boot. - Yeah.

Just feeling a little meh.

What's going on?

I told Sean I got an agent,

and he got all like, "But what about the real world, babe?"

I'm sorry, you got a what?

Oh, yeah. No, I got an agent.

- Yay. - Oh, my God!

You let me go on about my shit when you have news like that?

Allie, this is everything.

Every fucking thing.

Oh, yeah. It, like, is everything, right?

You're the best.

I love you.

I love you, too.

Okay, screw him.

You're coming out with me, and we're celebrating you.

I don't know.

It's karaoke night.

You really gonna rob the people of your talent?

dTake me for what I am d

dWho I was meant to be d

dAnd if you give a damn d

dTake me, baby d

dOr leave me d

Whoo!

- Yeah! - Woohoo!

- She's really going at it. - Yeah, the stage is her happy place.

Hey, who's next?

Someone, please, save us from Adele Dazeem up there.

dLose your head d

d'Cause every night, who's in your bed?d

Whoo!

Wellsy, what you singing?

- Nothing. - Come on, it's karaoke.

Yeah, well, sober karaoke's no fun.

I'm sober, too. Game tomorrow.

- Yeah, and what are you singing? - I don't know.

The guys will pull me up for something.

I'm good, thanks.

All right.

dWhat's my sin? Never quit, I follow through d

dI hate mess but I love you d

dWhat to do with my impromptu baby d

dSo be wise 'cause this girl satisfies�d

You know, you don't have to be sober if you don't want to be.

- Yeah, well, I don't-- - Drink in public.

No, I know.

But do you want to?

- Want to what? - Drink.

- I told Allie� - I will look after Allie.

She's a no-filter drunk. Gotta rein her in.

I can handle her.

And I will guard your drinks with my life.

I got you, Wellsy.

Do you trust me?

Yeah. Yeah, I-I do.

Okay, uh, I will have a drink.

A "drink" drink.

And what is your "drink" drink of choice?

I don't know.

Well, that is a fun problem to solve.

Oh.

I think we found your "drink" drink.

Yummy!

He thought I would outgrow acting.

Like, dude,

I would love to be ER nurse number two with half a line.

Jon Hamm had one scene in Gilmore Girls.

I know, he's the Mad Man.

I'm like, I get it.

There's no guarantee that I'll make it.

But isn't that kind of what's exciting about it?

Like, that's why they call it a dream.

But I do love him.

You know? And�

And I know he loves me.

And�

Like, we're supposed to be together.

Oh, God, we've broken up and gotten back together so many times.

It's, like, insane.

I mean, that's gotta mean something, right?

That we keep getting back together.

My mom always used to tell me, "Never give up on love."

Well, that and, "Love your body," which I do.

My mom said the same thing!

Oh, my God, really?

Wait, hold on, the love thing or the body thing?

Hang in there, girl.

JLo.

Maverick.

I've got a boyfriend, you know.

Yeah, no, I heard.

Along with the rest of the ladies' room.

Doesn't sound like he's gonna last long, though.

Okay, this is supposed to be, like, a sacred space.

Who the hell hooks up in the ladies' bathroom anyway?

Sorry. Not you.

You're a sweetheart.

And you're disgusting.

dWell, I walk into the room d

dPassing out hundred-dollar bills d

dAnd it kills and it thrills Like the horns on my Silverado grill d

dAnd I buy the bar A double round of Crown d

dAnd everybody's getting down d

dAnd this town Ain't never gonna be the same d

d'Cause I saddle up my horse d

dAnd I ride into the city d

dI make a lot of noise d

- d'Cause the girls, they are so pretty d - No way.

dRiding up and down Broadway On my old stud Leroy d

dAnd the girls say "Save a horse, ride a cowboy"�d

Good, you're here.

I'll put you and Garrett down for "Summer Nights."

I know that's a joke, but I would kill Sandy.

I wasn't sold on them at first, but I can see it now.

Yeah. Sure.

- Hey. - Oh, Logan!

You fixed my car.

He fixed my car.

You have a car?

No.

Had a car. A great car.

I'm buying you a very special thank-you drink.

Okay, you're gonna love it.

Hannah has discovered the pina colada tonight.

- Ooh! - I only had one�

or four.

Is that what I'm getting too?

Nope.

For my mechanic, I call this the Bluebaru.

- See? - Wow.

That looks like wiper fluid.

That might actually be wiper fluid.

It's mostly blue cura�ao with a secret ingredient.

More blue cura�ao.

Oh!

I'm so excited. I can't wait.

- Hey, G. - What's up?

I brought you something.

I thought you were looking a little parched.

I know. Nepo babies have feelings too.

Sorry if I was an asshole.

- You're always an asshole. - Fair.

Here goes.

dEverybody say d

d"Save a horse, ride a cowboy"d

This is pretty good.

They just keep sending you those for free?

- Yeah, they still want him. - They want my dad.

Wait, you guys should just do it together.

I mean, look at you. Best friends.

All right, maybe we'll slow down on the pina coladas a little.

No, I mean it. Screw your dad. Do it with Logan.

You could be teammates spotting each other at the gym.

Or besties wingmanning each other at the bar.

- Besties. - Besties.

Am I drunk, or is she brilliant?

No, I'm drunk and you're brilliant.

And I'm brilliant too.

It's not a bad idea.

Thanks, man, but I don't need the charity.

Yeah, you do.

I mean, seriously.

Nobody wants to see Oldie McOldsfuck has-been, okay?

What's better than two hot young hockey players?

Three hot young hockey players?

Yeah!

Hannah Wells.

You're up, bitch.

Whoo!

All right, hold on. Wait, I thought you weren't singing.

That was before I found the perfect song.

dDirty, rotten, filthy, stinking d

Oh, shit, Graham.

You know this one?

dShe's my cherry pie d

dCool drink of water Such a sweet surprise d

dTastes so good, make a grown man cry d

dSweet cherry pie d

Whoo!

Whoo!

dListen d

dWell, swinging on the front porch Swinging on the lawn d

dSwinging where we want 'Cause there ain't nobody home d

dSwinging to the left And swinging to the right d

dThink about hockey, I swing all night d

dYeah d

dCome on d

dSwinging in the living room Swinging in the kitchen d

dMost folks don't 'Cause they're too busy bitchin'd

dSwinging in there 'Cause she wanted me to feed her d

dSo I mixed up the batter And she licked the beater d

dI scream, you scream We all scream for her d

dBut don't even try 'Cause you can't ignore her d

dShe's my cherry pie d

dSuch a sweet surprise d

dShe make a grown man d

Whoo!

dShe's my cherry pie d

dPut a smile on your face ten miles wide d

dLooks so good, bring a tear to your eye d

dSweet cherry pie d

dI, I, yeah d

dSwing it d

dAll night long�d

Kind of sweet, isn't it?

Seeing Garrett being serious about someone.

Do you think he's serious?

Everyone on Fifth Line seems to think so.

They get more likes than anything else I post.

dSwinging in the bathroom Swinging on the floor d

dSwinging so hard Forgot to lock the door d

dIn walked her daddy Standing six foot four d

dSaid, "You ain't gonna swing With my daughter no more"d

dShe's my cherry pie d

dSuch a sweet surprise d

dShe make a grown man d

Whoo!

dShe's my cherry pie d

dPut a smile on your face ten miles wide d

dLooks so good, bring a tear to your eye d

dSweet cherry pie d

Swingin'.

You did good, Wellsy.

Thank you.

You guys, I forgot my purse at the bar.

Your purse with my wallet and keys in it?

- We gotta go back. - It's closed.

Well, what now?

Next party?

Night, night.

Wellsy?

Wellsy?

dBack of my mind, back of my mind d

dI'm a little scared, I'm a little wired d

dI don't wanna put my foot down Right now and stop it all happening d

dBack of my mind, back of my head d

dYou look really nice, wanna share a bed?d

dI don't wanna put my foot down Right now, but it's happening d

dDon't kiss me d

d'Cause I might end up on the ceiling d

dWay too high to ever Come down to reality d

dBack to my sanity d

dGuess it's too late for that now d

dHope is a scary thing d

dI'm flying on temporary wings d

dHope is a scary thing d

I found something to sleep in.

I can see that.

Whoa, whoa.

But I'm a fuck bunny.

A puck funny.

No, no.

A fuck bunny. That's it.

You're a drunk bunny.

Come here.

Come here.

A fake relationship means we can fake sleep together.

I don't think it's a great idea.

I actually think it's my best idea.

Well�

Go to sleep, Wellsy.

Hey, you're not gonna remember any of this in the morning.

Oh, my God.

Can you?

Coffee?

Oh, uh�

Thanks.

Morning.

Morning.

You were pretty drunk last night.

How much do you remember?

All of it.

You tried to have sex with me.

Yeah, I-I know.

And now you're bringing me coffee.

Yep.

Okay, are you 100% awake?

Because there's something really important that I need you to do for me.

Oh.

Okay.

I need you to give me an orgasm.

dUh-oh d

dOh, no d

dI think I'm losing all my self-control d

dIf you stay, I should go d

dBut if you don't I think I'll risk it all d

dOh, oh d

dNo, no d

dOh, oh d

dOh, oh, oh, oh d

dNo, no d

dDon't underestimate me d

dI can change your life d

d My friends say fixing you d

dIs just a waste of time d

dWaste of time d

dCall me dear sentimental d

dKiss me at the bar d

dAt the bar d

dThink I'm the happiest d

dWhen I'm within your arms d

dI mean, I don't even know what to say at this point d

dOh, oh d

dOh, no d

dI think I'm losing all my self-control d

- dIf you stay d - dStay d

- dI should go d - dGo d

dBut if you don't I think I'll risk it all d

dGive you a reason to live d

dBaby, I think it's for the win d

dCut all ties with the old d

dAnd I'll give you something to miss d

dWhen the good gets harder to hold d

dThrow it all to the wind d

dFor the win, for the win, for the win d

dDon't underestimate me d

dI'm losing my control d

dOh-oh, oh, no d

dI think I'm losing all my self-control d

- dIf you say d - dSay d

- dI should go d - dGo d

dBut if you don't d

dI think I'll risk it all d

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